#there is one (1) version i can find but only the black version is available..... and i need a silver one obviously
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a-queenoffairys · 2 days ago
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Code Lyoko Chronicles 2.0
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The Code Lyoko Chronicles are a series of 4 sequel books originally released in Italian in around 2010. Set a short while after the season 4 finale, parts of book 1 recap a story similar to the TV series but with a number of small changes (there's no RTTP for example) while the gang uncover some new secrets in the Hermitage that set them on the path to finding Aelita's mother, Anthea. But XANA survived and is coming back for revenge, and the gang's investigation into the secret history of Franz Hopper, Project Carthage and the Supercomputer puts the men in black on their trail as well, not to mention the shady Green Phoenix organisation who funded Hopper's work.
The books were published in a number of languages, but not in English - so that's where the fans come in. As one of the first translation projects we did for CodeLyoko.fr, finishing in 2014, the original completed English release was pretty rough. 10 years later, armed with more translation sources, better resources and many years of translation experience, I decided to take another crack at it. And after many months of hard work and procrastination, I've produced a version 2.0 that I'm pretty happy with.
Links and notes on the various changes under the cut!
New translations!
My co-translator Kelsey and I didn't have a lot of serious translation experience when we picked up where Rhys Davies left off in his English translation project, and we were definitely prone to making mistakes. And it didn't help that for books 3 and 4, a few things got lost somewhere in the process of the text being translated from Italian > Spanish > French > English. I revised our original translation and this time I referenced multiple sources to try and make sure I got the interpretation right. It won't be perfect, but it's definitely better than our original attempt!
The second half of book 2 was based on the official French version, which I discovered was slightly condensed and abridged to lower the page count. The new English translation expands the text to restore the parts that were omitted. I also changed the title from The Nameless City to The City with No Name - there was never an official English translation, but I did find a marketing document with the titles listed in English, and that was the only one that differed.
Here's a page comparison with a few changes, mostly minor, but one big change to the context of Odd and Ulrich's conversation. With my apologies to Kiwi for the original mistranslation.
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New formatting!
I got better at formatting Word docs and realised I should have the text alignment set to justify. The books look a lot neater now!
Accessibility!
I added alt text descriptions to all the images, and the PDFs all have a proper table of contents now so you don't have to scroll to the end of the book to find the navigation.
(Note I don't have a lot of experience with detailed image descriptions and I haven't done much testing with a screen reader - feedback is welcome from people who know more about it!)
New scans!
The centre of each book has several colour pages with images and text to supplement the story, and some of the original scans were quite small or had part of the image disappearing into the spine of the book. And the only way to fix it seemed to be to obtain physical copies of the books (probably in Spanish), pull the pages out and scan them flat. So I did. And I think they look great. (Black lines added to hide spoilers.)
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My original intention was to upload these to CodeLyoko.fr, but I haven't been able to do that yet, so for now they'll just be available on Google Drive. This translation wouldn't have been possible if not for the other people on the fanslation team - not just my fellow translators, but also all the people who worked on scanning, formatting and editing. Special thanks also to Rhys Davies for kicking off the English translation. You can read more about the Chronicles and the fanslation project here on the website. (Yes I still need to revise the translation of those pages too. Someday.)
So yeah, it's taken a while, but I'm glad I can finally put out a better version of these books for people to discover. Enjoy!
Version 2.0 PDFs here! (Google Drive) ePub versions coming soon.
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binch-i-might-be · 11 months ago
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I so so badly want a fullmetal alchemist pocket watch but almost all versions you can buy are quartz watches and I want a mechanical one :((
I already have both a fma and doctor who quartz watch (yeah I was that kid who would show up to school sporting a doctor who pocket watch) but I just!!! don't like them!!! they feel CHEAP and the batteries are ANNOYING!!!!!
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losergames · 3 months ago
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Chop Shop is strictly 18+ for language, themes, and potential explicit content. 
🔗 - Game Intro | Bug Report | Ko-Fi
Episode Four is now available! (+ 59,000) - PLAY HERE
Debrief after your meeting with Inez.
Steal... or don't!
Yvonne has a secret.
2 more achievements.
And more!
This update comes with a patch (Version 1.2.3) For this update you will need to start a NEW SAVE. An updated inventory macro has been implemented and is not compatible with old saves. I really wish you didn't have to but it's what's best for the game and its longevity!
Patch notes + author notes are under the cut. If preferred, you can access them in game in the start menu.
STORY
PROLOGUE:
General edits and fixes.
More vague, as to not elicit any emotional connection to the crew for continuity.
EPISODE 01:
Added a new set of personality building choices when meeting KJ, Jonno, Natasha and Aiden at the bar.
EPISODE 02:
Tweaked the conversation with Dilani in the closing scene to reflect more on the situation. Added some more fearful dialogue and flavour text.
Other general edits and fixes.
EPISODE 03:
Fixed gaps and spacing issues.
Minor phrasing and sentence structure changes.
Grammar and typo fixes.
UI + TECHNICAL
SETTINGS:
Changing the font size now only applies to the game text in the passages.
Added descriptions to the toggleable settings.
UI:
The background now changes colour dependent on what theme you are using, instead of the default black.
INVENTORY:
The inventory macro has been updated! Previously V2, now V3 of the ChapelR Simple Inventory Macro.
CREATE A SAVE
Modified the randomise PC choice, setting pronouns in 'sets' instead of randomising each pronoun separately.
GAMEPLAY MODE
Players can now choose a gameplay mode when starting a new save: Regular or Challenge.
Challenge mode disables the back button, disallowing players to return to the previous passage. Players cannot redo dice rolls or try out different choices for desired outcomes.
Challenge mode is not available in Create A Save. All CAS made saves default to regular mode.
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AN: hello hello! it has been a while -- episode 04 is finally here!
this ep was a long one to get through but we finally made it out of the fog. i found that i wrote a bunch of stuff that just... didn't fit? but is hopefully going to be used later down the line, so it's cool i've got shells of scenes for later.
i can't find any game breaking bugs myself and my amazing beta testers have scanned through as many possible variants as they can! of course, if there is anything funky, broken, or maybe not triggering correctly, please submit a bug report!
again i will say that you will need to start a NEW SAVE for this update. unfortunately the updated inventory macro is not compatible with previous saves. i really didn't want this to be a thing when updating chop shop but it is unfortunately just the way for this update - apologies!! i know it's super annoying when games do this but chop shop is still a wip so there will always be some teething problems along the way.
as i look through my notes, we have now completed act 1 of my outline (AAAAHH) so soooo exciting. finally pc can stop wringing their hands about being bad and actually //start// being bad.
if you've made it this far -- hello and thank you! i'm so happy we're at the point where PC is making some real decisions, taking another step into their life of crime.
happy update day and happy reading!! thank you so much for the continued support and patience!!! i hope you enjoy the new episode! - becky :-) <3
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novafire-is-thinking · 7 months ago
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Medic, Maverick, Maniac, Murderer: Understanding Pharma
First thing’s first: I love Pharma, dearly.
In all the time I’ve spent evaluating his character, I’ve mainly focused on what can be worked out about who he is as an individual: his core sense of self, psychological drives, subjective worldview, etc.
When all else is stripped away, who is Pharma?
This treatise is the product of obsessing over Pharma, analyzing canon (and extras), and reading as many different perspectives on his character from fans across the fandom as I could find. The post is long, so for those of you who balk at the thought of reading a shortfic’s worth of Pharma thoughts, feel free to read the TL;DR (Conclusion) at the end and then decide if the full read is worth your time. Also, a premium reading experience is available in the form of the original Google Doc version.
As you read, keep in mind that this is primarily a mix of psychoanalysis, evidence-based examination, and speculation—not moral, ethical, or sociological commentary. The goal is to examine Pharma’s psychological drives and core values, and each of his appearances in the context of those. All other types of evaluation are up to readers.
Now, take your victim blaming-allergy meds (just in case); remove your black-and-white thinking caps; and leave your personal morality lenses at the door.
Psychological Drives & Core Values
Why does Pharma act the way he does? What gives him a reason to keep living? What are his personal priorities?
At the beginning of the Delphi arc, First Aid establishes Pharma as a “control freak” and someone who “thinks he’s an expert on everything.”
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Now, First Aid has a habit of complaining about his bosses, but on both points, there’s canon evidence to back them both.
Expertise and Intellect
Throughout the Delphi and Luna 1 arcs, it’s established that Pharma is a skilled and brilliant doctor.
He once performed a 4-way fuel pump transplant, donating his own fuel pump in the process. (see above panel)
Later, he invented a soundbomb that left an echo laced with a virus and invented an antidote to that virus:
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And on Luna 1, he was on the edge of finding a cure for Cybercrosis, based on the fact that Swerve was able to formulate a cure from his notes.
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More than being a doctor, Pharma lives for intellectual and scientific achievement as a physician scientist. He feels most alive when he’s able to solve complex medical problems, and when his achievements are recognized by those whose opinion he considers important.
This is Pharma’s 'why.'
And even though he’s arrogant and enjoys praise, it’s not his primary motivation. He doesn’t need it in order to set his mind to whatever he’s interested in, although he’ll seek it from those he values most (i.e. Ratchet).
Pharma sees himself as less of a doctor, and more as a scientific innovator or medical maverick. The practice of medicine is primarily a catalyst for his creativity and intellect; it’s not an end in and of itself like it is for someone like Ratchet or First Aid.
First Aid’s observation of Pharma can be better phrased as, “[Pharma] thinks he’s an expert on everything medical”—because he’s not so driven by achievement and admiration that he’ll grovel at the feet of strangers and get good at something he doesn’t personally find interesting. The only time we see him express a desire for praise is when he’s around Ratchet—someone he holds in high regard for both personal and professional reasons. This makes sense since Ratchet is one of the only people who can give Pharma any kind of competition within what he considers to be his area of expertise.
“Each day we go to our work in the hope of discovering—in the hope that some one, no matter who, may find a solution of one of the pending great problems—and each succeeding day we return to our task with renewed ardor; and even if we are unsuccessful, our work has not been in vain, for in these strivings, in these efforts, we have found hours of untold pleasure, and we have directed our energies to the benefit of mankind.” —Nikola Tesla
Ego
Without question, Pharma has an inflated ego, but having an inflated sense of self doesn’t automatically mean a person is a full-blown narcissist or that they are totally uncaring.
Every personality trait exists on a spectrum. Yes, Pharma is arrogant, but the presence of arrogance doesn’t automatically and completely cancel out all “positive” traits. (For fun, check out studies on Dark Tetrad and Light Triad personality traits.)
People are complex. Arrogance can coexist with genuine kindness, ruthlessness can coexist with deep compassion, etc.
Whether Pharma exhibits genuine kindness is up to each reader’s interpretation of what little canon material exists, but the point is: Pharma’s arrogance doesn’t automatically rule out the possibility of authentic “positive” traits.
Controlling Tendencies
Pharma is comfortable pulling the power card and using it to dump what he sees as uninteresting parts of medical practice on those below him:
“So Fisitron’s writing about the Wreckers’ elbows now, is he?” said Delphi’s Chief Medical Officer. “Come on, First Aid - get to it. You’ve got a Fader in Row 2 downstairs.” He squeezed the air with his finger and thumb. “He’s about this far from shutdown.” —from Bullets by James Roberts
However, there’s nothing in canon indicating he’s power-hungry in a megalomaniacal sense. He’s not Starscream or Megatron; he doesn’t seek political or social power. In fact, he seems perfectly happy hiding away in a lab or medibay by himself so he can direct all his energy toward solving issues and achieving the so-called ‘impossible’ within the field of medicine:
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The ways in which Pharma exercises power and control are through his expertise, and his administrative/management skills. That’s it.
Self-confidence
Pharma’s arrogance and controlling tendencies don’t seem to be a mask—like he’s trying to compensate for some sense of lack (in those areas). Yes, he fears failure, and yes, he displays some insecurity when Ratchet questions his competence. But at every other point and in every other way, Pharma is unapologetically self-confident. He’s fully self-assured of his intellectual prowess and problem-solving capabilities; he knows what he knows, and he also knows what he doesn’t know.
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Pharma’s arrogance and desire for control don’t stem from a hidden lack of confidence or a hunger for power on its own. They stem from the fact that he genuinely sees himself as the best person for the work he does. He trusts himself above anyone else to solve problems that come his way—medical or otherwise (within limits).
Elitism vs. Superiority
I’ve always read Pharma as having an elitist attitude, but not in the social stratification sense:
elitist (adj.) relating to or supporting the view that a society or system should be led by an elite.
There’s no evidence that Pharma believes an elite class of people should hold the most power. Instead, Pharma’s “elitism” is actually an individualistic sense of superiority. It’s centered on him alone, and is tied to his capabilities as a physician scientist and surgeon.
Pharma sees himself as the best of the best and makes sure everyone knows it—sometimes through his words, but mostly by his conduct in the field of medicine. This, paired with Pharma’s natural temperament, doesn’t exactly make him socially popular—inside or outside of medicine:
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One could argue that the “personality” Lockdown is referring to was a result of all Pharma had suffered at Delphi and Luna 1, but just as easily, one could argue he was always a bit difficult to get along with, and that his traumatic experiences merely magnified his already-present psychological patterns. Personally, I like the latter interpretation because it’s a flaw that makes Pharma a more interesting character no matter his mental state.
Everyone reacts differently to real and perceived social rejection. Some are so concerned about it that they’ll try anything to belong; others genuinely don’t care, and they continue as usual; and still others cope by shifting their mindset and developing a sense of pride in being an outsider.
There’s no evidence for this in canon, but I believe it’s within reasonable characterization boundaries to headcanon Pharma as being in the second or third category.
With either of those two mindsets, a sense of superiority can develop, or even be an inciting factor. Either someone sees themselves as genuinely superior to the majority and doesn’t mind when this alienates them from people, or they convince themselves they’re superior because the pain of accepting they were rejected for who they are is too much to handle.
Whatever the case, the point is, having an “elitist” attitude isn’t necessarily rooted in a sociological or ideological belief. Sometimes, individuals just see something in themselves that—to them—justifies a sense of personal superiority. A quick glance at Pharma’s canon appearances makes it clear he holds such a view of himself, at least to some degree.
Morality and Compassion
When Pharma first shows up in canon, he’s working at the New Institute. A lot of questionable things took place there on a regular basis—things Pharma would have been aware of, to some degree. However, his presence at the Institute doesn’t automatically mean he agreed with everything happening. Depending on how strongly someone feels about something, some people are content to disagree in silence. Not everyone who seeks employment considers it a priority that the establishment they work for aligns perfectly with their moral values. After all, there are other reasons to take a job: financial benefits, exclusive educational and career opportunities, pure convenience, etc.
I’m not here to say either way whether Pharma’s willingness to turn a blind eye to the events at the New Institute was wrong or right; that’s up to each reader to decide for themselves. However, Pharma’s choice to remain employed at the Institute for some time can say something about him as a character: his priority as a doctor and person is not to take care of everyone he encounters, or to act as some kind of moral or ethical authority.
This isn’t to say Pharma won’t ever stand up for something he regards as right or push back against something he sees as wrong, “off screen.” It’s just that everything in canon points more to a tendency to choose his battles instead of acting immediately on any moral sense the way someone like Optimus or Ratchet might.
This also isn’t to say Pharma doesn’t care about saving lives, but from what little is shown of him before Delphi, it’s hard to say how much he cared. Ratchet confirms later that Pharma was an excellent doctor for most of his life, but all that tells us is he was an excellent doctor; it says nothing about his internal attitude toward his work or patients.
However, inferences can be made based on doctors in our own world:
Being a doctor—especially one in trauma care—is far from easy. It takes a lot out of a person, and there are very few people who last in the profession for a long time. Most medical professionals fall into one of the following categories:
People possessing a strong will that’s coupled with an unwavering passion for taking care of others (the public’s favorite)
People who naturally have, or develop, an ability to switch their empathy off and on at will, or build walls around it—also possessing a strong will (the ideal)
People who naturally have a limited capacity for empathy (the one the public hates to acknowledge)
People with a strong social and professional support system (the necessary, but underutilized and underappreciated factor)
Of course, even if a person has one or more of the above, burnout can and does still happen, but individuals who have at least one have the best chances of surviving and thriving amidst the demands of the majority of medical professions.
As far as is shown in canon, Pharma never had a strong support system—either circumstantially or by choice—so something else was keeping him in medicine.
Pharma shows concern for both Tumbler (Chromedome) and Hubcap:
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But even though he obviously cared enough to step in, neither instance makes a strong case for a capacity for empathy beyond the “average” or “norm.” Performing a job well is a lot different from being personally invested in the work.
Based on everything up to this point, and this later comment from Pharma, about Ratchet…
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…Pharma has probably never shared the same I-care-about-everything-and-everyone view of the world. Instead, it’s more likely that Pharma holds a more rational view of his work and patients.
One of the first things learned in medicine, especially in trauma medicine, is that you can’t help or save everyone, and to hold yourself to that standard can destroy you quickly if you have a certain temperament or lack healthy boundaries for your empathy.
“There are times when it may seem as though I view sick or injured people not as living, breathing humans with feelings and emotions and people who love them, but simply as cases, as problems to be solved. And that is absolutely true. It's not that I don't have empathy, but the hard fact is that as a doctor, and especially as a trauma surgeon, too much empathy can get in the way of your job and cause you to make decisions based not on sound medical judgment but on your own emotions. Sure, I've seen things that even years later can still make me choke up when I think of them: a little girl shot and killed, a shattered young Marine who shouldn't have died but did. But you can't choke up in the ER or the operating room. To be effective as a trauma surgeon, you have to put a layer of Kevlar around your heart.” —Dr. Peter Rhee, Trauma Red: The Making of a Surgeon in War and in America’s Cities*
Pharma may have learned this difficult truth earlier than Ratchet and developed a practical way of managing his empathy that comes across as “cold.” He may have always had an ability to put up walls around his spark. Or, he may have always had little to no capacity for empathy.
The fact that the morality lock on Tyrest’s portal prevented Pharma from passing through proves he felt guilty for what he’d done, and JRO confirmed this. Therefore, it’s safe to assume Pharma had some level of empathy for his former patients, suffering moral injury when he felt he had no other option but to start killing them.
Still, looking at Pharma’s psychological drives and his behavior throughout canon, it’s clear compassionate care and morality are subordinate to his other values and interests.
*I highly recommend this book, and learning about Dr. Rhee in general. He’s a huge inspiration of mine, and one of my main sources of inspiration when writing Pharma. Level-headed and capable, strong-willed, selectively empathetic, an excellent scientist, etc. He lives for the thrill of practicing medicine both on the floor and as an expert in his field who pushes trauma medicine to new heights through his research. He also takes great pride in his hands. Seriously—the man spent an entire paragraph and a half talking about his ���good hands” and how they were one of two reasons he decided to go into trauma surgery. The other reason was that he “liked action and excitement, liked the feeling of being able to walk into a tough situation and take control.” (Sounds familiar…)
Delphi
First thing’s first: we don’t know how much Pharma did or didn’t know about the DJD before agreeing to take the Delphi assignment.
That far into the war, he would have known something about the DJD and their ways of terrorizing traitors and Autobots, but for whatever reason, he took the assignment anyway. Perhaps Prowl assured him the situation on Messatine would be monitored and that the security team would be enough. Perhaps he underestimated the DJD’s capabilities, or scale of territory, and thought he would be able to handle things on his own. Perhaps Prowl gave him no choice. Maybe it was all of these and more.
Whatever the case, according to JRO, Pharma didn’t hate Delphi before the incident with the DJD.
Word of god remains a touchy subject in fandom, but in this case, it’s important because it says two things:
The DJD left the Delphi medical team alone for some time.
Being on the edges of DJD territory didn’t automatically mean isolation and harassment by their hand.
On the second point, First Aid was free to come and go from Messatine as he pleased, seeing as he attended a medical conference at Kimia five years into his assignment at Delphi:
Five years ago [mid-Delphi assignment], the leader of the Wreckers had cornered him at a medical conference at Kimia, the space station that doubled as a weapons research facility. —from Bullets
And five years after that, he was able to not only contact Springer without delay about one of Agent 113’s bullets he’d discovered in an Autobot badge…
He raced upstairs to his computer terminal and typed in a certain frequency code for the second time in his life. A face appeared on the screen and grinned. “It’s me,” said First Aid. “And you're never gonna guess what I’ve got for you..!”
…but he was also able to meet up with Springer to hand off the bullet:
“Your friend has a funny way of making contact,” First Aid had said when he’d got in touch three days earlier, and he was right.
It’s not known if this handoff happened on or off world, but either way, the DJD didn’t interfere.
At some point, Tarn set his sights on Pharma and the Delphi team. Knowing the DJD, one can only imagine what Tarn used to show off his team’s capabilities and convince Pharma the best option was to cooperate.
In striking a deal with Tarn to keep the DJD away from Delphi, Pharma established his territory and ensured his continued security and the safety of his staff. As long as Tarn got his T-cogs, Pharma could continue on in relative peace. He could work his magic on bots that ended up at Delphi, carry out his management duties, and work on whatever projects or research he may have been conducting in his free time.
For whatever reason, after he first came into contact with Tarn, Pharma didn’t call for help. Communications were still operational, as Pharma wouldn’t have suggested contacting High Command about the Duobots if the team was aware of any comm malfunctions:
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Also, First Aid later confirms that communications were fine until the Big Bang (soundbomb detonation):
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It’s always possible the DJD was monitoring the radio waves, but secure subspace frequencies exist, such as the Datalog Network First Aid used to send the datalog containing the death statistics:
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Speaking of which, assuming First Aid sent the datalog with the statistics right when things started to get ‘weird,’ and before the Big Bang shut down comms, it only took—at most—a few days for them to reach Ratchet and Swerve on the Lost Light:
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But back to Pharma not calling for help: for all of Prowl’s intel, contingency planning, and fretting over the security of Autobot territories, I find it hard to believe he would have stuck an Autobot medical team on the fringes of DJD territory without giving them some means of securely contacting the outside in case of issues.
But even if Prowl didn’t give Pharma a secure way to contact him or anyone else, and even if Pharma was convinced the DJD was monitoring regular communications, there were other ways he could have reached out for help. After all, the team wasn’t alone on Messatine. Like Pharma said, Prowl continued to send bots to defend the nucleon mines:
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The Autobots had been mining nucleon for millions of years at this point, so I doubt the mined nucleon was just sitting in storage on Messatine; shipments of the stuff would have been sent off-world to wherever the Autobots needed it. Why not send a message for Prowl with someone leaving with one of those shipments? A message meant only to be sent over a call when absolutely certain they were out of range of the DJD’s potential monitoring.
Or, why not order in off-world medical supplies and send a message back with the delivery bot(s)?
There are two possible answers to this. One takes into account JRO’s word on the subject; the other is more intricate and speculative on my part, but it leads to the same place. So whatever your stance is on the validity of word of god, there’s an answer for you.
Answer one (word of god)
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Simple as that. Pharma was aware of the scope of the DJD’s capabilities and relentlessness, and determined he was trapped prey.
Answer two (no word of god)
There are a few possible reasons Pharma didn’t call for help right away:
He was convinced all his other options would take too long and/or would still lead to him being put under suspicion. After all, being found to have harvested even a single T-cog from an already-dead patient for the DJD could have raised concerns that would lead to Pharma being investigated and/or having a mark put on his record.
He underestimated the severity of Tarn’s addiction, and was certain he could keep up with the T-cog demand without resorting to other means of harvesting, not realizing Tarn’s quota would increase later on.
He was already paranoid as a result of whatever mind games Tarn had set in motion at their first meeting, making Pharma think escape was futile.
Word of god or no word of god, there are clear reasons as to why Pharma ended up trapped. Most likely, it was a mix of all of the above.
Whatever was going on in Pharma’s mind before, he ended up in deeper trouble. Tarn increased his demand for T-cogs, and Pharma couldn’t keep up. By the time this happened, even if he had wanted to call for help, it was too late to do so without implicating himself. He reasoned his only option was to start killing patients to harvest their T-cogs.
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Soon, Pharma was so consumed with fretting over whether he’d be able to meet Tarn’s next demand that he didn’t have time or freedom to do anything else except worry and feel guilty. His whole life revolved around Tarn’s addiction; he was no longer in control, and could no longer enjoy whatever it was about Delphi he’d previously enjoyed. Perhaps the facility itself enabled Pharma to research cures and perform scientific miracles of medicine.
Being at the mercy of Tarn—convinced the DJD would find him no matter what—would have been pure psychological torture on its own, but also knowing that any small chance he did have of getting help would end in him losing everything would have added to his suffering. Pharma became desperate to reclaim control over his life and began planning an escape.
Now, JRO has said that Pharma didn’t originally plan to use the rust plague on the DJD…but canon says otherwise:
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Of course, Pharma could have been lying to make himself look better in Ratchet’s view, but based on everything he’d been through up to this point with Tarn, it’s more likely he was telling the truth and had tried to eliminate the source of his suffering first. After all, wiping out the DJD would have been the simpler, cleaner option.
When the Duobots refused to detonate the soundbomb near the DJD, Pharma’s objectives shifted. He had to get Delphi shut down in a way that would:
Convince the DJD the shutdown was legitimate.
Pharma knew chances of escaping the DJD at all were slim to none, but he was desperate. Getting Delphi shut down would cut off Tarn’s supply of T-cogs and allow Pharma to escape Tarn’s immediate control, but the shutdown had to be “legitimate” to prevent Tarn from retaliating and hunting him down later. Leaving Tarn even the slightest chance of regaining control was too risky, so Pharma had to make sure his plan was as airtight as possible. 
Cover up the patient murders.
If the truth got out about Pharma killing patients, he’d lose his medical license and most likely be put away for life. Being cut off from the practice of medicine and his intellectually stimulating work as a doctor would mean losing more than a job and a reputation. It would mean losing everything in which he’d anchored his sense of identity and life’s meaning. His refusal to consider any other options wasn’t just about ego and preserving his image as an excellent doctor; it was about preserving any kind of meaningful future he saw for himself.
Pharma needed a plan that would fulfill all of the above. Turning the engineered virus on the medical facility was the most effective and efficient solution. Anything else would have made him suspicious in the view of either Autobot High Command or the DJD, and neither of those would have ended well for him.
Because of his goal to preserve his reputation and future in medicine, he couldn’t even risk revealing anything to First Aid or Ambulon, who would have seen to his ruin. They became nothing more than loose ends that had to be tied up, and based on the fact that Pharma only prepared one vial of the vaccine, his original plan involved him being the only survivor:
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He probably would have had no problem making more of the vaccine for anyone else who survived, but he wasn’t counting on it. He wanted a totally clean slate; in letting his staff die with most of his patients, he would be getting rid of any and all evidence and reminders of his failures. He may have cared about First Aid and Ambulon before things got bad, but somewhere along the way, he decided either it wasn’t worth it to go through the trouble of finding a way to save them without raising suspicion, or he didn’t want to risk them putting together the pieces later on.
Of course, when Ratchet showed up, plans changed.
Ratchet
Ratchet is not the kind of person who seeks first to understand or be understanding. He’s inclined to trust what’s in front of him over anything abstract, and tends to look at the results of someone’s actions over trying to find any kind of ‘why’ behind them. Also, unlike Pharma, he operates from a strong moral sense, and reacts quickly and strongly when something or someone goes against that internal moral sense.
Ratchet’s reaction to finding out what Pharma did may seem hasty and harsh, but it makes perfect sense on a human level. There is no such thing as unconditional love; everyone has personal and moral lines (boundaries), and they’re different for each individual. When the most rigid of lines is crossed, that’s it; walls go up and the offender is cut off, no matter how strong the relationship may have been.
Ratchet obviously knew Pharma well enough to think he could try talking some sense into him, but then Pharma revealed that he’d crossed one of Ratchet’s lines: murdering patients. Any willingness Ratchet may have had to try to understand vanished. By the time Pharma started trying to provide a ‘why’ for his actions, Ratchet’s moral judgment had already shut down any chance of understanding what could have possibly led Pharma to kill patients. It didn’t help that Pharma seemed totally unapologetic and outright proud of his plan. For Ratchet, the ‘why’ didn’t matter anymore. What he saw was what he trusted, and what he saw was a friend who’d become his idea of a monster.
Now, Ratchet and Pharma’s relationship is one of the most confusing IDW relationships I’ve had the pleasure and pain of dissecting.
It is notoriously difficult to determine the depth and strength of a relationship from the outside. However, I’ve decided to go ahead and address it anyway because it has the potential to provide insight into Pharma as an individual.
If I were to sum up Pharma and Ratchet’s relationship in a single word, I would use “ambivalent.” The first time I read MTMTE, the thing that stood out to me most about their relationship was the drastic differences between how they each perceived the relationship.
In one sense, there’s the idea of Pharma basically being Ratchet’s crazy stalker ex, which is tossed around in fandom a lot. While I personally dislike seeing it regardless of context (yes, even as a joke), I do see how JRO’s writing choices set things up in a way that makes it easy to superimpose that trope.
In another sense, there’s the idea that Pharma and Ratchet were always close friends, and that what happened at the end of the Delphi story was a betrayal of both sides that came out of nowhere and whose consequences were taken too far.
I disagree with both. Personally, what I see at the end of the Delphi story isn’t an obsessed ex gone mad, a sudden betrayal, or a badly executed backstabbing. What I see is a breakdown of an already-complicated and poorly-maintained relationship: true feelings being revealed, long-repressed bitterness being forced to the surface, carefully-hidden cracks being split wide open.
Most people don’t have an accurate understanding of how much or how little they truly know the people in their lives, often overestimating how well they know a person until something surfaces and blindsides them.
According to JRO, Ratchet was oblivious to Pharma’s romantic interest, and throughout canon, it’s easy to see Pharma was more invested in the relationship than Ratchet ever was.
The question is, did Ratchet ever care about Pharma at all? And if so, to what degree?
Yes, Ratchet calls Pharma “buddy” and “friend,” but the former was sarcastic, and the latter means something different to each person. Also, in light of the circumstances, Ratchet could have just been saying “friend” in response to Pharma saying it—an emotional appeal more than anything.
However, Pharma must have been aware of Ratchet’s lack of relational investment because during the confrontation at Delphi, Pharma’s first reaction wasn’t to appeal to their friendship (ex: “But you know me!”). Instead, he appealed to their shared profession:
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Then there’s the exchange of insults: 
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This is what I meant earlier by “true feelings being revealed.” Ratchet may have just been trying to match Pharma’s insult, but it’s unlikely it was merely reciprocal because while Ratchet is snarky at times, he’s sincere in that snark. There’s almost always some truth in his verbal jabs no matter how unserious they seem, and he’s never cruel for cruelty’s sake.
So, if Pharma saw Ratchet as an inferior doctor, and Ratchet saw Pharma as an inferior Autobot…it’s reasonable to assume there was always some deep-rooted competition and conflict preventing them from being super close.
Possible suspicion surrounding Pharma’s conduct as an Autobot paired with a tendency to misjudge the nuances of relationships could explain why Ratchet was so quick to decide Pharma was a lost cause. Maybe Pharma’s actions at Delphi confirmed something from the past that Ratchet had brushed off for whatever reason.
In any case, Ratchet seems to have been largely unaffected by the Pharma he found at Delphi. While leaving Messatine, he emphasizes that he’ll miss Pharma’s talent.
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Not “who he used to be.”
Not “what we used to have.”
Just…“his talent.”
Later, on Luna 1, Pharma mentions that he and Ratchet were inseparable, but that could mean a few different things:
Best case scenario: Pharma and Ratchet sought each other out on equal terms.
Worst case scenario: Pharma followed Ratchet around.
Somewhere in the middle: the job forced Pharma and Ratchet to work in close proximity most of the time, and while Pharma intentionally ran into Ratchet more often than necessary, Ratchet also sought out Pharma every now and then.
Whatever the case, working with someone every day doesn’t tell you anything about who they are as a person, and the amount of time spent with someone doesn’t automatically correlate to how deep the relationship is or how well the people know each other. It’s not like either Pharma or Ratchet are shown to be good at expressing their personal feelings outside of extreme circumstances. 
Ratchet does bring up late-night conversations of the past:
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But while this indicates there was something deeper between him and Pharma, because neither of them were ever shown to be super open with their true feelings, it’s unlikely the conversations were full of touchy-feely talk. In all likelihood, the conversations were mostly medicine and war-related, with the rare spark-to-spark talk sprinkled in. Also, considering everything up to this point, one has to wonder if those talks ever meant anything to Ratchet, or if he was just digging for something that might stall Pharma’s torture.
Maybe those late-night conversations did mean something to Ratchet, but whatever the case, Pharma didn’t take the bait. He knew Ratchet was trying to stall by making an emotional appeal, and perhaps he was convinced the conversations hadn’t meant that much to Ratchet.
Looking at all of this, it’s hard to believe Ratchet ever cared about Pharma as more than an interesting work friend. But even if he had cared more than he let on, it wasn’t enough to overcome the doubts he had about Pharma’s character.
As for whether Pharma truly cared about Ratchet, I’m convinced he did, but in a mostly unhealthy way, and with a strong undercurrent of one-sided rivalry. At some point, Ratchet had been an equal and a source of challenge, and he probably listened to Pharma pretty often. It’s reasonable to assume Ratchet was one of the only people—if not the only person—able to handle Pharma’s intense temperament and challenge him in a meaningful way, providing some semblance of friendship for Pharma.
However, one last thing that stands out is that, when telling Ratchet why he’s torturing him, Pharma didn’t say anything like, “Because you hurt me” or “Because you turned against me—your friend.” Instead, he said it was for “ruining things at Delphi” and because “you declared war on my body.”
Either Pharma wasn’t being entirely honest, or Ratchet’s friendship didn’t mean as much in the first place as he’d previously implied. It’s possible the ‘Because you hurt me’ was implied in “for ruining things back at Delphi,” but why not say it outright? Perhaps it was a fear of vulnerability and admitting there was ever a relational need at all.
At the end of the day, it’s difficult to say for certain how close Pharma and Ratchet were, but it’s clear they were never on the same page and there were always barriers between them.
Luna 1
Revisiting the matter of Pharma’s morality taking a backseat to other priorities, his time on Luna 1 further underscores this. Again, Pharma chooses his battles and is unwilling to put himself at great risk for the sake of others, but a closer look at the situation with Tyrest reveals there wasn’t really anything he could have done for the Cold Construct population even if he had wanted to. It would have been him against Tyrest, an army of Legislators, and a bunch of Decepticons. Pharma knew his limits, and seeing as his goal was self-preservation, it was perfectly rational for him to go along with Tyrest’s grand scheme.
Besides, it doesn’t look like he was given much of a choice:
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Although, knowing Pharma, he still would have demanded to know beforehand what he would get in return for the pain, and evidently, Tyrest held up his end of the deal since Pharma had access to the Luna 1 tech collection.
As for Tyrest’s plan to wipe out the Cold Construct population, there’s nothing indicating Pharma’s decision to turn a blind eye to it was rooted in malevolence or bigotry—just rational apathy: ‘I can’t stop Tyrest, so why concern myself with the outcome?’
Again, you can’t save everyone; Pharma had all he could do to save himself.
But it wasn’t all horrible. I would even go so far as to say Pharma found some happiness on Luna 1. Tyrest didn’t care about him, but he didn’t need Tyrest to care. Everyone else there hated him, but he didn’t need to feel like he belonged or was admired. At this point, Pharma’s only interest was Tyrest’s Luna 1 tech collection, and that meant playing nice so he could keep his reward. Back at Delphi, he probably assumed he’d never again practice medicine the way he’d loved; being brought to Luna 1 was an unexpected, yet welcome, second chance.
Even so, Pharma had his moments of cruelty. Back at Delphi, he had easily-identifiable reasons to kill patients—both the ones whose T-cogs he harvested and the 20 more he tried to kill when he shot the life support machine. But on Luna 1, he had no reason to be cruel, yet he chose to be. By this point, he’d mastered the ability to almost completely ignore or subdue his conscience.
In the case of Ratchet’s torment, one could argue Pharma only drew it out for retaliation purposes; it was personal for him.
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As for cutting Ambulon in half, it was obviously meant to be as gruesome as possible, yet also quick. But personally, I don’t think it was about Ambulon; it was more about hurting Ratchet. Due to the fact that Ratchet’s identity is wrapped up in his compassion and his ability to be helpful as a doctor, one of the most effective acts of revenge would be to do something that makes him feel utterly helpless.
Also I wonder if, subconsciously or consciously, Pharma was attempting to recreate the sense of helplessness he felt back at Delphi under Tarn’s watch: “Do you see, Ratchet? Do you now understand how it feels to have control ripped out of your hands? To be totally helpless?”
Next, for some reason, Pharma was invested in the promised execution of Getaway and Skids:
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He had no personal connection to either of them that would give him a reason to be interested, so maybe Tyrest told him he could perform the execution and/or have the corpses for medical experimentation. Either way, Pharma would have had a chance to use some of the tech in Tyrest’s tech collection, possibly explaining his excitement.
Of course, any chance of an execution disappeared when the final showdown went wrong.
When Pharma tried to escape to Cyberutopia and discovered he couldn’t pass through the spacebridge forcefield, he gave up. He’d been caught; he would no longer have access to Tyrest’s tech collection; Ratchet and every other self-righteous Autobot would never forgive him; and the morality lock prevented him from escaping. By all appearances, he would never again be able to engage in that which gave him a sense of meaning. He had shrunken his world down to his obsessive interest in a specialized field and one significant, yet unrequited relationship. With both of these lost, his world collapsed. 
Yes, guilt played a part in Pharma’s despondency, but because he seems to have been in denial of said guilt, it’s more likely his despair was primarily due to the fact that he saw no future for himself. He had nothing left to live for.
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In light of this, Pharma’s flippant comments to First Aid make sense. He wasn’t being insensitive as much as he was goading First Aid. Pharma’s not stupid. First Aid had a massive rotary cannon on him, and Pharma knew exactly which emotional buttons to push to get him to pull the trigger.
Pharma wanted to die.
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Adaptus
First, let me emphasize that Adaptus did not take possession of Pharma’s body. Instead, Pharma was the unwelcome guest:
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How Pharma ended up in Adaptus’ new body is a mystery, but whatever the case, Pharma didn’t pass on to the Allspark. Whether or not he had a choice can only be speculated.
First Aid had blasted Pharma’s head clean off, so whatever happened must have been related to the spark. Perhaps some residual spark energy was trapped in a body part that Adaptus repurposed, leaving Pharma tethered to the new body unwillingly.
Still, Pharma managed to assert his will and override Adaptus for a brief moment. Considering Adaptus was basically a god, this is impressive.
Based on Adaptus’ surprise at being interrupted, it seems he didn’t know Pharma was there. Why Pharma hadn’t tried to assert himself sooner is a mystery. Maybe Adaptus’ scheme was entertaining; maybe Pharma actually liked the company; or maybe he’d been waiting for an opportunity to get revenge on Tyrest for everything done to him back at Luna 1.
Sure enough, just like with Ratchet back on Luna 1, Pharma’s vengeful streak came out as soon as there was an opportunity.
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Unfortunately for him, this left him vulnerable, and Tyrest took advantage of the confusion:
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Conclusion
When someone reduces their world to narrow personal interests and one or a few very special people, their grip tightens around what little they have. They often become obsessive and possessive of the few things that make them feel alive, and their view of the world becomes increasingly more subjective and detached from the outside world. Pharma seems to have fallen into this trap.
Even so, in the context of the circumstances, several of the decisions he made were rational—even if coldly so. Oftentimes, “extreme” rationality and self-preservation are villainized in fiction, and characters like Pharma who don’t automatically put themselves at great risk for anyone and everyone are villainized, or at least looked down on. Their choices are often regarded as less human, but rationality and self-preservation are just as human as compassion and self-sacrifice.
Ultimately, Pharma was trapped and pushed over the edge into “insanity” by Tarn’s cruelty, but his own choices made from a place of pride determined how he fell, and how far he fell. It was a perfect storm of Tarn’s mind games and Pharma’s intellectual arrogance, excessive self-confidence, obsessive nature, and stubborn grip on the kind of future he wanted for himself.
Pharma is yet another Icarus who flew too close to the sun and paid dearly for it, and while JRO/the narrative could have given this Icarus better wings, that doesn’t change the fact that he chose to fly so high.
***
Many thanks to anyone who made it to the end of this monster of a post.
-tosses a Rodimus Star at you-
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loquaciousquark · 1 year ago
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Cazador's Ritual Runes, Translated
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Inner: AMPLIFY + HIM + FLOW + EMPOWR [sic] Middle: WE OFFER THE FORCE OF LIFE Outer: WE GATHER HERE TO INVOKE THE POWER OF BLOD [sic]
Mephistopheles can't spell for beans.
(Detailed analysis & conjecture regarding this text, the Rite of Profane Ascension, & Astarion's translated scars under the cut.)
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The second ring was the easiest, as the characters are very similar to Latin letters and clearly read out "WE OFFER THE FORCE OF LIFE." Characters were now known for C, E, F, H, I, L, O, R, T, and W. It wasn't clear yet if there were cases.
I was struggling with the first ring, though after decoding the second, I could get a likely "_M_LIF_ + _IM + _LOW + EM_OWR". Guessing the character for P, Y, and A based on context gave me "AMPLIFY + _IM + _LOW + EMPOWR", but I had doubts over the first characters for words two and three. I suspected they would be HIM and FLOW, but the H and F characters didn't match the H from the second ring's "THE" or the F from "AMPLIFY". Also, "empower" was misspelled, which made me pause.
Abandoning those for a moment, the third ring mapped well onto "WE _ATHER HERE TO I__O_E THE _OWER OF _LO_". Ruling out known letters which were not present, I could guess "WE GATHER HERE TO I__O_E THE POWER OF _LO_", but again the P from "POWER" was not the same as the P from "AMPLIFY" in the inner ring. However, it was very, very similar, and nothing else fit, so I committed, now suspecting there were capital versions of some letters included in the text.
At this point I went digging for resources. I found a copy of an Infernal alphabet on the Forgotten Realms wiki, and while it looks like the typeface Larian used is a bespoke creation for the game rather than a 1:1 copy of this alphabet, the letters for lowercase G, N, K, B, and D were nearly identical. Y (from AMPLIFY) also matched perfectly, confirming that earlier guess. This gave a clear "WE GATHER HERE TO INVOKE THE POWER OF BLOD."
This resulted in: AMPLIFY + _IM + _LOW + EMPOWR WE OFFER THE FORCE OF LIFE WE GATHER HERE TO INVOKE THE POWER OF BLOD
Looking at the wiki for capital letters, the only ones I could find which might reasonably fit the _IM missing character (assuming the Larian alphabet was based off this wiki typography) were A, B, H, O, T, V, and Y. Of those choices, only AIM, HIM, TIM, and VIM were words, and as cheesy as Cazador is, I couldn't imagine him saying AMPLIFY TIM FLOW EMPOWR. Given the alternatives, HIM was the only choice which made sense.
I went through the same process for _LOW, but this character seems unmatchable to me. By far it looks the most like the E from the Infernal alphabet, with maybe a capital Y being a distant second. However, ELOW and YLOW are certainly not words, and absent all other comparatives, the character in question does resemble a fancy F. Barring other languages, FLOW with a capital or unique F fits best.
AMPLIFY + HIM + FLOW + EMPOWR WE OFFER THE FORCE OF LIFE WE GATHER HERE TO INVOKE THE POWER OF BLOD
I did double-check the texts available in Cazador's mansion just to make sure this hadn't been translated elsewhere (after I'd done all the work, of course), and the only written text of relevance is from the Black Mass scroll you find near Vellioth's skull. It reads:
The Rite of Profane Ascension Oh, piteous dead! Oh, ravenous dead! Immortality is your gift, but darkness is your prison and hunger its gaoler. The Rite of Profane Ascension will release you. Walk in the sun. Suffer not from hunger. Grow your power beyond anything you imagined. A pact has been made with the Lord of Hellfire. Deliver unto him seven thousand souls, each bearing an Infernal mark, and you shall be free of your chains. You shall know true power. Deliver the souls. Speak the words. Ecce dominus, Has animas offero in sacrificio, Nunc volo potestatem quam pollicitus es mihi.
The Latin translates (as best I can tell with my incredibly weak Latin) to:
Behold [the] Lord, I offer these souls in sacrifice, I want the power thou hast promised me.
Which is interesting, but not clearly mapped to the Infernal above. Then I started wondering what relationship Astarion's scars have with all this, but thankfully, someone else has done the work here!
Astarion's scars have been transcribed and translated in a wonderfully detailed Reddit post by northpaw_s in 2020, but the salient points are that they appear to be in a mishmash of mangled Latin and Romance languages ("Infernal") and read:
Hoyc inferiu non iurare per igneu Naec virba loquor Eoai mundo muoat
Which appears to roughly translate to:
This soul swears no oath by fire Nor words does he speak In the realm of death
This makes sense if it's a fragment of a contract. I suspect the other spawn's scars are all identical to Astarion's for game mechanics/development reasons, but it'd be wild if they did have minor differences to complete the rest of the phrases! I know the scars don't show on their backs they way they do on Astarion's outside of the moment of the ritual, but it really does make me wonder if there's a complete text of the poem in some writer's documentation somewhere.
Anyway, what did you do with your Thursday night?
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alexawynters · 1 year ago
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Scarlet Whispers pt. 1
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Gif not mine
A/N: Title subject to change, not sure how I feel about it. This is my first published fic here so pls be gentle. Also I'm terrible at summaries.
Pairing: Wanda Maximoff x Female!Reader
Trigger warnings (let me know if I forgot to tag anything): Mentions of past child abuse, ongoing adult child abuse, stalking, horror, dubcon, kidnapping, stockholm syndrome, gaslighting, angst, smut. There will be bits of fluff tho.
Rating: M. Minors DNI
Summary: For the most part swap Vision with mutant Y/N whose powers were enhanced by the Mind stone embedded in her forehead courtesy of Hydra. Takes place post Multiverse of Madness, only instead of trying to kill America Chavez, Wanda taught the teen how to control her powers and in doing so, learned how said powers worked herself, becoming able to copy them.
With her newfound powers, Wanda searches the multiverse for her lost spouse and children. She discovers a universe where Y/N exists but she and their sons do not. This aligns with her plans, allowing her to avoid dealing with another version of herself. Using her powers, Wanda intends to make Y/N love her in an attempt to rebuild their family. Whether she does so willingly, or the Scarlet Witch makes her, both are acceptable to Wanda.
Masterlist here
Chapter One
A silent scream escapes your lips as you gasp for breath. Another nightmare. Damn, that's the third one this week, and it's only Monday. Weary, you wipe the sweat from your forehead and head to the bathroom to splash water on your face. It's finals week, and you have an exam in a few hours. A quick glance at the clock shows that it's already 3AM and you groan. Maybe you can manage to get a couple more hours of sleep before the rest of the night slips away.
Lately, for some unknown reason, your troubled mind has been subjecting you to night terrors that make you question your entire reality. These nightmares have been unusually realistic, and you frequently experience more than one per night. At times, you are haunted by so many consecutive nightmares, causing your friends to wonder if you are getting any sleep at all.
The sound of your footsteps padding across the floor is the only thing you hear as you walk from your bedroom to the adjoining bathroom to wash your face. You don't bother turning on the lights since you have a nightlight in the bathroom. You've never been a fan of the pitch black darkness in the bathroom, but the bright overhead lights give you a migraine at the best of times. As a result, your bathroom is mostly covered in shadows, usually just enough for you to do what you need to do and then go back to bed. However, tonight is different. As you accidentally glance up at your reflection, your eyes nearly pop out of your head as you see a pair of glowing red eyes staring back at you from behind, causing your heart to race.
As you spin around, you raise a fist to defend yourself against the intruder, only to realize that you are alone in your bathroom. You turn back to your mirror and find yourself alone once again. It must have been remnants of the nightmare. In a hurry, you turn on the faucet's cold water tap, run your hands under it, and splash your face. Although hesitant to fully look away from your reflection for fear of the 'intruder' returning, you still want to wipe the sweat from your clammy face.
It was just a bad dream. However realistic, it wasn’t actually real. Shaking it off, you quickly close the bathroom door and head back to bed, intent on getting as much of your remaining night’s sleep as you can before your exam tomorrow. Or rather, later today. 
A few hours later, you find yourself in your usual study spot at the university. The library is your safe haven, and it's definitely your favorite place to be. Even if you didn't have to study (which you absolutely did - you were so far behind if you had any hope of graduating with honors, you needed to spend every available moment here), you would often be found here simply reading a book. Your friends and professors are well aware of your voracious appetite for reading, so if anyone ever wonders where to find you, the answer is likely to be here.
Your first exam was in an hour, and you were cramming every last bit of knowledge you could before taking said exam. You needed the highest grade possible. Your future, your escape, depended on it. It could be argued that this desperation was why you initially didn't notice the sound of children's voices reverberating through the library. While the library was usually empty, it was not uncommon for adult students to bring their children with them to study when their own childcare plans fell through. It was inconvenient, but you tried to be considerate and simply tuning it out. Another day, another distraction, and you didn't have time for it.
Eventually, the disruptive sound became impossible to ignore, and despite your desire to not be rude, you needed to focus and get your work done. With more force than strictly necessary, you slammed your book shut, preparing to find a quieter place to study. However, just as you were about to stand up, two twin boys, around ten years old, came running down the library hall, filled with laughter and giggles, heading straight towards you. Your eyes widened as you realized they had no intention of changing their course - they were definitely going to collide with you.
Opening your arms to catch them, and hopefully prevent all of you from careening onto the ground, you found yourself asking “Hey what’s all this? Where’s your mother, you guys?”
The boys looked at you, confused. “What are you talking about, Momma?”
Your eyes turned the size of saucers. “Momma”? That was new. Someone must be playing a trick on you. How ~delightful~ you thought, annoyed. As if you weren’t already stressed out enough, someone had roped in a couple of kids to play a game of fuck around and find out. Well, whomever had put them up to this, when you found them, they were about to find out. 
The library's main door swung open, revealing the presence of an incredibly beautiful woman you estimated to be in her mid thirties, with fiery red hair and the most mesmerizing emerald eyes you had ever seen. Her appearance headed straight towards you left you speechless, immediately taking all the wind out of your sails. Oh well, you were always more bark than bite, you supposed. If you thought her looks were stunning, though, they paled in comparison to the melodic sound of her angelic voice.
“Billy, Tommy, come here boys!”
"Mommy!" the twins shouted at the same time before running into her arms. Part of you wanted to scold them for clearly breaking the library's code of conduct, but you couldn't bring yourself to do it when all three of them just looked so happy. You couldn't explain why your heart clenched at the sight of them either, but for some reason, now that the initial surprise had faded, you were soothed by their presence.
You observe their interaction, not wanting to interrupt their intimate moment. Your heart ached at how comfortable the family appeared to be with one another. Once the stunning woman appears reassured about her children’s well-being, she instructs them to go play and shooing them away before redirecting her attention towards you. You feel a pleasant tightening in your chest as her warm gaze focuses on you.
Even though the children have clearly disrupted your valuable study time, you find yourself dismissing it as if it were insignificant. "Oh, it's no problem, I understand how children can be." You don't, you have never had a sibling nor a child of your own, and you have never babysat a day in your life. 
"It's just that they missed you so much, darling," she whispered, her voice tinged with a hint of sadness.
“Huh?”
She takes a step closer, invading your personal space, and begins adjusting your shirt. One of the buttons had come undone at some point, and she seems determined to fix it. Part of you wants to point out that she, a complete stranger, should not be in your personal space, let alone touching your clothing. And what did she mean by saying that her children "missed" you? You didn't know them. You didn't even know her. Warning bells start ringing in your head, as you are pretty sure this is the plot of some horror movie. You should leave. This is not a level of crazy you can deal with right now. 
"The boys missed you, Detka. It's been a long time since you've been home, so we decided to come see you!" The woman finally finishes fixing your shirt and looks up at you. Though there is warmth in her expression, there's also a hint of madness, her once green eyes tinged with red.
“I-ah… that’s great, and all but I uhh.. I have an exam coming up, I need to get going.”
“Going?”
The warmth in the woman's voice is gone, replaced by a raspy iciness that sends a chill down your spine.
"My love, the only place you need to go is home, with us, your family."
You turn to face the woman and immediately regret it. Standing before you is no longer the woman in mom jeans and a plaid shirt. Instead, she appears to be dressed in some expensive sorceress cosplay that you estimate would cost thousands of dollars to create or purchase. When... when could she have possibly changed? Just a second ago she was dressed like a normal person, right?
Slowly, you take in the sight of her. Not only has her outfit changed, but her overall appearance as well. Her cheeks hollowed, the sockets of her eyes are sunken as if she hasn't slept in weeks, and her eyes are a glowing crimson. The same shade from your nightmares.
This isn’t real. This is another nightmare. One you need to wake up from. 
“Oh absolutely fucking not.” You whisper, as you turn and run.
Unbeknownst to you, the Scarlet Witch allows you to flee. With a flick of her wrist, she could have immobilized you, could have compelled you to accompany her, whether willingly or not, but she chooses not to. The pursuit begins, and she intends to enjoy herself. You will succumb to her, and do so quite prettily. She starts walking down the hallway after you, taking her time. After all, now that she has found you, she has all the time in the world to play with you.
Grace has never been a quality that you possess. In fact, you remember a song your mother made up when you were a child specifically to remind you just how graceless you were. Not that it helps you now, as your brain never finds the appropriate time to recall useless facts. Cursing your ineptitude, you rush out of the library as fast as your legs can carry you.
 Moments later, you’re throwing yourself into every door along the hall, however, none of them open. What is wrong with this place? Why is everything locked? You don't remember the university being so fond of locking everything, but then again, you only go to about the same four places. Variety might be the spice of life, but your stomach (anxiety) prefers a milder taste.
As you run, you hear the clicking of the woman's heels, hot on your trail. Or is she really hot on your trail? It sounds as if... you tilt your head, listening. She's walking? You think to yourself that surely you can outrun a woman walking in heels. Surely. (Your asthma would suggest otherwise). Abandoning yet another locked door, you rush further down the hallway. Maybe you don't need to outrun her or find a room to hide in; after all, barricading yourself would only delay the inevitable. Your goal is to reach civilization, to find other people. Speaking of which, where is everyone? Usually, this wing of the university is bustling with activity at this hour.
Exhausted, you pause to catch your breath, hands resting on your knees, hoping that you have managed to buy yourself some time. Unfortunately, your hopes are dashed as her low, raspy voice fills the corridors, humming what sounds like a lullaby in an unfamiliar language. The eerie sound sends chills down your spine, making it painfully clear that luck is not on your side. Where could she be? She is not next to you, nor ahead, yet her voice continues to echo, sounding almost...
Almost the same moment you realize the source of the danger, a hand reaches through the mirror from behind you and grabs your shirt with an unnatural strength. You scream loudly, hoping to alert someone in the building for help, but no one comes to your aid. "What the- LET GO OF ME!" You forcefully pull your shirt from her grip, tearing it in the process, and hastily retreat down the hallway.
To your horror, you see the woman's arm brace against the wall and begin to pull herself out through the mirror. You scramble to your feet, desperate to flee once again, with only one thought repeating in your mind: "What the fuck?!" None of this could be real.
"Y/N," a low voice said in a saccharine tone. "Where do you think you're going? Don't you know that I will always find you? I have crossed thousands of universes to find you, and now that I have you, I will never let you go." In any other context, this would probably be incredibly sweet. Currently however, it only fuels your fear, sending you into a blind panic. You have to escape whatever the hell this is.
Navigating through corridor after corridor you eventually  spot one of your classmates at the end, entering the exact exam room you needed to be in that morning. It's a desperate situation, but maybe they can buy you some time while you make your escape through a window or something. It’s not a brave thought, you’re not proud of it, but survival instincts have already kicked in. 
You quickly catch up to your classmate, despite initially being so much farther behind, managing to slide into the room just after them. The proctor promptly closes the door behind you. You're breathing heavily, and in your haste, you embarrassingly just slid into the backside of your classmate, with your shirt heavily torn. You must look ridiculous, but unsurprisingly no one questions you about it, your classmate simply looking miffed and whispering an insult as they move out of your personal space. The situation would be comical if you hadn't just been running for your life.
It’s fine. This is fine. Everything’s fine. 
Steadying your breathing, you make your way to the back of the classroom, nearest the window and stare apprehensively at the door. You’re expecting any second now for that woman to come barging in, but she doesn’t, and now here you are ready for your exam. Wow you must really be losing it. Stress induced hallucinations, that has to be it.
Although you were hesitant to simply continue with your day, the world doesn't wait for anyone. Whether you actively participated or not, your proctor would still grade your exam, which your future still depended on. You made an effort to push the hallucination from your mind and concentrate on the information you had retained for the exam, aiming to achieve the highest score possible.
Once you have completed the exam, you hand it in and cautiously enter the hallway. The grades wouldn't be posted until the end of the term, but you were confident enough in your answers to believe that you had earned at least an A. Whether it was an A+ or A- was still uncertain, but you were hoping for the former. So focused were you on your test that you had almost forgotten about the incident earlier that morning. For a moment, you wondered if you should visit the university's nurse. Although she was not an actual doctor, it was a free service, and perhaps she could recommend something. On the other hand, at worst, she would suggest getting more sleep, and at best, she would advise you to see a doctor, which you couldn't afford. Not to mention the argument your parents would start regarding the doctor’s bill (as if they were above opening your mail). Perhaps not. 
You had no more exams for the day, so it was time to go home. There were chores to do for your parents, and then you had to study for tomorrow's exam. If you were lucky, you could finish everything early and get a few extra hours of sleep, hopefully avoiding another hallucination like today. Rubbing the exhaustion from your face, you head towards the bus stop. It was early enough that the bus should arrive within the next fifteen minutes, and you would be home in about an hour. Everything was going according to plan. Tomorrow was going to be a great day, you just had a feeling.
Once on the bus, your exhaustion started to overwhelm you, your headphones doing little to drown out the ambient noise. Before long, you were fast asleep. Even if you were awake, you probably wouldn't have noticed the viridian eyes in the reflection of the bus window watching over you. Unlike before, these eyes didn't appear to be of malicious intent. If anything, they seemed to observe you with care and empathy. If the volume of your headphones spontaneously happened to outweigh that of the alarm you had set for yourself to awaken you for your stop, that was just a coincidence.
A/N 2: sorry but the writers of the M.o.M. butchered her character just to have her shoehorned into a villain role so Strange would have an adversary already established in the MCU as a powerful magic user - I'm still salty about it. However Ms. Olsen's performance was phenomenal. Anyway lmk if this is absolutely trash or if you wanna maybe read more? I have a couple of chapters pre-written but not the entire thing.
Many thanks to my editors @flowers-shouldnt-die, and Brooke for helping me through this and providing valuable feedback! Especially @flowers-shouldnt-die for her assistance with translations in helping me learn both Hungarian and Russian for this. Wouldn't have made it this far in the story without you :3
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vanillaanillav · 10 months ago
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flower symbolism in alien stage
So, we have two confirmed flowers mentioned in the series—Clematis from Round 1 and Edelweiss from Round 2—and the red flowers from the Anakt Garden. I have a few options for what those could be, so I’ll go over each option at the end. 
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Of course, Clematis is the most obvious flower reference. Here’s what they look like if you’re unfamiliar. It’s a beautiful flower, available in pink and purple varieties, colors which you can find in both of their color palettes. 
They represent transformation and wisdom, the pursuit of knowledge, determination and spirituality. Very compatible with the themes of the series, and specifically of Mizi and Sua’s love for each other. They deify each other and transform each other, through meeting and knowing each other. Sua’s knowledge of their world and Mizi’s lack of it is what leads to her death and to Mizi’s subsequent transformation.
Clematis grow on vines, constantly racing up towards the sun. Sua’s sacrifice, I think, is what will allow Mizi to finally reach it.
It’s really lovely and terrible. A perfect fit for them. 
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Now Edelweiss! It’s a very tough plant, but also very short-lived, and nearly impossible to get your hands on, as they’re native to the lonely peaks of the Alps. 
It’s representative of devotion, nobility, and purity, which is FASCINATING to me. There are many more romantic flowers out there, even ones with meanings specifically related to unrequited love, but Edelweiss specifically so perfectly encapsulates why I think Till likes Mizi. 
He sees her as something pure, untouched by the nightmare of their lives. She’s kinder than the others. Naive, still believing in good things like homes and friends and love. 
Even when he hallucinates her, he imagines her as a child, big-eyed and smiling—her purest form. He hates their capture. Hates living, fights and fights and fights. I think he clings to her as a symbol more than a girl by the point of the Alien Stage, devoting everything to this ideal of her, continuing to sing his confession at her even while she’s crumbled into a ball of grief. That version of her may not even really be the being he’s singing to. 
He clearly has her on a pedestal in his mind. When he loses that idol, both watches his friend lose her innocence and then his symbol of purity go apeshit and beat the hell out of their competitor, he loses everything. By the time we see him in Round 6 he’s been completely broken down by the system, never fully developing the will to live for himself, only for his Edelweiss. 
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As for the red flowers…
They have five petals, with a black center. Honestly, given that one of Mizi’s likes is “artificial Anakt flowers,” which are presumably these, they're probably not intended to be a specific type of real-world flower. But I’m going to play in the sand here anyway!
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Poppies have four or six petals, but they do have the dark core. Red ones specifically symbolize death and remembrance, which is… obviously fitting the themes of the series. But, the red flowers are used mostly to depict their childhoods, specifically their playful childhood love rather than their deaths. I think some of the other options are more fitting.
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Geraniums are commonly red and have five petals, but no dark inside. They symbolize deceit and preference, with the red variety further meaning stupidity and consolation. Yowza!!! 
Preference is clearly applicable—Mizi and Sua choose each other to give their flower crowns to, Till makes his flower crown for Mizi. It seems like a ritual among the kids that they give their flower crowns to someone they like.
Stupidity could be for Till not noticing Mizi’s clear mutual interest in someone else, or for Ivan, either not realizing that the flower crown he stepped on was Till’s or thinking it would get Till’s attention in any other way than Till jumping him LMAO.
As for deceit or consolation… I feel like these don’t quite fit? Deceit isn’t present in the scenes with the red flowers, though maybe in Sua and Ivan’s decisions to sacrifice themselves? Consolation is unfortunately not really present in the series at all. Much to all of our collective pain and suffering.
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So, petunias are my favorite option for the red flowers. They’re five-petaled and have the dark center, even if they're not as similar as poppies... just hear me out!!!
They represent two conflicting ideas—anger and resentment, and “being with you is soothing.” I think this fits all three of the pairs they’re shown in relation to. Till’s anger with Ivan in their childhoods for ruining his flower crown is pretty clear, his anger with him in general, even with the world.
Then Mizi and Sua’s reciprocated love—of course, being with each other is soothing, and Till finds Mizi soothing as well, as we covered in their section. 
I love the double meaning. I think the meanings flip as they age, as well. Mizi resents Sua for leaving her, and Till only realizes once Ivan’s gone that he did, in some way, appreciate his presence. 
Anyway I just had to get this out of my system because I have so many Thoughts about this series. Also fun tidbit: Till is said to specialize in floral art. Much to think about...
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return-of-a-space-cowboy · 4 months ago
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🧚‍♀️ Anon
I’m currently a little stuck on ideas for Werewolf Risotto so here’s some ideas I thought about for Risotto if he was Krampus 🎄
It would be so scary and amazing, especially with Risotto, because he would be so BIG (He would be covered in black fur with white patches that look like stripes, muscular goat legs, and huge horns) and his men would be twisted, murderous versions of Santa’s pals and toys
He’s been waiting for Darling to lose her faith and hope (This is a little bit based off the Krampus movie, since I’m only familiar with some of it) as she’s always had hope and faith even as an adult but now he can finally appear after she’s been pushed so far into hopelessness by the greed, corruption and cruelty of the villagers
He and Darling met when they were children (He was either a small monster with traits of unknown origin or was a normal human but his bizarre eyes made everyone think he was a monster) and gave her a small metal Christmas bell as thanks for what she did for him with the promise to return to her to make her his bride (It has his name on it)
Darling found Risotto out in the cold with everyone turning him away because of he’s a monster/has bizarre eyes (Darling took him in, despite her not having much) as it was the worst blizzard their village has ever faced (Darling gave Risotto a place to sleep, some food and a pair of mittens)
Now in the present Darling has been slowly losing her faith in Christmas from seeing the greed in the villagers (As all they’ve been doing is taking without giving, sharing or helping each other)
Darling does volunteer work at the Orphanage and is trying to stop the villagers from taking necessities, like food away from the children and destroying the children’s innocence with their cruelty and greedily nature
Either Risotto was a human but taken in by the Original Krampus to take on his horrific legacy (Either that or die in the snow) or he was the next Krampus for being born a monster with fur, goat hooves a little nubs for horns as a child (Darling found Risotto’s nubs to be adorable)
Risotto could only be summoned if everyone loses faith, with the children slowly losing faith because of the villagers and finally Darling lost her faith in Christmas (So he and his men went through every villagers home to kill and punish them all one by one)
He was willing to allow the Orphans to be unharmed but only if Darling comes with him and agrees to become his bride
Sorry if this is jumbled and mixed around, I tend to go from one place to another then come back and have a mess for an idea (My brain works in weird ways)
You can ignore this if you want since we’re not even close to Christmas (I just wanted my idea to be shared with you since I’m going to be a little stuck thinking about some Werewolf Risotto ideas to share with you)
Here we go part one of possibly three for the Christmas special. Part 2 is almost done, just have to add some details.
Here is the source to the beauty and the beast story
Ungrateful hearts pt 1
(Yandere Krampus Risotto X Female reader)
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[1] [2] [3]
Warnings: mentions of child abuse
You looked to the sky to see the dark clouds closing in, a blizzard from what the town's people said. You should have started making your way back but you still had to find more nuts and berries if you wanted something more to eat for the next two days before your father returned from the mines.
You could already imagine the warm stew he'd make, maybe he'd even have enough to get you both some new winter clothes.
However, until then you had to make do with what was available. So you continued searching until you noticed someone run past with the ring of a bell, hiding in the shrubbery. A child like you, you presume from their height.
You carefully approached the bush and softly pulled the branches away to reveal a boy just a little older than you but he was not quite human. A pair of horns protruded from his head and a pair of goat-like legs only just shown under the rags he wore. Tattered hair and fur a snow white, his eyes were a piercing red with black sclera.
The boy tried to run but you caught him by the wrist.
“It's ok, I won't hurt you” you tried to assure him. He looked you straight in the eye as he tried to get out of your grip.
“Liar, you'll tell everyone and they'll find me!” He hissed.
“You're afraid of me like everyone else, aren't you? I'm a monster” he continued. It broke your heart to hear him speak like that. Having a closer look you could see welts on his skin as well as a dog collar with a name tag and the bell you must have heard earlier.
You felt so sorry for him, he'd been through so much. He noticed your expression and took that as confirmation. He removed your hand and began to leave.
“a blizzard is coming in, you won't survive it” you warned him.
“And what other choice do I have?” He hissed.
“I live on the outskirts of town, no one will see you. You can stay with me for two nights before my father returns” you offered and he stopped in his tracks. He was skeptical, you could be trying to trick him. Could his master have spread the word of his escape so quickly? However he knew he wouldn't last if a blizzard was coming in so he hesitantly took your offer.
“Fine” he said.
“Thank you for trusting me, I can't let you die out there” you told him as you approached and offered him your coat and he took it greedily. It wasn't much but he needed it far more than you did.
“Let's go” you told him before taking his cold hands. You'd have to heat him up in a bath if you had time before the blizzard came in.
You both hurried out of the woods to the small cabin you lived in. You opened the door and let him in before shoving some snow into a bucket and bringing it in. The boy had quickly wrapped himself in a blanket.
“I'll light a fire, do you want something to eat?” You asked. He nodded his head so you set up a fire. You grabbed the frying pan that was hung above the fireplace before grabbing the last egg and slice of bread you had.
You sliced the bread into two pieces and cracked the egg before holding the pan over the fire. The boy was standing behind you watching it cook.
“I never asked you your name,” you said as you looked back at him.
“Risotto Nero” he told you.
“Well my name is (Y/n)”
“(Y/n)” he said your name, letting it roll off his tongue.
“Yes, (Y/n)” you affirmed before your attention returned to the pan. You flipped the bread again before leaving it to grab two plates. You plated up the toast and gave him the egg. He looked at the plate hesitantly before shoveling the food into his mouth. You had stared at him, you had never seen anyone scoff their food down like he had. He noticed you staring and stopped.
“What?” He snarled, half chewed food clearly visible in his mouth.
“You must really be hungry, I've never seen someone eat that fast” you told him. He continued eating, only after you asked him questions.
“Where did you come from?” You asked him.
“The circus” he told you with disdain evident in his tone. You'd never been to the circus before, always wanted to though from seeing all the beautiful prints in the newspaper. So why did he seem to hate it.
“What was it like there?” You asked out of curiosity.
“It's horrible. locked in a trailer, only let out when I'm forced to perform. Chained up and whipped for others amusement” he went on about how horrible it was.
You looked at him with horror, how could such a place be so cruel… and how could people watch his suffering for amusement.
🎁🎁🎁
In the night you woke up to the frantic jingling of a bell and looked to it to see in the light of the fire Risotto frantically pulling at his collar, trying so desperately to remove it.
“Risotto hold on” you told him as you got up and went to the tool box in the corner. You could feel the cold nip at your skin as the blanket slipped off of you. You rummaged through it, knowing he had something to help.
“Could you come here so I can get a better look?” You asked and he obliged. You inspected it to see a small lock on the back holding it tightly together. The leather looked too thick to effectively cut it without possibly hurting him, so instead you'd have to try lockpicking it. Luckily your father had taught you how to if you were in a bad situation.
You pulled out two thin bits of metal and told him to hold the lock in place as you fiddle with them until you feel the pins push up one by one til the lock clicked open. He began to yank on it to no avail til you pulled his hands away and undo the buckle, finally releasing him. It slid off, revealing reddened skin with layers that had been peeled away as a result of how tight the collar had been. You gasped as you saw how bad it was. He tried to scratch but you pulled his hand away.
“No, that'll only make it worse” you said before going to the medicine cabinet and grabbing a dark bottle filled with a brownish liquid and a cloth.
“This will hurt, but it should stop your wounds from getting infected” you told him as you undid the cap and poured the liquid onto a cloth.
As you dabbed his wounds he hissed while clenching his fists. He didn't know what an infection was but assumed that whatever you were doing was helping him. You wrapped up his neck and he went to sleep on the floor.
“Risotto, you can sleep on the bed with me. It's more comfortable and our body heat will get trapped under the blanket” you suggested as you patted next to you. You had been told sharing the bed with another man was only to happen after marriage but you didn't see what the issue was. This was the only bed here and how would anyone know.
He was hesitant but eventually crawled in and you both soon fell fast asleep.
🎁🎁🎁
The next morning you awoke to the boy nuzzling his head into your neck while hugging you tightly from behind. He muttered incoherently as he slept. You tried to wiggle your way out of his grasp without waking him but failed.
One arm moved away to rub his eye as he woke up. He got up and groaned. He seemed to be uncomfortable.
“Are you alright?” You asked.
“Everything feels sore… why am I sore? I've slept on the floor and been fine” he questioned.
“Oh it's probably because your body isn't used to it, I remember when we changed the mattress a few years ago my dad was complaining” you explained to him.
He decided to stare out the window, the blizzard had passed but there was far too much snow to safely leave. He didn't speak until he noticed you sitting on the mattress reading a book. Climbing onto the bed to look over your shoulder.
“What is that?” He asks.
“It's a book, it's about a girl who sacrifices her freedom to save her father. She's locked inside a castle with a beast but slowly grows to love him” you explained.
“Love?” He asks. Yet again it pained you to imagine what kind of conditions he lived in.
“It's when two people feel close with each other, they share a strong bond with one another,” you explained.
“If you want I could read the story out to you” you offered. He sat next to you and you turned back to the first page and read outloud.
🎁🎁🎁
"You are very obliging," answered Beauty, "I own I am pleased with your kindness, and when I consider that, your deformity scarce appears."
"Yes, yes," said the Beast, "my heart is good, but still I am a monster."
"Among mankind," says Beauty, "there are many that deserve that name more than you, and I prefer you, just as you are, to those, who, under a human form, hide a treacherous, corrupt, and ungrateful heart.”
You read out to him and he could only think about yesterday. Despite being a freak you had helped him. Offered him a place to stay and shared the last of your food with him. He felt indebted to you, but he couldn't stay as much as he wanted to.
"If I had sense enough," replied the Beast, "I would make a fine compliment to thank you, but I am so dull, that I can only say, I am greatly obliged to you."
Beauty ate a hearty supper, and had almost conquered her dread of the monster; but she had like to have fainted away, when he said to her, "Beauty, will you be my wife?”
“Wife?” Risotto asked you.
“Oh, when two people love each other they marry and become each other's husband and Wife” you explained.
“They live in the same house, share the same bed and share their lives with one another” you continued before returning to the book.
🎁🎁🎁
"I know your hearts, and all the malice they contain. Become two statues, but, under this transformation, still retain your reason. You shall stand before your sister's palace gate, and be it your punishment to behold her happiness; and it will not be in your power to return to your former state, until you own your faults, but I am very much afraid that you will always remain statues. Pride, anger, gluttony, and idleness are sometimes conquered, but the conversion of a malicious and envious mind is a kind of miracle."
Immediately the fairy gave a stroke with her wand, and in a moment all that were in the hall were transported into the prince's dominions. His subjects received him with joy. He married Beauty, and lived with her many years, and their happiness as it was founded on virtue was complete.
You yawned as you finally finished. It was pitch black outside. You looked to Risotto who was in a similar state to you.
“Do you think you'll ever marry anyone?” Risotto asks.
“Well I don't know anyone I would at the moment… Besides, my father tells me I am far too young to marry” you tell him.
“Then what if we married? We've already shared a bed?” He asks. You couldn't tell if what he was asking was theoretical or if he actually meant it.
“Ummm… well I'm not really sure, I think we'd need to be older before I knew for certain” you told him, and you thought that was the end of the discussion.
🎁🎁🎁
The next morning you woke up, your father would be home this evening so Risotto would leave. The snow seemed to have mostly melted, allowing safe travels once more.
When Risotto woke up you helped him get ready. Cleaning his neck and even offering him your coat.
“(Y/n)” he said as you buttoned up the coat.
“Yes?” You asked as you looked up at him.
“One day I'll come back for you, we'll get married” he told you as he put his collar in your hand. You were stunned. You didn't know what to say for a while.
“I look forward to that day” you eventually told him before he ran out into the forest.
Hours later your father came back. You ran out to greet him and he hugged you back.
“Where's your coat? You'll get a cold in this temperature” he asks.
“I lost it the other day” you lied.
“Well I guess I'll have to give you your Christmas gift early” he sighs.
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damianbugs · 7 months ago
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Hi I am currently poking my nose into dc comics and especially Batman.
Do you have any favorite runs that are hopefully collected in omnibus format or absolute editions?
I already have the Scott Snyder/greg cappulo run, the Paul dini run and I just bought the Batman and robin run by Peter tomasi. (Only the Peter tomasi one is unread and I liked most of the other Omni’s)
I also read a bit of the grant morrison Batman but I don’t enjoy reading him tbh.
Would love to hear your thoughts as there is no good way to currently read dc in my country, the digital versions for sale are very expensive and the subscription service is also not available in my country.
hi!!! always so happy to give comic recs!
the Batman: Black and White Omnibus is one of my all time favourites! it is an anthology collection of many different stories from the three Batman: Black and White runs (1996, 2014 and 2021) as well as some issues from Batman: Gotham Knights.
while there is no ominibus announced yet, Ram V's Batman: Detective Comics: Gotham Nocturne currently has 3 collected volumes out! there are 5 in total, but the other two don't come out until like... 2025. it's probably one of the best tec runs we've had in decades.
Batman by Jeph Loeb & Tim Sale Omnibus is a classic since it's got The Long Halloween, Dark Victory, Haunted Knight AND Catwoman When In Rome. so you get a wide cast of batman rouges and bruce and dick's early days!
also the collected omnibus for Knightfall vol. 1-3. quite possibly the best main batman arc of the 90s!!!
Batman by Neal Adams Ominibus is also really good, but since it collects issues from the bronze age (late 1960s to 1980s) people find it a bit harder to follow in its coherency. personally i think it's worth it because it collects SO MANY batman comics that adams worked on, including; Brave and The Bold, Robin, Saga of Ra's al Ghul, Batman Odyssey and so many more!
so so happy to hear you've got Batman and Robin Omnibus by Tomasi and Gleason, since that is my number one most recommended collection of all time. and don't you worry, i always avoid recommending grant morrison unless i absolutely can not avoid it 😔
i also always say that if your local library/charity shop doesn't have the comics you're looking for, pirate them on the internet! if you need specific websites, message me :) hope this was helpful! i also have a couple comic lists collected on my comic geeks you can view for free!
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tastylemonbread · 11 months ago
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At long last, Library's bio is here! A plain text version is available under the cut.
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The next god to receive a bio is being voted on now here!
Image 1:
[This one is divided into sections, kinda like a newspaper. The specific formatting isn't really relevant, and it's pretty plain anyway.
Library, #17
Domain over data, memory, and organization.
AKA The Librarian, The Archivist, The Cryptkeeper
[Next to this first section of text is a neat black and white drawing of Library's sigil, a simple symbol comprised of a 2x4 grid of eight rectangles forming a square. The borderlines of the square extend a little past the corners, and an extra line lays horizontal at the bottom of the symbol.]
(next section of text)
PRIMARY:
As old as written word, Library has sought to archive all written works, but expands their purview to include new technologies as they are invented. Though many may assume Library to be meek and nerdy, They can be quite a powerful force if they want to be, possessing abilities such as teleportation, mind reading, and spatial manipulation. It's rare to see these powers used outside of the Grand Library. Being arguably the god of information, they have quite a good understanding of the human mind, and can effortlessly transmit and receive thoughts as long as they have physical contact with the person. Even gazing into Library's odd shelf face is enough to get the mind racing, overclocked with too much miscellaneous information to process. Despite all this, Library is pretty incompetent when it comes to social interaction.
(next section of text)
DOMAIN:
Library holds domain over every written word, work of art, video, audio recording, line of code, punch card, receipt, label, stone carving, and anything else that may be used to store precious precious data. Though Library considers each of these (and more) to be fall under the umbrella of their domain, they do not have control over these. Rather, Library can simply feel when something like that is created, and a copy is set into Library's mind.
(next section of text)
REALM:
Like many other realms, the Grand Library is located on a plane of existence  parallel from standard Earth. The Grand Library does not appear to have a floor, walls, or a ceiling, instead contained within a hazy white void filled with neat rows of bookshelves. Despite there being no visible floor, one can walk around as if on solid ground. The rows of shelves go on past what the eye can see, and the place is so large that finding another visitor is incredibly rare. The only entrance and exit to the Grand Library is a set of very large fine oak double doors which connect to the lobby of the Bureau of Divine Intervention, which is the realm of another god that I won't elaborate on here. There are other ways to access the Grand Library, but those doors are the only permanent fixtures. A reception desk is by the entrance inside the Grand Library, at which Library is typically stationed. Since the Grand Library is so inconceivably large, a guide is always needed to find a specific book, and that guide is Library. They can take your hand and instantly zip you to where you need to be. The process is very disorienting, especially for mortals and those who don't regularly visit. Library can always sense where you are, and can always hear you ask for help so long as you are in the Grand Library.
(next section of text)
Relations with other gods:
good: monument, arts, drama, machine, health, hive
bad: flame, sea, war, death, rot, fear
(end of the first image)
Image 2:
[Standing in the center of the image is a tall, slim figure with one hand behind their back and the other raised to wave awkwardly. They are wearing a plain yellow raincoat that conceals most of their body, and brown gloves and boots. Their neck is long, curved, and round, made up of a thick tube of wires with a metal zip-tie keeping them in place. Their head is a cubic bookshelf, with the open side of the bookshelf acting as their face. The multicolored books within the shelf head are arranged in a way that resembles the static color bars of an old CRT TV. There are two more doodles of their head from two different angles, which are described in upcoming text so I'll leave it out here. Around the figure are bits of text that kinda correspond to various physical features of the god.]
(these are the bits of text:)
When walking, their head bobs like a bird.
head is actually a bookshelf, with four little shelves at the bottom. Library's sigil in burned into either side. On the back of their head is a little computer with some wires connected running seamlessly into the shelf.
Big weird hands. Also wires?
Seemingly normal raincoat with a reflective stripe. Nobody's ever actually seen what's under it.
in comparison to other humanoid gods, library is very lanky, standing at 7'3" (222 cm).
Leaves no footprints?
(end of the second image)
Image 3:
[This one has sentences and paragraphs placed around without much purpose. There was some empty space, so I copy + pasted the same doodle of Library laying on their stomach with their feet in the air, but I stretched out the doodles to make em look sillier.]
MISCELLANEOUS BITS:
Prayers, summons, and ceremonies are often answered with very verbose personal letters expressing gratitude, and rarely result in actual face-to-face communication.
Library has been spotted reorganizing human libraries and archives on Earth. They admit that this is a guilty pleasure of theirs, as they usually try not to get involved in mortal affairs otherwise.
All publicly available books in the grand library have been translated into a "universal script" which can be understood by absolutely anybody who is able to read in at least one language. Library is eager to teach people how to write universal script, but lessons are so long and dry that Library is still the only one who knows how to write that way.
Though Library's life is known to be well documented, they have taken efforts to seize all record of their past and politely refuses to share these records publicly.
The largest book in Library's head is actually a binder filled with articles, notes, photos, and other information about each of the gods. Library doesn't actually need to consult the binder, but they like to update it often.
Like many other gods, Library's voice is heard from a listener's POV as if it's just a voice in their own head. Library's "voice" varies depending on who hears it, but consensus seems to be that they speak gently, eloquently, and with a vaguely African accent.
Pulling on their wires isn't a good idea.
Though they appreciate Order's efforts to document and regulate godly affairs, Library finds it too much of a headache to navigate the Bureau of Divine Intervention, and tries to stay away from anything to do with it.
Miscellaneous books and scraps are always seen floating around the Grand Library, sliding into and out of shelves.
(end of third image)
This is the most I've had to describe, but lucky me, most of the images are just comprised of text. If there's any unexpected issues with this plain text version, please let me know. Even if it's just nitpicks, I'd love to hear it.
Thank you for reading/listening to my silly thing :^)
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genericpuff · 2 years ago
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https://www.instagram.com/p/CvO2Fo1vbJU/?igshid=NjZiM2M3MzIxNA==
I don't know if you have seen the last thing RS posted on instagram, and I don't wanna sound mean or like I'm criticizing every single thing she does, but, why does this feels a bit off? Like, I know every author needs money, and that's why they sell books, special editions and merch from those books. But seeing how some people who went to that last "book signing" now want to order or buy ANOTHER lo book just to get an autograph or that "exclusive doodle" feels a bit... Idk, bad? Like, the fans have to spend more money than other fans just to get this stuff? It feels a bit like what happened with that Persephone + Ares book that had a special edition that was all black, but costed more than the regular edition so the fans had to spend more money if they wanted their lo novels to look good together. Idk, maybe i'm just seeing too much into it, but I still wanted to ask your opinion on the matter.
Love your work, btw. Lo rekindled is so good, and your art is beautiful!
OKAY SO
I DIDN'T KNOW ABOUT THIS INSTAGRAM POST LOL
so I looked into it and yeah! it's off! it's super off!
story time, but there's this band I'm really into where, 1-2 years ago, they had released two new separate EP's, and they were selling them individually as special editions, only for them to then SELL THEM ALL OVER AGAIN AS BUNDLED VERSIONS AND THIS JUST LIKE
IT FEELS VERY SIMILAR LOL
there was also a time where this Youtuber musician my husband was really into was selling vinyls, and we managed to snag a copy in the hour that they were available, only for them to start selling SIGNED copies the week after they had sold out of the original prints
it's just an overall "ech" move because it really screws over your audience for paying attention/getting in first, y'know? That's what's such a big deal about being in a fandom, a lot of people like being "first" so to sell something under the precedent that it's "limited edition" just to print more with an even COOLER thing attached feels like such a fuck you. They're literally just trying to gouge more money out of people who have already bought the thing and "need" the exclusive copy.
This just goes to show btw there was nothing stopping her from signing books personally at SDCC. That feels like such a middle finger to the people who paid money to go to and be at SDCC (travel costs AND attendance costs) esp the people who cosplayed as LO characters and were clearly specifically there for Rachel just to be given a stamp and shooed away with zero conversation (as I talked about in a previous post) and then find out later after you've already gone home days later that you can get a PERSONALLY SIGNED AND DOODLED COPY if you go and buy a brand new book in one specific bookstore. That's so lame man, I can't even.
Just to add btw, not related to your ask really, but it really goes in conjunction with it, there was a tweet recently from Rachel advertising some new t-shirts.
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But people who bought the shirts reported that they're INCREDIBLY cheaply made and don't look anything like the products listed. You can even see the low ratings on them but when you actually view them-
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I do not feel the need to say it any louder for the people in the back, it's being spoken clearly at this point - WT and Rachel are cashing out on what little merit they have left, they do not care.
AND Y'KNOW WHAT I FOUND OUT WHILE WRITING THIS POST ????
THEY CHANGED THE FUCKING THUMBNAIL!!!
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THAT'S NOT WHAT IT LOOKED LIKE 2 DAYS AGO, I CHECKED IT MYSELF BACK WHEN IT WAS FIRST POSTED TO REDDIT AND IT WAS THE GREEN VERSION.
THEY'RE LITERALLY CHANGING THE THUMBNAILS AND ADS TO DISCREDIT THE REVIEWS BEING LEFT.
DO NOT FALL FOR IT. BUYER BEWARE.
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inkymkk · 4 months ago
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Hey, I'll be polite first obviously, how are you?
do you have some fanfics you like so much about Palletshipping?
I'm looking for recommendations to read :D thanks
I started reading a lot of their fanfics in 2014 in my own language (Brazilian Portuguese) but currently there aren't many stories lol but I wasn't much of a shipper, I just liked reading stories, I think I started to like it on the show more after rewaching OS...especially Jotho (it was from power and play - Blacky! Battle During a Dark Night!! I think, and Diamomd and Pearl when they appear for 2 episodes) Oh well, there's all of Kanto and Jotho in Portuguese by an old Fansub from 2006 until 2018, that even subtitled Black and White, but he didn't finish Battle Frontier (the only one, actually) so another Fansub is taking it to finish it.
Also, where in the anime did you start shipping them? If it's a separate post, can you send a link so if as not to repeat the question If you have already answered a similar question, but changed your mind about something or have something new, you can add it
This came out bigger than intended sorry lfmao.
A very interesting post about Zensho if you intend to read it unfortunately it is an almost lost media...It's very difficult to get a physical copy and the translation that is available is not accurate according to the translator himself but it's still fun to read (it's one of my favorites) It seems like a mix of fidelity to the Red and Blue games with elements from the main anime, but factual differences between the characters' stories. Mainly more stuff about Oak/Shigeru's family I think it could be incorporated into Gary's character or not, I think that's up to people.
I think Shigeru's jealous relationship over Satoshi winning multiple times is funny, but there's a good reason behind it and the conclusion is adorable so I'm okay with it.
I wish more people knew Zensho because their dynamic is precious to me.
Another huge text omg...Thanks for reading again
Good!
I actually don't read Palletshipping fanfics often or even..at all.., But I do reccomends finding some at AO3, good shit there, I've seen really good mandarin shigesato fics actually, can't remember who wrote it..
Story time, I used to be a Gousato shipper actually.. (but for some reason when I saw the episode where Gary was coming back I was so excited and shit, mind you, I've never watched much pokemon anime prior to this, And the only pokemon anime I watched clips of was XY and black and white and yet the episode Gary came back I was jumping up and down.) I was in a relationship with a Gou kin back then but ya know some things never last.. just this year! I started to realize how much I actually truly liked shigesato (new year new me I guess.) I've always had liked it during my gousato phase (infact if I never invited that Gou kinnie to a RP server I used to be in I think It would've been a shigesato simp earlier lmao.) and once me and that old Gou kinnie started falling out I started to consume for Gary content and watching the original gen 1 anime and... That's when my storage space died bc I started downloading full videos and images.. teehee
Also that's a shame, hope someone in the fandom could find a link or something for the manga, I haven't had the time to research or find it yet so.. also I'm def drawing all 3 Gary versions one day, with all the blues...or green..or..glue..hhheheheh.... I want KitKat
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swantranslations · 1 year ago
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Fullmetal Alchemist Exhibition -Hong Kong- Highlights & Cafe Menu
Guess WHO just came back from the fma exhibition today! I am still in my serotonin rush as I type out this post. Upon a mutual's request, I am sharing highlights and key features of this time's exhibition, especially the Hong Kong-only elements. Hope this helps anyone who is considering going and wants to know more about it!
All photos here are taken by myself. (aside from the last few which are from a news report)
See also: list of available goods + pricing (to be updated)
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Obligatory Entrance Photo!
Same as the original exhibition in Japan, at the entrance, there's the 20th anniversary Ed & Al figure, a 1:1 Al statue, and an animated transmutation circle that you can pose at.
(It is very hard to get the right timing to put down your hands though, since it moves really fast xD)
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Copies of 300+ genka are shown, and as you can see here, translated versions of the comic panels are displayed underneath the framed genka copies, which I think is very nice.
Unfortunately, much like the previous Malaysia exhibit, these are not the original genkas (it's probably too risky to ship them overseas?) but seeing these copies still made me really happy and the set-up is really awesome:) (link to set-up video)
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Can't forget the coloured pages, of course! There's also one original signed illustration, but you're not allowed to take pictures of it, which is a bit sad but understandable.
There are also multiple special animations; check one of them out here!
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Costumes and props from the live-action movie are also displayed. The level of detail is really really nice ^^
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HK limited photo spots (modelled by me):
I am not sure if it's 100% accurate, but from what I have heard these two photo spots are Hong Kong-only. Please correct me if I am wrong!
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Left: a wall with Mei's kunai that you can pose in front of and pretend to be Ed gaining back his right arm. Absolutely impossible to take a photo there while maintaining a straight face because it is ungodly hilarious and ridiculous. 6/10
Right: Gate of Truth door curtain near the exit; Very fun to push open and act out another iconic Ed scene (video link), or sit there and speak in a mocking ominous tone. 10/10
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Cafe:
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After the exhibition, you can find the cafe inside the gift shop area. There are two extra-special items and a few other snacks that you can order; Listing all food items & their prices below!
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Because I didn't order the special items, the below three photos are from HK01's report on the exhibition.
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Left: The Flame Transmutation Set is fish cake + yakitori, and when you order it you'll get the food in a small black box, then the staff will help you light it up when you snap at it; basically you can pretend to be Mustang and "cook" the yakitori yourself xD
Right: The (Full)metal Transmutation Drink is peach soda, but it comes unmixed; you can put it on a special table with a transmutation circle drawn on it, and the table will shake and mix the drink for you. The idea is you can make your own liquid philosopher's stone and drink it lol
I think they're both really stupid but in an endearing way I guess lmao
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It's really late so I will organize and post the list of available goods tmr :3 stay tuned!
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whimsicallyenchantedrose · 5 months ago
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Thanksgiving Reruns 2024--Chapter 3: Black Friday (pt. 1/3)
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It’s that time again; the holidays!  I would like to wish all my followers who celebrate it a very happy Thanksgiving.  As a thank you to you (as well as my followers who DON’T celebrate), I present you with 3 Thanksgiving related stories I’ve written in the past.  Enjoy!
Title: Black Friday—Chapter 1 of 3
Rating: G
Words: 1442
Summary: CS as single parents AU. As the holidays approach, Emma’s son Henry and Killian’s daughter Alice ask for a specific storybook which will ONLY be available for purchase on Black Friday.
 Other Chapters: 1 2 4 5
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Black Friday—Chapter 1
One week before Thanksgiving
“Do you really think it’ll work?” she asked, leaning forward, eyes bright and delighted.
“It’s perfect!” he answered. “Trust me!  Our plan will work like a charm.  Just make sure you give him Miss French’s flier and make him see how much you want it.  I’ll do the same with her.  By Christmas, we’ll be celebrating our success.”
She grinned.  “Oh, I hope you’re right!  Can you imagine?  If we pull this off, everything will change forever!”
~*~*~*~*~*~*~*~*~*~*~*~*~
The morning after Thanksgiving
The alarm clock roared to life as a way, way too enthusiastic version of Jingle Bell Rock blared from the speakers of her clock radio. Emma groaned, reaching blindly over to slam the button on the top of the alarm and make the noise stop.
3 am.  It was entirely too early for any sane person to be awake.  Even the early birds were still peacefully snoozing in their nests.  It was only the crazy humans, intent on getting the best deals on the best Christmas gifts who would submit themselves to this kind of torture.
She hoped the payout was worth it.
Her bed was so warm, so comfortable, that for a split second, Emma considered just forgetting about the whole thing and going back to sleep, but then she thought about Henry.
It had been a difficult year for him, for both of them really.  They’d had a great life in New York.  Her bail bonds gig had paid well enough that they could afford a wonderful apartment. Henry had lots of friends at school.  She’d had a guy she loved, a guy she really thought was the one.  He’d seemed great with Henry, and Henry had really liked him.  
Walsh had proposed a week before Halloween, and Emma had really considered saying yes.  Granted, she didn’t feel the epic, sweeping, melt-into-a-pile-of-goo passion you see in movies, but she did love Walsh, and he could be a wonderful addition to the little family circle she and Henry had put together.
At least that’s what she thought.
Emma had made up her mind to accept the proposal when it all went south.  Turns out Walsh wasn’t at all who he said he was.  He’d been playing a long con on her, doing his level best to steal her money and assets right from under her nose, and she felt like a fool for buying into it his b.s.  She was smarter than this!  She ran the honey trap on bail jumpers; she knew the playbook.  How did she fall for it?
She’d just so badly wanted that perfect, white-picket-fence life for herself, and especially for her ten-year-old son, that’s how.
After everything had so epically crashed and burned with Walsh, Emma had just wanted to get away.  She’d wanted–needed–a new start, and so when her brother David had mentioned the opening for a deputy in the tiny town of Storybrooke, Maine, where he lived with his wife Mary Margaret, Emma had jumped at the opportunity.
Within a week, she’d uprooted her whole life–and her son’s whole life–and moved to Storybrooke.  For the moment, she and Henry were crashing with David and Mary Margaret in their tiny loft apartment until Emma could find them their own place.
The move had been the most difficult on Henry.  All he’d ever known was back in New York–friends, school, entire lifestyle.  Small town Storybrooke was like a totally different world than the booming metropolis he was used to.  Her normally happy, vivacious kid had been quiet, almost withdrawn since they’d arrived in Storybrooke.
Emma knew kids were resilient, that Henry would bounce back, but she felt so damn guilty for causing him stress.
And so, naturally when Henry had come home a week ago, excitement bumped up to a level ten, talking a mile a minute and waving a flier in her face, Emma had taken notice.  Turns out the school librarian Belle French–who was also the owner and proprietor of “A Tale as Old as Time”, Storybrooke’s best (and only) bookstore–was holding a special Black Friday sale on a very special storybook, entitled Once Upon a Time.  She had one copy, and one copy only, and the rare book would normally sell for an exorbitant price–somewhere between an arm and a leg.  On Black Friday, however, she was offering the book for dirt cheap, but there was a catch.  The price was only good during the special, Black Friday early bird sale.  Doors opened at 4 am.   First person to touch the book had the opportunity to purchase it.
Henry had always loved stories, and he’d been particularly fascinated with fairy tales.  Naturally, a book chalk full of them would be right up Henry’s alley.  Faced with the prospect of getting Henry the perfect gift, the gift that would finally bring him some joy after the difficult last few weeks, it was a no brainer.
Waking up a few hours before the crack of dawn was a small price to pay for her kid’s happiness.
Emma pushed aside the covers and got up, throwing on the first pair of clean clothes she could find, twisting her hair into a messy bun, and then downing the strong coffee her sister-in-law had set to brew for her.  By the end of her second cup, she was feeling almost human, and she was ready to brave the hordes of Black Friday shoppers to attain her prize.
It was a quick, five minute walk to the center of town where “A Tale as Old as Time” was located, and Emma made it just as the cheerful brunette proprietor was unlocking the doors and letting her first customers in.  Emma knew just where her target was.  She’d scoped out the bookstore over the weekend, getting the lay of the land and mapping out her plan of attack.  She knew just where to go, and within sixty seconds of the store opening, she’d reached her target.  It was right there, in sight.
Emma reached for the book, her hand made contact–just as another hand did as well.
~*~*~*~*~*~*~*~*~*~
Killian Jones had lived a difficult life.  He’d seen more heartache and tragedy in his thirty-five years of existence than most people did in a lifetime.  Aye, it had been an incredibly difficult life, but it did have one bright, shining spot.
His daughter Alice.
His one-night-stand with Alice’s mom, Eloise, had been a mistake of epic proportions, but Killian would never regret it, because it gave him the greatest blessing of his life, his precious little starfish.
Nine months after their dalliance, Eloise had suddenly showed up on his doorstep, placed their newborn daughter in his arms, and then walked out of their lives forever.  For himself, Killian couldn’t have cared less.  He felt nothing but revulsion for the woman who’d gotten him blind drunk and then taken advantage of him that night nine months ago.  In the bright morning light, he’d been disgusted with her, with himself, and with the entire sordid affair.  He’d have been more than happy if he never saw her noisome face again.
No, he didn’t care if she walked away from him, but his heart had broken at the fact that his tiny, perfect daughter had been abandoned by her mother.  Killian knew from first hand the agony of being abandoned by a parent, and it tore him up inside that his beloved daughter had to deal with it as well.
Though having a child was the farthest thing from his mind at the time, there’d never been any doubt what he would do.  Alice was his daughter, his precious child, and he would do right by her no matter what.
Ten years later, he thanked his lucky stars every single day that he’d made the choice to raise her.  Alice was the most important person in the world to him, and there was nothing he wouldn’t do for her.
So naturally, when she came home from school all excited about the book Miss French was selling, Killian knew exactly how he would be spending his very early Black Friday morning.
He’d arrived at “Tale as Old as Time” just as Miss French opened the doors.  He rushed to the back of the store, his prize in sight.
He grabbed the book just as a gorgeous blonde made contact.  
“Um excuse me,” she said with a frown.  “This book is mine.”
It appeared this shopping expedition was going to be more difficult–although possibly more intriguing–the blonde truly was breathtaking–than he’d expected.
Killian grinned.  He’d never backed down from a challenge, and he didn’t intend to begin now.
Next Chapter–>
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skaruresonic · 8 months ago
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Even ignoring that, Oshima doesn't write the games, nor has been in the franchise for decades. His opinions have also definitely changed as well (from being annoyed by the Harmony Calendar art by other artists overly mascotting/cutifying Sonic, to blanket "they good" now cuz fondness of all 90s)
He's a good resource for dev of stuff in the initial games and inspiration for char designs, but is generally unaware of char writing besides basic traits
Though his view on Eggman being not evil evil might be cuz Sonic 1 dev Eggman being the main villain was an afterthought. And people pressure him to prioritize remembering Sonic 1/CD dev over others
But hey, took him 30 years to forget things. I can't say the same for certain writers...
And people pressure him to prioritize remembering Sonic 1/CD dev over others
Bruh I can barely remember my mindset when making OaS and it got published only a year ago. Demanding a dev recall their initial impressions of a character they helped create 30 years ago is insane.
...Anyway, I had to go find the original quote because unfortunately, people tend to misrepresent Ohshima's statements. Can't really take anyone else's word for it.
And, uh, yeah. Like the SonAmy tweet, there's quite a bit here that I have to disagree with.
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First, we have the problem of thinking that villains who aim to destroy the world are automatically worse than Eggman, who "only" wants to conquer it.
Conquest under Eggman's rule would be absolutely horrible. In some instances, I wouldn't be sure if total annihilation wouldn't be a more preferable fate.
You could argue that Eggman conquering the world would end up destroying it anyway, thus rendering the comparison moot. But since that gives ground to the idea that instant destruction is worse than subjugation which results in destruction over time, I'm not going to lean too hard into it. Destruction is destruction.
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The underlying assumption weakens even more when you consider the fact that not every non-Eggman villain wants to destroy the world in the first place.
Fueled by pain and rage, Chaos massacred the Knuckles clan. Regardless, it didn't destroy the entire clan, never mind the world.
Neo Metal wanted to build a robot kingdom. Not a far cry from his creator's aims.
Black Doom wanted to turn humanity into fuel and a food source. To which I must say, how is that qualitatively any different than Eggman turning animals into robot batteries?
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Second, "Eggman protects the world" as part of his own self-interests when necessity demands. Yeah, obviously there's going to be nothing to rule if he allows the world to be destroyed and he doesn't want that. But he's not going out of his way to "protect" the world unless he has a personal stake in it and there's no other alternative. At which point, he can only be said to be pragmatic at best.
He's not doing it because he thinks he can outperform Mother Nature. I feel like Ohshima is taking Eggman's god complex too literally and thinking Eggman feels he can replace nature. Science is the means, not the objective:
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He doesn't really want to replace anything; he wants to conquer and have all bend to his will, and he doesn't care if things fall into disrepair.
If he was interested in supplanting nature with his own version, why is everything falling apart in CD's Bad Futures? Where are the forests full of mechanized trees? Why are the waters polluted and not replaced with Mega Mack? This argument would imply that Eggman is also responsible for the beneficial technology seen in CD's Good Futures, and that's just backwards.
Just because he wants to slap his face on every available surface doesn't mean he has some pseudo-philosophical reason for doing so.
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"Humans are enemies for animals."
Mr. Ohshima, I respect you, but no. Not every culture believes this. Mine doesn't. Humans have the potential to be harmful or helpful, but we are not inherently one or the other.
I think maybe what he meant to say here is that humanity's greed is the driving force behind environmental destruction, which would be a valid take in keeping with the series' overall message. Eggman does represent industry, humanity's potential for great scientific achievement and for great harm.
"Eggman wants to make the world beautiful with science and technology."
Source? No seriously, source?
This might be hair-splitting to the Nth degree, but the sense I get from this particular bit is that Eggman finds science inherently beautiful and seeks to enhance the world with it, rather than finding his own creations beautiful out of a sense of ego.
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"He is not evil in Sonic Adventure" does not mean Ohshima is necessarily saying Eggman isn't evil in other games. And even then, it's a bit of a stretch to say he isn't evil in Adventure.
Not sure why Ohshima is bringing up SA1 as if it's particularly relevant... Although I'm vaguely reminded of a manual entry that describes Eggman as possessing no real sense of right or wrong, so he may be remembering that.
The problem with Mr. Ohshima's statements is that they are not corroborated by what the games show us. Every time Eggman has displayed remorse, it was part of a ruse - which would imply that he needs to know what contrition looks like in order to imitate it. He wouldn't brutally mock Emerl's mercy as a sign of weakness if he didn't understand it. He's not lacking in comprehension; he's actively rejecting the concept. There's a difference.
Also, this interpretation inadvertently paints Sonic in a darker light than intended given his callous disregard of Eggman, and I don't think Ohshima realizes it.
It's significant that Sonic has never looked at the camera and lamented: "Alas, poor Eggman, he knows not the error of his ways." In fact, it'd be pretty fucked-up if he thought Eggman was simply walking down a bad path, and still chose to leave him behind in explosions and ignored the guy's pleas for rescue/mercy.
The games make it clear that Eggman knows what he's doing and he just doesn't care. He calls himself "evil" in Sonic Battle. He absolutely is capable of distinguishing right from wrong, and it borders on discrediting his intelligence to imply otherwise.
Eggman has a 300 IQ and is capable of self-reflection, if we're buying the whole "muh humanizing moments" bullshit SA2 and Frontiers are selling us. It therefore strips him of his agency and infantilizes him to insist that he knows no better, even in this roundabout "oh, he's only misguided" kind of way.
Shadow was misguided in SA2. We can argue about whether he heel-face turned too quickly, but the point remains that he eventually came around.
Eggman's actions, on the other hand, have proven that even if he is misguided, he's too entrenched in his goals to consider turning the car around. So there's no real point in emphasizing the "misguided" part.
You can't have your cake and eat it too. You can't say "Eggman's finally becoming A Real Human Being(tm) through self-reflection" in one breath and "he just doesn't know right from wrong" in the next. Those two ideas are incompatible. Either Eggman knows that what he does is wrong or he doesn't. And considering how he was able to recognize his grandfather's greatness as a child, my bets are on the former.
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toyota-supra · 27 days ago
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so I managed to find the hot wheels F1 5-pack and a standalone williams racing car at retail price and I'm the happiest woman in the world god loves me bla bla bla. really fun stuff. these cars are definitely better looking than the official renders let me believe (at least the black ones, the blue ones like williams, rb and the red bull I unfortunately did not find I think are more accurate) the black isn't even the same black in every car. these are all the exact same model with not much detail so of course it's still not a premium collector item (those are still coming don't worry) but fuck these are lovely. 1/64 f1 cars should be available for all, but these took way too long to get to stores here and it's honestly a gamble if I'll ever find the ones I'm missing or if I'll even get an opportunity to grab the premium version ones once they come out (though with how long the basic collection took to get to toy stores in são paulo, I can imagine the premium line might only get here by the end of the year)
I'll take better pictures if there's interest but I'm really lazy
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