#then finished it off the next day

[seventhdoctor]

In another possible world, a young Yuki Judai remembers the entirety of his past the moment he holds the Yubel card in his hands. Guardian and guarded are reunited, and all is right with the world. “To remember back then would have been a great burden for you. Our past lives did not end happily.”

Judai and Yubel daydream about other lives they could have lived.

[welcometogrouchland]

♫ I do what I want/Crying in the bleachers and I said it was fun/I don't need anything from anyone ♫

(ID in Alt) you guys ever think about your own posts and get upset?? Anyway Damian Wayne I love you I'm so sorry your life is like that

[54625]

"Have you no more memories?"

I am made of memories.

"Speak, then."

[veinsfullofstars]

🍭 Kirbtober 2024 Day 31: Darkness 🍭

(ID: Kirby series fanart of Kirby - dressed as a mummy - happily dashing by and carrying Gooey - wearing a purple, star-striped witch hat - on his head, each holding an Invincible Candy and leaving a sparkly trail of other treats in their wake. END ID.)

Happy Halloween!

Previous Day | Compilation | Prompt List (made by @/paintpanic)

Started on 10/20/24, finished on 10/21/24. | Kirbtober 2023 Comp

[coddda]

Hiiiiiii. Episode 25/26 lawlight analysis rant thingy here. I don't know how to write an intro for this so let's just get to it LOL

I think one of the reasons that the rain/foot scenes stick out so much (the. Sheer insanity of a Foot Massage Scene in an anime revolving around two guys trying to kill each other aside 💀) is the fact that the anime specifically suffers a bit in terms of adapting a few of the "emotional" moments in death note.

And I don't mean "emotionally impactful" exactly. For example I think the adaptations of scenes like Raye and Naomi's deaths were very impactful and the atmospheres of their final scenes were great, but I mean more from a characterization standpoint (if that makes sense). Being more focused on mind and logic games, Death Note as a whole isn't as invested in individual characters' deeper feelings as it is in its action (which isn't necessarily a criticism per say, it's simply part of the nature of a mystery thriller series). But just because they're fewer and farther between doesn't mean there are none at all. In the manga we do get to see, for example, how much Light actually cared for his family and especially Sayu, and how he actually felt more conflicted and suffered lack of sleep/appetite when he first used the Death Note.

The anime specifically as an adaptation is pretty good at adapting the main mind fuckery and action of Death Note, but its lacking in properly adapting scenes like the ones I mentioned above is a criticism I see somewhat often, and it's pretty fair imo. Compared to all the other adaptations, it certainly seems to fall short on an emotional level: the musical has entire songs going in depth about the characters feelings and relationships, the 2015 jdrama is. Insane and has its emotional moments in spades (because it's a TV drama, which are more focused on portraying emotional conflict and the like), even the 2006 movies has its emotional beats and L Change the WorLd is. Well. Oh Man.

Anime Light to a lot of people is like. Light but he's "already evil" (which I have my own thoughts on but I digress). Light but after using the Death Note for like 2 minutes he's already like "fuck yeah time to kill criminals". Basically the anime doesn't take as much time to delve into his less cynical sides or really delve into his already vague and harder to decipher feelings in general, he is noticeably colder from the get-go here, etc.

But that's part of why I think episode 25 manages to stand out so much tonally (apart from it being, y'know, the episode L literally Dies). I love the episode so much and could probably rant for hours about how much I love the artistic choices made in it but what I'm trying to get at here is that it's one of the very few moments where the show tries to go deeper into specific character's emotions, and one of the very few moments where the show Attempts (emphasis on "attempts" because, well, you'll see in a bit) to get more in-depth into Light's feelings apart from his cynicism/apathy/justice. ness.

L in these two scenes in episode 25 is, well, pretty damn open about how he feels. It's usually interpreted as him knowing that he's going to die, and you can see it. He visibly looks/sounds lost, somber, etc. He never really had much to hide around Light to begin with (since he doesn't really care about hiding himself the same way Light does) but especially not now and it Shows, and I personally thought it was pretty cool to delve into his thoughts/show how he feels this way. The somberness can be felt throughout the entire scene, even people who don't already know the plot of Death Note from the manga could probably tell that he's about to die.

In the manga, once L starts suspecting Misa again and Rem realizes what Light is trying to do, it goes straight to Watari and L's deaths, but the anime instead gives a distinct and unexpected pause in the middle of this where L contemplates his own death. It's fucking great, and the shift from straight action to slower emotional weight makes these scenes stand out a lot, since, like I said, the show usually focuses more on the former. But it's kind of ironic, too.

Not only does the anime open up L's feelings more in these scenes, but it also tries to dig deeper into Light's feelings as well through L. And it's really funny honestly because while, yes, these are the more "emotionally open" scenes of the anime Light still manages to be Incredibly avoidant and contribute almost nothing to the entire ordeal.

L is visibly upset -> "Yeah Ryuzaki, you're not making any sense at all" (Not addressing the obvious conflict from L)

"Tell me, Light. From the moment you were born, has there ever been a point where you've actually told the truth?" -> "[The most stale, over-explained, avoidant answer to a "yes/no" question that you could ever hear + blatant attempts to reframe the question]"

(L's half-smile here kills me) "I had a feeling you'd say something like that" -> [Nothing]

"I'm sorry" -> [Nothing]

"It'll be lonely won't it? You and I will be parting ways soon" -> [Nothing]

^ From this point Light continues to say literally Nothing for the rest of the scene. I'm not even joking, from then on the rest of Light's voicelines are reduced to nothing but vague noises of confusion.

Everytime L calls Light out as a person ("Has there ever been a point where you've actually told the truth?" / "I had a feeling you'd say something like that." / "Won't it be lonely?") he doesn't actually acknowledge anything. Out of those three lines, he only answers verbally to if he's ever told the truth, and even then it's the most blatantly people-pleasing answer ever, as it usually is with Light. And I don't think it's because Light just. Doesn't care about any of what L's saying at all, or that he doesn't know what the hell he's talking about (questioning Light's authenticity as a person, saying it would be lonely when they part), instead he's choosing not to acknowledge any of what this means about himself or him and L at all. He's like a fucking wall.

And like, for the truth question in particular, the show makes sure that you know it's not something that Light just. Doesn't care enough about to answer. The hard cuts to silence are a very rare but extremely effective way that the show conveys an extremely important moment (see: Light regaining his memories, Matsuda noticing Light opening the warehouse door before he escapes (not as much of a "direct" cut to silence but still)), and cuts to multiple angles/framings/zooms of the exact same shot are also used for the same purpose (see: Light hugging Misa when she was crying, Matsuda aiming his gun to shoot Light, Light regaining his memories Again). Just like the scene where Light gets his memories back, the moment L's question finishes the show utilizes both. That question cut Deep. There's is a solid Almost 5 seconds of silence before the sound of the rain gradually starts fading back in, and honestly that should be telling enough as is (but of course Light doesn't actually admit that. Or anything at all really, so). Oh also another fun detail! We do not see Light's face At All (except for the shot where you can see his mouth moving but not his eyes), for the Entire time that he's going on his spiel to L. We Will Be Revisiting This Later, by the way. This is not, in fact, the first time you're going to see this detail from Light.

The only sort of reciprocation that we see from Light during Any of these two scenes is when Light dries L's hair while L dries his feet. Biblical meanings/references aside it's interesting because it's the only time he directly does anything "for" L in these scenes, but even then he doesn't try to pass it off as anything meaningful really the same way L does ("You're still soaked", a purely neutral and factual statement. It doesn't Add Anything compared to L's. Sin atonement loneliness grieving stuff. While Light is showing his own reciprocation to this more personal moment he also tries to keep it impersonal enough that it doesn't actually have to mean anything deep). And when L says "I'm sorry" after he once again gets no response from Light. It's also after this that L gets that pained look on his face, like he knows that at this point he's not actually going to get anything meaningful from Light (again, very significant and rare from L in the show. We've seen him in distress (see: when Ukita died, hell, when Watari dies), but even then he mostly manages to keep his usually neutral expression), we never see him "look sad" like he does here):

I just think it's interesting that this is one of the few scenes in this particular adaptation of Death Note where they try to open up the character's thoughts/feeling (especially considering the fact that they. lowkey blunder in adaptations of original scenes from the manga), and L himself is being rather open (not that he ever really tries to hide what he thinks nearly as much as Light), and yet all Light contributes to it in return is like. Actually nothing. Bro fumbled it. There is no resolution to any of this, to any of what L asks at all, to any of the many opportunities for a meaningful conversation, and the only thing even relatively close to an answer that you can get from Light is what you can infer from how he acts in the episode after L dies, where he's just going through the motions, but hardly acting as if he's actually living at all.

(Honestly I think the transition from this scene with the taskforce to the subsequent scene with Misa says enough on its own. Light's expressions and tone says everything:)

(Oh sidenote but. This shit again:

"Light, this is our first date in forever. can't you enjoy yourself a little more?" ('Why don't you seem happy? We can finally be together since L is dead') -> No response, Light instead changing the topic to him wanting to move in with Misa without changing his mannerisms at all

Also there's that one detail again. You pretty much don't see Light's expression when he speaks here at all, except for one shot of his eyes, which is quite literally the exact same shot they used when he "saw" L, just altered for the new setting. You have No idea what he looks like when he's responding to Misa, although it's probably fair to assume that it's the same empty stare he has for the whole Two Shots where you can clearly see his whole expression in the entire scene.

Something something Light Yagami bad at feelings I think you get the point though)

I guess Light's Kind of showing what he's feeling now? He'll admit to himself that it's boring without L, but no more than that. Light never actually admits to anything "significant", and L's dead already anyway, so what would that even do?

And then we get, uh. Basically nothing from Light. For the next 5 Years. Except that he joined the NPA, so, uh, yay? Good job, Light you totally nailed it! Thank you for allowing us as an audience to delve deeper into your inner thoughts and feelings as a character so we can find out more about you as a person! Very helpful! Thank you for not sabotaging one of your few dedicated opportunities to look into yourself as a person and reflect on your relationships with others and being 100% honest with yourself! We stay winning guys.

Anyway, this got way too long for a scene that's over a decade old, and I've probably just said everything that everyone else has already said in this fandom before. But unfortunately this has been living in my head for way too long and I must scream. I just think this episode's neat is all :)

tl;dr Part of the reason why the rain/foot scene (tbh episode 25 in General) stands out so much is because the Death Note anime specifically was a bit robbed in terms of its more emotional character moments compared to the other medias, which makes more somber/introspective scenes like the ones in episode 25 stand out a Lot in comparison. But it's also incredibly ironic because it's one of the few moments where the show (or specifically L) tries to look deeper into Light's character, but because he is so avoidant for the entire duration of these two scenes he adds basically nothing at all. It's almost funny. Mostly sad. It's also very gay. Aand post

Okay actually nevermind one more thing I talked about how the jdrama is supposed to be more emotionally in-depth because it is a TV Drama and just for the record, same thing happens there! I could probably do an entire analysis of the Blue Scene in this context like I did with episode 25 but I'd literally be here forever, so uh, just take this iconic line as my main example:

Same Thing. L's statement "I wish we could have met some other way" is personal. It's his own wish, his own regret that he is expressing to Light. While Light's reply obviously has that same regret implied it's also phrased in a specifically impersonal way. It's closed off. "This is the only way we could have met" it closes off the topic and simply renders L's wish as ultimately futile. Light does not say that he Also wishes he could have met L a different way even if it was likely impossible, instead it's a cold statement of cynical fact.

Idk just. Something something L being able and Willing to be more openly sentimental/emotionally open towards Light/about Light vs. Light's inability to be honest with anyone including himself and his own nature preventing any form of meaningful reciprocation. Something something self-sabotage, y'know the drill. God don't even get me Started on how sincere L's tone is when he says "It'll be lonely won't it?"(at least in the eng dub) in the anime I could talk about his tone in that scene for ages. Also yes all of this relates to L Change the WorLd too by the way. Don't ask how it just does okay.

I do think that scenes like these (rain/foot scene, The Blue Scene. Uh. L Change the WorLd The Novel Adaptation) show, at least in those adaptations, that L does genuinely care for Light, and show that he values him as a friend not just in the mindgame-equal sense but also just like, a more sincere sense you know. Idk if that made any sense and that's a whole other topic for another day but you guys just have to believe me on this one alright please please believe me buries head in hands. Okay post over finally thanks for coming to my tedtalk hope you enjoyed my very-unnecessarily long analysis of the week

[snailsnaps]

sure, have a WIP :]

[anewp0tat0]

this is not one of the like 5 video projects I'm supposed to be finishing, this is an animatic meme that I'm pretty sure is still going around which I didn't wanna miss like last time I missed an animatic meme(it still sits in my WIP folder. it's been 3 years) so yes that's why it exists. and also because I'm kinda shocked I haven't seen it yet. sorry if it HAS been made.

[somegrumpynerd]

He's reading c:

[jacattackdraws]

I’m so normal about him fr fr

[transremylebeau]

@remysrogue left so many good prompts that I Am working on but like i had to do this one real quick cause its so real.

Keep sending silly prompts for gambit stuff if youd like 😎

[wantonlywindswept]

so all of the fic where the GAR and Coruscant Guard don't get along because the GAR thinks Coruscant is a cushy gig and the Guard are in Literal Hell are 

so fucking chefkiss

like it is a trope i will DEVOUR, i will unhinge my jaw and swallow that shit whole

but 

what about an inverse?

what about a Guard that's the protecting soldier meme except real?

troopers on leave on Coruscant finally feel like they can relax from the war because they know the Guard has their back, and everyone knows that if you need a hand or an ear or a hug you can ask any Guard* and they are always the most patient helpful big brother types ever, they will listen and they will help and they will protecc

(*sole exception: fox**, who shoulders all of the pain and rage and condenses it into a tiny supernova of fury in his chest that he shoves down into a locked box of emotions, and one day he'll die

**except also very much including fox, who rages and rails and might throttle you for being an idiot but he'll also absolutely gut any aggressive natborn that even breathes in your direction)

so they still might think that Coruscant's a cakewalk compared to the frontlines but they're glad that they have brothers protecting the homefront too, they're glad that at least SOME of them can stay gentle and kind and at peace

of course then palpatine and the sith and all the corruption in the senate are exposed

(because TCW canon is for COWARDS and people who like being SAD)

and the GAR realizes all the shit that the Corries went through, all the ostracization and threats and abuse and pain

and it just

made them kind

[tj-crochets]

Today’s enrichment for my enclosure was a new giant whale shark plushie pattern! I got all the machine sewing done, I just need to add the stuffing and close the opening for turning tomorrow

[human-encounters-diary]

Day 16

As the human and I did not share any duties during this particular cycle, I decided now might be a fitting time to inform the Vitrichl about the aforementioned book, which could possibly grant a further insight into Terrans.

Despite the quite serious circumstances we are currently in, I was able to secure a time frame to initiate a conversation regarding this topic.

I repeated the information V-7 had been able to conjure on this as well as other stories and reports on humans.

"There seems to be one…obstacle, though: The book‘s last documented location is in system Skė-51-33, which does not seem to be even remotely near our current route.", I eludicated.

The Vitrichl seemed to consider the information given, keeping in mind the reason the SIIR Noxos usually avoids this particular system: its unfriendly and occasionally aggressive nature.

Concluding, I was able to convince the Vitrichl through the benefits this book could provide in the task of studying humans, causing the Vitrichl to eludicate that changing the route was currently not possible, but as soon as the chance was offered to us, we would make a short detour through this system to retrieve said book, given that the book was still located there.

In the meantime, I was tasked with retrieving as much possible information on this particular and other sources about humans.

Our arrival on Fendaar is imminent, as we are nearing the planet‘s atmosphere. Further reports will follow.

[neztchi]

💜

[aurorangen]

🎅✨🌟 Wishing you all the joy and magic of the season! You make this community feel like home, and I’m so grateful for you. Merry Christmas! 🌟✨🎅

✨🎄To all my beautiful friends @perolesims @estah @simvanie @thebramblewood @changingplumbob @simscici @igglemouse @simmora @oasivy @matchalovertrait @caramellles @simplypxels @sharona-sims @evenifitshandcuffed @jessicastinks and to all my lovely mutuals and followers, thank you so much for making 2024 such an enjoyable year for me! I wish you all the very best for Christmas and I hope you have a good rest during the holidays 🎄✨

[kris-mage-fics]

Wintersun

A short Shepherds of Haven fic that takes place on Wintersun. Some vague spoilers for Chapter 4 and Blade's 5th day off in the Alpha build. Also there's a reference to this bit of a fic I haven't finished, but it's not necessary to understand what's going on.

| Ao3 | rated G | 628 words | Blade/Kyrahlise | under the cut for very light spoilers mentioned above |

"Happy Wintersun," Kyrahlise said as she handed Blade a slim package not much larger than her hand. Neither of them acknowledged the momentary brush of their fingertips.

The gift was neatly wrapped in paper she'd painted with winter berries and small swirls of gold. All tied off with a thin green ribbon salvaged from one of her old dresses. The design was overly flashy for his taste, but she had been too focused on making it pretty and was short on time to repaint something more austere.

Blade raised an eyebrow ever so slightly. "You didn't need to," he said, yet she could've sworn his face softened as his eyes traced the designs on the paper.

Kyrah smiled having anticipated he'd say something along those lines. "I'm aware. But I wanted to and thought you might enjoy it."

He looked up from the gift to meet her eyes. "Did you paint this?" Of course he remembered she painted. While in The Reach he'd fussed at her plenty to not paint outside. He trusted her judgment enough to promote her to Captain after a month, yet the cold was somehow too much. He made absolutely no sense.

"Yes," she said in a light tone.

"It's nice." Did Blade's compliment make her feel happy in a way it probably shouldn't? Yes. But she'd take that to her grave before admitting it to anyone.

"Thank you, though I hope you like what's inside more."

Blade's eyes went back to the present he held delicately. She ignored the strange little feeling in her chest when he untied the ribbon and slipped it into a pocket before carefully unfolding the paper. Underneath was a small book of poetry. "You remembered, thank you."

An unusual wave of nerves washed over Kyrahlise. What if he'd read this collection before and hated it? Well, there was no use worrying about it now that the book was in his hands. "Yes, by one of my favorite contemporary poets. Are you familiar with her work?"

"I'm not."

Her smile was tinted with relief. "I hope you find her poetry to your taste."

There was a upward tilt to his lips as he nodded. Kyrah gathered he was thanking her again, but reading his subtle expressions was like cracking a code.

Not that she needed to decipher anything to understand Blade's kindness. He'd always been considerate and respectful towards her. A sharp contrast to how many Norms treated her after she left the Circle. Like when he'd been livid because of what happened in that damned cave, it had filled her with so much warmth. She'd almost forgotten what it was like to have anyone care about her well-being. It was the catalyst for certain feelings towards him being stirred up. Feelings she accepted existed then politely ignored.

Though a recent incident in his room made her question if Blade was really as indifferent to her as he so often appeared.

When Kyrahlise glanced back up at Blade, his eyes were so gentle as they met hers it brought an instinctive smile to her lips. The first time he looked at her like that was when she learned black was the warmest color of all. The way his gaze slowly traced over her face almost felt like a sweet caress that seemed to stop briefly at her lips. But she was likely imagining things again.

A slight frown passed over his face as his free hand twitched, then clenched against his side. He looked at her another moment, gave a hint of a nod and another quick 'thank you' before turning and walking away. When he was out of earshot she sighed. Maybe one day she'd figure out what was really going on inside that inscrutable head of his.