#theres two more parts

[starscream-is-my-wife]

This is part 1 of a continuation for my other post where LL Megatron gets trapped in the G1 universe, I was thinking about how someone would go insane in this cartoon world and thought "what if Megatron had someone else to accompany him" so, I gave Starscream an existential crisis

Edit: final part is out, I tagged everything as G1 x LL AU!

[fatedroses]

More than just the Demon.

[sojourner-between-worlds]

If you need me I'll be chewing on the fact that, yes, the other eight uses are in Exodus and are about the Tabernacle tapestries and in the New Testament our bodies are called the temple of the Lord

[orphiclovers]

Secretive Plotter voice appreciation post.

He makes it a habit to speak in his 'true voice' 99% of the time, so we get a lot of descriptions of it  - it's very distinctive.

Kim Dokja calls it 'sharp and clear' the first time he hears it.

Sun Wukong is less complementary and says it's 'insidious-sounding' - both descriptions give the impression it's a grating and harsh sound to the ears.

It makes sense - he's an Outer God, after all. Usually the effect hearing their voice has is bleeding from your ears and terror - unless you're sufficently powerful to withstand the effects.

And despite that Secretive Plotter very delibaretly choses to speak in his 'true voice' anyway, a little bit as an intimidation tactic but mostly as part of his artificial persona of 'frightening Outer God called Secretive Plotter.' And so no one forgets what he is for even a second, not even himself.

But then of course the fearsome illusion shatters when he drops the voice whenever children are around. There are only two times we ever hear his real voice - not so coincidentally, the only times when he's not pretending to be the 'Secretive Plotter' but is instead just 'himself'.

The first time, for a brief moment when he talks to Yoo Mia. The switch is never called out, even though Yoo Joonghyuk's narration notices it. And Secretive Plotter doesn't point it out either, because he does it automatically and without thinking - because it would never occur to him to hurt or frighten a child on purpose, no matter how villanous he is acting.

Most significantly he tells the honest truth here, to both Yoo Mia and Yoo Joonghyuk. But it doesn't last and then the next sentence after he puts Yoo Mia to sleep he's back to 'true voice'.

The second time we hear his real voice is here.

Again, he's speaking to a little kid here and at the same time dropping the 'Secretive Plotter' persona - for the final time. During the rest of this scene he never goes back to speaking in the 'true voice', even though the rest of the 999th turns outer gods do - Oldest Dream can obviously handle it, but it means something different to Secretive Plotter to speak in his real voice, he only does it when he's being entirely honest and candid - when he's not keeping up appearences. And he was definitely brutally honest during this whole conversation.

(It's also interesting that despite it being called a 'true voice' it's often very much the opposite. It's a lie for Secretive Plotter, a mask he wears, as I pointed out in this post - but also for Kim Dokja too, in the same exact way. Kim Dokja only uses it to intimidate his enemies (for example, when he was defending Yoo Joonghyuk from Asmodeus) or paint himself as someoen frightening, irredeamable, inhuman (when he was trying to convince Anna Croft he was evil and no better than any other constellation). In this, Secretive Plotter and Kim Dokja are exactly the same - except the Plotter has done it longer and gotten used to keeping up the facade at all times, whereas Kim Dokja speaks in his real voice most of the time.)

[randomminty]

If pokemon wont give me bea and allister siblingisms ill just make it MYSELF

[imorphemi]

Molly and Beau

[feyd-meowtha]

I am baffled by the person who just left an anon comment on my Feydpaul fic saying they "can't believe" I would write sadist!Feyd without tagging for OOC based on 2024 FILM CANON.

My brother in Christ, that nasty bald freak makes his brother kiss his shoe under threat of death and then cooks a POW to death with a flame thrower.

What part of that is not giving sadist to you?

[synthshenanigans]

I miiiight color this properly but have a funky soul design i did for fun :}

[close up + a small text about the guy below and then some]

While it is mainly just for fun & not my main design for Soul, i think Soul's form would change throughout Cacophony a fair amount. There's still some things it cant change but depending on its view on himself, Heart & Mind, or Whole would alter how his apperance looks. Not necessarily a bad thing either, just a form on how he feels or views himself. Kinda like when you make a persona i guess? He just swaps a lot between them.

Also smaller thing being that it's "tail" can change as well! More obvious being the relation to the instrumental album cover but also it can changed into other things as well. An Umbrella for Spring and a Storm, a gavel for parts of Mucka Blucka, TSE & The Bidding, or it being one of those bid cards youd hold up to bid your amount [also during The Bidding]. Can also change to the trident during TSE & The Bidding too, the red guitar in Two Wuv as well. Just generally whatever he want/feels like!

[spacedlexi]

twdg s4 really gave us an adorable wlw romance for the main character about building a home and a family where the two antagonists are an evil woman who she was partially cared for by as a child and her girlfriends fucked up not-exactly-ex girlfriend who wants her dead (who has been manipulated by Evil Woman and they are character foils) AND its written by a gay woman and its fucking CRICKETS!!!!! i dont understand !!!!!!!

[foxx-queen]

i keep thinking about the datamined conversation between halsin and minthara and what gets me about it is that if you side with halsin and turn minthara away, thats objectively the bad choice.

like at this point, you've rescued minthara from moonrise. you know now that she was being controlled to act against her will. you've gone to the trouble of rescuing her from her tormentors, and you've experienced what it felt like as they tried to destroy her mind. you know what will happen to her if you turn her away. and if you do, you're willingly condemning her to that fate. you've essentially allowed her to experience freedom, to regain her sense of self, only to tear that away from her again.

whereas if you side with minthara, and halsin leaves, that's the only consequence he experiences. that he's not a companion anymore. at this point, we've saved the grove, we've saved him, and we've lifted the shadow curse. we've helped him achieve what hes been hoping to do for over a century. leaving your party won't see him lose his free will. he can return to the grove and live his life.

the choice is essentially either condemn someone to a fate worse than death, knowing exactly what that entails vs not letting someone travel with you anymore. its pretty clear cut to me.

its just interesting to me that they've switched the morality of it around given that minthara is considered the 'evil' companion by so many.

[puppyeared]

its so hard to watch time pass when things like careers and assignments exist. what do you mean im supposed to take that seriously

[estellaestella]

Still not over this! I cant ever remember seeing the male and female leads of a movie wear the same outfit on a red carpet, albeit in different colours.

Such a clever way to do a nod to stillsuits. I even like that Law, Zendaya's stylist, got their custom JUUN.J jumpsuits in pink and blue (as all the articles described them; ignore that they look peach and grey in some photos.) He's making a statement about how future fashion will be more gender neutral but to make it palatable to us he put them in gender coded colours. That's both clever and funny. Also, bold move on Timothee Chalamet's part for wearing the same thing as Zendaya : how many people wd dare that?! Such a cool collab! Fashion history was made here!

[baghassavocados]

Either it's because I'm a triple A battery (AroAce AuDHD) or those two really didn't have chemistry.

[unordinary-diary]

Blyke and John: Parallel Characters

I’ve written multiple entries about this,

[x] [x] [x]

But I’m back to make a comprehensive analysis about the glaring similarities between these two. I’ll try not to repeat myself here.

‼️SPOILER WARNING for the whole series‼️ but this mostly focuses on the story before John’s suspension.

Firstly, this scene:

ch. 121

This conversation takes place near the beginning of the Joker arc. It’s after John targets Zeke, after he targets Juni, and the day before he goes after Seraphina’s kidnappers. The timing is important.

“If someone hit your best friend, would you let it slide?”

That question is supposed to remind us what John does to people who hurt Seraphina: hunting them down and sending them to the hospital. Blyke shooting a destructive beam really close to John was an example of a trait they share: they both blow up violently when people mistreat their friends.

John’s downward spiral carries strong themes of hypocrisy. He’s angry at the world, he’s angry at himself, and as a coping mechanism, he chooses to believe that everyone else is as bad as he is. That means that most of the traits he hates others for are the same things he hates about himself. In this scene, Blyke is unintentionally calling out this hypocrisy: “What I did is no different from what you do”.

But Blyke’s just trying to connect with John here, he has no idea what John’s been doing. And John, of course, doesn’t give a shit about what Blyke has to say. This line was here for the audience to notice.

They’re both so similar, but their similarity immediately causes tension between them because, well, John was on the wrong end of Blyke’s protectiveness.

I really love the way this was written— there are so many flashbacks to this scene, but they remember it differently. John remembers the part that hurt him— he’d describe it as “the time that jackass shot a beam at me”. Blyke remembers the part that hurt him, or rather, hurt Remi: “the time that jackass hit Remi for no reason”.

Blyke and John are both hotheaded characters with strong ideals. They’re similar enough that Seraphina points it out:

(ch. 80)

As Blyke grows as a character, he becomes more like John: sticking up for low tiers and speaking out against the injustice in the world. But while Blyke is doing that more, John is going in the opposite direction, until they are fully opposed to each other.

Speaking of Blyke’s character arc, it took me a few rereads to actually understand what part of him changed. His kindness, selflessness, bravery— all of those things were there from the start. Blyke’s character arc was about becoming more aware of his surroundings, and how his carelessness can harm others. Blyke was never malicious, but after X-Rei and integrating more with the school, he becomes aware of people suffering around him and how he unintentionally contributes to it. He becomes less reckless, privy to the flaws in the system he grew up not questioning, and uses his power more responsibly. He even comes up with a more controlled way to wield his ability. The part of Blyke that changes is his maturity.

Part of John’s character arc is also about being careful. It’s not as close of a parallel as other things are, but one of the things that John works on during his redemption arc is holding back. Both of them learn self-control throughout the series, and for John, that means acting early before his emotions spiral out of hand.

Adding onto my first point about the two of them wanting to protect their friends— the fact that they can’t do that makes them both angry and desperate. For most of the story, the “block” that prevents John from protecting Seraphina is in his head. It’s his own trauma that holds him back. The block that prevents Blyke from protecting his friends is, guess what? Also John’s trauma! Parallels abound.

Another thing I noticed in Episode 80 is this:

Notice that when Seraphina says “I’d take that over strength any day,” John is looking at the camera. He’s avoiding Sera’s gaze. Seraphina is saying she prefers honesty over strength. John is very strong, and very dishonest, but Seraphina thinks the opposite because John is so dishonest. John appears to be reflecting on this disconnect.

In relation to this analysis, Seraphina is actually pointing out a major difference between Blyke and John. Beyond that, she’s praising Blyke’s traits, (less strong but very open) above John’s traits, (strong as fuck but a liar with his pants on fire). Furthermore, John really cares what Seraphina thinks of him. Knowing that she would think less of him is the main reason why he spent so much time and effort preventing her from catching his lies.

This leads into my main point here: Blyke is the “goody-two-shoes” version of John. Or, more accurately, the person that John wants to be. Blyke has a clean track record and doesn’t really get into trouble. He is respected and left alone by the school without being hated and feared, he de-escalates conflicts without taking things too far, he doesn’t lose control, he’s someone Seraphina thinks highly of, hell, even his grades are better! Blyke represents everything that John wants to be, and the person that he could have been if he’d gone down a different path.

But, crucially, John is also what Blyke wants to be. Well, not wholly, but his ability? His strength? It’s one of the things John hates about himself, but Blyke wants that strength so desperately that he risks his life for it over and over again.

They’re both desperate to be like each other, even when they hate each other the most. Neither of them have any idea how alike they already are.

I don’t know what Season 3 holds in store for us, but I do hope that John realizes that Blyke embodies who he wants to be, because mutual jealousy would be a very interesting dynamic to explore in my opinion. I also hope that it ends up being something they can bond over, by helping each other accomplish their personal goals. (Blyke being another helper in John’s character arc, and John helping Blyke train.)

A side note: John beat up Blyke four separate times. That’s more than any other character, which is interesting because John’s main rival is supposed to be Arlo. For reference, John has beaten Arlo twice, three times if you count the time when Seraphina intervened, and he only beat him unconscious once. But John beat Blyke to the point of passing out all four times, the worst of which being a shot clean through his chest. (shoulder? Unclear. S1 finale).

It’s odd, isn’t it? Out of everyone, Blyke is the one who John physically hurt the most. John’s only grudge against him is an old memory from episode 33, of an event that didn’t actually harm him. John’s grudge against Arlo is much more serious and again— that’s his main rival. So why is it that he’s so much more violent towards Blyke?

The problem here is that I’ve been thinking about these fights as “John picking on Blyke”. And that’s… kind of true? But while Blyke didn’t start any of these fights, they were all consensual in a way. He didn’t seek to fight John, nor was he ever happy about fighting John, but he was always a willing participant.

(138, 153, 206, & 211)

In three out of these four fights, John didn’t even expect to be fighting Blyke going into it. This is significant because while Arlo is John’s main rival, John absolutely fills that role for Blyke. Blyke’s own agency is what leads to most of these events. The reason, narratively speaking, why they fight so much is not for John’s character, but for Blyke.

For John, his reason for fighting Blyke so much is not narrative but moreso symbolic. John is angry at everyone and everything, but ultimately the person he hates the most is himself. It’s only fitting that the character most like him would bear the brunt of his wrath.

As John is having his positive character arc (suspension and post-suspension), he is becoming more like Blyke, and the two of them reach a point where they’re even more similar than they were at the start of the series.

In the Rowden amusement park, John does start to realize how similar they are:

(249)

Additionally, I want to draw your attention to the parallels between this scene:

Blyke and John’s argument in chapter 249

(which the image limit won’t let me add, scroll until you see red hair.)

And this scene:

Argument in ch. 121 (it’s at the beginning)

Two sides of the same coin.

Furthermore, in the S2 finale, Blyke is shown being taken to Keon. There is an implication that by Season 3, Blyke and John will share Keon-related trauma as well. Despite my pessimistic predictions, I do hope that this is a similarity that can bring them together rather than tear them apart.

[shitty-proendo-blackout-posts]

being plural/being a system is really nice, i love us

[s0fter-sin]

sometimes i think about how wild a mw2 movie would be if they just dropped soapghost right in the middle with no warning or marketing. like imagine it being beat for beat the exact same, it’s your typical military action movie, promoted as just another military action movie then after they get to the safe house, ghost has to patch up soap and he’s still out of it, overwhelmed by the betrayal and everything he’s seen and ghost needs to ground him and keep him in the present, to remind him that he’s alive and safe so he kisses him and they have sex. the tantrums and the rants and the “ReAl sOLdiErS aRen’t liKe ThAt”, god i can taste it and it’s delicious