#these arent rich people

[jewishdragon]

all this but i want to add that in case people are unaware and im giving benefit of the doubt to OP but "rich elites" is often an antisemitic dogwhistle to mean "jewish which control the media/money" and is especially more so when talking about LA.

A dogwhistle that has caught on to the point where people dont know its a dogwhistle and use it without being aware of that.

I am literally begging people to understand that LA is not filled with “rich elites”. It’s mostly filled with people just like me - people with extremely modest success in an industry they’ve probably been passionate about for their entire lives; people who work hard and grind every single day to have (or probably rent) a home in one of 2 cities the nation where their dreams even have a microscopic chance of becoming a reality. Actors whose names you wouldn’t recognize, screenwriters who are writing pilots that don’t get picked up, camera operators for mid tier reality shows, musicians who have had one song in the background of a commercial, makeup artists who get hired for a C-list celebrity red carpet appearance once in a while. Just ordinary fucking working people with dreams.

I don’t think it’s likely anyone who follows me agrees with the fucked up shit I’m reading atp, but as someone who lives in NYC for my career and could just as easily live in those neighborhoods in LA (and I have almost moved there many times), it’s so fucking difficult to read comments about “rich people” and categorize the entire entertainment industry - which is largely comprised of exciting but otherwise average trade jobs - as “out of touch elites whose houses deserve to burn” when it couldn’t be farther from the truth. To wish such horrible things and have so little empathy to people just like me. For my peers, and my colleagues, and my friends. To be reading unfounded disdain about them (and again by extension me and everyone like me) everywhere, and to have the struggles of my industry be this misunderstood, have who we are generalized this much, have people laughing or not caring that these working people are losing their homes, losing their dreams, having everything they’ve made happen for themselves reduced to rubble... it is the absolute worst shit fathomable. It is fucking crushing to a degree I cannot even describe.

[absolutechaosss]

The main critique I've seen leveraged at Saltburn is that is falls short of its message of "eat the rich". But like...I never saw it as as that. Saltburn (to me) is steeped in a specifically English class context of nobility. There is this gap that cannot be bridged. Oliver throughout the movie has this deep frustration that he does not permanently belong in the sphere of Saltburn. Multiple people specifically goad him with this fact. Oliver is privileged by most people's standards, but it isn't enough. It's not eat the rich as they're all terrible its eat the rich as consuming them, absorbing them, licking the plate clean. The film came across as less a class critique and a hornier knives out but rather a psychological horror story about desire and not being able to have what you want the most. Oliver will never belong truly at Saltburn. Oliver despite worming his way into the family never has physical intimacy with Felix. It's not skewering the rich, it's commenting on the deep desire to inhabit their skin.

[cheddar-baby]

Forever thinking about the art piece in Don Hertzfeldt's short film World of Tomorrow where a clone of a child is put into a tube in a gallery and you watch him age in real time until he eventually dies at the age of 72 then the exhibit is quietly removed without any notice.

[nowwithgaypheromones]

turns out that rewatching old videos takes about 3x longer than the runtime if you keep stopping and rewinding to take screenshots

[brick-van-dyke]

As the US election closes in and the final states take to the polls, I want to remind people to turn out and protest.

Yep, protest. Strike, disrupt, be out there on the street regardless of who you voted for or who wins. I expect to see you all out there demanding; access to abortion nation wide, protections against discrimination, free universal healthcare, a free Palestine, anti war, prison abolition, to increase the minimum wage, and for a US free of the electoral college and that counts votes as votes.

Yes, you can say "you should vote for Harris" and do so as much as you like, but do not forget the power you have through your own everyday actions away from the polls and that of protesting. Do not use the excuse that your right to vote means it's somehow more foundational or important than the right to protest. You have the ability to create direct action and that is so so important, please don't just expect a rich representative to stick to their promises every time you vote; you have power too, never forget that.

This system will not change until we, the people, make it. There is NO representative that can ever change the system that allowed them in, and likewise; this system will never allow a candidate that would stop it from continuing and/or ensuring its designated purpose of oppression and subjugation. Resist, regardless of the results.

Long live the resistance.

[yellowocaballero]

Been a fan of your fics for YEARS. I was just telling my friend how despite how much I read fics I never actually love them, with some of your fics (especially TMA) as the exception. Felt the need to reread some of them and saw you reblogged some ISAT fanart. So. Any thoughts on ISAT you'd like to share?

Hope you have a wonderful day!! So happy I found your fics again!!

I avoided answering this for a while because I was trying to think of a way to cohesively and coherently vocalize my thoughts on In Stars and Time. I have given up because I don't want to hold everybody here all day and I have accepted that my thoughts are just pterodactyl screeching.

I love it so much. I have so much to say on it. It drove me bonkers for like a week straight. I have AUs. It's absolute Megbait. They're just a little Snufkin and they're having the worst experience of anybody's life. Ludonarratives my fucking beloved.

I am going to talk about the prologue.

The prologue is such a fascinating experience. You crack open the game and immediately begin checking off all of the little genre boxes: mage, warrior, researcher, you're the rogue...some little kid who's there for some reason...alright, you know the score. You're in yet another indie Earthbound RPG, these are your generic characters, let's get the ball rolling.

Except then you realize that these characters are people. You feel instantly how you've entered the game at its last dungeon, at the end of the adventure. They have their own in-jokes, histories, backgrounds, adventures. They get along well and they're obviously close, but not in a twee or unrealistic way. They have so much chemistry and spirit and life. I fell in love with them so quickly.

But Sif doesn't. Sif kind of hates them, because they will not stop saying the same damn thing. They walk the same paths, do the same things, make the same jokes, expect Sif to say the same lines. They keep referencing a Sif we do not see, with jokes we never see him make and heroic personality he never shows - they reference a Sif who is dead - and Sif can't handle that, so he kills them too.

They become only an exercise in tedious frustration. Sif button mashes through their dialogue, Sif mindlessly clicks the same dialogue options, Sif skips through the tutorial, Sif blows through the puzzles. Sif turns their world into a video game. Sif is playing a generic RPG. Sif forgets their names. They are no longer people with in-jokes, histories, backgrounds, adventures. They're the mage, the warrior, the researcher, and...some random kid.

I did not understand the Kid's presence at first. I had no idea what they contributed to the game. They didn't do anything. As a party member in a video game, they're a bit useless. Why is the Kid there?

Because Sif's life isn't a video game. Because the kid isn't 'the kid'. They're Bonnie. Bonnie, who the party loves. Why is Bonnie there? Because they love them. There is no room for Bonnie in the boring RPG that Sif is playing. And then you realize that Sif is wrong, and that they've lost something extremely important, and that they'll never escape without it.

Watching the prologue before watching ISAT gave ISAT the most unique air of dread and horror, because you crack open ISAT and you see the person Sif used to be. You realize that Sif used to be a person. Sif used to be the person who made jokes, who gave real smiles, who interacted with the world as if they are a part of it. And you know you are sitting down to watch Sif lose everything that made them a person, to lose everything that made them a member of this world, and turn them into a character in a video game who doesn't understand the point of Bonnie at all.

At the climax of the game, when the others realize that something is deeply wrong and that Sif physically cannot tell them, they realize that there is nothing they can do. So Bonnie declares snacktime. And for the first time they have snacktime.

What is snacktime? Classic JRPGs don't have snacktime. There's literally no point to a snacktime - not in a video game, and not in Sif's terrible life. It's not fixing this, because nothing can fix this. But Bonnie gives Sif a cookie and Sif eats it.

It's meaningless. It's a cutscene. It didn't save Sif and it didn't change a thing. It will make no difference in the end.

But it did make the difference. It made all of the difference in the world. Bonnie is a character who you really don't understand the point of before you realize that Bonnie was the entire point.

ISAT is about comfort media. Why do we play the same video games over and over again? Why do we avoid watching the finale of our favorite shows? What is truly comforting: a story with no conflict, or a story where you always know what is about to happen? Do you want to live in a scary, uncontrollable world, or do you want to play Stardew Valley? Do you want a person or a character?

When I beat Earthbound for the first time (and if you don't know, the prologue/ISAT battle system is just Mother) and watched the ending cutscene where the characters part ways and say goodbye...I felt a little bit sad. I wanted them to be together forever. But that's something only characters could ever be.

[kiwibongos]

bla bla something about having a high status and heavy responsibilities, never learning how to process trauma or their own feelings in general, barely being able to take care of themselves due to looking after the others because they feel like they must be selfless leaders since they're the most physically capable in recovery out of everyone else after the game (but not mentally), but sometimes it just becomes too much.

they may suck with feelings but they understand eachothers pain

[vaggieslefteye]

STAYED GONE ↳ from Hazbin Hotel Season One (2024): 1x02 "Radio Killed The Video Star"

[marklikely]

another thing that was crazy abt megalopolis is that theres a huge subplot (the main plot of the movie??) about how adam driver is just going around demolishing historic buildings and peoples homes to build his stupid utopian city and everyone is protesting this for obvious reasons but then in the last 10 minutes he just unveils his stupid utopian city and its presented like a huge grand triumph and the demolishings are completely forgotten so you have to assume the movie thinks that coming in and exploding peoples homes with no warning is a good and cool thing for him to do and they shouldnt have been upset by this.

[dukeofthomas]

Honestly the only thing I can think of when watching Batman (or any villain) stuff is about the people who build the death contraptions. Like there had to be a whole construction crew to make that death trap. Who modded the bombs to look like Joker? Who makes Two-Face's suits? Where is Riddler getting all those question-mark shaped canes??

[sockfizz]

Scratches my head and leans into the mic. So uh PSA! If I do anything that upsets you please inform me as soon as you can instead of ignoring it til I'm vulnerable? Thanks

[lord-squiggletits]

Broke: "Does this character deserve forgiveness/redemption/happiness/life after all the bad things they did?"

Bespoke: "Would it be thematically appropriate, narratively satisfying, or emotionally moving for this character to have a happy ending?"

[butchshevik]

I feel like all the weird responses to the variety of polls coming out that in some way shape or form ask "is it ok to engage in sexual activity in a place that is not your/your partners bedroom" really show how cooked we are on like. a basic social level

[saturnrin]

I have recently discovered that I adore internship aus where MC is so done with whatever eccentric, rich family they get put in charge if.

So far, favorites are:

Management Internships Don't Normally Last This Long, Right? By Rhia_Emrys on ao3 (mha)

And

When a man in a suit asks you to get his coffee, say no. By TheCuriousCat on ao3 (maribat)

Similar recommendations would be welcome and appreciated.

[glitchdollmemoria]

honestly about to go through my villain arc. employers will go on and on about being inclusive of people with disabilities but still require standing for jobs that can be done sitting down, or a job description will say "walking" "on your feet" etc and not specify whether or not wheelchair usage counts for that by their standards. sometimes it feels like wheelchair users are expected to all be geniuses who can afford to go through years of college, as if to make up for our disabilities. it isnt fair and i just fucking want to survive in a world thats stacked against me and people like me

[ourdreamsareneon]

As a pacifist, I'm shocked. As someone who's been saying for years that we need to bring back public assassinations, I'm delighted.