#there’s simply not time to have the little details that expand on these characters

[thefirstknife]

Go off! It's the Cinemasins Effect. There is no literary analysis, just listing of facts like you're reading a Wikipedia summary. Devoid of accounting for personality traits, external influences, basic human (or alien) contradictory nature, unreliable narration (always present in Destiny), multiple points of view that are clashing (because that's how the world works), etc., these facts tell us little about the actual story so it's easy to misinterpret obvious solutions.

A listed fact might say "Eramis endangered her own house by opening the Vex portal on Europa" and then whenever Eramis talks about caring for her people, someone who engages with only the list might think "That makes no sense!" And it does, if we go deeper and account for her desperation and corruption and how much she did not understand what was happening to her. She desperately tried proving that she has agency, but it was the exact opposite; while fleeing from the Traveler claiming not wanting to be its pawn, she was actually the pawn of the Witness. She was used by the Witness to get us, the real target, to be tempted with stasis and the moment she lost (no longer worthy of being a part of the final shape), she was discarded. However, not entirely, because she still had to remain a pawn potentially to be used later when the Witness needs a convenient and desperate soldier to enact its plans under a threat of a total annihilation of her people; because that's what the Witness does. She literally commented on this, how the Witness is "punishing her" by turning her friends into Scorn.

But we never see even a fraction of this kind of analysis in the most popular circles and "lore masters" will always prioritise just listing events and doing "Ending EXPLAINED!" videos with zero character motivations or analysis mentioned. I won't even go into how much of Destiny story is obviously constricted by technical elements and the type of game it is, which is something people forget all the time and expect Destiny to suddenly have a singleplayer RPG level of game design which simply will not happen. A lot of the perceived faults in the narrative are almost always of technical nature and writers themselves have spoken about this. I feel like that has to be included in any analysis worth a damn because Destiny's story is trapped within the confines of the genre of media it is in (first person looter shooter); while the story is a major part of the game's essence, gameplay comes first, always. If the story has to be constrained for gameplay purposes, it will be. If it has to be constrained because there's not enough time or resources to add more dialogues or cutscenes or to expand the scope of every character or to create a more complex narrative, it will be. Given all of this, I think the team has done a great job for Eramis over the years and kept her arc as consistent as possible which made this ending easy to predict and satisfying because the arc has concluded as it was intended.

At the end of the day, I don't even mind if people have a personal reason to think "Actually I would never have forgiven Eramis." I'm sure there are characters in-setting who think that; either because of a lack of knowledge about her (if you're just some random citizen, you don't know the details of her corruption or her internal feelings) or because you were personally victimised by her (a lot of Eliksni fled House Salvation because of what she did on Europa that endangered their lives; they may never be ready to forgive her or accept her). That's completely fine. As a matter of fact, I expect it! It adds depth to the story.

The issue is that these people usually go about it by blaming the writers and saying that the writers told their own story wrong. That this decision was objectively incorrect or somehow bad for the narrative or a retcon or out of character or whatever. And it's just not. We, the players, who have all information and everyone's internal feelings presented in the story and lore books, know that this was the intended character arc for Eramis since the moment she didn't get killed at the end of Beyond Light.

Eramis Executors are up in arms that our favorite, bitter, lesbian crab didn’t receive a bullet to her head to no one’s surprise. What happened to the overarching themes involving forgiveness and mending the wounds of the past to build a better future for everyone resonating with people? Does the Traveler and what it has been representing for 10 years mean nothing when it comes to Eramis? Were we supposed to abandon the power of friendship? Is punishment with no consideration the only way of dealing with those who have committed wrong acts that people know of?

[dashiellqvverty]

at the end of the day the stage version of newsies is just a more fun experience because the dancing is so BIG the singing is better the songs themselves are better (the difference in Once and For All…. oh my god) but i am definitely coming around on the movie having its merits! watching it again so soon after the last time i saw it i’m especially thinking about how much more fully realized so many of the characters are (except sarah but. well.) and ultimately i think that’s just the nature of the kind of show that newsies is, but in paticular i’m really starting to prefer how crutchie (or i guess crutchy) is done in the movie. don’t get me wrong i love that he has a more significant role in the musical and i am jackcrutchie shipper #1 but he feels like much more of an individual person and overall rascal in the movie as opposed to a sweet and sympathetic prop for jack’s story 😬

[gentlemanjuniper]

If I could inject just a little positivity to the news...

Season 2 has a lot of filler and stretches out a pretty simple mystery to six episodes. That's the appeal to some, I get it. But tightness and focus was not its strong suit. I remember feeling like it wasted a ton of time on side characters and it's possible shaving the story down to 90 minutes will skim things down to its most essential beats and be stronger for it. Basically, S2 got a lot of time given to it, and this is obviously my personal opinion but I don't think it used all of it well. I think S2 itself could have been half the length simply by employing more efficient storytelling and we'd not mourn too much.

A lot of S2's weaker plotlines feel built around people that Neil wanted to work with again, with so many recurring actors (I'm thinking of the zombies specifically, when that minisode could have easily been tighter without them). A lot of s2 to me feels like Neil just making work for the people he likes and wants to work with and a movie has to be more accountable to things like that.

Lots of entire fandoms exist around single movies. 90 minutes is not nothing. It's enough for many, many films to tell a complete story with cute character interactions and satisfying emotional arcs, especially when A&C are the only real significant connecting threads between both seasons thus far.

I don't think there are as many loose threads that absolutely need resolving as people may be thinking. Would I like to know why Aziraphale did the '40s apology dance? Would I like to see his bookshop gun? Sure. Are either of those necessarily essential to closing out the story? I don't think so. Really, what needs resolving is the second coming and, directly connected to that, Aziraphale and Crowley's rift. To me, not knowing the story obviously, that seems super reasonable to do in 90 minutes?

I don't think anyone involved in the final season can possibly be blind to the appeal of the show being Aziraphale and Crowley over anything else. That's certainly the reason why their roles were expanded to begin with from the book and why the second season was, nominally, all about them. They also now have to pay MS and DT for appearing in a movie rather than an ensemble show, there's no way they won't be front and center. Amazon wants a show that will make money and market itself; there's a reason why all the promo material for S2 was of Crowley and Aziraphale, because people engage with that stuff, reblog it, make art that promotes the show, etc. It makes no artistic or financial sense to make a movie that sidelines them.

GO is at its best when it has Terry's voice most strongly in it. That's why to me, S2 was a weaker, more meandering season overall (that, and I think the minisodes, while fun, just make the season feel comprised of different voices not always working in tandem towards a common goal). If I was a writer hired to condense a season into a film, and one of the authors had been rightfully disgraced, I would go out of my way to ensure the clearly Terry stuff is most significantly emphasized. It's telling to me that the Pratchett estate is producing and it's possible that the end result will result in more Terry, less Neil.

Think of it this way: everything we've gotten after S1 has always been extra. Imagine telling a fan of the book in the 90s that not only will you get a six episode adaptation, you also get a totally new second season, AND a movie?

Basically: I know this is disappointing but I think a lot of the pleasure of the Good Omens fandom was ALWAYS people picking up on and expanding on details, and y'all managed to do that just fine when A&C were only ensemble members in S1. You can and will do that with a movie too. And this solution both a) ensures first and foremost that Neil won't be involved or the allegations swept under the rug, and b) gives an opportunity for the heart of the story to be emphasized with greater focus, clarity and less filler.

Will we lose good stuff? Probably. But it's also possible we will get a tighter, more condensed, focused version of the best bits, the Terry Pratchett-est bits. I can easily see a 90 minute movie that, knowing they HAVE to focus on the important stuff now, is more Crowley and Aziraphale centric than ever.

[ambrosiagourmet]

Rin Masterpost

Rin! Rinsha Fana! Beloved side character I think about far too much (or maybe not enough?)

I decided that it might be nice to put together an informational post about Rin, since she has some of my favorite background details of any character in Dungeon Meshi. This is partly as reference for myself, and partly for anyone else who might be interested in her but not know where to chase down the tidbits we we get of her, both in canon & extra materials. There’s also a little bit of theorizing and analysis sprinkled in for fun.

If anyone spots something I missed, please let me know and I will add it in!

Alright. Time for ultimate #rinposting

History and Timeline:

We don't have an official timeline for Rin (even in the expanded Adventurer's Bible, sadly), but we can put a lot of pieces together based on Kabru's timeline & their respective ages.

Rin is 2 years older than Kabru, and they met when he was 9. Assuming that he met her soon after she was taken to the elven capital, that means that the elves took her when she was 11.

Before that, she lived on the Northern Continent. Interestingly, when Mickbell asks about Shuro, Rin says she was born "here."

Since "here" doesn't mean the actual Island itself, it must mean simply "not the east." She is described in the Adventurer's Bible as having "no real knowledge of or attachment to the East," so maybe that's why she draws a "there" verses "here" line.

I'd also like to add a note here that the elves don't seem uh... they don't seem great about respecting the value of other cultures, especially those of short-life species. Milsiril seems to have discouraged Kabru from eating or remembering food from his hometown, at least, and that's even as an adoptive parent who cares (at least in some way) for her child. As I will touch on later, the "care" that Rin was under probably had even less respect for her history or ties to either Eastern or Northern culture.

That is all to say, considering that Rin spent many years with the elves, I'd take her having "[no] attachment to the East" as more of a comment on how she feels now, and less as a definite choice she made. She may genuinely have chosen that approach and opinion for herself, she may have been pushed towards it by the elves, and she may have had little choice at all in the matter - all are valid interpretations, though I personally lean towards the thought that it's unlikely the elves didn't have at least some hand in it.

Anyway, Rin does seem to know at least a bit about her heritage - she can presumably name and identify the specific island her parents are from, and she recognizes that "Shuro" isn't a name used there. She also knows that different places from the Eastern archipelago speak different languages, so she knows at least a little about the other islands as well.

Some additional extrapolations I'll make based on these facts: she never mentions, and probably isn't in contact with, any family from her island. This may be because her extended family died, because her parents didn't (or weren't able to) maintain contact, or because she lost contact when she was taken by the elves. Somewhat relatedly, she also prooobably doesn't speak the language, at least not fluently, though her being able to comment on the state of language in the archipelago makes me think that she at least learned a little as a kid.

Anyway, Rin's parents were refugees from the archipelago, though we don't know what specifically caused them to leave. There is this little tidbit of info we get (from the cover of chapter 48, of all places), though:

So yeah, that seems like it would be the backdrop of Rin's parents fleeing. As I said earlier, it's unclear if Rin might have any living family left back on her island. The listing she has for “family” in the Adventurer's Bible is just a dash, but so is Izutsumi's, for instance, and we know that she was taken from her family with no knowledge of who might still be out there. It's possible everyone else was killed, it's possible they were separated... it's possible that Rin's parents didn't even know.

As an additional note, and this is speculation on my part, but I think there is an argument to be made, with this tidbit from the cover as well as the Nakamoto clan's specialty in espionage and use of ninjas, that the politics of the archipelago are partially based on Sengoku era Japan. Not necessarily super relevant here, but I think it's interesting context for all... of the archipelago characters, honestly.

(Especially considering it seems like the Nakamoto clan is in a relatively comfortable position, and yet clearly are involved, or at least prepared to be involved in larger conflict. How stable is their position, really? How is Shuro's father viewed by the wider region and archipelago as a whole? What about his lord? NOT THE POINT THIS IS A POST ABOUT RIN. BUT IT'S VERY INTERESTING TO THINK ABOUT.)

Okay, back to Rin's parents.

Whatever caused them to leave, they made their way to the north, where they made their living with their magic for a time. There are no specifics about what kind of magic they used, but we know at least some examples of jobs that magic can get you, based on the flashback to Laios and Falin's childhood in chapter 26. Laios proposes that Fain could use her magic to be a priest, gravekeeper, or wandering exorcist. Though these are specific to Falin's affinity with spirits, they give some idea of the shape of the work that might be available. It's important, but it is also on the outskirts of society - not necessarily admired or appreciated by the average person.

And Rin’s parents were killed by vigilantes for that magic. It's not entirely news that superstitious villages in the area would sometimes kill magic users - we see a small drawing of people being burned at the stake in a panel towards the end of the manga:

Nonetheless, Rin is the only person in the main cast who has experienced this brutality firsthand. And she did experience it firsthand, having been found by the elves as the sole survivor within the burnt ruins of her home.

It is unknown exactly how she survived, or what happened to her parents before and during the fire. Rin lived, and they did not.

The elves came some time after the fire, intending to investigate reports of ancient magic. They (and we) don't know if Rin's parents actually did use ancient magic, or if the reports and murders were simply spurred by general fear and superstition. Rin was the only piece of "evidence" that remained, and so she was taken back to the west with the elves when they left.

We don't know much about her time on the Northern Central Continent (where the elves/Canaries are based), but it doesn't seem like she was adopted or taken in by anyone the way that Kabru was. According to the Adventurer's Bible, after being taken into custody, "under their care she was treated as a captive animal would be." I would guess that means very basic food and shelter, little to no education. Probably the most social contact she got was from Kabru, as well as maybe, occasionally, from elves treating her as a curiosity, such as in this bit in the Adventurer’s Bible:

Assuming she left with Kabru (which seems like it is the case, there's no info about them having separated during that time), she spent 9 years with the elves, and has been with Kabru on the Island in the 4 years since then.

She also stays in the Golden Country after the end of the story, apparently working as an apothecary.

Additional Details (& Speculation):

What does she remember of her family and home?

I'd like to take a moment here to explore a little of what Rin might remember of her parents and home.

For reference, we can look at Kabru. The canaries came to Utaya when Kabru was 6, and he arrived in the capital when he was 7. He remembers the events of the tragedy in his home, and has some memories of his mother and life in Utaya, including memories of local dishes.

Rin lost her parents and home at 11, so she presumably has much clearer memories of the events that lead to her being taken by the elves... or she might, assuming that they haven't been completely blocked by her trauma from the event.

Yeah, I am fairly damn sure that she's got some memory issues from trauma and PTSD. For one, this is the state she was found in:

As already mentioned, she was also treated like something of an animal by the elves. She probably didn't have a lot of contact with other people, which would further perpetuate that sense of isolation and dehumanization. What I'm getting at here is that Rin probably didn't have much to help pull her out of this place, or heal these wounds. She had Kabru, who was also a kid and even younger than her, and she had herself.

Obviously trauma leaves different scars on everyone, and everyone responds and copes in different ways. But I do think it is interesting that we never hear anything about Rin's parents or life before the elves, and there are no real details about it given in the Adventurer's Bible the way we have for Kabru. What's presented is more surface level facts: they were refugees, they made a living with magic, they were killed.

I'm inclined to believe that things are laid out this way because that's how Rin holds on to these things. She knows things about them, but possibly remembers them more as things she was told/knows to be true, rather than actual memories she can picture herself experiencing.

Rin's Magic

In an interesting counterpoint to her potentially spotty memory, I do actually think Rin may have learned magic from her parents (or started learning, and was self-taught from there). She never attended a magic academy, and actually has a bit of grudge against people who did - owing to the social protection afforded to "upper-class mages," which her parents did not have. She also almost certainly wouldn't have been taught by the elves, who not only treated her as an animal but also knew her parents may have been involved with ancient magic.

Falin began to show signs of magical talent at 8, and was sent to the Magic Academy at 10, and that was as someone who had absolutely no guidance about or exposure to magic in her home town. Raised by two mage parents, I think Rin absolutely could have been learning some things by the time she was 11.

In terms of continued learning, I'll add that Rin is able to identify Marcille's magic as being A) from an Academy student, and B) cast by an elf:

This makes me think that she continued to study magic on her own while held by the elves, and probably even more so after leaving with Kabru. They didn't form the party until two years after they left the elves, which would give Rin plenty of time to try and learn from other adventurers on the Island, or to study up on her own. She'd probably be able to pick up some dungeon-crawling basics (like the water walk spell), as well as become familiar with the skill level and expression of skill common in different people with different backgrounds (hence why she is able to comment on the "textbook" academy wards).

Much like Marcille, Rin also seems to rely on a 'one size fits all' Big Boom method of dealing with monsters: lightning. We see the best example of its power in the fight with Chimera Falin:

But we also see her cast it pretty recklessly in a few other places, including the end credits of the new anime ED, which I think provides a good example of the downsides to such an approach...

Yeah, it is very much a 'get out of the way or get zapped' spell.

Especially since Marcille's offensive magic is self-taught and works very similarly, this definitely reinforces the idea that Rin figured most of this stuff out herself.

Outfit and Character Design

Dear sweet Rin of the Red And Black... how I love her design.

First of all, her clothes are damaged. Despite the fact that Rin looks relatively well put together overall, her outfit is worn out. I have some theories on why this is that I'll get to in a bit, but for now I'll just touch on what this design communicates in general about it.

I think, just like with Kabru's horribly messy room, it creates a sense that there is something more complicated underneath the surface. Something that isn't being addressed or seen to, just as the dress hasn't been mended or replaced.

It also reflects her not caring a ton about her appearance. She's neat, but she's not concerned about being pretty, so she doesn't bother with fixing up her outfit after her dungeon crawls. This also fits with her perpetual scowl (which I will talk more about in a bit), and slightly disheveled hair.

Next: the gloves. At first I thought they might be a sort of uncomfortable-with-touch thing, but after skimming through the manga and some bonus content, I have another theory. Rin takes the gloves off to eat, as well as a few other instances, such as when working on a spell with Holm and Marcille in chapter 36

This one is especially interesting because she has them on in the next chapter, during the fight with Falin. Since she also isn't wearing gloves during some of the Daydream Hour art of her outside of the dungeon, that leads me to believe that they are specifically for combat.

What does she need them for, though? Most other casters we see don't wear gloves. Well... just look at the other half of the page where she attacks Falin with lightning:

She is enveloped by this spell. I said it before was pretty reckless magic, but maybe its not just a problem for her teammates, but for her as well.

So here's my theory: maybe the gloves are rubber, or some other electricity-resistant material? They might help protect her from her own magic. I don't know why a caster would need gloves for combat otherwise.

I also think this might be why her dress is tattered at the bottom, by the way. Especially since the Daydream Hour genderswap design doesn't have a similar problem with his outfit, since the tunic isn't as long.

I will admit this is a bit of stretch/guess, but I think it's a fun one, and I wanted to share. I do think I'm right about the gloves being for dungeons/fighting specifically, at least. That seems pretty consistent throughout all of her appearances.

I also mentioned her scowl, so I'll touch on that briefly as well. The (fairly confirmed) explanation for Rin's expression is that she intentionally wears a frown to prevent her other expressions from showing through. I think it's important to emphasize that it's not just smiling that she is trying to suppress here - it's any strong emotion:

Anyway, because I can, here is the art of Rin smiling.

Rin and Kabru

I have talked a bit about Rin and Kabru's history, but I think it deserves its own section.

I think it's very interesting that Rin is pretty much the ONLY character in all of Dungeon Meshi that has explicit canonical romantic interesting in someone. It's literally part of the main summary sentence in her character profile.

This could be sort of reductive as a way to describe a female character (and in some ways it still is), but I think in part the simplicity and directness of it actually is part of what makes it so interesting. Especially when on the very next page we see the comic about her backstory. "This mage is in love with Kabru" -> one page of a horribly traumatic event and a child frozen in shock with no one to comfort her. What does that do?

Well, in my opinion, it shows how much Rin focuses on Kabru as something to keep her in the present. In contrast with the immense loss she has experienced, her love for Kabru is current and alive. He has presumably been her anchor for years, and I think that her love is part of that anchor.

Adding to this, in contrast with how explicit her feelings are, she never seems to actively pursue Kabru. She complains about his potential interest in other women, but she doesn't really flirt. She doesn't let herself smile around him any more than anyone else, and she doesn't hide her bitterness or anger from him to present a more appealing persona.

As much as she craves Kabru's attention, and has stayed by his side for years, I don't know that she really wants to possess him. He seems to know about her feelings, more or less, and she seems to know that he knows. Maybe she believes he doesn't reciprocate and is respecting that, maybe she's afraid of what she could lose if she tried to change things, or maybe the change itself frightens her. In any case, though she's not exactly happy with the way things are between them, she doesn't seem to be trying to change that status quo.

A specific thing I'd also like to talk about with their relationship, beyond Rin's love for him, is her fear for him. As the Adventurer's Bible puts it, "she worries that his knack for dealing with whatever life throws at him might lead him to get too full of himself and end up in serious trouble."

Rin is an interesting mix of restrained and explosive, herself. Her magic is destructive, her temper seems to run hot (she gets annoyed easily, at least), and her feelings for Kabru are apparent. At the same time, she doesn't let her emotions show on her face, she is the one who bluntly states that the group has hit the limit of their abilities, and she doesn't act on those obvious feelings for Kabru. It's interesting, then, that what she fears for Kabru is that he won't restrain himself.

And a small personal idea about that as well: I wonder if she somewhat blames her parents for getting killed. Again, this is very speculative, but I think it's interesting that her fear for Kabru is that he will get too full of himself. Take up too much space. It's never really stated what Rin thinks of her parents, but it can be easy in grief to search for control, and control often means blame. If they hadn't been so confident, so flashy, would they still be alive...?

I don't know if she's ever thought like that, and it could well be that her fears for Kabru come from a totally different place. But it's an interesting connective thread between her past and present - the idea of "getting in trouble" for taking up too much space and being too confident in one's own abilities.

Miscellaneous Tidbits:

On that note, I'd like to wrap up the main part of this post, and move on to a few extra things that I couldn't find another place for.

Rin plays with her hair when she's stressed

Using stressed as a pretty big umbrella here, because I think it's hard to perfectly pin down all the emotions at play, but it is a habit of hers. Best displayed in chapter 32, but it shows up in other places, too.

Her design contrasts with Marcille

This is a small thing, but I just love how much they are visual opposites.

Rin wears red and black and has dark hair, Marcille wears blue and white and has light hair. Marcille cares a great deal for her hair and puts it up in elaborate hairstyles, and Rin's is mostly loose and a bit messy. Marcille was even educated at the Magic Academy, which Rin dislikes. They both have little capelets. Also they both look very cute in each other's clothes.

Rin knows Flamela (and they meet again in canon)

Nothing much is done with this in canon, but I think it’s super interesting that Flamela's squad are the ones that find Rin as a child and take her away to the west, and then they end up stuck in the dungeon together for a bit.

Two days??? I'm so very curious what things were like between these three.

Aaaand I think that's all I have to say about Rin! For the time being at least. There's a lot more analysis that could be done about her and Kabru especially, but for this post I wanted to keep things at least somewhat anchored to canon facts, with only a layer or two of speculation on top.

If it isn't already obvious, I think Rin is a super interesting character with a ton of potential depth to explore. She mostly interacts with Kabru in canon, but has ties to a bunch of other characters: she and Marcille fill similar roles in their parties but have differing personalities and histories, she and Falin (and Laios) have been tremendously shaped by xenophobia and fear of magic common in the Northern Continent, her parents fled from conflict in the same region Shuro and his retainers are from, and she has history with Flamela and some of the second canary squad.

Her temper, her fear, her love... her repression and passion - they all inform her character, even in small ways, even with as little time as she spends on the page.

[oobbbear]

This rant has 1 target audience and it’s me sorry I like to talk about my unfinished/abandoned stories like they’re successful tv shows and I’m the director getting interviewed about the little details of said show

I love afterland postal so so so much you don’t know how hard it was for me to cut it, but it got to the point that it’s effecting my mental health so I had to stop it. His story in the afterlife is a healing journey, so for that healing journey to be effective I have to make the downfall in his past life hurt, like, HURT hurt, and I went a bit too far that and focused on it a bit too much that I was not working on the healing part anymore. Everyday I regret the making of water angel cause it ended being my fav instead of the protagonists and it being the physical manifestation of death made me focus on the downfall of the story too much, until it literally just crumbled to the ground. If I pick back up Dolus’s story one day I will cut out water angel entirely and maybe most part of his past life, focusing mainly on the afterlife part and how he recovers/deal with his past traumas and rid of bad habits. I want to draw this gremlin again so so bad.

Afterland Postal is a story about learning to love life through death. I like to draw Dolus with CT moon and Callisto sitting together because all three of their stories are about “learning to love life again through the death”. In Dolus’s case is his literal death. For CT moon is him fantasizing death. And for Callisto is through the death of her old life.

After the “death” all three of learned to love themselves again by traveling. They see the world in different perspectives, goes out of their bubbles and get a taste of the wild possibilities of what life has to offer.

For Dolus, I specifically placed him in this post office that delivers mails to the living plane so he can run around experiencing the world but doesn’t have to deal with life? One of his big thing is that he enjoys simply existing, he likes observing the world, feel his surroundings, I had an entire chapter that’s describing how he sees the world through his 5 senses. The feelings are the only thing he enjoyed about life, now he’s a ghost life doesn’t have effect on him anymore, he can really slow down sit down and look at the world he didn’t have the time to look at before, see what he missed and what he may have never be able to see.

For CT moon is basically all described in that If my world goes Bang comic.

Callisto is a different case cause she doesn’t die, strongest fucking character in my stories she survived and very passionate about living. In the original plan after her finding Hester and having Hester’s soul freed, she’s gonna go and travel the world. She has been living in this little house in the middle of nowhere for good half of her life, having her burned down her past and moving on to a new one is good for her. I had a lot a lot of sketches that is just her traveling, I used this as a chance to expand on this weird magical world she lives in, so many cool places and concept. (Also she started dating people again wohoo) I really wish I didn’t burn myself out after that animatic this story would have been so fun to work on.

SPEAKING OF TRAVELING AS A HEALING MECHANISM☝️I m gonna go on a mad Orange Knife spoiler rant since I don’t think there’s a single soul still reading this thing. In Moondust & Natto plot, Moondust really really wanted to see the world with Natto, she loved the world she loved life, in her eyes the outside world is a struggle but one she would fight for because the sunset is beautiful and the grass is soft and for that the hardship is worth it, she loved the world so so much and she wanted to have Natto experience it too. Freedom was a large part of her soul and being add to OK’s collection permanently took that away. She never got to see it again not even the part of her that got added to worm made it out, her soul is killed long ago and body died with the fire that led to Worm and the remaining crew’s freedom, which honestly I think she would be happy knowing that her death freed Natto in the end. She would be mad knowing the person who killed her is freed too but she would understand if she knows Worm’s situation better. After Natto is free I’d like to think he carries a piece of Moondust with him so in his heart he completed their dream, and they can finally experience the world together.

It’s 2am and nothing is making sense sent post to tumblr.com go

[averageallogene]

Lyney ♡⊹˚ His lucky charm [NSFW]

✧˖°. Summary: Before his most recent shows, Lyney seems to have some nervousness regarding his abilities as a magician. Thankfully, his lovely girlfriend is always there to ease his mind beforehand, providing him with the luck her magician boyfriend needs.

fem. reader (3rd person) ; this is basically smut with little more than an intro to it, so beware. Also SPOILERS for ACT I of the first Fontaine Archon Quest. 

5k words.

notes. Hi yes hello I am back, I have played the two Archon Quests, and after working a little for my thesis I decided to write something by my own volition <3. I’m not sure if Lyney here might be portrayed accurately but nonetheless I really wanted to write a smaller piece for him before doing it for other characters! He’s adorable :( ♡ Enjoy ✧˖°

By clicking on the “expand”, you are hereby agreeing to view NSFW content. PLEASE if you are under 18, DO NOT INTERACT. 

PLEASE do not report, as this is my warning to those who do not wish to view NSFW. I, like most writers, work hard on each piece we choose to publish, and reporting it will decrease the number of readers it reaches... Thank you for understanding ✧˖°

Magicians have no need for something many folk cling onto - luck. After all, every trick they perform is something they study, polish, rearrange, rehearse. Everything is staged to the finest of details, leaving no room for unpredictable variables to enter the equation. Every performance is acted out accordingly, a mental checklist going on inside the performer's mind as each prop is placed and moved about, each line is repeated from the rehearsals, each movement in one’s body is carefully played out. Everything is a carefully crafted performance, and what need do they have for luck? None.

To Lyney, such is the truth. Well, at least this philosophy held itself rock solid, up until the incident that nearly landed him a guilty verdict. Despite his confidence in his abilities to wow the crowds, even before there would always be a small but ever present pitter patter to his heart, a quiet reminder of his own nervousness before the show would begin. He would usually handle himself most well, though through the eyes of those closest to them, the normal feeling of “performance jitters” wasn’t all that well hidden. Well, and if that were the case, more so after things went back to normal.

His breathing would be a little more unstable, his fingers would fidget with one of his cards as his eyes darted about his changing room. He would fiddle with his exquisite hat, rebraid his hair while trying to ease himself. Things had gone back to normal, their scheduled shows were once more popular and always fully booked. Yet still, there always was this sense of anxiety deep in his stomach, never truly going away as he quietly wondered if the show would go as planned. 

Well, thankfully he had someone to help ease his mind each time. And as if right on que as he brooded over the upcoming performance, a knock to his dressing room was heard, the door opening to reveal the loveliest of sights. At the door stood [F/N], his lovely girlfriend who would always visit him before he went on stage. 

“Hi Lyney! Hope I’m not intruding?” She asked sweetly, smiling his way which only helped to ease his worries.

“You never are, my love. Come in!” He breathes out, the eagerness to have her close not quite passing unnoticed to her. He extends his arms before fully taking her in his embrace, sighing deeply as he inhales the familiar perfume she would always wear. His favorite. 

“How are you feeling?” [F/N]’s voice grows softer, her arms resting around his lower back as she smiles his way. The silence that follows is enough of an answer, her magician simply distracting himself with playing with the tips of her hair. “...Nervous?”

“...Hah, why it seems nothing really blinks past you. I may have taught you… Too well…” He jests, the smile on his face betraying him before it drops slightly. It reveals some of his vulnerability for her, his violet eyes locking with her own before he speaks up again. “I suppose it’s just some performance jitters again, nothing new...”

“It’s okay Lyney. You’ll do great, I know so.” Her smile shone brighter than the very sun, beaming with warmth that was only cast to him. It comforted his very being, filling his conflicted heart with sugary sweetness that only soothed him in a way no one else could. And if that wasn’t enough, the next few sentences were the ones that would always, always seal the deal for him. “Everything will go well, and everyone will be wowed by your hard work. I’m proud of you.”

It was as though his heart was struck, pierced with cupid’s arrow as he couldn’t keep up the calm and confident act. Lyney’s body visibly relaxed, a content snicker escaping his lips as his arms brought her closer. His lips were quicker than his words, filling her face with brief yet lovely kisses, watching with glee as she giggled as a response. Amidst each kiss he whispered words of gratitude for her support, his hands roaming throughout her lower back as he yearned to feel her closer and closer. 

“Lyney… You didn’t even let me finish!” She laughed, her words being cut off with a deeper kiss as his lips found her own. She could feel his smile against her lips, the magician quite literally stealing her breath away before finally pulling away. 

“Oh, I’m sorry dear. I just can’t contain myself, you’re just too adorable for me to!” He sighed, the flamboyant hum in which he spoke glittering the otherwise full truth she very well knew. “To think a professional magician would be wowed in such a way, you’ll be the death of me…”

“You almost make it sound like I’m such a bad thing.” [F/N] rolled her eyes playfully, her fingers carefully adjusting his hair before inspecting to see if his braid was well done. 

It was in small moments like so that Lyney would cease to speak, allowing his beloved to do as she pleased. His eyes would focus solely on her, watching how her expression would shift, her eyes roaming about to ensure he looked his absolute best. He could feel his heart beating hard against his ribcage, no longer solely because of the nervousness he would feel before each one of his shows. The mere sight of his girlfriend was enough to blow away the growing blaze of anxiety, leaving it only in embers that with time would cease. Her mere care, her mere nature, her beauty inside out… 

It was enough to leave Lyney riddled into little more than a lovesick puppy, the loopy smile upon his pretty face being reserved only for her. 

“Lyney?” [F/N] called for him once more, watching as he finally seemed to come back to. His hands were roaming around her hips, carefully circling around her figure as he finally let out a soft hum for her to continue. “You’re a little too quiet… Everything okay?”

“I’m so lucky to have you, [F/N]...”

It was her turn to be left speechless, her face morphing to surprise as their gazes locked. He watched as the loveliest shade of red adorned her cheeks, the flusteredness he’d often cause on her never failing to amuse him. Still, despite so, he hoped she knew just how sincere he was with his words. 

“Oh Archons… What’s gotten into you?” Her voice whined a little lower, her eyes turning away to avoid him for a mere instance in which her flusteredness was still far too raw. She could feel how his lips chased after her skin, peppering her with light and soft kisses by the corner of her mouth. 

“Nothing.” He responded, his usual flair dropping to soft whispers as he carefully turned her around, helping her have a seat on his vanity. Between fleeting kisses, Lyney took the opportunity to bring himself between her legs, his hands never letting her stray far from himself. “I just wish to remind you more often, because it’s the truth.”

“Well I think it’s the other way around, you know… I’m the one that’s lucky here.” [F/N] smiled softly, her hands finding rest on his shoulders before gently massaging his tense muscles. Her boyfriend leaned back, his eyes gleaming with a twinkle that seemed familiar, one of challenge and mischievousness that would often leave her questioning before finally realizing what he’d plotted. 

“My my, is that so?” He hummed, head tilting to the side while his grip on her tightened ever so slightly. “If that’s the case, how come each time you visit me beforehand, every show I perform runs far better than what I expect?”

“Oh, you’re really running with that?” She giggled, music to his ears. “Only because I kissed you that one time, telling you it would bring you good luck?”

“And did that show not go beyond amazing? In fact, I do believe that was the peak in my career thus far.” He reasoned with a nod to his head, kissing her deeply before resting his forehead against her own. “Therefore, I’m the lucky one here, and you my dear [F/N], are my lucky charm.”

“Oh Lyney…” She sighed softly, stroking her hand through his blond locks slowly. “I didn’t know that tonight my magician was planning to turn me into putty in his hands.”

It was his turn to laugh, quietly, yet full of warmth and endearment. “It’s what you get for stealing this magician’s heart long ago.”

“Ah! I’m gone. Goodbye Fontaine, I am melting from my boyfriend’s words!” [F/N] leaned back dramatically, Lyney catching her before she would fall too far and hit her head against the large mirror of his vanity. The pair laughed in unison, fingers interlacing as he brought her close to himself once more.

“You’ve definitely gotten that dramatic flair from me.” He pointed out, his free hand now resting firmly on her thigh. He watched with hearts in his eyes as she giggled at his comment, shrugging her shoulders before bringing him closer with her legs. 

“I love you.” [F/N] whispered, leaning forward before it being her turn to steal a few kisses for herself. 

It never stopped after that though, one going after the other, kisses lingering longer before them turning into a longer makeout session. The way her lips were always so soft, so warm, the faint taste of her favorite chapstick melting against his own, it never failed to leave Lyney yearning for more, his whole being focusing solely on his lover whilst everything else blurred around them. His tongue carefully peeked through his own lips before swiping across her own, the grin being felt against her mouth as he felt her jolt slightly from the antic. Giving him permission to continue, Lyney carefully led the dance, his tongue meeting her own as they both ignored the need of air, muffled breaths fanning one another as their hands held the other closer, tighter. Before he knew it he was leaning himself forward and her backwards, a little more, his body pressing against her own before they were practically bent with her head touching the mirror behind them. Her legs were pressed against his sides, never letting him stray too far, her hands stroking through his back and hair, sending shivers down his spine as sparks ignited deep within him. 

“L…Lyn-ney…” She murmured between breaths, him finally tilting his head so the two of them could breathe. The way her tongue stuck out of her mouth as she breathed heavily seemed to only entice something further deep within him. “W…What about your show?”

“Worried about that?” He inquired, the clear endearment for her concern being evident in his tone of voice. He leaned closer, voice whispering as he slowly licked the strand of saliva that had dropped down her chin. “We still have time, if that’s what’s troubling you dear.”

“H-Hah…” The words seemed to get stuck on her throat as his hands maneuvered around her frame, carefully parting her legs a little more to give him better access. His fingers quickly grabbed a hold of the hem of her dress, lifting it up slightly before resting his palm on her warm thigh, his lips still remaining close to her own as his very being craved more of her.

“Do you want me to stop?” Lyney softly asked, leaning back as his own breath grew uneven. His face too displayed a lovely shade of pink, his lips redder after the relentless kisses she’d given him. His eyes were glittering with excitement, half-lidded with pure love as he waited for her response. His thumb was caressing her skin softly, the circular motion he did easing her more than arousing her as he searched for her honest answer.

It was embarrassing to admit, but [F/N] absolutely did not want to stop. Her body felt far too hot for her to go back on it now. “I… N-No.”

“Are you certain, dear?” He leaned closer, eyes squinting softly as his breath fanned her face. His hands slithered a little more upwards, giving her goosebumps as they traveled up to her hips. “I don’t want to put you in any situation that might be even a little uncomfortable… I will understand if this is-”

“N-No Lyney, I’m okay.” She nodded her head to reassure him, her hands gripping his clothing tighter as if not wanting him to move an inch away. “I admit, it’s… A bit nerve wracking, given the place but… I still don’t want you to stop.”

He bit his lip, smiling with both excitement and apology. “I’m sorry love, I always seem to get carried away when it’s about you.”

It definitely was the truth, especially given with the way his hands moved around her body. There was always a certain kind of care in each movement, his grip upon her skin tight and loving, as if reassuring himself she was there, with him. Lyney was both selfish and giving when it came to his beloved [F/N], always wanting more for himself, yet always wanting to reassure her she felt properly adored.  

“We’ll have to be-” He kissed her again, followed by another, her lips trying to keep up with his own as he gave her fleeting kisses. “Very quiet- Okay?”

“M-Mhm.” She nodded her head, her face blushing a deeper shade of red as his fingers finally lifted her skirt up. Her own hands helped him hold it up for him, watching him as it finally dawned on her, his figure getting nice and cozy in between her legs before he kneeled down. “L-Lyney?”

The grin he gave her was enough to make her lower region throb. 

“I’m craving a taste of you, baby. Could you please indulge me?” He whispered, his hands parting her legs before resting securely against them. His head turned to her left thigh, leaving a trail of small bites and kisses as he came closer, delighting himself in every reaction she offered him, every gasp and jump, every attempt at caging his head in between her legs. 

“J-Just- Don’t tease me, please.” [F/N] outright pleaded, earning herself an honest nod of his head as his eyes sparkled in anticipation. 

Carefully, her eyes jumped back at the closed door before going back to him, her breath trembling as she breathed out from her parted lips. Whilst one hand held her dress up, the other slowly lowered, helping him to remove the lacey underwear that hid his most wanted prize away. And with a lift of her hips, they were off easily, hanging by her ankle as Lyney’s gaze focused solely on the erotic view before him. His [F/N], holding her dress up for him, sat on his vanity as her chest rose and lowered irregularly, her pussy in full display for him alone. It was enough to get him aroused, the fabric of his own clothes becoming far too constricting as he felt his boner raging to be freed.

His experienced hands crept closer, thumbs slowly hovering her juicy lips before deliciously parting them. He could feel his mouth go dry in an instance, the view of her leaking pussy outright hypnotizing him as she let out a quiet moan. He couldn’t help himself but play around with her pussy lips a little, after all, how could he not? The way her pretty hole would throb in want, leaking out her nectar only for him, dripping down her skin and onto his table, the squelching sounds being nearly enough for him to lose all sense of control. He couldn’t help himself but stare, watch in lust before her soft moans and whines became a little too loud, all the while still arousing him even further.

“Lyney!” She pleaded in a whisper, the pout she offered him sending his heart racing. 

“Yes, you’re right baby… I’m sorry.” He hummed, leaning forth before finally giving her heat a long, slow and deep lick. The vibrations from his hum resonated with her pussy, sending pleasant shockwaves throughout her body as she shut her lips right before moaning. “We’re gonna have to be quieter, love. Can you do that for me?” 

It was difficult to hear him when he was practically squishing his face against her pussy, yet from the mere fact he’d stopped, [F/N] had been able to deduct what he wanted from her quickly enough. She nodded her head eagerly, blushing even deeper as she bit her lip.

“Mhm… ‘M sorry…”

It truly divided Lyney’s heart in two, for he absolutely adored hearing every sound [F/N] would bless him with. Her voice already was pure melody for his ears, all the more when she would be moaning due to his administrations. However, the pure excitement of their ordeal, having a chance of being caught, it was enough to keep him going, to entice him to lick more, to lap around her clit again, to suckle on it whilst plunging one of his fingers deep inside. The way his beloved would instead jolt more often, writhe above him, attempt to suffocate him as her legs tried to close around him, all to not be as vocal, it all had him entranced. 

"You taste so good…" He groaned against her folds, his tongue practically spelling out his love for her as he ate her out with such passion. The groans and sighs that would escape him would only please her further, sending [F/N] closer and closer to her own release as she practically bit down her tongue to quiet out her own moans. Lyney simply couldn't have enough of her taste, lapping every last drop to his greedy tongue as he yearned for more, fingering and licking it out of her as he could feel her gummy walls throb against his fingers. "You're so wet, too… So dirty, my angel."

"L-Lyney…" She mumbled, her erotic whine finally pulling him out of his trance to look her way. By that point she'd already held her fingers around his hair, him not even noticing up until that very moment. 

His light eyes glanced up, for a moment the magician forgetting how to even breathe. It felt as though the wind was knocked out of him, staring up to see his beloved gazing down at him with such a needy look. Her cheeks were flushed, the thin layer of sweat visible on her forehead as her grip on his hair tightened softly. Her teeth were by that point gritting tightly against the hem of her dress, it being her faint attempt at keeping her noises down to a minimum as he ate her out to his heart's content. The view was dirty, marvelous. The dress was lifted to such a way he could now see part of her tummy as well, her body lined with sweat as it reacted to every little touch he gave her. 

It drove Lyney over the edge. He couldn't wait any longer. The breath finally left his mouth in a shaky notion, her thighs shaking like jello as it hit her bare pussy before he got up. 

"Gods, you're so gorgeous [F/N]." He outright moaned, his fingers carefully taking the fabric out of her mouth. He watched how she heaved deeply, her lips tempting him to latch onto them. And who was he to refuse, but a poor magician whose heart had been stolen by the woman before him?

He leaned in quickly, capturing her lips against his own as they both moaned against one another. Their hands couldn't let go of the other, fiddling with their clothes as they attempted to find the best position to finally get what they both wanted. [F/N] leaned herself to the edge of the table, her legs still apart for him as her fingers now fiddled with his belt, unbuckling it before finally freeing him of his leather shorts. Lyney could feel his cock throbbing already, eager to finally plunge inside of her spongy walls and ease the yearning he so deeply felt. He groaned against her lips as she finally freed his hard length, pumping it for him slowly as it was now her turn to suck on his tongue with her own lips. 

"I need you, Lyney…" [F/N] moaned, helping him to part her legs further as he kept his face closer to her own. 

"I know, baby, I know. It's only fair I indulge you after you've treated me so well, right?" He hummed with a smile, all the while his face indicating just how excited he was. 

He grunted quietly as he carefully rubbed his cock against her leaking folds, the two of them attempting to quiet their moans down to the best of their abilities. [F/N] could feel how the particularly protruding vein on the side of his cock rubbed against her pussy, sending tears to the corners of her eyes as she felt herself closer and closer to her release after being so well tended to by her lover. Lyney in turn kissed her tears away, his lips never leaving her face as he practically gulped down her moans to himself. After coating both her pussy with his pre and his cock with her bountiful juices he stopped, lining himself with her entrance before, with a glance shared, he carefully thrusted himself inside.

His hands gripped onto her knees, his lips shutting themselves tightly so as to not moan out as he often would. The way his eyebrows furrowed as he attempted to not voice much of the obvious pleasure he was feeling was a delightful view, [F/N]'s face blushing madly as she brought him closer. Her arms wrapped around him tightly as she hid her face against his neck, her lips pressing against his skin as she quietly whimpered in pleasure. 

"Ah, Lyney!" She moaned quietly, her nails digging into his shoulders as his own sighs of pleasure hit her ear. 

"You're so tight, baby-" He in turn hissed gently, feeling how her spongy walls swallowed him whole as he finally bottomed out. His own hands were gripping harshly against her skin, the two of them sharing moans between one another even as his tip hit her deepest part. "Fuck, you're so wet. It feels so good."

"Please Lyney, give me more…" [F/N] pleaded to him, her eyes wide and glistening with pleasure as she leaned back for an instance. At that point she was once more leaning back against the rest of his vanity, granting him access to pound as deeply as his heart desired. The mere sight of her in such a way was enough for him to derail. 

"Archons, anything for you [F/N]." The magician grunted, his hands leaving her knees as his lips latched onto her own. 

By her own she was able to open her legs as widely as possible, the hem of her dress covering everything from the mid-thigh up as her hands were far too busy around his body. They wrapped around him tightly, effectively caging Lyney in between her much to his contentment. His own hands were busy holding her as close as possible, resting on her hips securely as to not knock her or anything else out, the items on his furniture tumbling slightly with every thrust he pounded into her needy core. With each time he bottomed out Lyney reached deeper, the tip of his cock effectively kissing her cervix as he molded her walls to his shape. He drank her every moan as if he worshiped all sounds she offered, his lips sucking on her tongue in such a lewd manner that he couldn't help but grin over how she squeezed him harder over it. 

"Hyaahhhh, Hinhey…" [F/N] attempted to moan his name out, her puffy lips parted as his own toyed with her tongue to his pleasure. 

He could feel the way she was milking him dry, her juices thoroughly coating his cock generously as her pussy practically praised and outright worshiped him. Her walls throbbed deliriously, sending him closer and closer to his edge as he fucked her through what he very well knew was her approaching orgasm. 

"Is my baby- Close?" He leaned back to speak, humming quietly while licking his own lips eagerly. He watched as she nodded her head quickly, her fingers combing through his hair slowly, deeply. Just how he loved it. "Here, cum for me will you? You can take me like this as you do, right baby?"

[F/N] bit her lip, nodding her head again. She watched how one of his hands left her hips, holding it up for her to take it. His girlfriend took it without thinking twice, their fingers lacing together before Lyney held them against his mirror, his pace quickening up. Once more he glued his lips to hers, never quite truly satisfied with her kisses just as much as he never quite got enough of her pussy. Her breath against him grew ragged, her moans growing ever louder, all while trying to suppress them in what he could only find the cutest whines. He bent her more, held her tighter, he pounded deeper into her. He could feel her moans vibrate against his mouth before she finally gasped, a high pitched sob being all she could muster before her inner walls violently spasmed around him, creaming his cock bountifully as she rode her high. Even still, just as he'd asked her to, Lyney continued to thrust, still as deeply albeit slower, letting her savor her release just as he quickly followed with his closing one. 

"Gyah, L-Lyney-!" [F/N] moaned against him, he in turn shushed her in understanding. "Mmm, t-to much!"

"I'm so close baby, so close…" He whispered, his thrusts a little less rhythmic as he tried to focus. His eyes opened to gaze deeply into hers, the sight of her red cheeks and unfocused eyes only edging him further deep into the abyss of pleasure. "Can you please take it just a little more? Just like this…”

“Mhm…” She eagerly nodded her head, the tears of overstimulation streaming down her face sending a long shiver down his spine. His free hand came to rest upon the side of her face, thumb clearing the tears away as his grip on her other hand tightened. “I-Inside, please.”

He bit his tongue gently as he smiled, nodding his head before pulling her head closer for a deep kiss. “Anything for my lovely lady.”

Against him she moaned, him in unison as he felt the knot deep inside himself finally snap. Lyney felt his eyes shut, a deep low grunt leaving his throat before he finally felt his release wash over him. He thrusted deeper still, his pace finally slowing down as thick ropes of seed flooded over [F/N]’s inner walls. Her womb was eager to receive the abundant load, being painted white from inside out as it overflowed whilst he still remained sheathed inside. Whilst their fingers were still locked she brought him closer, holding him tightly as her body shivered with the overstimulation. Lyney could feel his breath finally begin to slow down, a few final slow thrusts of his hips following as he moaned quietly, ensuring he was milked for all he was worth. He held his [F/N] close, as close as possible, their bodies finally relaxing as they rested atop his vanity, her body welcoming him closer as his seed leaked down and dropped onto the ground.

Even as she still regulated her breath, lips puffy and red and mascara slightly smudged from the sweat and tears, Lyney lunged forward, capturing her lips for the millionth time. Never satiated, like the greedy man he was at heart, he smiled against her as he enveloped her closer, relishing a moment longer. The silence that followed felt comforting, the two of them sighing in bliss as he felt her arms around his figure. 

“Sorry… It must’ve been uncomfortable to sit like that, on such a surface.” He stated, eyebrows furrowing softly as his thumbs cleared her smudged makeup as much as he could. Lyney dared not move, still not even wanting to pull out. It wasn’t as though he could anyway, for the way [F/N]’s legs captured him definitely sent a message for him to stay a little longer.

“Mhm, it’s fine… I enjoyed it all the same.” She smiled sheepishly, relishing in his soft touches as she in turn rearranged his side swept bangs. 

“I’m glad.” He sighed in relief, the pair too engrossed into one another to even notice how some bottles had tumbled over amidst their frolicking. “Still, next time I’ll be sure to make up for it, for all of it.”

“Lyney, truly it’s fine!” [F/N] laughed softly, finally opening her legs for him to move more freely. She watched in amusement how her boyfriend coughed softly upon noticing how heavy she leaked, rummaging through the room to find a towel he could dampen to help clean up. “Sorry… We might’ve taken too long, no?”

“Hey, if anything it’s my fault… It’s what I get for being so greedy.” He reassured her with a sincere smile, carefully helping her to clean up before dressing her back up. [F/N] watched as he fanned his face with his hand, the blush on his face still evident as she helped him dress up as well, a snicker escaping her pretty lips at the sight. 

“Well… I still… Very much enjoyed it.” [F/N] reiterated, her voice low as she helped him button up his undershirt. His smile was difficult to ignore, especially so as she helped him retrace the tear he would always paint on his right cheek. 

“...I did, too.” He pulled her closer by the waist, smiling in a devilish, albeit inoffensive manner. He pulled her closer, stealing a deeper kiss as he relished on the taste of her lips, hoping to steal some of her chapstick for himself so he could taste it all throughout his performance. As he pulled away, he whispered quietly to her, fingers playing with the end of her hair. “...Maybe next time we do this, I can have you turned to my mirror. The faces you make are simply delicious, my dear.”

The way [F/N]’s face turned to utter surprise was enough of a reaction, the magician following with a sneaky laugh as he pinched her behind as the cherry on top. In turn, his girlfriend gently slapped his arm, huffing as her cheeks turned bright red, his laughter becoming louder as a result.

“Lyney!” She groaned, nearly turning around from him in embarrassment.

“Alright, alright, I’m sorry baby! Mostly.” He chuckled, embracing her before kissing her cheek with the usual level of endearment that was solely reserved for her. 

“Hmph…” She pouted, though both knew it wasn’t something to last long. “...Good luck on your show, honey.”

“After this? It’ll be the best show yet…” He in turn whispered, his forehead resting against her head as they quieted down. “I’ll see you after?”

“I’ll be waiting here.” [F/N] smiled softly, them embracing one another before finally deciding to part.

Well, Lyney had always been energetic in his performances, yet there seemed to be an improvement on that particular one. True to his word, that performance definitely did do amazingly well, becoming the talk of the following weeks.

All thanks to his lucky charm.

[lovesickeros]

☆ choir of the faithless

{☆} characters venti, kaeya, the abyss {☆} notes cult au, imposter au, drabble, gender neutral reader {☆} warnings violence (minor) {☆} word count 2.7k

One moment, you lay wistlessly in your bed, head full of fleeting thoughts and ideas you bounced around internally. You were moment away from falling asleep, the draw of exhaustion unraveling the threads of your mind, pulling you apart and weaving your thoughts into the fathomless depths of a boundless dream.

The next you conclude that is exactly where you must be – blinking rapidly against the bright sun that bears down upon you through the massive branches and array of thousands of leaves swaying above you. It can only be a dream because you know those roots, those winding branches and the soothing song of wind chimes as leaves rustle and sway in the invisible path of the wind. It feels too real, but don't many dreams? You reach your hand sluggishly skyward, imagining the feeling of touching those leaves so high above, admiring the way light fractures as it passes through the tree so massive it blots out the sky above you. You'd have to crane your neck just to catch a proper glimpse of solemn blue past the swaying ocean of vivid greens.

It's beautiful.

It's familiar in the way home is. That warmth that settles in your chest, the solemn, quiet moments between. You've spent hours staring up at this tree, both your first steps and your last, simply admiring it all for what fleeting moments you can cling to.

You've played the game long enough – strayed towards its familiar branches at they reach towards the heavens – to recognize Windrise at even a passing glance. The perfect portrait of Mondstadt – the massive oak at the center, the statue of the seven with its hands outstretched and its wings curled protectively around itself..a memory of something you've seen a hundred thousand times, lingering like a ghost amongst its branches and roots, clinging to its familiarity. Maybe Mondstadt isn't the most complex, or gorgeous, or detailed..but it was the first stepping stone to the world of Teyvat you knew. It was the beginning of the Travelers journey and your own – the first, hesitant step into a game you'd learned to love.

You might as well enjoy it might it lasts, right?

This tumultuous, fragile dream of yours.

You sit up with no small amount of hesitancy, taking in the rolling, distant hills and far away cliffs. Mondstadt isn't that far – far enough that it bleeds into the scenery, but you feel that pang of fragile familiarity seeing it in the distance anyway. In contrast to its nation, Mondstadt stood like a towering beacon of stability, stark grey against the ever expanding hues of green and blue, a symbol of tranquility among the monster-laden lands beyond its walls. You still come by once and a while, whether or not it's your favorite place to linger – if only to reminisce and ponder the countless hours you've sunk into the game. To take a moment and admire the nation that had slowly dragged you into loving the world you've become so familiar with, to truly take a moment and process your endless journey further, deeper, into the mystery of Teyvat as it slowly unraveled like a spool of thread.

It felt almost real. The grass beneath you, the wind rustling the leaves and swirling around you, the warmth of the distant sun as it stood unwavering at its peak – but it was a dream. Vivid, maybe, but still a dream.

You didn't want to wake up from it, though.

It'd be nice to stay here for a little longer, to be able to wander past these fragile barriers of the world around you – but would you wake if you longed to see those distant horizons? Would you even remember this dream? Maybe not.

But the endless urge to explore – to see and truly experience that distant, familiar visage for yourself – was calling. A craving to run your hand along towering stone walls, to trace the intricate lines of the alchemy table you'd used hundreds of times, to get lost in the endless books tucked away in the library..a longing that you could never fulfill.

But you'd try anyway, wouldn't you?

You'd make the most of this fleeting dream – stumbling like a newborn fawn after seelies, watching from hidden perches as the occasional cart rolled by on dirt roads, observing the distant hilichurl with a look of solemn understanding. Re-familiarizing yourself with the paths you'd traveled hundreds of times, treading along the same, curious line you'd taken the Traveler.

Maybe it was just an aspect of the dream, but the wildlife didn't run away like it did in the game – the wild boars startled when you approached, but they'd settle down and continue their idle grazing before long. The occasional crystalfly fluttered to your outstretched hands like a moth to flame, the cool, subtle touch of anemo against your skin like a soft breeze, ephemeral and fleeting.

Even the squirrels did not flee at your boundless curiosity – it is as if you are a ghost, perhaps, wandering these wide spanning plains in search of..well, you aren't sure. You let your feet guide you, just like you used to. There is charm in the aimless exploration, a sort of comfort in wandering and observing the world through new eyes.

Perhaps you should've taken more caution when you reached Mondstadt itself – a dream was a fragile thing, after all..there was no telling when a dream could meld into a nightmare. But you were in the nation of freedom, who could blame you for throwing caution to the wind?

Uncertain as your steps across the bridge were, it was tranquil – ducks skimmed beneath the bridge, fish dotted the serene surface, clear waters rippling with their movements. There was something about it all that felt more alive. It felt more real, for a moment, but what an absurd thought that must be.

A dream is no more real than Teyvat.

And at the gates of the city, at last, you feel relief – the eyes of NPCs glide over you like water over the back of a swan, allowing you to simply step past them without even an utterance of a question. Up close, with your own eyes to guide you, Mondstadt is more alive than it's ever been. The people converse and laugh and breathe – the small details you'd miss looking through the limited frame of the Traveler peek through, now.

You get so lost in admiring it all you almost trip over a cat that strays near your feet, rubbing against your ankles. Your hand twitches, as if to reach down and pet it, to feel it's fur beneath your palm – but the small voice that flows from the tavern stalls you in your tracks. You don't have to turn around to know who it is, you've heard her voice enough times to recognize it – and, really, you'd rather not get caught up in the logistics of interacting with the characters in a dream at the moment. It's not like they can see you, besides. Everyone else didn't even seem to know you were there at all.

And you were here to explore, first. You could test the limits of the dream later, once you're satisfied you've seen it all.

You sidestep the cat – as much as it pains you to ignore it, you really don't know how much time you're afforded in this dream – and take up wandering undeterred. Maybe you'll check out the library, next..you only read a measly fraction of the books there, after all, and the wonder of something new is a tempting lure. Maybe if you get the chance, you'll seek out your favorite character – even if the dream ends there, it'll at least dampen the disappointment when you awake in your own bed again.

Mondstadt is still relatively small, despite seeming so much bigger – by the time you're slinking into the Knights of Favonius Headquarters, your legs are aching from all the walking. Even if you don't find anything too interesting here, well, you'll take sitting down for a moment to catch your breath at least.

The game made it seem so easy to get from Windrise to the city, but your legs practically putty when you peered into the library with a healthy amount of caution – it's not like anyone has even glanced your way since you woke up in this dream, but you knew not to test it around Lisa and her books..

Even if it was a dream, waking up because you got electrocuted by a pissed off librarian didn't sound very appealing.

Especially because, along the way, you'd become the perch for a handful of anemo crystalflies. You'd almost forgotten some linger on the rooftops until now..well, they seemed content to just rest on your limbs, and it's not like they weighed much if anything. It'd probably be fine – how much harm could a crystalfly cause?

The steps down into the lower level of the library creaked slightly as you slowly took in the grandiose room, trying to glimpse some semblance of familiarity amongst the hundreds of book covers nestled into the shelves. Maybe having a reference of just ten or twenty books wasn't exactly the most extensive list – you could barely even remember what books you mindlessly picked up chasing glittering spots like a moth chases the flickering flame.

Maybe you'll see Venti's statue, next – it was impressive enough in game, you could only imagine how it looks in person, how the smooth stone feels beneath your fingertips.

For now, you scour the rows and rows of book, gleaning the contents of the books from the assorted covers and titles so foreign to you. You recognize a scarce few, those you picked up on your first, brisk walk through the library scouring for treasure just to be disappointed at the lack of it. These days you're just happy to bask in the atmosphere and reminisce here – unless you're dragging your feet to do your Theater for the month. Not a lot of room for reminiscing when you're busy fighting for your life to finish on time.

Still, you're almost half disappointed there hasn't been many playable characters around..sure, maybe they'd just ignore you like the other NPCs, but it'd still be nice to see them. If Dawn Winery wasn't so far away, you'd consider dropping by, just to see, but..well, you've hiked long enough, personally.

Though as much as you'd like to busy yourself in the library, you do want to make the most of your time, too. You don't pay much attention to the patter of footsteps as you ascend the stairs and awkwardly step past the guard outside the library, the brief blur of reds and blues in the corner of your eyes gone before you can truly see its source. Well, there's more to see anyway – the cathedral was impressive enough when you first saw it in game, you can only imagine it's magnificence now.

All the stairs definitely feels worse now that you can't just haul yourself up a wall like in game, though. Maybe it would've been better to rest a bit more in the library, but you really didn't want to waste this chance..how often did you really have this much control over a dream, anyway? You feel lucky it hadn't turned into a nightmare.

And it was more than worth it when you crested the top of the stairs, the wind rushing past you for a brief moment and almost making you stumble as your eyes flit towards the towering stone you'd known so well. Hands outstretched and draped in robes, looking all the Archon they are..well, it was a lot more detailed like this. The lull of music doesn't escape you, either – because of course they'd be strumming that lyre beneath their own statue. Playing to an audience who knows not the bard that plays a melody of their own triumphs. The same bard who commands the wind as if an extension of themself, their voice the chimes that sing in tune with its winding paths, free and true.

Even if you've never heard the song they play before, it leaves a warm feeling in your chest – a homesickness, maybe, for a place you've never even been to. A longing for the world made up of lines of code and pixels on a screen. Endless yearning for a world not your own – a place you don't belong.

Poetic, isn't it?

Fitting, seeing as your audience is a bard who loves to tempt another into a riddle of their own, their silver tongue used for mischief rather than malice.

It wouldn't be so bad if you woke up now, you think. Lulled back to reality by the gentle strum of a lyre and the sweeping winds.

A reality all your own.

The harsh twang of a lyre brings you out of your aimless reverie, eyes of the teal ocean meeting your own in a moment of startling clarity. You are almost tempted to look behind you, for they must be perceiving another – but the empty, hollow thud of the lyre hitting the cobbled ground is like a bullet to the chest.

Beneath the shrouded eyes of an Archon, the wind coils into a tightly wound bolt that sings with danger, the draw of a string making your blood run cold and your instincts flare up.

Before you could even process the fact they'd just drawn a bow – the bow you had given them – the pillar of the corridor shattered like glass beneath the force of an elemental arrow, rubble dusting the cobblestone and dragging you out of your horrified stupor. If it hadn't been between the two of you, you can only dread to imagine what an arrow that pulverized rock would do to you.

There's a knot in your stomach as you turn to pace right back down the stairs, but you stutter at the sharp glint of metal and familiar blue hair that stands frozen mid-step – for a moment you can't even register any of this, your mind refuses to accept the stark, bleeding truth right in front of you, but the shrill sound of anemo forces you to make a choice. You only hesitate for a moment before throwing yourself over the edge of the wall, nearly choking on your saliva when you hit the ground – it was farther than you remember, but when your other choice is a blade and an arrow, you're thankful you haven't broken anything yet as you stumble to your feet.

Why haven't you waken up yet? You don't want to be in this dream anymore – you don't want anything to do with the nightmare it's become. Just seeing their faces, familiar and once so calm and warm, contrasted with the sharp edge of danger made you want to be sick.

Water – water will wake you up, right? That always works. Your feet slip on the dirt, struggling to gain purchase, forcing yourself to rush towards the cliffs edge – you have to repeat that it's just a dream like a mantra just to keep yourself calm when you look down, the lapping waves and jagged rocks making you almost reconsider. Not that you get the chance, really, when the wood of the tree beside you is splintered so violently you can feel them digging into your skin.

You don't even realize you've lost your footing until the edge of the cliff gives beneath your heel, air rushing around you and forcing what little breath was left in your lungs out violently. Your vision blurs into a collage of blue and grey, the sky above and the side of the cliff you find yourself falling from flooding your vision – you have to trust you'll simply wake up in your bed once you hit the water. You have to.

You don't want to imagine what it would mean if you didn't.

It's just a dream – all of it is just a dream, no. a nightmare.

And as the water parts from the impact of your body against the surface, it drags you down like an anchor weighed against your chest. Your vision bleeds into white, a chill enveloping your limbs until you feel numb – dead, probably. You must be dead. You died and you plead that you wake up back at home, exhaling whatever breath you had left, cold stinging your throat like shards of glass.

Anchored weightlessly in frigid cold, blinded by stark white, your fleeting thoughts are silenced as your consciousness flickers in and out, lingering long enough only to hear the murmur of a raspy, unearthly voice.

"I believe the experiment can be considered a success, Princess."

[acourtofthought]

Inspired by a conversation with @acourtdelaluna

It seems significant that we only learned more about Az's personality after Gwyn was introduced to the series.

In ACOWAR we learned that Elain, along with her love of gardening and the outdoors, began to show interest in baking which Sarah expanded on in the other books what with her helping cook dinners and making Solstice cookies.

In ACOWAR we were told of Lucien's ability to fish, where he also cleaned and cooked them. Of Lucien looking as if he were part of nature, of how he had his own campsites.

Sarah created compatibility in their personalities, something she did even in ACOMAF.

But it was only in SF that we learned that Az's shadows were sentient. Prior to that they seemed to have no real personality outside of Az himself, they were simply his power. But in SF and in HOFAS, we see that the shadows have their own fears, likes, curiosities outside of the times when they aren't "working" for Az.

It was only in SF we learned of Az's ability to sing.

It was only in HOFAS that we learned of the kind of music Az likes.

Multiple books of Az yet these personality traits only came about with the introduction of a certain priestess who also loves music and shows attention to Az's shadows in a way that no other character has done before.

I truly think that if Sarah had known the direction she was taking Az in ACOWAR and known who his endgame was she would have expanded on Az's personality traits in ACOWAR, in the same way she did Lucien. Yet all we really knew of Az during that time was that he was brave, had a difficult childhood and didn't feel like he was truly Illyrian. We were not given "frivolous" traits about him, little details that gave us insight as to who he was when he was by himself, away from his NC duties and I think the reason we're finally starting to see those things for Az is because Sarah now knows who his endgame person is and who he is as a result. I think knowing his endgame person has given her more insight into Az as a character in exactly the same way we got a lot of insight into both Lucien and Elain in the book where she mated them and the books following.

[ravenshavenn]

Why I think Snape is autistic

(as someone with autism and who also has other family members and friends on the spectrum)

(I don't want to generalise these are purely my observations and I hope I worded everything correctly, this is just my lil hyper-fixation dump meant for fun an not to be taken too seriously)

Firstly, Severus is always seen in his trademark long, dark robes which could be a way to cope with sensitivity to certain textures as he has clearly found something that works for him and he knows he likes, so why should he have to wear anything else?

He also keeps his hair long which could also be another sensory comfort for him as tying it up can keep it very far away from his face which short hair doesn't provide quite as well (from personal experience) or leaving it loose can create a nice feeling on a persons face or neck that some people with autism find comforting

Obviously Snape's favourite things are the dark arts and potions and he shows a deep knowledge of these subjects throughout the books and movies alike therefore these could be seen as special interests considering the amount of time and energy Severus puts into them

He's also shown to have a vast collection of various potion ingredients in jars and knows straight away that something is missing when Harry takes the Gillyweed

Severus also stims in potentially unnoticeable ways such as constantly fiddling with his hands, having his hands behind his back to clasp them together and picking apart leaves as a child

Social gatherings are clearly something that Severus finds difficult as he's not often seen at any besides supposedly mandatory events such as the Yule ball which could be because he finds them overstimulating from the noise, crowds, smells, lights, etc

Another potentially overstimulating thing for Severus could be light as he spends his time in the dungeons which aren't well lit and in other scenes where there is bright lights he immediately shuts them off such as when he takes over Lupin's defence against the dark arts lesson and also again in the prisoner of Azkaban a portrait asks him to put out his luminous spell and he complies as he walks away meaning he's just walking in the dark?! (Which is a total vibe tbh)

He's always been depicted as "strange", "wierd" or "lonely" as from his childhood Lily is his only friend and the vast majority of other characters seem to find him off putting and can't actually specify why they don't like him "the fact that he exists" but he's not shown to make much effort to expand his social circle so it seems as though he's either content with the situation or has given up on it

There is a lac of understanding shown for other peoples emotions throughout the books and movies alike for example the perceived "rudeness" towards students could definitely be a result of depression or something else but it could also be that he doesn't fully understand the impact that he has on them

Severus also experiences the "flat effect" which is when someone displays little to no facial expression, this is a trait that can be seen in autism, this is emphasised in the movies in particular but Severus in the books is also said to not show much emotion unless he's feeling incredibly extreme emotions "Don't call me a coward" for example is one of his infamous more emotional scenes but for the majority of the time his expressions aren't depicted in great detail or he simply isn't displaying any

Along with this he also has a fairly monotone voice, besides when he's extremely upset which again is a trait displayed by those on the autism spectrum

He doesn't seem to understand social rules particularly well for example he's unsure of how to communicate to Lily that she's a witch and accidentally ends up scaring her, not fully grasping that 11 year olds can't do everything he can regarding potions and becoming easily frustrated by them

Severus also clearly has a very strong sense of justice that he's willing to do almost anything to ensure is carried out such as spying for as long as he did which was definitely partly motivated by Lily but also (or I like to think) his intense black and white vision of right and wrong which Voldemort crossed when Severus fully understood everything that the death eaters stood for when they began hunting down Lily

[alexthesillybilly]

An Analysis on William Afton and Henry Emily’s Relationship and Queer Subtext

Since the reveal of Glamrock Bonnie and his room in the Ruin DLC, I’ve thought a lot on the subtext of Henry and William’s relationship, and how it seems like a queer relationship hidden under layers of denial and guilt.  I’ve always loved to analyze and connect small details and I wanted to write something about my ideas. My point here isn’t to convince anyone of anything, just to share my interpretation of their story. So enjoy me rambling for a few pages!

Fazbear Entertainment's Origins

Fredbear’s Family Diner was created sometime before 1983- and since merchandise and other spin-off things had been created at that time, it can be assumed it had been running since the late 70s.  The 70s-80s were an extremely pivotal time for the LGBTQ+ community, for its rights and awareness - this links into another point I have, on the Glamrock animatronics and that being a very queer subculture.  This in itself wouldn’t say anything about their relationship, not really, but when certain throwaway lines are considered - mainly the lines about William’s obsession with Henry (which I’ll discuss more later) and another line I want to analyse a little now.  

As you already know, at Fredbear’s, Henry performed as Fredbear himself while William performed as SpringBonnie. In FNaF World, the loading screen for SpringBonnie simply reads, “Male? Female? It’s a rabbit, who cares.”  Yes, this is just a loading screen. It probably doesn’t mean anything intentionally, but I saw somebody make a really good point on it - credit for the idea goes to this post. It says that SpringBonnie being genderless could’ve had two reasons - one being William lacking the words for a nonbinary identity, and the other being William intentionally keeping SpringBonnie genderless so it could be assumed that they were Fredbear’s love interest. 

As I mentioned earlier, the glamrock subculture of the 70s was extremely queer, with new takes on gender, androgyny, and overall theatrics related to breaking the norms of the 60s.  This adds context to Security Breach’s characters, Glamrock Freddy and Bonnie.

The Glamrocks

Since the beginning of the franchise, both in-universe and as a game series, Freddy and Bonnie have always been together, in every game, even going so far as to be physically connected as Funtime Freddy and BonBon in Sister Location - which in itself could be William’s jealousy and obsession towards Henry intensifying after being kicked from Fazbear Entertainment. But Glamrock Freddy and Bonnie are the most interesting of their variants. These two are basically canonically queer, which is big. 

I have a specific take on their relationship I haven’t seen elsewhere (though I’m sure someone else thinks this, too).  First of all, I’ll do a rundown on how their relationship is portrayed in SB and Ruin. 

In Security Breach, Glamrock Freddy mentions Bonnie a few times - only to say he misses him.  We don’t get any context on him other than that, though the “theory” that is heavily implied is that Monty destroyed Bonnie out of jealousy, which is the theory I’ll expand on after my explanation.  

In the Ruin DLC however, things change.  Through turning off all the Wet Floor Bots, a secret room will open- containing more of these bots, but more importantly, Glamrock Bonnie himself.  He’s destroyed, like the other Glamrock animatronics by this point, but it’s obvious he’s been like this for much longer.  The more important part is his room. 

In Glamrock Bonnie’s room, a few things related to my point can be found - first of all, the Glam Freddy merchandise found around the room, which I could connect into William’s obsession with Henry, but most notably (and as you were probably waiting for me to mention), the poster.  There’s a poster on the wall of Bonnie’s room, of Glamrock Freddy.  It’s written on, and it reads: “You & me forever and ever!  Love, Freddy”.  So, pretty obvious implications here - it gets real hard to argue that they were simply friends.

Now, onto the point about Monty I mentioned earlier.  As is implied, Monty destroyed Bonnie out of jealousy- and likely was planning to do the same to Freddy.  I won’t bring up every example, but many times Monty is seen being violent towards statues, cutouts, etc. of Freddy and Bonnie.  So my theory here is that Monty represents William’s jealousy of Henry turning into violence. 

We’re not exactly sure what William was jealous of Henry about, but it can be assumed it was about family or something to do with the business.  Monty was obviously jealous over fame.  I like to think that Freddy and Bonnie before Monty represent when Henry and William first opened Fredbear’s, before the Bite of ‘83, before any incidents happened.  Then Monty destroying Bonnie and becoming jealous of Freddy, represents when William kills Charlotte and starts becoming the Mr. Afton we know.  The whole storyline of Glam Freddy, Bonnie, and Monty seems similar to William and Henry’s story to me.

But enough about them- let’s talk about the real depictions of William’s obsession and jealousy.

Their Downfall

I’ve mentioned it enough times now.  William’s violent obsession and jealousy of Henry led to Charlotte’s death, likely out of William’s anger because Henry’s family seemed so perfect compared to William’s.  Now I’m onto FNaF 6. 

Henry wants to end the whole tragedy once and for all, and he finds William in the form of Scraptrap.  While setting your old best friend and possible lover on fire and then banishing them to hell might not seem too romantic to most, I’ve always liked to point out that Henry’s final words to William are, “don’t keep the devil waiting, old friend.” Something about Henry still referring to William as a friend even in a time like this, after everything, strikes me some way, that even through all the years of grieving, Henry could never make himself hate William.  Even to the very end, he just can’t do it.

This next one is a bit of a stretch, but then again, this entire essay is built on the idea that two FNaF characters have repressed gay love for eachother, so who really cares what’s more reasonable or not? 

I like to think that Orville Elephant and Mr. Hippo represent what Henry believed could’ve been, if William hadn’t grown violent.  Mr. Hippo talks to the player in Ultimate Custom Night, his stories mainly focusing on him and his friend Orville.  The player of UCN is likely meant to be William Afton himself, trapped in his own hell by Cassidy.  Some of Mr. Hippo’s stories can be read as metaphors.  If you want to read all his dialogue go ahead, but here’s a few lines that stand out to me. (I’ve taken out some repeated words to make them easier to read.)

“Y'know, I never saw any ducks die myself, but I did notice a substantial decrease in the duck population over the course of a few years. I just never thought to stop the man and tell him that he was killing the ducks by feeding them sourdough bread!”

To me, the line “I just never thought to stop the man and tell him that he was killing the ducks,” might be related to Henry not doing anything to stop or confront William about killing the kids until decades later, in fear of losing him.  

“I said to Orville, “You know, sometimes I feel like a fish leaping over and over again, always trying to get somewhere, though I don't know where, only to find myself in the jaws of a beast." He looked at me surprised, "Have you been in the jaws of a beast, friend?" To which I said, "No, of course not Orville." I said, "I simply meant that life can seem like a relentless endeavor to overcome meaningless obstacles, only to meet an equally meaningless fate regardless of your efforts, regardless of the obstacles you passed."

I don’t see this one as really related to William, just Henry’s rambles. I still figured I’d include it, though.

“…Perhaps I met a demise of my own at some point and this is my afterlife or my dream or whatever it might mean, I honestly don't know. Or maybe it doesn't mean anything at all. Maybe it doesn't mean anything at all...”

Another that isn’t related to William, but Henry’s internal feelings that everything he did was all for nothing.  I like to think of it as some of Henry’s last thoughts before dying in the FNaF 6 fire. 

Conclusion

There isn’t really a point to this all- just to tell people about my interpretation, really.  So thank you for listening to me ramble about the toxic old men I think about way too often! Of course, if I don’t say this I think I will be personally assassinated by some of the FNaF fans - THIS IS ALL MY INTERPRETATION!!  I’m not saying this is the canon true story, I just enjoy making little connections to create storylines!  Anyways, if you want to share your own interpretations go ahead!! If you read all this you are incredible ily

[dekusleftsock]

Hey, so you said in your tags about how katsuki is a freak in his own way, could you please expand on this idea a little and when it comes to Izuku?

Sure!

I actually made a post about this very concept semi recently but that post also didn’t really have organization lmao

The main reason I’ve always thought Katsuki as “a freak” as I dub him is for the very foundations of his personality. I think the main reason why no one in the western fandom looks at him and sees him for his (kinda) socially inept aspects is because of a combination between cultural differences and the nuances that hero society throws into Japan specifically.

It’s well known that Horikoshi’s story/world is heavily influenced by American super hero comics. Superman, Spider-Man, Harley, Poison Ivy, Bat-man, Captain America, ant man, etc. are all very obvious influences throughout the story, with characters like Allmight often feeling like a combination of Superman and Captain America.

The reason I bring this up is because the very aspects of these super hero comics is kind of in direct contradiction with Japanese society, especially as those heroics within the world affect the society around them.

Heroes are this curve ball thrown into a society that teaches its citizens to be polite, complicit, and quiet. That’s not to say that this is necessarily a “wrong” way to have a society, but I think it’s with this context that Katsuki’s character (and therefore the intentions behind it) become clearer.

Heroes are bright, loud, and powerful. But long before Katsuki was a hero he already was these things; how does that affect his social life? How do the people around him treat him in the context that he is both not a hero nor having of a quirk? If heroes are the “exceptions” to the society around them, and Katsuki is not yet an exception, then he is an outcast, right?

It’s this context that I feel most people forget. Katsuki understands the people around him, he’s very observant and nosy, but he also just doesn’t care. He is unabashedly himself at all times. Those jokes Aizawa made about keeping him out of the spotlight showcase this perfectly, Japanese society expects a certain standard for the social context around him—which he actively ignores.

It’s a very ironic aspect to his character given that most people admire and/or envy him. It puts a whole new light on izuku saying that he was the one “actually in his life”, that Izuku may have admired him before his quirk for simply being himself. Not to mention how it makes sense that he would believe izuku was looking down on him for admiring him before his quirk, because Katsuki was bullied! I think that’s an often overlooked detail given that he only became “acceptable” to most kids around him when he gained his quirk. The memory this is showcased in is entirely Izuku’s pov, which is heavily biased in the sense that he admired Katsuki. Getting jumped by kids two years older than you though is so weird, and I can’t help but wonder if the perspective might’ve changed were it in Katsuki’s pov.

To me, the idea that Izuku’s memories of Katsuki being this social god come from blind childlike envy and admiration, especially as the contextual things happening (Katsuki is a REALLY big hero fan, he’s rude, he doesn’t remember people’s names, actively terrible at making friends at UA for a good couple weeks, getting bullied to even a minimal extent) in comparison to the words being told. You are told by Izuku that Katsuki is amazing, brilliant, talented, energetic, crass, and in reality (especially when they enter UA), to most people Katsuki is annoying, loud, mean, a little intimidating, and not nearly as cool as he thinks he is. His friends spend the entirety of the beginning of their first year actively making fun of him for thinking he’s tough shit when he so obviously isn’t.

And I think the biggest most important part to this “Katsuki is a bit of a social outcast” discussion, is that the villains thought he was like them! They thought he would hurt people because he screamed “die” and didn’t like winning when he felt he didn’t earn it.

The only reason Katsuki is not as much of an outcast as, say, Izuku, is simply because he won the lottery. He earned that extra point. He caught that curve ball to Japanese society and honed it into something greater.

And, see, Izuku can’t really know/comprehend that Katsuki would be, I don’t know, unpopular to any extent (shown in the beginning of the series when he’s freaking out on the bus that HES being complimented and Katsuki is being insulted), because to him Katsuki always acted like a hero. And in a way, he does! But it’s in the way that hero society throws that curve ball, contradictory to social norms, and of course it makes sense why they still happened at all; the past was dangerous! It was life changing! Disparity and violence and death, desperation fueled this huge monumental change. And what is izuku “I don’t know how to make people like me” Midoriya going to do when this kid, Bakugou Katsuki, acts like one of the heroes on TV? He’s not gonna call the Geneva convention and ask why the hell this child isn’t acting like a normal citizen—he’ll admire him to such a visceral degree because it’s almost like he was born a hero.

I like the concept that, because heroes and villain are cut from the same cloth, relatively similar in concept and strength and past hurts in their history, that this also affects how they are socially. You are outcasted by society: you want to oppose societal norms to live freely as yourself and others as theirselves, you want to make sure everyone can smile at the end of the day because sometimes you or your parents couldn’t, you want to be the best because someone told you that you couldn’t, you want to be just like the hero on your TV, who inspired the hero in your life.

Also you need to be at least a little bit of a freak to be listening in on people’s business all the time because it involves your childhood friend/rival to literally any degree. Like bro what is wrong with you come HERE BBG LET ME PICK YOUR BRAIN APART PIECE BY PIECE

More side note: idfk where I got the Geneva convention thing. I was just thinking about how mha has genuinely had violations against the Geneva convention

[taxes-evasion]

OMG HIII im so excited for a creepypasta writer :3 may i please request you write for hoodie nd masky, reader also being a proxy!!!! it could be general hcs or whatevs, up to you!! if you dont want to do this req, its ok, if u want me to req smthn else u can always pm me

HIII and thank you so much! I hope I complied with your request (sorry if I didn't).

Characters included: Reader (as proxy), Slenderman (named sometimes as Boss), Masky and Hoodie + mention of other proxies.

Small Warnings: mention of kidnapping, mention of dizziness, actions of light bullying, mention of broken bones, deep cuts, bruises, killing and curse words. Proxies are not kind toward newbie at all :(

⚠️Writer's Notices⚠️: I think I expanded the request without intending to? I'm not sure about that. I just like to give a lot of informations about the characters, so I also put a very light backstory of the Reader. I hope this doesn't bother you and, of course, if you wish, you can skip everything and go to the part that interests you the most. I'm not judging. Please enjoy!

𝑀𝐴𝑆𝐾𝑌 𝐴𝑁𝐷 𝐻𝑂𝑂𝐷𝐼𝐸 𝑊𝐼𝑇𝐻 𝐴 𝑃𝑅𝑂𝑋𝑌 𝑅𝐸𝐴𝐷𝐸𝑅

HOW DID YOU BECOME A PROXY?

You are probably in contact with kids/young adults who saw Slenderman;

Maybe a babysitter or a psychiatrist;

The fact is that you will never encounter proxies initially;

It is very important for Slenderman to decide for himself his servants;

Toby had once brought a girl into the mansion unbeknownst to Boss... Let's say she stayed for a short time;

Of course, Toby doesn't remember her anymore;

One day someone tells you about this strange, tall and thin man who appears in their dreams and in the woods;

However, one day you were normally on your way home when you started to feel dizzy;

And... surprise! Shortly afterwards you were in a dark office without any kind of light, forced to listen to a faceless man;

You don't remember much about how you get there but your attention, of course, is not centered on that small detail;

BUT WHY WERE YOU RECRUITED BY SLENDERMAN?

Most likely because you have a very good intellect and you reason efficiently;

The Big Boss really needs proxies like that;

Not an athletic person? DON'T WORRY! Slenderman already knows everything about you and what type of training you need, he already comes up with a training program just for you!

(Be grateful and don't try to run away, this tired old man ain't got no time to come and haunt you) :(

WHAT HAPPENS NEXT?

One surprise after another, apparently! (actually, you could easily imagine what is about to happen);

You are entrusted to some proxies who will take you under their "protective" wing;

These proxies are: Masky, Hoodie, and Toby!

But mainly Masky and Hoodie since they are the only ones who have actually done any training when they arrived at the mansion;

Toby isn't very present because he doesn't care much and would still struggle to have an initial relationship given his Antisocial Personality Disorder;

But don't worry! He'll get used to you soon!

HOW DO MASKY AND HOODIE BEHAVE TOWARDS YOU?

They are slightly heartless bitches :(

(they're actually "somehow" nice to you but not too much);

I mean they would help you with training but make fun of you whenever they can;

This mainly Masky;

Hoodie simply giggles meanly and nods;

DON'T LET THESE "INSTRUCTORS" OF YOURS FIND OUT THAT YOU'RE SENSITIVE OR THAT YOU CRY EASILY!

(This is honestly me);

I say this for your own good, really;

If Masky notices a sniffling or shining eyes from tears that would like to fall... you will find out what hell is;

You will no longer know what dignity is...

"Awwww, don't tell me our little newbie is going to cry, right?" it may be the phrase you'll hear the most;

Masky will basically yell it in the presence of ALL the residents of the mansion just to give you a reason to cry more;

"Come on Masky, can't you see that the frail little thing here is shaking? Give them some personal space."

Another reality revealed, but this time it's Hoodie's fault;

He probably won't yell it like Masky, but he'll still say it in a higher-than-average tone of voice;

BUT WHAT IF YOU'RE ACTUALLY VERY BADASS?

If they notice that you are actually very neutral and don't care about their nasty comments, they will simply stop;

After all, it's no fun if there are no reactions;

Basically, they will just give you the advice you need to improve;

However, you may also have a short fuse!

Maybe you shouldn't point it out, you might unintentionally push yourself further, and since Masky also has a short fuse, you could start a fight with him;

If there's Hoodie nearby he'll stop Masky before killing you (but you'll have some deep cuts, bruises and, at worst, broken bones);

However, in the absence of Hoodie/other proxies, you will be killed without much scruples;

Butttt... consider yourself lucky because usually Hoodie and Masky are together all the time, either for tasks and because they have established a good relationship and don't spend much time with the other residents;

Above all they are good instructors;

They know when you've reached your limit and will stop you if they see you're going too far;

They will give you advice and plan a diet if they see that it is necessary;

It could have been worse, couldn't it?

WHAT DO THEY LOOK LIKE DURING TRAINING?

As said before, they would certainly help you a lot;

Both with advice and by encouraging you to keep going;

(they will become more and more familiar with this as time goes on);

However, I like to imagine that Hoodie does the exercises with you, both to keep fit and to be an example for you;

Masky observes the two of you, smoking his cigarettes;

In some cases he will join you;

(he made a bet on who does the most running laps with Hoodie);

"You know, Y/N, Masky has never been able to beat me in a running challenge", Hoodie usually makes fun of Masky;

"For fuck's sake, just shut up!" and Masky responds in a bad way;

While they may seem quite calm while training you, don't forget that they are professional assassins;

You don't really want to see them when they have to torture/kill someone;

But one day, for sure, you're going to see that because, ops!, from now on you are a proxy;

Good luck with that!

Okay, that's all about our two favorite proxies!

I really have to write headcanons about their backstories because I've honestly always wanted to do that.

I hope you enjoyed this!

♡

[jeannereames]

Hello Dr. Reames I hope you’re doing well

I have a question. I was reading everything you’ve written on your blog about alexander and hephaistion and in a post you mentioned that as alex and hephaistion became older their relationship became more complicated. Could you expand more on what you mean by that? In what ways did it become complicated?

Why Alexander and Hephaistion as Lovers as Adults was “Complicated”

I’m not entirely sure whether the asker means the historical people, or the characters in my novel, so I’ll answer for both, as the answer is somewhat the same, but in the book, I can add more specificity. One must be more circumspect about the historical people.

First, if they were never lovers (the historical people), then the only complication would have been Alexander’s increasing power. No matter how much freedom Hephaistion had, the murder of Kleitos showed that a drunk, furious Alexander could do terrible things, even to people he considered like family. As ATG aged, he had more cause for anger, and he also drank more.* So there was that.

But returning to the question of whether they were lovers, my colleague Sabine Müller doesn’t think they were—largely because she believes they met as adults. And THAT gets to the heart of why—if they were lovers—their relationship would have become more complicated across time. They aged.

The Greeks placed homoerotic attachments among the stages of life. A preteen/young teen was the beloved, or pursued partner (eromenos). Once he got a beard, post 18-ish (e.g., ephebe age), then one became the lover, or pursuer (erastes). Any relationship one had previously enjoyed with an older lover was expected to transmute into very close friendship/affection. Then, around the late 20s/early 30s, one would settle down and get married. It was still all right to chase younger boys, but only for a little while. Doing it too long earned “dirty old man” status, although we have evidence of older (40+, even 50+) elite men doing just that. Also, males of any age could pursue affairs with hetairai and other prostitutes (male or female), as well as with slaves of any age.

Two adult men still “carrying on” as if they were teens/young men was considered unseemly. By the time both were past 20, and certainly past 25, they shouldn’t still be having sex with each other. Although if they’d been long-time lovers as youths, they might get nods for loyalty (v. the playwright Agathon and his long-time lover, Pausanias) … and friends didn’t ask what they did behind closed doors. But this was easier to pull off as a slightly counter-culture artist playwright than a king and his increasingly important marshal.

So that’s why Alexander and Hephaistion would have experienced complications as they aged—assuming they stayed lovers. And they may not have. Even if, as youths, they were lovers, as adults, they could each have moved on. Curtius names other youths (not just Bagoas) with whom Alexander might have had a fling. It’s subtle in the text, but the Latin word used could imply something. We don’t have similar attestations for Hephaistion, but I wouldn’t expect us to, so that’s meaningless. Remember, our histories are laser-focused on Alexander, with details about other marshals appearing only if/when they matter to the main story. So, we have the name of Philotas’ mistress only because she became Krateros’ source for dirt on what Philotas said about Alexander as pillow talk. If not for that, we wouldn’t even know he had a mistress. Ergo, we MUST assume there’s a lot of information about the men in high positions around Alexander that our sources simply don’t relate (and perhaps didn’t know).

Now, in terms of Dancing with the Lion, the age thing very much is the problem, as Hephaistion is the elder but Alexandros king. They can continue a relationship for a short while (a few years), but AS KING, Alexandros would be assumed to be the “active” partner (erastes), and that would damage Hephaistion’s reputation—because he’s older (and was originally the erastes). For an older male to accept the passive role (bottoming) was demeaning, making himself “like a woman.”

That’s why the penultimate scene in Dancing with the Lion: Rise is so important! Hephaistion “flips the script,” explaining why he considers bottoming the position of power—startling Alexandros, who never thought about it that way.

Going forward, their friends will ignore any continuation and not examine it too closely due to respect for their loyalty to each other. But this works only for a little while. After Granikos and leading up to Issos, the pressure is on for Alexandros to find a nice girl to make his mistress and move Hephaistion into the role of Older Friend (without benefits)—which he does with Barsine. Yet I don’t plan to have them entirely give up their romantic liaison, so that requires concealment for Hephaistion’s benefit. And it’s not fully successful. Some push back against Hephaistion by enemies does owe to disrespect for his “preferences.”

But keep in mind, I’m speaking now of the fictional characters, not necessarily the historical people. My Hephaistion is pretty high on the Kinsey Scale, in the 5-6 range. Keeping the respect needed to command successfully as his political star rises means he must wear a mask, or find a beard, to use slang. One of the (several) points behind my series is to show it wasn’t necessarily any easier to be gay in “tolerant” ancient Greece. It was just difficult in different ways.

———————

* Before anyone asks, no I don’t think Alexander was an alcoholic, even a “functional” one. There’s literally not enough evidence to say for sure, pace J. M. O’Brien (Alexander the Great and the Invisible Enemy). O’Brien may not call him an alcoholic, but he certainly implies it.

We have two complicating factors that make any sort of real determination difficult: first, the nature of banqueting at the Macedonian court, and second, the fact that historians record the exceptional, not the usual. Symposia (drinking parties) in the Greek world were already venues for both competition and display, and Macedonians didn’t customarily dilute their wine, unlike (many) Southern Greeks. The king was not only expected to keep up, but to excel in all things, including his ability to drink. So there’s that. Add to this the fact historians don’t tell you about the 56 times the king held a symposion where nothing exciting or out-of-the-way happened. They’ll tell you about that 57th when something bad DID happen.

Even in antiquity, there was debate about whether Alexander drank too much, with detractors and Roman-era rhetoricians using him as an exempla of Drinking is Bad (especially in rulers), while apologists (like Aristobulos) claimed he didn’t overdrink, he just liked conversation so he stayed late, lingering over his wine.

Hmmm. I’m going with Door Number Three: yes, sometimes he drank too much, especially as stresses piled up, but if he’d been an actual alcoholic, even a functional one, he probably couldn’t have accomplished everything he did. For one thing, availability of alcohol on the march would’ve been sporadic, so I suspect those famous drinking parties were what happened when they got their hands on some wine, in between long stretches where they probably didn’t have much, if any.

[aihoshiino]

I noticed you’ve talked a lot about the Goro and Sarina chapter in Spica, but I was wondering what do you think about Ai’s chapter and how she was written there?

so even tho I am Spica's Biggest Hater, I actually kind of like Ai's chapter even though I do think it's ultimately less than the sum of its parts. I think a lot of the things that Tanaka does kind of seemingly just out of habit as a writer are things that coincidentally just work for Ai as a POV character in ways they don't for Sarina.

Like, for example, something I really hated about Sarina's chapter was the way Tanaka was just like... idk, it's hard to explain it exactly but it felt like every other paragraph there was some random aside inventing some Spica-original fact about Sarina's life seemingly for the sole purpose of making it even more bleak and miserable than it already was in the main story while also completely failing to have Sarina herself actually be characterized in relation to or really emotionally engage with it. Which, in the context of Sarina's story, just felt excessive and kind of hamfisted.

By contrast, not only does Tanaka do this less with Ai but when he does do it, I feel it works a lot better for her? Not only is it already established to be in character for Ai to be casual/understated about the cruelty other people subject her to in a way it is very much not for Sarina but the persistence of this cruelty and the broader systemic failures to champion her that it represents are some of the most important structural themes of Ai's arc and subsequent tragedy.

I also think it helps that while ch1 of Spica does fall into the same trap of softening and simplifying Ai & Saitou's relationship in the process of focusing on it as it does with Sarina and Gorou's, this is less of an issue just because their relationship isn't quite as loadbearing for the series. After a certain point... idk how else to say it other than the series was really getting diminishing returns on the Gorou & Sarina relationship because it wasn't really doing anything to expand it beyond "sarina is sad, gorou does a nice thing, yey sensei kekkon shite!" whenever we went back to it. So a whole novel that is basically just... more of that stuff over and over without any real expansion on it was just doomed to feel tired.

By contrast, not only do we have a lot less of Ai and Saitou's relationship in the manga, so any extra time with them feels like a bonus, but again it's not really as foundational a relationship to the whole series. So Spica's take on it being a little shallow isn't like a crushing blow or anything.

I guess my feeling at the end of the day is that Sarina's (& Gorou's lol) parts of the story feel a lot less than the sum of their parts bc of the general jank of Tanaka's prose, that jank kind of accidentally suits Ai as a POV character very well in a way I think genuinely enhances her chapter. The result is that her chapter is a lot more than the sum of its parts by comparison and works better in broad strokes even if the zoomed in details still have a lot of issues.

OH, something I will say I just think is straightforwardly good - it's a little on the nose at times but I think Spica's depiction of Ai as an undiagnosed and non-masking neurodivergent person and the struggles she has with understanding, communicating with and navigating other people and their feelings is genuinely really effective and aside from a few flubs here and there, it gets her characterization pretty on-point. One of my fave Ai moments in the series actually comes from Spica; that beat where, when she hits an emotional lowpoint while confronted by her bullies, she begins to cry and immediately freaks the fuck out internally that it's happening because she had "already decided" that she wasn't affected by their words and is stunned by her own inability to simply tell her own feelings what to do <3 THAT'S my little freak!!!

[a-clown-with-wings]

can I have an outline of how you draw bodies for reference please ^^ if u can and want too

I’m not good with tutorials because I’ve never been asked, but I’ll try my best tee hee

Also forgive the crusty art, it’s 2 am and I’m drawing mermaids.

Now, personally, I have a very different style that’s mainly culminated of many other styles that I have studied from other artists that I like, so this might not work for you or any other person that sees this, but I think trying in general is a big step in the right direction!

1. BLOCKING!!

Funny enough, I just started this step very recently, so if anything, it’s just an extra step to make sure everything is right. It’s actually helped me quite a lot since I have problems with anatomy and posing, so I really recommend it as a first step.

Think of it as a really messy sketch. In this step, you can do literally anything without being upset for getting frustrated because it doesn’t look right. It’s just a silhouette of an idea that you will expand on in the next step. I also recommend this for character design since silhouette is a BIG part of it and can make or break a line of characters. The last thing you want is for everyone character to look like a recolor of each other. ^^’

2. SHAPES!

I cannot stress enough how important shape language is for literally every single thing. Everything is made of shapes. People, animals, buildings, food. It all can be broken down into squares and circles. This is a part of anatomy that takes a little study, but once you get it, you get it.

For me, it’s changed a lot, but to put it simply: trapezoid and triangles. That’s all you really need for torsos really.

Now, for people of different body types, that’s a whole different story. Of course pear shaped people are not going to be built the same as people that are under rectangle or apple. That’s for another day, though. Slow and steady winds the race. If you take in too much, you’ll stress yourself out.

3. DETAILS!

Warning! If this part stresses you out the most, you are not alone.

I am better at drawing women and femmes because that was what my first Ocs were, so I’m still learning maize anatomy, but whatever. Nothing to worry about now.

This is completely reliant on what the person looks like. People have different bodies so not everyone is going to have a perfect hourglass figure. That being said, simply making the body wider or taller is not enough!! People have fat, it’s just one of the many things we are made of. Some people have more, some have less.

Think of it like a blanket almost. If you were to put a bed sheet over a chair, you would be able to see almost everything regarding the shape of it. If it was made of something thicker, like chunky crochet yarn, it would be harder to see the shape of the chair underneath. That’s putting it very simply. Things like muscle and stuff would be like throwing clothes onto the chair before putting the blanket on. Not a nursing major or anything, so take this with a grain of salt. I’m a stupid little guy.

It would take me forever to explain all of this, so I suggest looking into it on your own time in order to get a more in depth understanding of bodies and stuff like that. :)

EXTRAS!

If you haven’t noticed already p, which I completely understand, I am not that good at robots. I joined fnaf when Security Breach came out cus I like Suna nd Moon and I started this account with the intent of gaining an audience for my other Ocs. You goobers reeled me in and now I’m stuck here.

Anyway, when it comes to metal people, I draw them slightly different. They don’t have organs or anything, and are video game characters, so they don’t need a space for them. And nothing is better than saving space :)

I also make their bust a literal circle because I come on this app each day and see someone else draw them better and I start to sob uncontrollably. /j

This is completely up to you since people draw them all kinds of silly ways and I see no problem with that.

I don’t know how to end this but I hope this helped in some way :)

[giriduck]

I put off starting BotW for five years for various reasons, including many IRL hobbies, knowing that the game would suck me in and consume all of my free time as I played through it, and various concerns over the direction they took the world and lore.

In the end, I loved that game. I enjoyed that version of Hyrule and—because I had started playing it during pandemic lockdowns—I used it to replace various local adventures I had enjoyed in The Before Times. The open world and nonlinear aspects of BotW were exceedingly well done and an interesting change for the series.

Although I enjoyed both the present-day and fallen Champions and a glimpses into the life and times of The Saddest Zelda Yet, most of the characters of BotW did not resonate with me until I played Age of Calamity.

I loved that game. It is a ridiculous and lovely fix-it fic that paid attention to the details of the original and expanded on it in such a marvelous way. You could experience more of pre-Calamity Hyrule, spend more time with literally everyone (including some WILD surprises), and see a nice “what if” arc for Zelda herself. The game made me really like the older Champions, Sidon, Master Kohga, and I adored that take on Zelda.

With TotK, I feel none of the connection that I had the first two games. Hyrule is largely the same—except for the addition of caves—so the thrill of exploring is dampened. It’s like returning to your childhood city and discovering an odd blend of nostalgia and sadness when you see how parts of town had changed in vaguely unsettling ways.

The Depths—while really cool press-your-luck-in-the-darkness is interesting (it kind of feels like running to the BotW shrines in unfamiliar territory), it’s exhausting to explore. There is so much of it and it’s relatively empty of both interesting things to see and lore. Give me lore! Tell me more about what this place even was! What happened here?? Meanwhile, traversing the sky kind of stresses me out in a water temple kind of way, and so many of the islands are duplicates and simply repetitive.

While catching up with literally hundreds of NPCs in TotK was truly delightful (especially playing BotW rather recently beforehand and seeing how much genuine care they took with continuity), the TotK content on the characters we had spent the most time with in BotW and AoC was rather light, as were the new characters. It was difficult to emotionally attach to anyone and cheer for them. It felt weirdly retrospective, both in the ancient era and the present era. It felt like a game all about catching up with people and then doing a million little tasks for them.

And—as much as TotK is proclaimed by the dev team as a supposedly non-linear story, it’s not. Instead, it’s a linear story carved up and then scattered nonsensically onto a map, and—while it was an interesting experiment—it was a poor experience. They should have had a waypoint lead to the next in chronological order instead of pretending that it is a fully open world and therefore the order you unlocked the memories didn’t matter. While it was frustrating to people returning from BotW, I can only imagine that it must have been bewildering to new players.

All this is to say that AoC really made me appreciate the BotW era, and I really hope that Omega Force makes a TotK Hyrule Warriors, because I would love to see how they expand the otherwise sparse lore and help me learn to like these characters more.

Also playable TotK Ganondorf when.