#there are so my more so i might make multiple parts

[vaguely-concerned]

I don't know what I love more, the fact that as rook you can make a statement in NO uncertain terms that you are NOT responsible one way or the other for the theological implications of the shit you're discovering in the 'regrets of the dread wolf' memories. not my jurisdiction. quite simply none of my business. not my chantry circus not my chantry monkeys. irrelevant to the matter at hand here we'll kill that god if we get to him he can get in line. or if the best thing about it is seeing the lone little 'lucanis approves' that pops up right after choosing it. corvid with a knife about to commit deicide keeping it real and sensibly, pragmatically, wilfully agnostic with me here in this magical lighthouse today

[alpaca-clouds]

Let's Talk About "Marvelfication"

Okay, let me try to get this out of my system, because I do have some thoughts on this one.

See, as you know, I finished Dragon Age: Veilguard last week. And I did enjoy the game. I never was that attached to the franchise. I really enjoyed Inquisition back in the day when it came out, but after doing two runs with it never have really returned to it. I also did play one of the older games, though I am not fully sure which one, because it was a long while ago. But I just never got that attached to the franchise. (Which mostly has to do with my own personal issues with High Fantasy.)

But that is not what I wanted to talk about. What I wanted to talk about is more the thing I have seen now multiple people call out: "The Marvelfication" as some have called it. And mind you, I absolutely do agree with this: There were several scenes in this game where I thought to myself: "This feels kinda MCU."

However, what I kinda want to talk about is the specific wording here: "Marvelfication." Because it is super understandable that the first thing that comes to mind (for me as well) is the MCU. But I think the issue is way deeper than "MCU is popular, so let's do something like the MCU".

A lot of folks on Youtube and other platforms have talked about how a lot of "tropes" that people blame on the MCU are actually older than the MCU. The reason people associate it with the MCU is moreso that the MCU is just fucking everywhere since it became this big thing. It is what defines the media landscape.

The big issue actually is another one, though: Those tropes are everywhere because in a more and more conservative media landscape they are considered safe. These types of jokes are not risky in any way. These types of characters are not risky. These types of stories are not risky.

It is stories that are set in societies that are messed up, and then there is a big conflict that only tangentally relates to the ways the societies are messed up in, and then that conflict is resolved but the status quo does not change.

And that more than anything is what I would criticize about the game. Outside of very prominently centering some trans issues, the game has taken very little risks.

I wrote about that a bit last week in comparison to BG3, how safe the companions in Veilguard feel. This shows so harshly in direct comparison to BG3, because really, Larian sat down with player and told you: "Those assholes are your companions. Take it or leave it." Those people I know who never finished BG3 mostly never did because they could not stand the companions. Meanwhile those who, like me, got obsessed with the game, mostly did it because it feels so fucking satisfying when you start to get through to the companions after they started out as those assholes. This satisfaction is something Veilguard never really offers you - because... Well, I can assume that some of these characters had some edges at some point. But whatever edges there had been, those have gotten smoothed down, so now everyone is perfectly sweet. Sure, they might argue a bit here or there, and if you make decisions they do not agree with, they are gonna be pissy with Rook for a bit, but that's the most of it.

Same with a lot of other stuff. There is basically no sexual content in this game. You get one sex scene that is super tame and you see nothing - and one to two kisses per romance. No risk.

Any no matter what kinda choice the characters make, they are all gonna be nice, you know?

There is one thing in the finale of the game that is kinda risky, I will admit. But I will not talk about that yet, because I knwo a lot of people have not finished the game.

But for the most part the game does not risk anything.

And really, that is the core of what folks call "Marvelfication". Because pretty much this is also the issue with Marvel and Star Wars and pretty much all American made media: Outside of some smaller productions, some of which do well with the tumblr crowd but barely get any attention from mainstream audience (*coughs* Interview with the Vampire *coughs*) there is little risk taken. The humor is the same everywhere because this humor is considered safe. The characters feel kinda samey everywhere, because those characters are safe.

It is why I have stopped going to the cinema, because these days there are barely any movies I consider worth watching. It is ironically also why I have recently watched a whole lot more Japanese stuff, because it is easier to find stuff there that does not play it that safe.

It is also why I do these days mostly consume western stuff that has a 18+ rating on it - because at least with that stuff I know that it probably is not gonna play it "safe".

I just wish some media took more risks. I want those medium budget projects back, that cost like 30-50 million, so can make a profit with 100 million at the box office, without doing billions. I want some stuff in there that is not a big IP. I just want... stuff.

Right now I am looking at the soon end of What We Do In The Shadows, mostly because it is one of the few things on right now that does some risky stuff. And I miss those SyFy low budget originals, because some of it was kinda risky. Ugh.

The issue is not Marvel. It is not even Disney. It is that the creative industries in the US right now mainly put out big budget stuff that because of that big budget needs to be loved by everyone.

And look, I am trans. Hence I absolutely do see some value in the fact that Bioware clearly took position and said: "Okay, we get to do one risky thing, so that thing is gonna be to incluse a variety of trans characters." Which I love and respect. But I kinda wish the game had not been quite that pretty and instead also included a bit more edges on the characters.

... But I guess in the end there is still fanfiction, where I can still make the characters messy. lol

[zerokurokawa]

Enemies to lovers with izana or ran. But the reader has a traumatic past so she has severe social anxiety. PLEAAASEEEEE!! I just read your work and I ABSOLUTELY LOVE THEM

😍

Not My Fault | Izana x Reader (Enemies to Lovers: Part One)

Izana was the leader of Tenjiku and you knew he had been at fault for the multiple bad things that had been happening around the city of Tokyo. You tried your best to avoid him, however, trouble always found its' way to you. Red coats would scatter the streets as you made your way down the sidewalk; hoping they would just ignore you. Turning the corner, you felt as if someone was following you; watching your every move. 

As you were rounding the corner, you found yourself with a sight of multiple men beating up another opposing gang member. That's when you spotted the white haired man, the one who you despised. You and Izana had a past with him trying to recruit you into his new gang, however, you rejected his advances and ever since then, you felt as if he had followed you. He knew that you were a trained fighter and a good one at that. He kept a close eye on you even though you had made it clear you didn't like him nor would you follow him. You turn to walk away before sharp eyes snapped in your direction, calling your name. 

"Y/n... come here." Izana said as he landed another kick to the poor guys' stomach before laying him down completely. You continued to walk even faster, knowing that you were no match for Izana Kurokawa. Footsteps followed you and next thing you knew, you were in an ally way with a gate closed off. 

"Great, dead end..." you muttered to yourself. You turned around to see him with three other Tenjiku members behind him. 

"Dead end indeed. Now can we talk business or are you going to run away like you always do?" Izana spat in a sarcastic tone. 

"I want nothing to do with you or your evil antics, Kurokawa." You spat back, backing up against the gate as he approached you. 

"Just join me and you will have nothing else to worry about. I need a female fighter on my side when we go against Toman." He tilted his head to the side and stepped forward, now only a few feet away. 

"You don't need a female fighter, you want a female fighter. There is a difference." Your back was now fully pressed against the gate, not allowing you an escape. 

"Okay... you caught me. Maybe I want you because not only are you strong, but you're smart, cunning, and might I add, adorable." A crooked smile spread across his face as he said these words, making you turn your head to the ground. You had to admit, although Izana was evil and ruthless, he knew how to make someone feel small. 

You didn't say anything. Instead, you go to make a break for it around him. You felt his arm stop you dead in your tracks as his men stood guard, ready to catch you unless he didn't. 

"Kurokawa-" He stops you mid sentence. 

"It's Izana to you and you only." He stated, still holding you by your waist tightly. You start to back up again but he didn't loosen his grip on you. He looked down at you with his lilac eyes and leaned in to your ear, "Grab a bite to eat with me and we'll talk it over." 

His words rang through your ears, making you even more uncomfortable than before. He was always scolding you, stalking you, making you afraid to even leave your own house but now he's offering to take you out to eat? It made no sense at all. You stood there in shock, thinking how you could possibly get yourself out of this situation. You glanced over at the three Tenjiku men and then looked back at Izana. 

"Izana, I will go eat with you on one condition." You decided on a split second with no time to think. All you knew was that your fight or flight senses were through the roof. 

"And the condition is?" He asked, somewhat softly. 

"You leave me alone afterwards." You stated, looking at him sternly. 

"Deal. Now let's go." He then grabbed your arm and practically drug you behind him, shooing off his men. 

After a few moments of walking with him, in silence, you arrived at a restaurant clearly chosen by Izana. Picking a booth in the far back with dim lighting, he sat across from you with a stoic look on his face. His arms were on the table with his fingers intertwined as you sat with your hands under your thighs, clearly uncomfortable. 

"So, hear me out before you make your ultimate decision." He stared into your eyes. 

"Go on." 

"If you join me, there will be money involved. You won't have to fight unless I deem it necessary. I can also offer you protection and a place to live if you need so." 

"I don't need any of those things, Izana." You responded as you took a drink of your water. 

"But I know you want them. I know you and your mother don't get along. I know that you are working and struggling to pay the bills. I know that-" You had cut him off mid sentence, choking on your water. 

"How do you know all of this?" You asked with your brows furrowed. 

"Ive been keeping a close eye on you. I also know that Toman is trying to recruit you as well. You're a level three black belt. Ive personally heard stories of your fighting skills and I know that you would succeed with us." He leaned back into his seat and put his hands in his pockets. 

"I can manage without the criminal activity." 

"We will do all the dirty work. We just need you on our side." He said softly. You knew what he was doing - manipulating you into thinking you were a dire asset to the gang. 

"Can I think about it?" You asked, still trying to at least escape the current situation you were in. 

"I'll let you think about it. You have three days to make up your mind." 

"And if I say no?" You asked, tilting your head to the side out of curiosity. 

"Things might get bad for you then." He said as he stood up rather quickly and made his exit. You weren't even able to get a word in before you heard the door slam. Turning around, you see him walk off rather quickly. Taking in a deep breath, you reminded yourself that you had a decision to make.  

(A\N: This is my first time writing since I lost my dearest love. Please forgive me if it's not great and forgive me for being extremely late on it. <\3)

[m-says-hi]

Hello!

I have more sampo thoughts! Surprisingly, not about the recent event but an old event. Or not even the event itself, but something from after it

The memory bubble you get after Aetherium Wars.

Couple of things about memory bubbles before I bring up Sampo or this particular bubble’s contents. After some (admittedly brief) research on bubbles, I’ve learned they’re created by Memokeepers to preserve memories and are usually stolen from the original memory holder. In the game there are 21 memory bubbles. 20 of them belong to Herta and can be found around the Space Station. The last one is the one from after Aetherium Wars and is found on Jarilo VI.

I haven’t interacted with any of the memory bubbles myself, but I have read through all the dialogue and descriptions on the wiki. The 20 belonging to Herta all seem to put you in the pov of the memory holder. It tells it more like a story, kinda similar to Simulated Universe?

But the Aetherium Wars Bubbles only gives dialogue (very similar to Sampo’s character stories) making us more like an observer and not part of the memory. Unless we’re watching the memory of someone who was watching the conversation, but I feel like there’d be more description of the setting if that were the case.

I could go on about the content of the conversation, but I think we’ve all read through it multiple times. What really caught my attention was the beginning and end dialogue of the bubble.

(taken from the wiki. I haven’t done aetherium wars yet ;-;)

Four things stick out to me right away:

The game/The trailblazer’s thoughts notes this feels different

As I mentioned before, there is no description of the scenery showing up before you, but just two figures. My guess as to why is that this bubble wasn’t created by a stolen memory, but was made by the memory holder (or at least the memory holder was involved in the process). The memory holder being Sampo

2. There’s an implication that this bubble was left on purpose

This only adds to the point above. There’s a strong implication that Sampo left this for the Trailblazer to find. You also get an achievement for finding this bubble called Confessions of the Mask which. That kinda says it all.

But now I have two questions, the first being how? It's not said explicitly, but in a conversation with Herta it's implied that Memory Bubbles are only made by Memokeepers. So, if this was left by Sampo, either he got a memokeeper to help him (extremely possible) or he has the power to do it himself (extremely interesting)

My second question is why? 

Why would he tell us? Why is he telling us in this indirect way? My guess is it has something to do with his mask. The conversation in the bubble mentions Penacony and Sparkle. So,this was probably around the time Sampo started planning to go to Penacony to get his mask. I discussed this with a friend, and she suggested it might even be some sort of warning, which is why it’s done with a memory bubble. 

That sort of reminds me of the recent event, where Sampo spills a lot about the Fools and the Tavern, information that you would only really know as a Fool, but said it in a way that implied he wasn’t a fool. That he heard it from somewhere else, someone else, not that he knew it first hand. I wonder if his mask is sort of.. Making him unstable? (He grew increasingly dark every day) And the 7 day event was another warning. Warning of who he might become when the mask fully takes hold and a warning to not become like him

3. The game/the Trailblazer’s thought recognizes that there are multiple mysterious things about Sampo

Maybe this isn’t as important as I’m making it out to be. After all, we all know something is very Off about Sampo. But the Trailblazer recognizing it feels significant to me. It feels like further confirmation that eventually we will unravel these mysteries. Eventually.

4. “When talking to one who wears a mask, always keep your wits about you.”

This. THIS. This statement has been driving me mad since I first saw it. When I read those words I immediately thought of the translated statement from Topaz’s trailer:

“One who is unaccountably solicitous is hiding evil intentions”

(if you have no idea what I’m talking about, it’s one of my first posts)

The statements are not the same. But they feel so strongly similar, like they go hand in hand. Both are warnings. Both tell you to be careful about people who are not how they appear, people with masks and people who are falsely sincere. Both are talking about Sampo. Looking into this made me realize just how many times we've been warned about Sampo. Half of those times being Sampo himself

Something about it just makes my brain light up with possibilities and I feel like I keep pushing the statements together waiting for something to make sense and explain everything else, but I’ve yet to figure it out. So I’m left here just kind of going insane

But that’s all I have for now! Maybe someone else will have something

[celerifleuri]

How did you code the game?? I'd like to make my own game in the future and I'd really appreciate some tips or tutorials if you have that😭😭(THE GAME WAS LITERALLY SO GOOD AND I WISH THERE WAS A PART 2 ICL)

as much as i love complaining about renpy, it is actually pretty simple and straightforward!

two links before getting more into it

the renpy documentation, your most reliable friend

the current script for hold your tongues, so you can see for yourself what the code is like vs what the game you get looks like

(might not be the most perfect/efficient code but it gets the job done!)

the way i went about it was basically in multiple rounds of edits, each focusing mainly on one aspect

you want to have your lines written first (doesn't have to be the final version, you're very likely to edit a bit as you go) so you can arrange them into proper code ("", associated characters)

+ i personally did it later for readability but you might want to think about the flow of these lines there too ({w} click again, \n new line, {p} them both)

while doing that (or when you're plainly writing too), i recommend adding notes of images, expressions, sounds you might want in specific places. this will make your life easier

because images (especially if you have a lot) take time to code and can definitely drive you a bit insane!

starling. has 2 bodies (+ associated faces)

so that the game doesn't get needlessly heavy, you separate the body (always:, so it is always there when you show the sprite) and the faces (you could even separate the facial features which gives you more things to code but can also give you more freedom)

these two types of files won't magically attach themselves perfectly on screen so be ready to potentially have your eyes suffer a bit!

you need to fuck around with the pos(x, y) until it looks fine ☺️

as for maelyn, she's shown as a side image so

the key thing here is to title the files side [name] [expression]

and when defining the characters, associate [name] as their image so the side image shows even when the other characters are speaking

for other kinds of images (like bgs, cgs), you'll find everything on the documentation and forums if needed!

now for sounds, you'll also easily find how to code them on the documentation but for where to find the actual sounds, i recommend

good luck with your game and don't worry too much, there are lots of resources out there!

as for a part 2 well there won't be a very long continuation of one ending especially (for fairly obvious reasons) but i do have lots of bonus episodes planned and all of them combined would probably be longer than what's currently out (too many ideas in the brain, not enough time 💀) so yeah you can look forward to that

[hexlenx]

Could you do a story where Sergei is tough, but also overprotective of the protagonist, pls?

I love your stories

A/N: ABSO-FUCKING-LUTELY. I am so glad you requested this because lately I've been obsessed with sergei and have been thinking of a way to make a small fic about his toxic self so you requesting this gave me an idea! Thank you so much anon! It might be a little different from your request though but the tough part as well as overprotectiveness is still there, just more dark themes. I hope you don't mind that though, I just feel like it fits more with his character.

YOU'RE MINE, ALRIGHT? — sergei kravinoff

note: I do not own this man because he owns himself, periodt. This is made purely out of entertainment purposes!

warning!: violence, age-gap, (somewhat) toxic relationship, little blood, swearing, sexual harassment, mentions of death, 18+, and sergei being hot (man is a warning himself) mdni

__________________

You were only taking your nightly stroll in the forest while your lover was in the cabin somewhere in the woods that he made you move in after knowing each other for a while. Your relationship with him was not really ideal but you loved him with all your heart and vice versa.

Your lover might not show it but he cares about you more than he let on. It worried you for quite some time now that maybe you weren't good enough for him, you refused to do such things that he called 'the hunt'. You weren't prepared to do something so unnerving. Surprisingly, he agreed to let you prepare after a bit of arguing and silent treatments of course. Still, you thought that he might leave you because you have never done anything for him other than sit still and be pretty.

But you were so wrong.

Sighing as an owl hoots through the trees and crickets sounding in your surroundings, you now began to walk towards the path to the cabin. You've basically just walked straight from here to there so it wasn't that hard to find your way back.

Noises of leaves crushing alerted you as you walked down the path. Multiple voices sounded from the right side of you but before you could hide, a bright flashlight flickered towards your figure, blinding you.

Hissing a bit from the bright light, you blinked your eyes before your vision focused to four males who looked about a couple years older than you. An ache appeared in your stomach as you felt like you had a bad feeling about the situation.

"Well, well. Look at what we have here." One of the men whistled as his eyes looked at your frame up and down.

"Quite a looker, right?" The other one on his right licked his lips in anticipation.

"Think we could use her for entertainment?" Another one from behind snickered. As if a light bulb appeared on top of their heads, their eyes lit up dangerously making you step back in fear as you heard their conversation.

No, please don't.

"Don't worry, doll. This will only last for the whole night." The man in the middle reassured but it was anything but reassuring. Before you could sprint off, one of them had already grabbed you by the arms, arms tightening around you as you continued to struggle.

Fear was evident in your eyes as tears started to prickle in them. This cannot be happening, you thought. You were a bit far from home so you couldn't scream for your lover because of the distance. You were now sobbing as the men took their time in touching you. Hands ripping off your shirt leaving you in your bra as well as your lover's boxers that you wore since you've used all of yours already.

You could feel their hands groping each part of your body before they finally decided to spread your legs. You were struggling to close it because multiple pair of hands were pinning you down to the ground next to a tall tree.

Sergei, that was the only thing you could think of.

Sergei, my love.

Sergei, please.

Save me.

"SERGEI!" You suddenly screamed out your lover's name making the men flinch from your voice.

"Fucking hell—this bitch is so loud!"

"Scream all you want, love. But no one ain't gonna hear you here." They all laughed as you kept sobbing. Why must this happen? Your bra was long forgotten as you tried to get your hands free but alas you cannot. The man between your legs then lowered his head towards one of your breasts but before he could latch on it a loud thump interrupted them.

"You dare.." A deep voice growled out as the four men stopped what they were doing. They slowly looked up and saw a very muscular man that stalked over them. His eyes glowing in a yellow serpent like color, his forearms hardening, as well as a very dark and murderous look on his face. The man menacingly stalked towards them as the men were quick to scramble up to their feet fixing their clothes before sprinting out.

The man immediately chased them and since all four were running at the same direction, he jumped high and landed in front of them to stop them from escaping.

"You dare to break and enter my forest, not only that.." He continued his words from before. Grabbing one of them by the neck he tossed him to a tree, hard. Making a sickening crack to be heard in the air, causing the others to look at the man in fear.

"You hurt what is mine."

You woke up in a familiar room and the warmth surrounding your from the fireplace. You were confused, weren't you just in the forest taking a nightly stroll while your lover was busy?

Just then your head started to ache as you remembered what happened. You hugged yourself as you now began to sob quietly, you were harassed, sexually to the point that you were ripped off your clothing. It made you feel disgusted with yourself, what would Sergei think of you now?

Footsteps sounded from behind you as you continued to wrap your arms around yourself hoping to shield yourself from the exposure from the world. Hot steaming food was suddenly placed in front of you as you blinked from surprise before looking away, not wanting to consume any food.

"Eat." It was your lover. Sergei plopped down on the spot beside you taking the spoon topped with food from the plate before putting said plate on the drawer beside the bed. He grabbed you by the chin before gently forcing you to look in his direction. This gave you no choice but to eat the food on the spoon he held up.

This continued for a few moments until you finished your food. The silence was deafening and it bothered you but it seems like your lover doesn't see that.

"I'm sorry."

Sergei paused from cleaning up the table before looking at you, confusion evident in his eyes despite his face unchanging.

"O—other men touched me..y—you probably don't want a woman like me a—anymore. I mean, I wouldn't as well.." You coarsed out as tears began to fall from your eyes as you look down in shame. You couldn't look at him in the eyes, you were so ashamed of yourself, hell even disgusted. You felt so dirty as you could still feel those men's hands all over you, tongues licking your neck, fabric tearing away from your skin. It made you feel ill.

Suddenly your face was gently pulled up letting you make eye contact with a pair of dark brown eyes that was in a fixed scowl but if you looked closely, it softened the moment you both made eye contact.

Sergei didn't know how to comfort you as growing up, all he knew was violence. But he did the only thing he knew he could do.

He kissed you.

"I'll make their hands disappear and make you remember mine, instead."

[vir-tanadahl]

Evanuris and Spirits Part 2

Evanuris and Spirits Part 1

I'm going to expand more on topic here, like I did on this reddit thread because it is fuuuun. This is also me just completely theorizing things because it is fun, but I also didn't explain my thoughts in my initial post.

Another person commented on Reddit that they thought that the Evanuris were more complex spirits and that DAV confirmed this; however, I don't remember this but the idea of that they could be more complex spirits is fun to me because spirits are represent emotions and there are different "levels" of emotions so to speak.

We have our Reflective Emotions (emotions that require more thought), Routine Emotions (our day-to-day emotions), and our Reactive Emotions (based on survival).

The idea of some spirits being more complex also is interesting because it also plays into the idea of more complex emotions. For example, happy and excitement are similar emotions, but one is more high energy than the other.

We experience different types of emotions, each serving unique roles. Reflective emotions require deeper contemplation and introspection, routine emotions are the ones we experience daily, and reactive emotions are immediate responses rooted in survival.

The idea that some spirits are more complex is intriguing, as it parallels the concept of layered emotions. For instance, happiness and excitement are closely related, yet they differ in intensity; excitement is a higher-energy state than happiness--but one can argue that excitement is still a form of happiness.

We also see hints of this complexity in the game, where some demons we encounter are more nuanced than a typical rage/despair/desire demon.

So, take Wisdom for example:

What if a Spirit of Wisdom could be formed through various experiences, emotions, or interactions with other spirits/the world? There could be multiple pathways leading to wisdom, with this being just one possible example.

Now, let's turn our focus to the Evanuris - for the sake of this post, I will only focus on her. I might break down my thoughts about the other Evanuris a bit later though.

Mythal: Benevolence (as confirmed by Morrigan)

[Justice] + [Compassion] = Benevolence

Fairness + Integrity = [Justice]

Love + Empathy = [Compassion]

Benevolence is a virtue that embodies kindness and goodwill, often driving acts of charity, care, and support for others--it's more than just kindness. Benevolence is active and purposeful, driven by a desire to make a positive impact on others' lives, which is where we might see the manifestation of Justice.

I think it could be more than just if X is corrupted, it must be corrupted into Y.

Some may see this as a retcon of the lore, but I view it as an expansion. Much of Dragon Age lore is presented through only a few perspectives, and when it comes to spirits, the Fade, and other similar topics, they have historically been demonized and regarded as dangerous. This fear likely obscures a great deal of knowledge, suggesting there is much more we don’t know.

[dark-overlord-of-rainbows]

Drawn Nov 4 - 11 2024 My part of an idol trio with ARaccoonNamedPeacock and N8-0. The red-haired character is Kira and the blue haired one is Yukio.

I uh. really read peacock's description that read "pop group" and "girls preferred" and went "counterpoint! goth enby," huh? okok I'm joking-- they weren't requirements, and I did consider both people's designs and the rest of the description when doing my own and doing research.

So this character doesn't have a name, I haven't actually picked a gender either, but they're a panda dwarf cichlid - since I decided to go for a yellow character to fit with the others and that fish is yellow but also sometimes has red and blue which fit with the other colours.

It's not super obvious with the outfit but I did try to give this character scoliosis and the darker brown on their cheeks is melasma.

There's obviously alt influences in this character, but I was also looking at Ouji Kei specifically. I used this person's wardrobe for a lot of the reference

The colours of the top left one were my second pass I think? the first I don't have anymore but it doesn't matter they were very obviously not meant to be a final

The ones on the middle and top right are my third which I just edited today. brought some more focus on the yellow and attempted to bring the colours from the other characters into it but eh. The red is from Kira but all of Yukio's blues were too bright

The top right I simplified the design a tiny bit, since I wanted to do "maybe a little overdesigned" with mine: but also for ease of drawing and the fact that they're with two other characters they need a simpler version

I also was attempting peacock's style with that one because when designing this one I wanted it to still be different from my other characters and be interesting for myself, but also make sure that it kinda fit her style without changing too much? N8-0 will have to figure it out himself if he wants to draw them though, sorry lol

The bottom one I drew the three together for one last seeing if they fit together and making adjustments to my colours, as well as simplifying the design further/differently

I do like the extra colours but I felt like mine stood out a lot and in the middle of figuring out how simplified I wanted it I realized that the fact that this one's "the yellow one" wasn't as clear so I ended up just making them mostly yellow. It's fine anyway, Kira was the first character here so she can look more of a main character. I kept that little bit of red from kira though and ended up being able to take one of Yukio's blues for the eye there

I might change the skintone back to being a little redder and differentiate the yellows more again though, I think that's a little weird but I don't wanna look at this anymore. They've got multiple options now

[brainscrems]

I think this oversimplifies it, to an extent. I think there are a variety of issues, the leading one being that the republicans have become masters of propaganda and the democrats have proved unwilling or unable to counter at the same level. I think a large portion is that people vote on what they feel, rather than the policies they see. People consistently like democrat policies over republican ones in polling, but hate the democrats. The only explanation for this, to my mind, is the propaganda campaigns. These demographics are fed lies, day in, day out, about “the woke left” coming for their rights to freedom of speech and religion. Telling them there are all these things threatening their way of life. I cannot interpret this vote as anything but a rejection of the democrats and harris, instead of a vote for trump. And here’s where the, “being nicer” comes in. People like radfems and other assholes are frequently among the first voices an outsider to the left here’s coming from the left. Let’s say you’re 20-year old growing up in a place where your exposure to the outside world is mediated largely through fox news and people who like fox news. That’s the information you’re taught to believe. You get taught about the, “radical woke left” and shown cartoonish examples of what it is. And, well, there might not be anyone openly a part of the left, for their own safety, where u live and you may not have the means or desire to leave anytime soon. But. There’s the internet. You go on to talk to people on the left, see if they’re really what people say they are. You see some voices saying more reasonable things, but, ofc, this is the internet. The more extreme takes tend to be the ones publicized. So this young person starts trying to explore the left and runs into people like radfems and gets scared out of investigating further. I don’t think this is simply a matter of, “being nicer” to people. I think it’s a matter of countering the image problem that the left has among centrists and moderate republicans. That we are represented by our most extreme and outrageous voices. I think there are multiple components to this that should be done in tandem. The same way the right has all these podcasts and misinformational entertainment platforms, we need the same. Except ours need peddle truth instead of bullshit. Part of this campaign needs to be making leftist ideals represented by the people who make up the bulk of our numbers. Rational reasonable people fighting for a better world, not the smaller number that exist who fit the strawmen the right paint us as. Another part is creating space for those 20 year olds who have never really talked with a leftist before. We need people from those backgrounds doing the outreach to them. We need people to show them that we offer a community built off of working for a better world for everyone instead of the community build off of hate the right offers. It’s not about being nicer. It’s that often the first people these young impressionable people come in contact with are the most extreme voices of our movements, the ones who DO actually hate them for their identity and background. They then assume that they represent all of us. If instead we had strong outreach to those people, promising them community and direction and unity for the work to improve their working conditions, build unions, fight for higher pay, we could get them to start listening. Dems promise these policies but the media they encounter tells them that they’re just lying, lying, lying, or that they’re not proposing them at all. What we need is to show them that we are not something to fear, but a cause worth fighting for. I don’t think it’s “being nicer” that we need, I think it’s information campaigns to make us people to trust, to make our communities less scary to those who’ve never met us, and to make the most extreme of our voices seem as fringe as they actually are.

the thing I don’t get about both the Women need to be Less mean to Men and also Democrats Need to be Nicer to Republicans in the U.S. context is like…. Man if anything, what the 2024 election cycle showed me is that there are many people who don’t want their politicians to be even civil about them. The “let’s just have an all American shindig!!!” Song and dance?That was the democrats. Jd Vance wrote a whole book about how much the white working class from the area he came from were lazy criminal freeloaders he was somehow better than. he won in Appalachia. Trump has now had 8+ years of violent grab em by the pussy misogyny. The majority of white women voted for him. Trump has also had 8+ years of violent I Hate Latinos Bad Hombres messaging, including a graphic comedic description of their sexual habits at a rally right before the election. The majority of Latino men still voted for him. If there’s anything that seems to be suggested is that plenty of people respond well to people being mean to them and distrust civility. I don’t know what to think of it.

[maxedes]

Formula Skippy

„Once upon a time, there was a SPC Schwarz stationed with the Army in the Balkans. SPC Schwarz was either very clever or very bored; but probably both, since he managed to attempt or be warned about 213 things he wasn’t allowed to do. He collected those things into a hilarious list and posted them to the web. […]

First, a word of intro For those of you that don’t really know Skippy, he’s a friend of mine that, in a sad state of sobriety, decided to join the Army. He’s also one of the Universe’s great agents of Chaos and Discord. Feel free to email him with whatever questions you might have, and don’t be concerned about whether or not he knows you or even if he understands what the hell you’re talking about. I don’t. BTW: Skippy is in Psyops. The first time I met him he was wearing a kilt made of fruit roll-ups. Now, on to the list!“

skippys list x f1

(part I) (part II)

[welcometogrouchland]

(ID in alt) hi sorry for back to back marvel fanart I swear I still have dc stuff lmao. However I did recently read X-Men: first class and got a bit carried away doodling this after Lmao

[averlym]

litany of the martyrs (click for better resolution!)

[stellar-solar-flare]

This popped up on my dash and since you said that the conversation is open, I thought I would share my two cents, even if it might be stuff you are already familiar with and do yourself. I don't think I'm in the same fandoms as you but things mentioned here are observations made from multiple fandoms. Although I have been writing in AO3 instead of tumblr for the most part, my experience here comes from writing almost exclusively Steve Rogers longfics (mostly 50k+ words, 10+ chapters) from 2021. I don't claim to be super popular - I'm just reflecting on the relative differencies I have noticed in my engagement.

First of all, please don't quit a series just because it has been over a month. That's not a long time for an update at all! If you're writing fic, it's something you do on your free time without getting paid, so there's absolutely no reason at all to apologize life getting in the way.

From my own experience, I have to agree with the consistency and speed of updates being pretty big factors on engagement. I have noticed most reader engagement when I have been able to push out one or more update a week for multiple weeks straight. It helps people stay engaged with the story and invested when the story is fresh in their minds. But then again, I have gotten a lot of comments when coming back from a hiatus too so I think it's not the only factor at all.

Writing a lot, even if it's not the same series, helps keep one's fics on people's minds, and helps establish you as someone who writes X character (with a certain kind of characterization). I share sneak peeks sometimes, but that's just because I am too impatient to wait, they're not from 'marketing' standpoint. Personally I try to focus on writing and let the writing itself do the rest, but I do make a point to reply to comments and thank people, even if that is sometimes very delayed, so that they know I appreciate them. I also don't talk badly about my own writing, because as a reader, seeing someone do that can very easily turn me off from reading their story. (To be clear, I don't mean venting about the human frustrations of writing but publically calling your own stories bad etc.)

One of the big things for me as a reader and a writer is having multiple storylines going and having 'hooks' in the story, so to speak, so that the readers know what they're looking forward to when the story continues. Cliffhangers are the ultimate form of this but things like a character uncovering a partial piece of information that raises questions work too. I spend a lot of time establishing chemistry, both romantic and platonic, so that the readers have something to root for.

Then again, engagement always depends on the story. Some things do better than others. Sometimes I think a fic is going to be well-liked and it doesn't get much attention, sometimes a thing I thought was just pure self-indulgence gains a lot of reader interaction. Which brings me to my next point - I think that the writer's enjoyment bleeds through the story to readers; things that I have enjoyed writing the most are my most popular fics. And sometimes when I think I'll write some easy 'trope soup' that'll get a lot of interest, it's crickets. I think there's a lesson there for me.

I try to engage with people and be a part of fandom beyond writing. I read and comment other people's fics, I reblog stuff, I talk about everyday things and try to stay active even when I have no capacity to write (happens to us all). It helps foster a sense of community, and while it's not self-serving and I read and comment out of genuine enjoyment, ultimately being active in fandom and engaging with writing helps us all. It does feel like current fandom population doesn't comment as much as they used to, which is a shame. But I try to be the change I want to see in the world.

It's also worth noting that sometimes there are these 'lulls' in fandom where everyone is sort of quiet and busy with life, I assume. Like major holidays. They just happen, and the season will change again. Also, scheduled reblogs and comment replies help reach different sets of people.

Finally, focusing too much on the stats is a thing that for me is a road to madness that sucks all enjoyment out of writing. It is human to want engagement and look at the pretty numbers but again, what matters is the enjoyment you get from a story. Personally I have written a 250k longfic in a tiny niché that was commented regularly by one single person and occasionally by about five people. And I still love that fic to death and am so proud of myself for writing it.

That's my two cents, from my personal experience. As always, they should be taken with a grain of salt, and they might not be universally applicable. I wish you the best with writing and hope that the muses are kind to you.

Writers of multi-chapter fics:

How do you keep your readers engaged as the story gets longer?

I've heard from many, and seen it myself, that interaction drops significantly as the chapters accumulate (which I honestly do not even understand...hence why I'm asking this) but I've also seen a lot of writers who have quite lengthy fics where the engagement and excitement seems to stay consistent throughout.

They're receiving asks with comments and questions about the latest chapters, the reblogs are abundant compared to likes, and I'm just curious if there's anything anyone does differently to help maintain this other than just being a great writer 🤣 (which I'm realizing is probably the key thing and that there's nothing to do other than just be able to write a really good story which I'm clearly not haaaaa)

I've tried sharing snippets of upcoming chapters in the past and they've always fallen on their face, I've released chapter playlists, etc so I feel like from a "marketing" standpoint I've done what I can? And also as writers we shouldn't even have to work that hard to "promote" our fics considering people ask to be on taglists and what have you. (This is the site for sharing and ACTIVELY participating in fandom...)

It's been a struggle to keep myself motivated to finish up my series and I'm starting to wonder if there's even a point now that it's been over a month since I've updated (which I realize consistent updates are likely a huge factor as well 🙃 but, you know, life.)

Anyway. Thinking out loud here. Any advice/conversation is welcome! 💗

[oceanwithouthermoon]

ive never liked powerless saiki aus because the entire conclusion of the series is him accepting his powers as being a part of him that he cant change so like.. in aus where the power remover works, half of his development is erased..

if he had been "powerless" for longer, we wouldve gotten to see him realize this himself and im genuinely sad that we didnt.. we got to see him realize that being powerless wasnt the change he wished it would be and that its something he cant change, but its literally over a two day long period and we miss out on sooo much potential development..

and then in aus where hes born powerless, people think he would have the exact personality and development that he THOUGHT he would if he got rid of/didnt have his powers, like NO ? "without powers he would be another satou-" NO he would be a shy, borderline flamboyant, weird, awkward, genius LOSER.

he would have a more normal relationship with his brother (still probably competitive but in a way more average sibling way and kusuke wouldnt have had the motivation to become so murderous) and he would probably be even more friendless but with less trauma.. he may or may not have ever befriended akechi at all, and the classroom incident wouldnt have happened.. even some of his current friends might not be around if not for coincidences due to his powers or direct involvement from his powers.. (nendo and kaido would for sure still be there though, but this only ensures the idea that he would be the biggest fcking loser ever)

he would still be saiki, but. his powers are a key part of him. he would be totally different without them, but NOT in the way he thinks he would..

[napoleon-usher]

KEYFRAME TUTORIAL FOR THOSE WITH A WORKING KNOWLEDGE OF PHOTOSHOP AND GIFMAKING

This is my gif with the coloring I want it to have eventually (including the manipulated color). I changed the yellows and reds in the scene to be purple. I want the majority of the gif to be purple and cyan, but do not want it to be on her skin.

First add a layer mask to the adjustments that are creating the color you want to remove. I used several layers to create the purple coloring, so I grouped them together and added the layer mask to the group instead of having to do them individually. In this case, I erased anywhere the purple was on her skin.

She is walking away in this scene, so this layer mask alone is not enough. This is where keyframes come in.

In the timeline window, scroll to the layer that your layer mask is on (or in my case, group). On the far left side, each of the layers should have an arrow which toggles a drop down menu. Click it and it will list options for Opacity, Layer Mask Position, and Layer Mask Enable. Make sure the current time indicator (small blue arrow and red vertical line in the timeline window) is positioned at 00:00:00 and then select the clock icon next to Layer Mask Position. It should place a small yellow diamond at the same place as the indicator. Each successive move of the mask will place a grey diamond at the timestamp that you move it.

CMD+click on the layer mask in the Layers window so that the area of the mask becomes outlined with a dotted line in the main workspace. Click the chain icon next to the layer mask in the Layers window to unlock the mask's movement.

The next steps are the most tedious. You have to manually move the layer mask every few frames to a new position that follows the movement of the gif. I usually zoom the timeline in so that each second is broken into six sections and pick a new layer mask position at approximately each section. If there is more rapid movement in the gif, you may have to pick new positions at more frequent intervals and vice versa.

After the initial layer mask is set at the 00:00:00 point in the timeline, select the next interval that you want the layer mask to move to. Do this by moving the time indicator to your chosen point. Now with the move tool, click within the layer mask and drag it to where it needs to be to keep coverage on your desired area. The longer/more frames in the gif, the more keyframe points you will have to select. This gif was about 2.5 seconds long and I used 14 different points.

These are just a few of the keyframes I made on this gif. You can see here that the original area that I erased in the layer mask doesn't quite cover all of her skin throughout the movement. I just erase a bit more until I'm satisfied with the coverage.

Once you have mapped all the points out, deselect the mask area and click the blank space where the chain icon was to make it reappear and return the mask to a locked position.

Scrub through the gif to make sure that the mask covers everything you want and also that the keyframes make it move smoothly. Shorter intervals and minor position changes between keyframes usually keeps choppiness (this normally presents as the mask noticeably jumping to a new position) to a minimum. You should not be able to notice the mask's movement except in the way it removes color from specific areas as intended.

Export and save the gif as normal.

This is my finished result:

[deoidesign]

Look at these stickers my brain is literally so huge. God. I love them so much.

I hadn't tried to do a sticker sheet at home before because I knew it would be difficult, and I was right! Getting the cut lines to line up with the print was super hard and there were many failed attempts, but it was so worth it I'm so happy with them!!!

This sticker sheet is for my patrons this month ^^