#there are other things which i do think would make it better but i'm really struggling to fix them

[very-grownup]

Whenever scolding or lecturing posts come across my dash I'm always confused by what seems like the imaginary people they're addressing, but I just spent time this evening with my niece and nephew.

I don't know if I'm the "cool" aunt in their lives, but I'm the aunt who would improvise dance music and bop them around when they were babies. I'm the aunt who wrestled with them and let them climb all over me and plop down and demand my attention. I'm the aunt who watched videos of giant cockroaches with them and let them lead me in games. I'm the aunt who tonight was shown many, many stickers of "Wings of Fire" dragons and asked my opinion on them and a rubber calculator where you can make a big number and then do minus a little number and if you keep pressing the equal sign you can see the big number going down and you can pretend it's the health of an enemy in a videogame. I'm the aunt who sat through so. much. Paw Patrol.

I think you probably have to do time in the Paw Patrol or equivalent mines if you want to be an adult in a child's life that they feel is part of their life, which is more important than being the cool aunt.

I do know I was privileged to have a cool uncle (did you know men-types can also have deep relationships with their younger relatives?). He passed away from cancer last year, tragically young. But he was cool. He was the coolest adult I knew as a child. He had turtles he cared for well enough that they were huge, stately creatures. He would wrestle you in the water and lift you high above his head and splash you down. He would take an interest in what you were doing and find common ground and engage with you about it and listen to you and he was the coolest adult you knew as a child. I was ten or eleven when he married my youngest aunt, so I was approaching teenagerdom which was a dreadful time, but it was when I started to learn about science fiction, mostly through comedy like The Hitchhiker's Guide to the Galaxy and Red Dwarf. But he /had/ The Hitchhiker's Guide to the Galaxy. He had Red Dwarf /novels/. He gave me a copy of The Princess Bride and Ben Elton's Stark just because. He recommended The Martial Chronicles. He watched The X-Files.

I don't think he was trying to be the cool uncle. He was just himself and paid attention to you enough to see who you were and talk to you about the things that made you feel like an adult.

After he died, there were a lot of comments and memories about how cool and involved and loving he was and I hope he knew that. I'd like to think I might be so remembered by my niece and nephew and the other children I've been lucky enough to have in my life.

It's not about being cool, really, but about being engaged with them in the time you spend together (I only saw my cool uncle for a week or two in the summer until I graduated high school) and being an honest version of yourself so they can find the part of you that they think is cool and building on that.

Because, in retrospect? Geologist with turtles who reads science fiction? Not particularly cool. Certainly not universally cool. And I imagine what other young people in his life responded to was different than what I responded to, what cemented him in my mind as a cool adult. Maybe he had his own Paw Patrol he endured to spend time with my younger cousins.

I don't know, I just love my niece and nephew a lot and I want the world they're growing up in to be better and kinder and I feel blessed when my autistic nephew takes my hand to lead me downstairs to play a game with him or, like tonight, asks me if I have Minecraft on my phone because he wants to be able to invite me to his Minecraft server. It's exhausting but still heart-warming how goofy and unselfconscious my niece is in her excitement when I come over and she forgets she's almost a teenager (she's eleven, but she'll be twelve soon, and that's basically thirteen).

...

God the Paw Patrol years were rough.

I know that a lot of you are banking on having little to do with your nephews/neices as children and then becoming their "cool aunt" once they become teenagers, but I think that you will find, upon analysis, that a random middle-aged woman stepping into a whole-ass teenager's life and arbitrarily declaring herself to be a "cool aunt" is, in fact, the least cool thing it's possible to do.

[nipuni]

Alright, time to share my opinions about Veilguard!! I have both criticism and praise so bear with me as I jump from one extreme to the other 😆 spoilers ahead of course!

The game has a very rough start with the dialogue being formulaic and rushed and the characters overexposing. It feels like a heavy handed attempt at summarizing all of previous games' lore for newcomers or in case you forgot but it's so overdone it feels coddling and trivializes a lot of previous events. Luckily this gets better once all of the introductions are out of the way, though the excessive hints and clarifications continue until the end sadly.

The locations are absolutely incredible and very diverse!! This is a highlight of the game for me. There is so much detail and care in every map and there are so many of them. My pc is struggling to reach medium settings and yet everything looks stunning. The verticality of the maps is so imposing and the graphics have a very dreamy quality that I love. I also enjoy the maze-like structure to the maps, it's more linear but makes everything look a bit more intentional. The color and light direction was amazing, all the visual development really!! it has to be one of the prettiest games I've ever played.

When I started I have to admit it did not feel like I was in Thedas and it all felt a bit theme-parky, if that makes sense. A lot of previously important and established world elements that made Thedas what it is were overlooked or made irrelevant. But the more I played the more it started to feel a bit more similar to Inquisition, for better or worse depending on what you feel about Inquisition. But!! this also feels like a selectively sanitized version of Thedas compared to previous games. In it's attempt to stay safe and uncontroversial in some aspects it loses a lot of substance and it changes the tone. The surface level politics, ignoring previously established major societal issues and a tell-don't-show approach makes the world seem more simple and shallow with no grey areas to explore. ( the humor also falls flat and out of place often too, and WHY is everyone always smirking, enough!! godlike beings are destroying the planet please this is not the time for Marvel banter aaaa )

The pacing at the start is a bit of a mess. It is so fast it felt like jumping from one world shattering discovery to the next with no time to process. The characters also seem to underreact to important information and major developments. It felt like the game was rushing me through all this to get to the part of the story it wanted to tell me while I was still wrapped in my shock blanket trying to catch my breath lmao. I really like all the key story points they touched upon, I just wish they dwelled more on them to give them more narrative weight. ( though blaming every bad thing to ever happen on the Elves was certainly..a choice )

I think the writing could have used more subtlety in the first half and more boldness in the second 😆 but I loved the thematic parallels between Rook and Solas and how every quest informs the main storyline. I do wish Rook was given more impossible choices and put in more difficult situations that forced them to lie or betray their own to better drive the point home though ( listen I just love a Trolley problem!! we need more of those, I'm the Trolley problem's number one fan!! ) I feel like they missed the chance to put Rook in Solas' role and be as vilified and hated for it as Solas was despite their best intentions which would make Rook's regrets stronger and in turn make their escape from the fade all the more impressive and give them a better understanding of Solas to either use against him or earn his respect. The line 'they called me the Dread Wolf, what will they call you when this is over' from the trailers was so good I was waiting for this!! But everyone just loves Rook no matter what!!

But I feel like I stated too many negative aspects in a row so moving on to some things I enjoyed!

The characters were very lovable to me. The romances weren't as long or impactful as I would have liked but I enjoyed all the companion quests. Emmrich is a delight and his quest is so wild and fun. I loved learning about Nevarra and I was awestruck by the Grand Necropolis. The mourn watch was so interesting, it showed a whole new side of Thedas' lore I knew nothing about! and I loved Manfred! Davrin is so charming, he became a favorite. I loved his quest too and learning more bits and pieces about the Dalish was great, I wish we got more. Seeing the Wardens through his quest also made me enjoy them a lot. Assan was very cute too and I'm glad he was treated as an animal and not turned into a goofy Disney sidekick too much lmao 😭 Lucanis is hilarious. The fantasy Spain/Italy was a bit silly and off at times but he is very sweet! and I love the Spite possession, that was so fun I'm glad they kept him that way! Bellara is adorable, her first backstory quest made me cry and I just love a nerd! I wish the second part of her story was written better however, and she sort of devolves into 'it's hard, I wish it was easy but it's hard' dialogues too often sadly. Anaris and the Forgotten Ones' portrayal was underwhelming and anticlimactic which was disappointing. Harding is also very cute and her Titan plotline was the most interesting to me, I bawled my eyes out in her quest!! I love the dwarven lore of this universe I'm so happy we got more of it!! ( she also fucking died in my playthrough?! I was devastated what the hell 😭 'whatever it takes' WEUEUGHHHG I'M SO SORRY) Neve was a slow burn for me because of my choices in game slowing that relationship down ( saving Treviso I mean, perdón amor 🙏 ) but I love detective novels and she is such a badass I ended up loving her. Taash was unexpected, I didn't think they would be so young. The coming of age story was sweet, though I found myself cringing a lot too at the handling of it I have to admit ( and the Lords of Fortune in general, and the Antaam...and que Qun..listen- kajshfgf ) but I also enjoyed learning more about the first expedition and the Qunari in general despite the messy writing and choices. I also loved Antoine and Evka! and Strife! And I haven't even read any of the novels they are in 😆 also Mila!!!! and her dad oh my god and Felassan haunting the narrative!! speaking of haunting, I would have loved for Cole to be in the lighthouse too I think it would have worked well 🤔 especially with the whole 'reading Solas' secret diary' thing the game had going on lmao

Everyone seems to get along except for a bit of friction that is quickly resolved at the start, which is hmm missed potential? I would have preferred more tension personally. I enjoy the drama! gives me more to work with and gives you a better grasp on everyone's personality by contrasting values. I think they wanted to speed run a found family trope for the new hero to establish some emotional stakes early on but it ended up making everyone seem like a group therapy session instead. The group meetings also have everyone either state the obvious or repeat the same opinion or conclusion to each other, I would have loved these meetings to have more bickering, have people get mad and storm out and also get to listen to different takes on a situation. Make Rook struggle more to take the reins and keep the team functional, learning how to be a leader.

Speaking of Rook! ( who in my case has a northern British accent that I loved so much 🥺) They seem to have a very established personality. I was expecting more of a blank slate but I'm lucky that the personality they went for kind of matches what I would normally choose in a first playthrough. Though the lack of range in the choices is irritating and takes away some replayability and role playing potential. Rook is very supportive and selfless, I wasn't expecting this tbh! But it all made my Rook turn into the team's weird supportive necromancer mom so it worked out in the end I guess lmao. I can't wait to draw her!!

I was so overwhelmed by the amount of information we got about Solas and his past!! I was expecting answers but not these many and not for them to be such an integral part of the plot!! The game feels like it's about him more than anything else. His arc is the best written out of all. He is mentioned in every conversation, he's the main advisor and the narrative foil, you get to talk to him often, you work for him and with him and go into his memories it all feels so surreal to me lmao I love him so I'm delighted ngl! but also making the other Evanuris so cartoonishly evil makes Solas into such an obvious choice of an ally, god of trickery or not, that it sort of takes the decision out of your hands and makes some dialogue options and companions' opinions seem almost nonsensical. I have no idea how this game would feel to someone who absolutely hates Solas' guts honestly. I suppose I will find out soon enough 😆

About Solas' story, I loved it! I somehow also feel that I knew it already, all the speculation and theories that Solavellan fans were crafting for years were so accurate that it was all very validating. Even the wildest ones! Solas as the Maker, the elves spirit origin, Mythal giving him a body, the war with the Titans, the origin of the Blight, Solas being on your side as advisor, I can go on, we knew!! Also I have to mention this I'm sorry but they made him look so hot!! unbelievable. And the bloodied teary eyed pathetic look in the end ouurghhh I'm cheering and clapping!!

The romance conclusion was so lovely 😭 the Loki and Sigyn ending we deserved to such a mythological epic!! and open ended enough for all of us to cook!! and we got to see him fight and transform into the Dread Wolf!! and whimper and cry!! and bleed and love!! that's all I ever wanted, incredible we were really spoiled what the hell I still can't believe it 😭 GDL acting was brilliant as usual! the visuals were also incredible and exactly what I had in mind when I imagined where the story may go, the eclipse, the giant wolf, the glowing eyes, the Elvhenan ruins, the statues, even the hair lmao it all aligned exactly to what I've been painting all these years but better I was thrilled 😭

Solas backstory with Mythal also offers players that didn't romance him a chance to see him act out of love and show a side they wouldn't be able to reach otherwise and I think it was smart! also very tragic and sheds more light into all of his choices and words and his relationship with Lavellan too and the parallels and reversals and uughh thoroughly enjoying the emotional distress 👌

Pleasing both the Solas lovers and haters at the same time was always going to be hard with him being such a polarizing character by design and the world states being so different but I think they did a good job! at least from my side of things.

I think my favorite part besides the Solas related stuff was the Blight. I loved how horrific and gross and threatening it was! I've always loved the concept of the Blights and I'm glad it was such a huge part of the story in this game. I also loved Treviso!! has to be the most beautiful city in Thedas ahhh and the Necropolis!! the gardens!! Vorgoth!!! Kal-Sharok!!! I can't believe we got to see it!! and a Titan!!! the giant floating face of Ghilan'nain in the clouds??? and the huge archdemons and dragons!! oh and that warden dragon trap in the shape of a griffon?? and the giant blight tendrils!! the siege at Weisshaupt was outstanding!! and the floating panopticon castle situation in Minrathous uughh there is so much I loved.

OH I also enjoyed the Varric arc even though I saw it coming since the trailer it was still played well and it was touching 🥺

The ending felt a bit jarring to me in tone though, a bit too cheerful considering...the horrors. Over half the continent destroyed and most of the problems Thedas had before the game are still there. Veil in place and all 😆

But I had fun!! I'm nitpicking really, the conclusion to Solas' story feels very satisfying to me which was my main worry so I'm happy. It is a good game!! with a sort of soft reboot feel to it and aimed at a younger audience which is probably what they were going for? You can sort of feel the struggle the team went through during production in the way the target audience seems unclear sadly. I also can't help feeling like this is an ending, so much was revealed and resolved!! but maybe I feel that way because that is what I felt after Shadowbringers / Endwalker in FFXIV once my favorite part of the story was wrapped? They can always pivot to a new continent and expand on the world and cultures we know almost nothing about, but that is always harder to sell so I have no clue where they will go from here 😵‍💫

Anyway I'm still processing a lot of stuff that I will probably talk (and draw) about later, this is already long enough!! for now I'll look up how to get the artbook because the art direction of this game is fantastic!! I would love to hear your thoughts too really, I'm curious about the experiences of players who made different choices and with different tastes to mine!!

[ginnsbaker]

All Of Your Pieces (1 - Honey! I shrunk the kids! 18+)

Summary: Wanda accidentally shrinks your kids while trying out a spell that would benefit both of you in the bedroom; Jimmy and Darcy attempt to find out more about the Hex, particularly when they discover a remarkable detail about you. Pairing: Wanda Maximoff x Female Reader Chapter word count: 3k+ | Tags: Smut, Campy Humor, Language

A/N: I've been working on this series since late August and have finally figured out what to do with it, enough to share it with you all. The story will be told in three parts: Westview (The Missing Town), Pre-Westview, and Post-Westview. This follows some events in WandaVision, but it's very canon-divergent. It's going to be different from my other works (I've never written humor before and I'm quite insecure about that), as this one is very plot-driven but at the same time, still very much Wanda x Reader (especially in parts 2 and 3). Updates will be every Wednesday. Chapters will be 2.5–3.5k words long, except for the ending chapters of each part, which are twice as long. So, without further ado… More author's notes here.

Series Masterlist | Main Masterlist

-

“Honey! I shrunk the kids!” 

Wanda bursts into the basement, apron billowing out like a cape. Except, there's no draft down here; that apron shouldn't be moving like that at all. But then again, considering your wife’s claim, maybe the laws of physics are taking a day off.

You glance up from the miniature model home you’re meticulously working on, unsure if you heard her right. Did she really just say that? 

“You what?”

Wanda, flushed and a little breathless, skids to a stop in front of you. “Okay, so I was experimenting with a new spell, one that was supposed to…” She bites her lip, hesitating, her face glowing a deeper shade of red. “...it was supposed to do something else, but it backfired and... well, it’s not important right now!”

“Jesus, Wanda.”

Your poor, beautiful, occasionally clumsy wife stands there, teetering between a freak-out and a fit of giggles. 

“It was an accident! I didn't mean to!” Wanda shrieks, causing the room to tremble from her panic.

Wanda's powers have always been a wildcard. You can child-proof the entire house in a day, but that definitely doesn't cover child-proofing Wanda herself—especially not when your kids are involved. Luckily, the boys have inherited some special abilities of their own, which leaves you as the sole non-superpowered member of the household. With that in mind, you know better than to panic. Getting worked up alongside her would only escalate things, and you’re not exactly keen on being shrunk next.

“Okay…where are they now?” you ask as calmly as you can manage.

Wanda takes a deep breath and leads you to the living room. You trail her in silence, clutching at composure. It can’t be that bad, right? The distant sound of playful music trickling through the house almost makes it seem like everything’s fine. You hadn’t really noticed it before, but now that you think about it, it’s like your brain has learned to associate that kind of tune with situations that somehow always end in collective sighs of relief.

Sighs, giggles, and applause—sounds that don't belong to Wanda or the boys.

Where are they coming from?

Before your mind can completely sink into the oddities of your life here in Westview, Wanda halts in the middle of the living room. Your eyes dart around, searching for Billy and Tommy, but they’re nowhere to be seen.

“Where?”

“Right there,” Wanda points toward the coffee table, her finger trembling slightly.

You squint in the direction she’s pointing. Next to the TV remote, two tiny figures wave up at you—your sons, each about the size of your thumb.

“Oh my god, they’re tiny!” you gasp, covering your mouth with your hand. You expected them to be at least half their normal size—a size they might grow out of eventually.

“Shhhh, Y/N!” Wanda hisses, pressing her index finger to her lips. “The neighbors might hear you.”

Neighbors. Which usually means just Agnes from next door. There’s literally several meters of spaces between your houses, but somehow, she always manages to hear things she shouldn’t and pries like she’s in some perfectly timed routine.

Wanda kneels by the coffee table, her eyes soft. “I told them to stay right there until we sorted this out.”

The twins start making noises, sounding like tiny bells, though still hard to make out. You pull out a magnifying glass from your back pocket—has that been there the whole time?—making sure your sons are okay. As soon as the lenses zoom in on their faces, you're relieved to see them laughing uproariously, seemingly unbothered by their predicament.

“They seem... happy?” you say, lowering the magnifying glass.

“They think it's hilarious,” Wanda grumbles, her lips curling into a pout.

“So,” you sigh, pushing yourself to your feet. “Any ideas on how to fix this?”  You're tempted to suggest just letting it run its course, waiting for the spell to fizzle out, but you know Wanda wouldn’t go for that. She's fiercely protective of the twins, and you can't blame her—it’s all her handiwork, after all.

Then you hear it—a hiccup. Another follows, and then another, each one a little louder than the last.

Before you know it, Wanda's a sobbing mess.

You cup her face in your hands. “Hey, hey...it’s okay,” you murmur, gently brushing away a tear with your thumb.

Wanda’s breath hitches as she looks at you, her eyes brimming with worry. “What if I can’t fix it?”

“We will,” you promise, looking into her eyes.

A collective ‘awww’ rings in your ears, pulling you out of the moment. What the hell—where did that come from? You've had this creepy feeling of being watched lately, and it's only getting worse.

Wanda brings you back to focus when she nuzzles into your palm. “Oh, Y/N, I don’t know what I’d do without you.”

You give her a small, lopsided grin and plant a kiss on her forehead. “Good thing you’ll never have to find out.” Something passes over her eyes as soon as you say it, but it vanishes in a split-second, replaced by a moment of inspiration.

“Wait,” she bursts out, stepping away from your embrace. “I think I have an idea.”

She heads straight for the fridge, and you trail after her, holding your breath.

“I’ve been trying to reverse it, but my magic isn’t cooperating. It’s like... it’s tangled,” Wanda mutters, yanking things out of the fridge.

You scowl, arms crossed, watching her. “Tangled? What do you mean?”

“I don’t know. The more I try to fix it, the worse it gets. Like it has a life of its own,” she says. she says. After a few more seconds of rummaging, Wanda finally grabs a tetra pack of chocolate milk—the twins' favorite.

“I’m hoping this will do the trick,” she says, giving the carton a shake.

You cock your head, clueless on what’s going on. “Honey, what’s going on?”

Wanda mumbles, barely glancing up as she vigorously shakes the carton. “Just doing what it says—’Shake well before serving.’”

You roll your eyes, muttering, “This woman...”. Then louder, you ask, “I mean, what’s the chocolate got to do with our tiny children?”

Wanda stops mid-shake, a look of realization dawning on her face. “Oh, right,” she slaps her forehead. “You can’t read minds. I keep forgetting,” she chuckles, setting down the carton with a sheepish grin.

There it is again—a chorus of laughter from somewhere far off. Your mouth twitches at the sound—it’s really starting to get on your nerves. You make a mental note to bring it up with Wanda later.

Wanda gathers herself, then pitches her plan. “Instead of directly casting a spell on the twins, I think it’s safer to enchant this chocolate milk.” She picks up the carton again, giving it a final shake. “The idea is to infuse the milk with a spell that will gradually restore them to their normal sizes.”

You nod, beginning to understand what she’s trying to do. “Sounds less risky than zapping them with more magic head on.”

“Exactly,” she agrees, her eyes lighting up with excitement. You’d swear she’s getting a kick out of this macabre parenting hack—kids and all. The background tune keeps playing, like a promise that the universe won’t let things turn to shit. You’re wondering if maybe Wanda hears it too.

“This way, the magic is diluted and can adjust more naturally with their systems. It’s like... sneaking the cure into their bodies,” she says, snapping her fingers, red swirls of magic emanating from them to the carton of milk.

“I'm so proud of you, baby,” you say, leaning in for a quick kiss which she happily accepts. “For finding a fix, I mean. The whole shrinking our kids thing? Still not great.”

–

“What kind of spell do you think Wanda was going for?” Darcy asks, her eyes fixed on the credits rolling across the screen before it fades to black. She’s really gotten into Wanda’s little show, a welcome distraction from the freezing depths of hell that is New Jersey in November. Though exciting things are finally happening to her, the timing couldn't be worse. 

“No clue,” Jimmy mutters, his attention glued to the laptop in front of him. It’s been two days since Quantico sent him to look into the bizarre case of a missing town—a phenomenon almost unheard of in the 21st century. Upon arriving, they discovered that the town in question, Westview, was enveloped by some sort of anomaly—or a Hex, as Darcy has started calling it, referring to the hexagonal shape of the barrier encasing the town. 

Around the same time as the discovery, S.W.O.R.D. agent Monica Rambeau was quite literally sucked into the anomaly by accident. The only breakthrough has been Darcy Lewis’ detection of the signals, providing them with a window into the mysterious shroud, even helping them identify some of the show's characters as actual residents of the town.

But overall, they're still desperately trying to piece together why this is happening and how to stop it.

Darcy peeks over at the data on Jimmy’s screen. “Find anything new?”

Jimmy sighs in frustration. “No, not really. Everything we dig up just adds more questions instead of answers.”

“Like what, for instance?”

Instead of answering directly, he slides a thick file across the table toward her. “See for yourself.”

Darcy catches the file and starts flipping through it. Murmuring, she says, “So, Google finally returned search results?” The stack of papers is downright daunting. Jimmy’s right—any mountain of information would raise more questions than answers.

“No, not Google,” Jimmy corrects her. “Stark's highly confidential database did. The woman Wanda's married to in Westview? She’s not in any public records. Turns out her records were wiped clean two years ago.”

Darcy looks up, puzzled. “Why would Stark's company have this?”

“Just read, Darcy. It’s all in there,” he says, turning his full attention back to his research.

Darcy frowns slightly and begins scanning through the pages more attentively. It takes her a few minutes to piece together the information she's reading, with her mind going in different directions and still burning with curiosity about the spell Wanda botched.

Finally, she reads aloud, somewhat incredulously, “Subject was recognized as S.H.I.E.L.D.'s youngest marksmanship prodigy prior to recruitment by Stark Industries following the dissolution of S.H.I.E.L.D.. Subsequently provided tactical support on multiple classified operations in conjunction with the Avengers initiative.”

She sets the file down thoughtfully. “Kinda reminds me a bit of Romanoff or Barton. Total badass. I hadn’t pegged Maximoff for that crowd.”

“What crowd did you have Wanda filed under?” Jimmy asks, just out of curiosity.

Darcy’s gaze drifts off, a dreamy smirk on her lips. “Honestly? I always pictured her—or anyone for that matter—swooning over someone more…mythical hammer than tactical espionage.”

Jimmy snorts to himself at Darcy's whimsical take and says, “Of course, you’d say that. Thor's everyone's type.”

“He’s yours too?”

“Yeah, why not,” Jimmy shrugs, his tone more reluctant than sarcastic, which only amuses Darcy more.

“So,” Darcy begins, “Wanda's settled down in New Jersey, married to a woman? I mean, good for her. They all deserve a break. Maybe even an early retirement.”

Jimmy lets out a long, tired sigh, like he's just about done with everything. Darcy notices and raises an eyebrow. “What now?”

He barely glances up. “Like I said, everything’s in there. Just keep reading.”

Darcy groans but goes back to the file, flipping through the pages again. She’s about to make a snarky comment when something catches her attention—something that has her eyes practically popping out of their sockets.

“It… it says here Y/N’s dead.”

“That’s right,” Jimmy responds without missing a beat.

“Not snapped five years ago. Dead-dead.”

“Yep.”

Darcy stares at the page, disbelief all over her face. “That can’t be right, can it?”

Jimmy finally swivels his chair to face her, looking as tired as he sounds. “That’s what I’ve been trying to wrap my head around for hours. If aliens and superheroes are real, maybe bringing someone back from the dead to star in a sitcom isn’t so far-fetched, right?”

–

You carefully pull the blankets up over Billy, smoothing his hair and whispering a soft good night. Tommy’s already half-asleep, but you make sure to tuck him in just as snugly, brushing a kiss on his forehead. Wanda stands in the doorway, watching you, her heart swelling in her chest. You were so clueless when she first had the twins, but now, being a mother just seems to come naturally to you. 

And you pulled it off in a week, while the twins stretched into six-year-olds just as fast.

“Honey,” you call softly, noticing the way she’s lost in thought. “Aren’t you going to say good night to our boys?”

Wanda steps into the room, giving each of the boys their good night kiss. You pucker your lips, silently asking for your turn, and she playfully swats your arm, whispering, “Not here, baby.”

You pout, giving her your best puppy-dog eyes, which only makes her smile. Without warning, you grab her hand and hurriedly pull her out of the boys' room, making a beeline for your bedroom. Wanda’s laughter fills the hallway, and just as you reach the door, you suddenly sweep her off the ground, lifting her into your arms.

Wanda lets out a shriek, her laughter infectious, and you can’t help but grin, even as you let her thump onto the mattress—a sloppy, graceless drop. You follow her onto the bed, rolling onto your stomach to peer down at her, still sporting that stupid smile.

“So, about that kiss you owe me,” you whisper, hovering closer, teasing her with your proximity.

Wanda nods distractedly. “I think I can manage that,” she murmurs, and then her lips are on yours.

It starts simple and sweet. Though soon, her tongue is gently nudging your lips apart, and it quickly becomes anything but. Her hands slip down to your back, pulling you close until her heartbeat hammering against yours. You break away, lips trailing down to her neck, exploring every dip and hollow, your tongue darting out to taste her skin. When you hit that spot just behind her ear, the one that always drives her wild, she gasps.

“Don't start something you can’t finish,” she warns, her voice already thick with want.

“Who says I won't?” you shoot back with a wolfish grin.

You both fall into a familiar routine, as easy to slip into as the back of your hand. There’s no hurry, just the two of you moving languidly—whispering against skin, giggles turning into sighs and breathy moans. Sometimes, being with Wanda feels like a desperate need, as if not having her completely would literally be the end of you. But it’s moments like these that are your favorite—the ones where you’re barely even trying, yet she still comes apart at your touch, at the mere feeling of your fingers on her. 

Eventually, you both settle down, a contented sigh escaping you as you curl up against Wanda, your skin slightly damp with the effort of your love. You like this, being the little spoon, hiding your face in her neck like you’re hiding from the world, though you vaguely recall a time when it was usually her in your arms. 

As you’re staggering on the edge of sleep, Wanda’s fingers gently massage your scalp, her lips dropping soft, pensive kisses on your forehead. You're almost out, but one last question keeps you from drifting off entirely.

“Wanda, that spell earlier that shrunk the boys—what was that about?” you mumble, your words slurring into the dream nipping at your consciousness.

Wanda’s laughter rumbles through her chest, nudging you slightly from your drowsy state.

“Come on, tell me,” you coax, giving her side a playful pinch to keep her talking.

“It’s embarrassing,” she mumbles, her face turning a delightful shade of pink again that spreads down her neck and chest. Her coy reaction wakes you up some more. As a twisted kind of payback, you run your tongue rough over her nipple, snatching a sharp gasp from her. Moving up, you hold her flushed cheek, making sure she’s looking right at you. Your thigh presses between hers, and it doesn’t take long before she’s wet and ready again.

“Are you going to tell me, or do you plan on sleeping with a wet pussy tonight?” you whisper, brushing your lips against the corner of her mouth. Under different circumstances, Wanda would scold you for your crudeness, but right now, she's too worked up to care. Your dirty mouth has always been one of the most irritating yet irresistible things about you. Even having kids hasn’t changed that.

“I was trying to... enchant your...” she starts, but then your hand tightens on her butt, spurring her subtle grinding movements. By this time, she’s practically dripping onto the sheets, her thoughts scattering as the tightening sensation below her stomach builds.

“My what?” you push, smirking as you watch her fumble for words. You hoist her leg, resting it on your shoulder, laying her wide open. You slide two fingers inside her, fucking her slowly while your thumb brutally circles her clit. As she hesitates to answer, you hook in another finger, drawing a sharp cry of pleasure from Wanda. Your gaze stays locked on your wife, a part of you as surprised as she might be at your boldness tonight.

All day, she’s haunted every corner of your mind, fantasizing about stealing a quick, desperate moment while the twins are asleep or at Agnes’s. But there’s been something—an unnameable restraint—holding you back from indulging those wicked impulses. It isn’t until the boys are asleep, the house quiet, that those invisible chains start to loosen. That’s when you can finally allow yourself to desire Wanda the way you really want to. The way you’ve always been meant to.

“Your... clit,” Wanda finally spits out, seeing you've drifted off, stuck in your head. “I thought I could make it... well, longer. Like a...” She chokes on the words, too embarrassed to finish.

“Like a cock?” you throw out crudely, looking down at her impishly.

Wanda nods, mortified but also a little defiant. “Wanted you to fuck me with it,” she mumbles, finding her backbone now that the secret's in the open.

“I am fucking you,” you whisper hotly right into her ear. “But if you want it like that, all you have to do is say the word.”

Wanda clenches around you at the thought of doing it like that in the near future, her breath hitching. “Please,” she mewls, the word dripping with need. 

“Good girl,” you growl, cranking up the pace as you drive your fingers harder inside her, making her gasp and arch towards you. “You can come.”

With a choked whimper, Wanda surrenders, her body seizing as her orgasm washes over her. She soaks your wrist, the clear fluid trickling down onto the sheets, but you don't stop, pushing through every pulse of her release until she's quaking, utterly wrecked beneath you. You patiently wait until her spasms subside before slowly pulling your fingers away.

Wanda's hand shoots out, stopping your movements. “Stay,” she implores, sounding like she's on the verge of tears. You're momentarily startled by her reaction, concerned something might be wrong. Swiftly, you slide your fingers back where they belong, nestled deep inside her.

“Okay, baby, I’m not going anywhere,” you murmur, pushing back the damp strands of hair sticking to her forehead with your free hand. Exhaustion begins to cloud your senses as you sink down beside Wanda, still keeping your hand where she wants it. 

“I'm sorry for needing you so much,” Wanda murmurs, her voice shaky with tears you can't see, your cheek pressed against the pillow beside hers.

“Don't be,” you mumble, half-lost to sleep as she clings to you more tightly. “I’m here.”

“You love me,” she says, a hint of wonder, of fear.

You nod, lips brushing the nape of her neck. “And you love me,” you murmur back, your eyes slipping shut. “I'm not going anywhere, Wanda.”

“For now,” she whispers to herself, once your breathing evens out in sleep.

Tears betray her then, and she clamps a hand over her mouth to keep quiet. But just before her sobs fully break free, she flicks a finger, a thin red wisp of magic ensuring you stay deep in sleep.

With you unaware, Wanda surrenders to her grief.

[impactrueno]

Beetlejuice clearly wasn't interested in Lydia when they met, so when do you think he actually fell for her? Was he so impressed by Lydia defeating him that he developed a little crush?

i think this might be the biggest thing i've been turning around in my head since the sequel dropped. how did bro get to this point. i need to know. you weren't like this where we left off, what happened during that huge time gap????

this is where canon ends and conjecture begins, you just have to theorize and fill in the gaps yourself with whatever makes the most sense to you, which is what i've been trying to do this whole time. so please bear with me here.

i don't know how much i want share or save for my comics because i don't know how much he would actually reveal about this but whatever we ball

edit: ok so i scrolled back up to this after finishing writing this and as it turns out i have no self control and i ended up sharing everything that crossed my mind. craziest stream of consciousness i've ever written down. strap on and keep your limbs inside the ride at all times. whatever. we BALL.

let's review their first encounter from his point of view:

you're hired to scare the deetzes, right? so you do just that. excellently you might add. just when you're about to terrorize their teenage daughter, barbara banishes you and the party is over. what fucking losers right? you get the sense that adam and barbara care about this girl so you make some remark about her and it pisses them off. haha. also whoa where did this place come from? damn adam, who could've guessed he had it in him. you forget about everything else and dance your way to dante's inferno room.

after spending a respectably tasteful evening with those ladies, you're chill now. relaxing under your little sun lamp to work on your tan.

someone walks in looking for adam and barbara. don't they know they're dead?

"are you a ghost too?"

"i'm the ghost with the most, babe."

hold on a sec, who's even—

...well hey. it's the girl.

the girl who can see ghosts, and she's talking to you.

target acquired. this one's your ticket out of this hellhole.

"you look like somebody i can relate to," you tell her. relate how? doesn't matter. you're ensnaring her with your affable demeanor like you always do, make people feel like you're pals with them first and foremost. she seems like a nice girl, so this should be easy. you tell her upfront that you want to get out of there and you need her help to do so.

"i want to get in," she says.

whoa there.

what? she wants to get in? she says that in response to you saying that you wanted out. she really has no idea what it's like on the other side, huh. but shit, that kinda stops you in your tracks a bit. this girl wants to die. this young? that's not right. makes no sense.

"...why?"

she just looks at you and says nothing. jesus. ok maybe it's none of your business so let's back it up. you're losing control of the conversation and you're on a mission here. you figure if she helps you get out, you might as well talk her off that ledge or show her how shitty it is on the other side or somethin'. frankly, you can't afford to care right now. you're not entirely sure why she thinks things would be better on the side you're so desperate to get out of, but alright. doesn't matter, right now you gotta get her to summon you. so you begin your little game of charades.

after she correctly guesses your name and almost says it a third time, she recognizes you as the snake that terrorized her family. god fucking dammit. you're losing her. you're getting impatient. your affable act is over. "nah...i want to talk to barbara," she says and now she's REALLY getting on your nerves because fuck barbara, fuck adam, you're SO CLOSE to getting out and you're not gonna let this go now, go go GO GO SAY IIIIIIITTTTTTT

adam and barbara walk in because of course they do. womp womp

ok well that didn't work, but you're not gonna give up so easily. sooner or later another opportunity will come and soon you will be free.

wait why are they moving the model— where are they taking it—

ooohhhhh. business meeting. get a load of these yuppies, trying to turn winter river into a town-sized Ripley's Believe it or Not. a talking marcel marceau statue? and you thought you were a con man. no wonder the deetz girl wants to die, it's bleak as hell here too. but if you get out...you can fix that. hell, you can fix anything.

these bozos are here to see some ghosts, but the girl says they're not going to show up unless the fleshbags stop making a mockery out of the whole thing and that maybe they can all live happy together in the house. ain't that sweet.

of course no one's taking her seriously. she's a kid, what does she know, right? they'd rather listen to the most obnoxious guy in the room (besides yourself) who has no idea what the fuck he's talking about, but somehow, he's got his hands on the handbook.

the girl panics, then immediately says completely deadpan "wait, what am i even worried about, otho, you can't even change a tire" and you're surprised they didn't hear how hard you cackled at that.

despite all that, they seem to have started a séance with their old wedding clothes. bad news for the maitlands. they're about to be dead-dead. the girl cries for them to stop, and these guys are just sitting there scared shitless. you're hearing everything. you knew a new opportunity would arise, so you wait, because this is the part where people remember how good at your job you are. they always do.

she knows you can help. you're the only one who can help. so here she comes. those wedding clothes give you an idea. plan B is now in motion.

well well well.

look who came crawling back.

she asks for your help, and you're happy to oblige, under one condition of course. after all, you don't do anything for free, and she's the only one who can help you with your problem. how serendipitous.

once again, you lay it on her, straight up. you want out. and a way to do it (thanks adam and barbara for the reminder) is through marriage with a fleshbag. you need to get married. a green card marriage, if you will.

she's immediately disgusted by the idea. you don't take that personally, of course, because it doesn't matter. she's just a kid and it's not a real marriage. she just happens to be unlucky enough to be the only one around who can assist you with this, the poor girl. it's a marriage of convenience—or rather, inconvenience—and you're not planning on sticking around because you will get the hell out of there as soon as you can. so there shouldn't be a problem, right? besides, does she know how many women would kill to be in that position? she gets to brag about it to her friends, what's not to like? it's a totally even deal.

the clock is ticking and the maitlands aren't getting any younger. she agrees to the deal. you win, at last.

she already knows what to do, so you sit there patiently with a shit-eating grin on your face, awaiting the three little B words. gloating.

Beetlejuice........Beetlejuice...........Beetlejuice.

it's showtime.

this is your favorite part. you love a dramatic entrance. you decide to show the deetzes and their greedy friends the circus they so wanted to turn this town into. horrible as you are, you're also pretty damn good at calling out other people's horribleness, and you do love an ironic karmic way of dealing with someone. for example tubby here thinks he can escape, but not before you change his sleek black suit into a tacky white leisure suit. the horror! this is why you're a professional at this.

you effortlessly end the exorcism and the maitlands are saved. a little pruney right now but they'll be fine. everything is taken care of, you have fulfilled your end of the deal like you promised. only one thing left to do.

"shall we?"

there's really no need to make a whole show out of this, but you're a showman first and foremost and as a 𝒥𝓊𝒾𝓁𝓁𝒾𝒶𝓇𝒹 𝒶𝓁𝓊𝓂 you'll be damned if you're not gonna let yourself have a little fun with this. everyone looks terrified. this is why you're a professional at this.

witnesses and reverend in place, you can finally begin the ceremony. you're having fun, yes, but let's try to pick up the pace a bit, okay? the closer you get to your goal, the more impatient you get. the girl isn't finding any of this very funny at all and she protests. the maitlands butt in and are now kind of twisting your arm a bit, but you deal with them harmlessly, until they get on your last nerve so you send adam to the model and barbara to saturn. all of this after you honorably fulfilled your end of the bargain and saved the day. jesus christ, are you the only one with some integrity around here or what.

you forget the stupid ring. shit. you're pretty sure you have it on you somewhere, ever since you chopped up delores into pieces for poisoning you. you kept her ring finger as a trophy and as a reminder to never get married again, and yet here you are, but desperate times call for desperate measures. finally, you find the ring (still on her severed finger) and hastily tell your new bride-to-be that delores meant nothing to you. in case she even cares. she doesn't seem to. not even a chuckle? oh well.

almost done with the ceremony. almost there. you're holding the girl's hand with an iron grip to keep her in place as you're about to put that ring on her finger. "i now pronounce you, man and—"

a tiny car crashes against your foot and it catches on fire. you scream. a fucking sandworm crashes into the room through the ceiling. everyone screams. you scream LOUDER.

you're sent back to the afterlife waiting room.

not your first rodeo with a sandworm, but that doesn't make the experience any less shitty. the real annoying part is being in the waiting room again. this could take ages. you're number 9,998,383,750,000 and they're serving number 3 right now. you trick the guy next to you and steal his ticket (number 4) but he's not too pleased about that, so that didn't work.

a long time sitting here it is, then.

movie ends, credits roll.

for reference, that was 1988. winona ryder was 15 when they were filming in 1987 so while lydia doesn't have a confirmed age, i think we can safely assume that she was the same age as winona at the time.

36 years later, it's 2024. or 34 years later, it's 2022. we don't know the exact year because while bob's in memoriam credits scene says 2024 and all the interviews talk about how 36 years have passed in universe as well, there's this other one tiny detail.

jeremy's death passport says he died on march 11, 1999. jane butterfield says he died "23 years ago," putting the movie in 2022. they did film it in 2022 so the math is mathing correctly there. given that the in memoriam scene was more of a joke and jeremy's passport is a canon prop in the movie, i'd say 2022 is the canon year the movie is set in. (small sidenote; the passport also has the roman numerals DCLXVI which is 666. cute detail i loved it)

in the sequel, beetlejuice says lydia has been ignoring him for 30 years. i always thought that was curious because outside of this claim, they always specify how many years exactly have passed since. he doesn't say 34 or 36, he says 30. and for his degree of obsession (and the fact that he remembers exactly how many times he's watched The Exorcist) i think he would be counting even the days so i think he did really mean 30 years. so this would mean at least 4 years passed between getting sent back to the waiting room and the beginning of his stalking.

AND NOW that we established all that, we are finally getting to the answer to the question, "when and how did this all start?"

so okay, he spent a while in the waiting room. a lot of time to think. probably replaying the events at the deetzes' in his head over and over, how he got here, where he fucked up, what's he gonna do once he gets out. cursing the maitlands for ruining his plan when he was soooo fucking close. wondering what ever happened to lydia deetz.

lydia deetz, the young girl who told him she wanted to die.

...

is she alright?

i don't think he's capable of feeling guilt, but we can probably argue that he's not entirely heartless. what she said about how she wanted to "get in" must've stuck with him from the way he reacted when she dropped that bomb. she never showed up in the waiting room so he knows she didn't follow through with that. still, he used a vulnerable young girl for his own selfish gain. ironically enough, he knows exactly how that feels, because he also got tricked into marriage and got used for someone else's gain. the difference being that he dealt with that shit with an axe.

much much much to think about for mr. juice.

after years of ruminating in that waiting room, he's finally out and back to the regular day to day afterlife. definitely gets chewed out by juno, maybe forced to do community service or labor or what have you, he basically just needs to clean up his act now. this freelancing shit is becoming more trouble than it's worth anyway.

he's still wondering about lydia deetz. should he check in on her? maybe he should, he's too curious now.

at this point, lydia is now about 19-21 and in college. maybe he manages to sneak into the model one time she's back home for the holidays or something. and oh my god would you look at that, what a beautiful young woman she's grown into. she's radiant. she's happy. she's no longer that gloomy suicidal kid he met in the attic. seems like what she said about the deetzes and the maitlands sharing the house did come true after all.

that's nice. very sweet. good to know.

maybe he wonders if she remembers him and tries to get her attention somehow, give her a little scare for old times sake or whatever. for a brief moment it seems like she saw something and her expression changes, but she shrugs it off and continues on chatting with her two sets of parents. no such luck.

oh well. curiosity sated! and beetlejuice goes back home and doesn't return.

until the next time he returns.

and he keeps coming back to check in on her, telling himself he's just making sure that she hasn't killed herself or something. and he's not above admitting that with every year that passes, she keeps getting more beautiful. and to think they almost got married, huh.

he constantly tries to get her to notice him somehow, and sometimes she almost does, but ultimately he never really succeeds beyond making her do a double take. very rarely she does catch a glimpse of him. he's seen her mutter to herself that she's just seeing things and she seems a bit frightened every time this happens, but there's nothing to fear, honey, it's just good ol' beetlejuice. he won't lie, he gets a bit of a rush every time and it makes his dead heart beat faintly. he's gotten this far, he can't just stop now. in his mind, this has become their little private game of cat and mouse, where the mouse ignores the cat. but aren't they cute? he thinks they're cute. this is not creepy at all!

before he realizes, he's already learned everything about her. he knows about richard and even watched their wedding from afar like a loser. he knows she gave birth to a healthy baby girl named astrid. he knows they have a blast on halloween. halloween is lydia's favorite holiday, and his too. sometimes he can't help but see the three of them happy together and think it could've totally been him. even if he and richard are nothing alike (in fact could not be more opposite) and the circumstances of their unholy wedding were nothing short of grim and a farce. but in his mind, he's starting to convince himself otherwise.

maybe it's his jealousy speaking, but lydia doesn't seem to be that happy with richard despite everything. even though richard is like, the perfect guy. then one day his suspicions are proven correct: neither of them knows why it happened, but after having a long and emotional talk (that he watched with a bucket of popcorn) they decide to get a divorce. he pumps his fist, feeling victorious for some reason. sure he's a little sadistic at times, but why is this giving him so much glee?

the divorce is hard on lydia's kid, who was always more attached to her father, but they still spend a lot of time together. sometimes the three of them, since richard and lydia kept things amicable after the divorce. lydia tries to move on and see other people, but each relationship fails before it even starts. mostly because she keeps holding back and so fails to connect with anyone else, but also sometimes because, well, he can't help himself but to scare them away from her from time to time. it's fun. in his mind, he's just being protective of her, as a gentleman should for a lady.

then richard dies. fell into a piranha infested river from the looks of it (he saw him at immigration one day, don't ask what he was doing around there, force of habit after constantly making sure lydia hasn't killed herself yet.) it's devastating for both lydia and astrid, straining their relationship even more for the next few years as they both try to cope with the loss. the shock proves to be too much for lydia, so she goes to a survivors retreat to work through her trauma, both from richard's death and "unresolved feelings."

then lydia, at her most vulnerable, meets rory.

beetlejuice was able to clock him immediately. a textbook manipulative opportunist, he himself knows the tactics very well. swoop in to "help" someone in a vulnerable position, pull the wool over their eyes and begin taking control so you can get what you want out of that person.

he wouldn't admit it, but this really irks beetlejuice. you know when you see someone who reminds you of the worst parts of yourself, so you despise them? yeah. he's been there, and he's also been him.

but rory is somehow even worse than beetlejuice. see, rory is her manager, and boy does he manage to get on his nerves. he takes her phone. he controls what medication she takes. he blames and guilt trips her about every mishap that HE causes, making himself look like her benevolent savior and making her feel like she would be lost without him, confusing her with his psychobabble. on top of all that, he's forcing her to do this hacky show called Ghost House where she "hunts ghosts" or whatever. the houses he's been helping newly-deads with in his day job as a bio-exorcist (now with a fleet of employees,) she's "hunting" those ghosts now. it's so dumb. it never works. beetlejuice doesn't even know what the hell she's doing, she's phoning it in most of the time and she knows she's become a sellout. what happened to that "strange and unusual" girl who stood up for her ghost friends when those suits wanted to profit off of them back in winter river?

he needs to bring that back. he's the only one who can.

in his mind, beetlejuice has already rewritten the events that transpired. in his mind, lydia has been his wife this entire time, it's just, y'know, one of those open long distance relationships and she doesn't always remember him, but that's okay. in his mind, they share a psychic bond that allows her to sense his presence or see him in her dreams from time to time. he's got nothing to be jealous about, because other men can't compare. no one else can match what they have.

sure, part of him knows he's lying to himself a little bit. but he's already clung to this idea; these past 30 years wouldn't make sense otherwise. he's in love with lydia deetz. this isn't insane of him to say at all. and if it is, well, you know what they say, love makes you do batshit crazy things.

it's not that complicated, no matter what they say you'll never meet another me it's not that difficult to get my head around i'll never meet another you

the end

don't trick me into writing a fanfic again

[xoxosolia]

hii. ohmg, just read your post about you becoming a master shifter and I'm sooo happy for you!! seeing successes on here genuinely makes me feel so inspired and happy, so thanks for sharing it with us.

however, i would love to know how you shifted for the first time, what blockages did u let go of to finally have shifted. also i hope you can mention the method when u first shifted (if u used any), which methods do you use to shift regularly now? how does it feel to be a master shifter? and if its okay with you, can you share wid us your Drs? ALSO IS SHIFTING RLLY AS EASY AS THEY SAY!!?

thankyouu soo much💌

♡ How i shifted for the first time ♡

The first time I shifted was a normal Sunday. I was so depressed and I absolutely didn't want to go to class because the next day I had a lot of control, so i just said to myself "I'll shift tonight or never" I was seriously determined, so I tried closing my eyes and putting on a subliminal but it didn't work so I fell asleep.

I woke up around 2 a.m. and realized that I hadn't succeeded. I was a little disappointed and very tired but I wanted to try again. So since it was still early and I had time, that's what I did. I concentrated on my dr very precisely, imagining myself looking in the mirror and dressing myself in my dream clothes, I was extremely focused on all the details , my face, clothes my friends, things like that.

It lasted about 20 minutes I think, until my eyes opened on their own and was in my room in my dr on my bed, I didn't immediately understand that I had shifted , everything seemed so normal. It took me 5 minutes to understand that my room had changed and I was like "Oh shit"

I think what made me succeed that night and not the others was that I was very focused on my dr and that I was too tired to notice the symptoms that I had, And also because those days I was alone at home and therefore my house was completely silent, so i understood that was just a problem of distraction

I didn't use any particular method, I just let myself go and I don't use any at all now. I just think very hard about my dr and I'm there

Honestly I really like being a master shifter, I feel so powerful lol😭. and it really boosted my self-confidence. It also means that now I no longer ask for anything at all because I know that if I want it I will have it whether it is with the shift or with the manifestation. When I realized that I had become a master shifter I first had a mini existential crisis. I was asking myself things like "So technically magic exists?" "So technically I'm immortal?" "So anything is really possible?" I wasn't really sad about it on the contrary. I found it incredible (and still do)

The shift also really changed the way I interact with others, whether here or in my other realities. Personally I don't make a script and I keep everything in my head because my subconscious knows what I want and sometimes in my dr my personality changes without me realizing it.

In my fame dr I am rather extroverted or even arrogant, and in my barbie charm school dr I am rather introverted and stubborn, the worst is that I never realized it until the day I had a big argument with my best friends from my fame dr. They didn't want to talk to me anymore and that's when I realized that yes, I can have problems even on shift in a perfect reality.

I have a lot of idea for my dr but for now i shift only in my better cr, fame dr and my Barbie charm school dr (I will definitely do a post about my dr).

I hope I answered all your questions :))

Xoxo, Solia ૮꒰ྀི⸝⸝> . <⸝⸝꒱ྀིა

[pricesprincess]

from this ask | fat fem! reader | asshole oc for story purposes

simon riley really did live up to his nickname ghost with the way he followed you from place to place and any obstacles didn't matter to him, not when it came to know if you were safe or not.

he knew your schedule like his own and after years of being together it was just natural and simon couldn't just give up on the notion that you weren't his wife anymore so that's why he calls you everyday.

it could be about the weather, if things around your apartment need to be fixed, or if any men are hitting on you at your job because the idea of you moving on makes him sick to his stomach with dreadful pain.

but the first thing he always asks is are you okay love? because he wants to know if you are doing alright, perhaps without him and it seems that you're struggling with it all as well.

so when you ask simon to crash your date when you're halfway through dinner because he keeps making odd comments that put you on edge the moment you two sat down from each other there was no way he wouldn't help you.

your date was polite at first but something in your gut was warning you to text simon a simple word. red. he knew what it would mean.

"i'll be right back, i just need to freshen up." you murmured with a fake smile as you grabbed your purse and stood up knowing that if you were to be honest he could flip out and do something crazy.

your date nodded looking you up and down with a slight lip curl. "you could've dressed better and sprayed more perfume." his words were said so nonchalantly like they couldn't hurt a person's feelings.

you couldn't get away from his faster.

once in the bathroom you leaned against the wall pulling up simon's contact, the picture was of him and the cat you had custody of, princess q-tip who you had to beg him to do it but gave in quickly.

white with blue eyes and spoiled since you weren't too sure on having kids with his job, while you would love to have a baby with him it was the practical thing to do right now.

instead of texting you called him.

hearing simon's rough voice made the hair on the back of your neck stand. "hello? everthing ollright love?" the use of your nickname had your mouth going dry knowing you only had so much time.

"i'm on a date and its in the red, if you're busy i know i can always call the guys too and one of them can save me." your words tumbled out in a rush you were nervous he didn't hear and you'd have to repeat it.

in the background you heard the television click off and simon grunt as he stood up to get dressed. "send me your location." he hung up giving you some time to prepare yourself before going back out.

when you came back your date was flirting with the waitress, his eyes undressing her as she stood there until she finally saw you and smiled awkwardly before leaving you two alone.

"don't worry about her, your rack is a lot bigger." he told you with a wink and tipped his beer back all but chugging the thing as you watched with a slack jaw, you weren't offended when insults came from people who were clearly miserable with themselves.

the moment you leaned down to grab your water cup to splash him with it you smelt him before you felt his hand on your hip giving it a squeeze as he towered over the table casting a shadow over it.

his intense gaze cut through the air like sharp daggers intimidating the man who looked up at your ex-husband who pulled on his mask for old time-sake. "she's coming home with me." simon told him.

there was no arguing from your date which only made you laugh mentally as simon guided you away from the table and prying eyes, his lips brushing against your ear. "you deserve a lot better than that."

his words were laced with a profound sense of sadness and his sentence had a double meaning. "thank you for saving me, i don't think i'm going to date for a while after all that." you murmured and let him walk you to his car and open the door as usual.

almost like you were both on autopilot.

simon listened as you told him about your date and you both laughed and joked about everything which was really what you needed and then when the porch light flicked on as simon pulled his car up into the driveway he knew he shouldn't ask but did so anyway.

"can i come in for a nightcap?" he asked turning to look at you before tugging his mask off, it was a rare sight that he never let anyone see.

without saying anything you leaned over and kissed his scarred cheek. "of course, i'll make your favorite." you told him with a grin feeling your heart ache at being so close to him again.

[thatnonameuser]

what type of yandere do you think skully would be? ...or would he be a darling 😈😈🔥🔥

So far because of the AU, I'm making him a yandere. But.. * Insert Crowley Voice Here *  For I am gracious, I’ll give you both. 

Skully is from a time where yandere behaviors weren’t exactly accepted. At that point, it was during the halfway point between acceptable and a criminal act. At that point in time, the courtship was built on affection and darlings during that time had the right to reject their yanderes. (Not without consequences, but that’s a story for another time.) 

As a result, Skully is a gentleman yandere. Polite, affectionate and obsessive, with the same amount of love he has for Halloween. 

As canon Skully is, he’s just looking for excuses to kiss you. But he slowly goes from kissing your hand like a suave gentleman, to kissing your cheek, your lips, neck, trying to make out with you, et cetera. The longer you’re around him, the less he’ll be able to restrain his originally well-tamed urges. 

In a way, he’s also a delusional yandere. Because of his affection, he perceives everything he’ll do as an act of love. Kidnapping you is just the start of a date, gifts with dubious and bloody history are acts of love, drugging and killing people is just removing possible threats to your relationship. 

One thing that’s in your favor though, Skully isn’t a big fan of change. And he’s still adjusting to the fact that all the yanderes of the present are so okay with things that once got people imprisoned or executed back in the day. So he’ll try to save you from them. If you end up staying with him, he’ll be very relaxed as a yandere, allowing you a lot of freedom. 

(One funny thought I had was all the boys accidentally accelerating the acceptance of yandere behaviors with how they behave towards you during the trip and Skully learning from it.)

Skully, as a darling, is much more relaxed about the yandere thing. Same rules about darling’s being able to reject yanderes in his day still apply. 

So his original resistance to deviate from his Halloween traditions is amplified by the strangeness of the other yanderes, because how could they be so calm with something so horrible, AND change the sanctity of Halloween?

If MC is also a darling, then let her breathe a sigh of relief. With how Skully gently kidnaps her, she might be chill and miss the friendship between the two when she inevitably has to leave.  

If MC is a yandere, then well that kidnapping may be a little rough. Specifically, they might be turned into a pumpkin after all, for Skully to feel safe enough to perform the rest of his plan.

(Regardless of which MC is, then Skully will end up doing the opposite of that first thought. In fact, Skully will end up delaying the acceptance of yandere behavior with the spread of the new and better Halloween.)

I hope this was good. I wasn't really sure about it for a bit.

[leo-artista]

There are some things I've been thinking about in regards to Stan and Ford and their relationship with guilt that I don't really know how to express so I'm just gonna ramble about it here bc I need to get this out of my head somehow

Okay, so, Stan's one defining trait is that he feels guilty All The Time about a lot of stuff, and it's kinda what motivates most of his actions. The whole reason he spent 30 years working on the portal is because he felt guilty about accidentaly shoving Ford into it, and you could even argue that it's what leads him to sacrifice himself in the finale (which is actually very depressing if you think about it for too long)

Meanwhile Ford is... a bit more complicated. He does feel guilty, especially about being the reason the portal was made. But I think he also tries to shove guilt and other feelings aside in pursuit of what he thinks is more important- achieving his goals, studying anomalies, stopping Bill, etc, and therefore he doesn't really leave a lot of space to actually feel or process it, and I think it's the reason he can come across as egotistical and uncaring a lot of times

So because of this, I like to think that after weirdmageddon happens and they reconcile, there's a bit of a role reversal between them- Stanley's more at peace with his mistakes now that he's been forgiven, and he's not feeling as much self-guilt as he did before (although it still hasn't gone away completely), but now the one who's forced to come to terms with his guilt for his actions that directly or indirectly hurt other people is Ford since he didn't do that before, because he was more focused on other things and wasn't very self aware. And maybe he struggles with it, trying to make up for not being the best brother/friend he could have been to the people he cares about, thinking of how many chances he had to change and be better but chose not to because he was too self centered- and I think if it came to that, it would be Stanley who would help keep him grounded and prevent his self-blaming from spiraling out of control, because he knows better than anyone the kind of road that line of thinking leads to

Idk man I just like imagining how they would cope with shit like that- Ford making an effort to be more sensible and empathetic to other people's feelings and trying harder to show how much he cares, Stanley learning to not beat himself for his own mistakes after seeing his brother do the same thing and helping Ford understand that not everything was his fault and that circumstances also played a part in how everything turned out- idk I just feel like it would be something interesting to explore

[bestangelofall]

I think both possibilities are interesting regarding what you can do with his character in this AU. World building wise, I love the lack of Daemon for resurrected people, because it leads into the idea of there being a price for the resurrection, and the possible stigma that people who came back to life would face.

Applying this to Jason specifically, would he be seen as less than by Bruce? As soulless? Would a Daemonless Jason be a reason to justify all the victim blaming, to justify all the other things Bruce does after Jason's resurrection? For example, the ending of UtH, or Gotham War, could be put as not being "that bad" because in Bruce's eyes Jason wouldn't be a complete person, and a part of him is forever lost.

I love that idea, but, as per HDM lore, to lose the connection with the Daemon is to lose the soul (at least in the case of the children which were cut), so I prefer the idea that the Daemon also comes back after resurrection. Maybe "come back" isn't even the right word, because when Lyra went to the Land of the Dead in The Amber Spyglass, Pantalaimon was left behind. Of course, Jason stayed dead for months, so maybe in this AU the daemon actually died.

I haven't read The Secret Commonwealth, but I do know that it addresses the aftermath of Lyra and Pan's separation, and that is that things between them aren't the same anymore, and they never will be. Of course, in Lyra's case, she willingly left Pan behind, which would be very different from Jason being murdered, but dying would still be a sudden and violent change, so I think that the same irreversibility would be reasonable here.

If Jason's death was wrong to be corrected (by Superboy Prime), it would make sense that his Daemon would be left behind while Jason went to the Land of the Dead.

Here we can have the option of continued separation after Jason crawls out of his grave, and that it contributes to his catatonic state, and maybe the Lazarus Pit has a role in helping with that (maybe it "reconnects" the bond, but not even the Pit can heal it totally, and there will always be a scar 🤔). I'm not so sure on this part, but it's an idea...

Anyway, Jason and his Daemon start early on not really feeling that separation as much as one would initially assume. They are both very motivated by the same goals, they both love Bruce very much but need to see proof of reciprocation, and most importantly, they both understand that what happened wasn't their fault.

However, as the time passes, and as other people treat Jason the way they do (and now I lean more into Rebirth Sad Jason) that disconnect that results from the separation during his death starts to show. The Daemon stands her ground, being the part of Jason that remains sure that they were good, that they didn't deserve what happened, and that it wasn't their fault - they were tricked by Sheila (and her Daemon) and still tried their best to save them.

Jason, however, after having been told time and again by Bruce & others that he screwed up, started to believe that, because if it was his/their fault, then all he needs to do is to be better, it's not something out of his control. It hurts less. And because of this subject, the discord between him and his Daemon is born and intensifies, and things get ugly. Rebirth Jason has the self-esteem of a wet paper bag, and fights with his Daemon constantly because she wants to impose boundaries to others, while he sees her as an obstacle for reconciliation with Bruce/Dick/maybe Babs/Alfred (btw, his Daemon fucking hates Alfred).

We see in HDM Mrs. Coulter acting on her self-hatred in the form of Daemon abuse which constitutes self-harm. I think Jason would do that too :/

I probably could talk more about this, but this is already a wall of text.

So like in a Daemon au do you think Jason's Daemon would be resurrected with him or do you think you can tell if someone has been resurrected by their lack of Daemon

[tkwrites]

Okay I'm done now and heading to bed, one last question.

Can you name a favourite fic for each of the boys?

Hi my Lovely,

There are quite a few of your asks I haven't answered, but please know I'm not ignoring them. They'll just take a little more time to respond to.

I can tell you my favorite fics, though:

Matthew Tkachuk - Back To You because it's such a complete story. I love the way he and Jessie meet, lose each other, and then are thrown together by fate again. I also feel like I really captured that sassy side of Matthew's personality in this fic, which I was really worried about at the time I was writing it. This is also the story that I think would be easiest to flesh out into a full length novel.

Nico Hischier - I love all the parts of his story for different reasons, but I think It Doesn't Matter Part II is my favorite. I had actually written the whole sequence of nude sketches for another character, but ended up scrapping the whole story because I couldn't find any real conflict for them to resolve. When I realized I could use it for Nico and Lena if she was an artist, I was thrilled and got to work rewriting it for them. In the end, the only things that stayed the same were 5 of the 6 poses. Getting into and out of them changed, as did the characters relating to each other during them. I love all the longing and awkward tension between them in this piece, as well as how they finally end up confessing their love for each other. Finally, the culmination of all of their longing into the final sex scene? Chefs kiss.

Quinn Hughes - This one is so hard. I've written so much about Quinn and Sarah and I love all of the pieces for one reason or another. If I had to pick three favorites, they would be:

1). Five Days of Joy because I'm so proud of this fic. It took SO long to write, but I love the way it turned out. I love that we go through so many consecutive days and such a gamut of emotions with Sarah and Quinn.

2). The Second Time is Better because I love the portrayal of a more real first time. One of the things that drives me batty about romance novels is how the characters get together and always seem to have this instantly amazing sexual connection. No room for human failing or first time jitters. In reality, it takes time to build sexual chemistry and connection, and I went into this piece wanting to show at least some of that.

and 3). Second Nature because I think it has the prettiest prose. I still think this passage is some of the best writing I've ever done:

This was ultimate flirting in Quinn’s book. Something he knew he could do. When someone wanted to talk about music, or art or classic cars, he was a fish out of water. But talking hockey? He could do that all day long. Convincing someone to like the sport he loved so much? There wasn't a more ideal situation. 

“Oh, good,” she said, leaning forward to kiss him. 

This was a perfect evening. Casual and comfortable. Cooking for someone he - liked, and kissing her whenever he wanted, taking no worry of who might be watching. 

Letting himself get swept up in the kiss, he slid his hands over her hips and tried to commit her scent to memory. No matter what happened - though he was pretty sure nothing bad was ever going to happen with Sarah - he wanted to remember this. She smelled like a dream he’d had as a boy. Like vanilla and warm skin and fireside, summer nights. It was an outlandish notion, but he couldn’t shake it. 

All her life, Sarah had read stories about star-crossed, fated lovers thrown together by chance and circumstance and serendipity. But those were all just stories. Even when her grandpa talked about meeting her grandma - like they were always meant to be together, and just had to find each other to make it happen - it seemed like folklore. A tall tale he spun to make their love story seem more epic. 

After writing all this out, I realized perhaps you meant favorite writing from other authors. Let me know if that's something you'd like me to answer.

[haveateadude]

hi again ems!! (hope its okay if i call you that 😭) im the one who sent the last req, you wrote it so wonderfully. thanks for your concerns, wishing you the best !!

no pressure once again!! could you possibly write fluff about els taking you on a lil picnic to a flower field ? thank you once again!! 💗💗

picnic date

summary *. ⋆ ⋆·˚ picnic day with your lover

warnings *. ⋆ ⋆·˚ none, this is pure fluff i think

author notes *. ⋆ ⋆·˚ hey!! omg your welcome to the person who sent this!!! i love uuu. i hope you like this one :)) also it's totally okay to call me em!! please feel free to send more request if you'd like!!!

and i'm so fucking sorry this took too long and it's too short. i've been busy lately but i have a week of online classes bc of some weird shit going on in my country so i hope i'll be able to write more.

have a good day everyone❤️

Ellie takes you on a date. A picnic date, precisely. She knows you've been stressed lately, and she thought taking you out might help take your mind off things—at least for a while. You knew it would be lovely, but not like this. This is beautiful. Going to a flower field has always been on your bucket list, let alone having a picnic with the person you love most.

"Ellie!" you exclaim. "Why did you—I mean… Shit. This is beautiful."

Ellie leaves the basket of food on the blanket, then stands behind you, wrapping her arms around you and placing a kiss on your neck.

"You deserve this," she says, resting her chin on your shoulder as you look out at the flower field. It feels like a dream—dating her has always felt this way. "I hope you enjoy it. It took me a while to find a place like this."

You turn around, and her hands never leave your body; they settle on your hips now. "I love this."

The sun peeks through the clouds and shines directly into her eyes and along the curve of her nose. You’ve always thought she’s pretty—but in moments like this, when it’s just the two of you with nothing to do but enjoy each other’s presence, she looks ethereal. You kiss her, both of your hands on her cheeks.

"Thank you for bringing me here," you say as you both sit down. "Really, you didn't have to."

"I wanted to." She shrugs, smiling. "I thought we should do something nice; it's been a while since we've had time for ourselves."

You lean in for another kiss, which Ellie returns happily.

"God," you say, letting your head rest on her shoulder, "What did I do to deserve you?"

"You're asking me that?" she says, incredulous. "You're the prettiest, smartest, sweetest, and coolest girl I've ever met… How could I not love you? That's the real question."

You feel your cheeks flush, a warm pink spreading across your face as you look up at her. You’ve always thought Ellie was prettier than you—hell, you’ve always thought she was better at everything. She’s smart, beautiful, and always knows what to say. But the way she talks about you always makes you feel like she’s put you on a pedestal, for better or worse.

You chuckle, eyes bright with devotion. "I love you so much."

"I love you, too." Ellie’s the one to kiss you now, tucking a strand of hair behind your ear. "I really can't believe I'm dating you."

After you finish eating, you eventually end up with your head resting on her lap. The sun has faded a bit, leaving blue and orange streaks scattered across the sky. It looks beautiful, you think, as Ellie tucks daisies into your hair, braiding a strand every now and then. It feels nice, her fingers brushing against your scalp.

"You look so sleepy, baby," Ellie chuckles, finishing with a kiss on your forehead. "Are you sure you don't want to head back?"

You shake your head and sit up. "Can we stay a while longer?"

Ellie doesn’t answer; she leans in for a kiss and gently guides you both to lie down until your back hits the ground, with her next to you, propped up on one elbow. One of her hands rests on your cheek, her thumb gently caressing your skin as you keep on kissing.

When you pull away, Ellie rests her head on your chest. You wrap your arms around her.

"I think we can stay here a little while longer."

[calware]

You might've answered something like this before but how do you pick colours for your art? Your choices are always so striking, visually interesting and delightful. I would love to learn your ways. (also hi)

WAAHHHH THANK YOU <3 <3 (also hi!!) first of all i do have a post from quite a while back with some general tips that you can check out, but my process has changed a bit since then so i can definitely elaborate a little bit more!

observation

this first tip is not very straightforward (sorry) but something i try to do is pay attention to the colors and lighting in the real world and try to remember what moments really stick with me. like when you're watching the sunset and the light from the sky washes everything in pink and tints the buildings orange, or when it's dusk and the light blue of the sky contrasts with the dark blues of everything that's in shadow, or looking in a lake and all the greens, browns, and blues mix together in rich jewel tones

i try to keep track of these things & the emotions they make me feel (almost like taking notes in a mental journal) so i can try referencing them when i want a certain drawing to feel a certain way. AGAIN this is really not straightforward and i don't really know how helpful it actually is...? but i find that observation can be a really helpful tool and i find myself doing it a lot

references

sort of the same as the last point BUT using preexisting photos and artwork instead! this one is more straightforward because you can actually reference them as you are drawing. i said this in the other post i made but i think that looking at other images and asking yourself "how is the artist/photographer using the colors to make it look this way? how do i recreate that?" and using that as a way to study their use of colors can be really helpful. if you find a drawing that has cool colors, try using those colors in your own drawings and see how they look!

that said, i would try to avoid color-picking things directly because i find that if you try choosing them on your own you 1) gain a better understanding of what you're doing 2) have more control over what you're doing and 3) you can "push" your colors in ways you might not if you color-pick directly

play with contrasting hues

i think this might just be a personal preference, but i find that i'm not as big of a fan of monochromatic images, and i prefer it when drawings utilize a wide variety of hues. this goes especially for ones that implement more contrast in the hues (not necessarily where the colors have more contrast in value, but rather contrast as in they're further apart on the color wheel)

for example, in this drawing, everything is washed in green light except for rose's skin, which is a very saturated reddish-brown. this is sort of what i mean by "pushing" the colors because, in a realistic setting, a person sitting in green lighting is going to have a more greenish-looking skin tone (like in this drawing). you can see this in how the whites of the drawing—her hair and eyes—are greenish, but i made the stylistic choice to not do the same with her skin to create contrast between the two hues

i edited the one on the bottom to match the green-ness of the rest of the image, and the effect is pretty noticeable! green light makes people look less lively, almost sickly (which is good to use if that's the feeling you want to show, of course)

another small example of this is in this drawing where i use a couple of different hues in davesprite's body. overall, it registers as orange, but i like to ever-so-slightly introduce a bit of green to contrast with the orange, letting the lightest values tip into the greens instead of stopping at yellow to contrast with the muted red in the wings. the darkest values are purple, which also contrasts with the yellow parts. the only hue missing from this image is blue! the colors are all still analogous, and the greens and purples are a lot less saturated than the oranges and yellows, so nothing clashes and overall leads to a more subtle contrast

the colors on the top are the ones from the image, while the ones on the bottom i see used a lot more commonly—which isn't a bad thing! i just think it looks nice to use a wide range of hues because of the way they complement each other :)

other than these strategies, my process varies greatly depending on what i'm working on, so it's difficult to get any more specific than this (unless you'd like to ask about the process of a specific drawing!) there isn't really any step-by-step method i use for every drawing i make, usually i am doing something different each time based on the goals i have for the project

[torchwood-99]

I saw one theory that Theoden was acting obtuse because he was worried that there'd be resistance against Eowyn leading because of her sex, and wanted the people to spell it out they wanted her. It'd be an interesting theory, and would fit, but the problem is that Tolkien never really gives an indication of that or any other reasoning or motive behind Theoden's word, leaving us with Theoden's words alone, which tells us that Theoden just forgot her.

Now a bit of logical reasoning is a fair thing to expect of a reader, we shouldn't need everything spelled out, but we do ned to be given something. For example, Theoden's silence over Theodred. We can reasonably imagine that Theoden was moved beyond words over his son's death, and his silence there would make sense.

If the narrative had drawn some attention to Theoden not saying anything about Theodred's death, if the silence had been given some moment of significance; say Theodred's name comes up and Theoden goes silent, or they ride past his grave or the place he fell and Theoden won't look at it, or just a line saying that Theoden wouldn't, couldn't, say Theodred's name, we would be able to reason from that that Theoden is too pained by Theodred's death to talk about him.

But the narrative is silent on Theoden's silence, so what we're left with is a father who never bothers mentioning his son or his death. Any love or grief Theoden feels is a presumption made on Theoden and the narrative's behalf. We choose to feel that Theoden grieves for Theoden because we think he should, because we've been told he was a good guy and a good guy would be sad about his son's death. Not because Theoden actually does or says anything to indicate any love, grief or remorse over Theodred's death.

It's the same with Eowyn. We can come up with theories to explain Theoden's line about Eomer being "the last of his house", we can try to come up with explanations as to that pretty damning insult. But these theories and explanations are entirely fanfic, the narrative gives us nothing except the line itself.

I'm gonna say it, this is a weakness in Tolkien's writing. That Theoden would have strained or selfish relationships with two family members, his son and his daughter, is not poor writing, and his conduct in regards to them makes for interesting characterisation. However, it conflicts with the character Tolkien is telling us he is. We are told that Theoden is kind, gentle, that he is a loving father, who loved Eowyn more than he would his own daughter.

That Theoden's treatment of two significant people in his life, the two people you'd expect to receive the better part of his kindness, completely goes against the reading of Theoden as a compassionate, gentle father, without any reasoning or significance applied to his conduct towards them, without any indication from the narrative that this was an intentional creative choice to have Theoden come across as cold or negligent, is a misstep in the writing.

We've agreed that Theoden is much more likable in the films, but there is an argument that in the films Theoden is also better written, or at the very least, the writers of the films did a better job at showing Theoden to be the man the narrative is telling us he is.

Imagine spending five years waiting hand and foot on a man, giving up your own dreams and ambitions, enduring the constant threat of rape, watching your loved ones suffer or ride away without you to peril and glory, having to be brave and strong at all times, knowing your service and sacrifices will never be sung of after your death, all this out of duty for a man you love and supposedly loves you, only for the man to miraculously recover, and for the first thing he says to you is to leave the room, and then he calls your brother the last of your house.

And then your brother wonders why you have a death wish.

[part-time-zombie]

Y'know, I may have an idea of why Janus hates Roman so much.

(besides the whole name reveal incident of course)

It always seemed that Janus kinda looked down on Roman even from the very start, but didn't make it clear until flattering him didn't give him what he wanted.

So he doesn't like Roman, and likely never really did, but why? They have a lot in common: dramatic flair, love of theater, fashionable and a fan of gossip, i think they'd at least have a friendly rivalry like pre-aa prinxiety did, so why not?

I think it's because their one key difference is too much to ignore (and no, I'm not talking about their hero/villain aesthetics, if anything they'd appreciate the banter they'd get from it).

Roman has an image to maintain. Janus does too, but his is much more based on personality, not perception. People want him to be the bad guy, and since it gets things done he'll play along.

Roman's the ego, his image is much more important to him.

Roman needs to be seen as the good guy, the hero. The only reason he's split from Remus is because Patton wants him to be a representation of everything good and pure about creativity. He's built his entire role around being a prince, knight, and hero, all of which are expected to prioritize honor, integrity, and altruism. He can't allow himself to be selfish, or it'll risk destroying the persona he has built for himself. Patton taught him that the right thing to do is put others before yourself, and he's already learned by now that his arrogance is a flaw that people disapprove of, so of course he'd think that committing to total selflessness would remedy his past mistakes (i.e. focusing on himself).

Janus, however, knows that Roman is holding himself back by doing this, and that if he were to stop caring so much about his image he'd be way better off. He also knows, though, that Roman won't realize that. He's too worried about maintaining his princely role to let himself be selfish, and Janus has no time for that.

What this leads to is Janus wanting Roman to stop caring what everyone else thinks and start caring about himself, and Roman going "you know what? I'm going to start caring about my image even more" and Janus just calling him an idiot for it.

This of course doesn't help, because when Janus is seen as the bad guy/villain to Roman's good guy/hero, it only makes him even more resistant to align himself with those ideals. What kind of hero agrees with a villain, anyway?

TLDR: Janus hates that Roman cares so much about his pride without realizing that he is Pride, and that not caring about it would be like not caring about himself.

[thatfrailsoul]

– If you love me, then love me from the heart

tarot pick a pile reading ( → 1, 2, 3 )

pictures from pinterest → one, two, three

Slow down for a moment. Give your conscious mind a moment of rest, allow it to step back. Instead, listen to your subconscious mind, to that inner voice, to the intuition that is guiding you to the pile in which your message hides. A message about the love that your heart is longing for. The one that you are hoping to find…

This is our third reading from our divination jukebox, inspired by possibly one of the most beautiful songs that I've ever heard - "Yağmur Yağar Taş Üstüne" by Mustafa Güzel and Batuhan Fırat (feat. Belkıs Güzel). I'm so deeply grateful for the person that suggested this song and gave us the possibility not only to discover it, but also to have such a deep and tender message through this reading. It is difficult to find the correct translation for this song, but I strongly encourage you to listen and read it, as it is simply magical in the softest way. I will leave you the links that were recommended to me here, in case you would like to listen to it. And if you would like to see a pick a pile reading inspired by your favourite song, you can discover more about how to participate here↓♡!

♪♡♪ Divination Jukebox ♪♡♪

P.s. This is my first attempt at a longer reading, so if you feel comfortable please let me know in the comments what you think of it! If you prefer the shorter ones, if there is any aspect of the reading that makes it difficult for you to read it, or in case you will take a look at the extended version of this reading, if you would prefer to have something more specific in the additional messages of our readings - I will cherish your opinion and use it to get better with each post!♡

– Pile One,

{ The love that you are longing for }

the magician, the seven of swords, the page of coins

Love… you so often consider it just a feeling. A feeling that after all these years alive you still can really connect only to your own self. To you who seems to be the only one to feel it. To give it. While all that others do is receive it from you. Giving you back some gratitude perhaps, but never something that feels like what you gave them. Nothing that really fills in that part of you that was emptied for them… Making you really wonder if perhaps you got it wrong for all this time, if what you considered love never was it. If you imagined and expected it to be more, made it be more. Giving others much more than any person could ever give you in return, more than you ever should've done…

All that attention, that care, that genuine dedication that you put in, time after time, for every soul that was close, going out of your way to be there, right by their side for whatever might come… But still standing alone when facing your hardships, your difficult moments. Only you on the first line, out there in the cold, just you against this world… You genuinely never thought that this is what love would be. You expected something different from what you always received from others before. A complete opposite of having to do everything on your own, of that fear of what will happen to you if one day things in your life won't work anymore. You thought that it should be different from that because you know for sure that all those years of struggle alone never had even a bit of love in them, not from the people that were all that time around and close to you, but never did anything to help you, apart from telling you that this is how it works and that you should grow and take care of yourself on your own.

You alway imagined it, in those dark and painful nights, a hug, a caressing hand, a soft voice that assures you that everything will be okay, that it won't be forever this way, that you are not alone but you will always have them… So you did your best to be deserving, manifesting those tender and loving ways through your own self. Through the way you looked after others, the way you cared for them. Not only knowing that this is the right way to treat others, the way you genuinely want to be, but that it will be also worth it, that you will one day feel the love you gave, through others that will do the same… But it never came. You never saw your reflection in them, you never saw that part of your heart that you gave away being nourished and taken care of… it was always mostly just appreciated in the moment. And forgotten. Or worst, taken advantage of by expecting or asking more. So after all these tears, all the days dedicated to others instead of yourself, all your prayers for help and support, just a little comfort, that you never received because they are too busy to take a moment to give you back that love that you never declined them…. You started to think that you are in the wrong. That the love you always waited for is just a dream that the real concept of love can’t live up to. No matter how much you can look for it or want it. It is simply not something possible. And you are asking for too much.

{ What this is all for }

the judgement, the ace of swords, the lovers

This world, this life in general… has a really unique way of helping us to learn, of guiding us in or through the right direction and path, of letting us know that everything will be alright… Their language is so different from ours that we really struggle to understand it, those words that come in the form of pure feelings directly from within us. The ones that we should trust the most but never do so. Especially when it comes to love, something that we so much idealise, something that we have so much desire for.

Your heart is so sincerely tired, it went through so many betrayals and wounds inflicted by those that you tried to love. To the point that it simply feels that heaviness, that weight of this experience that you never really wanted to begin with. So you feel like you are ready for something else, for that love that you did all of this for, if it even exists at all. But are you really sure of it..? Of knowing so well the person that you would like to have by your side each day, their character, their behaviour, their values? Are you sure that you really did look for them and not just anyone who seemed to be able to love? Are you sure that you really know your worth and the one of your love, how one must love you in order to really give you all that your heart needs and wants? Or did you think that you knew it before, and now you are settling for much less than you are deserving of, because of the overwhelming loneliness and fear that it will be this way for the rest of your days unless you accept whatever one gives you in return? Are you sure that you are remaining loyal to your own self and your soul, instead of trying to “sell” it to whoever is close and good enough?

Because, even though perhaps you are not doing it consciously, but you are changing. Little by little. Not in terms of who you are, but in the ones of who you allow others to consider you. Leaving it up to them to decide how much you deserve, what is the worth of your love and care that you give them after letting them in, where only the most sincere, genuine and trustworthy should belong. You just give them your all. Every single time. Without any limit or hesitation. Not even when all that you receive is another rude phrase, some judgement, coldness and distance once they got up and healed thanks to your love. You just do it. For everyone. Not choosing carefully, but treating every soul as the right one. And not in a good sense. Instead, you are not listening anymore to your own intuition or feelings, not trusting your own mind that recognises the things that are too off. You are just rushing in this hunt for “the one” as the time passes and you feel more and more scared and alone. You are throwing yourself at every possible connection, all in, wandering each time that it goes wrong what you did too little or too much of. And not realising anymore that it is not about how you love, if it is in the right way or the wrong one… But rather who you choose, even force yourself, to love. And how they are simply not the right one, no matter how much you sacrifice of your own values and preferences, just to make them fit in the place that it is not theirs to hold.

All these bad endings, failures, mistakes that you consider yours to be responsible for… Are just a natural consequence of you settling for less than you really desire and need in order to feel loved. All that sadness, that loneliness… are only your subconscious, your own heart that you willingly ignored at first, but that after some time managed to be heard by you, letting you know that the way you are treated, the crumbs that you accept, will never truly be enough.

Those endings, those coincidences that are never in your favour, those interferences in your connections from the outside world… are just its efforts to protect you and communicate with you, trying to show you that refusing your own standards is not what can help you find them, that right person that you can truly feel safe and understood with… Adapting to another person and changing, it is not what will make them love you like you want. It will only keep you stuck in a play pretend. Put you in situations and relationships that you won’t feel appreciated and cherished in. It will consume you from inside out, slowly but surely, just because that one time you believed more others, than your own self that always knew what was best and right for you, what you really wanted to feel and who you wanted to have with you…

The time already passed, you already got through so much. You can’t do anything about it, and it is alright. But you can do yourself a favour and listen again to your own heart, before following that overwhelming fear and anxiety of being left alone in the cold and the dark. Your heart, your love, they are unique. But not at all the only ones. There is a soul, out there, that is your perfect reflection, someone who resonates so much with your ways of feeling love. And you can and will find them. The moment you stop seeing all that happened and you went through as the mistakes you made, ways that you can be better by being more or less… And start to see them as simply were and when the things didn't feel right for your heart, for who you are. Because those things that you felt the lack of, or perhaps as though it is just too much, are the ones that you need to hold onto, to look for in others. Instead of ignoring them, just so you can fit in the perfect version of love of someone and they can accept you, even though you are not theirs to love…

Although it seems so easy to do through words… We know too well that sometimes it is not enough to just choose to listen to our heart more. It is not always enough when we, in a certain way, forget its language, when we are not able anymore to comprehend it and separate it from the voice of our mind that we learned to follow… For this reason, there is an additional message for you, if you want to, in our extended version of this reading. What you need to know and remember as you continue on this journey, in this search of the right person for you, but also of the confidence and trust in your own heart, that will be the things that will change everything about the situation in which you are now.♡↓

{ a little message for you }

—

– Pile Two,

{ The love that you are longing for }

the wheel of fortune, the sun, the devil

It happened so many times… So often you felt overwhelmed, completely overtaken, by the life of someone you loved… Their problems, their difficulties, their fears that became yours. Yours to resolve, yours to take care of, yours to endure, even though you never could really influence them, not the things that depended on their actions, their decisions. Not when it was something that was purely theirs to create, destroy and live… It happened so many times, truly. You felt so often the urge to be there for someone, just because you knew them, just because you saw their struggle and couldn't help but to try to save them. Because this is what everyone deserves, yes… But with those that had a special place in your heart, those that you felt so close to you, so needed as the air you breathe, there never was a chance for you to say no. Not when your heart so ardently fought for them each day, no matter if it was your battle, your victory to take or not.

One by one they took a part of your life from you, gladly accepting your love, your support and help. And leaving it all to you, to your heart and mind that never were supposed to live so many lives, go through so many situations and emotions, bear so many consequences that were coming from actions that simply weren't yours. And they took it from you. That time and energy, the courage and strength that otherwise would have gone to you, to your own healing, growth and protection. They took it all from you and, worst of all, they were able to do so thanks to you. You who gave it to them, all that you had, in the name of the love that you felt. You that not even once regretted it. Not in the moment at least…

They took so much from you, making you get used to it, to have so little, to give away so much… That now, for once, you want to find someone different. Someone who will not take advantage of your heart. Someone who will understand that, no matter how much you want and try, it is not the right thing to leave it all up to you, to handle their life… Someone who, for once, just knows more, knows better. Someone who can teach you, gently, softly, as they protect you from your own self, from your own urge to disintegrate yourself for the happiness and safety of someone else.

For once… you want to be overwhelmed by someone's joy, their hope, their desire to be here and to live this life. Their strength to choose to see the best aspects of the things. Their strength to be patient, to have faith, to believe that everything will work out in the end. For once you want to receive that strength, not to give it away. For once you want to be protected, guided, as you trust someone who doesn't expect you to lead the way out of the darkness of their days…

It might sound selfish to some, so entitled to look for someone who has it all figured out, who has better and more control of their life… But you are simply tired. And a little lost, if one can say the truth. Tired of figuring everything out constantly, keeping others above the water, as they push you down, never thinking of the air they are taking away from you. It’s not about an easier life, about receiving constant help or guidance, leaving it up to others to make the choice for you… It is about just wanting to have something that is left for your own self too. A little time, a little love, that you can give yourself without being afraid that in the meantime someone would get upset or hurt. You just want to be able to take care of yourself too, not only of those that you love, of your connections, of your situations, that seem to be destroyed each moment you are not looking after them. You just want to have someone that is by your side, living their life, instead of living yours that becomes so scarily about them, their necessities, their dreams, their worry and losses. You just want someone to learn from, or together, how to live this life in the most right and healthy, loving way. Not to teach it. While you yourself don't have any idea of how you are still here, how you made it until now every day.

{ Will you ever find someone like them }

the justice, the eight of wands, the queen of wands

This new and almost desperate desire in your heart now, might feel a lot like frustration, the last realisation of how things should've been when everything already happened, when it is too late to change them… But instead of a tragic end, it is more of a hopeful and promising beginning. The one that you are creating with your each thought, with each moment of understanding of what it is that you really want to feel, when sharing your love. The taste of it, the feeling, the emotions it can give you. With each found answer in your heart you are changing your life, much more than you expect now. Because it really is all about your choices. Your decision of who you will be accepting into your life from now on.

There is a part of you that is growing, getting stronger, preparing to be vigilant and serious about its duty: the one to protect your heart. One little thought created by the tiredness, the sadness of all that you endured… was enough to move the waves of the whole world, of the reality around you. Of who will be brought right to you, and who will be pulled back, not being the right ones. Changing your connections one step, one person at a time. Giving you back the right to decide for yourself, making you remember that you can in fact do it, you can choose the ones dear to your heart.

And it won’t be delusion, entitlement, selfishness, or any sort of limit that you will put on your heart… It will be just you, all grown up, who will now know that it is okay to not take it all on yourself, whatever and whoever comes, because of the fear of what not doing it will cause. It will be your understanding that people can and will make it through on their own, even if they are so afraid or feel incapable of facing their life right now. And it will be also your acceptance that not every story you hear is yours to live, to feel, to make sure it has a good ending. Not everyone is yours to protect and help. Not everyone has the right to come before your own self.

It might be a change that will take its time to settle in, especially in your heart that is just so full of love. Love that you didn't give yourself for so long, pouring it all in the needing hands of those by your side. But it will happen. It will feel safe and right, to allow yourself to choose how much the realities of others influence your life. And as you will go through it, as you will seek that courage and strength… It will be enough to remember that everything will be okay. Even in those moments of uncertainty, it will be enough to hold on tight to the message that we will receive, if you want to, in the extended version of this reading. A message about how you can and will change your life.♡↓

{ a little message for you }

—

– Pile Three,

{ The love that you are longing for }

the ten of wands, the star, the death

It is so difficult to need to explain yourself, your actions, your urges, your reactions. It is tiring to open up your mind and your heart sharing them with others, again and again. Just for them to not understand it, to not pay the slightest of attention, to not take it seriously, all those things that are still consuming your soul… It just feels so useless to go through it, to come out of your comfort zone so hopeful that they would be that right person… only to see them walk away, who scared, who uncomfortable, who deluded or bored. Leaving you feeling like a poor seller who is unable to demonstrate the worth of your broken, lived, soul. When you don't even want to do it in the first place. When it is so ridiculous that you need constantly and so fiercely to defend or explain your wounds, as if they didn't already hurt enough.

It just consumes you. Consumes your every desire to go out there, interact and try to connect with people, creating with such dedication a relationship that - you know it too well - will just be destroyed. By your own past, your own frail soul that is too difficult for others to manage, to use or control. Too delicate to do anything with it without hurting it more.

Deep down you know that not every single person you met was truly so evil at their core. But it still hurts you like hell, being rejected, just put aside, simply because of the way you feel so strongly and deeply every detail about this world. Just because you have more depth to your feelings, more power to the emotions that simply overwhelm you, good or bad, every single bit of them that fills you whole. And that you welcome and feel completely, still remembering how cold and dark it was when there weren't any emotions in you at all.

It just would've been much easier, for once, to not have the need to defend yourself, the way you became. If for once the one in front of you focused on who you are now, and not on who you were or who you could become if only you suppress your soul. Because you changed, yes, and it might be sad to not have that spark that others adored so much about you anymore. But the you who survived still and always deserves the same admiration and love, perhaps even more, after all that you were able to endure. This you who is so different is still you. The you who gave you the strength and courage to face it all. The you who shouldn't at all be forced to explain yourself to those that can't even do one thing: just listen to you, hear you truly, at least for once.

Because it is not so difficult, in the end, to just accept someone and love them for the way they are, without any if or but. You know it well, because you always did it and always do with everyone that is close to you. But while they can be themselves, knowing that they will be truly safe with you, their every wound that will be taken care of without any judgement or expectation to receive something in return… You are always asked to be less or more. To hide your pain, to be more joyful. To not react too much to the things that hurt you. To, instead, be more understanding and patient, accepting, of the ways of others. Even though they never tolerate yours.

So you remain here, among so many of them but still feeling so lonely, so trapped, exactly like it used to feel before. You still are being hurt, even though you had so much courage in not hiding yourself, your scars. Even though you learned to have the needed strength to stand your ground when others didn't see that they were stepping on your heart… And you still hope. That one day, somewhere and someone, for once will just feel drawn to you. Not a memory of you or your potential change. Just someone who, for once, is gentle and kind in their ways. Not because you asked them to, not because they were forced by your tears… But just because they are connected enough to their own heart. Enough to recognise the painfully familiar stories behind your tired and scared eyes. Just one person, just one single time would be enough. Just one single moment in which you would feel loved and cherished the way you are, even with all those fears and doubts that everyone has always something to say about. Just one true and genuine connection. One single chance for your heart to find again the hope that you, exactly the way you are now after all your battles, not less not more, will be enough.

{ You are not in the wrong }

the page of coins, the strength, the six of cups

Finally standing up for yourself, taking your defence, pushing back those that don't make you anymore feel safe… it took a lot of courage, especially when every decision that was already hard enough was also met with judgement, with pure rage, just because for once you weren't ready to be there for someone else. But while you thought that the worst part will be this, finding the strength to prioritise yourself, the most difficult part revealed itself to be resisting the urge to take all your words back, bowing your head, surrendering to discourses of others about how you shouldn't ever do that again, and coming back to your old and consumed self, asking it to endure it once again. But this time with the full awareness of how it is wrong, to give away so much of you, remaining with so little that it is never enough to take care of your own heart and mind…

You are resisting it now with all your strength, but the single thought that they might be right, that you are indeed acting too selfishly, is already enough to shake you to your core, to fill you with the pure terror that you might be becoming one of those that hurt you, coming down to their level without realising what you've done.

But you are not. I promise you. There is nothing wrong in putting yourself first for once. There are no mistakes when you are acting from your heart, from the pure desire to protect yourself now that you are realising that it all just has been too much. You are not the villain here, even if perhaps there isn't one among them either. There is no evil in knowing what you deserve and want, and not accepting nothing less from others, even if they so perfectly mask it with words like “It is the way I love”, “This is the best for you, the best you can ever find or hope for”...

You’ve endured a lot, so much that it is truly non conceivable and admissible that someone belittles it. That someone doesn't give it the importance and incredibly powerful and heart wrenching meaning that you surviving all of that holds. Don't stop for them, for their fears that you will change. Because it has already happened, in the good and in the bad. And if someone can't accept and respect the new you, if they, even in the name of their love, can't accept you… then it is okay. There will be someone else. Someone else who will meet you, get to know you, and learn to appreciate and cherish you for the way you are now, not a memory of who you were.

It might be sad to let go of some people, to lose some connections. It might be frustrating to see their absolute conviction that you are the one in the wrong… But you are tired now, you feel weak after needing to fight against them again and again just to protect yourself… so don't waste your last remaining energy on them, on proving them wrong when they already ended this story as it is more convenient for them in their head. Let them go. Let them be. Not to allow them to think that they are right. But for your own self and to give you that space and time to rest and recover, to take care of yourself.

This world is vast, there are so many of us. Remaining now for a moment alone… doesn't at all condemn you to have all the days of your life lonely and cold. It is just a phase, just a precious moment that will sign a new step in your growth, in how much you consider your own worth and protect yourself at all costs. People come and go. Some are good and some are not. But you are unique, you are the only one you have, the most important person that you need to love and take care of. Even if it means to not accept the love of others, simply because it is so different from what you are longing for. Even if it means to reject the company that you so much want, because they never offer it genuinely but only when it is so convenient and needed for them.

Times will change, you'll start new journeys, go through different paths that will align with others, new and completely different persons. And you'll create new connections, better ones. Better because of the ways and motives of those that will come closer. Better because you will be much more rested, healed and confident after this focus on yourself and this pause. Better because there won't be any play pretend, endurance or feelings that will be ignored. It will be better. Simply because you will learn from your mistakes, you will grow. And so will those that you will let go of, but not at your own expense and endurance of the way your heart hurts for them. Because they might not realise it now, they might be so convinced that you are the one hurting them… but you are making the best decision not only for your own self, but even for them. You are giving all of you a new chance. A chance that you for sure will take and use it to nourish a new beginning in your life, new connections that will love you, cherish you, protect you at all costs. Exactly like it should be between truly loving souls.

And if it feels still a little too overwhelming, a little too scary and unsure, the decision to put yourself first… There is a little message about the future, at what it holds, in our extended version of this reading, right here, if you want or feel the need to hear more.♡↓

{ a little message for you }

—

_

[mimisempai]

The human way of doing things

Summary

Doing things the human way can be taxing on the body, and Aziraphale won't deny it after climbing up and down the stepladder a hundred times to put the books away in the cottage. But the pain is quickly erased when a demon gives you a foot massage...

On Ao3

Rating G -  603 words

“I'm knackered.”

Aziraphale dropped onto the sofa next to Crowley as the demon looked on amusedly and asked, "How many boxes do you have to put away?"

"This was the last one. I swear I'm going to burn that stepladder, I can't see it anymore, I don't know how many times I've climbed up and down it."

Aziraphale bent down to untie his shoes and take them off before placing a foot on his knee and massaging it. Almost immediately, he couldn't hold back a wince.

Crowley said to him wryly, "You know it would have only taken a small miracle to put all your books away, don't you?"

"Crowley, you know that -"

"Yeah, yeah, the human way, blah blah blah..."

The demon had no desire to rehash this discussion that had been repeated over and over again for centuries, so instead, noticing the angel flinch once more, he decided to take matters into his own hands.

Literally.

He grabbed a pillow and placed it on his lap, then patted it and said, "Angel, if that's the way it is, then let me relieve you in a human way, give me your feet."

"Hm?"

Aziraphale looked at him in confusion.

"Your feet, lie down on the sofa and put them on the cushion."

"Oh..."

Aziraphale followed Crowley's instructions and, once on his back, placed his feet on the cushion in the demon's lap.

Crowley grabbed one foot and gently removed the tartan sock.

"Crowley, you don't have to do that, I can - oooh soooo good."

Crowley, ignoring the angel's protest, had just begun massaging the sole of his foot in a circular motion, silencing Aziraphale, or rather, rendering him unable to form a complete sentence.

Crowley smiled in amusement as he continued to massage the angel's aching feet. Aziraphale now had his head thrown back on his folded arm, clearly enjoying the treatment his feet were receiving at the hands of the demon.

After a few moments, as Crowley moved on to the other foot and Aziraphale said between moans of pleasure, "Millennia and I didn't know you had this hidden talent."

Crowley chuckled softly.

"Nice to know I can always surprise you."

"I'm not complaining."

Crowley hummed as he continued, treating the other foot with the same attention as the first, and judging by the grunts and various appreciative sounds that came out of Aziraphale's mouth, he was doing a good job.

When he was finished, he pulled Aziraphale's socks on the angel's feet and said with a playful grin, "You should take better care of your pretty feet."

Aziraphale giggled.

"My feet? Pretty?"

"Hey, I'm the best judge. I am, after all, the one who saw them up close, and that was millennia ago."

Aziraphale straightened up and, now sitting next to the demon, looked at him confusedly.

"What do you mean?"

Crowley wrapped his arms around the angel's neck as he replied, "Well, when I was slithering along the wall of the Garden of Eden, I got a prime view of your cute little angelic feet."

"My feet are not cute!"

Crowley brought his face close to the angel's and whispered, "Your feet are adorable," just inches from his lips.

"Oh, you cheeky little devil."

Just as the demon, a mischievous gleam in his eyes, was about to reply, Aziraphale gave him no time and closed the distance between them, putting all his effort into making the teasing smile disappear in the way he knew best.

Which didn't stop Crowley from thinking, as their legs intertwined, that his lover really did have adorable feet.

Until he couldn't think at all.

_________

Still not beta'd

Still not my native language

Still hoping you'll enjoy this story  🥰

Still thanking you for bearing with me 😝

South Downs cottage series : here

Ineffable fan fictions Masterpost : here