#their real home and making the camp their home

[blue-princess-blog]

Half an hour.

Jason comes home from work in half an hour. And you couldn't be more excited. Since running away to the mortal world and you having a baby Jason's been working his new mortal job obsessively.

He works at the grocery store down the street. Close enough to run home if anything were to happen to you or your little baby boy, but far enough away for you to miss him like crazy.

A homemade blueberry pie fresh out the oven cooling off on the table, the apartment was clean minus a few baby toys scattered, and dancing fruit was playing on the big TV as your baby boy sat in his walker bouncing along with some strawberries.

You don't know why your nervous as you look at the clock on your stove. Jason's been living with you for a little over 9 months. Having finally ran away from camp Jupiter when you were 8 months and have been there with you ever since.

Your hands smooth over the tight light blue sundress you know Jason just adores on you. You haven't worn it since you've gotten pregnant. Hell your sure it was the reason you were pregnant in the first place.

It does't fit like it used to. Your boobs still shockingly huge from the pregnancy. Went from a C cup to a double D. Your stomach still stretched and saggy. Your hand rests on your stomach for a little bit.

You didn't find shame nor disgust in it. Just pure joy and... pride. That this was the outcome of having given human life just 8 months ago. You created a human baby boy. Your eyes gaze back at your son.

He's still bouncing in his walker. His blonde hair finally started to grow out and his eyes a summer sky blue. Just like his fathers.

The door opens causing you to jolt not having time to react before Jason opens the door. Still in his work uniform and holding his lunchbox in his hands.

"You look really pretty." Jason murmured with a adoring smile, but there was a hint of a suggestive smirk. Jason looked over at your baby real quick before looking back at you.

You manage a smile a blush forming on your cheeks. Oh goodness you've been together for two years, live together, and have a baby yet somehow you still have a crush on him.

Jason sets his lunchbox on the floor not caring to put it away. More focused on stepping closer to admire you in that sundress he loves. His hands finds your waist and he presses a welcoming kiss to your lips.

"So so pretty." Jason mumbled moving your hips slowly side to side making you shimmy. You giggle feeling ever so cherished and flustered. You didn't even know what to say or do other than blush like an idiot.

Jason gently pulled a strand of your hair behind your ears. "Prettiest mama ever." Jason whispered lovingly over your lips before kissing you softly again.

There was a sharp sequel from your son in the other room. Having noticed his dad has come home he began to get antsy. Jason quickly pecked your lips again before turning back at the boy.

"Hey little man. Been good for mama?" Jason bent down picking up his little boy in his arms. "You better of." Jason gently pinches his cheek. "Because look how pretty mama is."

"You've said that almost five times already." You state although you have no distaste for him saying it. You like compliments. Especially from your man.

"And each one as serious as the first." Jason reminded you walking closer with your baby on his hip. "C'mon little man tell mama how pretty she is." Jason mumbled against your baby's cheek and he shrieked again with a smile.

Jason kissed his cheek and then leaned down to you. "Totally taking that dress off for you later by the way." Jason whispered to you and playfully bit your now burning cheek. A small squeak leaving your lips as he walked away to the table where the pie was.

[bloodhoundsandplagues]

How can I make it OK?

Arthur Morgan x reader

Summary : you're homesick.

gender neutral reader, no use of y/n, not explicitly romantic unless you wanna read it that way, 3K words

Warnings : swearing, mentions of suicide, panic attack described in semi detail, not the jolliest thing i've ever written

A/N : first post that's actually writing in 2025 ! wrote most of this on the train while listening to house in nebraska by ethel cain and more than this by wolf alice so yeah. also this isn't arthur heavy in the sense that it's reader rambling about being homesick mostly. to be read in a southern accent as god intended

Of all the places I have travelled with the Van Der Linde gang, I think this is my least favourite. 

Living- or rather, camping- in the ruins of some plantation, bodies of the former owners stagnating in the pond. Sometimes I hear ‘em- the ghosts, in the walls, screamin’. I know it’s my mind, playing tricks on me; but it’s harder to have that rational thought when you’re lying alone in the middle of the night, wind whistling through broken windows. It’s not that I don’t like having a roof over my head. Shit, everyone in this godforsaken gang is happy to have a real shelter from the weather, even one as flimsy as this house. So I shut my mouth, hunt as I’m expected-which is what I am doing now, borrowed bow over my shoulder, quiver resting comfortingly between my shoulder blades. 

Hunting is familiar. Back in the Grizzlies, where my daddy raised me, we’d go out any time of day, in any weather, hunt for the coming storms. I’d do everything the way he taught me to- lay out traps, wait behind a boulder, bow in hand. It builds patience, he told me when I asked why the hell we didn’t just track the damn animal, instead of waitin’ in the cold for it to find us. 

Now, it’s not cold, and dear old daddy ain’t here to help. 

I left my horse hitched by a lake, with enough grass for him to be fed and well until I bring back something worthy of Pearson. It’s near sunrise; already, the heat is uncomfortable; my skin is sticky, my clothes uncomfortable. It’s moments like these that I long for the snow. 

I wipe my forehead with the back of my head. I’ve been walking for a little while now, waiting for a pack of deer to pass by. There’s something that bothers me about killing them- maybe it’s their eyes, so big and brown, caught frozen as they stare at you. Or maybe it’s their resemblance to this little girl I knew, at a local village at the base of the mountain where I grew up. 

I shake the thought of her big brown eyes and twitchy nose as I spot a herd of ‘em, grazing near a small stream. There’s enough light for me to count them- seven, big enough to feed us. 

I get on one knee, like my daddy taught me. Notch an arrow in the bow, pull it back. One of the poor animals raises its head, looks in my direction. 

Before I can hesitate, I let go, and the arrow flies; a fraction of a second later, it has notched itself in the animal’s throat. It falls; its friends, the rest of its herd (its gang, I think, almost laughing) scamper off, into the woods. I don’t go after them. Pearson will have to do with this, and whatever herbs or mushrooms I’m able to pick up. 

The doe is dead by the time I reach her. I kneel. Pull the arrow from her neck; thick, sticky blood gets on my hands. I almost reach for snow, to clean it off; curse myself when my fingertips meet grass and mud. The doe’s dead eye stares up at me, brown and empty as the sky. I resist the urge to close them. 

“Sorry, sweet.” I whisper it as I hoist her up, put her over my shoulder. She’s heavy. I must be getting blood on my shirt- it’s a shame, because it’s my favourite colour, and I’ve just bought it. 

I swallow any regrets I feel as I walk back to my horse, the weight of the doe uncomfortable against my bow and quiver. 

You’re the reason she won’t come home, a little voice whispers in my head. I stop, then, because my chest is tightening and I can’t really breathe. I say something incoherent. The fields around me are empty- it’s just me and this doe. 

I drop her into the mud and loosen my shirt, gasping for air. I want cold, I want crisp mountain air; not this thick, humid, barely-air that clogs my throat and makes my lungs heavy. 

I dig my fingers into the mud and grass, as I would have done in the snow, back home. Home. What a weird thought. I catch the dead doe’s eye again, and that’s when the tears come, thick and hot and nasty, blurring my vision. So stupid, I think, as I force myself to stare at her. She- no, it- is just an animal. She doesn’t have a home, not the way I did. Do. 

I think of crying out for help, but that’s pathetic, and I’m a lot of things, but pathetic ain’t one of them. 

I think I stay there, on my knees, fingers deep in the mud, for a long time- when my vision clears again and I’ve stopped gasping for air, the sky is clear, clear blue, no traces of sunrise left. If I focus hard enough on it, I can almost pretend I’m back in the mountains. 

I get up, teeth digging into my tongue to prevent any new feelings from resurfacing. I’m not in the goddamn mountains. All that’s left for me there is two frozen bodies deep beneath the snow, and a hut that’s probably been raided or taken over by some other gang. 

I pick the doe up, this time careful to avoid looking at her face. Its face. It’s an animal, not my goddamn sister. 

I make it back to my horse without another incident; strap the doe across his back and climb onto his saddle. His name is Coal, ‘cause of the colour o’ him- black and charcoal grey, a streak of white down his face. 

“Hey, boy,” I murmur to him as I flick the reigns. My voice is shaky, hoarse; it’s obvious that I’ve been crying. 

Coal begins to trot back to camp. I think of changing direction, of going to Rhodes, clear my thoughts. But I gotta bring this back to Pearson, or he’ll skin me. 

The camp is still there when I return, which is a relief. I don’t think I’ll forget the moment when I came back after a hunt and found everyone gone, everything burned to the ground. 

I shiver at the memory and get off Coal. “I’ll come ‘nd fix your saddle later,” I say to him, scratching his neck. He grunts, in a tone I hope is affectionate. I remove the doe, put her back over my shoulder. Make it to Pearson’s stand, where he’s angrily chopping vegetables. 

“Hey,” I say, dropping the doe in front of him. I angle her head- her eyes- away from me. “Got some meat.” 

“I can see that,” is Pearson’s kind answer. 

I ignore him and walk away again, into the derelict house we’ve been callin’ home for the last few weeks. My room is on the top floor; I wish I shared it with someone, but I got lucky (Dutch’s words) and got my own, private room. 

I tug off my bloodstained shirt and drop it on the floor. There’s nothin’ to be done about my trousers- they’re the only pair I’ve got (the others have just been washed, and hang soaking wet outside) and I don’t plan on walking around bare-legged. 

I change quickly. Sit down on the bed, stare at the wall. 

I don’t know how long I stay like that; starin’ at the peeling wallpaper, trying to pretend it’s the same white as the snow I used to see out my window. Obviously, the pretendin’ don’t work, because it’s not the snow, it’s a crumbling fuckin’ wall in a crumbling fuckin’ house. I stand, take a deep breath in (of hot, hot, humid, thick air), push it out. It ain’t cleansing- I don’t feel better once I’ve tasted the surrounding bogs- but it’s enough to calm my heartbeat, and make me feel somewhat human again. 

For the rest of the day, I help around camp, doing stupid, mind-numbing tasks. I try not to think of the mountains, and how much better than this godforsaken swamp they were. People talk to me, and I answer, polite and all. I eat Pearson’s stew, listen to another grandiose speech about Dutch’s plan (or, as far as I’m concerned, concepts of a plan). I finally find a moment of quiet sitting on a log, staring out at the swamp. Not the prettiest sight; all brown and green, with hints of yellow dust. 

I’m alone for only a few minutes before I hear footsteps. I turn, and find Arthur approaching, taking his cigarette packet from his satchel. I shift on the log I’m sitting on, making the split second decision that his company is something I want right now. 

He sits next to me, silently. Offers me a cigarette (I decline with a shake of my head and a wave of my hand) then lights his own with a match. He stays quiet for a little while, blowing smoke from his mouth, tinting the world blue and grey. 

It’s strange, sitting next to him. He don’t mind being quiet; seems to like my company well enough, ‘cause he keeps coming back here to smoke. 

He’s the one who found me, all that time ago, on a solo hunt in the Grizzlies. It was at the edge of the mountains, where it starts to get warmer; where the sun melts away most of the snow. Was from Blackwater, he said- I asked if I could go back with him. Promised I’d leave ‘em all alone when I got there, I just needed a job, as far from my daddy’s corpse as I could get. He’d said yes, maybe reluctantly. 

Turns out, I’d found somethin' better than a job. Not quite a family, but a gang, people to rely on, people to distract me from the emptiness created by my father’s death. I suppose it’s these people keeping me here, in this swampy nowhere, sweating my socks off. Here, I’ve got people- back in the mountains, I’ve got two dead bodies and an empty house. 

My chest tightens again, and wordlessly, I take the cigarette from Arthur’s hand, take a long drag. I hand it back, still silent, and dig my fingernails into my knuckles. 

“You miss home?” Arthur asks me, his words marked by the smoke curling from his mouth. I take the cigarette from his fingers again, press it between my teeth, inhale ‘till I can blame the burning in my eyes on the smoking rather than whatever has grabbed hold of me; whatever old, buried feeling I’d thought long gone had chosen to make an appearance. Guess it must be more obvious than I thought, that I’m feelin’ odd, ‘cause he clearly smelled it on me. 

“I don’t know, I guess,” I say, softly, fiddling with the dirty fabric of my trousers as I hand the cigarette back; as if I don’t know the answer, as if I haven’t spent half my goddamn life thinking about this. I exhale, blowing out smoke from my nose.  “Never really thought about it.” The lie burns in my throat, so thick I can hardly breathe. 

It’s not the stability that I miss. The weather in the Grizzlies was nothin’ permanent, not in any sense- one minute it’s a blizzard, the next you’re standing staring at the bright blue sky, knee deep in snow. I guess it’s the wolves howling, it’s the comfort of a fire as wind rattles against the window panes; it’s even the way the stars look after three days holed up inside. There’s no one thing I miss or don’t miss- I just know I miss it, so much that my chest tightens at the thought. 

When my daddy got shot, three- no, four- years ago, I thought the one answer was to leave that place behind; pack up my clothes and go out into the Wild Wild West, make my own future away from the smell of his freshly dug grave, right next to my mama’s frozen bones. And when I came across Arthur, and later his gang of gung-ho outlaws, who seemed ready to take on the world, I thought that was it- my life was set. 

But I don’t like the constant moving like I used to. It don’t feel like adventure anymore; it feels like escaping, like we’re always running from something. 

“I don’t…” I hesitate, reach up to dig my nails into the dip of my collarbone, try to dig the feeling out, hold it up to the light to examine it. “I guess it’s different.” A veiled confession. Away from the Grizzlies (away from home) it’s hot, stiflingly so; I can’t climb onto my horse without breaking a sweat. It’s already too warm by the time the sun rises- clothes sticking to your skin uncomfortably, flies buzzing above, drowning in the smell of swampy nothingness as soon as your eyes open. I don’t hate it- it has become familiar, but familiar in the way the weight of a revolver at my hip has become familiar; the way the constant paranoia that clogs my throat has become familiar. 

“Different how?” 

Another pause, as I scuff the yellow dust ground with the toe of my boot. Different in a whole lotta ways, I want to tell him; even the colour of the sky isn’t quite the same back home. 

Home. I think of the snow as I stare at the yellowed leather of my shoes. Where there’s snow and wolves and no people to shoot at you unless you really look for it. 

“I don’t know,” I say, even though my whole body knows; it courses through me, the knowledge that a few days ride away is the mountains, and the snow. “It just is.”

The answer dissatisfies him, I think. “C’mon,” he says in that gruff voice of his. “You gotta be able to find one difference between here and the goddamn Grizzlies.” 

“’S warmer,” I say, the words followed by a short, slightly forced laugh. “Don’t snow as much.” 

He snorts, shaking his head. “Alright,” he responds, maybe a little condescendingly. “Think o’ anything else?” 

“You got less wolves down here,” I add, after a few moments. I don’t say that I miss the sound of them howling; that when I close my eyes, I try to picture it, try to pretend I’m back there instead of here. 

“Alright.” He says it kinder this time, like we’re getting somewhere. 

“The sky looks different.” I dig my fingers in deeper. He offers me the cigarette; I take it, repurpose the burning in my throat. The smoke flickers around me as I exhale. “It’s- clearer, up there. More blue.” Here, the sky is tinted almost yellow. It ain’t ugly, but it ain’t home. 

He doesn’t answer, now, staring out at the swamps. I don’t know how he feels about this place- about Rhodes, and the foreignness of Saint Denis, with its factories and smoke and cobbled roads. I wonder if he misses home- if he ever had one to begin with. “I guess I do miss it,” I say, to fill the silence more than anything. “But… I don’t know, I don’t think I wanna go back.” Alone is the word I don’t add. I think- maybe- if I had the gang, my new family, I’d go back to the Grizzlies. After we escaped Blackwater, and hid out in that abandoned town up in the mountains; that was the happiest I’d been for a long time. 

But alone isn’t something I want to be. Not the way I was alone, the few weeks after my father passed- just me and the freshly dug grave, me and the wolves, me and the gun that killed him, sittin’ on the table, an unwanted temptation. 

“I don’t wanna be alone again.” It comes out soft, hoarse, pathetic, the words grating in my throat, like sandpaper on my tongue. 

It’s true. Yes, home is in the mountains; I know that now, when my chest clenches at the simple thought of the snow. But home is also with these people- with Arthur, and Mary-Beth, and Pearson, and the rest of them. Hell, even Kieran, the O’Driscoll boy, has become home, in a way. Home is not just the place where I grew up (the place where my daddy now lies); home is also the people that have become my family; who have embraced me so kindly and warmly. I know deep in my stomach that if I were to leave now, take a horse back to the hut, I’d end up like my daddy, a bullet in my head and a gun in my hand. 

He did it ‘cause he was lonely. So lonely that even I wasn’t enough to stop him from pulling the trigger. Lived in the mountains his whole life, but he had my mama then, and his parents. I guess fifty years of snow and not much else can drive you insane. 

My hand goes to my temple; I dig my fingers into the skin, right where I found the bullet in his head. 

“Y’won’t be,” he responds gruffly. He’s finished his cigarette, and yet he’s not made any attempt to get up, leave me with my thoughts. I snort, wipe my mouth with the back of my hand. 

“Don’t know that,” I say. “With the Pinkertons on our asses, ‘nd all.” It’s meant to be lighthearted, but it comes out quiet, rough. 

“Yeah, but they’ve always been on our asses.” He puts a hand on my leg; it engulfs my entire knee. “Tell you what.” He hesitates, clearin’ his throat a little. Squeezes my knee. “I’ll take you huntin’, once a week- or twice, or less, if you want.” 

“I go huntin’ anyway,” I answer. “Not in the mountains, y’don’t.” My chest both tightens and loosens at the same time. I swallow; my heart is thumping in my chest. I put my hand to my collarbone again, digging my nails in. “C’mon, it’ll do you good. Cold air and all that.” 

I know there’s a deeper meaning to that. Cold air- he’s giving me the chance to go home, and not by myself. Even if it’s not for long, it’s enough- to feel the snow again, to hear the wolves. Maybe once I’ll camp overnight, ride back to camp in the morning. The idea fills me with hope- a feeling we’re all starved of, these days. 

“Really?” Is all I manage to croak out. 

“What, you don’t wanna?”

I laugh, and it’s genuine this time. “No, I- I wanna.”

“Alright then.” He gives my knee a last squeeze, then stands. I stand with him, smooth my shirt with the flat of my hand. “Tomorrow then?” Tomorrow. Tomorrow, tomorrow, tomorrow. I’d sing, if my throat weren’t so damn tight. My eyes sting, and I wipe at my nose with my hand. 

“Thank you,” I say, quietly. He don’t respond, but he nods, and I think maybe he smiles a little. 

Tomorrow. Tomorrow I’ll get to take a piece of my new home to the place I grew up- someone I love, to the place that holds my heart. 

I watch him walk away; and suddenly, the humidity don’t feel so bad anymore. 

[slaaverin]

I rewatched AYS today, and I keep watching clips, and I just cannot get over the part in ep8 when the producers say they were worried about the show, or more reaffirm what JK was saying when he said they (he and Jimin) were worried!?

Why? Why were they so worried? If they are friends and have nothing to hide, why? It’s such a wild thing to say. Because really all they were essentially doing in the episode they watched was eating, and cooking at camp, so eating again, and Jimin got sick. So what stood out, or worse, what didn’t make it into the show?

https://youtube.com/shorts/JEwKfWQDisY?si=uZ3C4ogYS64vBhGl

Excellent question anon 🤭

I think jikook, the staff, and all of us were collectively worried about this show lol

Maybe it was for different reasons but I think not.

The rational answer would be that firstly the show had no real sense of direction. Jungkook voiced this in the first episodes. Jimin thought it wouldn't even air.

Yes because "they had nothing to do" except quiet moments and little adventures, but also because I think we all *know* that this show would be very tricky to edit properly.

How to show a couple's vacations without showing the couple coupling? Hard thing to do and everyone knew this!

As many have said before me, what was filmed in this show was only little time during their day. Few hours here and there, but most of their time was spent only the two of them. And even then, they were not sure. It was already a bit dangerous. Poor editing team lol

We also saw that there were soooo many cuts, I'm sure of many moments that would not be suitable for cameras, including the moments they turned the cameras off themselves (Jungkook with the bedroom in EP2)

Jeju had also a lot of weird cuts (side eyeing the shower situation) ANYWAY

I think the fact that this show was simply them being themselves (with all that entails) would be quite worrying for everyone.

They did the best they could to make it look cohesive and entertaining, but we know they left many things out for everyone's benefit.

I am still shocked about what they left in though, I guess it is impossible for jikook not to be jikooking so you have to put SOME in but??? It was wild even like this.

To put it simply, I think they were all worried it would show a little bit too much that they are a couple and it did, anyway. But just enough to still be able to deny it. Just enough so that there is no scandal.

Really, poor editing team 🥲 they had a tough job.

Who knows what was left out, but I think time-wise, quite a lot.

We didn't see anything about Tokyo. We didn't see the in-between-activities moments. We didn't see all the conversations. We didn't see the nights. We didn't see all the car rides. We didn't see THE SHOWERS *I will die on this hill* 😂 also the goings and returns home. And the mornings.

So yeah A LOT was left out.

I expected more from the behinds but they stayed on course with them.

Ahhh how frustrating not knowing, right?

But I guess I am also happy that the two of them got to spend time together, alone. Those trips were for them first and foremost before being for the show.

Everyone was on this edge of their seat with this show, and I applaud jikook for playing it cool, and for the editing team who did such a great job even in this risky situation.

But yeah, someone, somewhere at hybe has sensitive content about the two of them, and you can be sure about that.

Much to think about

Jikook will probably tell us more stories about the show too once they are out, and I can barely wait

Until then it's all up to our imagination

(Knowing they always exceed expectations so...yeah 👀)

Thanks for your ask anon and take care 💜

[sirenascelestiales]

As long as we continue to share our stories, our history will be remembered.

Etaf Rum, Evil Eye

[tvrningout-a]

rin is so annoying in the funniest way and i won’t rest until she’s messed with all of your muses : )

[setevidas]

nothing's been cheering me up lately as much as watching summer camp island has been

[emo-sunshine42]

.

[hellfireeddiemunson]

i just wanted to come to walmart real fast with my sister and then go home and get drunk but our dad decided to come with us and now we’ve already been here 40 minutes and done essentially Nothing bc my dad is just Looking at camping shit

[3liza]

https://nationalpost.com/news/canada/theyre-not-human-how-19th-century-inuit-coped-with-a-real-life-invasion-of-the-walking-dead

Indigenous groups across the Americas had all encountered Europeans differently. But where other coastal groups such as the Haida or the Mi’kmaq had met white men who were well-fed and well-dressed, the Inuit frequently encountered their future colonizers as small parties on the edge of death.

“I’m sure it terrified people,” said Eber, 91, speaking to the National Post by phone from her Toronto home.

And it’s why, as many as six generations after the events of the Franklin Expedition, Eber was meeting Inuit still raised on stories of the two giant ships that came to the Arctic and discharged columns of death onto the ice.

Inuit nomads had come across streams of men that “didn’t seem to be right.” Maddened by scurvy, botulism or desperation, they were raving in a language the Inuit couldn’t understand. In one case, hunters came across two Franklin Expedition survivors who had been sleeping for days in the hollowed-out corpses of seals.

“They were unrecognizable they were so dirty,” Lena Kingmiatook, a resident of Taloyoak, told Eber.

Mark Tootiak, a stepson of Nicholas Qayutinuaq, related a story to Eber of a group of Inuit who had an early encounter with a small and “hairy” group of Franklin Expedition men evacuating south.

“Later … these Inuit heard that people had seen more white people, a lot more white people, dying,” he said. “They were seen carrying human meat.”

Even Eber’s translator, the late Tommy Anguttitauruq, recounted a goose hunting trip in which he had stumbled upon a Franklin Expedition skeleton still carrying a clay pipe.

By 1850, coves and beaches around King William Island were littered with the disturbing remnants of their advance: Scraps of clothing and camps still littered with their dead occupants. Decades later, researchers would confirm the Inuit accounts of cannibalism when they found bleached human bones with their flesh hacked clean.

“I’ve never in all my life seen any kind of spirit — I’ve heard the sounds they make, but I’ve never seen them with my own eyes,” said the old man who had gone out to investigate the Franklin survivors who had straggled into his camp that day on King William Island.

The figures’ skin was cold but it was not “cold as a fish,” concluded the man. Therefore, he reasoned, they were probably alive.

“They were beings but not Inuit,” he said, according to the account by shaman Nicholas Qayutinuaq.

The figures were too weak to be dangerous, so Inuit women tried to comfort the strangers by inviting them into their igloo.

But close contact only increased their alienness: The men were timid, untalkative and — despite their obvious starvation — they refused to eat.

The men spit out pieces of cooked seal offered to them. They rejected offers of soup. They grabbed jealous hold of their belongings when the Inuit offered to trade.

When the Inuit men returned to the camp from their hunt, they constructed an igloo for the strangers, built them a fire and even outfitted the shelter with three whole seals.

Then, after the white men had gone to sleep, the Inuit quickly packed up their belongings and fled by moonlight.

Whether the pale-skinned visitors were qallunaat or “Indians” — the group determined that staying too long around these “strange people” with iron knives could get them all killed.

“That night they got all their belongings together and took off towards the southwest,” Qayutinuaq told Dorothy Eber.

But the true horror of the encounter wouldn’t be revealed until several months later.

The Inuit had left in such a hurry that they had abandoned several belongings. When a small party went back to the camp to retrieve them, they found an igloo filled with corpses.

The seals were untouched. Instead, the men had eaten each other.

[thebadboysuprememcshizzle]

I think Percy would definitely try to have a profession just because he wants to make Annabeth proud. But then he realizes that he has to do math and he remembers how much he didn’t miss school and dropsout

Tired of “oh Percy would be a marine biologist” “oh Percy would be a teacher” that man is a stay at home dad. And I mean that.

[imperiuswrecked]

BDS HAS CALLED FOR A TARGETED BOYCOTT OF PRO-ISRAEL PROPAGANDA CHARACTER SABRA!!!

BOYCOTT SABRA (RUTH BAT-SERAPH) IN MARVEL'S CAPTAIN AMERICA : NEW WORLD ORDER!!!

As Captain America: New World Order is released I urge all fans who are against Zionism to flood the Captain America tags with messages of Boycott Sabra. All the links provided in the graphic are publicly available from their websites, and social media.

Anti-Zionism =/= Anti-Semitism!!! We are boycotting Sabra not because she is Jewish but because she represents a Pro-Israel, Pro-Zionist message that should not be platformed in any media. Her comics have Pro-IDF propaganda.

Marvel was made aware of the fact that this character promotes a Pro-Israeli & Anti-Palestinian sentiment when the character of Sabra was announced for Captain America 4, despite fan concern, and calls for Marvel to remove this character from the movie and despite have more than enough time to respond to what type of statement this would promote, a Pro-Zionist, Pro-Israel stance and despite reshoots Marvel has still chosen to keep Sabra in the movie. Shira Haas is the actress playing Sabra, she is Israeli and has shared Pro-Israel posts online even during the genocide of the Palestinians.

Marvel claims they will be reinventing the character however a character whose very nationality and backstory relies on Pro-Israel & Pro-Zionist ideals is irredeemable especially because not once in all her comic appearances does she ever change her Anti-Palestinian stance. Israel is currently committing a Genocide against Palestinians. Since of October 7th more than 30,000 Palestinians, of which over 12,000 are children, have been murdered by Israel. Over 60,000 have been injured, more missing, and millions displaced in Israel's genocide and ethnic cleansing of the people of Palestine. This is in addition the 75 year long occupation, countless war crimes, and 16 year blockade on Palestinians.

Marvel claims to care about Jewish characters, but Marvel hasn't even cast Jewish actors for Jewish Characters like Moonknight. Marvel choosing to back a Pro-Israel, Pro-Zionist character like Sabra sends a very clear message that aligns with Marvel Comics long held Anti-Palestinian sentiment. There are other Jewish characters for Jewish representation, such as Magneto, and Kitty Pryde, who were not created with a Pro-Israel, Pro-Zionist background.

BOYCOTT SABRA!!! Send a message, write a tweet, make a post, and tag Marvel and Disney and let them know why you are Boycotting Captain America: New World Order. I love Sam Wilson as Captain America but I will never support a movie that has Sabra as a character.

For more information about the character's history here is a breakdown of her appearances in Marvel Comics.

The Incredible Hulk (1968) #256 - Sabra's Origin

On the cover of Sabra's origin issue is the image of a dead Palestinian boy.

continued...

As we read the issue, we find Bruce Banner/The Hulk has stowed away on the ship "The Star of David" to Palestine, in the comics it is called Israel, however Marvel Comics has long been erasing Palestine, calling it only Israel.

This is Marvel Atlas (2008) #2 page on Israel

Marvel Fandom Wiki states that Palestine was the name of the land before Israel. While I understand that Marvel's 616 Universe is fictional, it's important to state that they base their locations on Real Life locations, and in 1948 Palestine underwent The Nakba, in which Israeli Forces displaced over 750,000 Native Palestinians and killed countless men, women, and children, stole land and homes, and forced the remaining Palestinians into the Gaza Strip which is the world's largest concentration camp, or confined to the West Bank all of which is under Apartheid laws today, or out of Palestine with no right to return to their homes and lands.

That being said, Sabra was created in 1980, as a Mossad Agent, Mossad is the Israeli Secret Service which has done so much harm to Palestinians. In her first issue she was working as a cop in Tel Aviv.

The Editor's note states: "The word Sabra denotes a Native-Born Israeli, the name derived from an indigenous form of fruit - a prickly pear possessed of a sweet interior, and a spiny outer surface to protect it from it's enemies."

Sabr (arabic, it also means "patience") is a cactus prickly pear that is Native to and found growing in Palestine. Read more about it in this article talking about the politics of Palestinian erasure and the Sabr fruit.

The Prickly Symbolism of Cactus Fruit in Israel and Palestine.

“If you look at most Palestinian villages demolished in Israel, what’s left is cactus fruit and olive trees,” says Qattan. Since 1948, he adds, this has imbued the cactus plant with a “mythical symbolism.”

When Blum’s father started the farm, he knew that many parts of the world have cactus fruit plants, so he wanted to make theirs the best. They chose Dimona, in southern Israel, because of its intense sun and “the Zionist dream of making the desert bloom.” 

"Making the desert bloom" is a racist Zionist ideals and propaganda that has caused severe ecological damage to Palestine by destroying thousand years old Olive trees to plant non indigenous trees that are not native to Palestine in a form of ecocide. So even the character Sabra, her very name brings a connection back to the Nakba, the ethnic cleansing of Palestinians & promoting Zionism.

However Sabra's name also has another very real and very tragic memory. One I will discuss here before returning to the comics. Just two years after her appearance in comics in 1980, Israel's war crimes continue.

The Sabra & Shatila Massacre 1982

The article linked above has information of what occurred September 16-18, 1982. There were the Refugee camps of Sabra & Shatila, where Palestinians displaced from Israeli Occupation lived, and they, as well as Lebanon Civilians, were killed by the right wing Lebanese Militia working with the Israeli Military, which took the lives of 2,000 - 3,500 people in 2 days. Raped, tortured, murdered. Many Palestinians know the history of the massacre and bringing up the names of Sabra & Shatila is a constant reminder of the deaths that occurred, the war crime that was committed, and that 42 years later not one person involved in the massacre was held accountable.

The Sabra and Shatila massacre is remembered as one of the most traumatic events in Palestinian history and its memory is commemorated annually by Palestinians in Lebanon and in Palestine.

Marvel promoting a character like Sabra who's very creation ties into the Pro-Zionist Israel a statement that Marvel is promoting a Pro-Israel message. No matter what changes occur to the character in the movie, already her very creation, her very name is linked to the deaths and torture of thousands of Palestinians. It does not matter that she was created 2 years before the Sabra & Shatila massacre, her name is still connected to the ethnic cleansing of Palestinians from the 1948 Nakba and the creation of Israel.

For anyone who says "Well Marvel couldn't change her name just because of Political Controversy" let me remind you that when the American Black Panther Party gained popularity Marvel changed The Black Panther's name temporarily to the Black Leopard because they didn't want to associate the character with the American Black Panther Party.

Now that you have an understanding of why Palestinians are rightfully boycotting an Israeli Propaganda character let me return to the the comics.

Back to The Incredible Hulk (1968) #256; this comic is one of the most Anti-Palestinian, "Arab Terrorist Propaganda" comics I have ever read so I will briefly outline the plot: The Hulk meets a poor Palestinian boy who was stealing a watermelon (The watermelon is the symbol of resistance for Palestinians) and Bruce spends time with the boy, Sahad, however Sahad is killed by a bomb. Hulk is enraged and fights the Arabs, Sabra intervenes and thinks Hulk is in league with the Arabs and attacks him.

Hulk takes Sahad's body away and Sabra thinking Hulk was fighting with the Arab Terrorists goes after him in order to protect Israel. However she finds that Hulk wasn't the monster she thought he was. Hulk's angry speech about the Israel-Palestine conflict leaves Sabra shaken and for the very first time she sees a Dead Palestinian Arab Child as human.

"For an instant, Sabra prepares to give chase. She is, after all, an Israeli Super-Agent... A Soldier... A Weapon of War. But she is also a woman, capable of feeling, capable of caring. It has taken The Hulk to make her see this Dead Arab Boy as a Human Being. It has taken a monster to awaken her own sense of humanity.

Reminder this is her FIRST FULL COMIC, this is her ORIGIN, and you would think that perhaps she is more sympathetic to the plight of the Palestinians after this but she isn't. Let's continue with the rest of her comic appearances.

Marvel Super Hero Contest of Champions (1982) #1-3

Sabra is included in the contest of champions where superheroes must team up to battle their foes, she is teamed up with Iron Man, and The Arabian Knight (1st incarnation: A Saudi Bedouin with mystic artifacts/powers). Again, the Anti-Arab racist stereotype of Arab men being misogynistic towards women (misogyny is not a trait of ONLY Arab men, it is something that occurs world wide, however focusing it only on Arab men is racist) as well as the Zionist Propaganda lies that Arabs hate Jews, Arabs vs Jews, Arabs and Jews are enemies because of their religion. Not to mention that this Arabian Knight (Abdul Qamar) is from Saudi Arabia, he has no ties to Israel, so Sabra is judging him because he is Arab and has conflict with him because of their countries, it ties into the stereotype that "All Arabs are the same", Saudi Arabia is not Palestine.

Even after The Arabian Knight saves Sabra, she states her hatred and racism towards Arabs; "I would rather be dead than allied with you!"

The Incredible Hulk (1968) #279 - Sabra once again states it was the Hulk who taught her about Humanity.

Marvel Super-Heroes (1990) #6 - Sabra fights Israeli Anarchists who want to overthrow the Israeli Government and saves the American Ambassador's son, who is deaf. The main villain is a woman who Sabra saved by giving her some of her life energy, and she is upset because she did not want to be saved nor does she want to fight for Israel with the powers Sabra gave her. Sabra takes her life energy back and it kills her.

A constant running theme throughout her comics is that one of Sabra's repeated goals is the protection of Israel even above her own life.

The Incredible Hulk (1968) #386-387 - Sabra thinks the Hulk is in league with people who are trying to kill a boy, and attacks him. Later she thinks Hulk has defeated her and has this speech where she says that Israeli Soldiers are beating their wives out of frustration.

Again, how is that not the fault of the soldiers, why is it even when they are perpetrators of violence it's not their fault because they are frustrated?!

The main plot was that a Jewish man, who survived the German Nazi concentration camps, believed the boy to be the next Hitler which is why he wanted to stop him.

I never downplay the horror of the Holocaust or what Jewish people suffered from Nazis, from Anti-Semitism, throughout their history, but I am mainly focusing on how Sabra's character is in the comics and how that related to Anti-Palestinian, Anti-Arab sentiment.

The New Warriors (1990) #58-59 - Sabra reveals that her six year old son was killed by Arabs, bombed on a school bus, after she urges the New Warriors to kill Batal, a Syrian Super-Agent. Batal then states that it was the PLO (Palestinian Liberation Organization) that killed her son and to stop generalizing all Arabs.

Batal: Well Sabra? There's a Palestinian over there -- aren't you going to push him out of his seat and claim it as your own? Sabra: I don't respond to child-killers

Again, Sabra's racism against Arabs doesn't end at Palestinian Arabs, but extended to Saudi Arabia and now Syrian Arabs. LET ME BE VERY CLEAR THAT SABRA IS BEING RACIST: Batal has 2, TWO, only 2 comic appearances, he is there as security detail like Sabra is, there is nothing about his character that indicates he's anything but a Syrian Superhero, and Sabra still called him a child killer because she thinks all Arabs are child killers. Batal is written with the stereotypical racist Arab Man writing that many Arab characters suffer from, and he does insult Sabra by calling her an "Israeli Pig" after she treated Batal with disrespect, distrust, and suspicion ever since his arrival.

Sabra is then mind controlled into stopping the peace conference and killing everyone who allowed it to happen. She is stopped by the New Warriors.

Sabra's son is never once shown in a flashback, we are only ever told of him and how he died.

X-Men (1991) #67-69, 72-73

Sabra's dead son's name is revealed to be Jacob, she uses her position in Mossad to get secret information for the X-Men.

She later has plans to track down and kill Magneto, but ends up fighting with his clone, Joseph, before being told that wasn't the real Magneto and stopping.

Excalibur (1988) #120-121

Sabra teams up with Excalibur to defend "Israel" from Legion's ghosts. Then she is debriefed of her mission by Mossad.

Uncanny X-Men (1963) #366, 367, 379

Sabra takes Joseph (Magneto's clone) to an Israeli Military bunker where scientists study his DNA and state he is a clone of Magneto. Later Sabra attends Joseph's funeral.

X-Men (1991) #111

Sabra makes a statement about Magneto; Israeli Super-Agent Sabra weighed in on the looming war with her usual candor, "It is clear to me at least that Magneto has become the monster he claims to despise. There are some factions who believe this rumored son of Israel has brought much shame to his countrymen. Factions who believe he should be dealt with once and for all. Okay maybe not factions. But certainly Individuals... like me."

New X-Men (2001) #131-132

Sabra attends a funeral for Darkstar in #131. In #132 Sabra interacts with the mutants, and x-men, and says to Quicksilver (on the apparent death of Magneto), "I'm sorry Quicksilver, but good riddance. Magneto was a master-race lunatic who coherenced the entire Genoshan mutant population into a war with humanity and brought this on himself."

JLA/Avengers (2003) #4

Single panel appearance where Sabra is shown protecting the Wailing Wall in Jerusalem. Again she is called an Israeli hero.

Side Note: I don't think there's been a single comic where Sabra has a major presence that has not mentioned at least once that Sabra is an Israeli Super Hero, a Mossad Agent, or an Israeli Super-Agent at least once. It's so noticeable that they always mention it and how big of a role it plays in her character.

Excalibur (2004) #5

Flashback two panel appearance of Sabra on Genosha.

Civil War: X-Men (2006) #1-4

Sabra fights on the side of Tony Stark/Iron Man and battles Archangel, then aids an injured Micro Max.

Civil War (2006) #6

Sabra fights on the side of Tony Stark/Iron Man.

Union Jack (2006) #1-4

The Arabian Knight has changed mantles, the 2nd incarnation is portrayed by a Palestinian Hero, Navid Hashim. I make mention of this because in Union Jack (2006) #1 Navid is called a Saudi, then in Hulk (2008) #45 Navid is called a Afghani, however the Marvel Fandom Wiki stated he was a Palestinian and I wanted to confirm it, which I did in:

Marvel Encyclopedia, New Edition (2019)

In the first issue of Union Jack, right off the bat, Sabra has an issue with The Arabian Knight, and is antagonistic towards him.

Navid is written in Marvel's usual racist writing; the misogynistic Arab man stereotype. Navid tells Sabra she should embrace her role as a mother instead of a hero. Sabra snaps and chokes him while telling Navid that Palestinians killed her son. Note how now it's Palestinians and not, Arabs, and not the PLO? Because by now the PLO is no longer considered a Terrorist group, so Marvel can't blame them and instead shift the blame to all Palestinians for the loss of Sabra's son. Arabs is too general, so of course it's the Palestinians.

To this date Sabra's son, Jacob, has still never appeared in any flashbacks, never seen drawn into a comic with Sabra, no mention of who the boy's father is. Nothing except Sabra's loss and hatred of the Palestinians. Even in her first solo comic series, which I discuss further down, does not mention her son. Using the death of an Israeli child to justify villainizing the entire group of Palestinian people is Zionist Israelis do. It's Anti-Palestinian Propaganda.

Later Navid gets hurt and Sabra checks on him, he tries to apologize;

Arabian Knight: About your son... I only meant. Sabra: Don't. We are allies of the moment. Another day I would have driven the dagger home.

Later Sabra, The Arabian Knight, and others are mind controlled by the villain to attack Union Jack. Union Jack is told that he can distract them by turning them against their "natural enemies" and then Union Jack insults Sabra and uses Sabra's hatred and racism towards Arabs to turn her against The Arabian Knight. Sabra calls Navid a terrorist as she attacks him.

The mind control gets broken, and the team rallies to save the day by the last issue. The final exchange between The Arabian Knight and Sabra shows a tense acknowledgement between them meant to show begrudging respect. This is the nicest Sabra has been to any Arab character since her creation. The bar of "showing respect" is literally on the ground.

Secret Invasion #6

Cameo one panel appearance of Sabra in Israel fighting a Skrull.

Astonishing Tales (2009) #6 - Astonishing Tales: Sabra

Tagline in the comic states: Sabra: Whether as an agent of Mossad, or a superhero, the Israeli mutant Ruth Bat-Seraph has never doubted her decision to put her country above self. Fighting alongside the Avengers, X-Men, and Captain Britain, as the patriotically garbed Sabra. Ruth has proven herself a champion to all nations.

"Sabra in Flight" - is one of the most disgusting pieces of Israeli comic propaganda I have ever read thus far in Sabra's comics. For my first time reading it I was shocked at how easily they projected the narrative of Israel as something noble and worth dying for. This piece of utter trash is the very first time Sabra has her own solo comic story. Let that sink in. This is the first time in 29 years since Sabra's creation 1980 that she has her own solo comic story. Sabra's total presence in the comics is 42 years.

The only things we know of her character is that her name is Ruth Bat-Seraph, she was born and raised in a special Israeli Kibbutz (Israeli settlement), that she manifested mutant powers that include; flight, energy quills, poisoned quills, super strength, and life energy transference. Sabra had a six year old son named Jacob who died in a bombing. She has always stated or maintained her solidarity and defense of Israel even above her own life. She is racist to any Arab, especially Palestinian Arabs.

It also important to note her costume changes over the years, her Star of David has diminished greatly from being on different parts of her uniform to just barely being a necklace/neck accessory. Her roles as Israeli Hero is greater than that of her being a Jewish Hero.

This comic introduces us to Ruth at a Israeli social function in Jerusalem, where is with her mother. Her mother tells her not to spill anything on her Sabra uniform, and mentions how people want to talk to her, Their Greatest Soldier. Again the emphasis on her being an Israeli Soldier and a Mossad Agent is hammered home in the first page of this comic.

Mother: "Your dad would be so proud of you, Ruth. To see his daughter in uniform protecting the Nation." Ruth: "I just hate being put on display at these receptions. I am a Mossad Agent after all."

Then the next bit of news we learn is that Sabra has a brother. So now we know she has a mother and brother who is living, and her father is deceased. Next a old friend of Ruth's arrives with her teenage daughter, Yael, in tow, she introduces Sabra to her daughter and leaves them to talk. Sabra then mentions to Yael that she must be getting close to her mandatory military service soon. Yael mentions she is nervous because her friend was in the military and was paralyzed in Gaza.

Sabra then spends the next part of the comic reassuring Yael that it's ok to be nervous and that she was nervous too sometimes and mentions a story where she faced Hydra, and that when Yael goes into the Israeli military (IDF: Israeli Defense Force) she will learn a lot.

Sabra: "You'll learn a lot when you enter the Military. But the biggest thing you'll discover is that you have two families; your military family, and your personal family. Both will always be there for you, and perhaps even sacrifice themselves for you. A hard truth I learned the day my dad died rescuing me."

Yael mentions how her father was killed by surface to air missiles, and then goes on to say she was accepted into the air force flight academy and she always wanted to fly but that she was nervous. She mentions she might go into Military Intelligence. Sabra says that is good too but Yael then says she feels she was always meant to fly. So to convince Yael go into air force and alleviate her fears Sabra then takes her in her arms to fly her over Jerusalem and tells her that this land is what their dads died for. And she is convinced that Yael will make the right choice.

Side Note: Excuse me while I throw up, this entire comic made me feel so disgusted. I always try to write and speak about comics as professionally as I can but fuck this comic. Fuck this Pro Israel Propaganda. Fuck Sabra. Fuck this Pro-IDF comic. Fuck making an entire comic about reassuring a young teenage Israeli girl to go and join the IDF to fight in Gaza, to kill Palestinians. THIS. This is why Sabra will NEVER be able to be divorced from her origins, her character, as a Pro-Israeli Super Agent. No matter what Marvel tries to put into the movie this is who the character is at her very core.

Over 12,000 children have DIED since October 7th. Israel is committing genocide against the Palestinian people, but Marvel and the MCU, and Disney think it's ok to have a Israeli Superhero in a Captain America movie? Boycott. Scream out online to them. Tell them we do not want their Israeli Propaganda. Sabra should never ever be used for any platform, movies, shows, animation, comics, ever again. Over 30,000 Palestinians have been slaughtered by Israel in the last few months alone. Never forget.

I'm shaking with rage as I write about this comic but we move on. There's still some comics left to discuss. However in my firm opinion this character is indefensible, she literally is an Israeli Propaganda character. She is propaganda for the IDF.

History of the Marvel Universe (2012)

Cameo Appearance.

Amazing Spider-Man (1963) #685, Amazing Spider-Man: Ends of the Earth (2012) #1

Sabra teams up with Spider-Man and other heroes, she is introduced as a Israeli based mutant, she fights spider robots in Jerusalem.

X-Men (2010) #31, 34-37

In Paris, Sabra greets Storm and later she helps the X-Men using her influence as a Mossad Agent.

X-Men (2013) #9, 11, 16 + X-Men Legacy (2012) #23

Sabra aids the X-Men.

Captain America: Steve Rogers (2016) #18

One page Cameo, Sabra appears to have completed a mission and gathered files.

Avengers (2018) #11

Sabra and the Arabian Knight are at a meeting called by The Black Panther. T'Challa wants everyone to work together, they are currently discussing an issue with Namor the Sub-Mariner, King of Atlantis. Ursa Major makes fun of the situation; "Haaaa, look at Sabra and the Arabian Knight! Even the Jew and the Muslim are agreeing! How touching!

Zionist propaganda of making it seem as if the conflict between Israel and Palestine is a religious conflict between an Arab and a Jew. Making of a Jewish and Muslim character getting alone because they should be fighting is racist, Islamophobic, and anti-sematic. The conflict between Israel and Palestine is NOT a religious conflict, Israel has been occupying and murdering Palestinians for 75 years. It is a conflict between Israel being a colonizer and Palestine being colonized. Israel is committing a genocide as I create this post.

At the end of all her appearances spanning 42 years Sabra has not once changed from her palestinian, arab hating, israeli zionist roots. All we get is her trading a few words back and forth with Arabian Knight and acting like an adult at a table full of kids. There isn't even respect between them. That is all the appearances of Sabra.

Why is important to boycott Sabra? In addition to the character being Pro-Israel, Pro-IDF Propaganda, giving a large platform like the one an MCU movie provides will give the actress a larger platform.

Israeli Actress, Gal Gadot, who is Pro-Israel, Pro-Zionism, Pro-IDF, and was a former IDF soldier, was cast in a high profile role of Wonder Woman, she used her platform, power, and access to thousands of fans to further messages of Zionism and even promoted a Pro-Israel propaganda film to be aired in Hollywood. The film was used to further the Zionist agenda of continuing their genocide against the Palestinians in Gaza. Bearing Witness (2023) is a Israel IDF propaganda film that Gal Gadot endorsed as Israel continued their genocide of the Palestinians in the Gaza Strip.

Wonder Woman isn't even Israeli, however the actress used her ties to the character to promote Israel. In Wonder Woman: 1984 there is a very racist, Anti-Arab, Anti-Palestinian message including a scene where Wonder Woman, played by Gadot, saves 4 Arab boys from a missile. Article Link

Why is that scene so controversial? Because Israel murdered four young boys who were playing on a beach in Gaza back in 2014 by a drone missile strike. Article Link

Gal Gadot and now Shira Haas having roles in movies with as much exposure as DC and Marvel movies promotes Israel, and Zionism. Pro Zionist groups have already voiced their approval of Shira Haas playing Sabra.

I will boycott any piece of media that features Sabra, the Israeli Propaganda Super Agent.

Use the Captain America tags to Boycott Sabra.

If you have read this far then please support Palestine. Support Palestinians and fight against Zionism. Comics were created by Jewish Creators, do not let Zionists try to erase their contribution or use comics to promote Zionism. Comics are never created in a vacuum, they are the pulse of current pop culture, of current news. Comics are Political and always have been. Marvel choosing to keep Sabra in the MCU sends a clear message of support for Zionism & Israel.

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[bunny-jpeg]

i have this little thought bouncing around in my head! single father simon. (a drabble)

*shrug*

simon ends up with his daughter winnie after her mother abandons her at his doorstep. he was the father, it was his turn to take care of her. simon could handle warfare, he could handle guns and sweat and metal. he could handle blood and bruises.

but a fussy newborn was a little too much for him.

enter you, it was your summer off from university and you were making extra money by babysitting for parents who couldn't afford weeks of posh summer camps. it was decent work and you were pretty good with them! so being concerned for your neighbour, simon's well being, you offered to watch winnie.

simon very well fell in love with you the moment you took the baby girl into you arms. winnie instantly got settled into your grasp, almost like you were her mother.

"what a lovely baby girl." you cooed, you looked at her with such affection already. you looked at simon and smiled, "she looks too cute to be yours." a playful jab.

you watched winnie while simon was at work. you didn't know what he did for work, but you tried not to ask too many questions. all you knew was that the checks didn't bounce when you cashed them.

but being with winnie for so many days had gossip go through the apartment building. you had a baby with simon? why were you in two separate apartments? where did the lovely newborn sleep? she SHOULD be sleeping with her mother (you).

when you tried to correct them, simon always said, "ah don't worry. we'll be havin' our own place soon enough!" his large hand snaked around your waist.

you just looked down at winnie who was sound asleep in her stroller. she couldn't care less who her mommy and daddy were. it wouldn't be hard to be the mother she'd otherwise be without, right?

that was the angle that simon too.

you'd make the most perfect mrs. riley. you were already taking care of winnie, but also him when he came home. you shouldn't be the nanny, you should be winnie's mama.

"she really loves you." simon remarked when you went with him to the pool.

you were in a one piece swim suit and you were making sure that the baby was out of the sun and had sunscreen on. you didn't want her to get sick or burned.

currently she was resting on your chest while you were in the shade. in your free hand you had a book in it and the other was on winnie's back. you said, "i don't know what you're talking about." as if you hadn't heard the comments from the little old ladies about how sweet you two looked.

"look like a real mama."

you looked to him and raised your eyebrows, "i thought i was the babysitter, mister riley."

simon placed a hand on your thigh then rubbed up and down, "nah."

it didn't take long for you and simon to get intimate. he asked you to stay because winnie had been having trouble sleeping. you two shared a glass of wine and then you found yourself face first into simon's bed. the scent of him filled your head as he fucked you into the comfortable mattress.

he loved the sound of your pussy as he fucked you without much abandon. the thickness on your hips would only grow once he made sure his next child was inside of you. you'd be such a good mama, unlike that previous bitch who left him.

maybe there was a good reason why she left him.

cum clung to the fuzz on your pussy lips and was a bitch to clean in the shower come morning.

he woke you up and said, "she needs her mama. she gettin' fussy, doll." then watched you stumble around to find clothes to wear while you checked on winnie as if the little girl was your own. his hand was wrapped around his cock. he wondered how many more times he could finish in you before you stumbled back to your apartment.

the answer was four.

it wouldn't be easy carrying for a sprouting little baby plus the baby boy you were currently pregnant with. you've put school off for a little while and moved in with simon, your due date was in the middle of the semester. now you were trying to figure out what food was good for a teething winnie while also trying to manage the riley son that was occupying your womb.

you were making dinner for your growing family with a cute little maternity dress of. simon was at the table with winnie. he knew that one day he'd have to tell her that you weren't her actual mama. but you were raising her and her little brother too.

"see there's mama." simon said in that grumbled voice of his, pointing in your direction.

you didn't imagine that you would've ended up as a stay-at-home mother to two children who were than a year apart. but as you felt the shift of your 'second' baby inside of you, you smiled.

you heard winnie make a little noise to get your attention. you checked on the pot of sauce on the stove before you turned away to check on your little girl.

[generallyunskilled]

Obviously Velma sucks but if we do ever make a more adult Scooby Doo I want a semi realistic period piece from the late 60s where the Scooby Gang are draft dodgers and hippies that just happen to stumble into the crime fighting business because there is just a fresh stream of con artists when you’re drifting town to town in a van.

Freddie and Daphne start it all. Instead of showing up at boot camp when drafted, Fred Jones got the van he bought with his summer job and ran off. Daphne, his girlfriend (who frankly has the least strong feelings about Vietnam but for gods sake are they not taking Freddie there) runs along to be supportive and to get away from her strict, stuffy family.

Velma catches wind of Fred and Daphne’s plan a few days before it happens. They invite her along but she has to consider it. A staunch feminist and the brightest girl in school, she has the most to lose if she leaves. However, she grows embittered by the fact she’s never gonna get into her dream college since it doesn’t admit women, and decides to go along. Besides, if Fred and Daphne leave without her, there won’t be anyone like minded in their hometown for Velma to be friends with.

Shaggy wasn’t originally part of the group, but they find him and Scooby hitchhiking and pick him up. The gang learn he has similar circumstances to Fred for running away from home, being a conscientious objector who ran off when they tried to put him in a non combative position instead. He opposed even this as it still meant he would be part of the war machine. He comes bearing plenty of 8 track tapes and some real good pot, so he’s welcomed along happily.

Along the way they become friends and use their combined skills to solve cases of supposed hauntings. Every single one is shown to be some kind of capitalist fraud.

[sapper-in-the-wire]

Liberals wincing at the brutality of Hamas’ attack is even more smoothbrain when you consider that the Gaza Strip is objectively the worst concentration camp in the world.

It’s the 2nd most densely populated area in the entire world, 95% of water isn’t safe, they are only given 4 hours of electricity (imagine this with the population density and Mediterranean heat), medicine and basic foodstuffs like juice are embargoed. The average age in Gaza is 19 - the old and weak die quickly as their health care system cannot get supplies and doesn’t have stable electricity. More than half of youths under 18 expressed that they have no real desire to live and contemplate suicide regularly. 45% unemployment. Children get blown up playing soccer on the beach by advanced warships. It’s probably the most surveilled and spied upon place in the world. It’s a tiny strip of land 25 miles wide that is regularly subjected to bombing.

In 2018 mass peaceful demonstrations were organized, thousands and thousands of Palestinians marched along the border wall. Israel shot 2,000 of them with live ammunition, but only killed around 200 because they deliberately aim at legs to place even more strain on the depleted medical infrastructure and make an invalid that can’t contribute as well. 36,000 Palestinians were injured peacefully protesting.

Every year the IDF invades Al-Asqa mosque, gasses the worshippers and cracks heads open, and then they leave because there’s no point aside from violent harassment. And then there’s the constant news from other occupied areas of Palestinians being evicted, homes being bulldozed, the survivors fined and harassed. Palestinian olive trees, generational in their age, bulldozed by the occupiers.

Shooting civilians wantonly might be morally dubious in a situation like Hawaii, some place where an occupation makes you disadvantaged and a second class citizen. But Gaza is just flat out a death camp. Of course the commandos went berserk with rage, of course they brought bodies back to parade in the streets - everyone has been dehumanized for their entire lives. Treat people like animals and they might just act like animals once they get their hands on you.

[bratbby333]

gamer!bf sukuna drabble

·:*¨༺ nsfw mdni ༻¨*:·

gamer!bf sukuna who is always sat at his desk, shooting at something

gamer!bf sukuna who will lose track of time and play for hoursss, not even acknowledging your existence until you interrupt his game play with dinner

gamer!bf sukuna who buys you your own gaming set up after catching you playing on his computer when you think he isn't home (he positions your new monitor and gaming chair right next to his)

gamer!bf sukuna who laughs in your face when you ask if he wants to play minecraft with you (how dare you recommend something that isn't violent? silly little thing. do you even know him?)

"so childish... why the fuck would i play that?"

gamer!bf sukuna who feels bad after you pout at him for making fun of you, reluctantly agreeing to play fortnite (the tamest game he'll play)

gamer!bf sukuna who is never not yelling at someone through his headset

"you stupid fuck! ask your mother how my dick tastes"

gamer!bf sukuna who loves when you pull up a chair to watch him play

gamer!bf sukuna who let's you sit in his lap, the controller in your hands with his hands over yours, pushing the buttons for you... the elated grin on your face when you finally kill someone makes his dick hard

"baby! i did it! i got him!" "that's my good girl, now let me reward you"

gamer!bf sukuna who loves that you play animal crossing at your desk next to him while he plays cs:go and valorant, you eventually put on your noise canceling headphones because he won't stop screaming

"what the actual FUCK was that? you're trash. GET OUT OF MY LOBBY"

gamer!bf sukuna who finally agrees to play minecraft with you after weeks of begging, enjoying it more than he thought he would (the face you make when he finally says yes causes his heart flutter just a little bit... but he'll never tell you that, constantly groaning at how boring it is, but playing it with you for three hours)

he runs around killing creepers and skeletons to quell his homicidal ideations instead of helping you build a house "why the hell would we build a fake house when we're literally sitting in our real one?" so fucking sassy for no reason he'd run around collecting a mob of enemies instead, luring them into a pit before sealing it off and dumping a bucket of lava on them, laughing as they slowly burn to death...bro is insane i stg...

gamer!bf sukuna who let's you wear his headset while he plays a 1v1 in a custom lobby, laughing at his opponents obvious anger and frustration thinking they're losing to you (COD is so misogynistic, and sukuna is thoroughly amused when he gets to put them in their place on your behalf)

gamer!bf sukuna who beams with pride when you start picking up on gaming terms

"that guy sucks, he's just camping", you say, brows furrowed in annoyance. "who the fuck did you learn that word from?" "who do you think i learned it from, dumbass?" you retort, a taunting smile on your lips. he just grins, "god, you're so fuckin' sexy. but drop the attitude before i fuck it outta you."

gamer!bf sukuna who attempts to teach you how to play call of duty, battlefield, and cs:go

"you'll get better, doll. just keep tryin'"

gamer!bf sukuna who refuses to admit that he actually enjoys playing minecraft with you, hoping you'll suggest to play it first

gamer!bf sukuna who looks down from his monitor to see you kneeling under his desk, head between his legs, sucking him off while he's on discord talking to his friends; tangling his hands in your hair, biting the inside of his cheek when you deepthroat him unexpectedly, his hips bucking off his chair. "you dirty fuckin' girl, it's like you want them to hear" he moans out. his friends erupt in laughter after hearing him, but he doesn't want you to stop. exhibitionist!sukuna has entered the chat

"you can stay and listen if you want, at least im gettin' some unlike you virgins"

gamer!bf sukuna who fucks you rough when he loses a game

"god you're so fuckin' tight for me" he groans, his grip tight on your hips. he looks down to watch your pretty pussy suck him in. you squirm, his cock burying itself deeper and deeper inside you with every trust, whining as he pushes your head into the mattress, his strokes unrelenting. "uh uh. don't move...stay right fuckin' there n take this dick, brat."

‧͙⁺˚*･༓☾

author notes: hehehe...this was super fun to write. if you have any requests, send them here! if u wanna be added to my anon club, drop an emoji with ur submission and ill add u to my pinned post ☺︎

i've already written longer, smut-filled stories of gamer!bf sukuna,,u can read them here and here and here

thank u liking, commenting, and reblogging...it makes me kick my feet n giggle when i get the notification ♡

© bratbby333 on tumblr. all rights reserved. please do not distribute. 2024.

[celesterayel]

something out of my dreams | luke castellan

pairing : luke castellan x dionysus!reader

request: could you possibly write a luke x daughter of dionysus please? maybe she’s like super nice and when percy gets to camp she becomes like an older sister and luke is super whipped for her? @elz-zalarrr

IN WHICH — all he knows is that you were something out of his dreams.

"trust him like a brother, yeah, you know i did one thing right. starry eyes sparkin' up my darkest night" - t.s.

w.c. 1.8k

warning(s) : cheesiness ゜✭・.

✩ ‧₊˚ author's note okay i've begun to realize that low-key i feel like i write in cursive if that makes sense? if a feeling could describe it i'd say its like using poetry to write? that's likely not any better lol :)

there was but one person that everyone could agree they adored at camp half blood.

it didn't matter what grudge who had with whom or what ancient rivalries transcended the ideals of reality, everyone loved you. not the typical type of brittle love that crumbled at the slightest of touches, but pure adoration that endured the sands of time.

you with the gentle soul, who healed others with each laugh and smile. when new half-godlings were brought to camp, you made sure to comfort them and make them understand that they belonged here and would find a home whether they wanted to or not. you made sure that no birthday was forgotten, no deed undone.

children of minor gods or elders, of Ares or Aphrodite, you became an older sister to all who needed you. you, the daughter of fertility and chaos, the god dionysius.

there was no debate that at camp half blood there was only a before you and an after you. you were like that high right before the free fall–invincibility and smoke and curiosity wrapped into the form of a demi-god. you were the gentle breeze during summer nights when the heat became too much. and none ached more to feel it than luke castellan, who had been burning for as long as he knew.

your relationship in itself was tentative, you danced around your feelings–scared one wrong touch or word would break the shaky, fine line that lay between you two. but you could not hide the way you loved the other to yourselves nor the children of the beings of divine blood. 

luke castellan loved you like the stars would fall out of the sky with one harsh touch, free and incandescently self-destructive. like you were a wild, wonderful thing out of a fantasy.

you loved him like there was no hell or heaven but the cosmos that lay in his eyes and the worlds that lay in his soul. something so sacred and rare. a love so true and mortal it put all the greek tragedies to shame. 

you knew that whatever you and him were made of, in every lifetime or the next you two were made for each other. 

loving luke castellan would be both your redemption and destruction in the making, your elysium for whatever good thing you had done in your previous life. 

✩ ‧₊˚

you first met percy jackson when he came to camp, he was a scared little thing who had just lost his mother when the veil between reality and deception flickered. everything he’d known came crumbling as quickly as the truth was uncovered: gods and monsters were real and played games of hell and heaven on earth. some thing about him called out to the vulnerability you once knew when you first came to camp so you made it your mission to be the sister he never had. 

you met him at the front of the steps of the main office, “my name is y/n, percy jackson. welcome to camp halfblood.”

“do you just somehow know everyones name,” he raised his eyebrows at you. 

“yes.” no, but you supposed it’d be fun to let him think that. 

“of course you do.”

“come along, i’ll show the ins and outs here. if you're nice enough, i might let you in on the cook's secret stash of blue ice cream,” you laughed out.

he contemplated his choices before grabbing your outstretched hand and shaking it, “deal.”

you showed him who to avoid and the best people to befriend. the history between your kind and why the gods were as they were. the truth behind his bloodline and the legacy that he was now responsible for. the tribulations and the pain that was cursed to follow the children of the gods. 

“and this is chris. the best person to ask if you need to know what plants are poisonous,” you say, introducing him to a guy with black hair and soft eyes. 

percy looks at chris before looking around to see where the hermes boy is, “we’ve met. he was with luke when he was showing me around”

you’re cheeks heated at the mention of his name; looking around to see if you can spot the familiar tan skin and soft eyes that belong to your luke. 

“oh! luke! yeah, he’s around here somewhere. he’s sly like that, wandering and then popping up the next second.”

a voice pipes up behind you suddenly, “y/n, already telling percy everything about me?” 

you whirl around and there he stands in all his glory with the curls you love and the sun in his eyes. your golden boy.

“just telling him the truth, castellan. you’re hard to get a hold of sometimes.”

a hue of pink covers his cheeks, “i’m never far from you.”

both of you oblivious to percy and chris who seem to be conversing about you both and the tip-toe dance you play. 

percy just wonders what’s happening here: firstly, luke is looking at you like you’ve hung the moon and the stars and that’s saying something because he has shit observation skills–his analysis essays can attest to that. secondly, he swears he can see hearts in his eyes from where he’s standing and is that…is that a blush?

he turns to chris, who is just staring at the two like it's not out of the normal for what’s happening, “what’s happening here? is he blushing?”

chris just nods, “yeah. luke’s kinda–very obviously to everyone–in love with y/n. if i didn’t know better i’d say she’s gotten him insane in love. very likely as her dad’s the god of insanity.”

he turns back to the two who are laughing and standing closer than before, “like super, super in love. if there was a word for love, luke’s found it”

“huh.” 

chris says it like it’s common knowledge like how the best food is blue jelly beans, “i mean i ship it, y/n’s the sweetest person around here–the type of person people write songs about. she’s like a sister to us older ones and a mother to the younger ones. the whole camp is waiting for him to just man up and ask y/n. they make each other happy, you know?”

“yeah, i think i do.” 

percy thinks it’s something the poets would write about.

✩ ‧₊˚

fridays are capture the flag days.

you’re not the type of person to engage in these types of games all that often but you suppose there’s a first time for everything. someone’s got to show the percy boy how it’s played. 

“okay, percy. remember, keep your senses open and make sure that no one gets close enough to engage. once they engage, it’s hard to fight them off.”

all around you two, people have begun to don their armor and raise arms. the sun has just reached its height and you’re huddled together discussing your gameplan. even though your cabin house is pretty small, you’ve joined athena and hermes for this game. 

percy’s voice rises a little high as he tries swinging his sword around only to drop it, “yeah, okay. i’ll just try not to die, i guess. that’s not like hard or anything.”

“just follow my lead and if i’m not here find luke.”

you're not exactly excited about percy’s odds. the kid is lanky as is and his sassiness doesn’t help him out much when others target him for it. 

that’s exactly why you’re gone to his rescue when he nearly gets hit in the face by a spear after he insulted one of the boys from house ares. 

your heel nearly buckles under a sharp hit after you block the attack that’s directed to percy. you manage to reset your heel and push the sword off before you drop down into a crouch and sweep the legs of the warrior in front of you.

unfortunately you're slightly too focused on what’s in front of you and protecting percy you don’t realize that someones charging toward you from the side. 

fortunately, a block from a familiar sword stops any attack that might meet you head on. no sooner do you hear the block that luke’s got the other guy on the floor and surrendering. 

you grin at him, “i had that handled.”

giving you that grin that makes you feel like your future's right in front of you, he replies: “i’m sure you did. but why let you deal with him when i can save you the trouble.” 

“why don’t you go and help annabeth win the games, romeo.”

he gives you a wink, throwing a quick ‘yes ma’am’ before he’s already running off again. 

no sooner than later, a quick gong resounds throughout the camp, concluding the games. you’re standing slightly battered while percy walks behind you pointing out all the flowers he’s found. you definitely need to teach him how to defend himself. 

the players are just trickling in for the woods they’ve been fighting in to reband together and in the distance you see a figure running toward you. 

holding onto the flag, he continues to look at you like you’re everything he’s ever needed to breathe. he’s taken his helmet off and you can finally see him fully: brown eyes and all dimples.

“see you’ve found the flag.”

he takes a couple of steps closer to you until only two steps separate him and you, “yeah, someone told me to go win the game so I did just that for her”.

“really now?”

he whispers, “yeah.” 

his eyes twinkle and you’ve never wanted anything more than to continue to stare at them. 

you hope he’ll make the next move but luke castellan, the boy you’ve fallen for in every lifetime, is always content to admire you.

so, you take those two next steps, grab him by his neck, and press your lips to his. 

he stands shocked for a minute, wondering if what’s happening is really happening. but no sooner, he’s dropped the flag on the grass and holds you like your the greatest treasure he’s ever had.

there’s a certain type of tragedy that your golden boy tastes like, fire and freedom all in this moment. it’s the price of redemption and damnation that you’re willing to pay. 

to him, it’s the stars aligning like you’d will them to–the power you held and every thing he’s ever needed. your his past, future, and present: the threads in his life giving him the one thing he’s ever wanted. something he’s only ever dreamed of. 

he pulls back slightly before murmuring, “in every lifetime or the next, i am yours. i don’t know what i did to deserve you. you’re something only out of my dreams, y/n.”

"you sap"

you just kiss him again, ignoring all the campers and those still trickling in. 

✩ ‧₊˚

“definitely a child of dionysius. she’s reduced him to insanity,” pipes up percy as he tears off the petals of the flower he holds in his hand. 

chris just grabs a flower and continues to rip the petals off like the boy beside him. 

“damn straight!” shouts luke toward the two.