#theme: sons

[kidovna]

thinking about him again

[willowser]

your little angel of a son inherits katsuki's bad temper, and it manifests in his terrible fours.

there's an awful little shriek that echoes throughout the house and katsuki is on his feet and halfway to the living room before his eyes are even open—but the only danger awaiting him there is a pouty little brat.

his son is sitting amidst a swarm of toys that have been strewn about haphazardly, and his arms are crossed and big fat tears are in his eyes and he looks mad as all hell. you do, too, sitting across from him with a deep frown, holding the ripped page of a book from his little shelf.

"no sir," you warn, "we do not treat our things this way."

you incite a meltdown.

katsuki feels his own temper flaring—half from shock and awe at his little mini-me and also from the exhaustion wearing him thin—when your son kicks his legs out in a burst of rage, letting out another little shriek of anger. your cheeks puff up, wearing the same furious expression, and at the hiss of his name, the little brat jumps to his feet and snatches a toy truck nearby and launches it across the room.

"oi!"

your son's attention snaps to katsuki, startled, losing a hint of anger as he pouts at the floor.

"what'd she just tell you?" and when he gets no response, katsuki prods with a, "hah? answer me."

but the little boy only stamps his little feet and grunts out a furious, wordless sound that has katsuki's lip curling. you let out a heavy sigh, shaking your head at him before frowning down at the torn page in your hands, and then katsuki is planting a hand on the back of his son's head and steering him towards the front door.

"time to take a walk."

the boy goes, even though his arms are crossed and his eyes are downcast. he only resists once, as katsuki tries to shove his little feet into his shoes.

"i don't wanna." he mumbles, face scrunched and wet before promptly looking away.

"i didn't ask."

"hmm!"

katsuki has to resist the urge to pinch his own son.

they get out the door eventually, and the little boy stomps along for the most part, no longer needing a guiding hand on the back of his head once they get around the block a time or two. neither of them say anything.

fatherhood has taught katsuki a lot of things, which was expected, but the one thing that's surprised him is—he's learned all the things he doesn't want his son to be.

the first of them being angry. not the way katsuki was, mean and selfish, throughout his childhood; hateful and careless, in his teens; shut off and simmering, even now.

he waits until the tension has melted off his little shoulders, until his little face has dried and evened out. his arms swing at his sides, occasionally coming up to wipe his snot with the back of his hand, and he eyes the few wildflowers they pass with a little hum and a small smile.

katsuki tugs once on his ear, frowning down at the little brat when he peeks up at him. "that how you're supposed to treat your mama?"

he doesn't answer at first, leaning his head all the way back and clicking his tongue against the roof of his mouth, until katsuki stops walking. "no, sir."

"how you s'posed to treat her?"

"with love."

"how you s'posed to treat your toys?"

"with care."

"uh-huh," katsuki squishes his son's cheeks in his hand, shaking his head lightly from side to side until he starts giggling. "that how you acted today?"

"no, sir."

"that how y'r gonna act again?"

"no, sir."

"okay," katsuki murmurs, nodding once before letting him free. the little boy bounces on his feet and sucks on his lip, grinning when his tummy is pinched. "now pick those for your mama."

and he does, carefully plucking a small handful of flowers from the grass as they make their way back home, and just before he runs up the steps to the house, katsuki's little angel of a son hands him the biggest one.

[that1notetaker]

My mom cried during the mom movie.

[egophiliac]

oh, uh, this...this isn't Silver's backstory after all.

[misperceived-monotreme]

these bitches got bad luck ions out the wazoo

[bionicboxes]

DBD but Monster High. If I had to have this in my brain the rest of you have to deal with it too.

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[beastking-golion]

Collection of some supernatural doodles I’ve done. You can see I was working out their dog designs considering the inconsistency lol (also ft lil bird cas and hawk jack)

[shakooo]

1/2 JAKSHAHA HIIIIII GUYS IT'S ME AGAIN here is the comic that i promised....just the day before yesterday i was able to advance this, school is killng me now hahaha and i definitely have to focus on it like never before, but well, about the comic AAAAGH I WANTED TO DO SOMETHING ABOUT ISABELLA you know, her design is very interesting and fun to draw for me

apart from the fact that in the conceptual art she has a much more sophisticated outfit AND that was the one that gave me the inspiration to do this hehe

this is what i'm talking about >:), the whole family has their elegant version and k love the concEEEPt

there are still 3 pages left to color so wait for it ª

Here is the drawing without text....AND I LOVE HOW IT LOOKED

[twistedshipper]

Gothic fiction is characterized by an environment of fear, the threat of supernatural events, and the intrusion of the past upon the present. . . . From the castles, dungeons, forests, and hidden passages of the Gothic novel genre emerged female Gothic. . . . Female Gothic narratives focus on such topics as a persecuted heroine fleeing from a villainous father and searching for an absent mother.

When the female Gothic coincides with the explained supernatural the natural cause of terror is not the supernatural, but female disability and societal horrors: rape, incest, and the threatening control of a male antagonist. Female Gothic novels also address women's discontent with patriarchal society, their difficult and unsatisfying maternal position, and their role within that society. Women's fears of entrapment in the domestic, their bodies, marriage, childbirth, or domestic abuse commonly appear in the genre.

After the characteristic Gothic Bildungsroman-like plot sequence, female Gothic allowed readers to grow from "adolescence to maturity" in the face of the realized impossibilities of the supernatural. As protagonists such as Adeline in The Romance of the Forest learn that their superstitious fantasies and terrors are replaced by natural cause and reasonable doubt, the reader may grasp the heroine's true position: "The heroine possesses the romantic temperament that perceives strangeness where others see none. Her sensibility, therefore, prevents her from knowing that her true plight is her condition, the disability of being female."

🌹 𝔐𝔬𝔯𝔤𝔞𝔫𝔞 & 𝔱𝔥𝔢 𝔉𝔢𝔪𝔞𝔩𝔢 𝔊𝔬𝔱𝔥𝔦𝔠🥀

[7cfc00]

home is where the heart is (and yours is gone)

[withthewindinherfootsteps]

something about how both wei wuxian and jin guangyao repeatedly say they ‘didn’t have a choice’ in their actions. in both cases, it’s not literal impossibility, instead determined by their mindsets and personal conduct…. but while for wei wuxian that means he can’t do something immoral, even if it means losing all his social power, for jin guangyao it means he can’t do anything to lose his social power, even if it means doing something immoral. the other option is still there, but it’s never one they’d pick.

something about how they’re trying to walk the same path but in opposite directions: wei wuxian willingly left the nice, broad road in favour of upholding morals and debts, while jin guangyao is trying to claw onto it and stay there by any means necessary. in both cases, being parted from it so easily is only possible because this nice, broad road — full of people whose social power is unconditional, given at birth, independent of their actions — was never truly theirs to begin with. but despite how it is possible to be forced off due to nothing, as we see with wang lingjiao, the positions of both these characters were ultimately due to actions they took.

(about how no matter the similarity of the paths, no matter the narrowness of the choices, the direction you take is still up to you.)

[willowser]

katsuki is sitting on the couch in the living room, holding his new little baby in his arms, and you notice that he's just been staring at him for the longest time. adjusts his little hat so his head doesn't get cold, pulls his small hands away from his face so he doesn't scratch himself.

and they're both quiet for a while, aside from the occasional squirmy baby noise, but katsuki eventually speaks up to ask—

"why's he lookin' at me like that?"

not only is the question itself funny, but the way it's voiced — tone deep and gruff, almost affronted — pulls a true laugh from you, has you shaking your head as you come around the couch to stand beside him.

and sure enough — your new little bean is frowning. even his little hairless browline is furrowed, hard.

you laugh again, sharp enough that your son wiggles in katsuki's arms. "because you're looking at him like that."

katsuki tch's, before turning to give you his son's exact same expression. "no 'm not. this is just my face."

"well, maybe that's just his face."

his frown deepens, hilariously enough. "ain't his face with you." and then he looks back down at him, like he's checking to see if he's still being glared at. he is. "looks like he's pissed."

"maybe he is."

you don't bother to correct him, to inform that your son does, in fact, give you a stink face every now and again ��� just like his father — and instead you watch katsuki lean down close to him, until their noses are nearly touching. watch the way little fingers squeeze around katsuki's thumb.

"the hell do you have to be pissed about, huh?" katsuki asks, voice quiet and low and small, enough for the boy in his arms. "far as i'm concerned, you're livin' the life."

you only laugh, smile while running a hand through katsuki's hair.

you'd say you are, too.

[iheartbookbran]

There’s something about Rhaenyra’s epithet being the Black Queen and how the color black is often associated with mourning and grief. Because Rhaenyra’s story really starts with the death of her mother, and that’s a grief that she carries onto her adulthood. But it goes deeper than that, we’re told how many children Aemma lost during her marriage to Viserys, and Rhaenyra, though just a child herself at the time, had to experience the loss of her siblings alongside her mother, never being enough for her father because she wasn’t a son. Then she finally becomes the heir, but not in time to save her mother, and the grief never really leaves her. She loses Harwin (and at least in the book, Laena). She learns about the usurpation of her throne at the same time that she learns about the death of her father. She loses her only daughter.

She watches her sons leave her one by one until only one is left.

How could she ever be anything other than the Black Queen?

[icewindandboringhorror]

HAPPY 16TH BIRTHDAY!!! To this elderly bapy boye!!! he...!!!

[poorly-drawn-mdzs]

about that one lan qiren & jin guangshan art: .....does that mean wen ruohan has both or is he as flat as a board on the opposite? XD

Mans so flat they rotated him 90 degrees and he disappeared from the narrative.