#then over at Eliza who i made her character more like Angelica and Eliza Schuyler from Hamilton musical cause i think its cool
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asher312 · 13 days ago
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Mood...
im gonna be fr but people tend to like male or masc presenting characters more than female or fem presenting characters
bc one of the possibility i thought is that bc their character is fem presenting or fem so they tend to interact w the opposite of their character more ??
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thecoddaughter · 1 year ago
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I am here to be cringey and nostalgic...
Here is an entire breakdown of the QSMP as Hamilton characters (and key song that relate to plot moments) Blame my ADHD and my college's power outage that made me not have a single class today... and @thebeesforeleg's encouragement!
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SONGS BELOW THE LINE <3
Songs outside of just the names list:
Schuyler Sisters - OG Theory Bros
Right Hand Man - Cellbit and Forever creating Ordo Theoritas
Meet Me Inside - Tubbo and Cucurucho 
Guns and Ships - AMERICA’S FAVORITE FIGHTING FRENCHMAN… Etoiles and THE RIGHT HAND MAN… BadBoyHalo
History Has Its Eyes on You - BadBoyHalo (opening reminds me of his shared “war stories” with Cellbit)
Dear Theodosia - We all know that is Wilbur and Tallulah's song, but there is a whole second part and I feel like that belongs equally to Forever and Richas / Bad and Dapper
Non-Stop - Dapper & Pomme (as Hamilton) and Chayanne (as Burr)(Burr is this song is tired older brother who’s sick of their overachieving younger siblings)
What’d I Miss? - Wilbur the moment he comes back
Cabinet Battles - feel like the election debates or Ordem meetings
Take a Break - Bad (Hamilton), Baghera (Eliza), Pomme (Phillip), Foolish? (Angelica) 
Say No to This - Foolish… (I AM JOKING! or am i?)
The Room Where It Happens - Foolish (for real this time) after being relieved from the Ordem 
Schuyler Defeat - can I make a third one in a row Foolish? Cause I just picture this:
Richas: Look! Grandpa's in the paper! ‘Builder Foolish Gamers loses presidential life to young upstart Pomme’ Grandpa just lost his seat in the presidential election. Pac: Sometimes that's how it goes  Richas: Daddy's gonna find out any minute Mike: I'm sure he already knows Cellbit [in the distance]: ATTA GIRL
Washington on Your Side - Foolish & Baghera singing about Jaiden
One Last Time - Baghera stepping out the Presidential Race
We Know - Tubbo, Forever, Phil to Bad about Ron Lemons… and him lying saying he’s planning on kidnapping Foolish… “Alexander, rumors only grow…”
Hurricane - Pac (the cure vibes)
The Reynolds Pamphlet - this feels like the Misclick Duo’s divorce trial 
Angelica saying “I’m not here for you!” is so Jaiden saying “This is about justice.”
Burn/First Burn - Forever to Bad
“Don’t take another step in my direction.” “You can stand over there if you want. I don’t know who you are. I have so much to learn.” “And you are paranoid in every paragraph for how they will perceive you!”  “And when the time comes, explain to the children the pain and embarrassment you put their mother through. When will you learn that they are your legacy, we are your legacy!”
Congratulations - Baghera (I know this had to have be what was happening in her head when she met Ron)
“I begged you to take a break, you refused to.” “You’ve redefined your legacy, congratulations”  If she ends up switching sides bc Bad won’t give up Ron, “I’m not here for you… I know my brother like I know my own mind, you will never find anyone as trusting or as kind.””I love my brother more than anything in this life, I will choose his happiness over mine every time. Forever, is the best thing in our lives.”
It’s Quiet Uptown - Egg Disappearance and/or Bobby’s Death
The Election of 1800 - i feel like i shouldn’t have to say… its in the title… ELECTIONS
Your Obedient Servant - WHERE WE ARE RN… Forever and Bad are somehow exchanging letters while Forever is gone? (I’m not caught up but that’s that the clip seemed to be saying)
Forever: “Now you call me "amoral" A "dangerous disgrace"” “Answer for the accusations I lay at your feet or prepare to bleed, good man” Bad: “am not the reason no one trusts you No one knows what you believe I will not equivocate on my opinion… You would need to cite a more specific grievance. Here's an itemized list of thirty years of disagreements.”
The World Was Wide Enough - Forever’s Proposal that ended in explosions
Who Lives, Who Dies, Who Tells Our Story - The Eggs <3
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yr-obedt-cicero · 2 years ago
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I’m so bad at how Tumblr works, I don’t know if you got my last answer on the Hamilton/Angelica thread. The smoking gun to me is the letter she wrote to him when she was on her way back to England. The French translation is “Here I am my dearest, all alone and my heart so bitter for having left you.” Clearly, that was not meant for Eliza as she doesn’t speak French. She followed it up by saying if it were up to her she wouldn’t stay in England for two weeks. She’s devastated to be returning home after 6 months to her husband that people insist she loved. And I don’t think you said this, but no, this isn’t about the musical! It was a big topic of gossip at the time. Who calls their sister’s husband their dearest? Who says she fears that Hamilton seeing her was like a dream he no longer believed? I do agree it’s not clear to me he was in love with her like his letters to Laurens do. But there are many missing letters and the Hamilton family heavily edited the ones that exist. But Angelica does come across in hers as being in love. I know I keep on with this and I apologize lol. But I don’t get it! Angelica didn’t blast him over his cheating on Eliza the way he does in the play, she defends him and says she’s lucky for having him. That was the letter that made up my mind, same way the first letter to Laurens did. Everything thing else I read after just strengthened my opinion. But the one question no one really answered is this. Why is Angelica calling her sister’s husband her dearest?
The actual translation of that line was; “Here I am, my very dear, all at sea, and my poor heart very moved by having left you.” I have learned some of the smallest details of French from reading many historical letters, and she writes “Mon tres cher” which means “My very dear”. Dearest in French is “Chère”.
I'm not sure why you insist Elizabeth did not know French, and how Angelica used this to hide it from her. Because there's nothing to support that. Elizabeth was part of the Schuyler family, one of the wealthiest families in the colonies, and could most definitely afford one of the highest educations. Since she was the daughter of a very important war general and New York politician, she must of had to be around for a lot of foreign guests with her family, like the Marquis De Lafayette. It is highly unlikely she did not choose to learn French. Knowing French and other languages was a common standard for nearly everyone, especially the wealthy. If Angelica knew it — Why wouldn't Elizabeth? She would meet with many of French Diplomats, like Edmond-Charles Genêt (Also known as Citizen Genêt, was the French envoy to the United States appointed by the Girondins during the French Revolution).
And credit to @runawayforthesummer for debunking the commonly believed myth that Elizabeth was in Albany, whilst Angelica stayed in NYC for the entirety of summer in 1789. If anything, Angelica was more often in Albany, and Elizabeth was heavily hesitate to leave her husband as always. And I believe Elizabeth helped pay for those rented rooms.
Also, one last thing; the background and context are especially important. Background helps us understand where these real people, and not characters, come from. If you don't look at the context, you cannot find their motives, or understand their feelings. If you disregard that so easily, I find your argument to already be unstable, with or without historical accuracy.
I would also like to give some suggestions of checking your biographies sources, sometimes historians and biographers aren't completely truthful either (Cough cough Chernow). This is just a suggestion for future reference.
I find it hard to believe Angelica did not love her husband that she went as far as to elope with. But if anything, Angelica's unrequited feelings for Hamilton is more likely than any plausible affair. But I'm still dubious to even believe that.
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My Favorite Parts of Hamilton on Film
the sick tablecloth trick they did during Room Where it Happens
the look on Angelica’s face in Schuyler Sisters when all those men are talking to her and she just kinda side eyes them
how satisfied and helpless had 90% the same choreo just from a different perspective
also Mulligan being the flower girl makes my heart so darn happy
‘and peggy’ 
the choreo in literally every single number. the fact that ensemble was singing and dancing all out like that and changing all the props like McScuse me I love them all so much
the adorable ensemble member who gave King George the letter in I know Him
The ensemble member who was hip thrusting during the aerial view of Reynolds Pamphlet
the LIGHTING DESIGN of literally the entire show but some honorable mentions: What’d I Miss, Wait for It, Lauren’s Interlude, The Room Where It Happened, Yorktown, 
Literally any time Johnathan Groff was onscreen, but his little dances during Reynold’s Pamphlet are god tier
and on that note, Jefferson dancing on the little table while saying “He’s never gonna be president now”
Washington, Philip, and Maria all being there during Reynold’s Pamphlet but not saying anything, just staring
The tears on Angelica’s face during It’s Quiet Uptown. 
Eliza crying during It’s Quiet Uptown but not saying anything until she takes Alexander’s hand (and Alexander’s face when she takes his hand finally, the way he just falls apart in HD - OUCH)
Lafayette and Mulligan being there reading their own letters during the Lauren’s Interlude
all of Philip all the time during act 2. He owns my heart and so does Anthony Ramos
the costumes!! as a costumer and someone on ensemble, lot’s of costume changes can be tricky. But the way they did the costumes was so great because it made it easy to switch characters and show the passage of time
Leslie 👏 Odom 👏 Jr. 
How at the end of the show, everyone was lined up together to do bows, they weren’t in order of most lines/most important, etc. 
all of “Story of Tonight” just made me cry. it’s so relevant right now and it was so beautiful
“you punched the bursar?” *snaps fingers* “yes”
the three bros being super heckin drunk during Aaron Burr, Sir but still taking over making the beat for each other
ELIZA BEAT BOXING and Philip singing his little song it just makes me *sob*
the small dance movements of the ensemble during My Shot showing how the inklings of the revolution starting and by the end they’re full on dancing 
the way Oak says “sewing some pants” 
Lafayette playing with the little shot glasses
the spinning stage??? is so cool??? 
When Hamilton does his thing in my shot and they’re all standing around the box and start dancing one by one slowly??? I love that. ICONIC
the set changes are just beautifully done
Oak’s cloak as Mulligan, the green one, is my favorite thing idk why I just love it (and his beanie)
“tomorrow there’ll be more of us” freaking gets me man and hearing them sing it together on stage hits different 
I literally love Jasmine so much and she does an amazing job as peggy she owns my heart
the sisters all have matching earrings?? but with their different colors 
the guy doing the book flip thing what how did he do that
mulligan making whiny dog sounds during “my dog speaks more eloquently than thee”
ALL OF JONATHAN GROFF (also he was an ensemble member at the end and that’s great)
the way he dragged his scepter at the beginning of I Know Him cracked me tf up 
why did they zoom in on him every time he did a little spit I mean they did him so dirty with the editing but it’s so gd funny
he doesn’t blink!!!!!!
the shoulder shrug during the dadadas. 
the vaguely threatening ‘everybody’ 
all the women singing to intro to “Right Hand Man” I got chills bro 
Oak is Large and I love him 
the way Hamilton breaks when saying “Call me son one more time!” 
Phillipa Soo’s singing is seamless constantly. It never fails
the way they fell like dolls during the rewind sequence of Satisfied
the simple choreo of wait for it speaks so loudly
the way it seems like Burr is trying to convince himself when he says “I am inimitable, I am an original” with the little head nod
hamilton pointing at Lee after Lee chews out Washington
“immigrants, we get the job done” 
“i’m so blue” *light cue changes to blue* 
“tomorrow there’ll be more of us” during the Lauren’s Interlude (catch me sobbing)
the way Hamilton sits in the chair during the beginning of Non-Stop after Burr tells him too like a pouty child
Angelica’s act two costume with the collar 
the way Leslie Odom Jr. says “Hamilton wrote the other 51!” with so much passion I can’t handle it
things will be added to this list as I think of them and as I watch the movie a million more times
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o-fantome · 4 years ago
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Hamilton Musical Essay
First off, I want to say that if you like the musical, that’s fine. I’m not trying to tell you not to like it. I’m simply expressing my thoughts about it.
Secondly, this is mostly about things the musical got wrong, but there is definitely going to be some bias and opinions in here. So don’t take anything I say (unless I have provided a source) as fact.
Now, let's go through this show one song at a time.
(quick warning, this post is long. very long. and will take a while to read. i apologize in advance)
ACT I
Alexander Hamilton
I don't have much of a problem with this song, and it is pretty good. However, I do wish that they hadn’t glossed over his early years. I get that they were not that interesting, but they played such a big part in his life, especially in his later years when he was in politics. 
“Me? I loved him” haha no. that line should have been said by Eliza and Laurens. Not Eliza, Angelica and Maria/Peggy.
Aaron Burr, Sir
Oh boy, oh boy, I have quite a bit to say about this one.
I strongly dislike the portrayal of Burr throughout the whole show. I get what LMM was going for with the whole “it’s how history sees him” but, you could’ve given him a bit more character. 
Burr singing “Fools that run their mouths off wind up dead” and then Laurens walking out immediately after is clever, because Laurens really was a fool who ran his mouth off quite a lot. Like the time he yelled at the king of France, King Louis XVI.
There's the obvious mistake that Hamilton met John Laurens, Hercules Mulligan and the Marquis de Lafayette at completely different times. He didn’t even meet burr in 1776 as we see here. He met burr in 1772-1773 when Hamilton briefly went to Princeton.
Laurens, Mulligan and Lafayette have very little character (which is something a lot of the people in this show struggle with.) for people who were pretty close to Hamilton, (especially Laurens) they don't seem like they were written to be very important characters. Their personality in this show can be summed up in a sentence.
And there's the other obvious mistake that Lafayette (and probably Laurens as well) never met Mulligan.
My Shot
The foreshadowing is good, I'll give it that.
For some reason, the chemistry between Lafayette and Mulligan-- who, again, never actually met-- is better than the chemistry between Hamilton and Laurens. What's up with that, huh?
“Wait ‘til I sally in on a stallion with the first black battalion” Laurens never got his black battalion. Congress approved the plan, but the South Carolina Legislative Assembly did not.
“Laurens, I like you a lot” get outta here with that crap. Either make their relationship a bigger part in the musical or keep it out completely. I hate how subtle and glossed over their relationship is in this show.
I do like Laurens’ little part in this song, it’s a rare part of the show where we see his actual personality instead of just “grr slavery bad alcohol good.” Anthony Ramos is a very good singer.
This song is pretty good story-wise. It is very well written. Hamilton’s monologue is surprisingly accurate to the real Alexander Hamilton and his beliefs.
The Story of Tonight
It has a good vibe, and I think it’s the closest we see Laurens and Hamilton throughout the entire show, which is kinda nice.
Again with the Lafayette-Mulligan thing LMM why???
The Schuyler Sisters
LMM unintentionally created a monster when he wrote that “and Peggy” line. That joke is one of the most overused and unfunny jokes in this show and its fandom.
Having Angelica be the “strong woman” in the show was a good idea on paper, but it’s not all that accurate to the real Angelica Schuyler, and it’s like her only personality trait (aside from the whole Hamilton and Angelica thing but I’ll talk more on that later)
I'm gonna say this a lot but oh my god these people have no character to them. Not even Eliza Schuyler-- Hamilton’s frickin wife.
Listen ok I am strictly attracted to men but Phillipa Soo is an absolutely beautiful and amazing and talented person. She has full permission to step on me.
Farmer Refuted
The farmer refuted was a pamphlet published by Hamilton in 1775 in response to something Samuel Seabury wrote about how the congress in Philadelphia was bad. Not an actual public debate like you see in the show. But I’ll let this one slide because having the actors read pamphlets onstage would be a lot less entertaining.
That’s pretty much it the song isn’t that interesting.
You’ll Be Back
This is probably just me but I don’t like how King George III steaks the show and is the main source of comedy. When I asked family members after their first viewing of the show who their favourite character was, almost all of them said the King. 
Mr. Groff, please keep your spit to yourself.
As far as my knowledge of King George III goes-- and I do not know a lot about him so don’t take this too seriously-- this song is a pretty accurate depiction of ‘The Mad King.’
Redcoat Interlude
Just gonna put this here to say The Bullet is a really cool character.
Right Hand Man
Chris Jackson has the voice of an angel.
I don’t like the way Washington is characterized. At some points, he’s over-glorified, but at other parts of the show, he’s downplayed a lot, and it doesn’t at all seem like the real George Washington.
Washington and Hamilton’s relationship in this show is so off from what it would’ve been historically. You don’t see it much in this song so I won’t say much here for the sake of keeping things organized, but I’ll discuss it later when it’s more obvious
Mulligan is shown in a continental uniform, yet he was not in the army. He was a spy. He wouldn’t have worn a uniform.
As with a lot of songs in this show, the music and choreography are amazing. The ensemble is so so talented. 
This scene where Burr is meeting with Washington isn’t entirely wrong, but it’s not exactly how it happened. According to Wikipedia, “In the spring of 1776, Burr's stepbrother Matthias Ogden helped him to secure a position with George Washington's staff in Manhattan, but he quit on June 26 to be on the battlefield.”
Hamilton did not meet Washington at the same time as Burr. He joined Washington’s staff in the spring of 1777.
I’m not exactly sure what he’s referring to when he says “I have some friends, Laurens, Mulligan, Marquis de Lafayette” but I do know that Laurens and Lafayette were not his friends at this point. They weren’t even in America at the time. Mulligan was, and he was good friends with Hamilton.
A Winter’s Ball
The formatting here is wild. This happened in 1780, I don’t know why LMM skipped ahead to this.
“We’re reliable with the ladies” ok that is true I’ll admit.
What is Laurens doing here? He was a prisoner of war in Phillidelphia when Hamilton met Eliza.
Helpless
Eliza was not “helpless.” If anything, Hamilton was the one head-over-heels for her. 
Hamilton. Was. Not. Into. Angelica. Angelica. Was. Not. Into. Hamilton. 
Hamilton’s little speech to Eliza after he gains her father’s blessing is kinda cute and pretty accurate.
A lot of the people shown in this scene were not at Hamilton’s wedding. 
Laurens is shown as Hamilton’s best man, but at the time of Hamilton’s wedding, he was travelling north to meet with Washington after finding out he is to be sent on a diplomatic mission to France. James McHenry, a fellow Aide-De-Camp to Washington, was Hamilton’s best man.
Satisfied
I hate how this is such a good song because what it’s about is probably my least favourite part of this show.
There is no evidence of Angelica being romantically attracted to Hamilton. They likely had a brother-sister kind of bond.
Now, having Angelica as the side love interest wouldn’t have been that bad if it was a real thing, but it wasn’t. LMM intentionally re-wrote a part of history to have her in it, when he could’ve kept the same storyline, and have Laurens be the side love interest. If he had given Laurens that role, he could’ve made the show more historically accurate, and it would bring to light a part of history many people try to erase. But in giving Angelica that role, he has not only completely changed a part in history but has also erased the fact that Alexander Hamilton-- nor John Laurens, for that matter-- was straight. LMM had so much power. He was writing a musical about a founding father. He could have brought so many things we didn’t know to light. And yet, we’re stuck with this.
Angelica was not the person who introduced Hamilton to Angelica. It was most likely Cathrine “Kitty” Livingston, a friend and possible love interest to Hamilton that he met before he joined the army.
Angelica had brothers. 
The Story of Tonight (Reprise)
“I’ve seen wonders great and small” *gestures down* I’m sorry sir what?
They were all married before Hamilton. 
Wait For It
This is a beautiful song and it doesn’t have much wrong with it. 
Stay Alive
Sweet lord the timeline is terrible. The battle of Monmouth happened in 1778 before Hamilton got married.
Here is a better example of the strange portrayal of Washington and Hamilton. The real Washington wouldn’t have called Hamilton “son.” He wouldn’t be as friendly with him. Their relationship was professional.
Mulligan was already in new york, so he wouldn’t have to “go back to new york and [his] apprenticeship.”
“Instead of me, he promotes Charles Lee” Hamilton did not ask for a command at Monmouth. What happened was Lee was given a command, declined, and then it was given instead to Lafayette. Later, Lee requested the command be given back to him because Lafayette was very young and didn’t have much experience. Washinton blindly trusted Lee and agreed to give it back to him.
After Lee was court-martialed, he kept running his mouth and slandering Washington. Hamilton originally wanted to duel lee, but Laurens told him not to, and to just let him say what he wants. Later, after Lee kept running his mouth and the insults got worse, Laurens decided to duel him. 
Washington didn’t know of the duel. He didn’t even know it happened until the day after.  
Ten Duel Commandments
Hamilton was not the one who was super giddy and impatient for the duel to start, he was kinda the opposite. Laurens was the one who challenged Lee and was the trigger happy one. 
Burr was not Lee’s second, Evan Edwards was.
Again, Hamilton was not as enthusiastic as shown here. He was the one who tried to call off the duel and actually prevented Laurens and Lee from firing a second time.
Meet Me Inside
Laurens was not satisfied after he shot Lee, and demanded them to shoot again.
Washington saying “these young men don’t speak for me” isn’t that far off from how he reacted, but we can’t be 100% sure because there’s not a lot that was documented about his reaction to the duel.
Washinton was more upset with Laurens for holding a duel in his honour. So he wouldn’t have lectured Hamilton as he does in this scene.
As I said before, Washington would not be calling Hamilton “son”.
I really wish LMM wrote this scene differently because it’s entirely wrong. Hamilton didn’t leave the army until March of 1781, after being so fed up with Washington continuously denying him a command. 
“Charles Lee, Thomas Conway, these men take your name and they rake it through the mud” that is true, and he’s referring to the Conway Cabal. More info on the Conway Cabal can be found here if you’re interested.
The timeline is so confusing here. “Your wife needs you alive” technically, at the time of the duel he didn’t have a wife, but by the time he left Washington’s staff he did. But in the show, I'm assuming this scene takes place in 1778, so, historically, no wife yet. But in the show, he also gets married before this scene. So I don’t know what’s going on here. 
That Would Be Enough
For the sake of simplicity and not driving myself to insanity, I’m just gonna assume this takes place in 1781. Because I don’t want to try and figure out the timeline.
Eliza was not a month pregnant yet, in fact, she wasn’t pregnant at all at the time. Hamilton went home in march 1781, and their first son Philip was born in January of the next year. Doing the math, Eliza wasn’t pregnant until May 1781.
This song is actually really sweet aww.
Guns and Ships
Ah, the timeline finally smooths out.
Lafayette wasn’t really a “secret weapon,” he was just a General
Nevermind the timeline is messed up again. “I go to France for more funds” he did that in 1779, and he went back to France on leave, apparently missing home. He ended up working with Benjamin Franklin to send more troops and ships to America.
I wish Laurens was mentioned here. He went on a diplomatic mission to France in February and convinced the french congress to gift America 6 million livres.
Lafayette was not the one to tell Washington he needed Hamilton to come back. What happened was in July after he left, Hamilton sent a letter to Washington threatening to resign his commission. Washinton panicked and sent Tench Tilghman-- a fellow Aide-de-Camp beside Hamilton-- to go to the house Hamilton rented with Eliza to tell him to come back to the army and that Washington will give him a command. 
You can see in this scene Lafayette running with a letter, but he was not the person who did that. It was Tilghman.
History Has Its Eyes On You
I can’t think of anything wrong with this song, it’s pretty spot-on and sounds beautiful.
Yorktown (The World Turned Upside Down)
“We’ll be with you when you do,” ehehe no they were not. The Americans did almost nothing to help France during the French Revolution.
“Take the bullets out your gun” was actually something Hamilton did with his battalion when they were sneaking through the trenches on their way to attack Redoubt 10.
Laurens was not in South Carolina, he was at Yorktown-- fighting under Hamilton’s command-- after just returning from his diplomatic mission to France. 
Lafayette was not “there waiting in Chesapeake bay,” he was with the other french troops attacking Redoubt 9.
Again, Mulligan would not have been in uniform.
Mulligan might have “taken their measurements, information” but he sure didn’t “smuggle it.” That was done by his slave, Cato. He and Mulligan were working with the Sons of Liberty and with Hamilton’s spy ring-- of which we do not know the name of-- and smuggled intelligence to General Washington.
The instrumentals and the choreography make me very happy. I really enjoy the short little instrumental break.
The siege of Yorktown lasted three weeks, not just one.
They act like this was the end of the war. It most certainly was not. The war didn’t officially end until 1783 with the signing of the Treaty of Paris. Yorktown was the last major battle of the war, but not just the last.
What comes Next
I’m very picky about this but I don’t like the king purely because I feel like he steals the show and is the automatic favourite.
Dear Theodosia
Philip Hamilton was born a year before Theodosia Burr.
I don’t know much about Burr, but I can say that Hamilton really did love his kids and his family, and I'm upset that we don’t see that in the show. At least we see a bit of it in this song.
Laurens Interlude (Tomorrow There’ll Be More of Us)
“It’s from John Laurens. I’ll read it later.” This makes me sad because the last letter sent between these two was sent from Hamilton on August 15th (and most likely never reached Laurens before his death,) so Hamilton was probably expecting the letter Eliza brings him to be a reply.
We don’t know exactly how Hamilton learned of Laurens’ death, but we do know it was not from a letter from Henry Laurens (John Laurens’ Father.) He most likely learned of Laurens’ death from either Washington or General Greene.
I find it a bit odd that Laurens sings the line “and when our children tell our story” because he never met his daughter, he left his pregnant wife in England (she moved to France a few years later)  to sail to America to join the revolution, and never visited them (not even when he was in France for his diplomatic mission.) But I get it, it’s a reprise of ��The Story of Tonight.”
The war was not over, but it was close.
“His dream of freedom for these men dies with him.” Yep. Unfortunately, he never got the black battalion he worked so hard for.
I hate how fast it moves from this emotional scene, where Hamilton learns of the death of his closest friend-- the man he loved-- to “after the war I went back to new york” like geez, LMM. give the man some time to grieve.
Non-Stop
The trial of Levi Weeks didn’t happen until 1800.
There is no record of this midnight meeting of Burr and Hamilton.
Burr didn’t actually support the constitution.
Angelica was married long before this, so I don’t know why it’s just being brought up now-- oh wait. LMM is back on his hamgelica bullcrap.
John Jay got sick after writing four, came back to write the fifth, then got sick again and ditched Hamilton and James Madison. 
Hamilton did not write all 51 essays on his own, he collaborated on a few with Madison.
Hamilton was not immediately offered the position of Treasury Secretary. It was first offered to Madison, who declined, and then it was offered to Hamilton.
Most of the time, Hamilton was upset that he had to leave his family for work and wrote them often when he was away. From this point onward in the show, Hamilton’s character and personality are getting more and more inaccurate. He was not the selfish, self-centred man we see in the show. In reality, he was a kind man who loved his family but oftentimes made bad decisions due to his bad habit of acting without thought or planning.
ACT II
What’d I Miss
Daveed Diggs is cool, but I don’t understand why so many straight girls are so obsessed with him.
“Pissed him off until we had a two-party system” that’s pretty much true and it’s stupid.
He was in Paris for 5 years. It's not that long.
The “Sally be a lamb” line makes me so upset because it is so disrespectful to Sally Hemmings. I wish LMM left her out completely.
“I am to be the secretary of state, great!” Jefferson was not very happy about being appointed to the secretary of state because he wanted to stay at Monticello and do his own thing.
“I can’t believe that we are free” it’s ironic that Jefferson of all people says that line.
Mr. Madison, that’s not very COVID friendly of you.
Jefferson knew Hamilton for a bit before he went to France, and they did get along outside of politics.
Cabinet Battle #1
I hate how cocky and self-centred Jefferson is here because 1) it’s annoying as hell, and 2) the real Thomas Jefferson was not. He was quiet and shy.
“Imagine what gon’ happen when you try to tax our whiskey.” funny you should say that, Mr. Jefferson. Neither Jefferson nor Madison were not involved with the whiskey rebellion. They were silent on the issue because they made a deal with Hamilton (which I will talk more about in a few songs.) However, Hamilton-- the guy Jefferson is talking to in this scene-- was involved in the whiskey rebellion. He doesn’t have to “Imagine what gon’ happen,” he was there. More info on the whiskey tax and rebellion can be found here.
“We almost died in a trench, while you were off getting high with the french” Jefferson wasn’t in France during the war.
I’m glad the topic of slavery is being brought up, but it could’ve done in a different way instead of just a clap back in a rap battle.
“Madison, you mad as a hatter, son take your medicine” Hamilton is such a hypocrite here. Did he forget the time he almost died of a fever when he was 10? Or when he almost died of a fever in Albany in 1778? Or the fact that on multiple occasions he overworked himself so hard that he got sick? Or his kidney problems? Or-- 
“You’re gonna need congressional approval and you don’t have the votes!” Jefferson and Madison literally helped him get the votes. (again, I’ll explain later.)
“Well, James Madison won’t talk to me.” He used to. A lot. Hamilton and Madison used to be really good friends until Jefferson returned from France and Madison drifted to his side.
Take a Break 
I don’t know how long her trip lasted, but I doubt that Angelica was with Eliza and the kids on their trip upstate. She came to visit in 1789, and the Reynolds affair started in 1791. However, I have no concrete evidence that she left before the affair started, so maybe she was there. I don’t know.
Ah yes, Alexander “I Don’t Care About My Family” Hamilton. 
“I have a sister but I want a little brother” by 1791 (when this scene takes place using Philip’s age as a reference) Phillip had 2 brothers already. 
While the Schuyler Mansion is near a park, there’s no lake. Today, at least. There’s a swimming pool though.
“I noticed a comma in the middle of a phrase,” shut up shut up shut up.
“With a comma after “dearest,” you’ve written: “My dearest, Angelica”” I hate how obsessed LMM is with this stupid comma, yet doesn’t say anything about the multiple suggestive and romantic letter between Laurens and Hamilton.
Speaking of the comma situation, it was meant as a joke. What had happened was Angelica sent a letter to Hamilton with “my dearest, Alexander '' and put the comma by mistake. She just slipped up with her grammar. And in response, Hamilton wrote “my dearest, Angelica” as a joke to tease her about it. It’s not romantic. It was meant. As. A. Joke.
John Adams was vice president. I'd say that’s a real job.
Angelica, stop being all “I came all this way :((“ he doesn’t want to miss out on the trip, but he has to. If he had a choice he would definitely go with his family.
Say No To This
I hate how this song demonizes Mary Lewis (more commonly known as Maria Reynolds) like she was trying to get out of an abusive marriage??? And Hamilton was like “oof that sux wanna bang?”
The heterosexual energy in this scene overwhelms me (/j)
The first letter (that I have found) from James Reynolds to Hamilton was sent on December 15, 1791, so not “a month into this endeavour.”
I will note here that in the letter mentioned above, it sounds nothing like what we hear in the song. Which makes me question if the above letter is even the one Hamilton the musical is talking about.
Because of limited information, I cannot say whether this scene is accurate or not.
“I don’t know about any letter!” she most certainly did. Mary and Reynolds both sent letters to Hamilton concerning the affair.
The Room Where It Happens
This is the song I was talking about when I said I’d talk more about the deal between Jefferson and Madison and Hamilton.
Washington was the one who proposed that this dinner happen.
Clermont street was renamed Mercer street in 1799, the dinner table bargain (what this song is about) was in 1790. Before the Hamilton-Reynolds affair. Yet another wrinkle in the timeline.
“Now how you gonna get your debt plan through?” “I guess I’m gonna finally have to listen to you” well, Hamilton didn’t really “talk less, smile more” his way through the issue. He did-- as he usually does-- quite a lot of talking
“Well, hate the sin, love the sinner” doesn’t sit right with me because it is sometimes used as a homophobic remark.
Jefferson’s account of the bargain on the assumption and residence bills is what this scene is about.
Madison did not hate Hamilton until Jefferson returned from France.
Leslie Odom Jr. is so, so talented.
There is nothing to suggest that Burr wanted to be there. I don’t even think he knew it happened. 
Schuyler Defeated
Not much to say here, it's a short and forgettable song.
Cabinet Battle #2
I don’t like how much Jefferson says “we.” He wasn’t there. He wasn’t a soldier.
“Smells like new money, dresses like fake royalty” Hamilton was known for his colourful clothes, while Jefferson was known for dressing sloppily.
“Lafayette’s a smart man, he’ll be fine.” yeah, uh, he was imprisoned in Austria at the time… 
“You’re nothing without Washington behind you.” Hamilton was a very powerful man. One of the most powerful, next to Washington. Even with Washington gone, he still held a lot of power and was pretty well-known.
Washington On Your Side
“Thanks to Hamilton, our cabinet’s fractured into factions.” Hamilton is probably one of the biggest reasons the two-party system exists, but Jefferson did play a role as well. To put it simply, Hamilton and the federalists disagreed so much with Jefferson and the democratic-republicans that everything just got split in two.
“And dresses like the pits of fashion” look at the point from the above song.
“Somebody gives me some dirt on this vacuous mass” it really wasn’t that hard to find dirt on Hamilton. He had a controversial past, and could sometimes be a really shady guy. However, it was all for-- at least in his own head-- good reason.
Because of how close Hamilton and Washington were, Hamilton had a lot of power, and Washington backed him up quite a lot.
James Madison gets so little lines in this show, and it makes me kind of upset. Hamilton and Madison were pretty close friends for a few years, so I don’t know why LMM didn’t talk at all about that.
“This immigrant isn’t somebody we chose” yes, but Washington chose him. Don’t like him? take it up with Washington.
One Last Time
Jefferson did not step “down so he can run for president,” he stepped down to go home. To relax at his mansion, to get away from politics. He stepped down in 1793 and didn’t run for president until 1796.
This song is actually really good, and pretty accurate. And good lord Chris Jackson can sing. Gives me chills every time.
I Know Him
Adams did know King George III. and from what I have read, he was very nervous to meet him.
“That’s that little guy who spoke to me” of course he’s little to the king, the king was like 6’6”.
The Adams Administration
The Adams Pamphlet was published in 1800.
The new york post wasn’t founded until 1801, so I find it odd that they’re bringing it up in this song, in 1797.
Adams did not fire Hamilton, he stepped down on his own in 1795. 
Hamilton’s response to Adams’ taunts hurt Hamilton’s reputation a lot more than it hurt Adams’.
We Know
This takes place in 1792 before Adams was president.
Jefferson, Madison and Burr were not the people to confront Hamilton. It was James Monroe, Frederick Muhlenberg, and Abraham Venable.
The whole situation with the speculation of embezzled funds is pretty off from what we see here. What happened was James Reynolds embezzled $500 and tried to get his way out of imprisonment by saying he had dirt on Hamilton. Monroe, Muhlenberg, and Venable went to Hamilton and Hamilton explained “no, I didn’t embezzle government money, I just got my dick sucked.”
“Yes, I have reasons for shame,” yeah you think?
Hurricane
The workshop version is better, and it has Laurens in it.
The Reynolds Pamphlet
Gotta give Hamilton credit for not publishing this until after William S. Hamilton was born and then waiting for the stress of a new baby to be gone. Y’know at least he’s considerate.
Eliza was only gone for the summer of ‘91, so I don’t know why everyone’s acting like she was gone the whole time. 
Hamilton didn’t even want to be a president, and never showed any interest in the position. 
Angelica was already in America at the time, she didn’t just travel because of the affair.
The king has no reason to be here. I get that he’s the comedic relief, but this isn’t a scene where comedic relief is needed. It’s a serious situation.
“His poor wife” yeah, but have you ever stopped to think about what Mary Lewis is going through?
Burn
“You have ruined our lives.” The ‘our’ is referring to Eliza and Mary Lewis.
Blow Us All Away
George Eaker said many bad things about Hamilton in a fourth of July public speech, but Philip Hamilton didn’t meet him and challenge him to the duel until late November of 1801.
Speaking of 1801, this happens way after the Reynolds affair and the election of 1800. 
Hamilton didn’t know that the duel happened. Philip lied and told his father that it had been resolved. Hamilton later found out that it happened when John B. Church and a few others told him after it happened that Philip was shot and dying.
“Everything is legal in New Jersey.” duelling was illegal in some form or another in every state, but the punishment was less severe in New Jersey.
The guns Philip (and his father 3 years later) used in the duel belonged to John B. Church. They were not Hamilton’s guns.
Eaker didn’t shoot on 7. They both counted to 10 and stood still for an awkward minute before Philip raised his gun to fire into the air, and Eacker got scared that Philip would shoot him and shot Philip.
Stay Alive (Reprise)
When Hamilton arrived at the home of dr. David Hosack (the doctor treating Philip) he reportedly fainted from anxiety.
Eliza’s scream should have been Angelica Hamilton, as she had a mental breakdown after the death of her brother, and was arguably (out of the rest of her siblings) the most hurt by his death.
It’s Quiet Uptown
Hamilton was really hurt by the death of his son. It was probably what broke him the most out of every death he’s seen in his life-- and he’s seen a lot.
“I take the children to church on Sunday,” after Philip’s death, Hamilton and his family became a lot more religious.
“His hair has gone grey,” there is a portrait of Hamilton shortly after his son’s death, and he looks like he’s aged 10 years. He looks old and sad and in grief. It barely looks like him. 
Eliza would have forgiven Hamilton at this point. She forgave him not too long after the Reynolds pamphlet was published.
The Election of 1800
This happened before Philip’s duel, but you already knew that.
“I’m going door-to-door.” “You’re openly campaigning?” “Sure!” Burr was the first presidential candidate to openly campaign and set the standard for modern American politics.
They were tied for a stupidly long time. And when they finally got untied (by Hamilton and the federalists’ promotions and persuasion) it was by just a few votes. Not “in a landslide.”
Burr did end up being Jefferson’s vice-president. Jefferson didn’t change that.
Your Obedient Servant
This is a situation, much like the Reynolds affair, where no one is in the “right” or the “wrong.” Was it wrong for Burr to shoot Hamilton? Yes, absolutely. Was it wrong for Hamilton to say bad things about Burr and constantly keep him away from what he wanted? Yes, absolutely. But on the other side, was it wrong for Burr to be mad about what Hamilton did? No, he had every right to be angry. Was it wrong for Hamilton to speak his mind? No, freedom of speech and all that. It’s a very fuzzy situation and that’s partly why it’s unclear what exactly happened on the duelling ground.
While Burr’s loss of the elections was a reason for his duel with Hamilton, it was not the main reason. There were a bunch of little things that led up to this. A question I’ve been asked before (quite a few times, honestly) is “if Burr won the election/if Hamilton promoted Burr, would the duel still have happened?” and in my opinion, I think it still would have happened, it would have probably just happened later. Because the duel wasn’t the “breaking point” for Burr, it was just one of those little things that led to it.
Also while I’m on the topic of the election, it happened a few years before the duel. The election of 1800 was on March 4, 1801 (yes, 1801. It was tied for a very long time.) The duel was on July 11, 1804. So not directly afterward.
“Just to keep me from winning.” it is true that Hamilton did not trust Burr to be in power, and did everything he could to stop him.
The workshop version is cooler and more accurate. (if LMM had just kept the workshop version and what was in it I probably wouldn’t be writing TBH)
“I am not the reason no one trusts you,” in a way, yes, Hamilton is the reason no one trusts Burr. Hamilton had a lot of power and a lot of people listened to him. A good example of this would be his role during John Adams’ presidency. Hamilton constantly whispered into Adams’ cabinet members’ ears and basically told them what to do. And they believed him, and did what he said.
“Even if I said what you think I said, you would need to cite a more specific grievance. Here’s an itemized list of 30 years of disagreements.” Hamilton and Burr argued so much and Hamilton said so many bad things about him that when Burr asked him to admit to saying these things Hamilton essentially said “yeah well I’ve said a lot about you so you’re gonna have to be a lot more specific because I don’t know which time you’re referring to.”
Best of Wives, Best of Women
The title (and the line in the song) are a reference to this letter. 
Hamilton was not with his wife the night before the duel. He was at a house he had rented in new york city that he stayed in sometimes while away for work. A few of his older sons were with him, though, including John C. Hamilton, who was interviewed many years later and gave a retelling of what happened the night before. You can read it here.
The World Was Wide Enough
“A doctor that he knew” was David Hosak, the same doctor who treated Philip after his duel just 3 years earlier.
“Now, I didn’t know this at the time but we were near the same spot your son died,” I’m fairly sure he knew, Philip’s duel was a pretty big thing and a lot of people knew.
“My fellow soldiers tell you I’m a terrible shot.” Burr was actually a very good shot. There’s even an account of him doing target practice a few days before the duel.
“But look it up, Hamilton was wearing his glasses,” Hamilton put on his glasses because he was old, and had bad vision from his years of service in the revolution, and from how hard he worked. Fun fact, he was facing the rising sun, which meant the sun glared off his glasses, rendering him unable to see clearly. He wouldn’t have been able to shoot Burr if he tried.
“This man will not make an orphan of my daughter.” Burr’s daughter, Theodosia, was 22 and married. I’m sure she would be fine. On the other hand, Hamilton’s kids were very young. The oldest, Angelica, was only 19, and the youngest, Philip II, was only 2. These kids all needed a father figure in their life, but apparently, Burr didn’t consider that.
In the lines "Laurens leads a soldiers’ chorus on the other side / My son is on the other side, he's with my mother on the other side / Washington is watching from the other side," it seems like they’re being listed in a very particular order but I’m not sure what it means or why they’re in that order.
Hamilton quotes Laurens’ lines right before he dies and it makes me think of a conversation I had with a friend. She was telling me about how for some time after Laurens’ death, Hamilton didn’t really speak that much in congress and such. At first, I thought “oh it’s because he’s dealing with the death of his closest friend and possible romantic partner,” but then my friend explained that that’s not why he was quiet. It’s because when Laurens was in South Carolina, trying to convince the house of representatives to give him his black battalion, he didn’t talk that much. He waited for everyone else to talk, and then he jumped in and talked. That’s why Hamilton was silent for a lot of the time. He was doing what Laurens did. He was quoting Laurens.
“They row him back across the Hudson, I get a drink.” After shooting Hamilton, Burr went to his cousin’s house as if nothing had happened.
Burr showed seemingly no regret for shooting Hamilton, and even bragged and joked about it for years after.
Who Lives, Who Dies, Who Tells Your Story
“Every other founding father’s story gets told,” it really is kinda sad how little people know about Hamilton. He’s not taught about in school. He wasn’t a president.
I do wish that the musical talked a bit more about Hamilton’s kids and their contribution to keeping Hamilton's story alive. Especially John C. who went through all of his father’s papers and wrote the first biography on him. 
FINAL THOUGHTS
I really wish the Laurens-Hamilton relationship was a bigger part of the show.
The actors are amazing, but the people they play have little to no character/personality, and it kinda brings the actors down.
I love Phillipa soo.
There are so many inaccuracies that could have been easily avoided, and I genuinely don’t understand why LMM did some of the things he did. Like there was no reason to make Angelica the love interest. Absolutely no reason. And yet, here we are.
Hamilton, the musical was a great way to make more people interested in history, but unfortunately because of how wrong the show is, a lot of people who gain an interest in history from it think that it’s 100% right and treat it like a documentary. I would know, I became interested in American history because of the musical and I didn’t know how many things were wrong or left out until recently. 
The workshop version was better and more accurate. 
And that’s it! I’d like to give a big thanks to my friends who helped me, especially my friend Mary. 
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jade-doodles-questionmark · 4 years ago
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On Alexander, Angelica and Eliza
Heres some long-ass personal interpretation based on the musical that nobody following this blog signed up for lol. Not gonna be touching on history coz i’m no expert and there’re ppl way more qualified for that. and it’s good to keep things separated.
there’re obviously many similarities between the two A’s. Both are witty, outspoken, center of attention, and a bit of a flirt. To me, the most interesting trait shared by both is their awareness: They know exactly where they stand socially, and subsequently, how to play by the rules to climb up. This clear awareness is where I got the idea for the staircase drawings. “i’m a girl in a world in which my only job is to marry rich/ my father has no sons so i’m the one who has to social climb for one” is a demonstration of Angelica’s awareness, just as “As a kid in the Caribbean I wished for a war/ I knew that I was poor/ I knew it was the only way to rise up” shows Alexander’s.
it’s different for Eliza - i know as the show proceeds, she gradually becomes more ambitious and active, but in Who Lives Who Dies Who Tells Your Story, what she asks, instead of how to rise up, is: “Have I done enough?” this quiet insistence is why i always see her as someone who does things because she thinks it’s a right thing to do, no matter whether that thing in question would benefit her personally or not. sure, she gives off "cinnamon roll" vibes, but girl’s no less strong or badass than Alexander or Angelica.
More under cut coz I’m incapable of being concise:
Angelica:
what always strikes me as interesting about Angelica is the contrast of what she says vs. what she does.
In The Schuyler Sisters, the majority of her lines are about empowering women, which, I think, is where the depiction of Angelica as an angry feminist comes from in some fanfics. But in Satisfied, we see she plays squarely by the rules of patriarchy and social classes (the three fundamental truths part). 
Similarly, in TSS, she says "so men say I'm intense or I'm insane", seemingly unbothered, if not lowkey proud, by these comments, but in Satisfied, she talks about the resulting gossip if she were to marry Alexander. 
I saw a post which expressed that Angelica thinks like Alexander but acts like Burr, and I agree. She has a sharp mind and is unafraid to speak out, like Alexander, but she’s also got things to lose, like Burr. Having family responsibilities means that she does not, and cannot, act without restrictions and hesitations like Hamilton. She doesn't necessarily wait it out like Burr, but she does think things thru, because the important decisions she makes carry enough weight to not only affect the future of herself but also of her family.
I had mentioned in an old post that Satisfied is basically Angelica assessing cost & gain for each of the options she has, for all the parties involved. even though that song's ending has mixed feelings and it's DEFINITELY a heartbreaking song, Angelica's choice did maximize the gain for everyone at the time: She was able to maintain her bond with Alexander and married rich to ensure her material comfort. Alexander was able to marry a Schuyler and elevate his status. Eliza got the boy she loved and was happily married. She even foresaw some possible challenges the newly wed Hamiltons were likely to face (“He’ll never be satisfied”).
She knows she lives in a world of patriarchy; she isn't happy with it, but she knows how to take advantage of the system as much as she can. She knows how to be the center of attention, be charming, and appeal to ppl. She knows what kind of husband is beneficial to have. She knows how to influence politics in her own way (take a break). Part of why I found Satisfied so sad is that her mind and her heart wish for two different things. Angelica is a realist, over everything else. She can be a feminist, but definitely not an angry one.
Alexander:
I talked a bit abt him in an older post on Maria - and a lot of what I said abt Maria applies to him. If the challenge Angelica was facing is invisible societal restrictions on women, what Alexander faces is purely regarding survival. Having needed to fight and compete for resources, I imagine he's at least somewhat influenced by the philosophy of social darwinism. I also said, in the same post, that I don't think he'd be really inclined to help ppl in the same difficulty he used to be in, for the same reason. If he could make it this far with his own hard work, how would it be fair to make things easier for others now? Would those ppl even deserve their success now the bar has been lowered? It's not exactly a right way of thinking, but it's also hard to blame him. after having to compete for resource w others in order to climb up, it’s hard to change the mentality.
I've seen a music analysis (by Howard Ho on YouTube) on Hurricane, and it concludes that when Hamilton was singing that song, he wasn't exactly recalling the past - he's been mentally living in that reality and never truly left. (There's similar remarks that Hamilton's past in the Caribbean had always plagued him despite his power and position in Chernow's biography, but we're only analyzing the musical here.) He never fully turned off his survival mode.
To clarify: by survival mode, I don't literally mean he fights to survive. He didn't exactly show a strong will to survive and was quite willing to give up his life for noble causes, up until he met Eliza. What I meant is, he remembers being destitute and helpless, he remembers seeing deaths of trivial importance, so he fights to be as far away from destitution and helplessness as possible, he fights to have the opportunity to die a glorious and noble death. Because to be able to die for something matters is still a privilege. No matter how high up he rose to position, his insecurity that he may end up losing those never faded away. This raw energy, I guess, is what gradually turned the others in the musical to be more like him.
Eliza:
Eliza seems to be the one who's the most content abt their situations out of the three. After all, one of her motifs in the musical is "look around at how lucky we are to be alive right now", and the other one is “that would be enough”. 
ppl usually say Helpless and Satisfied should be listened back to back (and nothing wrong with that), but comparing these two songs, Helpless doesn’t explore as much of Eliza’s character as Satisfied does Angelica. Throughout Helpless, she’s spent most of the song narrating what happened and falling head over heels for Alexander. As for her first appearance in TSS, she doesn’t have as much of a voice and show of character in comparison to Angelica, Burr, other Peggy either. 
The first moment we truly see her thoughts is in That Would Be Enough. It’s also in this song, her two other motifs (”that would be enough” and “narrative”) are introduced. Unlike Alexander and Angelica at that point of story, she’s happy with her life, wants it to remain that way, and doesn’t ask for more. 
i dont mean she’s not ambitious like the other two - she’s driven, but by other things. she doesn’t think of legacy, material comfort, status, position, etc. as important as Angelica and Alexander, as we can see in Burn. it’s not that she doesn’t know the rules - girl’s not playing the game at all. 
unlike the two A’s, Eliza’s growth happens in the second act. Angelica’s barely in the second act, and in the same act we see Alexander’s most trusted weapon, writing, contributing to his downfall. but for Eliza, she turns from the observer in Helpless, the supporter in That Would Be Enough, to the only one on stage in Burn, and to being the center of stage in Who Lives Who Dies Who Tells Your Story. in the second act we see her going thru the series of most crushing heartaches: Reynolds Pamphlet, death of Phillip, and death of Alexander, but we also see her strength. she’s a good person, but ppl usually forget that being nice takes energy and strength too. it takes strength to support, to forgive, to mourn the passing of your loved ones, and to preserve their memories and legacy. she shines and grows after overcoming the loss and heartbreaks. Angelica says in Satisfied “she’d say 'i’m fine' but she’d be lying”, i don’t think she’s giving Eliza enough credit for her mental strength there lol. 
side note: this is where i got idea for the eliza art from a few days ago - kintsugi represents the idea that your wound becomes your history and forms part of who you are, rather than something ugly to be ashamed of. I think it fits well with Eliza’s development.
Congrats! you’ve made it till the end! don’t know why u’d do that, but thanks! 
if u’re reading this feel free to send me a simple art request to compensate the time u took reading my bullshit
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maybedefinitely404 · 4 years ago
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The Boy who Sings Next Door, Pt 1
Genre: just-out-of-college AU
Pairings: Pre-romantic/romantic Prinxiety, pre-romantic Logicality
Content: general anxiety/allusions to past panic attacks, (it’s Virgil, c’mon), food mentions, a lil yappy puppy, Hamilton songs (it’s Roman, c’mon), just the boys being super gay. 
Word count: 2.6k
Comments: I’ve been in a bit of a funk (not the good kind of funk) recently, and this is the only thing I’ve been able to churn out during it. It will have a part two, don’t worry. Gotta get that good Prinxiety content.
Comments (the sequel): This took almost a week to write due to said funk, so I apologize for any inconsistency that appears. I have edited this as much as my brain let me, so it should be good.
Virgil hadn’t lived there for long. In fact, it was just nearing the one month anniversary of the day his two roommates and him had moved into the townhouse complex on the grungier side of town. They were still getting to know the house; the basement Virgil swore was haunted, the crudely attached cabinets that Patton very nearly pulled down every time the shorter man had to climb the counter to reach the top shelf, and especially the upstairs bathroom’s shower that would become scalding hot if someone flushed a toilet while it was running. Janus’ shriek was something Virgil wished he could have recorded on camera. 
Meeting his new neighbours was still a fear he had to get over. Patton had already introduced himself to all of them (on the first day living there, with cookies, nonetheless), and was eagerly awaiting the day when Virgil would give the ‘okay’ to invite some of them over for dinner. He was especially excited about the man who lived to their left, a professor at the university across town that Patton claimed he had clicked with.
“A professor? How old is he?”
“He looked like he was our age!”
“A professor who’s twenty two?”
“Well… maybe he’s really smart! Or has a great skincare routine!”
Despite Patton’s obvious infatuations with the guy, Virgil was hesitant to meet him. He’d already had a less than promising accidental run in with the old man living on their right, incited by Janus parking in the wrong spot and poor Virgil being the one to open the door to the screaming neighbor. It had taken him twenty minutes to calm down from that panic attack. But after too many rounds of Patton’s puppy eyes, Virgil gave in. 
“Only the one guy though, and I get to have a code word in case I need to leave.”
“Okay! What’s the code word?”
“I don’t know. You pick.”
“Tiddylicious?”
“SHUT THE HELL UP, JANUS!”
Surprisingly, Virgil didn’t have to use the code word (which was not tiddylicious). Logan was a pretty great guy, if slightly lacking in the ‘emoting’ department. Patton and him got on like fire in a library, and his roommates happy wiggles the whole night was probably what gave the anxious man the bravado to stick through it. Janus even had the decency to make some honest conversation, which was a first for him. Logan eventually mentioned the fact that he had a dog, and the conversation immediately derailed into Patton squealing over the pictures he showed him. They took this as the opportunity to sneak away from the two, giving them the space they obviously needed. Gross. 
There was a line stretching across Logan’s backyard; a red cable that connected to his deck and reached to the fence on the opposite side. From this cord hung a pink leash, and to this pink leash, Logan attached his dog several times a day. Virgil didn’t know what the signal was for them, but every couple of hours, the sliding door would screech open and the dog would run to the gate closing off the porch, waiting impatiently until Logan clipped on the leash and let it run onto the lawn. The first time the small dog saw Virgil on his phone in the shade of his roof, it immediately took this as a grave act of terrorism and began to yap so loud that Virgil screamed. Logan quickly came back out, explaining that while his pup may have the intimidation factor of a stuffed animal, she thought all the grass of her yard and of the adjoining houses was hers to protect, even if the terrier was just about the size of a decent Thanksgiving turkey. A few head scratches later, and the two decently bonded, enough that she wouldn’t throw a hissy fit every time he sat on his porch.
That’s where he was now, half asleep in a lawn chair with one earbud in, when the tell tale squeak of Logan’s sliding door startled him from his rest. He reached up lazily and popped out his music, smiling slightly at the prospect of another conversation with Logan. Despite their age difference (it wasn’t all that much, but just enough that he got confused stares from the elder when he mentioned the prospect of ‘stealing someone’s kneecaps’), they were starting to become good friends. His hand froze, however, as he heard a voice that was very much not Logan’s coming from the man’s deck.
“Dear Alexander, 
I am slow to anger,
But I, tow the line,
As I reckon with the offense of your,
Life on mine.”
And if Virgil said he didn’t immediately feel butterflies at the soft lilting of the deep voice, he would be lying. He shrunk back into his shirt, hoping the other wouldn’t glance over the short bush between them and see his blushing face. Even if he wasn’t infatuated with whoever was letting Logan’s dog out, it wasn’t like him to try and meet someone new.
The screen door shut with a loud whap and the dog pulled at the red cord as hard as she possibly could, trying to get free pets from Virgil. He obliged, but made sure to duck back to his side as soon as the door reopened. 
“Raise a glass to freedom,
Something they can never take away,
No matter what they tell you.”
He lurched back into his own house at the sound of that gorgeous voice, slamming the sliding door and consequently scaring the hell out of Patton.
“Sorry,” he said quickly, scrubbing a hand over his face.
“What’s gotten you in such a hullabaloo?” Patton squinted from his table of crafting supplies, where it looked like he was putting together more pages for his scrapbook.
“I’m gay.”
“Ah,” The older man scrunched his eyebrows together, setting down his glue stick, “For Logan…?”
“No! Logan’s yours, don’t worry,” he ignored Patton’s indignant spluttering and blushing, satisfied that he wasn’t the only disaster gay in the room now, “Someone else is at his house.”
“Someone cute?” He was suddenly very interested in his book, trying to hide his red cheeks.
“I don’t know.”
“Then why are you in gay mode?”
“His voice.”
“His voice?”
“Quit laughing at me!” Virgil snarled non aggressively, refusing to meet Patton’s bright eyes.
“I’m not, I swear!” Patton giggled nonetheless, “It’s cute! I’ll have to hear it for myself sometime.” Virgil huffed, despite his growing smile, and went to his room, too overwhelmed to wait outside for the voice again, no matter how much his heart wanted to.
A couple days later, Patton showed up in his open doorway (it was his attempt to be less antisocial, and it made his housemates happy) grinning like a child who’d just gotten a puppy.
“I just talked to Logan-”
“Oh?” Virgil smirked, closing his laptop in favor of tea.
“Oh, shush. He just said during the summer, he has these fancy shmancy teaching seminars every weekend just out of town.”
“So?”
“Sooo…” Patton wiggled a little, sticking his tongue between his teeth, “When he’s not home, his brother watches Gremmy!”
“Gremmy?”
“How do you not know the puppy’s name? And also, you’re focusing on the wrong part of the sentence! His brother is going to be there every weekend, all summer!” 
Virgil tried to digest the butterflies that exploded in his gut, failing to hide his reappearing blush. “So? We don’t even know if he’s our age, or if he’s into guys.”
Patton dropped his gaze, sucking his lips into his mouth in a vain attempt to smother his smile. 
“Patton?”
“He’s our age and he’s into guys,” He squeaked. 
“You asked?!”
“It came up naturally!”
“How?!”
“Not important!” He was full on beaming now, hopping on his toes. “You should totally talk to him next weekend!”
“No. Nope. Not happening.”
The following Friday, Virgil found himself sitting on his deck under the roof, scrolling aimlessly through Tumblr, and it had absolutely nothing to do with the fact that he happened to see a new car pull into Logan’s spot thirty minutes after the man left. Nothing like that at all. He sipped absentmindedly on the lemonade Patton had brought him with a cheeky look on his face, trying not to think about the fact that the angel voiced man was right next door. And his heart absolutely did not begin to pound when the tell tale screeching of the screen door sounded.
This time, music accompanied the man’s singing as he hooked the dog, Gremmy, onto her leash.
“Angelica,
Eliza,
And Peggy,
The Schuyler sisters,
Angelica (Peggy) Eliza (Work!)”
Even if Virgil had only heard his voice once, it seemed fitting that he was trying to sing every part, altering slightly to nail the voice changes of every character. He curled up a little more in his chair as the man followed Gremmy out onto the lawn, music still pumping from his phone.
“Daddy said to be home by sundown,
Daddy doesn’t need to know,
Daddy said not to go downtown,
Like I said, you’re free to go.”
Virgil couldn’t breathe, but that was the heat’s fault. It definitely wasn’t caused by the gorgeous man now dancing in small circles on the grass, dog jumping at his feet as he laughed along to the music. The sudden warmth in his face was caused by the sun, not the toned muscle of the man’s arms, or the way his much too loose muscle tee showed off his tan, or how his light brown hair flopped over his eyes when he bent down to pick up a stick from the ground. All while singing; just carelessly enjoying himself. 
“Angelica, remind me what we’re looking for?
(She’s looking for me!)
Eliza, I’m looking for a mind at work (work),
I’m looking for a mind at work (work),
I’m looking for a mind at work (work),
Woah, woah, woah, woah, work!”
The harmonies were too much, his voice flawlessly adding a fourth harmony where there wasn’t in the song. Virgil jumped like a spooked cat, fleeing into the house and drawing the curtains shut hurriedly. He knew the other man had probably heard the door slam, but that wasn’t his main concern right now. 
“Gay panic?” 
Virgil spun around to see Janus, all too bemused, sipping Gatorade out of a wine glass. The man’s sense of class would not be affected by the time of day. “Gay panic,” He confirmed weakly, sliding down the wall, “He’s hot.”
“Let me see.”
“Janus, no, what are you doing?!” 
The taller man pulled the curtain aside, humming under his breath. “Oh yeah, he is hot.”
“Jan, stop!” He hissed, trying to tug Janus’ arm down from the curtain without being seen.
“Oh, he’s waving at me.”
“WHAT?!”
“Can I wave back?”
“NO!” 
Janus waved back, kicking Virgil lightly out of sight. “Let go of my sleeve, fucker.”
Virgil did, booking it upstairs as soon as Janus dropped the curtain. He flopped onto his bed with a groan that was almost loud enough to be a shriek, swearing to himself to not go outside for the rest of the weekend. And to kill Janus later. He did leave his window open though, but not because he wanted to keep hearing the snippets of song that floated up to his room every time the sliding glass next door opened. Not at all. 
Virgil hated that he ended up counting down the days until Friday, and that he couldn’t tear himself away from the window until he arrived. Responding to his housemates giggles and stares with a quick flip of the bird, he took his usual spot on the deck. Because the weather was nice, and he needs a tan. No other reason. Not that he would say out loud, anyways.
He didn’t have to wait long until the door scratched open and a calm, almost haunting melody reached his ears. He’s singing along to a track again, mixing in harmonies that send shivers up Virgil’s spine.
“I saved every letter you wrote me,
From the moment I read them I knew you were mine,
You said you were mine,
I thought you were- Shit, Gremmy, no, get back here!”
Virgil jolted upright as twenty pounds of fluff landed in his chest, paws digging into his sternum. The dog looked up at him with, dare he say, smug eyes? He ran a hand through the fur on her back, holding her collar with one hand in case she decided to bolt again.
“I am so sorry! She wormed out of the gate before I got the leash on her!”
He looked up from the dog and holy hell oh my god he’s way hotter up close. Never before in his life had he wished for Patton’s bubbliness or Janus’ general aloofness, but now he would rather have any personality trait besides anxious because oh god the hottest guy he’d ever met is staring at him and he has no idea what to say.
“Well, good thing she likes me, or you’d be down a dog.” What the hell was that?
Surprisingly, the other man laughed, folding his arms across his chest. “What, you don’t think I’d be able to catch her?”
“In all honesty, probably not.”
“How dare you!” He gasped, holding a hand to his chest dramatically, “I’ll have you know Gremmy loves me!”
“I’m sure that’s why she booked it as soon as she had the chance.” He extended the dog almost comically, her too short legs waving frantically in his grip. The man took her with a murmur of thanks, giving her a stern look that made Virgil snicker. A part of him was slightly shocked that someone related to Logan could be so… relaxed. The older man seemed held together purely by stress and logic, never without a collared shirt and tie, and he would definitely never be seen in the plain white v-neck this guy was wearing really well.
“So, you’re Logan’s brother?” Where the hell was this courage coming from?!
“Yup. You know him?” 
“About as well as I know any of my neighbors. So, barely. But he’s close with my roommate.”
The man’s expression turned to glee as he shifted the dog in his arms. She seemed unhappy being held when there were birds to be chased, but her struggle was lazy. “Patton, right? I’ve heard a lot about him.”
“Oh?”
He hummed happily, fiddling with Gremmy’s collar. “It’s about time Logan found someone who makes him happy. We never really understood each other when it comes to interacting with other people. He’s more secluded nerd, and I’m more…” He trailed off, waving his fingers under the dog cluelessly.
“More theatre nerd?” Virgil guessed, pleased with the way the man’s eyebrows flew up.
“How’d you guess that?”
“You’ve been singing a different Hamilton song every time you’ve taken the dog out.”
Instead of looking embarrassed or upset like Virgil would definitely be in his situation, he seemed to puff up more, almost delighted.
“Ah, I thought I had an audience! That was you?”
Virgil could feel his face turning beet red, much to his chagrin. This was it, this was the moment he died. Let the earth open up and swallow him whole, his little pride had been too wounded to continue. The man took his silence as answer enough, seemingly pleased with the reaction.
“I’m Roman,” The man grinned, holding out his hand. He took it hesitantly, the touch sending a shock up his spine that he was barely able to suppress.
“Virgil.”
“It’s very nice to meet you, Virgil.”
He couldn’t help the authentic smile that tugged on his lips as they shook hands, Gremmy dangling from Roman’s other arm like a football.
“You too, Roman.”
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el-255 · 3 years ago
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My experience watching west end Hamilton:
I adore the part in Alexander Hamilton where they all line up as they sing “you never learned to take your time” then they all just disperse shfkskfj it was so good
I couldn’t keep my eyes off the ensemble during most of the show they were extremely talented throughout
I adored all of the cast members, especially the actor who played Lafayette/Jefferson (very sorry but I do not remember his name) he had so much charisma as both characters and you could tell that he loved playing the roles as well
My shot was an excellently produced number both the cast and ensemble made it seem very lively
The Schuyler sisters were >>>> I particularly enjoyed Peggy/Maria
Can’t get over the sheer comedic value King George III gave to the show
WASHINGTON WAS CASTED PERFECTLY I REALLY HAVE NO COMPLAINTS
I love how in right hand man you can really feel Burr’s resentment to Hamilton growing, shown by Hamilton’s attempt at a handshake with Burr being rejected
The sound production with the booms in right hand man and yorktown was actually reminiscent of how I imagine a battlefield would be
They really used the spinning stage well (not sure of the technical term for this 💀)
Helpless was such a cute sequence and then we get to satisfied and you see how it actually was from Angelica’s perspective 🥲
The spinning stage in satisfied was also really well done, it really cemented the fact that it was going back in time
THE 👏 ENSEMBLE 👏 IN 👏 WAIT 👏 FOR 👏 IT 👏
I liked the little detail from ten duel commandments/meet me inside of Hamilton pushing Laurens away so he doesn’t get in trouble with Washington
The anger from Hamilton in meet me inside was very natural
The whole Yorktown sequence was just fantastic, it was probably one of my favourite numbers from the show just because of the attention to detail
PLS I love King George III
The harmonies in dear Theodosia I can’t-
Laurens interlude was so sad the way Hamilton tries to reach out to Laurens during “tomorrow there’ll be more of us” then Laurens exiting the stage :(( brb boutta cry
Non-stop has to be my favourite sequence in my show I love all the chaos at the end, Burr’s outburst, the moving stairs Washington stands on, Angelica and Eliza standing on both sides of Hamilton and him ripping their hands away ?? the drama I live for
JEFFERSON WAS PERFECT CANT EVEN SAY ANYTHING ELSE OTHER THAN HIS TREMENDOUS, SHOW STOPPING CHARISMA
It’s a good contrast to the more down to earth Madison
Can’t get over how cute Philip was 🥺🥺 I adore his rap and the fact that the actor playing Philip was so much smaller than Hamilton
MARIAAAA those bars were on point and how she collapses to her knees during the “I didn’t know any better” you could really feel her desperation
Another one of my favourite sequences ✨the room where it happened✨ I love the jump Burr does on the table and the ensemble pulling away the table sheet under him
The vocals of Washington in one last time were *chefs kiss*
The Reynolds pamphlet was a real experience there was so much going on, King George dancing in the background and throwing a few pamphlets at Hamilton, Washington looking extremely disappointed, Maria in the background looking ashamed, Philip reading the pamphlet >:((, can’t forget Angelica fully roasting Hamilton, and the sheer number of pamphlets that were thrown in the air like my god
Pretty sure they had a real fire going for burn that was confined to this bucket 😳
I’ve tried to block out the trauma that came with blow us all away-it’s quiet uptown so all I’m gonna say is the scream from stay alive reprise was so upsetting I think I started crying
The way Burr goes from 😁 to 😐 in the election of 1800 when Hamilton gives Jefferson his vote was honestly sad to see
THE MOST UPSETTING PART OF THE WORLD WAS WIDE ENOUGH FOR ME IS HOW DURING THE “we were near the same spot his son died” THEY BRING PHILIP OUT ON THE STAGE AND HE SINGS SOMETHING LIKE “near the same spot I died” and Hamilton looks at him 🥲🥲
The emotion coming from Burr during the song was immense I have no complaints
Who lives, who dies, who tells your story was the perfect ending to the show I love the gasp at the end and the way Eliza and Hamilton dance around each other before they see each other :,((
To conclude, I loved Hamilton it’s definitely worth the watch and if you’re reading this you’ll probably love it as well
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thetsxshibiscusanon · 4 years ago
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Thomceit Hamilton AU Cast
Alrighty, here it is- the post about my Thomceit Hamilton AU that I took like three days to write, hoo boy-
Okay so, this is just the cast of the AU and also just going into some ship ramblings because if I got into the whole thing now, we’d be here for days- so let’s get on with it!
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The Sanders Sides Characters Roles
~Just to clarify, I’m doing this TS Universe by TS Universe, because there’s a LOT of characters in both fandoms, so the cast are gonna be updated with each reblog~
Alexander Hamilton: Janus 
Why? Well, the colour theme’s for the album match Janus’ general colour aesthetic, Janus is all about taking that chance no matter what and Alex is all about not throwing away his shot, both have got that lawyer association aaaaaaaand I’m just kidding, I wanted to make a Thomceit Helpless animatic in the August of 2019- I never had any plans for this thing, it just happened. 
But yeah- dramatic snake boy lawyer meets dramatic Founding Father lawyer-
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The Schuyler Sisters:
Angelica: Roman
Roman just radiates fabulous, feminist, older sibling vibes- just imagine him in Angelica’s dress but a bit more red and you’ve got it down! 
Satisfied also radiates Roman vibes- the pink-red colour scheme, the sacrifice, the longing and pining- it all works so well for him! I can also imagine him in Congratulations- especially with the lines ‘He doesn’t dignify schoolyard taunts with a response!’, ‘...Sacrifice?’ and ‘Eliza~ is the BEST thing in our lives!’ especially since I’m making Thomas Eliza here, because, in some cases, it really parallels what actually happened in the series:
Roman sacrificed the thing he most wanted (Janus/the callback) for Thomas (Eliza/his core) because he wanted what was best for him and what was right for him- and in both cases, he was wrong! My boy either doesn’t get to chase his dreams and feels miserable about it, or he gets cheated on and feels miserable about it- there’s no winning here! (Can you tell that I felt no remorse whilst writing this? /hj)
Also, I thought the line 'He doesn’t dignify schoolyard taunts with a response!’ didn’t really apply to Janus when I initially made this, but HOO BOY was I wrong-
Eliza: Thomas
Can you tell that Thomceit is my favourite ship? No? You can’t? Well I’m just about to take off the blindfold you’re wearing and talk about much of an amazing husband Thomas would be-
First though, I have to say, Thomas gives off such Eliza vibes on his own anyways- cinnamon bun that needs to be protected and has gone through a lot? Uh, yes! 
Thomas would absolutely be the type to fall head over heels for a cute guy he saw across the room (I mean we all saw FWSA, right?). He'd see Janus and be all 'Wait, frick, handsome boy- what do I do- ROMAN-' and I love that so much.
Ironically though, Hamilton was the one who really fell hard, historically at least, so the fact that in this AU Thomas falls like Eliza did but in the 'canon' Janus and Hamilton are both the actual simps is hilarious to me-
He would totally be the supportive partner he was always meant to be- assuring Janus everything will turn out fine and being sweet and caring like he always is.
On the flip side. Thomas is probably one of the only characters who would actually bite back when cheated on too. Patton is a great option for Eliza, but because Patton is associated the most with nostalgia as a character, I don't think he'd be burning any letters any time soon, he'd hold on to those memories- but Thomas would probably burn the letters as soon as he got the chance, in order to try and forget everything- to burn all the memories. Also, I just wanna see Thomas raging at Janus in First Burn- can you imagine how badass he would be? The passion and fury radiating from him in that song would be just *chef's kiss* incredible!
And here's the strongest argument I have: Eliza is the person who tells the story, of Hamilton, of the soldiers, of Washington- and who is responsible for telling us what goes on in the TS Universe?
Thomas.
I rest my case! (There wasn't one to begin with but shhhh)
(Also, Hamilton and Eliza had 8 kids, and we all know Thomas is the tired mother of 6 children-)
And Peggy (hah): Remus
The main reason for this is, as I'm sure you can guess, because I made Roman Angelica. I mean, how could I not make Remus Peggy? I do have some legitimate reasons though.
Peggy has always been given the chaotic younger sister energy in the fandom, basically the Gen Z child- and Remus embodies Gen Z's chaos perfectly, it's honestly kind of scary. Remus would absolutely be the sibling who's just there to vibe and cause chaos, but would totally be there to help if you wanted it.
The problem here, is that Peggy is constantly asking about the girls' father in Schuyler Sisters, and worrying about consequences- which is not a Remus thing at ALL, but I can imagine Remus asking those questions like '👀 So what's the dealio?' And then being delighted at the responses that come from the others like 'YEAH- Let's break the rules!'
Peggy was also very good friends with Hamilton historically, and we all know Janus and Remus are best friends (that's not canon, but it is now)!
So- Peggy and Remus! Let's go!
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The Hamilsquad (Sides! Edition):
Aaron Burr: Logan
Logan is the most logical (hah) character to play Burr in my opinion:
Burr kills Hamilton, and Logan is probably the only Side who could actually defeat Janus in some way (Logic overcrowds the lies and reasons its way out of them), and if having a presence and some control got Janus to sink down, then what would happen to Janus if he Logan had full control?
Logan, like Burr, wants to be in the Room Where it Happened- he wants to be listened to- that's self-explanatory, but what gets interesting to me is the waiting ideology both of them have.
We all know Burr waits for opportunities- he had a whole song on it! But what people tend to forget is that Logan has also waited for chances and holds back opinions- the best example would be in LNTAO, where he admits to Thomas that he's been holding back his opinions for far too long and that he doesn't think people take Thomas seriously enough.
That 'wait for the right moment attitude' is instilled in both of them- and while Janus also partially has that attitude, he's also got a 'Leap for the chance and take it' attitude- which is why I can imagine him telling Logan 'You get love for it, you get hate for it- you get nothing if you wait for it' and 'What do you want Burr?'
He'd be the one to ask 'When are you finally going to take a stand and say "I want to be heard?" When are you going to take the chance?'
John Laurens: Virgil
Virgil's role as Laurens is mainly because of symbolism- the idea that you had these two great friends who were in it together, and one of them left (either this life or the Others) and that tore them apart in one way or the other.
Also, Laurens and Hamilton were hiding something- those letters said A LOT, and Jan and Virge act like two ex-boyfriends, like what is this-
----
Theodosia Sr.: Patton
This may just be my Logicality heart screaming, but I think this makes sense- Theodosia always gave off a sweet, soft motherly energy even though we never see her on screen or hear her voice. From what he heard about her, she seemed to be the loving mother character (Eliza was more the loving wife and widow figure, but she did have motherly traits for sure), and we all know Patton would rock the loving mother figure role- there isn't really much more to it.
----
I think that's all I can really say on the Sides characters' roles! There's gonna be more to this but this is a lot as it is, and I wanted to get this done ASAP.
So ye! I hope you enjoyed reading this and are looking forward about what's to come!
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iwach4n · 4 years ago
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this is basically an AU me and @snazzieyama have been talking about where haikyuu characters are the actors in Hamilton, and i haven’t been able to get it out of my mind so have an obnoxiously long set of headcanons about it
(i wrote this listening to the soundtrack, proper jamming i tell you)
CAST LIST (hear me out on some of these)
alexander hamilton - hinata shoyo
aaron burr - akaashi keiji
eliza schuyler - kageyama tobio
angelica schuyler - atsumu miya
peggy schuyler - yachi hitoka
john laurens / phillip hamilton - nishinoya yuu
marquis de laffayette - bokuto koutarou
hercules mulligan - tanaka ryuunosuke
george washington - sawamura daichi
thomas jefferson - tsukishima kei
james madison - yamaguchi tadashi
king george III - oikawa tooru
maria reynolds - kozume kenma
james reynolds / the doctor - kuroo tetsurou
samuel seabury - sugawara koushi
charles lee - lev haiba
george eacker - yaku morisuke
the bullet - shimizu kiyoko
HEADCANONS
hinata auditioned for hamilton despite having literally no theatre experience besides like school musicals and like one community theatre show. he was cast in ensemble at first but worked his way up to hamilton’s understudy and then the official hamilton
tsukishima auditioned for burr. he was salty that he was cast as someone else (his dynamic with yamaguchi was too good to pass up and akaashi had a better voice for Wait For It) at first but then he immediately clashed with hinata and took great pleasure with being able to roast him every night
in Alexander Hamilton, the laffayette/jefferson and mulligan/madison parts switch actors every show so bokuto, tsukishima, tanaka and yamaguchi all get to do it. sometimes they switch it at the last minute because “please dude my grandma’s come to watch i need to be on stage as much as possible”
tanaka has the Best fun on stage. he never fails to get the crowd pumped, he is jumping around and bringing so much energy, especially in his part in yorktown. it makes you mad that its a musical and you can’t start jumping up and singing along
suga was cast as seabury because he was perfectly good at the role and they preferred kageyama as eliza, which he auditioned for originally. he’s really good at it but it took way too long for Farmer Refuted to come together because him and hinata kept bursting out laughing. they both consider each other, like, the least threatening people ever, and they couldn’t take it seriously whenever hinata would have to get in suga’s face
SOMETIMES IT STILL HAPPENS!! if you watch carefully, you might see one of their lips twitch while they try to keep a straight face. the minute suga gets off stage, someone always has some cushion or piece of clothing he can laugh into because once he started laughing while his mic was still on
THE BIGGEST CAST JOKE IS ABOUT THE HEIGHT DIFFERENCE BETWEEN HAMILTON AND ELIZA!! kageyama looks so much taller than hinata (coz he is but its so noticeable when they’re alone on stage) and they torment hinata with pictures where it just looks ridiculous
oikawa always absolutely steals the show. he’s so dramatic, but he’s also one of the most simped-for cast members and sometimes he’ll throw a wink into the audience in the middle of You’ll Be Back to make things more interesting. 
also the bits in act 2 where he just comes in to watch and laugh at everything that’s happening? he’s so fun! just because he’s not the main focus of the scene doesn’t mean he isn’t gonna make the most hilarious facial expressions. half the audience ends up focusing on him instead.
daichi is the most commanding washington literally ever. he just comes on and he immediately takes over the stage. he barely has to try to give the character the air of authority. literally the perfect actor for the role
he’s also been in the show the longest. was cast as washington right off the bat and has been doing the role for multiple years. it makes him the unofficial dad of the cast and the go-to for advice since he’s seen a bunch of people do every other role
the “CALL ME SON ONE MORE TIME” line was another one that took too long for them to do without laughing. daichi has been doing this for ages but when he practices with hinata, he can’t help but laugh because this is the kid who he witnessed choke on hello kitty gummies with five minutes until the show began (back when hinata was in ensemble). hinata does the line too well and its hard to take it seriously at first
akaashi singing Wait For It is the literal most beautiful part of the show. he’s an amazing actor and his voice is incredible and it’s the sort of thing you could rewatch on loop for an entire week non-stop without getting bored
bokuto got akaashi the audition for burr, and even though their characters don’t interact too much their chemistry is really good. The “everyone give it up for everyone’s favourite fighting frenchman!” line is so genuine they just really admire each other as actors
lev auditioned for lee for the sole purpose of getting the line “i’m a general, WHEEEE”. he got the role mostly because he was just,,, really good at that line
atsumu refused to interact with anyone outside of rehearsals and performances for a solid month. the instagram of the cast had loads of photos on the story that were just mugshots of him saying “day 24, atsumu still won’t talk to us :(” whenever any of the cast take over it for a day
akaashi is the second most simped-for actor in the cast (after oikawa). you can literally feel people in the audience swooning in Dear Theodosia because he’s just so sweet
when yachi found out she was the only girl in the main cast she was literally terrified. she latched onto kiyoko really quickly and there’s a ridiculous amount of pictures that every fan has seen of those two together
kiyoko is really mesmerising as the bullet!! when she’s lifted her form is just stunning she just looks really nice okay-
every wondered whether kageyama would be like,,, actually good because he just seems kind of awkward off stage, but the minute he’s on stage and following a script, he’s like the perfect eliza
nishinoya has the perfect range for both laurens and phillip. fun and friendly yet still principled and serious rebel? check. small sweet nine year old? check. charismatic flirt? check. heartbreakingly dying from a gunshot wound? check.
tsukishima is a really unique jefferson. he’s not as flamboyant as the role usually is, but he’s super sassy to make up for it. it’s really refreshing and SO fun to watch. “uh,,, france?” becomes “france.” with a ‘are you stupid’ expression
yamaguchi wasn’t expecting to get anything past ensemble but he came in to audition with tsukishima and he is so good at what few lines he has. “which I wrote!” is said with such a scandalised tone, it gets a laugh every time
everyone who knew kenma before thought he’d be too awkward to do maria but he is actually really good once he gets past the initial awkwardness, he manages to portray her like a victim really well
i’ve already done like two of these so here’s some more scenes that took too long before they didn’t burst out laughing: eliza teaching phillip to play piano in Take A Break (just imagine nishinoya and kageyama doing it i can’t-), the duel in Ten Duel Commandments (the height difference between nishinoya and lev made them laugh every time they turned around), 90% of Say No To This but especially the kiss (kenma would just stop and get off like ‘no, i can’t, i can’t do this’ every time it was about to happen while hinata just started cackling)
part of the reason noya got cast as phillip as well as laurens was because he’s one of the only people who auditioned who was shorter than hinata
in rehearsals, akaashi has fallen off the table from The Room Where It Happens because they couldn’t time him jumping while the tablecloth was pulled off. there’s a compilation of the falls on youtube, no one knows who recorded them, let alone who posted it (it was kuroo)
speaking of kuroo, he takes his like five lines and he runs with them. he’s awesome as james reynolds but he’s also the fandoms favourite instagram of the cast because he just posts all the backstage shenanigans. he’s somehow always recording whenever something is going wrong.
he also teases kenma relentlessly about how their characters are married, but kenma is having none of it. it always goes like “awe we’re married” “,,, you’re literally abusive” or “come on, do it for your husband” “i’m cheating on you”
(i stopped here to jam to That Part of Hurrican. i wrote my way out hell i wrote my way to revolution i was louder than the crack in the bell i wrote eliza love letters until she fell-)
bokuto managed to rap Guns And Ships first try. he listened to it like twice, read the lyrics, and he could immediately do it. he took ages to do a convincing french accent though, and it pained everyone
TSUKISHIMA COULDN’T DO THE FAST PART OF WASHINGTON ON YOUR SIDE AND HAD TO ASK BOKUTO FOR HELP
bokuto is just,,, such a good laffayette. he’s jumping all over the place, flexing his muscles while he does the fast raps without looking out of breath at all. it seems almost impossible
also!!!! kuroo has a ridiculous amount of videos of bokuto backstage fortnite dancing to serious songs like Burn or Its Quiet Uptown
kageyama in Burn!!! heartbreaking and beautiful but he burns his hand on the letter too often. he’s gotten used to it at this point so he only slightly flinches when the flames touch his hand. its worrying
congratulations was almost brought back because atsumu really likes it and he absolutely kills it. they recorded him singing it in like a studio and everything because its just that good
when noya found out yaku was playing eacker he was so happy because they’re both short and he already looks ridiculous and tiny enough in the first duel
tsukishima will never admit how much fun he has with “southern motherfucking democratic republicans!!!” but its so clear his eyes literally shine (he kind of carries that line coz yamaguchi and akaashi are a lot more mellow)
oikawa once got dared to fortnite dance in reynolds pamphlet when he’s throwing the one singular sheet of paper. he was going to do it but the directors found out about it and literally threatened to fire him if he did it (they did it in a rehearsal to make up for it)
you know that bit in Your Obedient Servant where its like “careful how you proceed good man, intemperate indeed good man, answer for the accusations i lay at your feet or prepare to bleed good man”? literal chills from the look on akaashi’s face when he does it
whenever other cast members get food gifts from fans and they leave them unattended atsumu will always steal them. only daichi has figured out its him and he has kept quiet on two conditions - he leaves his alone, and he gets half of all the cakes
sometimes yachi just likes to lie down in the middle of the spinny floor and spin to destress. yamaguchi joins her sometimes.
there’s always a ton of people waiting at stage door, and kuroo has made it his mission to come out first and announce everyone as they leave. people play along with it and cheer for every person. some of the cast (mainly oikawa and bokuto) make it super dramatic and do massive bows as they walk out. kageyama never fails to look bewildered despite it happening every day
oikawa chills in full king gear backstage way before and way after he needs to. like half of his instagram is selfies is him in it doing dramatic poses. he’s broken the crown too many times because it fell off his head
hinata sometimes subconsciously does the My Shot dance while he’s going about his life. he can’t escape
they can be sorted into three groups: is the literal sweetest baby to their fans and is kind of shocked they even exist, adores having fans and fully expects them to exist, and the ‘i appreciate the support but pls leave me alone i want to go home’
i don’t know how to round this off but this is getting too long and its gonna keep on going because i’m listening to the soundtrack as i write. maybe there will be a part 2 one day.
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tvandenneagram · 4 years ago
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Hamilton Enneagram types
I know that this is mainly a TV blog, but I have loved Hamilton ever since it came out and wanted to type the characters since the ‘film’ came out this week 😊
Alexander Hamilton - 3w4 - 1w2 - 7w8
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Hamilton is the archetypal 3, he is obsessed with raising his station and finding success. Hamilton works tirelessly and never ‘takes a break’ which causes problems with his loved ones. He is fixated on creating a legacy and does not want to go back to the poverty of which he came from. Hamilton is assertive and takes every opportunity he has to succeed. He advises Burr that you get nothing if you wait for it and encourages him to stand up for his beliefs. Towards the end of the musical, he has lost his son and his career, making him more unhealthy. During this time he is withdrawn, listless and shows little motivation (disintegrating to 9). 
Key lyrics:
“Hey yo, I'm just like my country I'm young, scrappy, and hungry. And I'm not throwing away my shot”
“I probably shouldn't brag, but dag, I amaze and astonish”
“Will you relish being a poor man’s wife. Unable to provide for your life?”
“As a kid in the Caribbean I wished for a war. I knew that I was poor. I knew it was the only way to rise up! ... If they tell my story I am either gonna die on the battlefield in glory or rise up!”
Eliza (about Hamilton): “You and your words obsessed with your legacy. Your sentences border on senseless. And you are paranoid in every paragraph how they perceive you”
Aaron Burr - 9w1 - 3w2 - 5w6
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Burr always keeps his stances on different issues ‘close to his chest’ because he doesn’t want to say something that can be used against him. He does have values and feelings, he just isn’t open with his feelings and doesn’t say anything to keep the peace. In the later part of the play, Burr begins to show his ambition more openly and begins to campaign for president. He starts to take more initiative and tries to be more like Hamilton and take what he wants rather than ‘waiting for it’. As Burr gets into the lower levels of health, he becomes paranoid like a 6 as we can see in “The Room Where It Happens.” When Hamilton supports Jefferson for the presidency, Burr becomes vengeful and challenges Hamilton to a duel. He does not understand why Hamilton would support his enemy over his friend, when all Burr is trying to do is take Hamilton’s advice. Burr is ultimately very jealous of Hamilton, as he believes that Hamilton gets everything he wants by taking it. Burr’s style of lying in wait directly contrasts Hamilton’s more assertive nature and deep down he wishes he was more like Hamilton.
Key Lyrics:
“I'm not standing still, I am lying in wait”
“Talk less. Smile more. Don’t let them know what you’re against or what you’re for”
“What is it like in his shoes? Hamilton doesn't hesitate. He exhibits no restraint. He takes and he takes and he takes and he keeps winning anyway.”
“I’ll keep all my plans close to my chest (wait for it, wait for it). I’ll wait here and see which way the wind will blow. I’m taking my time watching the afterbirth of the nation, watching the tension grow”
“I am slow to anger, but I toe the line as I reckon with the effects of your life on mine”
“I wanna be in the room where it happens”
Eliza Schuyler - 9w1 - 2w1 - 6w7
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Eliza is kind-hearted, caring and naive. She is shy, but she is fiercely loyal to her loved ones. She has a tendency to go with the flow and is very easily influenced. Eliza is deeply trusting and tends to take what Hamilton says at face value. It seems that she is naive to Hamilton’s intentions to raise his station and to his later affair. She is helpless when it comes to Hamilton and hangs on his every word. Eliza wants Hamilton to give her more attention and show her more affection. She wants to show him that there is more to life than creating a legacy. Eliza is very forgiving and when their son dies, she shows Hamilton the ultimate compassion by forgiving him. In her later life she becomes more of an activist and speaks out against slavery as well as establishing an orphanage to help children. 
Key lyrics:
“I have never been the type to try and grab the spotlight”
“I'm erasing myself from the narrative. Let future historians wonder how Eliza reacted when you broke her heart”
“We don’t need a legacy. We don’t need money. If I could grant you peace of mind. If you could let me inside your heart…”
“I stop wasting time on tears I live another fifty years It’s not enough”
Angelica (about Eliza):  “I know my sister like I know my own mind. You will never find anyone as trusting or as kind”
Angelica (about Eliza): “ If I tell her that I love him she’d be silently resigned. He’d be mine. She would say, “I’m fine”. She’d be lying.”
Company: “Forgiveness. Can you imagine?” 
Angelica Schuyler: 6w7 - 1w2 - 2w3 
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Angelica was very hard to type, we were stuck between 1 and 6 because she is very, very compliant. One of her defining characteristics is her self-sacrificing nature and devotion to her sister. Angelica values duty and tries to do what is right for her family. When she meets Hamilton, she is able to correctly deduce that he wants to be with her because of her family’s social status. Despite feeling an instant attraction to him, she sets him up with Eliza instead because (as the oldest) she has to fulfill her father’s expectations and marry into society. Angelica is also extremely loyal to Eliza and her family, as most of her actions are in service to them. When she returns from London, she reacts aggressively to Hamilton as he betrayed Eliza. 
Key Lyrics:
“I’m a girl in a world in which my only job is to marry rich. My father has no sons so I’m the one who has to social climb for one”
“He’s after me cos I’m a Schuyler sister. That elevates his status, I’d have to be naive to set that aside”
“In a letter I received from you two weeks ago I noticed a comma in the middle of a phrase. It changed the meaning. Did you intend this?”
“Some men say that I’m intense or I’m insane. You want a revolution? I want a revelation - so listen to my declaration”
“And when I meet Thomas Jefferson Imma compel him to include women in the sequel”
George Washington - 1w9 - 6w7 - 3w2
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Washington has very strong principles which manifest in his efforts for the revolution. He has a tendency to dwell on his past mistakes and feels deep shame over them. Washington takes Hamilton under his wing and wants to show him the wisdom that he has learned throughout his life. He remains true to his convictions and fights for what he believes in. Washington abdicates his presidency because he knows that it is the right thing for the nation. He understands that for the nation to move forward there needs to be different leaders and viewpoints. Washington wants his address to inform of the wisdom he gained from leading the country and help advise America’s future leaders.
Key lyrics:
“I made every mistake. I felt the shame rise in me and even now I lie awake knowing history has its eyes on me”
“Dying is easy, young man. Living is harder”
“Pick up a pen, start writing. I wanna talk about what I have learned. The hard-won wisdom I have earned”
“Can I be real a second? For just a millisecond? Let down my guard and tell the people how I feel a second? Now I’m the model of a modern major general the venerated Virginian veteran whose men are all lining up, to put me up on a pedestal, writin’ letters to relatives, embellishin’ my elegance and eloquence”  
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dayscrazed · 4 years ago
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Chain of Iron Countdown- Hamilton Parodies
Every day until COI release day, March 2nd, I will be posting a new Hamilton parody based on the characters from The Last Hours book series.
16 Days: WHAT’D I MISS? Thomas= Jefferson 15 Days: MY SHOT  James= Hamilton, Thomas= Lafayette, Christopher= Mulligan, Matthew= Larens, Charles= Aaron Burr 14 Days: HELPLESS Cordelia= Eliza, James= Hamilton 13 Days: RIGHT HAND MAN Will= Washington 12 Days: THE SCHUYLER SISTERS (GIRL SHADOW HUNTERS) Cordelia= Angelica, Anna= Eliza, Lucie=Peggy 11 Days: IT’S QUIET UPTOWN Gideon & Sophie & Thomas= Alexander & Eliza 10 Days: WAIT FOR IT Grace= Aaron Burr 9 Days: GUNS & SHIPS Christopher = Lafayette, James= Washington, Thomas= Hamilton 8 Days: YORKTOWN (THE WORLD TURNED UPSIDE DOWN) James= Hamilton, Christopher= Lafayette/Mulligan, Matthew= Laurens, Thomas= Lafayette 7 Days: SO NO TO THIS James= Hamilton, Grace= Maria Reynolds 6 Days: THE ROOM WHERE IT HAPPENS James=Jefferson/Madison, Cordelia=Hamilton, Grace & Charles= Aaron Burr
Inspired by: Chain of Gold p. 543- “James slammed the door of the drawing room shut behind him and spun to face Cordelia.”
LUCIE: Ah, Ms. Carstairs! CORDELIA: Ms. Herondale LUCIE: Did you hear the news about good old Grace Blackthorn? CORDELIA: No LUCIE: You know Charles Fairchild? CORDELIA: Yeah LUCIE: He got re-engaged to her The Fairchild legacy is secure CORDELIA: Sure LUCIE: And all she had to do was lie CORDELIA: And that's a lot less work! LUCIE: We ought to give it a try CORDELIA: Heh LUCIE: And how you gonna get your marriage plan through? CORDELIA: I guess I'm gonna have to finally listen to you. LUCIE: Really? CORDELIA: Talk less, smile more LUCIE: Haha! CORDELIA: Do whatever it takes to keep my fam-ly from being poor LUCIE: Now these Shadowhunters are merciless CORDELIA: Well, hate the sin love the sinner JAMES: Cordelia! CORDELIA: I'm sorry Luce’ I gotta go LUCIE: But CORDELIA: decisions are happening over dinner
LUCIE: True, Herondale and a Carstairs walk into a room ALL: Reputations defend Friends LUCIE:They emerge with a compromise Having open doors that were previously end- ALL: Ed LUCIE: The Carstairs emerges with unprecedented social power A story she can shape however she wants The Herondales emerge with a secure alibi And here's the pièce de résistance No one else was in the room where it happened The room where it happened The room where it happened No one else was in the room where it happened The room where it happened The room where it happened No one really knows how the game is played The art of the trade How the sausage gets made We just assume that it happens But no one else is in the room where it happens
ALL: (James claims) JAMES: You see,  I was on Cordelia’s doorstep one day in distress and disarray ALL: (James claims) JAMES: Cordelia said, CORDELIA: "I've nowhere else to turn" JAMES:  And basically begged me to help her marry ALL: (James claims) JAMES: I approached Cordelia and said "I know you like me” and I proposed to her that day ALL:  (James claims) JAMES:  We’ll now arrange the wedding I’ll arrange the menu, the venue, the seating LUCIE: But No one else was in the room where it happened The room where it happened The room where it happened No one else was in the room where it happened The room where it happened The room where it happened No one really knows how the parties get to "Yes" The pieces that are sacrificed in every game of chess We just assume that it happens But no else is in the room where it happens ALL: (Meanwhile)
CHARLES: The Enclave is grappling with the fact That not every issue can be settled by committee ALL: (Meanwhile) GRACE: My mother is fighting over Herondales who did her wrong It isn't pretty CHARLES: Blackthorn approaches with an arson insight GRACE: Cordelia responds with a scandalous invite
JAMES: Maybe we could solve one problem with another And win a victory for you newcomers In other words CORDELIA: Ho ho JAMES: A quid pro quo CORDELIA: I suppose JAMES: Wouldn't you like to call the Institute your home? CORDELIA: Actually, I would JAMES: Well, I propose we get married CORDELIA: And you'll provide me a home? JAMES: Well, we'll see how it goes CORDELIA: Let's go GRACE: No! ALL:...one else was in the room where it happened The room where it happened The room where it happened No one else was in the room where it happened The room where it happened The room where it happened CHARLES: My God, In God We Trust But we never really know what got discussed ALL: Click boom! Then it happened CHARLES: But no one else was in the room where it happened ALL: (Cordelia Carstairs) GRACE: What did he say to you to get you to sell your reputation down the river ALL:  (Cordelia Carstairs) CHARLES: Did your brother know about the dinner Was there parental pressure to deliver? ALL:  (Cordelia Carstairs) GRACE: Or did you know even then it doesn't matter if engagement came from scandal? JAMES: Cause we'll have one year, we’ll untie the knot GRACE: You got more than you gave JAMES: And I wanted what I got When you got skin in the game, you stay in the game But you don't get a win unless you play in the game Oh, you get love for it You get hate for it But you get nothing if you (Wait for it, wait for it, wait) JAMES: God help and forgive me I wanna help Daisy so shame won’t kill me What do you want Grace? (What do you want Grace?) What do you want Grace? (What do you want Grace?) If you stand for nothing then what'll you embrace? GRACE: I, I wanna be in the room where it happens The room where it happens CHARLES: I wanna be in the room where it happens The room where it happens GRACE & CHARLES: I (I wanna be in the room where it happens) I wanna be in (the room where it happens) The room where it happens I (I wanna be in the room where it happens) I wanna be in (the room where it happens) The room where it happens I wanna be in the room where it happens (Oh) The room where it happens The room where it happens (I wanna be in the room) I wanna be in the room where it happens (I've got to be, I've got to be) The room where it happens (Oh) The room where it happens (That big old room, oh) ALL: The art of the compromise CHARLES: Hold your nose and close your eyes ALL: We want our friends to save their names GRACE: But we don't get a say in what they trade away ALL: We dream of a brand new start JAMES: But we dream in the dark for the most part CORDELIA: Dark as a tomb where it happens GRACE & CHARLES: I've got to be in the room (room where it happens) I gotta be (the room where it happens) I gotta be (the room where it happens) I've got to be in the room (the room where it happens) I gotta be, I gotta be, gotta be (the room where it happens) In the room (I wanna be in the room where it happens) ALL: Click, boom
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servinglemonade · 4 years ago
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HAMILTON ON DISNEY+
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BEWARE: SPOILERS AHEAD FOR HAMILTON ON DISNEY+
Hi everyone! I’m back with a very exciting post that I thought I would not be writing for a very long time. My review of the filmed Hamilton Production on Broadway with the OBC!! After the unexpected announcement that the Hamilton film would find it’s home on Disney+ instead of being released in theaters in 2021, I was ecstatic. I could not believe it! I have been listening to the album with the OBC for years now. I never get tired of it, it always puts a smile on my face and the occasional comfort whenever I need it. I have watched Hamilton four times now and I just love it so much. So let’s go...
Overall reaction
Even after watching four times now, my reaction is still the same. I truly believe that it is a brilliant masterpiece. That is high praise for sure, but Hamilton deserves it. I will never forget experiencing it for the first time on July 3rd. I was blown away and could not take my eyes off the screen. It was exhilarating to finally see this, after listening to it for years. It is the little details that you do not get to experience when listening to the album that I loved the most. So overall, I was blown away by it and exceeded all of my expectations.
Film 
I have never seen a filmed stage musical, so I do not have a reference. However, I thought this was beautifully filmed. It showed the whole stage when it was needed and zoomed in on the actors when necessary. It was an intimate experience. You get the best seat in the house, so to speak.
Cast
I already knew the cast was phenomenal due to listening to the cast album. Seeing them perform all the songs was even better than I expected! Here is an itemized list (hehe) of all the cast members, because they all deserve a chance to shine! Special shout-out to all the ensemble members, without them the show would just not be complete!
Lin-Manuel Miranda as Alexander Hamilton Favorite performance: Hurricane (so beautifully staged!!)
The man, the myth, the legend! I am a huge fan of Lin and his work (even beyond Hamilton)! I thought his Hamilton was great and very funny at times. The emotion in his performance was really good! Lin wrote this whole thing!! It all came from his mind, which is incredible in and of itself. 
Phillipa Soo as Eliza Hamilton Favorite performance: Burn (iconic)
Phillipa is so talented. She has an amazing voice and pair that with her amazing performance and it is practically perfect. Her acting and singing during the final song, Who Lives, Who Dies, Who Tells Your Story, was so emotional. It had me crying all the three times I have seen it. 
Leslie Odom Jr. as Aaron Burr Favorite performance: Wait For It (this is one of the songs that made me a Hamilton fan)
Leslie Odom Jr. is one of the most talented people ever. He is so amazing on that stage. Everybody always said that The Room Where It Happens is a true masterpiece and I always liked the song, but it was not my favorite. Seeing Leslie and the Ensemble cast perform it, WOW! Incredible. Leslie is the perfect Burr and had me crying and laughing many times.
Renée Elise Goldsberry as Angelica Schuyler Favorite performance: Satisfied (what else?!)
I always found Renée’s voice so damn powerful in Satisfied, which made me love the song more. Seeing Satisfied performed was magical and I will never get over how amazing that song is and how perfect Renée performs it. She is a true powerhouse whenever she shows up and confirmed that Angelica is one of my favorites in the show.
Daveed Diggs as Marquis de Lafayette/Thomas Jefferson Favorite performance: What’d I Miss (this was hard)
Daveed Diggs. Daveed Diggs. Daveed Diggs. Oh my gosh, he was even more perfect than I thought. Daveed is one of the cast members everyone always raved about and now I know why! If I had to describe his performance, I would say it is electric. He just immediately captures your attention. For both Lafayette and Jefferson!  
Christopher Jackson as George Washington Favorite performance: One Last Time (this was so powerful)
The first time Chris emerges on the stage as Washington, you are just immediately drawn to him (at least I was haha). He just has a very powerful presence. Especially in Right Hand Man, his entrance is EVERYTHING! History Has Its Eyes On You has always been one of my favorites on the soundtrack and it was even better seeing it. However, his moment is One Last Time. It is truly a defining moment of the entire show.
Okieriete “Oak” Onaodowan as Hercules Mulligan/James Madison Favorite performance: Yorktown (his part is so good)
Oak has some fantastic moments in the show! His Hercules Mulligan is so great and full of energy. As I said, his part in Yorktown gets me so hyped! I loved James Madison’s parts with Jefferson, they had awesome energy together. Another fave Madison line is in The Election of 1800. The first line is Jefferson saying if they can get back to Politics since a lot of drama and sad stuff happened in the past few songs and Madison is like uhh, please with a soft voice because he has been crying. So funny and relatable!
Anthony Ramos as John Laurens/Philip Hamilton Favorite Performance: Blow Us All Away (funny in the beginning and ends so sadly)
I enjoyed Anthony Ramos’ performance quite a bit! He was great in conveying emotions as both Laurens and Phillip, with both roles having quite emotional endings. I was shocked to find out there was a part just before Non-Stop that showed Hamilton learning about Laurens’ death, that was so sad and Anthony Ramos did it so beautifully. I was very impressed by him and I cannot wait to see him in In The Heights!
Jasmine Cephas Jones as Peggy Schuyler/Maria Reynolds Favorite performance: Say No To This (her vocals are so great here)
Peggy and Maria might not be the biggest roles in the show but Jasmine slays in both of them! Especially as Maria, her vocals in Say No To This are even better than on the cast album. She was amazing!
Jonathan Groff as King George III Favorite performance: I Know Him (Jonathan’s performance makes this song work so well)
Jonathan was funny on the album but when you see the performance with it, it just completes it! He was phenomenal, and I loved that he showed up during some other songs as well, for example in The Reynolds Pamphlet, absolutely hilarious! I also enjoyed his little announcement at the beginning, where he said Enjoy MY show, that was a neat thing to include here!
Favorite Musical Numbers
Okay, so these are all my favorite performance, taking into consideration the song itself, staging, choreography, and production. I love how seeing the show made me love songs that were not my favorites before! So here they are in a non-particular order:
My Shot 
So powerful, I think I almost jumped off the couch at the end because I was so hyped!
The Schuyler Sister
Even better than I thought it would be! From the use of the rotating stage, the performances, and choreography.
Farmer Refuted
This was the one song I always skipped on the album, however, seeing it here makes me lol every time! It’s great.
You’ll Be Back, What Comes Next?, and I Know Him
Give me all the King George content, soooo funny, I just love these moments in the show!
Helpless and Satisfied
Satisfied is still my favorite of the two, however it was breathtaking seeing how well the two are connected. Especially Satisfied, first the toast, then rewinding to see Helpless from Angelica’s perspective, and lastly coming back to the toast. I just thought it was stunning to see! The staging here is phenomenal.
Wait For It
The song that made me love Hamilton. Seeing Leslie performing it, made me love it, even more. He is so talented and amazing here. I had goosebumps. Even though the staging and production for this number are simple, it just makes it even better because you can just focus on Burr!
Yorktown (The World Turned Upside Down)
Every time I watch it and Yorktown ends, I always shake my head in awe. It such a powerful moment in the show and it just makes me very hyped (especially Mulligan’s part). SO good.
Non-Stop
I know I keep talking about how great the staging is, but I feel like the staging from Satisfied, Non-Stop, and another one is the best ones in the show. The ending of Non-Stop on the stage with all the characters standing above Hamilton, stairs being moved from one side to the other all so seamlessly... *chef’s kiss*
Cabinet Battle #1 and #2
The energy between Hamilton and Jefferson here is so good, and I love they look into the audience and make them a part of it. Lin and Daveed just nail these songs!
The Room Where It Happens
Two things: LESLIE and THE CHOREOGRAPHY. That is all.
Washington On Your Side
I just really started loving this song after seeing the show. I also loved the beginning of the song where Burr joins Jefferson on stage, starts singing and Jefferson is just standing there confused thinking: “Where did you come from all of a sudden?” This is Chris’ moment in the show, he just conveys so much emotion in every line. 
One Last Time
This is Chris’ moment in the show, he just conveys so much emotion in every line. 
Hurricane
I just love this song and the use of the rotating stage here is excellent, same goes for the lighting.
The World Was Wide Enough
Seeing this for the first time was so emotional, the part where only Lin is singing and you onlyhear his voice... Pfff, amazing! Also how Leslie ends the song, WOW! 
Who Lives, Who Dies, Who Tells Your Story
The way I sobbed during this... I just thought it was a beautiful ending for the show itself.
Okay, that was a long one! But I love talking about Hamilton and if you read the whole post, I guess you like reading about it! Thank you so much for reading and I hope you enjoyed it! What were your favorite moments from the show?
Have a festive day and stay safe! 
XO 
Yenai
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Things from Hamilton West End 9.3.2019
In no particular order
Satisfied was SO GOOD literally the choreography was the choreography for helpless and a winter's ball but with Angelica as the centre of everything instead of Eliza
Also when ham kissed her hand in satisfied all the ensemble took a deep breath and moved up at the same time
Everyone was on stage most of the time, the principles doing the dances on the balcony whilst the ensemble do the choreography on the main stage
peggys dress often looked the same as the ensembles when she was stood with them
Also Maria did all the dances in a sexy manner? Like she'd just be very slow and sensual
Say no to this was straight up porn like hams hand was firmly on the tit wtf
Maria gave Hamilton the quill for the Reynolds pamphlet
Farmer refuted was essentially every sibling fight ever, people got pushed off boxes, pamphlets were shoved in faces, it was a mess
Lafayette distracted Burr in farmer refuted so that ham could sass Seabury
Lafayette was tiny which was hilarious
Like the same height as Eliza and Angelica
This is made better by the oh so tol boi ham
In the story of tonight reprise herc pointed at ham then laf when he said "I've seen the wonders great and small"
Tiny Eliza and gigantic ham was so adorable especially when she put a coat on him in Alexander Hamilton and guns and ships
Rachelle Anne Go is the best. No other comments
Eliza's scream at the end of stay alive reprise was harrowing
George Eaker fired wayyyyy before ten
Hercules took a shot Lafayette hung his head in defeat when they read their letters from Lauren's
I was not given enough time to recover from the Lauren's interlude
The look that Burr gave Hamilton when Washington dismissed him in right hand man omg the forboading
Eliza dragged Peggy around the stage during Schuyler sisters
There was like finger wiggles in room where it happens and it was quite funny
Ham was so distracted in room where it happens, he had Maria on the brain
In who lives who does who tells your story Hamilton pushed Eliza forwards quite aggressively just before the end of the song
The gasp omg I forgot she looked so beautiful
In non stop angelica got taken away from Hamilton on the turn tables as Eliza got brought towards him
King George needs to calm tf down
Literally he's depicted as a toddler
In what comes next king George stamped his foot on "I'm so blue" and the lights turned blue
John was so gay, there was a lot of flirting with ham
Hamilton copied Jefferson's little dance from what did I miss in cabinet battle #1
Eliza's pregnancy dress was so unbelievably beautiful
In non stop, when G.wash sung "history has its eyes on you" him and his but of balcony just rolled onto the middle of the stage in a very aggressive manner
Eliza looked so frustrated when ham said he was leaving
An actual real fire on stage during burn
In satisfied when the chorus are all replying to Angelica, Eliza only joins in on always
King George just stayed on stage after I know him and clapped with the audience and tried to copy the dances whilst sat on a stool
He also had a spotlight in the Reynolds pamphlet
He was the most flamboyant character in the whole thing
Ham kissing Eliza's hand was the most adorable thing
The pause after "Eliza" in take a break broke me more than it should have
The was Eliza ran to Angelica in take a break and hugged her was so cute
There was like three times when Angelica and Eliza just took one of hams arms each and clamped on. Non stop, take a break, and the world was wide enough (they say Angelica and Eliza were both at his side when he died)
Hurricane involved the ensemble holding furniture and spinning on the turn tables
Also in hurricane, everyone, the ensemble, maria etc ducked below ham so he could be seen when they span in front of him on the turn tables EXCEPT BURR
There was three lyric changes for Hamilton London: "I propose the potomac" became "invite him over, propose it", "weehawken, dawn" became "jersey, dawn" and "John Adams doesn't have a real job anyway" became "vice president isn't a real job anyway"
In summary, it was AMAZING and I hope I get the opportunity to go again some day
Sorry for the long post :)
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mariposalass · 5 years ago
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Deep Pain, Deep Sorrow
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Summary: The day he died the first time has come, and Philip is having nightmares of reliving the events in his mind. It is not really great, not great at all.
Setting: Mari and co.’s house in Daly City, California, present day midnight; Weehawken Dueling Grounds in Weehawken, New Jersey and the Church family house in New York City, New York, November 20-24, 1801.
Notes: Written up in the last minute in commemoration of RL Philip Hamilton’s death by gun dueling on this day 218 years ago. There are Hamilton musical spoilers and mentions of death, guns, & blood loss along with slight mention of alcohol & hate speech against Alexander Hamilton: if you’re not comfortable with any of them, then skip this and finding something more cheerful instead. Although the ending doesn’t end on a sour note though… Also tagging @husband-of-lucoa​ since I’m basing this on a RP we had on Discord with Marina’s old life dilemma before as a main theme.
Tags: character death, mention of guns, salty language, mention of blood and blood loss, existential crisis, Defying Time, Renewed Potential, Hamilton: An American Musical, Hamilton spoilers, implied mention of alcohol, hate speech, George Eacker bashing (if this is a thing), real life history
It all started with a speech, a goddamn speech on the Fourth of July nonetheless. Bloody Eacker had all the nerves to bash his father like that: no respect to the man who had to work hard from a rough life of illegitimacy and having one parent died & another far away to help bringing a nation out of the shackles of Great Britain’s control, in front of a bunch of people wanting him dead literally or otherwise, poor Theo’s figuratively blind and ambitious father included. Surely, if that fool had known the man personally much longer, maybe it have been less abrasive, but no, he was a foolish twat. 4 months had passed since that slanderous speech and he & an old friend, Stephen Price, had confronted him, both younger men being under some alcohol for some reason, in the Park Theater about that rancid work of words. A verbal fight has borne out of this confrontation and the final straw came in the form of that bastard calling him and Stephen ‘rascals’, which had the young men to challenge him in a dueling match.
Back then, most men, even the smartest and most noble of the lot, wouldn’t simply settle things in a calm and logical manner; with pride on the line, they dealt arguments with small death machines, guns loaded with bullets that could spell death to the unfortunate person on the other side. Eacker would take on Price first a day after, then him on the next day. Four shoots were heard across in Weehawken, but no one died that day. The next day came, and it was him against the foolish twat; with some advice from his father, he had started it with a delope, throwing his first shoot, a move that would ultimately cost him life. Eacker had done the same, for a fool like him, it too was a smart move then.
A minute later, neither one dared to make a move, but then, Eacker aimed for him and shot him above the right hip and into the left arm; he did shot back, but the bullet was useless. The fired bullet from Eacker’s gun was lodged to his arm, spasms came in involuntarily. Everyone was wondering and panicking while Eacker was blindly soaking in this false victory, yet he knew that the victory that fool was enjoying is fleeting and was trying his best to remain calm and collected as Death is slowly arriving at his doorsteps and he was bleeding profusely. Soon, word was spread of the duel and he was then rushed to Aunt Angelica and Uncle John’s house in the city center; Angelica, while still shocked by her nephew’s misfortune, wrote that his attitude during this trying time was unbelievably remarkable for a 19 year old nearing Death.
Horrified by the news of what Eacker did to his firstborn son and rocked by anxiety & worry like every responsible caring parent would, Alexander rushed to Dr. Hosack’s home to ask for medical help, only to learn that the good doctor was already ahead of him at the Church residence by this time, staying with his family to recover before heading to his sister in law’s place. By the time he and Eliza reached him, he was paler than the moon itself, his face ashen from the near loss of blood, almost haggard in appearance.
The older Hamilton was in despair, sobbing and clutching Dr. Hosack by the hand & salted tears running down from his watery eyes, and the middle Schuyler sister, pregnant with her final child at 3 months, even more distraught than she would let on. Pulse was faint, but still heard by Alexander, and yet time was running out for his eldest son. They had stayed by his side all the night along, 14 hours and a confession of faith later however, Death has taken Philip Hamilton away from the world and from his family at 5 AM. Only 19 years old.
He had bolted up from his bed after so many flashes running across his mind, waking up screaming and causing his roommate Ahkmenrah to wake up from his slumber as well. His horrified screams could be heard all over the house, alarming everyone trying to get a good night’s rest. The former pharaoh was startled by the stressful look in his friend’s face and checked if he was okay. Philip honestly couldn’t hide how he was feeling, but didn’t explain it to him fully until everyone else went inside their shared bedroom.
Mari has never seen him this stressed out (beside crunch time on news article deadlines and getting confused over modern day things) in the 11 months they have been together, she had sat beside him and sheepishly held onto his hand as a calming measure. Kirby, saddened to see him in the state he was in, flew onto his bed and hugged him by the side of his torso.
“Hey, what’s happening to you, mate?” Harry questioned him, sensing that there must be something that left him this freaked out.
“Yeah, we want to know why,” Kairi chimed in.
“Come on, Philip, there is never a bad thing to admit it,” Mari gently reminded him, “We’re all ears for you.”
“Nightmares, those nightmares of that duel, agh!” he groaned in agony, “I never thought of reliving those awful memories of it all over again. I didn’t expect it to send my family on a downward slope after that. It was horrible to think about it in your sleep.”
“Well, you told us all about it many times for a long time now, still there is no need to hold back just because of some a-hole trying to peg down your dad like that and shoot you in return,” Mari sighed, not knowing what else to say in return and trying to fight back in tears from her eyes.
“Philip, please don’t feel bad about that. I know that it was very foolish of both you and that Eacker guy to try to shoot each other over a speech and just sort those issues out yourselves, but honestly, I didn’t think that it was all your fault,” Issa tried to reassure him, “Besides, he’s already dead and probably regretting that he shouldn’t harass your father with that speech in the first place.”
“Your father sounds like a very important man indeed, Philip,” Ahk pointed out, “You and your siblings must have looked up to him so much. He have done some messed up things in the past like that affair thing, yes, but never a horribly terrible person at all. I would have loved to ask him questions about how he helped out in freeing and growing this nation and independence with several like-minded men.”
“Poyo...” Kirby sniffed in sympathy as he cried.
“Look, Philip dear. The past is the past, we know that we couldn’t turn back the hands of time to stop it from happening, even the Doctor couldn’t stop it in a couple of cases whenever he goes time-traveling. But it doesn’t mean that you should never be defined by those events. You got this second chance in life and you can still enjoy life even more than ever, so you shouldn’t worry about everything the second time around,” Mari calmly reassured her dearest beloved before remembering something similar that had happened to some friends a year ago, “Funny enough, this whole situation you’re in is quite similar to Marina’s case: Dyl’s friends at the Fortress Team found her unconscious by the sea and couldn’t find anyone willing to pick her up and look after her until Dylan and Lucoa (and later Lady Palutena) stepped in and took her into their large family. Even she was struggling with recovering from her past mistakes for some time, but since you came back and befriended her, she doesn’t have to worry too much about them. She still gets nightmares once in a while, but beyond that, she is doing well.”
“Well, I suppose that I should follow her example then?” he meekly asked her and everyone else in the room.
“I don’t see a problem with that, Pip,” Issa smiled back in response, “She was the first person to reach out to you since you made that public reveal of your return, so she is likely to listen all about it.”
“Since you did in a way helped her recover from her past mistakes and get help from her folks, perhaps we can contact Dylan, Lucoa, and Lady Palutena by morning and see if she can drop by to help you out as well,” Harry added, “Or you can talk to me as well. I have been through a lot of trauma in my life as well, especially with the Killing Cruse, the Horcrux Hunt, the Battle of Hogwarts, and after I disown my canon realm for good. Seriously, if you have some nightmares again, just let us know: we’re all here for you and Mari is always there for you as much as you’re always there for her.
The kind support and reception he is receiving are too overwhelming yet welcoming as everyone gathered around him to give him a warm hug, Mari’s being the tightest of all. He never felt this much closer to home than with this unlikely group of people, animals, and what have you, but it is probably true in a way. It might tempting to ask Ahk to bring his folks back to the world of the living, but that would too much hassle and trouble to ask for. The whole 11 months felt like quite a wild ride for sure and yet it is the most fulfilling he has ever lived through, and he couldn’t ask for more than find his place among these strange modern day waters and have an amazing life with his new unlikely ‘family’ and his beloved darling.
The End
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a-classic-fool · 6 years ago
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Hamilton, Take Two
I got to see Hamilton in NYC! It was amazing! I’m not even bitter about the fact that our Lyft driver got lost and we ended up bailing, getting on the subway in Midtown Manhattan at 6:30 p.m., squishing ourselves onto the most crowded subway car I have ever had the misfortune to ride in, and then absolutely sprinting from the Broadway subway station to the theater. My profound apologies to the people I smacked into on my chaotic way through Times Square. 
Since I got to see the show in Chicago as well, I’ve now seen both Mandy Gonzalez and Karen Olivo play Angelica and both of them really are THAT TALENTED and THAT GORGEOUS and they are both cordially invited to wife me at any point. They are such different Angelicas - Karen is angrier and steelier, a little more anguished, whereas Mandy is warmer and maternal and incredibly focused on Eliza’s happiness. I really loved both their interpretations, although I’m very partial to Karen’s version of Satisfied. 
Denée Benton was an INCREDIBLE Eliza. She was warm and loving in the first act and then so, so devastated in the second. Her version of Burn was just sorrow - it wasn’t righteous or furious, and it wasn’t icy and steely like Philippa Soo’s version. Instead, she just sounded unbelievably heartbroken. And her voice is just as stunning in person - her vocal runs are perfection, I died many times.
I ALSO saw yet another Burr (if you haven’t seen my previous long ramble about Burr interpretations, it’s here), and Gregory Treco, who played him, was fantastic. Daniel Breaker, who I saw in Chicago, is the current Broadway Burr, and I’m not really sure why I saw someone else - Gregory Treco wasn’t listed as a standby or an understudy or anything - but I loved how he handled the character. He very much played Burr as someone who’s trying very hard and relatively unsuccessfully to connect and belong - his Burr always seemed just on the outside of the action, just on the outside of closeness and intimacy, and his downfall was trying so hard that he made questionable decisions (uniting with Jefferson and Madison, etc) in an effort to fit in and belong somewhere. 
A few really cool character choices:
During “Aaron Burr Sir,” when Burr starts to walk away from Hamilton after saying “it was my parents’ dying wish before they passed,” he clapped Hamilton on the shoulder and kind of let his hand linger there, like he was trying to convey some kind of compassion or empathy and couldn’t quite manage it. 
During “My Shot,” he sat at a table just behind Hamilton & Co. He kept looking backwards over his shoulder very slightly, like he was very aware of them and was trying to keep track of what they were doing.
During “Story of Tonight (Reprise),” he was very genuinely happy for Hamilton - he was warm and kind, and seemed like he wanted to connect with Hamilton in a way he didn’t quite know how to do.
“The Room Where It Happens” felt like a real, honest revelation - Burr never realized he wanted all this. He seemed in awe of what he’d just learned about himself.
During “Schuyler Defeated,” he sounded genuinely confused when Hamilton says “I always considered you a friend” and he replies “I don’t see why that has to end.” It did not even slightly occur to him that Hamilton would be upset about him taking the senate seat.
During “Washington On Your Side,” his decision to align himself with Jefferson and Madison seemed much less political than I’ve seen it played before - he kind of sidled up from the wings, awkwardly, like “maybe these guys will like me, since Hamilton doesn’t seem to.”
His delivery of “and you know what? I learned that from you” in “The Election of 1800″ was so sincere. He meant it as a compliment - he was crediting Hamilton with his personal growth, like he truly considered Hamilton a friend. Which made Hamilton’s Jefferson endorsement even more of a betrayal - Burr had been trying so hard and for so long to be close to Hamilton, to be his friend, and Hamilton just threw it away.
His “Wait!” after Hamilton is shot and his delivery of “I was ushered away” during “The World Was Wide Enough” were so anguished and so full of regret. He tried to rush to Hamilton immediately and you could feel his distress at having just shot someone who had always been such an important part of his life.
Anyway, I continue to love this show even though I’m not super involved in the fandom at this point. And I continue to have an unreasonable number of feelings about Aaron Burr.
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