#there a couple other super long term projects like making an edit for all of the bloodswaps and kidswaps thats not kin related

[nightsky-edits]

will you ever think of making more dancestor pq sprites like your aradia one?

Im not sure what you mean by the aradia one im assuming that was Aranea autocorrected but yes! Im planning on doing atleast one edit for all the dancestors except maybe cronus just cause i dont like him (i might idk yet), if not making 5 or more sprites to go with each one. Thats a long term project though cause like im just doing it for myself, as in im not being commissioned so im less inclined to do it quickly and more just at my own pace not saying anyone has to commission me for more of them im just a slow poke. I just want them done so i have reference sprites to go off for dancestor edits. More than likely my next set will be kankri because i have a request that involves the use of a kankri pesterquest sprite on the agenda.

TLDR: yes!

[fanby-fckry]

You know what, I’m just gonna say it. I think that Alastor being aroace is part of the reason he’s so shippable to me.

Before you come at me, check the flag in my pfp; I’m aroace-spec.

Maybe it’s me projecting, maybe it’s because I love exploring relationships through an aroace lens, but goddamn. I ship him more than any other character and every time I do, his aroaceness is a major component in the ship.

Examples below the cut because it’s gonna get long:

📻🍎 || RadioApple:

There are so many versions of this dynamic and I am here for all of them.

We have the pre-canon kinky QPR that I show in UH3. I could talk about that all day, but to summarize:

Aroace x genuinely respectful allo is a dynamic that heals my soul.

Lucifer is less tied down by human constructs like amatonormativity, having never been human himself.

The Devil values consent.

Kinky cannibalism, kinky cannibalism, kinky cannibalism, kinky ca- *I am removed from the stage with a comically large hook*

Then we have the Evil and fucked up QPR dynamic:

And of course, trying to get along for Charlie’s sake and eventually bonding over their shared love of dad jokes and musical theatre, both being violinists (yup, Alastor plays violin too, check the wiki) with niche hobbies/interests (ducks, furby organ) and accidentally winding up in a loving, healthy QPR.

📻🕸️ || RadioDust:

There’s something about an aroace and a sex worker who very rarely falls in love.

Angel would know that Alastor isn’t with him for sex, would know that he values Angel beyond his body.

With greyro Alastor, Angel and Alastor would both be inexperienced with romance, but in wildly different ways. Angel has never had a healthy romantic relationship and therefor tries not to fall in love. Greyro Alastor has probably experienced romantic attraction like less than three times in his 100+ years of existence.

And if Alastor never gains romantic attraction for Angel, that’s a whole other level to the dynamic.

It’s got some great angst potential with Angel wondering if he’s not good enough to love romantically or Alastor feeling guilty or confused as to Why It Hasn’t Happened Yet when he cares for Angel so deeply, and eventually it gets resolved with the two of them accepting that their attractions don’t have to match up for them to love/appreciate/care for each other and they smash the amatonormative relationship hierarchy as queer platonic partners.

Or, Angel’s just totally cool with it from the start because he’s spent decades in the kink scene and has potentially been exposed to more relationship anarchy than Alastor.

Kink and queerness have a great deal of historical and cultural overlap, and that includes aroace queerness. Because Angel’s had way more canon exposure to both, it’s possible he knows more about Alastor’s orientation than Alastor does, and I love the idea of Angel introducing him to terms or just being super chill about not labeling things.

📻♥️ || RadioHusk:

Drawing like 90% from pilot dynamic and headcanon on this. They’re just two old men. They get drunk and cuddle. Alastor is one of the few people who knows Husk can purr and takes advantage of this fact. Alastor considers Husk a friend in a fucked up, possessive way. Husk considers Alastor a pain in the ass, but does care about him on some level.

It’s Fucked Up and Evil QPR: Remix Edition.

And the versions where the author puts them through fanfic couple’s therapy and actually gets them into a healthy point in their relationship? One where Alastor no longer owns Husk’s Soul? *chef’s kiss*

📻🌹 || RadioRose:

For me, personally, this is an exclusively nonsexual, non-romantic ship. They’re besties; they’re QPPs. They’re married for the tax benefits and so that they cannot be forced to testify against each other in court.

Rosie knew Alastor was aroace before he did and rather than sit down and explain it to him, she decided to make ace puns.

📻🖤 || RadioSiren: [edit, context here] RadioFemme

Ok, so this is entirely based on non-canon-compliant Lilith. Or, I guess, non-series-compliant Lilith. More of the old WOG stuff from the pilot era, with a healthy dose of headcanon for flavor.

I love the idea of Lilith and Lucifer having an open marriage; I love the UH3 style polycule dynamic.

Lilith being the original seductress and Alastor being aesthetically but not sexually or romantically attracted to her is very near and dear to my heart.

I’m an aroace with a voice kink who is aesthetically attracted to Lilith and I think Alastor is an aroace with a voice kink who would be aesthetically attracted to Lilith, ok?

📻📺 || RadioStatic:

I’m gonna be real with you, 90% of my interest in RadioStatic is in the one-sided version where Vox is a pathetic little incel simp and Alastor is either oblivious, mildly annoyed, or finds the whole thing hilarious.

Whenever there’s any reciprocation on Alastor’s part, I always imagine it being in a very aroace, very Alastor-esque way. He needs to be get something out of it completely unrelated to sex/romance. And he needs to be manipulative and sadistic in the process.

Whether that something is kink-related, a business transaction, or simply the quality entertainment provided by Vox being a cringefail TV-headed little bitch, I love to see it.

[yessadirichards]

Billy Idol talks upcoming pre-Super Bowl show, recent Hoover Dam performance, working on a new album

LOS ANGELES

Billy Idol normally takes advantage of riding his motorcycle on the open road knowing there’s hardly any traffic because millions are usually glued to watching the Super Bowl.

But this year, Idol’s bike won’t be leaving his garage on game day. Instead, the legendary British rocker will be strolling on stage to headline a pre-game concert in Las Vegas ahead of the big game on Feb. 11 just outside Allegiant Stadium, where the NFL’s two best teams face off.

Idol, 68, is expected to perform some of his biggest hits including “Dancing with Myself” “Mony Mony” and “Rebel Yell” during a 35-minute set on two different stages at On Location's Club 67 and Touchdown Club in front of nearly 9,000 anticipated guests. It’s the second time the singer has taken part in a pre-Super Bowl show after he rocked out with Miley Cyrus three years ago outside Raymond James Stadium in Tampa, Florida.

In a recent interview, Idol exclusively chatted with The Associated Press about his Super Bowl halftime aspirations, the inspiration behind his Hoover Dam show, if he would ever consider doing Broadway and looking to soon release his first studio album in a decade.

Remarks have been edited for clarity and brevity.

AP: What will be your mentality heading into your show hours before the Super Bowl?

IDOL: It’s about adding excitement to the event. You’re pumping people up. That’s a fun feeling. You can tell the people are excited, what’s going to happen and you’re entertaining them in those moments before it really happens.

AP: Would you ever want to perform during Super Bowl halftime?

IDOL: That would be incredible. But I don’t know. It would be fantastic, but I cannot imagine me being asked to do it. It would be great. I’d love to do it. It would be amazing if it involved some other artists or a combination of people. That would be great. It would be one of the craziest things in the world to play. Everybody in the country watches it. Playing the pregame for me is good. Pumping people up before it and getting them ready is kind of a fun thought.

AP: You celebrated the 40th anniversary of your album “Rebel Yell” and had a five-night residency in Las Vegas last year. How does it feel to have your music still resonating today?

IDOL: When we were starting out, I couldn’t have imagined the effect of (our) music. We were living one day at a time. The songs were for that time period. They were just for that moment. You weren’t thinking about any long-term effects. You’re just thinking right now. But the songs have legs. It’s like “Wow, people have really embraced this crazy idea I had years ago.” They’re still enjoying it, and I am too. Who would have thought that 40 years later? I’m still pinching myself.

AP: You released a couple EPs and recently rereleased “Rebel Yell.” Will you drop any new music soon?

IDOL: We have a new album coming out in October this year. We’re still carrying on and enlarging what my music is about. I enjoy doing it. Me and (guitarist) Steve (Stevens) are still finding ways to excite ourselves. We’re not out there going through the motions. We’re actually out there taking prisoners. That’s how we feel.

AP: How far along are you in the process?

IDOL: We’ve got most of it recorded with just some finishing touches. We’re doing a cover. We’re thinking about videos and all the promotional things that go along with it. There’s a lot of stuff we’re going to be thinking about this year. But. .... playing at the Super Bowl, that’s pretty fantastic.

AP: You have a built-in fanbase. With your new album, have you taken a different approach musically with your upcoming project compared to past works?

IDOL: Not really. We’re bouncing off our last album “Kings & Queens of the Underground.” We did that in England and had strings on it. With this, we tried to make a lot more of an up-tempo album. There are nine songs and six of them are up-tempo. Three of them are kind of slower. It’s more of a youthful sounding record. I think it’ll allow our audience to have a lot of fun.

AP: What inspired you to perform at Hoover Dam?

IDOL: It was something like I would see in movies when I was a child. There was an Alfred Hitchcock movie (“Saboteur”) that referenced Hoover Dam. There was another film “711 Ocean Drive” that ended on the Hoover Dam. You know, it had a shootout. For someone like me, growing up in England, I saw this iconic place in movies then I got to play in front of it. Hoover Dam was right behind me with my logo on it, which was insane.

AP: Are there any other locations like Hoover Dam where you would like to perform?

IDOL: Mount Rushmore. I couldn’t have ever imagined Hoover Dam, so now the world is my oyster. There’s the incredible Crazy Horse statue that’s carved out in the Black Hills. We can play anywhere. Nothing can stop us.

AP: Have you ever thought about doing Broadway?

IDOL: Of course, we have. We haven’t quite worked out our direction. We’ve had several different ideas we’ve sort of fielded. Nothing has come to fruition yet. As you can see, they’re doing Prince’s “Purple Rain” on Broadway, so it’s not out of the question that we would do one. It’s just been sort of trying to work out how to do it. That’s what’s fun about having a catalog. It does resonate with a lot of people and there are possibilities like that in the future.

[kadoodles-on-ao3]

It's been a while since my last aside so I felt like sharing what I've been working on in my free time! I promise I'm not lazy, I'm just busy and also really like starting new projects halfway through working on 8 other projects for some reason haha

Speaking of starting something new when I haven't finished something I started previously, Minh and I were planning on making a collab Shulkelia one shot for Valentine's Day! Obviously that didn't pan out haha but it's still being worked on and it's extremely cute and fun :) Hopefully it will be ready to post sooner than later! And I also will hopefully be able to work on Constellations soon as well!! (Seriously I feel. SO. bad about my hiatus, especially since I know how many interesting and fun rough-draft ideas we brainstormed up for it that are just waiting to be finalized and shared with the world!!)

Another thing I wanted to do for Valentine's Day but extremely missed the boat on was mass dumping the few good NSFW Shulkelia pieces on here (with a planned warning ahead of time as well as copious tagging and hiding under readmores, of course!), including a full translation of a doujin! However, it being a nearly 20-page comic with dialogue and onomatopoeia all over the place meant I couldn't go the normal route of putting the translation below the art, it would just be way too messy and confusing. So, I decided to open up Photopea and replace the Japanese text with my translation! I felt bad about editing someone else's work (still do haha) but there was just no other way to do it, there is. SO so much onomatopoeia in there that it would be a nightmare to do it any other way. But that fact also contributed to why I still have yet to finish the translation: I got wayyy too ambitious in my typical perfectionist way, and decided to use the clone tool to edit out the hiragana and katakana handwriting for the onomatopoeia and place English text in their places, rather than just put it in small, parenthetical text next to the original writing like manga translations typically do. And oh my GOD I should never have done that there are literal HUNDREDS of characters I had to painstakingly edit out and I'm STILL not even done yet no no no... But I'm so close to finishing it!! I have only a couple pages left and then it's good to go!! Expect to see it along with the other NSFW art of them (again, with multiple warnings far ahead of time plus careful tagging to make sure you won't see it if you don't want to!!) in the near future!

Not XC related at all, but my most recent project has been making an Ao3 site skin (and, in the process, learning how CSS works) and it's been really satisfying! It's nothing super fancy, but it does create a noticeable improvement from the default (in terms of clarity/organization/readability, no offense intended at all of course!) and I'm very pleased with it so far! Once it's done I'll share it here, complete with notes on what each piece is doing to the layout and how, so anyone can use it and tweak it how they like! :)

I unfortunately haven't made any more progress on Xenoblade 3, sorry to say. And actually... it's partially because I'm worried that I'll end up liking Noah so much that I'll get even more distracted from writing Shulkelia or Xenoblade 1 in general haha... Like I'd never give up on that of course, 1 and its characters will always have a special place in my heart! But I can see myself getting swept away by The New Guy TM, much like I do with new project ideas popping into my head...

My FFXIV x Xenoblade 1 crossover has made some good progress! I've now finalized the outfits for over half of the characters I plan on making, after hours and hours of trying different chestpieces and dyes to get them as close to their canon outfits as possible! In fact, maybe I could share a little more about what exactly I'm doing, to show how I was having too much fun and made it a bigger thing than it had to be, to help explain why it's taking so long haha:

So originally the idea started out as "what FFXIV job best suits the playstyle/archetype of each of XC's playable characters?" (and I have a whole host of notes in my head about why that is from both a gameplay/kit perspective and a fandom-y General Vibes/Aesthetic perspective, which I will for sure post along with the pics). And if I could draw well, it probably would've ended there: I'd just have made some art of the cast posing with their weapons and call it done. But since 1) I can't draw the things I see in my head like I want to and 2) I like to over-complicate things for fun, I decided to pile onto this idea by not only adding more characters of (XC SPOILERS!!!) Alvis, Egil, Meyneth, and Zanza to the roster (including in terms of what jobs suit them each and why!) but also recreate everyone in-game! (I really wanted to do Dickson as well, but unfortunately there are absolutely zero mustache options that look like his :< There's only one that's even remotely similar, but the face is completely wrong for him (what facial features look like are tied to faces, for some reason; the Mustache Facial Feature creates a different type of mustache depending on which Face option you pick) so there's no way to make a character that looks sufficiently like him, at least to my standards. Maybe one day they'll add one that fits...? If they do I will for sure make Gunbreaker Dickson a reality!) This resulted in me needing to not only sit down for hours in XIV's character creator ensuring every detail was as close a match to their designs as possible, but also opening up 8000 tabs in Eorzea Collection and looking through every. single. last. glamour option. in the game for each. and. every. slot. for each. and. every. character. to find out how closely I could translate their weird (affectionate) XC clothes into weird (affectionate) FF clothes. Combine that with my stubbornness in wanting them to look as accurate as possible resulting in making two different outfits per character based on whether or not they can equip/glam the gear as the job that suits them most, (plus the fact that I'm doing [again, SPOILERS!!!] Mecha-Fiora in addition to Homs!Fiora as well as having three [three!] different job options for Shulk based on varying levels of both XC and XIV spoilers to avoid ruining twists for either game), and the fact that I went a step further and decided to also make alternate-race versions for the main party (that sounds... bad lmao. fantasy races, like elves and catboys and such) like half if-these-characters-were-instead-created-by-the-XIV-designers-in-an-alternate-timeline-what-race-would-they-probably-make-them-judged-by-me-like-their-jobs-on-both-lore-and-Vibes-TM and half if-the-XC-gang-existed-irl-and-played-XIV-what-would-they-make-their-characters-look-like, and reminder that each of these versions have two different outfit variants and each outfit needs a minimum of 4 and a maximum of 7 separate pieces each that also need to be dyed and have multiple different options to try on for every character and... it took a teeeeny bit longer than I was expecting to get through haha. But that's not at all to say it's a chore to get through; it's certainly been a process yes, but I've been having a lot of fun the whole time :) Finally getting every element just right, from all the details in character creation down to their eyebrow shape to finding the best option for every armor slot dyed just the right color, seeing it all come together and actually look quite a bit like the character is so satisfying! I can't wait to share them all, I hope someone out there enjoys the results as much as I did creating them! :) Oh, and I also will be making a glam list for each outfit as well as sharing my notes on what I picked in the character creator, so if you want to do an in-game/WoL cosplay as someone or maybe even make an alt named after one based on my recreation of them then it'll be easy for you! :)

Even though I haven't been keeping up with my fanfic writing as much lately, I do still get little ideas for things quite often and am typing them down in my doc for later! I have a gigantic backlog of things I could write: fanfics long and short, Shulkelia fics and Genfics, non-fanfic concepts both XC-related and not... rest assured, even if I'm not posting on here or Ao3 my mind is always buzzing with something and I'm always wanting to create more!

[duckprintspress]

How can I write quickly?

I (hi, I’m @unforth) have been asked frequently over the years how I write a lot quickly. I’m a pretty fast writer - for example, I wrote the 5600 words of my May Trope Mayhem fill from yesterday in under 2.5 hours. 

First, a little of my personal history for context. I’ve always written, starting from when I was able to string letters into (very poorly spelled) words and (horrible un-grammatical) sentences. When I started trying my hand at serious, professional-level fiction writing, I joined a community called novel_in_90, which was founded by the author Elizabeth Bear. The purpose of novel_in_90 was “to be NaNoWriMo but more realistic.” Instead of 50,000 words in 31 days, it was 67,500 words in 90 days, or 750 words a day. I participated in multiple rounds of novel_in_90 starting in mid-2005, and in 2007 I completed my first (godawful) novel. When I started, even writing a couple hundred words of day took me forever, but it got easier with time. 

During those same years, I also got a job that required I do professional writing on a deadline: I was a grant writer, and I only got paid when the grants won. That often meant working fast under high pressure, culminating in the weekend I wrote and edited an entire 40 pages grant that was due on Monday. I think, if I hadn’t had a solid foundation of “regular daily plodding writing,” I’d not have been able to marathon when the moment came...and it came because I had to, not because I wanted to. However, I learned a valuable lesson: I could. Subsequently, I found that, when I had the time and space and was rested enough to use my brain, I could bust out a huge amount. Like, I wrote an entire 150,000 word novel in 17 days.

My personal record is about 200,000 words in one month (it was the month I wrote that novel; I wasn’t tracking when I did that so I don’t know exactly), 25,000 words in a day, and I’ve topped out around 3,000 words an hour. I do know people who can do more...but not many.

Not everyone will be able to do this. Flat out, I MUST preface the rest of this post by saying that. Some people will find that writing fast fits their brain, and for others, it just won’t, and that’s okay. Fast doesn’t equal better, and it isn’t inherently “good” to write fast. Furthermore, even for those who can write fast, not everyone will find the same strategies helpful. I can share what works for me. Try out one item, some items, or all of these - if writing faster is something you want to be able to do, which it certainly never has to be. Use what works for you, and discard the rest.

Sit in your chair, put your fingers on your keyboard or touch screen, and write. You can’t write 1,000 words in half an hour until you write one word, however long that one word takes. I know saying this is obvious, but I’ve been asked “how can I write fast” by people who struggle to write at all...fast can’t be your priority until you’ve got a foundation of just writing. (Honestly...fast should never be your priority, but it might be helpful to you regardless, which can make it worth learning.)

Start small. Set an achievable goal, and make yourself meet that goal (daily, weekly, whatever) come hell or high water, no matter how long it takes you. Keep the goal small at first; you’re not trying to torture yourself, you’re trying to build a skill. If you set the goal high enough that you consistently fail, you’re not teaching yourself anything. And, if you find the goal IS too high...lower it. There’s no shame in working within your limits. Think of it like starting a new work out regimen: you wouldn’t try to run a 10k at a record time if you can’t run a mile slow. Treat your fingers and your brain the same way you’d treat your legs and joints. Give them time to grow, learn, and improve before you try to push yourself.

Trying to write daily is worthwhile if you want to work on your writing speed, because you’ll be forced to try to fit it in as you’re able - that might be ten minutes in your morning, or an hour in your evening, and it might vary from day to day, but making it daily means you have to fit it in somewhere.

Building skills takes time and isn’t easy. For some people, it will come easier than for others, and even when you’re fast, going from “I can write words fast” to “I can write damn good words fast” takes practice and dedication and accepting constructive criticism - speed alone will never be worth more than writing well.

Having a community can help. Ya’ll will check in on each other, cheer each other on, remind each other that missing a day or a goal isn’t the end of the world, and keep each other’s spirits up. If you don’t know other writerly folks online, I recommend Weekend Writing Marathon ( @weekendwritingmarathon ) as a good place to start (I used to be a mod there). Once you’re trying to work up to larger word counts in a day, remember that even writing fast will take minutes or hours. You can’t write 2,500 words in an hour if you don’t set an hour aside. Make sure you’re giving yourself the room and time you need to succeed.

You will probably never be able to do high, rapid word counts every day, every week, every month. The best runners in the world don’t run marathons every day. Set realistic long term goals.

Work on projects where you have a clear idea of where you’re going. I’m not saying “pantsers” can’t write fast, because of course they can, but if you want to write fast, and well, and coherently, to create a first draft that’s in pretty good shape, you’ll do better if you have a good sense of what you’re trying to accomplish with your story. That doesn’t mean you need to do all your world building up front, or have a complete outline (I never have either). All you really need is what happens next. I tend to plan projects - and write them - one full scene at a time, with only a vague idea what’s going to come after. (I’m personally a “plantser,” and the strategies in this post will likely be most effective to other plantsers.)

Visualize ahead of time what you’d like to write...but don’t get too attached to what you visualize. When I go to bed, I plan the next scene I’m going to compose, often to the least detail. I then forget all of it overnight, at least all the specifics, and I’m left with a general sense and shape of what’s to come. You’ll never be able to replicate the “perfect” dialog you pre-conceive, so give up on trying to. Instead, play through the scene and think about the emotional beats you want to hit and plot points you want to forward. If you keep that in mind, you’ll be able to get the words out faster than if you’re agonizing over every word or regretting the “oh-so-great” idea that you’ve since forgotten. 

Practice different work styles. If writing every day doesn’t work for you, try instead saying, “this is my writing day each week,” and aim for a lot that specific day, and write little or nothing other days. Try writing at different times of day and on different days, fitting it into your schedule. If you’re beating yourself up for not writing when you “should,” it’ll be that much harder to succeed, so instead, as I said for point 2 - set a reasonable goal that fits your life and working style, fitting it around your other responsibilities, and push yourself within that framework, instead of trying to shoehorn into a style that you “think you should” use to succeed. 

Track your word counts, and take notes on how much you did and what project you were working on. If you’re also experimenting with different times of day and different days, make sure you note that too. I personally use a simple Excel sheet (well, Google Sheets, now) - column one is the date, column 2 is “starting word count,” column 3 is “ending word count,” column 4 is “=column 3 - column 2”, column 5 is notes. Pay attention to when you succeed at writing faster, and when you don’t, and consider what factors might have played into your success...and then try to replicate those factors next time you’re doing a sprint. Control as many variables as you can while you’re “training.”

If you find social media distracting, trying getting a web browser extension that prevents you from connecting to websites for a set period of time.

If you find you tend to dither before starting, I find it helpful to run through everything that I might do to procrastinate (check my social media! grab a snack! make some tea! set up my playlist! check my social media again! finish making the tea! check my social media for what I swear will be the last time!), and when I’m done, it’s like, well, I’ve done all those things, I’ve got no choice left, time to write, no excuses left.

If you find you struggle with picking up a WIP, try leaving off in the middle of a sentence at the end of a session, one where you know exactly how it ends - or, leave off mid-paragraph, or when you are positive you know what happens next (and I mean literally next, as in the very next sentence.) It’s much easier to “pick back up” when your first words are super clear. (Do not do this if you think there’s any chance you’ll forget or end up in a situation where you won’t return to your WIP for months!) 

If you find you struggle to maintain continuity across multiple writing sessions, try rereading what you wrote the previous day before you proceed. Resist the urge to edit it!

Avoid stopping when you get stuck, even to do research. Don’t know a fact? Add a comment to your manuscript flagging the relevant text, “LOOK THIS UP LATER.” Can’t think of a word? Put in something you can use the “find” function on easily (I personally use “XX” since there are no words that have a double x in them) and so you can come back later, search for your chosen placeholder, and fill in the blanks. Not sure how a scene ends but know the next scene? Jump ahead.

That said, if you really don’t know what happens next, you don’t do yourself any favors by pressing on. As I’ve said previously, speed alone should never be your writing object. It’s better to slow down, consider your plot, figure out where you’re going, and then write, than to just plow ahead - or at least, that’s better if you want a manuscript you’ll actually be able to use for something at a later point. If you’re truly just practicing, you can also say “screw it, who needs coherence?” and keep going. I’d personally never have finished my first novel if I’d spent a lot of time worrying about making the pieces fit together and yeah, it’s a mess, but it’s a mess I wrote instead of a mess I got stuck on and never completed.

Don’t move the finish line. If you’ve set the goal of 500 words a day, don’t beat yourself up if you get 550 because you think you think you could have done more. If you say you’ll write five days a week, don’t get mad because you DID have time the sixth day but chose to use it on something else. If you make yourself feel like shit when you succeed, what’ll happen when you fail? And when you’re comfortable and really think you’re ready, change the goal - reassess every month, say, and up your goals. While working for speed, trying upping your word count goal without changing the amount of time you allot for working.

Your need to adhere to the above suggestions will change over time. Once, I always had an outline; now I often don’t need one. Once, I wouldn’t let myself stop even to use a thesaurus; now, I find I can look up words without breaking my flow or significantly slowing myself down. This is not an “all or nothing” prospect, nor is it a “do things the same way forever once you’ve found one (1) thing that works” prospect - you’ll experiment, and find strategies that work for you, and then at some point, your needs will change, and you’ll experiment more, and find new strategies that work for you, on and on, as your skills grow. 

To reiterate: writing fast should never be your objective in and of itself! Greater writing speed will come with practice and as a general side effect of improving your craft. Simply being able to write fast is useless; being able to write fast and well will enable you to get more of your ideas out there, so if that’s something you’d like to accomplish, focus on building your general skills and training yourself to be able to use those skills rapidly and in tandem with each other to produce decent writing, in a first draft, at a decent speed.

Once you try, you may find none of this works for you! That’s okay. That’s good! You tried, which means you learned something about yourself and your own writing style, and that too will help you to improve. Keep experimenting, keep learning, and find what does work for you - and accept that no two writers will ever be the same, and one of those differences will be writing speed. Some writers will never write fast, and that’s doesn’t make them any less awesome or valid. And some writers will always write fast, and that doesn’t make them inherently awesome or valid. Only with a suite of skills that suit your individual life, personality, work style, writing capabilities, goals, etc., will you succeed as a writer (for various, personalized definitions of the word “success”); speed is only one of those potential skills, and not one that’s particularly important in my opinion...yet I still get asked about it fairly often, so here we are, these are my suggestions

Go forth, and write some words! <3

[coffeeandcalligraphy]

A chatty writing update | novels, short fiction, etc!

Hi folks!

It’s been a while since I last wrote an update on this blog! I thought it’d be fun to go back to basics, and just talk about writing. This post chats about: new plans for Feeding Habits, my newest novel, my short story goals & growing collection, along with process reflections.

(image description: a photo of green leaves with the text “writing update” in a white font written on top. /end image description)

Post starts under the cut!

General taglist (please ask to be added or removed)

@if-one-of-us-falls, @qatarcookie, @chloeswords, @alicewestwater, @laughtracksonata, @shylawrites, @ev–writes, @jaydewritesfiction, @jennawritesstories @eowynandfaramir, @august-iswriting, @aetherwrites, @avakrahn, @maisulli

What have I been up to?

For starters, I finished my second year of my Writing undergrad last week and got two of my final grades back today (A+ baby)! For anyone who has taken online university, y’all already KNOW, but this year was so difficult. Would not recommend! Really proud of myself to have gotten through this absolute rollercoaster of a school term and am excited to get into some writing. That leads us to:

What have I been up to (writing edition)?

2021 started off so fast. By the time January hit, I was so consumed in my new semester that I did not have time to write Feeding Habits (my novel). In the first few days of the term, I managed to write between class, until I could no longer keep up! Essentially, I did not write any of that novel until exam season (last week), where I did manage to get in about 3k words in ~4 days.

Feeding Habits

I’m currently drafting what I believe will be the last chapter of this book (chapter 10: Swan Song). This chapter is so bizarre for a few reasons. It begins the book’s third part and also marks the shift back into Lonan’s head from Harrison’s. I originally thought this part would be much, much longer, with at least another five chapters to go, but quickly realized the book’s content was nearly completed. In my 4 day 3k palooza, I hit 50k in the book (the word count goal), and couldn’t see myself extending past 60k. Since then, I’ve made the loose decision to write this final chapter as a ~novella. Here are a few reasons why:

1. This chapter is structurally very strange.

I unashamedly shift from present to past to present to past past, and so much more every 12 words. I mapped out the timeline on a sheet of paper, and there were over 20 shifts in scenes (the chapter is only about 4400 words at the moment). The fictive past is incredibly important to this chapter, more important than the present, and I thought it would make more sense to not break randomly for a chapter so I could upkeep the consistent inconsistency of the chapter.

2. The chapter is very abstract

This stems from the structural changes, but there are paragraphs in this chapter of the fictive present that are loosely based in reality. They’re more poems than they are factual paragraphs, and keeping them all contained in one place (so a mega chapter/ novella) would reduce the most confusion!

3. There’s not much left to cover

Like I said above, Feeding Habits is on its last leg, lol! I know exactly where the book needs to end up, which is very, very soon from where I’m currently at on the timeline. Swan Song should cover what 2-4 chapters would cover in terms of arcs.

Feeding Habits and I have a really weird relationship, tbh! When I realized a few weeks ago that it’d been over a year since I started the book, I realized I just needed to finish it. Not that I want to rush (because I’ve taken longer than a year to write a book in the past), but that in order to move onto another project, I’d like to put this one behind first. This book has been the hardest thing I’ve ever written, and has reminded me there’s always a time to let go. This sort of scrounges up a conversation about letting this entire series go, which is certainly something I’ve been contemplating doing soon(ish). If this spinoff series gets a third book, that may or may not be the last Fostered book for a very long time (or ever)! There are many complex reasons to move on, but the main one is that I have other projects I’d like to focus on. This is not a definitive decision, but something I’ve certainly been thinking about!

Here are a few excerpts I wrote recently:

(TW: death, gore)

Dying feels like being a trout dangled out of water. Clinging to a hook. Mouth open. Scales iridescent in a final death cry. It’s like blood spurting up the knuckles, drowning out the flesh. It’s that moment on the long fall down when the clouds cup the body. Easy drifting. The sound a skull makes when it cracks is really just the afterthought.

(TW: death, gore)

Kill shot. Death blow. Coup de grace. Right in the heart. He feels it. The blood swelling, slicking his palms. He can do it. Reach into the cavity. Feel for the ribs. Part each bone. Then cup the humming heart. Stay there. Right. It’s never been easier.

Look at this PURE moment of Lonan holding a baby I CANNOT:

The grocery store was a fifteen-minute walk away. With Olivia clinging to his shoulder, Lonan was acutely aware that she could feel his heartbeat. Open valve. Close. Repeat. Hers pulsed right above his, a miniature drumming. The sky had bruised purple, misted with clouds. The evening air nipped his cheeks, so he made sure Olivia was securely fastened between him and his jacket. With wide eyes, she absorbed the drowsy suburbia, all its family cars pulling into driveways, all its couples heading back home after a sunset walk. When Lonan passed a young boy walking two golden retrievers, Olivia giggled, and didn’t stop, even after he’d spent fifty dollars on groceries and nearly the rest on a red Corolla marked with a MUST GO NOW sign outside a convenience store.

Let’s move on!

Mandy and Cora

I said I wouldn’t talk too much about this project, but I just love it so much?? I wanted to share my SUPER early thoughts on drafting a novel, especially one that is SO different from what I’ve been writing recently. I talked about this before in THIS post, but the summary about this project is that it’s a YA contemporary novel! Can’t believe I’m writing YA again, it’s been so long, but I also think it’s going so well. Everything I’ve learned as a literary fiction writer has been a fantastic primer for transferring back to the genre. Admittedly, I have not written much, but I’m having a lot of fun diving back into a lighter project. This is the summary:

Cora and Mandy are identical twins who’ve always done everything together. But when Mandy decides to go to university out of province after graduation and Cora doesn’t, Cora takes this as an opportunity to “test run” life apart from her sister for the first time by spending the summer at her aunt’s house across the country.

I have come up with a few ~things since I last talked about this project, mostly how I’d like to structure it. As of now, I’d like the book to be structured super loosely. I’m really pulling on a lot of inspo from “We Are Okay” by Nina LaCour (which is SO good), particularly how “nothing happens-y” that book is. This project (which I still need a title for!!) will be structured in short chapters that cover something Cora does on her own for the first time (without Mandy). For example, a few ideas are “Flight”, “Lunch”, and “Groceries”. “Flight” is the first “chapter” (they’re really kind of vignettes) where Cora flies to her aunt’s house. I still can’t determine if this book will take place in Canada. On one hand, I feel like there will be a wider audience if it takes place in the US (is that just an assumption??? maybe?? someone let me know!), but also: don’t really care too much about an audience at the moment! It could also take place in Canada (So Ontario and British Columbia). But if it does take place in the US, I think it may take place in NYC and San Francisco. The problem is: I really don’t like researching lol, and while I’ve been to NYC many times, I will definitely write it wrong! Does this really matter on a first draft?? absolutely not lol, but of course I am already overthinking!

But back to structure: I am looking forward to seeing what this looser structure will do. This is a story that is solely around one half of a set of twins learning to be her own person (and ultimately that she doesn’t have to completely forget her sister in order to do that), and as a twin who KNOWS this feeling, I think this structure of her doing things for the first time is SUPER relatable.

I was worried it might sound silly/worrying to others who are not twins that Cora hadn’t done things like “lunch” or “groceries” on her own, but I feel this so much as an identical twin myself! Not that she hasn’t done anything at all by herself, but as a twin, when you do something without your twin for the first few times, at least in my experience, you notice. If any twins are reading this--weigh in!

This story is the most personal thing I’ve ever written. It definitely is an OwnVoices book! Usually, I avoid details that are remotely similar to me because they make me uncomfortable haha, but with this book, it’s all me, lol! The characters are all Guyanese, which is SO fun because I’ve been planning what they eat (my fellow Caribbean peeps know: the FOOD!), which is so fun (yes they have pumpkin and shrimp, yes they have roti, yes they have pera, yes they have mithai). Every time I’ve gone to dabble at this book, or even think about it, I get incredibly emotional for this reason? I don’t exactly know why. I think this is a story I just so want to tell, with the culture I love SO much that I definitely struggled to love as a child. This is reclamation bitchessss!

Not going to lie tho: the prospect of writing ~a book~ is kind of freaky! I’m going to make the minimum word count for this book pretty short (50k) and see where it goes from there. I think I will focus on this project this summer! Originally I was going to write a literary novel this summer, but I think this one’s calling my name!

Here’s a pretty rough excerpt:

Try. I remind myself that’s what I’m doing after the flight attendant fills me a disposable cup of Coca Cola and all I can think of is Mandy and I shoving Mentos into a bottle of the stuff when we were twelve. Just me, wedged in the middle seat between an exchange student heading out for summer break and a middle-aged woman sipping a cocktail, thinking of Mandy and I bursting whole oranges in a blender when we were bored one Winter break as the plane dips through a wave of turbulence. Mandy and I dying our hair neon green with highlighters (didn’t work—our hair is too dark) as the plane lands on the tarmac. Mandy and I arguing so loud last month, we both lost our voices as I lug my carry-on out of the overhead compartment and shuffle off the plane and through the airport, searching for Aunt Vel.

Short Fiction

I’ve written so much short fiction this year! I have a goal to write a short story a month (they can range in length, as long as 1 is “complete”), so my short story brain has seriously been soaking it all up lately. Let’s chat my month to month breakdown so far:

January:

I wrote four stories in January! The first is a flash fiction piece called “Shark Swimming” that follows a young woman who attends a shark swimming class after breaking up with her girlfriend. I wrote this story for a “test” workshop for my fiction class, and it was based off the prompt “think about something you’re afraid to do and make the character do that thing”. I’m not particularly afraid of sharks, but had been wanting to use the title “Shark Swimming” for AGES (literally since 2018).

This story is one of my favourites. It’s only about 900 words, but I think there’s something profound in how mundanely specific it is. The entire story doesn’t even see the narrator swim with sharks once; it actually takes place fully in the sanctuary’s lobby. But I really love this narrator. This is the first story I’ve written in second person in a while, though I felt really connected to the unnamed narrator. She struggles with accepting that she truly is a “boring” person, and there’s something about the final image that really gets me!

I’ve been submitting this around, though it’s been rejected a handful of times. Hoping I can secure it at a magazine one day because I really love it!

The second story is “Joanne, I’ll Pray for You” which is actually a rewrite of one of my very first short stories (the first story I did not write for a class haha), “NYC in Your Apartment”. I LOVE this rewrite a lot, and also learned the original is not a very good short story! Revising this story taught me just how much I’ve learned in the 2 years I’ve been writing short fiction. Seeing the 2019 version versus the 2021 version side by side is fascinating because I essentially “gutted’ the 2019 version of its beginning and end until all that was left was the middle of the story (aka the actual story). AKA: this is the only story I’ve ever written with a hopeful ending and I cut out all the happy bits lol I am SO sorry (that arc is more for a novel or novella). That’s how this went from a 5k word story to an 1800 word story (my Submittable thanks me for this lol). A lot of details and scenes I included were more pertinent to a 3 act structure/novel, which of course short stories don’t often have because of their brevity. I love rambling about writing theory, and seeing that actually pay off is so fascinating!

(TW: trauma)

Like the original, this story follows Joanne, a woman in her early twenties, who spontaneously breaks up with her boyfriend. She claims the poltergeist haunting her drove her to this decision. The original draft focused a lot more on the traumatic events Joanne survives, but this draft really loosens them up. It focuses less so on the events themselves, and more on how Joanne’s life is affected. I found the details of these events were less important, and even sort of contradicted Joanne’s insistence she is being haunted. Instead, the poltergeist really takes more precedence in the new draft as a force Joanne doesn’t understand. That ambiguity, I think, is what the story truly needed.

I also centralized Joanne’s relationship with her boyfriend, Julian, here. Now don’t get me wrong, I really didn’t add anything to this draft. It was a matter of trimming the fat around it to leave the lean “meat” in the centre. But by removing that fat, I was able to emphasize what was most important here, and that was her relationship. Julian always played a really big role in the original draft, but I feel like his role as both a friend and partner to Joanne is much more emphasized since this draft literally is only two scenes now. Because there is less, there is more room for Joanne to reflect, which I’m happy about!

A final change I made was the setting and therefore the title. The original, which was “NYC in Your Apartment,” I couldn’t keep because I shifted the setting to Toronto (this is how I originally saw it, but in 2019 I just?? couldn’t?? write?? canlit??), and “Toronto in Your Apartment” sounded sort of gross LOL. The new title comes from a line in the story which I think is more relevant to the themes!

The next short story I wrote in January was “How to Spell Alpaca.” This one is super fun because I wrote it SO fast (in about 15 minutes or so). THIS is the writing update if you’re interested in learning more. I talked extensively about this one in that update, but some developments are that I dove into an edit a few weeks ago to really understand the core of the story. I’m still not quite there (this is just an intuitive feeling; I know not everything has “clicked), but I am really intrigued by the two mothers in the story, the narrator, and her newfound acquaintance, Violet. Both really struggle to understand their place as mothers (the narrator even declares she isn’t a mother anymore). The narrator, who is in her 50s, sees herself in Violet, who is much younger (~20s), and so she views Violet’s relationship with her daughter in a cautionary, yet mournful way, like she can see it will end up like her own relationship with her daughter, despite wanting the opposite. This is a really subtle story. I feel like if you blink, you’ll miss the message. But I think it’s compelling for that reason. It’s really a portrait of parenting and how to grapple with mistakes you may make that inevitably affect your children. Wow just unlocked the theme writing this lol.

The final story I wrote in January is “The Party,” which may be in my top 3 faves I’ve ever written. This story follows Aida, a recent divorcee in her ~40s. The day her divorce turns official, she moves into a new house and receives a party invitation addressed to the previous homeowner, yet RSVP’s anyway. At this party, she’s hoping to find some sense of noticeability, having struggled with being nondescript her whole life. Things seem quite normal at the party, until it gets bizarre.

I LOVE this story, y’all. Like “How to Spell Alpaca” it really delves into motherhood. Aida, our narrator, is incredibly hurt after her divorce. She now lives farther from her children she struggled to feel connected to in the first place, and doesn’t really know how to reignite her life. This party is a means to do that. This is the first story I’ve written that contains a “twist” which is strange because I really prefer stories that give us as much info as possible upfront, but yes, this one sort of twists.

February

I wrote one story in February, and that was “Protect the Young.” This title is SO changing when I think of a new one because it’s thematically incorrect, haha, but this story follows a woman in her late 40s whose daughter, Lindy, announces she is married the same day all their backyard chickens turn up dead. The discovery of dead chickens prompts our narrator to recall her ex-husband’s murder and the role her daughter may have played in his death.

I love this story so much! I think this would make a great closing for my short story collection. It just has that vibe! I wrote this for my second fiction workshop. I thought I had to hand in the story a week earlier than I had to, so I panicked and wrote this in one sitting! Little did I know, I did not need to do that lol but I’m very happy because this story is so fun. We get to learn more about Arnold (her ex), his relationship with Lindy, and how that translates to Lindy’s relationship with her new husband, Malcolm. I LOVE true crime (I listen to about 3-4 hours of case coverage daily), and this is my first “true crime” story. Because of that, I’m very sus of a few details that probably wouldn’t slide in actual investigatory work, so I’ll also be working on that in a revision. My professor also gave me a great suggestion that may alter the story’s structure a bit, though I look forward to toggling with it in the future.

March

In March, I was really on a Criminal Minds kick lol. I’ve been watching this show since I was seven (oops), and dove into a rewatch since it hit Disney+! This story, “Where to Run When the Lamb Roars,” is very clearly Rachel watching 5 episodes of CM a day. Oops! We follow 14-year-old Astrid as she and her older half brother kidnap a young girl to sacrifice for their yearly ritual.

I knew a few things going into this story, but the main thing was that I did NOT want to show any details of a potential murder (if one even occurs). I really wanted to keep all of those elements off the page because this story is not about those events, but about Astrid’s relationship with her brother. They are a murderous duo, with Astrid actually being the dominant partner. I wanted to explore that. I knew her brother, Fox, was more of a submissive partner in their team, even when he used to do this same thing with his father when he was much younger (chilling!), and so it was a task to explore how this young girl’s desire for violence works. The end actually comes right before the story starts, one could say, but I like it for this reason. It really made me contemplate the story by the time I finished it, and helped me examine what it really was about versus what it appeared to be about.

April

(TW: sexual content, non explicit)

I was so busy this month! Who knows if I’ll write a story last minute, but I did write one story this month called “Five Times Fast.” I wrote this during a “writing sprint” that was being hosted at a flash fiction workshop I recently took with one of my favourite writers ever, K-Ming Chang. I learned so much from this class, and am so happy I came out of it with a draft! This story is just over 300 words, so the shortest flash I’ve ever written, but I’m really happy with it. It was based off the prompt “describe the last time you or your character was naked.” In this case, the narrator has a “friends with benefits” relationship with Ricky who works at a laundromat. This story highlights a moment in this relationship (and also Ricky’s goofy personality lol). I really like it! Hopefully I’ll submit it to some magazines soon.

My short story collection

Very briefly I wanted to touch on my short story collection which I’ve titled “She is Also Dead.” I’ve been meaning to make a blog post on this, so look out for that in the coming months, but this collection is already at around 35k words (about 14 stories so far). The collection also surprisingly has a solid amount of flash fiction which is kind of fun! There’s definitely a range here, which is what I personally love in short story collections.

I feel very professional now that I have a ~collection chart. This is her:

(image description: A chart with the title “She is Also Dead.” It is broken into four columns: Story, Status, Word Count, and Published. Entry 1 - Story: Slaughter the Animal. Status: Revisions, Word Count, 3982, Published: N/A. Entry 2 - Story: Joanne, I’ll Pray for You, Status: Polished, Word Count: 1809, Published: N/A. Entry 3 - Story: Primary Organs, Status: Published, Word Count: 2342, Published: The Malahat Review. Entry 4 - Story: Faberge, Status, Polished, Word Count: 619, Published: N/A. Entry 5 - Story: The Wolf-Antelope Will Not Come for Us, Status, Polished, Word Count: 1556, Published: filling Station (forthcoming). Entry 6 - Story: How to Spell Alpaca, Status: revisions, Word Count: 1327, Published: N/A. Entry 7 - Story: Blink Twice for Final Judgement, Status: Polished, Word Count: 6572, Published: N/A. Entry 8 - Story: The Species is Dead, Status: Published, Word Count: 1208, Published: Minola Review. Entry 9 - Story: Shark Swimming, Status: Polished, Word Count: 907, Published: N/A. Entry 10 - Story: The Party, Status, Polished, Word Count 2339, Published: N/A. Entry 11 - Story: Fig, Status: Polished, Word Counter: 947, Published: N/A. Entry 12 - Story: Protect the Young, Status: Revisions, Word Count: 4128, Published: N/A. Entry 13 - Story: Where to Run When the Lamb Roars, Status: Revisions, Word Count: 2174, Published: N/A. Entry 14 - Story: Phantom Limbs, Status: Revisions, Word Count: 4844, Published: N/A.) /end image description.

This order is DEFINITELY not permanent (at this point whenever I write a story, I just fit it randomly into this chart lol), and some of the info is outdated (for example, Slaughter the Animal is now polished!!! thank god!!!). But just an idea of what I’m thinking of including.

This is the summary so far:

In SHE IS ALSO DEAD, characters are pushed to act on their gravest impulses. A small town turns murderous when their local invasive species, the Janices, begin dying. A child struggles to understand her mother’s suicide. A college dropout who insists she’s being haunted by a poltergeist unexpectedly breaks up with her boyfriend. A mother acknowledges her daughter’s murderous tendencies after her backyard chickens mysteriously die. A young girl caters the funeral of a girl rumored to be killed by a wolf-antelope. A newly-divorced mother RSVP’s to a bizarre party she was not invited to, and a murderous brother and sister upkeep their yearly tradition of abducting a young girl. These stories follow characters who navigate death, violent desires, womanhood, and loss, both self-imposed and otherwise.

This is also so subject to change as I may pull and add stories to the collection!

I think I’m going to leave this update here for now! I’ve written TONS of poetry too, but I honestly ~hate my poetry right now lol, so! Hope you enjoyed this chill rambly update. Hope writing has going well for you all! All the best!

--Rachel

[missanthropicprinciple]

A Tale of Elio and My Fixation with Lovable Androids

TL;DR Feel free to scroll past this unless you’re keen to read my ramblings about androids, Neoclassical art, children’s lit, and bad science fiction movies. 

Since the late 1990s one of my favourite books has been A Tale of Time City (1989) by Diana Wynne Jones. It’s a mildly confusing story but engaging, with memorable characters, including the android Elio, pictured above - my own fan art from a few years ago. Studio Ghibli really needs to make this film if no one does a live-action version, seeing as they brought Jones’ novel Howl’s Moving Castle to life. Here’s a scan of my favourite edition with mesmerizing cover art by Richard Bober.

This book inspired me so much I’ve done research on it. I wasn’t in a class in grad school that allowed me to write about it so I took it on as a casual independent project in 2019. Two days after my dad died of cancer I was scheduled to present my paper on Elio from ATOTC. Needless to say I was not able to finish writing the essay. I told the department coordinator I would likely not attend but I would let him know. He was seriously surprised that I showed up. I must have looked like a ghost - wearing a nice top, skirt, tights, and short heels. I was still in total shock but I thought I might as well press on. My paper’s working tile remains as it was: Elio: Android Autonomy and the Personification of the Sun God. I presented a long bullet point list of working ideas and research done up until that point. My work is still on the broad side because it’s an intersection of young adult fiction, Neoclassic art, and android autonomy; I have some narrowing to do. Here are my main arguments thus far: 

Firstly, the android character Elio’s physical characteristics and personality are inspired by Helios, the Hellenistic Greek god and personification of the sun. Apparently, Elio is a Spanish name meaning sun and also an Italian given name referring to the element helium, originally derived from the Greek name of the sun-god Helios. 

Secondly, Elio and Helios share more than an etymological connection and the comparison of Elio to Helios can be articulated in two distinct ways: the aesthetic comparison, and that Elio possesses some of the qualities Helios is known for. Jones’ work repeatedly associates Elio with sunlight and golden hues, aspects which are exemplified in the 1765 Neoclassical painting Helios as the Personification of Midday by Anton Raphael Mengs. (I vaguely remember translating a couple passages from a large art book written in German when I was studying Neoclassical art.) 

This work is considered an unusual depiction of Helios. Mengs uses a motif of the glowing arrow which is interpreted by François-Xavier Fabre as a symbol of the midday heat and the sun's rays which penetrate and give light to the earth. The representation of the sun in this way is considered unusual for the 18th century because it goes against Classical and Baroque iconography which portrays Helios riding a chariot. Ironically, Jones references this. Elio proclaims his fondness for films, particularly the chariot race from Ben Hur. Elio, like Mengs’ depiction of Helios, lacks a chariot but retains his beauty and powers.

As for Elio possessing some of the qualities of Helios, the god is often referred to as “all seeing” or “Zeus’s eye.” Similarly, Elio has the ability to anticipate problems and see what humans do not, but not because he’s a god, but because he’s a servant. However, this is where his self governing comes into play when he uses his observations to take action beyond any directives he has been given. His physical strength, like Helios, exceeds that of humans. Elio himself says, “my utmost is more than twice that of a born-human” (Jones, 211).

Thirdly, Elio’s self awareness allows him to use both his powers of observation and superior physical strength independent from humans. He does not always wait to be told how to use his power; he wields it. Not only does he play a part equal to that of humans in Jones’ plot, he specifically controls the fates of certain human characters. For example, he doesn’t always utilize his speed when he’s at the beck and call of his master, Sempitern. He makes choices not to fully comply with the demands made of him.

My fourth point, which I can’t quite articulate well, is that the most significant dynamic of this comparison is the body of Elio and how his physicality interacts with his autonomy. Elio acts as an individual who contributes to a wider mythology just as Helios does. Yet, while Elio is superior to humans in many ways, his quasi-humanity allows him to act in ways which align with Helios’ qualities.

For example, Elio makes personal choices and exhibits emotions not necessary for him, as an android, to function. He confesses a desire to harm another android out of annoyance where a passionate opinion would not be expected from an android. This human failing is indicative of the same autonomy which allows him to act as Helios does. Elio has been constructed as a superhuman body in terms of his abilities, however, the human qualities which contribute to his Helios-like powers undermine his intended purpose. 

Ultimately, Elio ascends the usefulness of his “owned” body by acting independently from the humans who utilize him. His human qualities make him vulnerable and therefore he loses some of his godlike powers. Elio, while only an assistant to his human owners, utilizes his own physical and mental powers to maintain his autonomy. Conversely, his god-like qualities make Elio more human rather than affirming his android identity.

This is a very complex subject and I don’t really know where I’m going with it and have possibly made some suppositional errors. TL;DR: What I do know is that Elio presents a paradox: being idealized for his abilities allows him to be autonomous while being autonomous disrupts the servitude of his body.

I am in the process of determining what lens I will use to analyze Elio’s experience and functionality of being an android. I’m thinking about using Alan Turning’s 1950 work Computing Machinery and Intelligence. I’m still navigating the literary theory aspect, or indeed philosophical aspect, of this area of study. 

This brings me to something I came across later that relates to Elio and ATOTC. 

SPOILERS AHEAD

The closest depiction of an android that I’ve seen to Elio other than Data is from a terrible and somewhat forgotten science fiction film from 1989. “Byron”, (played by pre-Jurassic Park-fame Bob Peck) the android in the painfully awful film Slipstream comes very close to Elio in terms of tone, attitude, and characterization. Despite the embarrassingly bad script and dialogue, Peck does a bang-up job, seemingly acting in a wonderful film running parallel to the absolute trash his co-stars were apparently “acting” in. Yes, I rewatched this film just to write this analysis. (The secondhand embarrassment is off the charts and I had it playing at a low volume most of the time Byron was not on the screen.)

When you first see Byron he’s acting out autonomy but you’re not aware he’s an android. The audience is told he’s an escaped fugitive, a murderer, and that’s all we know for over half the film. Yet there are several clues. When you first see him he’s running over rugged terrain in a suit which was kind of a big hint but nothing makes sense in this film so I just thought that it was a weird costume choice. Then he’s literally shot with a grappling hook. He doesn’t seem to be in pain even though he’s shocked by it, and then is pulled down by a bounty hunter named Tasker (Mark Hamill) and hits the ground from a great height and doesn’t die. He just quotes what I think is John Gillespie Magee, Jr.’s "High Flight”: “I have slipped the surly bonds of Earth….and touched the face of God.” Next time you see him, he’s in handcuffs, looking super depressed, and apparently not bleeding out from the now absent grapple hook that’s gone through his forearm. 

He eventually quotes Lord Byron to cryptically indicate his name which is lost on Bill Paxton’s character, Matt. “Byron” essentially means cowshed. It’s ironic because Byron the android is in many ways a receptacle of knowledge. Matt even says sarcastically, “Well aren’t you a walking storeroom of information,” and Byron responds cheerfully, “Yes.” 

Byron breaks out of his handcuffs saying they’d “become rather superfluous.” You think he’s just showing off but once you know he’s an android you know he’s just honest all the time. He then heals a blind child and paraphrases Psalm 127:3. Matt says, “I didn’t know you were a healer.” Apparently Byron can perform cataract surgery in less than five minutes. Along their journey together (Bill is set on collecting the bounty on Byron’s head before Tasker can catch up) they camp out. Byron sleeps with his eyes open. (Even if he is an android wouldn’t his eyes need to be “cleaned” in the same way humans need to close our eyes and blink?) Matt wakes up to find Byron seemingly strangling him. “I was feeling your carotid pulse,” he explains. “I was just checking for arrhythmia and episodes of ventricular tachycardia.” At this point you realize he’s not so much a spiritual healer as a doctor who philosophizes a lot. 

Byron’s miraculous behavior and pontificating is called into question by a nomadic spiritual community which has been torn apart by an attack on their village. As he lays dying, Ben Kingsley’s character calls Byron a “false prophet” but his faith in this stranger is somewhat restored when he says, “all that will be left of me is bits of gold in the sand. You have a soul, do not abandon it in death.” 

Another character says, “The stranger is no mortal man.” Therefore it is clear that Byron likely isn’t human. We don’t find out he’s an android until 46 minutes into the film. Once that’s cleared up, other concepts arise in the script. While not well executed, they are really interesting; emotion both positive and negative, free will, perfection, A.I. slavery, and murder are all addressed throughout the second half of the film. Byron says he doesn’t understand “hate” in context of his “master” to whom he was nurse, brother, father, mentor, and friend, but he admits he was more of a slave than anything else. 

The character Ariel takes an interest in him for a variety of reasons, especially romantically. In one very evocative moment we see Byron in a museum exhibit, a false garden of Eden, full of fake vegetation and taxidermies, full body mounts. So we’ve got an android having an Adam experience. Whether or not he experiences “original sin” with Ariel or if he’s “fully functional” is never acknowledged. Although one woman says, “Amanda slept with a robot?!” (who the f**k is Amanda?!) and a man says to another sitting next to him, “I hear they’re rather mechanical in the saddle.” 

Byron is less concerned with consummation and more excited about love, sleep, and dreaming. When he is with Ariel he doesn’t quite know how to act in terms of sexual play and then apologizes: “I’m not accustomed to being loved.” We see him closing his eyes when he’s cuddled up with Ariel; the next day he is certainly very pleased that he fell asleep with his eyes closed and had a dream. 

In terms of his servitude and autonomy they did not spend an adequate portion of the exposition on it. Matt has a change of heart and says instead of collecting the bounty, he’ll set him free as it’s briefly revealed that Byron killed his “master” upon the man’s request. Naturally, this brings up a lot of confusing feelings for Byron. “Is this what it’s like to be human? I don’t think I’m up to it,” he says. “Can I be trusted with human feelings?” And in a way he cannot. Ariel is brutally shot by Tasker.

Byron is angered over Ariel’s death and follows the bounty hunter to his ship. Instead of taking him in to collect a reward, Tasker tries to run him down with the glider plane. Byron manages to get himself caught in the engine and starts to strangle his assailant. Tasker quotes “touched the face of god” which brings Byron to his senses and he stops killing Luke Skywalker Tasker and tries to save the plane. It looks like he’s going to hot-wire it but then uses the wires like reins (chariot imagery???). They crash into the side of a mountain slope. Tasker dies but Byron survives. Apparently he’s basically indestructible and somewhat godlike. “I’m too dangerous to be human,” Byron tells Matt. In the end, he goes off in search of the place he’d been dreaming about. 

Although in terms of physical appearance the two androids are vastly different, they have so much in common. Here are some basic concepts. 

Character: Both are stoic, formal, intelligent, honest

Indestructible: Byron is injured with a grappling hook, takes a major fall of about 20 or 30 feet without a scratch: he is somewhat godlike or slave-like, meant to withstand destruction and pain. Elio is less indestructible but easily repaired.

Healer: Byron has the skills to heal people with basic surgery. Elio doesn’t take his own injuries seriously and experiences pain for the first time (Jones, 218-9).

Both think they deserve to be punished: Elio states this quite clearly (Jones, 276) and Byron says the same thing about himself with resigned passivity.

Complex relationship with “human emotions”: Both come to terms with violence, anger, and love.

Autonomy: At the end of the film Byron goes off on his own to look for a promised land. Elio decides his own fate by deciding to accompany the children of the story, stating that Vivian is a “particular favorite” of his (278). 

Dreaming and stories: Byron is searching for a place, “where I think I belong,” he says, which is a place he often thinks and dreams about. Dreaming is considered to be a human attribute, a non-essential bi-product to consciousness. Elio enjoys stories and old films (Jones, 180), similarly “human” in nature. 

(Peck, seen here waiting for Bill Paxton to learn how to act. Sorry, I’m salty.)

Disclaimer: This is a work in progress! This project is an intersection of niche subjects that interest no one but myself. 

Anyway, my point is (yes, I did have a point...or rather several) was that if anyone should adapt A Tale of Time City, Byron from Slipstream is the best example of how Elio should be portrayed in terms of characterization. I feel that Slipstream should have been centered around Byron. The film was kind of like, just about the “we’re both fighting over the bounty of this fugitive” sorta thing. It would have made more sense to focus on Byron as he is arguably the most interesting character and represents many of the conflicts within the story. I would like to combine my research on ATOTC and Slipstream one day. In any case, this is a good start. 

Works Cited (WIP) 

Jones, Diana W. A Tale of Time City: Knopf, 1987. Print. Perkowitz, Sidney. Digital People: From Bionic Humans to Androids. Washington, D.C: Joseph Henry Press, 2004. Print.

Roettgen, Steffi, and Anton R. Mengs. Anton Raphael Mengs: 1728-1779 Part 2. München: Hirmer, 1999. Print.

Turing, A. M. “Computing Machinery and Intelligence.” Mind, vol. 59, no. 236, 1950, pp. 433–460. JSTOR, www.jstor.org/stable/2251299. Wilson, Eric. The Melancholy Android: On the Psychology of Sacred Machines. Albany: State University of New York Press, 2006. Print

[asthmark]

❝ comfortable ❞ l.mk

synopsis → “oh, i’m mark. mark lee.” he gives her a lop-sided grin, reminding you of a high school boy. the kind you would have a crush on.

word count → 3k

a/n → instead of admitting to the fact that this has been in my drafts since october what if i just said i was watching superm interviews and got inspired.. would anyone believe that??? anyway superm on the ellen show was a fever dream lol

your leg bounces nervously as your makeup artist touches up your look and you stare at the tv screen in anticipation. you were finally making your television debut. you knew you were blessed for the wonderful opportunity, especially for how new you were to the music industry.

you had started like nearly every other artist; posting covers on youtube. these were well received and gained a good amount of views and likes but your career really took off when you began creating original content. every time you would release a single, it would make it on the trending page thanks to your growing fanbase and exposure to the general public, who seemed to like you. soon enough, requests to interview you whether it be on radio, tv, or magazines were high and, thanks to your managers, you found yourself in los angeles, backstage in a studio, waiting for the ellen degeneres to introduce you to her live audience and thousands of viewers at home.

“don’t move so much, miss l/n,” the woman trying to apply your highlighter comments. “you’re smudging your makeup.”

you force yourself to sit still as you apologize. “sorry. pre-show jitters.”

the woman smiles, emphatically. “i understand, sweetheart. i would be nervous too.”

you’re quiet for a moment, debating if you should continue conversing with her. “can i be honest?”

she hums as she dabs a beauty blender into your cheek. “go ahead.”

“i am so nervous that i’ll mess up or say something stupid. the only thing close to an interview i’ve ever done was a q&a on my youtube channel. and at least i could edit stuff out then.” you huff. “if i make some kind of mistake on my tv debut, my career will be over before it even started.”

“well, think of it this way,” she says. “you went from a moderately popular youtube channel to the ellen show. that doesn’t happen for no reason. there are people out there who really admire you.”

you chuckle in disbelief. “it’s crazy to think about people actually wanting to see me. i still can't believe it.”

she giggles, softly. “they know there's something worth seeing.” at seeing your small smile, almost as if you were barely realizing your own star status, she laughs. “you seriously gotta wake up, girl. you’re famous!”

you smile at her, finding humor in her words. “thanks for the wake up call.”

you both direct your attention to the tv placed backstage that broadcasted what was happening on stage. you listen in to ellen’s monologue as she tells jokes and addresses current topics. before long, there’s a knock on the doorframe. you half expect a staff member to let you know that you’ll be on soon but instead you hear a quiet, “hello?”

you and your makeup artist both turn to the boy standing in the doorway. he's wearing a black jacket paired with dark, ripped jeans held up by a belt. he goes to bow, then remembers that korean etiquette does not apply and decides to wave as a greeting instead. you reciprocate the gesture. he stands with only one foot inside the room, almost as if he’s too polite to enter without being given the okay.

“did they send you to get your makeup done?” the woman who had done yours says.

he nods. “they said something about concealer and bb cream, i think?”

she smiles. “yeah, it’s basic stuff. come on in. what’s your name, dear?”

“oh, i’m mark. mark lee.” he gives her a lop-sided grin, reminding you of a high school boy. the kind you would have a crush on.

“well, mark lee, i’m lily. i’ll be doing your makeup, making sure you look pretty for the cameras.” she motions to you. “i'm just about done here so i’ll be right with you.”

“okay, thank you.” he shuffles in, his eyes glued to you and you hold his stare. he nods, a wordless greeting as he settles in next to you. in return, you throw up a peace sign and he smiles at your casual behavior.

“you know what? somebody used all the setting spray. i’ll be right back, i’m just going to steal some from my co-workers.” with that, lily darts out of the room.

it’s pure silence between the two of you until you spark conversation. “i didn't get to introduce myself but i'm y/n.”

“i know,” he responds, quickly. “i'm kind of a fan, actually. i mean, it’s practically impossible to not be. you’re all over the place. especially with the new single you dropped... which is a bop, by the way.”

you smile at his simply-worded praise. it was a nice switch up from the professional reviews you received from critics. “that’s so cute. i’m honored.” you miss the way mark’s ears turn slightly pink at your words. “but enough about me, what do you do, mark?”

“oh, me? i’m in the k-pop scene.”

you hum. “that’s a good genre to be in. which group?”

“right now i’m promoting with superm, it’s kind of like a side project. but originally, i’m in a band called nct.”

you lean forward at hearing the familiar name. “nct? as in, nct 127?”

mark’s eyes light up. “yeah! you know us?”

you nod, enthusiastically. “oh my god, yes! you collabed with ava, right?”

“we sure did. are you guys close?”

“i help her write lyrics sometimes.” you lower your voice down to a whisper for dramatic effect. “i wrote the chorus to ‘sweet but psycho’.”

the way mark’s jaw drops is almost comedic. “no way! that song got her famous, dude!” his lips curve into a playful smirk. “just because of that i’m gonna have to get you in the studio.”

you return the mischievous look. “is that a promise?”

“i’m back!” lily announces, giving mark no time to respond. she gives no warning as she spritzs you with the bottle she had gone to retrieve.

you cough, choking on the mist. “no heads up?”

“sorry, dear. you’re on in two minutes, no time to waste.”

you feel a chill go up your spine. it was finally time.

mark nudges your arm. “you okay?”

“a little nervous.” that proves to be the biggest understatement of all time because in reality your heart is doing somersaults.

“hey.” you stare at him, his brown eyes boring into you. “you’ll be fine. there’s nothing to worry about. you got this!”

you smile at his words of encouragement. he cared about you and you find that your heart is pounding for an entirely different reason now.

“i'll be here to cheer you on while you’re out there and i’ll be back when you’re done to tell you how amazing you did, okay?”

you nod.

“now get out there!”

“well, we have a great show for y’all today,” ellen says, clasping her hands together, having just finished her monologue. “i mean, it’s always great but the exciting thing is we have two musical guests today.”

the audience that cheered wildly is shown on screen. you almost forget about the knot in your stomach when you see some people in the crowd wearing shirts with the cover art and quoted lyrics of your last single.

“i see you guys are ready so, without further ado... let’s get started. our first guest is a soloist who has made quite a big name for herself in such a short period of time. she currently has three singles on the billboard charts, her most recent music video is number one trending on youtube, and she has a new ep coming out soon. here for her television debut, please welcome y/n l/n.”

you walk out from behind the stage, a huge smile on your face. the crowd screams and you wave to them until your hands become too occupied hugging the hostess who greets you with open arms and a proud smile. once the hype dies down and your entrance music fades out, you take a seat, opposite of ellen.

“how have you been y/n?”

“amazing,” you respond, letting your hands fall neatly in your lap.

“and why is that?”

you sigh, wistfully. “everything has been going so well for me lately. i mean, i feel like all these doors are opening up for me all of a sudden. i think i finally made it.”

“you’re just barely realizing that?” ellen exclaims.

you laugh, along with the audience. “kind of, yeah. it just all happened so fast.”

“is there an experience that comes to mind where you finally realized how famous you are?”

you try to think for a few moments before your eyes light up. “okay so, i was at a mcdonald’s like, last month and i went through the drive thru and ordered some nuggets and fries. so, i pull up to the window to pay and it’s around 2 a.m. so the cashier guy is super out of it, like he’s not even paying attention to me. finally, he goes to grab my card and he gets a good look at me and just freezes. like, full on shuts down. so i ask him if he’s okay and he nods so i try to hand him my card again but he goes, ‘no, you’re famous, you don’t have to pay’. and in that moment i just knew.”

“hold on, pause,” ellen announces, dramatically. “you’re telling me that you have been nominated as artist of the year, gained over ten million followers on social media and made your national television debut but the thing that really made you say ‘wow, i’m famous’ was a couple of chicken nuggets?”

“ellen, c’mon,” you begin, seriously. “it was a twenty piece.”

“oh, well, that changes everything,” she says, playing along with you, as the audience erupts into laughter.

the rest of the interview goes smoothly, running on jokes and sarcastic energy. you discuss your young age (thus resulting in some of your baby pictures finally being revealed to the world), millennial culture (the crowd went wild when you explained terms such as netflix and chill to ellen who claimed she didn’t understand yet her sly smirk said otherwise) and your upcoming ep (that you would be giving a sneak peek of later on in the show).

you continue chatting once the commercial break is announced and ellen showers you with praises, commenting how young talent never failed to amaze her, although it did make her feel old. you get to thank the hostess and tell her how much you appreciated her sweet words and the opportunity she had given you before the crew is dragging you backstage so you can prep for your upcoming performance.

you’re greeted by a “that was awesome!” and a high five one you get backstage.

you flash mark a full smile. “couldn’t have done it without my hype man.”

just then lily walks in to touch up your makeup.

“and my hype woman!”

she just rolls her eyes and chuckles as she reapplies gloss to your lips. 

“seriously though, y/n. why did you have to be so perfect? the bar is all the way up here now.” to emphasize his point, mark raises his arm as high as it will go.

“hey, i only tried hard because you’re up next. you’re a hard act to beat, mark lee. i mean, you’re charismatic, charming, witty; basically every talk show host’s dream.”

he scoffs yet you see how he avoids your gaze, your compliments obviously flattering him to the extreme.

a staff member walks by, cutting your conversation short. “y/n, you’re back on in one. superm is on right after.”

you and mark turn back to each other, speaking the same two words at the same time.

“good luck.”

ellen introduces you again, only this time you hold a guitar and stand in front of a microphone once you’re back on the stage. you perform a never before heard song but judging by the roaring applause and standing ovation you receive by the end of it, it’s another successful hit.

you bask in the amazing response and then you’re ushered backstage for the last time. you catch sight of the staff placing more seats on the stage as you exit and you smile eagerly, knowing exactly what’s to come. you search the hallways for your new friend, hoping you can catch him before the show goes back on air. you’re almost about to give up when you hear your name being called.

you lock eyes with mark who stands a couple feet away, barely hidden from the audience’s view. even from where you stand you can tell he has a nervous smile on his face. you jog towards him and to your surprise, he envelops your figure without a second thought. in return, you tentatively wrap your arms around him.

“great job,” he murmurs, breath fanning your ear. “i really did cheer you on.”

“i’ll make sure to do the same.” you hesitantly pull away from his embrace, holding him at an arm’s length away. “go get ‘em.”

he gives you a determined nod and you watch him rush on stage, the audience’s wild cheering increasing. their energy didn’t fade once throughout the interview and just as you had suspected, mark was doing wonderfully. he clearly thrived in interviews; his awkward, boyish nature enchanting everyone in the studio, yourself included.

ellen crosses her legs and clears her throat. “so, i have to ask you something, you know, for the fans.”

the group leaned forward in anticipation, awaiting her next words.

“are any of you dating?”

the crowd released noises of amusement at hearing the very personal question. you can’t help but feel intrigued although you knew ellen has always been quite the invasive person. you watched as the seven boys looked around at each other, unsure what to say but before their silence can become suspiciously long, mark ends up taking the question.

“why are you always so curious about this, though?” he blurts.

the audience absolutely eats up his response, cheering at his bluntness. even you find it humorous, shoulders shaking with a chuckle. that’s definitely gonna become a meme, you think.

“it’s my job!” counters ellen. “why are you so defensive?”

the crowd is very responsive to ellen’s rebuttal, ‘ooh’ing in amusement.

mark’s silence only pushes the hostess to continue teasing him.

“does it maybe have anything to do with y/n?”

your smile drops. had she seen you two? you’re not sure why you feel so exposed; after all, you had just been talking.

ellen’s lips adorn a sly smile at mark’s stunned reaction. “you seemed to be getting very comfortable with each other backstage.”

the black haired male stumbles over his words before he gets a semi-coherent sentence out. “we just, um—we just met.”

“oh really? you two looked like you had known each other forever.”

mark chuckles breathlessly, eyes glued to his lap, obviously at a loss for words. ellen stares at him expectantly so he mutters, “i like making friends.”

ellen, the audience, and even some of the band members laugh at his response.

“well, i’m sure there’s a lot of fans out there that wish they were your ‘friend’.” her tone makes it clear she doesn’t buy his excuse but she prods him no further, instead turning to stare into the main camera. “when we get back superm will be performing their title track ‘jopping’. during the commercial break, please feel free to place your bets as to how long mark and y/n will remain ‘friends’.”

the camera pans to mark for a couple seconds; his ears are bright red and his cheeks are dusted light pink, his makeup doing nothing to help hide the blush. his eyes dart around, anxiously and then they cut to commercials.

you shake your head, smiling at the entire situation and just how big of a dork mark was.

you attentively watch superm’s two performances, eyes mostly glued to a certain rapper. you sit patiently in the makeup room, waiting for mark to return backstage so you can congratulate him but he never appears. you try to conceal your disappointment, even when lily enters the room, smiling brightly.

“well, the show’s over, doll.” she removes her makeup stained apron and glances at you as she places it on a nearby rack. “hey, why the long face?”

you stare at your reflection in the mirror, no longer bothering to hide your pout now that your frustration had been made known.

“you did great, if that’s what you’re worried about. just ask mark.”

“he left,” you mumble. “i thought i’d be able to catch him before he left and we could… i don’t know, talk a bit more? i just really—” you trail off.

“like him?” lily suggests, too loudly for your liking.

your head snaps towards her, eyes wide, only confirming your feelings.

“don’t worry, dear, you can say it. i won’t tell ellen,” she jokes.

you sigh and slump down in your seat. “yeah. i like him.”

“well, then, i have good news for you.”

you half-heartedly hum, allowing her to continue.

she waves a piece of crumpled paper in front of your face. you grab it from her, staring at it curiously.

“what’s this?”

she nods her head at it, encouraging you to find out for yourself. “open it and see.”  

you obey, unfolding the tiny item. your eyes struggle to read the words inside but if you squint, they become clearer.

please call, me i would love to become closer ‘friends’.

(xxx) xxx-xxxx

it’s mark btw :)

you can’t contain your smile at the cute little note.

“he’s adorable,” you say, mostly to yourself but lily audibly agrees.

“he ran into me as he was leaving and begged me to deliver that message to you. which reminds me, i’m supposed to let you know that he wishes he could have stuck around but his schedule is ‘crazy tight’ so he had to ‘dip’. his words not mine.”

you nod, grin widening. “thanks, lily.”

“my pleasure. nothing like young love.”

you give her a glare although it’s all but threatening.

she folds her arms, teasingly. “so, are you going to give him a call or what?”

you’re sure she sees the phone in your hand and the way your fingers press the numbers on the keypad, excitedly but nevertheless, you decide to answer.

“i’d be crazy not to.”

[coolunspokenforname]

Sims 4 legacy challenge: Flower symbolism

This challenge was made for @cowoman and it follows flowers and some of their symbolism (Disclaimer: This is probably not completely accurate, and in general flowers have different things associated with them through time periods and cultures)

Rules:  - Normal lifespan  - No cheating (Resetting sims is okay, of course) - Unless specified in the generation you can live anywhere - Unless specified in the generation you can have as many partners and children as you want - Basically regular rules of legacy challenges

Gen 1: Daffodil- New beginnings

Aspiration: Super Parent Traits: - Family-Oriented   - Loner   - Ambitious

Left on a doorstep of an orphanage when you were a baby, you’ve always felt alone. You were never able to find a family, but found accomplishment in raising the younger kids. When you finally age out of the system, you are ready to follow your dreams. You move into the big city and find yourself a job as a teacher. Though you love it, you need more. When you are able to afford it, you have kids. You love being a parent, and do your best to be amazing for your children. You love going to the parks on weekends and having pizza nights. It’s your goal to be the best parent you can for your kids, and you pass those goals with flying colours.

Goals:

Start in an apartment

Complete aspiration

Only have kids after getting to level 4 of the education career

Max education career (Professor) 

Adopt at least one kid

Reach level 10 parenting skill

Gen 2: Gladiolus- Strength, Victory

Aspiration: Bodybuilder Traits: - Athletic   - Ambitious   - Self-assured

You were adopted when you were a little baby, and you are incredibly grateful. You were raised in a loving family, but were never spoiled. You were taught that if you want something, you need to work for it, whether it be doing chores or getting a part-time job. As you grew up while your siblings loved watching cartoons and kids shows, you loved watching bodybuilding competitions. As you grow up, that interest also grows. You join the athlete career and love it! You love going to the gyms, and there you meet your spouse. However, you tend to spend a bit too much time at work or at the gym, and barely see your children. 

Goals:

Have manual labor part-time job as a teen

Complete aspiration

Complete athlete career (Bodybuilder)

Meet spouse at a gym

Have a low relationship with their children

Gen 3: Marigold- Jealousy, Despair

Aspiration: Renaissance Sim Traits: - Jealous   - Self-absorbed   - Self-assured

You never had much of a relationship with your parent, and always felt jealous of your friend’s relationships with their parents. Eventually that lead to being jealous about anyone who had better than you.  You tried a bunch of different jobs, but never really cared. You loved being around celebrities, and one day you even had a one night stand with one. After finding out you’re pregnant, you tell the celebrity hoping to marry them, but they don’t even listen. Angry, you keep your child from ever meeting them.

Goals:

Complete aspiration

Careers: Actress, Artist, Style Influencer (Any order you wish)

Get level 10 charisma

Have a one night stand with a high level celebrity and have their child

Never let the child meet their parent

Gen 4: Bluebell- Humility, Everlasting love

Aspiration: Soulmate Traits: - Romantic   - Loner   - Bookworm

You were never able to meet one of your parents, and felt a small emptiness. Your other parent didn’t seem to care much about you, and you two didn’t have the best relationship. The one good thing in your life is your best friend. Unfortunately your parent decides to move to a whole different world right after you became a teen. You still keep in touch with your friend, and the friendship evolves into a romance. As soon as you can the two of you get married and move in together. For quite a few years you live together, but after becoming adults you decide to have a child. The love between you somehow grows even more with the new child.

Goals:

Complete aspiration

Be best friends as a child with your neighbor, but move away soon after becoming a teen

Stay close friends with the neighbour over long-distance and eventually fall in love.

Complete writer career (Journalism)

Get level 10 writing

Gen 5: Columbine- Foolishness, Folly

Aspiration: Joke Star  Traits: - Goofball   - Clumsy   - Outgoing

You had the best life you could ask for. Your parents love each other so much and you always wanted that too. You always loved comedy, and so you became a comedian. As time went on you met someone and finally found the one. You have a wonderful few years and eventually have kids. You are the happiest person in the world! Unfortunately happiness doesn’t always last long. You die young, leaving your spouse and children alone.

Goals:

Complete aspiration

Marry someone

Get level 10 comedy

Get at least level 5 of entertainment career (Comedian)

Die young

Gen 6: Purple Hyacinth- Sorrow

Aspiration: Professional chef Traits: - Foodie   - Loner   - Ambitious

One of your parents died when you were young and it really affected you. While your family seemed to move one, you just couldn’t. So, your main goal in life is to learn how to bring back the dead. You make good progress, but one day you meet someone who lets you forget your goal. While at first you learned to cook to revive people, you learn that you love it. You stop thinking about revival and instead focus on the present. That is, until that person dies. After their passing, you go straight back into the little hole you had made for yourself all those year ago. You revive the person, but they don’t look at you the same way anymore.

Goals:

Get level 10 cooking and gourmet cooking

Complete aspiration

Complete culinary career (chef)

Have a friend or spouse die

Make ambrosia

Revive the person that died (but they are more distant with your sim)

Gen 7: Lavender- Distrust

Aspiration: Serial Romantic Traits: - Noncommittal   - Dog Lover   - Vegetarian

Your parent always told you to never trust anyone, and you’ve taken that advice to heart. You refuse to get close to anyone, and actually try your best to make others understand your viewpoint. How do you do this? You break as many hearts as you can! However, you’re not completely lonely. You have loved animals, mainly dogs, since you were a kid. When you aren’t breaking hearts, you curing animals in the little vet clinic you made yourself. You try to do it all alone, but as your clinic gets more well-known you realize you can’t, so you hire a couple employees. Now, with the extra help, you can focus more on breaking hearts. Oh, and you have a child, but they aren’t your main priority.

Goals:

Complete aspiration

Own a vet (get 4+ stars)

Max veterinarian and pet training skill

Never have a long-lasting relationship

Gen 8: Black-eyed Susan- Justice

Aspiration: Academic Traits: - Family oriented   - Genius   - Unflirty

Your parent never cared for you. They were always either at work or around the town. You always tried your best to be a good child. You did your homework and got good grades. Sometimes you even did school projects when you didn’t need to! Still, they never seemed to notice. When you became a young adult you decided to go to university. You always were interested in history, so you took that degree. Soon you learned that you enjoyed law, and decided after university you would be a judge. While you enjoy your work, you aim to be the best parent you can for your child. You promise to yourself you won’t be like your parent.

Goals:

Go to university (History Degree)

Complete the aspiration

Join law career (Judge) after university

Complete Law career

Have only one child

Gen 9: Angelica- Inspiration

Aspiration: Painter Extraordinaire Traits: - Art Lover   - Creative   - Self-Absorbed

You were an only child, and you loved it! You were always the most important, and you loved it! In fact, You loved it so much that you never wanted the attention to go away. You’ve always loved art, right? So, you start recording videos of painting and stream it. You actually become quite popular. Sure, you still have to work as a freelancer to live comfortably, but that just gives you more freedom to stream, record, and edit. You meet someone, and get along great. A few years after you marry them, though, you both realize you aren’t meant for eachother. You split up on good terms, and stay friends. Eventually you do find the one, and you are ecstatic. Even with your busy schedule of recording, streaming, editing, and doing works for clients, you find a way to spend time with your family. You couldn’t be more grateful.

Goals:

Get level 10 art skill

Be a freelance painter

Record and stream painting

Get to at least B-tier celebrity (3 star)

Max media production skill

Divorce someone but stay friends

Have an excellent relationship with family

Gen 10: Sweet Pea- Goodbye

Aspiration: Party Animal Traits: - Dance Machine   - Outgoing   - Good

You don’t know why, but all your life you’ve felt like something was ending. Like a book was about to close. There was always this feeling in the pit of your stomach. While many may let this get them down, you don’t. If the world is going to end, your going to live your life to the fullest. Who said the end of the world can’t be fun? You spend your life laughing and smiling. You do your best to help others as well. You give away a lot of the money your family has made over the generations to charity. When you aren’t partying you’re volunteering. You decide that, if everything is going to end, your going to do your damndest to make the world a better place beforehand.

Goals:

Complete aspiration

Get level 10 Charisma

Complete politician career (Charity organizer)

Volunteer a lot

Host at least one charity event (You can host one by getting a great reputation)

Notes:

This is just for fun! If you don’t complete the entire challenge or miss a couple goals that’s fine, as long as you have fun! I’m not going to hurt you if you do something wrong. Feel free to add extra drama or goals if you want!

I’m pretty sure if you have high charisma skill you are able to talk to celebrities.

You can have a “long-distance relationship” by chatting on the computer with the other sim and sending love emails (unlocked around level 3/4 of the writing skill)

Sims with the goofball trait can die from laughter, but there are many other ways to kill a sim.

To make ambrosia you need a death flower, angelfish, and potion of youth. You can find ways to get the ingredients if you google it, but i don’t mind if you cheat for the ingredients just this once. Getting level 10 in both cooking and gourmet cooking is hard enough, lol.

Also, for the 8th generation, If you go to live on student housing or dorms in university any pictures in your household inventory will turn blank, and any business ran by sims in you household will no longer be yours when you get back. Just letting you know!

If you have any issues, then please tell me! I haven’t tested this challenge out yet, so if something is impossible I’ll try to fix it! This was a lot of fun to make! :)

[fbfh]

“forever” paxton hall-yoshida x reader

genre: fluffy romance + mutual pining (not too slowburn tho lol)

word count: 3.4k

au: none?? jock x theatre nerd ig

pairing: Paxton x broadway baby!reader 

requested: yes !! i hope u like it uwu

warnings: one hell one motherfucking and i think that’s it for swearing?? um brief self deprecating/talking bad abt urself from paxton (bby boy needs a self love boost), reader and paxton are home alone together for a little while but nothing bad happens, uh,,, i think that’s it

summary: when Eleanor can’t run lines with you, she sends over a very attractive, mutually pining substitute.

reccomended songs: “Seventeen” - Tuck everlasting OBC, “The Kiss” -The Princess Diaries score

a/n: i’m p sure i kept the reader p gender neutral but there’s implied slightly long hair, and you play the lead (a girl named winnie) in ur schools production of tuck everlasting but like it’s theatre so anyone can play anyone lol,, this took so got dam long bc i’m fucking s o f t for jock x artist and it just sorta happened lol aLsO,, not super thoroughly edited so there might be a typo or two?? im tired lol

requests r open <3

You had only ever seen two athletes present during rehearsals. Once when Madeline (who at the time was playing Penny in your production of Hairspray) was dating a guy from the soccer team. The other was when the star of the basketball team had come in to give your choreographer pointers for the basketball scenes during High School Musical. 

Until now.

You had run onstage part of the way through “Live Like This”, which wasn’t out of the ordinary since so much progress had been made on the costumes. You were still tying the ribbon on your pinafore as you jumped into the song, but when your eyes met a face in the usually empty auditorium, you faltered. You almost sang the wrong verse, but recovered quickly, continuing with the blocking. What felt like a moment later, the number was almost done and you were nearing the end of your counterpoint with Mae Tuck - played by Eleanor, of course. Who could be better for the part? You held out the last note, trying to stay in character despite all the distractions in the back of your mind. You had to talk to Eleanor when the director called for 10; she’d started telling you how Devi was being weird recently. Also, what the Hadestown was Paxton Hall-Yoshida doing chilling in the auditorium? You shoved all that away, focusing on staying in character until the director called for a break. 

‘I want to go to the fair. I want to go so badly! I just need a change, need to get out of this house for a little while. I never do anything, so this can’t be asking for too much, right?’ 

You projected all that into your everything - face, voice, mannerisms, energy.

“Hold!” 

Everyone froze.

The director wrote a few things on his paper, sighed, and underlined something several times. 

“Okay, good job! I need to revise some of the blocking, then we’ll do notes, so take ten.” Your sudden nerves had definitely made you pitchy, you knew that would be one of your notes for sure. 

A chorus of “Thank you ten”s erupted, and you immediately ran to Eleanor, telling the others good job as you passed. 

You leaned in and started speaking to her, quietly.

“Okay you need to finish telling me about Devi, and that other news you’re being so cryptic about! Also, what’s up with Fierro over there?” you nodded towards Paxton hoping he wouldn’t see, and you noticed Fab is sitting near him. You realized they’re probably waiting for Eleanor and/or Devi. That must be it, he’s been hanging out with them lately, right? Eleanor gasped.

“You’re right! Paxton is such a Fierro!”

You cringed inwardly a little bit as her voice carried through the auditorium, mixing with the others. Your eyes darted over to him for a fraction of a second. Oh god. He was looking at you. Or in your general direction at least. Lena, the costumer, walked around the set gingerly, following you around and getting you out of your dress incredibly carefully as you and Eleanor walked off stage. 

“No! Well, yes- but no. What’s he doing here? Jocks never come here during rehearsals. I saw Fab too, are you guys and Devi getting dinner or something?” You said, entering the auditorium, and stepping out of the dress. You grabbed sweatpants and a silky, floral kimono jacket from your bag to throw over your leotard and tights. She waved back at Fab before sitting down in the front. You both grabbed your fans and dramatically flicked them open in sync. Your wrists fluttered, cooling both of you off.  A knowing, and slightly mischievous, look came on her face. 

“Devi and Fab and I are. Paxton must be here for something… else.” she shrugged, nodding towards Paxton. You looked over again. He was staring at you. You did a double take and tried to hold back your smile. 

“Wh- I do not know to what you are referring.” 

“To what I am referring is the blush on his cheeks.”

You barely held back a nervous, bubbling laugh.

“He is not blushing! Why would he be blushing!”

“I don’t know,” She shrugged, “Just like how I don’t know that he’s been loitering in the halls outside the music room during your last three solo music rehearsals.”

You struggled for an answer. Before you could form one, you were interrupted.

“Okay, okay what is the best Lin Manuel Miranda musical? Because Kathryn thinks it’s Hamilton-” 

“Duh!”

“-But I think it’s In the Heights! It’s an underrated jewel!” Jonah interjected, still wearing his Jesse Tuck hat. 

You considered for a moment.

“I mean, they’re too different to compare. In the Heights has the same energy as Rent - showcasing what goes on in ordinary people’s lives, and how love ties us all together,” he nodded in agreement, “But Hamilton is on a way larger scale, almost Les Mis meets Fun Home vibes. But in terms of personal preference…” Eleanor scoffed at your answer, and Jonah went back to debate further with Kathryn.

“Anyway,” you turned back to Eleanor to ask her what the hell she meant by Paxton Hall-Yoshida was blushing. But before you could-

“Eleanor, we need you to try on your blue dress again,” Lena was already pulling her away, “I had the empire waist in the right place but half the pins fell out, and it’s just...” And she was whisked away before you could finish the thought. You just had time to help Holly get out her wig pins and drink some lemon water before notes. Eleanor still wasn’t back, so you made sure to write down hers for her. It was pretty standard; be quiet backstage, go over your lines, don’t touch props that aren’t yours, don’t eat in costume, and a couple blocking changes you made note of. After your end of rehearsal warm downs and huddle, everyone left relatively quickly. You ducked into the bathroom to freshen up a little. Sometimes it was hard coming down from such intense energy after rehearsal. You mentally ran through your to do list. You needed to get some more tea, write that essay when you got home, go over your notes- You gasped, cutting off your own train of thought. You ran out of the bathroom to look for Eleanor, still clutching her notes in hand. 

~

Your voice still echoed in Paxton’s ears. He wished he had a whole album of you singing. Your voice made him want to ruin his spotify algorithm by listening to nothing else. You had looked at him a couple times, and his heart had almost stopped. He didn’t know eye contact could be so intense. It’s probably just cause you’re like, the only person in the audience. Where else is she supposed to look? He deflated a little. He heard his name and looked over to you and Eleanor talking together. Hopefully it was about him. Hopefully it was good. He checked his phone, trying to look busy. When he glanced up to see if you were looking, you were gone. He started to look around for you when he saw Eleanor waving at Fab, and sure enough, you were next to her. What he didn’t expect was you dropping your dress to the ground. Time slowed down (and his heart sped up) as you stretched a little, and pulled out sweatpants from your bag.

Wow.

 You had on what looked like a bathing suit on underneath, and a few other people had done the same, but he knew that image would be in his memory, probably forever. His heart was beating in his ears and he knew he must be blushing.

“You okay, Paxton?” Fab asked, a seat or two away. Oh god, he didn’t want people asking why he blushed every time he looked at you! He muttered something about needing to make a call and headed for the doors. Don’t look back at her, don’t look back at her… His eyes involuntarily darted in your direction right before he left. You had on a flowy translucent jacket, your hair thrown back supermodel style as you fanned yourself to cool down. He needed to cool down too. Maybe a cold shower, a really cold shower.

~

You managed to find Eleanor just before she left. Two girls were with her, you had seen Fab once, and you’d heard a lot about Devi, but had never been introduced. 

You gave Eleanor her notes, and she hugged you.

“You’re a lifesaver!” 

“Of course, I-”

“Uh, who’s this?” you looked over, and the shorter girl - Devi, based on what you’d heard about her -  was giving you a weird look. You introduced yourself. 

“Nice to meet you. How do you know Eleanor?” said the taller girl - definitely Fab.

“Oh,” you smiled, “she’s my almost mother in law. And my arch rival,” you counted on your fingers, “my sister, my niece, my lover, my husband, and…” you trailed off, trying to think of the other dynamics your characters had had in past shows.

“Your co-conspirator.” 

“Right,” you laughed. Devi and Fab looked at you two.

“We’re in the musical together.” you clarified. You were about to part ways when you called to Eleanor, “Hey, we’re still on for running lines tomorrow night?” 

“Uh… Sounds good!” she walked away quickly, speaking to Devi and Fab in hushed tones. Something was definitely up. That was typical Eleanor Scheming behavior. 

~

That night, you almost couldn’t sleep. This wasn’t the normal post rehearsal can’t sleep. In fact, Tuck Everlasting was the last thing on your mind as you readjusted your pillows and snuggled into your duvet. You stared at the neon blue stars projected and swirling on your ceiling. You sighed. Again. Your brain was a 24/7 livestream of Paxton Hall-Yoshida to relax/study to. You saw him again, his face in the dimly lit auditorium, Adonis in a sea of faded seats. If you hadn’t been sure before, you knew now that red was definitely his color. You rolled onto your side. Your heart picked up speed as a thought crossed your mind. You could almost see Paxton now, kneeling next to you, his fingertips brushing your cheek. The piano underscore to “Seventeen” ran through your mind. You could imagine him saying “Wait with me, we could share the world…” so vividly it almost hurt. He leaned in, and… 

You let out a loud sigh and rolled over again. Your heart was fully saturated. That’s more than enough pining for tonight. 

~

“Paxton!” 

He was a little surprised when Eleanor just walked up to him at lunch the next day. Most people were too intimidated to approach him out of the blue. 

“I have a plan.”

“Uh, I don’t know what you-”

“Cut the crap, I know you like her.” 

His face blanched. Well, yeah of course he did. Who wouldn’t? He was going to ask Eleanor if there was something he could do to win you over, just not here, not now. Not where everyone could watch and jeer and rib him for it. Just like they were doing now. 

“Woah, dude, who is it?” Trent asked. He fumbled for words. He couldn’t believe this was happening. He hadn’t kept his crush a secret because he was embarrased of you, he’d kept it a secret because his dumbass friends wouldn’t get you. Hell, he barely got you. You were so deep, and emotive, and artistic... 

“Bro, if you like her as much as it seems like you do,” Trent continued, “you gotta win her over.” He was a little shocked at the agreement murmuring through his group of friends. He didn’t know how to respond. Trent turned to Eleanor.

“What’s the plan, drama mama?”

“First of all,” she said, an almost humorously dangerous look on her face, “never call me that again. Second,” she shoved some papers into Paxton’s hands, “meet me in the music room immediately after school.” She started back for her table. Trent looked back over to Paxton. 

“You gotta do it, dude. We’ll cover for you at swim.” 

The rest of his friends agreed. He was pleasantly surprised at how supportive they were being. 

“Yeah, I guess... we’ve got a plan.”

~

The next day went by pretty smoothly. No rehearsal was scheduled since they were finishing construction for some of the sets, but everyone was instructed to do a couple read throughs of the script, focusing on scenes they’re still forgetting, to make sure everyone’s off book. You stopped by 7 Eleven to get a blue slurpee (for homework) and a couple coconut waters (for run throughs). You texted Eleanor on your way to the slurpee machine. 

okay so do you like the mango coconut water or the pineapple one?? It’s the mango one right?? i always forget lmao

sent at 4:16 pm

btw I don’t have that much homework so you can probs come by around 5:30 if you’re ready by then

sent at 4:16 pm

Bae Tuck

OMFG!! I totally forgot about running lines tonight, I can’t make it! :( but I’ll send someone over to help you out. :)

sent at 4:17 pm

You squinted at your screen. That was weird. Eleanor never used colon parentheses smilies. Like, ever. She always used emojis, and usually way more than two per text. 

yeah np, are u good? ♡

sent at 4:17 pm

Bae Tuck

Yes :)

sent at 4:18 pm

Bae Tuck

Also get the passionfruit one 🥥🍠 👀

sent at 4:18

that’s,,, el that’s a sweet potato,,

sent at 4:19 pm

Bae Tuck

Close enough 🤷🏻‍♀️🤷🏻‍♀️🤷🏻‍♀️🤷🏻‍♀️

sent at 4:19pm

...Okay? That was definitely weird. You shook it off and headed for the counter to pay. You stopped half way there, and turned back to swap the mango for passionfruit. 

Not long after you had finished your homework and tidied up your room a little, the doorbell rang. You exited the kitchen, drinks in hand, and opened the door. Your heart caught in your throat. Paxton Hall-Yoshida was standing outside. And you were pretty sure he looked nervous. You both just stood there for a second. No one breathed, no one spoke. 

“Uh, hi, do you want to…” you backed up, motioning for him to come inside. 

“Yeah, thanks,” he said, entering the doorway. Paxton motherfucking Hall-Yoshida was in your living room. You held out a hand to him.

“Coconut water?” he took the box, looked at the label, and smiled. 

“Yeah, thanks,” he said again, this time a faint, yet unmistakable note of joy in his voice. He took a sip. He smiled.

“Passionfruit’s my favorite.” You silently thanked Eleanor, who you knew must have planned all this. Most of the evening was a blur, and you thanked god your family wasn’t home right now. You went upstairs, texted Eleanor asking what the actual fuck, made some surprisingly comfortable small talk, then filled him in on how to run lines. 

“Do you think playing the soundtrack would help you… get into character?” he asked. 

“I would probably just end up singing the whole thing,” You laughed and tried to ignore the butterflies in your chest. The main scene you struggled with was before “Seventeen”. It was harder to get into Winnie’s head because you had no romantic feelings for Jonah, and you always just made each other laugh. You had started with a few easier scenes of Winnie and Jesse, like the fair, and the dialogue before “Top of the World”. 

“That was really good,” he said, and you felt the sincerity of his words. 

“Thanks…” you smiled and took a sip of coconut water, hoping you weren’t blushing too hard. 

“So what next?” he asked. 

“Probably the scene before ‘Seventeen’,” you said, giving him the page and scene number, “it’s one of the hardest ones for me. I guess I just can’t connect to Jonah the way Winnie does.” 

“Huh,” he said, skimming the page. When you looked up at him, he had something between a smile and a smirk playing at his lips. You made yourself look away before you got too distracted. You refused to think about the fact that you were sitting across from Paxton Hall-Yoshida on your bed, in your room, like you were… close with each other. His eyes skimmed the script, finding the dialogue. He glanced up at you and nodded, indicating he found his place. You began.

“I was so afraid you wouldn’t get away,” you said, jumping into character.

“I may be 102, but I can still outrun anyone,” a smile played at his lips. You smiled, then let your face fall.

“I’m so sorry, I-I tried to warn you-”

“No, no,” he interjected almost seamlessly, “It’s okay, it’s… refreshing having someone look after me who isn’t my mom.” His eyes flickered between your face and the page. You smiled with him for a second, then let distress cloud your face.

“Jesse… that man came by my house today. He heard the music box, he knows about you-”

“I know he knows…” 

You continued on with the scene and he trailed off when he came to the sheet music for the song Seventeen. You took in a breath to start the dialogue in the middle of the song, but before you could…

“Six years from now you will turn seventeen,

Turn seventeen,

The same age as me,

Six years from now,

Go to the spring,

Go to the spring and drink…”

He was singing to you. He was looking at you and singing to you. His eyes only flickered down to the page to confirm the lyrics. He was nervous, you could tell. But through his hesitance, the emotion in his voice was sincere. Your heart was beating faster. You didn’t even notice your pulse was ringing in your ears, you were too focused on Paxton. 

“I'll wait for you till you turn seventeen,

Turn seventeen,

The same age as me,

Six years from now,

Go to the spring,

Go to the spring and drink…” Your hand rose to cover your mouth. He hesitated, and you remembered your dialogue.

“Uh, wh-what if I… forget where the spring is?” He reached out and took your free hand in his. Your pulse was off the charts. “I’ll go get you some water. Just… remember to keep it somewhere safe. Somewhere no one will find it.” You got the feeling he wasn’t just talking about the water. You knew he had never really been in a serious relationship before, and it clicked suddenly - if he learned an entire song to duet with you, just how much he must like you. You exhaled a breathy laugh, unsure how to process the sudden euphoria you felt. 

“You make the world sound so… exciting. I just want to drink the water right now!”

“Uh, no. You have to wait.” you both smiled, anticipating the upcoming joke.

“Why?” you ask, “What’s the difference?” You held your breath as he tried not to laugh through the delivery of the punchline. 

“Believe me,” he rubbed his thumb over your hand, “there’s a difference.” You both chuckled, and he continued singing. You were so focused on him, so… touched that he would do all this for you. 

“Winnie, wait with me,

And we could be married,

Winnie, wait with me,

And we'll share the world,

Winnie, you can stop time,

And live like this,

Forever…”

“I could live like this forever,” you echoed.

“Live like this...” you sang in tandem.

“What do you say, Winnie? Do you want to…” he broke character suddenly, and asked, his eyes boring into yours, “Do you want to go out some time?” 

He could see the adorable smile blooming on your face, even from behind your hand. You nodded.

“Yes, I-I would love that,” and you began to sing the last line in the song, “Forever-” 

But before you finished holding out the note, his lips were on yours. His mouth moved slowly, intentionally, against yours. You followed his lead, flustered. He leaned further forward, his palm caressing your cheek. It was everything you imagined it would be, and you had quite the imagination. Your head was angled up and your hands rested themselves on his back, one tracing little shapes. Your shoulders were pressed against each other and neither of you could think. He was so warm. He tasted like coconut and passion fruit, and a distant part of your mind silently thanked Eleanor again. 

You really could live like this forever.

[orangepanic]

I saw this “100 OTP questions” by @the-moon-dust-writings and figured I'd procrastinate:

1. Who loves flower crowns more?

Neither of them really, but Asami might make Iroh wear one just to laugh at him.

2. Who is the one who likes to cuddle?

Iroh. Asami likes it, too, but he usually initiates.

3. Who has awful taste in music?

Honestly, both of them. Asami likes terrible dance music and Iroh likes obscure combinations of horns and bells and stuff from different cultures.

4. Who is the meme lover?

Asami thinks they’re funny. Iroh doesn’t quite understand.

5. How did their second date go?

Iroh tried to take Asami somewhere very fancy, but the wait was too long. They ended up making out in a shadowy doorway down the street and missing their reservation entirely. Iroh was mortified, but Asami dragged him around the corner to a low-key noodle shop that has since become their favorite restaurant.

6. How many children do they want/have?

Asami thinks about three. Iroh, as many as Asami will agree to.

7. Who hides the weapons?

Iroh hides weapons for Asami around the house so she’ll always have something on hand. In a drawer in the kitchen, on her nightstand, etc. He knows she can take care of herself… and he stashes weapons for her anyway. Asami rolls her eyes but secretly thinks it’s sweet.

8. Who is the better dancer?

Asami. She likes dancing, and learned formal dancing in school. Iroh can’t dance at all, having skipped out on all his lessons as a child after bribing his instructor. He thought dancing is boring, but likes dancing with Asami and lets her lead.

9. Do/Did they have a theme wedding?

No. They quite deliberately have a very normal wedding, including cutting out a lot of the more stuffy Fire Nation customs because Iroh doesn’t want Asami to feel out of place not having any family present.

10. What do their parents think of them dating?

Hiroshi Sato is livid, and actually tried to have Iroh assassinated from prison. His little girl, marry a firebender? A prince of the firebenders? Iroh’s parents are more accepting. Izumi initially thinks Asami is too young and gives Iroh a hard time about how quickly he got serious, but quickly comes around when it’s clear Asami is very mature for her age. Within a year Iroh’s parents are both hounding him on when he’ll make it official.

11. Are they a super sappy couple?

They are that couple everybody hates.

12. How did they get together?

They meet during the Equalist revolution, but don’t get together until long after. Iroh has a crush on Asami almost immediately, but spends forever sitting on it thinking it wasn’t the right time and trying to be friends until one day he just kind of slips up and kisses her. She kisses him back. It turns out Asami liked him, too, but she isn’t great at reading people and had no idea he was interested.

13. Who asked the other to get married?

Iroh just kind of blurts it out one day.

14. Who stays up too late and makes stupid jokes?

Asami is the night owl. Iroh makes the bad jokes.

15. Who is the nerd?

Oh my god, both of them. Asami is more of the classic nerd. Iroh is more of a dork.

16. Who knows the most obscure facts?

Iroh.

17. Who makes the other a flower crown?

Two questions about flower crowns out of 100?? Changing this to who is more dominant in bed. Asami.

18. Who likes to read?

Iroh. They both do, but he’s much more into it.

19. Who bothers the other person while the other person reads?

Asami. She has the shorter attention span.

20. Who tutors the other?

They both would in different subjects. Asami is better at math, physics, etc. Iroh is better at philosophy and languages.

21. Do they have similar taste in movies?

No. Asami likes gory slasher films and lots of action. Iroh scoffs and thinks they’re dumb. Asami, in turn, thinks his period dramas can be kind of boring, and refuses to count documentaries as movies. But there’s a healthy overlap in things like Vikings and Game of Thrones.

22. How do their personalities complement each other?

Asami helps Iroh lighten up a bit, drawing him out of his shell, and gives him an anchor and a sense of home. She’s more social than he is, and a lot of her friends eventually become his. But she’s also quiet enough and serious enough that she doesn’t tire him out and can feed his need for downtime. Iroh, in turn, loves seldom but deeply, and gives Asami the kind of fierce, unconditional love and stability she needs. He’s also genuinely interested in her projects, is smart enough to follow most of it, and is one of the only people who can occasionally beat her in Pai Sho. They have a lot of fun together just being nerds.

23. How do they tell everyone that they are going to be having a kid/adopting a child soon?

They don’t have to tell anybody. It’s all over Iroh’s face like a big neon sign.

24. Who has better fashion sense?

Asami, but not by much. She’s more up to date with trends, while Iroh’s style is clean and classic.

25. Who will punch someone out if they are rude to their partner?

Hoo boy, both of them. Do not go there.

26. What songs do they sing together in the vehicle?

Neither of them sing in the satomobile. Iroh has a decent voice, but he’s a bit private about it. Asami mostly hums.

27. What other couple would your otp get along with?

Iroh quickly becomes BFFs with Bolin. Asami and Opal aren’t quite as close, but they like each other’s company and have fun as a foursome. They also get along quite well with Pema and Tenzin.

28. Who likes to prank the other?

Iroh tries more often. Asami’s pranks are more successful.

29. Who is the one who loves to take pictures?

Iroh, though generally Korra is the picture taker in the group.

30. How would they react if they found out they were soul mates?

Iroh raises an eyebrow. “Hmm.” Asami only shrugs. They both already knew that.

31. Where would they live?

They like Republic City and decide to stay downtown, first in an apartment and eventually a larger townhouse.

32. What type of dragon would they own, if they could have one?

Whichever one Iroh made friends with. Asami is a bit wary of animals and would need him to convince her it was safe.

33. If they were both vampires, what type of vampires would they be?

The kind that live in a beautiful house with perfect collections that took hundreds of years to make. Iroh has first editions of everything in a giant library, arranged in a complex system only he understands. He’s working on his 14th language. Asami has invented artificial blood and doesn’t miss sunburns. Occasionally she’ll throw one of those big fancy vampire balls just so they can both get dressed up. They’re pretty happy.

34. What would they dress up as, for Halloween?

They once went as Lady Tienhai and the last king of Mo Ce because picking something obscure and historical was the only way to get Iroh into a costume.

35. Can they name each other’s favourite food?

Kind of. They are both really into food, so picking a favorite is hard. But if the question is can they order for one another, absolutely.

36. Do they have pet names for one another?

Asami sometimes calls Iroh “General Hotstuff” when she’s teasing. Iroh sometimes calls Asami “sex pretzel” when he’s 1000% sure they are alone.

37. How do they cheer each other up?

Asami is more of a gift giver. She’ll show up with Iroh’s favorite take-out or make him something in her workshop—anything to make him feel special and valued. Iroh is all about quality time, and will swing by Asami’s office to haul her out on surprise dates. He also gives great hugs.

38. Do they show a lot of PDA?

No. Iroh is very uncomfortable with PDA, especially when he’s in uniform. Asami follows his lead.

39. How old were they when they got together?

Asami was 19-20, Iroh 24-25.

40. Who is the one that would bring the puppy home?

Iroh, 100%. He’s such a sucker.

41. Can they do yoga couple’s poses?

Yes, though Asami is the only one who really tries.

42. What is their song?

They don’t really have one.

43. What does their room look like?

Asami moved in with Iroh, so it’s very basic. White walls, perfectly made bed, a neatly organized desk in the far corner by the window. He’s a total minimalist, having spent most of his adult life on a ship. Asami added a very fluffy comforter in *gasp* a color and lots of pillows.

44. Who would be the one to kill zombies while the other keeps them grounded?

They’d take turns, and at some point Asami would turn it into a contest.

45. Who makes the other breakfast in bed?

Iroh. Asami is a terrible cook.

46. Who loves kids more?

Iroh.

47. Do either of them have a crazy ex?

Not crazy, but Iroh and his ex are not on good terms. He doesn’t like to talk about it.

48. What are their favourite colours?

Asami, purple. Iroh, black. He gets annoyed when people get him so much red stuff.

49. Who likes to cook?

Iroh. He fired Asami from the kitchen, something they are both grateful for.

50. Who is the forgetful one?

Asami.

51. Does either of them know how to fight?

Have you met these people?

52. What do they do for Valentines Day?

Iroh would probably plan something elaborate for them to go out. Asami would plan something sexy for when they got home.

53. Who swears more?

Asami, at least out loud. Iroh mostly swears under his breath.

54. Who has the better comebacks?

Asami. It’s not even close.

55. Who would start a fight with another parent at a bake sale?

Probably Asami, unless it was about the kids. If anyone comes for Iroh’s kids, they’d better hide.

56. Who reads buzzfeed?

Asami.

57. Who is the hopeless romantic?

Iroh, hands down.

58. Do either of them know how to do a handstand?

Asami can manage it.

59. Who can rap better?

Asami, though Iroh is the only one who actually listens to rap.

60. Do either of them want to go sky diving?

Asami would love to. Iroh laughs. “Been there.”

61. What do they usually text about?

Some version of “I miss you” or random pictures of stuff. They generally only text when Iroh is away as they’re both busy during the day.

62. Who is the dramatic one?

Asami has a shorter fuse. Iroh is more ridiculous when he loses his shit.

63. Is either one confrontational?

Not really.

64. What is their favourite cuddle position?

Asami will lay on top of Iroh on the couch like a sandwich. It’s the only position she seems to be able to nap in.

65. Who are their favourite musical artist(s)?”

See above about terrible taste in music.

66. What are their parenting styles?

Iroh covers a lot of the basics. He sets a schedule, makes lunches, tells bedtime stories, is more likely to help with the homework. Asami is the one who gets them around and does most of the interacting with teachers, other parents, etc. They share things fairly equally.

67. Who would be the more laid back one?

Iroh.

68. Who listens to more vulgar music?

Asami.

69. Do either of them have secrets even the other doesn’t know?

Yes. Asami can be secretive about some of her projects, both out of an abundance of caution but also because she likes a big reveal. Iroh keeps some past relationship stuff close, and will occasionally read a steamy romance novel for “tips.”

70. Who is their go to couple for a double date?

Bolin and Opal

71. Do they tip the waiter/waitress on their date?

Iroh tips very well.

72. How do they work out a fight?

Asami yells. Iroh yells back. One of them storms off. The other one waits about half an hour then goes to find them, usually with an offering of food. There are hugs. Somebody cries. Then they finally talk it out before falling asleep together.

73. Who brings home an illegal pet?

Asami. She is less likely to have a pet, but if she does, it’s going to be a weird one.

74. What side of the bed do each of them sleep on?

Iroh is on the side by the window because he likes to get up with the sun.

75. What is their favorite photo of them two together?

There’s a photo Korra took at the beach where Iroh has Asami thrown over his shoulder right before dunking her in the water. This is the picture he takes with him when he’s deployed.

76. Who takes longer in the bathroom?

Asami.

77. Who has more songs on their ipod?

Iroh. If you can call them songs.

78. What movie did they first see together?

Iroh took her to Last Days of the Sun Warriors. She fell asleep. He said the book was better.

79. What do they like to see each other in?

Asami thinks Iroh’s butt looks great in jeans. Iroh got Asami a red silk robe from the Fire Nation and likes to see it fall off.

80. Who makes jokes during inappropriate times?

Iroh.

81. At what age do they discuss the possibility of children?

Mid-20s, though they don’t have them until a little later.

82. What do they love about each other the most?

Iroh likes that Asami is tough and smart and a problem-solver. Asami likes that Iroh is kind and brave and has a strong moral compass.

83. Who is the one that sees the big picture, while the other focus’s on the small details?

They are both big picture people, which is sometimes a problem. Of the two, Asami is probably better at details, but she’s also forgetful.

84. What would they write on their partner’s social media’s for their anniversary?

Asami would probably put up a picture of them and say something brief but sweet. Iroh doesn’t really understand social media and would just paste a heart-eyes emoji.

85. Who is bad at math?

Iroh. He’s not bad, per se, but Asami is very, very good.

86. Who googles everything?

Asami.

87. Who does stuff on impulse?

Both of them in different ways. Asami is generally more flexible. Iroh usually has a plan but makes big decisions completely off the cuff.

88. How do they comfort each other when they are helpless to do anything about the situation?

Lots of physical touch. Iroh will kind of just wrap himself around her in one giant, whole body hug. Asami will spend some time cursing out whomever is causing the issue, then let him lay his head in her lap and give Iroh a good head scratch or massage.

89. What is an inside joke they have?

There was one time they had sex in Asami’s office at Future Industries, so occasionally she’ll drop things like, “feel like coming by the office?” with a suggestive eyebrow waggle. Iroh is, predictably, very embarrassed. Also interested.

90. Who makes the other smile with almost no effort at all?

Asami: *exists* Iroh: *smiles*

91. What is their favourite holiday?

New Years is a big deal in the Fire Nation. Iroh loves his family and likes going home, and Asami has grown to love it almost as much.

92. Who is the one that is calm and collected while the other is angry and destructive?

They take turns. Both of them can have quite a temper when pushed too hard.

93. What is their favourite board game to play?

They’re both big Pai Sho fans, but can get into any kind of strategy game. Nobody really likes to play them though, they're too good.

94. Who accidentally sets something on fire?

Asami. Iroh hasn’t had a fire accident since he was four.

95. Who has the car ready while the other is robbing the store?

Asami. She’d rob the store, too, but no way is she letting Iroh drive.

96. What artist/group did they go to for their first concert?

Iroh booked a private box at the Republic City Opera, thinking that was an impressive thing he should do on a date. It turns out neither of them like opera, and by the end they were both making fun of it.

97. Who sleep talks?

Asami. Iroh thinks it’s funny.

98. Who is the more social one?

Asami, by a long shot.

99. What are their karaoke songs?

Neither of them would really sing karaoke, but Iroh cannot hold his liquor like at all so if he ever got really plastered Asami might be able to drag him up there. By which point he’d be too far gone to have an opinion on the song and would sing just about anything.

100. Who would get up on stage and make a fool of themselves just to make the other laugh?

Asami.

[palmtreepalmtree]

Hey everyone!  I am pleased to present the first holiday edition of...

The Worst Movie on Netflix Right Now™!

Today we���re going to talk about the first Netflix holiday release, Holidate.

Deep sigh.

OYEZ, OYEZ.  NOW COMES BEFORE THE COURT THE CASE OF PALMTREEPALMTREE V. NETFLIX.

NETFLIX PRESENTS FOR CONSIDERATION IN THE HOLIDAY ROMANCE GENRE THE NETFLIX FILM KNOWN AS HOLIDATE (HENCEFORTH ”THE FILM”).  THE FILM IS CHARGED WITH UNNECESSARY ADULT LANGUAGE, POOR CHARACTER DEVELOPMENT, CRUELTY TO SINGLE PEOPLE, AND NEGLIGENT TREATMENT OF SERIOUS FIREWORK INJURIES.

PALMTREEPALMTREE, PLEASE PRESENT YOUR CASE.

Thank you, your honors and friends and gentlepeople of the jury.  Today we consider a film known as Holidate and whether it’s worthy of our collective viewing.  Let’s cut right to the chase here.  It is not worthy of our time.

Let me break this one down for you:

THE PREMISE

The premise of The Film is pretty much the only thing that’s not bad about it.  A young woman, tired of feeling uncomfortable as the only single person at family get-togethers, makes a pact with a handsome man that she randomly met at the mall to be each others’ so-called holidates.  They basically agree to attend whatever events need attending on the holidays with zero romantic expectations.

As a premise for a rom-com, this is totally sound.  We’ve arranged for our two heroes to spend quality time together that will eventually lead to them falling in love, right?  Right.  

So where does this go wrong?

UNNECESSARY ADULT LANGUAGE

The Film kicks right off with a mature rating.  It really wants you to know it’s mature.  In fact, this is the first line of the movie:

She promptly extinguishes that cigarette on the head of a light-up Santa Claus. You might immediately think, OH HAHA FUNNY.  But no, it’s not.  Take it from an expert.  Cursing for cursing’s sake is not funny.  It’s true that the word ‘fuck’ may have a funny fucking rhythm to it, but the word alone is not a fucking joke.  It’s not inherently funny to say ‘FUCK.’  Also, ‘pussy,’ ‘slut,’ and ‘clitoris.’  Not funny when you’re just working it into a sentence for no purpose.

It’s like this movie wants to be the Bad Santa of holiday rom-coms.  But who the fuck asked for that?  This movie is like the girl who claims she’s ‘not like other girls.’  This movie is the girl who ‘doesn’t know why, but only has guy friends.’   This is the ‘girl who listens to the Joe Rogan podcast’ of rom-coms.  None of these things fucking exist.  But this movie sure is trying.

POOR CHARACTER DEVELOPMENT

Listen, I’m not saying that all women in the world have friends.  But most women in the world (especially pre-long-term partnership) have some sort of friend group.  Even if it’s long distance or online or something.  But the main character here, played by Emma Roberts, appears to have no one.  Just her consistently abusive family members (more on that later).  

The premise of this movie quickly morphs from “I need a date to bring to my family events,” to “I need a date for every holiday on the calendar including ones that don’t involve my family.”  Why does she want to hang out with this rando on St. Patrick’s Day?  Cinco de Mayo?  Halloween?  WHERE ARE HER FUCKING FRIENDS?

There are no friends in sight.  This would be more believable if the script even hinted that she had friends.  Like maybe she’s tired of third-wheeling it with her couple friends while she tries to find dates of her own?  Or maybe she’s super emotionally wrecked from her last guy (even though she only dated him for a few months!?!?!?)  But no.  Instead, she spends the better part of the year of this movie going out with this fucking placeholder instead of trying to meet people or having fun with her actual fucking friends.  

Her personality is just a general sketch of habits: eats junk food, smokes and lies about it, works from home, enjoys pajama pants, etc.  We know nothing about her otherwise.  At least she’s not clumsy.

If it seems weird that I haven’t mentioned the male lead that’s because he’s fucking boring and I don’t really give a shit about him.  He’s oatmeal.  

CRUELTY TO SINGLE PEOPLE

I honestly can’t believe I have to say this, but if you’re going to make a rom-com that people can relate to maybe you should not spend the entire film showing contempt towards single people?  Actual lines from the movie:

[with shock horror] “What do you mean, you don’t have a date for Valentine’s Day!?”

“She’s going to die alone in a wheelchair and a diaper.”

“Human beings aren’t meant to be alone on the holidays.”

“She doesn’t need another friend she needs a husband.  A partner.  Someone legally bound to be there during the chemo.”

The main character’s single status is treated by everyone as sad, pathetic, something that needs to change as soon as humanly possible.  They are aggressively cruel to her about her single status.  Her mother says things to her like, “I care about you.”  And characters are always observing that she seems sad.  I can credit the Film with these expressions coming out of a sincere place.  But because it simultaneously always plays those moments for laughs, there’s an element of meanness to it.  

“YOU SEEM SO SAD, HAHAHA!!!!”

Look, I’m not saying the movie doesn’t have a point.  I think human connection is really important.  Caring for other people and having people who care about you is important.  But this movie and all of its characters treat romantic relationships as if they are the only type of relationship worth pursuing.  What if this movie ended with them just being friends?  Would that have been so bad?

Also, nearly all of the other romantic relationships in this movie are a fucking disaster --- and again, they are played for laughs.  The main character’s sister is trapped in a marriage where she and her husband are living separate lives with different priorities and values; her brother has gotten engaged to a woman after three months of dating who HAHA he doesn’t even seem to know very well; and her mom is single and maybe possibly is projecting her own fears and loneliness even though that’s never actually acknowledged in any way?  

I don’t know guys, but I think a rom-com should leave you feeling optimistic about love.  I mean, what the fuck else is the point?

NEGLIGENT TREATMENT OF SERIOUS FIREWORK INJURIES

Look, I don’t want to get into the weeds here, but in the pursuit of cheap laughs, this movie absurdly treats some pretty serious injuries lightly and it’s weird and it doesn’t work and I honestly don’t know why this movie is what it is.  It should be called Holidate: a movie in search of a tone.  

CLOSING ARGUMENTS

A good rom-com requires several things to be truly successful: 1) a fun, engaging premise; 2) believable characters that you care about and want to end up together; and 3) a good feeling at the end that leaves you optimistic and warm and fuzzy.  This movie may succeed in being occasionally funny (I guess, if that’s your sort of thing, it’s not mine, I just thought it was weird and gross, and I don’t fucking know), but it fails on 2/3 of those requirements.  

Not to mention, WHAT A FUCKING WASTE OF KRISTIN CHENOWETH.  

In conclusion, your honor and gentlepeople of the jury:

THIS MOVIE IS A FUCKING MESS AND IT SHOULD LEAVE SINGLE PEOPLE ALONE.  

[acesdrew-backup]

Writing Tag Game

thank you @acenancy for tagging me, i feel super special!

20 questions, writer’s edition.

How many works do you have on AO3?

9

What’s your total AO3 word count?

only 7,133. which isn't a lot but i'm looking to improve!

How many fandoms have you written for and what are they?

my page says 5 due to tags, but technically 3. Nancy Drew, IT (2017), and MCU (Falcon and Winter Soldier).

What are your top 5 fics by kudos?

almost slipping through the palms of my sweaty hands, bucky/reader, mcu

this hope is treacherous, ace/nancy, nancy drew

we keep this love in a photograph, ace/nancy, nancy drew

never alone, ace/nancy, nancy drew

vermillion, richie/stan, IT

Do you respond to comments, why or why not?

I always try to. I have never found myself to be a good writer, so when someone comments I feel like I can actually write. Sure, there is always room for improvement, but the comments I get make this all worth it. I used to get comments on my old FF account telling me some not so nice things, so this is a nice change of pace.

What’s the fic you’ve written with the angstiest ending?

Vermillion has the most awful, saddest ending. I was coping with a lot and I super projected. For my Nancy Drew fans, i tortured them and wrote a fic based off champagne problems for ace/nancy. a lot of people were sad. i don't know WHY i wrote it, when i love the couple, but it just came to me.

What’s the fic you’ve written with the happiest ending?

this hope is treacherous has the happiest ending by far. if you want mushy happy, you rid me of the blues is the HAPPIEST.

Do you write crossovers? If so what is the craziest one you’ve written?

Once, a long while ago, in a word document. We don't talk about it.

Have you ever received hate on a fic?

Like I said, my old FF account. It was bad and most people saw the opportunity to rip on the writing or to rip on me. But everyone on AO3 has been super nice so far.

Do you write smut? If so what kind?

I don't think I would know where to begin. I honestly and truly think I would start crying if I even typed it out and then would pray to anyone up there that my mom would never find it. But I am an active member of the reading of it.

Have you ever had a fic stolen?

If I HAVE, then good LORD whoever stole must've been down bad.

Have you ever had a fic translated?

Nope

Have you ever co-written a fic before?

Once! In a word document (:

What’s your all time favorite ship?

...I'm not going to say that it's Mayu/Morishige from CoPa or tbh even Duncan/Courtney from TDI (listen...that was my first fandom and I will fight EVERYONE.) But I can't really pick a favorite? I go back and forth. Make some pinterest boards. Currently I'm into Ace/Nancy, Jess/Nick (New Girl), and since I started Community, Annie/Jeff.

What’s a WIP that you want to finish but don’t think you ever will?

It was deleted off the face of my AO3, but I had an angel!Stan au that I was writing for my old IT tumblr. It was my baby, but ultimately I wasn't in the headspace I was when I created that or the other fic I abandoned and then deleted. They were based off irl things that I projected and inserted into a fic, but things got better and that didn't make for good fic.

What are your writing strengths?

Most comments say I write very lyrically, which I'm assuming is that the writing flows well and sounds pretty.

What are your writing weaknesses?

ALL of my writing is so short. The longest I wrote was THIT and it took me 2 1/2 days to make it longer because I wanted it to work. I also repeat words a lot, which I read back and cringe.

What are your thoughts on writing dialogue in other languages in a fic?

Taking Mar's lead, with NOT WANTING TO BUTCHER ANOTHER LANGUAGE. But, if a character speaks another language, I'll try to slip maybe ONE WORD (especially if it's a romance fic and it's a term of endearment). But I've seen things go sideways like that and sometimes maybe terms of endearment are just better left in english OR unsaid. (The plethora of "doll", "sweetheart", "honey", etc in Bucky/reader fics takes a toll on a woman sometimes.)

What was the first fandom you wrote for?

I wanna say it was Total Drama. If you count roleplay, where I set the scene very intensely, like almost five paragraphs long. I don't think I ever wrote fic, but I possibly did. My first FF writings were for Free! Iwatobi Swim Club and Corpse Party.

What’s your favorite fic you’ve written?

I can't choose. But honestly, I think the first Nace fic I wrote is my favorite right now. It was based off a tumblr text post and everyone thought it was great. It makes me happy and it spurred me into doing something I forgot I loved. It helped me find a small community of friends.

Tagging those who write, if you see it! So all of you who write, if you see this, DO IT! Only if you want to. No pressure.

[sybright]

My Favorite Cats Ships

Okie dokie, @whitmerule wanted to know my main ships/pairings and I knew I’d have to make a post dedicated to this at some point so here it is lol (also sorry this is so long). My “main” universe, which is what all of my main pairings are in, is based on the ‘98 film for the most part (although really all of my universes are based on the ‘98 film, just with alterations here and there). 

Edit: My preferences have changed somewhat, so I’ve edited this list to reflect my current feelings towards certain pairings. This means that I’ve deleted some pairings that I don’t like much anymore, and have added some new ones :). All of these ships are in no particular order btw.

Main Pairings:

Tuggoffelees 

-I know it’s super popular and there’s loads of content on them, but I still stan. I don’t love them AS much as I used to, but they were my first ship in this fandom, and therefore are still very important to me. 

Demebombastrap 

-In terms of individual pairings, I really like Demelurina and Bombastrap on their own, but I like them best all together. I used to be quite fond of Demestrap by itself, but I’ve gotten pretty tired of that ship over time personally (obviously nothing against people who like this pairing a lot, kudos to y’all who love Demestrap ^^), so I’m not that big a fan of them on their own anymore. In order of the individual pairings I like best: Demelurina first, Bombastrap second, and Demestrap not so much.

Skimblegus (Skimbleshanks/Asparagus Jr., NOT Gus the theatre cat, I see the two of them as separate characters in most productions).

Jellydots (Sweet lesbian grandmas <3).

Tumblejem 

-This is my self-projection asexual pairing, leave me alone lol. They give me bestie vibes and I love that for them <3.  

Platoriateazer 

-This is a bit of a rarepair, but it is one of my main ships, I see Teazer and Plato as platonic partners and Tori as their mutual gf. Alternatively, I like Victeazer and Platoria on their own as well, although I like Victeazer a bit more than Platoria, but I prefer them all together.

And that’s about it for my “main” pairings, here’s a list of my alternate pairings/rarepairs that I love too much for my own good.

Alternate Pairings/Rarepairs:

Demandra 

-No longer my main blog’s url, but they have their own blog now and therefore are still ridiculously important to me XD. This is my fave rarepair, and might also be even MORE of a self-projection asexual pairing for me than they were before. I’ll say it once, this is my ultimate comfort pairing. 

Plonzostrap (Plato/Alonzo/Munkustrap, alternatively, I like Alonzostrap and Plonzo on their own as well, although I haven’t put that much thought into Munklato on its own).

Platoricopat (Cats Zurich got me obsessed with this concept, and @whitmerule’s gifs are are just *chef’s kiss*).

George/Etcetera/Electra 

-I don’t really have a ship name for this, and also this particular pairing is very complicated and I’ll try to explain it as best I can. George and Etcetera are romantic partners, Etcetera and Electra are queer-platonic partners (I see Electra as aromantic), and George and Electra are platonic partners. This is technically a main pairing for me, but it’s sort of rare and complicated in its dynamics so I put it down here. Also, I adopted the hc that George is a Pollicle btw.

Oh and just as an aside, I also really like Elecctera and Etceorge on their own, but I probably slightly prefer Elecctera, I just love the queer-platonic besties vibes of them <3. 

Mungocavity (This is in a scenario where Macavity is less evil and more of a dumbass, but I really like this pairing. It would be one of my main pairings if my main universe Macavity wasn’t complete shit).  

Jemtoria

-One of my newer ships, I usually see Tori and Jem as being somewhat far apart in age, so this is in a scenario where Jem’s a bit aged up and Tori’s a bit aged down. I love everything about this pairing. Considering how much Jem and Tori interact with each other in the show, this ship has so much potential to me. They’re just so soft and they make me really happy <3. 

Tuggoffeleteazer

-Once upon time I didn’t think I’d ever ship Tugger or Misto with really anyone but each other, but times change. Initially, I got very interested in the idea of Rumpletugger (which I still quite like on it’s own), but then later became intrigued by the idea of Mistoteazer (and all the shenanigans they’d get up to, both being mischievous and chaotic), so of course this led to me just putting all three of them together XD. I love this trio so much, they just give “bestie vibes ONLY” type of energy, and feel like a super chaotic friend group, and that makes me really happy. 

Bombbella

-I’m not even sure how to explain what led me to becoming so attached to this ship XD. I had seen people mention it being a neat concept in passing, but I don’t think I’ve ever met anyone who actually truly ships them. I basically got into this ship through my “Jellicle leader Griz” au thing, which is an au where Griz is the oldest of Deuteronomy’s children and was expected to become the next Jellicle leader. She’s much younger in this au than how I typically see her, so the newer Griz design fits well in this scenario. I just got really into the idea of Griz and Bomba being tragic ex-lovers. 

They dated for a long time in their teens, broke up for a few years, and then got back together again when they had matured, and then Griz went and abandoned the tribe (as well as Bomba) to see the world and pursue her dream of being a star. Griz returned eventually, but the damage had been done, and Bomba was far from ready to forgive her. In the end though, she does forgive Griz, as does everyone else, but then Griz goes on to be reborn, and they miss their chance at happily being together. It’s just all in all a really fun concept for me to play around with, and has so much angst potential. 

Jellycass

-Not a new ship, quite the opposite actually. This is a ship that I usually don’t think much about (hence why it wasn’t here when I first made this list), but whenever I do, I always feel at peace inside lol. I can’t for the life of me find the post that got me into this ship (trust me, I have searched ALL over tumblr for it, I looked through both Jellylorum’s and Cassandra’s ENTIRE tags and still couldn’t find it), but I saw a post when I was first getting into the Cats fandom that talked about how Jelly and Cass would be this sort of “odd couple” that the tribe didn’t really understand, but clicked super well with each other for some reason. 

Even though I only ever saw that one post on them for a long time, I grew really attached to the ideas it presented for Jellycass. I like the age gap concept in particular, with my personal idea of it being Cass in her late twenties to early thirties, and Jelly being in her late thirties to early forties. It really heightens the “odd couple” energy of them, and I can see Cass getting along really well with someone older. Troika provides me all the rights for this ship <3. 

Some Extra Stuff:

Even though I like Platoria as an individual ship, and ship them to a degree, I’m not super interested in them. They’re a bit bland for me if I’m being honest. I like seeing them on my dash, but I won’t actively seek out content of them, so please don’t tag me in stuff surrounding them if you don’t mind (obviously this doesn’t apply to their poly equivalent). I used to include Demestrap in this section, but now I’m really not all that fond of them, I really only like them together in a poly scenario, like Demebombastrap or even Demelonzostrap. 

There’s a bunch of ships that I categorize as “I like it, but I don’t ship it,” and that’s where ships like Munkujerrie and Alonzoffelees fall. They’re ships that I enjoy as concepts, and that I would probably read fanfic about if given the opportunity (and like fanart of), but I don’t necessarily ship them. So you don’t need to tag me for them. 

The only ships that I just straight up don’t like, although I have nothing against people who like them, are Tuggerlurina, Mistoria, Skimbledots, and Jellygus, Tuggerlurina being the one I dislike the most. I just scroll past content of them if I see it on my dash, I thought I should probably list them here cause idk, might be useful to @whitmerule to know which ships I really don’t like. 

Note: I don’t see any of the characters I listed here as being biologically related, some people hc Deme and Bomba as sisters, or Etcetera and Electra as being twins, I don’t see this personally (In fact I have a whole bunch of family hcs that I’ll probably save for another post, if anyone even wants to read that lol). 

And now for my favorite 2019 movie pairings (which I also don’t see any of them as being biologically related), because they’re sort of relevant since I’m listing pairings and stuff so I feel like putting them here too:

2019 Movie Main Pairings

Mistoriastraps 

-This is the ONLY scenario where I like Misto and Tori together. I only like it when it’s in the 2019 movie, and only if it’s with Munk, those are my two requirements lol. I think Munktoria and Munkoffelees are really cute too, but I don’t care for them that much, I like them best all together.

Demandra (I see their relationship very differently in the movie, and I prefer their stage-show relationship, but as always, I love them). 

Tantojerrie 

-I know they don’t really interact in the movie, but I saw people talking about them as a ship on here, and I just think they’d be really cute. Technically Tanto is implied to be kitten age in the movie, but I imagine this as a post-movie, next Jellicle Ball type scenario. I see Tanto as being on the cusp of adulthood, where she’ll probably be an adult at the next Jellicle Ball, and I see Jerrie as being a very young adult, so they’re not far apart in my mind (plus I see Jellicles, being cats and all, aging differently than humans, so this isn’t as odd to me as it might be to other people).

2019 Movie Alternate Pairings:

These are just my alternate pairings for Misto, Tori, and Munk if Mistoriastraps doesn’t happen lol:

Tuggoffelees

-I’ve adopted the hc that they’re ex-boyfriends in the 2019 movie, and I like to imagine that they’ve sorted things out post-movie and got back together.

Victeazer

Skimblestrap

That’s about it for my ships. Thank you for reading if you got this far lol. 

[clevelandstate]

Film Students and Safe Sets

Written by Lauren Koleszar // The Vindicator

*This story has been edited slightly for length*

Film & Media Arts is one of the most hands-on majors at Cleveland State. It relies on massive collaboration and in-person filming that normally requires between ten and thirty cast and crew members for upperclassmen producing junior- and senior-level professional content. New COVID-19 guidelines require a “Safe Sets” certification, and students have been limited to crews of ten people or less on a set at one time. Camera departments that normally run on four to five students are being managed by two if they’re lucky. Students are choosing to produce scripts that need only a few actors and can be filmed at safe, easily accessible locations. Students are desperately working on pre-production and editing from home; and when on set, they’re filling multiple crew positions to make up for the absence of the much larger number of students who are normally able to work on one set together.

In spite of these challenges, film students at CSU are producing impressive creative content and becoming multi-faceted filmmakers as they take on many new responsibilities that are ultimately shaping them into better equipped professionals who will have a wide range of skills and experience.

We talked to film major Davis Chu, whose freshman year at CSU coincided with the opening of the university’s new film school in the fall of 2018. The initial lockdown hit during Davis’s second sophomore semester, and he took us through his personal experience and observation of the evolution of student filmmaking at CSU over the course of the last year.

LAUREN KOLESZAR: Elevator pitch. Who are you, what do you do and what interests you? DAVIS CHU: Hello there, my name is Davis. I’m a third-year film major, concentration in post-production, with a minor in graphic design. I am also in the Honors college. My passions include: writing, comedy, animation, editing, music, screenwriting, acting, and television. To clarify, when I say “television,” I mean watching it. Although I’m also working on an original pilot for school.

LK: Why are you studying film, and what are some of your favorite films, creatives or influences? DC: I think if life is a circus, then studying film is a trampoline. It may not have the safety net of other more stable fields, but it’s a great launching pad for someone who wants to pursue the arts. 

I’m a film major, but I don’t consume as much film as I do comedy and TV. My comedy influences include the Marx Brothers, Monty Python, Mel Brooks, Larry David, Dave Chappele, Ricky Gervais, Dana Carvey, Marc Maron, Conan O’Brien, John Mulaney, Sarah Silverman, Jon Stewart, Stephen Colbert...

For TV shows: VEEP, Barry, Fleabag, Atlanta, Master of None, Curb Your Enthusiasm, Arrested Development, Succession, Girls, Seinfeld, Game of Thrones, Rick and Morty...

LK: Film is so hands-on, and most classes changed dramatically with the switch to Zoom. Describe the impact of the March 2020 lockdown on your film classes and projects. What kinds of things unique to film students had to change? DC: The period of January to March was a very slow, then exponential realization that the world was falling apart. I was supposed to edit a student short. My assistant editor was my dear friend Alex Maytin. They were yet to shoot, but the production was underway, and Alex and I were preparing to tackle the footage. It was an ambitious project and it honestly seemed monumental. Little did we know that the lockdown would dwarf our problems completely.

When school announced it was going virtual, Alex and I started brainstorming a potential remote workflow. He was gonna merge and organize the footage, mail it on a USB and I would edit. Like, we really thought the production was still happening. Needless to say, it didn’t.

Everyone in the school had to take on their own projects and oversee it from start to finish. People chose to make documentaries, short narrative films, I decided to make a small series of sketches titled Under Quarantine.

LK: What has filmmaking been like in the era of COVID-19? DC: I think the lasting impact on the film industry will be distribution. We were already moving in the direction of streaming services. But I think the presence of COVID-19 has accelerated the process. My prediction is that studios and creatives will probably lean away from film and into miniseries. I don’t really mind that. Storytelling is storytelling, whether it’s a 120-minute movie or a three-episode hour-long miniseries.

LK: How has your personal approach to creating and studying changed over the past year? DC: I’m definitely not alone in saying I’ve grown a lot in the past year. What changed the most is my approach to learning and creating. I’ve come to the conclusion that almost every skill is learnable. If you want to get good at something, all you have to do is take the time to do it. Last semester, I had a lot more time I could dedicate to my schoolwork (just by removing the time it takes to walk to and from class). I made some stuff I was really proud of. I found a love for animation. I think I have more patience for overcoming learning curves now.

LK: What has changed for the better? For the worse? DC: There are a couple super small silver linings if you look close enough. One of them is the accessibility and flexibility of education. For most of the classes I was taking, the transition was rather smooth. If I’m taking an animation class, and we’re all using our computers anyway, why don’t we take advantage of this great technology and just meet virtually?  

LK: How has the transition been for professors and faculty? In what ways have they helped make accommodations for students? DC: The professors have been incredibly accommodating. Earlier this semester, I tested positive for COVID and [it] wiped me out. I emailed all of my teachers and within a day, every one of them responded with empathy and get-well wishes. Through extensions and exemptions, I was able to catch up and now I’m back! It’s also cool that the faculty are conscious enough that not everyone has access to the same level of technology.

LK: Has there been anything you've learned or had the opportunity to experience because of the impact of COVID-19? Personal or film-related? DC: I don’t know how much of this is related to COVID-19 but I have been pretty introspective lately. I’ve been slowly coming to terms with the Asian-American experience and how race has affected me. With this topic in mind, I started writing a TV pilot for my class. I guess that is one of the benefits of being an arts major. Be it COVID-19 or racism or any problem, we have the luxury of being forced to process our emotions. 

LK: Finally, what inspires you and how do you work to overcome the weight of the pandemic on your college and creative experience? DC: I take everything one step at a time. And I try to remember that so long as I’m doing my part to keep other people safe, that’s all that really matters. Control what you can, set a good example for others, and let go of the rest. And creatively, so long as I have access to tools I can use to make stuff, I’m satisfied.

*To read this article in it’s original, full-length format or to check out other great Vindicator content, visit thevindi.com/post/film-students-and-safe-sets.

[my-autistic-things]

Guess who's making a "how to manage dealing with a massive list of edits" post instead of working on said edits! Me!

Ok so this has taken me FOREVER to really figure out and implement in my life so I thought I'd make a post about it. This is how I deal with getting edits back after sending in a paper (specifically my thesis proposals) to my mentor.

Step 1. Open the document.

This is the absolute hardest step. No seriously. It is. You get the email back, you see the attachment with their initials at the end of the doc name, you know there's edits in there, the email says "here you go! Good work!" That day, ASAP, download that attachment and open it briefly, to scan just how terrifying this task will be.

Step 2. Close it and cry. (Tears are optional but the soul crushing feeling of being on your 5th round of edits is not).

It's okay, deal with it tomorrow. Seriously, go work on something else while you emotionally recover.

Step 3. Mentally prepare yourself to do the edits.

Put it on your to do list for tomorrow. Then when you don't do it, put it on the next day. And the next day. Even when you know it's impossible to get to, put it on there because the stress will build and you'll eventually get to it and Not forget it exists (vvvvv important).

Step 4a. Actually start your edits by opening the doc.

Don't set out like you're going to do everything in one sitting. Open the document with the intention of Starting, not doing. This is a mental battle. Yes battle. Having a good strategy will trump any "smarts" or writing ability you have.

Step 4b. Get out a notebook to write down what you have to do.

If you have do a split screen and can write in a separate document, go ahead, but I found that the absolute only way I can make progress is if I fullscreen my doc and have a notebook and pencil to write stuff down. Now you have 1) doc open, 2) notebook in front of you. Yes these are considered a whole ass step bc they are.

Step 5. Go through and accept all the edits and write down things to do as they come up.

Skip that "read your edits first!" bullshit, you won't, you'll just get stressed, then you gotta reread it all over when you actually start editing. Dive right into dipping your toe in. DO NOT start fully editing. Look at each revision and decide if it's a Quick Fix (i.e. click "accept change" in Word) or a Task. If it's a Quick Fix, go ahead and do it. If it's a Task, even if it's just revising a singular sentence, write it in your notebook. Don't worry about an order/priority/anything, just write everything down. If you're doc is longer than a few pages (mine is 26 so...yeah) write down the page number along with the Task.

Step 6. Organize your Tasks.

Now you have gone through your whole doc and there's no little spelling errors, grammar mistakes, or simple edits to make. And most importantly, you have a list of bigger edits to do, start to group the Tasks. This is when it starts to get super individualized (to you, your paper, and your mood). I start with going through and marking with a line anything I am in the mood for, can do, or should do today (or first, and by first I mean "now" vs "ehhhh later").

Step 7a. Go through your marked Tasks and make more marks.

Only focusing on the initially marked Tasks, start to group them into stuff you can do together. For me, this is any simple info that needs to be inputted or sentences that need editing. My dash next to these Tasks gets turned into plus mark. Note this is the simplest edits I will need to make. You can also designate the initial dash to be its own grouping, but it should naturally end up like that at the end.

Step 7b. Go through marked Tasks again and do the same thing with a different grouping.

Relooking at my dashed Tasks, excluding my + Tasks, I make more groupings. Now it's more time consuming stuff like finding more resources, or rereading sources to be able to accurately edit the sentence. This new group now get more lines to be an asterisk!

Step 7c. Make even more marks!

Can your Tasks be further grouped??? Probably! If you have a short paper, maybe you only have like two groupings, but maybe you have like 5. Who knows! Get creative with your marks! The Tasks I'm designating as last/a lot of work and comprehension are an asterisk with a circle around them. If it's been a few weeks since you asked for edits, you probably will need to work A LOT harder on paragraph and key sentence revisions if you out those first than if you put them after you've been immersed in your topic for a couple hours.

Step 7d-z. Keep making groupings depending how many Tasks you have. I'd suggest keeping it to 2-5 Tasks per group so it's manageable but not excessive. For this particular round of edits, I have 5 groups and that's perfect.

Step 8. Find the easiest/quickest group and do all those Tasks.

My first grouping I made of sentence edits will be the easiest I think, so I'll do that first! If you're motivated and inspired to do a harder group, go for it! But again, do something that will allow you to start really working without being overwhelmed.

Step 9. Cross off all the First Group Tasks you've done!

Yes this is its own step! Cross them all off! You did a good job! Erase them! Get a Sharpie and black that line out of existence! Yay!

Step 10-?. Keep doing the Tasks in each group until you're out of groups and Tasks!

Step 11-?. Cross off the groups and Tasks! Seeing your progress visually makes a big difference! You got this!

Step 12. Read over any non-task comments your teacher/mentor has made and/or your entire paper. Make sure everything makes sense!

Step 13. Save the doc with the date you finished your edits (or fudge it and say sorry forgot to send it to you lol) and send it back to your teacher/mentor (if applicable; if you only get one round and it's not a proposal or something then you'd just submit it). In your email, briefly go over what you did. This is when grouping tasks really comes in handy because I can reference "oh yeah all these edits were x type of edits" and I can say "I accepted all your in-text edits and made the sentence changes you suggested. Additionally, I added abc sources and rearranged the order of the paragraphs specified." This also avoids your mentor re-reading everything and giving you MORE edits on everything (bc they will; this round my mentor is editing his own words from past sentence edits at various places lol) and just focusing on the key changes you made and need feedback on.

Step 14. Take a nap! Seriously! Reward yourself for doing such a Big Thing and take a break! Don't immediately go onto the next assignment, make sure your brain separates *chunk of edits* from *other simpler assignments* so it isn't mentally a whole block of *work*.

I hope this helps somewhat??? Or someone can reference this when coming up with a way to tackle feedback that works for them. I'm starting grad school next year (hopefully) which will actually be a reduction in long-term research projects lmao but I will be having more Giant papers that will receive feedback. Having a system, or knowing options is so incredibly helpful for me because when I read what other people do I can be like "nope not doing that" and it can help narrow down what would work for me. Most importantly, just break up your work into a lot of different sections! It helps with (poor) executive functioning, motivation, and brings it out visually so you can mentally tackle what you're doing instead of "ahhh ~lots of edits~"