#there's a part of me that wants to say

[doccywhomst]

[inkskinned]

because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.

you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.

you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.

don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.

if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.

you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:

how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!

aren't you happy yet?

[jojaxcola]

"no one told me back then that i was in the glory days."

[ jojamart mockumentary #14 ]

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[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[theoldkyokodied]

The Allegiance of the Ascended Vampire and the New God of Magic

[poorly-drawn-mdzs]

Just your average male living space.

[First] Prev <–-> Next

[starcurtain]

I think one of the funniest things about the Sabzeruz event is that the devs choose to go with Candace, Traveler, and Paimon having a whole "Ooh, two mysterious men are going into an alley to have a 'private' conversation; they must be bad guys!" only to then go "Oh just kidding, it was only Alhaitham and Kaveh doing typical Alhaitham and Kaveh things."

Except the "Alhaitham and Kaveh" thing in question this time was talking about Mehrak, a sentient robot that Kaveh built using absolutely forbidden technology, and which he then whole-heartedly willed would develop a consciousness of its own, violating one of the central taboos of his nation's governing agency, committing what amounts to an inherent and extreme felony punishable by law.

Alhaitham and Kaveh: Listen, we're not bad guys discussing illegal activity here. We're just two men having a private, personal conversation. Happens all the time.

Paimon, Candace, and Traveler: Oh cool, they're not doing a crime; they're just gay.

But they were, in fact, doing a crime.

[herbarimoon]

Day 22 - Candy

+ alt version

[egophiliac]

:) hello! :D hope you have a nice day and absolutely do not think of the possibility of one of the last story cards being of silver! and that his groovy will very probably be crying!!! THERE'S SO MANY CRYING PEOPLE IN STORY CARDS LATELY!!! SPECIALLY LIGHT USERS!! I AM!!! SCARED!!!! bc so far we got Lilia and Sebek in the beginning book 7.... so at the end.... so we're missing story Silver... and Malleus is the one with less cards, so they might add one for him... but... the tears... ego.... THE TEARS!!!! EGOOOO!! (LOVE YOUR ART BTW EVERYTIME I GET A NOTIF FROM YOUR BLOG I RUN HERE TO SEE!)

(thank you! 💚💜💚)

YES I am ALSO like...90-95% convinced that we're going to be getting a story card for Silver once we wrap around back to diasomnia. 👀 especially because the way things are going, Silver will be the only character whose dream we haven't seen -- yet???? -- and that just. y'know. makes me wonder!

although I do think it would be VERY funny if he got a story card and the groovy was just "regular Silver except with one beautiful single crystal tear". this is actually a lot coming from him.

(he used up all his emotion yelling at a baby that one time, there's none left for a proper groovy-level cry.)

[ibahibut]

💀: Fewer wounds, more kisses from me.

🐦‍⬛: Contract's accepted, mi amor.

Music inspiration: A Little Death by The Neighbourhood

[not-equippedforthis]

forever mourning how granada holmes never adapted the three garridebs. diabolical. unbelievable, even. 'if you had killed watson you would not have made it out of this room alive' but in brett's frightfully intense and low, biting, hissing voice. the violent, wild stare versus the gentle hand on watson's knee. all of that precarious control getting flung out the window. the humanity of it. gritting my teeth can you fucking imagine.

[puppppppppy]

act 4 :(

@chipper-smol and i came to a realization

[keferon]

Part 2 of Jazz and Prowl in space!

Gonna start calling it Odds of Survival.

Prowl loves entrusting his life to reckless strangers.

———————————————————————

Prowl pulled the release to the airlock and the music was swallowed by the vacuum of space.

Bursting forward, Jazz launched outwards riding the pop of escaping air. The first quintesson had its eye socket repurposed as an ankle bracelet before the second measure even began.

Ah.

Prowl probably should have specified he wanted to try speeding past rather than confront their opponents directly.

Jazz's improvised footwear writhed sluggishly before the mech twisted his ped inside its brain case, finishing it off and turning to face the next nearest opponent.

Odds of survival 26%

The white and blue mech launched himself upwards as the nearest quintesson went for a dive bomb. It's teeth breaking on impact with the sky bridge. Jazz twisted in midair.

They fell in slow motion, back arching against a starlit backdrop. An upside down visor met blue optics. Jazz nodded his head to the side, flicking one horn up and one horn down.

Did he just wink? (#^%)

The falling mech unsheathed a blade from his wrist, driving it through the sputtering quintesson.

Oh Primus has he been flirting the entire time?

Jazz spun, slicing into the next quint to close the distance.

I can not. I can not assume that was intentional. It has to be a cultural miscommunication.

The last two quintessons pounced. Swinging hard, Jazz caught one's jaws with a forearm while he kicked the downed another in the side of the head. The third was attempting to bite into his back but the teeth couldn't get a full purchase on the rounded compact plating.

Odds of survival 22%.

Prowl snapped out of his social etiquette downward spiral. Sprinting from the safety of the airlock door, he knelt behind a large section of external piping, lining up his shots.

Tacnet spun to work.

It was designed to calculate hundreds of possible variations of large scale engagements, including the number of soldiers, type of weaponry available and could even determine the approximate number of ammunitions that would be left over, provided Prowl had enough data at his disposal.

Calculating the marksmanship needed to dispatch three hostiles at medium range while distracted by a highly competent ally?

Odds of Survival 32%

Laughable.

Three shots burst through the thin atmosphere.

Quintesson wreckers were built thick skulled and stubborn. Luckily they came with easily identifiable gaps in their organic construction.

The Quints fell from Jazz, each with a smoking hole where and eye used to be. Jazz looked at Prowl, then the smoking quintessons and back up to Prowl before doing finger guns again.

Speaking of thick skulled and stubborn.

Prowl put on his best Commanders Scowl and pointed in the direction they needed to be currently running in.

Doorwing sensors hiked as he picked up on movement from behind. The incoming hostiles was palpable even in the moons thin atmosphere. Quintessons rarely favored stealth.

Prowl began running.

Jazz kept pace, half turned around to keep track of the incoming troop. Prowl kept his optics locked forward, not remotely willing to risk tripping on the torn apart path.

Tacnet locked on to a large silvery pillow that'd been exposed to the atmosphere.

Expanding LLX Lithium battery. Explosion on contact 90%

Prowl shouted a warning but the air was too thin to carry beyond his own audials.

Jazz will step on the lithium battery in 1.5 clicks (88%) and will be critically injured in at least one leg (76%).

Prowl grabbed Jazz's servo and yanked.

Music erupted in the moment of connection.

Vibrations ran up his arm and across his frame. Inside his audials, Prowl could make out the song Jazz had begun in the airlock. Looking at his visor, mouth agape, only one thought could form in Prowls mind.

How fragging loud is he playing that music?!?

Jazz perked up, and pulled Prowl around in an arc. Multiple sharp impacts thudded into the ground behind him. Prowl turned and almost wished he hadn’t.

Three heavily armored Quintesson bombers equipped with bio-mechanical ballista.

The javelin like spikes were as long as Prowls arm and designed to pin targets in place while the slow moving blimp-like body of the bomber got into position to blow them all to the Pit.

Prowl tugged Jazz in the direction of their objective, refusing to let go in case he tried to launch himself at the bombers. Prowl wasn't sure how Jazz would manage to do so, but Prowl felt an overwhelming nagging sensation in his tanks that he'd fragging try.

Jazz was evidently fine with this arrangement.

As the music pulsed between their palms, Jazz leapt at a diagonal, pulling Prowl along for the ride. The low gravity was so damn floaty. It continually forced Prowl to readjust his footing so he wasn't frantically treading air every time his peds left the ground.

Jazz was evidently fine with that too.

Another round of ammunitions impacted where the two of them had been running.

Their egress began to take on a pattern Prowl was quick to pick up on. It took the bombers 8 clicks to reload, launching at the same time, half a click after musical flair in Jazz's song. At the moment of the flair, the mech would launch them in a nearly unpredictable pattern. After the first two times of nearly getting his arm dislocated, Prowl began catching onto these moments and moved his momentum in sync with Jazz.

They'd started dancing.

The Tactician had an iron fisted focus on matching Jazz’s frankly eradicate lead. The longer the duet continued, the more data he had to work with. Prowl steadily progressed from Reacting to Anticipating. Feeling a core deep satisfaction that came from sinking into mastering a new skill.

By the time they’d escaped the bombers range, they’d made it too the base of the first hurdle.

Their reprieve would only be brief. The bombers would catch up in approximately 50 clicks (88%), giving the mechs a small window of precious semi-safety in which they needed to scale the wall before them.

Prowl craned his helm back at the barrier.

He would not be able to scale it on his own in time (95%).

Could Jazz? (65%)

While carrying him? (19%)

Jazz rapidly tapped his side.

The alien was crouched low, impossible legs bent with potential energy. He tapped his own back, gesturing for Prowl to grab on already.

Prowl threw himself over the mechs broad back. His digits frantically searched for a hand hold, flinching away from nearly digging into fragile vents.

I can’t-

Jazz leapt.

“You’re really grab-able - Isn’t that kinda stupid?”

Stupid stupid stupid.

Prowl skated off of Jazz’s rounded compact plating, that he specifically SAID was supposed to make him hard to hold on to.

He landed hard on his aft, denta clanking together painfully.

47 clicks remaining.

Jazz hit the ground beside him before Prowl had fully gotten back up. Now facing him, Jazz grabbed Prowl by both wrists and pulled him chassis to chassis. Jazz positioned his arms to link Prowls servos behind his helm, then set his own servos tightly onto Prowls waist.

Jazz nodded once, like he was satisfied with what he’d just done.

Prowl made a facial expression that a psychiatrist would find concerning.

42 Clicks.

Jazz nodded again, like expected Prowl to respond in any coherent manner, and lifted.

Prowls legs swung forward on instinct. Following the motion, Jazz wrapped them around his waist. Through the screaming haze of his processor, Prowl had the presence of mind to lock his ankles together as he realized Jazz’s true intentions, and manually aborted the logic cascade that had nearly crashed over him.

Package secured, Jazz let go and started their ascension.

Legs bent at an impossible angle to slam multi segmented peds flat against the metal walls. Despite Prowl’s body blocking most of his view, the alien mech was unfettered by the lack of vision. Jazz hardly bothered with proper hand holds, instead opting for incredibly strong magnetic grip built into his servos.

The magnetic backwash splashed over Prowls doors wings, forcing him to temporarily offline them or risk crippling vertigo. The structure they were scaling shook violently like something large had just irrevocably broken.

This is fine this is fine this is fine this is fine.

At 35 click’s remaining, Prowl centered himself enough to search for their pursuers.

Damn it!

The bombers were a fraction faster than he initially calculated. Six clicks before we’re in range (87%). Luckily, Jazz was more than a fraction faster than initially calculated as well. At this rate, they’d reach the top simultaneously.

No reason not to be proactive.

Prowl found that if he tightly cupped one servo around the back of Jazz’s helm, he had just enough leverage to bring out a side arm. After all, the bombers were already in range of him.

Steadying his elbow over the other mechs shoulder, Prowl took aim.

Five clicks.

The bombers flew in V formation.

Four clicks.

Too heavily armored for a standard sidearm to pierce.

Three clicks.

The lead bomber opened up its front in preparation for combat.

Got you.

Prowl threaded the gap, his shot skirting over the ballista in favor of impacting the bombers prodigious cargo. He watched something spark inside a split second before it succumbed to total annihilation.

The shockwave felt like a single soft papft of a breeze in the starlit air.

Jazz hefted them over the top of the wall, not dropping Prowl in favor of sprinting with him at full speed across the top of the hurdle.

One of his arms curled around to support Prowls back, allowing the Praxian to release his death grip on their helm. Prowl leaned back into the hold, allowing Jazz freedom to see again.

Jazz turned his helm around 180 degrees-

Did not know he could do that did not know he could do that.

- to look at the fire works behind them.

Jazz whistled appreciatively at the sight. He turned back to Prowl, visor locked onto his face as they carried him across the roof.

Reverberating music, nearly crashing, numbed doorwings, and a deeply satisfying kill all followed by a display of casual body horror was making Prowl just a little bit delirious. As a result, Prowl wasn’t entirely sure what expression he was making, just that Jazz was inordinately fascinated with it.

Without looking away, Jazz leapt off the end of the roof.

Prowl watched as Jazz glanced over his shoulder and back to him.

Do a double take.

And then crush Prowl to his chassis.

Jazz’s visor was over bright, both horns snapped completely forward and from somewhere inside his chassis, Prowl could feel some internal component spinning into overdrive, sounding for all the world like teeny tiny screaming.

Why are we still falling.

Prowl turned as far as possible in Jazz’s iron grip.

The sky bridge was collapsing.

Odds of Survival 4%

———————————————————————

Jazz, everytime Prowl one-shots an enemy: I need to get his number.

If you’re curious, the song Jazz is playing can be whatever you like. Personally I kept switching between listening to “I Was Made For Lovin’ You” by Kiss and “I Feel Love” 12” version by Donna Summer while writing.

- SSTP

OH GOD AHAHJFKFK THIS IS SO FUCKING GREAT HELP

And the concept of music playing between them??? I'm s o l d. "I was made for lovin' you baby" is basically JP OST for me at this point ehehhmgmgm

Jazz: Hookay I need to transport the machinery from the point A to point B. Focus! Let's go!

Prowl: One of those tiktok videos where you can see some Reddit post and hear AI narrating it while Minecraft parkour is playing on the background. Except it's gay panic instead of reddit post and internal screaming instead of narration and even more gay panic instead of minecraft. ......and everything is overheating probably lmao

Also can you really call it a JP fic if their odds of survival never dropped lower than 10% according to Prowls brain? Ahahjgkgk all amazing JP fics have to do this. It's inevitable and I love it so much~~

[exercise-of-trust]

i don't generally bother posting the stuff i knit exactly from existing patterns but i finally wove in the ends on a couple frankensteined socks and figured i might as well throw them up here? they're very dumb but i'm fond of them.

for the first pair i made up a colorwork pattern for the feanorian heraldic symbol, and slapped it together with the pisqu sock structure and toe pattern, and a snippet of a mitten for the sole halves. the yarn is 100g of jamieson's of shetland that i got on the high street of fort william, as a treat after walking 100 miles from glasgow to get there, and i had... maybe 10 yards total left over? i had to cut off the long tail from my cast-on and use it to graft the toe closed on the last sock; it was nerve-wracking. if i did this pattern again, i'd probably put the toe motif in between the two heraldic lozenges, but the first time through i wasn't sure how the math would work out so i frontloaded them. ah well!

the second pair is the structure of an existing sock i've forgotten the name of (worked in the round from the tip of the heel to a hat-like shape with six sides; two opposite ones are grafted together to form the instep and the other sets of two open into the cuff and close into the toe), with the colorwork pattern from the gogink sweater yoke. i thiiiink you could do this with basically any colorwork sweater yoke, but i've only tried it with this one. if i did it again i'd add some short rows to the front side of the cuff; the construction sort of pulls it down so that the heel side of the cuff is higher than the front, and a couple short row rounds would probably level it back out. i like these because they neatly smash the cuff-down/toe-up binary and make everybody mad, and i am at all times an imp of the perverse.

[marciaillust]

bro fuck it im workposting. i did illustrations, i storyboarded, i directed. I did many cool things in 2024 and millions of people all over the world saw em. that has to count for something

[hollis-art]

i saw someone spread hate to Keiko bc they were a Bashir/O'brien shipper, and i do NOT agree with that.

why would you ever say such things when this was always an option?

this is obviously what's happening in the show anyways