#theme of the evening is my characters saying “what are you doing here”

[unluckiestmember]

Could I request headcanons for Remy, Kurt, and Logan reacting to his shy GN s/o asking him if they can sit on his lap in private nervously please?

Coming right up!

Sitting on their lap: X-Men '97 Daddies X Reader

Characters: Remy LeBeau/Gambit, Kurt Wagner/Nightcrawler and Logan/Wolverine.

Warning: Some suggestive themes, but other than that, none. SFW.

A/N: Whose lap are you sitting on? I might sit on Gambit's, he seems like he'd have a balance between flirty and sweet.

Gambit

“Hey, Mon Cher! What are you thinking about in that pretty head of yours?… You want to sit on my lap? Well, then by all means! Make it your personal throne!”

When you first asked Remy if you could try sitting on his lap, he was a bit surprised. But of course he wasted no time opening himself up to you to take a seat. At first, he mainly kept his hands to himself but then when he could tell you were getting used to it, he wrapped his arm around your body and began to kiss along your cheek and your neck teasingly.

Sometimes he’ll use you sitting in his lap to flirt with you. Just to see if he can get your blood pumping, if you catch his drift. But most times, he’s just being a soft guy, rubbing his nose against your cheek, sneaking in some quick kisses along your lips and laying his head on your shoulder. Gambit will try to keep your antics on the low, but sometimes he just can’t help but hold you in public. You two are so cute the rest of the X-Men are sure they’ll get cavities just by looking at the cute display that is you and your boyfriend. Not that Remy cares- He’s too busy being on cloud nine with you so close to him!

Nightcrawler

“Was ist los, Sonnenblume?… Oh! Y-You want to sit on me? Um, I-I guess it wouldn’t hurt, no?”

Kurt was a bit hesitant when you first asked him to sit on his lap. He asked countlessly if you were sure of doing so before you could even try to sit next to him. After so much reassurance to the point you sounded like a broken record, he finally allowed you to sit on his lap. At first, it was awkward silence with the cute blue devil trying so hard to not lay his hands in any way onto you out of fear of being perceived as perverted or sexual. But as soon as you guide his hands to wrap around you, he just melts into you while you sit in the embrace of his arms.

Whenever you sit on his lap, he’ll always be shocked by the sudden action, but will immediately hold you close and just talk to you about his day if he’s not asking about your own. Sometimes he’ll find you ruffling his hair to make him ease up by laying his head onto your shoulder. In those moments, you find yourself appreciating the gentleness of your boyfriend, especially knowing you can make him relax after a long day of work.

Wolverine

“You wanna take a seat on my lap? Heh. Well who am I to say no? Get over here.”

Logan wasted no time grabbing you by your hand and guiding you onto his lap. His hands sat on your waist, watching your every move as you tried to avert your gaze from him to no avail. He loves when you sit against him because it’s always the perfect moment for him to make you blush a beet red at his sweet nothings being whispered into your ear. If he’s not using his voice to get you all riled up, he can rely on his thumbs brushing along your hips to do the trick.

Outside of his suggestive motives, sometimes he’ll just talk to you while you sit on his lap. Expect him to turn you around so you two are face to face and he can stare into your eyes and your fingers brush through his wild hair. Of course, there will be moments where Logan proceeds a makeout session with you sitting on him, whether you two are in private or not. He likes to make it known that you are his and vice versa because not only does he love to see Scott being pissed off by what he has, but he also likes to show you off as the precious jewel you are.

If you got any requests for X-Men '97, send them my way!

Likes and retweets are always appreciated! I love you all, stay hydrated and have a good day! <3

[mayasaurusss]

I love your writing.Pls, can u do jinx gets reader to try out a lingerie 🙏

It fits you just right

Contains: suggestive themes but not exlicit smut, soft Jinx.

"Babyyy, I've got you something!" Jinx's loud voice echoes inside her hideout, catching your attention.

She has been gone for a couple of hours at least, having told you that she was going to do some of her usual mischief in Piltover. You bet she painted that town blue from head to toe.

She walks in on the helix, humming a made up song and carrying big patched sacks on her shoulders.

You get your from the couch and push away the book she so kindly took -stole- for you, following her small bouncing with your eyes. "Jinx! What have you..." she throws the bags on the ground just before your feet, their contents spilling all over the floor.

Trinkets of any type, scraps of dull metal, old cupboard sweets and clothes overflow from the linen sacks, tinkling resonating inside the room. You marvel at the many trinkets she got, turning over their glass shells and admiring the many colors reflecting on their metal surfaces. "Jinx!" you say while stuffing your hands inside the creases of a brand new coat, "where have you gotten all this stuff?!".

Her silence is enough to make you understand what she did before she even opens her mouth. "What?! They took everything from us, I'm just repaying them the favor" she moves around you and watches as you intently examine every object she took -stole, again-.

"I told you to me and to me again, you gotta stop steal-" you are rudely interrupted by her exasperated voice, "Yeah yeah I get it! I know".

Silence fills the space again, something that doesn't usually happen while Jinx is there. You look up to see her usual pale skin tone replaced by a faint pink. Her bottom lip is pressed beneath her teeth and her eyes avoid yours. You can already feel a bit of annoyance at her almost childish ways taking their place on the sides of your brain, "What is it?". A small choked sound comes from Jinx's throat, she rocks in the balls of her feet for a moment before you see her taking in a deep breath, closing her eyes and pushing a paper bag towards you. You blink your eyes a few times, surprised by her, before you take the paper bag and open it.

Inside it sits a small brown packet. The way it's nearly stored gives away that whatever is in there must be special to Jinx's standards. The brown paper is adorned with Jinx's signature drawings, colorful traces of crayons depicting small characters -mainly you two holding hands- , scenarios and hearts all over it. A pink ribbon ties everything up, completing the picture.

"Jinx, what is this?" you ask her, earning a whine from her blushing figure. "If I told you, it wouldn't be a surprise, no?".

She watches in anticipation as you unite the ribbon, carefully peel the paper back and...

A set of lingerie sits in front of you, all embroidered and neatly stored. "Do you like it? It's even in my color..." Jinx's words make you realize that the set is a deep navy blue.

You snort at her words. "Really? You steal a pair of lingerie and your first thought is to search for blue ones?" she would have reacted shyly if she hadn't seen the playful smirk on your lips. "I-I mean... It's important, you know?" you walk closer to her, making sure to sway your hips as you do.

"Why? You like seeing me all pretty for you, in your favorite color?" as if she wasn't red already, blood starts to pump even faster into her veins, making her look like a tomato.

"Y-yes I do! N-now put these on!" she roughly shoves the pair against your chest, much to your amusement. "Alright, just wait here, cutie" the way your voice drags over the last word makes something inside of Jinx move, pumps blood in her heart and in her hips.

A few minutes pass by, Jinx's mind already finding new things to think about, when she hears your sing songy voice "Cominggg".

A gasp leaves her when she sees you wearing the lingerie on your skin. It's just perfect, emphasizes every curve of your body, every scar, mole or freckle visible through it: and most importantly, it's her color.

"Wow..." Jinx sits up from the couch, reaching her hand to touch your shoulders, then traveling to grab at your hips. "It fits you just right..." her eyes are glazed and cheeks pink as the ribbon she used to tie your little present up.

"Sooo? Do you like it?" you let out a gasp as her grip on your hips tightens, making you suck in a sharp breath. The way she has you at her mercy makes something pull at your heart strings.

And Jinx? She looks like an absolute mess. Pretty flushed cheeks, eyelids heavy with desire, mouth open and heart full of desire. "Like it? I fucking love it" her nose presses against the cease of your neck, inhaling your scent deeply. "You look so good in this..." she starts to press kisses, electric against your skin. "How did I ever find someone as perfect as you?" her words come out as hot as molten lava, as sweet as honey.

"Jinx..." your breaths are heavy against the unnatural cold of your home. Jinx slides her hand up to your neck, hugging you closer to her. All her newfound confidence suddenly blurs and you can feel her heartbeat through her chest on yours. Again, that shyness she harbors for you and you alone resurfaces, making her look so small against your body. She pushes her lips outwards, pouting a bit before she asks something of you.

"Could we...you know..." her voice is hoarse, creacking here and there. Deep violet eyes stare at yours, assessing if you understand her and silently waiting for an answer. "Could we...what?" you already know what she wants to ask you, but you are having far too much fun teasing her. Her eyes widen for a moment and she swallows hard, before looking at her boots. "You know...you know what I mean...".

You still aren't satisfied with your teasing, waiting for her to admit what she truly wants with words instead of embarrassed chocked sounds. "I don't think I do" that dumb smile of yours only makes Jinx feel more and more embarrassed, tempted by your lips but pulled back by her shyness. She can't do it anymore. With an exasperated whine, Jinx strengthens her grip on the back of your neck and pulls you down towards her, kissing your lips fiercely.

The kiss is all teeth and tongue, all sighs and touches, leaving you breathless and yearning for more. You pull back from her, lips wet, feeling blood rise up from your veins into your cheeks. "Woah...I guess that was enough" you say, giving her a knowing smirk and earning a sigh from her, before she brings you back to her lips. "Oh shut up toots".

[god-blues]

An Analysis of Clive Rosfield and the Dominants of FFXVI

finally writing this post after having brain worms about these themes since [checks notes] the game came out last year, so here goes

every single dominant in the game represents a theme to clive rosfield in some shape or form, and serves to mark the progress of his growth across the narrative of the game. either as an obstacle to overcome, or as a guiding beacon imparting him with purpose to keep carrying on

i'm going to look at each dominant that clive faces in the chronological order in which he absorbs their eikons, so we're starting from benedikta even though jill and joshua were the first ones in clive's life, and go from there. i'll be leaving leviathan out of this since i think that one's the most disconnected from clive's journey and has the least to say about him as a person (makes sense since it's DLC and not necessary for the full story)

also, this is obviously just my own interpretations of the game's themes and the way it utilizes their characters in clive's journey etc etc. i'm not saying this is the only Correct way to look at it, i just wanted to get my thoughts out on paper as a nice little overview for myself and others interested in that kind of thing

it's about 2k words long so i had to add a read more. onwards!

Benedikta Harman

benedikta and clive share similar traumas. both were enslaved at a young age, and while their experience of it differed for both, the similarities are so stark that the game practically spells it out for you. basically: benedikta is where clive would have ended up had he ignored or rejected cid's guidance

imo it's no coincidence that cid and benedikta have the history of cid having saved her from slavery when she was a young girl, because it mirrors how he saves clive and jill as well. the difference is that unlike clive and jill, benedikta did not end up with the benefit of gaining a support system like the hideaway

instead, she was taken in, used for her powers as a dominant and manipulated by barnabas, and eventually abandoned by cid which left her in an even worse place. with no other way to survive, she could only hold onto barnabas to grant her status and power to protect herself

now whether cid was wrong or right for leaving her behind is not something i'm gonna go into since we don't know enough about the circumstances in which it happened. from the way cid speaks to benedikta in game, benedikta and barnabas were responsible for acts he didn't agree with ("because i'd had enough of you and your king's antics"), so we'll leave it at that

that aside, though, it left benedikta to fend for herself, with no one she could have truly relied on. clive and jill, on the other hand, found a new home with people who understood and shared in their struggles, and with cid there to guide them

it makes the boss fight clive has with benedikta rather tragic, looking back on it. this is one of the boss fights that don't necessarily symbolize growth for clive, at least not in a positive way: he loses control just as benedikta did. it's a fight between two hurt people hurting each other because it is all they know how to do

the only difference is that one of them has people he can rely on, and the other is alone, used as a tool and then discarded when she served her purpose. the same as would have happened to clive, had he never escaped slavery

Cidolfus Telamon

it makes sense that we go from benedikta to cid after that, because once clive comes to terms with his trauma and Accepts The Truth, he moves onto the path of recovery. being that he doesn't know how to navigate that, however, cid becomes a natural mentor to him

from the start, you get the sense that cid has already decided in his mind that he wants clive to be his successor and keep the hideaway safe. the man is living on borrowed time, his arm turning to stone and coughing up blood every time he exerts his aether in any significant way. note what blackthorne tells clive the first time they meet, as well: "don't let cid decide what's best for you". cid clearly has a habit of steering people in certain directions

clive, who is at a loss on what to do now that he has been stripped of his original purpose, which was to avenge joshua, of course clings onto the new purpose that cid guides him towards. this is not to say that cid does so in a manipulative way: clive wants and needs to feel useful, and cid offers a way for him to do that to both their benefit. by the time they head to oriflamme, they hold a mutual trust between them, and clive views cid with clear respect and admiration, enough to pledge himself to cid's cause

the interesting part in all this is the way how clive absorbing ramuh coincides with him absorbing cid's ideals and cid's very identity as well in order to carry on his legacy. in the process, a part of clive's own identity becomes subsumed by this role he takes on as "cid" and the hideaway's new leader, quoting cid at various moments after the timeskip ("any objections?"). it is no different than the roles he fit himself into throughout his life or failed to fit into ("...prince, Shield, son his mother could love")

i always wonder what cid would have thought of that. i muse about it more in this post, if you're interested

Hugo Kupka

hugo kupka embodies, very plainly, refusing to accept the truth and being blinded by vengeance.

both hugo and clive were wrapped up in this idea of needing to get revenge, and for both of them that revenge was built on a lie. whereas clive confronted the truth of what happened to joshua and was able to move on because of it, hugo became wrapped up in a deception (albeit externally inflicted) and let it consume him

in so doing, he became a useful tool for barnabas that was then discarded as soon as his purpose of giving clive titan was fulfilled. his revenge amounted to nothing. but that is not to say that vengeance is being condemned by the narrative, rather, being blinded by it is.

clive, having seen and accepted the truth, exacts a much more righteous retribution on hugo for having destroyed the hideaway and having killed so many, all because of a lie that cid had killed benedikta

rather than let the need for vengeance rule him, clive wields it only when it is deserved. he overcomes the manipulation where hugo does not, and hugo suffers the consequences where clive emerges victorious

Dion Lesage

dion is similar to benedikta in that he exemplifies the outcome of a path that clive could have walked, but ultimately escaped from: to be used as a weapon, and to be trapped by his desire for approval from a parental figure. had clive been revealed to be a dominant much earlier in his life, there is no doubt in my mind he would have been in the same position that dion ended up in with his father. i've written about it more extensively in this post, so i won't repeat all of it

the gist of it is that dion is a tragic hero from beginning to end- unlike clive, he is unable to escape his fate. he embodies the self-sacrifice and endless striving for a parent's affection despite never being good enough

the sidequest with tomes is especially heartbreaking when keeping this in mind, because unlike clive who was able to accept the "sin" he committed in "killing joshua" (as well as actually killing rodney), dion cannot forgive himself for the sin of killing his father and destroying twinside

like i mention in the post i linked, it's no coincidence that clive reunites with joshua in the same scene where dion's sin is born. clive lets go of his guilt and moves forward, whereas dion becomes entrenched in his guilt to where it drives him to sacrifice his very life in an attempt to make up for it

on top of that, when you look into additional lore you see what a horrible person sylvestre truly was. ultimania reveals he had dion's mother assassinated in order to hide that he was born to a commoner, and a courtesan at that, and used dion's status as bahamut's dominant to become emperor. then you realize the full depth of the tragedy that is dion's story

dion died trying to redeem himself to a man who saw him as nothing but a tool, and had fully deserved to be killed by his hand all along

Jill Warrick

jill is, pretty much, what keeps clive's will from breaking

their romance absolutely cannot be separated from this, so even if you personally might not ship these two, canon is very clear about this

jill has always given clive the strength to carry on, more than anyone else. when he first finds her during his assassination mission at the nysa defile and realizes that it is her, he is ready to abandon his quest to avenge joshua and die together with her when they are about to be overrun by the iron kingdom's soldiers. and when she wakes in the hideaway later, she is the one who gives him the strength to face what happened at phoenix gate, and accept the truth of who he is

to elaborate on this: the game's mechanics give the major enemies a Will Bar you have to deplete for a reason, similar to how dominants lose control of their eikons when something causes their Will to break, and why ultima continuously tries to wear away at clive's Will throughout the game: willpower is an essential thematic component of the narrative, and jill being there for clive is what keeps his Will from breaking

i think it's very purposeful that the only time clive is truly defeated is by barnabas (if you'll remember the mocking Clive Bested pop-up lol). it's also to hype barnabas up as a villain, yes, but also to exemplify he needs jill--needs to absorb shiva--in order to overcome his greatest adversary yet

there's some discourse about the english vs japanese translations of the scene they share at the beach, and i'm not interested in getting into that: the english dialogue is what encompasses canon to me first and foremost. so, going off that, we get a scene where jill entrusts shiva to him, which might first be seen as clive taking the burden of it from her. which is true, but! it is also what gives clive the strength to carry on

in that way i think the game strikes an interesting balance between what is a "burden" and what is "strength". yes, carrying the hopes and dreams of your fellow comrades on your back is a heavy weight, but it is simultaneously something to draw strength from, because through that same token clive knows he's not alone. jill and everyone else at the hideaway is with him

Barnabas Tharmr

barnabas is clive's ideological foil, another path he could have walked. i could write an entire essay on this particular point alone, but most of it would be speculation and my personal headcanons based on the scant few lines we get from barnabas in-game and the added lore in ultimania, so i'll spare you. if you want to know more about how i see barnabas, cid and clive fitting together in terms of their ideology, though, refer to this post

anyways, this one is pretty obvious: barnabas represents the relinquishing of human will and becoming a slave to a higher power

i've mentioned in past posts before that ultima embodies the pinnacle of a slave master, tying in with the theme of it within the game- even the combat mechanics are built around it, as i mentioned in jill's section. what if clive never escaped slavery? what if he had succumbed to ultima and truly became mythos? that's pretty much barnabas in another form

barnabas is also the antagonist clive tries to talk to the most, even saying to him verbatim during their second duel at the bottom of the sea "we don't have to do this". their fights are not only physical fights, they are verbal and ideological ones: through their battles, they begin to build an understanding of each other, leading barnabas to come to the realization that he never truly relinquished his will at all

this realization signifies clive's ideological victory, and thus barnabas is fittingly the final dominant you fight before you face ultima themselves. every step of clive's journey has been leading up to this: working through his trauma and hurt, finding community and purpose, accepting the truth to no longer be lead astray, letting go of the need for approval and validation, carrying the hopes and dreams of his loved ones, and proving the strength of his ideals

Joshua Rosfield

joshua is the genesis of clive's search and need for a purpose

not by joshua's own hand, of course. he was just a baby, after all, but the birth of the dominant of the phoenix meant that clive no longer had a purpose (at least, in anabella's eyes). if clive could not be the dominant that his mother wanted, then the next best thing would be to become the shield that his brother needed

except, joshua turns this notion entirely on its head by the end of the game

he saves clive not once but twice, first in oriflamme, then later in the rift when ultima is trying to possess clive once more. both times, joshua thwarts ultima: both times, it is joshua who functions as clive's shield. he is upset when he thinks clive has pressured jill into giving him shiva, because he thinks it is clive yet again trying to shoulder the burden all by himself

there are many different interpretations of the ending of the game, but joshua is in part why my personal view is that clive is the one who lived and joshua is the one who died. joshua has always been clive's foremost protector, and through his sacrifice, clive is "released" from his roles and his need for a purpose to make himself useful his entire life

as a result, joshua is the one who sets clive free at the end of clive's journey. that is what allows clive to overcome ultima, who would see mankind shackled to their will, and instead has clive leading mankind to freedom in turn

In Conclusion

this game's themes fuck severely and i will be thinking about them for a long time to come. thanks for reading 🫡

[coriphallus]

DA: The Veilguard Spoiler Review pt3 - Politiks

oh my little void in this world wide web, we are really in it now.

a little PSA before you read this word vomit, i am from westernmost middle east, and that will inform much of what i know about the topics i discuss. i wont know about race politics of america or the intricacies of it beyond what i can see online but as an immigrant i do have some perspective on western experience. so when i talk about heavy topics it will come from a foreign place. i do understand and admit that i cannot ignore that BW is a north american studio and that colours every theme they touch.

so there are two angles to approach this, 1st is to assess DAV on its own and 2nd is to assess it as a part of a whole and continuation of a franchise.

lets get 1st out of the way, its safely uncontroversial beyond taash's story. and eff-plays voiced my feeling verbatim on that subject more succinctly than anything i can possibly write.

2nd is very, very grim.

every DA game that came before had been interlaced with politics of its world so severely that its absence is disorienting. every game you were given the choice to change the political landscape of the countries youre playing in, for better or for worse. even the 2nd game with its vastly smaller scale sees hawke trying to navigate through their life as an immigrant, even at the games climax you are given a choice to drastically alter how this uprising will be remembered and it tells hawke that there are no half measures, they need to pick a side.

"Slavery or no, flesh is always for sale."

in my very first DAV playthrough i picked a shadow dragon elf, i didnt give her any backstory as i though being an elf in minrathous would shape her world view regardless.

first scene i got when organising my room rook pulls out the SHACKLES of a slave shes freed as she reminisces about how much good shes done, and puts them on her bedside. then proceeds to talk to a book and say "everybody looks down on elves but we were here first >:c"

(at this point i rerolled my character so i dont yet know how shadow dragon background plays out.)

at the very beginning of the game we see similar shackles and varric informs us that solas hates slavery, hes been freeing them.

when we make it to minrathous we learn that these people in neves circle have been freeing slaves.

alright so, the heavy handed deliveries aside, what purpose do all these scenes/expositions serve?

well, it makes these people look good. we know theres slavery in this part of thedas and these people are fighting against it not by any elaborate means but dont worry kitten <3.

[i had to look up the english for some of these terms so feel free to correct me if im wrong] patterson describes slavery as "one of the most extreme forms of the relation of domination, approaching the limits of total power from the viewpoint of the master, and of total powerlessness from the viewpoint of the slave". death of the soul, death of what makes one human -and for the purposes of this section- death in the eyes of state. slavery has such a long history that predates early modern colonization of africa by thousands of years. it is a staple of human history and where we have come from shapes what we are now. we can shun it, call it abhorrent but we cant pretend it never happened. theres always been people dead in the eyes of state.

heres the uncomfortable truth, there aint never been enough steel in the world to hold every hittite or mittani slave. to assume slavery is people getting abducted and put to irons is as naïve as human trafficking being a rando ruffying you and hauling you across the sea in a crate. yea, it could happen but 99% of the time its just a waste of time to physically hold someone against their will by force. and this idea makes us think its this far off thing that happened thousands of years ago by bad individuals doing very comically bad things, which is a very deliberate choice, because to depict period accurate slavery would be to portray social and economical classes, and that would be confronting how little we've changed in certain aspects.

people were born into that caste, shaped by it, worn down by it, and abused by it systematically.

in DAI Dorian says something -apparently- very controversial that i dont think this fandom has fully unpacked, and i aint gonna do that here either because im not remotely qualified. he likens the working class of south to slavery of north, theres no way to engage with this argument in any meaningful way, even as an elf, and in general people brush it off as dorians pro-slavery rhetorics.

try as DAV might to disregard, we actually did meet an ex-slave and trafficking victims on three separate occasions, and the games have set a premise already. we got to talk about their unique circumstances, and they were handled with some measure of dept. maybe you liked them, maybe you didnt, but you knew them and that makes a difference. they had agency in their own stories. a far cry from DAVs nameless faceless props for righteous gentiles to circle jerk about.

but, sure, lets tell ourselves showing them would be too gratuitous.

can you imagine how batshit insane it would look if zevran kept the belt her husband used to beat isabela with as a trinket, to display in his tent? that scene with rook disturbed me more than most anything in this entire franchise and coming from an anders supporter, thats saying something.

this is how little the writers were willing to engage with their source material. this is how little they are willing to engage with the world around them.

which makes the next blunder inevitable.

alot has been said about the absurdity of elves feeling responsible for the events of DAV, but maybe this hasnt been said enough; this is a blatant fascist rhetoric.

i will spell it out though, even though i never thought it needed to be said, the social performance of accountability indicates that the party who has done harm has benefited and continues to benefit from that harm, this is why reparations are paid, and thats what "check your priviledge" means. elves in DA have never benefited in any way from the warmongering of evanuris, they were enslaved by them.

to say that these people should feel some sort of responsibility towards what befell dwarves is a fascist rhetoric used irl to offload responsibility and divide and alienate the opposition further from eachother.

i cant tell you if this mouth piece is same everywhere but i know a few people who have clocked it immediately so im gonna assume it was obvious. and truthfully, i wouldnt even be annoyed if i thought it was intentional. genuinely, one of my favourite games is an unapologetic military propaganda whos protagonist would make ayn rand write sonnets about, and the game knows what it is. but no, i fully believe the studio tried to address the criticism they got about their lackluster handling of elves and either completely misunderstood or willfully disregarded the experiences of marginalised peoples that the games drew inspiration from.

the writing is so hollow beyond horrible dialogue that when writing an enby character whos also multicultural they didnt even notice the parallel theyve created. i know this because after an entire plotline about their struggle with binaries their story concludes with a binary decision on their culture. this just confirms to me that any dept this game has is completely accidental.

imma level with yall i dont subscribe to the belief that you need to have some type of experiences to write some type of characters and i find that "ofc a white person wrote it so..." response very tired because yea we should be allowed to expect more from white people. i too had OCs of different cultures that i wasnt very familiar with and handled poorly, but unlike me, a company can afford a consultant.

i played greedfall recently, and sure the maori tattoos were a shit decision, and im disappointed that after all the criticism they still stuck with it, and yes maybe its story was not sensitive enough but you know what? as the person whos recommended it to me said, i rather have a story who boldly engages with its own themes than one whos terrified of them. say what you will about its shortcomings but at least at the end of that game you can have an ending where the colonizers leave for good, and yes their plague is not healed but the narrative doesnt punish the natives for their isolationism. i am glad that the game allows that catharsis to its players.

DAV could have had 300 well thought-out endings and still not please everyone, but the endings they chose to include directly implicates the group theyre trying to appease and its literally just people who either want to punch or kiss solas, thats how fucking deep they think their fanbase it. not the people who wanted to end slavery, or achieve equilibrium with beings no matter how alien they are. or people who wanted to see a culture connect with its roots etc etc.

and maybe they were right, many people have been enjoying this game immensely and i am just, so fucking jealous. i wish i liked this game and enjoyed it and didnt want to tear out my hair every second i spent in treviso. i wish i wasnt seething white knuckling my sink like an insane person when a little kid wrote to crow rook that hes recruiting orphans now. i wish i had any belief in this game to read that as satire.

at least i wish i felt any form of vindication when i immediately realised this game was going to be a soulless cashgrab that unashamedly uses the name of a popular IP to push a sub-par product earlier this year, i just spend 80+ hours watching a company parade the carcass of a franchise i loved and beat it like a pinata as it continuously slapped me on the face with a botched wax figure of it.

i just feel this profound sense of sadness. i wish this game didnt exist. and no i dont feel any kind of brand loyalty, even when i actively enjoyed their work i didnt but i definitely dont now, not after 3 consecutive games that theyve delivered with more or less the same problems. as the company is today, i dont care whether bw survives or not, its been made clear time and again that the bw i liked is long gone and bw today is clearly not interested in making games for me.

even as i write this i dont feel fuelled by my anger for DAV but by the love a have for what came before. i still think the story deserved better, the fans deserved better, the people who contributed into making DA universe what it was before DAV deserved better. and, as rook told harding, our anger is justified.

but, hey. hair looks really good.

[dailyhmsw]

HIHIHI!!!! i’ve been seeing that you’re accepting asks now and it’s been such a joy to read them and know this entity (you :]👋) of daily awesome art better. as a bystander who follows you. your work is so neat and i will never hush up about it‼️‼️

as for my ask….hmmmmm…..what’s your favorite like…aspect of either an element you included in ur personal hms designs, or one you’ve seen in others’? it can be themes, color palettes, psychology, demeanor, metaphors—anything! examples include celestial theming, how a character thinks/a struggle they’re dealing with, or parts of their design that mean something literally or metaphorically. objective observations??

i’m really inspired by how creative the cj fandom is. no design is superior over another ofc, as how people interpret the characters reflect what they like and see the fellas as. interpretation is an art form! wow. writing that makes me realize that chonny’s fandom came from him interpreting music into his own thing (and ergo hms narrative), and then the fans interpret that narrative into their own thing. the loop never ends 😔💀/silly

FIRST AND FOREMOST, THANK YOU ^_^ !!! i agree also, the fandom never fails to inspire me, everyone in it is so crazy talented and makes me even MORE insane about the stupid guys from my songs,,

NOW favourite aspects,, there are a lot of things i love seeing on different hmsw designs but one thing i will always be insane for is when people make them look distinctly inhuman,, i will forever preach about robot/android mind or creature animal heart or whatever the fuck soul is (empty vessel?) because whatever they are they're NOT humans!!! not entirely!! and i love when people write this into their behaviour too! making mind stiff and speak more robotically while heart is always fidgeting and jittery and he has claws and these massive uncontrollable wings.. auaygauaghj

another thing is when people include aspects/colors from the others into their designs,,,.... for example heart with red accents or mind with purple accents and so on..,, or better yet when people include orange in their designs AUGH. it's so good

CELESTIAL THEMING IS ALWAYS BANGER of course heart and mind as the moon and sun is absolutely perfect, but i also like when people throw other planets into the mix?? and i love soul as the stars, it fits him well, but i'm personally subscribed to the headcanon of soul as the sky,, which holds the sun and moon,,,,

something i do personally is to always break up their faces, if that makes sense? with heart's blindfold, mind's screen and soul's shadow/clouds ...,, the face is something that makes your brain recognize what you're seeing as a fellow human, but as previously stated, i love when there's something Wrong with them, so maybe their faces being broken up makes them look much less human...,, hehehe

there are countless things that i love to see on these character designs and if i wanted to rattle them all off we'd be here forever. but i'm just saying, i haven't seen a single design that i haven't liked!!!!! i'm talking a lot about visual details here because once i get started on their psychology i never shut up and i don't want this post to be too long HJAHAHHA but yeah!! cheers!

[charcubed]

"Did you love medical school?" Avery asks Max.

"Medical school is the greatest longest hardest thing you're ever going to do," Max says, not answering the question, as he is already fucking famous for doing to get out of talking about himself.

(But this is not a post about Max. This time.)

The use of the word love here and the subtle framing of medical school as a relationship... Well.

My theory for Avery since the start has been that part of her arc is going to be growing to understand herself and realizing that becoming a doctor is not synonymous with fulfillment.

In episode 2, we got her saying,

"I've given up everything good. Everything that matters. Relationships, family. All for this job. And at the end of the day… I'm alone. Adrift. With nothing to show for it. I'm never going to be a doctor. This is all there is for me."

(This follows a pattern of a thing this show does with dialogue where characters say things that are more revealing to us as the audience than the characters themselves are conscious of, but that's a point for another post.)

Her bucket list included,

"I want to know myself."

because she doesn't know herself yet.

And now we got,

“I always thought that if I became a doctor things would start to make sense.”

I think Avery wants far more than just being a doctor... or, to be fully honest with you, I think they're conceivably going to go the route where she decides she doesn’t need to be a doctor because she’s found fulfillment in her life and work (and love!) in other ways anyway. I’m not talking “Rachel gives her life up for Ross” type of bullshit with two men instead of one, but rather tied into the explicit arc of how Avery wants to know and understand herself because she doesn't currently, and the "you're never alone" theme. That's part of what this pregnancy and future abortion plotline is setting up anyway: it's a brute force tool for self-reflection for her.

Does Avery really want to be a doctor, especially at the expense of all other parts of her desires? Or has that just always been The Plan and is she unconsciously thinking that earning that title will fix the holes she feels in herself and in her life?

If you think this sounds tricky to pull off as a story, you'd be correct – but hey, so is polyamory, and yet they're doing that. They’d have to write Avery's arc well enough that it doesn’t come across as reductive, but I really think they could land it because of the character setup they seem to be doing for her – and I've thought that for several weeks already. This week just has me locking in on that possibility more.

Now, going off the rails here from meta to straight up crack theorizing even though it's way too early to be predicting shit...

Weeks ago I was already wondering… what if the season ends with Avery going to leave to become a doctor and the guys decide to follow her? Maybe even in a big dramatic traditional “they run off the ship / to the airport” sort of romantic scene sort of way lmaaaooo. And as the boys abandon ship to follow her, at the same time, SHE turns around to go back to them without knowing they were following her! Idk. Who knows! Not me. Like I said, way too early to know anything.

Regardless though, the Hot Take™️? I would not at all be surprised if Avery changes her mind about wanting to become a doctor. And I think it could, if done correctly, be a weirdly bold move (in a show that's already planning to pull off A Big Bold Move).

[proship-culture-is]

Proship culture is being annoyed at how antis always try to dictate what someone is allowed to do or not in fiction..

"Uhmmmmm, you're not allowed to enjoy that in fiction because [insert any reason]."

I find something very concerning here, and it's antis using the words "you CAN/CANNOT."

And I ask them: who are you to police what others do with their imagination and freedom of speech? Now that’s something antis actually can’t do because, the very moment they attempt to dictate what someone can or can’t create in fiction, they’re contradicting the very concept of freedom.

You know where there are actual laws policing what people think, say, or do as art? Totalitarian dictatorships, like communist countries such as North Korea. Having freedom of speech means people are free to think and say whatever they want, as long as they don’t break any law.

I’ve been an OC creator since I was 6 or 7 years old. And I’ve been a WWII OC creator since I was 13. I currently have a bunch of WWII OCs. These OCs include Nazis, Soviets, and even more controversial characters. Of course, I don’t support Nazis or communists. And of course, I don’t condone WWII. The reason I have these WWII OCs is because I like history. And it’s genuinely funny to me when antis come up to me and say I’m not allowed to make WWII OCs. Antis always say, “Making Nazi OCs makes you a Nazi!” They also talk about how fiction genuinely harms people.

Any type of fiction such as books, games, shows, ect, do not harm people. You know who used to think books harmed people? The people of Nazi Germany. Those who worshipped Hitler. Yes, that’s correct. The people that antis are comparing me to are the ones who believed what antis believe and try to force others to follow: the idea that fiction harms people. The Nazis genuinely thought fiction (books, in their context) harmed people, so they decided to burn them because they didn’t agree with them.

As a person born and living in Austria, it’s incredibly insensitive and disturbing to be called a Nazi, especially considering Hitler was Austrian too. Not to mention how incredibly dangerous it is to water down the meanings of words. I don’t condone Hitler’s actions or support his ideology; therefore, I am not a Nazi. I’m just an OC creator who finds WWII history interesting.

I’ve had people telling me that my OCs are illegal because Nazi topics are taboo in Austria. And as someone who actually lives in Austria and meets Austrians every day: They’re not. My OCs would be considered illegal if they portrayed Hitler or Nazis in a positive light, which they do not. My Nazi OCs are portrayed as villains. They are portrayed as the bad people. Therefore, my OCs are not illegal. I’ve talked to Austrian adults who are educated about this topic. They all agreed my OCs are fine as long as they don’t romanticize or glorify Nazis - which, again, they do not. If non-glorified Nazi-themed fiction were really illegal in Austria, I wouldn’t be able to watch shows with Nazi characters on TV. All books containing Nazi characters would be banned. All the video games with Nazi tanks and planes would be illegal to play. Guess what? They’re not. Because it’s fiction.

To the antis seeing this: be not so quick to dispense judgment about who can or can’t do things. You may not want to find yourself, in the near future, with fingers pointed at you simply because you told people to stop enjoying something just because you don’t like it. Also, stop harassing people. Their fiction didn’t do anything to you. You just can’t handle people having harmless fun.

I’m sorry for the long text. It’s just that, as an autistic OC creator with a special interest in WWII, it’s sickening to me that I get called a Nazi for simply having fun with my fictional characters. I’m just so tired of antis dictating what others can and cannot do. I genuinely appreciate everyone who took the time to read this.

☆

[i-hug-exploder-shanks]

The Fool: I think Crow best suits this card with its themes of new beginnings and innocence as well as lack of knowledge.

The High Priestess: Ikora comes to mind for this card first because the theme of meditation and connecting your mind and body that this card represents.

The Empress: I saw many suggesting Caital for this card which makes sense but I would argue that this cards themes tend toward gentle guidance and parental support (motherhood is often focused) which I think would actually make Eramis a better choice as someone who cares deeply for her people and is trying to guide them home and who has been a mother.

The Emperor: With Eramis filling the Empress role I think Misraaks works well here as the card for fatherhood, leadership and control.

The Hierophant: This card stands for tradition and ethics typically so I think the Speaker fits well here.

The Lovers: very clearly gotta be Saint and Osiris together. They are just perfect for this card.

The Chariot: Not a character per-say but I would argue the Helm belongs here. Or a ship in hyperspace (our first ship we escape the EDZ in maybe?) its a card of success and finding control of a situation and freedom in many ways so thats what I see. But I did like a few people suggesting Amanda since she also fits those themes.

Strength: Shaxx for certain. He is all about growing your strength and still retaining compassion which is perfect for this card.

The Wheel of Fortune: I can imagine Xur here since he represents the will of forces outside our control but I also think about how Destiny is a game about making your own fate and feel like the traveler itself might be a better choice. It started this path with it's original sacrifice and our journey revolves around it.

If it were me i'd use the symbols from the loading screen here XD inevitable fate and endless cycles indeed.

Justice: I believe Eris belongs here. For her hunt for justice for her fireteam and because she is a very blunt truthful and righteous character.

The Hanged Man: Cayde-6 is the ultimate character of sacrifice and I feel like this is his perfect fit. Acceptance and release also suit him. If you put him in another role then Rasputin can also work well here in that half exo form for his sacrifice. Or if you wanna get deep i think Saladin works really well here as well. He has given everything many times in the name of progress. If you are willing to do ghost characters then Sagira is another wonderful choice.

Death: another good fit for our ghost or the traveler. Or even our guardian themselves if you can find a way to represent them.

Temperance: Eido would be my choice here as it is a card about finding the middle ground and finding meaning. She is the middle ground for the Eliksni people and I think she works really well for this card between Eramis and Misraaks, between old and new, just a nice balance.

The Devil: This is where I would put Calus. This card is about addiction and materialism and unhealthy attachment and I think that makes sense with his character.

The Star: if you are willing to do ghost characters I would suggest Glint here as a sign of hope and faith for Crow. If people characters only then I would offer maybe Ana as a hopeful character who doesn't give up her faith in her beliefs.

The Moon: The Drifter fits well here in a spot for illusions and trusting intuition i think.

The Sun: Eva works well here in a role of celebration and joy

Judgement: Zavala I feel suits this card well. Reflection on one's self and sort of reaping what you sow has been something he had to deal with a lot in his character arc.

Anyway these are just my ideas, I am super interested in what you choose and seeing the art eventually! Good luck!

Hello everyone! I am interested in making a Destiny Themed Tarot Deck and I am in need of some help. If you'd like, I'd love it if you all would drop some ideas on what people/places/things/etc would represent each arcana.

Here's some more info:

I will only be doing the Major Arcana (for now. Depending on how well I do, I might eventually create the Minor)

Please leave a comment on this post telling me which Major Arcana you believe would fit best with your Destiny 2 Character/Place/Event/Etc of choice (Don't be discouraged if you see someone else's comment that might be similar or opposite to yours, I'd love to get everyone's opinion!)

Feel free to reblog!!

Here are the Major Arcana that I already have ideas for:

The Hermit

The Magician

The Tower

The World

Here are the other Major Arcana that I still need:

The Fool

The High Priestess

The Empress

The Emperor

The Hierophant

The Lovers

The Chariot

Strength

The Wheel of Fortune

Justice

The Hanged Man

Death

Temperance

The Devil

The Star

The Moon

The Sun

Judgment

I will edit this post accordingly when I have checked an Arcana off the list

Disclaimer: I am aware that this has been done before by other creators, this is not meant to copy/harass/ruffle any feathers. This is simply something I wish to do for myself and share with everyone in the Destiny Community. Please be kind to eachother 💓

[montgomery-cannon]

@cain-gunn

The lights were flashing, the music was overwhelming, and Monty had just taken a tab of something off of a stranger's tongue. He couldn't see her in the dim light, but his hands in her hair were enough motivation to keep him pinned against the wall and his body pressed against hers. He reveled in the sensation of her nails clawing at his body, and he returned the favor by drawing her closer, his hands pulling her hair just the slightest bit taut.

He pulled back to catch a quick breath, and she buried her face in his chest, desperately maintaining contact of her mouth on his body. He chuckled, leaning back against the wall. And then the lights flickered just right, and he saw an unexpected face in the crowd: Cain Gunn.

Monty moved fluidly, putting a hand on the mystery woman's forehead to push her aside. "Cain!" he called out, starting to shimmy his way through the crowd. "Cain Gunn - what are you doing here?" His face broke into a wide smile as he approached, holding his arms out for a greeting hug.

[bacchuschucklefuck]

you get riz gukgak so well 👍👍

thank u!! he really kinda is all of my favourite character things rolled into one package (negotiation of principles/investigator-truth seeker-negotiator with reality and the narrative/obnoxious character whose narrative reward for participating in the story is getting to be even more authentically obnoxious/deeply and hauntingly aroace

[eosofspades]

okay i meant to make this post forever ago but my personal opinion on why so many people were so dissatisfied with lightfalll (disclaimer: i am not one of these people, i love lightfall SO much), is that lightfall was kind of subjected to a really aggressive marketing campaign.

like, stick with me here, i feel like almost all the lightfall release content (the trailers especially) were so focused on battling the witness, how this battle has been centuries in the making and this is the Second Collapse Finally Finding Us, only for there to be,,, no real resolution. the end was left on such a severe cliffhanger, but not only that, there was NO battle with the witness. the witness didn't even seem to be having a hard time at all with what we WERE throwing at it.

and for narrative reasons *i* am obsessed with this ending; in terms of storytelling i adore practically every creative decision that was made in lightfall, but i think the reason that so many people were so upset about it is because lightfall had such intense marketing and was rooted in the implication that this was the End of Days, only for us to get almost no closure, and instead so many more questions.

(there's also something to be said, i think, about the fact that the people who ARE most upset about this are like, the youtube gamer dudebros who's content is very very often rooted in the aggressive, violence-and-warfare, pvp-centric, no-interest-in-lore approach to destiny, and that the people i've seen primarily ENJOYING the narrative decisions (or at least being understanding about it) are the artists and writers and loremasters of the fandom, but i'm not quite sure,,, how to expand on that point.)

[werebutch]

WSBH chara q’s: (you don’t have to answer all the numbers, just whatever you want to 𖢘)

16/35/51 for Scotch

1/6/55 for Atlas

I LOVE YOU

16. What kinds of people do they have arguments with in their head?

okay i truly think scotch argues with seraph in his head all the time. ALL the time. scotch largely ignores them, and vice versa, because he dislikes them and they know it. seraph is very conflict avoidant lol, and as long as hes not a "threat" they dont care to talk to him about their problems. he probably argues with atlas and jacob (his older brother) too, atlas about more stupid small stuff, and jacob about childhood and life stuff :p

im trying to think of more general groups he would argue with but i cant come up with anything BAHAH. hes not exactly conflict avoidant in the annoying libra way that seraph is, he more just ignores conflict for his friends’ (mostly atlas’) sake. idk if that makes sense LOL

35. What is the smallest, morally questionable choice they’ve made?

hmmm.. smallest? i mean scotch strings eloise along for most of the time pre timeskip. its not a main focus but its definitely important in order to understand scotch as a whole. she and scotch go out for a while, and mid way through that he realizes hes GAY gay. lol. and obviously lying to her about that is pretty questionable after a while. especially since he and atlas have been 👉👌 like the whole time. but she kind of knows. well

something a little bigger would be him encouraging or otherwise turning a blind eye to all the weird stuff atlas is up to. he doesn't know what it's like to be a werewolf, he can't say anything, right? lol.... murder is okay if its a talking dog doing it. scotch enabler supreme. actually when seraph is introduced, he and atlas have a 'joke' (kind of starts being real) about luring seraph somewhere to kill them. obviously doesnt happen and gets abandoned. but i think its important to know about their dynamic LOL

51. What’s a phrase they say a lot?

this guy is kind of goofy. i cant think of phrases rn but he has a specific way of speaking.. you could watch pretty much any old pop punk band interview and kind of get the idea. HAHAH

1. What’s the lie your character says most often?

atlas is a big fan of saying 'its fine' for all situations ever. family in mortal danger? its fine. completely splitting? its fine. arthritis excruciating? its fine. hes one of those people that dont like to deal with the fawning of others unless hes feeling real special. Ends up putting people in more danger a lot of the time. i think eloise is the only fan of communication in this friend group to be honest. i should have made her the main character

he tends to make promises he cant keep as well, but thats more general..

6. What’s their favorite [insert anything] that they’ve never recommended to anyone before?

i have NO idea. i feel like atlas would be a music snob, so maybe his favorite 'super underground' bands. otherwise he'd probably never recommend raw human meat to another human (no matter how much scotch asks -__-).. (he would chicken out anyway)

55. What’s something they’re expected to enjoy based on their hobbies / profession that they actually dislike / hate?

um. so atlas hates working out. he especially hates running, you know, the thing that wolves are known for doing a lot of? unfortunately the lycanthropy came with a side effect of pretty bad arthritis, so that doesnt exactly encourage him. he DOES exercise, a lot since hes pretty much required for his ermm "side job", but he hates it 😸 besides the arthritis it’s mostly because I think it’s silly that he hates it. yay

[puppys-rhythm-heaven]

why is tumblr so fucked up on my chromebook-

[musical-chick-13]

"This show is SO good, you should watch it!!"

I gotta be honest. If I look at a character list on Wikipedia and get five characters down without seeing a single woman, it's probably not for me.

[lususnatura]

🎤 🎤 🎤

a song that i associate with my muse meme!

AHH, hey, ramone!! thank you for sending in this prompt :D since you sent in three of the mic's, i shall now be treating you to three songs that make me think of blamore when i hear them / that i associate with it. an explanation of why i chose them will be in the tags <3

hozier - who we are.

icehouse - crazy.

depeche mode - personal jesus.

[goldentigerfestival]

I love the vocal nuance in this exchange, but also posting this for my differences posts because this is one of the changes that infuriates me the most. Yuri didn't threaten Ioder, did not threaten him with a weapon, and just said he'd punch him in a lazy, half joking voice (half joking as in, he really doesn't want to hear that - that's just his way of saying so; but that's not the voice of someone who is super angry and threatening).

My other huge grievance is that this is a recurring issue between them in the dub. Yuri is pretty much always vocally rude to Ioder. Ioder has done nothing to wrong him or anyone and has only ever done good for the people where he's able to.

Yet despite Ioder being nothing but sincere, honest and polite with Yuri, in fact even happy to see him here and there, dub Yuri is outright tonally rude to him leading right up this scene where he threatens Ioder in this dark voice. Meanwhile he's actually just supposed to be… lazily telling Ioder he'll punch him in his Yuri Lowell way of saying "I don't want to hear that".

The dub really just wanted to turn Yuri into this dark edgelord and I hate that for my goofy, silly boy.