#there is a LOT to cover next season for will

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 42: Comfort and Joy

Summary: Tis the season to be jolly...

Pairing: Poly 141 x reader

Word Count: 8, 417 words

Warnings: Alpha/beta/omega dynamics, omegaverse, alternate universe, slight angst at the beginning, blood and disturbing imagery, nightmares, PTSD, lots of comfort, holidays

A/N: Yes, CRCB is getting its holiday episode. Something holly and jolly before Christmas, some sweet comfort for the last chapter of this year. It's kind of rough but I don't hate it. I hope everyone feels the same. Happy Holidays to everyone

MASTERLIST | <- Previous | Next ->

It’s quiet in the house. 

There’s a stillness in the air that seeps into your very soul. The only light is from the street light outside. Your father never allowed you a nightlight despite your fear of the dark. You weren’t allowed to show such weakness in front of him. God forbid his family have any flaws. 

You’re the flawed one. 

It’s too quiet in the house, not even your brothers’ snoring audible in the tense quiet that has settled over your safe space. It has your breathing shallow so as to not disturb the heaviness in the air. Your sister is asleep in the bed across the room, tucked under the blankets safely. Sleep evades you however, something tickling in the back of your mind. 

Something is off. Something is wrong. 

“Hannah.” You whisper, disturbing the darkness in favor of not feeling so alone in the oppressive silence. “Hannah.” 

Yet your sister does not stir, showing no sign of even acknowledging a disturbance as she sleeps deeply. You bite your lip, sinking back further under your covers. You could wake one of your brothers, but the likelihood of one of them helping ease your fear is small. They’ll just usher you back to bed and tell you to grow up. You could attempt to rouse your mother, but that runs the risk of also waking your father. If nothing is wrong, it will be your doom. 

Maybe it’s all just in your head. Some terror brought on by a lingering nightmare. 

You need to get up. You can’t lay in the darkness anymore. 

So you rise from the safety of your blankets, padding silently across the wood and out into the hallway. There’s a nightlight allowed out here to prevent stumbling in the dead of night. There’s nothing in the hallway, no silent spectre waiting to grab whoever leaves their room first. You creep silently down the hallway towards the black gaping maw of the living room waiting just beyond the edges of the light. 

You stand there at the end of the hallway, gazing into the darkness for a moment. It’s not truly dark, light filtering in through the curtains from the streetlights outside. Yet the darkness feels thicker than it ever has before as you stand there, waiting for a shadow to move. 

Nothing moves, and after a breath you turn to the left, cutting through the dining room straight towards the kitchen. It’s darker in here, cut off from the street, yet you navigate it with ease. You’ve spent many nights navigating through the darkness, creeping around the house when you can’t sleep. 

You enter the kitchen, heading for the cupboard that holds the cups. Your mother used to give you warm milk when you couldn’t sleep. Sometimes you’d rise to find her awake, sitting in the living room. Sometimes she’d be crying. Sometimes she’d just be sitting with the lamp on, staring into the distance. 

It always made you wonder what she was thinking about. 

You stand on your toes, reaching up for a glass. It nearly falls and hits the counter but you manage to catch it, preventing what would no doubt be a crisis. You let out a breath before moving to the sink, filling the glass up. You stare out the small window that shows nothing but the fence between your house and the neighbors. All the houses are the same, built after the same model with the same green grass out front. It’s like a movie set, some suburban setting for a drama or a horror movie. 

The oppressive darkness feels like a horror movie. 

You turn to head back to your room, but you’re stopped by a figure standing in the entrance to the kitchen. You can just make it out, large and looming in the darkness. For a moment you think it’s your father, awakened by something, some instinct telling him there’s something moving around in the house. It’s not the right size to be your father, though, too tall and long. 

You stumble back towards the light switch, your fingers shaking as you flip it on. 

“Phil?” You ask quietly, staring at your father’s best friend in shock. You haven’t seen him in almost two years. 

His mouth opens in a haunting grin, blood pouring down his chin. You stare in horror as blood soaks into his white shirt, dripping onto the floor below. The cup slips from your hand, shattering on the floor as his hand wraps around the knife stuck in the side of his neck, pulling it free. Blood sprays across the white cupboards, painting them like some gruesome work of art. 

“Look...what you did...to me...” Phil says, his voice nothing more than a gurgling wheeze. 

He reaches out a blood soaked hand towards you, sending you stumbling back. Glass cuts into the bottoms of your feet, sending shards of white hot pain up your legs. You don’t care, too busy trying to evade the bloody hand trying to grab at you. You slip in the water on the floor, falling backwards, the back of your head seconds from hitting the side of the counter...

“Easy, easy.” 

Arms are around you, holding you tightly as you sob. Your feet are burning as you sit there on the kitchen floor. It’s not the kitchen in your old home, though, it’s the kitchen in the cottage. Your feet are burning with sharp stabs of pain. There’s water soaking into your pajama pants. 

“You’re alright.” 

The light is on, raining down bright yellow light from overhead. You hate it, the oppressive light burning your eyes. You squeeze them closed, trying to ease the pounding in your head that pulses in time with your heart. 

“...sleepwalking I think...” 

Voices float in and out as you sit there, leaning back against something solid and warm. There’s arms around you, holding you tightly, your own arms trapped up against your chest. You tilt your head back, resting it back against the solid warmth. 

“Almost hit her head...” 

“Move her to the couch...”

“It’s not that uncommon during times of extreme stress.” 

You wince as another tiny piece of glass is pulled from your foot. 

“Even if someone has never experienced sleepwalking before, it can start at any age.” 

“Is this something we need to worry about now?” 

“It’s hard to say.” Dr. Keller dabs at your foot with a damp towel streaked with pink from your blood. “It’s one of those things we’ll just have to wait and see if it was a one-time thing or if it will become a regular occurance.” She dabs at your feet with the towel before shining the flashlight on them again. “You want to talk about the nightmare?” 

She’s talking to you now. 

“No.” You say, the word strained and weak from your lips. Your face feels tight from the tears you had shed in your confusion and delirium. The nightmare is still fresh on your mind, replaying like some sick television show, over and over in your head. 

She gives you a look, but doesn’t press anymore. She won’t ask again, not in front of your pack at least. 

She lets your feet rest on the coffee table before moving closer to you. Her hands cup the back of your head, pressing down on certain spots. “Does your head hurt?” 

“No.” You say, ignoring the throbbing behind your eyes. 

“Well, thanks to Kyle’s quick reflexes, I think we’ve avoided a concussion.” She says, turning to Kyle. “How’s your hand?” 

“Fine.” He says from where he’s sitting next to you, flexing his fingers. “I’ll take aches and pains if it prevents a hospital visit.” 

“That’s the last thing we need right now.” John says. 

You can’t help but wince at his words. 

If he notices, he doesn’t say anything. 

“Thankfully there wasn’t any serious damage.” Dr. Keller says, wrapping your feet in gauze. “Just try to take it easy for a couple of days. Walking isn’t going to feel very good for a while.” 

“Do you want to talk about it?” 

“Not really.” 

“I think it might be good to talk about it.” 

“You’re as bad as Dr. Keller.” 

“Well, she and I agree that holding everything in isn’t going to help anything.” Kyle says, taking the seat next to you. “We just want to help you.” 

“Unless you can crawl into my mind and fix my memories, I don’t think you can help with this.” You say bitterly. 

“Well, I can’t do that, but I can listen.” He gives you a look. 

You choose to ignore it. 

He continues to stare at you as you turn your gaze out the window. It’s raining again, light droplets hitting the window. You can feel yourself beginning to crack as he continues to stare at you, his gaze not sharp and prying, but instead soft and inviting. He really wants to know, not out of curiosity or need, but because he cares. He wants to help, even if it’s just listening. 

Can you be brave enough to share? 

“I woke up in bed, but not in the cottage. I was in bed at the house we lived in before I was sent to the institution.” You swallow the lump in your throat threatening to choke you and cut off your words. “It was the house we moved to shortly after Phil left. I remember feeling something was off after I woke up, something was wrong but I couldn’t figure it out.” Your mouth suddenly feels dry. “I went to the kitchen to get some water and Phil appeared there in the darkness. He...” 

You trail off for a moment, the memory of what he had looked like in your dream sending a spike of fear through you. You had thought the one positive of Phil being dead was that he couldn’t haunt your dreams anymore. He’s not out there hunting you, seeking you out. He’s dead, burned to a crisp in that barn. You made sure of that. 

“He had a knife in his neck. He was bleeding.” Your voice shakes as tears prick behind your eyes. You hate it that you’re still crying over Phil and his hold on you even in death. “He said....he said ‘look what you did to me,’ and pulled the knife out. I dropped the glass of water and slipped in it. I was falling but then I woke up.” 

Kyle is silent after you finish, the quiet settling heavy between you, as heavy as it had felt in your dream. You know you sleep walked through part of your dream. You went to the kitchen for water and dropped the glass. You slipped in the puddle and nearly hit your head on the counter if Kyle hadn’t found you seconds before and cushioned your fall with his hand. Your feet still sting from stepping in the glass, even though the puncture wounds and cuts have mostly healed. 

A warm hand touches yours, fingers curling around yours. Kyle’s rough skin, calloused by handling weapons and fighting for so many years, drags against yours as he slowly lifts your hand away from the arm of the chair and up towards his face. His breath is warm as it hits your palm, his soft lips pressing against your skin. You turn to face him, tears still blurring your vision as you sit there, staring at him. 

“It was just a dream.” He murmurs, pressing a soft kiss to your palm. “No one is going to hurt you. Phil is gone and we’ll be damn sure nothing else can even try.” He presses your hand against his cheek, your fingers trembling against the smooth skin. “You have nothing to fear.” 

“Only what’s in my head.” You whisper. 

“What can we do? How can we help you defeat those demons plaguing you?” He asks, threading his fingers through yours. 

You stare at him for a while, taking in his face again. It feels like so long since you’ve really looked at them, since you’ve truly taken in their features. You’ve almost forgotten what they actually look like, your mind always conjuring up muddy images of their faces in your memories. 

You’ve forgotten just how pretty and perfect he really is. 

How...disarming his face is. 

“I don’t know.” You whisper, your thumb stroking his cheek. “I don’t know.” 

The breeze is cold, whipping around you and biting at your cheeks. The blanket tucked tightly around you stops the wind from chilling you to your bones. You don’t care about the cold, your gaze out on the waves crashing against the shore. 

“Cold?” Johnny asks, tightening his hold around you. 

“No.” You say, fighting back a shiver as you lean further back against his chest. The last thing you want right now is to leave the beach. 

“Somethin’ tells me I shouldnae believe you.” He says, squeezing his body around yours. 

“Well, whatever it is, it’s wrong.” You say stubbornly, shoving your hands in your armpits to keep them warm. 

“Stubborn little thing.” He says, pressing a kiss to the side of your head. “Should be headin’ back soon anyway.” 

You let out a whine in protest, leaning your head back against his shoulder. “I want to stay here forever.” 

“I know.” He says, letting you go just enough to pull his phone out of his pocket. “Wish I could let ye.” 

You can’t stop the shiver that shakes through you at the loss of his warmth. It is cold and getting colder as the sky gets more grey overhead. The sun is going down, the darkness of the evening rolling in earlier and earlier every day. 

“Time to head back.” Johnny says, pocketing his phone. 

“Five more minutes.” You whine, trying to lay all of your weight against him. 

“I have direct orders to get you back stat.” He says, pushing himself up to stand. 

You let yourself flop back on the blanket you’ve been sitting on, looking up at him as you lay there in the sand. The wind is picking up, blowing some of it onto your face. You sputter, pulling yourself back up to sit. 

“Come on, kitten.” Johnny says, tucking his hands under your arms before lifting you to stand. “Let’s head back before it gets dark.” 

He brushes the sand off of your blanket before picking up the other one and shaking it. He drapes it over his arm before guiding you back up the path towards the car. You take one last look over your shoulder at the water before following him to the parking lot. 

It’s dusk when you get back to the cottage, the lights from inside glowing warmly through the windows. Johnny takes your hand, leading you up the steps and into the cottage. 

It’s warm inside, the rest of your pack moving around in the kitchen and dining area. You kick your boots off, passing your blanket off to Johnny before heading into the living area. The table is all made up, many dishes sitting out ready to be served, all of them looking very familiar.

“What is this?” You ask, stepping closer to the table. 

“It’s Thanksgiving.” Dr. Keller says, stepping out of the kitchen with a tray of meat in her hands. “I thought you might like to celebrate.” 

“Oh.” You stand there for a moment. You didn’t even realize what day it was. Time has been so strange with no phone or television to give you an idea of what day it is. It’s been moving quickly, almost four weeks since the day you were taken. “Is that why you let Johnny take me to the beach?” 

“We wanted to surprise you.” John says. “I know you don’t like surprises, but this felt like a more appropriate one.” 

“I don’t like surprises, but this is really sweet.” You move towards your normal seat at the table, looking at all of the dishes laid out. 

“We made all the classics, or at least as close as we could get with what we have available.” Dr. Keller says. 

“It’s pretty close, but then again I’ve only had Thanksgiving once.” Ashley says, coming out of the kitchen. You hadn’t even noticed her car parked outside. 

“Thank you for this.” You say, still a bit taken aback by the gesture. “I didn’t even know it was close to Thanksgiving. Time...time seems so weird now.” 

“A lot has happened in a short amount of time.” Dr. Keller says, rubbing your back. “That can skew how we perceive time passing.” 

“I also don’t have any way to tell time.” You shrug. 

Dr. Keller gives you a soft smile. “Well, we’ll see if we can rectify that.” 

Everyone takes their seats at the table in their usual spots, except for the extra chair next to Dr. Keller for Ashley. You recognize the strategic move, even if the rest of your pack pretends not to notice. Dr. Keller also pays it no mind, but you can’t help but notice the bashful look that flashes across her face when her hand brushes Ashleys as food gets passed around the table. 

You load up your plate, digging in almost immediately. You hadn’t realized how hungry you got down at the beach, not until you came back to a cacophony of delicious smells. It all tastes good, all of it throwing you back into reminders of your childhood and Thanksgivings with your family. While your father still had expectations of proper behavior from you and your siblings, it was tradition that he’d spend most of the day in his chair. Your mother did all of the cooking, you and your siblings helping when she’d allow. 

You never truly understood how much work she put into every holiday until you were older. 

Thanksgivings at the institute were never the same as Thanksgivings at home. You got the day off of course, and there always was a better meal that day with the classics, but it always felt so manufactured, not unlike the food on base. You never realized how much you missed home cooking until now. 

You never realized how much you missed your mothers food until now. 

Tears blur your eyes as you continue to eat, trying to distract yourself with heaping spoonfuls of food. 

“You doing alright?” 

Of course the one time John would notice your melancholic state would be right now. The entire table pauses, turning to look at you. You start to curl in on yourself, not wanting all the attention all at once on you. 

“Yeah.” You clear your throat, wiping the tear that betrays you and falls down your cheek. “Just tastes really good. Reminds me of my mom’s cooking.” 

The words slip out before you can stop them, tumbling out onto the table and landing among the mashed potatoes. Things suddenly feel very vulnerable, very raw. You wish you could grab the words, shove them back in and make them all forget your admission. You don’t want the soft stares, the sympathetic looks in their eyes, the understanding. You want to crawl under the table and hide until the moment passes. 

“I-I think I just missed home-cooked food.” You try to save the moment from growing more embarrassing for you. 

“I second that.” Johnny says, the tension in the room lightening just a bit. “Easy tae forget what good food tastes like sometimes.” 

“I’ll give it to the Americans.” Kyle says, recognizing your desire for the attention to be off of you at this moment. “They do know how to do a good feast.” 

“We can do more than good food.” Dr. Keller says, sounding almost offended. 

“Like Halloween.” Johnny says. “What I wouldnae give to have an American Halloween.” 

“You just want an excuse to eat candy until you’re sick.” Simon rumbles. 

“I wan’ tae do more than that.” Johnny gives him a look. “Costumes, the parties, trick or treatin’. All of it.” 

“Maybe we’ll have to take you to America next Halloween.” Dr. Keller says. “Let you get a proper taste of the holiday.” 

Next Halloween. 

You’re not even thinking a week ahead, much less a year. You’re not even sure the others have thought much about what the next few months will look like. Where will you all be in a year? You can’t stay at the cottage forever, as much as you would enjoy it. At some point a decision has to be made. Where do the five of you go from here? 

The conversation begins to lighten, the attention thankfully being drawn off of you again. That doesn’t save you from John’s gaze, though, his eyes flicking up to you every so often. You try not to meet that gaze, keeping your eyes down on your plate as you eat until you’re stuffed full. Yet you can’t help but look up when his gaze lingers too long, when your omega shifts under the scrutinizing gaze of an alpha. He’s trying to read you like he used to be able to. You wish you could hide better from him, but you’ll never be able to truly keep your thoughts and feelings under wraps. 

Not from him. 

You’re banned from the kitchen as food is cleaned up and placed in the fridge and dishes are washed. Instead you find yourself on the couch, staring into the flickering flames of the fire. Kyle takes a seat next to you, sitting down with a quiet groan. 

“How are you?” He asks, draping his arm on the back of the couch behind you. 

“Fine.” You say, still turned to face the fire. “Full.” 

He lets out a quiet chuckle. “Same. Don’t think I’ve been this full in a long time.” 

“That’s the point of the holiday.” You say. “Eat until you pass out.” That’s what your father used to do, slipping into a food coma after dinner in his chair. As much as you hate him, you do miss those quiet evenings where you could loosen up and not care about his calculating gaze. 

“Feeling tired?” He asks, and you can feel his questioning gaze hitting the side of your head. 

“No,” You respond, and it’s the truth. There’s far too much going on in your head to even nap right now. 

It falls silent for a few moments, only the sounds from the kitchen and the crackling of the fire breaking the silence. You’re far away in your thoughts, replaying the last few weeks over and over in your head. 

“Penny for your thoughts?” John asks, breaking you from your reverie. He takes a seat on the other couch, facing you. 

“Just thinking about how much time has passed.” You answer, tucking your knees up close to your chest. “It’s been almost a year and yet it feels like it’s only been a few weeks.” 

John hums. “You would have been with the CIA already by this time.” 

You nod. “Yeah. I was picked up just after Halloween. Didn’t really have Christmas last year. The CIA wasn’t exactly the most festive place. They had bigger things to worry about.” 

“Did you miss it, Christmas?” He asks. 

“Well, yeah. Of course, even if we didn’t really celebrate much in the institute either. We didn’t have any gifts to give each other outside of things we were supplied with by the institute. They didn’t really bother decorating either. We got the day off, of course, and we had a nicer meal than usual, but it wasn’t really some big festive celebration.” You shrug. “It was always a big deal in my house. It was my mom’s favorite holiday.” 

You cut yourself off before the emotions can get to be too heavy. You’ve already almost lost it once in front of them today. The last thing you want is to risk that again. You’ve spilled too many words already. The last thing you want is to spill more. 

John’s gaze leaves you to look at Kyle next to you, the two of them sharing a silent conversation. You’ve always envied their abilities to speak to each other without words. You wish you could know them that well, you wish you could understand them on that level. You wish you shared the bonds they have with each other. You’ll always be the odd man out, the outsider. You’ll never have that closeness, that ease with which they exist around each other. 

You’re beginning to see it again, the fluidity between them, moving around each other without needing to look, always aware of the others. Here you are again, on the outside of that once more. Things really have gone back to the way they were before, back when things were new and foreign and unknown. You’re an unknown factor in this dynamic again, all of them tiptoeing around you like you might explode if they get too close, if they push those boundaries again. 

Part of you hates it. Part of you likes it. 

You’re not sure what to feel anymore. 

You tilt your head back, thumping it against Kyle’s hand. “Sorry.” You quickly sit yourself back up. “Done that twice now I guess.” 

“No need to apologize.” He says, his hand dropping to your shoulder to lean you back again. His hand gently cups the back of your head, rubbing soothing circles into your scalp with his fingers. 

You let out a content hum, your eyes fluttering closed. It falls silent between the three of you as Kyle slowly works you into a comfortable, content state. Your omega begins to almost purr contently, and for the first time in a while, she doesn’t feel quite so out of control. 

The days start to make more sense as you now have an idea where you are on the calendar. It’s the end of November, meaning in just a few weeks it’ll be Christmas. The guys haven’t said anything about celebrating, so you haven’t gotten your hopes up. Still, you can’t hide that itch in the back of your mind, that desire to have a proper celebration for your first year out of the institute. 

“You know you can tell them what you want.” Dr. Keller says, sitting in the chair next to you. “We’ve gone over this. I’m sure those guys would turn the world upside down if you asked them to.” 

“I just...I don’t know how.” You say. “What if they have no plans for Christmas? What if they weren’t planning anything? What if this is too last minute?” 

“There’s a little under a month till Christmas. It’s hardly last minute.” Dr. Keller says. “Even if they say no, then we’ll have a celebration. Just the two of us.” 

“You’d do that for me?” You ask, turning to look at her. 

“Of course. If you want to celebrate Christmas, then we will, no matter what the others decide.” She says firmly. “If they don’t wish to participate, then they don’t have to.” 

“That’s...really kind of you.” You say. She’s done so much for you already, and here she is offering to do more. 

“It’s what I’m here for.” She says. “Whatever you want to do. Decorate, bake cookies, go shopping. All of the above.” She reaches over, squeezing your hand. “You’re in charge.”

You’re in charge. 

Your omega nearly preens at the words, starting to get excited. Yet, you’re not quite sure how you feel about that kind of pressure being placed on you. It’s not in your nature to be in charge...or at least that’s what the institute taught you. Omegas are submissive and follow their alpha’s orders. 

The institute was wrong about a lot of things, though. Maybe you do want to be in charge. Maybe if you’re in charge, things will start to get better. Maybe if you’re in charge, you can finally get your pack in line and get them doing what you want them to do. 

It’s far too early for you to be awake. It’s still dark out, no light filtering through the gaps in the curtains. There’s light coming through the gaps in the door, though, and you can hear quiet rustling. 

“It’s still crooked.” You hear Kyle’s voice through the wall. 

“I’m doin’ the best I can.” Johnny retorts. 

More rustling and quiet tinkling sounds through the wall. There’s no more hope for sleep for you now, your interest far too piqued as to what they’re doing. You slide out of bed, rubbing your eyes as you pad across the cold floor to the door. 

You’re not ready for what you find on the other side. 

All four of them pause as your door opens and you take half a step out the doorway. You freeze, hand still over one of your eyes. Johnny is standing on a stepstool, leaning over a tree. Kyle is standing next to him, peeking around him to look at you. Simon is frozen in front of the fireplace, garland hanging from his hands. John is standing between the couches, a round ornament in each hand. 

You slowly lower your hand from your eye, sweeping your gaze over the four of them once more. “What are you doing?” You ask, even though you already know the answer to that question. 

“Decorating.” The four of them say all at once. 

“We were going to surprise you when you got up.” Kyle says. 

“We were trying to be quiet.” John says. “But those two muppets can’t get the star properly on the tree.” 

“You’ve got it on the branch wrong.” Kyle says. 

“It won’t go any other way.” Johnny argues. 

They go back to what they were doing, almost as if you’re not there. You’re glad for it as tears begin to fill your eyes. They’re decorating. They were decorating to surprise you. You can’t help but wonder if Dr. Keller expressed your desire for a proper Christmas to them on your behalf, but part of you knows she wouldn’t do that. She’s pushing you too hard to take control to do that. 

Maybe they’re doing it because they want to. Maybe this was their plan all along. 

“Let me do it.” Kyle says, tugging on Johnny’s shirt. 

“I can do it just fine.” Johnny persists, still fiddling with the star on the tree. 

You roll your eyes, moving over to them. “Move. I’ll do it.” 

Neither of them argue as Johnny steps down off the stool, letting you climb up. You can feel their hands hovering as you stand up on your toes, reaching for the top of the tree. You bend the top branch, situating the star on properly for them. 

“See! I told you.” Kyle says, his hands still hovering as you climb down off the stool. 

“My way would have worked just fine.” Johnny pouts. 

“I’m sure it would have.” You shrug, patting his arm before walking away. 

You join John in sorting through ornaments as Kyle and Johnny finish adjusting the lights on the tree. They’re all brand new, sealed in the boxes still. So they went shopping for all of this. You don’t suppose a summer house would have Christmas decorations laying around. It’s touching that they did this for you, even if they didn’t know you’d want it. 

“Thank you.” You say, fiddling with the hook on one of the ornaments. “For doing this.” 

“It wouldn’t be fair to not give you a proper Christmas.” John says. “Not when it means so much to you.” 

A small smile tugs at your lips, tears starting to fill your eyes again. “I appreciate it. More than you know.” 

You don’t flinch as he reaches out, gently running a hand over your head as you wipe the tear that falls. It’s nice, feeling his touch again. You hadn’t realized how much you missed it. You wrap your fingers around his wrist, holding his hand against the side of your head. You barely realize you’re doing it as you press your nose into his wrist, breathing in his fresh, woodsy scent. Petrichor, damp earth. It fills your nose like it did the first time you scented him, making your head spin. 

For the first time in a while, your omega lays comfortably in the back of your mind, settled contently back into her cage. 

You stand there nervously, staring at your alpha. He hasn’t acknowledged you yet, giving you a moment to gather yourself. You’re nervous, your palms sweaty, even if you have nothing to be nervous about. The worst he can say is no, and then you’ll have an excuse. Or he’ll say he’ll do it himself, then one surprise will be ruined at least. 

“Yes, sweetheart?” 

Sweetheart. It’s been a long time since you’ve heard that nickname spoken in such a way. Your omega rolls over and shows her belly, ready to submit to his quiet purr of your nickname. 

“I...I wanted to ask you something.” You say, shifting nervously on your feet. Now is the time. Now is when you have to be brave and voice your wants. 

“Go ahead.” He says, putting his phone down and turning to face you.

You almost wish he wouldn’t. You wish he’d stay turned away, attention on his phone so he can half pay attention to what you’re saying. No, instead he has to give you his full attention and put even more pressure on you. 

The words catch on your tongue, choking you as you attempt to be brave, as you attempt to take this leap into unknown territory. 

The worst he can say is no. 

“I want to go Christmas shopping.” The words come out fast, almost slurring together in your haste to voice them before you lose all the courage that led you to this point. 

He leans back in his seat and you prepare for the worst, you prepare for the no waiting to come out and put an end to your silly little request. You’ll sulk and cry about it in the safety of your room. Now you have to be strong. 

“Okay.” He says. 

You nearly turn and run in shame before the meaning of the word settles into your brain. You stand there in surprise, staring at him with wide eyes. 

“Okay?” You parrot, your brain still trying to comprehend what it is he’s saying. 

“Okay.” He repeats. “You’ll have to take one of us with you, though. You can’t leave unprotected, even with Christine.” 

“I’ll go.” 

The voice makes you jump, spinning on your heel to face Simon. You hadn’t even heard him approach. You stare in surprise at the other alpha. He hasn’t made much of an effort to insert himself back into your life. You were half sure he hated you again with how he’s been acting. 

“Alright.” John says, his voice almost as surprised as you feel. 

It will be nice having the hulking alpha following you around. You think back to when you went lingerie shopping with Johnny. How long ago that seems now. People had gone out of their way not to walk too close to you and your protector. No one will want to mess with you with him around.

“Go with Christine.” John says, making you turn back around to look at him in surprise. 

“Really?” You ask in disbelief. 

He nods. “I think it will be good for you, getting out of the house. Just don’t stay out too long.” He turns back to his phone and you turn back to look at Simon, but he’s gone. 

“This might be a tad bit overwhelming at first.” Dr. Keller says as she drives through town. “It’s been a while since you’ve been in a populated place.” 

“I’ll be fine.” You say, even if you don’t really believe it. You had prepared for this possibility in the days you’ve thought about this trip. 

John wanted you to go early on a weekday, when it was less likely to be too crowded. While crowded might hide you better, it also left too many possibilities for someone to sneak up on you. 

“You say the word and we’ll go.” Dr. Keller says. “I can always come back later and finish shopping for you.” 

“Okay.” You say, still staring out the window at the buildings. It’s been a while since you’ve seen so many buildings all in one spot. 

Simon is quiet in the passenger seat, also watching out the window. You wonder what’s going through his head, if he regrets volunteering to come along. You wonder why he did volunteer in the first place. You know safety is of the highest concern now while Shepherd is still out there. Does he not trust anyone else to protect you? That’s a possibility. 

There’s another rift in the bonds. 

Dr. Keller pulls into the Tesco parking lot, many cars there even for so early in the morning. Everyone else had the same idea as John. 

“Try to make this as quick as possible.” Simon says as you undo your seatbelt. “The sooner we can get in and out, the better.” 

Dr. Keller gives him a look, something passing between the two of them before she opens her car door. You get out as well, pulling your jacket tighter around you as the cold air hits your skin. It had been warm in the car, the heat cranked for your sake. 

You’re half tempted to hold Simon’s hand as you cross the parking lot. You doubt he’d let you. He might pull away and that would be worse. That would ruin the whole trip. Old habits, you think. He’s barely spoken to you, so much as made an effort to rekindle the relationship between you. That would be pushing things too far. 

Instead you stick close to Dr. Keller, trying not to panic as you walk into the building with the bright lights and the people. It’s gross, making you squint for a moment as Simon grabs a cart, your eyes taking a moment to adjust. 

“What are you planning on getting?” Dr. Keller asks, trying to distract you. 

“I-I don’t know.” You stay, blinking at aisle after aisle of products. “I didn’t think this far ahead. I thought John would say no.” 

“Well, what do you think they’d like?” She asks. 

What would they like? What do they like? You’re drawing a blank as you think about them. How little you know about them too. 

Kyle. Kyle likes skincare. He’s always prioritized that on base. Maybe you’ll get him something related to that. 

You start for the cosmetics section, Simon following like a shadow behind you and Dr. Keller. What kind of skincare does Kyle like? You know he uses coconut oil after he showers. He always smells good. Maybe something exfoliating? Something moisturizing? Both? 

You stand in front of the skincare, drawing a blank as you look at the many options. Dr. Keller and Simon stand there quietly as you deliberate, suddenly overwhelmed by the choice you have to make. 

“Who are you shopping for right now?” Dr. Keller asks, obviously picking up on your discomfort. 

“Kyle.” You say. “I know he likes skincare.” 

“Hmm.” Dr. Keller hums, looking at the options as well. “How about something like this?” She picks up a gift set with cleanser and moisturizer. “Something to cover all the basics?” 

You nod. “Okay. That sounds good.” 

Simon says nothing, offering no words of advice as she puts it in the cart. Maybe he doesn’t even know his own pack that well. Or maybe this is his way of showing his displeasure for you. Let you flounder and get the wrong thing. You want to believe he wouldn’t be that cruel. 

You wander the aisles, looking for gifts for the other three. You pass by a spa kit, pausing for a moment. You should get one for Dr. Keller. She deserves some pampering and relaxation after weeks of taking care of you. 

You put two in the cart, grabbing one for Ashley as well. 

Johnny. What does Johnny like? Art. He likes art. Maybe something with art supplies. 

You head for that section, Simon still following behind silently, aside from the clinking of the cart as he pushes it. 

You pause as you pass by a display of teddy bears. Johnny sleeps with a stuffed bear. You know that. You’ve cuddled with it yourself. It’s probably back on base with the rest of your belongings. He must miss it. 

You grab one, putting it in the cart. 

“For Johnny.” You say as Dr. Keller gives you a look. 

Simon still doesn’t say anything, but his scent reaches your nose as you walk past him. 

The alphas. John and Simon. The two you seem to know the least. What do they like? What would they want as gifts? Simon likes knives and masks, but you’re not sure you could just buy a knife in the UK like you could in America. You could just ask him, considering he’s here with you, but that feels almost intrusive. He’ll know what you get him regardless, but asking him seems like a daunting task. 

You continue wandering the aisles, looking for something that John might want. 

You pass by a gift set of tea, pausing as you stare at it. He likes tea. He might like some other options than what’s at the house. 

You put it in the cart. 

Now Simon. The hardest of the four. 

You continue wandering the aisles before you pause in the books section. Simon likes to read. You do know that. You’ve scoured the shelf at the cottage enough to know what’s there and what’s not. Maybe you’ll get Simon some new books. Something that’s not available to you currently. 

You pick out a couple before putting them in the cart. 

“Okay.” You say, staring at the selection you’ve grabbed. “I think I’m done.” 

“You’re sure?” Dr. Keller asks. 

You nod. “Yeah. I don’t want to do anything too over the top.” 

You really don’t. The last thing you want is to do too much too soon. 

You pause as you walk past the candy aisle, grabbing a handful of candy canes and putting them in the cart before heading for the checkout. 

Dr. Keller pays with cash as you load the bags into the cart. You’re ready to be out of the store with its bright lights and loud music and people. It’s starting to get busier, more and more people coming in the doors there to do their Christmas shopping as well. 

Simon loads the bags into the trunk as you climb into the car with Dr. Keller. 

“How do you feel?” She asks as you let out a breath. 

“A bit overwhelmed.” You say honestly. 

“It’s a lot going from isolation to a supermarket. I think you did good, though.” She praises you. 

The door opens as Simon climbs into the passenger seat. He’s barely said a word the entire trip, looming in silence like he used to. Part of it makes your chest hurt, that he would regress so much after what happened, but part of you understands. He had to make a big decision on your behalf, push himself past his comfort zone to save your life. Of course he’d want some distance after everything. You wouldn’t blame him if he didn’t want anything to do with you again. 

It’s far too early when light seeps into your room before disappearing. You keep your eyes closed, willing whoever had just entered your room to vanish before they reach the bed. 

You’re not so lucky, a hand settling on your shoulder and gently shaking you. 

“Time to rise and shine.” A soft voice says. 

You let out an irritated grumble, trying to pull the blanket up over your head. 

“It’s Christmas morning, don’t you want to go open your presents?” That hand shakes you again. 

“Sleep.” You murmur, curling up in a ball under the comforter. 

“It’s already 10 am.” The voice says again, tugging the blankets down. “They let you sleep longer than they wanted.” 

Last night was a rough one. You had laid awake far too late, staring at the ceiling and then you woke from a nightmare in the middle of the night, and it had taken time to calm yourself and fall back asleep. You’re still exhausted, your eyes burning from tiredness. 

You let out a grunt of displeasure, but you know there’s no getting out of this one. You’re going to be getting up no matter what. 

You slowly stretch out your limbs, rubbing your eyes. “Fine.” You yawn, turning over to press your face into the pillow. “Be up soon.” 

“No going back to sleep.” The hand rubs your back gently. “Then I’ll have to send one of them in and they won’t be quite so nice about it.” 

You hum into the pillow, already feeling sleep tugging at your brain. Despite the warning, your mind sinks back into the comforting realm of rest as your body relaxes back into the bed. 

You’re not sure how long you get to rest before the comforter is torn off of you, landing somewhere on the floor. Hands roll you over and sit you up before your brain can even process. You blink the rapidly fading sleep from your eyes as you’re hauled up, flying through the air for a moment before you’re tossed over a broad shoulder. 

“Time tae get up.” Johnny says, packing you towards the light filtering in through the open door. 

You let out a whine as he packs you out into the warmth and the light before lowering you back down on your feet. Hands stop you from falling backwards, Johnny’s t-shirt clad chest coming into view as you blink the blurriness from your vision. 

“Happy Christmas kitten.” He says, grinning brightly at you. 

You mutter something that sounds like ‘Merry Christmas’ back to him. His hands slowly spin you around, turning you to face the tree. 

You blink in surprise as you stare at the many presents on the floor under the tree. You weren’t expecting that much, though you suppose with six people in the house there would be quite a bit. It’s one gift though that draws your attention. It’s seated on the far side of the tree, nothing but a bow on top of its head. 

“You...you got me a giant bear?” You ask in surprise. 

“Was Si’s idea-oof.” Johnny coughs as Simon hits him on the back. 

You walk over to it, pulling the bow off of its head. You’ve missed your giant bear and the comfort it brought you. That’s the one thing you wish you still had from the barracks, that you’ve been wanting for for weeks. It’s bigger than the one at the barracks, the top of its head reaching your chest when you’re standing in front of it. 

You let your hands run over the soft fur, squeezing its plush face. There’s no cameras in this one. You know they’ve checked, ensured its safety. There’s no one looking back at you as you stare into its dark eyes. 

“What do you think?” Kyle asks. 

“I love it.” You say, trying to stop the waver in your voice. The last thing you want is to cry on Christmas. “Thank you.” 

“Come on.” Hands guide you to the chair, letting you sit down. “You’ve got a lot to open.” 

The next hour is a flurry of wrapping paper and bows as presents get passed around. You open up new shoes and clothes, a set of lacy panties courtesy of Johnny, new books, strawberry scented soap and shampoo, and some other comfort items. 

You’ll never forget Johnny’s face when he opens your gift to him, his eyes lighting up as he stares at the soft bear you picked out. It gets you a big hug and a kiss to the cheek from him, and you know he’s going to be sleeping with it tonight. 

You’re exhausted by the time the last present is opened, rubbing your eyes again. You hadn’t even changed out of your pajamas, feeling underdressed compared to the others. Yet at the same time it makes you feel like a kid again, tearing into presents on Christmas morning, excited to see what you got. 

You look around the room, John and Kyle starting to bag up wrapping paper and clean, Johnny on the couch next to Simon holding his bear, Simon sitting near the fire already cracking open one of the books, and Dr. Keller and Ashley on the other couch talking, sitting very close. It brings a small smile to your face. You’re happy for them. It’s nice to see Dr. Keller getting something positive out of this stay at the cottage. 

You can’t help but think that whatever happens next, maybe it might not be so bad after all. 

“Think we should wake her up?” Kyle asks. 

“No.” John says, standing next to him. “It’s the most relaxed I’ve seen her in weeks.” 

They both stare at you where you lay near the tree, draped over your large bear. You’re sound asleep, mouth slightly parted as you snooze away. 

“I think she likes it.” 

“It was a good choice.” John agrees. “It will certainly help make her more comfortable.” 

“I can’t wait to see how she’s going to fit that on the bed.” Kyle says with a soft smile. 

“Well, you certainly won’t be joining her when she does.” John smirks. 

“I think I can live with that.” Kyle says. “Like you said, whatever makes her more comfortable.” 

“I’m glad she’s loosening up a bit.” John says, turning away from you to head back towards the dining table. 

“So am I. She deserves to feel safe and comfortable.” 

“She does. We need to make sure she feels that way all the time, no matter what.” 

“I want to help her.” Kyle says longingly. 

“I know. And we can, but we have to let her lead.” John says. “The best we can do is listen to her and give her what she needs, even if it's not what we think is best. We don’t really know what’s best for her in the end. Only she does.” He reaches up, cupping Kyle’s cheek. “We need to focus on each other too.” 

“I know.” Kyle says, leaning into his touch. “I want to.” 

John’s lips twitch in a small smile. “Good. Because so do I.” 

To be notified about new chapters, please follow HERE and turn on notifications

[thatstupidone]

Alfred had caught everyone in the batfam trying to cook at some point.

Bruce

He was trying to cook Dick his favorite food after a particularly bad patrol night, but he didn't actually know Dick's favorite food or how to cook. Bruce had his phone in one hand covered in raw chicken and opened up on a recipe, and in the other hand he had..sugar? The kitchen was an absolute mess.

Alfred came in and immediately kicked Bruce out to take over. After he was done he sent Bruce back in the wash the dishes and clean up. Bruce never tried to cook again.

Dick

Wally had given him a recipe to try, since the speedster was always eating he knew all kinds of good foods. Everything was going surprisingly well as Dick followed the recipe step by step to not mess up- until it was time to cook the food in the oven.

Alfred walked into a smoke filled kitchen and a panicked Dick holding a burning pan of food. Luckily nothing had been damaged, but Dick smelled like smoke for the next week and was never allowed *unsupervised* in the kitchen. Alfred surprisingly was okay with helping him learn to cook though.

Jason

He was trying to cook a nice meal for Roy after they both got into a pretty bad fight during a joint patrol. He also maybe wanted to impress Roy too. He ended up spilling multiple items, used the wrong seasonings, and undercooked the meat.

Alfred showed up before Roy could eat it, probably saved them all a hospital visit honestly. He did promise to help Jason remake what ever he was trying to make, but sent them both to rest while he cleaned up. They ended up getting sandwiches from Alfred.

Tim

Since his parents were never around, and he had no one to cook for him Tim actually learned how to. Once getting adopted by Bruce he never really cooked anymore(other then at the tower for his teammates), but he would often bake!

Alfred liked Tims chocolate chip cookies and allowed him in the kitchen whenever with a promise to clean up. No one else knows, they just never question the baked goods that show up every once in a while.

Damian

He sucks at cooking. Like, under cooked or over cooked food, either no seasoning or too much, he doesn't know what taste good with what. However, Damian is amazing at baking. He can easily bake the most complicated things and it always turns out so good. He doesn't bake a lot though, but sometimes during special occasions he will for others. He probably learned how to bake only out of spite or something.

Alfred has seen him baking once or twice now, always leaving him be since he looks so peaceful when in the kitchen. He absolutely loves it when he will come in after Damian had left and finds some baked good with a little note written for him. Highlight of his week/month.

Duke

Don't let him in a kitchen. Let him in there and you will be replacing everything. No one has ever figured out exactly what he does in there but Tim and Dick are sure it's radioactive experiments at this point.

Alfred takes a week off everytime he sees Duke walking into the kitchen alone. He had given up on trying to stop the boy. He just leaves before whatever mess can happens, and returns once the kitchen is out back together. (Sometimes the batfam sends him in just got the purpose of getting Alfred to take a vacation.)

Barbara

She isn't the *best* at cooking, never having thought to learn past the basic skills, but she likes to help Alfred cook sometimes! It helps her relax on stressful days, the easy routine that sets into place when she joins Alfred.

Alfred likes having Barbara's help. He will have her doing good prep as he does other things before starting to cook. Sometimes he will teach her some things, maybe even give her a recipe that only he knows. Whenever she attempts to cook alone with him only watched and gets the meal perfect Alfred has a sense of pride!

[itstheinktank]

It's been a whole year, let's see how we did!

Kuro's been grinding through the Ben 10 Breakdowns, covering over two seasons of Omniverse!

We put together FIVE episodes of 5 Years Later: The Motion Comic.

This batch was insane! Paul Eiding Returns, the "Remember - Ember" Cover, the debut of Future Fenton, and one hell of a cliff hanger! This series will be a big part of our legacy.

Remember when we struggled to get just one out each year? This time, we did THREE! With quality that's miles above Season 1. Lots of fun guest stars, too! We're very excited to wrap up the Zs'Skayr Arc next year.

"But, Ash!" It was a great year for The Drawing Matrix, as well. Ash finished ALL of the Prime Continuity aliens, with the final episode of Ultimates Overhauled dropping next week based on the 2016 Reboot!

Looking for laughs? Fro's new series gave us a fresh new take on what's possible with our content.

We had a few odds and ends kicking around, too. We made FOURTEEN videos on various topics, each done with unique love and care.

Kuro returned to regular streaming. You can catch him Tuesdays @ 2:00pm EST and commission him through the doc linked in the description of each stream!

Kellen & Kuro held TWO special streams jam-packed with phenomenal guests. It was a pleasure getting everyone together!

Ash has been blessing us with Shorts here and there, all edited by himself. Add that to his skillset!

We're blessed with hundreds of supporters on both Patreon & YouTube Membership, the latter which only launched this year for the first time. Your support goes a long way!

It's easy to forget we have a second channel, The Rust Bucket, though we try to mention it as much as we can. We still made time to throw some goodies on there!

We spread our wings across many videos - we did so many collabs, it's hard to count them all! You may see up pop up just about everywhere, and will continuity to play our part in keeping our community strong.

Happy Holidays!

[popculturebuffet]

Transformers More Than Meets the Eye Season 2 Retrospective: World Shut Your Mouth Parts 1-3 (Pateon Review for Brotoman.EXE)

Hello all you happy autobots and after nearly a fully year and a crossover.. welcome back. It's been a long road but it's finally time to get back on the lost light for TRANSFORMERS MORE THAN MEETS THE EYE SEASON 2 BABY

For those just embarking, More Than Meets The Eye was a long running Transformers comic by James Roberts, a fun trek to the stars where a bunch of Autobots allegedly quest for the mythical cybertron while in actuality figuring themselves out, cracking jokes, getting traumatized and saving the unvierse. It's one of my faviorite comics ever and thanks to my good patreon brotoman.exe I finally got to cover it. I complied season 1 into two posts (thanks tumblr) you can find here to get up to speed

Over the break I started a look at Boom! Studio's power rangers that continues in feburary i'll be doing on and off, then a bunch of fun side quests including Transformers One which you can find my gushing review of here

But I missed these guys and i'm excited to get back to this series. In fact with my Giant Days retrospective starting up in january, that means i'll be covering two of my faviorite comics of all time simultaneously. Also that time the Government decided if they ignored gotham maybe it'd go away. Lots of fun plans for next year.

A big reason besides just the joy of this series is simple: Out of the three seasons Season 2 is my faviorite. I loved it the most reading the comic the first time. Season 1 is great.. but also makes a lot of assumptions in some places, assuming the reader didn't start with this comic and will just know what the dead universe is or who overlord is. It make sense for the time as Chaos was the last thing to happen chronologically and last stand of the wreckers was a hit: it's not a bold assumption that most transformers readers still on board know all this. But it is a bold assumption to not ease readers who might NOT have been there for the previous volume or noped out after it was bad and felt bad, or who are coming in fresh because "hey look hot rod! cool space adventures! queer robots! sign me up'. I'm in the latter category in case you were wondering.

Season 1 is good.. but Season 2 feels more accesible while continuing the great plotting, paying off a lot of season 1's setups, adding a few of it's own and generally being pretty damn awesome. It also adds some fresh faces to shake things up with Chromia being a faviorite of mine, Nightbeat being fun, and Getaway being one of the most intresting characters they've added for reasons I won't spoil but if you know your already booing him.

The biggest and best though and the one I feel helps pull the series together... is Megatron. The former leader of the decipticons, the big bad of most transformers media... joins the autobots and the lost light. It brings the series themes of war and it's cost into focus: Cyclonus is CONSIDERED a decepticon, but while he shares the philosphy he wasn't there killing our heroes friends. One of the things I feel the season 1 cast really lacks for it's post war themes is any deceipticons.. and putting the most infaomous one of all, a man with so much blood on his hands he could fill a swimming pool more than makes up for it. Megatron is TRYING to do better as we'll get into, geninely wants to do something.. but struggles both with being better and EVERYONE hating him. At least to start EVERYONE is understandably hostile to megatron, who dosen't help by being his usual standoffish self. It's a fun situation... and also great for comedy as he both makes a good straight man and pisses Rodimus off as he's not happy about his new "co-captain" and the duo's banter is pitch perfect.

IT also allows for megs to be thorughly explored: why did he do this, what does he regret. Dark Cybertron hinted at this, but now he's a full time cast memmber we relaly get into why Megatron is the way he is. He feels so critical to the series it's a shocker that he's there because Editorial wanted him in one of the books.. yet it works so perfectly. The lost lights established issues with seeing the cons as automatically evil, their war trauma nad moving on are tested by putting the biggest symbol of all thier issues and the reason many exist at the helm. It's an engaging , hearbtreaking thought provoking season and we can finally kick it off under the cut as we find out HOW Megatron got this sweet gig, how everyone's dealing with it and just how drunk trailbreaker can get.

We begin

And we're back, with Nautica, now mostly settled in hurrying up to talk to her new bestie Brainstorm. And right away the series already has a new charming character dynamic: Chromia finally provides someone genuinely intrested in Brainstorm's work when it isn't on fire and a foil as she finds his newest idea a tad questionable: COLOR CODED LASERS, so you can tell who the baddies are. Ahhh how I missed James Roberts addiction to taking goofy parts of the franchies and making them an actual thing. This one dosen't quite take off as Chromia points out just how bad it is while Brainstorm just says.. maybe change the color. It's also a nice little peak into his character through some wacky nonsense: depsite the war having passed.. he still sees it as the good guys and the baddies. Granted a good number of decepticons were pieces of shit, but as prowl has proven time and time again and will somehow be allowed to keep proving, just because your on the right side of history dosen't make you a good person. It's something Chromia fully grasps and adds some fresh perspective; she's TECHNICALLY an autobot, but her home planet wasn't in the war and it gives her a diffrent perspective.

The two notice a pile of people outside Rung's office as he has a very special patient.. and it's here it's revealed whose the captain now. I spoiled it a tad early out of necisity but it's still such a great panel

I just notice the little cubes of energon and the energon equilvent of a water jug for the first time. I love that Rung has refreshments. Such a good therapist.

So we flash back six months and get used to it as we'll be going back and forth to explain well, how did we get here? Rodimus is prepared to leave, understandably as he was just through some shit before the whole crossover.

Optimus however dosen't want ANYONE leaving till after the trial. And naturally Prowl dosen't want a trial but a public execution. He even says it twice, proving that Magnus should've just let Chromedome finish him. Optimus points out WHY they need one: the public needs to trust the autobots again so the trial needs to be transparent. Granted Optimus still makes some fumbles in setting it up: while he makes the wise decision to apoint magnus as the defense, as he knows even with every reservation Mags will do the right thing, he appoints PROWL to proscution. Prowl who the NAILS could easily point to as biased. Prowl who Optimus knows from the crossover as Rodimus damn well told him set up the whole overlord fiasco out of paranoia. Prowl who SHOULD STILL BE AT THE BOTTOM OF A CLIFF INSTEAD OF IN THIS PRIVATE COUNCIL. I get it's not asshole free, Starscream is also there, and Rodimus has some thoughts about that that sadly feel all too relevant

Just that feeling that you can't grasp WHY something very stupid and horrible happened... or why they elected it to office.

So the trial is set, and Rodimus reveals why he's so twitchy: the matrix. Granted Optimus once again comes off as a bit of a prick, and unlike the prowl thing where Roberts hands are tied by the sister book having Prime weirdly trust the guy, Optimus just.. seems grumpy at Rodimus breaking the matrix. Despite ya know DOING SO TO SAVE THOUSANDS OF SENTIENTS. I love this book, with all my heart.. but sometimes it forgets our heroes can and have actually done shit.

So Rodimus is going to thunderclash for help, which frankly is a hell I wish on no one. But he has a reason for being so twitchy besides "everyone is being a dick to him today and the planet is ruled by a smooth talking facisit now": Thunderclash hasn't responded which given who we're dealing with is not exactly good. Still Rodimus being present gives Optimus an idea to speed things up.

Back at therapy Megatron is annoyed Rung has made his fusion cannon a penis thing, a gag I love but Rung points out why: Megatron is being evasive

So Rung tries something diffrent... great encounters. Who he met that had the most impact on him. Megatron deflects by pointing out how they met, the incident at the Macaddams from Chaos Theory. it's a major reason why I wanted to cover it, the other we'll get to as we go. Megatron dosne't begrudge him from forgetting and tries to use his usual rhetoric and deflect.. but Rung's found an opening: See he brings up Megs biography.. and specifically that he found a rare first edition, the others all wiped.

It's a quote I deeply love and shockingly haven't had a use for till now. But it's not only once again precisent.. but also gets to the heart of things. Rung tried finding the change, found nothing.. and then spotted the deidcation and asks whose terminus. Before he can dig in on that, the lights go out. Megatron takes that as a sign to leave to go refuel and then get back on deck so Magnus doesn't get too comfy. He does point out why he edited it out though: Terminus was a friend. and taught hims omething important. Okay it's vauge as hell. Rung is curious though as we find out MEGATRON asked for the session. Also btb, Ravage, one of soundwaves cassets is lurking on board. It dosen't come up in this half of the story and I almost forgot to mention it but it will naturally be important later.

Back in the flashback we get a brief bit of levity as Swerve holds fake "Crewditions" to fuck with people. It gives us a look at the adorable nerd Nautica is and nightbeat eventually shuts it down. It's a fun bit and leads us into what Optimus was getting at: letting Chromedome extract testiomny. Probablem is.. Megatron has a deathly fear of mnemosurgery, reacts harshly and assumes their coming to take his brain instead of you know, trusting optimus. I mean I can't blame him for not wanting to take the needle. Rodimus.. takes the chance to mock him and say megatron will end up where he started: under rock deep under ground with nothing to show for it. And this.. will be a mistake. Not for the whole of cybertron as it leads to some good things, bu tfor Rodimus as it's going to be a pain in the ass in the short term as Megatron has Rodimus give Magnus a box.

Back on the ship Skids and Nightbeat are hanging out. Their buddies now. And Chromedome is.. not doing well just sitting in his cell replaying rewind's message having ALMOST recovered a little.. but then you know, he didn't get to kill prowl so back to depression he goes. Nightbeat is curious though.. the last number on Domey's hab suite is missing.. something... is up.

Speaking of.. I don't have a transition. Whirl is doing what he does best: pick a fight to mask his deep issues. In this case he sucker punches Megatron

It does not. Once again Whirl not only picked a fight with someone stronger, but someone who did not want one. And unlike Cyclonus who simply threatens to murder him some day, Megatron cuts to Whirl's core. Whirl brings up the fact he tried to murder Megatron in a prison celll... and Megatron reveals in gratittuude for setting him on his path, he ordered his men to never actually kill Whirl. I like the ambigiuity: Megatron is usaully straight forward.. but he's also smart and knows this kind of lie, or even worse truth, would damage whirl way more than a fight he did not want or ask for and lets the fight go while Whirl looses an arm in Megatron's insides as shockwaves use of him as a space bridge means his stomach's all kinds of freaky.

After this we flashback as Megatron explains the why of his therapy: he explains the editing that life is all edits, slowly piecing things out of your life, changing yourself for better and worse and sometimes the wordk you've done.. is unsalvagable. You need to start over. And that's what Megatron is doing here, why he threw his past away on Luna 2 where the trial took place. We'll find out what that means later for now the issue ends as the crew finds a mysteroius coffin with an autobrand in space.

We open our second issue with the return of Tailgate! I missed him.. I missed all of these guys granted but still I forget sometimes he was in a coma between seasons. But he's back and Cyclonus smiles upon seeing him coming. He's then massively confused as Tailgate tries to jam his finger in his head as his new signature move, but still it's clear he's happy for a change. Tailgate gets caught up to speed on just about everything.. only to see Megatron hauling a coffin and wearing the autobrand. They both have one as Tailgate got his as a present while in stasis , with Cyclonus feeling it dosen't fit either of them. We do get a cute moment though that after a drunk autobot you da man now dawg's tailgate, Cyclonus assures Tailgate he was missed.. by him. He says it about as directlya s he can without just saying "I missed you dawg now let's go have robo sex".

Back in the past, Rodimus is watching the trial with tons of victim testimony.. too many. In a nice bit to show his depth he does feel it's necessary, the bordedom comes from just how the same it is: so much trauma in a pile. So he's greatful for a break as Atomizer asks him. You remember him right? The red one? has a visor? Hasn't been plot relevant till now o clock?

Well now he is and he's suspiciously giving Rodimus a keypad with the names of every person that voted against him when he called for a vote on his captinancy. Rodimus does the right thing shrugs it off.. twice even.. but Atomizer knows his audience... he knows even at his lowest and most regretful.. rodimus still thrives on attention... and simply says he'll stop pushing.. if Rodimus says it one more time.

Back in the present everyone's at swerves and Swerves now has a bouncer, 10, one of the legislators left over and reporgrammed. He only says 10. While he deals with that and Swerve is grumpy over the new captain, though frankly should be greatful megatron let him keep his bar given what a stickler he is, Natuica, Skids and Riptide, a new crewmember whose less important than Nautica are watching Trailcutter slowly drink himself into a coma. His crippling self esteem issues and alcholishm have lead him down the darkest hole imaginable and it's sad to see, sadder this time around as having read his spotlight and seen just how shabbily he's treated by everyone but Whirl, whose busy patching up his pride, you can see why he's drunkely spiraled. And it only gets worse as Riptide mentoining Megatron drinks some kinda super fuel gives the poor shambles an idea.

Back to the past, and Starscream is being starscream, going on a long rant first describing how much he's acomplished and how much he loves his poeple and exactly what you'd expect till Magnus tells him to knock it off, then a long stew of lies painting Megatron as a mistaken blundering fool whose revolution got out of hand and whose been lead by others. This.. is what gets Megatron to activate his escape hatch to the suprise of no one. While part of it is genuinely good impulses as we've seen. he still has an ego. It's not as big as Starscream's as tha'ts just not physically possible, but it's enough to get him to say "fuck this time for plan b" after pleading guilty and intended to just.. give up.

Chromdome goes to visit Nightbeat. Turns out as he's been rewatching Rewinds's last words again.. and again and again, and again, and again and again and again and you get it, he's noticed a change...Rewind screaming. A change that's now gone and understandably Nightbeat think's it's just grief and Chromedome refuses to see the naunce in that and plans to storm off... till Nightbeat sees something... REWIND.

So it's back to trailwhatevers drunken escapades. Nautica leves as she's tired of water man and skids egging this stupidity on as Trailbreaker breaks into megatron's room.. well rather the door goes missing. This issue does a nice job of amping things up.. that something IS seriously wrong with the ship and the sign on chromedome's suite was just the start.

So he breaks into suplies, checks the energon and finds megatron.. and finds megs, magnus, ratchet, some white guy, guy with a visor and cool red guy with a visor starring him down. Trailbreaker responds by busting out his new move a "panic bubble" that lasts 90 minutes. While he huddles and his enablers have no idea we go back to the past.

Starscream is doing what he does best: celeberating prematurely that he's won, he's the true leader of the decipticons. er cybertron...

The Autobots also got an autobump. But the real meat is back in the present. Nightbeat has figured out what Rewind might be. A g-g-ghost! Specifically a data ghost. Information has a life of it's own, and Rewind was constnatly recording... and him stopping when his spark stopped. Sidenote I just realized transformers sparks are where their hearts are and i'ts a consitant thing in this comic. Like no matter the side the spark tends to be at the center... I know this because of all the impalings. So many impalings. I'm not haunted at night you are.

Point is Nightbeat is fun, on a tear if not exactly senstive as Chromdome is both depressed he didn't bring his partner back with the power of love and thinks it has ot be revenge since he hasn't been contining the quest for dominus ambus like he promised. They have bigger issues.. which i'm saying a lot this review but is true as the wall of nightbeat's habsuite is GONE. Somehow their not in the vacum of space. or something.l the art really isn't clear.

So back with Trailboy, he's coming down and is ready to go to prison or be sent home or whatever just as long as it isn't a beating. The bad news is he's still getting a beating as Megatron thunks him on the head. The good news is Megatron.. is a good leader now. He recognizes the problem and activated Trailbreakers fim chip. Basically he can drink he just can't get drunk. Disabling it is how robots get drunk in the first place. It's a violation of space.. but something necessary as this coudl've gone so much worse. It's also a job opportunity: Megatron admits this shoudln't of been even possible: even with the door going missing someone breaking in this easily and this drunkenly is impressively sloppy. He needs a new cheif of security since with all these extras and all this chaos.. no one.. no one thought to hire a new head of security since Red Alert's breakdown. Especailly given it was proven he was entirely sane and hearing a serial killer in their walls, but we'll get to his fate later. Point is Megatron sees this drunken breakdown for what it is: a very depressed man with a disase who badly needs a purpose and gives him the job. It shows already that while Megatron is still coarse and arrogant.. he's also a better man. In the past he probably woudl've just killed trails and does threaten to murder him.. but here he empathizes seeing that he's just a bot at the very end of his rope with no one actually supporting him but given the panic bubble with actual talent. Sending him home or locking him up helps no one. Giving him a job, a purpose and what he wanted most of all: recognition.. that ... that's a good thing Megatron did.

So Trailbreakers rock bottom did help though: it opened the casket and since no's eyes are leaking out of their skull, Megatron opens it to find RODIMUS BODY. Yup apparently he's been dead this whole time.

TO find out how we... should go back to the flashback. And we do but get no answers: Megatrons pleading not guilty now, while Rodimus did the thing we all expected and reads the data pad.

We being our final issue for now where we left off: on trial. Yeah this bit isn't BAD.. but feels like it woudl've been better as it's own issue in the middle or at the end of these three. A whole flashback to explain. It's how most comics do it and while that can get tedious I now see why: you can thread flashbacks with a story well, see the first arc of the most recent captaina merica run. JM Stranzki nicely synchs up Steve's past trying to stop american nazi's with the present. Here it synchs up a little but it feels like two diffrent stories that are important but keep interupting each other.

I do like the trail as it helps set megatron up: why he's here where his heads out etc and I like his prewrittne response he has magnus read out

Now the mentally violate part is fucking bullshit. That's.. entirely made up and not at all what happened and footage from the cell could easily prove that. That's just megs being a dick. But the rest.. isn't wrong. They didn't pull any witnesses from the decipticons, any of his loyalists left alive who might speak for his character, and while Magnus did his best he really didn't make an actual defense, his judge is his archenemy and his prosecuter is a known war criminal. It's very clear Megatron only let this go as far as it did because he planned to just sit and rot and was fully taking the kangaroo court.. but hot rod and starscream woke up his ego: his desire to not have the story end in shame.. but in doing SOMETHING right.

More on this soon. For now everyone has some drinks and kicks back, riptide studies a bit and we get back to the past where exactly who you'd expect are reacting exactly how you'd expect.

Look starscream isn't suprising.. but at least he's entertaining. Of course he's going to pout his evil plan isn't going the way he wanted. Prowl is also unsuprising.. but a giant fucking dick i'm still baffled john Barber couldn't see as a monster. Maybe it's roberts writing but you can't just..conviently ignore that one of your main cast commited war crimes in the other book or is saying shit like this. Or blame it on constructicons as he'll end up partially doing. Prowl is arguing they should basically have a show trial and trying to imply it's us or them and not "everyone even monsters deserve a fair trial. " Ratrap cuts through this very RID argument with a simple point: Ask megatron what he wants.

Back with the corpse First Aid is examining and has NOT been doing well. Ratchet primarily asked for his help because Ambulons' death hit the poor guy hard and he's been in his room barely engaging with anyone sense. Seems to be going around. Still calls need to be made.. and thus after a three issue absence, kinda... it's the return of the king

Yeah a rare full page here as everything about this is great, Rodimus clear grief... and it being interputed by a petty argument. I like that like Ultra Magnus Megatron just.. cuts through Hot Rod's bs.. that he's now tag teamed by two people who won't take his shit. And both have a point: They are co captains. Made up rank or not optimus judgment stands, but Rodimus was sulking for what was implied to be several months, kinda proving WHY maybe they needed a new captain.. co captain. Whatever. While Optimus taking the reigns from Rodimus is cruel as this is Roddy's quest, he acomplished little and let a serial killer on board on a dare. Megatron has done FAR WORSE.. but has far better motives than his own deep seated insecurity.

So back in prison Megatron is wondering about the people who tried to spring him. By the way some decpitcons tried to free him. It.. it sure did happen. I nearly forgot to mention it but in doing os realized just HOW superflous it ends up being. It shows Megatron isn't going to flee but like.. we got that.

And this proves it as Megatron explains why he' squesting and wants to change things to being judged by the knights of cybertron. He dosen't want his epitaph to be written by starscream. He wants to do something right

He's trying to atone for what he did. this isn't just an escape hatch: he had one ready, unsuprisingly, but his reasoning... is good. he just wants to make a better world after ruining this one.

Optimus agrees. While he could just throw megatron in the brig till Rodimus finishes the quest, He sees the genuine nature of this request and asks for two non negotiables first

Second we'll naturally get to later, as for now Rodimus is freaked out and thus calls for TEAM RODIMUS WHAT WHAT. Specifically nightbeat, nautica, chromedome, brainstorm and skids, all people who are smart and can deal with weird shit. He ignores Night beat about to tell him shit is weird and instead has chromedome once hack into a dead body

Yeah Rodimus is a bit of an ass this arc even by his standards. Nautica finds specteralist symbols, chromedome only finds curosy memories left and first aid confirms via enermost energon that it's him. Sometime in the near future he apparently dies after they reunite with drift again.

So Rodimus has a resonable adult reaction to his impending death: CUT OFF HIS ARM. After all if his corpse has two arms, he has one it can't happen. Perfect plan! Megatron points out the flaw and I just.. love how these two bounce off each other. We've never really had someone on the same level of rodimus point out his stuidlty. Others have but with those bellow the command trinity he can tell them to shut up and respect the captancy and magnus and drift were both weird in their own ways: drift was new agey by cybertronain standards and magnus would marry the rules if that wreen't against the rules. Megatron is megatron.. but he lacks the quirks whiel still being megatron enough to be funny. He's straight with roddy like magnus but unlike magnus has no clear issues he can push. Roddy can pull out the "your a monster card" and does frequently and will call megatron out on a lower moment next time, but it's not something that works when pointing out basic logical falicies and when the person isn't trying to be space hitler these days.

Thankfully rodimus mental breakdown is interuppted as a large portion of the ship disappears behind him. So Nightbeat's right while Brainstorm's latest invention has the right idea

Meanwhile our other new castmate finally reappears: Getaway. As Tailgate is hot doggin and grandstanding at the bar, Getaway comes up and starts flattering him, calling the little guy a hero and blatantly hitting on him in a way that's obvious to a grumpy cyclonus and anyone with eyes, but also comes off creepy... the way he just... butters Tailgate up it seems wrong. And it is but we're a long ways away from that. The alarm goes off and we go back to the flashback. Megatron denounces deciptconism and everything he stood for, a bit mopey.. but understnading

Speaking of MOpey rodimus shows Ratchet the pad.. and finds out Megatrons going to be assigned to his ship. And his pissy ness.. is entirley justified. Now his months long mope sesh isn't, he didn't act like an adult and unlike first aid and chromedome he's not dealing with severe trauma and depression: he's just sore his ship got taken away and if he wanted to prove he's still captain, fucking act like it. Be a leader.

That said it wasn't within Optimus' rights to fucking do this. It's not his ship, not his mission, not something he's been involved with apart from a brief team up. He has no authority over the lost light and should've had no authority to keep it here for the trial. He's not in charge of anything but the autobots. not cybertron, and frankly shoudln't of been judge. His intentoins are noble: keep megatron honest and in the public eye and watched and under fools energon so his strengths down, it's why the special diet. But his actions are simply selfish and not how a leader acts: While sometimes you HAVE to ignore the will of your team to do something right in fiction, to give someone a second chance even if they sucked before, this.. isn't his team. He was autobot commander but he RESIGNED. Bumblebee is dead. This decision is not his to make. He didn't set out on this mission. He changed an entire ships mood, put the crew with a leader they truly hate simply because he knew they'd listen to him and wouldn't contest it and that... that's not good leadership. That's not being superman tha'ts being a dick. It works out long term, but it's an example of the rest of the autobots dismissing the lost light crew's autonomy. They stopped being one united all together faction the second they split and while they'll be there when cybertron needs them, the autbots left on cybertron have to accept they aren't one big army anymore. He's not THE SUPREME COMMANDER. He deserves respect I get asking for favors but this is a unilateral decision tha thas horrific consequences.

Anyways Rodimus feels bad as he was considering generally using the pad as Atomizer suggested, to cull the herd.. but can't. Ratchet points out what a stupid thing this would be but lets its lide given bout the cirucmstances and the fact Rodimus agrees to destroy it. That said.. he also points out it's fake. his name isn't on the list.. and that clearly wounds Rodimus.

So we end act 1 of the story as everyone scrambles to exit the lost light. We get some great banter as Megatron gives a classic villanous unhand me.. and Rodimus points out good guys don't really do that and I love their bickering on the escape pod

Now kiss... but maybe later as the lost light is gone. And that ends part 1

While splitting it in half this was was just circumstance, and it's late release was just me having a massive cold the split fits as while I consider this is a 6 part arc and all of it's collected in the same volume, it really is two acts the first slowly building up to the big event and explaning "why megatron here" while part 2 leans more on the sci fi high concept now we're all caught up. It's why I wish we'd gotten a flashback issue. Maybe DO rodimus as a corpse then the flashback.. then reveal he's alive. I dunno. This stretch of issues is decent but the trial stuff makes it drag slightly. I'm not reading this book for a self righteous asshat to hold a trial for his arch enemy whil ea war criminal screeches to just kill him already.

Having to spend time with Prowl did not help, as .. it's Prowl. he sucks. And I admit a large part is how the series ends, with Prowl somehow surviving all this, yes, really, and getting to dismantle the lost light. I'll get to the context in a few years, but that knowledge just makes me hate him more. Every panel is him just being the smugest most uncomfortable dickweed and it really pisses me off he's allowed to be involved in this trial AT ALL. That he's not HAVING A TRIAL or in a cell. I mean I get doing megatron first but i'm shocked starscream didn't throw him in one as he has every reason just to piss optimus off. I get so tired of the heroes throwing their hands up at prowl being a dick, arguging with him but doing nothing, something that will lead to a whole ass crossover event. And yeah you could blame his current combiner status but it's clear from the flashbacks before his brainwashing or his time as bruticuis, he was a DICK. An authortarian asshat who thought the ends justified the means. He's the Transformers verison of amanda waller but without the comptence or style... so absolute power era amanda waller, but I digress. He's a bad person and while Rodimus actions involving overlord haunt him I notice somebody never gets tried fo rit, exiled or just... plain.. kicked out. Optimus should NOT have brought him to earth or even talked to him. He gives Rodimus so much shit, and the shit over his not resinging was deserved.. but he lets PROWL get a fucking free pass till it's too late only punching him after he's comitted more war crimes. The more I think about it the more prowl's presecnce just drags down this whole affair and I didn't think i'd be ranting about him AGAIN but here we are.

This first half is fine, as while season 2 is my faviorite it does have a bumpy intro with the flashbacks, everyone being a tad grumpy and the first arc really being everyone adjusting to a war criminal being made captain. The levity the series needs to ballance it's deep sads isn't there often and it's only when Rodimus returns the series equilbrium comes back, his man child nature perfectly setting up comedy again with Swerve in a grumpy mood and Trailcutter's breakdown being more sad than the shennigan the series tries to play it as partly. He's a constantly negelected and unseen person lashing out and doing a drunken stupid that only dosen't end in his death because Megatron is a shockingly cool guy. But once you get Rodimus and Megatron arguing and our cool star trek style high concept of the week going, things feel like the comic I feel in love with and thankfully the second half is way stronger for it.

Next Time: We find out where the lost light went, Megatron gets a cat, and a former member of the crew returns! Kinda! Multiverse theroy is a bitch! I'm pulling for ya we're all in this together

[foolish-took]

Hiiii misfits and magic enjoyers who happen to see my posts, I’ve finally gotten around to finishing the Christmas special!! I’ve also finished the first two episodes of the next season and I wanna yap so spoilers under the cut !!

The Christmas special was so good, when they came into the castle covered in blood and then accidentally intimidated the shit out of that one guy who wasn’t even trying to be in their business, it was unfortunately very funny. At the end when Evan just started fucking softly singing I deadass almost start crying bc I’m normal about him!!!

The first two episodes of the season are just so great I like having these characters back again in an older capacity and seeing how they’ve changed. Like, it makes total sense to me that Jammer spends a lot of time around kids helping out with the community and stuff and I feel like you can tell that’s where he always wants to be outside of doing basketball. I also love that we started out with his very normal situation in life and then just got weirder and weirder LOL.

Evan’s whole thing of enjoying beating the shit out of the fire salamander was certainly something!!! I’m not concerned for how this will turn out at all =)

But then we got that nice moment of him trying and absolutely failing to fix K’s shirt and god that whole scene was actually? Hilarious I loved Brennans roleplay of how badly his character was failing

Also. God the whole thing of K trying to fix his arm and then fucking EXPLODING it was the biggest surprise ever oh my god 😭 and the detail of their motivation and Erika’s explanation of it and the way that K’s action caused for them to move away from that. I will always enjoy the way they do story telling in d20 man it’s just so cool. But also also Brennan going “avada kadavra” was unfortunately the funniest part of the episode and made me scream laugh so

OH and I almost forgot the like emotional moment between Sam and Evan like!!! Where will this go I don’t know I’m excited!!!

Anyways that’s all for thoughts I like updating how I’m feeling during this watch bc I don’t really have anyone like, irl to talk to about it. Unfortunately any other d20 enjoyers I know have only mostly seen fantasy high and I have yet to go past season one of that campaign (and bc of the renewal of dungeons and drag queens the pause on that one will probs continue for a while) so all I’ve got is tumblr yay!! Onto episode three wish me luck

[brian-in-finance]

Inside Carnal Knowledge • Part 2

🧵 Outlander_Starz: The cannons include a little nod to Production Designer Mike Gunn and Set Decorator Stuart Bryce. Made originally for the battles in the first half of Season 7, Gunn and Bryce couldn't resist the opportunity to immortalize their names in metal when they were rebuilt for the market in Part 2.

🧵Outlander_Starz: Another Easter Egg: some of the background signs display the names of our hardworking and talented Outlander crew!

Not only are the signs an opportunity for the Art Department to have a bit of fun and feature their names in the show, but it actually helps with legal clearances too, moving them through much faster.

🧵 Outlander_ Starz: Who else was shocked seeing the usually so dignified Lord John battered, bruised, and a little bit unhinged?

To create the effect, David Berry traveled to London to have a mold taken of his face. Then, a prosthetic was made to fit over his eye (which, by the way, cut off his vision). Application took an hour.

"It looks very realistic," said Berry. "So realistic that the amount of sympathy and shock I got from people on set was quite a thing to experience."

🧵Outlander_Starz: I definitely feel for William but can we all agree he was a little bit messy this episode? So was the fight scene location.

Said Charles Vandervaart, "That was such a miserable day in terms of weather. There was so much rain. Lots of mud. I felt really bad for the wardrobe people because every time I would fall over I would just be covered in mud and they'd have to scrub it off for the next take. But it was also such a great day. I'm so fortunate to have great cast mates like Izzy and John."

🧵 Outlander_Starz: The drama continues for William at the brothel, where he meets the intriguing Arabella aka Jane.

For the screen, liberties were taken to highlight Silvia Presente's beautiful hair. Said Hair and Makeup Designer Ann McEwan, "Silvia's hair is gorgeous. Everyone was really happy with it... The producers wanted her hair down, which wasn't common for the time, but it suited the part and suited her."

🧵 Outlander_Starz: As for the brothel space, Production Designer Mike Gunn and Set Decorator Stuart Bryce opted for a dark, simple color palette, electing instead to build color and texture through textiles, props, and an abundance of flowers.

Conceptually, we just kept adding more and more. If you look closely, there are different layers of time within everything we put in that room.

There's some really ragtag, tatty looking stuff. There's some stuff that looks quite crisp and sharp.

The same goes for the flowers in the floral displays. We tried to make a visual feast of dark with pops of color everywhere. — STUART BRYCE, SET DECORATOR

🧵Outlander_Threads: In this episode, Jamie Fraser is reacquainted with the one and only George Washington, who bestows upon him a great honor: a promotion to Brigadier General.

Though WE of course know Jamie Fraser as the King of Men, the writers put a lot of thought into making sure his ascent up the ranks this season felt earned. I'm just glad the future President of the United States now sees Jamie the way that we do.

We've always shown Jamie as a revered leader... whether it be his guys at Prestonpans and Culloden-his Scottish guys that know he's a great leader-or his guys from the Ridge-his Ardsmuir guys that would follow him anywhere-he's always been the top dog. But now that he goes north and joins the revolutionary cause... he's kind of a nobody. He's in a much bigger army now...

We crafted it very purposefully to start him small as just one of the guys making suggestions but turning out to be right. Little by little, he proves himself... He becomes this leader to where finally, George Washington recognizes his talent and skill and makes him a general. — TONI GRAPHIA, EXECUTIVE PRODUCER & WRITER

Threads 🧵

Inside Carnal Knowledge • Part 2 of 2

Remember… some of the background signs display the names of our hardworking and talented Outlander crew.

[chirpsythismorning]

Eh, since Will is pretty much going to be a central character in the next season, I think it is very likely that S5 starts with Vecna contacting Will before Will has a chance of spying on him or using the connection between them. That would put the Will at the center of the story, and that interaction would circle back to S1, this time not hiding behind a Demogorgon or a mind flayer. Vecna interacting with Mike before Will doesn't make any sense as the show's start, sorry.

Will is definitely going to be central to s5! I don't disagree with that!

However I don't think Will being central stops other characters, specifically El or Mike, or even other main characters, from having their moments at the center. That's going to happen regardless of how major of a role Will plays.

And I would probably agree with you if this was just some random character, but this is Mike we're talking about...

I don't personally like how every season starts cryptically in some far away place with unknown subjects. But that's how almost every season starts, and I'm being serious when I say every season is then followed shortly after by Mike being late.

And so I would argue that Mike being late in some capacity at the start of s5, would make sense, as it would just be following the exact formula it always has.

That doesn't mean I don't think Will wont play a big part in how this could play out though, arguably he would play the biggest part, just like he did in s1!

We also have them admitting s5 is similar to s1 with the show coming full circle in a lot of ways, and so what happens could very likely feel like deja vu, assuming it's something we're gonna have already seen play out in the past in some capacity.

Honestly, I think Noah's role will be comparable to s2, either that or a lot more than that, no less though!

And yet, I do disagree with bylers that have sort of convinced themselves that Will is going to be the official main character next season...

But here's the thing, the Duffers also said this about Amybeth's character Vickie when they announced her role on the show, saying she would play a major role in events to come (only for her to get like 3 scenes in s4... praying they do her justice in s5). They even said this in an interview when asked about the significance of clocks, word for word they said that clocks would play a major role in events to come.

This is a phrase they use, which says a lot while saying nothing at all.

And so to be clear, the Duffers saying that Will plays a big role in events to come, wasn't them saying that Noah is now magically the top billed cast member. They were literally saying that he is central because he is, just like he was in s1 and especially s2, meaning he wont be 'sidelined' like he was in s3-4 at the very least I pesornally think.

However, this doesn't mean he is literally the main character, as Noah is not going to get a raise with him literally surpassing Millie and Finn... That's not happening.

What I also want to remind everyone, is that a lot of what they say and do is intentional.

When it comes to Noah being all spoilery and stuff, I do think that is intentional.

Noah, along with David, were the only cast-memers to talk about s5 post-s4 initially. And we all know David is the Duffers known scapegoat, who is known for not being able to keep his secrets to himself...

Noah has also been referred to as the Tom Holland of the show. If you guys don't know, the phenomena of Tom spoiling things eventually got to a point where marketing for Marvel took advantage of all the attention Tom got for leaking things, and created even more hype by making it seem like it was him accidentally spoiling things sometimes, even though it was entirely intentional to create hype... sound familar?

This means that full serious, if Noah wasn't supposed to be doing something, he wouldn't be. It's very likely he has been told to be unhinged because it works out well for them at this time. Seeing as a majority of the audience still aren't clued in on the likelihood of Mike and Will yet, (or even gay Will Byers for that matter), it makes sense to have Noah kind of keep people intrigued, but not enough to sound any alarm bells to the majority. They need a scapegoat rn and it's Noah (David is who they usually use as their sort of voice of speculation for what's to come, and trust me he'll be back eventually).

It just so happens that Noah is great with fanfare, and it's clear at this point he's the only one actually comfortable with doing it, and so they're letting him run wild because he IS a major part of the overall story and his character is finally going to be able to be acknowledged more fully in the story after years of being sort of sidelined. This is what everyone expects, and this is what everyone assumed after those interviews with the Duffers dropped and the reaction from fans also wasn't horrible? Like I remember there was a bunch of hype around that time when they revealed this and that's when the Will focused s5 fan posters started dropping and there was even one with Will and Mike holding hands that got like almost 500k likes on Twitter. And that was probably like a big moment for them, I'm sure in terms of feeling confident about how they should proceed with s5 promotion.

And I think this also contributed to them kind of just going with it, because it also allows them to keep a lot of s5 under-wraps, having Noah who is great with fanfare, keep reminding people of byler as a concept, while the rest of the cast is silent for the most part. It works.

And even despite that, I also think we're going to be getting byler and potentially willel wonder twin in some capacity, which are VERY big revelations to the main audience, which they don't see coming. And them only hyping up Will's role in s5 supports the audience not being prepared to see all of that coming.

Not only does there have to be closure for Will and Mike AND Will and El, we also have Mike and El's relationship to resolve, AND all their personal arcs. Will's importance to the story isn't going to prevent the writers from making sure the other main characters arcs feel fulfilled. I don't think those things are mutually exclusive and I don't know why people think they have to be?

And so even though I do agree that Will's role will be comparable to s2 (most likely more) in s5, I don't think it's going to be enough to bypass Millie or Finn in the credits. Which means that there is still going to be a major component to those characters arcs for El and Mike in the story, alongside Will's. I don't necessarily think this means that their roles will be bigger or smaller in some major way, but more likely equal in terms of how they handle it in accordance with those arcs coming together, and to ensure we actually feel satisfied with where everything ends up.

I'm not saying we won't get any Will focused promotional content like posters and stuff, I do think it will feel like the s2 era again, with him finally being seen as a major focus substantially. And yet I'm willing guess that El will still be the main focus of the main poster, with Will and Mike being more so equal to match the triangle aesthetic (also likely Noah is going to be upped to next to Finn in the credits with Millie getting her own slate, THAT would mean Noah's role is so major they're willing to bump him up over Caleb and Gaten which is saying a lot, though going any further than that wouldn't be standard because it took a lot to have Millie go above Finn, they're not going to do that again.).

What I personally think is more likely is that we'll get something similar to s2, with willel giving reflection (twin) vibes perhaps, and Mike being more secondary to that to also fit the triangle vibes.

With this being like a huge epic series, they're going to want those top first names to match with what the show started as so that it feels right. Why have Millie be above all the other kids if it doesn't feel right by the end of the story? If she's there, it will need to feel right narratively, not just based on their demand as actors by the end of this.

And this is also why I do think they have an obligation to make it more clear to the audience what Mike's arc is as a character, very likely related to him being in the closet for the last however many seasons. This would overlap with Will's arc because it also affected his ability to be his true self and El's arc because it also affected her ability to be her true self. And it also provides layers of importance to Karen's arc and Nancy's arc, and other characters arcs as well. That's what makes for a well rounded story, assuming they want us to be able to rewatch the show from beginning to end, and over and over again, feeling satisfied with how they closed everything off.

And arguably, circling back to the beginning of the show to see Mike at the center, would only really be satisfying if it ended with us feeling truly understanding of where his character ended up, making us root for him all over again.

That doesn't take away from Will being central, as he has always been central, since the beginning. Even when he was sidelined in s3-4, it was technically all preparing us for an end that would truly do him justice.

That doesn't mean they're not going to do all of the other characters justice though by any means. Both can coexist.!

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[onewordshy]

Wish I could bottle the feeling this gives me

[freakoutgirl]

jeff is really ride or die huh

[tatterdemalyon]

i deserve multiple awards for being able to sit through midge's storyline in this season actually!

[leoktzchen]

I think I’ve seen some similar takes on this already but the whole lila and five get stuck in the time line subway subplot had a lot of potential actually but they just BUTCHERED it with the whole romance thing

imo the could have just done this:

- show them bickering and arguing, fighting over wich station/line to chose next in a sibling like manner

- show lila falling asleep on fives shoulder as she keeps mumbling about some stupid thing Diego has done while five tops that story with an even more stupid anecdote from their childhood

- show five trying to shave himself without a mirror and failing miserably until lila rolls her eyes and goes “give it here you absolute imbecile” and then helping him out BUT STAYING AT A REASONABLE DISTANCE AND NOT BREATHING ALL OVER HIS FACE

- show them freezing on the subway floor, five mentioning how they could save body heat by staying close to each other, visibly uncomfortable, and lila pulls a face but they end up falling asleep shoulder to shoulder NOT CUDDLING

- show them at the greenhouse timeline, covering the walls with self-drawn maps and complicated calculations, brooding night after day after night, trying to figure this out with lila drawing little hearts on the paper with her kids initials in it

- show five finding the map on the subway, immediately rushing to tell lila whose face lights up like a supernova and as she exclaims “fuck, we’re going home!” she tries to high five him (it doesn’t really work, because five does NOT do high fives) and then pulls him in for a hug. five just about lets that happen, but he smiles a tiny smile and they arrive just in time for Christmas

basically instead of the romance that gave everyone the ick, they could have just gone for the whole sibling like dynamic between the two of them that I adored a lot in the previous season(s)!!!!

[caruliaa]

omitb spoilerss but before the season 3 finale i want to say and get out there tht i think tobert is involved in the murder some way, i do think tht donna(or maybe cliff) was involved but i also think tobert is part of it either the murder itself or covering it up

[sttoru]

⠀ 𝝑𝑒 ⠀⠀ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. your boyfriend doesn’t like it when you eat unhealthy food while busy with uni work.

tags. older bf!gojo satoru x female reader. fluff. age gap (reader around early 20’s, satoru early 30’s). behavior may come off as ‘overprotective’ to some. nicknames ‘baby, sweetheart, princess’. not proofread

satoru’s at work while you’re in his kitchen, preparing a quick meal for yourself. you’ve been busy making and finishing assignments all day. you really could do with a break. though, a short one. there’s still lots more to do before you’re done with everything mandatory.

it’s convenient that satoru allows you to stay over at his apartment whenever you want to. he’s given you a spare key and told you that his home is also yours. if you need a break from your own place, you can always stop by his.

“ah, crap,” you hiss as the sauce packet nearly bursts open in your hand due to how roughly you pulled on its edges. you season your instant ramen noodles without much thought. it’s a quick meal that saves you time.

you’ve had it four days a row now—along with some pizza slices here and there. your boyfriend has been nice enough to send you money, telling you to treat yourself to some decent food while he’s away on business, but you’re really just too busy to treat yourself.

satoru’d be upset if he knew that you’re living off unhealthy crap again. the last time he caught you, he prepared you homemade meals or took you out to restaurants for weeks. he needs you to ingest your daily nutritions so you can stay healthy. you’re too important to him and he wants the best for you.

you grab your chopsticks and mix the sauce with the noodles, your spotify playlist running in the background. you walk to the fridge and grab a soda before sitting down at the kitchen table. unlocking your phone, you decide to see if anything’s going on on social media.

you’re too focused on your screen and the food entering your mouth to notice the front door opening. you catch a glimpse of a figure in the corner of your eye and your head flies up. a bit too late..

“ah, hi, satoru,” you mumble with a mouthful of ramen noodles. you’re caught off guard and you barely know what to do as the white-haired man puts his keys in his pockets. you put your phone down and discreetly try to cover your bowl, “didn’t know you’d come back so early.”

too bad you didn’t think of opening a window or throwing away the opened package of instant ramen. satoru looks over at the messy counter before walking towards you. he reaches a hand out to your cheek, brushing your thumb against your skin.

“hi, pretty,” satoru greets you with a gentle smile. he leans down and presses a kiss onto your lips, tongue stealing a taste of the sauce on your mouth. he pulls back and pinches the cheek he’s holding, “mind telling me what you’re eating, hm?”

you pout and swallow the bite of noodles you had in your mouth. you put your hands down, knowing there’s no hiding anything from your boyfriend. he dislikes the fact that you’re not taking your health seriously. “instant ramen. . .” you respond defeatedly.

satoru ruffles your hair with a shake of his head, silently disapproving of your actions. “i’ve given you money to get a proper meal, didn’t i, baby?” the older man explains in the same tender tone. he doesn’t have the heart to be mad at you. he crouches down next to the chair you’re sitting on and kisses your knuckles, each getting a peck.

“yeah, ‘m sorry,” you nod, knowing your lover did his part of taking care of you. he gave you money to spend on food or ingredients, but you still chose the easy way out. it’s not like you’ve been craving noodles—you’re eating them for the sole reason being that they’re fast and easy to make. you’re too busy (and lazy) to go out and buy stuff.

satoru chuckles, not really mad at you at all. he’s simply worried for your wellbeing. he sees how hard you work for uni while also making time to spend with him, no matter how little it may be. “it’s okay, it’s okay,” satoru coos and kisses your forehead before getting up.

the sorcerer looks down at the bowl of noodles before glancing back at you. “do you want to finish it or do you want me to make you something?” he asks whilst playing with the little hairs around your face. you’re beautiful, somehow even more gorgeous with those dark circles under your eyes.

you pout and think about his question. you’re tired of eating the same thing four times in a row and you know how good satoru’s cooking can be, so. . .

“can you make me something?” you ask carefully in a quiet tone, flashing your boyfriend your best puppy eyes, “pretty please?”

satoru grins and nods immediately. he’s always happy to help you out when you need it. “of course. anything for my princess,” he coos and squeezes your cheeks one last time. he’s got an obsession with the way you scrunch your nose up every time he does so.

he grabs the bowl of noodles and puts it away after making sure you didn’t want any more of it. sure, he wants the best for you, but he doesn’t want to be too restrictive. in case you still want to steal a bit, satoru puts the bowl in the corner of the counter.

you walk to satoru as he stands near the fridge. you rub your weary eyes and watch as he grabs the needed items to make your favorite comfort meal. he catches you staring at him and he smirks lovingly.

“oh my, i have such an adorable girlfriend,” the older man holds himself back from squeezing your cheeks together again. he holds your wrist and pulls you flush against him, his head leaning down to match your eye level.

satoru plants a quick kiss on your lips. his hand finds it way on your hips before slithering upwards. he pats your back, gently comforting and encouraging you, his other hand doing the same on the back of your head. he knows how hard it is for you these days, with the busy end of the semester and all.

“love you, ‘toru, thank you,” you smile at him and nuzzle your face into his chest. you really needed a distraction from all the hard work you still have to do. a quick break with the person you cherish most will gain you back all the energy you’ve lost.

satoru hugs you even tighter to him when you utter those magical words. if he could, he’d take care of you every single second of the day. he’d do anything to make you feel better. he places a peck to your forehead, “i love you too, sweetheart. but promise me one thing; please take better care of yourself, ‘kay?”

[creations-by-chaosfay]

Because I was asked about this today:

The reason I don't have rag quilts listed is because I have no closet space to store them. They take up more space because they can't be folded completely flat. This is due to the nature of the rag side. We have no closets in this house. Just two standing wardrobes and several plastic boxes for storage. All the smaller finished quilts and all finished quilt tops are stored in my standing wardrobe. Coasters and mug rugs are in a small plastic box I use for storing some of my loose patterns. Quilts larger than 40x40 inches are stored in a larger plastic box. All this is to avoid dust and prevent my cat from gaining access to them.

Storing rag quilts can be tricky. The one I have for myself is on the back of my armchair because it's simply easier than trying to fit it in a plastic box. For buyers, how and where you store you quilt(s) is entirely up to you, though I do advise keeping them out of direct sunlight because it bleaches the colors out of the fabric.

If you have a rag quilt, would you mind sharing how you store them?

Quick question about a quick quilt...

I can finish a lap size rag quilt in less than a week, twin size in about a week, queen size in two weeks. It's three layers of fabric, quilt-as-you-go, minimal piecing, and they are heavy. Excellent for cold weather and folks who like the weight of blankets but not weighted blankets.* These quilts aren't as hot as layers of fabric plus beads/pellets, and they breathe much more effectively. For a heavier rag quilt, it's a layer of denim and two layers of quilting cotton or flannel. I have a rag quilt for myself that's three layers of quilting cotton. My house is drafty and winters are full of rain, which means the cold sinks into your bones with the humidity. My husband keeps stealing my quilt because his man-cave is the coldest room in the house. He doesn't care that it's very feminine colors "because it's warm."

As for why it's called a rag quilt, here's a sample:

The top is the fluffy side with the exposed seams. Instead of a quarter inch seam allowance the seams under the fabric, it's a one inch seam allowance and the seams are exposed. Said seams are then cut at one inch intervals. With every washing, the seams get fuzzier and softer. They're fun to touch and feel really nice. It's also why these must be dried ALONE or all the strings will end up on whatever else is in the dryer. Three layers of fabric also means two rounds in the dryer on high heat (which is why I like using flannel rather than quilting cotton) or one round of high heat and hanging to dry for a couple hours.

The back looks like a more traditional quilt top and is often the side with denim on it if denim is used. The one is three layers of flannel and was a giveaway prize earlier this year, to celebrate meeting a ko-fi goal.

These are a delight to make and excellent for cold winters and drafty homes. Did I mention they're pretty heavy? The one I have, once all folded up, weighs about six pounds, and knocks my husband out within about ten minutes of him laying over himself. It's why I plan on making a rag quilt for him. He keeps stealing mine.

For context regarding prices, these take significantly less time to make. This one, a lap size, took just 14.5 hours, and that included the quilting. A traditional style baby quilt starts at $2125 because I have a lot more cutting and sewing, and I do the quilting by hand (though it will soon change due to soon having a machine I can use on my Cutie frame and do all my quilting on it), and can take 70-80 hours start to finish. I charge $27/hour + cost of materials to come to the final price.

*A PT I know hates weighted blankets because they cause a lot of injuries. People rolling in bed with a weighted blanket on them have ended up in physical therapy because of soft tissue tears. Most especially dangerous for people with EDS and other connective tissue conditions. Other injuries they've seen are from the pockets with the beads/pellets in them tearing open. Pets and small children have been known to choke on those, and folks who are heavy sleepers can also be injured if the pockets near their face tear in their sleep. When the beads/pellets get all over the floor, people fall and end up with serious injuries from that. Not to mention overheating under all of them because the material doesn't breathe well.

[thehauntedetheral]

Yan Tribe X Reader

Requests are open!

• You were a camera woman for discovery channel. You loved your job. After all you get to travel world with your crew, see and explore the most interesting wonders, and get paid to shoot all of that in camera. What more can you ask for? Yeah your love life sucked because you were never at a one place for long. But who cares? You have your camera and your passion.

• Your crew has been assigned to shoot a new show by channel which is showing and telling people about the tribal life and community of an x forest. You were excited.

• You shooted and captured all the things about the tribal community. The people were friendly once they warmed up to your team. They showed and told you everything about their community, about forest, their lifestyle through a member of yours who knew their language and translated everything.

• You got to know about many tribal traditions, rituals, festive, their beliefs, their worships, hunting, farming style but what caught your attention was a certain tall, muscular young tribe man.

• He would always be with your crew even if he is not needed. You were shooting a particular episode on the womens in tribe? He was still there silently just observing you all especially you in a way you didn't notice.

• Your crew tried fishing for some fun in break time. And as usual your clumsy self would trip and ruin everything embarassing yourself. He would later leave a basket full of fish for you silently.

• You noticed that he was kinda good looking. Okay not kinda but a lot good looking with his huge built, dark black tribal tattoos covering his tan arms and chest, his sharp bone jewellery giving all Tarzan vibes with his long black hair tied in half bun that many women in community wished to be his mate. Also because he was a excellent hunter.

• You once told someone in community casually that you wished to taste raw natural honey from honeycombs like other tribals but were scared due to honeybees and he heard it. Well next day he gives you a huge piece of honeycomb anonymously ,freshly teared by him even though it caused him serval stinks from honey bee because this was not the season to collect honey but he would do anything for you.

• Their community had a practice where once in a year men would wear their best dresses, jewellery trying to impress womens and get their attention. This was a special episode that you weren't shooting but the other cameraman was doing because you were on the other side of forest with a few crew members shooting some shots of forest for another episode as your time of departure were close and you have to finish your work fast.

• You finished your shots. And walked a bit around the forest a little more to explore while your fellow mates moved back to see the celebration.

• You saw yan tribe sitting all alone under a tree. You felt sad seeing him all alone like this instead of being in the celebration with others. Well might be the women whose attention he is trying to grab chose someone else in competition you thought.

You tried to console him by speaking in your broken fluency in their tribe language which you have learned by staying with them for months. You were scared that you might have said something offensive to him unconsciously due to the language barrier because his expressions didn't change but became serious.

He only looked up at you and held your hand in his and said "MATE". You knew your speaking and listening skills towards his language were below average but you were 101% sure what mate word that he said means. And that scared you to dead because seeing his big strong hand holding your fragile one tightly made it clear that he is not going to let you leave at any cost.

Want part 2? Let me know through comments.

Requests are open!

For more yandere reading: