#there r still more

[hinamie]

trick or treat!

[marlynnofmany]

OMG the backstory behind the whole boop thing is amazing.

[starspilli]

morning kori. she’s lovingly watching dick burn the shit out of her pancakes

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[nemkero]

[barges into ur inbox looking harried with blood on my face] i’m dying and the only way to save me is by talking about ur self indulgent zuko time travel bs

[i cradle you gently in my arms] no... stay with me.... [places this into your chest]

i think the dynamics would be so funny between these 3 in particular with 16 y/o zuko being pitiful and emo, 19 y/o or post-comic zuko being more silly and getting into his groove and looking up to his older self a Lot, and 28 y/o zuko acting all cool and stoic to try and impress his younger selves when in reality he tripped over his robes the other day and fell into the turtleduck pond

[obsob]

love is stored in the parallel play

[stump-not-found]

what a cutie . makes you just wanna lock him in a steel cage at the bottom of the mariana's trench

full comic this is for

[qualityrain]

call out my name when you need me again

if you know who I am, why won’t you call my name?

[chrliekclly]

——————

it’s been 6 years exactly nd i apologize for everything about this

[tw: implied csa]

[bixels]

The Ryoko Kui interview's reception is such a disaster over a pretty normal (yet still flawed) interview between a non-Japanese fan and Japanese artistic. This is discourse for discourse's sake, and it's no surprise that almost every Twitter user I've looked at who's using this interview to parade Kui around as a goated mangaka standing strong against Western ideology is anti-trans.

Like, I do think the interview was kinda wonky with its focus on fandom culture, which Kui clearly didn't have much interest in. But sometimes that happens. Sometimes interactions between two people, especially a fan and a creator, two people who view and interact with a piece of media in completely opposite perspectives, don't click. Does this really need to get blown up into a "West vs. East culture war" issue.

Anyways, Kui saying "I don't consider my audience's interpretations when writing. I leave it to their imaginations, but I have my own read on things too" is the healthiest, most normal thing an artist/writer who wants a non-parasocial audience could say. Artists and writers use this line all the time. If Kui didn't enjoy autistic Laius or Farcille headcanons, she would have probably voiced/signalled her discomfort, like she did on the topic of Senshi fanservice. Overall, Kui handled the interview really well. Props to her to sticking to her guns and keeping a healthy disconnect from the fandom. While I think the interviewer could've/should've been more tactful and restrained, the flaws in their questions is not a symptom of the woke mind virus trying to wriggle its way into the pure Japanese psyche. It's the sign of an over-eager fan who sees a piece of fiction differently than its creator.

[lilidawnonthemoon]

[hinamie]

picked up an old pen

[beescake]

I LOVE SOLKAT AND I LOVE YOUR ART SO MUCH UGHHHHHH their dynamic is one of my favorites and your art made me love them even more

AYY HAPPY TO HEAR THAT !!!

HAPPY TO SPREAD THE AGENDA <3

[heartorbit]

i want to know everything that makes you happy! 💫🪐🎇

[milkbreadtoast]

idk how i want to draw him yet and not ready to make a srs attempt but here's a bad kdj phone doodle lol🚶🏻

[phonification]

ive been thinking about taco and balloon forming a little alliance post s1/ pre s2 where they'd (begrudgingly) work together planning on how to break into hotel OJ to steal stuff to take back to their makeshift camp like food, blankets, pillows, etc,,, anything that could be useful to them