#theatr

[princeofallbones]

Parallels in the original castings of Shakespeare plays

One interesting thing about Shakespeare is that, as we know, he often wrote characters with a specific actor in mind, that would go o to play them (for example Hamlet his good friend, Richard Burbage. I could write an entire essay on why he was such a perfect fit for the character) This often made for very interesting situational puns during the first run of Hamlet. There are two great examples to prove this.

During Act 3 Scene 2, right after his argument with Ophelia, Hamlet asks Polonius (played by John Heminges) if he acted before, to which he replies that he did, and he played Caesar in Julius Caesar, and was killed by Brutus. The prince remarks how it must've been a 'brutal' role to kill such a 'capital a calf'. During The Globe's first year, one of it's first plays to be presented was Julius Caesar, actually starring John Heminges as Caesar, and Richard Burbage as Brutus This a great way to break the forth wall and cross-reference, but also to foreshadow the fact that Polonius will -yet again- will die by being stabbed to death by a character plaid by Richard Burbage.

The other parallel is at Ophelia's funeral, where Hamlet and Laertes begin fighting in Ophelia's grave. This is a callback to the time when same duo of actors (William Sly and Richard Burbage) previously played Paris and Romeo, who also start a fight in the mourning process of their mutual loved one, Juliet.

[paintedcrows]

Did anyone tell Ford (bonus doodles: Family Movie Night, 70s Classics)

[transxfiles]

cant talk rn obsessed over the design concept of this 2017 production of pinocchio as a stage play where pinocchio is the only character played by a human actor and the rest of the cast are portrayed as puppets ,,,

[prokopetz]

One of my favourite bits of media history trivia is that back in the Elizabethan period, people used to publish unauthorised copies of plays by sending someone who was good with shorthand to discretely write down all of the play's dialogue while they watched it, then reconstructing the play by combining those notes with audience interviews to recover the stage directions; in some cases, these unauthorised copies are the only record of a given play that survives to the present day. It's one of my favourites for two reasons:

It demonstrates that piracy has always lay at the heart of media preservation; and

Imagine being the 1603 equivalent of the guy with the cell phone camera in the movie theatre, furtively scribbling down notes in a little book and hoping Shakespeare himself doesn't catch you.

[pakchoys]

our secret

[lesmiserablol]

tramell tillman is the kind of actor that you expect to look up and find years of theatre experience with at least half a dozen shakespeare credits to his name but then on the severance podcast he’s like “yeah i didn’t realize i wanted to be an actor until a few years ago 🤗” as if his role as milchick isn’t the craziest/coolest/scariest performance you’ve seen

[gnossienne]

King Lear performed in the fire-damaged ruins of Teatro Municipal de Lima (c. 1999), conceived by architect Luis de Longhi

[sol-niczka]

The aftermath of "God Games"

Some Epic: the Musical fanart I've done in the recent months!! I have more so I'll probs post that too lmao, but yeah, this one's my favorite so far I think <3

[bluecrusadearcade]

WAKEUP!!! ITS THE 15TH OF DA MONTH!!!

[thephantomofanastasia]

Really cool wicked fanart by APOLAR on Instagram - apolar.arch their work is incredible. Check their page out!

https://www.instagram.com/apolar.arch/profilecard/?igsh=NTc4MTIwNjQ2YQ==

[roomba-with-knives-taped-to-it]

Idk how many non theater nerds will understand how huge this is but holy fuck

[armandyke]

I don't have a funny caption for this

[susiephone]

*puts hands on hollywood exec's shoulders, staring unblinking into their eyes* listen to me. you will never get people who hate musicals to like musicals by making your musical less of a musical. if you hide the fact that your film is a musical in the advertising, you're going to get a lot of low ratings from people who hate musicals and went into your movie not expecting a musical and got one anyway. people who hate musicals will hate them no matter how realistic and diegetic and lowkey you try to make it. they will hate musicals even if you completely excise anything complicated, over the top, silly, or even slightly challenging. they will hate musicals even if you cut half the songs. they will hate musicals even if you cast that a-lister who can't sing worth a damn. stop trying to market to people who hate musicals. they're a lost cause. your audience should be people who love musicals. this half-assed middle ground pisses off both camps. just embrace the fact that your movie is a musical. lean into it. don't try and trick musical haters into coming to your film when you could be marketing to the theater kids. better cringe than a coward.

[trashpidgeon48]

Leitmotifs drive me insane, like I hear *repeated melody that has an association with a person, idea, or situation* and I go *tears up the fucking rug like a dog*