#there’s been attempts

[gomzdrawfr]

Ive doomed myself making Vik hot cuz that means I have to draw him hot

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[sparrowlucero]

found an old bit of animation from a short film I never finished (about a dog that steals a deer bone from the woods and is haunted by the ghost of the deer). Don't think I ever posted it.

[malenjoyer]

WE'RE SO BACK

[koobiie]

A lone swordsman stands in the chamber. He seems... quite lost.

[hinamie]

oversaturate

[krysmcscience]

Call this the Whoopsie AU (it's barely an AU)

I mean. Narinder never explicitly SAID the Lamb would stay dead... :3c He probably should have been more specific. >:3c

Part Two:

Well. The Lamb tried, but...sorry, Nari, the crown hates you now. Shouldn't have been so quick to lend it out, I guess. :D

Aaaand Part Three:

'Isn't he just adorable?' -The Lamb, probably, while their followers smile and nod and internally scream at the brand new hellcat they now have to share living space with...

Anyway, nothing says 'Dead To Me' like following a person around to loudly remind them of how dead they are to you. Right? Right. Narinder's got this all figured out. <:]

[kittarts]

[canisalbus]

I love the duo, both the historical setting and modern AU. Does Vasco ever go to confession while Machete is running it, just to 'confess' to something they did before as a way to tease?

[yomeiu]

いまに、ここから出ても、自分はやっぱり狂人、 いや、癈人という刻印を額に打たれる事でしょう。

[toughbunnyforever]

maybe try writing him a note next time idk

[poorly-drawn-mdzs]

None of our hands are clean

[First] Prev <–-> Next

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[extrabonesforreallycheap]

Fuck you

unmoogles your moogle

[cracklewink]

Harmony Syndrome Part 5/5

The last chapter of my mlp infection AU! Thank you to everyone who followed along. Some final thoughts on my twitter @cracklewink if anyone's interested : )

[hinamie]

i'm back from vacation have a belated new year draws <3