#there’s almost nothing I love more than character analysis and crossovers

[bimbosupreme]

mephistopheles love post

the equivalent of a mental breakdown tangent is all going under a read more

yes believe it or not that freaky ass literally not even human clown in fgo gets love, and love from who? me and like 3 other people

first off

ok and with that out of the way,

i’m not even familiar with their lore. Reason why i stopped caring about the lore behind faust and mephistopheles is that an interlude happens that shows that mephistopheles is just some homunculi made by some mage nobody named faust. and even then the interlude doesn’t talk about the lore behind the novel, its just you helping mephy kill faust

that being said though i would hope the developers expand on their origins more and potentially even release a “true” mephistopheles (a girl can dream)

So, they’re not even the real deal demon known as Mephistopheles in the first place, and i can hear u going “well that’s lame” and like, no, we just need to redirect our feelings from appreciating a demon to appreciating a homunculi who has a weird characterization in the fate universe

Design tangent:

Fgo was actually my first gacha, and so when I came across this servant I kinda instantly fell in love with their design, I love the colors used in their final ascension and overall appearance. The hat that has horns but they're not quite horns, theyre these weird colorful pointy twisty things, the large garish butterfly ornament on their chest (which isnt ugly at all and somehow works so well with their everything on them) is cool, the tights are so cool to look at, i mean look -- a checkered pattern with golden lining on the shorts portion, the tits out look like yes we get it youre insane, the gloves??? purple and also cool, plus theyve got this gradient thing going on? and the fingers have this line going through them, thats so cool. actually the only other servant that comes close to this in terms of “out there” colorful designs is probably final ascension kama and qsh ( i love them both). Also, mephy has this scissor weapon?? thats so cool lol i dont see any other servant wielding giant scissors (for the love of god give mephy an animation update i need to see them use the scissors while doing flips) and they also have this bomb obsession going on? cant relate, but the bombs designs are so so cool i mean its a fucking centipede -- no idea if centipedes are a thing in the original faust but thats something Ill have to look up at some point. ALSO mephy is wearing heels oh my god anytime people wear heels is an automatic win. No clue whats going on with the hair but its kinda cute (dont question me on that) and it has curls and the hair colors are cool i mean its like a lavender thing with darker purple highlights? i love colorful things and i love people with wacky personalities so. Oh my god their tail how could i forget that its so cute and dumb i almost forgot it was there, like what is that even a whip? i dont.. but its got these little purple tips to them that are kinda cute/cool but more cool because tails are fucking up there alongside heels in terms of cool stuff on characters. and of course their fluffly cape -- again no idea what the designers were going for i mean look its a mess of a design i have no fucking idea what any of it means and i hope they explain it someday because that hair and the butterfly and the tail and the hat and the fluffy garb and a bomb obsession?? and this got the go ahead - yeah lets add that to the game like what

ALSO LETS TALK ABOUT THEIR EYES

appreciate these with me for a second

god.

oh and the blue lipstick and face paint god thats a cool design ugh

they can be normal too or at least as normal as possible i mean they even trimmed their eyebrow here lol but you can see the not so well hidden insanity/goofiness peaking through with the inside of the suit at the bottom being highlighter purple and a green shirt with gold accents underneath the black coat at the front <3, fuckin hate that hairstyle tho bro we gotta get that middle part hairstyle outta hereeeee--

TAKE A DETOUR AND LOOK AT THIS LINK THOUGH THIS IS THE MOST NORMAL AND BEST IVE SEEN THEM IN FANART. THE POTENTIAL IS THERE. WE CAN HAVE NICE THINGS AND THEY LOOK GREAT ITS POSSIBLE. I HAVE TEARS STREAMING DOWN MY FACE FROM THAT DRAWING.

anyways this is me going off all about why i like their design! but we haven’t even touched the nitty gritty of it all. their personality! what personality you may ask? havent they always been some weirdo laughing a lot and saying dumb shit all the time? well yes and no

Characterization:

True to their dumb little clown design mephy also acts like one.

Some servants bond 1 lines are like “fuck off” and some actually talk to you, nah this bastard mephistopheles’ just laughing. and for the second bond line it seems to imply theyre fuckin with you more (showing up and dissapearing and saying ‘afterimage’) so thats nice that theyre actually making some effort to mess with you in a way? some servants take a long time to actually interact with you so this shows theyre not afraid of interacting with you and thats just at bond 2. and of course the third bond line implies they were probably trying to betray you, its stated in more than 1 place that mephistopheles (actually isnt this a caster class thing?) will betray you or attempt to do so. So the third bond line seems to imply that their attempts have been stopped by you and that’s what they say after some failed attempts. So after stopping this freak from doing some shit their next bond line is actually doing a confession! a jester being honest who couldve seen that one coming but theyre 100% not lying, they really arent a demon but a homunculi made by faust

speaking of faust we’re going to backtrack a little into their interlude that i brought up at the start of this post, its one of those dream interludes and it starts with mephy asking you to help him plant bombs for their eventual reuinion/showdown with faust -- in the meantime faust keeps sending golems in an attempt to kill both you and mephy

When you track faust down, it’s shown that faust was your typical mage, inhumane and uncaring. It’s also pointed out that this faust killed innocents, but this typical mage behavior is boring to mephy, and they say that boring typical behavior is why they wanted to kill them

 so i really cant blame mephistopheles for being the way they are, being raised by this type of guy, even if mephy was always messed up and wacky from the beginning its no reason for faust to attempt to kill him.

Mephistopheles also shows up in salem, cu alter’s interlude, and of course the knk crossover event, and some other things im most likely forgetting but those 3 are ones that i find notable

anytime they show up theyre actually helpful, in salem mephy points out that the nature of the being responsible for the salem epic of remnant is something alien rather than a typical foreign god, mephy also tells you that time is also being sped up and in their weird way they try to cheer you up by spouting some nonsense at the beginning (guda needed some kind of distraction from the grim events that had just transpired at that point in the story), i cant quite remember what mephy did in the knk event but they were a part of your group and were helpful the whole time, actually @/zeravmeta does an amazing analysis of their role in the knk event as well as some extra character analysis here

mephistopheles is kinda cryptic in a weird way though,

like overall i mean theyre a jester homunculi in appearance so yeah its to be expected but come on i love morally gray characters, despite their supposed betrayal hints scattered around here and there

they have this one line that always gets to me

and this line is said with a completely serious face too

the rare serious mephistopheles face! its kinda grim to see that line, no laughs, no nothing, their voice is kinda serious and monotone too. of course this could be just to get you to lower your guard but its still kinda out there that they have this rarely used portrait and that line, so i like to take it as being said to you when youre by yourself and with sincerity

and at least sei (with her wacky outfit and all lol) seems to get along with mephy and thinks theyre nice woohoo

so at the end of the day you have this guy that laughs a lot and gives mixed signals

and they fuck with you

and will most likely try to kill you more than once but hey thats just another tuesday at chaldea

Before I finish last thing I want to point out is this snippet from the fgo source material book which provides more information on servants, and this specific translated bit under mephistopheles

at the core of it all this homunculi....can be your friend! you just need to not go into despair i guess

of course this entire post is an overanalysis into an underwritten character, quarantine + all online college classes have done this to me, i have a douman icon what did you expect

OH...BEFORE I REALLY SIGN OFF AND FINISH THE POST HEY CLOWN LOVERS CHECK OUT THESE FANARTS AND FANARTISTS...

THE FIRST ONE IS HASENDOW YES THE DOUMAN DESIGNER... <3

i cant believe they drew mephy

twice !

and for those of you on twitter check out @cuz_pb and @L0VEYAMA003

[yuraimi-lee-bunny]

Gray's Character Analysis Part I. Introdution

Well, the day has come, here begins the analysis of Gray as a character throughout the series. I had previously done character analysis, but this is the longest in analysis writing I'll do, but it's worth it. I hope you enjoy it, don’t hesitate to comment on everything you believe or even add other examples or characteristics that I have not noticed. I’m very excited and nervous hehehe.

Here we go!

There are 3 important facts you need to know about Graham/Gray/Crackle to fully understand their personality and worldview:

1.- His name is Graham Calloway (let's put aside that we FINALLY have his last name, it will be important and symbolic later)

2.- He’s an orphan

3.- He wants to be successful.

Gray enrolled in the “Vocational School” being actually VILE. Maelstrom mentions that he currently works at the Sydney Opera House as an electrician and will soon be promoted to Stage Lighting Technician. Let's start with the fact that Graham wasn’t working in a simple place, we’re talking about a place like a lot of prestige and tourism, light and electricity being extremely important, therefore, really professional and prepared people must be hired. That tells you how Gray besides being a great electrician, he wants to work at the best of the best to earn as much money as he can. And with that promotion, Graham is doing very well, he is succeeding. But as he said: "I feel like my talents can be put to more ... lucrative ends"

Something that from the first time I watched the serie and that I could notice in Gray is that he's curious, he always wants to see and do beyond what is presented and has. He likes new experiences, learning things that help him with his purposes, challenges and showing that he can overcome them (I consider that he only shows it to himself, not to someone or others). Even in the first book of "Who is Carmen Sandiego?" it's mentioned that he spent a lot of time with Dr. Bellum creating and devising new things. This boy always has ideas in his head as to what he likes the most, which is electricity. He's really passionate about it.

He realized that he could make more money by stealing from the rich and not just being an electrician. Gray always points up and wants to show himself that he can do it. He's always calm, relaxed, with a mischievous look, as if somehow he's always ready for everything and nothing surprises him. Until then a girl named Black Sheep arrives. When Graham first meets Black Sheep it was because of a tease he did to her, showing that he’s too naughty, he likes to make jokes, however, he tends to underestimate people. Black Sheep fights back and well, we all know the scene.

Something that surprised me a lot and at the same time I loved it (it was from then on that I said "You have all my attention boy") is that I believed that because of the way Black Sheep defended herself, he could take it to heart, get angry or something similar, but no! Graham appeared very calm before her to greet her with a handshake, as if nothing had happened. What makes me interpret that Graham is someone who is going to recognize and respect people who really show him that they're capable and that they should be respected. At the same time, it seems that he doesn't like people who are too smug, who have simple goals, and appear to be the best but with their actions doesn't show it, the best example is Sheena/Tigress, both in the book and in the series shows that although he tolerates her, deep down he likes to make fun of her, he has no compassion on her and according to the book "Graham rolls his eyes when Sheena says she likes shoplifting."

He wasn't afraid of Black Sheep or her attitude, on the contrary, he liked it and she won his respect. At the same time that Graham really isn't someone to hold grudges or get angry easily, but rather someone who tries to keep things calm and under control, he stays out of the unnecessary drama. He was almost always the mediator between Tigress and Black Sheep (there are more such moments in the Book) And he isn't someone who is afraid to say things as they're, he is very frank and direct.

When he makes a mistake, he doesn't get frustrated, he just lets it go and moves on: Sheena calls him "Lame" and says nothing, his friends make fun (in the case of the book) of his nickname "Graham Crackle" and he say nothing. Even Carmen Sandiego on the train beats him in the fight, knocks him unconscious and there isn’t a hint of frustration in him. He knows how to deal with his own mistakes and doesn’t let them affect his self-esteem or image. He keeps going. His self-esteem in fact is seen to be normal, he may perhaps appear to be "cocky" for his looks, but in reality he's never seen to be affected by what others think of him, nor does he act as if he were better than everyone. But he himself knows that he's good at what he is, and as he already said "I want to be successful", he knows that he can achieve it, and will do it, even with chaotic actions. There is an interesting phrase in the book that isn't mentioned in the series, is when Black Sheep proposes a nickname of Gray, she says "Electrical Failure" to which Gray replies "Failure? No, I don't think so" which gives me a certain idea of how Gray doesn't consider himself a "failure", perhaps he makes mistakes, but even so he doesn't believe that for this reason he's belittled in such a way, much less for it "a fail", as I said, He has healthy and secure self-esteem.

Another interesting point is how expressive he's in looks and gestures: those eyebrows almost never stay still! This point is curious because as some say "a look says more than a thousand words" and he's a great example of this. I actually consider that that touch makes Gray have a mysterious air next to the long eyes that he has. He doesn't talk much, only what is necessary, causing all eyes to express what he thinks/feels. But other times you don't know what's on his mind. But most of the time, his expressions are a clue that he happens to him and feels. Remember this, it will be important.

He also has a certain "gift of the word" or rather knows how to use the correct words to address people (In addition to making word jokes) which these two characteristics together achieve many things: calm situations, ensure that Black Sheep isn't expelled, have an almost date with Carmen Sandiego, among others. It seems that he's someone who is direct, transparent and pragmatic, he doesn't try to complicate his life, but if he likes to make intelligent movements, play with people and show that "he's one step ahead of you" (although that doesn't work almost never with Carmen)

In general, this is what I have managed to analyze about Gray's personality. However, as I said, it’s an introduction, some things will remain, while others will change a little or even a lot throughout the analysis. I hope you liked it and for the moment, it will be 5 parts in total for the entire analysis. I will leave the parts with their titles in each post (Maybe the titles will change depending on if something better occurs to me as I write.), and I will leave an analysis that I had already done before but it complements a little to Gray and his personality. Maybe every two days I will get the next part, depending on my time, but also so that you can take your own time to read, reflect and comment on your points of view.

Part. I Introdution (HERE)

Part. II Empathy vs Ambition

Part. III Amnesia and it’s Future Consequences

Part. III.5 Graham Calloway: The Walking Enigma

Part. IV Integrity At a high (and unfair) price

Part. V The final decision and a new beginning

Plus 1. Gray and his strange habit of explaining things

Plus 2. Crossover: Sabrina And Gray: New Beginning

Plus 3. Crossover: Hawk/Eli and Crackle/Gray: Redemption

[theothermercedesdriver-main]

Why I Love Yuri On Ice: A Brief Lesson in Music Theory

I began learning Yuri On Ice on the piano a couple months ago, and here’s my thoughts on it:

No song, in the 10 years that I have been studying music, has been so enticing, made me so desperate to master it, that I would dedicate as much time and amount of headspace to it that I have for Yuri on Ice.

It is due to such intense concentration and analysis that I began to notice the true beauty of this song, which lies in the music theory weaved between each note. Music theory is like any conspiracy- sometimes it’s there, sometimes it isn’t, and it can be hard to distinguish the red herrings from the true intent of a piece. However, in the case of Yuri on Ice, my theory connected so well to every clue laid out throughout both the song and the show, the thought of it being incorrect never crossed my mind.

First, to understand the theory laid out in song form, it is important to examine it from a visual perspective. The song, Yuri on Ice, comes from the similarly-named anime TV show Yuri!!! On Ice. For anyone that hasn’t seen the show, it tells the tale of Japanese figure skater Yuuri Katsuki, who has reached rock bottom in his career and close to giving up as a skater, until his childhood hero and current competitor Viktor Nikivorof decides to coach him. Together, the two progress through the many rounds of an international skating championship, learning about life, love and each other along the way. It is a simple narrative, but presented masterfully, and the romance between the two is one that is widely beloved by fans all over the world.

As the show is based around figure skating, there are many instances where we see Yuuri perform, each one set to music of some kind. This is where Yuri on Ice comes in. It is introduced as a song written and recorded for Yuuri’s Free Skate Program by a friend of his attending a music conservatory. He specifically requests a song to represent his skating career, highlighting the more recent events of meeting Viktor and renewing his confidence to skate one more time. 

Now, unpacking the music theory in all of that may first appear a little difficult, as the main way of understanding a song in media is analyzing where and when it is played. In movies produced by studios like Star Wars or Marvel, there are specific character/moment themes that are played when the characters they represent are onscreen, or even more frivolously, when anything important happens. Unfortunately, in the case of Yuri on Ice, the song is almost exclusively played while Yuuri is performing in competitions, moments that don’t include a whole lot of emotional weight or relevance.

But this doesn’t mean that the theme does not appear elsewhere. Almost every instrumental song throughout the show contains elements of the Yuri on Ice theme (all composed around the main notes Ab, G, F, and Eb), so much so that I find it hard to not consider all of them the same song. It is most prominent in the song Heartbeats, which plays during many important moments between the couple.

Even more important than that, however, is the fact that music theory concerns more than just the placement of a song or theme. The actual notes in a song, and how they are composed to interact with each other, is far more crucial to any meaning it intends to hold.

As I said, Yuri!!! On Ice follows a very specific progression of Yuuri’s connection to Viktor. He starts off alone, meets Viktor, starts working with him (but a bit clumsily), learns to operate in unison, and it all culminates with the two falling in love by the end. The realization that I came to while learning this piece is that the song itself expresses their story perfectly.

To explain, let’s assume that the right hand (which plays the top of the piano) represents Yuuri, and the left represents Viktor. Yuri on Ice starts off with a simple trill played almost entirely by the right hand. There is no backing, no harmony, and the segment is essentially a solo. Just as Yuuri is in the early episodes, it is an isolated sound, with nothing to compliment or amplify it.

After a couple bars of this trill emerges one, resonant bass note. I believe this represents the moment in the show where Viktor and Yuuri cross paths, but do not interact. One brief moment of his presence in Yuuri’s life, and then it’s gone.

Following are a couple more bars of the trill, then, just as Viktor found his way into Yuuri’s life unexpectedly, the left hand returns out of nowhere, joining the right hand to play a fast-paced arpeggio sequence. Despite the emphasis in this being placed on the right hand, both are required to complete the segment, and the left hand works to amplify the sound of the right.

After the arpeggios comes a crossover sequence that truly utilizes both hands. As the right plays the main portion of the melody, the left plays the bass while occasionally crossing over the right to complete the melody. Both hands must be played in perfect unison to achieve the effect of one harmonious tune. By this point, Yuuri and Viktor have begun to work together, falling into place as partners both on and off the ice, and the song expresses how far they’ve come and the beauty that they can create together.

The song essentially continues in that manner for another 3 minutes, every segment relying on both hands to sound complete, just as Viktor and Yuuri needed to remain together to retain their success on the ice and as humans.

In essence, the song Yuri On Ice may not have lyrics to state what it represents, but the evidence is there among the notes if you only know where to look. It’s a love song, as poetic as any other, telling the tale of one of the greatest love stories ever written, without ever having to state that explicitly.

[thebigpapilio]

Forced Helplessness: An Analysis of the Potential Immoral Teachings of Miraculous Ladybug & Why Salt/Redemption/Etc. Crossovers Are So Popular

I have noticed a lot of things in Miraculous where the message seems to be that there’s nothing you can do about something morally important sometimes, despite the famous phrase in the show that “All that is necessary for the triumph of evil is that good men do nothing.”

For starters, let’s discuss Andre Bourgeois and his family. Andre’s done a lot of corrupt shit in the name of his daughter, and that might be just the beginning of his dirty dealings (we don’t know for sure as of now). Audrey is also a massive shithead, and Chloe... Chloe betrayed Ladybug because she was unhappy Ladybug didn’t get to her as fast as she would have liked. 

Also, if memory serves, Astruc himself made a post stating something about how Andre’s continuous success in elections represents the idea that corrupt people get what they want sometimes (feel free to correct me or link the post if I was right).

Now, isn’t that a lovely moral to teach literal children?

Next order of business: Gabriel Agreste a.k.a. Hawkmoth. Like Andre, he is powerful, and Adrien often feels helpless against Gabriel’s will. Furthermore, when/if Gabriel finally loses to the good guys, there will most likely be no changing his mind. The message given is that Adrien feels helpless in getting Gabriel to love him without sacrificing his own morals, and Chat Noir will feel helpless about Hawkmoth once he learns the truth of what father dearest (and his assistant, who hasn’t been much help either) have been neglecting him in favor of.

Then, there’s Lila. Lila is crafty, and no matter what Marinette tries, everyone seems to think Lila’s the neatest thing since sliced bread. I could go on for a while about the brat, but I think you understand the pattern by now.

Finally, there’s... Marinette. Now, Marinette is far from being on the same moral level as Lila, Andre & Gabriel, but there’s a lot of helplessness with her as well. It always seems like almost all the bad behavior is directed at her, whether as Marinette or Ladybug. She can’t trust the adults to side with her against bullies like Lila and Chloe, and Wang Fu may has well have dumped the Miracle Box in her hands and ditched her. Season 4 and further does not look bright for any of the good characters...

Finally for this part (it’s personal and hopefully unlikely): I had this weird theory that the show finale of Miraculous is gonna have Bunnix or some other character take everything back to before Stoneheart and fix things so that Hawkmoth never even began his attacks. It sounds like something Astruc and co. would do, stating some romantic thing like “Oh, now Marinette & Adrien get to fall in love with each other all over again!” or something...

That’s why some crossovers are so popular, I think. Marinette gets the help she needs - Gotham (Batman), New York (Avengers, I think), Tokyo (Persona 5), whatever; it doesn’t seem to matter - and many of those problematic characters get called out, if not outright stopped or punished depending on the fic and/or wrongdoing(s). She’s no longer alone and/or feeling helpless now that she has the help of others... be it from Iron Man, Joker or even Joker (see what I did there?).

Notice I said problematic there. Not all of the problematic characters are villainous and/or evil (looking at you, Alya & Adrien).

If there’s something I missed, or you have something you want to say about this analysis, please do in the comments! I’d love to make conversation, but I will debate you if we have disagreements (I will do my best to be polite about it; you have my word). Please be polite as well.

Valete,

TheBigPapilio

EDIT: I’ve noticed a comment or two about Adrien. I agree that what he’s doing is like (if not actually) harassment. However, I have more hope for Adrien changing for the better than I do for Lila, Gabriel, & (unfortunately in Chloe’s case) the Bourgeois family. I can certainly understand the point of Adrien not deserving his beloved Ladybug; I don’t think he understands the importance of NO, as well as the fact that that applies to both of his identities. I do agree Adrien needs to change; sorry I didn’t mention it...

[percywinchester27]

About a boy (Part-11)

Word count: 2.8K

Warning: Suspense, feels, physical abuse, child-trafficking, kidnapping, child-violence, bullying.

Characters: Dean, Cas, Gabriel, Benny, Michael, OCs and… Sam?

Summary: Dean Winchester has a secret. A secret that could really land him in trouble. He never expected to connect with anyone when he walked into the ‘Blue Stone Orphanage for Boys,’ but even then, the walls he has put up are slowly coming down. Now, a series of strange events are threatening to expose him. When everything starts falling apart around him, will he still be able to save the one person that matters the most?

A/N: Okay, I really hope you all like this chapter! <3

Thanks to my lovelies @thing-you-do-with-that-thing​​​​​​​ and @deanssweetheart23​​​​​​​ for beta reading this story <3

About a boy masterlist

“You know what would help? Lightsabers!” Will proclaimed.

Dean laughed and Cas gave Will an amused look.

“You guys think it’s funny, but we sneaked a Star Wars tape last year- you remember that, don’t you, Cas?- and those sabers could light up the whole place,” he reasoned.

“You know Lightsabers aren’t real,” Cas said patiently.

Will rolled his eyes at that. “Of course they aren’t real. I know that! But they must be using something similar during the filming. That’s what we need. We could light this whole place up. No need for dumb flashlights that give out in the middle of creepy staircases.”

Dean smiled indulgently. “That was one time.”

“And one time was enough,” Will said decidedly, his tone effectively dismissing the matter.

It sure had been a struggle, sneaking each night into the record room without letting anyone know. Even more, it was a task to smuggle and return Will from and back to the 4th floor. But if Dean was honest, Will kept them going. He had the sort of brightness and enthusiasm that never gave out… even on the dullest of nights.

It had taken Will a few days to come back to himself, but after that, Will was the driving force behind the ‘Sam search mission.’ In fact, he seemed too bright sometimes. Dean worried if somehow Will was overcompensating, thinking that it was his job to find Sam before he left with his adoptive parents at the end of the month. That was another thing- No one was to bring the adoption up. Dean wasn’t sure it was denial. It appeared more like Will was pushing it deep, deep down. His anxieties only surfaced sometimes in the dark when it was just him and Dean, with their backs to the grill. He would suddenly go quiet and Dean would just know.

“Found another!” Cas announced. “Matt Wilcox. It says he was transferred to Missouri, but no paperwork to prove it.”

“We have twenty-three now,” Dean said, grimly.

They hadn’t found many leads on Sam. Will had suggested that they go by the law of omissions. Eliminate those files that had no chance of being Sam’s. Like all kids who hadn’t been admitted around the age of 6 months, or whose physical descriptions were way off. It was time consuming, but it was still something. Meanwhile, Dean used the same idea to look into Stynes. In the past three weeks since Dean had actually started investigating the matter seriously, they had come across multiple instances of paperwork that wasn’t just shoddy but didn’t make any sense. Most of these were kids who had been abruptly displaced. Dean didn’t know if bad paperwork or a complete lack of follow-up would be good enough for Jody to make a case out of it, but if they found enough files, maybe some other link could be found.

It was serious work, and Will’s periodic complaints about the lack of good flashlights- which had become an essential commodity at this point- was the only entertainment.

Dean stashed his files away and checked his watch. It was just past 4 am.

“We should get back,” he suggested. “You don’t want to fall asleep in the class again, Cas.”

“It’s what the English Lit class is meant for,” said Cas, getting up anyway and stretching his arms. Beside him, Will nodded in agreement.

Dean smiled fondly at him. 

Quietly, they made their way back to the left wing under the light of a single flashlight. It was little help, but too much light could attract attention. It was vexing to crossover from the barren left wing each night, but it was much better than risking being sighted.

Just as they landed on the fourth floor, a weird creaking noise came from the further left part.

“What the hell?” Dean scowled, pointing the flashlight. There was nothing there. Acting on an instinct, he shut the light off completely, gesturing with his hands for his other companions to stay put. 

As if on point, a dark figure emerged at the very end of the corridor. Dean’s breath hitched; behind him, there were similar gasps of shock. 

“Shhh…” he said, pushing them back into a deeper corner. The figure at the end was well-built and tall, and was looking straight at them in the darkness, as if suspecting their presence. After a few moments that stretched too long, the figure disappeared into the hallway ahead. 

They stayed put like that afterwards for what seemed like ages just to make sure that they weren’t caught; then at Dean’s signal, took another flight of stairs and reached the 5th floor, opening the door and crossing over to the dorm side of the building.

Cas sagged against the rusted iron door, with his hand over his chest. “What. The. Hell was that?” he gasped, breathing heavily. Will was looking wide eyed, completely silently now, waiting for Dean to answer the question.

“I don’t know,” Dean finally said. “Whoever it was, wasn’t scared of being found, that’s for sure.”

“You’re thinking what I’m thinking?” Cas asked, brow sweaty and furrowed. Both Dean and Will nodded.

Neither of them said it out loud, but if whoever it was didn’t care about being spotted, it was because they thought they had the upper hand. Almost like… they owned the place. 

The Stynes.

“Tomorrow,” Dean said. “We find out what the hell is happening there tomorrow.”

*****************************************

All through the day Dean couldn’t concentrate. It didn’t help that Cas kept falling asleep in every class. Maybe it was the complacency from staying in a place as dangerous as the bellstone orphanage for so long, but Cas was taking their impending adventure in stride. He was behaving ordinarily. In fact , he had even prayed like he usually did in the morning. 

Cas’s calm energy gradually caught up with Dean and by the time they got back from school, his nervousness was almost ebbed. It was ticking in the back of his mind that Will and Barry hadn’t joined up with them after school as they usually did, but he didn’t pay much heed to it. Lately, the school was conducting weird psych analysis on Will to determine if he was all set for the adoption and subsequently the move to New York. 

Dean couldn’t think about it without feeling a punch to his gut, so he pushed the thought out of his head.

“Hey,” Cas whispered as they reached the entrance of the boys home. “I’m going to go see if I can pick some more flashlights out of Garth’s supply closet. Meet you in the dorm room later?”

“Alright.”

They had put their heads together and deduced that there was no way Garth was involved in any of the stuff going around here. As Dean made his way to the shower room, he thought to himself that it may very well be possible that Garth was completely unaware. He lived down in the town, a good five miles away from the orphanage, and rode on his decrepit motorcycle every alternate day to do the essential maintenance or janitorial stuff that boys in the home couldn’t take care of. On occasions, he had stayed over late, but it was plausible that he didn’t know that there was something sinister going on here. Besides, anyone who had met Garth knew him to be absentminded. Good, but lost in his own tune.

Somehow the thought was uplifting for Dean. Not everyone in the staff was horrible. He hadn’t given the cook and the two henchmen like dudes that seemed to hang around with Andy the benefit of the doubt yet.

The shower did its work and Dean felt alert as he made his way back to the dorm room. As he reached the 5th floor main corridor, he saw Will.

Will was white. His forehead was clammy with sweat and his eyes were wide in horror.

Every thought abandoned Dean except for a nameless alarm over Will’s horror. Was he hurt? 

Before Dean could utter another word, Will came barreling forward, almost tripping over his own shoes.

“Dean!” Will said, the name falling out of his lips like both a call for help and a prayer of relief.

“What happened?” Dean asked dreading the reply

Tears Swam in Will’s eyes. Tears of helplessness and fear. “They took him, Dean,” he sobbed. “They took Barry.”

With that, he collapsed on the floor, his knees completely giving out beneath him.

Dean rushed to him, falling on his own knees. “Barry?”

Will’s lips were quivering, but his voice was surprisingly strong. “I saw him at school in the morning, but he said he was feeling sick, so they let him go early. I-I just had a bad feeling about this so I skipped the class and came back here, but Barry was just gone.”

“Hey, maybe he’s just hanging around somewhere,” Dean tried to rationalise. “Maybe he went into town instead. It’s just 6 in the evening. You don’t know that he’s decided to play hooky and be somewhere else.”

“No-no,” Will shook his head. “Barry isn’t like that. You know him! I’m his only friend and he always sticks by me. Besides, I asked this other kid who had stayed back from school today, and he said Barry had definitely come back.”

“We need to ask Andy,” Dean said. “He’ll-...”

“I asked already!” Will cried. “He said Barry was transferred.”

Shit!

“I- I,” Will said, looking around wildly. “We need to go to the left wing. I know that’s where they are keeping him. They have to be!”

Dean didn’t think it was possible to be more horrified… but somehow he did.

“Will!” Dean shook his friend by the shoulders to get him to snap out of it. “Listen to me! We will find Barry. We will go there tonight and bring him back, okay?”

Will’s eyes stilled, the black pupils were so dark they overpowered the hazel around it.

“You promise?” 

Dean cursed internally, but outside, he said, “I promise.”

So fast that Dean didn’t have time to react, Will flung his arms around Dean’s middle and hugged him hard. Dean’s own hand instinctively came to rest over Will’s head, his fingers weaving into the soft brown. He could feel Will’s sobs wracking his own body, the tears staining his shirt, but Dean held on, tightening his grip on the boy, as if by sheer willpower he could fix everything that was wrong.

A part of him did not want to let go. Something deep inside was just screaming at Dean to hold on to Will and make a run for it. Leave everything behind to just protect this kid. But there were lives at stake here. He could picture Barry’s crying face when that bully at school had raised his arm at him, then the absolute faithfulness with which he looked at Will. 

Dean ran his hand over Will’s shoulders, over and over till his heaves subsided.

He moved back ever so lightly to look Will in his tear stained, anguished eyes. “You listen to me now, Will. Go back to your room and wait for us to signal you at night, okay?”

Will nodded,with implicit trust in his eyes and Dean wanted to kick himself for lying.

**********************************************

Dean sprinted all the way back from Will’s room, after having walked him down there, and skidded to a halt in his dorm room, almost banging into Benny. He let out a yelp of surprise at the intrusion but then gave Dean a brief, hesitant smile. Benny had been trying to be nice after his blow out almost a month ago. Sometimes Dean could see he was struggling to say the words, to make it okay, but hadn’t been able to.

Today, he actually tried. “Hey, Dean-,” he started to say but Dean cut it off quickly.

“Where’s Cas?”

“He’s not back yet.”

Dean turned around and kicked the foot of his bed. “Damn it!” he yelled.

“Dean!”

Behind him, Cas had just entered the room, slightly sweaty and breathless, two flashlights clutched to his chest. 

“Barry-” 

“I know!” Cas said, forehead crumpling. “A couple of kids were talking about it.”

Dean gave another frustrated yell.

“What? What happened?” Benny asked, vigilant now, all awkwardness gone.

Hurriedly, in a low voice, Dean repeated everything that had happened with Will. When he was done, both Cas’s and Benny’s faces were identical masks of horror.

“We have to go to the west wing, Dean!” Cas said decidedly, his voice grim.

“Yes,” Benny agreed. 

Dean sank down on his bed with a thud. “You can’t come with us, Benny.”

“What? Why-” Benny started to protest but Dean cut him off. Again.

“You can’t come with us, because I want you here, standing by the door, making sure no one knows or follows us.”

“I don’t see the need,” Benny reasoned. “No one will be up at night.”

Dean exhaled, slowly. “We are not going to wait for nightfall. We’re doing it now, in an hour.”

“But Will? You just said that you promised him we’ll go after the lights go out...” Cas trailed off.

“This is because of Will,” Dean said through his teeth. “I lied to him. He’s just a kid. Sneaking into the record room at night is one thing, but dragging him into this? When even I don’t know what’s waiting there? I can’t do it. Better for him to be angry with me tomorrow than risk his life. Besides, he is in no shape to go anywhere. He’s scared out of his mind for Barry.”

Dean knew everything he was saying made sense, but the real reason behind lying to Will was that Dean knew he'd be himself paralysed with fear for Will, if he was to go anywhere near whatever crap was happening in the west wing. The mere thought of Will being in danger made Dean’s knees give out.

“In fact, Cas,” Dean said slowly, “I can’t ask you to risk your life for this either.”

“Oh, shut up, Dean!” Cas sais, exasperated. “How old do you think I am? 12? I can make my own decisions and I’m coming with you.”

Dean felt his body loosen slightly with relief. While thinking of Will in a dangerous situation filled him with dread, knowing that Cas was going to be with him, made him feel relieved. Friendship was unpredictable like that… you couldn’t guess how it would make you feel.

“Alright, then,” Dean said, “This is how we do it.”

**********************************************

It was as dark as it always was in the west wing, despite it being just over 7 o clock, and the lights in the compound still on. Both Dean and Cas had their flashlights throwing lights into the far end of the corridor as they made their way through the stinking, grimy passageway. Benny had deftly taken his place next to the door, without any hesitation. Dean had handed him the set of keys and decided on a certain knocking rhythm so he would know it was them when they returned and opened the door for them. The door opened easily from the outside, and unlike the long nights, today Dean didn’t have the luxury of trying all the keys in the dark till the right one fit.

With precise coordination that only came after weeks and weeks of sneaking around in dark decrepit places, Dean and Cas moved along the decaying wall towards the end of the corridor. From what Dean knew of the building footprint, having extensively inspected the form from the outside, the corridor should lead into something of a hallway. Even as they rounded the corner, a sense of foreboding gripped Dean. In all of their nightly excursions, they had never ventured this far into the west wing. The hallway opened up into another short corridor that swiftly made a left turn, blocking all view.

Dean quickly exchanged a look with Cas, confirming that they both agreed upon continuing further ahead. The swift left turn wasn’t in fact a turn, but a narrow, crooked staircase. What was more? There was light emanating from the bottom of the stairwell. It was dim and threatening, but there was definitely something going on there. With another cautious look, Dean started descending the staircase, now switching off the flashlight. Behind him, Cas did the same. Together they climbed down, clutching the wall for support.

The staircase led all the way down till what would be the first floor. The passageway ahead was lit with less wattage bulbs emitting a dull reddish light. It was menacing. The floor itself was like the dormitory wing he slept in. Rooms on one side, next to each other, all connected by a single, small passage. But unlike the dorm, the wall opposite the rooms didn’t have a line of windows; it was blank and solid. 

Suddenly there was a banging noise. Without thinking, Dean dashed ahead, passing small rooms with grilled iron doors. His peripheral vision caught something and he came to a skittering halt.

One of the rooms was unlocked and the rusted, the metal door swaying off his hinges. Inside, hanging from the ceiling were long chains that ended in shackles. What was worse? There were dark splashes on the wall- dark brown in colour- of what suspiciously looked like blood.

Dean’s stomach turned and he looked away. If there had been anything in his stomach, it would have come out now.

“Is that… is that…” Cas was too disgusted to even complete the sentence.

The banging echoed again and Dean rushed towards the door it was coming from. That particular room was in darkness as the light within had been turned off. However, there was movement in the shadowed corner.

“Dean?”

The voice was muted and hopeless… but it was definitely Barry’s.

Dean banged against the door. “Barry! Oh thank God you’re okay.”

But he had said it too quickly. For Barry’s small figure dragged its way across the small room towards the door, and in the little light reflecting from the bulbs above, Dean could see the dark wetness of blood against his face. Barry’s spectacles weren’t on him, and his leg was twisted in a way that was anything but natural.

“My God,” Cas whispered, and fell against the grill, trying to shove his hand between the rod to get to him. “Barry!”

Barry broke down completely. His face was bloodied and bruised but the most horrifying thing was the hopelessness in Barry’s eyes. He had given up.

“Barry!” Dean reached out so the tips of his fingers touched Barry’s brown hair. “I’m gonna get you out of here.”

Barry just shook his head. “They’re coming for me, Dean. I heard them, the car is right outside,” he cried, in a dead voice. “You can’t help me.”

“I’m not giving up, Damn it!” Dean said fiercely. “I’m going to get out of here and inform the police. I have a pager stashed under my clothes. They’ll free you.”

They had to free him.

“Cas,” Dean said, “Stay here and raise a riot if you see any movement or hear anything, okay? I’m gonna head up and contact Jody.”

Cas’s chin jerked up in quick acknowledgement and he shuffled closer to the grill.

Dean turned to Barry, his eyes stinging at the corners. “You hold on, Barry. Cas is right here with you. I’ll be back in a moment.” 

At long last, Barry nodded, a small light of hope in his pained eyes. With one last look, Dean bolted back towards the hallway, and up through the staircase. Nothing seemed real to him anymore. He banged three times as they had decided, and within seconds the door opened. Dean stumbled out and onto the floor.

Benny was next to him in a flash. Maybe it was the look on Dean’s face or Cas’s absence, but Benny stiffened. 

“I- I need to get to the pager,” Dean heaved breathlessly.

Benny didn’t ask for an explanation or even what had happened. He moved quickly and helped Dean to his feet which were starting to feel like the bones were beginning to melt. Somehow, Dean managed to stand straight and reach his room. Once there, he hauled his duffel bag from under the bed and yanked the zipper, frantically digging into the base of the bag to find the rolled up wad of socks in which he had hid the pager.

Soon, his hand wrapped around the small plastic object and he pulled it free of the clothes. He hurriedly turned it on. It seemed like an eternity before the pager beeped to life and the small line blinked on. With shaking hands Dean typed-

EMERGENCY. COME NOW.

He hit send and the pager tumbled out of his shivering hands. It would take Jody at least an hour and a half to get here. And Barry had said that the car was already here to take him. Till then Dean had to do all he could stall them. 

“Get a grip!” Benny said, laying a hand on Dean’s shoulder. His voice was gruff, but kind. Dean felt a welling gratefulness towards Benny.

“Benny,” Dean said, getting to his feet. “We have to hurry, but there is one more thing I have to do.”

“What?”

“Hide Will here!”

There was a sick feeling in his stomach that refused to go away, and it only multiplied whenever he thought of Will. “I’m going down to fetch him, and then we’ll lock him in our room. I know it sounds stupid but I just… I…”

“You don’t need to explain, brother,” Benny said. “I understand how you feel. I would have done the same for Jaime. I’ll go find Castiel in the west wing, you find Will.”

Dean quickly explained the location of Cas and Barry, and then Dean was running again. It was dinner time so he rushed to the dinning hall first, but in all the crowd, he couldn’t spot Will’s particular mop of brown hair. With rising alarm he looked in the library, the game room, even the godforsaken record room, but his friend wasn’t to be found anywhere. Finally, almost on the verge of nausea, Dean reached Will’s room. His sandy haired roommate was sitting on the bunk bed, shuffling through laundry clothes.

“Will?” Dean asked, throat parched. “Where’s Will?”

The kid gave Dean an odd look. “He’s not here,” he said. “Left with Andy a while ago.”

The blood in  Dean’s veins seemed to go cold.

“Andy?”

“Yeah,” the kid shrugged. “Andy said his adoptive parents were here for him, for some urgent formality. That their car was waiting outside. Will wanted to say goodbye to you, but Andy said he could say it when he came back.”

The car was waiting outside.

Blood thundered in Dean’s ears, and without his mind directing, his body moved, taking him upstairs in a desperate numbness. 

Outside, his body collided with Cas’s. 

Castiel was crying. There was a thin stream of blood trickling down the side of his face, along his ear and neck.

“Barry is gone,” he said, voice completely hollow. “I was waiting there, but something hit me hard on the head and I clocked out. When I came to, Benny was standing over me and Barry w- was... gone.

From the grounds, there was a sharp sound of an engine revving, and all three of them turned to watch through the north windows as two cars drove away from the fence… their tail lights becoming pinpoints as they disappeared into the night.

*******************************

A/N 2: Man, I am soooo sorry for the cliffy! If it helps, the next chapter is written. I’ll post it within the week! 

Please do tell me what you thought of the chapter? I live for comments!

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[tammyhybrid21]

Do you think that in the Tadeo Jones universe, some people (average or rich people) think living mummies aren't persons but some creatures they can capture and claim as their own 'cuz they have no rights? (as mentioned by Tad in Movie 2) Kind of like the Apex's view of denizens in IT. I think this could be adressed in Tad 3. But I'll be sad because Mummy is going to find the hard way that for powerful people, his feelings and opinions doesn't matter (Twice, if we count the Spanish conquista)

Ohhhh man!

I have been-- stewing over how best to answer this since I saw it yesterday, because part of me has IDEAS-- the other part has a rant that has kind of been building for a while in general when you just examine the movies and the setting and even the actual community represented in reality(that being Archaeologists not-- well)

And LOOK-- I have TEA!

Frustrated, frustrated tea regarding other aspects of how this all could play out that basically boils down to the one major issue that a lot of those groups has is the issue of "But WE all know!" and the we've boxed this in already.

Which-- Debatably, Tad isn't the only one with some issues... But Sara has-- at least insofar as her reactions to Mummy in movie 2, come to terms past her more nebulous in concept repeated line.

"Mummies can't be alive, it's a contradiction in terms" 

Which-- actually might be an issue that's just on the question of the life/death binary more than it is actually a question of whether someone is human/a person or not. And we ALL know she's definitely got Major Respect over Tad--

Like, I will write a proper analysis over their "Mummy gives advice/pep talk" scenes later-- but--

Sara doesn't just take it and run how Tadeo does-- and she doesn't get hyped about it either. It's soft and subtle and just ARGH--

--

Which, okay beside the point, but I have-- so much on this idea of how people view Mummy-- Because let's for a moment consider what Tad actually says-- in answer to Mummy's "What is with you?" and I want to also talk on what people tend to associate with and call monsters... and how... that might also factor into this whole mess.

"Listen you're a mummy, you scare people. In my world you're a zombie!"

Which-- okay, on the surface this is just an on the nose point about how well, Mummy is undead. Ahahah, the living dead and I suppose living mummies are their own form of zombie-- although really it's more like they're cousins as zombies are usually more... in process of decay while mummies are preserved/petrified... Buuuut in any case... not the point here really.

But rather...

Let's talk about how "Monster Movies" come in here. And what zombies tend to be synonymous with nowadays. You know-- for the most part. Mindless, brainless, sometimes killers though not always-- But ultimately-- Does... anyone actually watch zombie shows for in-depth exploration of zombies ever anymore? Aside a few exceptions, and same in games-- Zombies are relegated to just brainless/mindless monsters.

Which--

On the other side of that-- monsters.

Tad never quite uses that word but--

"First, you're not human"

Mummies-- are monsters. In stories and fiction. Used to scare, used to awe, used to add scenery dressing, spooky, freaky, creepy-- and when they're not-- well it's rare. But if they're not the villains, they're not "human". Which think about that for a moment, in all the monster stories we have but a few where the monsters aren't outright put in that position.

But a monster is usually in a story put into one role and box. And if they're not outright there just to be spooky, or the whole new misunderstood monster trope-- which well, that's a whole other thing. But we all know the usual "monster shtick".

Violent, scary, simple, dumb, driven by base impulses, nonhuman, Very, very often as lesser, other, and something to be feared/hunted/destroyed.

And while modern day does move away from that--

ISSUES still prevail.

And I have-- just got to aside here, but like, thinking on this but-- the Phone Mummy sign outside of Tad's window as a child has some... other weird things. Because as a wild aside, my dumb brain has decided to A - B link this with a series I watched on television from 2005-2007

Because of THIS stupid Mummy Scam Artist character. And it's dumb, has nothing to do with the issue of mummies(and other potential beings and creatures of myth and legend) having less rights. But this whole phone billboard-- with the Mummy, it's legit right up this character's kind of scam alley and I may or may not one day just rewatch his two villain episodes to get his personality clear in my head JUST to do a dumb crossover.(And for nostalgia, but that's not news)

BUT--

Advertising does tell us some things already. In how people possibly think and could respond/react.

Yet still-- there is something more I think that we're missing in this conversation on how people will potentially treat the discovery of a living mummy. Or really any supernatural being. If not with fear(which look-- fear the unknown, fear different, fear of monsters), arguably those who're intrigued, interested could be far, far worse.

Also-- I just have, much tea on other responses for even those who might briefly "respect" him. Because look-- Mummy would be a priceless artefact in a way, treasure and discovery all on his own-- BUT also a new potential source of information of a culture that for the most part has been lost and erased by history.

People could and would ask questions.

Whiiich is where I have doubts about how they will accept the answers to those questions. Because here's the thing, for all the Archaeology community loves to act as if they let discoveries speak for themselves, and even I suppose historians-- There are just-- so many times I watch and listen to documentaries and get SO FRUSTRATED-- because they're stubborn IDIOTS, who actually refuse to take in the evidence in front of them of any truths outside of what they're SO SURE has to be the TRUTH!

For those who speak of learning all about history and it's secrets, they're so damn high and mighty to reject anything that doesn't immediately fit with already established "facts". It must be an anomaly, aliens, can't be what we're actually seeing right--

And well even people today interacting-- Like-- I've seen people try to correct someone on the pronunciation of their own name before.

So I am almost certain there would be at least one idiot who'd be all high and mighty and just-- Mummy has LIVED it. It's his culture he grew up in and some idiot speaking over him saying his lying, which I just-- I am certain would happen(but probably not in canon because who would DARE?!)-- Just "EXCUSE ME?!"

Which is it's own kind of disrespect and hell, crash Tad's pillars again. Yes please!

Which... on that account--

I kiiiind of want to talk about how Tad needs a smack on this... and that wake up to the truths of the high and mighty and bloody prideful issues of the community. BUT more than that-- I actually want to think about that point you made about how Mummy's supposed transformation in movie 3 comes across and the further themes of this question of humanity and rights is in regards to this whole issue.

Because yeah, there's the issue, front and CENTER.

The question/implication of this resembling Ammut, and implied loss of humanity. Along with the fact that Tad's the likely TRUE CENTER of the curse-- since he's the idiot who opened the sarcophagus in the first place...

WHICH CAN I JUST SAY--

There's a very good possibility in regards to that issue-- potentially having to do with some of Tad's more... subtle issues. Or even the ones that are close to the surface and yet not. I've screamed already on Tadeo's Internalized Ableism... along with some small nods to Mummy's own less severe cast with that but-- This is directly playing into that image of monsters and nonhumanity--

And I could probably add an additional few pages of speculation onto this but--

I actually am... also worried for the pets. If only because uhhh, have you seen the original two Tadeo Jones shorts from before it become movies? https://www.youtube.com/watch?v=2XxhNMbpE2A & https://www.youtube.com/watch?v=uoJBzI2AUOw

I mean not assuming anything, but I can definitely believe they wouldn't be above having that threat present at the least.(I mean just that second one... with what I guess is concept-Jeff) Even if Mummy is most definitely going to be the one at the MOST RISK. But with that-- comes the question of humanity.

And while yeah-- I do imagine, all too easily there will be many people more focused on the discovery-- I think there's an interesting mess that Tadeo is going to be FORCED to confront with this-- in how he has that displaced view.

Because here's the weird thing.

I've kind of mentioned it before but not really expanded or explained very clearly-- but for all of Tad's issues... he cares about Mummy probably more than he even really realizes. It's in small to big things as well. Again-- for all his trash behaviour in movie 2, I do think a lot of it is very, very misplaced attempts at some form of protection...

Which I also really want to at some point make a post that's just...

"Tad's I'm Helping moments and how they made things worse for everyone"

But that's for later... For now...

I kind of want to grab a few things.

"You're already dead, RUN!"

I also actually counted how quickly he ran back to Mummy for this moment, and it's LITERALLY two seconds, from when Mummy collapses to Tadeo's check on him. Also I'd like to mention with this-- he's supposedly tunnel visioning on Sara(and he ruins it within the next scene pretty quickly)

...

And for all they're kind of dumb decisions.

DEBATABLY-- when he's trying to hide Mummy.

"Hide"

Ugh-- BUT Tadeo has a very... complicated issue here really. Because yes-- Tad very much has that nonhuman issue, but he CARES. And then-- there's how the whole Ammut thing feels set and the symbolic meaning there(ALSO INTERESTING SARA SEEMINGLY ISN'T CAUGHT BY THAT). But here's the thing--

With Ammut kiiind of come those scales and the feather.

It's not like that mythology isn't unknown-- but more to the point-- it feels kind of like force Tad to confront his mixed up view. On Mummy's humanity or lack of-- But really as the audience Mummy feels the most human at this point in time-- whiiich we can get into a debate on what even is human nature later-- but--

I am kind of hoping that we get a callout of a number of things regarding Tad's behaviour.

With some primary focus on this dynamic between him and Mummy and really seeing how he responds to that idea that Mummy is nonhuman to really be thrown into full view and scope. And listen...

You cannot cheat the scales.

...

As an aside generally, if he is turning into a form or version of Ammut even if initially the community is a danger because he's a living mummy that creates a whole other issue of how he'd be viewed as a danger due to the role that's possibly growing more and more of an instinct.

But yeah... I will probably now make a more formulated rant on this later, or like, minor expansions on the topic but-- yeah.

I have been CHEWING on these thoughts, ideas and concepts for a while.

With additional tea. Because when people think they know something too often they refuse to see differently.

(Also at some point I am going to make a personal rant on duality verses binary due to insistent terminology issues I have but ugh)

[the-peaches-pit]

This misinterpretations, misunderstandings, and false accusations of Ushijima Wakatoshi

Hi howdy, not fanfic but a character essay I wrote for fun. Twitter wanted me to post it so I’m just gonna put it on here. 

...... A popular question that comes up in the Haikyuu fandom is what character do you not like? Many will reply with answers on a copy-paste that everyone has seen before. Yamaguchi’s bullies, Tendou’s bullies, Bokuto’s middle school teammates, and well some deserved Terushimas. One character that also floats around in the comments and polls is that of Ushijima. Being a Shiratorizawa stan you could call me biased but I am more than aware of his flaws. People have valid reasons but, I also feel he is still blamed for unfair claims. The series has developed and blossomed very much but at one point Ushijima was horribly despised. The fandom doesn’t hold many grudges moving on from what he was, but that past tense still irks me in people’s words. That irking past tense leads to an in-depth analysis of Ushijima’s character looking at what the fandom still mentions about him. In other words, talking disproving, and explaining the misinterpretations, misunderstandings, and false accusations of Ushijima Wakatoshi.  

The most common misinterpretations of Usihijima start the moment you lay eyes on him and really meet his character, his first appearance isn’t the brightest and either is his actual appearance. Ushijima isn’t the softest boy in the series clearly. A 6’2.6 (189.5 cm) giant with a blank stare and a flat expression. Some tend to get rubbed the wrong way just from seeing him and the first appearance of a character does mean a lot. The start of taking his looks the wrong way is the classic idea of judging a book by its cover. The thing about Ushijima’s cover though, is that the pages of his book aren’t the most pleasing either. Compare Ushijima to someone with his similar issue of Tanaka or even Tendou. The first thoughts seeing them are that they stand out negatively almost, the baldy with shark teeth and the dead-eyed redhead. The thing these two characters carry though vs Ushijima is stand out positive personality. They may look frighting but are truly delightful angels were it counts. Ushijima though looks fearful and his personality doesn’t help disprove this theory. He can be said to be judge filled and outright rude from his character interactions. These views have evidence to back them up, but they’re a view that doesn’t match up with what people say. Ushijima views himself above others but this is not carried with intentional rudeness. He knows his strengths and what he is good at, an overabundance of confidence is clear but isn’t always horrible. Interacting with Hinata and Kageyama for the first time is an example. He knows he has the ability to take the two on this isn’t something negative. Ushijima is just not denying his strengths and has evidence that he is powerful enough. Back to a book metaphor Usijima’s cover and contents don’t seem the best, but that comes from mindful skimming of what you may see. Don’t interpret the snippets for his entire being look and actually read before your final conclusion.  

Misunderstandings and misinterpretations may be similar words in meanings and even synonyms but regarding this situation, they can be two different things. People will misinterpret Ushijima’s appearance and misinterpret what his actions really mean. People misunderstand the drive behind his actions and why he acts the way he does. Ushijima is a plain and simple boy he is in no way the most complex character but there is a layer of depth. He may like plain rice and not have a current concern but why is he like that? There is not exactly a given reason behind his personality but look at his past and it’s not the best. A mother who didn’t like the way he was trying to force change until his dad stepped in. That stepping in along with some love and inspiration helped Ushijima, but with a nasty divorce that didn’t last the longest. His father across the seas and gone from his life was still a sour topic for Toshi at 18, leaving it up to the imagination that it may still haunt him. Even if not the most dramatic it’s a shame if this doesn’t drive the smallest bit of sympathy from one learning this. One of the most believed and theorized headcanons that exist for his character involves him being autistic. This is in no way true but many admit they see autistic coding in his character and viewing him in this light, would make sense. The poor social behavior, bluntness, hyper fixation, and not liking things he doesn’t know of. Looking at him with this understanding changes things. Other characters that sometimes act this way are Atsumu and Kita from Inarizaki who share similar autistic-like attributes of Ushijima. All are blunt, sometimes rude, and social messes. But with all three of these characters adding this headcanon can help understand them a bit better. It gives them excused reasons for why they’re like this, but it’s not true. Overall this headcanon just helps give light, but a thing in canon that all these characters share isn’t the best past. Lack of parents for two and cruel people for another. Understanding them and what they’ve come from and maybe in a different view, truly can help maybe explain how they are and the way they act. 

Lastly with Ushijima comes the false accusations of his character that are linked to the fandom’s misinterpretations and misunderstandings. We’ve all seen the joke. The overplayed and oh it was funny for four seconds joke of Usijima being Oikawa’s stalker. It’s one of the farthest things from the truth. It was funny but then got so carried away. The interaction and the saying, “you should have come to Shiratorizawa” can haunt dreams. No one fully belives it but some still take it wrongly or twist it for angst. Ushijima with blunt behavior as normal simply commented on skills. He was actually giving a complicated compliment in this. He was simply saying Oikawa had the skills to join and be part of his team. A team that was the powerhouse of the time who only allowed those in with strict scholarships. It was in no way stalking behavior. Praise the fandom for no Ushioi killing stalking crossovers just for the poor taste of the joke. Another false claim is he’s sort of an empty robotic character. Volleyball or nothing. He does slightly follow this claim but he can show to have relationships and have some other interests. He has friends of his team that he talks to and associates with outside of practice. Tendou is the main example. A complete opposite that he has seemed to have clicked with. They’ve shared depth filled talks and Tendou tries to get him into hobbies. Related to updated chapters as adults his old teammates even seem to keep in touch with him. They can playfully pick at him and he’s not just gonna critique them. Shirtoizawa has a vice-captain you’ve probably never heard of him but his name is Jin. He’s in no way a regular, but that means Ushijima still had some sort of connection to choose him. Perfection, skill, and other things mean a lot to Ushijima but he’s still human. A human character that has no sinister stalker intentions behind people who spark his interest.

I am a proud and passionate Ushjima Wakatoshi stan who can admit, when joining the fandom I didn’ have the best view of Ushijima either. I fell into the depths of rumors and things said about him, also he is a tad scary to look at. But, diving into it and taking a better glance. I’ve come to love him so much. Everything I’ve said is a personal view of the things I’ve seen in the hidden layers of the fandom. Ushijima grew the smallest bit thankfully and so did many people’s opinions. He wasn’t put in as a character to hate thankfully which is saddening when some still do. Before making a statement of hating Ushijima I just hope that people can read and start to understand that the boy, has many misinterpretations, misunderstandings, and false accusations. 

Also, I did not mention the farmer headcanon or claim because it’s funny and is still loved but he isn’t one sadly. 

[wonderfulworldofmichaelford]

Psycho Analysis: The Grinch

(WARNING! This analysis contains SPOILERS!)

What can be said about the Grinch that hasn’t already been said a million times by a million different people? The Grinch is easily one of the most iconic Christmas characters of all time, up there with the likes of Scrooge, and he even has a similar character arc in which he learns the true meaning of Christmas and becomes a better person. The original Chuck Jones animated short has gone down as one of the most beloved Christmas specials of all time as well as one of the best Dr. Seuss adaptations ever (if not THE best), and it gave the Grinch his iconic theme song which every other adaptation has seen fit to use.

The Jim Carrey live action take and the Illumination version which featured Benedict Cumberbatch in the title role both tried to bring a fresh take to the world’s most beloved classic Christmas curmudgeon, but did they succeed in making him entertaining and engaging as a villain is the real question?

Actor: In the original Chuck Jones short, none other than Frankenstein’s monster himself, Boris Karloff, portrayed the Grinch, but this is mostly due to the fact he was the narrator of the story and the Grinch is the only character who really speaks due to the tale being mostly shown from his POV. Still, let’s not pretend like Karloff isn’t the definitive voice here, especially considering his competition.

Carrey and Cumberbatch are both good actors, don’t get me wrong, but I don’t think they really do the Grinch all too much justice. Carrey, bless his heart, at least comes fairly close, with his Grinch being in line with the original, but at the same time this is a comedic Carrey character coming off of his 90s run as a wacky comic actor. Carrey injects that manic Carrey energy into the performance, and while I think it’s a good performance, I don’t necessarily find it to be a good Grinch,

Cumberbatch faces a similar issue, not helped by his decision to use a weird American accent as opposed to his natural British one, leaving his Grinch sounding like a nasally dork. Again, he doesn’t do a terrible job by any means, but his performance certainly does nothing to convince you the Grinch is a mean, rotten soul.

Motivation/Goals: The Chuck Jones Grinch sticks to the original book to a fault; the Grinch is just a cranky jerk who hates Christmas for some inexplicable reason, and so decides to ruin it for everyone out of petty spite. Yes, it lacks any sort of depth, but the Grinch is a character from a children’s book and he just puts so much darn effort into his plan that it’s really easy to forget he’s just doing this because he is just a miserable bastard.

The two other attempts at the Grinch have gone a long way to giving him some sort of tragic backstory explaining his hatred for Christmas. And… I actually really like that. Yes, yes, villains can just do villainous things because they’re jerks, but I do appreciate the other adaptations attempting to do something interesting with the character and make him a bit more engaging in a feature-length product. In the Jim Carrey film, the Grinch becomes bitter and evil due to a childhood of constant bullying, while the Benedict Cumberbatch Grinch was a lonely orphan who never got to celebrate Christmas. While obviously it’s up to the viewer to decide whether or not these backstories add any sort of interesting element to the Grinch’s hatred of Chrtistmas, it’s hard to deny that it makes a bit more sense than the Grinch suddenly and randomly deciding after half a century that this Christmas was going to be the last ever.

Personality: While this section of Psycho Analysis is going to be semi-retired, the three Grinches are actually a perfect example of where examining the personalities of the characters can actually show a lot about the overall quality. Obviously, the original Grinch is exactly what a Grinch should be, at least in my eyes: a bitter, miserable curmudgeon who takes great joy in bringing misery to others with his selfish, senseless acts of holiday thievery. He’s a mean one, Mr. Grinch.

The Carrey Grinch does still have these elements, but it’s a bit outshone by Carrey’s hammy performance. His Grinch is about as wild as Ace Ventura or the Riddler, and while hammy villains are always fun – and there’s no denying the Grinch is – it makes it a lot easier to see him eventually turning to the light side, especially since he’s actually shown to have some redeeming qualities.

These issues are continued into Cumberbatch’s Grinch, and in fact here the problems peak. Cumberbatch’s Grinch from the start comes off as more as mildly irritated jerk, yet one who really doesn’t seem evil at all, and as the story continues he seems far more like a depressed, unhappy man with undiagnosed mental illness who is suffering due to childhood trauma. You don’t want to say this guy has termites in his smile or that he’s slippery as an eel or that you wouldn’t touch him with a thirty-nine and a half foot pole; you just want to give him a hug and tell him that things are going to get better. He just seems like he needs a friend, not a total life-changing epiphany.

Final Fate: We all know how it goes; his heart grows three sizes and he learns the true meaning of Christmas. Each of the adaptations keeps this in, though obviously to diminishing returns as each successive adaptation has made the Grinch nicer from the get-go in some regard due to the tragic backstories and whatnot.

Best Scene: At least for the original, his best moment is, of course, the montage during “You’re a Mean One Mr. Grinch,” in which we get to see all of the slippery ways this green meanie is ruining the holidays. Of course, this is matched by the epic moment at the end where the Grinch gains super strength from his heart growing three sizes and lifts the sleigh of stolen goods, which is equally awesome whether it’s te animated one or Jim Carrey doing it.

Cumberbatch’s Grinch manages to have a different moment to call his best: after he has redeemed himself, he gets invited to dinner in Whoville, and the scene where he nervously goes to the house and makes small talk is just very sweet and endearing. It’s easily the best scene in the movie and shows that even watered down there’s still plenty of heart to be mined from this timeless tale.

Final Thoughts & Score: I think that the fact that the Grinch is constantly being reimagined is a sign at how impressive and enduring he is as a character, and he’s easily the greatest Christmas villain of all time (with apologies to Hans Gruber, Mr. Potter, Burgermeister Meisterburger, and Kirk Cameron). The original special is obviously the definitive portrayal of the character, to the point where the Grinch became a household name and got himself two more specials, one in which he once again terrorized Whoville (this time with a wagon filled with nightmarish hallucinations) and one where he faced off against the Cat in the Hat, the latter being especially notable for beating Zack Snyder to the punch at making “Crossover Versus Movie in Which One of the Title Characters Is Redeemed By Mentioning His Mother” by 34 years.

The original Grinch even effected himself; his iconic green, almost goblin-like appearance was a departure from the book, where he sort of resembled a more mischievous Who, and it has ended up sticking for the character ever since. Throw in that iconic villain song about how foul he is sang by Thurl Ravenscroft AKA Tony the Tiger, as well as the fact that “Grinch” is up there with “Scrooge” as shorthand for someone who hates Christmas, and it’s easy to justify letting the Chuck Jones take on the Grinch steal not only Christmas, but an 11/10.

Carrey’s take on the character is different, but not bad. I’m not going to say it’s good either, though; I still think Carrey hammed it up too much and just let loose his manic energy. And it’s really weird, because I have a soft spot for the film and I love the performance, and I think the insane energy of Carrey’s performance is what elevates the film and has helped it become a sort of holiday cult classic, but I think that it kind of misses the point of how the Grinch should be. It really boils down to the usual thing with these adaptations that try and add complexities to characters that just work better when they are simple: Jim Carrey’s Grinch is a great, fun character, but he just isn’t a great Grinch. Still, the makeup and costuming is so amazing that I’d feel like a Grinch myself if I stole too many points, so I think a 6/10 is a solid score for a performance that manages to be a bit above your average villain.

And then we get to Cumberbatch. I’m just going to say it: I barely consider his Grinch a villain. He’s just too nice and sad and cranky to really be evil. Sure he has wacky inventions, sure he is a bit passive aggressive to the Whos, but god this guy is just not mean enough. The fact he can just walk into town and interact with the townsfolk and they don’t even bat an eye says a lot about how watered down and toothless this take on the character is. Not helping is the safe, soft design Illumination gave him, as well as Cumberbatch’s weird American accent. Still, I don’t think this Grinch deserves worse than a 4/10 when it comes right down to it. In this case, it’s more that what’s interesting about him as a character saves him from sinking any lower than just being subpar as opposed to the problem with Carrey being that what made him interesting as a character made him less appealing as a Grinch. This guy does still try and steal Christmas, after all… It’s just that he’s so nice to begin with that you really aren’t too shocked when he does end up turning over a new leaf.

While it’s obvious the Grinch has had his ups and downs over the years, the fact he is such a legendary figure and an enduring cultural icon really says a lot for his staying power, as well as that sometimes a simple villain that lacks any complex motivation beyond “he’s a jerk” can really resonate with people. Maybe all of these other adaptations don’t quite measure up to the original animated special, but they don’t need to; it’s just interesting to see what different visions for the Grinch look like from different creators. Whether it’s good or bad, one thing is for sure: he’s a mean one, that Mr. Grinch, and we all love him for it.

You know what we don’t love him for, though? His dental hygiene. 

Merry Christmas!

[sablelab]

Covert Operations - Chapter 54

DISCLAIMER: This is a modern AU crossover story with Outlander and La Femme Nikita. LFN and its characters do not belong to me nor do those from Outlander.

SYNOPSIS:  In the White Room, Madame Cheung is now in the hands of Madeline and defiantly awaits her fate.

*N.B. Some text alludes to violence in this chapter

THANK YOU to all the lovely people who are reading and liking my story. Much appreciated.  As promised Chapter 54  is the first instalment in the White Room xox

Chapters 1 - 53 can be found at …https://sablelab.tumblr.com/covertoperations

   CHAPTER 54 (V)

Madeline closed the White Room door behind her and stopped for a moment. A Mona Lisa smile enigmatically but fleetingly bowed her mouth as she softly began humming. The melodic sound echoed in the stark room bouncing off the walls a strategy she knew would unnerve the stoic figure of Madame Cheung who sat shackled in the centre of the room.   Section One’s second-in-command, a specialist in psych analysis, interrogation and pain techniques enjoyed matching wits with the targets and eventually breaking them by any means necessary and now, this woman was her latest victim. 

Within Section, Madeline was the primary person responsible for analysing and predicting the behaviour of the enemy and she didn’t flinch at using torture in this capacity.   In contrast to Operations, she was calm and methodical; when she wanted to, she could be charming and gracious, but the warm façade could drop in an instant to reveal an arctic iciness. The White Room was her domain and Madeline knew she was going to enjoy this grilling of her latest victim. Her skills were unique and beyond belief but she always got what she sought … eventually and Madame Cheung would reveal what she wanted to know regardless of how long it took.

~*~*~*~*~*~*~*~*~*~*~*~*~

Known by Section operatives as the “ice queen” and the “high heels of death”, she was a cold-hearted bitch, as calculating and humourless as her partner Operations. She was also unemotional and ruthless. Her cold intelligence coupled with her brilliance as a shrewd strategist, could manipulate everybody without any feeling of remorse or hesitation. Madeline was an outstanding psychological puppet master whose mantra was to get the job done no matter what. The level of emotional and mental cruelty that she inflicted on terrorists boarded on sociopathic but extreme measures were often necessary in her job prescription.  Information is what they required at Section One and Madeline merely carried out the Section mandate to its logical conclusion.

The woman however, was an enigma.  

Emotionally, she was detached, analytical, and almost shockingly unsentimental. She would literally do anything to further Section One's interests, no matter what the sacrifice, and she expected the same effort from others under her command. If they wouldn't make those sacrifices willingly, she had no compunctions about manipulating or even coercing them to do so. Her recruitment to Section One, her background or her life prior to Section was unknown and the only thing that anyone really knew for sure was that Madeline had been in Section for a long time.  Beyond that, people knew very little and that’s how she liked it.

The main thing that was known about her background served to make her even more enigmatic and the few details from her past held clues to the woman she became.  When she was just a child, she and her sister Sarah fought over a doll they both wanted but neither was willing to give any ground until Madeline made the deliberate choice to push Sarah down a flight of stairs killing her.  “I wanted the doll,” … was her emotionless statement about the incident.   This was a clear indication that the accident was indeed malicious and that perhaps it was always in her nature to take what she wanted from others regardless of the consequences.  However, that event wasn’t what brought her into Section One. There were rumours that she repeatedly stabbed a lover to death after suffering years of physical and mental abuse which would partially explain her uncanny gift of doing the same thing to others.

Although she could manipulate anyone into revealing their deepest motivations, Madeline herself was the most secretive Section operative of all.  What made her tick? No one knew, not even Operations to whom she was so closely allied.  Colum from Oversight referred to both of them as Siamese twins because of how the two worked in lockstep. She is always by Operations’ side to help him make vital decisions including who lives and who dies. Dougal Mackenzie could rely on Madeline and her counsel but that didn’t mean he understood her, and that was likely the way she preferred things.

Madeline is the most elusive of the agents at Section One whose power flowed from the perception that the limits of her knowledge and abilities seemed infinite. Always with a secret agenda, her modus operandi involved stepping back, assessing the captives and using her keen insight to pry deeply into their minds. She is cunning and beautiful and deadly and those traits are what make her formidable. In some respects, Section’s second in command is more ruthless than Operations himself, for it is difficult to believe that she had any respect for human life when she appears to think everyone is expendable.

~*~*~*~*~*~*~*~*~*~*~*~*~

Alone with her thoughts, Madeline quietly observed Madame Cheung strapped into the chair in her foreboding domain before proceeding towards the target. Walking across the cold, unadorned floor her footsteps echoed with each step she took. 

With a self-belief that she would do what she had to do in order to extract the information about the Rising Dragons for Section's benefit uppermost on her mind, Madeline approached the lone figure of their latest incarcerated triad member. Now at long last Madame Cheung was her latest victim. From what she had observed so far, she knew that this woman would be interesting to say the least and there would be no holds barred. She’d read Jamie and Claire’s debriefs and had viewed the mission tapes. Therefore, Madeline was well aware of Madame Cheung’s strengths but her forte was finding weaknesses. She left no stone unturned in her pursuit, for it was in so doing that she gained the higher ground, and she had every intention of finding Madame Cheung’s Achilles’ heel. 

Although the triad member had proved to be ruthless, little did she know that Section One’s chief strategist was more so. Madame Cheung was in her domain now, and there would be no escape from her fate there. ~*~*~*~*~*~*~*~*~*~*~*~*~ 

The target sat manacled in the metal chair lost in her thoughts. Reciting the Rising Dragon’s mantra in her mind in some way gave Madame Cheung comfort and strength.

“Death with Honour” its way of life With motto “Strength by Dare” Once you yield fear nought … but When it seeks you, beware! The Rising Dragon! She had been in this stark room for some time, but how long she did not know. There was little she could do except wait to see what would happen next. It was obviously some kind of interrogation room as it was devoid of colour and furniture. Her hands were shackled and she had little chance of escape although she’d tried to loosen the restraints on her wrists but to no avail. No one had entered since two men had placed her in this chair. So, she had little choice but to play the waiting game ... then she would know where she stood and what, if any options she had. Madame Cheung’s steely resolve was exacerbated, particularly when she relived the duplicity of her protégé Claire Beauchamp. She had been betrayed by Claire and her bitterness at her treachery knew no boundaries. Le Comte St. Germain too had deceived her. They had totally fooled her after having won over her confidence. To think that her uncanny wiles had let her down was unforgivable. She had failed to see their subterfuge ... and at no time had she suspected them of being anything other than who they were pretending to be. They had ingratiated themselves into her world of the Rising Dragons for ulterior motives. She had trusted them but they had betrayed her. Now because of their ruse, she was a captive in this place. She had meant every word uttered to Claire when she’d been captured. Not only would she need to be wary but Le Comte St. Germain... James Fraser ... would also need to be vigilant. When Sun Yee Lok found out about her betrayal at the hands of these individuals, as she knew he would all in good time, then he would seek vengeance as only the triad could ...the triad way. It was her one consolation for her stupidity in being so gullible and being deceived by this slip of a girl who had got under her guard. As another consequence she had lost face ... not only with herself but with her leader. When Sun Yee Lok found out, he would be merciless in his retribution of her, so whatever she was dealt here in this place of incarceration, would be nothing in comparison to what he would do to her if they should meet once more. She was after all part of his trusted inner circle. How had she been fooled so easily? Betraying the triad was reprehensible and because she had been duped this played more heavily on her mind. It was now perfectly clear that other members of the triad had gone before her and had met a similar fate at the hands of these mercenaries. Sun Yee Lok had been most displeased with the death of Tony Wong but his suspicions had led to another rival triad rather than other foul means. The other deaths had not been suspicious, however, knowing the ruthlessness of these people perhaps they were suspicious after all.  Now it was she who was on the receiving end ... one that found her in a predicament ... and one that she may have trouble getting out of. What was this place? Who were these people and what were their motives? As her thoughts reverberated in her head Madame Cheung felt a wave of doom course through her body at what her fate might hold. Although she would never show it, she was afraid. ~*~*~*~*~*~*~*~*~*~*~ Unable to see when someone entered the room because her back was to the door, Madame Cheung was aware she had company. She listened to the sound of the creaking hinges as the door was pushed wider and wider, then came the closure and the clack of a bolt moving into the locked position. Shackled in the chair, she wondered who had entered. The unwavering gait of light footsteps resonated on the flooring as a woman, most probably, came into the room. Then she heard the humming sound. Her eyes narrowed as an expression of determination crossed her face not dissimilar to that of other Triad members who had been Section One’s guests here in the White Room before. Hearing the footsteps draw nearer, Madame Cheung steeled herself for what may come. However, little did she know, but her fate had already been sealed … a fact she would soon discover. Madeline stopped behind the target and addressed her back. “Hello, Madame Cheung ... Can I get you anything? ... Some water?” The woman’s voice chillingly reverberated in the quietness. Madame Cheung’s body tensed. She opened her eyes slowly and focused on the voice that had spoken to her. Saying nothing in reply she just stared down at the floor in defiance. A wry smile crossed Madeline’s face at her noncompliance. Circling the chair in her usual interrogation manner, her next verbal banter began to increase her advantage over Section One’s victim by destroying the subject's defences. “I've looked at your file. ... You present similarly to our other detainees from the Rising Dragons triad. Bright ... well connected ... very attractive, but ruthless ...” Madeline stopped talking and stood in front of Madame Cheung resolute, determined and unflinching. Brown eyes as cold as steel never left the woman in her sight and watched her straight-faced and emotionless. They missed nothing. They saw everything. Neither woman flinched as steely looks passed between the two women. Two pairs of cold eyes appraised one another as they sized each other up. Although one woman was in control, the other would never admit defeat and she waited to see how things would pan out with the formidable woman dressed so austerely. With bravado and venom Madame Cheung hissed in reply, “The triad will seek vengeance.” Madeline smiled her Machiavellian smile letting the target know in no uncertain terms who indeed had the upper hand. As she studied her opponent too, she knew without a shadow of a doubt that she did not like to be bettered on power games. Her greatest talent was her mind, so if Madame Cheung wanted to play mind games with her, she would come off second best. 

“Interesting ... but I think not. Tony Wong, Alain de Marillac and Oliver Chan ... have been our guests ... All were members of the Rising Dragons ... All are dead!”

“The triad is much bigger than the individual. It will atone for the deaths of its members,” Madame Cheung retaliated with as much audacity as her inquisitor now realising that her earlier thoughts had been confirmed.

“Perhaps ... then again ... How will it atone for yours Madame Cheung?” A cold, piercing stare angrily held Madeline’s gaze.

Section One’s head strategist scrutinised the hostile watching for any facial movements that would betray that her words had hit a nerve. Bravado by the victim was the first stage of capitulation and Madeline relished the chance to pit her wits against this new adversary. Bit by bit she would wear her down as she always did. Some targets were more obstinate than others but, in the end, there would only be one winner. After she had finished messing with her mind, acting on her fears, Madame Cheung would wish she had never been born. Not only was she the one in control, but the White Room was her domain after all. No one bettered her perception about people and she had Madame Cheung figured out. The woman was a carbon copy of herself. As Section One’s resident torture expert she definitely had the upper hand. Madeline knew exactly which buttons to push, when to push and how to push them to get the required results. Her cold demeanour allowed her to torture people for information without batting so much as an eyelash. Her methods were succinct, purposeful and she got the job done with as little fuss as possible. Given her confidence in the face of adversity, Madame Cheung may prove to be difficult. Madeline, however, relished the thought of matching wits with her for there was nothing she liked better. ~*~*~*~*~*~*~*~*~*~*~*~*~*~* Reciting the Rising Dragon’s mantra in her mind had calmed Madame Cheung’s nerves and given her the burst of courage and confidence needed to face her foe. Although she was unable to see her adversary at first, she had known the very moment that her interrogator had stood in front of her. She’d felt her presence while the woman’s words had cut through her with the underlying cynicism of someone who had the upper hand. The humming had obviously been a ruse to unnerve her, but her training in martial arts had prepared her for such tactics. Nothing much fazed her and a little humming certainly hadn’t. As the attractive, brown haired and well-groomed woman approached, she’d observed her more closely and had seen a cold and calculating opponent. Neither of them had flinched when their eyes had met. Madame Cheung had known immediately that this woman, who showed no emotion, was composed, stoic and unflinching, and ... she was used to winning. Unequivocally she’d seen a mirror image of herself. Her bravado was an effort to diffuse the situation and catch the brown-haired woman off guard, but her boldness had backfired. She was a bit taken aback when the woman had mentioned the members of the Triad who they’d thought had met their demise by natural causes. Little did they suspect that Alain de Marillac and Oliver Chan had met with foul play. Sun Yee Lok had blamed their rival triad group the Black Panthers for the death of Tony Wong but now she knew it was indeed these people. What were their motives? Who were they? Perhaps they were some kind of anti-terrorist organisation. Did they want to see the triad implode in order to eliminate the Rising Dragons? Or were they taking down its hierarchy one by one in order to destabilise the triad? Would another less powerful triad better serve their purposes? There were too many questions that she could only hazard a guess at. One fact that was obvious though was that she was at their mercy and had little prospect of finding a way out of her dilemma. She was conscious that any facial movements would be a sign that the woman’s words ... “How will it atone for yours Madame Cheung?” ... had hit a cord with her. However, it had taken all of her willpower not to flinch as the meaning hit home ... Her death! She’d swallowed the bile that had risen in her throat ... So; she was to die at their hands if she refused to cooperate? For a moment she’d been afraid ... not of death, because death didn’t frighten her. She wasn’t afraid to die ... there were always others who would take her place within the triad. She had meant it when she’d said that the triad was bigger than the individual. It may suffer for a while but like the Phoenix it would rise stronger and more defiant in its adversity. Sun Yee Lok was astute enough to work out that there were forces working against it and take affirmative action against the perpetrators. The triad would indeed rise up. These people would do well to take heed and be cautious of its merciless ways for when the triad sought you out there was no escape from the wrath of the Rising Dragons! No ... she was afraid that the rhetoric she’d espoused may be for nought, unless there was a way that Sun Yee Lok would indeed piece together the chain of events that had occurred to the triad over the past months. If there was no escape from this place of incarceration for her and her death was inevitable, how would he know that she too had met her demise by subterfuge and deception? She was afraid of what may come and the pain they would inflict to make her give in, but she hoped that she had the steely reserve to counterbalance whatever they may do to her. The woman in brown had scrutinised her features watching for any sign of capitulation that her words had unnerved her ... but she would not show her any fear. Fear was a weakness that was to be exploited ... a means to an end. If she showed them no fear, then she would in turn unnerve her interrogator.

Madame Cheung wondered what this woman had in store for her, but whatever it was ... she had the resilience to offset it. And so, she waited for one of them to strike the first blow.

~*~*~*~*~*~*~*~*~*~*~*~* Madeline moved closer, deliberately moving into Madame Cheung’s space yet watching her surreptitiously. Her next statement to her, however, was cause for alarm and the matter-of-fact way in which Madeline spoke sent chills up and down her spine. Her tone indicated to Madame Cheung that she was indeed a fearsome and cold-blooded opponent. “Trust me ... you do not have the strength to withstand the pain our technology can inflict. The question is simple: will you cooperate now ... or will you force me to modify you?” Madeline watched and saw a slight flinch in the target’s eye at her words, but raising her head even higher in defiance, Madame Cheung said nothing but merely stared her down. “Madame Cheung ... you have a business relationship with a man named Sun Yee Lok.” “So that’s why you got me here? Sun Yee Lok?” She laughed. “Ha! Classic! Sun Yee Lok!” “Yes Sun Yee Lok ... the supreme head of the Rising Dragons’ triad.” “Now why would you want him?” As Madame Cheung’s insolence continued, Madeline decided to shut her up once and for all. Without any warning, she grabbed her by the throat closing off her windpipe. She gasped as the last vestige of air began to escape her lungs leaving her spluttering and choking unable to breathe. Leaning in to the target and with eyes that were merciless Madeline whispered just loudly enough to be heard. “Now listen carefully. We have our reasons for wanting Sun Yee Lok, and you will help us. Usually, I’d extract what I want and you’d be disposed of. You’re a very lucky woman, Madame Cheung.” Madeline released her fingers from her wind pipe so that she could respond. Coughing, Madame Cheung moistened her throat but her eyes showed no other emotion other than contempt. “Oh? How do you figure that?” “You should be dead by now. It would only take one slight movement to your carotid artery and ...” Gasping for breath she managed to say, “In other words, you’ll keep me alive until you get what you want.” Looking Madame Cheung in the eye, while playing her cat and mouse tactics, Madeline replied. “Actually, we know that you are a member of the Rising Dragons and Sun Yee Lok’s inner circle. I have a much better offer for you.” “Oooh. I’m afraid.” “I think there’s an opportunity here for someone with your skill set.” “Really?” “Yes ... seduction techniques are always in demand for luring unsuspecting targets. Don’t you agree Madame Cheung?” “I don’t want to work in your organization.” “I disagree. I think the work here will appeal to you; after all you’re very good at seducing clients. But I digress ... we’re getting ahead of ourselves. First things first.” “What do you want me to do?” “Tell us the whereabouts of Sun Yee Lok.” “Go to hell!” “Very well, if that’s how you feel ... you leave me little choice.” Madeline turned her back to her and smiled inwardly. She had plans for Madame Cheung ... plans that included Henry and Elizabeth, Sections One’s pre-eminent torture technicians. They had yet to pay a visit to her but when they did, she would know it. They were so good at applying that extra little persuasive pressure that was sometimes needed to tip a terrorist over the edge. Madeline knew that Madame Cheung would “enjoy” their little session. ~*~*~*~*~*~*~*~*~*~*~*~*~*~*~ No sooner had the words had left her mouth than the sound of a door opening filled the eerie silence of this cold white room. Madame Cheung heard two pairs of footsteps in unison approach to where the interrogator stood. Glancing up she noticed a man and a woman carrying what looked like a suitcase each. The be-speckled pair was dressed sombrely in dark suits, but it was their demeanour that unnerved her. She had seen their likes before ... people who specialized in interrogation through the use of torture techniques and who were indifferent to their victim’s pain. This deadly duo had evidently been called to the White Room in order to acquire information from hostiles swiftly and efficiently and Madame Cheung knew that that meant her. Obviously, they had a variety of medical equipment and devices in their cases that would persuade their victim to relinquish information quickly. The Rising Dragons also used such people and Madame Cheung knew what awaited her because of her insubordination to comply. Her fate was now in their hands. “Madeline?” “You know what to do.”

 *~*~*~*~*~*~*~*~*~*~*~*~*~ to be continued

[lanternlightseer]

The Paranormal and the Sitcom: A So Weird & Girl Meets World Crossover Essay

Inspired by @fi-phillips  | @thats-so-weird  | @boymeetsworldconfessions  | @rilaya | @rileymatthews-xo

Introduction

From 1999 to 2001, Zoog Disney aired a paranormal show named So Weird, the Disney version of the X-Files. Micheal Jacobs revived Boy Meets World with a continuation called Girl Meets World. On the surface So Weird and Girl Meets World have nothing in common. The former show filmed in Canada, the latter was filmed in California. Cooksney and Jacobs couldn't be more different, Jacobs is known for comedic sitcoms like My Two Dads, John Astole and producer Jon Cooksney, focused on speculative fiction. Astole worked on Stargate, and the 1980s Twilight Zone revivals. Disney Channel hosting their television shows is their only commonalities so far. What made these programs successful was pushing Disney's Astole limits on what considered acceptable. As a result, So Weird was the darkest show Disney Channel aired where Girl Meets World was one of the smarter television shows of modern Disney Channel. Audiences don't think of Disney tackling death acceptance, religion, or feminism

Fiona "Fi" Philips (Cara DeLizia) along with her older brother Jack, join their mother Molly Phillips (Makenzie (Phillips) on her comeback tour. Having a Rockstar mom isn't easy, especially when evil spirits begin stalking Fiona. When Annie (Alexz Johnson) arrives a paranormal panther follows suit. Riley Matthews (Rowen Blanchard) along with her best friend Maya Hart (Sabrina Carpenter) continue the lessons her father learned almost Boy Meets World. At six years old I loved stories about hauntings and dark creatures, so, So Weird naturally appealed to me. Nostalgia over Boy Meets World influenced my decision to watch its sequel and the quality of it surprised me. This cross-over essay's purpose is dissecting these shows popularity and their similarities rather than their differences.

Surface Similarities & Differences

At the surface level SW and GMW's similarities are minor., Fi Phillips and Riley Matthews are our brunette primary protagonists; Annie Thelon and Maya Hart are our blonde secondary protagonists. Fandoms hated Annie and Riley because they interfered with the fandoms' favorites then subsequently blamed for the lackluster third seasons. Celebrities Carpenter and Johnzon used their shows as advertisement for their music careers. Actually Disney gave Carpenter a record deal before casting her as Maya. Carpenter is talented but still sounds like a Disney pop star, however, Johnson has more experience. SW had better music because there was a larger variety of genres like Rock, Pop, Blues, and Celtic music. SW alluded to Celtic and Greek mythology like changelings and sirens. GMW alluded to BMW and nothing else like Cory and Shawn's jellybean scene. Both shows had actors who appeared in crime shows including Carpenter and Eric von Detten.*1

What else SW and GMW had in common was that they had realistic friendships and family dynamics. Friendships weren't used as problem-solving devices but to deepen the characters. Jack (Patrick Lewis) and Clu (Eric von Detten) hung out because they wanted to not because the plot required them to. Parents were written as people. Molly struggled with widowhood and had goals outside of being a mother. Irene felt inferior to her younger sister and Ned Bell was a biker before he married Irene. In addition, Cory taught History yet offered fatherly advice to his daughter and her friends. Single mother, Katy, struggled with her part-time job and caring for Maya. As siblings, Jack/Fi and Riley/Auggie neither fought constantly nor always got along. 'Singularity' Jack and Fi do nothing but argue but in 'Medium' Jack uses "colourful language" when a psychic angers Fi. In GMW, Riley and Auggie argued in 'Forgiveness' then have a touching moment in 'Christmas Maya.' When writing only children Jacobs and Astole never relied on only child stereotypes instead showing the complexity of being one. Not to mention, as an only child myself, I loved this. Maya and Annie weren't spoiled were confused over siblings concepts, like sharing. Trapped in endless detention, Annie's confused by Jack standoffishness finding out that he falsely believes that Annie's replacing his sister. After assuring him that was never her intention, she and Jack become friends. Likewise, Maya confuses Rucas' (Riley/ Lucas) relationship with that of a brother-sister one because she doesn't understand how siblings act. Siblings are loving and friendly but also bicker like Lucaya (Maya/Lucas). Eventually, they develop sibling dynamics with other characters, Annie/Jack and Maya/Lucas.

Neither show's focus was on romance. SW focused on family while GMW focused on friendship and love interests didn't appear in more than one episode. Jack's girlfriend, Gabe, appeared in 'Angel.' Ryan was Fi's first kiss in 'Second Generation' and GMW had two date episodes. 'Brother' was about Cory and Topanga's date night; 'First Date' was about Lucas and Riley first kiss. If romance wasn't plot important then why did GMW develop a shipping war while SW was immune to such disputes? In comparison to GMW, SW had limited couple options meaning there weren't many options before couples became slash or incestuous Those options are: Annie and Fi with either Clu or Carrey. GMW avoids this pitfall with a diverse amount of characters but started shipping wars by introducing the leads and love interest simultaneously. Fanon favourites were Jack/Annie, Carrey/Molly, Lucas/Maya despite the intended couples are Cory/Topanga, Riley/Lucas, and Fi/Clu.

Why did Anti-Annie fans hate her less than Anti-Riley fans? Again, the fandom hated Riley more because of differences in character casting. If a Jerkass character is among the main cast the fandom automatically absolves them, giving their retribution to the kinder characters. Maya's the "broken bird" so fans will prefer her and discount Riley giving fans reason to pair Maya in a love-hate romance. For extra information on this, TvTropes offers an analysis using Nickelodeon television as examples. SW main characters aren't jerkasses toward their friends meaning Annie gets less hate and Friend-Lovers are on equal levels with Love-Hate ones.

Seekers: Fiona & Riley

Seekers of the 12 Archetypes are constantly searching for expanded knowledge of the world at large or themselves. Riley and Fi want to understand other people's perspectives in a worldly sense (Riley) and supernaturally (Fi). However both are open-minded toward unproven phenomenon as opposed to our blond protagonists who rather "go with the flow." Also as the primary protagonists they possess the most contradictions of their worlds. Fi's an amateur parapsychologist but wants a normal life to protect her family. ('Lightening Rod') Fi is a computer geek struggling academically but loves learning new subjects ('Tulpa', 'Escape', 'Vampire'). In comparison, Riley succeeds with her schoolwork but is naïve to the world around her. ('Pluto') She insecure often becoming victim to peer pressure but craves uniqueness away from her peers ('Popular', 'Jexica') Riley and Annie love feminine hobbies – makeup and shopping – but love masculine pursuits too. Both of them love the outdoors, athletics, but are terrible at sports. ('Ski Lodge' in GMW and 'Sacrifice' in SW) Riley can't make the cheerleading team but loves basketball; Fi fails at baseball but tries appreciates the sport. ('Singularity', 'Rah Rah') Contradictions make them rounded characters but causes internal conflict when they attempt to form a stable Ego.

Upon waking up in the middle of the night, Riley eavesdrops on her parents where she doubts if she's good enough compared to her parents. After all Topanga is a successful lawyer, Cory is a successful teacher, and have a perfect fairytale love. ('Cory & Topanga') Unable to connect with her father, Rick, Fi seeks resemblances between herself and him. Just like Riley's atelphobia, Fi feels disconnected from her family because of her paranormal interests. An example is 'Strange Geometry' where Fi feels betrayed that her mother kept Rick obsession a secret. Since Lucas doesn't differentiate between Riley and Maya during the love triangle, Riley further doubts her worth as a girlfriend. In the pilot and a deleted 'Upstate' scene, Riley molds herself into Maya so she'll have an identity. Constant identity searching is another aspect of the Seeker archetype.

Caretaking drives our protagonists to seek out the world's answers. Fi wants closure with her father yet her investigations aren't just for her benefit, but for the benefits of her loved ones. Molly's friends Rebecca left when she was Fi's age, thus Fi confronts Rebecca's "daughter" so Molly will have some closure of her own. Reluctantly, Fi leads the two of them to Rebecca's house where history repeated itself again; Rebecca's family disappeared again leaving Molly more betrayed and confused. 'In Forgiveness' Riley back talks to Kermit wanting answers as to why he left her best friend when she was younger. Town members become annoyed by Fi when she forces them to remember the alien invasion the day before. ('Memory') Fi helps a coma girl's mother and grandmother with technology to revive the girl from her coma even though these people are strangers to her. ('Lost') Riley invades her friends' boundaries so Maya will have hope ('Master Plan'), tries jumping into a bull pen to save Lucas ('Texas'), and keeps her friends in a stairwell so they'll reflect on their surroundings ('High School'). Fi challenges Bricriu to hangman so he'll stop possessing her brother. ('Will-o-Wisp') Riley gives up her relationship with Shawn, her godfather, so Maya will have a father. She forgets her affections for Lucas so Maya will have a chance at love. ('Texas', 'New Years') Occasionally their actions cause annoyance among their friends but its for the greater good. Sacrificing one's own desires is the key component in the Caretaker's goal.

Creators: Annie & Maya

Creators turn illusion into reality and similar to Seekers, Creators are invested self-identity and possibilities. When we're introduced to Annie and Maya both are immediately drawn to creative fields. By the ending of 'Lightening Rod', Annie confides in Fi that she's always had an eerie connection to music and find inspiration from something as insignificant as a stick. Furthermore, Mr and Mrs Thelon inform Molly that Annie has the ability to master most any instrument. 'In the Darkness', the theme song, shows Annie playing as well as popular instruments like the guitar. Maya gained that same artistic guidance from the stars or a paint war. ('Meets Boy', 'Upstate', 'Maya's Mother'). Partly due to Carpenter portrays her, Maya masters singing and guitar quite easily. ('1961', 'Creativity') An added bonus to Annie's is that they act as retrocognition from her past.

Both blondes quickly give up old lifestyles for chances at an art or singing career. For example, Annie's ecstatic she'll join Molly's band on tour, granted her parents reason this is so Annie will have a normal and balanced life. ('Lightening Rod') Impulsive, Future Maya leaps at the opportunity when she receives a SoHo gallery internship. ('Bay Window') Creators share the fear of not having an identity. When a recording agent steals Annie's voice and likewise when the art teacher grades Maya's painting as incomplete, the girls doubt their self-worth. In 'Carnival' Annie's reflections mock her abilities when she rescues her friends from an evil ringmaster. Season one Maya wonders if Riley was right and Maya's troubled past is responsible for her artistic ability. What's more is that the Creator archetype gives the character a dangerous duality; either they're practical with their art or they drown themselves in their disillusion. Which is why the Orphan archetype lurks beneath the Creator.

The Thelons and Hart families are alive but their actions produce an orphan effect on their daughters. Traveling across the globe before the So Weird eventsprohibitedestablishing permanent roots somewhere. Kermit's physical abandonment compounded with Katy's emotional abandonment ensured that Maya wouldn't have a support system. Although being an only child isn't problematic, not having someone to depend on made connecting with others difficult. Neither would form a real connection until they made surrogate families out of the Phillips and Matthews families. Its not surprising their friends would find them selfish at times.

Death Acceptance

The major difference between Cooksney and Jacobs is Cooskney never intended lessons for So Weird whereas Jacobs' moralizing hindered character development on Girl Meets World. Jacobs's lesson was the vague statement, "People Change People" I'd argue his actual moral is not taking people for instead. Cooksney's moral, if you could consider it one, was sacrifice. Fi gets lost camping and sacrifices immediate help to save Big Foot. ('Sacrifice') Barring those morals, the writers over-arcing themes of both were acceptance. SW's primary theme was death acceptance for the Phillips and Matthews family with the minor theme of childhood acceptance Annie) and Maya. All stories lead back to sex and death, Disney's not going to discuss sexuality, but death resounds through every film since Disney's inception. Also no SW or GMW character was exempt from death confrontation. Elisabeth Kubler-Ross's Five Stages of Grief: Anger, Sadness, Denial, Bargaining, and Acceptance aren't linear and one may never gain acceptance. All the characters are stuck in one of the stages and only Fi gains acceptance.

Earnest Becker's seven reasons why people fear death are as followed:

1. Fear of pain

2. Fear of not knowing what becomes of our bodies

3. How our dependents will manage after our death

4. How our loved ones will cope emotionally after our death

5. Fear of an afterlife, such as eternal oblivion, or Heaven/Hell

6. Fear of dying with an unlived life

7. Fear of dying with uncompleted projects

Thantophobia is why humans behave the way they do. Rick's untimely death when Fi was three-years-old affected her because she has no memories of her father. She often resented her brother and mother because they knew him and she did not. Rick/Fi's shared fear is emotionally coping of his death. Maya struggled with coping with the metaphorical death of her father, possibly thinking he's dead to her. Kermit intentionally abandoned his family, whereas Rick intended on returning to his family, but he didn't plan on evil spirits murdering him. Fi and Maya are stuck in the anger phase of grieving. When her grandfather is visited by a banshee, Fi tracks the creature down and asks Death personified the fairness in taking her father away from her. Death responds that it will even the imbalance by extending her grandfather's life for a time. But for seasons 1 and 2 Fi copes with death by actively seeking the paranormal afterlife to escape and accept death.

Jack's death phobia is similar to Fi's except he fears losing his sister and mother like he lost his father; his nightmare is a manifestation of that fear. In the midst of gang's lucid dream, Jack leaves them for a method to awaken from the dream but is transported to the night of Rick's. Dream Rick promises he'll return, but knowing the future Jack chases after his father. Fear trapped Jack in Grief's denial stage subsequently causing his resentment of the paranormal his dad loved so much. And it's not until 'Changeling' when Jack accepts his dad's death when he starts singing again. Surprised, Clu comments that Jack hadn't sung since Rick died. Jack responds with, "Well, maybe it's time I started again."

Minor episodes such as 'Fall' (SW) and 'Gravity' (GMW) discuss death on a smaller scale. 'Fall' details Ned and his childhood friend, Sam, on the death anniversary of their other friend's drowning. Haunted by the memory, Sam is literally haunted by Pete's ghost leading to Pete's recent. The men's responses to death are vastly different; Ned would rather forget Pete's death and Sam tries to confront it. Both are part of the grieving sequence but overall, 'Fall' discuses the myriad of complex emotions after death. Childhood deaths are rightly considered "Bad Deaths" whether or not loved ones are complicit with the death, we often feel that we could've prevented it. Sam is stuck in the bargaining and grieving stages before he can move on. As the men relive that fateful day admits he was scared of dying and can finally accept death now. In 'Gravity' the teens are crushed when a beloved bakery owner dies leaving the bakery to Topanga. The episode ends with Auggie opening his gift with a note reading "It's not My-Kranian bakery, I'm dead." Cory phones telling him that he is glad Feeney isn't dead, perhaps this was an allusion to 'I Dream of Feeney' when Cory wished him ill. Riley gives the eulogy and everyone learns to cherish their loved ones while they're alive.

Next is Molly and her death phobia in the series. Molly's emotions toward her husband are erratic in all three seasons. It's been over a decade since Rick's death and she still hasn't accepted it. In the Christmas episode 'Fountain' Molly admits to a young Fi that her loss bothers her. In 'Medium' Molly began to resent Rick's memory because she felt haunted by him wishing that she could forget him. Molly misses being a lover but is guilt-ridden because she feels like she is betraying her husband. ('Fathom') And in season 3's 'Muse,' Molly and the band travel to the town of their first concert to recapture the inspiration she felt there. Molly never gains acceptance over death and I loved that this option was shown as well. Not everything is wrapped up in a happy ending.

The final lesson is accepting your own death. Self-death may be literal like the episodes 'Rebecca', 'James Garr', 'Angel' or 'Grave Mistake'. Or death can be metaphorical like Riley becoming new personas, Maya losing herself, or the death of love. The former episodes dealt with the concept of immortality and coming to terms with one's final moments. Fi investigates a girl claiming to be Rebecca's daughter in truth, she's Rebecca herself. Amazed at how much this immortal girl knows and has seen in her years, Rebecca refutes this saying that she hates her immortality. She can never marry, she had to leave Molly, her only friend, behind. Who wants to live forever? 'James Garr' is about the titular character undergo cryonic preservation as a cancer cure. The procedure's successful, but James Gar hasn't a soul anymore with this realization he gives his life to an elderly patient Jack met. In the subplot that elderly man dying of cancer beleives that whenever death comes for him he will greet death with willingness and bravery. James Garr realizing his hollow life switch places with the man so he can live a little longer. 'Grave Mistake' is about a family friend of the family who's been receiving death threats and runs to Annie and the Phillips for help. With Annie's guidance, the woman discovers her dead husband wrote "You're dead" so that she'd remember she died. It's rare that a children's show relays the message that death isn't ominous, it's part of life.

During an interview Cooksney admitted that if Disney had allowed them to, Fi would descend into Hell to rescue her father's soul.*2 Jack would have discovered his past life as a Celtic knight who begged that his next incarnation would be as Fi's older brother. Moreover, it explains that dragon's fear of Jack in 'Strangling' and aside from familial bonds, knight life explains his overprotection of him mom from a mermaid siren. ('Fathom') A tenet of the Order of the Good Death's death positivity is "I believe that my open, honest advocacy around death can make a difference, and can change culture." Cooksney probably didn't intend for SW to have so much death focus but it's applicable to the show.

'Yearbook', 'Triangle', and 'Ski Lodge' are examples of metaphorical death. Whenever Riley embraces different personas, she's undergoing an Ego Death in an attempt to discover her true self. She becomes a Goth Girl so her classmates visualize her shadow side. Contrary to her masquerade, Riley's shadow side isn't Goth but is a metaphor of her dark side coexisting with her light side. Maya lost herself during her dalliance with Lucas to understand her relationship identity contrasting he singular identity. Later on during the love triangle's conclusion, Riley's first comment is "This love triangle needs to die. Nature knows that it needs to die." Of all her friends Riley mentions death the most, examples are 'Yearbook', 'Gravity', and 'Pluto.' Continuing with this death theme involve the teenagers' fantasies as a metaphor for the death of their romance. During their respective daydreams, Riley and Maya inform each other that their dream romance isn't reality. In Dream Riley's fantasy she dies, in essence, the girls kill their ego and their romances to grow.

Childhood Acceptance

Transforming themselves from childhood trauma are Annie and Maya's ultimate goals within the series. Annie's panther and Maya's hope are key in reaching their transformations. For this essay portion, I'm using Widow's Walk', 'Pen Pal', and 'Annie's Song.' For Maya's episodes, I'll use are 'World of Terror 3', 'Forgiveness', and 'Goodbye.'

Symbolically the panther represents the death-rebirth cycle and confronting fears. According to Spirit Animal's website, those with the panther guide are blessed with powerful protectors. In addition, panthers indicate supernatural journeys with occult leanings. Therefore her character's introduction served a purpose in So Weird despite being unplanned. Finally as Annie's panther endows her with strength to confront any obstacle before her.

'Widow's Walk' acts as a transition between death acceptance into childhood acceptance. Tired of her age limiting her privileges Annie swaps ages with an elderly woman. Shocked by her transformation she finds a bottled message from the woman's husband. Desperate for her youth back Annie begs the woman to reverse their ages. Selfishly, the woman refuses due to her thinking that her husband's waiting for her at home not realizing he died in sea storm that turned the woman into a widow. Growing weaker daily Annie knows if she can't convince the woman of the truth she will die. When Annie feints in an attempt to reach the woman and true to its nature, Annie's panther appears at her side giving her strength to continue on. Obviously Annie's successful getting her age back. What's interesting are the contradictions between the elderly woman and Annie. Both characters fear death desperately clinging to life, but Annie's aware of death while the woman would rather delude herself of human mortality. At the climax the women's remorseful of her selfishness wishing she knew how to reverse her wish. Annie's regrets her wish understanding living in the present is better than living in living in the future.

Similarly 'World of Terror' along with 'Pen Pal' shows the girls' adolescence if their positive influences were absent in their lives. By befriending Jennifer and not meeting Riley, Annie and Maya become rebellious Goths. Maya no longer believes that she deserves good things; Annie pushes her friends away. Following this change, Alternate Annie's panther is a worthless tattoo, Alternate Maya begins bulling Riley for not letting her in her bedroom. . Deprived of hope or understanding our alternates protagonists cannot accept their pasts. Being Disney, these girls defeat their alternates. Annie through using her panther power, Maya through befriending Riley in the parallel universe.

These last three deal with Maya and Annie discovering the truth and making amends with their childhoods. In 'Forgiveness' Maya writes and letter to her father, Kermit, in an attempt to forgive him as part of Cory's homework assignment. That following day Kermit returns to town hoping what his daughter said in her letter was true. Unable to forgive Kermit, he leaves once more reducing Maya to tears. As a result Maya realizes she's forgiven herself for believing she had caused Kermit's departure. By forgiving herself, Maya's ability to accept her past and find a new father figure in Shawn Hunter when he adopts her in 'Goodbye.'

In the penultimate episode the characters travel to a Native American reservation as a break from touring. Unlike her friends Annie can't enjoy her day off with strange flashbacks coming to mind. Coyote possesses the tribe's leader when a little girl becomes lost in the forest, forcing Annie to remember her childhood memories. Years earlier the Thelon family visited a jungle for a research assignment, little Annie awakens before her parents do and wanders into the forests. She happens across a petrified tribal man and it's only when a poisonous snake attacks her she realizes the danger she's in. As her parents discover their daughter's disappeared, the man rushes her to his village in an attempt to save her life. With shaman magic, the man's father removes the venom and takes Annie to a location where her parents will find her. Grateful Annie sacrificed her life to save his son, the father promises to protect her all her life in the form of a panther. With full understanding of her childhood, Annie manages to accept her past as Maya did.

Conclusion

Girl Meets World and So Weird are different shows catering to wildly different audiences. Still, each character follows similar archetypes as well as themes people wouldn't expect of Disney Channel to allow on their network. More importantly, the fact that it does shows its capability to portray mature, darker subject matters for all audiences. Readers may disagree with my argument but these are shows the current generation should watch. Girl Meets World is a television show that my generation should watch. Anyway, I hope you enjoyed my essay and I would love it if you gave me your opinions on each program, as well.

End Notes

*1 – Many Disney Channel actors starred in Law & Order: SVU episodes. Von Detten, Carpenter, and Kimberly Jean Brown as examples were in that Law & Order spinoff. Someone even wrote a crossover fanfic of GMW and SVU. If a fan theorist could invent a theory that Disney and any crime universe are connected I would be ecstatic.

*2 – Walt Disney has had hell landscape stories since the 1930s. Silly Symphonies' 'Goddess of Spring' had Satan-Hades drag Persephone to Hell. Fantasia ended with the song 'Night on Bald Mountain' where Demon Satan tortures souls only stopped when Holy light/God intervenes. Frollo damns Esmerelda to Hell if he can't possess her and little mentions God and Satan. (Hunchback of Notre Dame) CoCo takes place primarily in the afterlife. Disney Channel could've done a Hell episode.

Links

www . orderofthegooddeath resources / death-positive-movement

so-weird . proboards

Disney . wikia wiki / So_Weird

www . youtube user / OrderoftheGoodDeath (Ask A Mortician)

www . youtube user / littlemissfuneral (Little Miss Funeral)

www . youtube user / UnderTheKnifeShow (Under the Knife)

www . fanfiction s / 6178294 / 1/Love-As-True-As-Time

www . fanfiction s / 6067416/1 / An-Ultimate-Hey-Arnold-Essay

www . spiritanimal . info / panther-spirit-animal /

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[gaarfielf]

Not to be that guy but here’s an analysis on LGBT characters/rep in the lupin iii universe nobody asked for. I’m gonna cover Twilight Gemini, Harimou’s Treasure, Angel Tactics, TWCFM, Part 2, Part 3 and Part 5

Twilight Gemini is arguably one of the least popular films of the series pretty much based on the fact it’s just not a good movie. But this ain’t a movie review that’s just the facts. Anyway the villain’s henchman, Sadachiyo, is gay and the movie does not skirt around it at all. Lupin makes several “jokes” about the character being gay and the character is written to be very perverted and evil (obviously because he’s a henchman) but nonetheless very stereotypical to downright offensive (his character wearing lipstick is a little uh). Ultimately, Goemon returns at the very ass-end of the film to stab him directly in the chest and that’s where that story ends. Now, there isn’t much to say about this character because he really was only around for Lupin to make jokes that weren’t funny before dying. Gotta love them yep huh /eye roll/

Harimou’s Treasure gave us the double whammy of not only a bad joke against intersex people and trans women, but also a nazi joke! hooray. The film uses a slur that some may argue “wasn’t a slur back then” but nonetheless leaves the film to have aged terribly. The character...../sighs/ Herr Maphrodite /SIGHS LOUDER/, is once again a huge offensive stereotype and coincidentally, another villain. By the end of the film Fujiko manages to take him down by.... kissing him.... and he’s so repulsed.... that they just... win somehow. It’s really just an unpleasant scene. But luckily the film isn’t hugely popular (in comparison to Secret of Mamo, Cagliostro, Fuma, etc).

Angel Tactics threw in a new idea with a bisexual woman........... who is also a villain. Detecting a pattern yet? Her name is Lady Joe /HUGE SIGH/ and she is shown to be pretty masculine which there isn’t necessarily anything wrong with until you consider that TMS might have argued otherwise, but the film eventually reveals her “true form” (???) where she’s actually really perverted and her outfit changes to be very revealing and “sexy” (TMS wouldn’t know sexy if it bit em in the ass tbh). It’s almost as if TMS associates being gay with being evil and perverted? Wild.

TWCFM is a split audience in this aspect, with a gay character that some believe is pretty accurate representation and others believe is just another TMS classic gay stereotype. Personally speaking, the fact that Oscar was designed to look like a woman (the same head shape, wide hips and skinny body as Fujiko) and also being notably... /excited/ around Zenigata, I disliked the representation. However, other people (gay people specifically b/c why would I ask straight people how they felt about him lol) believe that he’s actually really speaking to them as a gay character. I mention this because I didn’t personally finish TWCFM so I don’t wanna throw him under the bus as a character, but I will say, he is still a villain in the series as made apparent by his strict hate for Fujiko (presumably out of jealousy).

Part 2 gave us a fast one with the Rose of Versailles episode. It was a crossover episode between the two series and TMS decided to do a very interesting take on it where Lupin literally falls in love with a character disguised as a man. In the episode it’s very apparent he has no idea that the character he’s in love with is actually a woman and actually convinces Jigen and Goemon later that it’s not a big deal. Jigen and Goemon by the by, are not cool with their relationship but eventually grow more neutral about it as the episode progresses. Speaking bluntly, this episode is a very wild outlier in Part 2 as an episode which literally outright confirms Lupin as bisexual (or pan, or any degree of not-straight that tickles your fancy). However, it’s often not acknowledged for ??? reasons. Alongside this in Part 2, there is another episode Lupin disguises himself as a woman to seduce a man for his money, only to find that after revealing himself that the man... doesn’t care. They get married in the episode. I don’t know how this goes over peoples head. Granted, Lupin was in it for the money but I think Lupin of all people could’ve come up with a different plan if he really didn’t want to legally marry a man.

Part 3 also gave us something new with various episodes that imply Jigen might swing that way too. Bear with me here but Part 3 delivers /a lot/ of secluded scenes with Jigen outwardly upset that Lupin ditched him for a woman. Scenes where he looks away from women that Lupin are talking to/about, scenes where he leaves the room when there’s women, scenes where he refuses to look at Lupin when he’s with a woman and just generally more outwardly not interested in women compared to previous Parts where he more-or-less ignores them. Previous Parts, Jigen might not be crazy about women but there isn’t really as many strong visuals as their are in part 3 that suggest he’s explicitly attracted to men (though there are scenes in Part 1 and 2 where he quite literally goes into hysterics over Lupin, thinking he’s dead, though take it as you will). Speaking of more visuals surrounding Jigen specifically related to being gay, I’ll bring up the obvious one being the classic Play Bohz scene, where Jigen is very visibly reading a muscle magazine (a kind of magazine that was specifically popular among gay men in the 80s as a more ‘discreet’ way of essentially reading filth) and I mean. That’s pretty concrete. But there’s also other nods to it like him and Lupin smoking under a billboard with two men kissing on it, Jigen telling Goemon he looks cute in women’s clothing, etc. Part 4 even gives us Fujiko implying that Jigen is jealous at Lupin and Rebecca’s wedding which Jigen.... doesn’t respond to.

Part 5 is where TMS reverts back to its old ways. Actually it’s new ways because part 2 and 3 were the 70s and 80s and all these outwardly homophobic movies happened in the late 90s through the 2000s. But nonetheless we get....another... gay.... villain. hooray. again. His name is Albert in case you haven’t watched it yet. Not only that but he is mentioned offhandedly to be gay in one (1) episode before it’s never mentioned again (not exactly what I’d call representation) and the series also doesn’t shy away from gay jokes that purposely make fun of fans for shipping the characters and just in general make fun of gay people. TMS, it’s 2018, can we stop making gay jokes? They aren’t funny. Zenigata pulling his gun on Lupin for making the joke wasn’t funny, Jigen attempting to kick Lupin’s phone out of his hands wasn’t funny, and even the article claiming they were dating wasn’t very funny because it was deadass a joke made at the expense of fans. A wacky gay joke accompanied with hating your fans is a funny way of writing, huh?

In conclusion, why is it that the 70s and 80s somehow handled hinting at these supposed “controversial topics” better than it was in movies made in the 2000s and then rinsed and repeated again in the year 20 fucking 18. I think if Part 2 can have an episode where Lupin deadass flirts and falls in love with a man, Part 5 should have been capable of not writing homophobic characters. and thats the hot but true take of the day.

NOTE: if y’all try to message me to argue keep in mind 1) theres literally nothing straight about Lupin falling in love with a man and Jigen reading a muscle magazine literally known to target gay men and 2) theres nothing you can do to convince me otherwise so you best be ready to swallow that pill and 3) Don’t @ me with ‘bUT lUPIN lIKES wOMAN’ because yeah. no shit. read up on what being bi means before opening your mouth.

[fuckcyberlife]

DBH Fic Recs

Some faves below the cut.

The Artist by KyDesert

"Sometimes, you’ve gotta fight your own battles, kid.”

And fight he did while he lay on Hank’s sofa, swaddled in blankets and unable to move. Too hot, but much, much too cold. Motionless while the last of CyberLife’s programming tore through his systems and made his hands ache to complete one final mission.

Damn did Hank wish he could be there to help the kid fight this one.

Lidocaine by SgtSalt

Markus is a caretaker. Markus is a nurse.

Markus is an android, and androids don't need either of the jobs he was created to do, because they can't feel pain.

A character exploration from Markus' POV, as he figures out what makes him - and other androids - uniquely alive. Features reflections about Carl and developing a rapport with Connor, who has a confession to make. Starts pre-canon and ends slightly post-canon.

seven, five, three, five, seven by WonderAss

Being alive is a messy process. Connor is confronted again with the double-edged sword of higher thinking when he starts displaying the first signs of a disorder.

empty-handed by silverhedges

Connor hunting Markus, successfully.

“The first time Markus hears of the android detective is from the TV they stole and managed to illegally rig up in the main living room.”

Getting Ahead of Deviancy by lapsi

The FBI begins to infringe on Lieutenant Hank Anderson's investigation of the TV station hijacking, in the form of the newly established Deviant Science Unit. The Bureau's answer to outbreaks of deviant behaviour, this unit collects data on deviant androids in order to understand and preempt criminal behaviour. So, Hank has no fucking idea why they've zeroed in on a non-deviant android, his partner Connor.

(The Mindhunter x Detroit: Become Human crossover that nobody asked for)

Empathy (and other dead weight) by CynKLBouns

Sure, now everyone wanted to hold hands, give out flowers, and pretend machines were real boys and girls or some shit. As if they weren’t hunting them through every city like rats just a month ago. People going nuts over their crusade one moment, stinking up the streets with the fires, and all of a sudden everything just fucking stops as though anything changed.

Nothing fucking changed.

A machine was still a machine, no matter how fancy its program.

How to be Authentic by StoriesFromDust

Hank was at work. Connor should be at work. He frowned from the sofa, staring at his jacket across the room. He liked that jacket. His favorite part of being woken up after uploading to a new build was when he put the jacket on and fixed his tie. He was mad that it had betrayed him, become something that marked him as less-than-a-person.

Changed the name from 'A Loan I Can't Repay' as I got farther in the story and figured out the ending. Sorry if it confused anyone!

Fear Response by joudama

Gavin Reed’s eyes narrowed, and the man was almost vibrating with a barely-contained rage. But there was also something else in his eyes, a “blink-and-you-would-miss it” tremor of something else, enough to make Connor pause and analyze the other man.

Clue: Slight widening of the eyes, with the whites showing around the irises.

Clue: Increased breathing, but shallow breaths; not the faster, heavier breaths associated with anger and rage.

Clue: Increased heart rate.

Clue: Loss of facial color due to constriction of capillaries, and a resulting vasodilation of central blood vessels to muscles.

Analysis: Gavin Reed was afraid.

Further Analysis: Gavin Reed was afraid of him.

of all ghosts by BeepGrandCherokeeper

In the moment, he’d defined the statue as religious – but androids have no distant gods who require worship, only their human creators. Reverence is as far outside their limited scope as any other emotion, and yet…

“In the bathroom,” Connor says, testing the waters. The deviant looks up at him abruptly, moving with a speed that blatantly indicates interest. “You left something behind. An offering. Why? What purpose does it serve?”

“So I’ll be saved,” it replies. “rA9. The first. The only one who can save us.”

Mind-Blowing by Reddooo

“I mean it, Gavin,” Hank said. “If Price even looks at you funny, if he gives you any shit—” He took a step closer to Gavin to make sure that the younger man was listening. Reed began to fidget considerably by the proximity, but it didn’t seem to be from anger. It was almost as if he was getting upset, “—you come to me immediately. Do you understand?”

Gavin didn’t answer. He hadn’t looked over at Hank since he started talking to him directly. Chris and Connor exchanged glances. Connor’s interest was more than piqued. Hank was acting almost… protective? Was that the word? Protective over Gavin?

“Gavin?” Hank called again and Gavin’s attention finally snapped to the acting captain.

“Yes. Hank. I understand.”

---

An accident at a neighboring precinct has two departments sharing office space, but Gavin and Hank have murderous beef with the guest lieutenant and Connor is determined to find out why.

stay out of trouble by yellow_caballero

Unemployment was not the best thing to ever happen to Connor, but it was high on the list. The best thing to ever happen to Connor was the sight of a Corgi wearing a small cowboy hat leashed to a post in front of the liquor shop. The second best thing to ever happen to him was the emancipation of his people from slavery and the opening of negotiations for equal rights. But unemployment may come in at a solid third.

march of progress by Calamitatum

Connor could fill a book with the things he doesn't know. One of Hank’s big, thick paperbacks, pages worn with age, covers creased and coffee-stained.

"What?" Hank grouses once, when he catches him looking. "They’re well-loved, at least."

Connor looks at himself, smooth plastic and pressed clothes. No creases, no stains.

Tonic by psymyn

The reclining chair had been a gift from Hank—something about housewarming—and Connor has never felt the need to get anything else.

All of Detroit is Lonely by steadycoffeeslow (Salimity)

Somewhere in the back of his mind, Hank’s non-alcohol addled brain was reminding him he hadn’t told Connor anything in particular at Stratford Tower. Last he could rightly remember, they were both watching that deviant’s speech and Connor hadn’t shared his thoughts with the detective. Connor had clearly been thinking of something, but of what, Hank couldn’t decipher. A part of him, at the time, had hoped that the deviant’s message had swayed something in Connor. Hank sure felt that it had swayed something in him.

Can androids and humans coexist? As Connor and Hank cope with the rapidly changing political climate of Detroit, their choices threaten what peace the partners have forged. Updates Friday-Saturday-Sunday

The Novelist by Satirrian

Androids did not feel. His mind was cold metal and white plastic. He was nothing more than a mission. The time was 1207 and Lieutenant Anderson was due to arrive at the station. Connor predicted that there was a 67% chance that Lt. Anderson had not arrived at the station.

Some new cases come in that make Connor wonder what deviants really are.

passing time. by shorelines

Androids don't sleep. They don't eat. Sometimes, they don't even die. So what do they do, with all that time?

The hobbies and histories of three androids, now and into the future.

Uncanny by MercuryPilgrim

It’s strange, how RK-800 is more unnerving as a Deviant than he ever was as a machine.

Meanwhile... by wintercoat

Connor is loitering in his peripheral vision, his officious shoulder angel. “What are you doing, Lieutenant?”

“Questioning my life choices.”

Christmas, 2038 by phocion

The mostly peaceful Android Rebellion of 2038 ended with tentative success, but now the androids must carve out a permanent place in a wary society. Markus, trying to hold on to that hard-won freedom, gets drawn into Hank and newly deviant Connor’s investigation into a string of complex thefts and murders. With far too many coincidences for comfort and old enemies resurfacing in the shadows, Markus has to figure out fast who he can trust. Letting North blow everyone up is starting to sound like a better idea every day…

--

Mostly an excuse to write more Markus and Connor interactions, now featuring triple the angst, double the Tracis, allegedly naked confessions in a public restroom, and a furby.

error by ZombieBabs

An error message, angry red and insistent, fills Connor’s field of vision.

He blinks, but diagnostics reveal no malfunction. And yet, the error message persists.

It buzzes like an old neon sign, refusing to be ignored.

warm and waking by puppyblue

Connor is not a deviant. He has also been programmed with the ability to lie.

November Cold by floweryhanzo

He's not answering the messages, but by now, Connor knows where to find him.

Fish in a Bowl by ConnorRK

“So as long as it’s not the face, it’s fine, huh?” Reed says. His free hand is suddenly on Connor’s neck, fingers soft against the line of his jaw, and the press of skin is hot. He lets it trail down the front of the CyberLife coat, and Connor can’t stop the shiver of his plates as they respond to the light pressure. “I’ve heard that before.”

(Connor is forced to work with Gavin on the deviancy case when Hank is injured and relegated to two weeks of desk duty.)

Faulty Buzzer by spitfireoo

Connor glitches out and can’t wake up. Hank finds him unresponsive on the couch and remembers the last time he had to carry a son.

Five Times Gavin Receives Kindness and +1 Times He Tries To Give It Back by Lady_Origami

It's hard to continue hating a person when said person is apparently a rather kind soul. Even if that person isn't a person at all, but an android with the same job as him.

101 Things (about Lieutenant Hank Anderson) by MoonlightPastime

“Good morning, Hank.” The Lieutenant grunted, mouth buried in the mug already. Connor glanced towards the tv, led flickering for half a second it took to turn in on. This was also ‘routine’ now. Another thing Connor now knew.

Non-verbal before consuming at least 2.76 fluid oz of coffee.

In which Connor does even more 'homework' on Hank.

Castaways by SilverKnight16

Connor grit his teeth. Why was he making this difficult? “If CyberLife knew that deviancy had the potential to end human lives, they had an obligation to their consumers to protect them from the danger as soon as they were made aware. And if CyberLife knew that deviancy was the formation of self-awareness, then their attempts to stop it are tantamount to genocide.”

“And if you were programmed to hunt them down, that makes you an accessory to murder.” Hank swigged again.

Connor stiffened, Thirium 310 churning loudly in his audio receptors.

--

Like a piece of driftwood in a hurricane, Connor, Hank, and everyone else stranded in the eye of the storm have to navigate something much bigger than themselves--or die.

Validation by spiderstanspiderstan

Post-revolution, androids in the workforce require bi-annual validation. Connor has just turned six months old, and is going for his first.

He does not like it.

Hands Stained Blue by PorcelainPlayground

After the car crash that changed their lives forever, Hank Anderson ends up buying an android to help care for his son, Cole. Being short on money, Hank turns to a collection of second-hand androids and stumbles across Connor, who quickly becomes the second son Hank never knew he wanted.

Too Long, Lost Cause by staringatstars

Fowler knows he didn't stop being Hank's friend when he became his captain. He's been trying to help him for years, but it's starting to seem like the old Anderson isn't coming back. If anything, he's only getting worse.

And he'd hoped giving him a partner, even an android partner, would help get him out of the rut he'd fallen into, but now he can't help but wonder if his latest plan to reignite the fire in him hasn't worked a little too well.

The 5 Times Gavin Was An Ass and the 1 Time He Wasn’t by HelsSoBlue

5 times Gavin was an ass and elicited a response from Connor. And the one time he wasn't an ass.

or

Connor has had enough of Gavin's shit, and Hank is loving every moment of it.

A Strange Comet by windyfiend

Connor's dedication to Jericho's mission -- and his guilt over having hunted his own people -- has him working tirelessly every moment of every day and night. He's given himself no time to breathe, let alone live his new life.

Hank's got something to say about that.

Man’s Best Friend by ryouseiteki

Can one small change affect the course of a Revolution? Connor takes a left instead of a right at the Detroit Police Department reception the morning of his first meeting with Hank.

Connor's brow furrows as he accesses the new ID and doesn't see Lieutenant Anderson listed under Handler. In fact... he is listed under Handler and instead of being under partner or associate, he's been placed above a Trainee named-

"FuzzButtIncoming, come." The android calls out, and through a slot in the door on the other side of the room, a tiny bundle of fur almost buried under a DPD K-9 Unit vest comes gamboling up to stand beside it.

Someone had desperately wanted its initials to spell FBI.

Guillotine by assistmediagnostics

"Then I'll crawl back to Jericho," and as if to exemplify this fact, Simon puts one hand on the graffitied wall, puts his right foot forward, drags his left foot behind it. Rinse. Repeat. It takes him an inordinately long amount of time to walk five feet and by two feet and six and a half inches, Markus is already shaking his head.

"I'm not leaving you behind, Simon."

it's anchored to my racing mind (maybe you can slow its stride) by bibliomatic

Connor's programming tells him he's wrong for being deviant. The new world tells him he's wrong for thinking he's wrong for being a deviant. The result: he feels bad about everything.

Hank's history has led to untreated depression and a roster of coping mechanisms that consists pretty much entirely of alcohol and a partially loaded gun. He isn't really equipped to handle an anxious android on top of that, but he can't bring himself to abandon him either.

The result: Connor moves in.

The result: They begin to help each other.

The result: They fall in love.

((aka conflicts between Connor's opinions and his programming lead to moral OCD, which he deals with badly; he moves in with a still-depressed Hank, which who isn't doing so hot himself; together they learn to deal with their problems and each other a bit better))

cool shit by niltia

Hank hates when Connor puts stuff in his mouth for instrumental analysis. The forensics department personnel, on the other hand, think it’s the best shit ever.

MCR.exe by hopelesspapaya

Cyberlife is about to make a deal with the State Department, but all they have is a prototype with a buggy social module. They stress about that, while Connor tries his best. Meanwhile, Markus learns to play the piano, and develops the artistic taste of an angsty preteen. Kamski and Amanda Struggle through it all.

Canon-era crack taken seriously.

[mabel-but-slytherin]

Answer the questions and tag 10 followers/mutuals. Tagged by @marypsue

When did you get into Gravity Falls? I didn’t have a tumblr at the time, but after Sock Opera aired and content exploded a bunch of authors I follow on ffn started writing Gravity Falls crossovers with other shows and the premises all looked interesting enough I figured I’d watch the show to see what it’s about. Not sure if it makes the dorkiness better or worse that this is how I’ve gotten into a lot of favorite shows recently

What got you hooked on it? It’s hard to say exactly, but I’d probably go with either the characters or the lighthearded humor. Way too many comedies rely on either making fun of the characters’ stupidity or general awkwardness, and both make me way too uncomfortable as a viewer to get into the show (why I never watch live action comedies like The Office or Parks and Rec). Gravity Falls was the first show I’ve watched in a long time that was funny without having me pity or be annoyed by any of the characters, and that moved me as much as the adventure and emotional bits.

Do you write, make art, or create content for the fandom or just enjoy being a part of it but haven’t made anything yet? I write fic and do some theories/analysis, and while it was still airing I tried my hand at predicting/liveblogging. I can’t draw without copying to save my life and almost all of my fic ideas are AUs or crossovers so my content is fairly niche but it’s really exciting when someone freaks out that you brought an unexpected but well-fitting crossover into existence (I want to do a Gravity Falls/Addams Family crossover next where Mabel dates Pugsley as her next attempt at summer romance because it’s a shame that there’s absolutely nothing for that crossover but I still need more plot).

Who’s your favorite character? Wait, you mean I have to pick?

Most underrated character on the show? So much attention is given to minor characters by the show and fandom which is great but I think Gorney is hilarious, recurring, and often forgotten other than his one famous “I’ve been twaumatized!”

What is your favorite episode? Uhh, either Northwest Mansion Mystery, Not What He Seems or The Last Mabelcorn. Please don’t make me pick between those.

What is your least favorite episode? Roadside Attractions, for the sole reasons being that I think it’s the only episode in Season 2 that falls below average compared to Season 1 and that it takes up time I wish gave more development between the twins and Ford in the little space between his arrival and the finale.

What do you hope to see in the graphic novel? Alex has mentioned that he had a ton of episode ideas that were cut for being too short for 23 minutes that he’d love to tell in a shorter time length (like the B-plot of Stan teaching Wendy to shoplift). It’s probably too much to ask but I hope that the graphic novel includes little interlude issues with some of those (both that we’ve heard and original ones).

Favorite fan content? Wait, you mean I have to pick? Holy shit everyone in this fandom puts so much love and effort into their work from beautiful artwork and entire lyric comics to extraordinary novel-length fanfictions to multiple AUs literally larger than the canon universe with just as many well designed characters and intersecting timelines. And that’s not even getting into the doctoral level analysis in every field from story and art analysis to graduate mathematical and computer codebreaking to the way the entire fandom teamed up for a month to complete a global scavenger hunt driving hundreds of miles and spending a week solving a giant jigsaw puzzle just to verify that a single frame appearing to be a live-action polaroid suggested a real Bill Cipher statue was hiding in Oregon (that people first predicted literally minutes after the finale aired need I remind you. Alex made a ton of giant plot twists that people someone perfectly guessed from the tiniest amount of foreshadowing to the point where he had to fake leaks just to try to keep people off-track while moving plot twists up because we had guessed them).

I’m gonna tag @haberdashing @sapphireswimming @ampersandnotdash @emerald-and-fluorite @assholas and anyone else who wants to do this! Feel free to tag me so I can read your answers!

[danschkade]

ANALYSIS -- BATMAN: GOTHAM ADVENTURES #17

On a recent trip to visit my folks, I went through some boxes and found, sans cover, this copy of 1999’s BATMAN: GOTHAM ADVENTURES #17. Gotham Adventures was my full-stop favorite comic when it was coming out, a combination of me being smack dab in the middle of its target demographic and it being really, really well made. Tight story, dynamic artwork, clean, crisp colors and letters. As I transition from Vacation Dan back to The Schkade That Works, I thought it would be a useful exercise to go through this issue, page by page, to see how it ticks.

I’ll be focusing mainly on the pencils and colors by Tim Levins and Lee Loughridge, respectively, plus Scott Peterson’s script — Terry Beatty is one of my favorite inkers ever and letter Tim Harkins acquits himself expertly, so I won’t have much to say about them beyond “continues to be amazing, surprising no one.”

And please, feel free to check me on any mistakes I might have made, add your own commentary, or share similar examples of good comics done well.

Batman: Gotham Adventures and all characters contained therin are of course property of DC Comics, reproduced here solely for educational purposes.

PAGE ONE

We open strong with a full-page splash. Three distinct players whose suits, hats, and bad ties immediately code them in the Timm-verse aesthetic as ‘Hoodlums’ give us immediate sense of threat. Their momentum is heading left, into the fold, against the western flow of reading; this is because they’re bad guys — their actions go against the proper order of things, up to and including the reading flow. But also for another reason, which the right-most hood’s reaction sets us up for, compelling us to turn the page.

PAGE TWO-THREE

An even stronger followup with a double-page splash. Batman smashes in through the window in a powerful left to right movement, in direct opposition to the gangsters’ movement on the previous splash. The background establishes the family Batman is there to protect, as well as the shabbiness of their apartment and clothes. The fact that Batman’s cape can still be partially outside the window while he’s hitting the hoods who just came through the opposite doorway immediately sells how small the space is. What could these poor people possibly have that’s worth three armed gunmen kicking down their door?

PAGE FOUR

This page is all about one thing: establishing Batman as an overwhelming force. Strong left-to-right movement, always dominating the panel, no signs that this is especially difficult for him. His first line of dialogue: a piece of short, relaxed, confident detective talk.

PAGE FIVE

The first two panels do a lot. Batman converses openly with the Agronas family, who clearly trust him. He’s a terrifying physical presence, but a terrifying physical presence of the people. It also shows that Nicky Agronas is bright — wears glasses, reads the newspaper. As soon as they mention the husband, the husband appears, which is a nice clean introduction for that character. There’s no reason the husband could’t have been in the double splash that introduces his wife and son, but having him coming home in the middle of this scene is a great way to inject a little motion onto a page that would otherwise just have been four people talking in a room. Lastly, the sudden use of heavy black — enhanced by Loughridge’s shift to unnatural yellow lighting — makes Batman’s suspicion of the husband feel intimidating without having to change his physical demeanor, which would have both been over-the-top and undone the work the first couple panels do to make him a sympathetic protagonist.

Academic sidebar: Setting aside that this is an issue in a series featuring one of the most famous fictional detectives of all time, how do we know Batman the protagonist of this story? Because he’s the one doing things and asking questions, moving the plot forward.

PAGE SIX

Nice one-two beat with the first two panels on this page: Panel one, Mr. Agronas is calmly answering the question — he’s a good citizen with nothing to fear from Batman. Batman still dominates the frame, though. Panel two zooms in on Agronas, putting the question of his involvement to bed with a simple, honest mini-joke. Letting him have a panel all to himself to say this is a good way to humanize him. In panel three, Batman continues to tower, but there’s no threat of violence. Here, as on the high-angle shot in panel three of the previous page, we see some shattered glass to remind us of the damage to the window and door from earlier. The money Batman leaves them for said damage is totally understated, with only the bright green color drawing attention to it. Batman’s a stand-up guy, but drawing attention to it wouldn’t fit his image.

PAGE SEVEN

There’s nothing in this first panel that says “JAIL” or “POLICE” — it’s just a bluntly governmental-looking building (I believe it’s specifically the blocky grey columns that give it this feeling), but we can tell from the fact that there’s prison bars in the next panel that that’s what the building is. No need to add extraneous detail. I like the design Levins gave the head hood, first seen on page one — the unibrow is a great way to sell the change from frowning to fear. Note also how many memorable features the big prisoner has — bald, scar, blind eye, bad teeth. He’s easy to remember, which will become important shortly.

PAGE EIGHT

Loughridge’s sickly green colors of the previous page snap back to natural lighting on this page, immediately conveying the change in environment. And hey, how great is that Commissioner Gordon silhouette in panel one? That’s some smart use of character model. Regarding the design of the big prisoner from the previous page — we see here that he’s in fact Batman in disguise, which actually saves us a lot of space on this page; instead of showing him removing the disguise and then putting on the cowl, we only need to see him opening the shirt to reveal the bat emblem, and then in the next panel, bam, he’s Batman. We know Bruce Wayne doesn’t look like that. We know it’s a disguise. We get it. It does rely on the reader having a basic knowledge of these characters and this world, but all things considered, that’s a pretty safe bet. Couple other things: Levins keeps the energy up by skewing the axis of the four panel grid, which also gives this rooftop scene a nice sense of vertigo. I’m actually not a huge fan of the last panel — I find that the upside-down pose kind of undercuts the gravity of what he’s saying, I think the leftwards movement is weird, and the whole panel is just, like, tangent city. That said, still a strong page.

PAGE NINE

Again: Batman as an Overwhelming Force. I know I just bashed the previous page for its leftward movement, but on this page it works really well — the wreckage of Batman’s assault on the house leads leftward towards the front door, up the stairs, ultimately across Zarelli’s desk, towards the man himself. I think this counter reading flow movement really effectively sells Batman as an invading presence in this man’s home. This page also shows us the wealth and power of Enrico Zarelli, who we finally see in the last panel after being mentioned regularly for four pages; The huge house, the framed artwork, the dozen armed thugs. See also the confidence of his speech, and the fact that he’s shadowed just like Batman. There’s an implicit feeling that this is a meeting between equals.

PAGE TEN

Nice that our first full look at Zarelli has him in his own panel, with the cowled shadow on the wall behind him suggesting Batman’s off-panel movement towards him. Great acting here — I love how Zarelli no-sells Batman’s gimmick.

PAGE ELEVEN

Levins (with the round panels boarders) and Loughridge (with his deceptively-hard-to-pull-off-well use of grey and sepia tones) work together well here to make the scene a flashback without drawing attention to that effect. Note how we don’t need to see Zarelli’s whole body to know he can walk, we just need to see him moving at the same height as other, presumably ambulatory people. Cool dramatic composition in the last panel, placing us in the line of fire along with Zarelli and his men.

PAGE TWELVE

This use of shadow to cleanly yet powerfully suggest something gruesome off screen is something ‘Batman: The Animated Series’ did so well, and it’s likewise effective here. Seeing Zarelli’s clenching hand (the Z ring was established on the previous page) gives us just enough intimacy to feel his pain. The use of black as a costume design element in this scene makes Zarelli, his son, and Batman feel a little more important and real than the hoods on either side.

PAGE THIRTEEN

I like that there’s a batarang laying on the ground amongst the dead/unconscious gangsters. It’s not necessary, but we saw him throw it on the previous page, so it’s a nice little piece of continuity. The final two panels have added impact because they’re the last before the page turn, giving them a feeling of isolation and hopelessness (undercut slightly by the fact that the page turns to a very colorful double page DC Kids page encouraging young readers to enter a nabisco sweepstakes, recycle this comic, and, perhaps most puzzlingly, pick up the first issue of the ‘Day of Judgement’ crossover).

PAGE FOURTEEN

Good call having Batman’s cape closed over him on this page. It makes him less aggressive, almost judge-like, befitting the respect he’s giving this man who lost his son. The cool coloring in panel four adds impact to the dicey situation Batman now faces.

PAGE FIFTEEN

Appropriately, we go from talking about sons de facto and de jure to having Batman talk it over with Dick Grayson, his son by any other name. Here, the upside down thing actually serves to break up the mood after a heavy scene. The fact that they’re talking about serious business while casually practicing acrobatics makes the scene particular to these specific characters — even when there’s no one to punch and nothing to detect, there’s still always Batman stuff going on in this Batman comic.

PAGE SIXTEEN

This page rules. I love how much motion there is, even down to Dick’s change of arm position in the background from panels one to two. It makes the motion of Bruce pulling off the mask seem smaller and more intimate by comparison. And that last line is just all-american grade-A understanding of character. It’s informed by Bruce’s origins, but not directly referencing them. He can’t put his personal desire to see Zarelli’s empire destroyed before his human duty to give Nicky the chance to know his biological father. Panel two of this page also features our first and only bleed art (art which extends beyond the edge of the physical page, as opposed to art contained within the boarders of a panel), which further gives the Batcave a sense of hugeness, and nicely breaks up the layout of the page besides.

PAGE SEVENTEEN

Note that the only characters we can clearly see on this page are Nicky and Zarelli — the scene is about them, not Batman and the goons, who are all either far away or in shadow. Nice touch, the goons all being in casts and bandages. I can’t even put my finger on why that works so well; they’re not really there to guard anything, since Batman already went through them once without much trouble. I think their main purpose on this page is to make us feel how Nicky feels in this place; this big house full of men with guns, this intimidating world this man is asking him to be a part of.

PAGE EIGHTEEN

This page is lit warmly, with lots of sympathetic angles. It’s not until the last panel that Zarelli’s pitch is thrown into any kind of suspicious light. “Without family, you have nothing” — but family with Zarelli means gunmen, tainted opulence, and the looming, annihilating specter of Batman.

Now, I’ve eschewed ads in my scans until now, but I include this one as a particularly good example of how even the best writers have no control over what image might end up facing an important emotional moment.

PAGE NINETEEN

The first page dedicated entirely to Nicky and Zarelli. The very sympathetic first panel transitions into an intense close up in panel two that makes Zarelli’s offer feel almost like a threat, even though that’s clearly not how he intendeds it. Zarelli can’t help being the dangerous gangster he is. The first time Nicky speaks, it’s to ask about his parents, and I love Zarelli’s castoffish response, “The people who raised you?”

PAGE TWENTY

Another page solely of Nicky and Zarelli. If the last couple pages have been all about Zarelli’s pitch, this one is entirely about Nicky’s process. The Thinker’s a little on the nose, but I dunno, it works. And it goes towards our ongoing theme of Nicky Is Smart. He’s staged strongly throughout, reflecting the strong decision he makes. The choice to include the background in panel four helps reinforce Nicky and Zarelli’s spatial relationship, which heightens the act of walking away. That it’s this close to the end of the story and Peterson can still devote an entire page to this moment shows how well-paced the issue is.

PAGE TWENTY ONE

The goons become useful again in this final action beat. Batman Overwhelming Forces them into the doorjamb, a good use of the environment to make it clear he gets to them before they can get after Nicky, but his real rage is saved for when he turns around toward Zarelli. He’s huge in this panel, as aggressive and dangerous as we’ve seen him in this issue. Zarelli, by contrast, is made small by a high angle shot, his hands folded in his lap. The four panel grid is even skewed so as to squeeze him into the corner, in addition to making the action in the previous panels more dynamic.

PAGE TWENTY TWO

It’s Batman and Son again, with the green glow of the batcomputer establishing the change in location. The note to Lucius Fox in panel two is a nice large scale version of him leaving the money on the Agronas’ table on page six. And Nicky would be a good candidate, too — this is the (or at least a) payoff for Nicky Is Smart. Panel three is small and all utility, showing Batman’s change back to Bruce Wayne as we transition up from the cave to Wayne manner, a panel made necessary by the fact that we haven’t yet established that location in this issue. We’re left with a nice big final panel, rosy and nostalgic in direct contrast to the green of the batcave. Bruce looks from left to right at the portrait of his parents, mirroring the portrait in Zarelli’s study, cementing the emotional connection he feels to a man who is in all other regards his enemy. You could read the fact that Bruce’s sitting as an additional corollary to the wheelchair-bound Zarelli, but I think it’s just that a seated position works best for the horizontal composition of the panel. Strong ending for a very strong issue.

LETTERS PAGE

Nothing insightful to offer here, it’s just that I’ve always thought this next issue cover was rad. I probably have that one too, somewhere.

(The missing cover, by Bob Smith and Terry Beatty, is awesome.)

[avengerdragoness]

Changed [Jason Todd x Reader]

Criminal Minds Crossover

A/N: It’s here, part two to Drunken Mistakes. To be honest I thought that story was going to be terrible, but I stand corrected lol. I hope you all love this! (sorry it’s long and I feel like it’s trash lol)

Warning: Swearing

**For anyone who doesn’t know the characters this website maybe useful - Link

______

It had been two years since you walked out. Leaving everything you knew behind and starting new. Luckily you had almost finished your schooling and were able to finish your Criminology major and Psychology minor online. Setting yourself up to be a shoe in for the FBI academy. Where you excelled much to many peoples surprise.

Making the gem of the FBI take a special interest in you. The Behavioral Analysis Unit. After your graduation you were approached by Supervisory Special Agents Hotchner and Rossi.

Which led to where you were now, walking into the bull pen after being out for about six months. Emily had some contacts in Interpol that needed a young agent to go on a short undercover sting operation in London. And you were just getting back.

“[F/n]! You’re back you’re back!” Penelope greeted you as you stepped off the elevator. Hugging you immediately, holding your coffee away so it didn’t spill all over the female. “Missed you too” returning the embrace.

She walked with you into the bullpen bombarding you with questions.

“Hey, welcome back kid” Morgan greeted you next as the rest of the team minus Rossi and Hotch turned their attention to you. 

“How was London?” Emily faced you from her chair as you set your bag down and hung your coat on the chair.

“Good, it was a cool experience being a part of that team. Should help with things here, I had to build a few profiles out there. Though I’m disappointed I didn’t take on the accent” you laughed looking at the group.

“Did you know that accents can change within 25 miles in the UK” Reid rattled off one of his many facts he had stored in that geniusness of his.

“Why do you even know that?” Morgan chuckled looking at the genius who just shrugged as everyone laughed.

“Meet any cute British boys?” J.J. teased eliciting an eye roll from you. “[F/n]? Talk to a dude that’s not an unsub? Isn’t that impossible?” Morgan teased sending a smirk your way.

“Wow thanks Morgan, glad to know you have confidence in my love life” he just chuckled at your sarcasm.

“Not all of us can be studs like the Derek Morgan” J.J. teased, you laughed “I thought Rossi was the stud around here?”

“Reasons why [F/n]’s my favorite” turning to see Rossi walking in with Hotch. You pumped to fists in the air, “Yes!” making everyone laugh, and even getting a chuckle out of Hotch.

“Welcome back, how was the assignment in the UK?” Hotch asked closing a file in his hands. “A good learning experience” you answered smiling at the team leader.

“Anyway, we have a case so don’t get too comfortable. Lets get to the round table” the team rose and followed Hotch to the conference room.

After a brief explanation of the crime, which was a series of murders getting linked across state lines. You froze at the name of your destination.. “Gotham?”

The attention of the room drew toward your panicked expression that followed the outburst. “That’s where you’re from right?” Emily asked out of curiosity.

“Uh, y-yeah. I just never planned on going back there. Why is the FBI being called in? Isn’t that like you know, hero territory?” gulping down your worries.

“Yes but due to the crossing of borders and sensitivity of the case we’ve been assured that there will be no vigilante intrusion.” Hotch confirmed, easing some of your fears. “Okay” you leaned back in the chair, scenes from the night you walked out flashing through your head.

You never wanted to return to Gotham. Never wanted to have to risk facing him or his family. You knew that Jason had been trying to find you since you left. Having changed your phone number, email, everything. You couldn’t risk being sucked back in. Truth be told you still loved him after all these years, but you couldn’t dare admit that. 

These panics and fears plaguing your brain as you stared out the window of the jet. Already having discussed the case further with the team, you were all broken up to do your time consuming activities. Reading the case file, listening to music, napping. Anything to pass the time.

“What’s eating you?” J.J. sat down in the chair across from you. As Emily took the seat beside you. “Oh uh, it’s nothing. I just had a.. falling out about somethings back before I left. I never planned on going back. My family always comes to me because of it.” explaining vaguely.

“Well if we’re lucky this case won’t last too long. You don’t ever talk about what your life was like there.” J.J. pointed out.

“Yeah, they aren’t happy memories. I’d rather not talk about it” they nodded in understanding before starting a conversation about some mundane things. Allowing you to distract yourself from your swirling mind. 

After the jet landed, it was too late to go to any cases or the precinct. Leading you all to just head straight to your hotel.

Watching as the city you once called home sped by the tinted windows of the SUV. 

The next day Bruce had called the entire family into the cave that morning.

“I want you all to understand, we do not get involved in this case the FBI is being called in for. The behavior analysis unit is more than capable of solving this case and it has the gentle way of doing it. It’s national news and we don’t need to get caught in their cross hairs. Do we have an understanding?” he asked sternly.

The boys all agreed to stay out of the way though Dick and Tim weren’t too happy about it. They wanted in on the action. Jason and Damian weren’t all to concerned. Having better things to do.

But when Bruce left Dick turned to his brothers. “We’re going to check it out right?”

“I thought you two were the rule followers” Jason looked at Dick and added Tim to the mix. “Come on Jason you can’t say you’re not curious” Tim returned his gaze.

“No, I’m not. I have better things to do” he turned to walk away. Halfway to the exit he heard Dick say, “Like looking for [F/n]?”

Stopping he turned to send a glare his way. “And?”

Dick sighed, “You can’t spend your whole life Jay. You haven’t found her in two years, maybe she doesn’t want to be found”

He was silent. “Come on Jason. What happened to your rule breaking attitude?” Tim encouraged, seeing his body language shift some. “Fine, but this better not be stupid”

Having their brothers on board the four left the cave. Heading to the crime scene. They hung out on a roof top across from the apartment building the crime was in.

Dick stood looking through binoculars as Tim fiddled with his laptop, Damian was cleaning his sword and Jason was sitting, leaning against the wall.

Dick watched as a black SUV pulled up, “Feds are here” he mumbled. Tim and Damian’s curiosity peaked as the met their brother’s side. Though Jason wasn’t exactly interested.

“Oh my god” Dick pulled the binoculars away from his eyes. “Jay, you have to see this.”

Jason looked to see his brothers all wearing shocked expressions. He stood taking the binoculars looking down at the scene. His heart beat hastened when he saw what had his brothers shocked.

You, had stepped out of the vehicle with two males. Obviously FBI... After two years, he found you.

Arriving to the scene you got out of the SUV with Reid and Morgan, ready to evaluate what had happened. Unaware of the eyes that were following you into the building. 

“Agents” one of the main detectives greeted you. “What we got?” Morgan asked as you all slipped on your crime scene gloves.

You were shown to the room where the brutality had happened. “Brutal like the previous” you looked at the blood splattered walls. “Wasn’t a gun, there’s streaks that resemble stabbing like the other victims” Reid examined the walls.

“Hotch and Emily are at the coroner. They should see signs of overkill, this was rage” Morgan said walking over to look at a picture frame on the night stand. “All white females, with blonde hair, and similar athletic builds. They would’ve fought back”

“Well there was definitely a struggle“ You took in the broken knick-knacks and out of place furniture. “Maybe they’re going after people who resemble someone who is or was close to them?”

“Possibly, were there any finger prints or DNA left” Reid looked at the detective. “Three sets of finger prints were found. One of them being the home owner, the other two unknown”

“Are we looking at two unsubs? And why would they all of a sudden be leaving fingerprints, taunt us?” you inquired looking at the two.

Reid examined the finger prints found that were in question. Scanning through the file, “One of the sets were small, too small to be an adult. A kid maybe”

“The victim didn’t have any kids or friends with kids” Morgan added as the three of you exchanged glances.

“Could the unsub have a kid with him?” you ran the past case files you had read through in your head.

“It’s possible, maybe they lost a mother or sister?” Reid inquired.

“Lets head to the precinct and update the others” Morgan said as you all exited the room.

Making your way to the SUV. You stopped though when you heard, “[F/n]!”

Turning you saw Dick Grayson and Tim Drake, two people you were avoiding. “Shit” you muttered as the two agents wore confused expressions.

“What’s up?” Morgan looked at you. “Nothing, I’ll meet you both at the car just give me minute.” Shoving your hands in your pockets. Simply nodding they gave you your privacy.

“Wow, it’s been years” Dick said stopping in front of you. “Well that happens when you move” a snarky unamused tone coming off your voice.

“Jason’s been --” Tim started but you cut him off. “I don’t want to hear it. Just stay away from me I have a job to do” turning your back on the two.

“Wait hold on” Dick ran in front of you. “Hear us out”

“You have 30 seconds” you crossed your arms.

“[F/n] he’s a mess without you. He’s been searching for you, and he’s changed. He’s cut back on smoking, killing, everything. Saying it’s all in case he gets another chance with you. He hasn’t gone on a single date, not even given a girl the time of day. He needs you [F/n]. Jason hasn’t been the same on patrols, been sluggish. He doesn’t even leave the manor half the time anymore, been neglecting the Outlaws.” Dick pleaded, trying to get through to you.

“Well he should’ve thought about that before he got drunk and screwed some random girl. And tell Jason that if he wants to even get the time of day from me, to come face me himself instead of hiding on a fucking rooftop. Don’t think I don’t see him and Damian up there. Tell him to do his own dirty work. Now if you’ll excuse me, my team needs me” pushing past them both and to the SUV.

Climbing in Morgan asked, “Who were they?”

“My ex-boyfriends brothers” you answered shortly. “Ex-boyfriend? We didn’t know y--” he began but was cut off.

“Yeah you don’t know, the ass hole cheated on me then sent his brothers to do his dirty work” you cut him off a sharpness on your tongue. The two were silent, you sighed “I’m sorry guys, this is just the reason I didn’t want to come here.” You said before they gave you an understanding look and set out to the precinct. 

Your remaining time working the case you spent with the team. Only being away from each other when Hotch made everyone get rest. You ended up having to explain what happened with Jason to the team. They needed to know in case anything like what happened with Dick and Tim were to happen again.

They were all very supportive and protective of you. They really are your second family.

You were all working the case hard, having a list of suspects narrowed down. Your profile did suspect what you, Morgan, and Reid had originally thought. It was a father and their child. The kid most likely being unknowingly dragged along and forced to witness the heinous crimes, even more reason for the BAU to have been called in.

You were avoiding the Wayne’s well. Staying concentrated on the case. Having figured out your suspect, you were all moving in on the unsub soon.

Everything was going well, until a letter was dropped off for you. “What does it say?” J.J. asked as you unfolded it. Recognizing the messy handwriting.

“[F/n],           I’m so sorry, and I’m a coward. I should’ve spoken to you that day that Dick and Tim did but I couldn’t. I was afraid, but I need to talk to you. I’m at the diner we always visited when we were together. Remember, across from grand Park. I know you’re on a case but can we please talk? I’m begging you, even if it’s just to reject me. I need the closure, we both do... So please.

-Jason”

You stared at the letter, Hotch having read it over your shoulder. “Go, we’ll wait” you looked at him and nodded. “I won’t be long” before laying the letter down and slipping the jacket on as you left.

Upon arriving you left your gun in the car, not wanting it on you in the establishment.

Walking in the doors, you stopped. Meeting familiar blue eyes from across the small diner. You hesitantly walked over.  “[F/n]” Jason his tone airy as he stood up. “You look amazing” he complimented after gulping down his nerves.

You sat down facing him, his back to the door. “What do you want Jason?”

“I just want to talk about what happened” keeping his eyes with yours. “There’s nothing to talk about” answering shortly.

“Yes there is [F/n], because..” he paused “I-I still love you. I can’t ever stop loving you. I know what I did was terrible and I will do whatever it takes to fix this. I’ve been trying to improve myself for you, but it’s all worth nothing if I don’t have you in my life” he begged. Sincerity in his eyes, he was telling the truth. He was so guilty and there was so much regret.

Your eyes flickered away from his when the bell of the door jingled. Your heart dropping when seeing the person entering. It was your suspect, dragging a son behind him. Michael Stier, you remember the name. Then you saw the gun clutched in the young boys hands and the hunting knife in the fathers. “Oh my god” you muttered, hand reaching for your gun but remembering you didn’t bring it.

“What?” Jason looked at you confused. “Jason, do you have a gun on you?” Eyes not leaving the man, “No, I didn’t bring one in because I just wanted to talk”

Your eyes darted around the room, seeing a girl that matched the description of his deceased wife. He was moving toward her, you began to hear sirens. You had your phone turned off, the team must’ve learned he was going to be here.

“Listen to me carefully, my unsub just walked in. I need you to get people out of here” You whispered. Hie eyes widened before he nodded and you both stood up.

Jason stood up and began lightly signalling people to leave, the woman had seen the knife and was sitting stiff in her chair. You had to act fast, you had to talk him down.

“Michael Stier” he stopped in his tracks. “FBI, drop the knife” hearing that he pulled the woman out of her chair and held the knife to her throat. “NOBODY MOVES OR I CUT HER OPEN!” he yelled making everyone in the place freeze. “P-point the gun Chris, p-point it” as the little boys hands shook raising it.

“Easy there Michael, we don’t want that do we” you spoke gently. Glancing to see red and blue lights dulled by the shaded windows.

“How about we let these people go okay? You let the girl go. I’ll stay with you Michael okay.” You calmly said. It was key to stay calm and nonthreatening, knowing of his unstable mental state. 

“That’s not Mary, you know that, don’t you Michael. You remember your wife, Mary. She looked a lot like this girl but this isn’t Mary is it?” he glanced down at the girl who was whimpering.

“It’s not” he said before looking at you again. “I want you to listen to me Michael. If you hurt her, my friends out there they’re going to come storming in here and not only will you but Chris here might get hurt too. So here’s what we’ll do. We’re going to let everyone go, and you’re going to take the gun from Chris, and you’re going to point it at me alright. So then we can guarantee everyone will leave without anything happening to you okay. Because my friends aren’t going to let me get hurt.” you kept your tone level.

He threw the girl away, grabbed the gun and pointed it at your head. “Okay, everyone. I want you all to stand slowly and enter through the front door quickly. Michael here is going to let you all go safely, and Chris you’re going to go too“

“No! He stays” Michael yelled. “But we said everyone right Michael” you nodded, he stayed silent before letting the boy go.

“[F/n]” Jason said behind you. “I’m fine Jay, everything’s going to be fine because we’re okay here.”

“I’m not leaving you in here” he gritted his teeth. You looked over your shoulder at him, “It’s alright Jay I need you to help these people.” he could see how scared you actually were right now. He was always able to see past any facade of yours the way you can his. “I still love you too Jaybird, always have always will”

His heart stopped at your words. You did still love him. And god knew if you were going to be able to keep this guy under control. If you’d walk out of this.

He nodded to you before helping get the few patrons left out of the building. SWAT helping once they exited.

“Okay Michael, what can I do to get you to put that gun down? My friends out there have a hostage negotiator who will be calling any minute” you remained still.

“No! No negotiator. I just want Mary, and she’s gone!” He yelled, he was losing his grip on his mind.

“Shh, it’s alright Michael. It’s okay” you tried to calm him down but it wasn’t working. Finger tightening on the trigger. You took a hesitant step forward.

“No stop! Stay there!” screaming at the top of his lungs. You stopped, you couldn’t talk him down he was going over. You had to make a move.

You had to disarm him, now!

Shots rang out in the vicinity.

Your team immediately ran toward the doors, guns drawn. “Move!” Hotch yelled as the team ran. Jason was comforting the girl Michael had attacked, “No.. no no no” he whispered, tears stinging his eyes.

The team rounded the corner of the doors, rushing inside. Not knowing what to expect and not believing what they saw.

They saw you.

Alive

You had the man pinned, cuffing his hands behind his back. They all let out relieved sighs and smiles gracing their faces. You stood, letting one of the SWAT members take the man.

“You guys can’t get rid of me that easily.” You smiled walking up to the team.

“Come here you scared the shit out of us” Morgan grabbed you into a hug. Eventually it became a group hug, even pulling Hotch in.

“Garcia called saying he was had been making purchases of a hunting knife and revolver in the area. Then the silent alarm here was triggered, and we found your car with your gun.” Hotch explained as you pulled out of the hug.

“Garcia’s probably freaking out” You chuckled and they did as well.

“Um, I have to take care of something” You said before heading out the door, leaving the team in your dust.

Looking in the crowd of bodies your eyes met a certain blue pair. “[F/n]” Jason said running over before hugging you tighter than ever before. “I’m so sorry, I thought you were gone. God I’m so sorry” feeling tears begin to soak your shirt.

“I’m sorry too” you said, shocking him and making him pull away. “But you have nothing to be sorry for”

“Yes I do. I’m sorry for ignoring my feelings for these two years. It shouldn’t have taken a gun to my head to hear you out. And I’m not saying that we can go back to where we once were, before everything. But I’m willing to restart if you are.”

A smile spread across his face, “But after everything. I thought you’d say something different, like ‘you wouldn’t want to risk getting hurt’“ he confessed, staring into your eyes.

“Well, I guess some people are worth the  risk. But fuck up again, and I think the team is going to be the ones kicking your ass” you chuckled. “We’ve both changed and I’m willing to give the new Jason Todd a chance if you’re willing to give the new [F/n] [L/n] a chance”

“More than willing” smiling before kissing your forehead.

Perhaps it was time for new beginnings.

______

Jeez that was long.. I hope everyone liked it and it can be enjoyed without a lot of knowledge about the Criminal Minds show. I appreciate any feedback. Thanks lovelies! <3

_______

@roseangel013bf

@cherryignacio

[hellyeahsupermanandwonderwoman]

New 52 and Rebirth

I don’t know about you guys or the DC comics fandom as whole, but I noticed from the get go that DC wasn’t united and committed to the The New 52. I say this mainly due to the fact that I noticed different writers wrote the relationships between the characters (Mainly SM/WW) jarringly different. For example in there was a point in the justice league comics that had superman and wonder woman basically broken up and wonder woman even almost kissed Steve Trevor. despite the fact that at the same time in the action comics, superman/ wonder woman comics etc, they were simply going through a rough patch in their relationship (which happens in every normal relationship)

Basically, what I’m saying is if DC was committed and united from the get go and the writes communicated and agreed on the characters personalities and relationships. Rebirth may not have happened and if it did happen it would have been something different. may be a side line of comics, for the older fans, that aren’t canon but else world type stories continuing or just telling random adventures of the pre-new52 heroes that we all know and love.

Just a added note:

I head canon that new-52 wonder woman actually left on a mission to find New-52 superman based on information given to by a anonymous source, cause he and the rest of the new-52 heroes were actually replaced by the pre new-52 heroes abut the transition wasn’t perfect and personalities and memories got mixed and confused.

I’m not reading rebirth, it’s too messy and the things that are happen and things that hear that are happen and straight up INSANE. its all nostalgia and hype this wont last long.

 sorry for the rant.. just needed to vent my thoughts. 

It’s fine. We encourage people to share their thoughts. We fully agree. In hindsight, it is clear they sabotaged the new 52. For what? Nostalgia? Now we get there are elements fans loved of the old verse but crapping on a whole rebooted history of 5 years is not the way to do it. Not all long time fans wanted to see Superman with Lois again. Many were ready for  something new. Many newer fans loved the new 52 Superman and Wonder Woman. Action Comics by Morrison and Pak,  Azzarello’s Wonder Woman, Soule’s Superman/Wonder Woman, John’s Justice League, Snyder and Capullo’s Batman, Aquaman, Green Lantern etc all had really good stories. Go back and re-read the stuff and you will see there was a lot of hope, love and legacy in the new 52 and creativity. It wasn’t the bland lather, rinse, repeat.  Rebirth is really lazy and trying to cheat/contrive its way in instead of earning its way. 

There is a way of doing it if DC wanted Superman and Lois to have a son in a verse. The multiverse is out there.  Use it. The same way there is Earth 2, Bombshells, Injustice, Batman Beyond, etc do another title. Hell give Rebirth Superman the flag ship title and new 52 Superman Action Comics. New 52 is way closer to his Golden Age counterpart any way. 

They kill a younger Superman for no good reason other than he was not married to Lois, he felt a little too much of an outsider, and was dating a foreigner. Guess new 52 didn’t represent the american way enough for writers like Jurgens. Then seems they trying now to claim this older one could be him. The older one is more concerned about himself and his family than true beneficence and empathy for the world. Why else would he sit on his butt for 10 years to play house? He could never be my new 52 Superman who was here to make the world safe for EVERYONE because he wanted a fair and safe world for all. Not just doing it for his wife and kid as Rebirth is. New 52 Wonder Woman was completely wiped out as a lie in order to pimp Rucka’s version. The woman has now been thrown in what seems to be the most backward mental facility by a simpering, vanilla Steve Trevor for no good reason other than he needs to seem to be indispensable. While other heroes in other titles are working stuff out and leading teams Rebirth Wonder Woman is either being a vapid Disney Princess in Year One or deluded and sad in the present time.  

And the dragging in the Watchmen to try to blame them for the screwed up timeline? Why? Alan Moore, dude, we’re so sorry. But your story will outlast this silliness. 

This is like me watching 5 years of my favorite show, getting invested only to have new writers come in and say nothing was true. DC really needs to examine how it manages its line. DC want to appeal to all demographics or just the aging ones? We would assume as a business it would be the latter.  You don’t insult the people who supported you for the last 5 years. They actually imply we are fake fans because we liked a product they gave us. ????

They need to try to be diverse and inclusive and updated. Why should I want to read the same thing I read 10/20 years ago? Seriously. Move on with the times, DC. Get some younger or more diverse blood. Writers have to try to be consistent because discerning readers notice narrative poop.  You don’t drag titles into unnecessary crossovers. This is what dragged the Superman/Wonder Woman title down. You give a title to someone who cares for the concept. Peter J Tomasi, god knows what he was trying to do with all the forced,  out of character bs but seems like he came to destroy than build. 

The good news…well not for DC…but to vindicate the new 52…it seems that we are finally getting an update on how well Rebirth was received and despite all the hype and PR, it seems it was not quite the success as DC makes it out to be. 

We are just over half a year in and it seems the numbers are already dropping. The large numbers they showed when Rebirth launched were, in fact, not the real sales numbers because of returnability. Also don’t forget DC shipped twice in one month and offered lowered prices to get their old veterans back and hopefully new readers. Retailers ordered high and  as expected what was not sold would be returned with a refund. DC prob did not expect this much to be returned.

https://www.bleedingcool.com/2017/02/06/dc-rebirth-returned-lot/

  https://www.bleedingcool.com/2017/02/06/price-dc-holding-line-2-99-move-3-99-happening-now/

https://www.bleedingcool.com/2017/02/07/rob-liefeld-asks-answer-dc-rebirth-returns-retailers/

They apparently have lost revenue hence the price hike. So this “hit” was actually like the crappy “Convergence”…ie not a hit. 

Comic Beat does an analysis and basically Rebirth is no different to  pre new 52 or new 52 sales. In fact, some books are no better off or worse. Bear in mind the new 52 lasted 5 years and DC sabotaged it for Rebirth claiming it was bringing back love and hope and legacy and making comics great again. Great for one demo who want to read what they read for decades. Not everyone and clearly not many new fans since the numbers are not greater. 

http://www.comicsbeat.com/dc-comics-month-to-month-sales-chart-december-2016-comic-readers-vs-retailer-incentive-variants/

So basically Rebirth is not as successful as the new 52 was. Tea, anyone?

Bottom line, in all this is, DC needs to give its customers a good product and that means better writing. They will try to do crossovers soon and try to hype things up like giving Rebirth Superman a “new” old uniform and even try to steal new 52 Superman’s history. What is so new? A tweak to a belt? And don’t insult us by saying this dude was new 52 Superman all along.  For those who like cohesive and consistent writing and a story to matter don’t give your hard earned money to a company that treats its readers as if we are amnesiacs or idiots. 

Oh and we love your head canon. It makes more sense than DC these days.