#Motherhood Enigma studio

[xxinkyshadowxx]

games that i think more people should know about cause they are so good oh my goodness

TW For blood, gore, and disturbing imagery

GOHOME

OM NOM NOM NOM NOM IM GOING TO EAT THE ENTIRE GAME OM NOM NOM NOM NOM I DO NOT HAVE THE WORDS TO DISCRIBE THIS GAME SO THERES IT DISCRIPTION DOWN THERE BUT IM GOING TO EAT IT ALL QUICK READ IT BEFORE I EATED ALL THE DISCRIPTION TOO

"This is a third-person horror game set in a residential area in 2000s Japan. It's the complete version of the free horror game GOHOME, which was released in 2019 and caused a boom. The map has been doubled, and six more ghosts, including hidden characters, have been added to the game. There's no grotesque , so even kids can enjoy it.

You've been separated from your parents and you're going home alone. It's the usual way home, but something's wrong. You're being chased by someone so you run away and go home. It's a sad, scary and mysterious game, but I hope it will be a lovely memory for you."

House

yeah it's less of a witchtrip(do not pay attention to how i use this word the way i use it makes sense and you know it does) than GOHOME is but oh my god the music the gameplay the plot i just this game would blow up a microwave and come out scratchless

A review: "a carpet killed me👍"

Literally any arcadekitten game

my personal favs are Cemetery mary and sweet no death but i swear all of their games are bangers)

game so good i stole a character's name that should say enough

A sweet no death review: "this was such a cool mix between cute and horror- loved it ! the game was pretty fun too, lambchop was so entertaining, and the music and visuals, so pleasing. "

A cemetery mary review: "Bro, I made an account just to say how much I enjoyed this game. This game was truly a pleasant experience and I genuinely think this is one of the best indie games i've played IMO."

Blackout hospital desc: "Blackout Hospital is a game where you play as Vasilis, a nonbinary janitor at Altobuck Hospital. When the power goes out while working the night shift, the emergency lights come on and bask the halls in an eerie, ghostly glow. Bizarre happenings start to occur at the hospital, and Vasilis wants no part in it as they try to look for a way out! Along the way they will fight off mysterious enemies, meet strange characters, and make a few allies--but will any of it mean anything if they can never return home?"

It's not me it's my basement desc: "Mom and Dad are away. But you're old enough to take care of yourself now, aren't you? You'll be fine, there's no need to worry. You're more than capable of keeping everything under control...right?"

It's Not Me, It's My Basement is a short horror game following a nonbinary child and their daily life. It takes about 30 minutes-1 hour to complete. There is only one ending."

Crowscare desc: "Crowscare is a short horror game, RPG game, and a love letter to the autumn season.

The game follows a young boy named Ryo, excited for the upcoming Harvest Festival in his hometown. Wouldn't you know? This is going to be his first one! He was never able to go to one before, as it always started past his curfew...but soon he'll see why he was never allowed out at night.

The game takes about 1-1 ½ hours to complete. There are two bad endings, and one good/true ending. "

World's end club:

AEWRT%UYTYRERSFXFGTY *EATS IT ALL IN ONE BITE* If you like danganronpa then you're gonna like this game as it's made by the same people this is just danganronpa but like more interactive and pg13 and im going to eat ALL of it the designs *eats the designs* oh and im not sure how true this is but i heard that one of the designers who worked on this made Top champion geeta's design soooooo

"Brought to you by Zero Escape series creator Kotaro Uchikoshi, and Kazutaka Kodaka, mastermind behind the Danganronpa games. With twists and turns aplenty, this mysterious, captivating tale of friendship and adversity will have you hooked from the get go.

Dive into this easy to pick up fusion of puzzle platforming and choice-driven story adventure, and surround yourself with a cast of charming, quirky characters as you set off on an unforgettable trip!

In an elementary school in Tokyo, a group of oddball kids from across the country have banded together as the "Go-Getters Club." Reycho and the rest of the Go-Getters are, to say the least, a little different to the rest of their classmates.

One summer's day the group is riding the bus on a school trip when disaster strikes. They wake up to find themselves trapped in a rusted, long-abandoned underwater theme park. As they struggle to get their bearings, a sinister clown appears out of the blue and informs the Go-Getters that they'll be playing a "Game of Fate"—pitting their lives against one another in a desperate struggle for survival!

Bewildered and confused, prospects look bleak for Reycho and the gang, but when all hope seems lost, out of nowhere, strange powers start to awaken in the daring Go-Getters.

What in the world could happen next!?"

Motherhood

i just i i just i AIUYTEWGEHYUDZIOR*(E&FUDTYGHJUIDS

A review: "Really good game with nice and disturbing aesthetics. The story was quite cryptic, but you get most of it by the secret ending.

It was a nice experience, I want to play the rest from Enigma Studio if the other games are as cool as this one!"

Bad end theater

i want to dissect this game like its a damn frog and then i want to go OM NOM NOM NOM NOM

Review: "PLEASE LET ME GIVE YOU MORE MONEY OH MY ♥♥♥♥♥♥♥ GOD, ALSO LIKE ADD AN ART BOOK I NEED ACCESS TO ALL OF THIS ART AT ANY GIVEN TIME EVER"

Review: "While I cannot spoil why, this is possibly one of the sweetest, most thought out and unique short games I played in years.

Go in blind, you will find everything more meaningful that way!"

Loomian legacy

*Dj Khaled voice* Life is roblox

Formerly Pokemon brick bronze so i feel life that should be enough info for those who know of it

Emily wants to play

I I HYYDUIEUUI THIS SCARED THE SHIT OUT OF LITTLE ME I LOVE THIS GAME

Desc "It’s 11pm, and you are at the last house on your route. The lights are on, and the front door is opened. But, the windows are all boarded up and the grass is overgrown. It seems like a strange place to deliver a pizza, but at least, it looks like someone is home.

You run to the front door since it’s storming pretty bad.

“Hello!? Your pizza's here!" You announce. No one answers. There's an eerie silence.

You are getting soaked from the rain, so you hesitantly step inside the door and look around. The front door suddenly closes behind you.

You just wanted to finish this last delivery and head home for the night. Now you must figure out how to get out of this stupid creepy house.

Freely roam the house and try to figure out what is going on. Three dolls and a strange girl named Emily will also start roaming the house as the hours toll by. Stay away from them, but if you do end up in a room with one, figure out how to stay alive.

This may be your last pizza delivery."

I need to stop eating all these games im going to get a stomachache not from eating them but from the joy and whimsy i feel when these games are even real

[100-art]

Famous Surrealism Paintings by Salvador Dali

List of 87 paintings by Salvador Dali

♦ Line 1 Christ of St. John of the Cross, 1951 Antequam exhires de vulva sactificavite, 1964 Apparition of Face and Fruit Dish on a Beach, 1938 Mural Painting for Helena Rubinstein, 1942 Imperial Monument of Woma-Child. Gala (Utopian Fantasy), 1929 The Picnic 1921 Singularities 1936 Invisible Sleeping Woman, Horse, Lion, 1930 Venus and Sailor, 1925 Nude in a Landscape, 1923 Memory of the Child Woman, 1932

♦ Line 2 Self Portrait, 1921 The Moon, 1929 Swans Reflecting Elephants, 1937 Portrait of Gala, 1954 Portrait of My First Cousin-1923 Motherhood, 1921 Venus with Cupids-1925 Jeune Femme Dans Un Paysage, 1959 The Maids-in-Waiting, 1960

♦ Line 3 Soft Self-Portrait with Fried Bacon-1941 The Great Masturbator, 1929 Galatea of the spheres, 1952 The Disintegration of the Persistence of Memory, 1954 Paranoiac Visage, 1935 Premonition of the Civil War, 1936 Woman with Drawers, 1936 The Elephants, 1948 Dream Caused by the Flight of a Bee around a Pomegranate a Second before Waking, 1944 Dali Self Portrait, 1964

♦ Line 4 Portrait of Picasso, 1947 Sleep, 1937 Woman with a Head of Roses, 1935 The Ghost of Vermeer van Delft which Can Be Used as a Table,1934 Dorothy Spreckels Munn, 1942 The Hallucinogenic Toreador, 1970 The Old Age of William Tell, 1931 Six Apparitions of Lenin on a Piano,1931 The Temptation of St. Anthony, 1946

♦ Line 5 Nude in the Water, 1925 The Hands,1945 Dali Nude, 1954 Living Still Life, 1956 Debris of an Automobile Giving Birth, 1938 City of drawers, 1936 Neo-Cubist Academy, 1926

♦ Line 6 Meditation on the Harp, 1934 The Enigma of William Tell, 1933 Sorcery, 1957 Self-Portrait with Raphaelesque Neck 1922 Leda Atomica, 1949 The Discovery of America by Christopher Columbus, 1959 Spider Of The Evening, 1940

♦ Line 7 My Wife, 1945 Dali's Hand Drawing Back the Golden Fleece in the Form of a Cloud to Show Gala, 1977 Galarina, 1945 Last Supper, 1955 Honey is Sweeter than Blood, 1941 The Christian Knight, 1971 Birth of the New Man, 1943 Birth of a Divinity, 1960 Figure at a Window, 1925 The Bleeding Roses, 1930 Young Virgin, 1954

♦ Line 8 Self Portrait Abstract Self-Portrait in the Studio, 1919 The Ship, 1935 The Invisible Man, 1929 Gala Contemplate Corpus Hypercubus, 1954 Portrait of My Father, 1921 Aurora, 1977 Corpus Hypercubus, 1954 Madonna of Port Lligat, 1949 The Ecumenical Council,1960 The Discovery of America, 1959 Self-Portrait, 1921 Macrophotographic Self-Portrait with the Appearance of Gala, 1962

♦ Line 9 Goddess Leaning on Her Elbow - Virgin or Birth of a Deity, 1960 The Surrealist Mystery of New York, 1935 Queen Salome, 1937 Homage to Erik Satie, 1926 The Birth of Liquid Desires, 1932 Slave Market with the Disappearing Bust of Voltaire, 1940 Beach Scene with Telephone, 1938 The Burning Giraffe, 1937 The Hand, 1930

[shemakesmusic-uk]

Tomberlin has shared 'Wasted,' a lullaby-esque stunner about secrets that are hard to keep. Tomberlin engages in some clever wordplay as the song ambles along, each line bleeding into the next: “Can you tell the difference?/ I can tell the difference,” she sings. “Maybe you’re the difference/ Please don’t be indifferent/ I could make it different. "'Wasted’ was the most fun song to record. I brought the song with the guitar part and knew I wanted drums, but wasn’t sure what kind of beat I wanted,” Tomberlin said in a statement, continuing: "Alex played this drum beat for me and was all ‘kinda left field but maybe this would be cool.’ It took the song to a whole new level. Sad song or summer banger? You tell me. The video was made with the help of Busy Philipps (who directed) and Marc Silverstein (who shot it), who are more like family then friends at this point. I was quarantined with them and their girls in South Carolina and we came up with the idea and shot it in about 4 days on an iPhone." [via Stereogum]

With their debut EP Tell U set to land on October 30 via House Arrest, New Yorks’ Couch Prints - aka Jayanna Roberts, Brandon Tong, and Jacob Truax - have shared the video for the title track. “I wrote the first iteration of this track while living in Denver - I was working this job I hated and had this feeling that life was speeding by,” Brandon says of the new track. “I ended up moving to New York a few months later, and shortly after Jake came out from Paris to record some of the music we’d been collaborating on the past year. While he was [In Paris] he had worked on music with Jayanna, so he called her to come sing on the tracks. We showed her the tracks and immediately she was humming along and had this incredible tone and way of singing, so we started recording for ‘Tell U’ and finished it that night. With so many moving pieces coming together so serendipitously, the final song came to celebrate this feeling of transience and movement and leaving the past behind. When we gave the song to Mayachka for the music video, she took that wistful feeling and our experiences, and created a story about a supposed three-way love triangle between us - with all the romance and nostalgia of a 2000’s soap opera. It perfectly captured the melancholy and strangeness of our first year coming together.” [via DIY]

Setting her art rock-inspired single 'Battleship' against a stunning clip directed by Pete Majarich, the new one from Jordan Laser deserves all your attention. [via Happy Mag]

New Jersey-based artist PYNKIE releases lead single 'Personality' from her sophomore album #37 out October 16 via House Arrest. A self-proclaimed ode to divorce (more specifically Radice’s parents divorce), the track is as sharp and witty as you’d expect from PYNKIE. It possesses this off-kilter touch that we’ve seen her adopt since her self-released 2018 debut album neoteny. The track references specific interactions between PYNKIE’s parents as they fight over possessions in the messy divorce. Lines such as “Furniture, Furniture/Over my dead body” are sung with a delightfully naïve charm, effectively capturing the sometimes obliviousness or misunderstanding that children have when it comes to events of such grandeur. With its buoyant bassline, jangly guitars, stoic percussion and perfectly imperfect slacker vocals, 'Personality' is musically a raw joy to behold. It’s flawless in its mixture of the known and the unknown, expected and unexpected. Skilfully wrong-footing the listener by setting up expectations of direction and then changing at the last minute is something that PYNKIE excels at. Lo-fi ethics and embedded nostalgia have become a staple of her music. This 90s nostalgia also takes the main role in the accompanying Kelli McGuire-directed visuals. We see Radice with her hair in bunches, wearing chokers, double denim that’s been scrawled on in felt tip pen and jelly sandals. The lighting is soft yet colourful with a light fuzz that gives it a retro warmth to it, casting our minds back to childhood. With vibrant graphics breaking up the video, topped off with the karaoke-style lyrics at the bottom of the video, the effect is one of wistful fondness. With its combination of unadulterated playfulness, darker tones and gleefully childish sensibilities, 'Personality' speaks to a larger theme that will carry through the upcoming album #37. [via High Clouds]

No Joy releases the official music video for 'Dream Rats' from their album Motherhood which is out out. The video and track features frontperson and principal songwriter Jasamine White-Gluz’s sister, Alissa, of deathcore supergroup Arch Enemy. The video also features an amazing duck named Success who is somewhat of a local celebrity in Montreal. The White-Gluz sisters want to take this opportunity to spotlight the Le Nichoir Wild Bird Rehabilitation Centre, a non-profit organization located in Hudson, Quebec. Their mission is to conserve wild birds as part of our natural heritage.

Actor and singer-songwriter Maya Hawke released album opener 'Generous Heart' as the final preview of her debut LP Blush, out now. A new interview with i-D reveals that 'Generous Heart' is one of Hawke's favourites from her record, and was created from a poem about love that she wrote as a senior in high school. Hawke also revealed the inspiration behind her debut album title to i-D, "I am a person who really struggles with embarrassment and shame, but it’s such a weird thing to talk about. There’s something embarrassing about even talking about being embarrassed. And the word blush, or blushing, to me is this sort of feminised take on embarrassment. Someone will be like, 'Oh it’s so cute, you’re blushing!' But on the inside, you’re dying. I liked the idea of taking this feminised word for shame, and making it the album title - because I struggle with both the feminisation of it, and the thing itself." She adds of the album, "Something that feels really important to me - and the record is sort of all about this - is how, even as you grow up and start to go through more 'adult' experiences, you’re still a kid. You’re still the same person that you always were. And so there’s the need to remember that throughline of your own humanity. I wanted to have those children’s voices to add a reminder of 'this might sound like a woman’s voice, but this whole childhood life is connected through all these stories'." [via Line Of Best Fit]

GRETA is making waves. The Copenhagen-based German musician - real name Greta Louise Schenk - has peppered 2020 with a string of superb singles, re-casting Nordic pop in a sci-fi gaze. Working towards her debut album, GRETA has been spending time in the studio with Farao, who has been producing those enormously imaginative sessions. New album Ardent Spring Part hits home on September 4, and it's led by the drifting future-facing pop of new single 'Again'. A gorgeous return, 'Again' is GRETA at her most defiant, an attempt to break out the cycles of behaviour that define us. She comments: "It's a song about the patterns we humans keep repeating even though we would like to break them. How we spend our entire life waiting for it to happen instead of living it." Stine Thorbøll directs the video, a tour de force of female Nordic talent that features the likes of Helena Heinesen Rebensdorff (Brimheim), Julie Christiansen (We are the way for the cosmos to know itself), Mary Jean Moore (MARY JEAN) and Luna Matz (Takykardia). GRETA explains... "The video for ‘Again’ is about a transition to something new and about preparing for that change. About being afraid of uncertainty, but finding strength in each other and oneself. It is about taking its place in the world. About strength and vulnerability. It is an invitation to be with everything you are and a promise that everything is more beautiful on the other side." Bold, and hugely imaginative, 'Again' seems to exist on its own terms, a defiantly independent piece of pop music. [via Clash]

Australian pop/R&B singer Clairy Browne is making her return to 2020 with her dance-worthy hit, 'Not The Only'. Drenched in glamour and extravagance, Browne has dropped an atmospheric tune with anthemic hooks and enthralling choruses. 'Not The Only' signals a new chapter for the artist as she breaks away from her kitsch retro-pop sound and explores a new neon-tinged soundscape. The songwriter is gearing up to release her next EP ANGEL later on this year and we’re curious to see what else she’s got in store for us. [via Wonderland]

In these dark and uncertain times, there’s no arguing that we need some relief, and fast. And one act giving us an instant burst of feel-good energy and sonic elation is MRCH with their glittering electronic number 'I Like You'. Drenched in optimism and bouncing into life with retro 80s-style synths, undulating rhythms and ethereal vocal hooks, the Phoenix-hailed duo – made up of Mickey and Jesse Pangburn – are lifting spirits with the synth-pop dance floor filler. The track is the first offering from their forthcoming new EP, out later this year – and has fans excited for their usual riveting live performances when life resumes. The visuals are a trippy retro throwback with the pair bopping and jamming, and making us miss a full throttle hedonistic night out. “Making songs is how we tell ourselves we aren’t alone, and hopefully how we tell other people they aren’t alone either,” explains Mickey. “Ironically, the hardest year for us has produced perhaps the cheeriest of MRCH songs, and absolutely one of our favourites.” [via Wonderland]

The artist Elohim has been an enigma since she first broke on the scene a half decade ago. She's since stepped out from behind the anonymous persona she originally crafted, and through her tender exploration of mental illness in her art, has reached millions of fans — proving true authenticity has no labels. The Los Angeles-based artist and producer was in the midst of her headlining Group Therapy Tour when the coronavirus pandemic hit, and like so many artists, she had to step back from performing live. But she quickly recalibrated and has been performing live from her home studio — and also working on the visuals for her single, 'I'm Lost.' The supremely trippy, Chase O'Black video captures the surreal experience of dissociating — something Elohim says she's been experiencing she was 7-years-old. "A lot of the art I create is speaking about these experiences (i.e. hallucinating)," Elohim tells NYLON. "'I'm Lost' examines this part of my brain, which is something difficult to put into words, so we decided to share this experience through surreality in the desert. Creating this new music filled my life with the most freeing moments, and making this video felt similar." Take a trip with Elohim to the California desert (and the infamous Slab City — an ideal setting for any artist on an inward journey) with the 'I'm Lost' video [via NYLON]

Australian pop extroverts Confidence Man return with new single 'First Class Bitch'. The band's extra-dimensional pop activities are the stuff of legend, with their lysergic live shows infused with glorious ear-worm melodies. New single 'First Class Bitch' injects some Confidence Man energy into this quarantine summer, and it's a dazzling return. The central hook is worthy of a Charli XCX project, with the neat, acid house leaning production tapping into the buoyancy of their famed live shows. Singer Janet Planet explains that the title 'First Class Bitch' actually has its origins in London. She comments... “I'd been thinking about this for a while now... It all started in London, when I saw a pair of socks with the words 'first class bitch' embroidered on them, hanging in a shop front window. I suddenly realised, I too was a first class bitch. I rushed back to the penthouse and penned this hit. Ever wondered what you hear when you die? This is it.” [via Clash]

[jessicakehoe]

We Spoke with Fergie About Her Shoe Line, Motherhood and the True Meaning of Fergalicious

“You’ve inspired me to go home and rewatch some John Waters movies.”

Fergie, Fergalicious, The Dutchess — whatever you prefer to call her — has read my author bio and found out we have something we have in common. “I read your description, you love John Water movies and ’80s hardcore rock. I was like, ‘Ooh yes, go girl.’ So I’m loving everything you’re telling me right now.” Fergie motions towards my outfit, which consists of a sashiko stitched jacket that screams ‘weird aunt who runs a pottery class’, a vintage tee, high-waisted jeans and granny boots.

I find it baffling that a celebrity as well-put-together as Fergie, who is currently clad in a Versace cinched-waist leather corset with matching booty shorts and resembles a sexy cat burglar about to pull off the jewel heist of a lifetime, could find anything remotely nice to say about my frumptastic getup, but therein lies the enigma of Fergie. In her own words, “I’m a girl with many facets.”

Photography Courtesy of Hudson’s Bay

I’ve been allotted a scant ten minutes to speak with Fergie while she’s in Toronto promoting her two footwear lines, Fergalicious by Fergie and Fergie Footwear (both available at Hudson’s Bay), but within seconds I’m totally bowled over by her personability, her perfectly applied tequila sunrise-coloured eyeshadow, and yes, the fact that she Googled me. “I read on your bio that you love perfect spelling. I know that in some of my words (e.g. “Fergalicious”) I spell the words wrong, but I am very aware of that. It’s just for fun though.”

Looking luminous and tan, Fergie proceeds to tell me that she is “really in a kind of transitional period right now.” Her last studio album was released in 2017, and her most recent foray into music — a breathy rendition of the Star Spangled Banner at an NBA All-Star Game — was not exactly, um, well-received. “Instead of trying to be a perfectionist, I’ve learned a little bit to laugh at myself and just be okay with the fact that I’m not always going to get it and it’s going to be really imperfect a lot of the time,” she says.

Rather, Fergie seems far more interested in taking her son, Axl Jack, on playdates than pumping out more raunchy club bangers.  She says she spends a lot of her time journaling: “I’m checking in with myself, writing everything down, and just being curious about what I’m thinking about certain things. I’m old school.”

It’s all surprisingly wholesome for the pop star responsible for lyrics such as, “I’m such a lady, but I’m dancing like a hoe,” but not exactly surprising. After all, it’s been over a decade since “Fergalicious” blasted into our collective consciousness, singlehandedly creating a new neologism for horniness. When I ask if her definition of “Fergalicious” has changed over time she lets out a throaty laugh and says, “That’s a deep question. It’s about feeling your inner Queen or your inner goddess. I’ve found that more in a real type of way since becoming a mom, and really just starting to embrace the part of me that’s an entrepreneur and a boss.”

Photography Courtesy of Hudson's Bay

Photography Courtesy of Hudson's Bay

Photography Courtesy of Hudson's Bay

Photography Courtesy of Hudson's Bay

Photography Courtesy of Hudson's Bay

1/5

Fergie Footwear

Acapella pump

2/5

Fergie Footwear

Belize sandal

3/5

Fergie Footwear

Ginelle sandal

4/5

Fergie Footwear

Luna sandal

5/5

Fergie Footwear

Naomi pump

Of her shoe line, she says, “Shoes are a metaphor; you’re walking your path. Everyone’s got their own path and its an individual manifestation of everything that has occurred in your life. For me, its always, ‘walk your path with pride, walk your path with confidence.’ Another metaphor is to stomp out all those fears. It can be that self, that inner critic that is in our way and when you stomp that out of the way, the inspiration flows.”

Fergie has clearly stomped out her inner critic to achieve a near-unprecedented level of Zen. Though she seems fully content to be designing shoes and journaling, I’d suggest she would make an excellent motivational speaker. After less than ten minutes in her presence, I feel like I’m ready to conquer the world.

The post We Spoke with Fergie About Her Shoe Line, Motherhood and the True Meaning of Fergalicious appeared first on FASHION Magazine.

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