#there’s just something i love so much about the one-off episodes in season 1

[future-crab]

MAG 29: Cheating Death reblog if you agree

[obessivedork]

I got so caught up in the euphoria of new Star Trek that I forgot SNW has some of my least favourite writing of the new shows. I think I’m frustrated with it because there are so many aspects I SHOULD like! On paper I SHOULD like this show more than I do! I just do not vibe! :(

[flanaganfilm]

The Midnight Club - Season Two

I'm very disappointed that Netflix has decided not to pursue a second season of THE MIDNIGHT CLUB.

My biggest disappointment is that we left so many story threads open, holding them back for the hypothetical second season, which is always a gamble.

So I'm writing this blog as our official second season, so you can know what might have been, learn the fates of your favorite characters, and know the answers to those dangling story threads from the first season.

So for those of you who want to know what we were planning to do, here's a look at what would have been season 2!

AMESH Season 2 would open with Amesh, his glioblastoma advancing quickly. He would tell the first story of the season, but would be struggling to make it through. We'd focus on his love story with Natsuki for those first few episodes as it becomes clear that Amesh's death is imminent.

Meanwhile, Ilonka is trying to reconcile how she was fooled by Julia Jayne, all while falling further in love with Kevin, and she realizes he may be fading faster than he lets on.

Ilonka begins a serialized story in an effort to encourage him to "stay alive a little longer," like he did in season one. And the story she tells is... REMEMBER ME.

This was the thing I was most excited about for this season.

REMEMBER ME is one of my all-time favorite Pike books - it tells the story of a teenage girl who is pushed off a balcony, and awakens as a ghost. She has to navigate being a spirit while trying to solve her own murder. We would have stretched this story out over 5 episodes. We were going to use it as a vehicle for Ilonka to try to come to terms with the fact that she is going to die, and to begin to trying to wrap her head around being a ghost... but this is the coolest part... the lead character of Ilonka's story wouldn't be played by Ilonka. She'd be played by...

Anya.

Because this is how we live on, isn't it? In the minds of those we leave behind. And Ilonka would use REMEMBER ME as a way to imagine her dear friend Anya, waking up as a ghost, navigating the afterlife. And this sets up one of the best mechanisms of the show - even if a character dies, as long as they're remembered by members of the club, they live on in their stories.

As the story starts to pick up steam, though, the group will have to deal with the death of Amesh, which he greets with grace and bravery.

In his final moments, he sees someone in his room - the Janitor from the first season, as played by Robert Longstreet, who says comforting things to Amesh even though he can't respond.

In his final, final moments, the SHADOW descends upon Amesh, and he is engulfed into it, which reinforces the idea that the Shadow is DEATH...

With Amesh's death comes something that upends the entire thing: a NEW PATIENT. We didn't work out too much about who this would be, but it would be a new roommate for Ilonka. Someone taking Anya's old bed. Ilonka would find herself being initially cold to her - just as Anya was when Ilonka arrived. Even feeling like this new girl shouldn't necessarily be ushered into the Club. But of course they would develop a beautiful friendship over the course of the season. The new girl joins the club, where something else exciting is happening - Cheri is telling a story. We hadn't decided which one, but I think it might have been MONSTER.

Natsuki would be the next to die, which would be heartbreaking. And again, she would talk to the janitor just before it happened... and again, the Shadow would come in the final moments.

For Spence, though, things would take a different turn.

The advancements in HIV treatment in the late 90's would come into play, and we'd see his prognosis change. The HIV cocktail came out in Dec 1995, and we really wanted to explore that.

Spence would ride the swell of antiviral advancements, and by the end of the season, he'd no longer be classified as terminal. In the finale of season 2, Spence would leave Brightcliffe just like Sandra did in Season 1, heading off to manage his disease and live the rest of his life.

But onto the BIG MYSTERIES of the season one... here are some answers: What is up with Dr. Stanton's tattoo and bald head? Well, a few things. First, Dr. Stanton is actually the daughter of the original Paragon cult leader, Aceso. Her nickname was Athena, she wrote the Paragon journal that Ilonka found in S1. She turned on her mother and helped the kids escape, but because she was part of the cult in her teenage years, she had the tattoo.

It was her initials that Ilonka found carved into the tree in season 1 (her maiden name was Georgina Ballard, hence the G.B. that Ilonka finds carved in the tree).

She hated what her mother became, and the atrocities of the cult. She reclaimed the property after her mom was gone, and wanted to change it into a place that celebrated life. She was trying to undo her mother's legacy and leave something behind that was beautiful. She is wearing a wig at the end of S1 not because of a sinister reason, but because she is undergoing chemo. Dr. Stanton has cancer. Having helped so many people deal with disease, she now has to deal with it herself.

Her treatment would be successful, and she'd go into remission, but having to face that - while caring for the terminal kids at Brightcliffe - was going to be a very introspective arc for Stanton.

What about the Living Shadow? It's Death, right? Well... no.

At the end of the season, Kevin will die... followed shortly by Ilonka. And as she is dying, two things will happen. First, she'll find herself talking to the Janitor, played by Robert Longstreet... and she'll make a discovery.

HE is Death. And nothing to be afraid of. It turns out no one else ever saw this character. Stanton has a cleaning service, and the Nurse practitioners make up the rooms - the only people who ever saw this mysterious Janitor were the patients. He is Death, and offers them kind words before they die. Then what was the Shadow?

This is an idea we take directly from the book REMEMBER ME, and we'll see it play out in the final moments of Ilona's final tale. In Pike's book, Shari is pursued by a dark entity called The Shadow. When it finally catches her, though, it turns out it is not a bad thing at all.

The Shadow is THEMSELVES. It's the Unknown. As it engulfs someone, in the last moment of their life, it takes them through a place of understanding and catharsis, preparing them for the next step.

THIS is what happened to Anya in S1 when the Shadow finally reached her - that's why she fantasized a life beyond Brightcliffe, which ultimately let her find acceptance of her death. It looks different for everybody, depending on their mind-set - because it is simply an extension of themselves.

The Shadow is just the final catharsis, a return to our original form - it is a moment of true understanding, and once we experience it, we move on to the next place.

We see the Shadow in full effect when it finally comes for Kevin. KEVIN DIES with Ilonka at his side, and it leads to the biggest reveal of the season:

Who were the Mirror Man and the Cataract Woman?

They were Stanley Oscar Freelan and his wife, who built Brightcliffe (fun trivia, he is named after the real-life Freelan Oscar Stanley, who built my favorite hotel in America - the Stanley Hotel. The Stanley is also the inspiration for THE SHINING!).

But more than that... there's a reason that Ilonka only sees Stanley in the mirror, and sees the Cataract Woman whenever she looked at Kevin. This is something else we took from Pike's original book... these aren't ghosts, but glimpses of PAST LIVES.

Ilonka WAS Stanley Oscar Freelan, and Kevin WAS his wife. They've lived many lives this way, and are true SOUL MATES - they always find each other, and they always fall in love. In this life, they knew it would be a short one, so they agreed to find each other in the house they built. They've been "remembering" who they are, and glimpsing their former selves in reflections, and sometimes when they look at each other. This is also why Ilonka's very first words to Kevin in S1 were "Do I know you?" and why Kevin thought she was familiar as well. They are two souls who always find each other, again and again.

The story is this: Stanley was dying, and built this cliffside home hoping that the seaside air would help him. It did, and he far outlived his prognosis (this is also true of the real-life Freelan Stanley). However, his wife began to succumb to dementia.

She would wander the halls, looking for him ("Darling!") and would even forget to feed herself ("I'm starving...") and she eventually refused to leave the basement. Heartbroken for her, Stanley painted the walls to resemble the woodland view, and the ceiling to resemble the night sky, so that it would be a little more beautiful for her.

He also painted a labyrinth on the floor, which was a technique used to try to curb the effects of dementia. She'd walk the pattern of the maze and it was believed it could help her cognition. Eventually, she developed frightening cataracts, but Stanley loved her through it all.

They were soul mates.

So while they seemed scary in season 1, that was just how Ilonka and Kevin's mind were trying to remember their pasts. We even had their faces distorting in ways consistent with how memories degrade over time. When the Shadow comes for Ilonka, and gives her this understanding - this "remembering" - she realizes she has nothing to fear. She and Kevin will shed these personas and be reborn, and have the joy of finding each other another way. The Shadow comes for her, Death takes her gently, and Ilonka goes off with Kevin back into the cosmos, ready for their next incarnation. The series would end with Cheri telling this story to a whole new table of patients, including our new series leads. Most of our original cast now would exist as stories, a story told to the next "class" of storytellers at the table, all of whom we will have met by the end of the season. A story called "The Midnight Club."

Well, that's it... that was what we had in mind. It's a shame we won't get to make it, but it would be a bigger shame if you guys simply had to live with the unanswered questions and the cliffhanger ending. I loved making this show, and I am so proud of the cast and crew. Particularly our cast, who attacked this story with incredible spirit and bravery each and every day.

But for now, we'll put the fire out, and leave the library dark and quiet. To those before, and to those after. To us now, and to those beyond.

Seen or unseen, here but not here.

I'll always be grateful that I got to be part of this Club.

[falling-star-cygnus]

TADC ✨EPISODE TWO✨ SPOILERS

my thoughts on this masterpiece by Gooseworx

they were the best part of this episode

No. 1: More Gummy Lizards

this is the only scene that matters ever, thank you. [buddy fr said "pillow time -w-" and plopped down] -> i love that the trio is this comfortable with each other, Gumigoo doesn't even question it

No.2: Cartoon Physics at their FINEST

man's head will not move from that spot 😭

No.3: Yes, there's even more

this entire episode was beautiful, and these three were the stars of the show. The way it alternated between a silly little group of buddies trying to save Gumigoo's mom and existentialism? amazing -> it also, i think, plays into the way a cartoon will start off relatively lighthearted and then go entirely batshit in the second season {gravity falls, owl house, steven universe- yk?}

No.4: Ah... this again

"but you've done this.. for what?" type energy that immediately changes into "for the love of GOD, get this out of me." -> do you think Jax ever stabbed her at one point to see what would happen

No.5: It was supposed to be ME

Jax: I want to blow something up *something blows up* Jax: wait no-

No.6: Jax continues to be my favorite character

literally just let him blow up the cosmos, he deserves it -> also, this episode really humanizes Jax a little bit. Not much, but he's not as unflappable as he portrays himself to be. Kaufmo's abstraction honestly affected him, despite his refusal to show it [were the theories right? were they close?]

No.7: you B*TCH

yes i know that Pomni called him an asshole {and she was correct}

No.8: Not a thought behind those eyes

the introduction of The Fudge raises so many questions about Candy Canyon tbh, especially paired with the gummy lizards need for a truckload of syrup -> Is the princess as altruistic as she appears? Does she genuinely care about all her subjects? Or are there are types that get snubbed? Is there discrimination between hard candies and gummy candies? Is there a gummy princess?

[adrienneleclerc]

Missing Journal

Pairing: Charles Leclerc x Hispanic/Latina! Reader

Summary: Charles reads Y/N’s journal and finds out she has a crush on an F1 driver.

Warning: the usual spellings and grammatical errors, inaccuracies of pretty much anything involving F1

A/N: kinda based off season 1 episode 3 of Austin and Ally. However, instead of reading the journal about Y/N’s crush and thinking it’s about him when it’s actually someone else, Charles would read it and think it’s about someone else when in reality it’s about him. Does that’s make sense? Cool. Also, i always put Hispanic/Latina because I don't know what you prefer to be called and because this does exclude Spain, Haiti, Brazil, and other Latin American countries that don't speak Spanish.

Y/N and Charles have been friends for a long time, but so have Y/N and Lando. Y/N moved from the states to Monaco and became neighbors with Charles, ultimately becoming friends, but she also participated in Junior Karting with Lando, befriending Lando and Max Fewtrell.

It is safe to say Y/N has been friends with the three of them for a very long time and she is so grateful because she always felt like she didn't belong since she isn't European like them. But she has Logan as well, even if they aren't super close. She splits time between Charles and Lando. If Lando thinks McLaren is going to do soemthing interesting, he invites Y/N to Woking. Something interesting happening at Ferrari? Charles is bringing Y/N to Maranello. Y/N loves travelling (the Sagittarius in me) so it works out perfectly.

One day, Y/N's apartment was flooded because of poor plumbing and Charles offered her a place to stay. When her apartment was clear, both of them decided it was better if they were roommates since she was the better cook and that brings us to today.

Y/N was sleeping in her room peacefully when she felt someone shake her awake and she saw Charles standing over her.

"If you are going to kill me, can i at least eat first?" Y/N asked sleepily.

"Y/N, wake up, they changed our flight to Imola." Charles said and Y/N sat up in her bed.

"What do you mean they changed our flight? Don't we fly priavte?" Y/N asked.

"Yes, but Fred wants us to be in Imola earlier so we have more time to go over strategies so get dressed, sweetie, we need to go to the runway." Charles said. Y/N's heart fluttered at Charles's nickname for her. She tries to think nothing of it because he is a Libra after all, he is very affectionate towards her and Carlos as well. She got out of bed.

"Okay fine, but get out." Y/N said, pushing Charles out of her room to get dressed. She packed a dufflebag with 5/6 outfits, pajamas, anything she really needed for a 5 or 6 day trip more or less.

"Whatever you say, love, I'll buy us something to eat on the way there." Charles said outside her door. The last thing Y/N packed was her journal, she likes writing down everything about her travels since she writes travel articles for Hello Monaco (don't know if there is a traveling section, lets pretend). But she also writes about her love life or lackthereof. Y/N washed her face and got dressed in her comfortable clothes. When she left her room, she sw Charles on the couch with his small luggage.

"Alright, lets go. Are we stopping by the bakery?" Y/N asked.

"Of course. I'll wait outside while you order the pastries, I'll give you money." Charles said.

"Thanks, lets go." They left the apartment and got into Charles's car. Charles parked outside the bakery and Y/N got out of the car, ordered pastries, getting herself a warm cookie croissant (THEY ARE SO GOOD, my mom needs to buy more from the market) and whatever Charles gets. She gets back in the car and Charles starts driving away.

"Can you feed me, honey?" Charles asked. Y/N broke off a piece of the pain au chocolat and fed it to Charles, his tongue and lips touching her two fingers holding the piece of pastry. She felt butterflies in her stomach and decided to just hold the oain au chocolat and have him bite it but... "No, no, i can't drive like that, just feed me like you did before." Charles said and thats exactly what Y/N did.

Now of course Charles knew it wasn't necessary for Y/N to feed him like that, but he loves the intimacy of this gesture. So having her feed him like they were boyfriend and girlfriend even though they are not was great thing in Charles's book. Especially considering his feelings for the Hispanic/Latina queen by his side. Y/N finished feeding Charles the pastry and licked her fingers that were covered in chocolate because no one wastes chocolate here. They were playing music in his car, just vibing, singing along, Y/N finished her cookie croissant, and they were just talking until they made it to the airport runway where their private jet was, with Carlos waiting by the jet.

"Por fin! Por qué se demoraron tanto?" Carlos asked.

"Güey, relájate, teníamos hambre, queríamos comer en el camino." Y/N said, getting her dufflebug out of Charles's car, Charles gets his suitcase out too.

"I don't like it when you call me güey." Carlos said.

"I picked up Mexican slang from Pato that time he was in Woking with Lando. I miss Pato, i gotta text him." Y/N said, entering the jet with Charles and Carlos trailing behind. She sits down. "I'll never get used to this, I grew up lower middle class."

"Well your friends are F1 drivers and we invite you everywhere." Charles said.

"And I thank you for that, honestly. My boss loves my hotel reviews, thanks for paying for my room by the way." Y/N said.

"Of course, it's no big deal." Charles said.

"What i don't get is why we have to fly if the drive is just 5 and a half hours." Y/N said.

"But by plane it is an hour." Carlos said. "That mean we have more time to relax, work on strategies, go clubbing." Carlos says.

"We are not clubbing before media day." Charles warned him.

"Fine, que pesado." Carlos said and Y/N giggled.

The flight itself was bearable, Y/N fell asleep and Charles was watching her with a smile on his face.

"You should tell her you like her, mate. Because this" Carlos says gesturing to what Charles was doing. "Its getting creepy and concerning."

"When the moment is right i will tell her." Charles said.

"Okay then." Carlos said, putting his headphones.

When the jet landed, a chauffer took them from the airport to their hotel. When they arrived at the hotel lobby, Y/N saw Lando and Oscar on the couch, Lando was on his phone while Oscar talked to Logan.

"Lando!" Y/N shouted, running to where Lando was.

"Y/N!" Lando exclaimed, standing up from the couch to hug his best girl friend. "How was your flight? Are you hungry?"

"Nah, I'm fine, I had a cookie croissant before the flight so i should be good." Y/N said.

"Nonsense, you should have a proper breakfast. Osc, you wanna go out for breakfast?" Lando asked the Australian.

"Yeah sure." Oscar said. "Lets get our keys and we'll head out." As soon as everyone got their keys, they went to their rooms which are all on the same floor, WAGS obviously roomed with their partners, Y/N had her own room and she place her dufflebag there. She knocked on Lando's door and he opened up.

"Should i change." Y/N asked.

"Nah, you're fine. You ready to go Osc?" Lando asked Oscar, who was talking to Logan

"Yeah, lets go, catch you later, Logan." Oscar said goodbye.

"I'll talk to you later my fellow American!" Y/N exclaimed as she left with Lando and Oscar. Charles was observing their interaction.

"Jealous?" Carlos asked right behind Charles startling him.

"You scared me, mate. But i am not jealous." Charles said.

"You might want to unclench your fist then." Carlos tapped on Charles's fist and he releases.

On their free day, Y/N was writing down the name of the restaurant/cafe they went to, reviewed the food, the atmosphere, how much the food was.

"Y/N, do you have to review everything?" Lando asked.

"Yes, how was your food?" Y/N asked.

"It was good." Lando said.

"Do you think it is worth the price?" Y/N asked.

"I say yes but I think if you were wokring class, definitely not." Lando said.

"Thank you. What about you, Osc?" Y/N asked.

"I mean I've had better in Monza, but its still good." Oscar replied and Y/N wrote it down.

"You gentlemen have been great help." Y/N said.

"Will you be in the Ferrari hospitality this time or will you be coming over to McLaren?" Lando asked.

"I can't say yet. I'll probably arrive at the paddock with Charles, hang around his hospitality halfway during the break inbetween free practices and then go over to you before the second free parctice starts." Y/N said.

"Yeah, that sounds like a plan. You coming to media day or are you going to be sightseeing?" Oscar asked.

"The hospitality gives me free food so I'm going to media day because i don't like sightseeing by myself." Y/N said.

"You just want me to pay." Lando said.

"You have the money to pay for me! I don't see the problem." Y/N said.

"She’s been like this since I joined F1.” Lando told Oscar.

“I do the same with Charles, don’t start.” Y/N said.

(This scene was written before I found out what happened in Imola)

It was media day and Y/N was repping McLaren at the paddock, it made Charles feel a certain way.

“Stopping staring.” Carlos said.

“I can’t help it, they’re acting like a couple and I don’t like it.” Charles said.

“At least she’s not wearing his number.” Carlos tried to cheer him up, Charles was going to answer him when Y/N came up to him.

“Have you guys seen my journal?” Y/N asked.

“How does it look like?” Charles asked.

“It’s a mini blue notebook with my name in rhinestones, my friend decorated it for me.” Y/N said,

“We haven’t seen it, love.” Charles said.

“Fuck, what am I going to do?” Y/N asked worriedly.

“Relax, it’s just a book.” Carlos said.

“It is NOT just a book, it is my diary and work journal all rolled into one, i write ALL my personal stuff in there, if anyone else reads it, I WILL DIE.” Y/N said.

“Maybe you should start taking notes on your phone.” Carlos said.

“Like I’m going to listen to a colonizer.” Y/N snapped. “Sorry, I didn’t mean it. I mean you do come from colonizers but i should call you that, it’s not your fault.”

“Ya relájate. We’ll look for it.” Carlos said.

“Thank you! I was basically in every hospitality today so I gotta ask around.” Y/N mentioned.

“Why were you in every hospitality?” Charles asked.

“Well i run an F1 TikTok account too so I was just hospitalities. I hope no one has read it.” Y/N said before running off.

“Do you think she’s overreacting?” Carlos asked.

“Her mom said she was born a drama Queen.” Charles said shrugging. “I’m gonna go talk with Max.” Charles said, leaving Carlos, Charles entered the Red Bull hospitality.

“Hey Charles, where’s Y/N? I found her notebook.” Max said,

“That’s great! Where did you find it?” Charles asked.

“She left it on the couch when she was talking to Checo. Do you know why she was going mental about this?” Max asked, giving the notebook to Charles.

“Apparently there’s a lot of personal stuff written in here.” Charles said and that’s when he got an idea.

“No.” Max said immediately.

“You don’t even know what I was going to say.” Charles said.

“You are not reading it.” Max said.

“Why not?” Charles asked.

“Because Y/N would probably murder you.” Max said.

“What Y/N doesn’t know, won’t kill me.” Charles said opening Y/N's journal.

"You act as if you were married. Well, what does it say?" Max asked, looking over Charles's shoulder to read what it says.

"Apparently Y/N has a crush on someone on the grid." Charles says. He kept reading. "And that guy is not me, looks like she has a crush on Lando." Charles sighed, closing the book.

"I haven't finished reading it." Max says, taking Y/N's journal to keep reading. "Okay, she could be talking about anyone, it doesn't necessarily mean she likes Lando." Max said, reading over the journal entry.

"Really? 'We've known each other since we were kids', Lando and Y/N have done karting together. 'I could easily get lost in his eyes, his accent is adorable, we spend so much time together and the gestures he does with me are so intimate, it's almost as if we are already togther but we are not', who else could it be, Max?" Charles asked.

"Okay well everyone on the grid has an accent to Y/N except of Logan. I have seen Lando lead Y/N places with his hand on her lower back. Maybe you are right, Y/N has a crush on Lando." Max said.

"Oh well, I lost my chance, let me just give Y/N her journal, I'll see tomorrow before free practice." Charles said.

"I thought we were going to play videoames later tonight." Max said.

"Not anymore mate, I have to talk to Pierre and pout about losing the love of my life to a child." Charles said.

"He's only 2 years younger than you." Max said.

"He is a child!" Charles shouted before leaving the Red Bull hospitality with Y/N's journal in hand. We was walking around the paddock when he spotted Y/N on the phone.

"Si mami, estoy comiendo bien, te lo juro. Mami, luego te marco, mi amigo Charles quiere hablar conmigo, te quiero mucho, bye." Y/N hung up the phone and put it in her bag. "What's up?"

"Oh I found your journal." Charles handed Y/N the journal and she took it happily.

"Thank you so much, you're the best, where did you find it?" Y/N asked.

"Oh in Red Bull, Max found it on the couch." Charles said.

"I'll thank him when i see him. Are you doing anything tonight? I wanted to visit the Aryton Senna statue and since I know you're a fan.." Y/N was cut off by Charles

"Sorry, I'll be with Pierre since Kika couldn't come." Charles said

"Oh, well maybe after free practice tomorrow?" Y/N asked hopefully.

"I don't think so, I'll talk to you tomorrow, Y/N." Charles said leaving Y/N in the paddock and she walked to the McLaren hospitality where Lando and Oscar were playing Uno with some of the mechanics.

"Hey, Y/N, when we finish this round, we'll leave." Lando said.

"Yeah, thats fine." Y/N said and she sat on the couch. Once the game was over, Lando drove her back to the hotel.

"Did you find your journal?" Lando asked.

"I did, Charles and Max found it." Y/N said.

"Then how come you don't sound thrilled that you have your journal back?" Lando asked.

"Because Charles was acting weird, like he said he didn't want to see the Aryton Senna statue." Y/N said.

"But Leclerc is a big fan of him." Lando commented.

"Thats what i said!" Y/N exclaimed.

"Leave him, maybe tomorrow will be better." Lando commented.

Unfortunately, that was not the case, her Friday and Saturday were spent in the McLaren hospitality, she was now watching qualifying on the TV (Q3) and she saw something awful happen, Lando and Charles were fighting for P3, their wheels were touching and everything and it got so bad that now Charles’s front wing and Lando’s rear wing were damaged when Q3 finished. Y/N ran to Lando’s garage to see what happened.

“Bro, what the hell were you two doing?” Y/N asked.

“You should be asking that to Leclerc, I don’t know what is wrong with him, he’s been on my tail for all of quali.” Lando said.

“Don’t worry, I will.” Y/N said storming the Ferrari hospitality and she spotted Carlos. “Cabrón, where’s the other cabrón?”

“He’s in the driver room.” Carlos answered and Y/N bursted into the driver room, Charles was shirtless.

“What the hell, Y/N?!?” Charles asked, putting his shirt back on and Y/N locks the door.

“We need to talk.” Y/N said.

“There is nothing to talk about.” Charles said.

“The hell there is! You’ve been acting weird since Thursday, you haven’t invited me to the Ferrari hospitality, you didn’t want to come with me to see the Aryton Senna statue, it’s like you changed when…” that’s when Y/N realizes what must have happened. “You read my journal!” Y/N yelled, she picked up a pillow and started hitting him. “How fucking dare you!”

“How dare I? How dare you?” Charles asked, blocking her hits.

“Excuse me?” Y/N asked, halting her action,

“You heard me! I Can’t believe you like Lando. Lando? He is so immature!” Charles shouted.

“What the hell are you talking about?” Y/N asked.

“Your journal entry! ‘we spend so much time together and the gestures he does with me are so intimate, it's almost as if we are already togther but we are not’, you spend so much time with Lando, who else could you be writing about?” Charles asked and Y/N just stared at him.

“Mas menso no puedes ser! It’s you, Charles! I like you, you ridiculously oblivious moron!” Y/N exclaimed and now it was Charles’s turn to stare.

“You like me?” Charles asked shyly.

“I love you! We were neighbors, we are roommates, we spend so much time together that I developed feelings for you. Now please say something.” Y/N said,

“I like you too. When I thought you liked Lando i went crazy.” Charles admitted.

“That’s why you were acting like that in quali! Lando was kinda mad,” Y/N said,

“Yeah, sorry about that. But now that I know you like me…you coming to the Ferrari hospitality?” Charles asked.

“Of course I will.” Y/N said.

It was the Grand Prix and Y/N was in the garage with the red headphones one watching from the monitors.

It was a tough race but Charles made P1 and Y/N couldn’t be any prouder. When Charles “parked” the car at his spot, he saw Y/N standing with Free and the rest of the team so he got out from the car and kissed Y/N. They pulled away and smiled.

“Sorry, I got caught up in the moment.” Charles said, laughing.

“Does this mean we’re dating.” Y/N asked all giggly after her first kiss with Charles.

“Of course we’re dating, Mon ange. You are my girl, and now we are paddock official.” Charles said.

“So when are you taking me out on our first date?” Y/N asked.

“As soon as I’m done with the post race interview.” Charles said, kissing her one last time.

The End

It took forever to write but I hope y’all like it, thanks for your patience!

[marvelwinchester67]

I’m gonna need 5-10 business days to recover from the Hazbin Hotel season 1 finale.

Hazbin Hotel episode 7 and 8 spoilers (because I’m going feral) and my thoughts/unhinged feelings about it because no one else can understand quite like tumblr can

Read at your own risk

What. The. Fuck. Guys.

WHAT DOES IT MEAN?!

IT WAS NIFFTY WHO KILLED ADAM?!

AND SIR PENTIOUS?! ARE YOU KIDDING ME?! IM NOT OKAY BUT IM GLAD HE IS

Lucifer “now I’m gonna fuck you” Morningstar everyone (plz I love him so much)

So Carmilla knew who Vaggie really was and just, didn’t give a shit? Love her for that

I love Rosie. Her design, her personality, she’s amazing. She was so sweet to Charlie when she didn’t have to be and actually listened to her and encouraged her (points for the relationship advice)

So Alastor is on someone’s leash and he’s trying to wiggle his way out of it, the Vees are plotting (of course they are), and LUTE KNOWS LILITH?! THEY MADE SOME KIND OF DEAL?!

I’m so so curious about how Lute and Lilith know each other and why Lute would want her to deal with her daughter

But this implies that Adam had a previous deal with Lilith regarding something we don’t know yet, since Lute said she was in charge now that he was dead and that their deal pertained to her now

ALSO?! You’re telling me that’s what Adam looked like under his mask?! (I still loathe him but lowkey he was hot I’ll be honest right now)

Sir Pentious telling Cherri he loved her was so sweet

I soaked up every single scrap of Huskerdust I could within those last two episodes they own my soul and I’m so excited to see more of them in season 2

So it looks like Vox thinks Alastor is missing again which is why he’s plotting with the other Vees, but Alastor showed back up at the hotel during repairs so that might not last long

Alastor’s fight with Adam was so good holy shit omfg plz give me more of Alastor’s powers that shield was so cool and his verse in that final song gave me chills like, oh my god he was so mad and I’m here for it

And Lucifer showing up and telling Charlie she changed his heart and mind about the sinners? He is so precious plz protect this duck loving man at all costs

Charlie and Vaggie’s More Than Anything Reprise? Please I am sobbing they love each other so much it hurts

To top it all off- Alastor having beef with literally everyone will never not be funny. Fucking Susan? Are you kidding me. I was laughing so hard. Rosie seems like she deals with Susan a lot and Alastor calling her an Ornery Bitch was so fucking funny for no reason.

Everyone has beef with Susan now.

There is so much I have to say about this show and I could literally talk about it for years but for now I will be repeatedly listening to the soundtrack and impatiently waiting for season 2 because I no longer have the will to live after I sobbed on my bedroom floor over this show. VIVIENNE I AM IN YOUR WALLS-

[marionthegeek]

Stede is in the Gravy Basket, Izzy is Alive

The season 2 finale of Our Flag Means Death is odd.  It hits weird. I think I know why. And this is going to sound bananas, but give me a chance to explain.  Maybe you’ll agree.

It has a huge tonal shift. It seems to speedrun Stede and Ed’s romance. It feels like we’ve missed out on something from the end of episode 7.  The fight scenes and pirate plans are nonsensical, even for OFMD. And most egregiously, a prominent character is killed off in a way that feels disingenuous to his story arc, just for starters.

But I’m getting ahead of myself.  We need to go back to the beginning of season 2.  The season opens with Stede looking more piratey than ever. Beard, sash, earring… oh he’s his own fantasy of a real proper pirate.  He’s clashing swords with Izzy Hands and demanding to know where Ed is. He’s dreaming. In the dream he kills Izzy. He and Ed run into each other’s arms while screaming each other’s names. They crash into the surf. Ed says “I knew you’d find me, Babe.  I knew you’d find me, Love.” Stede keeps asking if they’re good. Ed dodges the question. Then Ed asked about the smell. Stede wakes up in a crowded room with farting and shushing roommates.

At first I thought the finale was supposed to be just a “satisfying” mirror to Stede’s dream. Stede and Ed call each other’s names and run into each other’s arms in a display that resembles a more grown up version of Stede’s dream fantasy. There’s some wild sword fighting not unlike Stede’s dream duel with Izzy. And Izzy dies.

It does mirror, but I didn’t find it satisfying. All of the characters except Stede feel flattened. Stede gets to make the heroic plan (that we never even hear) while there’s at least five pirates with better skill sets for it in the room. Ed, as Blackbeard, was described last season as “History’s greatest tactician”; Zheng Yi Sao conquered China; Jackie just took out a room full of British soldiers. Izzy and Auntie are right there. You could make arguments that Jim or Frenchie, or pretty much anyone could make a better plan. Then Stede says “It’s only suicide if we die,” which is horrible considering the plan gets Izzy killed.

Stede’s really the only person in that room who thinks Stede should be making the plans.  So I got to thinking, what if it's not just mirroring the dream? What if it is a dream? Last shot of episode 7 is an incoming cannonball. Maybe he’s unconscious.

Huge shout out to @Arty_Sunflowers on twitter (I’m not calling it X, fuck Musk) for pointing out that that isn’t the only episode that ends with a cannonball. Episode 2 ends with Jim swinging a cannonball down at Ed’s head.  Stede’s not just dreaming, he’s in the Gravy Basket!!!! (Stede even screams “Oh my God!” at the end of episode 7 in the same tone he screams “Oh my God, I don’t want to die.” in s1e9.

Stede’s hopes, dreams, and insecurities shape everything in the finale. And it helps explain the absurdities in the episode when you remember that Stede is living out pulp adventure and romance novels in his head. (He even looks like someone on the cover of one in his episode 1 dream.) But Stede can’t be dead, you say. He’s literally the main character. Well, Ed was dead for a whole episode. Let’s take a closer look.

I could and probably will do another essay on Lucius as a POV character and Ed’s mental health and how the threads they seemed to have dropped aren’t as dropped as they appear. But all of that hinges on me proving the Stede is in the Gravy Basket theory. So for this essay I’m focusing on that.

So for starters we’ve got the cannonball scenes. They’re eerily similar even if the method of cannonball propulsion is different. We don’t know Ed is dead and in the Gravy Basket for about half of episode 3. Neither does he. It makes logical sense you can be there without realizing it for a while. Buttons even said Ed didn’t know whether he was in the Gravy Basket or not in episode 4. It definitely messes with your reality.

One of Ed’s issues is self hate. He manifests Hornigold as his companion. Stede is desperate to be a good pirate and have people be proud of him. And he lives in his fantasies a lot.  So his dream shapes his experience. There’s a whole bit about Zheng needing “soft” and Auntie saying she’s proud of her. That isn’t their issue. It’s discordant with the show previously. But it is Stede’s issue. He’s manifesting.

When we first see Stede and Zheng in episode 8, they’re in a familiar spot for Stede, the bridge from episode 1. But why are they alone? When we last see Stede and Zheng in episode 7, several characters are within 5 to 10 feet of them. Did none of them decide to escape with Stede? Izzy, Lucius,  and Jim are closest. But we know Pete was there begging Stede to stay down during his fight with Zheng. Archie was definitely in the bar. That's why Jim entered the fight. So why is it only Stede and Zheng at the bridge? Because, going back to rescue others fits into Stede's hero fantasies. 

Zheng and Stede also argue about who pulled who to safety and how they got there. Stede waxes poetic about being a failure his whole life, but things always seem to work out for him. He’s such a main character mediocre white guy in this scene. He saves Zheng from two random soldiers, then she has to save him from them. Then they fight a bunch more soldiers on the beach until Blackbeard manifests in full leather from the ocean.  It looks cool. But it's absurd, even for OFMD.

Speaking of Ed, he begins the episode waxing poetic about nature and calling fishermen simple.  Those things are more Stede than Ed. Pop pop tells Ed, “You have no skills” which is something Izzy said to Stede in episode 5.  He also tells Ed, “If you were ever good at something, go do that, you bum.” If Stede’s insecurities could be distilled into one sentence, it would probably be that. (He also talks about being like a wave. I’m not 100% sure it's a The Good Place joke, but it would be thematically appropriate.)

Pop pop also tells Ed he “ruined dinner.”  Back in season 1, in Stede’s flashbacks to life with Mary and the kids, Stede thinks he’s ruined dinner. But remember, we also see another version of the scene where Stede is laughing with Mary and the kids.  Stede isn’t exactly a reliable narrator. Even in his own head.

Despite it being beyond unlikely, Ed finds soldiers reading one of Stede’s letters. I know physics in this show is sketchy, but this seems like a good time to point out no one found the red silk. Stede wants Ed to read a letter and for it to fix everything between them. The letter, plus Stede being in danger, make Ed swim out, find his leathers, and emerge from the sea with them on, while the music is the Swede’s solo from Stede’s fuckery in s1e6. Stede wants to be rescued by his handsome pirate in leather, again, just like a pulp adventure romance novel. Little chance of Ed swimming out and finding his kit.  Even less of him getting leather pants on under the water.

Back to the beach… for some reason two squads of soldiers are wandering around out on an empty beach. A visually incredible fight scene occurs. It honestly reminds me of Pete’s story in s1e2, including flips. Ed and Stede yell each other’s names exactly as in the dream. Like I’m pretty sure they used the same audio track. The same song (I Love My Baby, Nina Simone) starts playing. Ed says “I love you.” Stede says “I know.” (We’ll come back to the Han Solo joke in a minute.) They have a bit more absurd fighting then Ed, Stede, and Zheng sit on the beach complimenting each other. And Ed calls Stede “babe”.  He’s never done that outside of Stede’s dream and this moment. He’s called him mate a couple of times.  Babe is exclusively in Stede’s head.

Back in the Republic of Pirates, the crew are locked in a cell that is actually the “vista suite” at Spanish Jackie’s.  Izzy gets a heroic entrance. It’s as cool as Stede thinks Izzy is. And he gives a speech that sounds like what he probably told Stede to get him to relinquish the suit in episode 5. Piracy is about belonging to something. You can’t ignore the wishes of the crew.  Izzy also knows details about Captain Kidd and Pinocchio. Not impossible, but not exactly Izzy’s wheelhouse. It is Stede’s though. He’s obsessed with pirate tales and he read Pinocchio to the crew.

Stede, Ed, and Zheng show up just as Jackie has poisoned a bunch of soldiers. Stede makes a plan, despite everyone else being more qualified. Everyone disguises themselves as soldiers. Now we’ve seen the crew of the Revenge wear disguises. They never do the weird free styling they do here. Only Stede actually looks like a British officer. Zheng at least wears the disguise properly. Suddenly Ed has a multi gun bandolier like Blackbeard in the books. Pete ripped the arms off. Izzy is still wearing his vest. Doesn’t make sense if we’re going for stealth. Neither does not checking hostage Ricky for weapons or putting Izzy and his wooden leg at the front of the group.

If I'm right, Stede wouldn't know Ricky was behind the explosions. However,  Ricky is basically evil Stede. He's Stede's perfect foil. All of this is reflecting Stede's psyche. So, of course, it's Ricky.

Izzy gets shot and says quite a lot of nonsense in his death scene. “They love you, Ed.” Um, 3 of them were going to leave like five minutes ago. Ed has made some progress with the crew, but we’re not at “they love you Ed”.  The only person who thinks the crew loves Ed is Stede. Stede who weeps for Izzy while most of the crew aren’t showing much emotion. Stede can barely deal with his own big feelings. His fantasy doesn’t give the crew room to have them. Also, given the rest of the season, having Jim just let Ed be the person cradling Izzy doesn’t fit. The crew is also pretty stony at Izzy’s funeral.

I feel like it should be noted the last shot of Izzy in episode 7, he’s got one are around Jim and a hand on Lucius’s shoulder. He sat in Wee John’s lap in episode 6. Reactions to his death don’t make sense.

Also, Izzy’s terrible grave marker is very … Stede. He’d think it was a brilliant idea.

I didn't understand at first why Izzy had to die, even in Stede's dream world. Stede clearly likes him a lot better now. Why kill him? Well, it's because we're supposed to think Buttons is there to go to the Gravy Basket for Izzy. When actually he's already arrived in the Gravy Basket and he's there for Stede. Also, mentors die in pulp adventure novels. Stede sees Izzy as a mentor.

They go aboard the Revenge for Lucius and Pete’s wedding. It’s cute that the crew performs the ceremony, but I’d venture a guess that’s because Stede doesn’t know a captain should do it if it's legally binding. Stede does love the romance of it all.  The sudden uptick in monogamy is also very Stede. He barely understands monogamous relationships. Polyamory is beyond him.

Then Stede and Ed, who earlier told Zheng they’d help hunt Ricky, go back to the island where Izzy is buried to start an inn in a run down shack.  Stede knows Ed wants to do this because Ed told the (Taika’s) kids that they ran an inn.  We hear Ed ask “Jesus, what is that smell?” Now, at first, I thought Izzy, because Ed “knows the smell of my rotting first mate”. But what was the last thing to happen in Stede’s dream? A fart joke.

Last scene is Buttons landing on Izzy’s grave. To retrieve Izzy from the Gravy Basket? No, Izzy’s not dead. He’s with Jim and Lucius, probably watching over Stede’s corpse. Buttons is there to retrieve Stede.

This theory fixes the plot holes and dropped threads problem. We’re coming back to them next season. Ed's amends making should be far from over. And we see several moments during the season where he acknowledged that. And yet here on the island they've set up a horror movie and called it a happy ending.  Well, Stede is the type of boss who thinks things are fixed with a pizza (Calypso) party. In Stede's mind, this is a happy ending.  But really Ed is still off finding himself,  Stede is (temporarily) dead, and Izzy (who is not dead!) is probably guarding Stede's corpse.

They haven't resolved the domestic violence thread, but they haven't dropped it, either. Izzy is alive. Stede and Ed aren't together (yet). There's still time.

This also explains some of the freewheeling nonsense David Jenkins has been spouting in articles. Ed doesn’t see Izzy as a father figure and mentor, Stede does.  Stede almost turned to mush when Izzy approved of him. And David is writing a three volume adventure novel. Han Solo (Stede) is in carbonate (the Gravy Basket). The perfect end to the second act. See, I told you we’d get back to the Han Solo joke.

I still have problems with the season.  I really think they need a sensitivity reader. Even just implying a newly disabled character was fridged is certainly a choice. Especially given the amount of time devoted to how the character handled the disability. The DV scenes were brutal, as well as the suicide attempt, and the Human Puppet joke. I think they need someone trauma informed and disabled in the writer's room. (David Jenkins hit me up!)

Overall, I liked season 2. Especially once I realized Izzy wasn't dead. I'm looking forward to season 3, the conclusion of the Gentle Beard arc, and hopefully 6 seasons and a movie of Izzy (to be clear, he's not captain) and the kids sailing up and down the coast being gay and doing crimes, occasionally checking in with Stede and Ed.

Seriously, David, call me.

Historical Note: IRL Blackbeard died on November 22, 1718, killed in a naval battle off Ocracoke Island in North Carolina. IRL Stede Bonnet died December 10, 1718, hanged in Charles Town, South Carolina for piracy.  IRL Israel “Izzy” Hands survives piracy, death date unknown. I know this show doesn’t actually care about historical accuracy, but this lends a little support for my Ed died, then Stede died, and Izzy isn’t dead theory.

[shaylogic]

In the video, Revri and Rexstrew spotlight Episode 7, “The Case of the Very Long Stairway.” But there’s history leading up to that moment throughout Season 1. Specifically in Episode 6, “The Case of the Creeping Forest,” when Edwin changes his outfit for the first time — ghosts don’t really take the time to switch up their wardrobes in Dead Boy Detectives. He’s wearing a cozy green sweater and tells Charles that he has feelings for men. Charles puts both his hands on Edwin’s shoulders, facing him, as a sign of his unconditional love and support for Edwin’s sexuality. “For me, I always knew that Charles was the only one that can get through to Edwin through touch,” says Revri. “Edwin wouldn’t want anyone else to really touch him.”   It’s an important moment for their friendship, signifying that Edwin is starting to open up about his feelings and his attire reflects this. “To change Edwin is a big deal because Edwin doesn’t like change,” costume designer Kelli Dunsmore tells Tudum. “He had no collar. He had no bow tie.” Up until Episode 6, Edwin is always buttoned-up and closed off, protected in his tailor-made suit. “Hiding everything,” says Dunsmore.  It was Rexstrew’s pitch to have Edwin wear something different for that episode. “I just thought it could be an interesting way to get Charles’ attention,” says Rexstrew. “It’s like this really innocent and desperate little attempt.” In the scene, Revri chose to add in a line acknowledging the fashion statement. “It felt right for Charles to notice that Edwin dressed up nice,” he says. 

But in Episode 7, Edwin specifically confesses his feelings for Charles, after his best mate descends to the depths of hell to save him. When the boys hug at the end of Episode 5, “The Case of the Two Dead Dragons,” the meaning of Charles’ touch changes for Edwin. “He starts to crave it,” says Rexstrew. “It’s been unlocked by the Cat King (Lukas Gage), and then Monty (Joshua Colley) is more of a teenage crush kind of connection. But it’s all leading up to this.”  While Charles can’t fully reciprocate Edwin’s feelings now, he completely embraces and accepts him. He’s Edwin’s first true love, and he doesn’t push it away. “You kind of leave it open,” says Rexstrew. “Definitely,” adds Revri. Together, they rehearsed over and over again in Rexstrew’s room before filming. They spoke a lot about levels, as Charles is physically higher up on the stairs and Edwin is below, which adds to the vulnerable nature of the scene. “We really wanted to make sure that it was perfect, right?” remembers Revri.  When filming came around, Revri was blown away by Rexstrew’s ability to bring out so much emotion after seemingly holding back in rehearsals. “Well, it was hard. It’s very difficult being in love with you. What can I say?” jokes Rexstrew. The scene also comes after Edwin finds his old bully Simon (Gabriel Drake), who was responsible for Edwin being sent to hell back in 1916. But he learns that Simon was also a closeted boy who was scared of his feelings. “Edwin realizes in that moment, ‘You can’t live your life with regret,’ ” says Rexstrew. “ ‘You can’t live your life not saying what you feel.’ ”   Both actors hope that fans find comfort in Edwin and Charles’ relationship as chosen family. “Even if you’re born into a scenario where those around you don’t accept you for who you are, there are people out there for you,” says Rexstrew. Stream Dead Boy Detectives now, only on Netflix.

Everybody say "Thank you, George & Jayden"

[Colors and bolds mine]

[sankta-wraith]

One thing I think is really important when it comes to understanding Daemon and Rhaenyra's relashionship is the fact that Daemon doesn't show his love through words, he does it through actions. Quite frankly I'm not sure he knows how to verbally express love. He can't support her emotionally, but he can still do other things for her.I think this is shown really well in season 1 episode 10 and season 2 episode 1.

When Rhaenyra learns of her father's death and the Green's usurpation of her throne, she goes into premature labor almost imediatly, so there is no time for her to start planning her bid for the Iron Throne. Daemon takes the liberty of starting to plan the beginings of the war, and in doing so leaves Rhaenyra to endure childbirth alone. There is a very memorable scene in which Daemon schemes with Rhaenyra's small council at the Painted Table, whilst Rhaenyra screams in the background, even calling out for him at one point. Daemon makes no move to go to her and simply continues to plan a war, at least until Jace informs him that Rhaenyra doesn't want anything done until she is able to join them. Even then he does not join her. He goes to threaten two members of the Kingsguard with Caraxes, so as to ascertain that they will remain loyal to Rhaenyra. Now, when I first watched this scene, I, and probably everyone else, assumed that Daemon was taking the opportunity provided by Rhaenyra's premature labor to seize control and have the war start on his terms. Rhaenyra also seems to believe this, as when Jace inquires about Daemon's wherabouts she says "Off planning his war." However, upon rewatching that episode, I think that think that Daemon refusing to attend Rhaenyra in her labors and instead planning a war for her, is actually his way of trying to help her. Daemon is thinking that, while he does not know how to comfort her, and hold her hand, and help her through childbirth, he does know a thing or two about war. In his mind, he's essentially saying something along the lines of "I cannot help you there, so let me remain here where I am of use to you," because, as I said above, Daemon expresses love through his actions, not his words. I think at least part of him wants to be there for Rhaenyra, but he just doesn't know what he can say or do that would help her, so he focuses on what he can do: getting the council together and starting to plan, so that when Rhaenyra comes back he can show her that he's done something of use.

Then, when the child is stillborn, Rhaenyra once again needs comfort and reassurance that Daemon just does not know how to give. There is a scene of them, standing in front of their daughter’s funeral pyre, and you can see him give her this very concerned look, and kind of glance over like he wants to say something, but he doesn't, because he just does not know what he's supposed to say. Then Ser Erryk (or maybe Arryk, I can never remember,) arrives with the crown, and Daemon is relieved because he might not be able to offer her kind words, but he can be the one to put that crown on her head. A gesture that is even more meaningful if you consider how much he wants that crown. By being the one to physically place the crown on her head, he is telling her "I'm sorry that I can't be there for you, but I love you and I will support you." Then they go back to the war council, and Rhaenyra is asking about their numbers, and Daemon is the first one to speak. He starts talking almost before Rhaenyra finishes asking, he seems almost eager (even though their numbers are nothing to be eager about,) because she's finally asking him for something he can give. This is his chance to show her that, even if he cannot be there for her emotionally, he can still do this. He can organize this war and help her win, and do damn good job of it. This is really how Daemon says "I love you."

Then fast forward to 2x01, and Luke is dead, and Rhaenyra once again needs a level of emotional support he's simply not equipped to give, only this time, there is nothing else he can do to help her. He tries to convince Rhaenys to fly to Kings Landing, but she refuses, so he can do nothing except sit around, helplessly, while Rhaenyra mourns. Then she comes back, and he tries to be supportive, by asking if she "found what she needed," but she doesn't answer him. Instead, she declares that she "wants Aemond Targaryen." In Daemon's mind, she has essentially told him that to comfort her, he must have Aemond killed. So he uses his contacts in the City Watch to arrange it. I think one of the reasons he gave Blood and Cheese such vague instructions as to what to do if they can't find Aemond, is because he needs something for Rhaenyra. He can't be helpless any more. (Note: I am in no way condoning Blood and Cheese, or saying that Daemon did the right thing. I am simply trying to understand him and his choices better. Please dont come after me.) But then it fails. Catastrophically. And not only has Daemon failed to help Rhaenyra, he has made things much worse.

So he goes to Harrenhal to get the support of the river lords. But, so far, he has achieved next to nothing. (Obviously he's been busy with the hauntings and home renovations.) But he will not admit to Rhaenyra that he's failing miserably, so he ignores her ravens and sends none of his own. (I don't believe any of the bullshit Ryan Condal is trying to spin about him betraying her.) Because he will not go back to Dragonstone empty handed. Because to Daemon, that would be like telling Rhaenyra he doesn't love her anymore.

[bibluebutterfly]

It is truthfully so impressive to watch how we've watched Stolas grow as a seemingly asshole character to a genuine person who truly does want the best for the person we love. (HEADS UP: This is LONG)

Now, and we're only going to lightly touch on this because the Pilot isn't cannon, but it still contributed to the public opinion on Stolas. In other words, he was borderline predatory in a way that made EVERYONE uncomfortable. (It makes sense though since he was innitially supposed to be the villain. Which thank goodness that was changed because we already see enough bisexual predators in media as it is. Yes, I'm headcannoning that Pilot Stolas was bi.)

Then we get official episode 1. Stolas is... not much better. Although to his credit, he's not as bad or as creepish. The unfair power dynamic is very there, and he definitely talks down to Blitz, but at least he waits until Blitz agrees before getting to the pilot level of sexual.

And then we kind of just keep this up until episode 7. Stolas is VERY sexual and VERY horny with Blitz, and you either like it or you don't. It was consensual, nobody forced anything, and even Blitz says that he doesn't fuss about banging Stolas, but that power imbalance is very much there.

Stolas is calling him by pet names like "my little imp" and is baby talking him, which really comes off like his fetish is sleeping with the lower class. Again, you either like Stolas at this point or you don't.

HOWEVER, despite all his baby talk and just generally inappropriate behavior, we are shown very early on that Stolas has a loving side, mainly in the form of his daughter. "You Will Be Okay" was the thing that got most people from hating him to actually liking him. It was the thing that separated him from just being a horny owl.

Then Ozzies. Hooo boy. This is where we finally get to see Stolas apart from Blitz's POV and as it turns out... he's kind of a pathetic dork more than anything else. We see him go very low. Like the man is alone in his big house eating cereal for breakfast in his bathrobe and watching telenovelas. It's hard to go lower than that. More importantly, it's a stark contrast from how we saw him just one episode ago.

Not just that, but when he's asked out on the date he is genuinely so excited and awkward that you just can't help but feel bad for the guy.

And then we have Hells healthiest couple have their dick moment which leads to Stolas covering his face, validating every and anything Blitz had feared, which lead to him calling out Stolas which leads to them both crying at home.

AND THEN WE GET THE THING THAT MAKES EVERYONE EITHER LOVE STOLAS OR THINK THAT HE'S RUINED.... THE CIRCUS.

Yeah, so it turns out the arranged marriage theory was true, and that Stella has been verbally abusive for who knows how long. But the real kicker is how much it explains Stolas's behavior from season 1. As it turns out, Blitz coming on so strong that night resulted in Stolas trying (badly) to copy that energy. And it turns out that when Blitz told him to stop that first night, he still ended up tying Stolas up and banging him. So... understandable. It turns out that Stolas never wanted to be malicious with his intentions, but genuinely thought that the arrangement was something that they both wanted.

But at the same time, he realizes that misunderstanding or no, a part of him did recognize that Blitz wasn't as happy as he was, and that he can't gaslight himself into thinking otherwise anymore.

Now the big thing about season 2 we all need to talk about, is how hard and fast it took Stolas off the regal and powerful pedestal that I think we all subconsciously put him on. Whatever mystery and darkness that surrounded him in season 1 went completely out the window in season 2. But personally I believe that this fits as season 1 was mostly told from Blitz's POV while season 2 takes place in Stolas's when he's there.

Stolas does not see himself as something regal and powerful. Stolas, as it turns out, is a romantic as well as a MASSIVE dork. Like he's disney princess levels of dorkiness. The man even gets his own slapstick moment for crying out loud.

But aside from that, he's highly intelligent and a genuinely good person who will put others before him if he can recognize the benefit.

Also, while we're on the topic, I don't think that Stolas is as powerful as we or Blitz were led to believe. Like yes, he's got immense power to those who have none.

But at the same time, put him next to Asmodeus, and this demon who seemed so strong before is actually tiny in comparison. Especially when noted that Ozzie was still holding back in this scene.

Now we have the "Look My Way" MV. By now, any dark mystery is gone, we know who Stolas is, but what we didn't expect to see was how blatantly Stolas realized his mistakes and took responsibility. This whole season we saw him be sad over his relationship with Blitz, but we never expected him to realize just how badly he messed up.

But he did. And it was glorious. And again, we realize how much he truly cares for Blitz, this isn't just him saying "I care about him" then doing nothing. This is him realizing he cares about Blitz, and wanting to do something to make it right. Even if that means Blitz will never want to see him again.

Anyway. If you made it this far, I'm impressed. As I've said before, I'm proud of the owl boy and how far he's come as a character. Tell me if you think I missed anything.

[ryanguzmansource]

Full Audio Transcript (5.21.24)

Hey guys, welcome to I've Never Said This Before with me, Tommy Didario.

If you are not watching 9-1-1 on ABC, you are seriously missing out. The show is so phenomenal that it has been renewed for an eighth season and, my guest today—well, he is phenomenal as well. In fact, he is on my show because of you. I saw all of the tweets, the DMs, the emails—all of it so, like a genie in a bottle, your wish has been granted.

The talented actor Ryan Guzman stars in the smash hit firefighter drama series 9-1-1 and audiences fell in love with his character, Eddie, the moment he debuted in Episode 1 of Season 2. Man, he has become a staple on the show and fans have been rooting for Eddie throughout the years, and Ryan plays each moment of Eddie's journey with such care and vulnerability and truth.

We have a lot to cover today and I have a feeling you're going to really enjoy this fun but also personal and deep conversation. We do dive into some very serious mental health conversations, so after the interview, I will be providing resources for anyone struggling with their own mental health. This is one of the most powerful interviews I have ever done, and I really thank Ryan for opening up in the ways that he did today because I know that he is going to help so many people out there feel less alone.

So, let's see if we can get Ryan to say something he has never said before.

[INTRO MUSIC]

Ryan, my friend, how are you doing today?

I'm good, brother. How are you?

I'm good. I know you have been working your butt off. You were just saying you were filming all night. Are you exhausted or are you on adrenaline right now?

A little mixture of both. I got a little coffee pumped through my system. But yeah, I think I worked six out of seven days this last week. We've been doing around 14, 15 hour days. And I just got off last night around 1.30 in the morning. So got home around 2.30. But we're here. We're here.

Well, you were putting in the work. Congratulations to you on all of the success with this show. It's of course now on ABC. People are loving it. The numbers are going insane. And you've always been a fan favorite from day one. When you had that first scene of you putting that shirt on in slow motion and your body was glistening and Whatta Man was playing, people just fell in love with your character. But that's not just why they love your character. I mean, over the seasons, people have found you so relatable and and really, really are truly invested in the role that you play. Why do you think that is?

I like to say that, I mean, I try to play as grounded as I can, but I think the story itself is just the way Tim Minear writes the character. And I think he's always had a special connection with this kind of character. So, just indebted to how he writes and the connectivity between Eddie and his son. I mean, it's just like it pulls at the heartstrings, you know, and that's always been a fan favorite as well. So, you know, I'm living in gratitude for everything that's been written for that character and I try to do as much justice as I can.

Well, you're nearing the end of Season 7 and past seasons for you have been a bit heavier, a bit more intense. You've really gone through quite a lot of things that we'll touch on a bit later, which I know is also part of the reason why so many people relate to you. Are you enjoying this journey this season?

Yeah, you know what? I haven't really been able to kind of flex my humorous side and just kind of lightheartedness, kind of a vibe about Eddie, and I love that aspect of him. So while everybody else is kind of going through chaos, while Cap is going through chaos, Eddie is kind of, you know, trying to keep everybody together while, you know, Chimney and Hen be going at it during the tsunami and The Poseidon Adventure, Eddie is just, you know, being there for everybody as much as he can. So not to say that he's always going to be happy because Tim always has this thing about saying, you know, if I just let you guys be happy, then there'd be no story. You got to have some kind of drama. Nobody wants to show up just for people smiling all the time. But yeah, we've got some things in store for the rest of the season. And from what we've already shot, I've been super pleased about, you know, this new way of life for Eddie.

Like I said, the things you've gone through are intense throughout the years. Do you have any fear stepping into this role or any anxiety before you had to film some of those more intense scenes? Because it's a lot.

Yeah, you know what? Prior to 9-1-1, I might have had some fears about the depth of a lot of the things that we shot. I honestly didn't really call myself an actor until like maybe three and a half years ago.

No.

Yeah. I thought I was just fooling everybody, trying to get jobs and land the movies that I was getting. And then I think somewhere around the third season, a co-star of mine kind of, like, metaphorically slapped me in the face and said, you know, let's really get into this, man. You got some really good opportunity here. So that's when I started calling myself an actor. But to be honest, the depth of Eddie in the past three, four seasons has been amazing as just a class. It's been class for me. It's been an opportunity to flex these emotions that I don't get to flex in my day-to-day life and to access certain things and see how far can I push Eddie, how, you know, in the scene where Eddie is just losing his stuff and he's breaking everything in his house. Obviously, I've never done it in my house, but how do I get there? How can I allow the audience to feel what I'm feeling? And that task itself becomes a challenge. And I really [like] that type of challenge. So again, living in gratitude for all the little things that Eddie presents that, you know, I haven't really been presenting my own life.

So with that being said, is there a storyline that's particularly special to you for any given reason?

I kind of lean automatically towards the military/PTSD just because I have a cousin who served six tours and, you know, he shared with me—and I actually, oddly enough, during the episode of Eddie Begins, I brought him on as a military tech and he helped out everybody in the production. His name is Randy Hudson. I, you know, I love that guy to death—but, yeah, he's shared with me a lot of his issues that he's gone through and a lot of the obstacles he's gone through in his day to day life and what it's like to be a military vet coming back and kind of assimilating back into civilian lifestyle. So that storyline always kind of held a special place in my heart just because it was very close connected with me and my own family. And I always hope that, you know, I did it justice enough for everybody that has that story ingrained in them.

I think you definitely did. I saw a lot of comments when I announced you as my guest saying that that was a very meaningful part of your journey on this show. I'm so curious, you know, quite often in television it moves so fast, there's always rewrites or so much going on. Was there ever a story that you wanted to come to fruition that never did?

I hated the fact that we killed off Shannon so quick. I know she wasn't a very likable character for so many different reasons, but I always loved working with Devin. So I would love to explore a little bit more with that. But yeah, there's always beauty and chaos a little bit. So I would have loved the relationship, mother, father, parenting style aspect of Eddie's life to be a more explored, but unfortunately that can't happen anymore.

There's always so many things going on. I'm sure it's hard to fit them into each episode, and I'm sure things do have to get cut because major things keep happening episode after episode, one of them being recently, of course, Buck realized he's Bi and that's a storyline everyone's going crazy over. Did you see that coming? Were you like, I think one day this is going to happen for him?

Well, I mean, it's always kind of been in the ether. Everybody, you know, all the fans, you know, have their speculations about Eddie and Buck and, you know, for the longest time, I think Oliver and I again had lightheartedness to it. We always kind of like saw it as like, oh, at least they're so interested in our characters. Thank God they're interested in our characters. They're not ignoring us, and I don't know if either of us had a pinpoint, you know, idea on which character or if any character would actually lead in that way.

But again, all credit to Tim Minear. He's the one that knows the way. So he chose Buck's character to explore that route. And now seeing it happen in front of our eyes, it makes so much sense. And it just the way him, Buck and Tommy are getting together and the way they're exploring their own individuality and personality. It's beautiful to watch. I was very excited to see, you know, that episode specifically, just for the fact that it was such a moment between, you know, a friend and another friend who had held this huge secret. And how do you come out to your friend?

I had a friend, you know—because I know I've had this actually in my own personal life. I've said this in prior interviews—I had a friend who was deadly scared of coming out to me. And I realized that that moment itself wasn't so much the journey for me, you know, it was this hard journey for himself. And all I had to do was catch. I just had to be there for him, and I was like, that moment itself is so beautiful. I can't wait to do that scene. I can't wait to, you know, show the world like this is how you be there for your brother.

Wow, how cool that you could pull from your real life experience and make that scene even more special, which is why I think it came off so incredibly powerful. It really was so cool to see. And the reception has been absolutely incredible in terms of people feeling like, you know, they're seen through that character and it's on prime-time TV. And you don't see a ton of that, which is still kind of crazy. But, you know, and of course, there were some negative comments, which blows my mind. I mean, I'm sure that blew your mind, too, to see that because who cares, right?

Honestly, I've got this now filter for negative comments. They just kind of seep right through and I don't even hold on to anything. So all I've seen is really, really good comments.

And one of the best parts is actually I've gone to work and Oliver himself has been like telling me these stories of people saying, man, I did not have the strength to come out until way later on in my life. So I'm like, oh man, could you imagine 20, 30 years of holding on to this repressed thing and then it just eating away at you and not being able to say anything, even to the closest people and then seeing something on television to inspire you. That kind of thing is just like, whoa, okay, we're doing something much greater, much bigger than us.

He's not the only one inspiring its characters like you because you're showing, you know, what an ally means, and I think that's really cool to see this like macho, cool guy that's just like, cool, like who cares? And that's also equally as powerful and as important. Before we put a pin on this, you know, part of the conversation, you mentioned you never know what the writers are going to do, and I think there were talks at one point of possibly Eddie being the one to come out in some sort of way. Do you laugh and have fun with all of the fandom's obsession with you as Eddie and Buck getting together? Like, is that something you guys always are seeing and hearing? And I know everyone brings it up to you and it's something that's always looming. Like, how do you react to that? Does it ever get tiring for you?

Again, if the fans are interested, we're doing our job. So I love the love. And I mean, unfortunately, I'm not the one that writes it. So it's all up to Tim. But me and Oliver have a really good time with the fact that, you know, people are so invested into these storylines. And in fact, they're so invested, they're creating their own storylines. They're sending us clips and edits and videos. And, you know, every now and then, Oliver will show me something, I'll show Oliver something. Like, did we actually do this in a scene? Because they cut it so well together.

Yeah.

So, yeah, I think at the end of the day, you know, we just love the love. We're here to entertain and tell the truth. If it's true to the character, then yeah.”

[COMMERCIAL BREAK]

You can't predict the future. Nobody can on this show. But if the opportunity one day happened to come your way where they were like, this storyline might be explored between Buck and Eddie, would you be open to that storyline in the future? I see you smiling. I see Oliver had the same reaction, a big ass grin on his face when I asked this.

Yeah, you know, like I said, it's got to live in the truth and I think right now we live in a moment—or me, I live moment to moment—so I love the fact that the biggest plot point between these two characters is one happens to be Bi, one happens to be Hetero, and they have this vulnerability towards each other. And that is the truth to me is it's the fact that you have such a safe space and it doesn't matter your sexuality, that you have a safe space to talk to this individual and he can fully accept you. If we can stay with that, then whatever happens, happens.

But I don't necessarily want to push the fact that because you're vulnerable, you have to be one way or the other in your sexuality. Then I would hate to have a lot of other men who are struggling mentally and not sure about, oh, do I even open up? Because will that make me something that I'm not? I would hate to push that narrative. So if we live in the truth, whatever happens, happens. And again, I'm here for it all.

Whatever happens, happens. That's a nice way to put it. And I agree with you. I think there's power in both. I think there's power in showing a strong friendship that you don't always get to see. And then there's power if something eventually does happen. So whatever happens, happens. I like that, man. What can we expect for the rest of the season with your characters? Anything you can tease? The finale is coming up. We have a couple more weeks. What can we expect?

What can we expect? Well, we can expect that Eddie's smiles might turn to frowns.

Oh no.

Or at least confusion, maybe. We'll start to see, you know, has he gotten past certain traumas? Or is he just kind of pushed them to the side and acting like they're not there?

You know, I have to say a lot of people are still holding on to hope that we're going to get that karaoke scene.

I mean, yeah, we had such a good time playing that karaoke scene, and it was kind of a let down a little bit to know that it wasn't going to be in there. But now, again, looking at the episode itself, as fun as it would be, the main story was Chimney. And the way Kenneth Choi played Chimney, and that episode specifically—I mean, I think he got, you know, performance of the week for that—it would have been a disservice to add, you know, a three-minute scene of us laughing and having a great time and being drunks and karaoke and take away from that performance. So I'm glad that Tim made that decision, and I don't know if he has any plans on showing that later on or whatnot or having some extended clip version, but I can tell you this much, everybody from the cast to the crew to the background had a wild and crazy time doing that scene.

And I think what I just heard you say is you might accidentally drop it on your Instagram very soon.

I might get fired if I do that.

All right. Well, we'll see. I'll talk to ABC PR. No problem. What do you want to see for season eight? Like, are you thinking about the future? Is there like, OK, if I can have my way, I absolutely want to explore blank.

To be honest, there's so much going at us so rapid, so fast paced at this moment. The scripts are getting handed in like quick as can be. So we have a moment's notice to kind of know what we're doing and where we're going with our character. From what I know, from what I've shot thus far, I think next season will literally be a refresh button to Eddie. And starting over in so many different ways, so many new ways in which Eddie has never explored and we've never seen Eddie explore. He'll be on his own in a lot of areas.

Speaking of that, I have to bring up season five, the mental health breakdown, man. That was intense. And a lot of people felt very connected to that. How was it stepping into that scene for you and that storyline? Because it's pretty powerful.

Thank you. Man, that was cathartic, to be honest. It was I've gone through my own mental health issues as far as like, you know, my own depression and anxiety, and, you know, I was raised in an age where men aren't vulnerable and aren't allowed to show feelings. So that kind of repression is like a ticking time bomb, you know, especially for a person in Eddie's life, or his lifestyle. So to kind of relinquish this boundary of who Ryan is and step into Eddie and just kind of just full-on dive deep into these this well of emotion, it was, it was almost like therapy. It was crazy because, you know, from the second they started to say rolling, it's like my—I started to, you know, start bawling and crying, and when Buck comes in and, you know, he's trying to check in on me and the whole room is just all scattered around and I'm losing it—it's just like there was no semblance of Ryan anymore. It was just all Eddie and he was just lost, and that's what it is.

It's like if I were to look at my son, you know, five year old son, that's kind of what we revert back to is just this child that is just so scared and not having any sense of direction and—or hope that anybody will ever love him or ever see him. And it's just these like, you know, existential fears that come out within those tears, and that was my goal to portray that whole scene and then the scene following it. So to get there was just let go, just let go.

Well, the work you did was clearly honest and raw and vulnerable. You can't fake the work that you did in that. And it was really a powerful man for many people to kind of go through that with you and for people who have had their own experiences. And you're right, like, I'm from an old school Italian family. And, you know, you grow up thinking men don't go through that and men don't show those emotions. So to have that on prime-time TV is huge.

Yeah, I hope that helped out a lot of people. I hope that people were actually able to see that and at least, you know, go to their best guy friend, and, you know, I think that's what really needs to happen. As far as men, we need to lean on each other. You know, women have their own issues and they have their certain way of connecting with each other, but there's a special connection that you can have with your brother. And I give so much credit to quite a few of my personal brothers—including my actual brother—for allowing me to run to them in my moments of need, in my moments of feeling lost. And them, you know, being men themselves, not having to say one thing to me.

Or they can just, you know, if they see me in a moment of, you know, deep into a problem, they have the ability to say, well, here's a solution. And since I'm, you know, of like mind, I can be like, okay, you know what? Thank you for giving me some kind of direction. So yeah, I implore all men out there to kind of at least have one or two in your corner, you know, because we can't get anywhere without community.

Absolutely. What have you most learned about yourself through playing this character for so many years? You know, you joined in season two. It's been a lot of years now under your belt. Have you thought about that? Have you learned anything through playing, Eddie?

I've learned a lot through Eddie. I've learned patience. He's a—you know, he has a sense of patience that I didn't have in the beginning even prior to being a father, you know, and then kids itself, they teach you how to be patient. So, yeah, I've learned how to be there as a father. Kind of oddly enough, it was just living as one onscreen prior to actually being one in real life, it gave me, say, practice. I get to practice on television what I get to implore with my own children. And, you know, even if it's the worst thing for Eddie, you know, and I see him doing something horrible, at least I come back home, like, well, that can't happen. I can't do that with my kids. So, yeah, and in so many ways, it's helped me grow as a man, let alone a father.

That's pretty awesome when you can take things away from your job like that and become a better person. I love that so much. Can you believe you've been on the show for so long now? Do you ever think like, damn, that's not normal. That's the rarity in the business. So is that a cool feeling for you?

Yeah, I literally just had that moment yesterday. We were filming a scene, all of us, the whole cast, and I'm sitting outside—I can't tell you the location, that's going to blow something—I'm sitting outside one of the sets and I just had that moment to myself. I'm like, oh my God, I'm actually here. How did I get so lucky to be on not only just a television show, the number one television show out there, where we're in our seventh season and we're creating numbers that people don't even get in their first season? So again, if there's a moment to tap into, let's get into that gratitude again and just be super thankful that I was lucky enough to land this.

[COMMERCIAL BREAK]

That is so cool, and that's why I have no doubt you'll continue having so much success in your career and in your personal life because you keep bringing up gratitude, and it's very evident that's something you lead your life with. And in fact, I saw a recent Instagram post where you give a beautiful tribute to Twitch, and you credit him with being able to form connection with people in your life now and to different things and places, and I thought that was such a beautiful way to show people that you're working on yourself and you're a work in progress and that he helps you kind of open your eyes. So that was a really cool moment for you to also reveal.

Thank you, yeah. Yeah, I believe so much of the world right now is showcasing a polished version of themselves. And to be honest, I did it myself for so long that I've become tired of it, and I would much rather get to the raw—the raw, the unfiltered, the, you know, the mess ups, the, you know—I've stuck my foot in my mouth too many times. I've done, you know, stupid things in my life, and I never want to present myself as a person that does everything great because there's so many things I suck at.

So I think there's an opportunity within that rawness to invite others to become raw themselves, and for us to see that, you know, we're not competing with each other, we're competing with ourself and our own image of ourself and friends like, you know, a brother like, like Twitch, you know, and—not understanding what he was going through and that lack of connectivity that I always, you know, felt but never acted on, which again, I felt imposter syndrome for so long of calling him my brother. It really struck a chord in me and now I can't go backwards. Now I'm propelled forward to be like, is this conversation authentic between us or are we just kind of saying what we have to say just so we can pass on to the next person and create whatever that is? And I'm not here for that. I would much rather have that depth and I'd much rather have that rawness.

Beautifully said and a perfect segue into what I want to finish this conversation with, which is based off the title of the show: I've Never Said This Before. So I'm wondering, is there anything that comes to mind that you want to share today that you've never shared before?

Uh. Huh. Yeah, you know what? I've been thinking about this for so long and there's so many things, you know, that come to mind. One specifically, and I've been hesitant to actually say any of this for so long because, you know, it's been years upon years.

About six and a half, seven years ago—and I've really never said this out loud, especially onto a public platform—I had my own mental health crisis and I tried at one point in time to take my own life. And luckily, it didn't work. Luckily, I got a second chance by the grace of God. And from that moment forward, I've taken each step as an opportunity to erase what got me there and build on what allowed me to live forward. So I would say that that moment itself, in addition to what happened to my brother Twitch, are probably the two biggest fundamental moments of my entire life and have allowed me to have a deeper sense of mercy and empathy towards every individual.

So I would implore that all men renounce this fact of, you know, you're a tough man, you have to hold all this in, but lean on your brother, really lean on your brother. And if your brothers aren't being there in the way they need to be, find some new ones. Because that's another thing, if you don't have the people that are conducive to a healthy lifestyle and you're keeping on to them because of loyalty, let them go. There's plenty of other people. There's people that have been through your situation before that are willing and more than willing, you know, to help. So yeah, that was a big one.

Man, first of all, thank you for sharing something so personal and close to your heart with me today. I feel honored that you did open up and share that. And I'm truly—God, this could be another half hour conversation, so I'll keep it short—but I'm truly grateful that you are spreading that message today for anybody listening because, you know, mental health is a crisis and I think people sometimes look at you, they look at me, they think everything's perfect. We are, you know, in this public space and what can be wrong?

And when you humanize real shit like that, it makes people feel less alone. And you got through it, you realize that wasn't the right way to go about it and your life forever changed for the better, and I'm truly grateful that you put that message out today because you have no idea how many people you're going to be helping with that. And I truly know that that's something that's not easy to get off your chest. And for that, I thank you and I know so many people will be thanking you, and I hope you feel kind of like a little bit of a weight lifted that you share that hopefully.

Yeah, it's kind of hard to understand what I'm feeling at the moment. But I hope in what you said is true. And I hope that, again, I would love to do more for mental health, especially for men, I mean, just in general, to be honest. But yes, I hope that there is a new wave out there that's kind of taking over that we can actually have some cohesiveness and connection, a true understanding of what connection is. Let's revisit that. So this issue isn't a common issue anymore. If we can take that down, then let's do it. I'm here for it.

Beautifully said, and thank you again for sharing that. I could talk to you for hours, especially leaving with that. I think you're such a cool person. And you watch people, I get to talk to people all the time. But this to me was a real conversation, and that's what I value. That's why I have a show called I've Never Said This Before, and I want to talk about the projects that the fans love, but also leave room to talk about things that matter. I don't think there's enough of that. So I truly thank you for hanging out, for coming on, for talking about the fun of 911, which we all love, and it's killing it in every way, but also sharing a little piece of you. I hope you enjoyed the conversation as much as I have.

Thanks for having me, my man. Yeah, I had a great time.

Thank you, and remind everyone where, how, when, all the things about your show.

Yes, please watch Thursdays at 8 on ABC.

All right, and stay tuned for the karaoke scene that you just promised you will be dropping.

Yeah, maybe when I'm fired again.

All right, man, until we meet again, take care.

All right, brother.

[angie-likes-to-art]

Fic Recs (Stranger Things Edition V)

All fics are fem!reader

Marvel One Two Three Harry Potter One Two Three Stranger Things One Two Three Four Specific Characters Tangerine Masterlist

New in Town by @galaxy-siren

Pairing: Eddie Munson x Reader Request: hey!! could you write a story where a new girl at school decides to nervously go up to Eddie during lunch? She gently taps his shoulder to get his attention to ask him something. ahh I don’t know you can decide what she wants to ask him! lol meanwhile Eddie is just “🤨…😍”

Horror Movies & Chill by @eiightysixbaby (18+ Only)

Pairing: Eddie Munson x Reader Summary: eddie tries to scare you and gets more than he bargained for.

Satanic Panic by @hand-candy-writing

Pairing: Eddie Munson x Reader Summary: “you encounter eddie munson in the cafeteria during his satanic panic rant, but quickly distract him from his tirade.”

Happy Hours (Series, Ongoing) by @bangaveragewhitewine (18+ Only)

Pairing: Bouncer!Eddie Munson x Bartender!Reader Summary: When you’re not pouring beers and shaking cocktails behind the bar of Jackie’s, you’re fighting flirting balancing banter and bite with the metalhead bouncer on your break. A busy Friday night changes how you see Eddie Munson. Maybe you were wrong about the bouncer with his silver tongue and Bambi brown eyes...

Simmer (Series, Completed) by @upsidedownwithsteve

Pairing: Linecook!Eddie Munson x Reader Summary: “welcome to hawkins’ number one diner! where the staff don’t wanna be there and the linecook is a grumpy metal head who likes to argue with his boss and ignore everyone else. but the new waitress can’t hack the rude customers and the regulars can be a little… much.” 

Pretty Eyes by @galaxy-siren

Pairing: Eddie Munson x Reader Request: hii!! ok so you know that scene when Eddie is first introduced in Season 4 episode 1 where he’s exclaiming out things about conforming to society, and he’s jumping off the table and whatnot?? i was wondering if you could do something where Eddie ends up bumping into a girl while he’s moving around so dramatically, and instead of calling him a freak like he expects, she shyly apologizes for running into him when it was clearly his fault. He’d be the type to be so confused and yet go “Guys I’m in love-”😂

Bruises by @lonelysatellites (18+ Only)

Pairing: Eddie Munson x Reader Summary: “Working the bar in an underground bare knuckle boxing club, reader meets the new fighter on the block, a wiry, charming metal head.”

Don’t Call Me ‘Baby’ (Series, Completed) by @katyswrites (18+ Only)

Pairing: Sugar Daddy!Steve Harrington x Reader Summary: “This wasn’t supposed to happen. That’s what you would both tell yourselves, later on. It had started with a bet. You were a cocktail waitress, studying abroad in Rome and working yourself to death to keep yourself afloat. Steve Harrington was a business executive for one of the biggest tech companies in the world, ten years your senior, and earnest enough that it intrigued you. But, there was only one problem - he doesn’t do relationships. Not now, perhaps not ever. So, a deal is struck - something mutually beneficial. No attachments, and you get to be his perpetual mistress, while he makes sure you want for nothing. But, what happens when the agreement becomes more than what either of you bargained for?”

Same Old Song and Dance (Mini-Series, Completed) by @m0llygunn (18+ Only)

Pairing: Bully!Eddie Munson x Reader Summary: “Eddie’s teased and taunted you for the last decade of your life but you’re not innocent. It’s always been a game, a dance if you will.”

[kazz-brekker]

hotd episode 2 thoughts

aegon screaming hysterically and smashing up viserys's model of old valyria…alicent unable to get through a sentence without sobbing…helaena staring blankly at the wall and clutching jaehaerys's blanket…i love acting but also that all kind of broke me.

genuinely i am enjoying tom glynn-carney as aegon SO much, he's quickly becoming one of my favorite actors on the show and gives his character so much nuance.

otto using his grandson's horrific death as a pr stunt…truly that man never stops working, he's always on the clock.

i also LOVED the big blowout fight scene between rhaenyra and daemon, it's about time someone dragged that man to hell and back. "the darkness you sheathe within yourself like a sword" and "i don't trust you" and "you're pathetic" go OFF rhaenyra!

criston please don't send someone else on a suicidal assassination mission because you were slacking your duty and banging alicent while the heir to the throne got decapitated. oh, who i am kidding, that man has never had a normal reaction to anything in his life.

i'm so glad we got an actual scene with baela (and the promise of more with her and moondancer in future weeks!) since she and rhaena have been horrendously underused so far.

aemond you have so many issues please go to therapy not a brothel. also i've blogged about this before but the idea that he really thinks he's an equal threat to daemon honestly is so silly.

alyn AND addam of hull spotted, we've got the complete set, and a little teaser of seasmoke as well!

the scene between corlys and rhaenys where corlys was like "if daemon would just submit to rhaenyra and enjoy being a bottom as i do on occasion" made me laugh so hard my sister asked me if i was okay.

i'm very intrigued by the scene between rhaenyra and mysaria (especially the mutual bonding over being exasperated by daemon) since they're technically on the same side but very much at odds in the book and i'm curious to know if this will continue in future episodes.

i really like that this season is emphasizing the perspectives of smallfolk like the hull brothers, hugh hammer, and the brothel mistress, it's something i felt was missing in season 1.

this really was an episode of targaryen men getting absolutely dragged by others for their poor political decisions. can't say i support otto's decisions most of the time but he was 100% correct about aegon.

also the moment where otto realized he had schemed for 20+ years to land a total idiot who just fired him on the throne…delicious, but rhys ifans played it so well i honestly still felt bad for him.

daeron mention! at this point i was honestly starting to think they had cut him from the show so that was a surprise.

as an identical twin i very much enjoyed the erryk and arryk drama but i must admit that i ALSO could not tell the twins apart when they were dueling. someone please revoke my twin card.

alicent walking into a room, seeing aegon crying, and just walking out was kind of funny ngl.

i really didn't expect criston and alicent's dynamic this season but i'm honestly enjoying it a lot. the mutual self-flagellation over their affair, alicent repeatedly slapping him and criston allowing it…really fun honestly.

caraxes is properly coming back next episode and it's true, i HAVE missed that noodle boy <3

also it looks like our first proper looks at harrenhal, moondancer, and a bracken vs. blackwood fight!

[vizslasaber]

UNDERSTANDING ──── echo.

summary: in the middle of the night, echo finds you, hurt and exhausted and in need of an apology.

pairing: arc trooper echo x reader

word count: 1.6k

warnings: none! just a sprinkling of angst and grief.

a/n: i love echo so much & im so glad he’s okay as of the finale!! this takes place sometime around the early seasons, but after the season 1 episode “cornered.” also, i listened to waves by chloe moriondo while writing this!

You’re not sure what to think of Echo.

Most of the time, he’s quiet. When he does speak, it’s usually to enforce a rule, remind the group of their current plan, or to keep Wrecker in check. You’ve seen his softer side, with Omega and occasionally his brothers, and it’s rare but honestly endearing.

The thing about him that most irks you, however, is that he never wants to seem to interact with you.

Officially, Hunter is the group leader; ever since Clone Force 99 accepted you into their squad, that much has been clear. You’re the only non-clone—or “natborn” as the others refer to you—living on the Marauder. It’s been several months since you saved Omega from bounty hunters on your home planet of Pantora, and now, you’re as much a part of the Bad Batch as anyone else.

Except, you’re not a batcher. Not really.

Despite how much you care for your squadmates, it’s easy to feel separated from them at times. Easy to feel different. Most of the others have picked up on this by now, and often go to great lengths to make you feel like one of them.

Not Echo, though. He seems—wary of you, almost, and you’re not sure why. Once, you brought it up to Tech, who simply waved you off with one of his shrewd, knowledge-filled comments. “You are new here, you know. Some people are simply slower to open up than others.”

You, however, know that’s not the case. You’ve seen Echo with his brothers, and with Omega. He can be kind, and funny, and even angry. But to you… to you, he’s nothing but quiet.

For some time, you tried your hardest to be yourself around him—to crack your usual sarcastic jokes at his expense, to be friendly, like you are with the others. But the constant avoidance and clipped answers leave you increasingly confused and hurt.

So you withdrew from him, too.

It still bothers you, sometimes. But you’ve learned to brush it off.

Now, you sit in the cockpit, feet resting against the control panel. A ration bar—one of the good ones—rests in your hand. Every so often, as you watch the blue glow of hyperspace streak past the viewport, you take a bite of the ration bar.

You’re on first watch. Someone has to stay in the cockpit to oversee the ship’s journey back to Ord Mantell—and, since you still can’t fall asleep in hyperspace, you keep volunteering for the job. The cockpit is mostly dark. All the lights are off, and the viewport is dimmed. Anything brighter reminds you of how sleep-deprived you are, and so you’re content to sit in the blue gloom.

Leaning your head against the headrest of the pilot’s chair, you close your eyes. Your entire body feels heavy with exhaustion, but every time you try to drift off, the rumbling of the ship’s hyperdrive jerks you awake.

The sound of footsteps startles you. You open your eyes, leaning around the back of the chair to inspect what little part of the ship’s corridor you can see. You can hear the sounds of someone moving around by the small common area, but you can’t tell who it is.

Tech’s probably experimenting again, you think wryly, and settle back into your comfortable position.

Soon, though, the footsteps grow closer. Someone enters the cockpit with a tired sigh, placing something on one of the chairs nearer to the door. It sort of sounds like Hunter, but with the similarity between everyone’s voices, you can’t be sure.

The footsteps halt suddenly. You look up to find honey-coloured eyes surveying you with apprehension. In the dim light, awash with blue, you register the glint of a cybernetic headpiece.

“Oh,” you say, blinking up at Echo, “hi.”

Echo only grunts.

You frown, looking down at your hands, at your half-eaten ration bar. “It’s late,” you say quietly. “You, um—you should get some rest.”

When Echo answers, you don’t look up. He says, voice low and gravelly with sleep, “I slept for a couple hours.”

Slowly, you nod, fiddling with the foil wrapper of the ration bar. The cockpit falls silent; you wait for Echo to leave, but he stays still, his shadow falling over your tired frame.

You want to ask why he’s still here. You want to be rude, to ask him to leave so you can have some peace and quiet. But truthfully, he isn’t saying anything, or causing any disturbances, so instead you hold up your unfinished ration bar. “You want a bite?”

Echo blinks. It seems to take him a moment to process your question. Then, to your faint surprise, he nods. “Thank you,” he says as you hand him the ration bar wordlessly.

It’s a peace offering, of sorts.

He sits in the co-pilot’s chair and takes a hesitant bite, chewing slowly. You see his expression brighten—probably at the realization that this is one of the good ration bars, the kind that Hunter always says not to hog—then return to his usual neutral one.

You watch as he swallows. He hands you back the bar, holding out his hand, but you don’t take it.

“Why… why are you here?” you ask quietly.

As soon as the words leave your mouth, Echo drops his arm and breaks eye contact, looking almost embarrassed. Or maybe even ashamed.

Still, you wait for his answer. Several long, painful seconds pass before he says anything. When he speaks, it’s like he’s forcing out the words.

“I wanted to—” he pauses. His flesh hand fiddles with his metal one. “I wanted to apologize.”

You feel your breath hitch. Staring, you try not to gape. “What?” you say, whispering without meaning to. “I don’t—”

“I’ve been horrible to you,” Echo continues, voice steadier. “I didn’t mean to be so… withdrawn. I didn’t realize I was doing it. I… I hope you can forgive me.”

Instead of acknowledging his apology, you bite the inside of your cheek with uncertainty, then cross your arms over your chest. One of the others must have put him up to this. Probably Omega, or perhaps Hunter. Raising an eyebrow, you ask, “Who sent you?”

“No one!” Echo replies hurriedly, then presses his lips into a thin line. “I mean, Hunter told me that you—he said that—” He sighs. “I didn’t realize it on my own. But I came because I wanted to.”

You blink, cursing yourself when you feel your eyes sting. With a start, you realize that this is the most Echo has said to you since you joined the squad.

Taking in a breath, you wring your hands anxiously. “I just… I just don’t understand why.” You shrug. “You’re not the same with me. Not like how you are with the others.”

Echo swallows. “It’s not—”

“I just want to know what I did wrong.”

At that, Echo falls silent. Guilt permeates the air, enough that you can feel it.

“Hey,” Echo says, kinder than you’ve ever heard him. “Look at me.”

You do. His eyes, like lava, or maybe liquid gold, bore into you. It almost hurts to look.

“This,” he continues, gesturing to the space between you, “is not your fault.”

Against your will, a lone tear slips down your cheek. “So whose fault is it?” you whisper, barely loud enough to be heard over the ship’s engine

It’s obvious from the look on Echo’s face that he’s thinking of something—or someone—specific. Despite how much you want to, you don’t push.

You just wait.

“It’s my brother,” Echo finally murmurs, and you raise your eyebrows, quickly cycling through the rest of your squad. Hunter, Wrecker, Tech… maybe Crosshair? You can’t think what any of them, even the one who’s no longer a member of your group, have to do with you.

“Your... brother,” you repeat dumbly.

“Yes.” Echo nods. “Fives.”

Oh. A fellow soldier, then. Probably from before the war ended… and probably long dead.

Drawing in a shaky breath, you hastily wipe your cheek with your sleeve. “What—what about him?”

“You…” Echo shakes his head, then lets out a humourless chuckle as he turns to look at the viewport, at the swirling blues and whites and greys of hyperspace. When he speaks again, his voice is barely above a whisper. “You remind me of him.”

You blink.

Truthfully, you have no idea what to say to that. Luckily, Echo continues, saving you from having to come up with an answer.

“Your sense of humour, I mean. The sarcasm, the jokes.” He shrugs, and the light from the viewport catches on his cybernetic headpiece, glinting in the otherwise dim cockpit. “And… and the way you know people.”

“‘Know people’?” you echo, confused. “I’m not following.”

“You understand people,” Echo says, and finally looks at you again, eyes impossibly sad. “Somehow, without ever having experienced what others have gone through, you understand their pain—and you feel it with them.” He closes his eyes for a brief moment, then opens them again. “Fives used to do that too.”

And suddenly, as though a switch inside you has been flipped, it all makes sense. “And that’s why you’ve been avoiding me,” you realize, and Echo winces. “Because I remind you of him.”

“See?” The barest hint of a smile graces his lips. “You’re doing it now. And you’re not even trying.”

“I guess I never thought about it like that.”

“I’m sorry for everything,” Echo says. “I am. It just…”

“Hurts,” you finish, and Echo blinks, surprised. You smile softly. “I know you too, you know.” Reaching out, you take his flesh hand, gently prying it open and taking the ration bar. As Echo watches, you split the remaining piece in half and hand one to him. “And for what it’s worth—I forgive you.”

The shadows colouring Echo’s face suddenly seem lighter. He smiles, then—really smiles.

You take a bite of the ration bar and smile back.

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[cbrownjc]

Spoiler for 2x02 (EPISODE 9) -- And the thing I scream out loud during one scene (and if you are a Devil's Minion fan, you know the scene I'm talking about):

"OH MY GOD ARMAND IS ALICE!!!"

Yes, that is literally what I screamed out loud when we got that quick flashback of Armand back in the 70s talking to Daniel about stealing and selling his dad's Playboy magazines . . . and then the cut back to Armand saying Alice wanted to say yes to his proposal, but didn't trust him.

Armand was basically hinting at what split him and Daniel up which is -- Armand didn't trust Daniel's love for him!

Which, you know, actually fits the book. Because Daniel so badly wanted to be a vampire and was addicted to Armand's blood, Armand would very much feel that once Daniel was turned he'd just run off or something and leave Armand behind -- that Daniel didn't want Armand at all, that he only just to be a vampire and that was it. (Wasn't that scenario in the Rice's Tulane notes, IIRC?)

Which, oh man, when Armand realizes that Daniel did really love him . . . 😩

But anyway, what I mean by Armand being Alice isn't that Alice didn't exist. I do think she does because otherwise there is something off because in Season 1 Daniel calls Alice his first wife. Meaning they did get married . . . unless Daniel has been lying all this time that he and Alice did get married because she really doesn't exist?

Gah! I need more dammit! (I need ep 2x05 now dammit! 🥺)

Anyway, I do think there are LOT of memories in Daniel's head that are truthfully about Armand but have been replaced with Alice to fill in/hide what the actual true memory was, which has been my long-standing theory about all this. But if Alice really does turn out to have never existed . . . and everything about Alice really IS just about Armand but Daniel really can't remember that . . . then what about her pregnancy? Does at least one of his kids not really exist?

. . . and as I just wrote that . . . I have long been thinking that Season 3 in Dubai was going to be very much like the play Who's Afraid of Virginia Woolf? And, if you know anything about that play -- particularly the plot point regarding George and Martha's son . . . 😮

Holy shit. . . yeah I think I now know why some reviews of Season 2 were comparing some of it to Who's Afraid of Virginia Woolf? 😧 😮

[skamenglishsubs]

Subtext and Culture, Young Royals, Season 3, Episode 6

Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.

Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱

Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.

Culture: The third-years are painting the banners that go on the trucks on graduation day.

Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.

Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.

Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.

Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.

Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.

Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.

Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.

Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.

Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?

Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.

Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.

Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.

Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.

Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.

Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.

Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!

Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!

Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.

Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.

Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅

Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.

Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.

Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.

Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!

Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.

Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.

Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.

Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.

Meta: This is a brutal Fleabag reference.

Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.

Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.

Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?

Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.

Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!

Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.

Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭

Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!

Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!

Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.

Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.

Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.

Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?

Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.

Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.

Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.

Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.

Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.

Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.

Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.

Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?

Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.

Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.

Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.

Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".

Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.

Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...

Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.

Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.

Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!

Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.

VAD FAN TROR DU?

As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭

Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.

Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.

He is finally free.