#there was especially one aspect of the ending that confused me

[queer-ragnelle]

hi I was wondering what your opinion is on how to deal with anachronisms in arthurian legend. so many stories include jousting—which didn't exist in early medieval wales. which historic kingdoms do you chose to include, and from which period, and what if two kingdoms sound really cool and you really want to mention them both but one existed in england circa 500ad and one existed around the norman conquest? thank you!

Hey!

I could've sworn I answered this before but I must've been thinking of a conversation in my writing group. Anyway the short answer is:

Do whatever you want! Anachronism is a feature not a bug! Harness it!

The fact is, all of Arthurian Legend is anachronistic and it's great. We don't even have concrete proof that Arthur, as we understand him, existed. We don't have written sources from the era Arthur supposedly lived in, only artifacts. There are some sporadic texts throughout the early Medieval period which mention Arthur, then the majority of what we understand as part of the Legend began with the work of 12th century authors. When Chrétien de Troyes was writing his stories, he depicted the world he lived in. The same goes for Marie of France and Wirnt von Grafenburg and Sir Thomas Malory and of course the many many Anonymous authors throughout the entire Middle Ages. They wrote about knights as they, personally, perceived them, as if the Saxon conflict took place in the 12th, 13th, 14th, 15th, etc centuries. After that, modern authors did similarly, while keeping the setting Medieval.

I have found that reading the forewords, author's notes, and letters of modern writers tackling this same dilemma has helped me tremendously. I have a deep respect and admiration for John Steinbeck, both his The Acts of King Arthur and His Noble Knights and his other novels captivated me, so I cherish his philosophy regarding the creative process. In letter to his editor, he wrote:

He gets it!! Everyone is writing for their audience. Themselves, too, but with special attention to the current era and what that looks like.

When it comes to the nitty gritty stuff, you'll drive yourself crazy if you focus too much on what's "possible." Now Persia Woolley and I have our creative differences, but in her author's note at the start of book 1, Child of the Northern Spring, she wrote:

This makes a lot of sense to me. She has adopted a similar method as J. R. R. Tolkien did regarding the stories "coming out of Middle Earth." No, a Hobbit may not have called the circular green thing covering the entrance/exit to his home "a door," but that is the name of the object as the reader understands it, so that is what the author or "translator" has decided to call it.

In the end, you'll just have to sit down and make decisions. If you intend to use the names as they were in the era Arthur lived, it'll be more historically accurate, but unless you also provide a map and name key as Edward Frankland did in Arthur The Bear of Britain, you risk confusing your readers who only comprehend these locations in their Modern form. On the other hand, if you use exclusively Modern names, there's a chance it could break the immersion of your readers who perceive the story as Medieval.

I personally like to have of Medieval and Modern terms as well as technologies and cultural aspects. The fact is that we simply don't know enough about history to ever be 100% accurate about anything, so breath easier and offer yourself some allowances. I haven't scanned this book yet, but in the author's note of Phyllis Ann Karr's The Follies of Sir Harald, she wrote:

This is especially funny considering I don't recall any mention of a specific year to which the "historical accuracies" could be compared, but I assume she means the 12th century, when Chrétien de Troyes lived.

It comes down to what sort of story you want to write. Is it going to be Historical Fiction as Edward Frankland, Persia Woolley, and Bernard Cornwell wrote? Or will it be more loosely "Medieval" such as Cherith Baldry, John Steinbeck, and Phyllis Ann Karr wrote?

It really comes down to your own point of interest which kingdoms you include. I generally tried to stay accurate to the 4th-6th century, a huge 2 century window, which gave me enough wiggle room to pick and choose some names that made clear what I was talking about. Most if not all ports and islands retained modern names for ease of comprehension: Beirut, Isle of Wight, Mainland Orkney, and even Drake's Island, which is named for Sir Francis Drake, who wasn't born until the 16th Century, simply because its older name, St. Michael from the 12th Century, was not only too recent to be "accurate" anyway, but may have caused confusion with the giant of Mont St. Michael, which was of more importance to me than the impossible accuracy of landmasses in the Plymouth Sound. I did away with wooden longhouses in favor of stone castles; some I "built" on top of abandoned Roman forts that can still be visited today, others I invented completely from scratch, each brick and syllable original to my work. Many aspects called for improvision, so I did the best I could to make it all appear cohesive, even if historically those names or practices or fashions or whatever weren't actually as synchronized as my writing would have you believe.

This applies to characters too.

I refer to the main character as Gawain, although he claims it derives from the older name Gwalchmai. Other Mabinogion characters retain their Welsh names, such as Owain, Morfydd, and Bedwyr. Yet others take after their French names, such as Kay, Perceval, and Mordred. I even sometimes use both names, such as with Welsh Cynon/French Calogrenant, who was named the former at birth and referred to as such by Morfydd, but then Christened as the latter, which is what the majority of the cast call him. The Vulgate gives Yvain, son of Urien and Morgan le Fay, a bastard half brother called Yvain the Bastard. Because I had already changed the first character's name to Owain, so too has his brother's name been changed to Owain, as well as introducing a moniker of his own to more clearly identify him as a separate character without constantly referring to him as a bastard. They are from Rheged, but Owain the Bastard is known as FitzEden, as he was born in his mother's house near the Eden River. If you look it up, Rheged/Cumbria are the same general area, so I've linked the character to it through a name I made up for him. Owain FitzEden he now is. Did people use the term "Fitz" in the 5th century? No, they didn't have surnames. Was the river called Eden at the time? Probably not. But I did it anyway because I'm not writing in the 5th century, I'm writing now, for you, for me! And because I like the character enough to "bend the rules." It's not like historical Owain mab Urien had a pet lion, anyway!

It doesn't matter if these characters have "era appropriate" names or come from locations which didn't exist until recently. Say Lancelot is from Brittany or Less Britain or Gaul or France or Benwick or the Lake Kingdom, who cares! I've seen them all in one book or movie or another and they all register the same to me: Across the channel. Foreign. A new guy.

I had to do all of this twice, once for Medieval Britain and again for Medieval Persia. So trust me when I say it's time consuming. You're going to take a lot of notes for your own reference that your readers will never see but will help you keep an internal consistency once you decide what kingdoms and names to keep and what to avoid. The key is to stay accurate within your own world. Even if two kingdoms didn't exist at the same time, if you want to include them, do so, but then you have to follow through with that. Your readers will figure it out so long as you avoid giving the same area too many different names or accidentally changing a location's name between scenes. Locals may call their village something the outsiders don't, that's cool for worldbuilding, but every time you do it, you're making a bid on your reader's ability to hold all that information. So do so sparingly and with good reason.

Reading helps a lot. All the books I've mentioned do a good job of this and would be useful tools for understanding what your preferences are and what the vibe of your story will be. I hope that answers your question and gives you a bunch to think about! Take care. :^)

[libraryleopard]

Adult horror/science fiction/urban fantasy (?) novel about Dawit, a 500-year-old man from Ethiopia who was inducted into an all-male cult of immortality

When he marries and has a child with a human woman in 90s America, he contemplates breaking his brotherhood’s covenant of secrecy to tell his wife the truth about his unnaturally long life

Suspenseful modern-day storyline with flashbacks throughout Dawit’s life 

Nuanced characters and an interesting exploration of what it means to navigate immortality as a Black man

Ethiopian main character & African American main character

Spoiler below the cut

Didn’t love the novel’s treatment of it’s only gay character, though (he gets violently murdered early on)

[cazshmere]

Synastry Observations Pt.2

materialist🔖

DISCLAIMER: These are just my personal observations and are meant for entertainment purposes only; it may not resonate with everyone due to the nuances of astrology. Please respect my work and avoid copying or stealing it. Enjoy reading!! 🍊⭐️

🍊 Mars in the 12th house synastry has got to be one of the worst things 😭. It’s confusing and exhausting. The Mars person seems to harbour some sort of irrational animosity towards the house person in a very passive-aggressive way. The house person can sense this too, but they are unsure if they’re making it up or not. Also, it’s such a blockage; you could be really close to each other and know of each other, but the conversation WOULD TAKE AGES to start because neither the house person nor the Mars person wants to initiate conversation. It’s like there’s an invisible barrier between you guys 🥲

🍊 Venus in the 8th house/ in Scorpio’s first romantic relationship or situation always ends up hurting them. I’ve seen this countless times where their first experience with romance either ends in heartbreak, unrequited love, or just a missed opportunity. This heartbreak helps these individuals immensely transform, and they might prefer to isolate themselves from anything romance-related for a long period of time. Honestly I think this is a canon event for every Scorpio/8th house Venus that I’ve met, including me lmao and especially if there are Venus-Saturn hard aspects, dear lord, sending love to all my scorp/8th house placements fr🫶🏻🥲❤️‍🩹

🍊 Something I’ve observed with Libra placements, especially the moon, is that when they’re in a relationship, it becomes the focal point of their life. They might go as far as changing career paths to be closer to their partner, altering their style to match their partner’s preferences, or adjusting their personality to be more appealing to their partner (yes I’m sure most of us do this to some extent but it’s a bit excessive for these peeps😭). Their relationship becomes such a central part of their identity that if anything goes wrong, it can feel devastating for them. For instance, I have a friend who is a Libra moon, and she always refers to her partner as “my boyfriend” instead of his name, even though we all know him personally, like gurl come on he’s got a name haha😭

🍊 Moon in the 12th house synastry can equate to the house person opening up to the moon person or just feeling extremely vulnerable around them. They’d share things with the moon person that they dare not share with anyone else. This synastry could also mean staying up late in the night and throwing your sleep away just to talk to each other 🧿

🍊 12th house synastry could also have undertones of enemies-to-lovers (the lovers part only if you ever get together, that is) because there’s this energy where you don’t know why the other person acts hostile/passive-aggressive towards you, ignores you, or sends you mixed signals that makes you dislike them but at the same time, you can’t stop fantasizing/dreaming about them in all these romantic scenarios or them showing up in your dreams outta nowhere like??😭

🍊 7th/8th and even 10th (to some extent) house synastry could indicate that one of the two, either the house person or the planet person (mostly the house person), copies the other, be it mannerisms, clothes, slang, or even certain traits of the other’s personality 💀. It’s because they notice how much attention or admiration the planet person garners, so to obtain that same kind of attention and recognition the house person might try to emulate the planet person 🫤

🍊 7th house Mars synastry can be very annoying and tiresome (especially for the house person). The Mars person could be a bit too much for the house person. The Mars person could get very petty and passive-aggressive towards the house person for no reason (this could go vice versa too). Yes there is sexual attraction and y’all could motivate/support each other through stuff but at the same time it’s draining asf, a big no no for me when it comes to synastry 🥲

🍊 Moon square Saturn synastry can cause delays when it comes to emotional attachment between two people, but once these two finally connect, it’s ride or die typa relationship fr 🥺🫂

🍊 Moon/Mercury in the 1st/5th/9th house synastry is very exciting and fun-loving, with lots of playful teasing and bantering with each other 😋🥰

🍊Moon /Mercury in the 2nd/4th/8th/10th/12th house synastry makes both parties very sensitive to each other’s words because these houses reflect our self esteem/self worth, the deepest parts of ourselves, our core, our reputation etc. A little bit of critique can also be taken personally by either party. Even harmless jokes could be taken in the wrong way and arguments could occur (especially if there isn’t 3rd/5th/9th/11th house synastry or any easy aspects in the synastry chart)

🍊 When someone's planets fall in your 8th house, they intuitively sense your true and deep needs related to that planet. For example, if someone's Venus is in your 8th house, they will know how to love you in a way that makes you feel unconditionally loved and appreciated. If their Mercury is in your 8th house, they will understand how to communicate with you on a profound level, meeting your need for deep and meaningful conversation. If their Mars is in your 8th house, they will instinctively know how to meet your sexual needs and desires and please you in bed🖤❤️‍🔥

© cazshmere 2024 [All Rights Reserved]

banner credits : @anitalenia <3

[phantom-0-writer]

Tim stepped cleanly inside the room, and carefully shut the door behind him after checking if anyone was in the hallway. “What are you-” Danny started confused. Tim was acting very unusually right now. 

“I’m Red Robin.” He said.

Danny stared at him for a few seconds. Tim had expected him to be more shocked, Danny wasn’t like Damian and Bruce in the aspect of holding back his reactions. He watched Danny carefully and noticed that he wasn’t even surprised at all. 

His shoulder shifted a little, and a look passed in his eyes. He was relieved. That didn’t make any sense unless, “You knew.”

It made an irrevocable amount of sense. The stupid excuses he didn’t question, the easy slide bys on things that didn’t add up. Tim had wondered why Danny never brought it up with any of them. He was always quick to call bullshit on things but conveniently never on their mission cover ups. 

“Yeah.” He admitted quietly, findling with the small screwdriver in his hand.

“Why didn’t you say something before?” Tim asked. He felt a little ridiculous about it all now, “How long have you known?” Tim’s mind went back to the dining room argument from last night and he rolled through it in his head. “Wait, Jason knows you know, doesn’t he?” Tim blurted, “That why he- why didn’t I realize this sooner?” 

“I mean I know you guys can’t just tell whoever you want. It’s a secret identity for a reason. You guys didn’t want me to know. So I acted like I didn’t.” Danny shrugged. “I figured it out when Dick and Bruce were in Amity, and yeah, Jason knows. He also knows I’m Phantom. Cass knows too- not the Phantom thing. Or maybe she does, I don't know.”

“You knew the whole time?” Tim balked. All the effort they put in to hide the proof before he came, and he knew the whole time. Wait, did he say- “You’re Phantom?” Tim practically yelled. 

Danny blinked at him, “I thought you knew that.” He pointed the end of the screw driver at him, “Why were you guys so okay with him being in the cave then?” 

“We thought he was Thomas Jr.” Tim threw his hands up, rethinking his entire career choice. “I mean, yeah he was in Amity with you, but we figured it was like a guardian ghost thing since the time Dick met him that one time when you got lost or something he was the one- holy shit, you were following them the whole time weren’t you.” 

“You thought Thomas was Phantom?” Danny laughed, finding this ridiculous. 

“Isn’t that how supernatural stuff works or something. Like, you guys are linked because you were switched with each other and because you were with the family he was supposed to be with so he turned into a protective spirit to, like, watch over you or something.” 

Danny's look of appalment only deepened as Tim continued explaining. “Who told you that?” 

“I mean we just kinda figured it out ourselves based on past experiences.” 

“Past experience?” 

“With supernatural stuff the right conclusion is always the most unexpected and slightly irrational one.”

Danny snorted at that. “That is a really bad rule of thumb.” 

“Right, then explain how you’re the ghost Phantom when you’re also human and alive Danny.” Tim crossed his arms. He was trying really hard not to over analyze that right. Did that mean Danny was dead or that Phantom was alive? How could he be both? Well according to Schrödinger's theory- not now Tim. He should make a new file for this later and then he’d think about it. Alone. In his room where he could properly freak out over this. 

“Touche.” Danny clearly thought this was funny so no need to put a damper on the mood. Especially after everything that already happened. 

This information changed a lot of things. Tim would have to refer this back to the Fenton-Masters case. What about Damian? Did he know Danny was Phantom? Probably not, considering none of them had, apparently aside from Jason. It would be almost impossible for Tim to not tell him that since they were supposed to be working it together. Tim wasn’t sure how he would take the information. Not only that, but gave a new scope to the vultures that had attacked and the monster that had showed up from the pits. 

Later. File. Many lists. 

“Do you want to come to Mt. Justice?” Tim asked him. 

“Like the museum?”

“Yes and no. It’s also the Young Justice base. It’s top secret and no ones supposed to know about it.” 

“What! Then why are you telling me?” 

“Do you wanna go or not?” 

“Is that even allowed?”

“Definitely not.”

Danny raised a brow. “Then we can’t go?”

“It’s far but we can just take the jet. It’s like 30 minutes tops. We could take the zeta-tubes but then Bruce would find out you took the zeta-tubes and then we’d be fucked. Well, mostly me. But still.” 

“Wouldn’t he find out we took the jet then?”

“He wouldn’t know you were on the jet. It’s not weird for me to be going there since it is my team.”

“What if we get in trouble?”

“We’ll only get in trouble if we get found out.” Tim shrugged, “Do you want to go or not?”

Danny considered it for a moment before a grin tipped his face. “Yeah.”

“Sweet.” Tim reached for his phone only not realizing he didn’t have it. “I’ll let them know we’ll be coming around. They’re all already there. Tell Alfred you’ll be going out with some friends and then come meet me at Drake Manor.”

Danny seemed to embrace the situation now, forgoing his earlier hesitance. “I’ll wrap up some stuff. I should do breakfast too so Alfred doesn’t think anything is up. I’ll give you a heads up before I’m out the door. I’ll take my bike.” 

“Take the long way round since the Manor’s in the opposite direction of the city.” 

Danny nodded. “What about you?” he asked. 

“No one’s gonna ask if I go in costume.” Tim shrugged, “Speaking of costume…” Tim turned to where he knew the wardrobe to be, “Let me see your clothes.” He opened the double doors in the bathroom where the closest would be and blinked at the largely empty room. “Where are the rest of your clothes?” He asked. Danny looked confused by that, “Oh,” Tim realized, “You used a second closet. Smart. Is it in the lab?” 

 “No, Tim.” He said, pacing his words, “These are all my clothes.” 

“Oh. Why?”

“This is a normal amount of clothes to own.” 

“But it’s like barely covering a fourth of your closet. And that’s only because everything is so spread apart.” 

“That's because the closest is the size of a literal barn. Why on Earth would I need that many clothes?”

“I thought Bruce gave you an allowance?” 

“He did.” 

“Is it not enough?” 

Danny balked at him. “Did you ask to see my closet just to make fun of me?” He huffed. 

“I’m not making fun, I’m concerned.” Tim said genuinely. Did Danny not feel comfortable asking for things? It must be because they were keeping so many secrets and he thought they didn’t trust him. This clearly ran deeper than Tim originally thought. 

Danny shoved his hand in Tim’s face, pushing him back. “Can we get back to the point?”

“Right.”

--- later ---

“Give it back!” 

“No, I had it first!

“Nu-uh. I just put it down for like two seconds when you grabbed it.” 

“You were gone for the whole round.” 

“Where’s the controller you had before?” 

“It died.” 

“There's a bunch of other ones in the drawer.” 

“You can have one from there, then.” 

“No! I want the one I had back.” Tim insisted. 

“No.” Danny moved so he couldn’t reach it. 

“That controller is player 1, so give it back.” 

“Exactly why I’m not giving it back.” 

“Why would you be player 1?”

Danny looked so smug at that, “If you recall, I’m actually older than you which gives me sovereign right over player 1.” He said pushing Tim away. 

“That doesn’t even mean anything!” 

“Ah, to be young and naive.” 

“Fuck you.” Tim said, tackling him off the sofa. 

“What on God’s green Earth is going on here?” Cass asked, returning from their small intermission for snacks. 

Bart rushed up to join her. “Is Danny winning?” 

“No.”

“Yes.”

“No you're not! Give it back.” 

“Get off me.”

Kon was the last to come onto the site. “Guys.” He said seriously, “Superman’s coming. And there’s someone with him.”

Tim stopped trying to strangle Danny, sharing a look of panic with his team. 

“So?” Danny asked, confused.

“Danny, you're not supposed to be here.” Tim hissed at him. “Shit. How do we hide you from Superman?” 

“It was nice knowing you.” Kon said with a sarcastic smile. 

“How far is he?” Cassie asked. 

“He’ll be here in like two minutes.” 

“I’ll hide under the couch, he probably won’t look under there.” Danny offered. 

“He can hear your heartbeat.” 

Danny smiled widely. “I got it covered.” He said, pulling himself into the small space.

Bart giggled in excitement. 

“How-”

Kon gave a silent sign that Superman was here, sending a confused look towards the couch Danny had slid under. Tim’s phone buzzed with a notification. 

Just then, “Konner?” Clark called from the Mission Room. 

The team shared a silent look. They’d just have to trust Danny had this covered. 

“We’re in here.” Bart called even though Clark would already know that.

Tim put up two fingers to silently ask Kon if there was someone else with him. He received an affirmative. This was a horrible day for prospective teammate introductions. 

“Hey guys.” Clark smiled, then confused “Why are you sitting on the floor Red Robin?” He asked.

“I was checking something.” Tim said, picking up the controller Danny had been forced to abandon. 

“Oh, okay.” He nodded, not questioning it further. “I’m glad all of you are already here.”

“Are we getting a mission?” Cassie asked. 

“Sort of.” Clark said, excited. Then in Kryptonian, “ Come .” He said to someone behind him they couldn’t see. Tim couldn’t hear any footsteps. And he found out it was because the person Clark was introducing them to could fly. And Tim also found out that Clark had spoken in kryptonian because this new person was a kryptonian. One that Tim had never met before. “This is Kara. She’s my cousin. The entire situation isn’t all clear yet but as it stands we understand that her pod, while launched at the same time as mine, was caught in an asteroid belt and was only left free recently, when it landed near the Fortress of Solitude.” Clark turned to Kara and introduced them to her in Kryptonian and then added, “ Tim and Kon-el speak Kryptonian which is why I thought you would be more comfortable here instead of the Watch Tower. Though, Kon’s could use some work. ” He teased. 

“Hey, my Kryptonian is fine.” 

“Why don’t you try saying that in Kryptonian?” 

“ My fine is Kryptonian .” Kon said confidently. 

Clark laughed and Kara looked at Kon like he grew a second head. 

“I don’t even speak Kryptonian and I could tell that didn’t sound right.” Cassie laughed. 

Tim took his turn to introduce himself to the nervous and quite blonde. “ I’m Red Robin. ” He pointed to the symbol on his chest. “ It’s nice to meet you. ” He put out a hand for her to shake but Kara just stared at it. Maybe they don’t have hand shakes on Krypton. Since Clark had grown up on Earth he didn’t really know much about the customs of his home planet for them to have learned it beforehand. 

“ Nice to meet you. I am Kara Zor-el, daughter of Captain Zor-El and the Lady Alura. ” Then she stuck out her hand like Tim had. When Tim took it to shake Kara seemed surprised by it. 

“ You’ll be in good hands here, Kara. I’ll be back to check on you later but if you need anything Kon or any of the others can get a hold of me for you, okay ?” Clark said softly trying to gauge if she’d actually be okay here without him. 

Kara started at Clark for a moment like she was processing what he’d said, “ Why will anyone need to hold you? ” 

“Oh.” Clark pondered it, “ It’s an Earth phrase. It just means that they’ll send me a message or contact me if you feel like you want me to come back. ” 

Kara took another pause to process and then, “ I see. ” And does a hand gesture that Tim didn’t understand. And neither did Clark. No one commented on it. 

After Clark left the atmosphere of the room went stale. Danny was still under the couch and they weren’t sure how willing Kara would be to not tell Clark about it. But they couldn’t leave Kara. And Tim’s phone was buzzing with notifications that he did not want to check because he recognized the haptics of the health app he had. The one that had everyone, including Danny’s, vitals. Danny, who Tim was pretty sure had just stopped his heart for the entire duration of Clark being here. Which had been a very long duration.

Kara looked between them, confused. “ Is there something meant to be done? ” 

“ How’s your english, Kara?” Tim asked.

“ Only a little . Kal-El said it will take time .” 

“ Langage harding learn. ” Kon nodded. Kara lipped his words back to herself trying to make sense of it. 

“What do we do about our stowaway?” Cass whispered to Tim. She didn’t speak Kryptnoian, but she understood enough to know what Tim had asked. 

“I could dash him out. Maybe we could spend the day together at the mall and then we’ll be best friends and then he won’t want to hang with Tim anymore because he’d rather hang out with me because I’m so much more fun.” Bart said all in one breath, his words afterwards speeding up too fast for Tim to make any sense of. 

“She’ll know something’s up. We need to test her loyalty.” Tim strategized while Kon attempted to keep Kara in conversation. 

“How? And why haven't any of the supes been able to hear him yet?” Cassie asked. 

Bart took a pause on his earlier ramblings to make Tim’s life more difficult. “Oh it’s because he’s not breathing. Isn’t that so cool.” 

Cassie shot Tim an alarmed look. “He’s a meta.” Tim said off handedly, “Can we focus?” 

“Are you aware that your brother might be suffocating to death? In fact, we may need to hide a corpse and I sure as hell would love to hear how you're going to explain that away at family dinner.” 

“Oh, don’t worry Danny’s fine.” Bart said flippantly. “Danny, if you can hear us, make the room one degree colder.” 

Tim couldn’t feel anything but Kon and Kara did. Kara eyed the room confused about the change but fortunately she didn’t comment on it. 

“So cool.” Bart whistled, lapping the room. 

“Convinced yet?” Tim asked Cassie.

“He’s an ice meta how- you know what, I don’t want to know. So how are we going to test our warden?” 

The lounge room was decorated to look like a regular living room, including hanging “family pictures” on the wall. Everyone on the wall was in costume, for security reasons, but they were actual nice pictures of the team and their mentors. Tim pulled out a batarang from his pocket, and played around with it for a while, talking aloud about random things. It only needed to sound like a real sentence since Kara couldn’t understand what he was saying anyway. Then the batarang “slipped” out of his hand landing right in one of the larger framed pictures. The impact was loud and the glass of the frame shattered and spilled on the floor. 

Cassie didn’t have to fake her flinch in surprise at that, turning to Tim alarmed. Tim adding to the performance acted shocked. Kara and Kon obviously hadn’t missed the commotion and their conversation stopped. Kara looked at the destruction of the frame, analyzing Tim and Cassie’s reaction.  

“Dude.” Bart turned to him wide-eyed, stopping in his tracks, “We’re so dead.” Kara didn’t speak english, sure, but the dread in Bart’s voice was obvious enough. 

“Why did you do that?” Cassie scolded, “That was Red Tornado's favorite.” 

Tim held his head in his hands dramatically, then he let realization dawn on his features. Slowly he turned to face Kara. “ I’ll get in really big trouble if Kal-El or anyone finds out. I can hide it, but you won’t tell will you? ” He made himself sound really worried. 

“ Won’t it be noticed? The image is large .” Kara asked. She was beginning to share their concern on her face, but that didn’t necessarily mean that she would keep her mouth shut about it.

“ Clean up can. ” Kon said in a reassuring tone. Kara looked at him sideways, clearly confused. 

“ They don’t really come in here often so we can pass it off. But you can’t tell. ” Tim told her. 

Kara looked like she was having a hard time understanding him as well. An easier time than with Kon for obvious reasons but still not an easy time. Tim couldn’t understand why since he had made sure their Kryptonian was in perfect condition. “ Pass it off? ” She echoed, confused. 

Kara must not have understood the phrase.“ Pretend like it didn’t happen .” Tim explained. 

She thought about it and nodded. “ An Earth phrase? ” 

“ Yes. ” 

Kara didn’t answer right away and Tim wasn’t sure if it was because she was still deciphering what he’d said or if she was thinking about telling. “ I will not tell Kal-El or his associates since no one was hurt and it was only a minor incident .” Cassie and Bart had already cleaned up most of the mess why Tim talked to Kara. Tim had made sure to hit the frame so only the glass would be shattered and the actual picture was mostly unharmed except for the small tear in the corner. That would be easy enough to cover up. 

Kara's body language was stiff and she was watching everything very carefully. It wasn’t strange since she had been left with a group of strangers in a new environment and she didn’t speak the local language. She seemed around Tim’s age or maybe a little older. Kara was meant to land on Earth with a mission to watch and protect Clark. This implied that she was of a status and position to receive missions. This meant she would work by a set of rules and report to a supervisor. The supervisor was likely Clark who was most likely to take responsibility for her for a variety of reasons. 

Cassie gave Tim a raised eyebrow to ask how it was going as she walked away to dispose of the glass shards. 

It would be a gamble. A deadly one. But if Tim made it look like Danny being here wasn’t that big of a breach of the rules he could convince her to keep it to herself. He shared a look with Kon. 

“ I’m really thankful, Kara. ” Tim says, smiling. He pulls out his phone and texts Cassie and Bart their half of the plan. “ We can show you around the rest of the base. Would you like to do that? ”

“ Okay .” 

“ Room fun lounge after work. Play TV on games .” Kon said. 

Kara stared at him.

“How about I do the talking?” Tim put a hand on Kon’s shoulder. 

“Why? I’m doing so good.” Kon said genuinely. Tim doesn’t respond to that. 

The tour lasted minutes and Tim made sure to bide their time well so Cassie, Bart and Danny could be fully settled in before they returned. It would take a while for Danny’s heart rate to return to normal, and it would be better that he was all there before they tried to pull this off. 

Tim checked his phone when they were nearing the end of the tour. Cassie had texted him they were good on their end. 

“ Let’s go back to meet the others. They don’t speak Kryptonian but we can translate for you so don’t worry. ” Tim said. Kara seemed nice, it was the circumstances that were a bit stressful. But that didn’t mean they should let her feel left out.

“ This is your team ?” Kara asked, following Tim back to the lounge room.

“ Yes we do missions together sometimes. When we’re not working we spend time at the base because we’re friends. ” 

“ It is nice to have friends. ” Kara nodded. 

“ Did you do missions with your friends on Krypton? ” Tim asked. Maybe he could gauge what her position had been to see how she would react. 

“ Only practice. We did not graduate from training yet. ” 

“ Going what’s there ?” Kon asked. Tim had no idea what he was saying. 

“ What dialect does he speak? ” Kara asked Tim. “ I cannot understand it. ” 

 “ We learned the same Kryptonian, Kon just doesn’t practice. ” Tim laughed. Kon understood enough that he elbowed him. “ Are there dialects in Kryptonian? ” 

“ Many. You and Kal-El speak very… proper. ” She said sheepishly. “ No one speaks that way where I am from. Only in important meetings with outsiders .” Then she paused sadly, “ Mother always said it was important to learn but I did not listen. ” Tim had figured Kara spoke so rigidly because she was nervous or shy. This explained why she was having such a hard time understanding them. 

They reached the lounge to Cassie and Danny locked deeply in a game of rock, paper, scissors. Danny had pulled his hood back up and was wearing his cowl from earlier. He had picked one of the older models that covered most of his face until the end of his nose and past his cheekbones. Danny shot scissors at Cassie, beating her paper. Bart cheered loudly, throwing his hands in the air and Cassie groaned in defeat. Danny cackled as he took the last cookie. 

“Hey, D. When’d you get here?” Tim asked for the sole purpose of silently telling the others to not call Danny by his real name.

With a mouth full of cookie, “A while ago. Who’s this?” He asked, gesturing his head to Kara. 

Tim made wide gestures and spoke clearly in english so Kara could pick up what he was saying. It would be important for her to learn. “This is Kara, she’s Superboy’s cousin.”

“I thought she was his aunt?” Cassie asked. 

Danny didn’t look nervous, fortunately, and smiled easily at Kara. Then to Tim’s surprise, “ Nice to meet you. ” he said in perfect kryptonian. 

“ He speaks as well. ” Kara commented. 

“You can speak Kryptonian, too?” Kon asked. 

“Duh.” Bart answered. 

“Dead languages are my speciality.” Danny said pointedly. Bart giggled at that. 

“ Should we build a hole by playing a game? ” Danny asked, moving on the couch to give everyone else more room. 

“ Build a hole? ” Tim laughed, “What?”

Kara looked at Danny surprised, “ You know of that? ” She asked excitedly, her eyes lighting up. 

“It’s a phrase, basically like “break the ice’.” Danny answered, then for Bart and Cassie, “Do you guys know any games we can play?” 

“ You speak very well .” Kara complimented excitedly, leaving Tim’s side to talk to Danny. “ Did you also learn? ” Meaning is he a native speaker. 

“ Kind of? ” He laughed, “ You can speak more comfortably if you’d like. ” He gestures for her to sit.

Kara seems hesitant at first, but then she says something. It sounded Kryptonian but the accent was different to what Tim was used to and he could only make out some of it. To Kara’s delight and Tim’s further surprise Danny not only understood exactly what she’d said but even responded in the same way. 

It takes a while for them to settle on a game to play given all the language barriers. Kara spoke in what Tim learned was Standard Kryptonian but would often switch to her local dialect when she didn’t know how to say things. Kon and Tim could only understand Standard, and in all honesty, between them Tim was the only one who could speak it. Bart and Cassie couldn’t speak at all. 

They decided to play charades. It was awkward and hard at first, but they all got really into it by the third round. They kept the categories simple since Kara wouldn’t know any movies. Fortunately, she seemed to feel a lot more comfortable and talked a lot more, even if it was mostly just to Danny. There were times she would make an effort to say things in english. It was really broken but they all made sure to appreciate it and tried her best to understand. 

“I’m hungry guys.” Cassie said after her turn to act out her word, plopping herself in her spot between Bart and Kon. 

“Me too.” Bart agreed mournfully. 

“You’re always hungry.” 

“Should we order Pizza?” Tim asked, pulling out his phone. 

“I want pineapples on mine!” Bart said.

“Ew. No.” Cass kicked him. “I’ll have my usual.” She told Tim.

“Like mushrooms and olives are any better.” Kon snickered. 

“It’s better than pineapples.” 

Kara looked between them curiously. 

“Danny, ask Kara what she wants.” Tim instructed. 

After hearing them talk for the last hour Tim had finally been able to pick on some of the words but the grammar of it still eluded him. 

“ Everyone, something, something, food. ” Danny said.

Kara looked intrigued, “ What, something, eating, something. ” 

“ Something, something, like, something. ” He paused thoughtfully, making a circle in the air presumably to explain what a pizza was. “Something… ” Then, he pulled Tim’s phone to face them and pointed to the picture of a pizza on the website. “ This .”

Kara looked hesitant, “ ...Some…thing? ” 

Danny nodded encouragingly, “Something. Something, good.” He said. 

Glancing back at the picture, Tim could see on her face that she’d made a decision but she didn’t say anything. “Okay.” She said in english with a nod. “Have.”

“Great!” Finishing it up, “Kon, Bart.” Tim signaled. 

“Ugh. Why do we have to get it every time?” Kon complained, throwing a pillow at Tim. 

“I’m not going because I was the one that paid for it.” 

“I’m not going ‘casue I don’t want to.” Cassie said, kicking her foot onto the coffee table. 

“But you were the one who said you wanted food.” Kon complained, already standing up. 

“I could go.” Danny offered.

“You're funny. Absolutely not.” Tim shut down. 

Kara looked at Danny curious, “ Saying, something, what? ” 

“ Something, food, something, go. ” 

In english, “...Kitch...en?” She pointed in the direction of it and spoke in Standard Kryptonian, “ Is it not there? ” 

“ No. ” Tim shook his head, “ The store cooks it and we just have to give them money and take it from them .” He was careful not to throw in phrases she didn’t know.

Kara looked confused by the concept but accepted it. 

“Wait until she finds out about Drive-Thrus.” Danny joked to Tim. 

“I’m going to go check on the left-overs.” Cassie said heading to the kitchen.

Tim checked everyone's location on his phone. Danny’s was offline for obvious reasons, fortunately no one had freaked out about it yet. But he couldn’t be too sure. “I’m going to check on our smoke screen in the mission room.” Tim told Danny, “You’ll be okay here with her?” 

“What if we get abducted by non-friendly aliens in the five minutes you’ll be gone?” Danny’s tone was serious but his face was mischief. 

“I hope you do.” Tim scoffed, walking out.

---

“It’s just one slice, Red.” Danny tried to reach over his shoulder 

“No.” Tim blocked his food with his body, “You have your own.” 

“I just want to try!” 

“No! Eat yours.” 

“You let Kara have some!”

“That’s because I like Kara and I don’t like you.” 

“But yours looks so much more better than mine.” Danny whined, still reaching. 

“Lesson for next time then.” 

“C’mon, you’re not even going to finish it.”

Everyone watched them like a sitcom while they got to enjoy their food without meddling siblings. “I will. Just so you can’t have any.” Tim shoved as much of the slice in his mouth as he physically could. He was actually already full. 

“You're the worst.” Danny said, shoving Tim. 

“And you're worse.” Tim countered, pushing him back. 

Tim hadn’t pushed Danny very hard. Danny probably took harder hits during hockey practice. Tim had pushed him just hard enough that it forced Danny to take a step back to balance himself. Which was when he’d stepped on a wrapper Bart had left on the floor. Danny lost his balance and fell. But not before hitting his head hard on the metal fridge door behind him. 

Cassie gasped in shock. Kon and Bart rushed over to check on him. Kara watched wide-eyed, not sure what to do. 

Tim quickly stepped forward, “Hey, are you-” Next thing he knows there's a whole tube of ranch being squirted on his costume. His freshly washed costume. 

Danny watches Tim’s face morph from concern to absolute disgust with a deep satisfaction and cackles like the villain he is.

“You are such an asshole.” 

“Takes one to know one.” Danny’s on his feet and Tim chased him with a packet of garlic sauce that came with the pizza. 

Apparently feeling left out, Bart decided to dump his glass of juice all over Kon’s head. 

“Dude.” Kon shouts, but he’s quick to retaliate.

“Missed me.” Bart teases using the speed force to dodge. 

Cassie and Kara, the only civilized people here, sit and eat their pizzas at the island watching them. 

“They’re so dumb.” Cassie says to Kara, exasperated. 

Kara smiles following the action with her eyes. “ How fun .” She replies and they share a laugh even without understanding each other. 

snipbit from this fic

[sparrowlucero]

i enjoy ur bird abode thoughts! I was a genuine enjoyer of the show when it was airing, I’m no die hard fan though and love to see ppls personal takes on the overall story/plot. Im curious if you also would agree or have any thoughts on the impacts The Mouse’s cancellation had on the shows ability to be more than it was? srry im not super eloquent with my words, but basically ur response to that ask got me wondering if part of the reason the show like genuinely wasnt all that ground breaking or unique in the end plot wise (other than the villain faces consequences in the end ig) as far as YA/Teen animation goes, was because of The Mouse’s inability to let the writers flesh out the show before gutting it? i have a negative bias toward The Mouse franchise and obviously dont know anything about how writing a show under the eyes of a franchise that big would work, its just smth that rattles around in my head and wanna know what u think!

Well to an extent, but I think it's much more the effect the studio had on how the owl house started out as rather than it not getting a full season at the end - It didn't escape my noticed that the show was initially announced as being a "horror comedy" when it doesn't really seem like either, especially by the second season, and yeah, the original pitch bible is obviously aiming for that much more than the show proper is as it goes along (and is honestly seems quite a bit more funny, weird, and dark, with an overarching plotline about a giant bug being used to religiously suppress people, eda able to cure her curse by killing luz, and one of the major characters being a teen boy awoken from a sleeping curse who ends up being a weird little bigot because he's from the 13th century, among other things)

(side note, i just noticed they actually specifically describe the thing i assumed the show was gonna be about here. huh.) but ultimately the bulk of the show that was actually made seems very influenced by a writing team that was genuinely interested in making a tropey YA fantasy story rather than just being mandated to. I mean even in what aired you can see the show sort of settle in ways that feel less like studio interference and more like, you know, art students creating their ideal fantasy show, like how King is clearly Eda's roommate who's funny because he looks like and sounds like a little dog despite being an adult man at the beginning but by the end they've made him her adopted sad backstory son who's explicitly a child. While I think a third season would have made the show as it existed better, because they clearly didn't get to finish the plot they wanted to (frankly to the point where some major aspects of the show are a bit confusing, I'm still not sure what a grimwalker is), I don't really fault the show for that but also don't think that hypothetical season (which pretty clearly would have been mostly about the magic school teens going to normal school) would suddenly flip around into something that I personally found interesting and subversive. Nor should it, really; again, it being Queernorm Harry Potter thing is clearly the intended appeal of the show, it's not really a flaw but just not a genre I'm personally interested in when compared to what I initially expected the show to be.

HOWEVER I will say they robbed little weird girls of their representation and that can't be forgiven

[helslastangel]

Mars in 1H & 7H Synastry: From My Experiences 🔞

Minors, do not interact. This one's not for you.

I know this is widely known with 1H Mars synastry, but it bears repeating: this is such an electric and sexy aspect to have!

...IF you like each other. But if you don't?

Especially if the attraction is one-sided? It is SO cringe. One of you could end up hating the other easily.

In fact, let me tell you two stories that show just how differently things can go with this aspect.

Positive 1H Mars Synastry

Guy A: Leo Sun, Virgo Moon, Cancer Rising & Venus

I have my Mars in his 1H and his Venus is in my 1H.

This a VERY physical aspect, so if you're the type who loves long hugs, hugs from behind, poking, nibbling, cuddling, kissing and a LOT of sex, even after YEARS together, then keep an eye out for this aspect.

Guy A was my boyfriend of 4 years and we broke up right around the time we would have been talking engagement and such. He was also my best friend for 8 years (which would be 15 years now if we hadn't stopped talking a year after the break up).

I was wildly attracted to this guy from day one. And vice versa! And when we finally got together? Literally could not stop touching each other. It was so funny at times. You know those annoying couples trying to hold hands, steer the cart, and pick stuff up all at once in the grocery store? Yeah, we were that couple. Typically, if I wasn't literally on his lap, I'd be under his arm or pretty much pressed up beside him somehow-and vice versa. Watching TV? Someone's head would be in the other's lap, someone's hands would be in the other's hair, or rubbing their arm or belly.

I remember the first time Guy A and I went on a cute lunch date, before we officially got together. Everyone was pointing and giggling at us because it was sooooo obvious we both couldn't keep our hands off each other at all. 😂

To this day, neither his parents nor mine can believe we didn't get married. We probably should have, tbh. Lol.

Negative 1H Mars Synastry:

Guy B: Gemini Sun, Cancer Moon & Rising, Aries Venus.

I also have my Mars in his 1H. (His moon is in my 1H).

Mars in 1st synastry in one-sided connections is the absolute worst because one of you is madly (VERY madly) in lust confused for love, and the other is perpetually annoyed but attached to the adrenaline rush from all the static, especially if life isn't otherwise exciting at the time.

Guy B was long-term frenemy who I did NOT like romantically and barely liked platonically. We met on a dating site and the conversation was great but from the 1st date in person, I was instantly turned off. All his mannerisms annoyed me, I wasn't attracted to him, and I didn't want him to touch me at all. My reflex was to pull away when he tried. He was extremely attracted to me for some reason despite this, and never let it go. Not even years later. He begged to stay friends when I declined a 2nd date and I was too nice back then so I reluctantly agreed.

Every time he touched me, I wanted to backflip into a volcano. A simple hug made me irrationally angry if he tried to linger half a second too long. It didn't help that he'd always complain about me giving "church hugs."

And before the men start carrying on about how he must have been short, yada yada yada... no, lol he's 6' 5" and fairly good-looking. Just didn't like him then and still don't now.

Our dynamic was always very aggressive, especially from my end. Even our mutual friends noticed that I seemed like a different person specifically around him and not in a good way. I was verbally combative and physically tense around him, even my voice sounded less soft and I was extremely sarcastic. I don't know if he's into girls who are normally like that or if his Aries Venus just liked the challenge, but that annoyed me even more. My dad met him once and immediately acted like he wasn't even there and my mom was like "Yeah, no, don't ever date each other because one of you won't make it out of that alive, it's very obvious."

She's definitely not wrong, our entire "friendship" was a strange anomaly defined around me being perpetually annoyed that he existed but also finding entertainment in all the toxicity and him pretending not to notice that Id happily sell him to the devil for a bag of chips and continuously convincing himself that I secretly liked him.

I told him multiple times he was free to react like a normal human being and not talk to me and his response was, "Eh, I know but somehow even though I hate arguing, I don't really mind arguing with you. Like I hate it but at the same time, it's you. I'm used to it now."

Idk to say about that but yeah, there you have it folks. The moral of the story is: there are always two sides to a coin 😂

Synastry is something that can go two (if not more) ways. No placement or aspect is ever guaranteed to be positive or negative, though some skew one way or the other. If they were, we could all find our perfect matches just by picking birth charts out of a jar and studying them. Be mindful and listen to what your heart and gut tell you and then use your head.

All that being said though, can I talk about 7H Mars synastry for a sec? GOSH I LOVE when someone's Mars is in my 7H.

Mars in 7H Synastry (Positive)

Guy C: Aries Sun, Scorpio Moon, Scorpio Rising, Aries Venus

He has Capricorn Mars in my 7H and my gawd. So intentional. This was eons ago. Technically my second boyfriend, but this was the first serious boyfriend who I had all my first times with. The moment my very own McSteamy decided he wanted to date me, there was no long drawn out "should I, shouldn't I, she loves me, she loves me not" - none of that wishy-washy shit. He strolled right up to me and said, "Look, you're allowed to say yes, no, or "get lost, fool" -whatever you want. And I know this may seem a bit soon, and to be honest when I first met you, I didn't know what to think, you kinda seemed like a miss-goody-two-shoes type. But getting to know you for a couple months? I realize you're actually quite a rebel and adventurous like me, but also smart and know how to lay low and play a character when you need to. Anyway, I'd really like to kiss you, but I'm gonna ask you to be my girlfriend first, so let me know."

Well, hell I said yes before he was even done talking and he picked me right up and kissed me against the wall. That was my first kiss too, and a great memory. I love direct people who know what they want, aren't scared to take a risk and are comfortable taking the lead, especially when it's a relationship. That's a Capricorn Mars right there. With Capricorn moon in my 7H that was literally like hitting the jackpot- except I was so young. He was 8 years older than me and ready to settle down. I was just about to fly the nest and see the world and he was kind enough to realize this and not hold me back when I decided to leave.

I will say this placement is excellent if you're sure about wanting a family, kids, and the whole white picket fence thing. I made the right choice as I'm still childfree by choice now and would rather live a semi-nomadic life, working and traveling the world with someone who is the same kind of crazy as me.

I'm not sure if I've experienced any negative Mars 7H house synastry. There are so people I've connected with whose birthdays I've either forgotten or didn't ask for, so I don't have their charts. Of the charts I do have, Guy C is the only one I have this aspect with. I haven't quite felt the same 100% confident, 'all-in' relationship energy from anyone else.

I am curious about how the negative side of this would go, so if any of you have had bad experiences with Mars 7H synastry and want to share, let's meet in the comments 😹

[saintmuses]

❝𝙛𝙧𝙤𝙣𝙩𝙡𝙞𝙣𝙚𝙨, 𝙙𝙤𝙣'𝙩 𝙮𝙤𝙪 𝙞𝙜𝙣𝙤𝙧𝙚 𝙢𝙚❞

Pairing:

Soft!Dark!Neil Lewis x Girlfriend!Reader

Summary:

Neil had spent all night watching his girlfriend unintentionally flirted with Jonathan, and he couldn’t stand it.

Warning(s): SMUT. Non-con/Dub-con (at the end). Both POVs. P in V. Forced breeding kink. Jealous!Neil like he is irrational. Soft!Dark!Neil. Daddy kink (so sorry). Minors, dni! Note: the reader is coquette, but only in clothing aesthetic aspect because she is shy.

Word Count: 3.2k

When the store was finally locked and the street was quiet, Neil took her hand in his, making a beeline for his house.

They barely spoke as they walked. Every few minutes, he gave a suspicious glare at Y/N, but he was trying to hold in his anger.

Finally, they got to his place, and he dragged her inside with a firm grip. He was waiting for the right time to let out all of his emotions. 

And he might just do that tonight.

“Neil?” She questioned him. she eluded innocence, and it was in the way of how she talked or how she acted. Always blushing and always stuttering. It was what made him attracted to her, gorgeous girl in pretty baby doll dresses and milk maid tops with skirts or cute jeans. He was rarely angry with her which was why he knew she was profoundly confused by his behavior.

Neil didn't answer her question. Instead, he slammed the door behind them, and with one swift motion, pinned her against the wall in the foyer by the stairs.

He pressed his nose almost aggressively against hers, his eyes narrowing, his lips curling into a snarl. "I saw everything," he hissed. "You were getting too close with him, weren't you?"

All his insecurities and jealousy finally bubbled to the surface, making him feel angrier than he had ever been. He had felt like Jonathan was better looking than him. "Were you guys intimate with each other?"

“Never!” She gasped, looking into his eyes because he was so close to her face, with his nose pressing against hers. She was confused on why he would ask that. She never even had sex with anyone until she met Neil. 

"I don't believe you," Neil snapped at her. "You spent so much time with him, and you had so much in common. How am I supposed to believe you two were never intimate with each other?" He pointed out, accusation coated his tone as he curled his fingers into his palms, gritting his teeth. "I'm your boyfriend, not him," he spat. "And you better not forget that."

“Friends can have a lot of things in common and not be intimate!” She argued softly, eyes widening. Realizing he took a step back, she was able to move past him, down the hallway towards his bedroom.

He knew that was true, friends can have a lot of things in common, but he was beyond rational to think straight. Especially at his thought filled with his fear of losing her.

"Don't you walk away from me!" Neil shouted at her while grabbing her wrist and pulled her towards him. As she was in front of him, he immediately latched onto her waist, refusing to let her go, “look at me when I talk to you.” He hissed with a warning in his gaze, waiting until she was looking at him. “I know you two wanted to be intimate with each other. I can tell just by looking at him and that's what he wants." His grip was beginning to tighten around her waist, his icy eyes staring at her with pure rage.

Her eyes began to widen, him shouting at her with “don’t you walk away from me” and “look at me when I talk to you” had made her tremble slightly in sheer arousal and she didn’t know why it made her wet, but she wasn’t going to let him know at all. She wasn’t even afraid of him either. She didn’t say anything to him, but just staring up at him. Then she managed to slip from his grip and entered his bedroom.

Neil was taken aback when he suddenly felt her slip out of his grip. It was almost like a jolt of adrenaline because it only pissed him off more. He wasn't about to let her get away that easily.

He moved quickly, following her behind as he entered the bedroom and forcefully grabbed her by her waist, and dragged her back to face him. "Don't you ignore me," he said harshly.

His tone is making her thighs feel slightly slick as she grew aroused, it was a good thing he was too angry to see how wet she is from his actions and his tone.

“Stop,” she whispered, hoping he would calm down so she could stop feeling aroused. She did not understand why she felt aroused when he was acting like this.

"I'm not going to let this go, you hear me!?" Neil’s voice raised as if he couldn’t control himself. "You're with me, and no one else. Is that clear?"

His heart was racing, and his mind was on fire and filled with green ooze of jealousy. She was his and there was no way he would let her see other men, that included his friend.

He squeezed her waist even tighter, making her feel uncomfortable. "Look at me! Or do I need to do something to get your attention?"

“I can’t look at you,” she huffed slightly with a soft noise in her voice, looking away from him to the side.

Neil was frustrated; she just had to make things difficult for him, didn't she? "Don't you dare look away." He grabbed her chin with his fingers and forcefully turned her to face him. "What did I tell you? Look at me."

Her eyes hadn’t met his which only served him with increasing rage. His face contorted into a snarl, and the veins on his neck were prominent from how enraged he was. "Look into my eyes!"

“I can’t!” She burst out with a soft whine, refusing to look at him. In response, he settled for releasing her waist, then immediately grappling for her wrist instead.

"Why not?" He demanded, his grip on her wrist tightening even more as anger overwhelmed him. "Is it because I'm too scary and intimidating for you?” He asked, with a tone dripping with sarcasm. "Is it because you know you're guilty of wanting to be intimate with Jonathan?" He was so angry that he wanted to tear something apart. "Stop ignoring me and look at me!"

The biggest mistake was listening to him because when she looked at him and she was purely sopping wet. With a frustrated cry, her free hand latched onto his hand that wasn’t holding her wrist and dragged his fingers under her dress and into her underwear to feel her wetness to reveal how hot and bothered she was over his behavior. As soon she pushed his fingers and felt them touching her cunt, “daddy!” She cried out, and it was the first time she ever called him that.

Neil’s eyes darkened; his breath got caught in his throat as soon as he heard her say the word “daddy”.

All of the emotions vanished in that moment, his anger and jealousy were gone. His heart was pounding, his thoughts racing. He was still holding her by the wrist, and yet…he couldn’t feel any other emotion. 

He was just stunned. All he could see was her, and all he could feel was her cunt.

She mewled and began to rut her hips onto his hand. “Daddy, please.” She gasped, begging as her fingers tightened around his.

Neil inhaled sharply as he heard her desperate plea. It was as if he felt a switch go off in him. 

One second, he was wanting to argue with her, and the next he was completely taken over by this primal desire with a need to claim her. 

It was like she had activated some sort of animalistic instinct in him. 

“Daddy? You want daddy?” Neil asked in a breathless voice. His eyebrows were raised, his eyes darting back and forth between his wrist with the hand that disappeared into her dress and her face.

“Yes,” she nodded vigorously, eyes wide open in innocence and arousal.

Neil’s mind was clouded in lust. All of his thoughts were of this innocent and helplessly needy girl, calling him daddy. 

She was dripping with arousal, and all she wanted was him; the man that she loved. 

This was a dream come true to him.

He dropped her wrist that was still bounded in his hand, and ran his hand through her hair, looking deep into her eyes. "Call me that again."

“Daddy,” she said breathlessly.

Neil was completely consumed by desire, his mind racing, and his body trembling with excitement. He withdrew his fingers from her underwear. "Good girl."

He took her face in his hands and kissed her, pushing her against the wall and wrapping his arms around her. He was kissing her so passionately and aggressively, as if he needed a release, and she was the only one who could give it to him. 

The feeling was unlike anything he ever felt before. He wanted to consume her entirely.

“Oh,” she moaned into his devouring mouth.

Neil kept on kissing her, his hands running through her hair. He felt intoxicated by her scent, and her taste.

Her noises sent shivers down his body, driving his desire even higher. "You're so delicious." He sighed pathetically, he needed her, needed her more than anything in the entire world. He was obsessed with her.

“Daddy.” She mumbled inaudibly, reaching for his bulge through his jeans and gripping it desperately. He gasped into her mouth, huffing aggressively as he withdrew from her lips before picking her up and throwing her onto the bed.

Neil's primal instinct took over in that moment, and he was completely consumed by this sudden, violent lust. He kissed her even more fiercely, using his slim muscles to pin her down. 

He needed to taste her and touch her, to consume her. And she was the only one who could give him what he wanted. 

Her moans and whimpers sent shivers up his spine, his lust growing with every movement she made.

She gasped as he dragged her dress away from her body by the straps to reveal her bra and underwear, whimpering when he started to push down, rubbing his hard on against her bare stomach.

Neil's voice was raw and full of passion as he answered her moan, his breath coming in shallow gasps. "I love you. You're my good girl."

His lips pressed against her neck, his hands running through her hair. He was so intoxicated by the smell and taste of her. "I need you, baby."

His lips returned to her mouth, his tongue touching hers in the most intense kiss he'd ever experienced. "Call me daddy again,” he mumbled incoherently into her mouth.

“I love you too, daddy.”

Neil felt like his body was on fire, his emotions spinning out of control, and all he could do now was take her. "Good girl."

His jaw was straining the moment his tongue pressed deeper into her mouth, his lips devouring hers like he was starved. 

He kept on kissing her like he was trying to consume her. His hands were all over her body, caressing every single part of her skin.

He couldn’t think straight anymore. *"I need more.” His lust was growing with every second he spent touching her. He needed her. He wanted her.

She mewled when she felt him on her stomach, rubbing his bulge against her skin once again.

Neil felt like he was going crazy. He couldn’t handle the excitement any longer. 

He needed more. 

So, he maneuvered himself off her body and stood up from the bed and began to remove his clothes.

"Baby," Neil murmured the endearment softly, his voice dripping in excitement. He was staring right at her and her lips, her face, everything about her that made her perfect. 

His hands were already wrapping around her body as he returned to the bed, pulling her closer.

"Do you want me, baby?" He murmured the question as he got on top of her, straddling her hips.

She shuddered in pleasure when she felt his hot and heavy cock on top of her stomach, skin on skin. “Yes.” She moaned.

"Good girl."

That was all Neil could say at the moment. Any other words had failed him. He could think only of her, and her only.

Neil's hands ran through her hair as his body rubbed against hers, touching her in all the right places. His lips were kissing her all over, and he was taking his time in making sure she was feeling good.

He knew she loved the teasing, and he was going to give her exactly what she wanted.

She whimpered when he started grinding down on her stomach, feeling his thick cock dragging across her skin slightly as he pushed down his hips in a slight rocking motion.

Neil felt like he was in such a euphoric rush. He was completely consumed by the feeling of holding her in his arms, her body against his. She was his whole world right now, her every breath, her every heartbeat.

His kisses were gentle but firm and passionate. His hands were caressing her everywhere, but they were never too rough.

He was in love with her.

She whimpered when he touched her sensitive nipples, brushing his thumbs across them. Before releasing them so he could scoot backwards to get her dress and underwear off.

Neil's hands brushed against her body, and he was taking his time as his mouth was all over her neck, shoulders, and hands, and his hands kept running through her hair, caressing every inch of her. 

He was enjoying this so much that he was losing track of time. He didn't want this to end. He never wanted this to end. 

Neil was obsessed with this girl. His girl.

Then he finally placed himself between her legs, settling one of his arms next to her head and his other hand was sliding down between them.

Lifting her legs around his waist, “please daddy.” She begged quietly.

Neil's eyes widened at her words, and his breathing hitched in response. He wrapped his hand around his girth, aiming it at her pussy.

"Baby,” he cooed softly as his body was trembling in excitement. He was ready to take her. He took a sharp inhale, and then-

She’d let out a wail, in pleasure when he slammed his cock into her. Her hands scrambled to find something to hold onto, but she couldn’t.

Neil's eyes were filled with passion and lust. He was in a primal state, a state in which all he could feel and hear and see was her.

He started thrusting into her roughly. She moaned, and she felt her hands being grabbed by his and she felt relief. “Oh, daddy.” She breathed, feeling his cock dragging against her walls made her whine even louder. 

Neil huffed almost whiningly, feeling himself being consumed by lust. He couldn't hold back; he wanted her so badly. It was as if his blood was boiling with lust beyond his comprehension.

Neil's body was drenched in sweat, and his skin was flushed with a red tint. He was exhausted; exhausted from intense and relentless movements of pounding into her, feeling her tight pussy on his cock.

His heart was pounding, his lips were swollen, and his ears were ringing.

But he didn't want it to end. He wasn't done yet. He still wanted more.

He reached for her jaw with his fingers, and she gasped when he forced her mouth to open then she realized what he wanted her to do so she obeyed completely and closed her eyes in sheer pleasure when he’d spit in her mouth.

Neil was completely lost in a daze, his focus completely on her. In this moment, he felt unstoppable. 

He felt like nothing could stand in his way when it came to her. He was going to give her everything that she wanted, and he was going to do everything in his power to make her feel good. 

She was his, and no one was going to take her from him.

The pleasure of the climax finally washed over her, making her moan, and she could tell he was nearing his end as well due to the stuttering of his hips as his pace became irregular. Her lust-addled brain was clear when she realized he did not place a condom on his cock. “Neil, you-you need to pull out.” She whispered stammering, trying to push his torso away.

Neil was caught off-guard when she said that, breaking him from the haze he had been feeling for so long. He pulled away slightly, his breathing shaky and heart pounding out of his chest.

He stared into her eyes, panting slightly before shaking his head. "No." That was all he could say, his voice sounding hoarse and rough. "I'm not pulling out."

She looked at him with wide eyes as panic filled in her irises, “I’m not on birth control! You have to pull out before you could get me pregnant.”

"I don't care."

The words left Neil’s mouth before he even had time to think them through. He felt a sudden wave of lust and passion wash over him, and he couldn’t resist the feeling as he started slamming his hips into her, shoving his cock back and forth in her pussy.

Neil was completely and utterly lost in a daze, and all he could think about was her. He couldn’t think about consequences right now, he was just following his instincts. "I don’t care." He repeated again, his voice shaky but loud. "I'm going to give you a baby.”

She was shaking her head, “Neil.” She begged, trying to push his abdomen away, trying to stop him.

"No." Neil said harshly, refusing to be pushed away as he gave a brutal thrust. "You're mine, and I'm keeping you. You don't get to leave." He sounded desperate and forceful as he pushed his body back against hers. "No one is going to take you away from me."

Neil was no longer in his own control; he was consumed by his desire and lust.

She tried really hard to get him to pull out, but the battle was lost. She threw her head back as her hands were dragged above her head by him to prevent her from pushing him away. “Neil.” She all but whined when he started adding more force behind his thrusts .

She felt him deeply as he held her against the mattress. She couldn’t even try to wiggle if she could because he had a tight grip on her, holding her down as he took her.

Neil was so lost in himself that he didn't hear her, not until it was already too late. Her voice sounded so distant to him, a faint noise in the back of his head. He couldn't hear anything but his heart beating in his ears, pumping in and out.

He felt desperate, and his movement grew more aggressive with every second. He wasn't in control anymore; he wasn't in control of himself. His only thought was to let himself go.

"No one will ever touch you again." He spat. "You're mine."

Neil felt like his world was collapsing, all his desires and lust being suddenly sucked away by the feeling of pleasure. Time stood still in that moment, his body moving uncontrollably in the most intense and deep release he had ever felt. 

His voice became nothing to a hoarse, broken “fuck.”

[gay-dorito-dust]

hey!! if requests are open can u write a luke x jealous!reader?

The ending is a rushed pile of dogshit cuz I didn’t know what to do. 🦦

‘Luke?’

‘Yeah babe.’

‘Are you happy with me, like genuinely happy?’

Luke looked at you confused. ‘I’m the happiest I’ve ever been in my entire life.’ He then reached to grasp one of your hands in his, intertwining your fingers and pressing a kiss to your knuckles. ‘What’s going on inside that pretty little head of yours.’ He utters softly, eyes shining with worry and concern.

You bit the inside of your cheek, all of a sudden feeling a little stupid in what you were feeling since this morning and shrugged your shoulders sheepishly. ‘It’s nothing, really. I’m just getting inside my own head.’ You attempted to play it off in hopes that it will all be forgotten, but you also knew that Luke would want to get to the bottom of what was causing you to be anything other then happy and solve it together.

‘It’s not nothing if it’s you sweetheart.’ Luke said as he then used his free hand to lift your chin so that you would look at him instead of your shoes. ‘Talk to me, please don’t shut me out. I know somethings wrong and I want help, so let me help you.’ He adds and you finally felt yourself crack. ‘I saw how some of the girls kept looking at you during training and kept hanging off of you the entire day and how you kept playing up to them.’ You eventually told him, not wanting to keep anything secret from him anymore. ‘So I ended up getting a little jealous that I might not be making you happy anymore…not to mention how busy we’ve both been with camp activities lately…’ you finished, staring deep into his dark, captivating eyes that seemed to see and know you at your core.

‘Hey, there’s no shame in what you’re feeling, and despite what we’re raised as, we’re still fundamentally human in every other aspect. Okay.’ Luke said as he tried to squeeze every ounce of his assurance into your interlocked hands, hopeful that it would bring you at least some peace of mind. ‘I hate how busy we’ve become, more than anything and I just wish we could go back to the days where we would hideaway together by our secret spot at the lake. For being with you during those moments when unrest would take over camp was always my antidote, my soothing balm for my overworked mind in trying to keep camp sane.’ Luke then rested his forehead against your own so that he was the only thing you could see and vice versa.

‘You mean that?’ You asked and Luke let out a chuckle.

‘Mean it? Sweetheart, I live by it.’ Luke said, gingerly pressing a kiss to your brow as though to ease the tension within it, leaving you to melt into him a little bit. ‘So I don’t want you to ever think that you’re not enough. Especially not when you’re the sole thing I think about from the moment I wake up -wishing you were cuddled up in my arms- to the moment I drift off to sleep. I cant get enough of you!’ Any ounce of insecurity you might’ve had beforehand had been discarded afterwards upon hearing his sweet words, so much so that you couldn’t seem to stop smiling nor stop the warm feeling within your chest whenever Luke said anything remotely endearing; it was your biggest weakness and he knew just how to exploit it for his one benefit.

‘There’s that gorgeous smile I love.’ He coos, stealing a kiss from your lips to emphasise his point, leaving your smile to widen against his lips; humming in content as any and all notions of jealously were completely forgotten alongside the campers those feelings were aimed towards.

‘Just remember that it’s your arms I want to be held by and that it’s your smile that I want to be the reason for because getting to see you smile, laugh, or just being your authentic self is my guiding light in this life and I’d be stupid to ever give that up. You’re it for me, for if I can’t have your kind of love, then I don’t want to ever experience love at all.’ Luke spoke against your lips, keenly kissing them whenever he felt as though you needed that extra bit of proof of his love and devotion.

You didn’t because Luke never failed to reaffirm his adoration for you in the little things he did for you, but you couldn’t help but allow yourself to drown in his vast displays of affection, for your love for Luke was considered your Achilles heel but you’d happily let that continue to be the case for the rest of your days.

[librarycards]

pls ignore this is its too weird or too much labor, but i was wondering if you maybe had any tips or resources for ppl who have creative desires like writing but brain fog and fatigue tends to get in the way?

i do! it may not work for you bc people have very random/unexpected ways of dealing with this, but it's *very* common and there is hope :) [i think a lot of this is applicable across form, but i'm using "writing" here because it's what i'm familiar with]

one way is to be strategic about timing: this includes thinking about when you're least foggy/have the most energy, and/or the most "downtime" where there isn't anything in particular you need to do. many people wake up early so that they have alone time before their responsibilities. some people stay up late to write. i tend to do my daily writing (which I elucidate on below) in the evenings, around 7-10pm. whatever works, works!

relatedly: scheduling/routine is, for me, critical. i think it is for a lot of creative ppl. I write every day, in multiple ways: i keep a journal - i've done this since i was like 12, so it's as ingrained as brushing my teeth and i don't really think about it - and also work on some aspect of my current longest project [so, for the last 4 years, it's been the aforementioned second novel; for the 4ish years before that, it was Failure to Comply. i write other stuff during the daytime, of course, because writing is also my job(s). but if you're looking to establish a consistent creative practice, you don't need to be aiming for a certain hour or word count.

Instead: Aim for consistency and progress. Not perfection, not a "muse," not magic. There is no shame in making something that doesn't seem good, or that you end up deleting. in this particular instance, "perfect is the enemy of good" is 10000% true, and i think especially applicable to people who already experience external + internalized ableist ideologies on a daily basis. your art, regardless of what it is, should be a space where you get to make mistakes, change your mind, and learn new things. it should be something you can come to when you're tired, unsure, confused, scared, etc, even if it means just keysmashing and then closing your notes app for the day.

for me, having a daily practice, regardless of anything, means embracing the days where i write only one word and then despair, as well as the days i write pages. when i feel most depressed, in a very clinicized sense, i try to move from "everything i make now is going to be shitty :(" to "everything i make now is going to be shitty :)", not because i'm happy about it, but because....that's simply part of creating. everything is a bodily function. if you're not feeling good, maybe your poop will look weird. so too with writing. but you still do it. it can be mechanical. but it'll happen, and by doing it consistently, you give yourself the *opportunity* to locate insight hitherto buried, to have an idea creep up on your tiredself.

i guess in sum I'd say that the healthiest thing i ever did for my writing is something tantamount to body neutrality, which has also been an immensely positive addition to my set of frameworks for physical embodimindment. creative neutrality, i guess. this doesn't mean i don't tie my ego and personhood to work/productivity/quality. i mean, i totally do, and it sucks, but there we are. but it also means that i place that in a corner that does not touch my desire to chip away at something big, regularly. i make time every day to summon the urgency of whatever i'm working on, not because i'm proud of it at that moment, but because i want to give it another opportunity to give me something cool.

tl:dr: give yourself the gift of consistency and time, and don't be scared of making stuff that isn't good, or gets deleted, or doesn't make sense. write from wherever you want, physically, mentally, spiritually. give it the opportunity & even the expectation to happen and then work from there.

[starmosaics]

Venus square Mars synastry

Mars person may be confused as to why they feel compelled to the Venus because the Venus person may not be typically the person the Mars person would pursue, but they feel drawn to them and is usually the one to initiate something between the two.

Venus person finds the Mars person's energy super vitalizing and is attracted to the way the Mars person exudes themselves. Mars finds the Venus person to be enthralling and captivating, especially when seeing them engage with others in a social setting; They may perceive Venus to have a lot of prestige. Venus may view the Mars person to be super charismatic and outgoing and likes their demeanor, along with finding things that the Mars person is doing to be intriguing. There's so much passion between the two initially, it's honestly a rush. Other times, the passion seems dormant and you guys may not even realize that there's more to the connection until someone else points it out or until one of you guys realize there's more feelings there; maybe at first you two didn't even like each other at all until there was a realization.

I don't want to get too into my own personal experiences with this, but I've had a few connections with people who’ve had their Mars squaring my Venus and all of them acted super intensely towards me. You will know if Mars person is into you because they’ll be pretty direct; other times them coming onto you will feel like it came out of nowhere (Mars represents impulse).

This can be a really exhilarating connection where Mars somewhat vitalizes the Venus person by exposing them to new things and environments that they haven't experienced or been in before. Example, my ex and 2 of their band mates all had their Mars squaring my Venus and they all introduced me to the music scene and I started spending a lot more time going to shows and meeting other musicians which I wouldn't have done if I wasn't exposed to it.

Mars person likes joking around with Venus, but may push it too far which could end up hurting the Venus person’s feelings. They may even be somewhat competitive with the Venus person. Mars person also loves doing just about anything to get their attention and validation. They may end up showing themselves off just to get the Venus person to acknowledge them.

Mars person can be super encouraging towards Venus person, but may push Venus past their limits in what they're capable of accomplishing. Venus person can feel super inspired by being around the Mars person.

In a sexual context, this can be a really sexually charged dynamic where both people want something and are driven to get it for pleasure. Mars will want to totally consume the Venus person and may even come on way too strong at first. Mars person will want it all.the.time. once the Venus person gives them access. This is a very lustful aspect and the lust can be what drives the Mars person to keep trying to get Venus' attention.

If Mars does come on too strongly, this can cause the Venus person to repel. The Mars person needs to be mindful of the Venus person's wants and needs before acting on something that they personally wish to happen. Consent is important in any connection regardless of synastry aspects, but in my own personal experience with this aspect, the Mars person may think the Venus person wants the same thing as them, but they're really only considering what it is that they want and is usually extremely driven and persistent to get it which can put the Venus person in an uncomfortable position. Mars can be incredibly selfish and can only have their interest in mind in worst case scenarios (ex. only doing activities that Mars person enjoys, disregarding what Venus wants to do. Another ex. during sex, Mars person finishes, but doesn’t check in with Venus to see if they’re satisfied).

A few more possible downsides of this aspect is that the passion and excitement burns out and eventually becomes replaced with annoyance and resentment, along with the timing being wrong. Like I said, I've had a few people I had this aspect with in our synastry (me being Venus) where when I wanted them, they were dating somebody else, and when they eventually wanted me back, I already moved on or was in my own relationship; super frustrating to be honest. Mars person can also end up trying to control the Venus person and push their agendas onto them.

Overall, I'd say this aspect is a mixed bag for sure and can go either way where it's full of passion and excitement or irritation and frustration; most likely all of the above. I'd love to hear your guys' personal experiences with this aspect!!

[sku-nk]

May i request somwthing with, Sam and reader on a movie date but reader is a nerd and rambles to Sam about the movie after and Sam finds it cute 🥹 you can do it however, I would like it nevertheless 🫶🏼 (I love grumpy x sunshine trope srry)

Whatever You Say

Synopsis: You've rediscovered your favorite movie, and with that comes lots of rambling. Sam doesn't mind much.

Warnings: I forgot I took the language out, my neck hurts, my foot hurts, fluff, The Outsiders spoilers I suppose

A/N: Let's hope "constructive criticism ☝️🤓" anon finds this up to par.

"I feel like... this is one of the few movies that do their book justice, you know?"

Sam looks up from the stove with a raised brow. It's been almost half an hour since the two of you finished watching The Outsiders, yet your enthusiasm hasn't wavered one bit since the moment she clicked play to the moment the end credits rolled (your tears, too, to Sam's secret amusement).

"Right," she says as she looks back to the spaghetti, more so to assure you she's still listening than anything else. Honestly, she's almost completely sure you wouldn't care if she wasn't.

"I mean, yeah, some people say it's not the best option, or, like... some aspects could be whatever, whatever, but it's good to me, though. You know?"

"Sure."

"Especially Johnny, I think. Like, Ralph was probably... one of, if not the best casting choice. He, like- he looks like a kicked puppy. Not saying that like- you know."

Sam lowers the heat on the stove, turning to grab the pesto sauce from the fridge. "I know, Y/n" she sighs as she opens the door, glancing in for a moment before reaching in and pulling out the pesto. She straightens up and turns back to the stove— and you, now that you've moved to lay half your body on the island— nudging the fridge door closed with her foot.

Sam opens the glass jar, dumping the remainder of the sauce into the pan unceremoniously. You watch with mild interest as you continue with your little analysis, or whatever it is you're doing. She has to admit, it is slightly endearing to see you so passionate about something, even a movie.

"I think people who still say the movie could have been better should remember the actual horrible movie adaptations out there. Like Avatar the Last Airbender," you say, tapping your hand on the island.

"I don't know what that is," Sam mumbles absently, stirring everything together, watching as meatballs disappear and spread out in the pan.

"It's something you never, ever wanna see, Sammy," you tell her matter-of-factly. Sam snorts.

"Anyways, those people are probably the same people who say the book didn't make sense in the first place. I didn't even know The Outsiders haters existed. Like, it... it makes sense. It does."

"Okay, Y/n, whatever you say," Sam says. She'll take your word for it. It was a good movie, she sort of sympathized with Darry. But she didn't really get into it the way you did.

"I mean, the whole movie is extremely symbolic, you know?"

"Uh..."

"I think it might be one of the best movie adaptations ever. I'll be honest, though, it's probably because the book was so good that the storyline does most of the work for the movie but..."

Sam looks up from the stove at you as you ramble on. She watches as you completely lose yourself in it, the way your eyes sort of light up and you have this little smirk whenever you get to a topic you especially enjoy. Sam leans forward on the counter.

After a long moment of you speaking with the absence of Sam's little hums of acknowledgement and 'sure's, you look up from the loose string on your shirt you'd been playing with, voice trailing off. You cock a brow at the look on Sam's face, something that makes her almost laugh.

"What?" you ask, confused. Sam just shakes her head and reaches over to turn off the stove, chuckling to herself. She turns away from you, making her way over to the cabinets where the plates are.

"Nothing," she says, though her tone is a little too amused for it to be nothing. You watch as she grabs two forks and brings it all back to the stove, piling both plates with generous amounts of spaghetti.

She puts a lid on the pan with the remaining spaghetti and carries the two plates to the table. She sets them down, in next to each other in front of your usual seats. You hop off of the island and take a seat in one of the chairs.

Sam settles herself in beside you and picks up her fork as you let out a little sigh.

"It looks good," you say, grabbing your fork as well. You use it to pick up some spaghetti, but when you lift it to your mouth you pause.

"You know what? I think if you watch the movie while you listen to the book it'd be a cool thing. 'Cause some parts will line up and you can see the stuff happening as it's being read, and stuff. Also, it's cool to see what's different."

You take a bite. Sam drops her gaze to her own plate and digs in. It's comfortably quiet for a moment. Your fork clatters against the table.

"I just feel like Johnny's death was such a necessary thing, like it was something we as an audience needed even though it broke our hearts, and— What?"

Sam sighs, though a soft smile takes over her features. She shakes her head, just looking at you for a moment.

"Eat your food, babe," she finally says, her smile still present as she looks back to her own food.

[valley-of-headcanons]

I just stumbled across your blog and I really love your headcanons! If you had the time, I was wondering if you could do the bachelors reacting to a mute farmer?

bachelors with a mute!farmer || headcanons

being mute isn't as hard when you have these considerate men around <3

warning: this is under the assumption that the reader cannot speak at all! all include sign language as a form of communication :) other warnings are that certain townies are VERY SLIGHTLY ableist (jodi, george). take this whole story with a grain of salt, as i am not mute! i tried my hardest, however, please let me know if something is wrong/offensive/just straight up stupid! i'd love to learn where i went wrong :)

requested by: anon, thank you so much for requesting! and i deeply apologize for the fact that this took around a year to come out ... oopsie daisy ... my stardew valley hyperfixation went bye bye but guess who's backkkk?? anyway! here you go, better late than never :)

alex

• Alex honestly had no idea what to do when he realized that you were mute. He had no idea what to do, and you saw it on his face. He wanted to interact with you, you looked pretty interesting, but ... he had no idea where to start. So, you offered to teach him sign. He was surprised to see that you had that much faith in him, and he rejected initially, but ... he really wanted to have a new friend. It seemed like you were a genuine person, and he needed that in his life. So he did.

• You taught him sign, and this was probably one of the hardest things he's done. He believes he's not very bright, so he's incredibly nervous. But he works so hard for you! He didn't really know why he did, as you were just a new neighbor. Maybe you could be more? You could be a true friend! That's what he's looking forward to the most.

• As he began getting fluent and he learned more about you, the more he enjoyed being around you. Someone actively took a chance on him, and he's forever grateful. He opened up a lot to you, and you reassured him through all of it. He was the smartest person you knew because of how well he picked up sign ... he cried a little bit, although he really doesn't want to admit that.

• He realized how close you've gotten, and how his feelings haven't stopped growing for you. So, he had to do something about it! A soft, well-candlelit dinner was prepared for you, and he asked you out fully through sign! He had worked so hard on preparing a fully thought-out speech through sign for you ... it was so incredibly sweet. He really does love you.

• Alex was incredibly defensive of you, and would probably fight anyone who tried him. He even had several arguments with George. He wasn't the most supportive and definitely had some comments, especially since he literally couldn't see the sign ... but through Alex, he was convinced. Everything was fine, especially with Alex doing his best to convince those around him.

• Overall, Alex loves you and it shows. It shows through every piece of sign that he learns, every action that he does for you, and everything that he says to you and others. He adores every aspect of you, and he loves your bravery and your amazing soul. He can't get enough of you.

elliot

• Elliot is definitely a romantic, and when you didn't respond to his minor flirting, he was very confused. But when he realized you were mute, he dramatically gasped and apologized, basically dropping to his knees. He felt horrible, and promised to make it up to you.

• For a while, you talked back and forth through letters, since he was often stuck at home writing. He finds that he can write a lot more through his letters to you than he can his own book. Isn't that strange? He brings it up to you in one of his letters, and he eventually invites you over to his cabin. He bounces ideas for his book off of you, and strangely, it's so much easier to communicate with you ... how strange.

• He ends up learning sign for you in his free time, although it takes a while due to his busy schedule. He still prefers to write letters to you, it seems much more personal and definitely more romantic. He eloquently writes about his life and inquires you about yours.

• Elliot realizes that maybe this situation isn't just romantic to be romantic ... maybe there were feelings underneath, feelings that Elliot had never truly felt before. He ended up writing poetry about you, pages and pages. He can't get you out of his head! He had to let you know. You found out through a book of poetry sitting in your mailbox, and after reading through it, it was undeniable that it was about you. He was infatuated ... and so were you.

• He's incredibly protective of you, making sure to keep you out of harm's way as much as possible. If anyone were to say so much as one hateful word to you, he'd make a scene. With his dramatic flare, he'd declare them an imbecile and swoop you away to a safe place. It's in his nature, did you think anything less?

• Elliot'e romantic side has never been greater than with you. Romance and genuine feelings have always been apart in his mind, but they've both culminated in a beautiful love with you. He doesn't mind your muteness, he finds it beautiful and inspiring. You're his muse, of course.

harvey

• Harvey is incredibly understanding, and he tried his best to understand you as much as possible! He has no problem learning how to communicate with you and how to help you out as much as possible! He's the most understanding of your condition, and asks many questions about how and why you're this way. Not in a hateful way or anything, he just wants to understand you fully!

• As your doctor, he's definitely concerned for your health at first, but his nerves are calmed eventually. He slowly works toward getting to know you despite your condition, and he loosens up a little bit. He's so sweet and kind toward you, and he can't believe he's befriended someone as lovely as you.

• He opens up about his color blindness soon enough, and how debilitating it can seem. You bond over that, and he finds it easy to open up to you. He's used to being the listener, it's literally his profession, but it's nice to be listened to for once.

• Harvey realized this was a lot more than just a friendship, due to his heart racing when he's around you ... wow. He didn't expect this, and he really doesn't know how to act on it. But as you two hang out on the pier of the beach one night, he can't help but admire you instead of the stars. You notice, and he can't hide it anymore. He asks so nervously if you feel the same way he does. You answer with a gentle kiss on his cheek. He melts.

• He is very defensive of your condition, if someone says anything slightly derogatory, he will go off on a medical tangent. He justifies everything with an array of medical terms, enough to put anyone at a loss for words. Once Harvey silences the other person, he apologizes heavily, but still defends his love.

• Harvey loves you, and it shows through his concern for you and his deep affection for you. You're such an amazing and brave person, and he admires every bit of it. He admires you more than anything, and he would reshape the world if it meant to keep you safe.

sam

• Sam, despite his loud and energized nature, doesn't mind the fact that you're mute! He finds interacting with you regulating, in some kind of way. He has to calm down a bit to concentrate on communicating effectively with you. He enjoys talking to someone who has such a different viewpoint on life!

• Sam actually knew sign language before he met you! While in the war, Kent had sent a letter home that he had gone have deaf due to the constant noise of the war. Jodi then forced her family to learn sign language as soon as possible, so communicating with him was incredibly easy!

• Being able to actually use his sign language is actually pretty fun! He's very fluent, and he enjoys seeing your personality through your sign. He also enjoys your personality in general, how you overcome not speaking and your bravery. He finds that you both enjoy music, and it's a major bonding point between the two of you.

• Showing each other different songs that you enjoy was a staple of your hangout sessions. He finds those evenings the ones that he looks forward to the most, watching you smile and bop your head to the music. It's soft, it's sweet, it's ... lovely. As his feelings approach him, he can't get you out of his head ... his writer's block comes to an end. Eventually, he ends up playing a song for you. The love that he has for you is evident through the lyrics. And then ... a soft kiss as the song goes on, you would probably scream in joy if you could.

• His mom is ... not the most fond of you being mute. He doesn't really care, as he mostly just ignores her. He loves her but good god, her views ... so, he chooses your friendship more than anything. And when you two travel to something more, he chooses that over the relationship with his mother. She has a few passive aggressive comments, but she eventually gets over it enough to only give you a few side-eyes.

• Despite every hardship, Sam loves you. Every aspect of you is perfect in his eyes, and he wouldn't change anything about you. Sam adores your wonderful personality, despite not ever really hearing a voice behind your wonderful words. He doesn't care, you're you, and that's what matters.

sebastian

• Sebastian is the most quiet of all of the bachelors, so it makes sense that he would be naturally drawn to someone with a similar vibe. He doesn't mind the fact that you don't speak, and he finds ways to adjust.

• At first, he doesn't put too much effort into learning sign language to communicate. He doesn't see the reason why, you're just another person in town. But after Sam started speaking to you through sign language and you crossed paths more ... he decided to, why not?

• After talking to you, he realized that you have a lot in common. This makes him excited to finally have someone to relate to, and more and more, he asks you to hang out. Most of the time you end up doing things together in silence, but when you do talk, it's deep and personal.

• Falling for you was not his intention and came out of absolutely no where. He thought he was destined to spend the rest of his life shrouded in darkness, but this one quiet beam of light pulled him out of that. Huh. How odd. It took a lot of mutual pining for this to come to the surface, however. You called out that he accidentally used the sign for “I love you” when saying goodbye ... his pale face went bright red. Safe to say, you didn't say goodbye that evening. A long talk and a kiss goodnight, you two ended up together. As you should be.

• He doesn't really give the time of day to the people who don't understand you. A deep side eye and an aggressive sigh usually escape him, but he tells you not to worry about it. He shows you that he loves you no matter what, and “people fucking suck.”

• Sebastian relates heavily to you, and really loves you. He can't believe he's found someone who relates to him so well, but also has such a kind and genuine soul. He loves you more than life itself and enjoys your company more than anything on this planet.

shane

• Shane is probably the most guarded person in Stardew Valley, and it shows when he meets you. He could care less about you at first, pretty much ignoring your every movement. He doesn't really care that you're mute, he just doesn't care about you period. He's not really there yet, mentally.

• However, things change when you offer him a beer. He's confused by your kindness, and you can't really explain yourself because he doesn't understand sign. His curiosity is piqued. So, he asks Marnie if she knows any sign, and she refers him to Jodi, who eventually refers him to Sam. He hates the idea of having to work with Sam, but he can't help himself. He was too curious.

• After picking up a bit, he ends up offering you a beer in solidarity. He then thinks for a moment before showing the sign for beer. Your excitement warms his rather cold heart ... that's new. He just communicates by speaking, but he can read sign, so that seems like enough in his eyes.

• He finds it easy to talk to you, as you're such an interesting and perseverant person. It inspires him to begin working on himself. He pushes himself to work hard ... for you. Huh. Then, as if the sky was falling around him, he realized he was falling for you. He began pushing you away, until you basically cornered him at the bar. You took him to a private room where he rambled on about how perfect you were and how he was just going to ruin you. You eventually just signed “love ?” He looked like a scared child and just nodded. He signed “I love you” with shaking hands. But of course, so did you.

• His assholery is on full display when someone tries to come at you. He doesn't do it as eloquently or kind as some others, he just curses and insults until they shut their trap. They have no room to talk in his eyes.

• Despite his cold nature, Shane really does love you. He has no problems with your nature and sees it as a contrast to his own nature. He finds that enamoring and beautiful, unlike himself. He's working on himself, for you.

[7ndipity]

Secret Crush

Ot7 x Reader

Summary: How they would handle having a secret crush on reader who’s not a celebrity and/or only views them as a friend, so they can’t show their affection.

Warnings: lil angsty,

A/N: Thanks to the lovely anons who requested this! This is slightly similar to the falling for a friend hcs I did a while back, but I thought I’d try to cover the more unrequited aspects, though I'm not the best at those. Hope you like it anyway!

Masterlist

Requests are open

°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•°•

Jin:

GUILT. He honestly feels so bad that he’s put you in this awkward of a situation, even though you don’t have a clue you’re even in an awkward situation.

As I said before, I think he would try to content himself with just being the best ‘best friend’ you could ever ask for.

Which works, until it doesn’t. Because the closer you get, the harder it is for him to hide his feelings.

He fusses/worries about you a lot.

Would probably get jealous surprisingly easy, but try and brush it off with comments like “They’re just not good enough for you.”

Yoongi:

I’ve said it before, if he doesn’t want you to know about something, you. will. never. know. and that’s especially true when it comes to this.

Even if he’s absolutely head over heels for you, you won’t catch on, bc he finds legitamite excuses for any questionable behavior he might display around you.

Becomes a bit standoff-ish at times, but if he ever sees you struggling with something or needing help, he’s there in an instant.

It honestly gives you whiplash how fast he goes from ‘I don’t care’ to ‘I care a lot actually’, but he claims he’s just trying to be a good friend.

Y’all probably fight a lot, but If anybody else ever hurts/upsets you tho, he will end them(only half joking).

Hobi:

Again, as I said before, he’s naturally a very affectionate person, so how he’d behave towards his crush wouldn’t be that different from how he is with his other friends.

But on the inside, I think he would be overanilyzing everything, trying to make sure he’s not overstepping any bounderies.

Very much the ‘suck it up and smile’ mentality, which isn’t exactly the best/healthiest approach, but he doesn’t care.

So long as you’re happy, he’s happy.

I actually think he would be one of the worst at this kind of dynamic, he’d either end up confessing or distancing himself.😥

Namjoon:

So conflicted.

Might try and distance himself from you at first, bc he thinks it’ll make it easier from him to get over you, but then he just feels lonely all the time, and he’d rather be with you than without you, so he just tries to suck it up and pretend everythings cool.

Which he’s pretty good at, to an extent.

Literally can not stand seeing you flirt or show interest in anyone else tho, like it makes him feel physically unwell. If you do, he’s ghosting for a bit.

You end up developing a very intense ‘on again, off again’ friendship, which results in more than a few fights between you😖

Jimin:

As usual, Jimin is the personification of confusion for me.

Bc he doesn’t exactly hide his feelings towards you, but he’s always tacking on the line of ‘as a friend’ to the end of everything to avoid looking suspisious.

Flirting is basically his second language tho and that will not change unless it makes you uncomfortable, and then he’s the image polite respectfulness.

He just always wants you to be comfortable and happy, but he can get a bit over protective at times for seemingly no reason.

Every now and then though, it starts to weigh on him a bit more and he gets a bit moody and distant.

Taehyung:

Acts completly normal, until he doesn’t.

Can go from beaming and having the best time with you to sad puppy in instant bc he caught himself going to hold your hand or smth, and he has the record scratch moment of ‘wait no, that’s not what friends do’.

Of course you catch these sudden drops in his mood, but he never tells you what’s going on, so you just try to stick closer to him to make him feel better.

Which only increases his frustration sometimes, but other times he can’t help indulging in the affection when he can get it.

Tends to feel guilty afterwards for not being honest with you, but he’d rather have you as just a friend than potentially not at all.

Jungkook:

Not the best at hiding his feelings, but he manages.

His main issue is that he gets jealous and overprotective very easily, but knows he can’t exactly keep you close without drawing attention to himself.

Has nearly gotten into several fights bc he didn’t like the way someone was looking at/treating you. You joke that he’s your guard dog, but he takes it seriously.

Similar to Joon, y’all would end up with this ‘on and off’ type relationship that goes from being super close to barely talking.

Another that I think would either end up confessing anyway, just to get it out there, or pulling away.

[somebodys-nightmare]

Why Tifa is the Underdog of FFVII

I’ve been thinking about this ever since I first played Rebirth & got to Cosmo Canyon. Many folks were perplexed at the direction of Cosmo Canyon and found aspects of it surprising or confusing. I would say that it was entirely subversive for a number of reasons, but primarily, I want to focus on Tifa, because it got me thinking about her role in a much larger sense.

When I first played FFVII as a 14 -year-old girl in the late 90s, my first impression of Tifa was that she was an underdog as a character and as a heroine, especially in comparison to Aerith, the other heroine of FFVII. This was primarily due to how she was presented throughout the first disc, but also how she evolved as a character throughout the story, leading up to and through the Lifestream Scene. At the time, underdog stories particularly resonated with me (they were also quite prominent in the 90s) and they are relatable to real people. It’s one of the many reasons I fell in love with Tifa.

That being said, FF7R has really developed all of the characters in ways that gives their arcs more depth and resonance, and I think this is particularly visible with Tifa. It's especially apparent in Rebirth, especially given what we see in Cosmo Canyon and how it relates to Tifa’s previous character development, while foreshadowingi what is to come for her and her role.

In storytelling, an underdog arc involves a character who starts from a position of disadvantage, either through external circumstances or internal struggles, only to rise and succeed against the odds. The underdog heroine, in particular, undergoes a journey of emotional growth, perseverance, and resilience, transforming her into a capable and powerful figure by the story’s end. This arc creates relatability and builds tension, making the heroine’s eventual triumph all the more rewarding for both the character and the audience. Underdog stories tend to feature heavily in sports and martial arts films (hmmm) but it is a universal archetype in storytelling.

For Tifa, her role as an underdog is critical to understanding her role and ultimate evolution as a heroine, both in the OG and even more so in FF7R, which builds upon this arc more steadily and organically. Through pivotal events in the game as well as her evolving relationship with Cloud, Tifa’s underdog arc is designed to prepare her for her significant heroine arc in Part 3, which will cover disc 2 of the OG.

Let's start with the OG, where Tifa is an often understated character, particularly in the early portions of the story. In Disc 1, she plays a quieter role compared to more outwardly central characters like Cloud and Aerith. While Aerith has her connection to the Planet and Cloud is thrust into the role of the group’s leader, Tifa’s journey seems more personal and internal. Tifa's primary focus is her relationship with Cloud, who is dealing with an identity crisis that leaves him emotionally distant, confused, and susceptible to strange behaviors. Although Tifa harbors deep feelings for Cloud, her confusion over their mismatched past memories leaves her vulnerable, confused, and reticent, compared to other characters who feature more centrally.

However, this positioning as an underdog is precisely what sets Tifa up for her eventual role as a heroine. In the OG, she begins as someone overshadowed by more powerful or prominent figures, but proves to be emotionally essential, particularly in the Lifestream scene. It is Tifa, with her quiet strength and deep connection to Cloud, who helps him recover his true self from the fragmentation caused by Sephiroth’s manipulations.

Though Tifa may not have a magical connection to the Planet or the external conflict, her strength lies in her emotional resilience and her ability to anchor Cloud when he is at his lowest. This transition from being in the background to being pivotal in Cloud’s recovery is a hallmark of the underdog arc. Tifa’s most critical strength is not in her outward power but in her deep emotional ties and unwavering support. It is also a huge signal of the game’s propensity to use red herrings and subversion as a vehicle for storytelling.

FF7R takes Tifa’s underdog arc that was present in the OG and expands it more steadily and organically. In Remake and Rebirth, Tifa’s journey is given more focus and depth, allowing her character to grow gradually, especially in relation to her bond with Cloud and her own emotional challenges, such as her internal conflict over her involvement with AVALANCHE.

In Remake, Tifa and Cloud reacquaint themselves after years apart, and their relationship becomes a central focus with far more development, nuance, tension, and prominence than the OG. Early in the story, Tifa is hesitant, unsure of her place in Cloud’s life and the larger conflict surrounding them. Much like in the OG, she begins in a vulnerable position, confused about the discrepancies of their pasts, and struggling with feelings of guilt and self-doubt.

Remake carefully builds up their relationship, showing moments where they grow closer, develop trust, and begin to support each other emotionally in ways they never did before. This slow burn of intimacy is a critical part of Tifa’s underdog arc—while she may not be the most obvious heroine within the scope of the external conflict, her emotional journey is laying the groundwork for her later importance in the internal conflict.

This is reinforced in Rebirth, where Tifa’s relationship with Cloud is tested by the growing threat of Sephiroth and related external forces. From the very first chapter, beginning with their conflict in Kalm, we see the tension, unresolved issues, and external manipulation (Sephiroth) between them that will carry through the story.

This slow burn of reconciliation and tension defines their relationship, as Tifa grapples with her growing trust in Cloud while dealing with his unpredictable behavior. The climax of this arc comes in Gongaga when, under Sephiroth’s control, Cloud attacks Tifa. This moment marks a critical low point in their relationship, meant to test Tifa’s faith in Cloud and her ability to stand by him despite his actions.

However, the following Lifestream scene acts as a turning point for Tifa’s underdog heroine arc. In this scene, Tifa is essentially given a "tutorial" of sorts, which accomplishes three vital things:

1) Prepares her for her coming role in Part 3 (aka Disc 2) by reinforcing her emotional resilience and resolve;

2) Reveals that Tifa, too, has been gifted with an important connection to the Planet for a specific purpose—becoming Cloud’s heroine, the one person who can help him reclaim his true self; and,

3) Fortifies her faith in Cloud, reaffirming her belief in him despite the trauma of his attack. All of these elements are crucial in building Tifa up for her ultimate role in Part 3, where her emotional strength and deep bond with Cloud will prove indispensable.

Following these climactic events in Gongaga, Tifa’s role as an underdog becomes even more pronounced during the events in Cosmo Canyon, revealing her heroine arc with greater clarity through a clever subversion of expectations. Traditionally, Cosmo Canyon is a section of the game that focuses on external conflicts, especially tied to Aerith’s role as a Cetra and her connection to the Planet.

However, in Rebirth, Tifa is also unexpectedly thrust into the spotlight in a setting that purposefully marginalizes her, with the narrative now drawing attention to her internal struggles. This shift in focus gives weight to her emotional and personal conflicts, contrasting with the larger planetary issues central to the external conflict, although centered in the same setting where those issues are the focal point.

Bugenhagen and the elders, who represent the epitome of knowledge about the Planet and the Lifestream, ridicule Tifa’s personal experiences, dismissing them as heretical and uneducated compared to their teachings. This organized structure of Cosmo Canyon, revered for its wisdom, alienates Tifa, making her feel further out of place. She is sidelined in a place where the spiritual wisdom of the Planet should matter most, yet her direct experiences within the Lifestream are discredited.

This subversion is essential to Tifa's arc: although she is overlooked by those considered authorities, it highlights her position as an underdog whose true power lies in her emotional resilience and connection to Cloud, not in abstract spiritual knowledge. Her ability to persevere beyond what she encounters in this scene is what will make her triumph in Part 3 further rewarding. The fact that the planet itself has facilitated this experience to some degree (in Gongaga) makes this arc even more compelling.

All of these events in Rebirth subtly prepare Tifa for her role as a heroine in Part 3. Despite being undervalued by those who should understand the power of her connection to the Lifestream, Tifa is destined for a crucial purpose. The Planet has clearly chosen her to be the one to save Cloud, "the boy who is destined to save the world."

This culminates with a powerful emotional contrast that sets up her lowest point just before the game ends, perfectly priming her for her ultimate heroine role in Part 3. After the events in Cosmo Canyon and Gongaga, the narrative takes a softer turn during Tifa's date with Cloud at the Gold Saucer. This scene is crucial for both Tifa and the player, as Cloud finally gives a clear indication of his feelings for her by kissing her, offering a moment of happiness and intimacy. For Tifa, this moment of connection and affection from Cloud is deeply validating—after their long, slow burn of building trust and emotional closeness, this kiss solidifies that Cloud returns her feelings. It creates the "calm before the storm," giving them both a brief moment of peace and joy before the dark trials ahead.

*disclaimer* it doesn’t matter if the moment is "optional". All of the dates are "optional" in that sense and all of them are narratively important. It is much more honest to consider the date "expanded" rather than "optional". They expand our understanding of the narrative and characters, not alter it.

Anyway, this moment of emotional relief is soon followed by the unraveling of Cloud’s mental state, marking the descent of Tifa's arc into its lowest point yet. The game transitions from the joy of the Gold Saucer to the Temple of the Ancients, where Cloud’s spiraling intensifies under Sephiroth's manipulation. Tifa is forced to watch as the man she loves loses control, and her devastation grows as she realizes how powerless she is to stop it.

The situation worsens at the Forgotten City, where not only does Cloud continue to deteriorate, but Tifa also witnesses the loss of Aerith, one of her closest friends. The combination of losing Aerith and seeing Cloud fall deeper into Sephiroth's influence leaves Tifa emotionally shattered, hitting rock bottom.

These events at the end of Rebirth set the stage for Tifa’s ultimate rise in Part Three. Her devastation, watching Cloud spiral and suffering the heartbreak of losing Aerith, pits her at the lowest emotional point in her journey. This is essential for unfolding her heroine arc in Part 3 (Disc Two of the original game), where she will be pivotal in the events at the Northern Crater, the escape from Junon, Mideel, and ultimately, the Lifestream scene.

The Lifestream scene is the culmination of Tifa’s entire arc—everything she has experienced in Remake and Rebirth has been preparing her for this moment. Despite the many challenges of the journey thus far - many of them internal - Tifa will be the one to guide Cloud back to his true self, using the deep emotional connection they've forged. It is here that her resilience, emotional strength, and faith in Cloud, despite everything that has happened, will solidify her as the heroine destined to play a critical role in not just Cloud’s recovery but in the party’s fight against Sephiroth.

In this way, Tifa’s underdog arc is not just about personal growth; it is about the power of emotional resilience in a world where traditional heroism is often defined by strength and cosmic or magical power, a core message of the game’s overall subversion. By the time she reaches her role in Part 3, Tifa will have transformed from someone who was dismissed and overshadowed into a heroine whose quiet strength proves to be indispensable.

Her journey, both in OG and FF7R, shows that true heroism often lies not in grand gestures but in emotional endurance and unwavering support for those who matter most - those we love.

[hotvintagepoll]

The Three Stooges (Turn Back the Clock, Meet the Baron)—They. Were. The. Blueprint. All scrungly guys who came after owe their "whoop whoop whoop woop!" to the Stooges [editor's note: the Three Stooges were submitted as a group but two of their members were also submitted separately, so I've condensed them into a unit and included the propaganda submitted for Larry and Shemp below the cut.]

Peter Lorre (The Maltese Falcon, Arsenic and Old Lace, Casablanca)—to me he DEFINES scrungle hes the first person i think of every time the term comes up! i want to fold him up like a paper accordion and put him in my pocket. guy that spawned a million voice artists and impersonators. they made a ghost version of him for halloween cereal staple boo berry. bewitched by his nervous mania and tooth gap <3 (for the purposes of propaganda im linking a photo from his extremely short appearance in muscle beach party bc ive been obsessed w it for years and i couldnt find any video for it :/ anyway imagine youre frankie avalon spending the whole movie battling a bodybuilder faction thats taking over your beach and your girl and then you find out this fucking guy is their mastermind mystery leader and hes stronger than all the bodybuilders combined. like Huh. What.)

This is round 2 of the contest. All other polls in this bracket can be found here. If you're confused on what a scrungle is, or any of the rules of the contest, click here.

[additional submitted propaganda + scrungly videos under the cut]

The Three Stooges:

The rest of the Stooges can pass as normalish guys, (until they open their mouths,) but between his trademark hair, very distinctive voice, and ridiculously reactive face, Larry is the Scrungly Stooge. If he isn't taking a slap, poke, or yank to the hair, he's flinching and twitching to some cartoonish violence along with the audience. And occasionally being an absolute one-liner lunatic that reaffirms why he's one of the Three Stooges. He gives off strong "Possum Spotted By Neighbors' Trash Cans" energy, but a chill possum, not one that's going to hiss or run away. A friendly possum that perhaps has limited survival instinct, but you admire him for his optimism. (Worth mentioning: In real life, Larry let Moe Howard handle most of the business aspects of The Three Stooges, because the one time Larry signed a contract by himself, it was to a completely different studio than his partners. He was also absolutely devoted to his wife, Mabel, having met her in vaudeville as teenagers. It was said that if Mabel wanted Chinese food in the middle of the night, Larry would go out and find some. Due in part to Mabel's dislike of housekeeping, and Larry either having a penchant for gambling or having very poor money-management, the Fines tended to live out of hotels. Regardless, when partner Curly suffered a career-ending stroke in the 40s, Larry still contributed part of his paycheck towards Curly's care. Spendthrift or not, Larry was a very generous soul to the end.)

Shemp is just the best at playing the curmudgeonly jackass and come on, who has a scrunglier face than he does?

[cw for disability slur]

Peter Lorre:

he's pretty much the archetype of the scrungly little guy. the blueprint. the example by which all other scrungly little guys are judged

The entire point of his iconic role in Casablanca (apart from introducing the central plot mcguffin) was to be LITTLE and SCRUNGLY to make Bogie look even cooler. And Maggot in Corpse Bride - the littlest scrungliest guy in that film - was a parody of him.

Between his big eyes, wheezy laugh, short stature, and expressive faces, Peter Lorre achieved icon status as the scrungliest, littlest guy in Hollywood. His scrungly little guy energy was often contrasted with the more typical masculinity of the leading man, but whether this contrast was meant to make him seem especially sinister, comedic, or pathetic, it always left an unforgettable impression!

The perfect sniveling character actor, “scrungly” is the first word that comes to mind when I think of him.

I'm sure somebody else has already submitted him (if not then ???) but he's a cute kind of scrungly little guy. He's got a distinctive nasal voice with an accent that is instantly recognizable and often imitated. His later horror movies are so much fun, especially when he's playing off of Vincent Price. He's so good at being unhinged, creepy, or manic, but also pathetic and sympathetic.

Classic scrungly hollywood golden age little guy who was friends with Humphrey Bogart and still played some of the wettest most sniveling characters ever committed to celluloid (complimentary) there is a deep despair and darkness in many of his characters that enhances his scrungly

To be clear, I am one of those people who will argue that Lorre is one of the most underrated film actors, but the POINT is that he's also just a scrungly delight. A delightfully pocket-sized man. Somehow endearing even when he is being actively amoral (see esp. Casablanca. "I found myself much more reasonable!") The faces he makes while doing the Russian cossack dance with a butter knife between his teeth in Silk Stockings make me laugh just thinking about them.

Wikipedia described his typical characters as "timidly devious", lots of weird little villains and evil sidekicks that are pretty horrifying but still manage to be sort of pathetic and the very definition of "poor little meow meow". His look and voice and mannerisms are so iconic they're still imitated

Cartoons for the next century have and will continue to include Peter Lorre-esque characters when needed to up the scrunge factor (see Bugs Bunny and so many more).

Youtube link for characters inspired by Lorre [editor's note: I'm not actually sure how many of these characters are directly, verifiably influenced by Peter Lorre, so take with a grain of salt. tw for suicide depiction.]

I think Arsenic and Old Lace is his quintessential "scrungly" performance. He's so put-upon and tired...all he wants is sleep and some schnapps! I love the way his shoulders fall slowly when he thinks he's caught (he looks like a sad puppy!), only to gleefully sprint out the door when he realizes how dumb those police officers are.

[jiraisupportgroup]

˚ʚ♡ɞ˚ Guide To Tone Tags ˚ʚ♡ɞ˚

Tone tags are little indicators people put at the end of a sentence or message to clarify the intent or feelings of that message ^-^ you’ve probably seen them before. They’re really helpful especially online because it can be difficult to tell the tone of something online through text, especially if you don’t know the person and their usual speaking habits.

Just as a note: please don’t use these ironically. It defeats the purpose of tone tags and can be very confusing for some people! Just leave the tone tag out if you’re being sarcastic about it.

♡ General Tone ♡

• /j - Joking - this message isn’t serious, it’s a joke.

• /hj - Half Joking - they are joking about something but they are also likely to do it or believe what they are saying. It’s a joke and it’s not serious, but there is a little bit of truth in it. (Usually this is in the form of exaggeration i.e. “I hate twitter/hj” means they don’t really hate twitter, they do dislike some aspects of it though)

• /s or /sarc - Sarcastic - they’re saying something that is opposite of what they actually mean or feel. (Sarcasm online is also represented a lot by using long words and random capitalization i.e. “I nEvEr Would HaVe KnoOoooooOOOWnnN” they mean this sarcastically - they knew).

• /srs - Serious - they really mean what they are saying, or what they’re saying is very important to them.

• /nsrs - Not Serious - they do not mean what they are saying or what they’re saying isn’t a big deal.

• /lh - Lighthearted - they don’t mean this too seriously, it’s for fun or generally well intentioned.

• /g or /gen - Genuine - what they are saying or offering is for real, they mean what they are saying sincerely, or they are actually asking for responses for a question - it’s not rhetorical.

• /nf - Not Forced - they’re asking for something but they’re not trying to pressure you or force you into doing it.

• /m -Metaphorically - what they’re saying isn’t literal or didn’t literally happen, they’re using this as a metaphor for a different situation.

• /li - Literally - the thing they are talking about actually for real happened or they believe it fully.

• /rt or /rh - Rhetorical Question - a question they don’t necessarily want responses to, it’s a statement posed as a question to make you think about the topic as opposed to actually asking for an answer.

• /hyp - Hyperbole - what they’re saying is extremely exaggerated for comedic effect or to stress something.

• /ex - Exaggeration - what they’re saying is somewhat exaggerated for comedic effect or to stress something.

• /pos - Positive - they mean this in a good way.

• /neg - Negative - they mean this in a bad way.

• /neu - Neutral - they don’t really have strong feelings on this or don’t really have an opinion on it.

♡ Feelings of the Author ♡

• /nm - Not Mad - they’re not mad about what they’re talking about

• /lu - A Little Upset - they’re a bit disappointed or sad or angry about what they’re talking about, but not too much.

• /p - Platonic - they mean this in a friendly way, they view you as a friend.

• /r - Romantic - they mean this in a romantic way, they view you as a love interest, crush, or partner.

♡ Intent of Message ♡

• /t - Teasing - they’re kidding around and teasing you, it’s not too serious.

• /th - Threat - this is an actual threat that they intent on following through with (I mostly see this one used ironically which irks me bc it defeats the entire purpose of using a tone tag so just be aware of that).

• /sx or /x - Sexual Intent - they mean this in a flirtatious and sexual way.

• /nsx or /ns - Non-Sexual Intent - they do not mean this in a sexual way, it’s more so platonic, joking, or lighthearted.

• /nbr - Not Being Rude - they’re not trying to be rude by saying this (note that this does not automatically mean what they’re saying is not rude, you can still be rude even if it’s not your intention to be).

♡ Who is Being Talked To or About ♡

• /nbh - Nobody Here - they’re not talking about anyone here (usually used in group chats or small communities).

• /nsb - Not Subtweeting - they’re not saying this as a vague response to anything or anyone, they’re just genuinely talking about it.

• /nay - Not At You - they’re not aiming what they’re talking about at you specifically.

• /ay - At You - they are specifically targeting what they’re saying for you.

♡ Where is This From / Miscellaneous ♡

• /ij - Inside Joke - it’s a joke but might only be understood by a small group of people. Don’t stress if you don’t get it or don’t understand what they’re talking about. Inside jokes are usually hard to explain to others.

• /ref - Reference - this is a reference to something else, usually a meme or piece of media.

• /ot - Off Topic - this is unrelated to what was being talked about before.

• /cb - Clickbait - usually this means the message is exaggerated or falsely advertised to get your attention. Often used in a lighthearted / joking manner.

• /f - Fake - the thing they’re tagging is not real. This is usually used for fake headlines or photos.

• /l or /ly - Lyrics - they’re reciting the lyrics of a song.

• /c -Copypasta - this is a copypasta, they copied it from somewhere else.