#there's probably meta to that

[mollysunder]

What I liked best about Jinx and Sevika's first post-Silco talk was how well it implies why their grief is so pronounced. Every complaint the two lodged at Silco was an admission at how dependent Silco had become on them, how much he LET himself be dependent. Silco didn't NEED to let Jinx give him his eye medicine, he was perfectly capable of doing so in season one's first act. The same could be said about Sevika, because while it wasn't nearly as extreme as with Jinx, he didn't need to give her so much responsibility. Frankly it's dangerous for a kingpin to give their righthand so much power (it's supposed to be spread around), and everyone noticed, even idiots like Finn.

That's why their loss is so pronounced, in all the years they dedicated to Silco, he gave up just as much of himself to them. Silco weakened himself and trusted Sevika and Jinx to make up for it. They filled eachother out, they needed eachother, and without him there's just a hole what they all used to give eachother.

[hannibal-lectotype]

Something the Hannibal television show does phenomenally, that the books and movies don’t really do at all, is showcase how well he actually blends in.

In the Thomas Harris works, every scene that Doctor Lecter is in manages to make it very clear that he’s dangerous, and everyone else is basically Damocles without being aware of the blade. He’s unsettling even when he’s charming, and the audience is always aware that he is the lion in the room. We can see the swords dangling by the hair over every other character.

But in the show, Hannibal is just a guy, maybe pretentious and nerdy, but charming and kind for the most part. We are taken in with him, just like the other characters. Then, when he does lash out, moving like the predator he is, we’re left absolutely shook, almost ashamed that for a moment we forgot who he is. In the next scene, he’s as soft and charming as ever, and the deception begins again. We slowly fall under the spell again, because he’s just that good. We experience what the characters do, even though we’re granted the behind the scenes knowledge that he’s the villain of the story.

[nightbirdz]

It’s a bit unrealistic how Toph never made any counterfeit coins once she learned to metalbend

[go-learn-esperanto]

I see so many people starting to use Threads as a way to escape Twitter and yes, it's owned by Facebook's CEO and giving Facebook the monopoly of social media is bad but I think we should also talk about the fact that, you know, Threads isn't avalibe in the EU for privacy reasons????? That should be concerning to EVERYONE

[possamble]

Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.

I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face

And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.

Who is that. Genuinely. Would you even realize that's Marcille without the context clues?

And then the chapter just keeps coming in with the sucker punches.

We have SEEN Marcille meet strangers. It was never with this understated of a smile.

literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again

when she's testing out her new spells

(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)

And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.

We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.

But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.

What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.

And when comparing her detached demeanour with someone else...

It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?

It would certainly explain why she's hiding behind her portrait in her nightmare, at least.

We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.

[the-crooked-library]

so within the universe of Dune, gender roles abide by a rigid false dichotomy created by the bene gesserit - men lead the noble houses, while the women may join their order, and the powers of both are kept intentionally separate. at the same time, the plot demonstrates repeatedly that the role of paul atreides as a character is that of the border between the concepts juxtaposed within dichotomies: he is both an outerworlder and fremen, both harkonnen and atreides, both a duke and a disciple of the bene gesserit.

as such, it follows that within the in-universe gender structure, he occupies the roles of both male and female, thus being functionally and societally nonbinary. in this essay, i will -

[dduane]

Just so that people know...

Facebook/Meta's just-announced change in its fact-checking and moderation policies (which would, among other things, allow users to refer to LGBTQ+ people as "mentally ill"), and its sudden vanishing of trans- and nonbinary-friendly themes, has made it plain to me that some of the book-series-oriented spaces I've maintained over there for years are no longer safe places for users, especially younger ones, to be.

I have therefore begun deleting them.

The Middle Kingdoms page (being both the smallest and the one now potentially most dangerous to keep) was the first to go: I nuked it about ten minutes ago. (Naturally I checked it first to make sure nothing of any note was going on in there, and also naturally, I took a backup.)

The Young Wizards page will be the next to be deleted, probably tomorrow. The Ebooks Direct page there will also be deleted over the weekend. Neither of them was all that busy, ever: but that's not the point here. Meta is no longer a safe or appropriate place for them to be. (It doesn't hurt that many of FB's employees are furious about this policy change too... but their boss, I firmly believe, doesn't give a shit about that.)

The DD Facebook page may suffer the same fate. My personal "main" account...? I have a lot of older friends over there for whom FB is their lifeline and main digital platform. I'm going to have to think about how best to handle that. It may be that there will be no more public posting from me there: just DM'ing. ...And I'm still working out what makes the most sense to do about the Middle Kingdoms Instagram account, and my own personal one. Neither of them has been heavily trafficked, and I may nuke them too.

(sigh) All this comes as something of a wrench. But at the very least, as regards the part of my creative work that contains LGBTQ+ themes and characters, I refuse to leave any of it there. To do so would risk having its continued presence seen as support for the platform's boss (and, as @petermorwood remarks in passing, "would-be capo"), who's already busy genuflecting to the US government's incoming (mob-)boss's agenda.

So, as the man says,

"If it were done when 'tis done, then 'twere well It were done quickly..."

[theriverbeyond]

It's sooooo interesting how in Harrow the Ninth, Harrow is constantly noting all the ways Ianthe is failing at femininity: the awful frilly nightgown, the clothes that don't fit (in the bust, in the hips), her hair, her attempts at flirtatious behavior, the specific way she is sucking up to Augustine etc. And like, this is a weird house for Harrow to be throwing stones from, sure, but I think it makes way more sense after The Unwanted Guest gave more context to soul permeability wrt the status of Naberius Tern, because it is now arguable that Ianthe is essencially being forcemasc'd throughout the entierty of HtN -- we just dont know about it bc Harrow dgaf. And this is doubly interesting to me because when we next see her in Nona the Ninth, she is now Ianthe Naberius, a Tower Prince in masculine dress and leather trousers and boots, and she no longer has any of that sort of gender failure going on.

[gale-force-storm]

Thinking about the fact that, to pull Gale from the stone and get him in the game at all, you have to decide to try to touch an extremely dangerous looking swirling mass of unstable magic. Something that is, objectively, a terrible idea

Like, the options it gives you are to either touch the sigil or leave, and if you leave you just... don't get Gale in the party

You have to take the risk. You have to let your curiosity override your common sense. You have to look at this unstable, possibly dangerous malfunctioning magic sigil and go "...Ok, but what if I poke it?"

In short, to get Gale in your party, you have to do exactly what he would in that situation, and indulge in a moment of reckless curiosity. And I just think that's delightful

[the-uncanny-dag]

Related to my previous post: it's amazing how the setting of Muir's novels contrasts with the depth of character writing focused on queer WOC. Bc it doesn't matter how woke and diverse John Gaius' Fully Automated Luxury Gay Space Catholicism is from the audience's first glance at the dramatis personæ, the Nine Houses are still a fascist theocracy cracking liveable planets like walnuts & making sure not a single denizen of the colonies has a moment of peace, and it was built by a man who grew up in the 21st century and whose female (citation needed) partner he killed, ate & put in the fridge. Women are still assigned value by their physical appearance (like the twins), their treatment still hinges on their gender expression (compare treatments of Gideon's body vs Harrow's), they still aren't taken seriously at work (like Mercy), interclass marriage (necrocav couple Abigail & Magnus) is scorned, reproductive rights and healthcare in general are abysmal (Fourth, Sixth, Seventh, Ninth for different reasons). "Does the narrative respect women" and "Do the characters in the story respect women" are two completely different questions with sometimes completely different answers

[fruitsofhell]

meta knight

[glazedcroissant]

cake thief

[lass-us-slay]

So I read a prompt about how Wonder Woman found Danny in a trash can (don’t remember which one) and I was bored.

So I took that lil info and made it into an AU.

So basically, Danny get yeeted into this unknown universe and has no where to live. And no where to live means no money. No money means no food. No food means Danny can’t keep his human half sustained.

So what does he do?

Decides to not change into a human and live in a trash can.

Yes you heard that right, live in a trash can.

Because he’s a ghost, he doesn’t have to worry about the germs and stuff. But that doesn’t mean he lives in just any trash can! He lives in a clean one ☝️

AND he also decorated it with his name so other people know it’s his!

And so Danny has been here for a while now and realizes

Holy shit there’s hero’s here- you know what, why doesn’t he have hero’s back home?!

And being minorly annoyed jealous (but he’s never admitting that)he thought:

Well since there’s hero’s here already, guess I’m not needed.

.

.

.

Good. I’m tired af

And so Danny caries on his life, being content with his trash can and scaring whoever comes into his alley. It’s fun. Sure he sometimes needs to ugh overshadow people to feed his human side, but other than that.

It’s going great.

But Danny doesn’t realize that with Amity gone (or smth, you choose) which was his haunt, he slowly makes the trash can into his new haunt.

And slowly but surely, Danny’s beloved haunt trash can starts to become other worldly kinda.

Yk because of the ectoplasm.

So now Danny’s lovely trash can haunt has more space inside and- Hey Danny can actually sleep in it better!! And he got some company too!

In the form of blob ghosts.

Two actually.

They keep his trash can clean and help purifying some corrupted ectoplasm that he finds. Because for some reason this universe’s ectoplasm seems half way artificial and tastes a bit weird. Which is where the blob ghosts help out in.

Everything was great.

Danny was loving the trash can life style.

He has two blob ghosts friends. Which he named Sam and Tucker, and yea they couldn’t talk but that was fine.

He wasn’t lonely, he wasn’t. He had two very much talking friends like Sam and Tucker.

However one day two weirdly dressed people- oh they were hero’s.

Well anyway they found him, one woman stripper and one furry guy.

But it was on accident! He was just peaking out of his beloved haunt trash can, and they spotted him.

He stared, they stared back.

Then the woman stripper asked him questions, even when he said:

“Don’t mind me, have a nice day!”

But they just kept bother him and giving him weird looks and glances.

Which- rude.

Didn’t they see his mark on his haunt trash can? Obviously it means it’s his home, so they shouldn’t be bothering him still. He’s safe as can be.

Plus.

It’s not like he’s looking at them in suspicion and weirdness, I mean look at them! What kinda cheep knock off vampire fury mix and American stripper style clothing are those!

They should mind their own business!

———

Just a silly lil drawing of this lmao, don’t mind me.

[fanlore-wiki]

Meta Monday: Your favorite fic author is probably over 30.

In 2017, Tumblr user Xochiquetzl posted an essay in response to discourse about adults in fandom, discussing ageism in fandom and explaining why “your favourite fic author is probably over 30”.

The essay seemed to strike a chord with fans and inspired many to share their own positive stories about their experiences with older fans and the fanworks they created.

Are you curious about this essay? Read more on Fanlore!

-----

We value every contribution to our shared fandom history. If you��re new to editing Fanlore or wikis in general, visit our New Visitor Portal to get started or ask us questions here!

[necrotic-nephilim]

as much as I love the common "Tim worships/stalks Jason" trope in TimJay fanfiction because it's Good and making Tim a weird little freak is Fun, I think the underutilized dynamic is where Jason is the one weirdly obsessed with Tim and makes it Tim's problem.

Like, the moment Jason is confronted with the information that a third Robin exists, the first thing he does is cover his wall with pictures of Tim so he can just obsess and torture himself over it. That is the behavior of a man who is Unwell over Tim's existence and I love it.

red hood: lost days #4

And as much as a shitshow as The Titans Tower Incident™ is characterization-wise (though I think it has far more merit in depicting Jason's character than people give it credit for but I digress-) there's something very fun about the fact that even after kicking his ass, Jason respects Tim and is impressed by him.

teen titans (2003) #29

And on top of that, Jason can't seem to stop trying to ask Jason to Tim to work with him in some capacity.

robin (1993) #177

batman: battle for the cowl #2

While Battle for the Cowl is an exceptionally bad comic, especially for its characterization of Jason and the "be my Robin" bit is taken deeply out of context, I do think it's interesting how obsessed Jason is with believing that Tim is extremely competent, only held back by being "brainwashed by Bruce". (hence him leaving Tim for dead later on in the comic.) Jason seeing a darker side of Tim and wanting to bring that out of Tim, wanting to see what Tim could be if he let go of his loyalty to Bruce is so fun to me, tbh.

And in Robin #177, Jason seems genuinely upset Tim doesn't want to work with him. Jason sees such a raw potential in Tim and is obsessed with it, constantly wanting Tim to work for him and see Tim be the type of person Jason is. And despite Tim rejecting him, Jason doesn't shoot to kill Tim. I just cannot get over the fanfic potential of Jason obsessing over Tim, tracking him and seeing what he's capable of and what he could be capable of. Wanting to make Tim see things the way he does. To Tim it's corruption, to Jason it's freedom. Tim trying to 'save' Jason is fun and all, but Jason trying to corrupt Tim? That's even more fun to me. Watching that power struggle between them, Tim unable to get Jason off his heels as Jason gets more and more possessive and bold with each attempt.

And when Jason sees Tim successfully get Gotham back under control after a gang war, he's impressed. He praises Tim, even. And then Tim just. Breaks him out of prison.

robin (1993) #182

The way they're constantly trying to see something in the other that isn't there, hoping the other will come around? That is the most fucked up hate/love dynamic ever. Jason keeps coming back to Tim, keeps trying to find ways to get Tim onto his side. They're always chasing each other. And I think Jason would be the one to confess love first, the one to do anything to make Tim his. And when you consider after all of this, Tim has his Red Robin arc and is at his lowest, getting the closest he ever gets to considering murder? I think it'd be so fun to see Jason take advantage of that and worm his way back into Tim's life and finally push Tim over the edge.

[thefabledpheasant]

We like to laugh at Arthur’s reaction whenever Merlin is accused of being a sorcerer because “he couldn’t be a sorcerer, look how clumsy and dumb he is”.

But have we considered the reason he finds it so ludicrous is because he’s actually thinking, “Merlin can’t be a sorcerer. All magic is evil and destructive and Merlin is the embodiment of all that is good and worthy of love.”

I mean, he believes Merlin is the bravest man he’s ever met. A man like that surely couldn’t have magic… right?