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#theres prob something there
moss-flesh · 1 year
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genuinely thank u to the responses on my posts ive been pushing away these feelings for so long idk why
but i think i really really want to begin figuring this out and thinking about myself and how i am in relationships
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epiphainie · 1 month
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honestly every time i remember buck is canonically bi and is dating a man now i get so 😳😳😳 about it. like in our fandom sphere it's easy to say he's been bi-coded for years and joke with all the "wbk"s but i genuinely think people are missing what a gamble it was for ABC to pick up a show from another network and go this route with a main character that the majority of the audiences wasn't as percipient about.
buck's case is so singular imo because there are still certain - silent - rules to queer rep in mainstream media. the audiences are almost always clued-in on a character being queer early, for example. it's either shown immediately or mentioned in conversation in those first few scenes/eps the characters are established. if a character is not out, then they are not out to the rest of the characters, not the audience. if a character doesn't know they're queer yet - or ready to accept it - again, the audience knows, the story/foreshadowing is clear about it.
i can't think of a single other example where a main character - who's been nominally straight for multiple seasons - realizes they're queer later in life like this. where it wasn't planned beforehand, wasn't an explicitly or intentionally threaded storyline, wasn't just a one-liner saying "oh yeah ofc he kissed men before" ofc i didn't watch all television ever created in the history of television but i genuinely think this was such a pioneering writing choice mainstream tv hasn't done before. i wish we could all have been more happy with it instead of *gestures* all this.
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xxplastic-cubexx · 19 days
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chat if i may speak
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ruporas · 1 year
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bound to want (part two) /// part one rest of pages under READ MORE after ID
[ID: 23 page digital comic of Vashwood from Trigun Maximum. The comic is in a limited palette of a dark blue, light pink, white, black, and a light beige color for Vash's skin and a mid-brown color for Wolfwood's. This comic is the second part to "Bound to Want" and is spoiler-free. The first part is linked here.
It begins with a panel close up of Vash's expressions. The sky colored in dark blue can be seen behind him. He has a neutral expression, but he holds a slight frown and the reflection of his glasses covers one side of his eyes. Wolfwood says, "Hey. What's with the distance?" In the second panel, the shot widens to show both of them, a clear physical distance separating them with Wolfwood walking ahead and Vash trailing a little behind. Vash responds, "What? I'm just walking a bit slower today..." Wolfwood looks at him with a an irritated expression, clicking his tongue. Wolfwood says, "I was going to wait for you to start... But yer just running away away."
Vash is seen looking away, unable to hold eye contact with Wolfwood as he continues, "You've been avoiding me since that night. Did ya think I wouldn't notice? It's about that dream, right? Tell me about it already if you're going to be moping like this." Vash looks slightly downwards, his brows furrowing and he starts to walk ahead of Wolfwood without looking at him and responds stiffly, "I really don't want to talk about it..." Wolfwood looks at him with a surprised expression, but doesn't probe.
A panel close up to Wolfwood's eyes as he watches Vash go on ahead before he follows suite with an irritated sigh. The panels are overlapped by Wolfwood's hand holding the bottle of the Bride with motion lines, indicating a transition in time.
A wide shot of Vash and Wolfwood in a room now. Vash is seated, his back turned away from the viewer, while Wolfwood's body faces the viewer with his eyes looking towards Vash. He rests the bottle of the Bride on the table with a "clack" and his other hand holds two shotglasses. The background is coated in a light pink.
A panel shows a close up of Wolfwood's face, his eyes looking downwards to Vash as he says, "Let's drink." Next to this panel is Vash looking up at Wolfwood, his brows furrowed and a slight frown. The bottom half of the page is a wider shot with Vash's body turned away from the viewer as he says, "I'm not going to talk about it." Wolfwood responds, "You don't have to." as he sits down.
A wide panel of Wolfwood holding the shotglass, pouring in the drink as he continues, "I'll talk." The next panel is a profile view of Wolfwood, his eyes looking down at the now filled shotglass as he continues to say, "You're..."
"... upset with me." Vash can be seen next to this speech bubble with narrowed eyes, looking towards Wolfwood. The panels are all coated in with a dark blue background. Wolfwood continues, "I can't be certain why since yer not telling me a thing -- but it's probably... my bad." The panels show Wolfwood about to bring the shotglass to his mouth but he turns way as he continued to speak, his eyes not on Vash. The bottom page shows him looking away completely with a guilty expression as he says, "I'm sorry.
If you can ever tell me why, I can try and adjust to make it more bearable. But if you're just trying to get rid of me--" The panels follow Wolfwood's certain expression as he says this, "I don't intend to leave you. I can't... and I won't." A panel shows Vash's wide-eyed expression, surprised upon hearing this, and then his eyes soften as Wolfwood again concludes with, "I'm sorry."
Vash's inner thoughts begins, a boxed speech at the center of the page and panels of his eyes, his brows furrowing again and a resigned, but frustrated expression. His thoughts starts, "Stop. I shouldn't be happy hearing that. And why are you apologizing? I should be the one to..! I can't let anything like that happen to you. You deserve to live a long steady and peaceful life. I want to be optimistic. I want to protect you, but I might end up doing the opposite." The text surrounds Wolfwood from Vash's perspective, the other man drinking out of his shotglass, his eyes downcasted.
"I shouldn't have you. And you won't leave." Behind these text is a panel of Wolfwood's eyes finally looking over to Vash. Vash's thoughts continues,  "It's so unfair." When Wolfwood sees Vash, his eyes soften and he frowns. The last panel shows the lower half of Vash's face, but tears begins to flow down his cheek. Wolfwood's hand is already reaching to wipe at them as he starts to say, "You know..."
A wider shot of Vash and Wolfwood, Vash slightly leaning forward with his mouth tightly shut, and tears steadily continuing to flow out of his closed eyes. Wolfwood continues to wipe at them with his hand as he continues, "This isn't a dream anymore. I don't know what you saw for you to be this shaken up, but whatever happened, you'll overcome it, right? If not you, I'm here too. You'll be okay, Spikey. So..." Wolfwood's expression grows more tender, "Have a little faith in me... and come back already." The dark blue starts to fade.
The wide panel has the dark blue background faded and replaced is the light pink. It shows Vash in full up to his shoulders, his eyes are still tears littered, but there's light in them as he says, "Wolfwood..." making eye contact with the other. The next panel shows Wolfwood's tender expression, his eyes and brows fully soften and he has a small smile on his lips, finally seeing the other return a level of sincerity with him.
The next panel shows the bottom half of Wolfwood's face and his hand is offered towards Vash for a dance as he says, "C'mon. We don't have to talk, but this is okay, right?" The background is now white and a ribbon flowing across the page separates this panel from the next sequence. Vash's inner thoughts continus, "I've spent too long avoiding this. It's scary to want after I've taken so much from others." A sequence close up of their hands is shown, with Wolfwood's outstretched hand on the right and Vash's reaching hand on the left. Vash gently places his hand in Wolfwood and at the bottom, Wolfwood wraps his fingers across Vash's.
Throughout the page, a dark blue ribbon starts to flow around the both of them with confetti raining alongside the effect. Vash and Wolfwood are hand and hand, dancing together with Wolfwood as the lead. The viewer can see a peak of Vash's expression, full of fondness but also a hint of sorrow as he looks down at Wolfwood. His inner thoughts continue, "I don't deserve this. I don't deserve you. But why is that even though I have these burdens, I still want to love you. I still want you to be by my side."
With a close up of their mouths, Vash's thoughts continue, the text covering his mouth, "Wolfwood, I--" Wolfwood's speech bubble covers Vash's text as he completes his sentence, "want you." Vash's eyes widen for one panel and in the next, his eyes spark, a blush appearing on his cheek and the confetti flows and spark. Tears ease up on his eyes again.
"Want me too already, Spikey." Wolfwood has leaned in enough to rest his head against Vash, a hand of his on Vash's neck, holding his nape and another hand pressed gently against his back. A ribbon separates this panel from the next, a mix of confetti flows across the page, as Vash envelopes Wolfwood in a hug too, holding him and his hand gripping tightly onto his back.
This page is just the ribbon flowly throughout the page on the white background, one white ribbon and the other a dark blue. Near the bottom, the ribbon envelopes each other in a loop. A conversation of Vash and Wolfwood is held over these ribbons, Vash starting to say, "What if I hurt you? What if you..?" Wolfwood responds, "You? How could you hurt me?" Vash, "You know what I mean... You see it everyday..." Wolfwood responds, "If you think I'm going to kick the bucket so easily, I suggest you look at me more closely from now on, idiot. I'm not that easy to get rid of."
The next page has the ribbon criss cross over the top of the page. Vash and Wolfwood can be seen in their dancing position again, Wolfwood now resting a hand on Vash's shoulder, as Vash takes the lead. Vash continues, "Well, I know that... I tried." Wolfwood responds, "But you won't anymore... since you want me... around, yeah?" Wolfwood's head cocks to the side, smiling with assurance, cheeks flushed. Vash looks at him with a wide smile and fond, loving eyes. The confetti flows across the bottom of this page and as it eases into the next page, it starts to disappear.
Vash responds, ".. Yeah... I do..." as he pulls Wolfwood into a hug again. Wolfwood says, "Not going to run away anymore, are you?" Vash says, "No... I trust you." A panel shows Wolfwood's turning away slightly with a shy expression, muttering "Geez..."
In a more simplified style, Wolfwood is seen gripping Vash's cheeks now with his hand, "Though... You do remember you avoided me for two weeks straight, right? How are you going to make that up to me?" Wolfwood asks. Vash responds with eyes closed and a pucker of his lips. A vein of irritation appears on Wolfwood's face. Wolfwood starts to squeeze at Vash's cheek with both hands, shouting, "Now that you've recovered, you're trying to be funny, huh?!" Vash says through the squished cheeks, "I'm just happy..."
The next page opens with a closed up panel of Vash's widen eye as Wolfwood's hand moves from squishing his cheeks to gently holding them and Wolfwood leans in. The inner thoughts starts again, "There's a chance I'm not making the right choice... My dreams, my fears of losing you, it will never go away. But you said you won't let it happen... And I want to hang onto your words closely this time. After all, if it's anyone who can make me believe, it's you."  The white ribbon from previous pages flows across the page and it visibly ends at the bottom of the page, enclosing the two of them as they share a gentle kiss with Vash holding Wolfwood's face, a tear in his eye.
The next pages starts with Wolfwood saying, "You cryin' again?" Vash responds, "I'm just grateful..." Wolfwood responds, "But you've always had me." Vash responds, "Being like this is different from staring at you from behind all the time though..." The two can be seen together again, Wolfwood pressing his elbows against the table with Vash leaning over him. Wolfwood is easing the tears out of Vash's eye again, just like earlier. A close panel of Vash's fond expression is seen as he says, "Thank you, Wolfwood." Wolfwood looks up at him with a small smile, gentle eyes. Confetti starts to flow lightly across the page as text starts to appear against the white background, "I'm the one who's grateful...
That you'd embrace someone like me, when I'm not fit to hold you in the first place... But I know better than to hesitate. The moment I acknowledged it, I knew I'd spend the rest of my life loving you. So, have as much of me as you want, Vash."
The final page shows the confetti gently falling down the page and at the bottom shows Vash and Wolfwood pressing their foreheads together, Wolfwood's hands cupping the side of Vash's face gently, and both of them smiling brightly with each other. ID END]
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#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#its done.... after 2 months.... collapses on the ground#theres a lot of things i would prob change about this but. its so sappy that it makes me a little happy where it ended up#they deserve a little sap too!!! and in the end this is the closest they could get to a first confession#through want! want in each other's life and company since they both have this strained relationship with keeping people permanent in their#lives... and the people or things that are tied to them in the long term tend to be something that harms them.#and as the saying goes -- good things never last! and im sure they prob gave up trying to find a good thing for a long time#vash managed to be found after the moon accident and got his good thing for a bit but even he prob knew itd come to an end eventually#ironically it was wolfwood that ended it. but he really just planted smth new for vash... and now they have some security#or at least vash does. or at least just for this one moment#a moment of bliss and feeling like they are deserving of love is so Fluctuating for vashwood#and ultimately i think wolfwood could only push onwards to initiate because he sensed there was smth vash wanted. and its just#naturally in wolfwood to give to those that he love#but anyway anyway.... i like to think in a sweet universe -- they had the chance to confess like this and got a little bit of time to#enjoy and share their company in this manner. to be a little less restrained and love each other freely#ruporas art
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holdmymetaphor · 2 months
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okay when i started rewatching house, it took me until 3x15 but i started to notice a pattern in house's wardrobe. the scene where foreman was trying to express sadness(?) at house's (fake) brain cancer they were both wearing pink.
After that I noticed that any time house was wearing pink, they were particularly vulnerable moments. Moments that he's feeling tender or open. Moments where he is being pretty earnest.
Then I started to notice that other colored shirts came up at different times. Light blue was his most neutral state, it represents logic and reason imo. Maybe a little bit of humor. There's a lightness or surface-ness to it.
Purple represents something like consequences or grief or guilt. any time there is purple someone is bearing the weight of a decision that was made, or a complex situation.
Black represents, as you can imagine, death. the darkest moments we see house in black.
The other colors aren't as prominent, but I have theories. Red is sex, power, life, excitement, ego. tan is neutrality. white is almost naive. green is rare and house never wears it. Dark blue is still logic but more solemn, more deep. its also interesting to note the times when he doesn't wear a t-shirt under his dress shirt and leaves like 3 buttons open (hubba hubba) and when he /only/ wears a t-shirt. I think his dress shirt is almost like his armor.
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skitskatdacat63 · 1 year
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2012 Malaysian Grand Prix - Sebastian Vettel & Fernando Alonso
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rapidhighway · 3 months
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i dooon't like the 3d cell shaded look they gave Shadow tho. i dooont like it. want the frontiers prologue back
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momonokopan · 1 year
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5/5/2023
now that i think of it i always draw young hijikata for his birthday
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celestialspritz · 10 months
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you wonder how i'm doing, well, here's a clue i wish i never met you 🎶
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oursharedprison · 6 months
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yall get 2 see what i was originally gonna use for da new icon here! :3
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flag is from me fuckin around with the games color palletes seein if i could make the bigender flag, i forgot how it went tho n only remembered pinks at the top, blue at the bottom lolsies
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josephslittledeputy · 4 months
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Willa Rook (FC5) || Sidra Navros (Various/OG) Hanna Thorne (TWD) || Vic (TWD)
Tagged by @carlosoliveiraa & @direwombat to do this picrew, thank you!!
Not tagging anyone this time because I think it's made the rounds already
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chompe-diem · 6 months
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already living in the au where riz is senior class president bc i know it's never becoming canon
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dullahandyke · 4 months
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and like sidenote if i can make a post with a target audience of zero. i feel like fhsy was to d20 what aa3 was to ace attorney but aa3 pulled it off better for reasons i cannot explain
#it is. the amatonormativity#^ guy who was REALLY pissed about the sandra lynn stuff#like yknow that bit in the first ep where brennan is like 'oh this drama is going down' and so like the pcs investigate it#probs bcos they think itll like kick off their new quest#and then it turns out to be like. petty romantic drama.#thats kind of a microcosm of the entire season for me#not to say there werent parts i liked (looks at the picture of baron i printed out and hung on my wall)#(and most of the leviathan stuff was brilliant and ayda is a role model for me)#but its all so tied up in the rest of that shit that i dont rlly wanna rewatch it the way ive rewatched fy 6+ times#likening this to aa3 bcos of the rlly noticeable uptick in romantic content in it compared to the rest of the trilogy#like prior to that all that rlly comes to mind is like. 2-3 and pearl's shipping shenanigans and larry existing#but in aa3 both mia and phoenix have past lovers who play big parts#theres a married couple theres tigre and viola (who sidenote i ENTIRELY missed as romantic my first playthru. i am dense)#there's the business with fawles#like it felt like romance played a large part in every case in aa3#where even when it came up in 1 + 2 it was usually ancillary (2-3 excepted but like. ppl regard that case as a fluke in most regards)#you COULD argue that maggey and adrian also inject some romantic presence in the story#but idk it just doesnt feel as central or prevalent as in aa3#like i saw a post abt adrian and celeste being cousins in the aa anime being not just the sailor moon 'best cousins' thing#but like. reinforcing the themes of familiar devotion as aa2's core. and that was rlly foundational to my understanding of the game#even tho its a change that comes from an adaptation#whereas you Couldnt make that change in aa3 without it changing A Lot of shit#where was i going with this. shrug.#the zelda and tracker relationship drama was entirely manufactured as punishing the pcs for not centering npcs#whose relationship issues were ancillary to the overarching plot they were focused on and which hadnt rlly been brought up beforehand#'why didnt gorgug call zelda :/' do u want zac to pause the kalina mystery to roleplay good relationship communication with the dm??#like its one thing looking at sy as a narrative but looking at it as a ttrpg campaign with limited time and a need to split character focus#i dont see what it did for the story besides give gorgug something to angst abt. didnt rlly feel like there was character growth or an arc#sigh. MANDATORY DISCLAIMER its been at least a year since i watched sy and longer before that since ive played aa3#but at the time my feelings were strong and have only calcified. romance as a theme in something not generally abt romance
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todayisafridaynight · 2 years
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TOSHIZO HIJIKATA | “WHERE’S MY SAMURAI”
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stardial · 1 year
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one of the vids in mine and ramas next collab is 10 minutes long what the hell were we on....
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majimassqueaktoy · 1 year
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Thinking... pondering...
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