#their character designs are so good... the gameplay looks so fun..... even the music so far in the cbt is nice....

[baeshijima]

oh my.....

sir i do not know ur name but i am staring respectfully. very respectfully.

[emblemxeno]

"So tell me... How was it, being alive...?

Xenoblade Chronicles 2 Replay Overall Thoughts!

I blazed through the last 3 chapters in about a week cuz I've been on a crazy high with this game lmaoooo, so here's a last post about my replay of this game and how much I like it overall. Spoilers ahead just in case!

-Gameplay! XC2 is a definitive example of having a high learning curve, but being so exceptionally rewarding.

While I'm less aggro over the game's tutorials than some are, I still agree that the game doesn't go into as much detail as needed to fully exlore the mechanics. A double edged sword of the game as a whole is just the amount of stuff that's involved in just its battle system. Arts, Specials, Blade arts, driver combos, blade combos, accessories, pouch items, affinity charts, etc. Being lax in just one of these things makes the game more of a chore to play than one would expect. But being aware of all of them makes the combat fast paced, strategic, and explosively fun.

But the gameplay isn't just fighting. It's also exploration and quests. XC2 features many gorgeous landscapes to behold and places to visit. Comparing to XC1 though... I like XC1's exploration mechanics, locations and secret ares just a tad more. However, XC2 has the worldbuilding trophy down pat. Certainly XC1 has its justifications for some areas not being populated or the backstory being lined with populous centered conflict, but it is that difference that makes XC2 more appealing in a "worldly" sense.

The politics of Alrest, its underlying message of idealism vs nihilism, building a future that defines and shapes future generations, even the nods to environmentalism and climate change. All of these are poignant and everlasting messages just as applicable today as they were when the game released. So IMO while Bionis and Mechonis are more fun to traverse, Alrest is more fun to experience.

Similarly, quests differ in this game compared to its prequel. XC1 had quests from the moon and back, at times to its detriment, especially the generic ones. However, it made up for that with a strong affinity chart made relevant by NPCs with memorable personalities and objectives. XC2, on the other hand, cut the chaff with the number of quests to be had, but along with that there was a noticeable dip in NPC quality. While I can't easily remember names of townsfolk in either game, XC1 still has the benefit of ties and links being foundational to its questlines that I can pick details and objectives from them out of my brain. XC2 sadly doesn't have that. A best of both worlds scenario exists in the next game, truly fitting tbh.

-Aesthetics, Presentation, and Music!

The game looks great, though definitely dated, most notably in animations and FPS performance. The worst of it happens in crowded city areas, especially Torigoth, which isn't a good sign for such an early locale. Overall, though, it turns out not to be too bad in the long run. You'd expect Mor Ardain and Tantal to have similar issues, but they really don't, at least as far as I know. For sure there's room to improve, but for a launch year Switch title? Very nice.

The ultimate dead horse of this game is its character designs and voice acting. For the latter point, it is pointedly rough especially for the middle chapters of the game, as you can hear the lack of direction from normally great actors. The last 3 chapters though is one stellar performance after another, and proves that talent along with even half decent direction goes a long way, and that it should be a lesson learned that a glaring issue like this not be repeated.

Character designs is touchy obviously. Pyra and Mythra sharing the lead role with Rex while having... let's say 'eclectic' outfits is very much a choice. I won't go into optics of such, as I'm not a woman and therefore don't have the wisdom or experience to comment on this point in a way that's very informed. What I will say is that it's nothing new for Xenoblade, or for the Xeno series as a whole. Is that a justification? No. But it's tried and true at this point.

I like their designs just fine (I also like Rex's for what it's worth). Now some rare Blade designs? Could've gone back to the drawing board. Dahlia is even more of a dead horse subject, but even Nim and ESPECIALLY Newt are ones that I just get the ick about. Talented artists for all Blades no doubt, but the designs themselves are just... yeah.

MUSIC oh god the MUSIC of this fucking game. Great orchestral tracks, electric guitar prominent rock, CHOIR LEAD PIECES, and the solo singer songs like Drifting Soul??? PEAK. Absolute peak. Every track hits where it needs to and then some.

-Characters and Story!

To repeat my earlier points, I adore the touches on the politicization of stuff like usage of mass weaponry, war resources, idealism/nihilism, religious dogma, climate change, and even identity optics. Every one of those points is supported by a stellar main cast, and a surprisingly solid supporting cast.

Rex starts as an idealistic child, with very staunch black and white beliefs. But being mentored by not just Vandham, but also Morag and Zeke, gives him perspective and growth to be the leader and hero Alrest needs.

He can say he's not involved in any war efforts by refusing to salvage weapons, but he realizes that war is more than just weapons. He can have a grand idea of going to Elysium, but how's he gonna do it in actuality. He may share Pyra and Mythra's physical pain, but how does he, as their partner, respond to their pain of being? Their emotions, the fear they carry, how they feel they're threats to the world and are better off erased?

Being an adult means respecting your loved ones decisions, being a hero means not going back on your promises or your fight to do what's right, being a leader means sometimes you have to work with compromises, being the Driver of the Aegis-no, the driver of ANY Blade, means accepting them as all they are, the good and the bad.

But all these lessons would be a bit meaningless if Rex wasn't so in tune with himself in the first place. Rex is more than just optimistic, he's full of love and hope! He's at his strongest when he remains true to that, and only falters when he lets his doubts get the best of him.

It helps that his friends give him something to learn, support, or aspire too, all while having their own developed characters besides that. Nia being of a similar age to him shows how even young people can be jaded by the world treating them horribly, but can just as easily propped back up when they no longer have to fear being themselves. Tora serves as someone who Rex can inspire and share a journey of growth as a Driver, and there's no better path of learning about your own strengths and weaknesses than being a teacher/leader yourself. Morag and Zeke show a positive example of what adulthood is towards the new generations; the former retains her love of her homeland and helps ground the party in reality while becoming more accepting of leaning on others to help without her pride getting in the way; the latter challenges tradition and stagnation, but instead of throwing the whole past away, he wants to confront it and find the most authentic and honorable way to move on.

The politics of Blades' relationships with humans as well... Gramps and Dromarch provide unflinching support to fall back on, being wise "older" members; Brighid and Pandoria deal with the idea of self, the former wanting to learn more about her past despite its apparent futility given the memory loss and the latter going through a then secretive (and possibly dangerous given what happened to Haze/Fan la Norne) procedure because she loved Zeke that much. And Poppi is such a smash hit character, being a composite of impressionable yet idealistic youth, the trials of finding your identity despite abnormality, and being fearful of your own capabilities should they come to harm people in the future.

Jumping off from that, both Pyra and Mythra are just so damn good. Besides their general personality difference, Pyra is surprisingly forceful (chapter 6 climax) and Mythra surprisingly sentimental/sweet (chapter 5 end). They treat each other as sisters because Mythra is just that kind of person, she's not snappy or controlling, she lets Pyra be herself. Both are afraid of their power, hence they want themselves erased from the world; but bonding with someone who was never scared of them or what they could do-something Addam admitted that he was unable to-changed their outlook: they love this world. No longer the pitying "this place would be better without us" type of love, but the "I want to remain and work to sustain this beauty and kindness" type of love.

In contrast, Amalthus is what happens when you let the world's ugly parts dictate your entire outlook-he hates himself just like Pyra and Mythra did, like how Jin and Malos do. Rejecting change by using religious dogma and enforcing control over the world through the core crystal cleansing. Killing Torna's legacy, and blackmailing Tantal. When you hate the world, hate yourself, and have the power to end it, be it through swift destruction or 500 year long stagnating rot, you'll do so.

That outlook is poisonous and is easily spread-look at any far right campaign today and see how they use similar fear mongering, rejection of change, and discriminatory exclusivity! That's unfortunately how a lot of people operate, and that's how people get broken by the systems that harm them and either led to violence (Jin) or wanting to escape by any means possible (Pyra/Mythra). That's why the hero being Rex, an upstanding youth wanting to change the world through optimism, love, and acceptance, means so much as a message. It's incomprehensible to those who don't want to listen (or who benefit by rejecting it) but is given support by victims looking for an answer.

That's the difference between existing and being alive, and ultimately that's what broke me during the final scenes of the game. Malos never existed as more than a machine, basically corrupted by a virus that was Amalthus' misanthropy, but Pyra and Mythra got to live. To witness cultures, meet and talk with people, fall in love with them, have laughs and shed tears. And when that light was reciprocated, they learned they didn't want to die for Alrest's sake, they wanted to live for it.

"So tell me... How was it, being alive...?" is terribly tragic and incredibly heartfelt, because, as Morag says "Most people go their whole lives without finding a meaning to it." I still don't even know if I have mine, or if I'll even find it, and when Malos said his final line that's when the tears started running. A being who sees himself as a monster, who never got to be anything but a destructive burden on people, but who went out with a smile when he realized that had he been awakened by people like Rex or Jin before Amalthus came into the picture, he could've had a life full of love like his sisters got. A life that we all can get. A life that we aspire to and deserve.

How this game manages to capture the emotion of the human mind, is endlessly impressive. A splendid journey from beginning to the end, in spite of some rough spots here and there.

I'm probably gonna take a break from Xenoblade for a little bit and jump back into FE in the meantime. Thanks to all who kept up with my XC2 shenanigans lol.

[xxinkyshadowxx]

games that i think more people should know about cause they are so good oh my goodness

TW For blood, gore, and disturbing imagery

GOHOME

OM NOM NOM NOM NOM IM GOING TO EAT THE ENTIRE GAME OM NOM NOM NOM NOM I DO NOT HAVE THE WORDS TO DISCRIBE THIS GAME SO THERES IT DISCRIPTION DOWN THERE BUT IM GOING TO EAT IT ALL QUICK READ IT BEFORE I EATED ALL THE DISCRIPTION TOO

"This is a third-person horror game set in a residential area in 2000s Japan. It's the complete version of the free horror game GOHOME, which was released in 2019 and caused a boom. The map has been doubled, and six more ghosts, including hidden characters, have been added to the game. There's no grotesque , so even kids can enjoy it.

You've been separated from your parents and you're going home alone. It's the usual way home, but something's wrong. You're being chased by someone so you run away and go home. It's a sad, scary and mysterious game, but I hope it will be a lovely memory for you."

House

yeah it's less of a witchtrip(do not pay attention to how i use this word the way i use it makes sense and you know it does) than GOHOME is but oh my god the music the gameplay the plot i just this game would blow up a microwave and come out scratchless

A review: "a carpet killed me👍"

Literally any arcadekitten game

my personal favs are Cemetery mary and sweet no death but i swear all of their games are bangers)

game so good i stole a character's name that should say enough

A sweet no death review: "this was such a cool mix between cute and horror- loved it ! the game was pretty fun too, lambchop was so entertaining, and the music and visuals, so pleasing. "

A cemetery mary review: "Bro, I made an account just to say how much I enjoyed this game. This game was truly a pleasant experience and I genuinely think this is one of the best indie games i've played IMO."

Blackout hospital desc: "Blackout Hospital is a game where you play as Vasilis, a nonbinary janitor at Altobuck Hospital. When the power goes out while working the night shift, the emergency lights come on and bask the halls in an eerie, ghostly glow. Bizarre happenings start to occur at the hospital, and Vasilis wants no part in it as they try to look for a way out! Along the way they will fight off mysterious enemies, meet strange characters, and make a few allies--but will any of it mean anything if they can never return home?"

It's not me it's my basement desc: "Mom and Dad are away. But you're old enough to take care of yourself now, aren't you? You'll be fine, there's no need to worry. You're more than capable of keeping everything under control...right?"

It's Not Me, It's My Basement is a short horror game following a nonbinary child and their daily life. It takes about 30 minutes-1 hour to complete. There is only one ending."

Crowscare desc: "Crowscare is a short horror game, RPG game, and a love letter to the autumn season.

The game follows a young boy named Ryo, excited for the upcoming Harvest Festival in his hometown. Wouldn't you know? This is going to be his first one! He was never able to go to one before, as it always started past his curfew...but soon he'll see why he was never allowed out at night.

The game takes about 1-1 ½ hours to complete. There are two bad endings, and one good/true ending. "

World's end club:

AEWRT%UYTYRERSFXFGTY *EATS IT ALL IN ONE BITE* If you like danganronpa then you're gonna like this game as it's made by the same people this is just danganronpa but like more interactive and pg13 and im going to eat ALL of it the designs *eats the designs* oh and im not sure how true this is but i heard that one of the designers who worked on this made Top champion geeta's design soooooo

"Brought to you by Zero Escape series creator Kotaro Uchikoshi, and Kazutaka Kodaka, mastermind behind the Danganronpa games. With twists and turns aplenty, this mysterious, captivating tale of friendship and adversity will have you hooked from the get go.

Dive into this easy to pick up fusion of puzzle platforming and choice-driven story adventure, and surround yourself with a cast of charming, quirky characters as you set off on an unforgettable trip!

In an elementary school in Tokyo, a group of oddball kids from across the country have banded together as the "Go-Getters Club." Reycho and the rest of the Go-Getters are, to say the least, a little different to the rest of their classmates.

One summer's day the group is riding the bus on a school trip when disaster strikes. They wake up to find themselves trapped in a rusted, long-abandoned underwater theme park. As they struggle to get their bearings, a sinister clown appears out of the blue and informs the Go-Getters that they'll be playing a "Game of Fate"—pitting their lives against one another in a desperate struggle for survival!

Bewildered and confused, prospects look bleak for Reycho and the gang, but when all hope seems lost, out of nowhere, strange powers start to awaken in the daring Go-Getters.

What in the world could happen next!?"

Motherhood

i just i i just i AIUYTEWGEHYUDZIOR*(E&FUDTYGHJUIDS

A review: "Really good game with nice and disturbing aesthetics. The story was quite cryptic, but you get most of it by the secret ending.

It was a nice experience, I want to play the rest from Enigma Studio if the other games are as cool as this one!"

Bad end theater

i want to dissect this game like its a damn frog and then i want to go OM NOM NOM NOM NOM

Review: "PLEASE LET ME GIVE YOU MORE MONEY OH MY ♥♥♥♥♥♥♥ GOD, ALSO LIKE ADD AN ART BOOK I NEED ACCESS TO ALL OF THIS ART AT ANY GIVEN TIME EVER"

Review: "While I cannot spoil why, this is possibly one of the sweetest, most thought out and unique short games I played in years.

Go in blind, you will find everything more meaningful that way!"

Loomian legacy

*Dj Khaled voice* Life is roblox

Formerly Pokemon brick bronze so i feel life that should be enough info for those who know of it

Emily wants to play

I I HYYDUIEUUI THIS SCARED THE SHIT OUT OF LITTLE ME I LOVE THIS GAME

Desc "It’s 11pm, and you are at the last house on your route. The lights are on, and the front door is opened. But, the windows are all boarded up and the grass is overgrown. It seems like a strange place to deliver a pizza, but at least, it looks like someone is home.

You run to the front door since it’s storming pretty bad.

“Hello!? Your pizza's here!" You announce. No one answers. There's an eerie silence.

You are getting soaked from the rain, so you hesitantly step inside the door and look around. The front door suddenly closes behind you.

You just wanted to finish this last delivery and head home for the night. Now you must figure out how to get out of this stupid creepy house.

Freely roam the house and try to figure out what is going on. Three dolls and a strange girl named Emily will also start roaming the house as the hours toll by. Stay away from them, but if you do end up in a room with one, figure out how to stay alive.

This may be your last pizza delivery."

I need to stop eating all these games im going to get a stomachache not from eating them but from the joy and whimsy i feel when these games are even real

[aotopmha]

I caved and watched an entire playthrough of Sonic X Shadow Generations. Both sides.

Sonic Generations just looks like the same old fun and honestly, not being re-released as a broken mess is what I wanted for it the most and that's exactly what it seems to be.

They somehow struck the (almost) perfect balance between edgy and heartfelt for Shadow Generations. (I think him getting the powers the way he does is just on the brink of overdone edge, but the package is more sincere than edgy, so I'm cool with it.)

I feel like in the case of Shadow's character, you have to go fully sincere for it to work at all because of the archetype he is. I think this is why I liked him in Sonic Adventure 2, at least.

Don't earn the dark elements or put in the character work and combine this with basically zero levity and you have shallow, tedious melodrama on your hands, which is the issue with Sonic 06.

(I think Shadow's story in 06 actually had the least of it, but Sonic's and Silver's absolutely suffered from weightless melodrama the most in my eyes.)

Lean too much into emphasising how dark and cool you are and you become childish, which was the issue with Shadow The Hedgehog.

Shadow fits inside the Vegeta archtype, specifically more leaning into post-redemption Vegeta.

Distant and stoic on the surface, but deep down good-hearted and a softie for the people he cares about.

All of this aside, though, Shadow Generations looks like a polished, consistent and complete package.

I think the entire playthrough I watched only had 2-3 instances of true glitches.

All of the elements making it up are unified: there are no strange discrepancies in music, the visuals have flavour and a consistent style they're going for all the way through and from start to finish, the story is a complete whole.

They basically have the open world of Frontiers without the pop-in, the fantastic level design of the Generations stages and a further refined version of the power-up system introduced via Wisps back in Colours (latest variation of which was in Superstars), but outfitted for Shadow.

And all I can say is that I think they should flesh out all of the characters exactly like this. I at least want to see this treatment for Tails, Amy and Knuckles. I think Blaze is my own big wish for cool 3D gameplay in this style because I think it just has the potential to be incredibly fun.

Keep Sonic as a template as with Shadow, but give them abilities fitting to their characters, making them variations of Sonic (which the best playable versions of them have basically been since the start).

My big worry here is the lesson they might take away from Shadow Generations, which is to keep shoving Shadow into everything without ryhme and reason now because that's just what "people like" now.

I can easily see his character and gameplay style eventually fall victim to poor implementation (and on the side, writing), just like the end point of all cool and successful Sonic gameplay styles: Adventure gameplay, Modern Sonic, Classic Sonic and the Wisps, to name a few.

I hope the lesson is to do cool stuff like this with all characters, maybe go back to doing multiple stories with multiple gameplay styles with solid effort put into all of them, not make the franchise consist entirely of Shadow games.

Maybe make Shadow one of several gameplay styles next to Sonic in the next game and even use what they've done here to further refine Sonic's gameplay?

To me it really stood out how smoothly some of Shadow's abilities seemed to work.

Above all, I know this game skyrocketed on my list of to-gets after seeing some of those levels.

Circumstances in the past few days actually also maybe have made it possible for me to get it earlier than I thought, but it's still pretty pricey for me currently.

Eventually, for sure, though.

The impressions are so much better than I ever thought they would be and the game just looks so much better from footage than I ever thought it would.

[c6jpg]

natlan 5.0 brain dump

i did this in a lot of small chunks so i already forgot all of my detailed thoughts so i'm gonna try to keep it brief

general environment/exploration:

first off music and scenery is 💯💯💯

i particularly like how much wildlife there is and i really love the saurian gameplay (for me its hydro > dendro >>>> geo)

i feel so awful every time i accidentally kill a capybara they should be immune like the rhinos

it makes sense that there isn't "one huge city" like the other nations since natlan is composed of tribes, and each tribe looks like it gets a decent amount of attention, but i was still kind of disappointed by how small the stadium of the sacred flame feels in comparison for being the "main" area. i feel like they could have done a lot more with it

archon quest:

tldr; it was... not good? or at least very underwhelming? especially coming off fontaine/sumeru which had incredibly strong opening acts

act 1 was particularly like. whatever. felt more like a kachina story quest that rolled right into a mualani (but npc-focused) story quest

like for how important the pilgrimage is it just felt so. underwhelming and anticlimatic. yes yes i know kachina is precious and everyone loves her but i wish we spent less time doing kachina support group and focused more on the pilgrimage itself like can we at LEAST see some of the other playable characters participating instead of just hearing about it in passing

literally was soooooooooo fucking annoyed with the entire atea plotline. i wrote a whole rant in my first write up but basically that entire arc only existed so that they could bring back the purification plot device which WE HAVEN'T SEEN SINCE MONDSTADT

i was just incredibly annoyed with how that was all handled lol atea is also just such a non-character how am i supposed to care about her. she didn't even die in the end!!!

also mualani's tribe's whole thing being super stereotypical hawaiian tourism left a really bad taste in my mouth i wanted to get out of there as fast as possible

act 2 was weird because like. i felt like they were saying a lot of things that were like "this is a serious national crisis" but it didn't... feel that way? and a lot of the lore itself was pretty glossed over

i think a problem with the natlan story is that you need the first acts to set up the stakes but we just spent the first act gallivanting around with kachina/mualani and then when they DID get to the "main problem" in act 2 it just info dumped so hard to the point that i. didn't care?

pacing in general just felt all over the place

the only investment they gave us is through caring about kachina and i guess hating the abyss/not wanting a nation to be destroyed on principle but idk. especially with the "nah we gotta wait for the last 2 heroes first" the stakes are Not there for me

reminded me of when nahida was like "yeah i needed you to figure this out for yourself bc if i told you directly your head would explode." but at least that one was fun/could just chalk it up to nahida being cheeky and didn't like. prolong the plot for too long

SHOW US DON'T TELL US DAMN IT. i might just have recency bias but i genuinely feel like natlan might be one of the worst cases of telling and not showing as far as archon quests are concerned

also capitano's appearance felt so random LMAO he really showed up, said some cryptic shit, got his ass beat, and then left. at least the cutscene was cool?

chasca girl i'm shaking crying throwing up somebody get that girl a full pair of pants and brown contacts PLEASE

i find it interesting how detailed/fleshed out chuychu (chasca's sister) is, both in terms of design and personality/character. it kind of felt like they originally intended for her to be playable but turned her into an NPC instead

also citlali is definitely some kind of faruzan situation where she's old but young looking

night kingdom was cool i guess nothing really to say here. i am very interested in the wayob lore though especially in regards to how it ties into the rest of teyvat/why natlan has particularly weak leylines

i feel like mavuika's younger sister might also become relevant in the future... in a bad way. like the insistence to not being forgotten/seeing mavuika again, the fact that mavuika doesn't "really" know what happened to her. also she also got a pretty unique npc model. or maybe she won't be brought up ever again idk

in general that whole reminiscence sequence with mavuika was like. fine but again you just info dumped the shit out of me i have no emotional attachment to feel anything about whats going on right now???

also we all know that was fucking ororon at the end with capitano like lmao come on. but im willing to bet both he + chasca are the last two heros bc like. who tf else do we have left LMAOOO

capitano was supposed to be cool but he's just giving goofy villain right now. sorry capitano fans they flopped so hard with him in this act

[shima-draws]

Hi Shima! You have a lot of Pokemon content on your page and I’m sorta curious about the like, world of Pokemon, so would you have any recommendations on what like game I should start with or what I should watch first? Thanks!

!!! YOOOOO OKAY I GOTCHU ANON. Buckle up bc my 20 years of being a Pokemon fan is about to kick in

As for where to start with the games--this is all really depending on how your own personal playstyle! Do you like games that are more easy going and light on plot? Or do you like ones with heavy amounts of story? Or do you prefer games that are a perfect blend of the two? Pokemon's got a mixed bag of all of the above so you really can't go wrong

If you're into that really nostalgia feel I'd recommend starting out with the first Pokemon game I ever played as a kid, which was Pokemon Emerald! You can actually play this for free by downloading a Gameboy Advance emulator and the Emerald ROM. I have a lot of fond memories of Emerald and it's still one of my favorite games to date. I actually even prefer Emerald over its remakes (Pokemon Omega Ruby/Alpha Sapphire) bc it just doesn't quite hit the same lol. I think even without having played Emerald as a kid it'll just spark that nostalgic feeling? It's that kind of game, at least to me :")

Going off of that if you REALLY want to hit nostalgia central and start where it all began, Pokemon FireRed/LeafGreen is also a good game to start out with. It's a remake of Pokemon Red/Blue, which were the first ever Pokemon games that were made. Personally I'm not a super huge Gen 1 fan bc I feel like it's been WAY overdone at this point (it's had two remakes already) but if you've never played a Pokemon game again it's definitely a good starting point. It's barely got any plot so it's really a game you can just dive into and enjoy without focusing too hard on the story. AND as an added bonus, Pokemon HeartGold/SoulSilver is the direct sequel to Gen 1 (and a remake of the original Gold/Silver/Crystal) so I'd definitely play that one as well, it's lots of fun!

Of course I will also recommend Pokemon Black/White and Black 2/White 2, which is generation 5 and my FAVORITE mainline Pokemon games of all time. BW released right before the transition to the 3D games so it still has sprite art. It's a GORGEOUS game honestly and I think it's really well balanced with story VS gameplay. It's got great characters and fantastic design elements (with everything honestly like the Pokemon designs are great, the character designs are great, the city/town designs are great, etc) and the most KICKASS soundtrack ever (looking at you Driftveil City AKA Toothless dancing meme music). I could go on and on and on about Gen 5 for hours lmao I really hold it near and dear to my heart. Also it's one of the very few games that actually has a sequel which I LOVE. BW2 takes place two years after BW and I love the story and character progression 🥰

Shouting out Pokemon Platinum as well, I know it's a huge fan favorite and honestly I also love it very much!! Platinum came out before BW did so it's got that early DS era feel to it. It's got a decent plot and classic fun gameplay elements. Also Pokemon Legends Arceus which ties directly into Platinum as its prequel (but you should play Platinum first? I know it's confusing lol). PLA is SUPER fucking fun, it's got a completely different gameplay style and mechanic than regular Pokemon games, and it ties in with Platinum so well.

And to my last few recommendations -

Pokemon Sun and Moon!! There's mixed feelings about this one from a lot of people but it's one of my personal favorites...I think people dislike that it's so plot heavy, there's a LOT of dialogue even when starting the game so if you're not into that I wouldn't go with SM. But I LOVE games that are heavy with plot and SM just does it so well. The characterization is really well done and I love watching Lillie go through her development arc 🤧 But yeah it's SM NOT Ultra Sun and Ultra Moon which are like. The same games but Worse. USUM took SM's plot and stomped all over it so I would not go for those lol

And, of courseeee. Pokemon Scarlet and Violet! These are the most recent mainline games to release and ohhh my god. Is the game laggy and bugged out as hell? Yes. Is it also fucking FANTASTIC and has made me cry multiple times? ALSO yes. If you don't mind occasional shitty graphics then please please PLEASE play SV. The open world aspect is a ton of fun, the new Pokemon designs are so charming, the characters are wonderful, and the STORY??? The plot literally blew my socks off the first time I played it. SV endgame you will always be the king of my heart. It's definitely heavier than any previous Pokemon game and it had me reeling for DAYS after. The story is just. So so so good. And we get a continuation of the story kicking ass in the DLC. I love SV to death it really redeemed Pokemon after the disaster that was gen 8 for me (and it's REALLY fun to shiny hunt in).

And LAST but certainly not least. My favorite Pokemon game of all time period ever in the history of Pokemon. Not a mainline game but a side/spinoff game--Pokemon Mystery Dungeon: Explorers of Sky!! If you want the classic Pokemon experience I probably wouldn't start with this since it's so different from the mainline games but I'd 10000% play it after finishing your first Pokemon game. It's a dungeon crawler, you get to BE a Pokemon, the music is phenomenal, the gameplay is phenomenal, the story is PHENOMENAL, everything about it is incredible and I will love this game until the day I die. I CANNOT recommend it enough. It's so so SO good and it means so much to me I can't even. Please play PMD Sky this goes to everyone who hasn't played it I prommy it's worth it

So basically:

Easy games with no/light plot: FRLG, Emerald, HGSS

Games with a perfect blend of actual gameplay and plot: BW/B2W2, Platinum, PLA

Games that hit HEAVY with plot/storyline: SM, SV, PMD Sky

Honestly you really cannot go wrong no matter where you start out. Even if it's with one of the games I DIDN'T personally recommend, all the mainline games have their own unique charm and each generation has its die hard fans (UNOVA GANG RISE). I've played all of them and they're all enjoyable!

As for the anime, my personal recommendations are the XY saga and the SM saga! The SM saga is my ultimate favorite, it's really cute and charming and fun, with some heavier plot arcs sprinkled in so it's a good blend between lighthearted stuff and more serious story. XY is VERY plot-heavy especially in the latter part, there's a lot of character development and crazy stuff going on, so I'd go for that one if you want to get hit hard with Feels. I haven't watched as much of the anime so I'm sure other people would recommend other seasons (I know the original saga, the Hoenn saga and the DP saga are fan favorites).

I'd also recommend watching the sub instead of the dub,, especially if you haven't grown up watching the Pokemon anime like me the dub is VERY hit or miss. I prefer subs as well bc the dub actually cuts out a LOT of stuff? I know for SM they had fun extra little bits at the beginning and ending of each episode that the dub just. Didn't include. For some reason? Like they'd cut out entire scenes. Idk. It's up to you either way tho ^^

And that is my introduction to Pokemon list.........if anybody has anything to add feel free! These are just my personal recommendations based off of what I like so naturally not everyone will agree lol. If you have any questions anon don't hesitate to ask, I'm always down to talk Pokemon. And I hope you have lots of fun playing whichever game you decide to go with!!

[starryoak]

Thoughts on Undertale Yellow

Just wanted to write some thoughts down on this amazing game! Spoilers below, obviously.

I’m going to split my thoughts into the positive and negative, because while it is an amazing game, there were a couple pretty significant flaws that IMO brought down the experience.

THE POSITIVES

This game positively oozes creativity and passion from every pore. The fact that I’m going to be complaining about some things shouldn’t take away from the fact that this is an amazing game that took 7 years to develop, and clearly shows in how polished as a product it is. The criticisms, when they come, should be taken as just a part of life; nothing can be perfect, and I don’t think that pretending that a game is flawless does it any favors. It’s certainly better than I can do, just for releasing a finished product, lmao.

This game is visually gorgeous. Obviously it’s still a pixel art game in the style of the original game, so it keeps itself simplistic, but there are so many little animations throughout that are so smooth and charming that I really was impressed. Genuinely just very pleasing to look at, from the animation to the character designs, which fit perfectly in to Undertale’s universe, which I found very impressive.

The game’s humor is very reminiscent of Undertale, and I was really surprised by how much the incidental dialogue and setpieces felt like they would fit right in with Undertale’s humor, while still being original and clever in its own right.

The game’s worldbuilding was really impressive to me, it felt like the Dunes fit perfectly into the Underground in such a natural way, the lore of the Wild East, I really loved the underlying story of how it used to be the Meadows before the Mines uncovered a massive swelterstone, a giant heat generating gemstone that slowly turned it into the desert it is in the present. It felt very true to the melancholy nature of the Underground and how the Monsters are running out of space, wishing on gemstones in the ceiling because they’ve never seen the stars, it just really clicked.

The story is just. So good. Well, up until a point. I’ll get to that in the negatives, but like. 80-90% of the story is just full of the same infectious fun that Undertale itself had, Starlo’s antics and getting accosted into being his deputy, the rest of his gang, the Wild East in general, game just really gets you to love these characters so much. And in the Neutral Route, killing Starlo and how it leaves his family worried about his sudden disappearance, how nobody really suspects you, it’s a very good gut punch! Starlo is definitely the highlight of the game, but he’s not the only one, just one that really was plain to see.

The ending and final boss of the Neutral Route is just. Very brilliant. Yes, technically a retread of Omega Flowey from canon, but it’s just so good at it that it can really get away with it, it takes it even a little further than canon in very fun ways. The art is just fucking gorgeous in every way, I’m so impressed by what they pulled off with that. Bravo, bravo.

In general, there are so many little details that really shine in the different playthroughs, like El Bailador’s fight in Merciless reverting to the traditional bullet box gameplay instead of the Guitar Hero style it normally takes, stuff like the long final chase in the Steamworks changing from Axis chasing you to you chasing Axis in Merciless, the music in battles being unique for each area and also if you’re in Pacifist/Neutral vs Merciless, it’s incredibly impressive and really helps set the mood.

Most of all, what I found the best part of the game, and really the most interesting and amazing, was the innovation in the battles! Undertale did a lot of fun things, but I felt like this game really pushed the limits of what I was expecting from the bullet box gameplay style. Stuff like aforementioned fight with El Bailador’s Guitar Hero gameplay and the way his fight changes in Genocide, Starlo’s lasso holding you in place and how you have to snap the rope, not just the unique bosses; even the regular enemies have incredibly clever attacks, like Goosic’s attacking in the same side of the bullet box as the music is coming out of your speakers/headphones, genuinely just very interesting and clever. They clearly thought a lot on how to innovate the gameplay of Undertale, and it really worked. Incredible, really, cannot praise the gameplay enough.

THE NEGATIVES

This is most likely going to be an unpopular opinion, but I did not like Martlet, and she’s such a major character that not liking her is a problem when we spend so much of the game with her. For one, the audio clip used for her dialogue was grating, but that’s really a minor quibble. The more important reason I disliked her is that it felt like the game was constantly yelling in my face “LOOK HOW FUN AND QUIRKY THIS CHARACTER IS (: DON’T YOU FIND HER CUTE AND/OR RELATABLE?”. There were times when she was enjoyable, but the overall experience felt like they were trying to recreate Papyrus without really succeeding at making her an interesting or unique character. The fact that she’s the final boss in the Merciless Route feels very… predictable. Like, there wasn’t really a possibility that she wouldn’t be, y’know? They couldn’t avoid it, what with the decision to parallel canon, they were going to have to have someone be Undyne the Undying/Sans. The thing is, the boss itself isn’t bad, because as mentioned above, the actual mechanics of this game are brilliant, but narratively it felt very expected. Plus, I don’t really remember if they ever adequately explain why she has the serum in the first place, it feels like it raises too many questions.

As I said, like 80/90% of the story is really good!… but the thing is that the entire last bit of the Pacifist ending just completely collapses in on itself, and it’s really such a shame, because the rest of the story is dragged down by it. What’s such a shame is how it felt like it was going somewhere, I was incredibly invested right up until the reveal of the tapes, and the somewhere it was going is just. So disappointing. In some ways it was inevitable, what with Clover’s canon fate being what it is, but it felt like, just like with Martlet, they really stumbled over themselves in their desire to parallel canon’s plot beats. It feels like they wanted to copy the original Pacifist ending, with the Amalgamates and all, and it just wasn’t a good fit for the story whatsoever. Part of it, admittedly, is just that I disagree with their take on Boss Monsters not being specifically Asgore and Toriel’s species, but the thing is, it’s not just that. Chujin in general just feels like a massive tumor on the plot once he stops being a robotics engineer and suddenly for some reason is a generic mad scientist who suddenly has the knowledge and ability to be experimenting on Not!Determination and suddenly is a Boss Monster and suddenly we’re supposed to care about him and it just all becomes a muddled mess, built around living up to twists that it can’t successfully emulate because they were a one time success.

Ceroba is just not compelling as a character! The thing is, actually, I’m lying, she’s compelling and fun and interesting as a character right up until they actually reveal what her deal is, and suddenly it’s just, like. Well, suddenly I don’t like her all that much. Her husband specifically asked her not to involve their daughter, and then her daughter asks nicely and she does? Her daughter is like six or something! Why on Earth did Ceroba listen to her? I saw people say that, well, lots of Undertale characters have done bad things, but the thing is that those bad things are either not taken very seriously by the narrative, like how everyone tries to kill Frisk before they make friends and are forgiven, or make logical sense for them to do, like Asgore’s whole deal. Ceroba and Kanako’s story is in a unique cross section of ‘taken seriously by the narrative’ and ‘makes no logical sense to do’, where it completely destroyed my investment in her as a character, where suddenly she’s a woman who killed her daughter through her own stupidity against her husband’s wishes, while claiming she’s fulfilling them. And in another world, that could be compelling, but the game doesn’t seem to recognize that’s what she did, so I’m just left feeling numb to her entire deal, and given she’s the final boss with multiple cutscenes where I’m supposed to be invested in her plight, that’s not a good thing!

This is just a completely unfair nitpick, but what’s up with Ceroba’s name? The rest of her family and her last name follow Japanese style, if not specifically real names, but her first name is just. Gibberish?

This one is more nitpicky, but it ties into the final problem of the game, where felt like the 5 previous children didn’t get mentioned enough for being the entire motivation Clover has for being here. They’re mentioned in passing several times, but it feels like they could have done more with it. This is mostly a minor problem, though, it felt much more like something that needed just a little tweaking, rather than a huge flaw or anything. But the problem is that at the end, it really doesn’t feel like Clover has a compelling reason to give up their SOUL, and I wish there was something more to justify it when they just spent a huge fight to not give up their SOUL to Ceroba, y’know? It just feels like the game falls apart at the end because they couldn’t figure out how to end it while keeping to canon.

The thing is, the complaints I have don’t detract from how fun the game was or how much I loved most of the story, but I just had to share them because they were weighing heavily on my mind. My complaints are so long because it’s easier to put into words what I disliked, when going into every little thing I liked would take much longer and feel more like a liveblog of the game itself.

[dr-spectre]

What other games (other than sonic and splatoon) do you like?

I shall show you some of my favourite games! Not a lot but some of them!

Ultimate Spider-Man is phenomenal. It's a short yet sweet game where you get to play as a really fluid feeling Spidey and a fucking awesome take on Venom. The first Venom mission is him EATING A CHILD AND FIGHTING WOLVERINE! THAT'S SO RAW!

The art style, THE MUSIC!!!!!!!! HOLY SHIT THE MUSIC! IT'S SO GOOD! I mean sure there's a couple of missions that make me groan, but most of them? Oh my GODDDD!!!!! Top tier game design and boss design too. You cannot top the Spider-Man vs. Venom fight on top of the Trask building, with all that fire and rain my GOD! IT'S SOOOO COOL!!!!!

Ridge Racer Type 4... I'm gonna tell you to do something that will change your life.

Listen to 'Move Me' from the OST. Just listen to that single song and it will all come together on why this game is amazing. I am not gonna elaborate on the phenomenal gameplay, controls, track design, art style, etc, just listen to that song. PLEASE!

This game right here, top tier, a near flawless masterpiece in puzzle design. It's difficult yet fair and i only got stuck at the very end of the game where i feel like it's at it's weakest. Act 1 and act 2 of this game is nothing short of fantastic art direction, storytelling and mechanics. It even has J. K. Simmons bro. J. K. FUCKING SIMMONS! THE GOAT! THE LEGEND! If you don't know who that is i will actually punch you i swear to god....

And the final two songs?... That shit makes me CRY MY EYES OUT! WHY IS IT SO EMOTIONAL?! HOW IS IT SO EMOTIONAL! GAHHH I'M GONNA CRY ME A RIVER BRB!

Yeah... Yeah this? This is awesome. I was so impressed by it's visuals when i first played it, i was thinking to myself "how the hell is the ps4 rendering all this grass?!?" EVEN ON PS5 IT'S SO IMPRESSIVE! HOW CAN THAT CONSOLE RUN THIS GAME AT 60FPS?!?!? IT'S MAGIC I TELL YA!

The story of this game, holy shit the STORY! It's awesome. It's packed with intriguing character arcs, Jin Sakai, what a phenomenal protagonist.

The combat feels so fluid and brutal, the music is so atmospheric, the world is so dense and packed with so much detail. It's an awesome game.

And the final boss... The last 30 minutes... Don't even talk to me about it because I'm gonna start crying again.

I mean do i have to really say anything? Do i even need to add any sort of reason or explanation on why i like this game?

I haven't finished the Yakuza/Like a Dragon series and i got stuck at 3. The games are long and can be filled with a lot of cutscenes. But I'm telling you, this game? This game rocks and it's a god damn rollercoaster of fun, drama, insanity, etc.

I decided to save this one for last. Because this game means a lot to me and it's sequel too. I remember playing the re-release on Switch and i had to have a moment after just sitting around in the Comet Observatory, like i stopped playing and i had to cry for a solid 10 minutes. I'm not sure why i broke down randomly but i can figure out why. This game is the perfect encapsulation of my childhood and the sort of vibe i grew up in.

I had a Wii as a kid and so this game captures that sort of aesthetic and atmosphere that part of my life had. Playing this game, thinking about it, hearing the music, seeing the visuals... It makes me cry. It makes me sob. Space Junk Galaxy, the domes, Freezeflame galaxy, Honeyhive galaxy... Man...

The power of visual storytelling this game has is just... 100/10 for me.

And... Rosalina's storybook.

I'm actually crying so much looking at this. I'm actually breaking down right now as i type this. Just this single image is enough to destroy a man's soul. It is some of the most powerful pieces of art I've ever had the pleasure of viewing.

And i wanna end it off with this. The Garden. The final dome in the game.

This is just... I... Man...

I'm crying again.

Anyways, that's all!

[fly-sky-high-bug-games]

I still plan to my biannual HKtober prompts and like I mentioned last year, I'll make the prompts weekly this year instead of daily!

I don't know much I'll be able to do these personally BUT have the discord copy pasted message where I explain what these prompts could look like. I'll make an official post with more clarification maybe so if something feels unclear, odd or you if you have suggestions to improve prompts like this let me know!

Notice that the prompts can be applied for any art format so it's not just drawing! You can type about them like answering questions or even write a short story or make a video of the experience etc. YOU get to choose what moment within (or broadly around) the prompts you want to work with and how! I want these to be as open as possible (which I understand can be detrimental but it relies on your experience you remember within the game so it's still prompting something?)

Anyways

:

Since they will be weekly prompts, I can choose something broad and the general idea is for prompts to cover the span of the gameplay sort of. I think I need five prompts if it's gonna be one per week? So they could be something like

1. (Avg 30th- Oct 6th) The Beginning: First impression? A moment that made you feel like this will be a fun game? Something you saw or heard that made you start the game? A moment at the start that really drew you in? Dirtmouth.

2. (Oct 7th- Oct 13th) Finding your way: Moment you got lost? An area or a place of an area that you favor? Some place you like you revisit? Backtracking? Maps and Conifer

3. (Oct 14th- Oct 20th) The struggles/hurdles: Hardest moment in the game? What part made you feel super victorious for overcoming it or made you feel clever or cool or lucky? Parts that felt like you'll never get through or haven't enjoyed as much or didn't have fun with at all? Bosses or platforming

4. (Oct 21st- Oct 27th)The favorite bit: Kind of self explanatory lol. Any moment or a character that left a huge impression? Favorite music or art of the game? A concept or thought that stayed on your mind the longest or still thinking about today? Something you didn't expect but surprised you in a good way? Overall impression of the game?

5. (Oct 28th- Nov 3rd) Free space/Something small you put love into: Any dialogue or items or designs that you adore? A theory that is either canon or not that you enjoy a lot? Something you like the fans added to the experience (characters, ideas, worldbuilding, mods etc.)? A special thank you to someone for getting you into hollow knight or is keep having fun with you even years later? Mr Mushroom theories lol

NOTE: these might be edited by the time I post an official prompt post!

[fuckentoastybitch]

My VN List!

I'm listing them according to ones I've played and ones I plan to play (as well as brief notes about either my opinion on the game or why I'm interested in them, formatted like this.)

This is for my own personal collection tbh, I just need to put them all in one place.

A. Have played:

The Arcana. Played since I was 16, all time favourite and Julian is my husband. This game shaped my interest for fantasy settings and magic. BUT! As a long time fan I must warn new players that trying to get the full experience for this game is difficult because of its coin system. The only reason I manage to keep playing for years is because I literally take a year's worth of breaks in between routes and logged in every. Single. Day. to collect coins and keys. It's literally been 6 years and I still haven't 100% the game yet cause I simply didn't have that kind of energy and time to do that anymore, but I still love the characters very deeply till now.

Blooming Panic. Second all time fave. Fell for Quest first, fell for Toasty hardest, for some reason is obsessed with xyx. I've revolved my entire personality around BP since 2023.

ERROR 143. Fun! Micah is technically not my type but I really like the general aesthetic and humor of the game. Iirc there are still more content to come to the game so I am very excitedly and patiently waiting.

3 Seasons. This was short and sweet. I think what I liked the most about this was the unique character designs, especially Rye and Briar's. I heard the dev's are working on more content on the current LI's + Briar's route, I'm really excited for those.

Our Life: Beginning & Always. Our life was INCREDIBLE, to put it simply. The entire game and story was very well thought out that it even made me reflect on my own life at each phase along the game. It gave me a really strong sense of nostalgia and reminded me of my own feelings during every change I had experienced. I actually wanted to make a whole post about OLBA but I got busy and already forgot everything I wanted to say, ehe. I still have to play the DLC and get the remaining locked CGs though.

Assignment Due: Project Blue. THIS GAME IS ADORABLE. I already made a blog post about what I like about it and I will again emphasis on how this game felt like it was made specifically for me. I love Asher so much aaaaa. I heard rei, the dev is working on another game for Eden, I'm looking forward for that, too.

Coffee Talk. Coffee talk was so so good! I need to play more non-romance VNs too cause this was so enjoyable in terms of its storytelling, setting, gameplay and design. Every character had such a nice story that tied up nicely, even the MC who's supposed to be just an observer throughout the entire thing. Also the cozy vibes and music is a 10/10 would recommend.

A Date with Death. This one's so cute too! I played only one route last year and just picked it up again recently. I have only one route left to finish and the new DLC!. Anyways yes the Grim Reaper is very babygirl I can attest to it.

seekL. THIS IS SO GOOD. SO SO GOOD. If you didn't see the one week phase where I basically went insanely obsessed with seekL, you missed out. Hacker man save me.. save me.. hackerman..

B. Want to play:

Lost in Limbo. Really pretty art and interesting concept. The theme seems very fantasy/magic centric which really pulls me in. But this game is still a WIP iirc

When The Night Comes. Technically I'm currently playing this one, but only the intro and hadn't touched the game in months cause I've been busy. Again, the fantasy setting caught my interest aaand I just met Ezra but I already love him. Will continue this as soon as I can!

Infinite Blue. I've played the demo! Very mysmes reminiscent lol. The game looked very cute so far and Brooklyn reminded me that I'll never run away from my old man liker allegations. It's already out so I def gotta play it soon.

Coffee Talk Episode 2. Don't really need an explanation for this one except that the new characters I've seen so far looks really cool.

Tavern Talk. D&D inspired Coffee Talk! If it's not obvious already, I LOVE fantasy settings so even though I've never played D&D, it is right up my alley and I wish I could play it someday. I've been eyeing the production of this game for a while so I'm really excited that it's finally out!

Obscura. This one looks really REALLY cool but I haven't actually read into what it's actually about. The art alone looks good enough to get my attention. Really curious about it, I hope I'll play it soon.

Intertwine. Just from looking at the 2023 Otome Jam entries overall I thought this one looked most visually appealing to me. I love the color scheme, and the aesthetic reminds of the string of fate myth (that probably is the theme)

DATA BR<3ACH. I'm usually not a fan of cyberpunk setting but this one seemed pretty intriguing to me visually!

Innerlog. By Jenny V Pham! I enjoyed Error 143 so I have no doubt I'll enjoy this one too.

Andromeda Six. My impression of this one is "space D&D" lol. I can't believe I haven't played this one yet.

TOUCHSTARVED. I can NOT believe only the demo is out cause the quality looks like it should've been a long existing popular franchise. One thing I'm a little hesitant about playing this game is because it's goth themed and in case you haven't noticed, a lot of the media I like have a softer, more pastel aesthetic. lol. But that's a personal preference and yet I definitely need to play it sometime soon.

Cupid's Chatroom. There's really not much to say. Pink aesthetic? Mysterious chatsim that appeared out of nowhere? My cup of tea 100%

Na Daoine Maithe. I've played the demo of this one and it is sooo interesting. I like myths but I've never really read into Gaelic ones. The art is so pretty and the story so far is very intriguing. I can't wait for the full game.

Swiped!: Double Shots of Love. FINALLY AN INDIE VN WITH OLDER MALE LOVE INTERESTS DFKJFDSJKD I played the demo, it was really really cute! The professor LI was made to call me out lol

Wake Me Up If You Need Me. A game made by rice! Someone who I've seen around in the fandom and who's really talented at making songs and audios. I had no idea they made a game but I just found it recently and I have to play it.

Keyframes. It looks really good but I'm interested mostly cause I found out Charlatean (Toasty's VA) is in this kjsdhfgkjd

Rekindle. I follow the lovely artist that's creating it and the DEMO IS OUT!. I saw one (1) art of Jules and he is EXACTLY my type so I'm already looking forward to this game.

Our Life: Now & Forever. Baxter's OL game! I already loved Cove's so I'm really really interested in this version of the game. Plus, I actually really like the autumn aesthetic compared to Cove's beachy style.

Hummingbird's Crown. Has a very interesting premise: a time loop mystery. I'm definitely interested in this one for its story potential rather than the romance, I love me a good mystery.

Aaand that's it. Thankfully "( – ⌓ – )

There's actually a few more that I added in my twitter bookmarks but those are relatively new and I haven't decided if I really want to play them yet. I'm following the devs though so that interest might grow over time. These lists are long enough as they are already, haha.

[davekat-sucks]

i was doing some research cause i wanted to get into indie dev cause i want to make one of my ideas into a visual novel, came across a video called Why 96% of Indie Games Fail on youtube and so much of it was about market optics. understanding your target demographic is really important when it comes to marketing and it got me thinking about homestucks current devs and how they dont get what made homestuck fun to begin with

The Homestuck devs probably only know the basic surface levels such as cool character designs and music, but don't know the deeper stuff such as the adventure dos game style the original comic was inspired from. Or the premise was more simple back then before it got big. After all, the beginning of Homestuck was just about 4 kids playing a game. Another is that some take the easy route, which is using visual novel gameplay as a means to pump it out faster. Not realizing there is a market to visual novels and there are different ways it is appealing to others, despite it's simple nature. There are ones that have mixture of other gameplays such as seen with Ace Attorney or Danganronpa. Another is story tied to it that invokes readers emotions such as crying whenever someone reads CLANNAD. Even something like sound novels, visual novels that only have music or sound effects in the background with no voice acting, can leave a lasting impression with a good story, as that's what made Higurashi successful despite having few resources. As well as the time and placement the series was released in. Homestuck was made with old flash in years 2009-16. They should have a better understanding of people who played flash games on sites like Newgrounds. How can you bring something old to new people who have never seen it? Henry Stickmin Collection was able to do well because they were able to weave the separate flashes into one. And the different choices of each one gives a lot of replay-ability as well for people who want to see every possibility. The most important thing that Homestuck devs struggle with the most as well is something that has been going on ever since Hussie had even released the Kickstarter game. And that is PR. Public Relations. I get that the series is based on fandom interactivity. But the problem lies when stuff like Andrew Hussie starts to antagonized the audiences. It may work for some, but not all, especially if you want to draw in new readers or players. This extends out to members of WhatPumpkin and HICU too. Certain members do not have self control on what they want to say or do on social media. Thus, they may end up looking bad or unfavorable to the crowd. Nobody is told to not post or share certain shit. Freedom is speech is one thing, but it's another when you are working on a project that needs to make money that whatever your post is tied what you are working on that people know. Even stuff like a political posts that is unrelated to the project, will make audiences assume of what the person is like and how it could affect the game. PR in a way, does go hand in hand with Marketing. Not only you have to research the right audiences, but you also have to have a good image too when showing off your project.

[thegongoozlerreacts]

Dead Plate (Part 1)

hello!! its been a while since ive posted but here i am!!! so this game is Dead Plate created by STUDIO INVESTIGRAVE

i had played one of their games before, Elevator Hitch, and i really really enjoyed it! so im very excited for this new game that theyve released

though, this game is probably really different from Elevator Hitch, because that game was a visual novel type of game while this one has restaurant tycoon gameplay

still, im very excited

i hope i can get all the endings today (but probably not) as always, spoilers under the cut!

i know its literally just the title screen BUT it looks very classy

also the music? its a bop like yo BellKalengar is the composer and sound designer and like yo!! amazing job its literally just the title screen and im amazed already LMFAO

alright then lets begin

lolol i like the way they named the buttons for doing the tutorial, skipping the tutorial or just leaving the game on auto progress time to show up at 5 am then

the art is really cute these characters are really cute too esp the protag

i know its just the tutorial but i am very nervous LOL doing service jobs make me nervous (even tho this is only a fictional one)

bro protag why did u skim the interview thing 😭 is that why u've had 28 jobs in 7 years 💀

ooh interesting the cooks have an order in which they cook meals i need to remember that

wow so theres a lot to do huh theres seating the customers, taking their orders, bringing those orders to the kitchen, serving the food, going to the cash register to take their payments, cleaning up the tables AND throwing out the trash its a lot more than i was expecting,,,, lol good luck to me i guess

so like fun fact im actually not that good at playing games LOL esp this kind of game where theres like people and they have like a happy meter kind of thing going on i wonder if any of the endings will be tied to how well we do during the work day ?? probably

also can i just say that the music is really good i like the kinda jazzy (is that the right word??) vibes going on

it makes me less nervous about serving customers since its very chill LOL

WHY IS THIS CUSTOMER HITTING ME WITH A HARD QUESTION

I HAVE NO IDEA IF WE HAVE TO-GO BOXES OR WHATEVR WHAT HUH ?????

there is a right answer and i have no idea what it is im gonna lose my mind please. ok well lets pick an answer

im gonna go 'no' since the restaurant has a strict menu that changes daily right? so maybe they wouldnt do to-go boxes or ordering ahead and stuff (RIGHT???)

oh phew ok i picked the right one

LOL the banter between the protag and the tutorial guy (i dont know his name)

??? what the hell this customer just left right as i got the food bro 😭😭 have some patience damn this aint a fast food place

now i have to throw away this perfectly good meal (sorry cooks)

oh no now the real game is starting uhh aight alright then lets go

ok so that was like only three customers, i did pretty well but the day's not over yet shdajhsdsakhj i feel like a disaster n it was only three customers LMAO

oh it was only 3 customers for day 1 nice (i got jumpscared by the sound effect for the day ending LFMAO)

ooh green onion rolls,,, it looks good damn now i want to eat LOL

BITCH YOU LIVE LIKE THIS?????? damn,,,,

the music for this area is pretty chill tho

THE BATHROOM IS FLOODING??? AGAIN ?!??! BRO ??? THATS DISGUSTING

the window has a horrible view its just another building

oho? she? who???

bro dont leave the dishes for later thats sooo gross

??? HOW DID YOU BURN CEREAL???? WHAT DID YOU EVEN DO ??

i am appalled at the protag's lifestyle i cant even

so he has not finished writing lyrics and love letters for this girl he mentioned earlier the game is not revealing her name and im wondering why hmm its very sus

sorry im laughing so hard??? its mostly empty except for some cans and the fucking green onion rolls im cackling?? they look so out of place in this fridge LMFAO

bro how are you so bad at cooking that you burnt food in the microwave??? what are you doing???

wait. is his bed the couch???? bro i feel so bad for this guy

he biked through the rain,,,,, and he thought doing it fast would dry him,,, in the rain,,,,, im starting to understand why he somehow managed to burn cereal

he doesnt own an umbrella

aww this is cute thanks boss

he LIVES here??? wow damn his apartment is upstairs thats very cool

LOL protag keep ur mouth shut

day 2 here we go

SHIT HELP I TOOK TOO LONG ONE OF THE CUSTOMERS LEFT NOOO im restarting jkdsljlds its a good thing i saved

ahh i did way better this time but the day ended right as i was about to take out the trash LOL

oooh those look tasty too

oops ok so like i started day 3 right

well i was like 'i'll take out the trash before serving any customers' so that i can just easily clean up the tables right

uhh but then suddenly this happened ??? so like protag dropped the bag and cut their finger and the boss is having an odd reaction to the sight of blood methinks

HTHE BOSS JUST SLAPPED HIM ??? WTF

bro he just slapped him then was like 'oh dw someone else will clean it up' hello???? you just slapped ???? me ???

ok then moving on to the rest of the day i guess??

kinda weird looking but it still looks appetizing (the magic of art LOL)

oh shit theres a magazine ?? oops im gonna go back and read through previous ones oh nevermind its just the same one lmao

ohhh so this is where i buy items ok aight

and this catalogue is how our protag knew about the job for a waiter it also has an interview with our boss (Chef Vincent Charbonneau, i finally know his name) about the low number of employees i was wondering why we were the only waiter in the restaurant and i guess thats why

ok i bought the rollerskates cuz i need to be faster for the customers

oh and u can interact w the telephone to call 'her' but she doesnt pick up oof

sorry what is happening right now

what is that weird squelching sound?!?!?

BRO?? WTF WAS THAT ??? so like his body felt itchy, pressed Z to scratch and then suddenly lines were all over his body and then knives came out and i am so very confused

i think that was just a dream but what a weird nightmare

i guess onto day 4 then ?? at least i have my sick new rollerskates now

ooh that looks tasty

man i think im too slow cuz the timer always runs out while one more customer is still around lmfao, oh well

oh shit another nightmare

ohh so i can only equip one item at a time hmmm well since i bought the watch anyways i guess i'll use it

PFFT A CUSTOMER LEFT SORRY LADY,, she was waiting to be seated but i was preoccupied with serving food oopsies

restarting the day then

the nightmare hmm is the protag's name Rody since thats what it says on the label

DAMNIT I TOOK TOO LONG AGAIN

ok im just gonna use the rollerskates this time

AGGHH I KEEP TAKING TOO LONG ON THIS ONE CUSTOMER

restarting again,,,,

should i just let it go? probably but im not going to

IM GONNA LOSE MY MIND IVE RESTARTED SO MANY TIMES

ok well youve not seen it but i have restarted day 5 soo many times and i am hungry so,,, here's where i'll leave it for today

even though i am struggling and getting frustrated, im really enjoying the game so far! i wish i wasnt so terrible at playing it so i could see more of the story LOL

like what is up with the boss? who is this girl that the protag likes so much? what is up with his weird nightmares??? and will i ever be able to finish day 5 ?????

tune in next time LOL byebyeee

[doorplays]

Door Reviews: Phoenix Wright: Ace Attorney (2001)

So! The Ace Attorney series. Iconic games, known by many. So many people have recommended this game series to me already. SO MANY PEOPLE. I got the first trilogy on the PC years ago, but it sat in my library unplayed for so long. And I have finally found the time to start it. And now, reader, I am so excited to tell you all about the first game!!! Let’s go!

What’s it about?

It’s about new lawyer, Phoenix Wright, and his foray into the world of Japanese courtrooms. We meet clients and assist them in getting a Not Guilty verdict. We see him learn the ropes, investigate crime scenes, endure his own trials, and persevere against all odds.

Disclaimer: In this review, I will mostly be talking about the first four cases. The fifth case will have its own section and its own rating at the end of this review.

STYLE (Gameplay, Graphics, Music)

Gameplay feels like a visual novel with investigative elements. You navigate areas, talk to people, and take note of evidence to present to people and at trials. The gameplay isn’t really anything to write home about, but the cases themselves are interesting to unravel.

To present evidence during, you have to select the right dialogue that the witness said, then present said evidence using the assigned hotkey (E for keyboard). It becomes a game of carefully reading what the witness said and cross-referencing it with the facts of the case, catching the lie using the evidence at your disposal.

It can get grating trying to find the exact dialogue to present evidence against. The cases can get roundabout at times, so you really have to make sure you understand what the witness said. I found that I have to double, even triple-check what the witness was saying, and check the whole transcript against my stack of evidence one by one.

Outside of the trials, it’s a visual novel-esque game where you go places and interact with items, making sure to talk to NPCs as well.

The gameplay itself is simple, but the game itself uses this simplicity to good effect in terms of storytelling, which I’ll discuss more on in the next section. All in all, I think the gameplay itself passes muster for me: good enough to play with, but not bad enough that I’d get too distracted by it.

The art looks sleek and expressive. The sprites look very anime. I like their exaggerated movements at times. Makes it feel like a wacky courtroom drama. The backgrounds are nice, too.

In terms of art, I think the best part are the character designs. The characters can be so zany and distinctive! And their animations reflect this, too.

The music, I think, stands out among all of these. They set the tone for various stages of the game, giving it whimsy, an air of caution, and an intensity too. I love the Turnabout music a lot! It is very iconic.

All in all, the style of this game is something I find charming. It’s simple, but because of that simplicity the game can use it to tell better stories.

SUBSTANCE (Story, Characters, Impact)

This game’s story is fun. It has a lot of wacky hijinks in it! Even the names of characters are so wacky: Lotta Hart. Sal Manella. April May. Redd White, CEO of Bluecorp. It’s such a silly game!

It has a lot of sassiness too. The banter between Phoenix Wright and a bunch of the other characters can be so funny. He can become the butt of the joke a lot but in the courtroom he WILL sass you to hell and back if he can press the advantage!

The dialogue of this game is soooooo silly. It feels like a Saturday morning cartoon in a way! It feels cheesy at times, yet I can’t help but crack a smile.

What I like most, though, is that this game’s story has a lot of heart (heh) and earnestness! It does character relationships so well, having a good balance between lightheartedness and seriousness. It presents character struggles seriously. And most of all, it emphasizes how difficult it is to be a defense attorney in one of the countries with the highest conviction rate.

We root for Phoenix Wright not just because he’s a silly defense attorney, you root for him because he tries despite insurmountable obstacles. He tries despite a legal system that can be cartoonish but is nonetheless still based on reality, where an accusation is practically a prison sentence. He tries because it’s the right thing to do.

That’s why I like this game’s story so much. At its heart, it’s a story about doing the right thing against all odds. It tells its story with such whimsy and silliness, yet is just so earnest when it comes to things that matter.

VERDICT

Ace Attorney is a gem of a game. I enjoyed playing it after work. It became something to look forward to after my day-to-day. I was rather bemused with the story, and slowly ended up loving it. I absolutely LOVE Edgeworth as a character and he is now one of my top 5 faves of all time (maybe even top 1…… he is my blorbo of the month). With such a strong first game, I am very much excited to play the rest of the trilogy. Play this game!!!

Door Rates Game: 5/5!

REVIEW: RISE FROM THE ASHES

SO! Rise from the Ashes is the 5th case in this game. This case here is an addition to the game after it got a Nintendo DS remaster. And it makes full use of the DS capabilities, with more expressive sprites, 3D evidence, and other gameplay quirks. Too bad we’re experiencing this on the PC!! Nonetheless, we push on with this review.

Case 5 is a fresh new case with a LOT of content. It’s like… maybe two, 2.5 cases in one? There are a lot of twists and turns to the story, and the devs introduced new gameplay, chief among which is the way you can now inspect each evidence you get. You go to the court record, press Enter, and you can look at it in 3D!!! You can get to inspect engravings, blood, and most importantly, you can now look at the back of receipts! Technology…

There are other new gameplay things they introduced, but they’re mostly just small things that try to tie you better into the game and also showcase the capabilities of the DS. Well, less that and more taking advantage of the new things the DS could do. With new technology means new ways you can make your game, and new ways to tell your story.

In my opinion though, these new things introduced in gameplay feel like they were thrown in for the sake of it, as if telling the player “oh, look at me! I can do this now!” Too experimental in a way… which makes sense, since this is in a way the first AA case on the DS. I haven’t played the other DS games, but I would hope that they found a way to integrate the capabilities of the DS better and in a way that makes sense for the story.

I found the story of case 5 to be amazing!! It had a bit of a slow start for me, but when it got going I was on the edge of my seat. It was thrilling, funny, and had heart, which is what I feel is classic Ace Attorney.

I liked it!! I would give this additional content a 4/5, if only because the new gameplay stuff hassled me a bit. They tried some new things, and some of them annoyed me, but I’m sure these new things would play out better in future installments. So far, I very much enjoy the series, and I’m excited to play more of its games!

[strwbmei]

hey mei, what are your top 10 favourite video games?

1. Legend of Zelda : Breath of the Wild - Loved everything about it!! The graphics are stunning, the gameplay is amazing, and the story is easy to understand without playing the other games. I have Tears of the Kingdom, but for some reason, I prefer BOTW much more. Also, the soundtrack is absolutely amazing beyond words!! The one that plays whenever a Ruin Guardian spots you sort of gave me PTSD. Whenever I hear it, I can't help but look towards the source of the sound, get up, and run for my life.

2. Ghost of Tsushima - Everything about this game is a 10/10, but I really liked the combat in particular! There are so many ways you can kill someone, from silently assassinating them to poisoning them to beheading them. Even after the main story, there are still so many side quests and content that are just as fun. Jin Sakai is also very cool and I love how he abandoned his honor as a samurai to protect the people.

3. Eastward - Definitely a must-play if you have a Nintendo Switch. The graphics are unique and colorful yet also somewhat mellow at times. The music is great. All of the characters are so fleshed out and lovable. Not to mention the amount of content in the game, where you have at least one other game inside of it. There's the Earthbound(?) (I forgot what it was called) game inside of the arcades which I still haven't been able to finish to this day, and the Octopia DLC (Really cheap by the way, it was 20$ last time I checked) which is basically a whole other farming game.

4. Honkai Impact 3rd - Of course, HI3 is one of my favorite games. The gacha is very generous compared to other games, the rewards are really good, and the rest speaks for itself. Just the story alone would be enough to make it into my top 10. Story aside, I really love the characters and their designs. Their designs reflect their personality perfectly and all of them are just so lovable. Watching Kiana grow up so mature within only 2 years gives me such an odd feeling. I'm so proud of her, but at the same time, where has the "cheerful idiot" Kiana gone? It feels like only yesterday I was playing through the story and she refused to eat the meal Durandal gave her because there was no one to remove the bones of the fish like Mei usually did.

5. Stardew Valley - Call me basic, but I really fell in love with everything about this game. The music in particular makes me feel so oddly nostalgic. I also have a lot of good memories associated with it. It's one of those games that I play on and off but always end up enjoying no matter what, especially with the use of modding.

6. Dead Cells - Loved it! The combat is so fluid, the monsters are all so unique, the animations are so smooth for a pixel art game, and everything about the gameplay is so enjoyable. I'm a sucker for these types of games, honestly. I sadly haven't had the time to play it for a while now, though...

7. Subnautica - I'm not sure if this counts because even though I have a copy of the game, I've made almost zero progress on it. This is mostly only on my list because I'm a really big fan of sea exploration stuff. I was also particularly obsessed with the idea of making the Cyclops fully self sufficient.

8. Minecraft - I had such a big Minecraft phase back then. I would wear merch to school and sing those parodies thinking I was so cool. No wonder I didn't have any friends during that period of my life. Still, I actually wasn't able to buy the game until like... 2018. I think this would be higher on the list if I had people to play it with and if I could recover my account for it.

9. Animal Crossing : New Horizons - I was obsessed with it during the pandemic, but nowadays I play it on and off. As much as I like the older games, being able to freely place furniture outside is life changing. It's also way easier to change outfits because you can actually see what you're wearing. Not to mention, the graphics are way cuter.

10. Osu! - I got into it because a guy I liked did and ended up becoming better than him. I mostly.played standard, but mania was also fun from time to time. I was ranked at around 4 digits before I had to stop because people were complaining that my keyboard was being way too loud. I just didn't have the money to get a new one at the time, so I ended up deleting the game. Really fun, though! There's a mode for everyone.

[maxwell-grant]

pizza tower is out! have you played it already ? if so, thoughts?

OF COURSE and, man it feels weird that the game is finally out officially. The demos for it have been probably my most played “game” over the past years, and I’ve played all of the demos available to Patreon backers plus some of the old public ones. I've been following for a long time through countless refinements and changes and do-overs and now it’s finally out, for good. I donated to this some years ago and now my name is in the credits of this thing! Feels pretty great!

I'm as biased as it gets in regards to it. It plays marvelously, it has one of the most fun characters to control ever made, endlessly replayable on the basis of that alone. The soundtrack is self-evidently kickass and has always been one of the biggest draws this game’s had to pull people in, the artstyle and animation being the other massive draw. Most of the big virtues of Pizza Tower are very self-evident, so instead I wanna talk a little on it's story and characters, because now that the game is out, it finally has a proper "canon' of sorts, in the sense that a lot of this stuff is no longer going to be rewritten or changed based on demos. Now Pizza Tower’s finally set-in-stone, of sorts, and that end result is what I wanna talk about:

I think Pizza Tower kind of had an uphill battle at first making sure it had an audience besides people who just showed up for the Wario Land-fix. Initially, that was the promise, it was designed to give people that fix that they weren’t gonna get from Nintendo themselves, and the game’s initial success in it’s demos kicked off that rise in what people now call Wario-likes, some of which are more blatant about it. The game initially played pretty much exactly as you’d expect a Wario Land fangame to be like and was set apart mainly by it’s distinct animation and catchy music, and maybe that could have been enough, but it evidently wasn’t, given how many undercooked demos it took for it to reach it’s current distinctive gameplay and appeal.

Of course, the Wario Land vibe may still be a big part of what people talk about in regards to Pizza Tower, but there was a very substantial shift over the years that I saw in real time, as the conversation around it shifted from “If you like Wario Land you should look into this new Pizza Tower thing, it seems like basically that with the serial numbers filed off”, to “Hey Pizza Tower rules, the music is kickass and the protagonist is very fast and the animation is super funny, you should play these demos, also it’s inspired by Wario games if you’re into those”. I actually didn’t even see Wario Land get brought up much at all in the last days since it’s launch, partially because Wario’s had his own comeback since 2018 (although just for the Ware games) but mainly because Pizza Tower succeeded in setting itself apart from it’s inspiration. It got people wanting the Pizza Tower-fix, and not just the bootleg-Wario-fix, if that makes sense.

And of course part of that comes from how Pizza Tower didn’t stick to just Wario games, but gradually took bits and pieces from stuff like Sonic, Earthworm Jim, Looney Tunes and Tiny Toons, some otherobscure defunct games that got brought up on occasion and etc, and then just kept throwing these gimmicks at a wall of beta testers and Patreon backers it accumulated to see what stuck and what didn’t. The game had a very small development team, and gradually acquired more and more of a following, and it made the most out of both.

I think a rather underrated aspect of the game is how Pizza Tower works at squeezing blood from stone in regards to it’s narrative and characters. The game follows in that platforming tradition of stock excuse plots that are as least obtrusive to the gameplay as they can possibly be, and for the longest time the demos and game didn’t even have one of those because no reason was settled (or needed) on why Peppino had to trek through these blasted towers fighting monsters while scared shitless the whole time, and a couple of different lore motivations were tried out over the years to explain some aspects (if anyone reading this is also in the PT Discord, you guys remember when Noise was some kind of weird shadow mirror self of Peppino? That was a thing for a bit, glad it got canned early). I want to emphasize how the trial and error approach of the development applied to Peppino’s character and the game’s story because I’m very much of a fan of what the game finally settled on: Peppino fighting to save his business from being destroyed.

Peppino is a miserable man who owns a failing pizza business and is struggling to make ends meet, who one day gets cornered by a giant pizza monster who lives on the tower across his shop, who tells him that he’s going to blow up and destroy his pizzeria, and so Peppino has no choice but to race against the clock to stop this from happening. Prior motivations tried out concepts like he destroyed “evil towers” as a job or was looking for secret ingredients to bake better pizzas, but the finished game cuts the filler and instead puts a giant bomb hanging over everything Peppino has, which is a shitty pizzeria, and sets him on collision course to cathartically smash the bomb.

The game chooses to emphasize Peppino’s poverty and struggles followed by blistering rage at the injustice he’s being inflicted with, and this is something that works better even just reflecting his basic design: though he is a chef, though he may put up ads of himself as a jolly cartoon, he cannot act like one to save his life, and if you look closer he’s actually just wearing a sleeveless shirt over black clothing: he can’t even afford an actual apron. He’s a failure who has very little to call his own, and he’s about to lose even that because some assface sitting high and mighty deemed it so: he’s a walking embodiment of an incredibly relatable frustration, and he’s going to smash the source of that frustration right in the fucking face.

You get this entire deal in the frames of animation Peppino goes through just before he faces down the final boss: he spots his place in the distance and looks dejectedly at it, gets scared when the boss looms down before him, and that fear gives way to shrieking rage as he prepares to throw down not just to save his business but as payback for all the shit he’s put up with the whole game, and MAN does the final fight make it all worth it

Because the game has basically no dialogue outside of in-game hints and flavor text, it has to put a lot of effort in making it’s cast shine non-verbally. Right from the start it was pitched as having a strong Earthworm Jim and Courage the Cowardly Dog influence, it was always playing around with as many cartoon tropes and gags as it could, and the end result in-game is that Pizza Tower does succeed big time in feeling like a cartoon show that could have been.

All of it’s levels are accompanied by title cards that present said stages as “episodes”, and all of them have built-in gimmicks with implied narratives like picking fights with pirates, taking a trip to space and back, going to jail and needing your friend to bail you out, getting stalked and hunted by monstrous animatronics until you get a shotgun that lets you hunt them back, and etc. There’s a level where you can surf through graveyards on the back of a corpse while looking scared shitless, and the Achievements later reveal Peppino used to know the dead guy when he was still alive, and so on. The core story is just there enough to make the final fight feel narratively satisfying, and along the way you get all these little bits and pieces that make this world richer and it’s characters more lively, enough that we can fill in the blanks and see how they would fit if they were part of a long-running franchise or some kind of wacko world with off-screen adventures before or after the game.

Gustavo wound up being one of the more pleasant surprises in the game. And not just gameplay-wise, since I honestly found playing Gustavo in the demos a chore but they buffed his moveset a lot in the game proper and made him a lot more fun to mess around with, but even character-wise. Ever since his planned spin-off didn’t take off Gustavo was kind of a throwaway character for the longest time without much of anything going on for him, with his in-game role as someone you'd deliver pizzas for and would beat you up if you failed (and was apparently your boss).

In-game, Gustavo is no longer your boss, in fact apparently he no longer knew Peppino before the game, he's just a guy who is going into the tower at the same time as you (and clearly more prepared since he’s got a map), tangled up in his own side-adventures taming and befriending a giant rat, who’s taking the time to help you out anyway. In-game he’s this nice, friendly character who is straightforward in a way Peppino can't be, he's got a kind of beady-eyed cuteness to him that Mario used to have in the old 2D titles (and a super deep smoker voice for contrast), and he winds up becoming your Luigi (...or maybe it’s the other way around and you’re his Luigi) in the sense that he complements and contrasts you as the secondary lead (and you sorta do Bro Attacks together at the end).

The game gets a lot of mileage out of the Gustavo and Brick dynamic as is in a way that makes it so Gustavo on his own doesn’t have to be as extravagant as Peppino or Noise, but still be funny and endearing enough as a protagonist that we can put Peppino aside to enjoy him just as much, maybe even more so depending on your preference. Gustavo is obviously very silly but silly in a lot of ways that Peppino can’t be, and I think the way the game treats him goes a long way towards lending Pizza Tower some more versatility in terms of humor and characterization. 

I'm glad Mr Stick didn't wind up as a boss as planned. He's not terribly interesting or funny enough to be one, he isn't really anyone's favorite and I think McPig got more mileage out of him as an ally to you, and considering Peppino is inspired by Courage the Cowardly Dog, I think having a Eustace type character among your allies works pretty allright. He's not a character you would really see in a Wario game, Wario would never put up with being bossed around or scammed by some greedy jackass (that's his job), but Peppino is not Wario, he's got bills to pay and bigger issues to work through via violence and he can't really pick or choose his allies so, he's stuck with Mr Stick, the piece of shit landlord who rips you off constantly and you have no choice but to pay him, but who does help you progress at least so, eh.

(Art by @ketrindarkdragon​​)

I frankly loved Pepperman as is back when he was just the default boss / a stage hazard purely on the basis of his design and attack animation and of course his kickass theme, but his reinvention into a pretentious artist who sounds like Comic Book Guy was a pretty wonderful way to make a character out of him, not exactly what you’d expect out of the game’s Musclebound Bully boss character. He’s got that Squidward gag where he’s actually remarkably skilled at several different kinds of art, and going by the credits he’s apparently well-off for it, but he’s a self-obsessed prick who only makes self-portraits, and nobody in the cast thinks much of him as is (if you beat him without taking damage, you get an achievement called “The Critic”). He’s probably the character I would most enjoy playing as even though those plans were scrapped for good reason.

I’m glad that The Noise got a somewhat reduced role in-game as just a boss fight, I think this was the smart choice. For the longest time, Noise was the only other character in the game besides Peppino and he’s always been fairly popular, and he’s going to be made playable since he’s got most of his animations finished as is, so I think downplaying The Noise was a good call to make all the other elements stand out more. I’m not super into how his boss fight ends (I do like Noisette quite a bit actually, I just don’t think that bit was particularly funny) but I otherwise really like it, the fucker keeps opening himself up for beatings because he cannot stop literally giving you the middle finger, I like how well his fight emphasizes just how much Peppino and Noise hate each other, and I can’t wait to see what else is he gonna bring once made playable.

I’ll miss playable Vigilante, it was for the better yes but I’ll miss it. Still, he does make a better Boss, and obviously since his role is to be the Meta Knight of the game he does have to be the Cool Boss Who Hands You a Weapon. I’m glad that the game plays him straightforward, I’ve always loved the contrast of our Actual Cowboy Badass character being essentially a Goomba, a sentient pile of cheese with a cowboy hat and spurs (in concept there’s also a bit of Bandana Dee in him). He’s just gross and uncool enough on the basic concept that he can get away with being the coolest character in a way nobody else can be and in some ways only makes him more of a genuine badass, after you’ve steamrolled and gotten used to the game’s Goombas and then one of them fights back big time. I love the bit of him staring into the broken John at the final floor and quietly having a moment of concern he’s not allowing you to notice, I love him teaching the Toppins to shoot in the credits in preparation for the main villain’s next move, I really love this guy.

I fucking KNEW IT that Pizza Boy was gonna turn out to be a secret villain at some point, I fucking called it, as soon as they gave him a theme park in a now scrapped version of Pig City I knew that he was gonna be more than just a running gag. I actually didn’t expect Pizzaface to be fake, but I knew Pizza Boy was gonna show his true colors at some point. I however certainly did not expect for him to be basically Ronald McDonald, which is a choice that makes the most sense for the food mascot-themed villain who’s gonna boss around all the others and be the Punchable Face of Evil for a struggling chef and business owner to be set against.

Of course the real Pizza Boy is a scuzzy freak who’s nothing like the mascot he plasters around, that’s pretty much a running theme in the game at this point. He has perfectly deranged music completely unlike anything else in the game’s soundtrack, his boss section is wonderfully obnoxious, he’s a great final twist villain to have at a point in the game where you absolutely need the most punchable character of all time to take out Peppino’s frustrations in.

I didn’t expect the Pillar Johns to wind up having a mini-story in their own right depending on how you complete the game, where it does the Wario thing where the amount of treasures and loot you collect determines the ending. Except here instead of loot, collecting all the secret treasures determines whether or not John the pillar monster comes back to life after being broken and beaten into countless pieces and having his consciousness scattered into a hivemind across the entire tower, to the point where you are basically doing him a favor by smashing him at the end of every level. I didn’t expect the game to bother explaining why Gerome the janitor is following or helping you, let alone for the explanation to be so goddamn dark.

(You guys remember way waaay back in the earliest demos when John used to be this invincible thing you fed Toppins to so it would grant you passage? That was overhauled completely but turns out in the end, you still need to feed Pillar John to finish the game)

I find it funny how Peppino winds up incidentally rescuing the Tower from the Pizza, and that’s not even a funny overstatement, the game’s progression really does show how the Pizza was the bad guy in this scenario and the Tower was just corrupted along the way. It’s Pizza Tower, a game that has pizzas and towers, and you play as a pizza chef who’s threatened by a giant pizza (hiding another pizza) atop a giant tower, and so you smash the giant pizza and escape the tower and wind up saving the tower from the pizza while trying to save the pizza from the tower.

...I killed Snotty, I’m sorry you guys, I’ll do better next time.

Did I tell you guys about the soundtrack already? Because good God it has never stopped getting better and better, it alone is worth the price you pay for the game, and there’s a LOT of music in this thing even without counting the tracks that didn’t make it into release.

I think it's great that the game assembled it's core cast piecemeal over  the development cycle from all these unlikely places over the years, it’s come such a long way from the days when it was just Peppino and Noise. I adored how the game’s ending and subsequent promos show how the Bosses stick around as cast members and showing snapshots of further adventures and mishaps for them. They all come back for the finale so Peppino can reach his breaking point, and they all escape together, and they all settle a truce over free pizza at Peppino’s place, still not much but still intact, still in one piece, after everything Peppino put up with to save it.

None of these characters belong together but they clearly don't belong anywhere else either, they're all a part of the "Receding Hairline Celebration Party" as the credits theme puts it, all these weird greasy knock-offs stuck together in the dumps, getting into trouble and duking it out, and playing cards together after it all quiets down and there’s some time to breathe, or dance.

....

Five years, man, that celebration party is definitely well deserved.

[loz-furbies]

Thoughts on Tri Force Heroes

(spoilers I guess)

Let's start with a little introduction for those of you who aren't familiar with this game because personally I knew nothing about it a month ago. So this is a primarily multiplayer game that has very little to do with the Zelda franchise in terms of gameplay and gives the impression that it was started as an unrelated project and later got some Zelda paint slapped on it for brand recognition and getting to reuse ALbW assets. The story is about an evil fashionista who has cursed a princess to wear an ugly jumpsuit. Link shows up, teams with two other colour-coded Links with unspecified origins, and starts collecting the crafting materials that allow you to break the curse. Gameplay-wise you select levels from a menu screen and then do some puzzle and combat challenges with two other players, or take turns controlling each Link in single player. The unique gameplay gimmick is that the Links can carry each other to form a totem pole or toss each other around.

I see this game ranks very low in "Best Zelda games" lists, if it's mentioned at all, and I can see why. I'm primarily interested in the characters and the drama, so if I had been following the franchise at the time of its release, I probably wouldn't have been excited about a multiplayer game with a self-awarely stupid plot either. But it is not the time of the release and my verdict is that this is a pretty fun little game if you allow it in your heart. Though it looks a lot more fun in multiplayer and some things are really frustrating or close to impossible in single player but it is what is it, at least you can clear the main story on your own and just stay away from the time limit bonus challenges and such.

As a dress up enthusiast, the craftable costumes are of course of great interest to me, and some of them actually look cool, though most lean towards the silly. And if there's one thing people know about this game, it's usually that you can dress Link in Zelda's dress or a cheerleader mini skirt too. And if you're categorically offended that there is an option for Link to wear a skirt, fear not, because the game forces you to do that to clear the story. I thought that you would craft a copy of the end boss's outfit for the princess to wear to break the curse, but I should have seen it coming that of course Link is the one who wears to cast the curse-breaking spell.

The random craft material prize system was pretty frustrating, I played one level over ten times for that 1/3 chance for the rare prize and didn't even get it. And it totally discouraged trying any of the bonus challenges too, because what's the point if you're just going to get the common prize anyway? However getting the Linebeck outfit (which lets you see which treasure chest contains the item you want) was a game changer and completely busted when combined with the power of the rupee outfit (greatly increases rupee drops). I've now collected most of the outfits that are realistically available for single player, and I think I'll check the daily rotating store for the few missing materials for a while longer to see if I can get the rest for completion's sake. Still pissed that some of the outfits are essentially locked behind multiplayer rewards though.

Some final stray thoughts:

A shoutout to the tailor npc who makes the costumes for you, I thought it was a lot of fun how into she is in her craft

In general the outfits were a great gameplay mechanic since their unique effects substantially changed how you play, but also you can only get one buff at a time

Some of the music is really good.

The puzzles were greatly improved from the previous Zelda multiplayer in FSA which had a lot of "I didn't even know I could do that" moments

Overall pretty good boss design (except for Moldorm single player)

The ending where the NPCs celebrate by lifting Link up in a totem was a perfect way to wrap up the game