#there's so much more I could say tbh

[comtessacrow]

I was tagged by the amazing @softzosan love her sm CHECK OUT HER FICS THEYRE WONDERFUL

20 questions for fic writers!

how many works do you have on ao3?

a teeny tiny 2 haha. While I've been involved in fandom for a good chunk of my life, I didn't start writing until fairly recently. my current writing process is less than ideal but I have lots of ideas and WIPs! Creative writing is well beyond the scope of what I regularly do, so writing fic is a fun exercise in broadening my horizons.

what's your total ao3 word count?

a slim 9,411

what are your top five fics by kudos?

Previously established that I currently have a whopping 2 posted works BUT my zosan has more than my vashwood

what fandoms do you write for?

Currently, I've posted for Trigun and One Piece. I have some more One Piece and Trigun and a dash of Jujutsu Kaisen floating in the ether (my notes app), as well as a Good Omens fic I might return to at some point, and I've toyed with some House MD and New Girl.

do you respond to comments? why or why not?

absotutely. I laurv a comment on any platform.

what's the fic you wrote with the angstiest ending?

Vashwood for sure has the most ambiguous edging into potentially angsty ending. Like its source material. I'm such a sucker for Trigun angst.

what's the fic you wrote with the happiest ending?

Well naturally it's the zosan. All conflict resolved by the end how wonderful.

do you get hate on fics?

girl not to my knowledge

do you write smut?

hell yeah and I quite enjoy it. Will not be stopping any time soon that's for sure.

do you write crossovers?

I toyed with one but nothing posted!

have you ever had a fic stolen?

no clue but prolly not

have you ever had a fic translated?

I WISH. I have a friend that's fluent in Mandarin I should ask her hehe

have you ever cowritten a fic before?

I'm working on two!! With two of my most wonderful friends! I'm tagging them at the bottom of this post bc I know neither of them have done this but keep your eyes peeled for some One Piece collabs teehee

what's your all time favourite ship?

ummmmmmm. I can say that percabeth was the first ship I was ever serious about and was my gateway to fandom. Bubbline has a very sweet spot in my heart, but I actually can't say for certain what my absolute fave is because my brain has serious zosan fog atm.

what's the wip you want to finish but doubt you ever will?

def the good omens one

what are your writing strengths?

I personally find that I'm more confident in my editing or betaing than I am my own writing. Creative writing is something I've never been super strong in, I'm much more suited for academic writing and it's also something I enjoy. But! I want to write more fic! I want to become more confident in my ability to write fiction and be able to do that alongside helping other people with theirs.

what are your writing weaknesses?

I cannot for the life of me get myself to write long form right now. It's something I'm working towards, but the major thing is after a bit I definitely become frustrated or resentful of my writing. Which is funny because. I'm the one that wanted to do it lmao.

thoughts on writing dialogue in another language for a fic?

I could do Spanish! as long as we're talking Mexican or Puerto Rican dialects.

first fandom you wrote for?

technically Justice League when I was a wee child. I was absolutely OBSESSED with the 2001-2004 animated series and wrote a self-insert for free write in elementary school.

favourite fic you've ever written?

There are things I enjoy about both of my posted works and my WIPs but I think it's the Vashwood. Not because it's particularly good, but because of sentimentality.

off the tippy top of my head I would be oh so curious to see how my homies @oldbagofteeth and @blanketsmakemesafe would answer these but absolutely feel free to participate if you see this!

[tmos-time]

All I got is a couple of dollars and uh a piece of gum would that be good for a small erisol doodle

crawls out of the hectic week woodwork to accept the toonie and gum. here have them both being stupid <3

[vibinginthebg]

✨Some doodles of the siblings to try to see how to draw them ✨

(I am super late to the party hello)

[nite-puff]

this was what their dr:s interaction was originally gonna be. trust me. i’m mr. danganronpa

(no cuz seriously. how are you gonna have them interact and then forget that hiroko canonically has a bit of a thing for takaaki?) (i say this like the dr:s writers even knew who the other captives were)

[scoriarose]

She came up with a new activity

[shoot-i-messed-up]

Was always worried about the angst of unrequited love, had never realized the sheer amount of comedic potential that it has.

Imagine one-sided Superbat where Clark is fully aware that Bruce has a crush on him but is being his repressed self about it, and Clark is just like, “I’m not gonna touch that :) you’re going to figure that out for yourself, buddy, and in the meantime, I’m just going to have a good time and be best friends with you as you inevitably pull yourself together enough to either fall out of love or to confess :) and I’ll just let you down gently because I care about you :)” but he absolutely 100% is using it to his advantage in the meantime. His puppy dog eyes had never been so effective before. He’s gotten out of Monitor Duty three times in the past month.

[doodlingwren]

I'd love to have something witty to say here, but I think this one post speaks for himself in a way no words could.

Originally, I wanted to do a "simple" redraw of a silly meme, I have no idea HOW it eneded up being a four pages comic. And WHY there's also a JOJO reference within of all things. So uhm, anyway...

✨ Sources and references ✨

The "Dilf Detected Comic" [original unedited comic, meme format, meme format if you want the rebloggable tumblr version]

The "Oh? You're Approaching Me?" panel from the manga JoJo's Bizarre Adventure: Stardust Crusaders (chapter 143)

Hope you've liked the Aries™ Rizz©® ok bye

[bigskydreaming]

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

[meamiki]

5% of a color headcanon.... two versions since b&w emphasizes the dagger more i think but i still like the warm tones ASFSADA

i am not biased towards rainbow daggers whatsoever i promise (lie)

((also friend is streaming now and im there too!! bit more info linked here, its rated mature tho))

[cementcornfield]

Some of Tee and Ja'Marr's thoughts on the Tee Situation

Tee said to me 'right now I get to play with one of the, if not the, best quarterbacks in the game, I get to play with one of, if not the, best wide receivers in the game, that opens up so much more for me.' And then he said 'this offense is designed for so many different players to be spotlighted, the way that I am used in this offense so plays to my strengths.' And then he said to me, 'can you guarantee I can have that exact situation anywhere else?'

....

So do I think he's taking a home discount? No. But I do think that he is very very smart, he sees the whole picture out there...

....

It's very easy to compare this situation to what Ja'Marr had at LSU with Joe Burrow and Justin Jefferson. And Ja'Marr has said Tee is very different than Justin Jefferson. That every single minute with Justin Jefferson was a competition. That everything was who makes the more dynamic catch, who has more catches in practice, who runs faster? Everything was that way. Ja'Marr had to speak up and demand the ball a lot at LSU, because so was Justin. Ja'Marr told me that he doesn't have to do that in Cincinnati because Tee, and this is a quote from Ja'Marr, is one of the most unselfish humans you'll ever meet.

[gingermintpepper]

I would love to hear you talk about Kassandra???

So, what can I say about Kassandra.

Well, firstly, I've been thinking about how I want to answer this question since I got it however many months ago and I figured I wanted to speak about my own interpretation of things rather than formal stuff - half because I don't want to cite anything since going through Iliad based papers brings me little joy and half because I figure I could treat it a bit more casually this way. So here's like, a very brief selection of thoughts I have about Kassandra, Saintess of Troy.

I view her tale as a microcosm of the wider tale of the Fall of Troy from Apollo's perspective. A human is given a choice and, of their own free-will, they make the most destructive decision ignorant of the way they're sealing their own fate and no matter how much their patron will want to save and help them, they will be unable to so much as lift a meaningful finger because the choice made is one that is sealed in Fate and powers far beyond any one god. The themes of doomed love are also shared; Kassandra loved Apollo just as Apollo loved her but she couldn't be what he wanted of her. She couldn't accept what it was he was offering, no matter how much power, honour and love he tried to tempt her with and in a lot of ways, I think of her devastating visions of doom and death(tm) as a physical parallel to the feelings Helen must be tormented with knowing that she will be cited as the reason of such mass death, destruction and violence. Likewise, I see Apollo's inability to save Kassandra up until the end as representative of his wider inability to save Troy. All his love and blessing were not enough, even though all she had to do was take his hand, it simply wasn't meant to be and so I imagine that must be a fresh hurt for him with each beloved mortal he loses during the campaign.

Kassandra is genuinely so interesting? Both as a character and as a narrative idea; she sits almost in the center of so many fascinating parallels and foils that it gets me so excited whenever she comes up in conversation! I've mentioned it briefly before but she forms a very neat triad with Iphigenia and Troilus which runs parallel to the three dominant male powers in Iliad - Agamemnon, Achilles and Apollo. They're what I somewhat refer to as the sacrifice trio, innocents who must ultimately be abandoned and stripped away for the sake of the desire of their sacrificer, in turn revealing something intrinsic about the nature of the man. For Iphigenia, she reveals that Agamemnon truly values his ambition over all, that his image and status as a leader is more meaningful to him than the love of his family (which, of course, dooms him in the end). Likewise, for Achilles, Troilus' sacrifice reveals that no matter the glamour or glory that crowns Achilles' head, his rage is ultimately his most powerful feeling and it burns bright and hot no matter the circumstance, opponent or arena. For Apollo, Kassandra's sacrifice (which is much more symbolic as he is a god and therefore need not actually physically kill her) reveals his position as the 'loser', one who will be scorned and reviled and lose all the things he loves no matter how closely he cherishes or adorns them. He can't protect the mortals he's blessed, he can't protect his children - he can't even save one woman. She also has that aforementioned triad with Helen and Andromache - the sequestered women; doomed to wait and pray but each, in their own ways working to save and support their own in the conflict. They're all haunted by the promise of what awaits them - Andromache's hopes and future lies with Hector and with her son yet she is the embodiment of a war-wife, solid and stoic in her support when Hector returns but suffering deeply knowing each fight could be his last. Helen, of course, carries with her both the suffering of the greek women and the hatred of their men - if Andromache fears death taking the breath from her beloved fighters then Helen bears the weight of death upon her shoulders, all grief and scorn is bore like a crown upon her head and she must bear it. It is her duty to bear it. Kassandra then becomes the suffering of the young women - they who are surrounding on all sides by throngs of death and do not know why it has come, they whose screams intermix with that of the dead upon them. There is no avatar for Kassandra to experience the war through, no reason for her to be stoic or strong or upright. She tears her hair, hysterical at the suffering that is poured into her mind day in and day out, wild and unrestrained where her elders must hold their grief and tame it. In this way, she gives voice to the voiceless, she screams for those who cannot and is reviled for it - a young woman surrounded by death yet ordered not to speak a word of its stench or horror. There's many more things I can talk about too such as the whole Kassandra as Apollo's living Palladium thing or the Kassandra-Electra-Clytemnestra trio or even Chryseis as a reflection of Kassandra and how the taking of a priest's daughter could be seen as tantamount to trying to steal away Kassandra (and how this eventually wraps back around to the actual incident of Kassandra being stolen away and ending up right back under Agamemnon's care just as Chryseis before her) but like, we would be here all day.

Y'all maybe this is a hot take but scorned woman Kassandra is like, the most boring interpretation of her ever. She has so much life and passion in her, so much joy, so much despair, so much love - making her jaded and cynical towards both her fate and her god is such a slap in the face to me of what her character could and generally does seem to stand for. Kassandra never stopped loving Apollo - likewise, Apollo (at least to me) never abandoned her. All in Troy suffer heavy, cursed fates - Kassandra is one of the few who at least had some awareness of how hers would turn out. I like that she's a fighter. I like that she screams and cries and spits and is expressive and ugly in her torment and grief when so many of the women around her cannot afford to be. I like that she said no and despite how much she suffered for it, she never begged for her yolk to be taken from her because she knew that the choice she made was the right one for her. She's raw, she's vivid, she's human and more than anything, that's what I love so much about her.

[fakenbreedable]

Truly it's no wonder I have a CNC and Rape kink. I'm terrified of getting pregnant, so I'm scared of all penetrative sex. So of course I need a real dominant man to force it inside me! Obviously I want to be fucked after all, so don't wait for me to invite you in or ask you to do it, and just do it 🥰

[sparklingdemon]

i know sorrow's quote was in referral to blue but i feel like it could also be applied to leaf/green herself and abandon lonliness: i am's new ending from a meta standpoint if you think abt it hard enough……….

i mean. did we not see OP try to rewrite history in order to prevent the tragedy of lonliness and leaf rotting in hell? do we dare to forget - to erase what she did to lonliness? can she be forgiven now that it never happened in the first place...?

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[alwayshinny]

Hinny ♥️ - The Chronicles of Harry J. Potter's mind

She's Ron's little sister 😡

She's Ron's sister.😠

She's Ron's... 🫤

She's... 😵‍💫

She's so beautiful. 😍

Shit, she's looking my way. WAIT. DID SHE JUST WINK AT ME? 😳

Stop staring. Look somewhere else. Fuck, I think Dean noticed... Awkward... 😬

Okay, try to act cool. Stand against the wall, cross you arms, and look nonchalant, like you don't care. 😎

*stubbles with hand placement and footing* 🫨

Ginny: "Hi Harry"

tries to cover his dopey smile but ends up swooning instead. 🥴

[quibbs126]

Oh yeah so I had this idea earlier when I was thinking about Beast Wars, only reason I didn’t post it earlier was because I got dragged out to dinner

Anyways, so basically I had this thought of a Transformers series where basically the Autobots and Decepticons crash land on Earth, and due to them having no clue where they are and no current way of getting back home, they decide to work together, at least for the time being

So like, the main group of protagonists would consist of both Autobots and Decepticons

But also it wouldn’t be the entirety of both groups working together, as members on both sides refuse to work with the other for one reason or another and instead decide to do their own thing, being their own separate parties that probably cause trouble from time to time. But every member here has their own reasons why they are or aren’t fine with teaming up, and why they’re on one side or the other

I kind of don’t want Optimus and Megatron there, probably because I was thinking of Beast Wars which doesn’t have them, and also because I want to see this alliance come from characters other than them. But at the same time I feel like they kind of have to be there. My current solution is that the two were on a different part of the ship that came off during the crash landing, and in current day (assuming they all were unconscious for a bit like g1 or Animated) the two are missing, which might be a reason for the two groups to team up. Their goals are to: find fuel, find everyone that might have gone missing, find a way to contact/get back to Cybertron, and find their leaders

I’m not entirely sure what’s going on with Optimus and Megatron here yet, just that they’d probably be absent until like, maybe the end of the season or something

But one concept that did come to mind is that whoever found them basically decided to stitch the two of them together using each’s body parts into one powerful robot (probably not knowing what they really are), and so the two are pretty much fused together into one, with them having to deal with this, assuming they still have a mind anymore. And also with this concept, this Frankenstein of them is specifically not one or the other with the other’s body parts, it’s both of them in there, through whatever magic means. Or neither if we just want the body horror and the new team having to put them down. Or I suppose you could have instead their minds/sparks being fused into an entirely new being. Didn’t really think about that concept until right now. But yeah, might not be the concept I stick with, but it is the one in my head right now

Edit: all I know is that I don’t think I want it to just be “they decide to work together”, because while I’m down for a solo Optimus and Megatron team-up side plot, the rest of the group is already doing the team-up, so it’d be treading the same ground. I want to do something different with them, and fusing them together into one being certainly is that. Throws a wrench into the whole war thing too

And yeah, I just wanted to share this concept because I thought it was neat. I would try to develop it more, but I have literally no clue who would be on either side, because the only characters I think about are Optimus and Megatron, and I also don’t really want Starscream and probably Bumblebee here either