#there should be a read more but i don't think it worked

[backofthebookshelf]

It's not a controversial take necessarily -- it's just that the particular environment of AO3, where you can see how many times your fic was loaded in a browser window and where the little heart button has a different meaning than it does on every other social media site, is uniquely bad for the human brain.

For the VAST majority of history, both the history of making art generally and the history of writing fanfiction in particular, you did not get to know how many people gave your work a cursory once-over, or how many people checked your book out from the library and never read it, or how many people overheard a line of poetry and thought "huh, neat" and never did anything else. These interactions were, as they should be, completely anonymous and uncountable. Even in the pre-AO3 days of fanfiction, there was an understanding that page hit counters were kind of crap (for one thing, they would count you every time you loaded the page, and you had to load the page to check the counter, so that was incentive not to look at it that much).

Even in other artistic contexts where you do now have page hit counters on everything, they're contextualized through marketing research, not consumed as a raw value. Marketing talks about conversion rate, which is the % of people who saw something who then went on to do the thing you wanted them to do - for a business that's probably buy the thing, for a nonprofit it might be donate or sign up for a volunteer session, for a fanfiction writer it's leave a comment. At work I work with multiple major companies you have definitely heard of who spend half a million dollars and 1-3 full time employees every year on something that increases their conversion rate by 1-2%. They do this because the conversion rate on our emails is 5%, which is INSANELY high.

And yes, leaving a comment doesn't cost money, but it does cost time and energy. Writers overestimate how easy it is for people to write comments--my coworkers are out here using chatgpt to write boilerplate work emails, I can't imagine ANY of them ever leaving a comment on a work of art they enjoyed. Verbally, yes--and "in a friend discord is much closer to verbally than in a comment form--but in writing? Absolutely not.

As for kudos, I can't help but think that the "likes don't do anything, you have to reblog" culture of social media like twitter and tumblr affects that too (and yes, by the latter days of twitter I was seeing people saying that on there, because the algorithm was so broken). Kudos is essentially a like button, and like the like button on twitter that used to be a favorite button before they changed it and some people never stopped treating it like one, it has meanings for people you'll never understand. "It's just a click!" It is a symbol with vague connotations but no specific universally agreed upon meaning; it tells you how many people clicked on that button, and that's all.

So yes, actually, I guess I am saying that as a writer, you are supposed to assume that many more people liked your fic than you will ever hear from or even know about. And that's a good thing! You have the chance to touch someone's life even though they have no idea who you are and don't think of you as a person so much as a semi-mythical figure called "the author". And that's part of the magic, to me, of creating things. You pour yourself into a thing and then you set it loose into the world and you hope it means to someone else as much as it meant to you. Sometimes, very rarely, someone will tell you so, and that's amazing, I'm not going to pretend it's not, but you have to have enough faith in yourself to believe it happens whether you hear about it or not.

I really don't understand how "without getting kudos or comments a fanfiction author is going to assume that people who clicked their fic didn't like it" became a controversial take.

I don't know why some people think an author should imagine, or guess that people who click their fic enjoyed it it when nobody is telling them that.

If you're re-reading a fic constantly, or leaving it up in your tab so that it re-loads every day for a hundred days the author is not going to know that unless you tell them. They'd love to hear it. It would make their day.

And if you don't tell them you liked their fic, there's no reason for them to assume you did.

[larmegliamori]

Oh so you said that Dante's Divina Commedia is a fanfic? And that Virgil is his literary hero and he had a creepy crush on Beatrice ever since he was nine? All of this while ignoring the whole cultural system of his century? Wow you're so funny and original! Should we clap? Should we host a party? Should we invite Dante himself

[pythonmoth]

cw: anxiety. post-traumatic stress disorder (torture). reader is traumatized. reader is a bit unreliable. military inaccuracies. hurt/comfort (I guess?).

simon riley x f!reader. implied simon riley x soap. implied simon riley x f!reader x soap.

First | Last | Next

Being home is incredibly boring, especially if you can't move much.

Your brother's been taking care of you, making sure you're eating, that you let your injuries breathe, and soon enough, the cuts on your feet allow you to move around on your own. It takes a whole month for your brother to leave you alone for longer than a few hours. It's a good thing, really, because if you want to spend hours just laying in your bed and crying in silence as you stare at the ceiling, you can. He would only come whenever you needed a ride, anyway.

Despite being able to move around and now even managing to use your sensitive fingers, you dread the idea of going outside. You have to wear sandals and loose pants, because your toes cannot, by any means, be touched by any kind of fabric yet, or else you're grimacing in pain. Feeling defenseless hasn't been a thing ever since you became part of the team. Not even your skills could take down Simon, but you could put up a fight with them all, easily; never won, but you were confident with anyone else on the street.

No doubt you could still beat them up, your skills are still there, but the idea of someone somehow restricting your movements felt like torture all over again. The idea of anyone getting a hold of you makes you want to throw up. Your mind and body betray you, making you remember those awful moments, and you don't realize you're pulling a face.

"You're spacing out".

You look up at the therapist, giving her a little nod as an apology, getting comfortable on the seat. Restless, you can't help but look around for a moment again. The office is incredibly white, clean, filled with mirrors for whatever fucked up reason, and the only thing that isn't grey or white is one of the cushions on the couch on the other side of the room. It's deep purple. It looks awful.

Seemingly realizing you won't be of much help with the question she just asked you, she gives you a smile. "How are your nails? I can see you're using your hands a lot more".

"They're healing" you reply, looking down at your fingers instead of focusing on the cushion. "I can use my hands pretty normally now, but I can't use the stove for long".

"Because of the heat". An affirmation. You've already mention it before, and you're not surprised she remembers that. Probably read it on her notes.

"It hurts, yeah".

"And how are your feet?" she asks, looking down at the way you absentmindedly drag your hands on your pants from your thighs to your calves in slow movements. You only realize what you're doing because you can hear the way her pen drags across the paper, distracting you.

"Well... I can only wear sandals. Doctor said I should be okay to move around with real shoes in three months".

"And what do you think?"

"He's the doctor. I want to believe he knows what he's doing, so I can't really question it. I do hope it heals sooner, though".

The therapist writes down on her notebook. With an uncomfortable feeling, you desperately want to know what she's writing, your eyes drifting to the movement of the pen, but you can't make out a single letter.

"So you trust the doctor, right?" she questions, moving one of her erasers to the other side of her desk. Your eyes are fixed entirely on it, on the little thud the eraser makes when she sets it down.

"He knows best, that's for sure. If he's there, must be a reason" you answer, tilting your head as she keeps moving her things around, making them fit somewhere else on her desk. The pencil goes to the left, then to the right, the eraser from top to bottom of the notebook, as if she's as antsy as you are.

"Do you apply that thought somewhere else? Like... at work? Or if you need help at a store and find an employee, maybe?"

The therapist's eyes are on you all the time, your hands, your anxious feet; your little habits coming to light with a single look. The way you bite the inside of your lower lip, the little double blink you make when she moves something in her desk yet again, even if you don't say anything.

"Of course. If they know their way around, it's only right that I ask for help, and trust that" you answer, frowning. You don't think that question is relevant at all, but she keeps writing, and writing.

"I see. Thank you. Now, you mentioned you've been texting G- Simon. Can you tell me how it makes you feel?"

You go silent for a moment, your fingertips dragging across your arm, so softly you can barely feel it. "It's better now".

During the first three months of being home, Simon would text you nearly every single day. He didn't expect a text back and you knew that, because you told him you wouldn't promise to be responsive. Simon would send you pictures of their plain meals, of Gaz sleeping on your bed, Johnny posing next to Price with their thumbs up, or terrible selfies of himself. Always without a mask.

Tuesday

11:27

"Price scolded Johnny because he had crumbs on his uniform. It was hilarious"

Saturday

03:26

"Just got back. Everyone ok"

Even Johnny would text you from time to time. It was mostly memes, awful stickers or ridiculous, random photos of Gaz mid talking, his face weird, or Price smacking Simon's head, or the entire team posing for a picture, Gaz' arm hovering to the side as if to hug your shoulders. You didn't even need to wonder why Gaz hadn't texted you; that man hated technology with a passion.

Still, you never texted back.

You didn't really pay attention to the texts, or the little voice notes, or the selfies. You didn't feel like reading them properly, always leaving them on seen or just grunting to yourself whenever you heard their distinctive tone. Why you didn't change it in the past few months, you don't know. Maybe that's a question for your therapist.

But then, the texts stop.

Monday

16:49

"Tough job"

"We leave at midnight"

23:42

"Text you when we're back"

Only, Simon doesn't text back. For days. For weeks.

You can't pretend you're not worried. It's impossible, really. You're half-tempted to call him, but you can't, you don't know how it will feel to hear his voice again. He said he'd text you and he hasn't, so he isn't back yet, and you don't want to feel vulnerable by opening up. Yet.

You go through Simon's chat, actually paying attention to whatever he sent you. You realize he sometimes sent you long texts, apologizing, accepting what he did, and even a few voice notes that you didn't notice before. They made your heart race as you listened.

"I hurt you, and I'm sorry. I love you, and you don't have to forgive me"

"Garrick told me to tell you that if you aren't eating he'll go and— shut the hell up, Johnny, I'm talking!"

"Tell her we'll go visit her by the end of the month".

That's Price's voice, you realize.

Feeling incredibly choked up, you check Johnny's chat next. You're expecting to find nothing but memes, as you've seen in passing, but when you see he sent you long, long texts, you finally let yourself cry properly.

He's been apologizing since the day you left, too afraid to face you but his texts are so poorly written you know he was in a rush, or crying, or both. His voice notes, however... they just make you break.

"I'm so sorry. I can't undo what we did. You don't owe me anything, I just... really hope you can at least tolerate me. If not, please know I'll always care for you. I love you. Goodnight".

Something inside of your chest eases, maybe moved to the point of forgiveness, even if just a moment. Your therapist has been helping you unveil whatever you missed during that day— during the torture. It's been a tough process, and she insisted you visited twice a week instead of once, but it helped. You could now understand.

Still, understanding the situation only makes your worry grow.

"Text you when we're back"

For two long weeks, there's nothing, from nobody. Only silence and fear. For the first time since you left, you're scared for them. Scared you'll have to open the door one day and it'll be Price, or maybe not even him, telling you the team is dead.

On the second week, your therapist says you can give them a call, or text them if it's more comfortable. When you say you can't, she advices you to write them letters.

"Tell them whatever you wish to say. If you're angry, write it. If you're worried, write it. There's no good or bad feelings, and it's only right to feel them. Write them for yourself, and then you can choose to give them to your team, or not".

And you did.

A whole notebook of messy writing, some tears staining the paper, and your hate slowly turned to understanding. Real understanding. Not forgiveness, not yet, but it's progress.

By the third week with no news, you just can't handle it anymore. You press call without a second thought and your heart squeezes painfully in your chest when it rings, and rings, and rings.

Hopeless, you lay in your bed, your mind working overtime as you stare at the ceiling.

A muffled dinging sound startles you awake, shifting on the bed to find your phone because that's Simon's tone. Adjusting your vision, you realize it fell from your hands to the ground when you fell asleep. You dive for it, grimacing when your sensitive fingertips brush against the carpet, but to see his name there is enough for you to endure it.

Thursday

01:22

"Safe. Couldn't text you earlier"

01:22

"You called me. Are you hurt?"

01:22

"Safe. Call me"

"Now"

His name pops up not even a moment later, his ringtone filling your ears. When you pick up, he's barely breathing, and you wonder if you're about to be told bad news.

Simon explains they were on a very tough mission, and that that was why he couldn't text you, or communicate with you at all. You could hear him shift, move around. Restless.

They got caught in enemy territory, surviving the best they could for two weeks, Simon tells you. Johnny was shot in the leg and Gaz was the one who helped him out, since Simon was too busy dragging Price, who was bleeding out because someone decided it would be fun to put a bullet through his left shoulder.

"I wasn't any better. Dr. Wilson called me a dick, and then made me lay down because I was shaking. Ridiculous" he grunts, his voice hushed on the other side of the line. "Got shot on my side, I just didn't feel it, but I was better than the other two".

He doesn't seem to expect you to speak, huffing and shuffling. You can tell he's in the clinic room, the echo incredibly familiar by now.

Of course, he doesn't tell you that the reason why he didn't text you the whole past week, is because he's been asleep, drugged out of his mind because of the pain.

"Everyone's okay. No risk. Garrick's the only one who didn't get hurt. I think—"

"I was worried, Simon. I'm glad everyone is okay".

There's silence for a long moment. Simon takes a deep breath from the other side of the phone, sighing deeply. You could hear the smile in his tone. "I wouldn't let myself get killed, luv. I'm sorry I couldn't text you before. We're safe now".

You two spend the rest of the night on the call, with you mostly staying in silence and listening. You can't believe how scared you've been for all of them, for Simon. You know it's gonna be hard to fully forgive them, if at all, but you can't help the way your body relaxes as you hear him breathing against your ear. You can't help the way your arms curl around the pillow, seeking his warmth. As before.

The call goes on for long hours. When your soft hums as he speaks stop coming to his end, Simon goes quiet, realizing you've fallen asleep. He sighs and shifts to look at the ceiling, holding the phone against his ear. Focusing on your soft breathing, he let's himself fall asleep, the gunshot wound completely unimportant if he gets to listen to you sleeping again.

He just wishes you were there.

im so sick y'all, my head hurts, but I obviously couldn't resist! also, you guys like Marina? her new song is so good! mowgli's road's vibes.

the therapist's room I'm describing in the story is actually my therapist's old room. I hated it so BAD. the mirrors were a terrible decision. also, if you can't relate to this type of therapy, that's fine. it's just my experience.

again, styling is fully intentional. can y'all tell how our reader is feeling?~

taglist: @euphoricn @lilg101010 @enfppuff @carolchaotic @silas-fanfic-favs @nina-from-317 @an-ever-angry-bi @kittygonap @dorothy-rainbird-deactivated202 @adventurerabby @defronix @sheepispink @iambuttwodaysold @blackhawkfanatic @malevolentghoul @thriving-n-jiving @literallegendicon @echo9821 @angel-bugz @ssc7514 @clickbait-official @hades--baby @blackhawkfanatic @sirbonesly @saki---chan @skeletonsucker @nnsissys @kukavittu @tessakate @honestlymassivetrash @s-a-v-a-n-a-34

(we're so many now, wow! thank you all ♡)

[fireladyofink]

Oh God.. uuhhhh.. been a minute since I tried one of these..

Skipping 1, hate first person, just can't do it, not even read it.

2 is 100% Andlàtkyn. There's some issues here and there but it will always be my pride and joy.

Due to not posting on AO3 (even though I really should be), 3 is mostly ineffective. Except Wattpad has tags. I'd say UTAU, dragons and crossover.

4, lol. Literally. Lately I keep using that (only when texting others) and it's bothering me. I feel like a simpleton because of how much I'm saying that, eugh.

5 I've honestly learned a lot while researching fics. For one, I found out lantana berries are toxic to humans yet taste like blueberries, and I have them growing in my backyard. They're actually my favorite plant! I love their flowers; so pretty, and they have such a uniquely funky smell as well. Part of why I adore them, it stands out so much without being a bad smell. And the leaves have a sort of citrus smell? I love lantanas.

6 I don't know. I've thought about requests due to the money, but I feel like I'd either struggle to start writing it or get carried away with it- or straight up not finish in a reasonable timeframe. Commissions? Like art commissions? Maybe in a few years when I'm more confident in my skills and also somehow have a drawing tablet to properly draw digitally. Something like that.

7 Either or. I love making sickeningly sweet coffee or various different teas.

8 Is honestly hard to decide! Off the top of my head I can think of Dust initially meeting Killer with the hilariously absurd question of "What do you mean you don't have a mouth? How are you speaking right now? Your ass?"

9 Believe it or not it was basically when I first got a phone and commented a short story in the comments of a YouTube video. Someone replied with a suggestion of Wattpad. The rest is history, lol.

10 Off the top of my head I can't think of anything beyond something very specific for the fic I've been thinking about again lately, Ninjagaësia. Only time I've written outside of the UT fandom too, I specifically want to get around to writing that version of Zane more. What I had planned for him is fun as hell. An absolute badass.

11 Lots of comments, votes and people enjoying it. Which, continuing the above mention, Ninjagaësia doesn't qualify for. Pretty unsuccessful, but for once I don't really care.

12 Undertale AU's. I doubt I'll ever leave, either.

13 No. Hell, my ultimate fic of Andlàtkyn was written throughout the later half of highschool. I am technically working on an original story on the sidelines, I call it my worldbuilding project because I'm building up so much lore in this world before I actually touch on the story itself outside of a vague idea. About 60-ish different species of people, including the were-diseases. Last I counted, anyway. I'll be working on it for years, I know it, and I don't mind that either.

14 Comments talking about my fics on said fics. Actual interactions! It brings me joy. 🧡

15 My family is well aware. I don't bring up a lot of details but the last time I went into vague detail with my mother it was over a scene in Andlàtkyn (no direct spoilers) and she interpreted it weirdly and now she teases me by asking if I'm killing babies again! A bit awkward..

16 Actually finishing a damn story. I don't mind the periods of no writing until I get inspired again, but what annoys me is when I can't seem to finish anything. Only ever finished Andlàtkyn. I still have yet to write anything for the sequel to it, either! Zeradelsída is still just a bunch of loose plot points..

17 I am semi successfully writing benevolent eldritch horror. It doesn't intend harm, but it is truly.. horrifying nonetheless. The uncertainty of someone knowing he died, feeling his own heart stop beating, and feeling something OTHER seep inside and force it to start again, pulsing in his veins, fusing with his anatomy, permanently altering both him and itself into something completely unknowable.. I'm rambling. Anyone who hasn't seen my Wattpad, read Awakened. If you don't mind ridiculously long fics, read Andlàtkyn too!

18 I have at least 7 I mostly expect to finish, with at least 4 others just kind of.. there. I don't think I've posted any of those, either. I also have ideas inspired by dreams that I'd love to write down someday, though don't really expect to actually codify.

19 I kind of just don't. I work on different projects as the inspiration hits, take a backseat for a month or so, then come back to either the same project or a different one.

20 Hmmm.. Hard to think of something specific. I'm leaning towards stuff in Andlàtkyn. I don't really have a favorite kiss scene because I don't do romance. I write adventure! Andlàtkyn has some side romance though- not that any of it is my favorite. Platonic stuff, though.. I'd say my favorite is honestly Lust and Alter incidentally befriending each other and becoming venting buddies. It's the cutest thing, their friendship is adorable and wholesome despite the background angst. I didn't write nearly as much of them as deserved.

21 Honestly it's mostly lack of inspiration that I'm pretty sure stems from depression. If I could get an ADHD prescription or depression meds I'd probably be a lot better but like. I am completely broke. So much so that those issues aren't even in the top 10 of pressing problems solved with money.

22 Given I've literally only done it once.. not really. I guess I post it around everywhere I can think of in excitement?

23 That one continuous dream I had that went on over a month centered on a Nightmare that was freshly corrupted. He was honestly so nerdy and adorable despite putting on the brave and mildly "evil" front. The boy. Him. Goddamnit I want to write that at some point.

24 Honestly I can't think of anything for this one.

25 Oh yeah, I can't think of anything off the top of my head but there's a lot I'd like to fix in all of my stories, lol.

26 Kind of? It's a more recent development, did it for Zeradelsída which still has yet to be written, did it for that Ninjagaësia too. A little bit of a broad, even vaguer outline for things I want to happen in Awakened, too? More like events, no particular order or connection.

27 A few of those WIP's that haven't been posted... Okay technically just one. There's also the very first fic I wrote that is subsequently the only one I've ever deleted.

28 Angstiest often coincides with cursed for some reason, so I'll just go with the ending of Andlàtkyn for the Apple Twins.

29 I kind of just.. don't. If I do, I start hating everything, and because I'm not THAT bad at spelling and grammar I think it's mostly fine the way it is.

30 Oh absolutely. It's particularly obvious when one looks at Andlàtkyn, which I wrote over the course of 4 years. Really neat transition, if I ever manage to do it, I'd rewrite the beginning a little to match the rest when crossposting to AO3. If I ever get around to that.

31 Again, Andlàtkyn. That fic is my baby, man. It's so precious to me.

32 Honestly I don't know for this one, which is weird.

33 100% Ink of Awakened. My little boy. I have some friends that would rib the hell out of me if they ever found out, lol. Thankfully the main one doesn't even remember that he has a Tumblr.

34 I was not expecting how hard of a question this is! I thought it was Andlàtkyn, but thinking about it.. I don't think so? It might simply just change depending on which one I'm currently fixated on, but at the moment I think my favorites to get that on is Awakened and Ninjagaësia, second of which already has basically nothing to begin with.

35 I don't have anything, oof.

Fanfic/Author Ask Game

Write a scene from [insert fic] in another character’s POV

Which of your fics is your pride and joy?

What are your top three most commonly used tags on AO3?

What are some words or phrases you feel like you overuse?

What’s something you learned while researching a fic?

Would you ever accept requests or commissions?

Coffee or tea while you write?

What is your favorite line/section from [insert fic]?

How did you get into writing fanfiction?

Is there a character or ship you'd love to write for, but haven't yet?

What makes a fic 'successful' in your opinion?

What was the first fandom you wrote for?

Do you have an 'official' creative writing background such as a degree or previous experience publishing?

What makes you happiest? New fic comments, kudos, bookmarks, user subscribers, story subscribers, or Tumblr asks?

Does anyone you know in real life know you write fanfiction?

What do you struggle with most when writing?

What is something you recently felt proud of in your writing?

How many WIPs do you have and how many do you expect to finish?

How do you get over writer's block?

Share your favorite kiss scene from [insert fic]. If there's no kiss scene, share your favorite moment of intimacy (romantic or platonic)

What stops you from writing more in your free time?

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What’s a story you’d love to write but haven’t even started yet?

Which scene/theme was the inspiration for [insert fic]?

Are there any moments in [insert fic] that feel "blurry" to you? Is this a stylistic choice, or would you go back and clarify the descriptions if you were given the chance?

Do you ever "prep" your fics with outlines or warmups before you start writing, or do you just dive right in?

Are any of your stories inspired by personal experience?

What's the angstiest idea you've ever come up with?

How many times do you usually revise your fic/chapter before posting?

Have you noticed your style change over time?

What fic meant the most to you to write?

A character you enjoy making suffer.

A character you want to protect.

What is your favorite fic to get comments/messages on?

Wild Card: Ask me something else!

[redhoodinternaldialectical]

Counterintuitively, Jason trafficking drugs himself, and the way he treats drug dealers in general is actually one of the core reasons I do believe he has a real moral backbone.

In Lost Days we see him mention that he killed his small arms teacher because the smack he was dealing was poisoned. In Nightwing (2016) Annual #2 Jason is particularly violent towards their enemy because he cut his heroin with other substances, leading to his mother's first overdose. In Under the Red Hood, his most important rule is 'no selling to kids', and he is specifically employing people who do sell drugs to adults.

Playing a bit of Headcanon Jazz here - listening to the notes Jason doesn't play as much as the ones he does - It feels really notable to me that dealing drugs is not enough to get on Jason's shit list. On some level Jason thinks it's okay to deal drugs. Even more importantly: Jason doesn't at all imply that drug users are at fault - nor that they need to have the choice to use taken from them 'for their own good'. Heck, I can't remember any instance of him saying that doing drugs is a bad thing.

He has lived with and cared for someone struggling with an addiction that she died to, which would have made it really easy to take him in a 'no leniency, no tolerance, kill all drug dealers and burn all the crack so no one can smoke it' road. Yet that's the opposite of how he's operating.

And I'm putting all that together to get a Jason who firmly believes in harm reduction and that when it comes to drugs, people have a right to risk; they have a right to choose to use. I don't think it's too much further of a stretch to say that he thinks that those who do use should be supported by infrastructure ensuring that their drugs are uncut and properly dosed and that they should have safe places to use and well funded rehab options if they want to quit.

This whole thing is so important to me because it lies completely outside of his emotional conflict of 'I wasn't avenged'; it's proof that there was more to Jason's talk about running Gotham differently than simply killing people.

Factually, there are a huge number of criminal activities that could be used to improve the lives of vulnerable people.

I firmly believe that no government has the right to detain, imprison, deport, et.c. people fleeing violence and persecution in their country of origin. A criminal organization that genuinely had their best interest in mind who could provide access to new identities, jobs, housing, and paperwork for cheap could save and change hundreds of lives. Sex workers, especially survival sex workers who want to quit and move on to a new job, could benefit enormously from protection from the cops, and from landlords kicking them out, and the ability to get criminal charges purged from their records, and lots of other stuff. People who use street drugs need a lot of the same things, as do people who need access to medication but for whatever reason can't get prescriptions the legal way.

This is all stuff that is already a staple of organized crime - they just do it in ways that are insanely abusive and exploitative.

It makes sense that Jason would look at that and think he could make it work! Honestly I'd love to read a comic about him trying! He could be the pinnacle of Be Gay Do Crime! Sadly though, it's very unlikely we ever will, especially because his term as a drug lord was so incredibly short to begin with. Under the Red Hood, a tiny snippet of Robin (1993) and Green Arrow (2001) #69 - #72 is really all we get, and none of those really got into the politics of his organization either.

Tho, there is a tiny snippet we possibly see in Seeing Red, my favorite Jason run ever, and I will take any excuse to talk about it so here we go lol!

This is a comic in which Batman gets some things wrong about Jason, and might be straight up lying to Green Arrow in places too, so I don't think we can take his word for it when he says Jason is driving up the trade. Especially not when Jason hasn't given a single flying fuck about collecting wealth for himself in basically any other appearance ever.

Is he using drugs as a trading good to some capacity? Yes, that's a minor plot point here, however, I think justice is very present in his reasoning. I think Jason is being selective with which shipments he's keeping - testing each and destroying the stuff that's extra dangerous, making sure that what's getting used is as safe as it can be. Plus, he might be reducing the supply so that drug trade can't expand, while considering complete elimination to be flatly undesirable, since it could force users to go cold turkey, something that can be dangerous, or at least very painful.

Now, obviously this is still headcanon territory, we never really see into Jason's head about this specific topic, but I do feel like it's a reasonable way to fill in that gap!

Anyways, this is why I've never felt like Jason's disagreements with Bruce's methods were purely about his own emotional desires. There's too much else surrounding that which he clearly also cares about.

[avaredava]

Sooo

You're "coworkers" with Toji/Shiu. Let's say you're like an independent contractor, similar work as them. Shiu walks in on Toji bending you over a counter and fucking you?

Oh man. I 100% believe Shiu has a filthy mouth and would tease you through it. Better yet, him AND Toji talk you through it.

I also think Shiu wouldn't really join. He MIGHT jerk off. He would definitely take pictures if he knew you were okay with it and tell you he would use them later.

I'm barking-

Damn marry me Malice 😩 YOU MALICE make me scratch at the walls and bark istg

MDNI

Master list's

⯌Sum

Shiu helps you and Toji fuck like dogs ◖⚆ᴥ⚆◗

⯌ Wc

1.3k

(Not proof read)

⯌ Warnings

Shiu rubs your clit for a second, masturbation, toji's insane backshots, shiu smokes (duh), some killing, consensual groping (toji killed him), blood splatter, guns, crying, overstim, Shiu directing what Toji should do to you, size kink, size diff, praising, degradation, unprotected (wrap before you tap ya'll), creampies

୨୧・・・・୨୧

It was late at night and the air was crisp as you walked into this big mansion for this fancy gala. You needed information from a rich guy to effectively know what he does and also effectively kill him.

But he was also a horn dog...

So your objective was to seduce him while Toji and Shiu stay on the lookout.

When you were finally settled in, you went to the target, dancing and swaying beautifully. But Shiu's eyes were clearly planted on your ass. Toji elbowed him to focus on the targets movements and if he runs and shit like that.

What he really wanted was for Shiu to stop looking at your ass.

Eventually fucking ugly ass old man target (what Toji thinks he was), let out his obvious perv tendency's and the guy groped your ass. The objective was to kill him anyway and get information.

But Toji fully forgot about the last part and shot him in front of everyone. All the women in the fancy dresses screeched, scrunching their front of the long dresses up then running out.

The men screamed like little bitches it made you chuckle but the blood on your face made you disgusted. What made you more pissed is that you didn't get information that you needed since Toji got fucking jealous or something.

The three of you ran out and as soon as the cold air hit your skin in the skimpy dress you were wearing sent a shiver down your spine but you were still livid.

You and Shiu scolded Toji. He just smirked the whole time then you lost it. "Toji take one fucking thing serious! You can get us into big trouble! Just because you don't know how to control your stupid fucking emotions! You're so full of yourself! We can get in very bad danger not just from the cops knowing what we look like, but from the very dangerous people!"

You were panting heavily after the very long rant. Toji grinned at Shiu and he fucking smiled back, you were about to continue calling them both immature this time but you got cut off.

Toji was the one to talk first. "Such a brat." Shiu nodded and let out a huff before replying. "Last time I checked they need to be punished."

You should be yelling more but the way that Shiu grinned with a cigarette poking out of his rosy lips and Toji's deep raspy laugh just made your thighs squeeze shut and you get wet.

"Well she got quiet." Shiu commented. "Lets get her back to the office, eh Toji? Maybe make sure she makes other noises. Not the bratty ones; but the bratty ones are cute though."

_

You all eventually get to the office from the long car ride. Before Shiu even fully closes the door Toji's stuck to your body, kissing your neck like a hungry man. He really was hungry for you, for your body.

Shiu lights one of his cigarettes, some smoke filling the room. "Toji put her on the desk." Shiu commanded in that cold stern voice that made your juices practically drip down your legs because you were so wet and needy.

Toji picked you up throwing you over his shoulder smacking your ass and you let out a small needy whine. While Shiu sat down on the chair at his desk still smoking.

Toji put you beside the area where Shiu was sitting so he could get a full view of what he's gonna do to you. Shiu just kept smoking as Toji undressed you.

Toji slid up your dress and made out a deep chuckle, you tried to close your legs for some friction but obviously Toji didn't let you.

"No panties or bra? Such a little slut, you wanted this." He was about to take off your red heels that have ropes that wrap around your calves. But Shiu obviously thought it was hot. "Keep the heels on."

He did just that.

Toji tried to quickly undress but you were letting out needy whines so Shiu stood up and put his cigarette in your mouth. He put his lips to your forehead and rubbed your clit to keep you stimulated.

Toji let out possessive growls he really wanted to touch you.

Once he was finished he pushed Shiu to the side and took the cigarette out of your mouth and threw it back at Shiu. "Don't want the pretty girl to have damaged lungs huh?" He glared at Shiu.

He pumped his big cock. You let out a nervous whine. Shiu held your hand gently as toji lined up with your entrance. Your ass was still on the desk while your legs were around Toji's waist.

"Biggg stretch." Toji mumbled in your ear getting you ready for his big cock. He pushed in and his veins were hitting spots you didn't know existed.

"Toji be more gentle." Shiu commanded. He looked at your poor small hole that was on display for him and chuckled. "Is he big baby?" You nod already cock drunk and it hasn't even been a minute.

Shiu noticed Toji was more pleasuring himself, not even trying to hit your g-spot so he stood up and whispered in his ear. "Thrust up a little, and go a little deeper."

He did exactly that and you practically screamed. Shiu had a small (big) problem. The way your pants and whines got louder because of his help just made the tent in his pants tight.

He sat back down before taking out his cock and pumping it slowly, teasing himself. "Thrust harder." Shiu said breathy. Toji's lips pressed to yours in a way that made your legs shake around him.

"I-I'm gonna cum!" You holler out. "Take it from the back." Shiu whined this time and that beautiful noise he made just made you squeeze around Toji so hard and get impossibly wet. Toji pulled out and made you get off the desk and bend over holding it. He slapped your ass before plunging in.

"Fuck your tight..." Toji moaned out. Shiu took some shaky pictures of your fucked out face drooling on his desk.

"Rub her clit- fuck." Shiu grunted out, once again Toji complied to his exact requests. He wanted to make you feel good! He never wanted to admit but, a big reason why he's listening is because, Shiu is a bit more experienced.

Toji wanted to cum so bad but he kept thinking of the ugliest things. It was worse especially when someone was watching. His fingers quickened on your clit making sure he was safe from cumming first.

The pleasure was mind shattering, the combination on his tip hitting your cervix and sliding out and massaging your g-spot made you feel absolutely nothing but his dick and those throbbing veins making you feel so good.

You felt your orgasm coming quick. "I-I'm gonna cum Toji!" You let out a little high pitched moan. "Harder and rub her clit quicker." Shiu commanded once again in that breathy tone that made your knees buckle.

The way his cock bruised you so nicely, Shiu's commanding tone that makes your mouth water. His hips smacking your ass so fast, his thick cock makes you squeeze so tight around him.

"Cum inside Toji."

That sentence you spoke in that breaking voice, that voice that clearly wants your insides painted white. The gross things didn't work anymore, he came instantly with a loud groan, you came right after with a beautiful moan.

You squirted, mixing with his cum as he fucked it back in with his cock. He pulled out, both of your juices and cum rolled down your legs.

He kisses your neck and grabs Shiu's tie that was hanging loosely around his neck to clean your messy thighs and pussy. Shiu grunted when he messed up his tie but he's gonna use it for personal matters later anyway.

Toji picked you up kissing your fucked out face as you leaned into his warmth. Unfortunately Shiu hasn't had an orgasm yet and has just been teasing himself.

"Well Toji you had your shot, my turn."

୨୧・・・・୨୧

A/N: omfg i had to re-write it twice bc it deleted the draft i'm so pissed

[iamramonadestroyerofworlds]

As far as making more space to be able to fit that information, I think you could merge the first two points reasonably well, or rewrite them to have less redundancy.

I don't remember, is this the only Art that covers hammerspace-type abilities? If so, reaching behind a convenient tree, pole, etc. should also be a valid way to retrieve the object.

Unfortunately as far as looney tunes sight gags (and related bodies of tropes) go I'm pretty sure if you're reaching behind something that thing has to have one (and for the sake of the bit, generally only one) dimension of adequate size to cover the object, while you can pull an elephant out of a hat of any size, you can only pull it from behind a lamppost that's as tall as the elephant is. This is a lot of additional information to convey.

I tried my hand at some rephrasing for this Art, but I got stuck on not knowing how inventories work in the first place. Am I missing an existing description of how inventories work, or is that just not up yet? I assume you can generally place things of reasonable size in your inventory without need of an Art, and perhaps the whole thing could be rewritten from the top as a description of how the process differs from normal inventory use.

My first pass at the phrasing for that would look something like "When you activate this Art, you may stash an article in your inventory that you otherwise could not, or retrieve an article in your inventory from an unusual location - the Art need not be sustained while the article is in your inventory - the article must fit entirely within Near range - etc."

I guess it would be more accurate to the current write-up "When you activate this Art, you may stash an article in your inventory that you otherwise could not, or stash an article to be retrieved later from an unusual location" but this seems honestly worse to me, it feels more reasonable to me to have the Art activated when the physics defying event actually occurs, and probably more importantly, the current phrasing leads to a situation where someone would technically have to take something out of their inventory, then put it back in using this Art in order to prep it to be retrieved by another character, at least by my reading of the text.

Trying to reword this one for clarity based on reader feedback without going over the soft word count cap I've imposed upon myself in an effort to keep my customary verbosity under control is proving to be challenging. The intended interaction of the final bullet point here is to explicitly permit stupid stunts like stuffing an article into your pocket, then having a different party member pull it out of their pocket, or sticking an elephant in your pocket and tricking an NPC into retrieving it (with the expected consequences), but I'm not sure how well that comes across.

[kykyonthemoon]

A Surprise For Him

After more than a month of training and being apart, you unexpectedly returned to Linkon without notice to surprise him.

୨ৎ. Rafayel x Reader (MC)

୨ৎ. Tags: just pure fluff, cute and sweet, phone calls, no y/n as always

୨ৎ. Word count: ~800w

୨ৎ. Requested by Yuki

୨ৎ. Masterlist ♡ Request a fic (read more for current status)

Rafayel went home with the beautiful moonlight overhead. The antique camera was slung around his neck. He gripped it in one hand while hastily searching his pocket for his phone. 

The first name that flashed on the screen was undoubtedly the girl he adored the most. He tapped the call button. One beep, two beeps, then three… He waited forever but you didn’t pick up. Rafayel regarded the phone in his fingers with a serious gaze.

You must be busy. With the new training program, the Hunters Association had sent you to another city for two months. Sixty days may not seem like much when compared to the lengthy life of a Lemurian like him, but it did not help the time pass any faster.

Rafayel missed you. He did not even try to hide it. The hour-long calls every night, the emails of encouragement every day, the pictures he took of the beautiful but empty landscape without you… He poured all his heart into them. When you get accustomed to someone's presence in your life, their absence creates an even greater void.

Putting the phone back in his pocket, Rafayel sighed and kept strolling along the lonely street. He fiddled with the camera in his palm, thinking about the photos he had taken at the festival and how he wanted to show you when you returned home. Then his phone rang. 

Rafayel picked up almost immediately.

“Where have you been, my Miss Bodyguard? It’s ten past three. What if something happened to me in those three minutes? Like… I could trip over my paintbrush and fall. Or a thief could steal those precious pictures I wanted you to see, along with my camera…”

“Rafayel!” You giggled on the other end of the phone. “I haven’t forgotten our nightly ten o’clock call.”

“Then what did you do in those three minutes?”

“I… just had some work to do.”

If you were here, you would have seen the sullen look on Rafayel’s face. But he just replied:

“No matter how much work you have, you have to rest on time.”

“I understand. Don't worry.”

You happily told him about your day. Then it was his turn to talk about the festival on the other side of the beach that he had just attended.

“…I took a lot of pictures. I should mail them to you.”

“You don't have to do that.”

Rafayel had just entered the little road leading to his studio. He was a little saddened when he heard that. You quickly added:

“Actually, I want to see the pictures with you by my side.”

"Huh? You mentioned that the facility where you were training was really secure, and I wasn't even permitted to see you," Rafayel recounted what you had said the day you had departed.

“That’s true.”

"So I have to wait another two weeks to see the photos with you?"

A few seconds of silence elapsed. You, like Rafayel, must have sensed that time was moving way too slow. Then, on the other end of the line, you spoke:

“We don’t have to wait that long. We can see them now.”

Rafayel was astonished. He asked: “How? I might not be able to find a seagull that can fly that fast to your side.”

His Miss Hunter chuckled.

"Just open the gate."

Rafayel didn't understand what you meant. However, he was already in front of the studio gate. He recalled locking it before leaving, but a little push revealed that it was wide open. While he was standing there, he heard your voice calling his name.

"Rafayel!"

He heard your call, loud and clear as if you were present and not on the phone. Then, your figure rushed forward from nowhere and your arms were thrown around his neck.

It was you. It was really you.

“Am I in a dream?” Rafayel’s lips moved. He held you tightly, spinning you around with your feet dangling a few inches off the ground. When he put you down, you said, smiling:

“My training wrapped up early. Sorry for not telling you sooner. I wanted to see this surprised face of yours so much.”

You lifted your hands and softly pinched Rafayel's cheeks. As soon as you arrived at the airport, you rushed right to his studio. You were in such a haste that your hair was a mess. Rafayel gently brushed it with his hand, then grinned.

 “Now I'd want to see how frantic you were when you raced here. That would be a sight. Let's go inside. I’ll cook something for you while you take a look at my pictures, okay?”

[v4mpire45]

Just a Dare

Other parts will be on the m.list.

☞ Link: click here.

Includes Midoriya, Kirishima, Bakugo, and Shinso.

Synopsis: You tell your best friend you're into them and get rejected, but in truth, it was just a dare.

Izuku Midoriya

It started as a harmless game of Truth or Dare with the Bakusquad. You didn’t think much of it when Kaminari dared you to confess to Midoriya. It was dumb, really. You and Midoriya were best friends. He’d probably see right through it and laugh it off.

Except, as you typed out the message, something about it made your heart race.

Maybe it was the way Midoriya had been looking at you lately. Or maybe it was the thought of how he might react, thinking it was real. Either way, you sent the text.

Midoriya apologized at least five more times, asking if things would be okay between you two. You reassured him over and over, but every time you saw him after that, he looked so guilty.

Maybe the dare wasn’t such a great idea after all.

Eijiro Kirishima

You and Sero had a dumb bet, who could get the most ridiculous reaction out of someone with a fake confession. Kirishima was the perfect target. He was so kindhearted, you knew he’d try to be as gentle as possible with the rejection.

So, while sitting across from Sero in the common room, you texted your best friend.

Sero was barely holding in his laughter as you showed him the texts. Kirishima, on the other hand, kept treating you extra carefully for the next few days, holding doors open, offering you food, and even patting your back reassuringly.

Joke’s on you because now you feel bad.

Katsuki Bakugo

“Dude, just text him,” Kaminari urged, practically shoving your phone into your hands. “I wanna see what he does.”

“You’re gonna get me killed.”

“Nah, he won’t kill you if you’re confessing.”

You had no idea why you agreed to this.

Maybe it was the curiosity. Maybe it was just boredom. Either way, you took a deep breath and sent the message.

He read your message and left you on read.

The next day, he acted completely normal, but something about his usual insults felt slightly forced, like he wasn’t sure if he should be mean to you or not. You could practically see the gears turning in his head every time you interacted.

Kaminari thought it was hilarious.

You thought you were gonna lose your mind.

Hitoshi Shinso

Mina and Jirou were ruthless during sleepovers, especially when it came to dares. So when they dared you to confess to Shinso, you barely had time to protest before they were chanting at you to do it.

Shinso was your best friend. He’d probably just roll his eyes and call you an idiot, right?

The next time you saw him, he watched you carefully like he was waiting for you to break down or something. He didn’t say anything at first, but his usual teasing was noticeably softer.

Maybe this was a mistake.

© 2025 v4mpire45 — All rights reserved. Please don't post my work as your own on any other sites.

[dduane]

Hi Diane, I really want to sell my writing independently, rather than through Amazon, and you're one of the only writers I know who does. Do you have any advice for setting up something like ebooksdirect, or is that something that requires specialised knowledge and an existing readerbase to be feasible? (no worries if you can't get to this question, I know you get a lot)

Off hand I'd say that Ebooks Direct would not work at all if I didn't already have a readerbase* that knows what I do. So if you don't already have that, I'm not at all sure I can recommend this particular style of going indie (or hybrid-indie).

It's also a lot of work running your own online sales space. And in terms of server space, website management, and so forth, it runs into pretty serious money, over time. Which (from month to month, freelancing being what it is) you can't always be sure you'll have. Plus it takes up valuable time that you could also be using to write, and which you will always grudge having to spend. Around here that means "On average, an hour or two a day..." —and then to the people who say "That doesn't sound like much," one adds "... for fifteen years." ...Those hours pile up.

If you're just getting started, what I would strongly recommend is that you build your sales as best you can on one or more of the online platforms—obviously choosing the one(s) least objectionable to you—and at the same time work to build a mailing list to whom you can regularly market your work via newsletter. Much further down the line would be the time for you to think about a bookstore of your own... by which time (who knows?) the independent publishing field may have done what it loves to do, and changed shape once again into something none of us could have predicted. (Insert eyeroll here.)

In any case: good luck with your marketing... but much more importantly, with your writing! Because an online bookstore has to have something in it... and something that people like to read. Let creating that writing be by far your first and most important concern. :)

*I should really correct that to say "a number of readerbases", as due to the no-internet state of the world prevailing during my first couple decades' work, most of my readerships are very "siloed" and tend to know me for only one thing. The Star Trek readers tend not to know about the LGBTQ adult fantasy: the Young Wizards readers tend not to know about the very assorted MCU and DCU fiction, and so on, among all the possible permutations of I-never-knew-she-wrote-any-of-THAT!. It's almost as if nobody ever goes to one's website to find out whether their favorite [insert genre here] author does something else besides what one already knows them for.

Meanwhile, I'm just grateful for the many who remember my name, :)

[leupagus]

So I'm seeing a fair amount of comments like "it's about time!" and "finally!!" and "what took them so long???"

And they bug me because... okay, I'm going to say this as gently as possible, but if you didn't know about this before reading my silly little post, what makes you think you've been aware of anything else the Democrats have been doing? If this is how you heard about Tuesday's shenaniganery, why do you consider yourself well-informed enough on Democrats' activities to say they haven't been doing enough?

I'm not saying this as part of a "how dare you criticize Democrats" rant, I promise. I'm pointing out that the way we Americans* consume information is deeply fucked, and that just because we personally haven't heard about something doesn't mean that it hasn't happened. There is a trend in media to coddle and cape for conservatives while harshly criticizing liberals (think of all the "this poor Trump voter never realized voting for Trump would mean bad things for them personally, isn't it terrible??" articles that we've literally never seen written about any liberal or leftist voter, ever, while getting furious because... one Democrat talks about egg prices). And not just amongst corporate media, whatever that means; TikTok and Instagram are rife with people assuring you that voting doesn't matter, all politicians are corrupt shills, we're doomed because everyone in power is a feckless coward (unlike us viewers, who are all good people but are also completely helpless). There is a huge market for being angry at Democrats, and while I don't think there's any deep conspiracy other than the age-old Mommy Problem, it's worth considering what effect that might have on how much we actually hear about anything good that they do.

We should always be cynical about politicians, to be clear. But we should also be cynical about the news media, social media, and our society itself at this juncture. Heck, we should be cynical about cynicism! Throwing our hands up and saying "both parties are the same, they all need to go, throw them all out into the street" is a great way to feel morally pure but a lousy way to effect any sort of change for our country. If your congressperson or senators suck, by all means work hard to throw them out. But consider how helpful it is to claim that all 630-odd members of Congress, regardless of party, are equally contemptible and should all be run out on a rail. Do you really think that will encourage good and decent people to run for office? Because here's the thing: someone's got to do that job. We cannot abolish Congress, no matter what your anarchist friend tells you. The past weeks and the coming months and years are about to show everyone in stark, horrifying detail just how necessary a functioning American government is, and someone needs to run it. If you want those people to do better than Trump and his lackeys, you have to at least be aware of what they do better.

TL;DR — if the original post provided you with any new information, consider widening your pools of places you get information from. Sign up for your representative's and senators' newsletters, get a subscription to a good local paper, read the headlines from Reuters or AP or heck, just follow a congressional staffer nerd (Aaron Fritschner is my personal fave). I promise that there are shitty, stupid, shortsighted things that Democrats are doing right now, but there aren't as many as you think; and there are more thoughtful, smart, and capable things they're doing than you know.

*Yes this is a post for Americans by an American; if you're not American then this isn't about you.

Tuesday's House Budget Vote and what you may not have heard about

I'm reposting this from a reblog of a really great post about the work that Representatives Mullin and Pettersen did in voting against the GOP budget on February 25th, because I don't want to detract from that message.

Instead, I want to talk about the larger implications of H. Con. Res. 14 itself, and why the Democrats risked so much (in Mullin's and Pettersen's cases, actual harm) in order to show up for this vote.

The vote in question is starting the first of quite a few votes for the upcoming GOP budget; it's not a done deal by any means, this was just the vote to get it started, so to speak. But it was still a very, very, VERY important vote, because not only would failure be catastrophic, but so would a win that just barely squeaked by.

And this one squeaked like a fucking mouse in Murray's Cheese Shop.

Speaker Johnson has been waffling on putting this to a vote because there were several outspoken GOP members who talked a big game about opposing it. Usually this doesn't matter, since most bills get some bipartisanship, but at present the House is in GOP hands with only a three-member margin of error, with two seats vacant (note: those two vacancies are FL 1 and 6, which are holding their special elections on April 1 — lol — and which are EXTREMELY unlikely to flip but hey miracles happen! Donate or phonebank if you'd like!). And Democratic representatives have been voting in a bloc against...well pretty much everything the GOP's been pushing through since Trump took office. Not only that, but this budget is legit unpopular with a number of Republicans, so much so that Johnson pulled the vote at first on Tuesday because he knew it would fail if the GOP members who'd threatened to vote against it actually went through with it. What he needed was to either convince them all to fall in line, or resort to cheating.

So he did both!

He and Trump strongarmed all but one of the GOP holdouts into voting yes (Congressman Massie is in many ways a turd in a toilet, and his reasons for voting no were bad, but he did stick to his guns, I'll give him that). Reports of Trump actually screaming at one of the (female, naturally) GOP holdouts are...well, unsurprising, but that's how panicked they were about getting this bill started. Usually the Whip does this work, but Tom Emmer's been laughably bad at it and so they had to get Trump to actually do some work. Which is itself sort of astonishing. But even then, they weren't sure they could get it done.

Which leads us to part two of Johnson's plan: blatant cheating. During Pelosi's last session as Speaker, she allowed for proxy voting in light of COVID and, you know, the general state of things, but the second the GOP got back the gavel they nixed it right in the bud. This puts the Dems at a disadvantage right now because at least three of them are out for medical reasons — Mullin and Pettersen, as well as Congressman Raúl Grijalva who's fighting cancer at present. (He was the only Democrat who couldn't get to the floor for this vote, fwiw, and anyone who insists he should've can suck my left tit.)

So Johnson adjourned the House for the evening, sending everyone home, but told the GOP members to stay and then tried to rush through the vote before the Dems realized what was happening. His hope was that enough Dems would be caught flat-footed/not see the recall notice/be asleep watching Taskmaster (whoops that was me) by the time they got the message to get back to the floor. That way he could lose the holdouts but still pass the budget onto the next phase.

However! While Nancy Pelosi no longer rules the Democratic caucus with her iron fist and fabulous coats, my man Minority Leader Hakeem Jeffries learned quite a lot from her (and is pretty fucking genius himself). Not only did he and the other House leadership expect this kind of chicanery from Johnson, they had planned on it.

Because here's the thing: Mullin and Pettersen didn't get on a plane at the last minute on Tuesday; they'd gotten to DC on Monday, without telling anyone they were in town. They actually hid from the GOP members all day Tuesday in order to lull Johnson into thinking he had more of a margin than he did; if the GOP holdouts really had voted against the budget, then it would've failed. Which would have been a biiiiiiig problem for Johnson and Trump.

As it is, it's still a biiiiiiig problem for Johnson and Trump, because now they know just how razor-thin their margin is. More importantly, they also now know that the Dems will fuck with them just as much (if not more) as they will fuck with Dems. Congress (and the USA in general) has operated for years on the assumption that Democrats operate in good faith, while taking it for granted that of course the GOP ratfuck as much as humanly possible.

This moment is a chilling one for the GOP; they can't assume anymore that Dems will play fair or fight clean. Which seems like a very small thing in the larger picture right now, I know, and I also know that people would love for their Democratic representatives and senators to be more vocal and angry in public ways. I get that!

But this move on Tuesday night? Is actually going to have far bigger consequences than any meme or viral video or clever soundbite from a politician. Democrats are no longer playing by the rules that the GOP's ignored for years (if not decades); they're playing by the GOP's own rules, and they just might win.

[cripplecharacters]

Hello! Hi. Hope you guys are doing well. I wanted to ask about referring (pretty blatantly) to autistic characters before autism was a formal diagnosis. One of my characters is nonverbal and autistic and communicates primarily using a notepad (in the Victorian era). Her family (positively coded characters) doesn’t really care or like think negatively of her for being autistic, but they still recognize that she’s not neurotypical, however other characters who appear (not the villains necessarily but negatively coded characters) do care that she’s “abnormal”. Are there any words that really shouldn’t be used to describe her (I have been using ‘odd’ by both groups of characters) or that only one group should use (for example having the ‘mean’ characters use ‘abnormal’ but the ‘nice’ ones use ‘odd’) so I can clearly specify that she is autistic and that it’s not a big deal, while also making sure that the characters who think negatively are portrayed in a negative light (even though they’re not the main villains). While still, not offending anyone or accidentally referring to the character in a pejorative light.

Hi asker,

I'm including some extra context, not just for you the writer, about the Victorian era but also to anyone else reading this ask to learn a little more and maybe be able to apply information to their own characters as well.

The Victorian era is used to refer to the period roughly from 1820 to 1910 in the UK, and often the use of this word for the time is extended to the US as well. Sometimes people use it for other places in Europe, even though Queen Victoria herself only ruled the UK and from 1837 until 1901.

Your character might have been described as 'dumb' or 'mute,' at the time, since she does not speak; for both clarity and reason's sake I would avoid using 'dumb' and only use 'mute' instead. 'Dumb' is, these days, only used as an insult.

Other words people might use for her in the time to denote her as being 'strange' but not necessarily negative might have been (aside from 'strange' and 'odd' that you've already stated): peculiar, eccentric, or unusual. They might use 'queer' as well, as in behaving outside of the norm and not as in gay; that meaning was more by the 1920s.

'Weird' as in "off-puttingly strange" is a more modern word, but it started in the 1820s, so people could conceivably call her weird, especially if they mean to speak ill of her. 'Bizarre' might work, but earlier or in its usage it also had a connotation of unpredictability, too. These two would probably not be used by her family or those who think highly of her, but might be used by people who are fairly neutral on her.

A note on 'moron' and 'imbecile,' which were diagnoses in the early 19th century of intellectual disability but also applied to other people they didn't know how to categorize and could include autistic people: they are definitely used as insults now and were definitely used as insults then when they were diagnoses, but they wouldn't be used on your character because they were not used in that way until the 1910s and 1920s. 'Idiot' is an older word, but it usually was used to refer to people who had more severe intellectual disability; I don't think this would be used for your character much, nor would I recommend it. I don't think it would work to convey what you want the readers to get out of it. Not to mention, it's still very much an insult today.

Now, there's two people from a bit earlier in history who might have been diagnosed as autistic today: Henry Cavendish and Hugh Blair of Borgue. (Obviously we can't know for sure, they've been dead for 200+ years.)

Hugh Blair (wikipedia link) lived from 1708 to 1765. He was described as 'eccentric' and 'daft,' and his behaviors as 'unusual.' He was nicknamed "the daft lad of Borgue." He engaged in a lot of repetitive behaviors, seemed unaware of social norms, and had very strong interests. It's noted that despite being seen as strange, he was generally well-liked.

Henry Cavendish (wikipedia link) lived from 1731 to 1810, so a bit closer to the Victorian era. He was a scientist, a very wealthy man, and notably very shy. He was close basically only to his family, was very solitary, had trouble speaking to others and was noted as wearing old-fashioned clothes. Since he was so solitary, he had trouble publishing his findings, even though he put a lot of work into them. It seems people referred to him as 'solitary' and 'eccentric.'

Some people suggest Emily Dickinson (wikipedia link), who lived from 1830 to 1886, might have been autistic. I am less familiar with her than the above two, but am including her because she is directly in your time period so the way people in her lifetime described her can be relevant. She was very socially isolated, although she was also very affected by deaths around her during her life, and later often ill, which can also be reasons for isolation. She mostly communicated with others via letters in her adulthood. She was seen as an 'eccentric' by others.

I will note that all three of those people were wealthy, so their eccentricities were more tolerated by those around them. A poor person might not have been afforded that second thought.

Now that I've said... all that, I will add my final note:

I think more important than the words themselves is how other characters use the words to describe her.

"Elizabeth is such an odd woman, I should like to write to her and see what she thinks about this" is very different from "Elizabeth is such an odd woman, I can't stand to be around her when she's doing that!" So is "My cousin is a bit peculiar, she does not speak but she can understand you just fine; if you can be patient she will write out her answers" versus "My cousin is incredibly peculiar, she doesn't even speak for goodness's sake! Can you believe it? It's ridiculous."

The way your characters speak about her will not be entirely dependent on the specific words the use, but also in the way they describe her and refer to her. Especially in a time where many things are referred to with euphemisms or vague words (which 'odd' and 'strange' and 'peculiar' definitely are or can be), which the Victorian era absolutely was, both groups of characters can use the same words but their intent can come across due to what else they say about her.

Sorry this is super long, but I hope it helps!

mod sparrow

[nanenna]

A Brief Look from a Different Angle

Going back in time just a little to have a look from a different PoV.

Sleepy King masterpost

---

Jazz flung open the door to the basement so forcefully it nearly bounced right back into her face. “Mom! Dad!”

“Jazz?” Mom asked curiously from below as Jazz descended the basement stairs. “Sweetie, come look! We think we got the new settings for the blasters set correctly.”

“Mom, where's Danny?” Jazz asked in a tight voice.

“Isn't he with you?” Mom asked warily, looking past Jazz to where she was flanked by Sam and Tucker.

“Did he wander off after school?” Dad suggested cheerfully.

“School's not over yet, we left early because Danny never made it to school this morning. Didn't they call you?” Jazz had thought it was weird the school office had called her at all, especially when she was at the very same school when they had.

Her parents frowned as they pulled their phones from their pockets. “No missed calls,” Mom said.

Dad turned to the computer, “Not the house line either. But there were a couple readings last night, perhaps Danny slept in?”

“I called him on the Fenton phone, you'll never guess who answered.” Jazz gave her parents a moment to turn their full attention back to her. “Superman.”

“Oh, well they're the good guys so he's safe at least, right?” Dad asked cheerfully.

“What did Superman say, honey?”

“He said Danny had been kidnapped and rescued, but has some sort of magical side effects the Justice League is working to fix before sending him home. He wouldn't tell me any more details, not who kidnapped him, not what the side effects are, not when he'll be home, nothing.”

“And they didn't inform you, his parents,” Sam added on.

“I'm worried they don't know about Danny’s ghost status and might accidentally hurt him trying to cure him of whatever,” Tucker added, still tapping away at his modified tablet.

“Well that's just unacceptable,” Mom said angrily.

“Right!” Dad agreed eagerly. “We're his parents and he's still a minor, we should be there to approve of his medical treatment!”

Jazz was already heading over to the corner to collect ol’ reliable: the Fenton Anti-Creep Stick™. “They said he's at one of the JL bases.”

Everyone turned to look at Tucker. “Their security is pretty tight, as to be expected, but as always there's social engineering. One of the JL members is complaining in a private discord server about still being on monitor duty on the Watchtower despite it currently being on lockdown for unspecified magical reasons.”

“The Watchtower?” Dad asked.

“Isn't that in space?” Sam sounded incredulous.

“Danny must be so excited,” Mom said with a fond sigh.

“How do we get to space?” Jazz asked forcefully.

Everyone looked around at each other for a moment. “The specter speeder is air tight,” Dad suggested.

“We can go through the ‘Zone,” Jazz added, already digging through the benign supply storage.

“Ask Frostbite for the infi-map?” Tucker suggested.

“Or we just use this!” Jazz triumphantly held up the booo-merang.

There was a resounding sound of approval from the group, followed by a flurry of activity as everyone set about getting ready to travel to space. Mom had taken over the pilot’s seat for the specter speeder, Dad was clearing away everything they had been working on to give the speeder a clear runway, Sam and Tucker were gathering up various ‘just in case’ supplies like a few weapons and the emergency ghost first aid kit, and all the while Jazz was double checking the booo-merang was properly calibrated and battery charged. Once everyone was in place and everything set up, Jazz threw the booo-merang at the open portal and hopped into the speeder so they could take off after it.

Once through, Dad activated the new remote to close the blast doors behind them. No chance of anyone sneaking through while they’re away. A new safety feature that had drastically reduced the number of ghost attacks. Danny had been delighted. Jazz had been upset it took so long for their parents to listen to her concerns when she’d brought up the portal’s security a year prior, shortly after finding out about Danny’s ghostliness.

Jazz mentally shook those thoughts away, no use retreading old ground. Instead she kept her eyes on the booo-merang as it flew through the Ghost Zone, lazily spinning along at a pace that was pretty easy for the speeder to keep up with.

“It sure is taking a while,” Tucker said with a bored sigh.

“We'll get there when we get there,” Sam replied with a grin.

They lapsed back into silence, everyone watching the booo-merang leading them further and further into the ‘Zone. Then it suddenly took a sharp left at the same time it doubled its speed. The boo-merang slipped through a portal that seemed to open and close just for it.

The speeder rocked as Maddie tried to follow the sudden course change, then cursed when they missed the portal.

“Welp,” Tucker said tiredly, “guess we head to the Far Frozen to ask for the infi-map.”

Sam snickered, “Bet you fifty it hit him in the head.”

“That's not a bet, that's a guarantee.”

“Hey!” Jazz protested.

Before Jazz could properly defend herself, a portal opened right in front of them. They ended up on the other side before anyone could do more than gasp.

“Is that… the Watchtower?” Mom asked hesitantly.

“I think so,” Tucker replied.

There, floating before them backed by a field of stars,was a matte gray tube with more tubes attached around it covered with windows leaking buttery yellow light into the void.

“Okay, so now what?”

There was a moment of silence as everyone processed what had just happened. Danny was inside and they were outside, they needed to find their way in and then somehow find Danny without their only tracking device. Great.

The radio came to life with a burst of static. “This is the Watchtower to the unknown vessel, please identify yourself.”

“Great, guess we can't sneak on,” Sam groused.

“Like that was ever even an option,” Tucker replied sarcastically.

“Kids!” Dad chided. Then he started fiddling with various knobs, “How do we reply?”

Mom frowned, “I'm not sure we can.”

“Something to upgrade for next time!”

“Hopefully there won't be a next time,” Jazz muttered.

“Still, it’s best to be prepared,” Dad said jovially. The radio spit more static and garbled requests for identification.

“Perhaps we should just… approach? They probably have an airlock or something we can use.” Mom gently nudged the speeder forward, heading slowly towards the Watchtower.

“Hopefully they don’t think we’re hostile,” Tucker grumbled.

“Don’t worry, we’ve got ghost shields!” Dad said enthusiastically with a finger hovering over a button.

“Dad, the Justice League doesn’t have any ghosts,” Jazz reminded him with a sigh. She shook her head, her parents were a little too specialized. Maybe this would help them realize they lost sight of the broader picture.

“Well hopefully it’ll stop whatever that is,” Tucker said nervously, pointing at where a small white dot was growing larger as it approached them.

The dot turned out to be a man wearing a white half cape, the red and gold coming into focus as he got closer. Clearly he was some kind of superhero, since he wasn’t even wearing a helmet or space suit. Jazz narrowed her eyes at him, “Is that Superman?”

“No,” Sam and Tucker said at the same time. Tucker took over, “That’s Captain Marvel, the champion of magic. Not related to Superman at all, aside from being coworkers I guess.”

“Good for him.” Jazz readjusted her grip on the anti-creep stick.

Captain Marvel slowed down as he got closer, stopping a few yards away. He smiled and waved, everyone waved back. Then he beckoned for them to follow.

“How nice, they sent someone to lead the way.” Mom maneuvered the speeder to follow, matching the easy pace Captain Marvel set.

“Hold on, Danny, we’re coming,” Jazz murmured, gripping the anti-creep stick tight.

[starqualityreadings]

Who's still thinking about you ? PAC reading

pick the scene you feel called to

I appreciate any feedback & thanks for reading !

tips and paid services here

1

time and space

a person you want to talk to wants to talk to you too . there are a lot of unexpressed feelings here, it feels like two people who grew apart or had to move away from each other. there could have been a false start or things that prevented you from fully having a relationship or knowing each other. a lot of things feel like forced choices or circumstances.

they imagine you as doing very well. someone who works hard to surround themselves with the things they want in life. its almost like they don't want to bother you or disturb your peace.

they have an idealized version of you in their head. at one time you were the complete package to them or did things that were very in tune with what they wanted from a connection. you may have been more soft and nurturing than what they were normally used to.

they are definitely thinking about the times you had together and craving more. in some ways, you deeply satisfied them and no one has given them the same feeling since you. they wish you would visit them or that they could see you again.

this person thinks about reaching out to you often and looks at your social medias or checks on you in any way they can. however, they are hoping you reach out to them first.

2

give and take

there may have been a lot of arguments, a bad breakup or even a toxic relationship you recently moved on from. this person stopped meeting your standards or you saw that they were never actually capable of doing so. Maybe they were presenting themselves as better or doing things they couldn't maintain over time.

age difference or emotional immaturity that should have been corrected by their age is significant. they may be thinking they can improve themselves to win you back or have one up on you.

they may be dating someone new or claiming they've moved on but deep down they are still emotionally attached to you. this may be especially hard because they had a lot of hopes for this connection or you may have planned a lot of things for your futures together.

this person is still very much upset and possibly vindictive or petty towards you because of this. they are struggling with the idea of fully moving on and wondering if there is any way they can get your attention.

3

knowing your worth

you may have left this person or situation to protect your peace after you felt unappreciated or betrayed

this is someone who is depressed, has a lot of baggage, or is often sick. this person is likely older, could have a higher position, or just thought they were superior to you in some way

I wouldn't necessarily say regret, but this person does feel bad for how they treated you at certain times or how things ended between you

your absence made this person realize just how meaningful your presence is. they could have been a lot more grateful or gracious towards you

they have thought about reaching out but you already blocked them or they feel like you would not want to hear them out after everything

a lot of things were felt but never said here. they wish they would have listened to you more or taken what you weren't saying to them into consideration. if you were going through a harder time than they originally thought, they are more aware of that now.

[newttxt]

hi quip! i really like your one piece comics and i am curious how you do them! i'm not good at comics and want to be better at drawing them! how do you learn how to make comics?

thank you!

uh oh... im afraid u have caught me at the perfect crossroad of "bored at work" and "unrelated task ive been meaning to do but keep putting off."

this is long. i hope you like reading (and grayscale progress pics). and of course!!! disclaimer before we begin that this is just how I, personally draw comics. there is no "right way."

quip's comic-making process!

Switching my typing to make this more legible...

My process can kinda be broken down into 6 steps:

Brainstorming

Thumbnailing

Sketching

Panels & Text

Lines

Tones/Colors

1. Brainstorming

My brain is a leaky sieve on a good day, so I sloppily jot down ideas in my phone notes the moment I have them. This helps me when it's time to draw too, because if I feel art blocked, I can look through old concepts and see what catches my interest.

Otherwise, I love drawing for other people's writing. :) And if worst comes to worst, doing manga/comic page redraws in my style teaches me new things every time.

Once I have my idea, I'll usually make a bulletpoint list of "plot points" or "story beats" I want. Then I plan the comic with this format that I've adapted from a tutorial I read once. I'm going to use my most recent comic (original comic post) as an example.

I start in the third column, writing notes of what I'd want to see in each panel. I also include the dialogue (in this case, I didn't have to write the dialogue! it's from the fanfic linked in the original comic post!). I usually write the whole name like [Luffy:], but at this point I've drawn so much of these guys, just the first letter works.

I like to handwrite these notes to get an idea for how much text I'm putting in a single panel.

After I describe all the panels, I go back and separate them into pages. I can't tell you how to know how many panels to a page. It's whatever works for you. I just kinda know about how big each panel will be, and so I can feel when I'm probably running out of space. (Also. You can change things later. I don't in this example, but I add/drop pages/panels all the time.)

2. Thumbnailing

Thumbnailing—as the name suggests—should be done tiny. Too tiny to accidentally get sucked into details.

This is about marking down blobs where items/characters go, and figuring out the paneling. I'll draw and redraw these a bunch of times too.

This is also the most time-consuming/brain-working part for me. If I were in a zine that did progress percentage, I'd try to finish thumbnailing around the 50% mark (but I'm also a moderately fast artist, so your mileage may vary).

I think the terrible quality makes them charming, actually. I really like how silly they look. :')))

I will add, when you draw your "page" rectangle, make sure it's the same proportions as your actual canvas for the final image. You want an accurate idea of how much space each panel will take up, especially if you have a lot of text.

3. Sketching

This is my most recent change to my usual workflow, and it's saving me a lot of time. I make my thumbnails a bit bigger (each one about half the size of the final canvas), and I sketch these basic body forms right over them.

It just helps give me placement for my actual lines!

I usually draw these in a paleish color so I can lower the opacity and not get distracted by them while lining. The random darker parts are to either help keep two forms separate (like when two characters have their limbs all over) or to better define sections that were too sloppy/poorly proportioned.

I also think this helps my poses stay looser, because I have more dramatic/wriggly shapes that aren't too bogged down by proportions yet.

Sidenote: I CANNOT show this here, but sometimes this is when I take videos. Of myself. I prop my phone camera up and shoot a video of me acting each panel. :/// It looks really dumb, but it also shows me fun body language ideas like hand gestures, expressions, weight distribution, etc. Just pretend you're an overdramatic cartoon character, and try not to worry about your roommates or mother walking in on you doing odd things. (You can also use the video for anatomy reference later, but I usually just capture the vibe and don't try to copy the actual video frame.)

4. Panels & Text

Oh, boy. So, the panels are usually just straight lines (though it's fun to make creative exceptions, like a round panel to mimic looking through a spyglass), but there are some fancy rules that I don't strictly adhere to.

I believe (I have no technical training in this. Take everything I say with a grain of salt) the vertical gaps (between two side-by-side panels) should all be a consistent width and the horizontal gaps (between two panels on top of each other) should be another. The vertical ones? Should be thinner? Because you want the eye to easily glide between them, whereas the horizontal gaps should be a visual barrier to keep you from jumping ahead. Just something I've vaguely noticed.

There are lots of fun "default layouts" you can look up. Or keep it a consistent grid. I think it's fun to sometimes have characters/objects sticking out of panels and overlapping others. This is just a matter of taste, creativity, and inspiration. (Read Witch Hat Atelier... It has some of my favorite paneling...)

You may also notice I have already done the speech bubbles. This is, to me, a crucial step. This helps me catch early if I don't have enough room for all the words. It also lets me plan the art in each panel with the speech bubbles in mind. There's nothing worse than working really hard on a panel, and then you realize there's no room for the bubbles.

I also try to lay them out in a way that guides the eye! Even without art, can people tell where to go next? Better yet, if I want people to look at panels out of order (aka not left to right, in my case), can I use the speech bubble path to make them? Here's just a vague example of what I mean.

As an added bonus, doing speech bubbles early also allows me to be lazy! :) Ignore the comic; I'm not supposed to post it yet oops,, There's a whole lot of drawing to do on each comic page, and I am not wasting my time on stuff that will be covered up. So yes, if I hide my bubbles, there are a lot of unfinished lines trailing off into nothing. (As a bonus, if there's a part of a character you're struggling with—and it won't look weird to do so—you can move speech bubbles to just hide the problem area yayyy)

Making the actual bubbles could be their own whole tutorial, tbh, but there are some general guidelines I use.

Zoom out when you choose your font size. You want to know how it will look to the average reader, so it isn't super teeny tiny or way too big. You generally want to keep the same text size for all your pages/bubbles.

When I draw bubbles, I try to size them about one vertical letter height (and some change) around the words [left side]. This isn't always the case though, because humorously large or funny shaped text bubbles can convey different feelings [right side].

On Procreate, I set my bubble lines to Reference and just drag-and-drop the white fill on a separate layer below the lines. (Remember to turn Reference back off again when you're done, or your fill bucket won't work right when you're drawing.)

To get the white outlines I use to keep the bubbles from cluttering up the art, I literally just Gaussian blur an all-white copy of the lines + fills... and then I copy and merge it 5 times until it's opaque enough. This is a terrible way to do it, but it works for me. :')

5. Lines

This is the part that I can't tell you how to do. I literally just. Draw right over my wacky sketched body forms. Boom. Comic drawn.

I'll make three suggestions:

Don't focus on making every panel perfect. Give a little extra love to big ones or ones you want people to linger on. Otherwise, know that people are typically speeding through the art. It's way more important to focus on storytelling than art technique. In my opinion, a good story that's told well will always be better than a beautiful one told poorly. (Some comics are beautiful AND well-written... Alas, I am just a hobbyist who needs to get the ideas out of my head at top speed.)

Put your background lines on a different layer. Put your foreground lines on a different layer too, if you have those. Basically, I try to keep the main part of each panel (usually a character or object) on my lines layer so I can erase background/foreground/etc lines to ensure clarity/focus.

You can make background lines lighter colors too. I have too many numbers sorry. (1) Background. The stuff that's farthest away. Lightest lines. Few details; more focused on shapes and the suggestion of a background (I'm not good at backgrounds). (2) Midground. Same distance away as the characters are. Lines can be black. (3) Also midground, and also the same distance away. But they're very detailed, so I lighten them so they aren't so distracting. (4) The characters. Black lines for focus. For people who haven't seen the comic, I swear they are just hugging. This is SFW. D:

6. Tones/Colors

Do not. Do NOT ask me. I don't understand colors. I hate working with them, but I try because I want to improve. I hate doing anything beyond the simplest grayscale shading. Please go elsewhere for your coloring/tone advice. This is how my color picker looks 95% of the time. I have pre-set "percentages" of black that I got by lowering the opacity of a black layer and just color picking it. I don't even know the exact percentages I used. Good luck out there. Be better than me.

7. Sharing

This is a bonus step that I didn't mention earlier, but it's actually the most important of all of them.

You need a friend. Or maybe a groupchat or discord. A family member or coworker if you're really close like that. I don't know.

Find SOMEWHERE you can spam wips and be cheered on. Drawing comics takes a while, especially if you're trying to tell longer stories than I'd dare to attempt. If I don't force someone to praise me for every line I draw, I shrivel up and die.

Also if and when you post online, add alt text. I'll admit I'm the first person to complain and drag my feet on this, and I literally use a screenreader myself when my eyes hurt (strong prescription glasses wearer). Comics should be accessible, because stories are fun and everyone should be able to enjoy them.

***

Learning???

And I guess lastly, how do you learn to make comics? Two steps: 1) read them and 2) make them. This is the tragedy of creating things.

1) Reading them: I grew up reading comic strips, western serialized comics, and webcomics. I've always loved graphic novels too. Then in late middle school, I started reading manga (Death Note and Haikyuu were my first two), and now I'm trying to read more webtoons (sorry im so slow bree)!

I also... mass-consume doujinshi, thanks to proxy mailing services and bilingual friends/Google Translate/knowing some Korean. (I have an entire bookshelf of doujin, actually,,)

The thing is, it's not usually enough to just read comics. You also need to be thinking. :/ I notice paneling, comic devices, clever comedic timing, etc. as I go. It's just a lot of studying/learning while also enjoying the story.

2) Making them: You just have to start. :( Even if you think they're "bad." My first comics were actually just drawings placed randomly all over the page, connected by speech bubbles (yay... I was already practicing how to place bubbles to lead the eye around the page...). I was going to post a pic here, but I'm a coward. Backscroll my account and you can find some older ones though.

I also know my art in general improved dramatically when I did ten comics in ten weeks for my friend's fic. Don't do this. It hurt my hands/wrists. But do practice in moderation.

***

If you actually read all that... I hope it made even a modicum of sense. And maybe it was even helpful? Just know at the end of the day, there is literally no right way to draw a comic.

And if you aren't ready to go for it yet, you can start by just adding a couple speech bubbles to your illustrations or doodles! It's a way to add storytelling and dialogue writing to things you may already be making.

Yay. I love comics. :))))

[offtorivendell]

What you all seem to be missing is that this isn't even a topic of infertility, it's of delivery. The discussion is NEVER "can Elain get pregnant" because the problem was not "could Feyre get pregnant." The plot introduced into the series was what happens after she became pregnant and carried the baby to term, could a non Illyrian safely deliver a baby with wings which has now carried over into the discussion of Elain since it's canon that Feyre and Nesta were changed while we were not told the same of Elain. It's not a reason Elain can't be with Az but it is a valid topic of discussion within this series since the author posed it as a plotline. In the real world, most women safely choose a Caesarean section if they're dealing with delivery issues in their pregnancy so acting like delivering a winged baby has real world implications is simply you jumping on a pedestal for something to yell about. That's not to say there aren't delivery issues in the real world but this scenario is not one of them.

TW: death, infertility, pregnancy and childbirth related trauma. Also a brief mention of sexual assault.

Hi anon,

Respectfully, please stop being deliberately obtuse. Let's break this down, line by line.

What you all seem to be missing is that this isn't even a topic of infertility, it's of delivery. The discussion is NEVER "can Elain get pregnant" because the problem was not "could Feyre get pregnant."

I'm aware! I assume that you sent me this ask because I reblogged an old post of mine yesterday, so what you seem to be missing is that I've already discussed this.

Here, where I implicitly acknowledged both infertility and trauma related to pregnancy and childbirth as potential triggers in the post:

And here, where I explicitly stated that we know you guys don't mean that Elain is unable to conceive at all - which is impossible to know, as per the text she hasn't tried. If you read what I wrote, you'd see I said that - assuming Nesta had not changed her anatomy and would not be able to in the future, or that Elriel would even conceive winged children if they wanted kids at all - Elain and Azriel together would be functionally infertile*, as any child with wings (which is not a guarantee, by the way, though as you guys treat it as a foregone conclusion I worked off that premise) would die before or during birth, killing Elain at the same time.

* Is it more correct to say they'd suffer from "impaired fecundity"? Yes! But please read a little further.

The plot introduced into the series was what happens after she became pregnant and carried the baby to term, could a non Illyrian safely deliver a baby with wings which has now carried over into the discussion of Elain since it's canon that Feyre and Nesta were changed while we were not told the same of Elain.

It's really not hard to understand that we are discussing a fictional woman's ability to successfully have a specific man's children, and that their impaired fecundity does not (or should not) impact her worthiness to be loved by that man; that it has been equated to the struggles that many real, living people have experienced with regards to conceiving, carrying their babies to term and giving birth; and that - while an oversimplification - all these issues are being lumped under the umbrella of "infertility struggles" to be concise and accessible.

That being said, let me correct you quickly. While you very carefully said that we were "not told the same of Elain," with regards to Nesta changing her anatomy, you neglected to mention that SJM actually had her choose wording that didn't explicitly exclude Elain from the change, either.

The brisk spring wind whipped her golden-brown hair across her face. “I gave it back to the Cauldron in exchange for the knowledge of how to save them.” She swallowed. “But a little remains. I think something else—someone else—stopped the Cauldron from taking all of it. And I made some changes of my own.” The Mother. The only being who would see the sacrifice Nesta had made and give a little back. Perhaps it was she who had peered out at them through the Mask. “What did you change?” Nesta rested a hand on her abdomen. “I changed myself a little, too. So none of us will have to go through this again.” - ACOSF, chapter 78

Also of note, Nesta specified she had the "knowledge" to perform the change, which suggests that even if Elain wasn't changed then, it could be done in the future.

It's not a reason Elain can't be with Az...

Literally all that ever needs to be said on the topic.

... but it is a valid topic of discussion within this series since the author posed it as a plotline.

You should have stopped after the first half of the sentence. Elain's lack of pliable bones - ie. the second half of the "Illyrian womb" discussion that posits Gwyn as the only logical love interest - is not even a medically accurate theory, so it shouldn't be entertained full stop. While SJM may have posed Illyrian womb/wing issues as an issue for Feyre and Rhys, she never suggested it would impact any couple's decision to get or stay together. In fact, Nesta and Cassian were mates while Nesta was still unable to birth winged babies, too.

In the real world, most women safely choose a Caesarean section if they're dealing with delivery issues in their pregnancy so acting like delivering a winged baby has real world implications is simply you jumping on a pedestal for something to yell about. That's not to say there aren't delivery issues in the real world but this scenario is not one of them.

Once again I'm asking you to put your thinking cap on.

Obviously we do not have to consider the delivery of winged babies in the real world, but if you cannot see how the frequent suggestion (that Elain's hypothetical inability to successfully have Azriel's children is a valid reason as to why an author would separate, or even hint at separating, a potential couple) could be hurtful and upsetting to the many people who have/are currently struggling with infertility - or who have lost their much wanted and loved babies during the course of pregnancy or childbirth - then I have to assume that you're either suffering from a catastrophic lack of empathy or, respectfully, you have a sheep or two loose in the top paddock.

As I mentioned in the post I linked above, if the fandom is (rightfully!) expected to handle the topic of Gwyn finding love after experiencing SA with grace - out of respect for real life assault survivors - then it is not wrong to expect the same degree of care in return when discussing the anatomy change in ACOSF, out of respect for those who have trauma associated with infertility, pregnancy and childbirth in real life. It's an incredibly simple act to listen in good faith, rather than jumping straight to accusing us of wanting to "yell about" something just because you are prioritising shipping discourse over being kind.

It's 2025, the "Elain doesn't have an Illyrian womb or pliable bones" theory is both medically inaccurate and hurtful, and it really needs to end here.

Please.