#there is guaranteed at least one more part for this

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[a-star-that-burns-brightly]

CH2-14 Thoughts

So! CH2-14, huh? This episode has been our longest in the series yet, and it has used that time incredibly efficiently, especially given it is the penultimate episode before our culprit reveal. I don't think there's much to start with, really. Let's jump right into it :D

SWEAR STATISTICS (ch2-13)

BINGO CARD

Nico

DT-Dev needs to stop drawing Nico so handsome when they're in the middle of killing someone. this has happened twice now, I am very concerned.

Nico is probably the character I have the least to say about overall, but I still think it's fair to start with them. For one, we finally got the reveal of Nico's true murder plan! I...still personally do not understand why they didn't just garrote the man from the beginning, but it's nice to finally have some answers. Nico confessing to not trusting anyone in the killing game as well as their whole speech later on is honestly very based, if I was in their shoes I'd probably not see the point in pretending to be guilty either, and I really do think it was the most mature way to respond to this situation as a whole. Nico is probably one of the more logically-driven in the cast (when Ace isn't up their ass, anyway), so it makes a lot of sense to me that this is the conclusion they'd come to.

(x) Nico: I… I just can't stand being treated like that. My teachers, my classmates, my father… I don't ever want to relive what they did to me.

Furthermore, we also learned that their father was also in on the abuse and transphobia they received, and this combined with how Levi talked about his father in the previous episode, it's just daddy issues across the board huh? Guess DT-Dev had to make up for J's mom angst somehow lmao. But in all seriousness, the fact that Nico more than likely had no one be there for them during those times is probably part of why they drifted more towards animals, besides the fact that there's no social rules with animals. (...has anyone put alien blues by vundabar on a nico playlist? I'm getting sidetracked.)

There is also a lot I could say about Nico's predominant male figure subjecting them to such treatment and how that relates to their relationship with Ace and Ace in general, but I'll leave that for a future post. All I'll say for right now is to look up VeryWellMind's page on toxic masculinity and observe how many points relate back to Ace :3

(x) Nico: I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry.

The last thing I really want to mention when it comes to Nico is this line, specifically the bolded text, because... am I wrong to think this is a very strange thing to say in the context of talking about your attempted murder? I've seen people say that this could be in reference to Nico's blunt way of speaking, but I feel like that doesn't fit in with this context, and the wording itself feels too dramatic for that to be the case. I feel like Nico has resorted to violence against their bullies before. I don't think it ever got as severe as the situation with Ace, but if only a few days of abuse caused Nico to choose violence, I think its almost a guarantee that they resorted to violence a few times during the years they were abused by their peers. Would certainly explain those weird ass bandages around their upper arms. anyway Nico, I adore you very much despite your bullshit murder plan. can't wait to see where you go :) (also is it fair to say that the theories of literally anyone else committing Ace's attempted murder are de-confirmed now? Like I don't think you could get a greater confirmation than the first thirteen minutes of this episode lmao)

Hu

...Oh yikes. So I have defended Hu on a few occasions, talking about how she is just defending Nico and that her behavior towards them is completely normal. And I think I must take advantage of my minimal gag reflex and gulp down that L because lord have fucking mercy.

First and foremost

(x) Hu: You’re trying to paint them as the villain just because they lost their temper at Ace once!

(x) Hu: If Arei died of a stab wound, it would be wrong for me to say you did it.

Both of these lines were fucking crazy of her lmao. Absolutely nonsensical, she is so annoying /affectionate

Second and secondmost, Hu so clearly projecting her own emotions and feelings onto Nico so that they can look weak and small and thus have to rely on her and clinging onto that perception when it continues to falter is so fucking delicious. The way I worded that makes it seem like I think Hu is being malicious, I do not, but also that is literally what she is doing, and furthermore it is not working. This episode alone brought Hu in my mind to a high-c tier, to a high b-tier because there is nothing I love more in this world than fictional women being awful. And now that I have that all typed out, I can't help but realize that this sounds very familiar...

Oh! That's right!

...Man Hu, I get that it's across the color wheel, but you really like to foil with people in red. Yeah, I think that Acevi and Huco are meant to be parallels of each other relationship wise. Both of them feature someone (Ace and Hu) projecting a certain identity onto a stranger (Levi and Nico) to satisfy their own emotional needs and their reactions when those fantasies crumble beneath them. The dynamic between Ace and Hu is so delicious to me and I think should be explored more in the fandom. Not just because they somehow manage to give divorced spouses vibes despite one of the two being gay, but because I think the way that they foil, how they are different in contrast with how they're similar in typical DRDT fashion, adds so much to both of their characters and their relationships with the others. And I'm also glad that I at least have two more, count-em two, more parallels between Nico and Levi. I will keep spreading my Levco agenda until the day I die.

Okay but, though I've kind of been taking the piss out of Hu during this section, I do actually feel very bad for her. Especially if Eden is the culprit, because Hu and Eden have shown to be close on multiple occasions, and I could not imagine witnessing the gruesome execution of someone you love after pretty much dealing with two betrayals back-to-back. And I guess since we're here I should clarify that I do not think Hu, or anyone else except the two suspects we land on in this episode, are responsible for Arei's murder. Third Party Theory seems to hinge entirely on the idea that someone other than Nico attempted to kill Ace, and as I've said before I don't think that's the case. And given the fact that we have at least 40 minutes left of the overall case, I can't really see a way from a writer's perspective to throw in such a major final twist with an entirely different character without it feeling rushed. I'm sure DT-Dev could pull it off, but just on concept, not sure how it could work and also if Eden really is the culprit, Hu is 1000% going to try and take her place as the optimistic mood-lifter, and I need to see that outside of my imagination

There isn't much else for me to add, really, part from the fact that I am very excited to see how Hu's character progresses and how her relationships with the cast progress. ... ...hey can we count Hu and Nico as toxic yur--

Ace

Funny thing, I originally was not going to give Ace his own section in this post. But I decided I would anyhow for two reasons 1. Ace is a very fun character to analyze And 2. I get to once again talk about how much of a fucking liar this man is lmao

(x) Ace: Who’s gonna stick up for me, huh? No one. Because I have a spine and I don’t need other people to lie to me constantly to keep me happy.

[Pictured: Doesn't need other people to lie to him constantly to keep him happy]

(x) Nico: What else should I say? Ace: W— "What else should I say"?? Ace: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

I love this jockey the best when he is gaslighting himself. We obviously know that Ace does, in fact, need people to lie to him to keep him happy. And I don't just mean that in the context of Levi and Nico. Ace has a very antagonized view of everyone in the cast

(x) Ace: -but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer.

the only person defending them was Hu

And that view of his classmates, to me anyway, is very intentionally cultivated by Ace himself. He is very aware that how he's behaving is wrong, and he is clearly not happy about it

(x) Ace: You think I act like this for fun, and then I go to bed and sleep soundly at night, you dumb piece of shit?

Ace doesn't like the fact that he is being rude to otherwise innocent people, but at the same time, he knows that any of these innocent people could stab him in the back without a second thought, like Levi. So Ace demonizes the cast in his head so that he can emotionally distance himself from them, and as such, will feel less bad about treating them like shit. As a certain indie game that had its nine year anniversary once said: The more you distance yourself, the less you will hurt. The more easily you can bring yourself to hurt others.

Ace does need people to lie to him to keep him happy. Which brings me to his role in this whole scene with Nico which just- I love. So much.

It is so, so funny to me that Ace is putting this pressure on Nico to give an apology. And why is that? Ace treats both Nico and Levi in pretty much the same way, incredibly volatile even more so than the rest of the cast. And that makes a lot of sense given his relationship with both characters and how both of them have threatened his safety. But there is one key difference between his interactions with both of these people

(x) Levi: Ace, I already said— Ace: "Sorry" won't cut it. You know that's just a word you say, right? You think that saying two syllables is going to make me forget how you acted yesterday at that trial?

(x) Ace: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

With Levi, he repeatedly denies and mocks his apologies. With Nico, it's almost like Ace wants them to apologize to him. But why is that? Ace certainly cares less about what Nico thinks compared to Levi, so why does he necessarily care whether or not Nico apologizes to him? You could say it's because the severity of what both of these people did to Ace, but to me personally? I think Ace just wants this all to end. Nico's murder attempt on him, the scar it left him, it was the perfect kick in the ribs to everything Ace had become since the events of Chapter 1. It confirmed to him that not only was his fear that everyone is out to get him, that he's going to be next after Xander and Min, completely justified to have. But also that his efforts to appear tough and threatening to prevent that fear from becoming reality were not only null, but thrown right back in his face.

(x) Ace: You know… Heh. I've always wondered which is worse, dying young or living a long shitty life of suffering. But it turns out neither of those options are as bad as this.

He is currently at his lowest possible point. At this point, the least that he wants is for Nico to provide him with some form of closure, so that he can put that moment where his guts were spilled on the floor to rest. But Nico isn't providing him that closure, they refuse to. And with Ace now being suspected for Arei's murder, regardless of if he survives this chapter or dies with it, I think he is finally going to break down. That hidden quote of his is fast approaching. I already know.

Rose

Rose is a character that, though I love dearly and believe she is one of the most strongly written of Despair Time's cast which is saying a lot, always somehow manages to fade into the background for me. But this episode bringing her to the forefront and giving us some extra character development from her is something I loved a lot.

For one, her clear and open betrayal towards Nico's actions was very upsetting to me, especially when you take into account that Nico asking Rose to teach them how to paint was probably the first time Rose has ever been asked to paint something for someone without a contract involved. I can imagine the idea of it must've been a breath of fresh air for her, and for it to only result in another red string in Nico's murder plan had to have been crushing.

But what's possibly even more crushing is her monologue after David gets frustrated with her, because...

(x) Rose: I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Rose: Yet I'm not. Rose: I… I'm sorry for being useless. Maybe if I tried harder, if I just got over myself—

Wow this woman really does see herself as a commodity that only exists to be used by other people, doesn't she?

Something I've always appreciated about Rose's character is how it commentates on the subject of big corporations seeing art as content instead of something that was the product of someone pouring their heart and soul into a canvas. And how that mindset kills the desire for artists to create. And it is so fascinating seeing how that mindset reflects how Rose sees herself as a person.

She's one of the few characters in the cast that I can never really get a read on when it comes to where her character arc could be going, but I am very excited to see where DT-Dev takes her, even more-so with this development.

Teruko

I am like, 9999% sure this sprite is the first time she has smiled throughout this entire chapter. I am so happy for her.

Teruko, as always, stays being Best Girl™, and I absolutely adore the development given to her as well. Her realizing that her attempts to over-correct by isolating herself and not receiving help from anyone not only resulted in her getting hurt, but those around her getting hurt as well. And the fact that that's what leads her to coming to this conclusion really goes to show that, despite everything, she cares about these dumbfucks so much. And this is only taken further by her decision to trust Eden despite (HOW I INTERPRET IT) already knowing that Eden is a more likely culprit than Ace. She is choosing to trust her, regardless of if she'll regret it. And I honestly think that, regardless if Eden is the culprit or not, regardless if Teruko backslides, I think the fact that she got the courage to trust Eden at all is going to stick with her. I don't really have much else to say, really. Uhh... Teruko and Rose were kinda fruity this episode, I dunno.

David

[Sighs] This man provides us with a new headache every single episode and I love/hate him so much for it. So like...basically everyone else who watched this episode, I was confused as fuck watching whatever the hell David was pulling for the last 18 minutes of the episode. But now that I have time to think about it, I think I have a pretty stable idea. So, let's get into it.

Firstly

(x) David: Because I'm actually the first person to see the body.

Now, most people are immediately brushing this off as David lying to fuck things up again. But I think that a lot of people are forgetting two things 1. David is not a compulsive liar. He doesn't just tell lies for no/little reason behind them. The lies that he tells all have reasoning and inner logic to support them. 2. There really isn't any evidence suggesting that he couldn't had seen Arei's corpse before everyone else.

So though this point is mostly speculation, I think that David is telling the truth (sorry if this seems like an asspull, there is literally five more hours until the next episode comes out I need to speed things up)

But that's not really what I want to talk about in this section anyway, it's everything that comes after this that I want to talk about.

(x) David: All I want is for Teruko to distrust others.

...So. I think David is lying off his ass when he says that this is why he is doing this. And my reasoning for why I think that is pretty simple... Why would he care?

Like, yeah given the fact that David more than likely has Teruko's secret, he has every right to suspect that she might be affiliated with the death game, and also probably wants her dead. But...what does that have to do with Teruko's distrust in others? Not much. I think this sentence is David lying about why he is doing this to keep his true intentions underwraps. But what are those true intentions?

I can answer that pretty easily as well. David's whole argument in this part of the episode is the idea that Eden is not exempt from being the culprit. He suspects that she is the one behind Arei's murder, and I don't think that's helped by the seed planted in his head by Arei that even Eden must be responsible for the harm of someone. And well...I think we know how exactly David feels about the culprit behind Arei's murder

(x) David: Ahaha. It's just so foolish. David: For someone to take advantage of Arei like that… David: It's absolutely unforgivable. All she wanted was to change. David: What a reprehensible person this killer is. I look forward to seeing their painful execution.

And that leads me to what I think David is truly trying to do here: I think he is trying to get Eden voted for.

That is why he wants Teruko to believe him, and is using her trust issues against her to do so. He's seen the first trial, he saw how Teruko was able to convict Min as the culprit and convince the others to vote for her too. He wants her to do the same thing again, but for Eden. Really, it's a win-win for him. If Eden is the culprit like he suspects, then he gets to witness the unforgivable culprit get their just deserts. If Eden isn't the culprit, then everyone ends up getting executed. Which is, y'know, that other thing he really wants.

That's my personal theory on what David was trying to do here. It's not perfect, but it'll do for now. I love you, Mr. David Chiem. Please keep being confusing.

Eden

...So yeah, if you've been paying any attention to this post, I do still think Eden is the culprit. I also think during the scene with her and Teruko she is very desperate and wants to live and as a result, may have sipped a small tiny bit of the manipulation juice. But I will get to that in a bit First of all though, I absolutely loved the scene with Teruko and Eden. There is something about all of their scenes that just resonates with me in a way I can't describe, and this one is no different. The way it is shot, with the half-and-half and then the closeup on both of their expressions, and the fucking HUG CG? Luucarii and Zel both did an amazing job bringing the scene to life with their voices, and the choice to use the same OST as the kitchen scene in CH2-3 was fucking evil, especially because of what I'm about to say. All around, a fantastically orchestrated and emotional scene, I would expect no less from DT-Dev and their team.

But now it's time to talk Eden!Culprit. This is not something I should have to clarify if you aren't stupid, but I think before I really go into it I should say that I do not think Eden is an inherently malicious character, and I think she feels horrible for what she has possibly done. I also think she wants to live, like every bundle of pixels masquerading as a human. She can feel guilt for her actions and also indulge in a bit of gaslight gatekeep girlbossing. Min already proved that those two things can be simultaneous. With that out of the way... I do think that Eden is slightly manipulating Teruko here. And there is a very big reason why I think that is because of something @thebadjoe pointed out in their theory post

(x) Eden: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

[11 episodes later]

(x) Eden: Please, Teruko… You’re my friend, aren’t you? Eden: Friends help each other…. So please, help me…

...Eden? Darling? I thought you said that relationships weren't transactional. You can't simply change your principles because they're getting closer to the truth. Putting the fact that Teruko never even considered her a friend to begin with on the shelf for right now, these two lines from Eden directly go against each other. Saying that relationships aren't transactional, and then saying that Teruko should help her because she's her friend. I think Eden knows that she is basically backed into a corner. There is no evidence suggesting that she couldn't had done it, and David is turning the tide in a way that is leading others to begin suspecting her. And just as Arei said...

(x) Arei: -you're pathetic and weak, and you always need to rely on others to get by.

Eden's is too overcome with emotion to defend herself properly, so she comes to Teruko to defend her for her. And when Teruko initially refuses, she becomes desperate. Using their relationship so that Teruko will believe her and trust her.

I don't think Eden wants to do this, but I don't think she knows what else to do, and is terrified and just wants this trial to be over. Even if it means treating her and Teruko's relationship like it's transactional. And Teruko, ultimately, gives into this idea.

(x) Teruko: Don’t… get me wrong. This isn’t out of kindness or pity or anything else. This is only because you helped me in the last trial.

(teruko is most likely simplifying her thought-process, I think she does genuinely care for eden and wants to trust her. But the idea of relationships as transactions isn't one inherently new to her, so I do think this is partially the truth.)

And I think the fact that Teruko does agree to help Eden is why Eden goes in for the hug. This is where we take that point of "Teruko never agreed to be friends with Eden" off the shelf

Eden knows that Teruko is choosing to not be her friend, despite considering Teruko as a friend. But I think in this moment, Eden thinks that Teruko finally considers her as a friend, someone she is willing to extend her hand to. And even if this day is her final one, I think Eden will appreciate forever.

Extra Thoughts !! - TERUKO SAID IT!! SHE SAID THE WORD!! THE T WORD!! I'VE BEEN WAITING FOR THAT FROM HER!! another one to cross off the bingo card babyyyy - that aside, as always the voice work for this episode was fucking phenomenal. I already mentioned Luucarii and Zel's performances, but Swords and Arakachi did amazingly too. Such an amazing frosting on top of the already great storytelling.

(x) Eden: Arei is… She could have been my friend! Why would I kill her??

- maybe I'm reading too deep into it, but I honestly think this is the closest we've gotten to direct confirmation that Eden thought Arei was full of shit when she said she wanted to change. Like...she literally corrects herself. Why the fuck did she correct herself. - this isn't something I usually compliment, but the music-choice in this episode was amazing as well. Every song chosen suited the situation and the rising tension, and all of them were fucking bops. - I also adored the new sprites, as I always do. Especially Nico's

Predictions for CH2-15 - I'll be honest and say I have none. At least other than the obvious, that being that there's 100% gonna be an Ace VS Eden scrum debate.

Conclusion

This episode was a fantastic way to lead into what will probably be the last episode of the trial. I cannot wait to see what's cooking come CH2-15, which is in... [looks at my conveniently placed watch] THREE HOURS?! WHAT THE FU-

UPDATED SWEAR STATISTICS CH2-14

UPDATED BINGO CARD

[zestyderg]

Side characters and other creatures (mer au edition)! Part 1 I guess

Rockin' Billy

Billy is a pilot whale mer who was driven out of his pod for his terrible, selfish behavior. He's a big bully who has no qualms with harming other merfolk to get the things he wants. The shark trio took him in, and they do not know what Billy is truly like. He's kept to himself and at most he's unhelpful and kind of rude to the others. Let's just hope that is all that he does...

The Bonehemoth

The Bonehemoth is a Rock Whale. Rock Whales are giant, long-lived cetaceans that typically inhabit cooler stretches of ocean. They're deep divers and feed on a variety of things, using their large flat teeth to crush prey, large rocks, and even chunks of ice. The older the Rock Whale, the larger and thicker the mustache. The rocky protrusions on their bodies that they're named after are completely grown in by maturity. The Bonehemoth itself is a very old individual. Merfolk steer clear of the great whale, and while it does not actually target mers, it is a messy eater and rumored to have devoured many of them on accident.

The Bonehemoth has little to fear, with it being an extremely large and ancient animal.

However there are still some things it's very afraid of...

[just7frogsinapeoplesuit]

I keep seeing posts about how tumblr staff is deleting Palestinian blogs, and while there is definitely reason to believe some of that could be intentional, my only interactions with those blogs have been receiving copy-paste asks formatted exactly like every scam email I've ever received.

If Palestinians are indiscriminately messaging blogs on here (a website that already has a huge bot problem!) with stuff that 100% looks like spam, that means they are probably getting reported by people who think they're scam bots multiple times a day and staff is seeing "this user's asks have been flagged as spam 50+ times" and nerfing them without a second thought.

I absolutely think these people deserve help, but someone needs to come up with a better format than "‼️DONT SCROLL AWAY. $5000 NEEDED‼️" because my internet denizen brain sees that and activates a report-and-block reflex so honed it takes genuine effort to take a step back and not do that.

If anyone reading this is a Palestinian looking for aid (or friends with someone who is), I would recommend workshopping more genuine-sounding messages that the average user won't block on sight because I guarantee it's hindering whatever support you could be getting and could get your account banned.

[friendrat]

Just as a general statement, just because an actor or voice actor does something wrong, it doesn't have to taint your view of that media. You can still love the story and be upset with the individual. We can separate the art from the artist.

[kuromi-hoemie]

lol i love how yesterday morning i was like “i love nightmares pls send me one” and i had 3 back to back 💀

*hesitantly* i ... i love nightmares..? send me one... once a week? no, twice a week

[mirrortouchedsea]

getting motivated to work on that kaokana fic finally and i have added like 1k this week.... so much progress for me i'm so happy

[unproduciblesmackdown]

already was musing on how like, here's an intro that's Establishing Things, and it's like, does it matter that we were given a quants interaction of winston being like "hey you were nice to me there, actually. it reminds me of how" only for rian to pull the nice maneuvers of not wanting to listen to him share anything, being willing to just issue an order to someone about what he gets to do (talk for ten seconds) and doing so, then some underwhelming flair used to insult him surely, i guess that he's so stupid(tm) or whatever. like, wondering does that mean anything really that that was just about rian being an asshole, as has been sprinkled in before, just little moments that deadend with winston just feeling Disheartened b/c rian was shitty for no reason. does it mean anything that she did anything for the quant duo before that in refusing a chance to not sit next to him. theoretically just a [we're still tmc] kind of choice to stick together, and sure didn't move her to even treat him like a person she dislikes, just a nonperson she also dislikes

and relatedly it's going to be just as hilarious as rian, what, implying winston hasn't heard / of the french language, that the theory that rian and dollar bill become some kind of duo based on being Hilarious(tm) but also just terrible to any & everyone and bullying people has only more plausible, And that this episode of billions' introduction / establishment of dollar bill is decidedly centered around "yeah nobody likes this guy or can stand to deal with him. not even the people paid to be there, not even the self-declared Too Nice guy who kept choosing hanging out with dollar bill & his bullying over working & hanging out with his friend taylor" so it sure doesn't seem like that's leaving much room for [oh that was an oversight] if dollar bills going to fuck off into mpc hq on the regular and rian's immediately going to be like of course i can roll with this fuckin asshole

and truly a distillation of "rian's supposedly gets the 'good' treatment of More Material & being taken more seriously by other characters, but this only meant that instead of any sense of character &/or her own actual subplots ever, she's whatever a different more prominent character needs for their plot at any given time; winston's peripheral funny little guy unimportance & insulting treatment is still so much better re: being a character" if winston gets the worst treatment of being shoved out of mpc by episode three and rian is graced with hanging around most or all season only to be judged & condemned to now have that loss of [quant duo] replaced with being insufferable bullying horrible person dollar bill's New Friend and like, right away, with ease. and like i was saying like i would not argue with that, if rian had the consistent principle of treating anyone with basic respect she wouldn't be treating winston as a nonperson, and of course she has a broader capacity for being an asshole to anyone at any point that's just drier and less [outbursts of physical aggression] than dollar bill's style.

no idea what rian's overall arcs could be when yknow, why is she here, why has she stayed here, her most relevance right now gets to be "has the dialogue capacity to talk about getting prince with a sex scandal. also has zero thoughts on how power factors into one rather than that you just need to be polite about it?" which only feels truly character specific when held up against "rian was supposedly bullied but also Above even hating the people who did it. but she is also a bully and not even especially emotionally detached about it, even though how she treats winston is more important than how she feels about it" like basically "also a bully" is her most coherent deal. and it's just Interesting that simply being mean to winston is again basically pointed out, and her future bestie or [put in the same shots duo status] dollar bill is Impending but the episode was like "yeah of course everyone hates this guy, for being awful" and the joke nonjoke the whole time that unfortunately rian might get along just fine with bill as workplace (and probably also life in general, it's not a honed strategy they limit to the office) bullies

so that That's what rian gets for getting to stick around, while winston Might get to be shoved out of the fund hq with any character flair from him and, i do unfortunately have to wonder harder now, maybe any relevance afforded to the way people have treated him, indeed maybe rian especially, his personal bully and abusive friend. and because other people also see rian as better than him & maybe also winston as [not a person], if winston does anything that's indeed deliberately petty, mean, Angry, etc, towards rian, That will be seen as unacceptable vs the yknow checks notes years of cruel interpersonal treatment from rian to winston, but nothing hangs in the balance on that front, people won't suddenly be like "nice. winston's a person to me now, which, why am i even in a position to Decide that" if he's shoved out & goes quietly & politely and creates no problems in return. and, very much like dollar bill, i don't think rian will change, but for winston's own sake it would be Heartening if he voices his experience such that we know he knows it was bullshit, even though of course rian, and probably anyone else, isn't going to choose to listen past 5 seconds, least of all when he's clearly indicating a general state of irritation. rooting for flair and idiosyncrasy for him and indeed that the best sources for that could be with taylor, please, the person he's always been here for, rian, the person for years now bullying him more than she does anyone else or more than anyone else does to winston, and even fun if there's anything with tuk his apparent genuine friend tuk, and by "fun" i mean "such a delight i daren't really think much abt it From Canon"

anyways the tl;dr i suppose is that winston getting apparently thrown away in the first third of the season is insulting treatment but rian getting to stay and be dollar bill's wretched bestie is truly the worse fate and basically that distillation of like. oh winston's bringing it on himself he's so annoying nobody likes him, while in actuality all the ways he's never fit in or done things "right" and how he would never have been hired if taylor hadn't done it are all compliments and endorsements. while rian's been viewed as a capable valuable person by all from the start and treated as Better Than even others who are still also seen people, but her "success" and the shit she gets to continue to do in how she treats people b/c nothing about being at work stops that and some things facilitate & reward it, see: also dollar bill being around the whole time & now also back, definitely include treating a friendly coworker any which way, which she usually chooses to be: badly. and of course shoutout to the thread of taylor being like "if you stay btw you'll probably get all fucked up" but like also rian just Brought the [i'm a bully but it's fine when i do it. it's bad when it happens to Me] stance from the start, but like, obviously always the opportunity to get worse and just be left off with that implication of Never Trying To Learn, just like your new good friend dollar bill

real tl;dr As Fates Go winston being shitted on & fired / driven to quit >>>>>>>> rian sticking around, befriending dollar bill. and like not in the way i'm arguing that the fate is worse like In Conceptual Quality. it's just a hell of a potential condemnation / indirect illustration of like, here's this person it's horrible to be around, here's a reminder rian is cruel to this coworker on a dime anytime, here's rian deciding the horrible person is Alright anyways. maybe they'll be busy with a bullying power struggle the whole time. and maybe winston will get to appear outside the fund actually. just really something to be going like "oh my god lmao rian and dollar bill might actually be specifically getting along well as fellow [be horrible to coworkers] bullies and assholes who feel Above It, it being many other people, this being a kind of requirement there" and to be wondering if billions will make this fact that rian's job is being an asshole more relevant at all, if even to be like yeah leaving off with a lost cause here, including that i really doubt winston can Get Through To her even with his ability & willingness to air his grievances, and like, as though oh actually winston brought it upon himself b/c rian just didn't knowww, that's on him and his visible pain & verbal expressions of that pain & requests that she stop which Weren't Enough, and as though maintaining that onesided dynamic for bullying and demeaning and shutting down and abusing was like an unconscious accidental coincidence every time and not its own Active Process, regardless of what the other person does or doesn't do, and with the agenda of maintaining that [i'm the person who chooses how things go; they're the object that reacts accordingly like it's laws of physics level of demands of reality] one-sided relationship, so they'd only just be looking to react to what that other person does or doesn't do in ways that serve those purposes anyway. sometimes rian's "nicer" but she's still the one deciding how everything goes, winston can only roll with it like a ball at the top of a ramp like, of course, unquestionable. cue space winston, zero gravity

haha another tl;dr. winston being disposed of is a warmer Fate to assign a character than rian's potential "of course she's friends with dollar bill now" like lmfao Ouch. but yeah of course.

[crehador]

ok taking a serious look at who the pt 2 cards might be, possible candidates are ichiro samatoki jyuto kuko doppo saburo

number of events since last appearance: ichiro (3), samatoki (12), jyuto (2), kuko (2), saburo (9), doppo (4)

number of gacha appearances since last free appearance: ichiro (1), samatoki (1), jyuto (3), kuko (2), saburo (1), doppo (2)

so if jyuto is one of the pt 2 ssrs then i feel like he absolutely must be free, but he and kuko showed up so recently that it feels like they aren't likely to be ssrs again so soon (and if they are then likely not on the same banner again since they were together just 2 events ago)

samatoki and saburo haven't been seen in the longest, and they do both have fairly unique designs (cardigan for samatoki oh my god that cardigan and the uniform + an additional vest for saburo) so imo it's looking likely they'll be cards

based solely on the numbers the third card should be doppo, and that seems possibly... likely? since he's already shown on hifumi's card? (like how the roller coaster cards basically previewed one another)

but with the smic plot brewing it does feel odd that ichiro wouldn't be an ssr as well

so

samatoki (free) + ichiro and saburo on paid banner

seems most likely to me

but doppo (free) + samatoki and saburo on paid banner is possible also.........

i guess theoretically doppo + ichiro + samatoki is possible too but seems less likely considering how long saburo's been gone

also possible that they really will just throw jyuto back in and have a jyuto (free) + samatoki and ??? paid banner

tl;dr I DON'T KNOW SHIT. BUT SAMATOKI SHOULD BE THERE. FOR SURESIES.

[katya-goncharov]

job interview i had today actually went all right, and now i'm worried that if they actually offer me the job i'll be job double booked

[motherforthefamicom]

played some more mother 1 i died to the magicant dragon like seven times in a row . awesome

[wingedarrows]

Help

[aquatxt]

been a while since I posted about HI3

but

I finally got her and her full gear a few days ago!!

[arolesbianism]

Mid patch but on the bright side new salmon run specials and on the brighter side kraken specifically I think we've found our new best survivability tool

[tender-rosiey]

“GOOD! NOW PUNCH HIS FACE!”

— when your baby and gojo, geto, nanami, toji, and sukuna get protective over you (f!reader)

a/n: I am alive!! as an apology here is a multi-character post 🙏 btw in toji's part, you're megumi's mom

GOJO SATORU:

two peas in a pod, twins, copies: these are all things people have called your husband and son.

honestly, they’re not wrong. your son has his father’s looks—satoru swears he has your nose and ears but anyway—and he carries the same protectiveness and love he holds for you, if not amplified.

you can’t count on one hand the amount of times the house has been turned upside down because of their fights for a cuddle session with you.

of course, you have always tried suggesting them simply sharing you, but these problem children would rather eat raw zucchini than ever share the cuddle time.

so while your son is barely six, you can still count on him to team up with satoru against anyone who wrongs you in anyway like what’s happening right now for example.

you’re out with your lovely family to buy some groceries, and since they both were whining about getting some sweets, you allowed them to go and snatch a couple from the next aisle.

on the other hand, you stayed to look for another type of detergent to clean the floor—especially since satoru got this new type of paint for s/n and it’s quite an endeavor to remove it with a regular detergent.

however, being in the cleaning supplies section never guaranteed the lack of filthy men who can’t take no for an answer. this one man approaches you, smug grin on his face as he leans on the wall, “what’s a pretty lady like you doing alone?”

“buying groceries like a normal person; now please leave me alone.”

he quickly frowns, “don’t be so stingy doll,” his hand extends towards your arm, “I can show you a good time; I promise—“

the man is swiftly smacked with an egg on his face, and he is left with the egg dripping down his face, “what’s your wrong with your kid, man?!” he yells at the person behind you.

he then grumbles, “ruined a potential good night.”

“my kid was absolutely right in what he did,” you hear satoru’s voice. you then feel a hand on your shoulder, and you’re pulled into a chest you’re all too familiar with, “’toru—“

your husband shoots a small smile your way, pressing a quick kiss to your lips, before looking at his son, “that last throw was very good, s/n! throw another one but just below his stomach."

a cheshire cat-like grin is plastered on your husband’s face as s/n prepares to launch another egg at the man.

there is a very evident scowl on your son’s face as he yells, “don’t you ever bother mama again, you stinky bum crumb!”

the man gasps and tries to make a run for it, but your son wouldn’t be the son of gojo satoru if he doesn’t manage to land the hit exactly where he wants.

the man quickly crumbles to the ground screaming and alerting literally everyone in the store.

so satoru picks both you and s/n and makes a run for it.

you hold tightly onto him, “wait, ‘toru, the groceries!”

“we can always order! saving my princess and son is more important!”

your son grumbles, “but I want to hit the rude man!”

“me too, champ, but—“ satoru sweat-drops and glances behind him, “I doubt the angry security guards would like that!”

GETO SUGURU:

your twin girls are one of the sassiest to exist.

in a way, they take after their father who is also pretty sassy but very low-key.

the sass of all three combined is terrible to be the victim of. luckily for you, they don’t dare direct their triple ray towards you, especially—in any argument—at least one will try to win you over.

if it’s suguru trying to stay on your good side, then he is hugging you from behind, pressing feather-like kisses on your shoulder and whispering about how sweet you are. if it’s the girls, then they cling to your legs and keep yelling about how much they love you.

so it is safe to say that you have a small squad to protect you from any potential “danger”.

“oh my, dear shouldn’t you focus on refining yourself a bit more?” you hear a woman say beside you.

you turn towards her, offended, “excuse me?”

“I mean,” her eyes scan you, disapprovingly, “you look average at best, and with that you won’t be able to find yourself a husband, let alone have children.”

you’re still processing her audacity as she continues, “but then again, it’s probably for the better that you don’t have children; you can barely take care of yourself.”

“can I help you?” your husband says as he approaches the woman.

she smiles condescendingly before chuckling, “I was simply telling this lady to take care of herself more; she hardly looks presentable.”

geto’s smiles tenses up as he is about to give the woman a calm peace of his mind, but his daughters beat him to it.

your older twin stands in front of the woman, scanning her with pure disgust in her eyes.

she grimaces and voices out her thoughts, “you are like a crunchy lizard.”

the woman gasps, “how dare you—!”

you cut off the woman, curious about your daughter’s conclusion, “why a crunchy lizard, sweetheart?”

your daughter looks at you with a small frown, shaking her head, “a crunchy lizard is an ugly sad lizard.”

a snort escapes your husband, and you’re barely able to contain your smile.

your other daughter follows up, looking at her twin sister, “the lady looks like that one green thingy we saw yesterday,” she taps her little foot, trying to remember and beams at the woman, “shrek! you look like shrek!”

then they both glare at her, frowning, “you’re a monkey!”

your husband doesn’t let it go as he deals the final—subtle—blow, “come on now girls; we shouldn’t bully the lady with the mcdonald’s like hairline anymore.”

it seems like the woman can’t take it anymore as she starts sobbing and running to the hills.

a moment of silence is shared across the four of you, before you carry both of your girls in your arms and start tickling them, “I don’t know whether to be proud of you or scold you, little evil girls!”

they squeal, trying to escape your hold and calling for their father.

geto chuckles and wraps his arms around the three of you, “let them have it for tonight, y/n,” he ruffles their hair, “they were brave and defended their mom, after all.”

“yeah, papa is right!”

“yes mama, please!”

you pout then smirk at geto, “well I don’t mind, and since papa is also very proud of you girls, he will buy any toy that you guys want today!”

the color drains from your husband’s face, and he watches motionlessly as his girls latch onto him, screaming about the toys they want.

you giggle at his expression and blow him a kiss. he reluctantly blows you one back, while the girls excitedly pull him towards the toy store.

NANAMI KENTO:

you and your husband were blessed with the sweetest girl as your daughter, and she was just recently joined by another sweet girl.

you can never forget the happiness on your daughter’s face when she saw her baby sister.

it also seems that no matter how many times you give birth, your husband can’t help but get emotional when he holds your baby. his hands are forever delicate as he cradles her to his chest.

you remember what he said during the birth of your first daughter.

“I feel like a piece of heaven has been plucked and placed in my arms.”

the way he always goes soft for the three of you is honestly adorable.

today, you were going on an outing with your—now 6 months old—baby and your older daughter who is almost six.

your husband never brags about his muscular form, but he never misses a chance to carry the baby or the baby supplies.

you have offered to at least carry the bag, but he always refuses, stating that ‘you already carried the baby for nine entire months in your belly; this is the least I can do.’

so yeah, sometimes you wish to smooch your husband till forever, but that’s not the point.

you’re walking hand in hand with your daughter as she sings her favorite song. you hear someone click their tongue, so you look to the side and lock eyes with an old lady. she takes the opportunity and approaches you.

“you should be ashamed of yourself!” she yells pointing at you, “your husband shouldn’t be carrying the baby supplies nor the baby itself for the matter,” she scowls, “that’s your job!”

“with all due respect ma’am, but that isn’t her job, and taking care of the baby should be something we are both responsible for.”

“yeah!” your daughter huffs, “and don’t take out your sad life on my mama!”

your eyes widen as you stare at your daughter.

on the other side, your husband is just as speechless. your daughter pays no one any mind as she continues, “mama works hard every day! you wouldn’t know that! you immature nugget!”

nanami frowns lightly, “d/n, that’s not nice—“

and for the cherry on top, your baby daughter throws the bottle cap she was playing with at the old lady, and frowns at her.

she starts babbling some nonsense that you're pretty sure are curse words in baby language.

having had enough, the old lady huffs, “the utter disrespect,” and starts walking away.

the rest of the spectators’ eyes follow her till she is out of sight. finally then, people start minding their own business, and you and your little family are left to the aftermath.

you giggle, “that was funny.”

“really?!” your daughter beams.

nanami cuts her off, “no,” he then looks at you with a small frown, a sigh escaping his lips, “y/n don’t encourage them—“

your baby daughter screams happily when she sees her sister smile. she starts kicking her feet with the biggest smile on her own face.

your older daughter starts laughing with her and tries to make her little sister laugh more—she was successful.

meanwhile, you chuckle, leaning on your husband’s shoulder, “admit it, kento; it was kind of funny.”

his resolve softens at the sound of laughter from all three of his girls, “okay, maybe a little, but—“

“yay!!”

ladies: 1

kento: 0

FUSHIGURO TOJI:

your husband and son are so alike, save for the part that your husband is a bit more shameless, and your son is more on the shy side.

however, they both have the same bluntness and the tendency to give anyone who they don’t like attitude.

for example, today, you were walking in the park with the both of them to unwind a bit.

not to mention that megumi wanted to walk his dogs which was a plus, since you would be able to watch your dear son play around with them.

it was all going great until you saw an old ‘friend’ who came running at the sight of you. he was someone who has always been way too touchy and in your personal bubble.

you have tried talking to him about it, but you’re confident that he does it to somehow force you into reciprocating the intimacy.

even if you’re a married woman with a freaking kid.

he giddily clasps your hand, “y/n, ‘been a long time!”

“h-hey,” you smile awkwardly.

he laughs, “I was passing by when I saw your figure, and I couldn’t help but come and say hi.”

you nod, “that’s great, but I am busy, so maybe later?—“

“you’ve gotten even prettier!” he exclaims, “I wish you would finally take me out on a—“

“can’t you see that she is uncomfortable?” your son retorts, “also, you should step back; you shouldn’t touch someone like this without asking them.”

megumi squeezes himself between the both you and glares at the man.

the guy was about to reply to your son, but toji pushes him back with ease, pulling you beside him and hand resting on your waist almost by instinct, “kid is right,” he tilts his head a bit, “ever been taught manners or do I have to do the teaching for you?”

the guy is taken back; offended, he snaps “you can’t speak to me like that!”

“and you can’t hold my mom’s hands like that, but here we are,” your son cleverly sasses him.

on the other hand, your—shameless—husband pulls you into one scandalous kiss and smirks at the guy when he pulls back, “and you can’t hit on a married woman, by the way.”

you hear your son gag in disgust at his dad’s actions, but you’re too busy burying your face in your husband’s chest, hoping that the guy disappears before toji makes even more of a bigger scene.

you also hope that the ground would swallow you, but that’s the alternative option.

the guy clutches his fist, before walking away, spewing insults at the sky—since he is too scared to cuss out your buff husband. once the man is out of sight, toji ruffles megumi’s hair, chuckling, “good job, kid.”

your shy bean’s cheeks redden slightly as he looks away, “…thanks.”

you’re still thinking about what just happened when you slap your husband’s chest, “toji, literally why?” you grumble, patting megumi who started holding onto your leg the moment you hugged toji.

“why not,” your husband shrugs with a small smile, taking pride in your flustered form.

“dad, I want ice cream.”

“no, you just want me to let go your mom, so you can hog her for yourself,” toji grumbles, staring down at megumi.

unfaltering, megumi looks up at him ,“dad, I want ice cream.”

“god damn it, listen here you—“

“divine dogs.”

RYOMEN SUKUNA:

there is no denying that both your son and your husband care for you very much, and they both—very aggressively—compete for your attention.

I am talking he literally throws the kid across the room kind of aggressive, and your son, in turn, throws whatever he has at him.

it’s eventful, but you would be lying if you said that it wasn’t one of the reasons why you will get grey hair earlier than everyone else.

so their very aggressive nature is also shown in their protectiveness over you.

a person doesn’t need to insult or even dare flirt with you for your devil duo to make their life a living hell; your husband and son don’t tolerate someone speaking to you if it causes you to ignore both of them.

for example, this one new servant was clueless to where the broom is, and unluckily for him, he saw you sitting with your husband and son in the gardens. he humbly approached you, “excuse me, m’lady.”

you turn to look at him with a smile, “yes?”

he clears throat, a bit flustered by the attention, “I—I wanted to ask where the—“

“up your ass, you disgusting fiend,” your son sneers followed by his father’s ever-permanent scowl.

“who gave you the permission to come and speak to her so casually?” sukuna presses, and the servant quickly falls to his knees.

“m-my apologies, my lord! I did not mean to disturb you!”

sukuna crosses his arms, “well, you did, and you also disturbed your queen and prince,” his eyes narrow at the servant, “what do you have to say for yourself?”

meanwhile, you’re watching all of that, mouth agape and trying to articulate anything to save the poor guy. you finally find your voice, “sukuna, it’s okay; he didn’t mean—“

your son hugs you tightly and glares at the servant, “to think he would so brazenly speak to you like you’re old friends is terrible, mother.”

you can almost see your son’s cursed energy flaring, and you can spot the small smirk on your husband’s face as he watches his son.

before it escalates any further and you find yet another dead corpse in your palace, you pick up your son, kissing his cheek which makes him flustered and causing him to bury his face in your neck.

you look at the servant, “you’re dismissed, and you can ask the head maid about anything you need, okay?”

“y-yes, m’lady!” he, however, stays glued to the ground, “may I have the permission to lift my head?”

sukuna grunts, “sure.”

“thank you, m’lord,” the servant says, before scurrying towards the gate, having secured his freedom after his little mistake.

or at least, that’s what he thought.

your husband slices his legs off with a flick of a finger, and your son, who has inherited his father’s technique, slices the head off.

and so the body falls to the ground, and the other servants hurriedly start cleaning up the mess.

you frown at your husband, “sukuna! he apologized!”

he rolls his eyes, and pulls you by the waist, “do I look like I care? he shouldn’t have interrupted our time together.”

“aww, you’re jealous!”

“no, I am not—“

“hands off, old man!”

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[unproduciblesmackdown]

billions figuring winston shouldn't just also still be there in the end with the guys we accept so he needs to be sent out, which, it's also remarkable to recall like "okay does he still technically, partially work at/for axe global then? it's a 'maybe' but what matters is that he's not There even if so"....the way that even if we infer he did get to finally be sick of waiting on better, we weren't even given so much of an arc of a couple episode's leadup showing him markedly being more frustrated / fed up with The Usual bullshit or anything like that, the way it went with one ep to spare "oh right winston's catchphrases! we all know & loathe them" like don't strain yourselves....that even in giving up on things, winston still has to be further let down by everyone even after quitting, like well that's probably ultimately helpful for him but it was (a) forced on him and (b) not sure i'd give billions the credit for anything sympathetic towards winston versus "well the only thing to be done with winston material is have fun while epic winners shit on him however they want," the wags plotline had no point just like the later one that could've been scrapped & transformed into "how about taylor gets any dialogue this episode"....the way that billions may imagine like hmm what to do with winston? all that can Ultimately happen with him is he has to go away and die, for him it's [out of sight out of mind out of Existence], just as has been the show's approach for the consequences of him being shitted on all th time for years before this: there are none, b/c we're not looking at them, and winston is never not completely [othered] including right now, and if it helps for some reason we'll talk about how we might be fine if he literally dies. and so we're graced with a "who knows or cares, he's just gone, finally. after being kept around b/c it's so fun seeing winners torment him" ending as the only one they find imaginable for winston