#there has to be a german spin off with them
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snapeysister · 1 month ago
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Law & Order - the "German edition" (SVU and OC) (as imagined by my German fiancé and me)
Guess who is who!
Recht und Ordnung
Abteilung fuer Sexuladelikte SVU
Olga Bertram
Emil Stapler
Phillipp Trettmann
Joachim Mueller
Dieter Kraemer
Christian Geller
Thomas von Meiningen
Alina Riesling
Niklas Ansberger
Katrin "Kaethe" Tauber
Gisela Muenz
Joerg Valder
Thilo Braun
Detlef "Didi" Krause
Peter Steiner
Ralf Bergmann
Karin Neumann
Alexandra Kaufmann
Buero fuer organisierte Kriminalitaet OC
Emil Stapler
Agatha Brauer
Jette Schumacher
Kerstin Riese
Karl Maeder
Bjoern Ritter
Jochen Waldmann
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charliemwrites · 6 months ago
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Part 2!
Finally finished moving house so hopefully I’ll be updating semi-regularly again.
Content: brief and non-descriptive explanation of Rasputin’s backstory (injury and illness)
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Agatha is over again.
You don’t know why. She doesn’t like you, your cats, or anything as far as you can tell. It seems her primary motivation for talking to you at all is to exercise her role as neighborhood matriarch. She “keeps tabs” on everyone, but especially you - the unmarried woman living alone that keeps odd hours.
A rebellious part of you wants to roll your eyes and make snarky comments whenever she sniffs at your life choices. The same part of you that would make scenes at holiday dinners or slam doors when you were a teenager. That girl has long been smoothed and polished - or maybe just worn down. It’s so much effort to make rude, nosy, traditionalists clutch their pearls. Much easier to smile in their face and do what you want anyway.
Still, that part of you itches at the surface sometimes. Makes your eye twitch.
“I know your generation is different but that’s just not the type of neighborhood we live in,” she’s saying.
You’re a bit foggy from a late night patching plotholes and haven’t registered much of anything she’s said. You really just want to go inside and stare at the TV until words make sense again.
“What do you mean?” you ask, for once not feigning your confusion. But of course this is the one time she doesn’t buy it.
She looks down her frail little nose at you, cornflower blue eyes baleful. You don’t feel scolded, but you sense that you’re supposed to.
“Now you know just what I mean. People will talk.”
People always talk, it’s an unfortunate byproduct of the human condition. Like a deaf bird, you’ve never understood all the chatter.
“Talk about
 the buttercups?” you wonder, pointing at the blossoms. You’re quite proud of them actually.
Agatha puffs up and hisses out a breath. “You ought to keep to this side of the street. Away from those men.”
You blink. Men
?
A bang comes from across the street, followed by rough German cursing. (At least you think it’s cursing.)
Ah. Those men.
“I was just welcoming them to the neighborhood.”
It comes out of your mouth automatically, innocent excuses for something you remind yourself you don’t need to justify.
“I’d rather they didn’t feel welcome,” she snips. “Better they sell that awful house and go somewhere else.”
You flick your eyes over her bony shoulder. Konig passes by a window, massive biceps on display as he lifts something outside of view.
“They’re nice,” you say. Nice to look at. Krueger’s face alone quite makes up for his conversational shortcomings.
“The only reason men like that act nice is because they want something,” Agatha snaps. “This is a respectable neighborhood.”
Yeah, soooo respectable when Bertram rifles through your mail or Lisa looks into your backyard.
“Well,” you muse, “better to be on good terms with them, I think. They're not the type you want to piss off.”
That defiant streak lights up at the way her face sours. If only she knew what sort of words you use when it’s just you and the cats.
“You’ve just proven my point. Those are not the type of men young ladies should associating themselves with.”
You have to try very hard not to scrunch up your face. One blessed day, people will stop referring to you as “young lady” in that insufferably condescending tone. You can’t wait for that day.
Some of your mounting irritation must show on your face because she takes on a sickly sweet “teaching” tone.
“Neighborhoods are like gardens. Everything grows best when the rows are kept separate. That’s why the farmers plant them that way.”
You glance pointedly at your own yard, where the flowers are blooming in haphazard sprigs wherever you tossed the seeds. Agatha’s lips get thin.
“Best that you stay on this side of the street, missy. That’s the last I’ll hear of it.”
She spins on her heel and stalks off like a particularly drab bird. You stand on your porch for a second longer, face contorted in annoyed confusion. You don’t even have strong feelings about the three men; the simple act of someone - Agatha of all people - labeling them as “Off Limits” makes them instantly more appealing.
Maybe you should see someone about that or something. Then the pathetic cries of Guy through the window lure you back inside.
It’s nearly sundown when there’s a knock at your door. Still agitated from your talk with Agatha, you puff up like Shithead when Rasputin sits on her favorite toy. March up to the door, fling it open - and come up short when you see the three men looming on your doorstep.
Before you can recover, a little gray blob scrambles past your ankles, crying like the sky is falling.
“Oh!” Konig gasps in pleasant surprise. “Hallo, Bubchen!”
And all 6-foot-plus of Austrian instantly folds to scoop Guy up. You’ve barely managed a now-useless shout of alarm when Shithead wedges her fat head between your calves. Behind you, Rasputin politely screeches his little chainsmoker call.
And somehow, in the chaos of fumbling for furballs, you end up with all three men in your foyer.
Guy is purring away in Konig’s thick arms. Shithead is attempting to scale Krueger’s tight cargo pants. And Rasputin is pawing the air at Nikto, visibly calculating the jump to his wide shoulders.
Which leaves you with the clean serving platter you dropped off just yesterday. You blink at it for a moment, then glance at them.
“So
 the cookies were good then?”
“Very good!” Konig rushes to say. Krueger and Nikto each nod, almost comically solemn.
“We have no baking or cooking skills,” Krueger continues, “so tell us what needs fixing.”
It takes you a moment to understand what he means. The house. He wants to fix your house. It’s surprisingly sweet, and you laugh a bit, shaking your head. “You don’t need to do that, I was just-“
“Is custom,” Nikto interrupts.
Konig nods with all the enthusiasm of a bobblehead as Krueger crosses his arms. (Whatever effect he’s going for is ruined by Shithead clinging to his pocket and screaming.)
“In our country, we bring gifts as guests. Our gift is repairs,” he explains.
You arch your brows playfully. “I don’t remember inviting you to be guests.”
He arches his brows right back. “We did not invite you either.”
Well shit.
“Okay, okay. I guess there’s a couple things
”
Konig perks up. “We would be happy to help, Biene!”
It’s strange having men in the house. You think you should be more nervous about it, can’t remember the last non-family man allowed into your space. Especially alone.
There’s a sharp awareness, of course. Hard not to be aware of them. It’s not just that they’re big, dwarfing all of your you-sized furniture. There’s a presence to them, something felt but not seen by your untrained eye. Maybe it’s in the set of their shoulders, the way they stand with both boots firmly planted. Maybe it’s the precise way they speak and move, not just separately but as a unit. Acting more like a collective consciousness than as individuals.
Whatever it is, you couldn’t ignore them if you tried. And you’re definitely not trying.
You set Krueger to work on the kitchen cabinet you’ve been meaning to replace. He clicks his tongue at the tape-and-lean method you’ve been using to keep the old one in place. Shithead immediately sets to work helping by gnawing at his shoelaces.
Konig is stationed in the guest bathroom, where the sink doesn’t run right. Guy comes mewing into your arms when he’s set down, effectively tattling that his new friend is mean and awful for withholding affection for even a moment.
You try not to visibly hesitate when you corner yourself in your own laundry room. Nikto has followed you right in, seemingly unaware that he’s invading your personal space. He’s not even looking at you though, eyes zeroed in on the dryer you point to.
“It’s not heating up, so the clothes stay wet or take forever to dry,” you explain.
He grunts in acknowledgement, then nods to Rasputin, who has taken up residence on the washer. His one golden eye blinks slow and serene at the two of you.
“What happened?” he asks.
You hum, softening in pleasant surprise at the question.
“I’m not sure how he lost his eye. It was infected when I found him. But I know for sure the tail and leg are from getting hit by a car.”
You sigh, scratching at Rasputin’s chin. A rusty purr starts up as he tilts his head, revealing some nasty scars around his throat.
“The vet said that that’s probably from a fight with another cat,” you add.
Guy steps from your arms to cuddle up to Rasputin, shoving his face into his ragged ear. Grooming time, then. That’s as good an indication as any that Nikto’s probably safe enough.
“I ran down from an office building to save him.” You blink hard, eyes stinging just from the memory. “But anyway, he gets to rest and be pampered now.”
When you glance up from Rasputin’s happy little face, you almost startle at the sharp blue eyes pinning you in place. Your face feels warm, even though you’re not embarrassed.
“I’ll, um, get out of the way,” you say, clearing your throat. “Keep an eye on things, Ras.”
With the men occupied, you find yourself once again at loose ends. You drift towards the den, but it feels awkward to sit on your ass watching TV while your neighbors fix your house.
You check the time on your phone - ignoring the text from your mother - and figure it’s not too early to start dinner.
“Will I be in the way if I start cooking?” you ask Krueger.
He flicks you a dimissive glance. “A little thing like you?”
You scoff and cross to the fridge. “You could have just said no.”
“Nein,” he snorts.
Rude bastard, you think - though not without fondness, unfortunately. The surly attitude is already growing on you.
There’s meat and spare boxes of pasta and veggies - that’ll work. You start tugging out ingredients, mentally doubling portions for your guests. They look like they work out even beyond the construction labor, hopefully you’ll have enough to satisfy their appetites.
“So what’s the plan with the house?” you ask as you get to work. “Just fixing it up to sell or
?”
“We will live there, the three of us,” Krueger answers. He swipes a screwdriver from Shithead’s batting paws. “Somewhere to stay when we are not working.”
You hum, biting back the next obvious question, loathe to become as nosy as the rest of your neighbors. Still
 getting to know people, right?
It sounds like they expect to travel a lot. You can’t imagine them as business types - not in the traditional sense anyway. Though the image of Konig sitting in a tiny cubicle does make you smile a bit. Between their statures, their clothes, their shoes, and the occasional nasty scar, you take a guess.
“Are you guys military?”
“Contractor,” Krueger corrects.
You perk up. “Wait, really?”
He scowls. “Does it sound like a joke?”
You huff and turn back to the veggies you’re cutting. “No, no. I just - you know about guns and knives and things, then?”
He pauses. You shoot him a curious glance, only to quickly look away at the intense scrutiny directed your way.
“Yes,” he answers slowly.
“Then
 could you maybe answer some questions
?”
His eyes narrow. “Questions?”
You keep your gaze on the cutting board. “Okay, wait, it's not suspicious. I’m a writer and it’s hard to google very specific questions sometimes. It’s just easier to ask an expert in person.”
Never mind that majority of your readers would never know the difference. It bothers you when things aren’t accurate.
He makes a considering noise. “A writer?”
You flush. “That’s what I do. Why I’m always home? I publish fiction.”
He stands, brushing his hands off on his pants. You peek his way, shocked to see a task you’ve been putting off for weeks already done. Hell, it looks sturdier than the rest of the cabinet doors, too.
“And your fiction requires knowledge of guns and knives and ‘things’?” he asks.
Your face feels like it’s on fire. “Sometimes
”
“Fine. I will answer your questions,” he allows.
You beam. “Thank you!”
He grunts, snatches a slice of pepper and pops it into his mouth.
“What else needs doing?”
Dinner ends up much more pleasant than expected. Nikto abstains from eating, you assume because he doesn’t feel comfortable removing his ever-present mask, but he sits at the table with Rasputin in his lap. He speaks little, and has that intense gaze that prickles at your freeze instinct, but you grow used to it as the meal progresses.
Konig, however, becomes chattier with food in his belly. He’s much more forthcoming when he answers your polite and totally casual questions - though you notice Krueger kick him under the table once or twice.
You suppose he gets you back by effectively announcing to the others what your career is. Which just kicks off the usual line of questioning about how and why you got into writing. Still, there’s no judgment from these men that make their living in labors of blood and sacrifice, where you expected censure. You only find genuine curiosity and intrigue, good-natured questions. Not even Krueger makes backhanded comments about it not being a “real” job.
Before you know it, the moon is high and you’re sending the three of them off, bellies full and a little friendlier than before. Nikto nods to you (and Rasputin) as he leaves, a big Tupperware of his dinner portion in hand.
You tell yourself it’s not anticipation that goes through you, knowing they’ll be back with it soon.
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disneyprincemuke · 9 months ago
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჊ this barbie has a baby
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"wait a second," max blinks, hands in the air to stop the conversation from going any further than it could. the rest of the guys quiet down and slowly turn to him. "are we just going to glaze over the fact that she said she's bringing a baby to the paddocks tomorrow?"
lando furrows his eyebrows. "surely, she's not talking about an actual baby, right?" he looks around for approval. "i just assumed she was talking about a... partner... boyfriend, perhaps?"
mick shrugs, "i always just assumed she was talking about a grown person. she wouldn't bring an infant to the track."
"is no one even concerned that she's only turning 19 this year and you lot assume that she's got a baby?" alex asks, scowling at his friends as he scratches his head. "maybe she knows someone named baby?"
"she calls them 'my baby', though," mick points out as he presses his lips together. "it has to be a person, right?"
"who's betting what?" charles raises his eyebrows. "i think it's neither a partner nor an infant. a car she named baby, maybe."
max furrows his eyebrows, throwing charles a questioning stare. charles just shrugs before looking around the group to get their opinions as well.
"okay, i bet dinner that it's just a friend," alex says. "you're all going to be eating your shit when tomorrow comes."
lando shakes his head. "i still think it's a boyfriend."
"what if it's a girlfriend?"
"fine," lando scoffs, clenching his jaw as he glares at charles from the corner of his eyes, "then i think it's a partner. happy?"
mick scrunches his nose. "i am not participating in a bet about my teammate! and i've seen her car before – it's definitely not called baby."
"don't be such a party pooper," max frowns. "come on, mick, you have to have made some assumption about who or what this baby is. i still think it's an infant."
"she's 18!"
"potato, potato," max waves their concerns off. "so this is all for dinner, right? bet?"
"yeah, bet."
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"mick!" she throws her arm into the air at the sight of the german entering the paddocks, waving him to approach her. "come here! i want you to meet baby!"
mick perks up, eyebrows shooting up that he's coincidentally the first face she's seen as their day starts. she's in the middle of a crowd, hands held out ahead of her as he approaches. as the crowd dissipates, he realises that she's got a stroller parked in front of her.
could it actually be an infant? oh, god, suddenly he's very concerned for her as a person in general. how could this have happened?
"this is baby!" she grins, unzipping its cover to reveal two ears and a brown sweater. "my cat!"
his blue eyes jump between the cat and the girl with a pink bow in her hair, unsure what to do with the revelation that baby is a cat. so who exactly is buying dinner tonight? "your cat? baby is a cat?"
"yes!" she beams, reaching down to scratch the feline's chin, who purrs and closes her eyes at the affection. "my dad got me baby two years ago when i finished in the top 10."
"wait," mick looks down at baby again, "is she wearing a louis vuitton sweater?"
"well, she's a sphynx," she frowns, fixing the sweater and pulling it down a little, "she gets cold sometimes." then she takes a step back with a grin, hands held out as she spins around. "and look! we match!"
"why are you spinning– oh, what's this?" lando grins, noticing the way they were conversing before he even passed through the gantry. "oh! what is that?"
"her cat," mick says through gritted teeth, eyes widening and hitting lando softly on the arm to urge him to just keep his opinions to himself. "baby. that's barbie's cat – baby."
"you named your c-" lando scowls softly, dropping his head low as the girl stops spinning. he turns to mick to hide his face away and blinks. "that's not a cat, mate. that's raw chicken."
mick simply shrugs in response. “i know.”
“she’s a sphynx! isn’t she cute?” the girl giggles, tapping lando on the shoulder. “and we’re matching clothes.”
lando stares at her. “this is baby
 a cat? not even a person? not even an actual infant?”
she blinks at him. “infant? i’m 18.”
“what are you guys doing obstructing the paddock entrance and wh– hey, what’s this?” alex approaches with his hands grabbing the straps of his backpack.
“it’s baby,” lando grins, blinking hard at his friend. “a cat.”
“oh, how love– oh,” alex cuts himself off as he hunched over and looks into the carrier. he looks at lando and mick. “i imagined a more fluffy cat.”
“is that raw chicken wearing an lv sweater?” max pops up between mick and lando, furrowing his eyebrows.
“raw– she’s a cat,” she says again, pointing at baby with vindiction. “do you need to start wearing glasses?”
max grins with a small nod. he turns slightly to the men next to her. “why does her cat look something i’d find in the poultry section of the grocery store?”
“probably because it is part of the poultry section of the grocery store,” alex mutters, maintaining his grin to appease the young girl standing in front of them.
“oh, what a lovely looking cat!” charles beams, towering over the stroller wide eyed. “can i pet her?”
“yes! this is baby!” she shrieks excitedly, grabbing charles’s shoulder. she holds her arms out. “look — we’re matching clothes!”
charles’s eyes widen along with his smile. “oh! you have to get me some so i can match with you guys one day!”
“fun’s over,” max grumbles under his breath, waving his hands in the air to dismiss themselves. “i’ll see you and your chicken later.”
she furrows her eyebrows. “she’s a cat!”
— bonus
"a chicken?" oscar blinks, scowling slightly at the older men standing before him. "she has a pet chicken?"
"sphynx cat," mick points out with a tired sigh and a roll of his eyes. he turns to max, "you can't keep calling baby a chicken. you'll upset barbie."
max throws his hands in the air. "you should have seen baby! that's not a cat!"
logan tilts his head, eyebrows furrowed. "what's a sphynx cat?" he shrugs when he receives stares from them. "i'm not a cat person."
"those hairless cats," oscar explains. "have you got a picture of this said pet chicken?"
"pet chicken?" fernando had been walking by when he suddenly overhears something of a pet chicken which, in theory, is already such an absurd situation. he just has to know what is going on. "who has a pet chicken?"
"barbie."
he takes a step back. "that's some next-level rich people behaviour. not even lance owns a chicken?"
"sphynx cat," mick corrects again, looking around to ensure that she's not around to hear the guys making fun of her choice of best friend in the form of a pet. "it doesn't even look like a raw chicken, mate, it's a grey cat."
oscar grins. "so raw chicken that's expired?"
"a sphynx cat!" fernando cheers with a soft clap. "how nice! but isn't that a bit..."
"could be worse, really," mick mutters. "she told me earlier she originally wanted a tiger."
"really? what pulled her away from wanting a tiger?" logan asks.
mick sighs. "she read up that it's not very conducive for wild animals to be domesticated. she does, however, contribute tons of money to wildlife charities monthly."
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taglist: @33-81 @darleneslane @namgification @happy-nico @nikfigueiredo @localwhoore @angsthology @renarots @elliegrey2803 @cha-hot @cosmoscoffeee @fanficweasley @sugarhoneylemons @aquangxl @omgsuperstarg @strawberryubin @lovecarsgoingvroom @mangotaitai @cherry-piee @ladyladybuggg @lethalvenus @gentlyweeps-world @spilled-coffee-cup @charizznorizz @wcnorris @storminacloud @minkyungseokie @viennakarma @leilanixx @daniellef89x @fezlvr @lavisenri @xcharlottemikaelsonx @ultraviolencesam @selsbackyard @ilove-tswizzle @riddle-me-im-sirius @kindestofkings
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pickingupmymercedes · 8 months ago
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Get me out of here - Lewis Hamilton
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Part 2 - Let's get out of here
Request: "I enjoy reading your posts so much, I wanted to maybe request? I love angst, maybe a Lewis one shot where the reader gets in the cross fire in the media kind of like Kate Middleton but with the Ferrari news?" - anon
pairing: Lewis Hamilton x Reader!
warnings: Angst, Lewis to Ferrari, Toto being an ass.
wordcount: +1k
a/n: Hi anon, thank you for the request and the support, it means the world! I loved writing that, but then again I love me some angsty, hope you like it ❀.
As always, I'm open for feedback, come say hi!
______________________________________________________________
“You bastard, how could you?”
You entered the farm style house in the English countryside seeing red. Newspaper on hand and phone on the other, blazing through the formal reception rooms until you found Toto and Lewis talking in the sunroom at the back.
“Woah there, what’s that language?”
“I thought I could trust you Toto” Your voice coming out stronger and louder than even you expected, facing him to see it in his eyes he knew exactly what all this was about. You couldn’t help but whisper, almost to yourself “Gosh, I really did.”
“What’s going on? Why are you shouting?” Lewis interjected as he got up and headed towards you, his arms reaching for your waist to try and calm you down
“Ask him! I’m not the one who gave the damn interview.”
“I didn’t say it like that, you know how they twist our words” The Austrian reasoned as you paced in the room
“Enough you two. What the hell is going on?” Susie emerged from the adjoining room, still in her workout clothes, towel in hand.
You threw the paper on the desk in front of them, eyeing Toto as Lewis read the headline “Source of Ferrari’s leak: Toto’s former right-hand and Lewis’ girl”
“You thought I wouldn’t see it? That I wouldn’t know that you told the press I leaked about Ferrari ?!” Exasperation written in your eyes as you tried to understand why would Toto sell you out like that.
“C’mom, it’ll blow over. By Barhein no one will even remember” His german accent echoed through the room as he tried to impose himself
“You tried to throw me under the bus for someone you’re clearly trying to cover for, that’s the issue here”
“Who sold the story to the press, Toto?” This time it was Lewis’ voice that cut the air, his tone stern and demanding.
“Does it even matter? He clearly has more respect for whoever it was than he does for me.” Your voice full of disdain throwing Toto off as he looked at you with surprise in his eyes at the tone you were using.
“Don’t be like that.” Susie pleaded from the corner, still as confused as Lewis to the events unfolding.
“Why?! Does it hurt him? I can guarantee it doesn’t hurt as much as it did when I read that stupid interview” Your voice coming out in sharp pufs as you tried to hold back the tears that fought hard to fall.
“Toto, who told the press?” Lewis pressed him once again and you were about to blow out at him when you heard the Austrian confessing “I told them.”
Your head starting spinning and all you could do was march back to the car in the driveway, not really listening to anything they were trying to get through to you. You started the car while Lewis tried to talk you out of driving, his pleading shouts heard through the glazed windows.
Your sobs came out all at once when Lewis managed to get into the passenger seat and hold your trembling hands down, getting them away from the steering wheel and into his chest for you to feel his heartbeat, your frantic eyes finally finding his soothing ones.
“Get me out of here, please” was all you could whisper mid sobs, sliding to the other seat when Lewis jumped out to get to the other side, your peripheral vision catching a glimpse of the commotion in the doorsteps of the house, with Toto exasperatedly motion to a now infuriating Susie and a few other people.
It felt like hours before Lewis pulled over, a small countryside village in the distance and a herd of sheep around. One of his hands gripped the leather of the seat, his free hand smoothing your arm and his stare focused on the road ahead.
“He did it to protect the brand. They’re gonna have a whole year to bring George forward, to switch things around
”
“Why are you defending him?” You cut him mid-sentence; your voice toneless although your eyes showed your emotions were all over the place.
“Because we need to think this through, babe. Toto’s not one of us anymore, you saw it.” He turned to you, clutching your hand into his, breathing in before continuing.
“We can’t expect anything from him anymore, least of all you.” His stare pierced yours and you knew what he meant.
You and Toto had known each other for as long as Lewis had. You had made your way up from being just an intern all the way to actually being poached by AMG and then Daimler, the whole path closely followed by Toto’s advices, and even in the years you lived in Germany the F1 GPs were always a familiar home you got to come back to, because of Lewis and Toto.
“Why did he say it was me though?” You questioned after getting out of the car and sitting by a rock fence, your voice small, much like how you felt while you leaned into Lewis’ embrace.
“To get back at me, maybe?! I really don’t know.” He breathed out after a while, leaving a kiss on your head before looking out at the fields in front of you two. It was a typical English day, cold and humid but at least the sun tried to fight its way through the clouds.
“I’m sorry he made you feel like you had to leave” you looked up at him as you brought up the subject, it was still a sore one for him.
“I always thought I’d finish my career there” He didn’t look at you as he mumbled his response, his gaze lost to the horizon
“It’s going to be a long year, isn’t it?!” You thought out loud after a while of silence and just feeling each other’s breathing.
“Yeah
 and I need you there, by my side, head held high” This time he turned to look at you, loving doe stare embracing you in his warmth, no idea what the future holds but sure he will be there.
______________________________________________________________
TAGLIST - @saturnssunflower @xoscar03 @chocolatediplomatdreamerzonk
If you’d like to be added to my taglist you can leave a comment or send me a dm/ask.
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meazalykov · 12 days ago
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the call
lena oberdorf x bayern!reader
summary: the best day of your life turns into the worst
warnings: made up champions league results, angst, mentions of suicide!!!, death, mentions of depression, sibling loss, grief, ends with acceptance, this is fictional but please be warned before reading.
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the roar of the stadium is deafening, the energy screaming through your entire body as the champions league final reaches its climax. 
the evening lights above you are blinding, but you barely notice them. you barely notice anything except the ball at your feet and the defenders swarming in. your heart pounds, and your legs burn from the intensity of the game, but you’ve never felt more alive.
this is the moment you’ve dreamed of since you first laced up a pair of cleats. the moment that feels almost surreal, like you’re floating above the pitch, watching it all unfold.
bayern is facing chelsea in lisbon, and it’s been a grueling ninety minutes, plus extra time. 2-2 on the scoreboard, with only seconds left. 
the final, the biggest game of your life, and everything rests on this moment.
your mind races. the game is balanced on a knife's edge, and you know that one moment could change everything. one goal could make or break your dream of lifting the trophy. 
you’ve won the champions league before with lyon, but that was during a loan season you had with your last club. now, you hope to win the champions league with the club that has become your life. it gave you your love for football back, and it gave you the love of your life— lena. 
you glance toward the sideline, where lena is warming up, ready to come on. she’s been out for months—acl and mcl surgery had taken her off the field for nearly a year, but she’s back. 
today is only her second game since her return, and she’s been waiting for her moment again after getting the olympics taken away from her last summer..
the fourth official holds up the board for stoppage time as lena’s number flashes to replace pernille. 
she jogs onto the pitch, subbed in for the last few minutes of the match, and despite everything, your heart skips a beat seeing her out there. she’s worked so hard to get here, and you’ve been by her side through all of it. 
“let’s go,” she says as she passes you on the pitch, her voice filled with determination as she oats your shoulder. you nod, giving her a quick glance, the silent understanding between you both unspoken but clear.
the clock ticks into the 90th minute. chelsea pushes forward, looking for the winner, but bayern’s defense holds strong. you can feel the weight of the match pressing down on you as every second passes, the noise of the crowd swirling around you. 
it’s chaos, and yet somehow, amidst it all, there’s clarity.
two minutes later, the ball is cleared out of the bayern box, and it falls to lena just outside the center circle. she controls it beautifully, despite the pressure, her eyes scanning the field. you see her look up, searching for you, and you know what’s coming. you sprint forward, weaving between chelsea defenders, creating the space you need.
your german girlfriend passes the ball up to you, her pass perfectly timed, splitting chelsea’s defense wide open. it’s as if time slows down, the noise of the crowd fading away until all you can hear is your own heartbeat pounding in your ears. you know exactly what you need to do. 
this is instinct, muscle memory, all those hours of practice boiling down to a single strike.
with a quick glance at the goal, you see the opening. the chelsea keeper has shifted just slightly to her left, leaving a narrow space at the top right corner. without hesitation, you take the shot.
the ball leaves your foot with precision, spinning just right, and everything speeds up again. the roar of the crowd comes crashing back as the ball sails past the keeper’s outstretched fingers and buries itself in the back of the net.
goal!
for a moment, you’re frozen, unable to process what you’ve just done. then it hits you all at once. you’ve scored. in the champions league final. in the 92nd minute.
your teammates swarm you in seconds after you sprint to the corner of the pitch. you didn’t care about the yellow card you’re receiving by taking off your bayern jersey in celebration, something similar to what alexia putellas did in the last champions league final. 
your teammates arms pull you into a tight embrace as you drop to your knees, overwhelmed by the flood of emotions. 
joy, relief, disbelief—all of it crashes over you like a tidal wave. lena’s the first to reach you, her arms wrapping around you tightly, lifting you off the ground as she spins you around, her laughter mixing with yours.
“you fucking did it!” she shouts over the deafening noise of the crowd, her grin wide as she pulls back to look at you. her eyes are shining with pride and love, and for a brief moment, everything in the world is perfect.
you barely hear the final whistle over the chaos, but you feel it—the way your teammates explode with joy, the way the fans in the stands scream and chant your name. 
bayern is champions. you’ve done it. you’ve helped your team lift the most prestigious trophy in european football.
as the confetti rains down, you stand in the center of it all, your heart still racing, trying to soak in every second of the celebration. your teammates are all around you, cheering, hugging, lifting the trophy.
your eyes scan the crowd, searching for something—or rather, someone.
your family.
you’d hoped—against all odds—that maybe, somehow, they’d made it. you’d imagined seeing their faces in the stands, cheering you on, sharing in this once-in-a-lifetime moment. but as your eyes search the sea of faces, there’s no one familiar. 
no one from home.
you knew it was a long shot. they’re back in america, living their lives. it’s a long flight, and they’d have to take time off work, rearrange everything just to be here. but still, a part of you had hoped they would come. had hoped they’d make this a priority.
the ache in your chest grows as you realize they didn’t. they didn’t come.
you try to push the disappointment away, focusing on the celebrations, on the fact that you’ve just won the champions league. this should be the happiest moment of your life. you should be on top of the world. 
there’s a small, nagging emptiness that you can’t shake. the one thing you wanted, more than anything else, was to see your family here, in the stands, sharing this with you.
you take a deep breath, plastering a smile on your face as you turn back to the celebrations. you’ll deal with this later. you’ll process it when the confetti’s gone and the lights are dim.
lena’s family, though, is here. her parents, her siblings—they’ve made the trip, and they’re in the stands now, cheering and waving, just as excited as the bayern fans. as you make your way over to them, lena beside you, her hand warm in yours, her family’s faces light up. her mom is the first to reach out, pulling you into a tight hug.
“y/n! oh my god, you were amazing!” her mom gushes, her arms squeezing you so tight you almost can’t breathe.
“thank you,” you manage, smiling as you hug her back. 
“i’m just so glad we won!”
“we’re so proud of you,” her dad says, clapping you on the shoulder with a grin. 
“that goal—you had us on the edge of our seats!”
“you’re like a third daughter to me,” her mom continues, pulling back to look at you, her eyes warm. 
“we love you, and we couldn’t be prouder.”
you nod, swallowing the lump in your throat as their words sink in. they mean it. they really do. you’re part of their family, and in this moment, they’ve made you feel like you belong here. 
no matter how much love they show you, no matter how much they treat you as one of their own, the absence of your own family still lingers like a shadow over the night.
“thank you,” you say again, your voice a little quieter this time.
you stay with them for a while longer, lena’s arm around your waist, her thumb tracing soft circles on your hip. she knows. she always knows when something’s bothering you, even if you don’t say it. 
for now, she lets you have your moment with her family, understanding that you need this, that you need to feel like you belong somewhere tonight.
eventually, the celebrations wind down, and the exhaustion of the day starts to settle into your bones. the adrenaline begins to fade, leaving you drained, physically and emotionally. all you want is to get back to the hotel with lena, collapse into bed, and let the day finally sink in.
“ready to go?” lena asks, her hand still in yours as you both start making your way toward the exit.
“yeah,” you sigh, glancing around one last time at the stadium. 
“let’s go.”
just as you reach the lobby, your coach approaches you, his face serious in a way that immediately sets off alarm bells in your mind.
“y/n,” he says quietly, his tone careful, like he’s trying to brace you for something. 
“can i talk to you for a minute?”
you glance at lena, confusion and concern flashing across her face as she looks back at you. you nod at her, squeezing her hand before letting go. 
“i’ll be right back,” you say, trying to keep your voice steady.
you’re nervous. you scored the goal needed to win the champions league final. was alex going to tell you that you made a mistake? was he going to tell you that bayern isn’t renewing their contract with you? you know that's not possible, you already agreed to a three year extension. 
following your coach to a quiet corner of the lobby, your heart starts to race again. this time, it’s not from the excitement of the game. something’s wrong. you can feel it.
“what’s going on?” you ask, your voice barely above a whisper.
he hesitates for a moment, his eyes searching yours before he finally speaks.
“there’s been an emergency,” he says, his voice low, almost apologetic. “back home with your family.”
your stomach drops. the room feels like it’s closing in around you, the air suddenly too thick to breathe.
“what kind of emergency?” you ask, your voice shaking now.
he pauses again, and you know—before he even says the words—you know.
“it’s your younger sister,” he says softly. 
“according to your agent– she
 she passed away.”
you feel like the floor has dropped out from under you. everything around you blurs, the world spinning as your brain struggles to process the words. your sister. passed away.
“no,” you whisper, shaking your head as if that will make it untrue. 
“no, that can’t be right.”
“i’m so sorry, y/n,” your coach says, his voice heavy with sorrow. 
“i have to tell you before you find out from anyone else by following bayern’s protocol– your sister passed away from suicide.”
the word hits you like a physical blow, knocking the breath from your lungs. you can’t think, can’t breathe, can’t do anything except stand there, frozen in place as the reality of what he’s just said crashes over you.
suicide.
your sister is gone.
“no
” the word leaves your lips in a broken sob as you crumble, your legs giving out beneath you. your coach catches you, helping you to sit on a nearby bench, but you barely feel his hands on your shoulders. you barely feel anything at all.
how can this be real? how can she be gone?
you don’t know how long you sit there, numb, before lena is suddenly by your side, her arms wrapping around you, her voice soft in your ear.
“oh my god, y/n,” she whispers, her voice thick with emotion. 
“i’m so sorry, baby. i’m so, so sorry.”
you cling to her, your tears soaking into her shirt as the sobs wrack your body. your mind is spinning, grief and disbelief tearing through you like a storm.
your mind didn’t allow you to deny it. your younger sister suffered from depression for a long time.
the weight of your coach’s words crashes down on you like a wave, pulling you under, suffocating you. your younger sister, gone. the word “suicide” echoes in your mind, each syllable like a knife cutting deeper and deeper into your chest. 
your entire body feels numb, but your heart is racing, your mind spinning out of control as you try to grasp the reality of what you’ve just been told.
lena’s arms wrap around you, holding you tightly as you break down, but even her warmth can’t reach the depth of the hollow ache that’s taken over your chest. it’s all too much. the best night of your life—scoring the equalizer in the champions league final—has been shattered into the worst nightmare you could have ever imagined.
your sister. your baby sister.
“no,” you whisper, the word barely audible as the sobs start to break through your chest. 
“this can’t be real. this can’t be happening.”
lena doesn’t say anything, her hand running through your hair, holding you as you crumble into her. 
“i’m so sorry,” she whispers softly, her voice breaking.
“i have to go home,” you choke out between sobs, the words thick in your throat. 
“i need to go home. i have to
 i have to be with my family.”
“i’m coming with you,” lena says, her voice firm but gentle.
“no,” you protest, shaking your head weakly. 
“you need to stay. this is your career, you’re coming back from nearly a year long injury, i can handle this on my own.”
you don’t even believe yourself. you don’t know how you’re going to handle this, how you’ll survive the tidal wave of grief that’s already threatening to drown you. still, you try to fight it, the guilt in your chest whispering that you don’t deserve her support right now.
“y/n,” lena says, cupping your face in her hands, forcing you to meet her gaze. her eyes are red with unshed tears, but there’s a fierce determination in them. 
“you’re not going through this alone. i’m coming with you. end of discussion.”
you want to argue, but you can’t. the grief is too heavy, the shock too deep. you nod, collapsing back into her embrace, because you don’t have the strength to push her away.
the next few days blur together. the long, silent flight back to america, the weight of every message from your family, the funeral plans, the condolences pouring in from people who don’t know the depth of your pain. nothing makes sense. 
it’s as if the world has stopped spinning, and you’re left standing in the wreckage, trying to make sense of it all.
when you finally arrive at your family home, your older sister is the one waiting for you. the moment you see her, the dam inside you breaks all over again. her face is pale, her eyes hollow, and you can see the weight of grief on her shoulders, but there’s something more there—something you don’t want to acknowledge yet.
“y/n,” she whispers as she pulls you into a tight embrace, her body shaking against yours. 
“god, i’m so sorry you had to find out the way that you did.”
“what happened?” you ask, your voice cracking as you pull back to look at her. you haven’t been able to bring yourself to ask this yet—too scared of the answers. but now, standing in front of her, you need to know.
being the middle child, you had your older sister to lean onto. your brain doesn’t want to believe that its just the two of you now, not three.
your older sister hesitates, her eyes filling with tears as she struggles to find the words. she swallows hard, and you can tell she’s been trying to hold it together for everyone else, but now, in front of you, she’s breaking.
“i found her,” she says softly, her voice trembling. 
“i was the one who found her, y/n.”
the words hit you like a freight train, your legs almost giving out beneath you. your older sister. the one who always tried to protect you both. she was the one who walked into that room. you can’t even imagine the horror of it, the moment she saw your baby sister like that.
“how?” you ask, your voice barely a whisper, though you’re not sure you really want to hear the answer.
your sister takes a deep, shaky breath. 
“she
 she poisoned herself in her bedroom. the bottles were everywhere. i-i was supposed to meet her for lunch. when she didn’t answer, i went over, and
”
her voice cracks, and the sobs finally break through. you reach out to her, but your hands are shaking so much that you don’t know if you’re comforting her or yourself. the guilt presses down on your chest like a thousand-pound weight, suffocating you.
“we didn’t know she was hurting like this,” your sister continues, her voice thick with tears. 
“we thought she was getting better. she didn’t want to talk about it, didn’t want us to worry. but, y/n
 the note said it because of soccer– because of her injury.”
her words stop you cold. “soccer?”
your sister nods, tears streaming down her face. 
“she couldn’t make it. she didn’t get the contracts due to her spine. she thought she wasn’t good enough. she thought she was a failure.”
the guilt hits you harder than anything you’ve ever felt before, crushing you under its weight. you suddenly felt like your success, your career—everything you’ve worked for—had been killing her. 
you were living her dream, and it had destroyed her. the very thing that had made your life complete had shattered hers.
“this is my fault,” you whisper, barely able to get the words out. 
“i should have known. i should have
 i should have been there.”
“no,” your sister says quickly, shaking her head, her hands gripping your arms. 
“it’s not your fault, y/n. you couldn’t have known.”
you can’t hear her. you can’t hear anything over the roar of guilt and grief pounding in your ears. your baby sister had been suffering, and you hadn’t seen it. she had felt like she wasn’t enough, like she was a failure because she didn’t make it in soccer, and you had been too focused on your own career to notice her pain.
“she told me once,” your sister continues, her voice trembling, 
“that she wished she could be as good as you. that she wished she could make it, too. she didn’t blame you once, y/n. she was just struggling. she didn’t want to burden anyone with how bad it had gotten.”
the words twist the knife in your chest. you should have noticed. you should have known. how could you have missed it? how could you have let her feel so alone in her pain?
“i was too focused on myself,” you whisper, the tears spilling down your cheeks as the realization crashes over you. 
“i was too focused on my career, on making it, and i didn’t see that she needed me while I moved to france then germany. i didn’t see how much she was hurting.”
“y/n, stop,” your sister says, her voice desperate as she pulls you into another hug. 
“you can’t blame yourself. this isn’t your fault.”
you do. how can you not? you were the one living her dream. you were the one playing at the top, while she struggled to find her place after injuring her spine. how can you not feel like you were the reason she’s gone?
the funeral feels like a blur. you stand by your sister’s grave, lena at your side, her hand gripping yours tightly as they lower the casket into the ground.
this was final. her death was final. there she will lay until the end of time.
the sobs choke you, but no matter how many tears you shed, it doesn’t feel like it will ever be enough to ease the guilt gnawing away at you.
“i should’ve been there for her,” you whisper to lena, your voice barely audible as you stare at the grave. 
“i should’ve seen the signs.”
lena wraps her arms around you, pulling you into her warmth, but even that can’t break through the storm of grief. 
“you couldn’t have known, y/n. she didn’t let anyone in.”
“i was supposed to protect her,” you say, your voice cracking as the tears spill down your face again. 
“i was her big sister. she looked up to me, and i wasn’t there when she needed me.”
lena holds you tighter, her voice soft in your ear. 
“you can’t carry that weight, love. you didn’t know.”
you do carry it. the guilt settles deep in your bones, a constant reminder that while you were out there living your dream, your sister was suffering in silence. the pain of it tears through you like a storm, and no matter how many people tell you it’s not your fault, you can’t shake the feeling that you should’ve done more.
three months after the funeral, the international break comes sooner than you expected. after a tough preseason and the emotional turmoil of the past few months, you’re finally called up to represent your country again, this time in the united states. 
lena, too, gets the call for germany, her first time back with the national team since her acl and mcl injuries. it’s a bittersweet feeling—being away from her after spending all that time together, healing both physically and emotionally. 
your girlfriend might have the chance to play in the 2025 euros, and you're so proud of her. honestly, you hope that you'll be able to watch her play and reach the final again-- this time winning.
you know how important this is for her. she needs this. she needs her space to shine again, to remind herself that she’s still capable of greatness.
"i’ll miss you, but you need this,” you tell her before leaving, cupping her face in your hands. 
"just take care of that knee, okay?"
lena smiles, her hand gently covering yours. 
“i will. and you better score some goals while i’m gone.”
you both laugh, though there’s a tinge of sadness underneath. as much as you’ve leaned on her through your grief, you’re learning to stand on your own again. so, you board the plane to the states, knowing this break will be good for both of you.
it’s strange, being back in america. the last time you were here, it was for your sister’s funeral. this time, it’s different. this time, you’re playing for something—something that feels bigger than you. 
your heart pounds as you step onto the miami pitch for the match against australia, the lights of the stadium casting long shadows over the grass. 
you can feel the weight of your sister’s absence, but in a way, it also feels like she’s there with you, watching from somewhere far beyond. well, if you believe in that of course.
the match against australia is high-energy, with the crowd cheering from the first whistle. you’ve been waiting for this moment—an opportunity to step onto the field again, to do what you love.
today, there’s something different about the way you play. today, every step, every touch of the ball is charged with emotion, with memories of your sister.
in some ways, you're playing more aggressively than usual. this might be a way for you to physically take some of the pain away.
your passes are sharp and harsh, but not sloppy. in fact, they're accurate and perfect. a 100% pass rate on the charts.
early in the first half, the game is still scoreless. you’re playing in the midfield, controlling the pace, looking for openings.
in the 20th minute, you spot one—a quick exchange with mallory and suddenly you’re in space. you sprint down the left side, cutting inside to avoid australia’s defenders. 
the ball comes back to your feet just outside the box. without hesitating, you take a powerful shot before ellie had the chance to stop you. the ball curls past the keeper into the top right corner of the net.
it’s a beautiful strike, clean and precise. the crowd erupts, you feel the rush of exhilaration, but your mind is elsewhere.
you raise both your hands as you reach the corner of the pitch, pointing to the sky. your other hand goes to your ear, like you’re holding a phone, like you’re calling her. 
you hope she’s listening. the gesture is for your sister, the first goal of the game dedicated to her.
the tears in your eyes wanted to fall, but they didn't. your teammates surrounded you in hugs and you took that moment to wipe your eyes from the public as your friends gave you praises.
everyone knew about your sister's death. people who went to your sister's college and witnessed the spinal injury that led to her downfall were hurt by the news.
the whole community was grieving, and everyone wanted to find peace with it.
as the match goes on, you feel that familiar rhythm settle in. by the second half, your team is up 1-0, but you’re still hungry for more. 
in the 58th minute, the opportunity comes again. you’re in the box this time, just off a corner kick. the ball is bouncing around in the chaos, defenders scrambling to clear it, but it lands at your feet. with a quick flick, you volley it toward the goal. the keeper dives, but it’s too late—the ball slips under her arm and into the net. your second goal of the match.
you look at sam coffey-- the closest teammate to you. you hug her and the rest of the teammates who run up to you, happy to see you thriving in such a hard time.
after everyone goes back to their positions, breaking the group hug, you look at the cameras and hold up the number six. one finger on your left hand and all five fingers with your right hand.
your younger sister’s number before she was forced to stop playing. 
the fans noticed that every goal is for her, for your sister who can’t be here to see you play. you hope she’s watching. you hope she knows how much you miss her.
the third goal comes in the 85th minute. you’re tired now, the heat of the match wearing you down, but you push through, determined to finish strong.
emma asked if you needed a break from the pitch, but you tell her no. you needed this. 
the ball comes to you on a fast break, your team surging forward after a clearance. you sprint down the center, your heart pounding in your chest, the crowd’s roar fueling you. just as you reach the edge of the box, you receive a perfect pass from emily. you take one touch, then another, before sliding the ball past the onrushing keeper and into the bottom left corner.
hat trick.
the stadium erupts, your teammates rush toward you, but once again, your celebration is quiet. 
you point to the sky, your hand pressed to your ear like you’re making that call again, the one you’ll never get to make.
your sister should be here. she should be watching this-- no.. she should be playing with you now, living this with you.
instead, all you have are these moments, these gestures that feel like whispers into the void.
after the game, when the final whistle blows and your team celebrates the 3-0 victory over australia, you’re pulled aside for an interview. 
the camera’s on you, the reporter asking about your performance, about your goals, and for the first time, you decide to speak openly about your sister.
“i’ve been playing with her on my mind,” you say, your voice steady but heavy with emotion. 
“my sister
 she loved football more than anyone i’ve ever known. she was determined, sweet, and had the best sense of humor. she made everyone laugh. i’ve been playing for her, trying to honor her in any way i can.”
you don’t cry during the interview, but your chest aches. it’s clear to anyone watching how deeply you miss her, how much you wish she could be here. the reporter doesn’t press for more, understanding the weight of what you’ve shared, and you’re grateful for that. 
it feels like a release, finally speaking her name, telling the world what she meant to you.
later that night, back at the hotel, your phone rings. it’s lena. she’s calling from germany, where it’s 5:30 a.m. while it’s only 11:30 p.m. for you in the states. you know she’s probably exhausted after germany’s game against norway, but you answer, grateful to hear her voice.
“hey,” lena says, her voice soft, tired but filled with warmth. 
“i saw your game. a hat trick, huh?”
you smile, leaning back against the pillows. “yeah. it felt good. i
 i dedicated them to her. i talked about her in the interview.”
there’s a pause on the other end, and you can hear lena’s breathing, steady and comforting. 
“i’m so proud of you, y/n. i know she would be too.”
“i think so,” you say quietly, your chest tight with emotion. 
“i’m okay, lena. i feel okay.”
you can hear the relief in her voice when she replies, 
“i’m glad. i wish i could be there with you.”
“soon,” you whisper, closing your eyes. 
“we’ll be together soon.”
after the international break, you return to germany, ready to play for bayern once again. something feels different now. there’s still grief, still moments when the weight of your sister’s absence threatens to pull you under, but there’s also a sense of peace. 
acceptance. 
you’re learning to live with the loss, to carry her memory with you in a way that feels lighter, more bearable.
when you return to germany, stepping off the plane and feeling the familiar chill of the air, you can sense that something inside you has shifted. it’s subtle, not a sudden transformation, but a quiet understanding that the weight you’ve been carrying has begun to ease. 
you still miss your sister. you will always miss her. 
after the international break, after scoring that hat trick and speaking about her for the first time publicly, there’s a sense of release, a small spark of acceptance beginning to form.
it doesn’t come all at once. when you arrive back at bayern’s training ground, the routine feels both comforting and daunting. the familiar faces of your teammates greet you, their smiles and hugs filled with warmth. some of them had seen your interview after the australia game. they know what you’ve been going through, at least on some level. 
they don’t push you to talk, but their quiet support is always there, whether it’s in a gentle hand on your back after a tough drill or a knowing glance across the field.
training is tough—intense, even. the season is approaching fast, and the pressure to perform is ever-present. but for the first time in a long while, you feel more connected to the game, more present in your body, and less haunted by the thoughts that used to cloud your every move on the pitch. 
you start to find joy in playing again, not just as an escape, but as a way to honor your sister. every pass, every shot, every tackle feels like a small tribute to her, a way of keeping her close without letting the grief consume you.
there are still hard days. days when you wake up and the weight of her absence presses down on you before you even step out of bed. you think about how much she loved football, how it was her dream to be where you are now, and that familiar guilt creeps back in. 
lena is there, always grounding you, reminding you that your sister would want you to keep going, to keep playing, to live the life she couldn’t.
on one of those hard days, you’re at the training ground, going through drills, and your mind wanders. you think about her injury—how it wasn’t just a setback but the end of her dream. a spinal injury, something so unexpected, so final. 
she never had a chance to recover, never had a chance to fight for her place like you’ve been able to. she was so young, 19 years old– and it was taken from her, just like that. and then, when the depression set in, it wasn’t just the injury anymore—it was the loss of everything she had ever wanted. 
the loss of her future.
you push through the drills, the sweat dripping down your face as you try to focus on the here and now. it’s hard. your thoughts are swirling, and you can feel the familiar tightness in your chest, the way grief sneaks up on you when you least expect it.
after training, you sit alone on the bench, staring out at the pitch, lost in thought. the sun is setting, casting long shadows across the field, and for a moment, you let yourself sit with the grief. 
you don’t push it away this time. you let it wash over you, feeling the sadness, the guilt, the love you had for your sister. but there’s something else there too—a quiet acceptance. a small voice inside you that whispers, “she’s not suffering anymore.”
it’s that thought that brings you peace, however fleeting. you know your sister struggled, that her depression was a battle she couldn’t win. as much as you wish you could’ve done more, could’ve been there for her in ways you weren’t, you also know that her pain is over now. 
she’s at peace, even if you’re still finding your way through the aftermath.
lena finds you on the bench later that evening, after most of the team has left. she sits beside you without saying anything for a long time, just her presence beside you, solid and comforting. eventually, she speaks, her voice soft in the quiet of the evening.
“you’ve been different since the break,” she says, her eyes watching the last bit of daylight disappear behind the trees. 
“stronger, in a way.”
you nod, not sure how to put everything into words. “i think
 i think i’m starting to accept it,” you say, your voice quiet but steady. 
“i’m never going to stop missing her, but i can’t let it break me anymore. she wouldn’t want that.”
lena reaches for your hand, her fingers lacing with yours. 
“no, she wouldn’t. she’d want you to live, y/n. to play. to be happy.”
the next few weeks pass in a blur of preparation for the season. as the first matches approach, you throw yourself into your training, focusing on your fitness, your sharpness, everything you need to be at your best. 
as the days go by, you start to feel more like yourself again. not the version of you before your sister’s death—that person is gone, changed by the grief and loss—but a new version of yourself. 
someone who carries the weight of that loss but also the strength that comes with surviving it.
before the season opener, you have a moment alone in the locker room, lacing up your boots and staring down at the bayern crest on your jersey. the nerves are there, the familiar pre-game tension, but there’s something else too—a quiet determination. 
this season is going to be different. not because you’re trying to outrun your grief, but because you’re choosing to carry it with you, to let it fuel you, to let it remind you of the love you had for your sister.
when you step onto the pitch for the first game, the crowd roars, and the energy in the stadium is electric. you feel it in your chest, the adrenaline, the excitement, but also the weight of everything you’ve been through. 
the game begins, and as soon as the ball is at your feet, it’s like muscle memory. you’re back in your element, weaving through defenders, finding your teammates, playing the game you love. 
you’re not playing for anyone else now, not for the expectations or the pressure. you’re playing for her. for the sister who loved football more than you ever could, who would’ve given anything to be in your shoes.
and for the first time in a long while, it feels right.
as the season progresses, you find yourself healing, little by little. there are still moments when the grief hits hard, when the memories sneak up on you, but you’ve learned how to live with it. you’ve learned how to carry it without letting it crush you.
you and lena spend more quiet evenings together, just talking, reflecting, or sometimes sitting in comfortable silence. she’s been your anchor through all of this, and you know that you couldn’t have made it through without her.
one night, after a particularly tough match, you’re both lying in bed, the exhaustion from the game settling into your bones. lena is tracing lazy patterns on your back, her touch soothing, grounding.
“do you think she’s proud of you?” lena asks quietly, her voice soft in the dim light of the room.
you think about it for a moment, feeling the familiar ache in your chest, but this time, it’s not as sharp. it’s bittersweet, but it’s bearable.
“yeah,” you whisper, a small smile tugging at your lips. “i think she is.”
you close your eyes, lena’s warmth beside you, and for the first time in a long time, you feel at peace. 
authors note: please inbox me if you're ever struggling or need someone to talk to. you're loved, I love you, and the world is a better place with you here in it.
masterlist
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sopiao · 1 year ago
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könig who is absolutely head over heels for you.
talks about you so much that you’re surprised when his comrades knows quite a bit about you when you drop in for a brief visit.
goes on various and long tangents and rambles about you, sometimes he just forgets he’s talking to other people and just continues his ramble in German.
which leaves his comrades and teammates confused but not wanting to disturb his babbling and just leave him to talk to himself at this point. it’s not until later, in the middle of the night, that he realizes it.
most of his mates can’t even believe him whenever he talks and describes his lover, how sweet they are, the funny interactions and moments they have, and just how drop dead gorgeous you are.
König gets slightly offended but understands that sometimes not even he could believe it that he has such and amazingly beautiful and wonderful partner.
“Know what? I call them right now”
and when you pick up, replying on you laptop that’s sitting on your bed next to you while laying down in nothing but a black tank and his grey sweats (that you love to see him wear), their jaws drop.
“Hallo, leibling!”
“Hey, Ko!”
not only are they just stunningly gorgeous, their voice is just so comforting and energizing to hear. they all just stay quite and witness the conversation between the two.
in the middle of the conversation he just forgets that he called them for the sole reason to prove to his friends that you’re real, and he just skips himself to his room and plops himself on his bed like he’s on cloud nine.
i like to think that this 6’10, pure muscle of a man lays on his stomach and kicks his feet in the air when he talks to you or when he hears you talk, maybe even twirl a lock of hair in his finger.
when you drop by the base to go give him a quick visit before you have to leave for engineering college, both plans overlapping, so you won’t be available when he gets out.
he’s happily waiting by the entrance, rocking himself back and forth on his heels with his arms behind his back, as he bounces with excitement.
when your large truck parks and you hop out of the car, not even bothering to turn off the car, as you run up and meet König in the middle in a snake trap of a hug. tightly snaking his arms around you, as he spins you around. Price and Soap laughing at the very visible height and size difference between the two.
when the large Austrian man let you down back on the gravel road.
you barely reached his chest.
the 141 found it cute and quite wholesome that you had to pull him down by his vest and you pushing yourself up on your tippy toes to give him a kiss on the nose.
when König finally formally introduced you to his teammates, you were very much like him, shy and introverted. König was quite comfortable with them so he was happy to be your voice to them.
the rest of the boys were stunned and slightly nervous as well. hands shaking or face blushing when you individually shook each of their hands, but they still gave you a warm and inviting welcome.
even when their in the common room, either talking or planning their next plan of action for an upcoming undercover mission.
but of course König was more occupied with you, of course, there were no other seats (lie) so you had to sit on his lap, his hands either wrapped around your middle or resting on your hips.
when you both thought that no one was looking or paying attention to you two, you would look up at your boyfriend and he’d cover both of you under his sniper hood to give you a quick peck on the lips and a nuzzle his nose against yours.
omfg
when you sit normally back on his lap and he looks back up to his comrades, and sees all of his friends staring that their with a teasing smirk or a ‘really?’ face. They both covered their face in embarrassment, showing how similar they both are.
no doubt that Soap and Price are teasing the two when they both sleepily walk into the kitchen for a cup of coffee, König walking in shirtless instead it’s on your sleepy figure. jokes and jabs are thrown at the sleepy couple as König just waves them off as he leans against the counter, sipping a cup of coffee as he wraps his arms around you while you lean your back against his chest.
they didn’t really mind you being there, they were happy to see their teammate so happy and energetic, much different from how quiet he is.
when you do leave since you can’t stay for long, he stays on call for you all night while you drive, wanting to make the most of it. he knows he’ll be tired in the morning. but for you? worth it.
by the time it’s 3:52 AM he’s on the verge of drifting off into deep sleep, muttering and mumbling responses, 90% of them not even being in english or coherent german.
you called him to try and keep you awake during your drive, but just knowing he’s there on the other side of the line is enough to keep you content. it’s all about quality time.
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poquiii · 2 years ago
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König x reader  /  Ghost x reader  Headcanons
Their Drunk Persona
Ghost
●He doesn't like to drink.
●Sometimes he doesn't mind having a beer with the other soldiers or with you if you ask, but not much at all. It's enough to feel just a slight haze of calm over alcohol, but no more than that.
●He likes being sober. And he doesn't like to lose control of himself. On rare occasions he gets drunk.
●And oh, he'd better not.
●A drunken Phantom is an uncontrollable Phantom.
●He is used to always controlling his face and keeping his emotions under control. But when drunk, but alcohol acts as a huge tank that breaks down all his emotional walls, tearing them to shreds and leaving dusty ruins, on top of which Ghost becomes wild.
●His tongue is unleashed and his whole sarcastic nature bursts out.
●He continues to speak and act with his inherently unfriendly nature, but now he has absolutely no control over it.
●Sometimes, if his rivals are drunk enough to lose their sense of fear, fights ensue.
●Of course, he wins, even when everything swims in front of his eyes.
●He suddenly becomes jealous.
●If you are drinking with him among other people, he will start behaving possessively: he will put his arm around your shoulders, put his arm around your waist, or (if he is totally drunk) he will put you on his lap.
●Just so everyone knows who you belong to. Because all of a sudden it's starting to make him feel like there are too many people around you who look at you the wrong way.
●He'll have a headache in the morning and won't take painkillers from your hands on principle, because you can't hide your smirk when you remember how he called his co-workers names last night.
König
● He doesn't drink too often.
● He doesn't like the taste of alcohol. He prefers strong tea or soda.
● However, if he does get drunk, he suddenly becomes bolder.
● His laughter becomes louder and his movements loosen up.
● His shoulders straighten and he gets even bigger than usual without trying to hide it. And finally it doesn't bother him.
● He starts smiling stupidly, but nobody sees it but you. Because he only takes off his hood when he's around you. If he's only a little drunk, he just gets incredibly chatty. Often he doesn't even realize that he's switched from English to German.
● He's not at all shy about touching you, although usually in public he tries to behave discreetly, for fear of attracting attention.
● But now his anxiety is drowned in alcohol, and he's happy to hug you in the middle of a conversation or take you in his arms for a spin.
● But this energy doesn't last long at all, then König becomes abruptly sleepy.
● He becomes lethargic and prefers to find a comfortable corner where he can snooze. Preferably, you should be next to him so he can cuddle with you, basking in the warmth of your body.
● The next morning he will vomit so badly that for the next couple of days he will constantly tell you that he will never drink again.
My Oa3 If you're interested -
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hxjikonn · 2 years ago
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Could I request Vil, Rook, Kalim, Idia and Jamil with an s/o that speaks their (the boys') native language when flirting?
A/n: This idea is rlly cute but a small warning y’all, I do not speak German, French, or Arabic😭💀 I’m gonna be using apps, websites, and google translate to help me so if you speak any of these languages feel free to correct me, that would be VERY MUCH APPRECIATED! Also I’m sorry I had to cut this to 4 characters only ;-; I’ll try to add Idia’s one in a separate post if I have time!
(@/l1ttleclouds helped a lot with the french, @/hivequeenb33 for the corrections in german and @/sugary-bluebell for the corrections in Arabic tysmđŸ„č♄)
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Say that again

☆Staring☆: Vil Schoenheit, Rook Hunt, Kalim Al Asim, and Jamil Viper
Synopsis: Their reaction to GN!Reader flirting using their native language.
Warnings/Heads up: I do not speak any of these languages and am using translators, it might be cringe cuz I’m using phrases off google💀😭
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Vil Schoenheit
Vil was stressed about a photoshoot, usually he loves them, the flashes of cameras, praises from the photographers, people crowding around him to make sure everything is perfect, and the clothes. But as of now he’s frustrated because of Neige Leblanche stealing his spotlight, people praising him just sounded like noise in Vil’s ears.
You watched him fumble around his vanity mirror, fixing his hair, retouching his eye shadow, “Can you believe it potato? I was the only one who’s supposed to have a photoshoot today, then he came, ugh suddenly everyone’s attention was on him
” he said the tone of bitterness lingers in his voice.
“My attention isn’t” you pouted, walking up behind him. He expression softens, this only happens with you, he picks up another make up brush but you stopped it with your hand, slowly putting it down “Put it down
” you said “I’m not done potato I need to look-“ “Liebling, Du siehst umwerfend aus” you interrupted him and kissed his cheek
He froze, blinking a couple of times and snapping his fingers making sure he was awake
 “What did you say?” He looked back at you, spinning his chair to see you better, you giggled “I said you looked stunning” you were about to walk away but then he grabbed your wrist and pulled you back “No that wasn’t what you said
” he replied “It was!” You defended “Yeah but not that way
” he stood up in front of you “Say that again
” he stared down at you softly
anticipation bubbling in him

“Liebling
” you started, “Du siehst umwerfend aus” You finished pecking his lips right after earning a smirk from him. He completely forgot that he was mad at something
 “see? you don’t even need the blush” you teased pointing out the fluttering pink painted on his cheeks
.he chuckled “oh is that so? Well
I think you need a little color on your lips
” he cupped your face as he bent down slightly to kiss you. “Vil! You’re up!” the photographer called out, Making him pull away as he rolled his eyes “Ugh
wrong timing” he half yelled
You laughed softly, “Go
” you motioned him to leave you for now, he smiled “Alright, hold on, let me just reapply my lipstick” he called out, still looking at you, your lips now tinted with the lipstick he put on earlier
you placed a featherlight kiss on the back of his hand as a form of an unspoken ‘good luck’ and he replies with a smile squeezing your hand before he lets go and walks to the photoshoot while applying lipstick.
Needless to say he did very well even if there was a photo where he and Neige had to be in one shot, when he sees you watching in the background, remembering what you said to him, he doesn’t even care anymore. He has all your attention, and he knows it.
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Rook Hunt
It was sunset, and you two were still practicing, you couldn’t let yourself give up without hitting that red dot in the middle of the target
he readjusts you posture again
lifting you arms slightly, as he looks forward to see if the angle is right, while his hands rested on your waist

No wonder you couldn’t hit the damn target
Rook is a very distracting teacher
he noticed that since you lost your aim again
he adjusted it back, tilting the bow upward a little with one hand
while his other hand still rests on you waist. “Mon amour, Concentre-toi
..” he whispered slightly teasing you of course, he knows what he’s doing.
“J'aimerais bien, mais tu es trop distrayant” you whispered back firing the arrow, he was caught off guard, staring off into the distance in shock, as your arrow hits the target he snaps out of his trance. “YES!” you cheered “I DID IT!! SEE???” You pointed happily to the arrow that pierced through the red dot on the target, excitement coursing through your veins.
“Mon ange
.” He called out to you while slowly walking towards you “Did you just speak french or was I just too hypnotized by your beauty that I started hearing things?” He asked, you giggle and cupped his face
 “Oui, je parlais français..” And kissed his nose, he felt like he was shot by cupid once again, Rook Hunt, was love-struck

“Oh mon Dieu! I think I fell in love with you all over again” he said to you while also cradling your face in his hands
you swore you almost saw hearts in his eyes, he pulled you close to him as he leaned in to kiss you “AGHHH CAN YOU TWO KISS LATER I’M HUNGRY!!! Y/N PROMISED ME TUNA WHEN THEY FINALLY HIT A BULLSEYE” Grim shouted

You both broke into a fit of laughter, “Awww poor kitty” you went to Grim and teased him scratching behind his ears “Stopppp!! I’m a powerful mage you know???? I can set you on fire!!” He said while swaying his paws back and forth to shoo you away “Monsieur Fuzzball is hangry, we should get him his promised tuna” Rook said while picking up the arrows on the grass and putting it back in his arrow quiver.
“Yes! Yes you should do that right now! Then you two can kiss for the rest of the day and I wont bother you, sound good?” Grim negotiated “Yes that would be quite pleasant Monsieur Fuzzball” Rook laughed as he grabbed you hand “We’ll go get it right away, won’t we Mon amour?” Rook said to you, you knew he was a little upset that he didn’t get to kiss you so you chuckled and nodded “yes.”
“GREAT! Now stop making googooly eyes at each other and lets go!” Grim shouted as he ran, thrilled by the tuna he has yet to receive. You two laughed and followed behind him, hand in hand.
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Kalim Al Asim
You are fighting for your life right now
Kalim clinging on to your waist stopping you from walking out of Scarabia’s doors as he weighs you down while you drag your and his weight attempting to leave.
“Kalim I have to go” you said clutching on to the door frame “Why??? Scarabia is much more comfy than Ramshackle just stay with me” he whines, “Grim’s gonna go hungry, can you live with yourself if my cat dies of hunger??” You guilt tripped him, hoping he’d let you go.
“I’LL ASK JAMIL TO BRING GRIM HERE JUST PLEASE DONT LEEEEAVVEEE” He practically yells as he begs for you to stay “I’ll come back to tomorrow
” you got tired and plopped on to the floor as he further tightens his hold on your waist, burying his face on your lap, “I’ll go a whole night without you here, if you can sleep knowing that than do I even matter to you??” He dramatically says, muffled because he still has his face on your lap.
You sighed and ran your fingers through his hair
 “ â€ŽŰŁÙŽÙ†ŰȘَ ŰȘَŰčني Ű§Ù„ÙƒÙŽŰ«ÙŠŰ± لي Ű­ŰšÙŠŰšÙŠ (You mean so much to me, my love)” you softly whispered to him, he looked up at you, letting go of your waist and sitting up right to meet your eyes. You were smiling at his expression.
A pigmented flustered hue shyly shows up on his cheeks and his eyes were filled with a whole rollercoaster of emotions, you let out a small laugh and a pecked his lips to bring him back from the love struck void he was falling into
“Kalim? You there?” You asked chuckling while cupping his face with both your hands, “Marry me.” He blurted out without warning, you stiffen for awhile not expecting that, but you saw his eyes twinkling and you burst out laughing earning a pout from him.
“I’m sorry you just looked so cute ŰŁÙ…ÙŠŰ±ÙŠ (my prince) ” you apologized, he felt like melting, He crawled his way back into your arms, nuzzling into your neck, he could feels like his heart could beat out of his chest at this point. “Now you really cant leave
not after you said all that.” He protested.
You sighed in defeat, “Okay
Alright
I’ll stay
” you said, playing with his hair again “Forever?” He asked “For the night, Kalim, I can’t move out of Ramshackle” you laughed “I will marry you one day yknow?” He said, “I know” you answered kissing the crown of his head. â€œŰŁŰ­ŰšÙƒÙ (ily)” he says to you, â€œŰŁÙ†Ű§ Ű§Ű­ŰšÙƒ (ilyt)” you say back to him.
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Jamil Viper
It was a normal day for you two, well to be honest a “normal day” is rare in NRC, with Jamil having to deal with his responsibilities to Kalim, and you being Crowly’s erand runner, you two rarely have time to see or spend time with each other.
Right now though is different, for once you two had somewhat of a day off, Kalim went back to his hometown to attend an event for the royal family, and Crowly surprisingly didn’t have anything for you today. It was nice
you two sitting in a couch, your back against his back and he has an arm on you shoulder
Both of you are each reading a book right now, it’s quiet, not much words are exchanged but it’s fine you two liked the peaceful silence for once. You’ve just finished yours and you plopped it down your lap with a contented sigh. “You finished it?” He chimes, not looking away from his book, “Yup! All done, you?” You stared up at him “Just 4 more chapters” he said focusing on his book, you just hummed in reply, not wanting to disturb him further.
You shifted you position and laid your head on his chest and he lets you get comfortable again, his other hand tracing circles on your back as you played with the ornaments near the ends of his braids. Your gaze slowly found it’s way back up to his face again, though he feels your stare, he doesn’t really mind but the corners of his lips lift a little.
You admiring you boyfriend and suddenly remembered that one phrase you asked Kalim to translate for you â€Žâ€œŰŁÙŽÙ†ŰȘَ ÙˆÙŽŰłÙŠÙ…ÙŒ ŰŹÙŰŻÙ‘Ű§ Ű­ŰšÙŠŰšÙŠ (you’re so handsome my love)” you mumbled, you were just trying to remember what Kalim said the translation was so you weren’t aware of speaking it outloud.
It hasn’t really registered in his head yet either, so he continues to read his book, â€œŰŽÙƒŰ±Ű§ لك Ű­ŰšÙŠâ€ (thank you, my dear)” he replied simply
you blinked and realized you said it outloud, but you’re happy he heard it so you hummed back happily snuggling into his warmth, but when he heard you hum he finally caught up with what you said earlier
He slowly puts his book down as your words sink into his brain, you looked up at him again questioningly this time “You’re done already? I thought you said there was 4 more cha-“ “Love what did you say just now?” He abruptly cuts you off putting a hand on your cheek looking down at you “I was asking if you were done with your book?” You said confused, “No no before that
” he anticipated your answer

You made an ‘o’ shape with your mouth, you knew what he was talking about, you thought he fully heard you but his expression seem to say otherwise. You smiled up at him and kissed the palm of his hand that was cupping your cheek
“All I said was, â€ŽŰŁÙŽÙ†ŰȘَ ÙˆÙŽŰłÙŠÙ…ÙŒ ŰŹÙŰŻÙ‘Ű§ Ű­ŰšÙŠŰšÙŠ (you’re so handsome my love)” you repeated it to him “I thought you heard it cuz you said thank you after” you added giggling.
He huffed in amusement, “Well there goes my book
” he says while putting the book away “what do you mean? you can still read” you said to him, he smiled, pulling you closer to him with his other arm that rested on your waist “No I don’t think I can, you have all my attention now” he mumbled, a soft blush dusted his cheek, an effect from your compliment to him earlier “You’re blushing~” you teased poking his cheek, he chuckled and inched his face closer to you
“Yeah? You don’t say?” He asked sarcastically before kissing you breathless, once he pulled away you were the one blushing, he grins at the sight “there, now we’re even.” He teased as you hit his chest lightly and hide your face in the crook of his neck while he laughs at your expense, you two continued teasing each other for the rest of the day.
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A/N: you know the drill: NOT PROOFREAD LMAO 💀 THANKS FOR YOUR PATIENCE ANON I KNOW THIS TOOK WAY TOO LONG TO POST ;-;
Edit: WTH TYSM FOR 1K đŸ„č♄
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dappervoided · 11 months ago
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Docs vacation to Quesadilla Island!
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So I watched Docm77 last Hermitcraft season 9 episode today and RAN to make this.
More so on the topic!
He needed to take a break and get his creative juices flowing? What's a better break (nightmare) than to come enjoy the island for a short while!
I've been spinning around the idea of Qsmp and Hermitcraft crossover since the start of Qsmp. There's so many ideas in my brain about this topic even though it'll never actually happen! I'm so sorry, but some things are bound to get out of my daydreams and materialize into doodles!
I think Doc would LOVE the eggs! Not to mention all the cute creatures they'd show him! He'd get attached instantly, they're too adorable!
I could only fit 3 here without making it too busy, but I wanna expand on what I could see the interactions being. Massive ramblings, often grammatically incorrect ahead:
Sunny - now we all know she's a material princess, they'd love Docs bedtime stories about the diamond pillar wars and his incredible contraptions made of diamond in the Perimeter and all the riches he had. Now Tubbo not only has Pierre to watch out for, but Doc also, cause Sunny would beg him to make stuff out of diamonds to show off!
Empanada - she'd clock in instantly that Doc is a German and would try speaking to him in German every moment she got. Now she has both her mom Niki and Doc to talk in her language to! It's not much of an expansion, but she appreciates it a lot! They'd have many delightful conversations and Doc is always happy to have her build little things together. They learn from each other!
Ramon - besides finally having another redstone genius with an entire Hivemind on the server, Ramon would be interested in how Doc works - both in a cyborg way and in the way he creates mind-blowing, game breaking contraptions. If they're not destroying the server together for fun, they're not making the most of their time! Jk, but it do be nice when both of them get to hang out and show each other what they discovered that's scuffed on the server.
Some eggs that aren't drawn:
Chayanne - finally! Another farmer came around! Chayanne would show off his impressive potato farm and cooking skills to Doc, who will always be amazed at the kids dedication! Doc can finally have his tomato farm in a Minecraft world now, since the mods allow it! It is too free for everyone to use
Tallulah - If she would show Doc the incredible builds she made and her and her papas place, he would be moved to tears! Everything is made with such love and incredible amounts of effort and thought! From her farm of all possible plants, to her garden and to El Cielo De Las Tortugas. Such incredible places to visit and appreciate! And Tallulahs amazing way of storytelling would only serve to amplify those feelings
Dapper - now besides trying cage trap Doc 1000x times, Dapper would definitely show off everything he got once he discovers that Doc is deeply amused and surprised by all the non vanilla things! They would invite Doc to their base to show everything and I mean EVERYTHING there is for show. It's definitely too much, but Doc is very impressed by her and would praise how much work she puts in! Dapper do be the definition of GRIND!
Leo - Leo and her dads made so many incredible builds, Doc would be amazed at how much they did in such a short time! Besides that Leo herself is an incredibly, theatrically even, good at body language and expression! He'd die of cuteness and laughter like all of us already do!
Pomme - we all know that Pomme has so many talents! From being a little musician, to an incredible warrior, to a thought out builder and a spectacularly emotional writer. There's a lot Doc will have to slowly discover about Pomme! And each time the scale and depths of things will get more and more impressive, because the share amounts of time and effort she puts into her creations, passions and loved ones is massive!
Pepito - this kid! Pepito is such an incredible character to be around! Pepito is so dedicated to whatever Pepito does, especially if it's with friends! Whenever Pepito has fun, it always radiates outwards in many different ways! You can't really help yourself but get charged up with energy when you're around. And Doc does just that!
Richarlyson- Richas is a lot in the best ways possible! But we all know he's very much a jokester, he wouldn't miss a beat trying to mess with the goat! And once he finds out what kinds of retaliations Docs is capable of? OH IT'S WAR (for fun, cause that's what it's all about!)
I'm sorry if this is chaotic at some parts or lacking in others, I have to write this all in one go before my battery dies. I haven't been able to watch many streams so I'm sorry if Im not up to date with the characters, but that is what I remember them as! Any corrections or lore updates are always welcome! I want to learn more, especially now that I can't watch!
Anyhow, now that I look back on that drawing why do I feel like I've done something terrible.... I've seen those designs before......
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OH NO
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starleska · 11 months ago
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Dollface - the Toymaker x Real Toymaker!Reader
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As a toymaker, you are delighted when you stumble across MR EMPORIUM'S TOYSHOP. But when you meet its eccentric owner - one eponymous 'Toymaker' - you enter into an impossible game with higher stakes than you ever imagined
with the risk of your deepest fantasy coming true. Rating: Mature. Tags: Dollification; Toyification; Truth or Dare; Reality-Bending; Humiliation; Psychological Torture; Fluff; Teasing; Touching; Forced Dancing; Mentions of Neglect; Cosmic Horror; Horrible Fake German. Reader is presumed female, but has a complicated relationship with gender and enjoys feminine terms of endearment. requested by the lovely @chronicbeans!! whilst this was originally meant to be a few-paragraphs long headcanons bit...but then it sprawled into a 13,000 word fanfic. my apologies to yourself, and to any German speakers in the audience 🙈💖 you can also read this on AO3. i hope you enjoy!
Toys are your life.
For as long as you can remember you have been fascinated by all manner of toys: everything from teddy bears to zoetropes; spinning tops to yo-yos. As a child you weren’t just interested in playing with toys—you wanted to reach inside of them, pick them apart, and understand every little detail about how they worked. Much to the chagrin of your parents, you spent more time trying to put your toys back together than you did actually playing with them. 
But all of your alternative playtime paid off. Now, as an adult, you run a modest yet successful local toymaking business, with your own vendor stall at the market and a popular online shop. Much of your work is custom, using vintage materials to replicate toys of the past, and you occasionally trade and sell real old toys too. As a result, you have something of a monopoly on the local toy scene, and feel you know every single toymaker and toy-collecting enthusiast in a fifty mile radius.
That’s why it’s a real shock when you stumble across MR EMPORIUM’S TOYSHOP late one night. 
The storefront is a gorgeous assault to the senses. Parked in the middle of the cold, grey street, the toyshop beams out crimson and gold onto the snow drifts, with all manner of classic toys peeking out at you through the windows. You are delighted to see an assortment of downy plush bears and hand-painted model motor cars crowding the shelves: so many it feels like the toyshop itself might burst at the seams. Your giddiness only increases as you get closer to the window. You can make out all sorts of fun, bright shapes within: countless colourful toys beckoning you and begging to be taken home. 
Yet it isn’t these treasures which catch your eye the most. Right at the back of the shop, near the counter, you spy a shelf lined with dolls. They are beautiful even at a distance: likely from the early 20th century, masterfully painted and wearing a fine rainbow of little dresses. Even from your vantage point you can see the impeccable craftsmanship. There’s immense detail in their delicate hands, and if you’re not mistaken, each doll has a crop of real human hair.
Perhaps most intriguing of all is the eyes. Their glass sheen looks so sad and wistful
far more emotion than a doll should be able to communicate.
If you didn’t know any better, you would believe the dolls were alive.
Oh, I shouldn’t , you tell yourself. I’m much too old now to be playing with dolls
and I keep all my old ones locked up anyway. I shouldn’t deprive some kid of a toy. This is a deeply silly excuse, and a hypocritical one. The vast majority of your clientele are adults, as are the brilliant toymakers you’re proud to call your friends. This is the perpetual double-standard you constantly believe and are always trying to rally against: that you are uniquely strange, and deserve to be ridiculed for your interests. 
The curious thing is that this idea doesn’t apply to toys more broadly
only to dolls. You have made countless dolls throughout your career, and yet owning dolls and enjoying them is something you’ve long nursed a hang-up over. But that is a can of worms you refuse to open up today. No , you decide, today I am going to be a normal adult who is confident about their interests and doesn’t feel an ounce of shame! I am going to go into this toyshop and look at those dolls, and that’s that! With your mind made up, you shift your backpack onto your shoulder, take a deep breath, and push through the toyshop’s door. 
The door slams shut behind you with the tinkle of a bell. You are immediately enveloped in warmth, and the delicious scent of varnished wood enrobes you like a fine dress. You can’t help but close your eyes and inhale: somehow, the toyshop smells just like your childhood.
“Hallo, meine kleine MĂ€dchen! Komm in, komm in, be ge-removings yourselves from dee kalt! It is ein horrid evenings, is it not?”
You open your eyes in surprise, and see an older, greyish-blond-haired man leaning against the counter. He’s dressed in a most whimsical fashion, wearing a soft white work shirt coupled with a maroon waistcoat, and a brown apron stuffed with woodworking tools. A spotted ascot around his neck and a pair of pince-nez balanced at the end of his nose complete the look.
The man smiles at you like he’s known you all his life. You feel like you’ve been transported to another time.
“It is,” you agree, as you shake the snow drifts from your boots. “So sorry for dropping in so late—I’m surprised you’re still open.”
“Ah, but I am always having times for dee beautiful FrĂ€ulein,” says the man with a coy wink. “But vot is it zat is ge-bringings you here?”
You have to stifle a giggle. You know enough of the language to know the man’s German is terribly off, and his accent is borderline offensive. However, you also know that folks in the toymaking community tend to be eccentric, and you can forgive a corny, theatrical accent for the wonderful atmosphere of this shop. Who are you to judge if he wants to LARP as a Bavarian thespian?
Before you can reply, the strange man is suddenly beside you
although you don’t recall seeing him move. He has also removed his pince-nez. You blink, a little taken aback. How did he move so quickly? You wonder if you’ve eaten enough that day.
“I’m
a toymaker,” you say, trying not to sound freaked out. “I’ve never seen your shop before, and I thought I knew everyone in town who makes toys. What’s your name?”
The man’s eyes are blue, you notice—terribly blue, and sparkling in the soft light with unspoken mischief. “You are beings ein toymaker? Vy, zat is a coincidence
” He taps the side of his nose. “Many peoples ge-calls me by many names. But zey most oftens call me the Toymaker, und nothing else. It be gettings dee point across, nein? Und was ist your name?”
You tell him, and the Toymaker’s mouth splits open in a wide grin.  
“Das ist ein schöner name!” he says enthusiastically. “Truly, a magnifizent fit. It is not often zat I am gettings other toymakers in mein shop
I vonder, vot does your eye ge-fallen upon? Could it be mein cuddly collection of teddies? Oh, ja, I sees you are ge-needings ein soft companion for dese frosty nights. Or could it be mein train? Choo-choo! it goes, round and round all dee livelong day! I am ge-havings many customers mit ein eye for dee train.”
The Toymaker’s voice is smooth as butter, rich and inviting, and each word he speaks seems to add a little more colour to his delightful environment. You look around in awe at all of the toys, unable to comprehend the sheer scale of the place. Just moments ago the shop seemed so small, with the abundance of toys seriously crammed in on the shelves, but now it looks impossibly vast: a veritable sea of playful delights. The little choo-choo train in question chugs along on its rails and moves past the doll shelf, drawing your eye back to their pretty little figures.
“Ah, dee Katze hast gotten your tongue,” says the Toymaker. He gestures to the dolls, and the gold ring on his right pinkie finger catches the light. “I too ams often becomings stricken by dee beauty of mein dollen
zey took me many nights to make, ja. Oh, but ge-look! Eins ist out of place. Zose fingers are so fiddly! Und dee hair
zo many eveninks ge-spended brushing out zeir tiny curls."
You watch as the Toymaker reaches up and begins deftly rearranging the dolls. His fingers are long and nimble, and they move with such care and attention, placing each doll’s tiny hands neatly in their laps and smoothing down their dresses. When you’re a toymaker, you grow to appreciate a pair of well-practised hands, and there’s something undeniably
 charming , about this Toymaker and his cartoonish whimsy. It’s silly, but you feel a little heat rising in your cheeks. The attention he’s paying to such small, delicate objects


well, it’s only natural that your mind should wander to more practical applications of such hands.
“The dolls are gorgeous,” you say. “Do you offer any toymaking classes? The dolls I make have a bit more of a modern touch.”
That’s when the Toymaker laughs, and it is a strange laugh: it tinkles out of his mouth like a jingle, in a musical, ‘Ha ha ha HA ha ha ha!’
“Oh, mein dollen are sehr modern
moreso zan you sink,” says the Toymaker. He gives you another wink, as it seems he likes to give them out for free.
That’s when you feel the little clench in your chest. Oh dear, he really is quite handsome. This wouldn’t be the first time you’d caught feelings for a quirky, attractive stranger, and they were often not as well-dressed as the Toymaker. You have a tendency to get caught up in the realms of imagination, and have thought up more than a few daring trysts with pretty-faced people with whom you’d only exchanged a couple of words. You ought to grab a doll, leave, and have a quiet little panic attack about this interaction at home.
You force your eyes away from the handsome man and back to the shelf.
That’s when you spot her.
Somehow, a doll had escaped your notice. Right in the middle of her sad-looking rainbow sisters is another doll, simply and prettily done up in a powder-blue be-ribboned frock. Unlike the other dolls, this one is smiling in a dimpled way, and her eyes sparkle with a magical sheen not unlike that of the Toymaker’s. You note with some amusement that the doll has the same eye colour as you—hair colour, too. This isn’t strange on a doll, but it gives you the same jolt of satisfaction and dĂ©jĂĄ vu you get when meeting someone who shares your name.
“Ah,” says the Toymaker (now on your other side). “Dee dollen
zey speak to you, ja? Zey are ge-having ein chitter-chatter, all high up on dee shelf. Vot fun games zey have ven I ge-leaves the shoppen!”
Dollen isn’t even the German word for dolls, you know—it’s Puppen. But you get the sense that the Toymaker’s German accent is less an earnest recreation (and it’s certainly not his natural accent), but a pantomime version intended to amuse and entertain.
“I’m sure they do,” you say, but you’re distracted from the Toymaker’s little act. The longer you look at the doll, the stranger you feel.
You move closer to the shelf to get a better look, and are startled by what you discover.
It isn’t just that the doll on the shelf has similar hair and eyes to you: they’re both the exact same shade, even down to the imperfect flecks in your irises. 
You study the doll intently for a moment, blink, and— what? The doll’s hair is now the same length as yours. Was it always? No, you could have sworn just a moment ago it was not just a completely different length, but style.
You rise up on your tiptoes to get a better look at the doll, and are baffled by what you see. It’s as if detail is stacking on the doll right before your eyes, the way some video game maps load in piece-by-piece. You watch as texture is added to her hair, and light pools in her eyes. This level of craftsmanship is uncanny; it’s as if the Toymaker went out of their way to create a doll which resembles you.
“How did you do that?” You turn to the Toymaker, confused. “Did you know I was coming here?"
The Toymaker’s mouth contorts into an offended pout. “Now, you ge-vounds me. It is ein special privilege, having another Spielzeugmacher in mein shop. Tell me, vot do you sink of her hair? Es ist pretty, ja?”
“But that doll looks exactly like me,” you say.
You can feel your heart hammering in your chest. Suddenly the warm, cosy atmosphere of the toyshop feels more claustrophobic and oppressive. The Toymaker looks unbothered; he rests his chin on his hand and contemplates the shelf. 
“Zere ist ein
certain resemblance,” says the Toymaker, with an unusual, almost French affectation on the last word. “But you are just ge-havings, as zey say, ‘von of zose faces’. Ja, das ist richtig: ein dollface. Puppengesicht. All smooth und sveet. Vy, vot a lucky lady you are! She simply must be goings home vith you.”
You’re scrambling to work out what kind of practical joke this is, and how the Toymaker was pulling it off. You’d met a few eccentric toymakers with God complexes before, as they tend to go hand-in-hand: you’d briefly dated one who designed escape rooms in his spare time. But this is on another level
creating a doll which can be imperceptibly altered to resemble a person in real-time? You’d never heard of such a thing, and you can’t think of a non-creepy reason why someone would go to the trouble of making one.
Oh, hang on a minute, you think. This guy might just be a genius. “This is a marketing trick, isn’t it?”
You pull away from the Toymaker and lean against his counter, feeling terribly smug for having figured it out.
The Toymaker puts his head on one side, quizzical. Playing dumb, you think.
“I am not ge-followings you,” the Toymaker says. 
“You make dolls of the people you see ahead of time,” you explain. “People you know who will come in here at some point
collectors, other toymakers. Then you wait and put them on the shelf when they come in, maybe behind some hidden panel so you can spin them around when they get close. Then when they come in, it’s like they’ve found the perfect toy!” 
You’re so proud of yourself for having cracked the case, you want to pump your fist in the air. For a moment, you envision yourself wearing a deerstalker hat and smoking a pipe. Go me! But your victory is short-lived. During your diatribe, the Toymaker’s bright, childish grin had frozen on his face, and remained in place even during your brief mental celebration. But now the smile slowly slips like a mask peeling away from too-tight skin. In its place sits a stormy frown: one which clenches the muscles and wrinkles of the Toymaker’s face into an expression which says ‘insulted’.
“For shame,” says the Toymaker. “That’s twice you’ve accused me of cheating now. You really do me a disservice. I am bound by the Rules of Play, and would never resort to such cheap tricks.”
What the hell
? The Toymaker’s accent is completely different. Where before his voice was a thick soup of faux German, now it is a soft British breeze: a proper, formal accent which speaks the way trees rustle. You gape at him, dumbfounded. 
“Your accent is different,” you can’t help but say. You’re no longer just leaning against the counter—you’re actively pushing into it, with the edge of the countertop pushing into the small of your back.
The Toymaker raises an eyebrow at you, and smirks. “You are not half as stupids as you are ge-lookings,” he says, slipping the German back on like a heavy cloak. “But zen, I know you are playing ein game mit me, aren’t you?” 
You stare at the Toymaker. Something has shifted: the air is thick with a tension you cannot identify, but which you want to run away from. You keep staring, thinking that if you look away from those too-blue eyes for even a moment, you might just lose your grip.
You know for a fact that if you look back at that doll on the shelf, it will look even more like you than before.
“I don’t know what you’re talking about,” you say, and you wish you weren’t lying.
The Toymaker laughs his musical laugh and wags his finger in your face. “Sehr naughty!” he says. “Oh, how natĂŒrlich dee lies kommen to sie, mein Schatz. You be ge-knowinks how to play games
zis ist ein lecker human mind game, und you are ge-tryings to deceive me.”
His voice slips smoothly back into the British:
“Do you think I don’t know all about your little fantasy?”
Your eyes go wide, and a choked noise escapes your mouth. No. There is no way that this man
this impossible toymaker could possibly know. You were always so careful, so sure to keep it all to yourself! Familiar shame and embarrassment wash over you in a hot wave as the Toymaker looks at you, looks into you, as if he can see the inner workings of your mind. Your mind grabs at the old, familiar justifications the way one might grab a newspaper for modesty if they found themselves naked on a bus. It’s perfectly normal to have fun little flights of fancy. Everyone plays make-believe sometimes, right? “But zey are embarrassing, zese thoughts of yours,” the Toymaker giggles. “Not dee kind of thoughts you can share mit deine Mutter. I am not ge-thinkinks zat you have shared your desires mit ein Partnerin
” There goes the eyebrow again, cocked sardonically to match the wicked curl of his lips. “Is zis true?” You feel nauseous. The firm pressure of the countertop underneath your palms is all that stops you from shaking. It feels as if the Toymaker is probing the inside of your skull, and using those skilled fingers to strip back the whorls of your brain and grab at the fleshy thoughts inside. 
“Get out of my head,” you say quietly.
“Oh, but zis is dee game I ge-likes!” says the Toymaker. “Humans mit zeir internal struggles. Desires mit dee most fun ideas, but you are too ge-frightened to say vot you vant. So you play games mit dein loved ones
dee hunting und dee exasperation. Oh, you simply vill not communicate!"
You don’t know when the Toymaker got so close to you, but now he’s towering over you, with his hands firmly planted on either side of the countertop. You’re close enough to count the spots on his ascot, and examine the year-lines etched around his mouth and eyes. When he smiles those lines crinkle, but not naturally: it’s the way a puppet’s arms reach for the stars when the marionette twists them upwards.
“Okay, you’ve had your fun,” you whisper. “I’ll buy the doll and leave.”
This close, the Toymaker radiates heat. He smells like rose petals and Christmas.
“You could
but zat vould be no fun,” says the Toymaker. “I propose ve solve zis in a more interesting vay
”
The Toymaker waves his hand across your field of vision
and transforms the centre of the toyshop. A small wooden table complete with chairs has popped into existence just in front of the counter. You gape at the sight. How did he do that?! “Let us play ein game,” he says. “If you vin, you can take dee doll free of charge. But if I vin
”
The Toymaker’s smile cracks like the earth preceding a quake.
“You vill stay vith me und play mein games forever!”
You have to give yourself credit for reacting as well as you did. Most people, if they were faced with a crazy fake German man who seems able to read your mind, may have had a breakdown or made a run for the door. But you’ve seen a lot of anime, and you understand that if you are challenged by a handsome, powerful man with magical powers and a delightful hairstyle, you cannot refuse the call. Your brain has shifted from This should be impossible, to It’s game time.  “Alright,” you say slowly. “You’re clearly very powerful. It seems like if I play a game with you, you have far more to gain than I do. A doll isn’t a good enough prize.”
The Toymaker smiles at you. “Ein girl after mein own heart,” he says. “How about zis: if you vin, I vill show you exactly how I make mein dollen, complete vith a demonstration. Zat is generous of me, nein?”
His words are laced with sinister venom, and it’s all you can do not to be poisoned.
“And I’m guessing that if I refuse your game, something terrible would happen to me?”
The Toymaker hums low in his throat. “Hm
not accepting mein game is always ein option
ja, you could do zat. Und yetïżœïżœâ€Â 
You inhale as the Toymaker brings his face terribly close to yours. The skin of his cheek brushes your own. You can feel his soft breath as he whispers into your ear, British once more:
“I know you are so curious as to how I make my dolls. If you leave now, you’ll never know. And I think if you wanted to leave, you would have done so already.”
The Toymaker pulls away from you, leaving you with your face on fire. He’s right. In less than ten minutes, the Toymaker has sussed out your fatal flaw: your damned unstoppable curiosity. There have been countless times where your life would have been improved if you’d kept your nose in your own business
but this is different. The Toymaker isn’t just dangling a carrot: he’s already dug his hooks in you, and you are being reeled in with every second you spend looking into those impossibly blue eyes.
When you next blink, the Toymaker has moved again. He is sitting in one chair, his hands folded primly in front of him.
“Name your challenge,” he says.
You weren’t expecting this: you thought he would have a game in mind. “Any game at all?”
“There isn’t a game I don’t know,” says the Toymaker coolly. “It is common courtesy to allow the guest to pick the party game.”
You can’t help a nervous giggle. “This is a weird kind of party,” you say. 
The Toymaker acknowledges this by inclining his head. “Choose.”
Your mind scrambles over dozens of options. There are so many games
board games, card games, strategy games. Do we need equipment? How long does the game have to be? What games can you play with just two people? That’s when your brain starts to run in a very different direction, and a variety of
 game positions 
flash through your imagination with impunity.
A flush scalds up your neck. You look at the Toymaker, who raises his eyebrows in a knowing way.
He knows exactly what you’re thinking.
You want to scream.
“Truth or Dare!” you blurt out.
That gets his attention. The Toymaker leans forward, his eyes quizzical. “Zat is non-traditional
yet apt,” he says. “Could it be zat you are ge-vantings me to force zat fantasy out of you, meine Liebchen?”
“No,” you lie. “I want you to tell me what you are, and why you’re doing this to me.”
“Then let’s get down to business,” says the Toymaker. “We take it in turns to ask each other Truth or Dare. A Truth corresponds to a question which must be answered truthfully, and a Dare is an action which must be carried out. The player earns one point for each Truth or Dare successfully completed.”
The Toymaker steeples his fingers together. You can’t pull your eyes away from them.
“If you refuse to complete a Truth or a Dare, or you contravene the rules of the game, you lose a point
and must complete a forfeit.” 
The way he says ‘forfeit’ sends a shiver down your spine. “What kind of forfeit?”
“Oh, dee usual,” says the Toymaker casually. “Somesing difficult or humiliating. I do not ge-liken to pre-plan zese things
I am preferings to be spontaneous.”
You are starting to regret your choice of game. This is a man who knows more about you than you’ve ever told your closest friend
surely a game like Truth or Dare would be pointless for him? So you ask: “Why would you want to play this if you can already tell what I’m thinking?”
The Toymaker frowns. “A good question,” he says. “The Rules of Play prevent me from having any unfair advantage over an opponent. Although my abilities will remain intact, anything which would tilt the game in my favour is out-of-bounds. I am physically incapable of cheating, and would thank you not to bring it up again. There are only two states of being which matter: winning, or losing. I intend to win.”
Fair enough , you think. “And what if I cheat?” you say. “I have a pretty good poker face. If you can’t look inside my head during the game, what if I just lie to you? How could you tell?” 
The Toymaker chuckles, bearing his mouth wide. To your horror, you see there are far, far too many teeth in his mouth.
“I can always tell when someone is lying to me.” 
“Six turns,” you counter, voice trembling. “Whoever has the most points at the end of those turns is the winner. And
you can’t choose Truth or Dare more than twice in a row.”
The Toymaker seems impressed by your game-making skills. “Agreed,” he says. “Let us begin.” 
He snaps his fingers, and all the lights in the toyshop go out. Above, a stagelight snaps into existence, pouring heat and light onto your scalp in a cascade. The Toymaker’s striking features are illuminated by this shift in lighting, casting the lines of his face with the severity of stage makeup. You swallow: he looks divine.
“Would you like to go first?” he asks politely.
“...No,” you say after a moment. “I think that honour should go to the house.”
Your gamble pays off: you realised that the Toymaker is a man with great respect for the rules of the game, and this offer makes him smile.
“How generous,” says the Toymaker. “Truth or Dare?”
“Dare,” you say. 
The Toymaker taps his finger to his lips, considering. Then, he says, “Destroy something precious to you.”
It takes a few seconds for you to really process the Dare. When it hits, you are baffled. What kind of Dare is that? you want to say
but you don’t bother saying it aloud. What kind of toyshop is this—and what kind of ‘toymaker’ is he? All you need to know is reflected in the sadistic gleam in the Toymaker’s eye. This wouldn’t be an ordinary game, and contesting his requests would be fruitless. All you can do is make your move.
You take a deep breath, and reach down into your backpack. You didn’t leave the house this morning planning to bring anything precious to you, but you are a sentimental person by nature, and know you have one item which fits the bill. It’s with great sadness that you pull out a small, ratty teddy bear and place him on the table. The bear is old and beige and dressed in a crimson band leader’s outfit, complete with a hat and red-laced riding boots.
“Oh, ein teddy bear!” laughs the Toymaker, delighted. “How charming. He is quite dee looker, isn’t he?”
“He’s the first bear I ever made,” you say. “I was listening to some 90s British pop music, and the idea for his design just
popped into my head. I scribbled it down and pulled him together from scraps of fabric and repurposed stuffing in just a day. His name’s Neil
I keep him with me for good luck.”
Something about what you said is terribly amusing to the Toymaker, but you don’t know why. “Ein handsome name indeed,” says the Toymaker. “But I am afraid zat vill not be enoughs to ge-save him. Poor Neil. Now
vill you complete your Dare?” 
You take a deep breath. There was no turning back now; you’ve accepted the Toymaker’s game, and the predatory sheen in his eyes tells you that you can no longer just walk away. So you pick up Neil, grab hold of his little teddy bear ears—
And tear his head off, sending stuffing careening all over the table. 
“Oh!” says the Toymaker with a false gasp. “Vot an unfortunate end for poor Neil. I did not know zat you have such ein cruel streak.” 
“Shut up,” you say, trying not to look at Neil’s decapitated corpse.
Even though he’s just a teddy bear, you feel like you’ve just killed a defenceless animal. Neil’s lifeless button-eyes gaze up at you imploringly, as if asking why you’d do such a thing. You knock Neil’s head off the table and focus back on the Toymaker.
“That’s one point to me,” you say. “Truth or Dare?”
The Toymaker grins at you like a shark. “Dare.”
There are a thousand questions ricocheting around your head, but you ask the one which you know will keep you up at night: “Tell me how you did that thing with the doll.”
The violence of the Toymaker’s laughter makes you jump. He actually covers his mouth to quieten himself, but his shoulders shake even so. “Oh nein, nein, nein, you are ge-makings ein mistake!” he says. “You cannot be askings a question ven I have chosen Dare. Oh, meine Schatz, you have your lost your point
and must receive ein forfeit.”
Your veins run cold. “What? No! That was never in the rules!” 
“It is a common rule,” says the Toymaker, suddenly serious. “What is the point of distinguishing between a Truth or Dare, if a Dare can be a Truth?”
You want to protest
but his logic is infuriatingly sound. It’s exactly the kind of argument you could see yourself making if you were playing the game against a friend. You try to think of some other get-out-of-jail-free card—anything which would allow you learn how the Toymaker made that doll look exactly like you—but you come up short. You slump in your chair, and resign yourself to waiting for the next round.
“Oh, do not ge-look so sad,” says the Toymaker. In mock sympathy, he makes a little tutting sound against his teeth. “Now, about zat forfeit
ah! I am ge-knowings just dee sing.”
The Toymaker snaps his fingers
and your clothes burst into a flock of doves.
You scream and leap up from the table, batting away at the birds scrambling over your skin. They coo and and flap in your face before struggling upwards and flying into the rafters. Shocked, you look down to find yourself still fully clothed
but with a wardrobe change. You are now clad in a beautiful, powder-blue dress. The fabric is inhumanly soft and threaded through with white ribbons.
“Oh my God!” you yell. “What did you do?!”
The Toymaker is doing his best to stifle a giggle behind his hand. “Do you like it?” he asks. “I think the colour is rather fetching on you.” 
You clutch at the skirts of your dress, wishing the floor would open up and swallow you whole. There is no way this is possible
you hadn’t felt anything, not even a shift of your own clothes or the sliding of new fabric against your skin. One moment you were wearing your own clothes, and the next you weren’t. It’s as if your clothes were merely a covering, and when they transformed into doves and flapped off, they left only your dress behind. 
You move your legs under the layers of fabric, and blush when you discover you’re wearing a pair of frilly stockings. As you stick out your feet, you can see your feet are clad in a shiny pair of Mary Janes. It’s with a sick feeling in your stomach that you realise what the dress is.
It’s the same dress that the doll on the shelf is wearing.
"You're sick," you hiss.
The Toymaker cocks his head to one side. “Indeed?” he says. “How odd. I thought I was being rather generous, giving you a helping hand towards becoming your true self.” He snickers at you. “If I am sick, then I do wonder what that makes you. My mind is full of games, but the inside of your head is full of so much more.”
You ignore the Toymaker and hold your own arms, shrinking back down into your chair. Yet as you look down at the dress, you can’t help but feel a pang of longing. The dress is a perfect fit, one which could have been custom-designed, and the fabric is truly stunning in appearance and quality. With its puffy sleeves and shapely waistline, you know if you were alone you would have given your new skirts a twirl.
But you can’t let yourself get lost now. This is as much a mind game as it is a real one, you realise. The Toymaker is eyeing you like a piece of meat, and it’s clear that he is capable of so much more than a costume change. You must press on with the game. 
“I want to keep playing,” you say.
“Wonderful,” says the Toymaker. "We’re currently still at zero points each, with two turns down. Unfortunately, your turn was taken due to the forfeit. I must ask you: Truth or Dare?” 
You don’t allow yourself time to think about it: “Dare.” 
The Toymaker’s smile is knowing. “It is a fool’s errand, trying to delay the inevitable. I believe my initial suspicions were correct
you do want the Truth to be pried from you, don’t you? Perhaps that makes the shame a little less potent. After all, the mean, scary Toymaker made you dress this way. It wasn’t your fault
you couldn’t help it. Am I getting warmer?”
Your face is getting warmer, and it’s getting increasingly hard to meet the Toymaker’s gaze. “It isn’t my fault that my opponent is insane,” you say, with venom. 
Somehow, the Toymaker’s laugh is German. “Ah, zere is zat fire. You are quite dee entertaining playmate, meine Liebling. I am not ge-xpectings you to verstand games of dee mind
but I do find zem exhilarating. Dee expressions ge-crossing your face right now
I vish you could see zem.”
You scowl at the Toymaker. “Just give me your Dare.”
The Toymaker shrugs at you. “If you insist. I Dare you
to perform a dance befitting a fine young lady such as yourself.”
Oh, God, no. This is a nightmare of a Dare. “I—I’m not a dancer,” you say. You can feel your blush crawling up your neck. You envision yourself prancing around in your new dolly-dress, and the embarrassment makes you physically cringe.
“Oh, zat is not ein problem!” The Toymaker beckons you to look under the table. When you do, he taps his own shoes against the floor, performing a rhythmic tap-step. “Zose lovely Schuhe I gave you vill ge-helpen sie along. Provided you are villing to perform dee dare, your tanzen is all taken care of. All you are ge-needings to do is stand up, und take drei steps backwards.”
The Toymaker leans back in his chair and looks at you expectantly. The list of excuses which blossomed into your mind when he first suggested the Dare are dwindling rapidly, each one seeming more pathetic than the last. But
maybe there is a way out of this?
“What about music?” you ask. “Surely you can’t expect me to dance without music.” 
The Toymaker shakes his head at you. “Do not ge-worry about dee musik! I have it all covered. Unless
you vish to forfeit once more?” The idea of any other part of your body spontaneously transforming into an animal is enough to make you scramble to your feet. Immediately, you are self-conscious: the dress is equal parts beautiful and ridiculous, and is so poofy and frilly that it gives your lower half the shape of a bell. You haven’t felt this kind of embarrassment since you were in school: the dry throat and sweaty palms before getting up on stage for assembly. Feeling like a silly child, you can’t help but look at the Toymaker, searching those mirthful eyes for guidance. But the Toymaker simply shoos you, indicating for you to step back.  Hesitantly, you take one step away from the table. Then another. Then, one final, gentle step.  Without warning, the floor of the toyshop erupts! From beneath your feet a wooden stage springs up, unfurls around you and traps you like a box. You shriek and try to stumble away, but your new dancing shoes root you firmly to the spot. A spotlight bursts into being above your head and illuminates your frozen self in all your newfound frilly glory.  You look down from your new height to see the Toymaker sitting in what is now the front row of a vast auditorium; the toyshop’s interior has vanished. He whoops and grabs a fistful from a cartoonishly large bucket of popcorn. You open your mouth to yell at him, and maybe call him some horrible names you haven’t thought of yet. But before you can, music starts blaring from all sides of the auditorium. It’s a grating, repetitive tune: some ghastly combination of twee guitar and twinkling piano
and it’s so familiar . You know this song, but what is it? And why does it sound so
childish?  The music hits a powerful note. Your mouth opens unbidden, and from your vocal cords a voice which is decidedly not yours belts out the opening lyric to a familiar nursery rhyme:  “I’m a little teapot, Short and stout!” Your voice is loud and beautiful, and you project better than any Broadway singer. You can do nothing but watch yourself in abject horror as your knees bend in time with the music, and your shiny shoes send you toppling along the stage in time with the song.  “Here is my handle Here is my spout!” You try to scream and stop, but your body is no longer in your control. Your arms bend at frightening angles, and your hips send your neck careening to the side with a crack . A rictus grin is firmly plastered onto your face, and your mouth stays open and singing: “When I get all steamed up, Hear me SHOUT!
” Your hands flap and your toes point and you screaming on the inside, begging for this to stop, stop, STOP ! But the infernal music is inside of your head and it’s pushing in on all sides, and no matter how much you cry and beg and plead your mouth won’t work except to belt out the final words of your song. “TIP me over and POUR. ME. OUT!” At the last line, your knees give out and you collapse face-first onto the stage. A grand cheer goes up from the auditorium. You twist around, trying to see if the Toymaker has conjured up an audience to witness your humiliation—but he is the only one present. The Toymaker is on his feet and giving you a standing ovation. “Vunderbar!” the Toymaker cries as he claps enthusiastically. “Oh, you are dee most darling little teapot, ja. Zis is a fine game we are ge-havings!”
“What—did—you—do?” you gasp on the floor. You feel like your lungs have been crushed. Something the Toymaker did seized up everything inside of you and folded them up like paper. Now it’s as if you really are a doll: crumpled up and discarded in the corner when your owner is finished playing with you. Although you’re quite sure the music has stopped, the melody is blasting in your head in a maddening loop. You try to move, but your legs won’t work. 
“Oh, don’t be zo dramatik. Eversing I ge-make brings viele fun,” says the Toymaker. “Herzlichen GlĂŒckwunsch 
das ist ein point to you.”
You don’t see the Toymaker get up on the stage, but the next thing you know, he’s crouching down next to you. Without warning, the Toymaker lifts you up under the arms and pulls you to your feet as if you weigh nothing at all. You try to stand but your rigid muscles struggle with the task and you stumble, falling right into the Toymaker’s chest. He chuckles, and you hear it rumbling softly in his chest. His skin is impossibly warm
and you can’t hear a heartbeat.
The two of you stand like that for a long moment, with you enveloped in the Toymaker’s arms. When pressed against his waistcoat, the maddening song infesting your brain quietens, and is replaced with an easy sort of calm. It’s strange
all the questions and anger and terror seem to just burn away. They’re forgotten in the simplicity of being held like a doll.
Eventually, your senses kick in. You manage to pull yourself away from the Toymaker, and you refuse to look at his face. “I just want to get on with the game.”
“Of course.”
The Toymaker waves his hand and the stage and auditorium vanish. You are transported back to the interior of the toyshop, with its familiar cuddly audience and the table taking centre stage. You sit back down at the table shakily. You know when you look up the Toymaker will already be sitting across from you
and you’re right, even though you didn’t see or hear him pull back his chair. His eyes are bright and curious. 
“Okay
Truth or Dare?”
The Toymaker places his hand on his chin and pretends to be deep in thought. After a while, he says, “Truth."
You very nearly ask him the same question you were denied just before: how was he able to make that doll look exactly like you? But the momentary calm offered by the Toymaker’s embrace has had a quieting effect on your mind, and a spike in your critical thinking skills. You have to think strategically; if you want to win, you need to ask him a question which will throw him off-guard. Asking him about the doll wouldn’t be a challenge because he likes to gloat, and to tease. But if you win, you can have your answer to that question and an actual demonstration


plus, you get to keep your freedom. Don’t forget that.
So you stare at the Toymaker and wonder
what causes a man (creature, entity, etc.) to end up this way?
“Tell me about your childhood,” you say.
The smile is wiped from the Toymaker’s face in an instant. His mouth twists in discomfort and anger. For the first time since you’ve met him, you feel a pleasant curl of satisfaction in your guts. The game is on, you think.
“What’s wrong?” you ask out loud. “Do you have a problem with the question? Because you can always forfeit—”
“I. Will. Not. Lose.”
The Toymaker’s fists are on the table now: they’re clenched and shaking. Although he’s looking at you, his mind seems far away, trapped somewhere else. After a beat, he leans forward, grabs your head and brings your foreheads together so they’re just barely touching.
“You asked for this,” says the Toymaker gravely. “I will do more than give you the answer to your question. I will show you. Close your eyes.”
The closeness is invigorating: the Toymaker’s hands are strong against the sides of your head, and you wonder for a second if he could pop your skull like a balloon. You consider saying no and demanding he just tell you the answer, but the look on the Toymaker’s face is so intense that you cannot refuse. It’s that terrible curiosity in you, willing you to stand at the edge of the universe and take a step off the cliff.
So you do as your bid, and close your eyes


only to awaken in a void.
To say there is nothing around you is an understatement. Your idea of nothingness is very particular: blackness; emptiness, an absence of sound and light. But this is something else entirely. You can’t even feel the lack of something in this place because there simply isn’t anything to feel. From the moment you open your eyes you feel the contradiction of yourself as a physical being, standing in this vacant not-space. There is less than nothing here. There is zilch. There is negative zero. There is null.
You try to get your bearings by looking around, but there are no bearings to get. This is a nothingness which exists beyond your comprehension. Just standing in this nothingness makes your jaw tighten and the hairs on the back of your neck stand on end. This is a phobic realm which is the antithesis to life.
And it is so, so cold. 
“This is where I grew up.”
You jump. The Toymaker is standing beside you, arms folded behind his back. He surveys the nothingness with humble respect, the way a weary sailor surveys the ocean.
“How?” You try looking around again, but without anything to anchor gaze on, your eyes just swing back round to the Toymaker. “There’s nothing here.” 
“Nothing except for me.”
The Toymaker sits down on the emptiness, cross-legged. Feeling discombobulated in the lack of space, you sit down too, next to him, and wonder how that’s possible. You hug your elbows, trying to fend off the omnipresent cold.
“We are outside of your universe,” says the Toymaker quietly. “Below it, as a matter of fact. We are in a pocket realm, like the hollow in a tree branch. Here there was nothing for a very long time
so long, that I do not know how to count it. The void is indifferent to such concepts.
“I was a child for an eternity, and many more eternities after that. Merely a conscious speck suspended in forever. At the time I had no form. No body, no face, and not really a mind. I was a collection of distant ideas and fraught, base emotions. There was no reason for me to have either a solid shape or a brain. I existed only in relation to the void, and the void went on forever. All I had to entertain myself were my games.”
With a flick of the wrist, the Toymaker conjures a ball into existence. Then another. Then another. He does this over and over again until he is juggling at least twenty balls. His hands move in a blur as he juggles the balls effortlessly. He tosses them higher and higher, so high that you have to crane your neck to see. Eventually you lose sight of the balls in the nothingness.
But then, the Toymaker sighs
and you notice that the balls are disappearing. This continues for about a minute, the balls growing fewer in number until he’s down to just three
and then there’s only two, so he’s not really juggling at all.
Finally, the Toymaker catches the last remaining ball and holds it up to your face. A frost has grown along its leathery side.
“Playing games can keep you warm,” says the Toymaker, “but only for a little while. Eventually, the cold gets in. And the cold devours everything."
“How did you survive here?” you ask quietly. You can’t raise your voice above a whisper: it feels disrespectful.
“Death isn’t something I am capable of experiencing,” says the Toymaker. “I can never die from the cold. But I can still feel it.” 
The Toymaker looks at the ball in his hand, and it catches fire. You gasp and pull away, but the fire only burns for a few seconds: the flames are quickly extinguished by a new crop of frost, growing over the ball’s surface like a disease.
In moments, the Toymaker is holding nothing but a ball of ice.
“I’m
sorry,” you say.
It’s a feeble reply, and you know it. The cold here is wrapped into the environment itself. This no-space could well be made of nothing but a creeping, insidious chill. It’s worse than the kind of cold which slams into you, like the jump from the shower to a towel on a winter night, or the way your cheeks are slapped when stepping outside on a snowy day.
This cold is sinister. 
It waits.
It seeks out warmth wherever it can, wraps itself around that spark of heat, and crushes it frozen.
The Toymaker runs hot, you remember with a shiver.
No wonder. The Toymaker fends off your weak sympathies with a shake of his head. He stares off into the nothingness, and continues to speak.
“I thought it would just be me and the void forever. But then one day, I heard laughter! It was a sound utterly foreign to me. I was so frightened, I spent millennia curled tight up into a ball, cringing away from the sound. But I could hear them now
beings, with shape and light and thoughts. As the epochs stretched before me and the void remained still, I found myself drawn to their laughter.”
The Toymaker’s eyes glitter with recollection. “I learnt how to poke small peepholes into the fabric of the void, and peer through at the shapes. And oh, the things I saw! These beings, they played games , just like me! Games which used pieces and strategies and all manner of wonderful toys. I wanted to have them all. Needed to have them. So I did. I fashioned myself fingers, and with those fingers I fashioned toys and toys and toys, enough to fill up every child’s toy room in every universe!"
You watch as the Toymaker trembles with excitement. His voice has swollen to fit the void: a rallying cry against the darkness. He looks so proud of himself
but only for a moment. 
“After a while, my toys grew old,” he says sadly. “They say a boy becomes a man when he must throw his toys onto the fire in order to keep himself warm...and the cold never stops. I realised that wood and string were all well and good, but they had no personality of their own
and I had no opponent.”
The Toymaker turns to you then. There’s a manic look in his eye. “So I began to lure in the flesh-and-blood creatures,” he says. “It was easy enough once I learned to assume their shape
especially the early ones, who weren’t so bright. And what shapes I would become! I enjoy this shape so much that I’ve decided to keep it permanently, with the odd touch-up every half-century or so. Being handsome helps bring in the players.”
There goes that easy wink again, smooth and charming and drawing you in like the lure on an anglerfish.
“And
that’s why you’re here today?” you ask. “You just want to play games with us?” 
The Toymaker’s laugh is mean. “Don’t flatter yourself,” he says. “All that exists is to win, or to lose. I don’t want to play games with you. I simply want to win.”
The two of you stand in silence for a while, contemplating the nothingness. The longer you stay, the more you can feel the chill sliding its icy fingers over your flesh. It crawls up your socks and settles into the gaps behind your knees. It causes wet, cold dew to form at the edges of your eyelashes. It even seeps into the spaces between your skin and fingernails.
You wish you hadn’t asked for this Truth.
“One point to you, Toymaker,” you say through chattering teeth.
The Toymaker starts: clearly he’d forgotten all about you. The void has a sobering effect on him, it seems. How did a little boy manage to have any imagination in this place at all? “Yes,” says the Toymaker with a worn smile. “One point each.”
The next time you blink, the void is gone. You are returned to the familiar warmth of the toyshop, and are still sitting at the table across from the Toymaker. But now, even as the cold sloughs off your skin and your cheeks begin to heat up again, you can see the toyshop for what it is. The bright lights and colourful attractions are nothing more than decorative wallpaper for a frozen, ephemeral darkness, ever-creeping in on the corners of your vision.
When the Toymaker speaks again, his German is back in full force, and you wonder if he’s trying to stave off how frightened he really is.
“Zat is vier turns down,” he says. “Mit only zwei to go. I ge-believe it is my turn, ja?”
Oh, hell: he’s right. You’d gotten so caught up in the impossibility of the Toymaker’s mind that you’d forgotten you’re playing a very dangerous game. But the Toymaker’s smile looks fake now, and the way his eyes glimmer seems less like mischief, and more like withheld tears. For the first time you want to stop this game
not just for you, but for the Toymaker too.
But that’s not how this would be played. The rules are fixed, and you’ve seen what the consequences could be. Worse, you only have one response left to give. By the way the Toymaker is grinning at you, you know he’s remembered this rule too.
“Truth or Dare?” he asks.
You swallow, before giving the only answer you can: “Truth.”
The Toymaker laughs a little too loud. “Now, you had better nots ge-try to get out of zis one,” he says. “I vant you to tell me dee truth: vot exactly is your fantasy? I vill be requiring details.” 
There it is: the question this whole game has been building up to. This situation is impossible and ridiculous. Here you sit, surrounded by beautiful toys in your gorgeous dress, playing a game with an unbelievable, broken man who can rewrite your entire reality with nothing more than a thought. Yet you still can’t just open your mouth and give him the answer. Somehow, even in the face of impossible adversity, you are still beholden to your human embarrassment.
“If I tell you
” you say slowly. “...Do you promise not to laugh?” 
The Toymaker’s eyebrows knit together. He looks distressed by the question. “All players should be treated with respect,” he replies.
That’s not the answer I want, but it’s the only answer he can give , you think. But maybe that’s the key here. You would never willingly part with this information
but the Toymaker just did the same thing for you. He didn’t have to show you where he came from. He could have talked around it, given you the crib notes, and you would have been none the wiser. The Toymaker showed you vulnerability just by allowing you into his history.
You owe him that same level of respect.
“I didn’t get much attention when I was growing up,” you say. “It wasn’t a bad upbringing, but I was just kind of
left, a lot of the time. I wasn’t looked after. There was always some sort of problem that needed fixing, and my parents never had time for me. No one bothered to check on me, so I just had to figure things out for myself. I spent most of my time alone in my room
just me and my toys.”
“That sounds familiar,” says the Toymaker, and the sympathy in his voice is real. “How did you pass your time?”
“I took my toys apart,” you say. “I think my parents felt guilty for leaving me alone a lot, so there was never a shortage of toys. But I wanted to figure out how they worked. That seemed much more interesting than actually playing with them, you know?” 
The Toymaker smiles with approval. “Dee keen eye of a toymaker is a gift,” he says. “But I sense you are delaying your real story
” 
You curse inwardly: again, he’s right. You cannot hide any longer.
“I took apart all of my toys
except for my dolls.”
That gets the Toymaker’s attention: those bright blue eyes light up with interest. “Go on.”
“I had a set of five dolls,” you say quietly. “Generic dolls. Sparkly, brushable hair, and little swappable outfits. Nothing special. But even when I was really small I couldn’t hurt them. I was terrified of damaging them in any way. There weren’t any other kids around to talk to, and my parents weren’t home, so I just
talked to the dolls instead. I knew it was weird, but in my head the dolls were more sentient than my other toys. I thought they could really understand me.”
The Toymaker starts back up in his German voice: “Ah, zere is nothing more ge-saddening zan a lonely Kind. Zat is why decapitating poor Neil vas being no problem for you, zen?” 
“Yeah. It still hurt, but not for the reasons it would hurt most people.” You swallow; this is the really difficult part. “The older I got, the more toys I had, but I never added to my doll collection. My parents would joke all the time about how I was becoming a ‘little lady’. When I became a teenager there was so much pressure to be pretty, and girly
and it made me feel sick. So I tried to fight back against it. I cut my hair, I swore off pink, and I wouldn’t be caught dead in a dress.”
The words stick in your throat. You look up at the Toymaker, hoping for some kind of mercy, but you don’t find it. But he isn’t mocking you, either: he just sits and waits for you to continue.
“I locked my dolls away,” you say. “I pretended I had thrown them out
but secretly, I’d sneak them out, and play with them. I’d brush their hair, and mend their dresses. I still do.”
The Toymaker leans in. “Why?”
“I
I wanted to be like them,” you whisper. “They are so pretty. The long, flowing dresses and the perfect makeup
they’re dazzling in a way I could never be. I can never, ever be that beautiful.”
You twist the fabric of your dress between your fingers fitfully, and force yourself to say it: 
“I always wanted to be someone’s favourite doll."
There’s silence in the toyshop. You stare down at your lap, your heart pounding and your face flushed. Stupid, stupid
! Your eyes well up with hot tears. You can’t bring yourself to look at the Toymaker.
“Und zen you arrive here,” he says. “Meine beautiful dollen drew you in.”
“Yes,” you say quietly. “If I can’t be loved like a doll, then at least I can give them love instead. If I were a doll, maybe things would be easier, you know? Maybe
”
You can’t help the little choke-sob which escapes your lips.
“...maybe someone would take care of me."
The tears fall freely into your lap now and stain the beautiful fabric of your dress dark. You feel disgusting: worthy of ridicule. I deserve whatever happens to me now, you think, your brain awash with old, dark feelings you’ve kept locked up just like the dolls in your closet.
But it’s the Toymaker who snaps you out of his reverie. You didn’t hear him move, but you flinch when his fingers slide under your chin and tilt up your face towards him. Your tears cast him in a watery halo.
“Mein Liebling, stop ge-crying,” he says. “I have made sehr many dollen over dee years, und many of zem have been beautiful. But you are somesing else entirely entirely. Ein living, breathing, villing doll, so cute und poseable. Oh, you und I vill have zo many adventures together! You could be mein prized possession, und I vill hold you and play vith you from dawn zu dusk.”
The Toymaker’s words send a shudder through your body. Blood thrums at the surface of your skin and pools in your cheeks and neck. The Toymaker leans in until your noses are almost touching. He’s so very close to you now
close enough that he could kiss you. 
But just before he reaches your lips, the Toymaker moves to the side and whispers into your ear:
“Dee game is not yet over, meine schöne dollen. You have one final question to ge-ask of me. Do it, und zis vill all be over
one vay or another.”
You can feel him smiling gently against your hair, and it makes you want to sob. Oh, please let this torture end
! But you’re in the Toymaker’s grasp now, in the final throes of his game, and you know you have to finish this or your suffering will never be over. There is only one turn left. You have to try, one last time, or you would spend the rest of your life at the beck and call of this madman.
“Truth or Dare?” you manage to croak out.
The Toymaker lets your face go. “Dare."
You take a deep breath. This is your last chance.
“Let me go.”
The Toymaker takes a long, long moment to process your answer
and then he starts to laugh. Really, really hard. The tinkling arpeggio of his laughter builds and builds until it seems to shake the very walls of the toyshop. For a moment, you are terrified that it’s all going to come crumbling down like a house of cards.
“Oh, perhaps becoming ein dollen hast eroded deine brain, ja?” says the Toymaker, the arrogance flashing in his teeth. “I am not ein genie you kann outsmarts. I am afraid zat since letting you go ist your prize, you cannot request it of me. So, you have lost ein point, putting us at a tie
und you must complete ein forfeit once more.”
No. No. NO! “That’s not fair!” you yell. The tears are streaming down your face in earnest now; all of the distress of this game and the Toymaker’s psychological torment can no longer be contained. 
“Oh, und here comes dee tantrum,” says the Toymaker with a sigh. “I hates it ven zey get like zis. You must have ein forfeit
und I think I have dee perfekt idea to stop your ge-crying.”
The Toymaker snaps his fingers again. You open your mouth to scream at him
but nothing comes out.
You try again, but your mouth just flops open like a fish, with no sound attached to it whatsoever.
The Toymaker has stolen your voice. 
“I have assisted you in another core aspect of your doll transformation,” says the Toymaker, the British swooping in over his tongue with ease. “I do not think most dolls can talk, do you?”
You awful
! But the words can’t even die on your tongue, because they never reach your tongue in the first place. There is a total disconnect between your mouth and your brain. Although you can fashion your lips into the correct shapes and try to push the air into forming syllables, none of them can escape your mouth.
The Toymaker has silenced you, taking away perhaps your only remaining asset in this game.
You mentally tally up the points, and realise he’s right. You are now tied, and six turns have passed. 
“But I cannot tolerate a tie. Dee rules dictate zat ve must perform a tie-breaker challenge
” His accent ripples between the German and British easily, as if he can’t decide between childish delight and cool professionalism. “Do you have any suggestions for a tie-breaker?"
The devastation of losing your voice almost made you look over this detail. Yes, he’s right: for all of your suffering, the Toymaker hasn’t actually managed to get a point over you. That means all is not lost.
That means you still have a chance to win.
But you cannot strategise in a vacuum: much less when you can’t speak. The Toymaker looks at you in amusement, as if expecting you to try and talk anyway. You could have written a message down on a piece of paper, or typed it on your phone, but you decide not to give him the satisfaction. The Toymaker has already gotten you on the rules twice: you are going to play within his boundaries and win fair and square. 
You don’t see where he produces the hat from. A flourish of the arm, and it’s suddenly in his hands: a beautiful top hat which would have gone perfectly with a tuxedo. The Toymaker flips the hat over and proffers it to you.
“Ladies first,” he says with a sly smile. 
You reach into the hat and are surprised to find a variety of small, paper tickets. After some rustling around, you pull one out and read it. When you do, your eyes go wide.
WHOEVER HOLDS THEIR BREATH THE LONGEST IS THE WINNER.  “Vot fun!” exclaims the Toymaker, clapping his hands together in excitement. “I must ge-varn you, I am a very gut schwimmer, and kann hold mein breath for ein long time.” 
But do you even have a lung capacity?! is what you would have asked if you could. How was this fair? The Toymaker is clearly an extradimensional being, and his physical body doesn’t seem to conform to the laws of physics, space or time
anything that would put a real challenge to this game. But you can’t say so: you have no way of telling him.
Besides
is it cheating if that’s just how he is? Is it cheating if he’s just better at the game?
A loud tick-tocking draws your eye to the right side of the toyshop. Against the wall (where it definitely didn’t exist before) is a grandfather clock. Both of the clock’s hands are almost at the 12. This was news to you; you’d arrived at the toyshop sometime around 8pm.
“Ve vill begin when ze clock strikes twelve,” says the Toymaker. “Zere are no fancy rules
ve just start ge-holdings our breath, until eins of us cannot anymore.”
The grandfather clock ticks closer to your demise. You look at the Toymaker in desperation, clasping your hands together in a silent plea
but he just looks at you coolly. Now, you are nothing but an opponent to defeat. You are an obstacle ready to be demolished. 
Well, I am not helpless. If anyone is going to decide the winner of this game, it’s going to be me. With only thirty seconds remaining, you fish around in the pocket of your backpack and pull out your phone. You set up your video camera, prop the phone up against a toy monkey holding a pair of cymbals, and hit the record button.
“Ah,” says the Toymaker. “In case of ein photo-finish. Gut idea.”
There’s a cold fire in his eyes now: something which ignited when he took you into his personal void. You have no moves left, and no gameplay strategies to implement. It is clear that he is the master of games, and you may as well already be his doll. 
But hell, you are going to try your best.
The grandfather clock strikes twelve with a loud, booming chime, and you suck in the largest breath of your life. You don’t balloon out your cheeks: instead you opt for a subtle approach learnt from musical training, where you draw in the oxygen deep into your lungs and will it to sit there for as long as you can handle.
By comparison, the Toymaker doesn’t look like he’s holding his breath at all. You merely hear him stop breathing. He looks totally at ease.
The first ten seconds are child’s play.
The first twenty seconds are fine.
The first thirty seconds are acceptable.
But by the forty-second mark a playful fire start to burn in your chest, and the urge to take a breath begins to beg. Inside you curse yourself, wishing that you’d practised— but why on earth would I have practised such a useless game?! You look at the Toymaker. Big mistake. He waggles his eyebrows at you silently, rippling them in an over-the-top-sultry manner. You feel your lips quirking up into a smile
You can’t believe it! He’s trying to make you laugh!
So much for respecting the rules, you think to yourself. Your chest is really starting to hurt now. But then you wonder, is that really cheating? If the Toymaker can try to make you laugh, what if you can make him laugh too? But you shut down that idea immediately: if you prancing around in a frilly dress singing I’m A Little Teapot didn’t make him laugh (just clap!), you didn’t have a chance in hell.
Oh no. What is he doing now? While trying to focus on holding your breath, the Toymaker had conjured two familiar puppets on the ends of his hands: Punch and Judy. With a final, victorious wink, the Toymaker begins a silent, over-the-top slapstick routine with the puppets. Even without dialogue you recognise the beats of the show; Mr Punch is a mess of a man, overwhelmed by the demands of his wife and baby (the latter brought into being with a tiny, adorable puppet the Toymaker wears on one of his thumbs). His hands move with such finesse that the puppets almost look real.
Such a gaudy routine wouldn’t have been enough to make you laugh by itself, but the Toymaker brings a whole new dimension with his wonderfully expressive face. Each time the long-suffering Judy begins a voiceless tirade of her husband (i.e., throwing little puppet-objects at his face), the Toymaker supplements Punch’s depression with a frown worthy of a theatre mask. When Punch manages to land a hit on his wife or baby (My God, were these shows always so violent?), the Toymaker grins with such deranged glee that you can’t help but find it hilarious.
Oh no. You look at the clock: it’s been a minute, and your chest is really starting to hurt. The Toymaker and his puppets make your cheeks puff out with the effort of not laughing.
He smirks at you as Punch picks up his wife and baby and tosses them into the air, punting them like footballs. It’s so absurd and ridiculous that you can feel the giggle rising up in your chest. You desperately want to open your mouth and suck in oxygen but you can’t, you simply can’t, because if you do you’ll lose the game and he’ll keep you here forever
!
As your remaining seconds tick closer to your inevitable failure, you close your eyes. You want to have one last moment to remember yourself as you are, because you are sure whatever the Toymaker is going to do to you will not be pleasant.
Your chest aches. Your cheeks bulge. Your will starts to unravel.
And then, you have the idea.
It’s a stupid idea, and with barely any seconds left to execute it, you have no guarantee that it will work. But as you open your eyes and look at the Toymaker’s smug ‘I’ve already won!’ expression, you know you have no choice but to follow through with your mad plan.
So, holding on to every last bit of breath you have, you lunge at the Toymaker—
—and envelop him in a bone-crushing hug.
Several things happen at once:
The first is the Toymaker exclaiming in surprise, his breath clearly lost, and dropping his puppets, which dissolve into ash as soon as they hit the floor. 
The second is your desire to breathe finally overpowering you as you collapse against the Toymaker, and the two of you tumble to the floor. 
The third is the grandfather clock exploding. Just as you hit the ground the clock bursts apart, firing out wooden shrapnel with a horrifying bang! On reflex you huddle yourself against the nearest form of safety, which in this case happens to be the Toymaker’s chest.
You weren’t expecting him to hold you back.
The two of you stay like that for some time: you and the Toymaker, on the floor together, breathing heavily and wrapped up in each other’s arms. Despite your own adrenaline, you can’t understand the Toymaker’s terror: surely he caused the clock to blow up? He certainly wasn’t in any danger.
But then you hear a sound you couldn’t hear before. It’s the thrumming of the Toymaker’s heart, loud and insistent and desperate to survive. You hear it through the fabric of his waistcoat, and feel it in the pulse of his neck. For just a moment, the Toymaker seems to be just as human as you.
You wonder if the Toymaker’s mortality is contextual.
Eventually, you manage to disentangle yourself from the Toymaker’s limbs. You peek at the smoking remains of the grandfather clock, and are relieved to see that nothing has caught fire: there’s just a scorched, black mark where the clock once existed. The shards of wood which exploded out from the clock have disappeared.
Thankfully, your phone is untouched! You pick it up, pause the recording and watch it back. A smile stretches across your face.
“Oh, Toymaker!” you say, and you are so very pleased that your voice has returned. “You’re going to want to take a look at this.” 
When the Toymaker climbs to his feet, you are immensely amused to see that his perfect curls have been knocked a bit by the explosion. For the first time since you met, the Toymaker is dishevelled and confused. It’s a cute look on you, you think.
“You broke my game,” says the Toymaker incredulously. “How did you do that?”
“No idea,” you grin. “Maybe it was an unexpected outcome. Still within the rules, still a valid way to win, just
unorthodox.”
You show the Toymaker the recording. You watch as his expression turns from bafflement, to despair, to outright blazing anger.
“No!” the Toymaker cries. “You can’t have beat me!”
But the camera never lies. The footage on your phone clearly picks up the Toymaker gasping in shock as soon as you hit him with your hug
whilst you don’t gasp for air until a few seconds later, just before the grandfather clock explodes.
“Seems like I have!” you say happily.
“But I
you
” The Toymaker’s fingers flex in the air meaninglessly, as if looking for a straw to grasp. “But that’s cheating!” 
“No it isn’t,” you say with confidence. “There was nothing in the rules about us not being able to make each other lose our breath. If you making me laugh was a valid strategy, then me hugging you was too. Either we both cheated, or no one did.”
The Toymaker looks like he’s been slapped, and it is a delicious feeling. You almost want to pinch his cheeks. With a pout fixing his lips, the Toymaker snaps his fingers
and your clothes return to normal. Your dress is gone, replaced by the clothes you entered the shop with.
(Is it a little silly to be regretful of that fact
?)
“I still say that shouldn’t count,” says the Toymaker sullenly. “That was an underhanded tactic. I’ll be writing that into the rules next time.”
But you’ve turned away from the Toymaker now—he obviously needs to work through his sore-loser feelings in his own time. You trot over to the doll shelf, pick up the beautiful doll in the powder-blue dress and cradle her in your arms. She truly is a wonderful prize.
When you turn back around, the Toymaker is sitting on the floor with his hands hugging his knees. You feel a pang of sympathy for the man
it seems this really is his whole life.
“But why did you hug me?” the Toymaker asks, baffled. “That’s not a winning strategy. You just surprised me. You were so
”
The Toymaker looks up at you with shining eyes. This time, his eyes really are wet with tears.
“...Warm,” he whispers.
The triumph of your win quickly sours on your tongue. The way the Toymaker is looking at you gives you a powerful feeling
and it’s not one that you like. Even though every part of you is telling you to make a run for the door while you have this post-win window
you don’t.
Instead, you sit down cross-legged on the floor next to the Toymaker, just like you did when in the void. You even bump your shoulder against his.
“I’ve been sad a lot in my life,” you say. “But I’ve never felt as much sadness as I did in your void. And it made me wonder if
you’d ever been held before.”
The Toymaker looks at you with flashing eyes. His bottom lip trembles as if he’s trying to hold back a lifetime of grief. He doesn’t say anything, but those eyes tell you all you need to know. 
“I wouldn’t mind coming around here sometimes,” you say gently.
The Toymaker looks at you like you’ve got two heads. “You would voluntarily subject yourself to my life-or-death games?”
“Maybe not the life-or-death part,” you say hastily. “But I had fun today. Weird, horrible fun. You’re kind of a weird and horrible guy
and I’m pretty weird too.”
To your surprise, the Toymaker actually laughs at that. “You are unique, meine Liebling,” he says, German once more. “To out-ge-smart me, you must be.”
“Well
maybe it’s a good thing we met,” you say. “Maybe you don’t need to keep luring in suspecting people to your shop, Toymaker. Some of us might actually want to stick around and play. And maybe
”
You rest your head against the Toymaker’s shoulder.
“...Maybe I could help keep the cold out for a while.” 
The Toymaker and you sit in silence for some time, listening to the gentle whirs and clicks of the toys going about their business. You keep your new doll tucked between your legs, and your cheek resting against the Toymaker’s shoulder. He’s so warm that you find your eyelids fluttering: you could easily fall asleep right here.
It’s a surprise when you feel the Toymaker’s fingers sliding into your own. You look at him, and see those telling blue eyes alive with fresh excitement.
“It’s a deal,” says the Toymaker, with an enormous, brilliant smile.
You let the Toymaker pull you to your feet. To your amusement, he grants you a deep, formal bow.
“Run along now, meine Schatz
today must have been ge-xhausting for you. But I shall be seeing you again soon, ja?"
Other people would not have caught it, but you know what loneliness sounds like: you hear the edge of desperation at the edge of the Toymaker’s voice. You take a step back and return the bow with a curtsey.
“Ja, genau,” you grin.
The Toymaker’s smile could have outshone the sun.
That night, when you return home, you take all of your dolls out of your closet. You line them up with care on your shelf, making sure to pose them prettily and smooth out the creases in their frocks.
But you keep your new doll in your hand, and clamber into bed with her. Before you turn out the light, you look one last time at her perfect, dimpled face.
Oh, what games will you and the Toymaker play next?
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heartshapedbubble · 11 months ago
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omg i was answering this req and when i saved it to my drafts I COULDN'T EDIT IT??? so i deleted it in hopes to remake it BUT THE ASK WAS GONE fuck you tumblr :(( im so sorry anon you know who you are
aesop carl, qi shiyi and frederick kreiburg w/ a singer s/o hcs⚰đŸȘˆđŸŽŒ
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aesop carl⚰
...you'd have to do most of the initiation with him. aesop carl is not impolite, not at all, but the crippling anxiety overcoming him makes it hard to go beyond a "hello" or any other introduction. he has a lot of nice things to say to you, romantic even, but during the first couple of months you'll have to basically yank them out of him
aesop is horrible with words, and would rather just hide away and hope you notice how he feels about you. in his eyes, the simple things he does with you - small talk, exchanges of handkerchiefs and drinks by the table, midnight walks when everyone's asleep - are acts of confessing his love. to him, trust equals love, and love equals assistance and communication.
something that he's even more afraid, though, is singing. talking can be quiet, unnoticeable, blending in with everyday noises, but singing is always noticeable. the change of pitch can be caught even by an untrained ear, and the ensuing confrontation, to him, is terrifying.
you fascinate him, a lot. unlike him, you're not afraid to set your voice free, letting it echo through the room and spin around you like a ribbon. kind of like an aura, it attracts passerbys and always leaves them standing in awe, even if it's just for a minute. that kind of confidence is impressive, and he himself finds it rather enchanting.
as you train your voice on the podium, enjoying yourself and twirling around in your flowy robes as if there's nobody around, the last thing that's on your mind right now is a potential secret admirer somewhere nearby. the secret admirer being aesop, of course. he's crouching in one of the loges, partly sick to the stomach because someone might walk in on - or even worse, you may notice - him, partly enjoying your outstanding performance.
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qi shiyiđŸȘˆ
she thinks you two make for a pretty nice duet ;)
you two clash at moments, as she enjoys and is used to the more "formal" arts such as opera and your field of interest is musicals, but overall she's enarmored by your talent and your charisma. jazz, rock, ballad or aria, a strong voice does not go unnoticed.
once she softens up to you, you'll notice just how much she enjoys your voice. as you comb her hair, she asks you to sing something for her. when you two are fast asleep, her head is on your chest, listening to your soft hums as she's lulled to sleep. calls you her songbird as she wraps her arm around your waist and spins you around in your brand new costume.
here and there she'll dust off her old flute and play a nostalgic melody or two. it's even better when enrichened with your singing, and it motivates her to jump back on her feet and do a little three-step as she plays
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frederick kreiburgđŸŽŒ
he's not a wunderkind, but being surrounded by music from a young age he has quite the trained ear. he can quickly differentiate between a powerful mezzosoprano and a rich, dark alto. a lot of insinuations and jokes have been made behind your back about how you two are perfect for each other, but he just rolls his eyes, not bothering with empty gossip.
thanks to the unisolated manor walls, at one point he'll hear some vocal exercises coming from your room
am i losing my mind again? he thinks to himself, looking around in wonder. he stays in the hallway for a little longer, trying to find the source of this haunting voice - and it will take time, oh, indeed, but eventually he'll knock on your door and unintentionally kick off your relationship
as expected, he enjoys playing alongside you. motivating him to crack his knuckles and sit in front of the piano again is hard, but the both of you know your irresistible smile will not leave him any other choice....
mostly picks out german lieder from his collection of sheet music, but of course, adapts to your wishes - something more energetic works great as a warm up
he's the happiest when he performs alongside you on the podium. nothing makes his face light up like when he watches you sing from behind the piano, gesturing towards the audience and slowly dancing to the composition unraveled by his fingers, basking under the golden spotlight.
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hesgomorrah · 6 months ago
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Trapper John, M.D. Masterpost
TL;DR, Trapper John, M.D. is a criminally underrated M*A*S*H spin-off that I'd love to see given a shot at redemption. Links to watch it are under the cut.
Since I've been talking about this show a lot recently, I thought it would probably be a good idea to make it easier to find, since it's fairly obscure nowadays.
If you've never heard of it, I don't blame you. TJMD is a M*A*S*H spin-off that ran from 1979 to 1986, with a contemporary setting and generally more dramatic tone but the same irreverent sense of humor and at times surprisingly progressive writing as its predecessor. It follows Trapper John McIntyre thirty-ish years after the Korean War, contending with medical mysteries and changing times as Chief Surgeon of a major hospital in San Francisco.
The series has few direct references to the events of M*A*S*H (in any of its previous forms), but it features a compelling ensemble cast of original characters that take many tropes M*A*S*H fans will be familiar with in new directions. Especially if you enjoyed the first three seasons of M*A*S*H, I highly recommend giving at least a handful of episodes a shot. The quality of said episodes varies wildly, but there are some true gems in there. (IMDb and Wikipedia links for more information!)
The only catch is, to date, the series has never been officially released to home media or any streaming platform, and I haven't found any evidence that it's still in syndication, so it's not the easiest show to track down. Luckily, all 151 episodes were recorded by dedicated fans, so the series is watchable in (very nearly) its entirety if you know where to look. I did the looking so you don't have to!
This Google Drive contains every episode of the series (with the exceptions listed below) in standard definition, plus my work-in-progress episode guide, highlighting episodes that are relevant to longer story arcs and offering a non-exhaustive list of content warnings for especially heavy episodes. (I'm looking for another place to host them but Google is the platform I'm most familiar with.)
Episodes 1x01 through 3x02 can be found in better quality here, remastered by a fan by combining footage from separate English- and German-language recordings of the series. It occasionally lapses into German audio with English subtitles as the German dub contains some scenes for which the corresponding English audio has been lost. Here is an alternate YouTube link with lower video quality but exclusively English audio, containing roughly 2/3 of the episodes.
If you speak German, you can find that dub here with slightly cleaner visuals.
If you prefer to torrent, you can find those here:
Season 1
Season 2
Season 3
Season 4 (the second half of 4x20 is corrupted, repeating the same ~2 minutes of footage for the rest of the duration)
Season 5 (5x11 is missing roughly the last 10 minutes of the episode)
Season 6 (the video is frozen for most of 6x23 but the audio is fully intact)
Season 7
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bellewintersroe · 1 year ago
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Sebastian Vettel x RBDesignEngineer! Reader.
Set in 2013 during the GP, Jennifer is fresh out of uni and has made a name for herself within the F1 world. She joins Redbull-Renault as one of their engineer designers and easily fits into the team, forming friendships easily. Most of all, she captures the attention of three time world champion, Sebastian Vettel. Part 1- just an introduction to the OC and situation, please excuse my inaccuracies about the 2013 GP and design engineering im not a pro and was like 11 back then 😭😭 here’s the LINK to part 2.
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Australia, March 2013

“And here
 right through here is
 our youngest, and my personal favourite design engineer. This is where all the magic happens.” The sound of Sebastian’s German accent caused my lips to lift as I took my head set off, spinning around in my chair. Sebastian was walking alongside a camera man, touring around the garages. It was pre practice day, only two more days and the 2013 GP would begin. Although I’d been hired for Red Bull back in October of last year, it had taken 5 months to get to this point of merciless training and shadowing to ensure I was good at what I was doing. The Red Bull driver made his way over, resting on the back of my large chair with an amused smile. “Hi.” I nervously giggled, pushing my hair behind my ear as my headset fell around my neck. “This is Jennifer, do you want to tell them what you’re doing today, Jennifer?” The use of my full, formal name was sending me slightly giggly as I gazed up to the blonde man. Maybe it was just him making me feel that way

“Um
 so, to put it in simple terms so it’s not so boring, we’re just checking all the components of the RB9’s- what Sebastian and Mark will be driving- to make sure we don’t need to make any last minute changes.” “And what’s your name again?” The camera man asked. “Jen, I never go by Jennifer.” I laughed, glancing back up to Sebastian again. Whenever our eyes met I found myself struggling to keep composure on camera. “Tell then a bit about yourself.” He then nudged me on, grinning down. He could tell I was getting flustered, but continued purposefully. “Nobody wants to know about me!” I laughed, attempting to spin my chair back around in embarrassment. Hiding behind my computer for the first two weeks was my safe haven, that’s what I’d reverted back to. “They do!! Tell us, how did you get into your position?!” Seb spun the chair back, sliding a hand down onto my very ticklish shoulder, squeezing as both my shoulders jumped up with a giggle.
“Sorry.” Seb breathlessly laughed. “Um- well I started here in October, I just finished my masters last year at Manchester in Motorsport Engineering- um
 Im 22- I don’t really have anything else very interesting to say! Uh- I suppose I had- just had experience from working part time with my brother who’s an engineer when I was like
 15.” I explained.
“Clever girl.” Seb responded as I automatically gulped in response, looking up to him and awkwardly glimpsing back to the camera. I didn’t know how to act with that in my face. “And what’s this?” The camera zoomed closer in on my second screen, it was just information about F1’s plan to go electric next year and use Hybrid engines, but it contained private information. My hand flew up blocking the screen dramatically, “oh! Sorry, that’s a secret!” Seb burst out laughing. “Oh no!” I laughed, “don’t worry I’ll cut that.” Luckily the camera man turned away as I sunk back into my chair. I really hoped I didn’t leak some super, confidential information about Red Bull or I’d be facing the sack a mere half year into employment.
Sebastian flashed me another smile and squeeze on the shoulder before following the camera man and showing him around some more. When they left I let out an internal sigh. I’d known Seb for the same amount as everybody else here, but I just felt this immediate warmth to him. Once the intimidation had worn off (even now I still felt it) I could tell there was an instant attraction. At points it felt mutual, Seb would openly flirt with me, tease me, I know he was a charmer, but I couldn’t tell if I was being delusional or not. He was cuddly, funny, he always looked so deeply into my eyes whenever I explained something to him. I wasn’t sure how I’d deal with the feelings that would keep me on edge for a full season. The worst thing about it??? I had a boyfriend.
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jakes3resin · 6 months ago
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Honestly so intrigued by the idea of a role swap between Bucky and Gale when it comes to who took the London weekend pass and who got shot down first.
Gale convinces Harding to give both of them a weekend pass thinking that's the only way to convince Bucky to take a break, paint the town red in London until Bucky starts to feel better, but Bucky says no like Gale did. Gale still goes because he needs a break from missions, from base life, and, as much as he hates to admit it, from Bucky himself right now.
Bucky goes up like Gale did, and Bucky doesn't come back like Gale did.
Gale has a calmer time in London than Bucky, but he still sees the headlines about the 8th and the lost 30 bombers. The panic that runs through him would probably mirror the panic Bucky felt. The urgent need to know what happened, thoughts spinning as he tells himself that Bucky wasn't one of the men the papers say got shot down.
Gale's widow arc after escaping was characterized by desperation, a quiet bone deep desperation tinged by Gale's guilt at leaving Bucky behind. The pain that Bucky gave up his chance at freedom for him cut deep into him. There was some rage during the escape, but once he got to England, you could tell Gale's strings had been cut. His rage melted into grief and desperation. He held white knuckled to the hope, the delusion even, that Bucky was fine, he's always fine, he just had to stay for the men.
His grief after learning Bucky went down in a role swap would be closer to rage, I think. Rage at the Germans sure, but rage at Bucky mostly. Gale tried to get him to London, damn near begged him to come with him because he knew something was going to happen if he didn't get Bucky out of that cockpit.
Of course, the anger is just so he can hide how much Bucky's 'death' is killing him. He's good at hiding his emotions by slipping on a mask and burying them deep within himself, but everyone can see he isn't doing well. The grief and rage are just too much. Gale's slipping, and without Bucky, no one knows how to help him. This isn't the Major Cleven they know. This is the Buck without his namesake that none of them ever expected to see.
Gale would do as Bucky did. Leave London and demand that he be placed on the next possible mission. The pair are a bit too similar sometimes, and he'd want back in the saddle before he processed his emotions. He's back on base when everyone knows Harding didn't call him in from London. He's standing silently at the bar, not ordering a thing simply there because he's still so used to his routine with Bucky that nowhere else feels right. At least here he's with the men. At least here he can pretend Bucky's asking the bartender to fill up his flask. At least here he can be haunted.
No one knows how to handle Buck like this. They've never seen Buck like this with his emotions so volatile as his mask slips. Benny tries to talk to him, but Gale shrugs him off. Jack and Red both try to talk to him, but Gale simply asks when the briefing is. No one can get through to him.
Gale leaves behind Bucky's lucky deuce. He'd carried it for Bucky's sake, and now there's no Bucky to worry.
Oh but what if that's where the role swap ends? Buck still ends up at Stalag Luft III before Bucky, and it's the final nail in Bucky's coffin for Buck. Bucky isn't here. Gale's lost any hope he'd gained seeing Brady and Crank waiting at the fence. Even when Brady swears Bucky bailed before him, he grieves.
Everyone's sure that they're going to lose Gale now. You need strength and at least some measure of hope or fight to survive the camp, and Gale has none of that. He really did think that they'd be the last two left in the air when all of this was over. That dream doesn't matter when he's the only one left. He lost everything when Bucky went down.
Two days later, Bucky walks through the fence, and the heart that stopped beating in Gale's chest back in London finally starts up. Hope returns, and with it, his will to see both of them through this.
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pinkrangersarah · 7 months ago
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Please do the random headcanons you've got for the Fearless 7, I really wanna know what you have in mind and also feel free to even make a post for every single one of them!
Thank you, I love ya! đŸ™đŸ»
shout out to @kehnarii for sending me all these requests, you are truly a peach and I am delighted to answer anything you send <333
anyway, I have thought about these clowns a ridiculous amount and what better way to dump all those thoughts here because lmaooo what else am I gonna do with them. i'm going to keep them here, though, for simplicity sake.
Merlin
Merlin and Arthur are half brothers, having the same father but different mothers; Merlin's mother is the current queen of Camalot. They're from the same fairy tale but the dynamic is wildly different, so I thought them being half brothers would be kind of a neat spin. Arthur is the oldest of the two.
Had to study magic in some secrecy as the texts he used formerly belonged to Arthur's first step-mother who turned out to be a witch. This is partially why lightning, despite its versatility, is his only spell.
Vegetarian. Nothing else to say here. Just a vibe I get from him.
Bi-curious, I think. Definitely leans toward women, but he'd be lying if he said he hasn't found a man or two attractive.
Shit driver. Do they have cars? Probably not, but consider a modern day setting. He's the worst driver out of the seven of them. Has absolutely stayed at a right-on-red light way too long due to panic, pissing off everyone behind him. This but it's Merlin and Jack.
Decent with kids. Knows a couple of party magic tricks and kids tend to like them.
Arthur
Arthur has a younger half sister, Morgan--or better known as Morgana Le Fay--a witch who is mysteriously absent. She is the king of Camalot's second child from his second wife, which makes her Merlin's older half sister. Arthur was very close to her up until her disappearance; having been raised with a bias toward witches, it made for a rather difficult separation.
Not the dumb jock stereotype some people make him out to be! While he can be reckless, brash, and immature, Arthur does have political knowledge and knows the ins and outs of his kingdom.
Straighter than Merlin's parking but a very vocal ally. Jack just casually implied he was bi and Arthur just scooped him up in a big hug and told him he would always support him. Jack was high-key confused, low-key annoyed but appreciated the sentiment anyway.
Second worst driver, mostly due to not paying attention to speed limits. Or stop lights. Just not paying attention period. Low-key road rage.
Arthur is great with kids, probably because A) he is a big brother and B) he's a big guy so kids want to climb him like a jungle gym.
Jack
Adopted into royalty as his step-father, a king, married his mother after Jack defeated the Giant and made his family wealthy.
His mother has a tendency to be emotionally manipulative, only being a doting mother whenever he does something that benefits her, such as stealing from and slaying the Giant. She was kinder when his father was alive, but only got nastier after he perished at the hands of the Giant.
Although he had been pampered and brought up as a true prince since ever since his mother married into the royal family (he was about ten years old), there is a part of him that has not forgotten where he came from. He grew up on a farm. His father taught him how to fight. Jack is stronger than he looks and can be scrappy if absolutely need be.
While the other guys of the F7 drive him absolutely insane sometimes, Jack prefers them over his own family since he's allowed to be himself around them. He's gotten used to the princely persona, but there is a small, unacknowledged part of him that kind of hates it due to the role having been practically forced on him.
He does genuinely like nice things, though. Low-key bird brain.
Jack is the only multilingual of the seven, speaking not only English and French but also German and Italian. This is only a little annoying to Hans and the triplets as they can't hide anything from him in their native tongues.
Biologically, Jack is an only child. He does, however, have an older step brother whom he has mixed feelings for.
Bisexual with a leaning toward women
His name actually is "Jacques", but people kept pronouncing it as "Jack" and he eventually gave up correcting them. Will end the bloodline of anyone who calls him "Jackie", though.
Decent driver. Sometimes gets way too into whatever he's listening to and misses an exit or turn. Is usually the navigator or DJ. Is the type to yell "I will turn this car around" if people are arguing in the backseat.
Terrible with kids. The house is on fire. God is dead. Wine aunt.
Hans
Hans and his sister, Gretel, are twins, though Hans is the older of the two. It's where his mom friend demeanor comes from.
Is honestly the best liar out of the seven of them. He doesn't lie often, doesn't like doing so, but he has such an honest face and earnest demeanor that he can make anyone believe just about anything.
Pansexual but I don't think he'd know that about himself. He just likes people.
Best driver out of the seven of them, but does that soccer mom thing if he has to slam on the brakes unexpectedly. Can't read a map to save his life, though.
Also great with kids. He's also a big brother, and his genuinely kind and upbeat nature makes kids gravitate toward him.
Pino, Noki, & Kio
As they all have a very similar fashion sense, even they sometimes aren't sure whose clothes are whose.
They do have distinguishing features if one is to look close enough. The height difference isn't much, but it is there with Pino and Kio being the tallest and Noki the shortest. Kio is the only one with freckles. Pino has heterochromia with one blue eye and one brown.
They are introduced from oldest to youngest. Pino is the oldest of the triplets, Noki being the middle and Kio the youngest. Noki is only a little salty that Kio is taller than him despite being younger.
kio vc: you're older by like eight minutes
noki vc: I will break your knee caps
Terrible liars. They get flustered quickly and contradict one another. Can't keep a secret to save their lives and it's usually Kio who breaks first. (I know this is sort of contradictory, but they're based off Pinocchio so I think it'd be fitting if they were some of the worst liars among the seven of them.)
Noki read Jack's trashy romance novels. He thinks they're hilariously terrible. Would honestly probably like Twilight for the same reason.
Decent drivers but cannot be left in any vehicle alone together. If there's no else there to keep them on track, they will get way too into a conversation and get completely lost.
Have the potential to be okay with kids (that ending credit sequence give some the impression those three kids were low-key adopted by them or at least became assistants or something), but they do need to be kept in check due to their mad scientist energies.
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automaticpizzahologram · 2 years ago
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I'm not German or speak German so sorry if I translate it wrong just blame Google translate
Both bill and the reader are 16
" Hallo i-ich bin y/n" ( hello I'm y/n).
I say, well try to say. I'm trying to learn German by myself just for something to do. I don't think I will ever need it but it's gonna be awesome to say I can speak more than one language and that's German, plus German people have amazing accents that make them sound fantastic.
I sit on the swings staring down and the miniature sized book in my hands . Even though I'm swinging slightly the swing still  screeches . It's not the best park, it has a broken roundabout that barely spins, the slide gives kids burns no matter what you wear. The over flowing bin thats full of beer bottles and other stuff I probably don't want to know about.
Everything in the park has worn out, dull paint on it. It looks like no one has been in for years and that's kinda true ever since the new park was added all the younger kids go there, it's in the nicer part of town as well.
It seems as though only drug addictics, drunkes and some teens go to this park now which is normally at night so sometimes I get this place all to myself.
My eyes quickly skim the page.
"alright so they pronounce their 'w' 's as v' s. So wine would be vine?" I look up to the clear blue sky and sigh. Closing the book I put it on the floor. I pick up my phone from the ground and skip my music till I find a more upbeat song, I place my phone back on to the floor then I start to swing getting higher and higher.
I sit swinging for about 45 minutes being in my own little world while listening to music watching the world go by. I slowly slow down draging my feet on the gravel and pull myself to a stop. I slip off my headphones and place them around my neck. Jumping of of the swing I bend down and pick up my book, phone and my bottle of water, I place my phone into my Jeans pocket. I start to head out of the park when I drop my waterbottle . I reach down stretching my arm out ready to grab the bottle when another hand beats me to it. I look up at the person ready to say thank you and I'm met with a really pretty, tall, skinny boy with longish black hair. 
" Thanks, you didn't have to do that but I appreciate it"
"Don't worry, it was no problem. I'm Bill" the German accent catching my attention. Bill holds my bottle out and I reach to get it.
" Thanks" I say again "I'm y/n" grabbing the waterbottle.
Bill steps to the side  slightly and that's when I notice another boy with dreadlocks.
"This is my brother Tom."
" it's nice to meet you but I probably should be going. Have a nice day" I say and continue to walk out of the park and along the path heading home. I turn to look back at the park and catch bill still looking at me, he doesn't turn away quickly as I thought he would, he just continues to look. I turn back around and continue my way home.
~~~~~~~°°~~~~~~~°°~~~~~~~°°~~~~~~
I kick my shoes of at the door and set down my book and waterbottle on the bench. I look at my waterbottle thinking back to the boy in the park and his brother, they looked about my age.
I open the snack cupboard and take out a pack of sour patch kids I grab my book and water and head up to my room.
Closing the door I chuck the sour patch kids on my bed as well as my waterbottle .
My room isn't very big. It has light gray walls with windows on both the front and the back of my room. My beds near the front of the room, my conserlation bedding make my room look more  neater for some odd reason. I have about fifty thousand plants dotted around in different coloured plant pots. My room doesn't really have a theme it's just random.
For a small room I have a lot of stuff and I don't even need it. I don't use the things so there's no point in having them but it's the fact that most of the stuff is gifts and things that I might in the future, who knows.
I walk over to my bed and  get on. lying on my stomach I reach to my right and put my book on my book shelf that has far to many books for it, and if I'm being honest I have 4 books on the go that need finishing.
I open the bag of sour patch and start scrolling on Instagram.
After about 15 minutes I get bored. I chuck my phone to the side and get up from my bed streching as I do so.
I hear the door open and close from my mum coming in from work.
"I'M BACK " she shouts. My mums pretty chill, just don't get on her bad side.
"OK" I shout back
"is your sister In?"
"no, she's staying at jasmine's tonight"
" should we order in tonight then"
I run out of my room and down the stairs into the sitting room. Not only is my room small every rooms small. My mum's sitting on the sofa scrolling through what I'm guessing is a takeaway menu.
"how does Chinese sound?"  mum says looking up from the menu on her phone.
"yeah that sounds great"
We normally order in if maddison is out because she doesn't like eating fatty foods, she says its going to ruin her skin and figure . I mean when I was 14 i had okay skin a few spots every now and then  but I didn't stop eating stuff  because of it. The acne has gone now thankfully, and I'm happy about how I look because I relised that unless I get plastic surgery, which is hella expensive, I can't change the way I look.
About 12 minutes later mom gets a phone call.
I don't pay attention until I hear my name being mentioned, I turn my head towards mum now interested in the conversation that mums having.
"No, I'm sure she'll be fine with going, one sec, I'll tell her"
"y/n, sweetheart, maddison wants to go to this concert thing with jasmine in 2 or 3 weeks, apparently they have vip tickets or what ever you call them. And they want you to go are you okay with that" she says looking over to me
"yeah, sure, I don't mind"  mum turns back to facing forward again.
" your sister says yes she'll go with you"
"Okay, bye love you" mum hangs up the phone and turns back towards me.
" Are you sure you're okay with going?"
"yeah I need to get out anyway, did she say who we're going to see"
"no I don't think so, only that they have back stage passes, apparently jasmine's parents bought them for her and accidently bought 3 instead of two without knowing. You know how rich people are"
Hi everyone thanks so much for reading.
I have no clue what happens at a concert cause I have never been to one never mind back stage so please bare with me. I'll try and update as much as I can.
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