#the yet unnamed wizard book
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For my magical university, I have settled on five colleges!
#the yet unnamed wizard book#im just curious#possible mood boards for each to come if im feeling really wild
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I actually still haven't named my current WIP so maybe this will jog some ideas:
A School of Myths and Mages
The Necromancer
Incendiary Enchantments
Hearth and Home
The Kindling
The Bones Underneath
The Inevitable Descent of Vasily Morozov, Necromancer
To Ashes
The Tragedy of a Wizard's Hubris
Undead Gardens
Gardens, Ghouls, and Other Tools of the Trade
How the Wizard's Garden Grew
With Great Power Comes Plausible Deniability
Come Hell or Hearthfire
Vasily and the Firebird
Vasily Morozov's No Good Very Bad Semester
So Long We'd Become the Flowers
Only the Dead Remember Your Name
that time a grad student raised the dead during exam week by fall out boy
okay new writeblr game--retitle your wip in common title formats. i made a madlibs-type list.
A (something) of (something) and (something)
The (something)
(adjective) (plural noun)
(something) and (something)
The (something-ing)
The/a (noun) (prepositional phrase)
The (adjective) (noun) of (character), (epithet)
(prepositional phrase)
The (type of story) of the (adjective) (noun)
(adjective) (place)
(something), (something), and Other (something seemingly disparate but with some quirky thing in common)
How (something happened)
(twist on a tagline)
(twist on an idiom)
(character) and the (something)
(character's) (something)
(song lyrics out of context)
(full sentence)
(reference to a meme or classic tumblr post)
It's fun and also has me thinking about my wips in a new way. for example, here's a set for Ourselves and Immortality:
A Roadtrip of Monsters and Mayhem
The Soulmate
Erstwhile Gods
Death and Family
The Deifying
A Pianist in the Void
The Accidental Metamorphosis of Lucy, God of Death
Before the Ravenous Gateway
The Ballad of the Mortal Gods
Not New York
Pigeons, Scorpions, and Other Things That Insult Gods to Their Faces
How Death Joined a Friend Group
I Went to the Immortal Realms and All I Got Was Tired
Unwind This Mortal Coil and Scrap It for Parts
Lucy and the Mortal World
If There's No One Beside You When Your Soul Departs
Letâs Unwind This Mortal Coil and Scrap It for Parts
You Cannot Kill Me in a Way That Matters
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This week in Barovia Darkon....
Compiled from like four maps, including the VRGTR one. I had a proper think, read three of the Ravenloft books that detail information on Darkon/Azalin, read the VRGTR chapter on the topic and discarded most of it, and read part of an AD&D adventure set in Darkon/Barovia and discarded a lot of that, too.
Anyway. A few towns have flipped which side of the river they're on and I'm not 100% sure I have ALL small settlements, but if you want a high resolution map of Darkon for your adventures, hit me up?
But I digress.
This week, my players headed to Tempe Falls and were shocked to find a relatively normal town. Like. Okay, it's boring, but that seemed to be the worst of it. There was way more racial diversity than they're used to (Barovia being almost entirely humans with the odd dusk elf for variety). The innkeeper cheerily sold them four rooms and they settled in to enjoy some decent dwarven alcohol.
(Their was a funny moment when everyone collectively realized that a: they have a TON of gold and jewels from the amber temple and b: they probably can't use the gold because it all has Strahd's face on it and all they know about Darkon is that it went to war with Barovia at some point in the past.)
There were some people in the inn: assorted traders, a clerk who appeared to be staying in town while doing some audits or paperwork or something, and a couple of guard/soldier types with some kind of chain denoting rank as part of their uniform. They also had a chat with a somewhat disoriented sorcerer, one Firan Zal'honen. He claims to have only emerged from the mists himself a few weeks ago. I'm sure he's nothing to worry about. It's fine.
Anyway.
The party traded gold for a carriage and two draft horses, on the grounds that they now have
the cleric
the rogue
the fighter
the artificer
the wizard
the bard
Ireena Kolyana
Ludmilla Vilisevic
Volenta Popofsky
and of those, the wizard, the artificer, and the two vampires have issues with sunlight. Oh, and Darkon has an excess of suns. It's fine.
They then decided that they ought to try and find a larger town. The innkeeper gave them the skinny and said that Corvia is a decently big place, but Il Aluk is an actual city. She also warned them to please, fucking PLEASE follow the laws or else they're likely to end up in a world of trouble. The party did briefly lose their minds when they noticed a piebald raven flying around town that headed back to the inn where they're staying. Again, it's fine.
Then they headed out of the Balinok mountains and into the foothills and the town of Mayvin. It's a gnomish town with a massive clocktower and patent hall; the artificer is delighted.
The local scuttlebut is that something really fucking bad happened in Il Aluk and the golden star in the sky overhead appeared shortly thereafter. So naturally my players are like, "WELL WE GOTTA GO THERE!" They also heard the name "Castle Avernus" and the fighter (originally and quite recently from the Forgotten Realms) started freaking out about Elturel. The players also noticed something really off about the (as yet unnamed) Kargat stationed in Mayvin. I ruled that they have no good way of knowing exactly what the Kargat are, though, since the concept of ghouled mortals is basically nonexistent in DnD. (I saw a sidebar in the Ravenloft Gazetteer and thought it was interesting enough to include it...)
My reading list for this week is the first half of The Neverending Story, because I feel like The Nothing is a decent analogue for what's happening, slowly, to Avernus while Firan is swanning about near the borders.
#curse of strahd#curse of azalin?#this took a turn for the weird#but hey if you're gonna escape Strahd because he Personally Hates You#there are worst approaches to diving into the mists and heading for a guy who hates him at least as much as he hates you#although I shudder to think what he'd do with Tatyana if he had the genuine article#darkon#ravenloft#maps#map of darkon#dnd#dungeons and dragons#dungeons and/or dragons#strahd von zarovich#azalin rex#firan zal'honen
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Fanfic Friday- 5/3
The poll decreed I must pull out something ridiculously self-indulgent I wrote for myself, so here you go!
Astarion x Tav if they'd met before he was a vampire spawn, and she had an oopsie baby after he disappeared.
Post-canon, trying to build a home in a ruined Drow city in the Underdark while dealing with two separate families- mortal and vampire.
This is NOT kidfic (all children involved are full adults, lol), but rather them reconnecting after she was bullied by their daughter to help kill Cazador so her father could finally be free.
10kish words, SFW. (lmk if u think i should put this on AO3)
Much like the rest of their unnamed city, deep in the bowels of the Underdark, Astarionâs study slash meeting hall was half-ruined, empty, and lacking in livable touches.
He hated it.
Still, they were ostensibly safe, and at least for the moment he had some company to complain at.
âAnd thenâ youâll never believe thisâ Octavia said that it was Rydell who had insulted the Drow ambassador, and worse still, Dalyria defended her. Everyone knows it was Octavia. Sheâs not subtle! Itâll be a wonder if they ever speak to us again.â
âThe amount of drama a bunch of vampire spawn can get up to is rather impressive,â Lilithera said, voice just a tiny bit distracted. It usually was. She spent far too much time working, something heâd have to talk to Zynatheri about. âDid it cause problems with the negotiations?â
âNo,â Astarion sighed, grateful that wasnât a problem, at least. âLuckily the myconids standing guard kept things civil. It was a spot of brilliance suggesting a bit ofâ what did you call it?â
âMmmmmmh, symbiosis?â
âYes, that. Darling, what in the Hells are you doing that has you so distracted?â
âSorry, father,â she said, chagrined, voice echoing out of the scrying orb awkwardly as she moved away from her half of the enchanted relic she'd installed for him. âIâve been buried in that stack of books you had mother bring meâ the cyphered necromancerâs journals you unearthed in the grand crypt? I donât know if thereâs going to be anything helpful in them, but theyâre still fascinating to translate.â
Anything but that. Ugh. It was his fault for feeding the wizardâs curiosity, he supposed. âYour mother would kill me if you turned to necromancy, love. Especially Drow necromancy. You need to get out more. Get some sun.â
Lilithera laughed, an edge of sarcasm sharpening it. âThe irony of being told that by my undead father is not lost on me. Iâm trying to help you get out more. I was invited to a Liarâs Night party, though. I havenât been to Waterdeep in an age, I was considering it. Mother said sheâd look after the twins.â
Waterdeep?
Oh no. âWho invited you, exactly?â
âArchmage Dekââ
âAbsolutely not! Gale?! Stay the Hells away from that man!â
Zynatheri was going to murder him. Quite honestly he would let her, rather than being subjected to the idea of being Galeâs father in law. Oh gods, just thinking those words made him want to vomit. No, no, absolutely not.
Whatever was going on between Lily and Gale, as her parents they had a duty to utterly sabotage it.
âFather, heâs a colleague! You and mum are utterly unreasonable. Iâm a hundred and ninety three years old, a widow, and a mother of four, need I remind you.â
âMmh,â he muttered with an annoyed purse of his lips, trying to think up an actual, valid argument. She was always so reasonable and logical, it could be frustrating at times. She certainly hadnât gotten that from him or Zynatheri.Â
âWhat is your problem with Gale, anyways?â
âHeâs my friend, darling, it feelsâŚwrong. Plus his romantic history is absolutely horrifying, let me tell you. Who would want that for their daughter?â
Who would want the possibility of having Dekarios grandchildren?
Disgusting.
âI donât think the man that got my mother pregnant and then disappeared has any right to judge me. Speaking of, is mum there yet? She should be arriving soon, shouldnât she?â
âWho knows with that woman. Sheâs worse than a stray cat,â Astarion dismissed, despite wondering as much himself. He was still feeling irritated over their argument last time sheâd come by, and the fact that sheâd gone and disappeared after itâ he didnât particularly mind disagreeing with her, but she always ran away afterward. It was getting frustrating. âHow the Hells do you keep her from running off?â
âOh, I stopped trying years ago. Are you sayingâŚyou donât want her running off?â there was a sly, cunning little note to Lilitheraâs voice. That she had gotten from him. Devious brat.
âIâm saying she showed up in my life, saved said life, dropped an entire family in my lap, and then went prancing off into the sunset. Now she only reappears to do incredibly helpful things, and then briefly infuriate me before disappearing! Itâs very confusing.â
âImagine having her for a mother. Have you tried thinking up a reason for her to stay? A task you might need her help with? She might be fickle but she always keeps her word, you know. Or are you too busy pouting and refusing to actually be the one to blink first?â
He rose from his seat, tossing aside the endless piles of reports. The warming bottle Gale had enchanted for him was only half-full, but that was the state of things right now. Food was in very short supply, especially with how the idiots kept losing their self-control and stealing from the rothe herd. And actual thinking food? Â
Nothing more than a daydream.
Still, at least he was eating in a moreâŚcivilized manner these days.
Pouring blood from bottle into glass, he raised his voice. âNo matter what I say, youâre going to twist it around in that pretty little head of yours until youâve convinced yourself weâre pining after one another. Sheâs a maddening, smug, evil little wretch and just because she confuses me doesnât mean Iâm desperate to learn all her secrets.â
âYouâd never know if she were pining after you, anyways.â
Astarion glanced back over his shoulder at the scrying orb, raising his eyebrows. âAnd what exactly do you mean by that?â
âFather, she knows what youâve been through. Mother would never make the first move, sheâs far too respectful for that; she doesnât want to make you uncomfortable. She told me as much last time I badgered her about you.â
âYou really are a meddlesome little pest, arenât you, darling?â
There was laughter in her voice. âItâs a family trait. When I was a child, before she discovered what had happened to you, I hated you. I was happy you were gone. Now that I know you and understandâŚwell, youâre probably the only person I know of that could put up with her. And vice versa.â
âStop meddling, love. Youâre too pretty to fret over such things, youâll give yourself wrinkles.â
âYouâre only saying that because everyone says I look like you. I should go, Iâm having dinner with Portia.â
âTell the girl I say hello.â
âYouâre going to have to get used to the word âgrandfatherâ sooner or later.â
Astarion grimaced, glancing out the window. âNo thank you.â
âIlethraâs getting married. You might be a great-grandfather before you know it.â
He scowled out at the fungus-lit cavern beyond, spite and annoyance simmering. How dare she make him feel old like that? âYouâre no longer my favorite. Why did you have to marry a human? At least if your children were elven weâd have more time.â
âIf you want another full elven child, I suggest you make one yourself. Ta, father. I love you.â
By the time the words sank in past his surprise, the spell had long since been banished, the scrying orb dark. Still, he glanced over his shoulder, gazing at it as an unfamiliar, but welcome warmth rose within him. She said it so easily, and so earnestly. Â
He had someone who loved him.
Of course he put his best foot forward with her most of the time, but Lilithera wasnât a child. She was a fully grown woman, and an intelligent and discerning one at that. He hadnât tricked her into saying it.
She really, truly meant it.
He wondered if she still would if she knew everything heâd done.
Still, there was no point dwelling on it. Not when he was neck-deep in shit without a shovel in sight. Why heâd thought two centuries of in-fighting and petty conflict could be banished all at once, he didnât know, but when they werenât demanding he provide all the answers, his siblings spent all of their time arguing.
Theyâd lost a good thousand of their people already to death and decampment, which he couldnât say he felt too badly about. Less mouths to feed, at least. But the others were panicking, worried about the ill-will those that left could be garnering. As much as he hated to agree, they might be right.
Petras was trying to convince him to hire assassins to hunt them down.
As if they had the money for that.
Hells, theyâd barely stopped traveling, and half of them were sleeping the days away in holes in the ground. Hardly a safe situation. That was why allying with the myconids had been a spot of brilliance. Still a tenuous alliance, but they were working on it. The Sovereign trusted Zynatheri at least; which would be more useful if the damnable woman would stay. Now, if only they could forge an alliance with the nearby Drow, instead of having to fear theyâd be turned on at a momentâs noticeâŚ
He really needed someone to talk to about all of this that wasnât a vampire themselves.
Just to clear his mind, if nothing else.
Unfortunately, it took a full fortnight for the cat to come back.
âPoppy! Lysander!â
Why were all her bloody family members so tall?!
Zynâs fault, entirely. If she wanted a child, she should have found another drow, but noâ no, sheâd gone and had a daughter with a high elf. And then, even worse, her daughter had gone and had children with an even taller human! It wasnât fair, thatâs what it was. She was tempted to polymorph herself just to keep up, but after theyâd gotten into a scrabble with cloakers earlier, Zyn was feeling a bit low on spellpower.
The twins, of course, were in fine spirits, galumphing along like colts.
âCome on, little mum!â Poppy called back, standing at the top of a narrow cliffside path. It needed widening. Some masonry, supports, and a retaining wall, at least.
She knew Astarion had other priorities, but having a good route to the city would be important. Sadly, she knew as much about road-building as she knew about city planning. Nil.
âI need you two to hold back! We canât enter the city without an escort, you know this!â
The pair paused at the cusp of the hill, but their backs were to Zyn. She took the incline herself with ill grace, very, very ready to be off of her feet. She despised the Underdark. Zyn couldnât believe in the past year sheâd been down here almost a dozen times. The things one did for family.
Lilithera kept thinking up reasons she needed Zyn to come down.
The girl couldnât be more obviously trying to herd her parents into a relationship if they tried.
Zynatheri feltâŚpleasantly surprised by Astarion. Over the years sheâd had nothing at all to do with him after locating him. And what Lilithera had told her from her scrying wasnât enough to make any judgments about what he was going through, not enough to know his attitude about his unlife. When heâd been kidnapped, Lilithera had immediately begged her to find him and protect him, and sheâd done her best.
But her expectations of a man who had been tortured and a vampire for two hundred years were very, very low.
So to find him more like the young man she barely remembered than expected was a shock. Oh, he was more confident now, much more traumatized, and far more worldly and mature, but there was still something of that ambitious, fussy, self-absorbed spoiled brat sheâd liked so much in him. It wasnât as if she hadnât gotten more bitter and nasty over the years, herself.
Life did that even if you werenât being abused by a vampire.
Zyn finally reached the top of the hill, ignoring the worried look and gracefully extended hand Lysander offered down her. He was a sweet boy, but spent far too much time worrying. It made her feel old.
âDarling, Iâm barely even three hundred,â she told him, not bothering to hide the exasperation. âBefore long, youâre going to be older than me!â
âThat isnât how it works, little mum,â Poppy said with a roll of her eyes.
The twins couldnât be more different and yet oddly alikeâ they both were the most curiously sensitive and caring children sheâd ever met, but with a morbid streak a mile wide. But while Lysander turned it inward, with dreamy eyes and a worrying penchant for poetry, Poppy turned it outward, with a ferocity of purpose and a helping hand that preferred to hold an axe. And yet, there had never been two siblings as close-knit as they were.
When Lysander had asked to meet their grandfather, it hadnât even been a question that Poppy would come along.
Besides, she needed more combat experience.
Together they stood on that precipice, attention naturally drawn to the ruin below them. An ancient drow city, where her motherâs own people had been driven out generations ago in a conflict with the Houses of Menzoberranzan. It lookedâŚbetter than she recalled from last time, some signs of repairs beginning. Clumsy repairs, mind, but between the vampiresâ awkward attempts at masonry and the myconidsâ aid in the form of natural fungal structures, it was beginning to look livable.
The multicolored mushrooms glowing against the surface of the ancient, slick black, spiky architecture was a surprisingly pleasant contrast.
âThis was once called Arzullnioth. Itâs where your great-grandmotherâs family lived long before the Spellplague. The Houses of Arzullnioth attacked Menzoberranzan. It did not go well,â Zynatheri commented, starting to lead the way down the slope. âLlolth chose Menzoberranzan, but your great-grandmotherâs House was spared her wrath because they sacrificed every first-born daughter to her in a desperate placation. They killed and killed until Lolth bid them stop, with only a single heir leftâ your great-great grandmother Kiivashti. Thus, they were allowed to flee the city with what remained of House Tzahane. My mother told me of it when I was a girl.â âThatâs vicious,â Poppy said disapprovingly, short raven curls bouncing as she shook her head.
âItâs very beautifully sad,â Lysander agreed, amber-and-earth eyes gazing over the cityscape with misty wonder, as if viewing its past. âDid grandfather find their bodies?â
âWell, I donât know, pet,â Zynatheri said, too well-used to fatalistic minds to be bothered by it. âWe can look. Perhaps theyâve found some clues that would point us to where great-grandmotherâs family put their dead.â
âHonestly, little mum, I can see why you donât like your family,â Poppy said with distaste. âKilling all your own children; how evil.â
They walked together down the uneven slope of stone, the remnants of an ancient roadway more visible now. The gate and wall that had closed out the great cavern of Arzullnioth were crumbled, damaged, but it seemed there were sentry myconids patiently standing in the gap where the cityâs entrance had been. Proper guards. It was good to see.
The Sovereign Vorm had been busy at work budding, it seemed.
âFlower, we are walking into a city full of vampires, so try not to be too enthusiastic about calling things evil?â
âThereâs a difference. Iâm not a child any more, I understand,â Poppy huffed, rolling her eyes. âThe person who is evil is the one who turned them all. And heâs dead.â
âRighteousness has done just as much wrong, if not more, than those they claim are evil,â Lysander agreed, softly sad.
Zyn fought the urge to scoff at youthful philosophy. It was fine. It was a luxury they had which meant theyâd been raised safely and well, she had to remind herself, which was exactly what sheâd sacrificed so much for. So that they didnât end up like her.
The idea softened her momentary exasperation, warming it.
âAh, I did such a good job raising you,â Zyn self-congratulated, ignoring the pair rolling their eyes at each other behind her.
âMum had something to do with that, little mum.â
âWell, hells, I raised her, too!â
As they approached the gate, it became clear that the city was still very quiet, only the fungal folk wandering the broken streets. Shit. Sheâd meant to arrive well after nightfall, but it seemed they were still a bit early. While they took a pause just outside at the shrine of Beshaba Zyn had built, they all did their perfunctory offerings, and then she bid them wait.
âWe shouldnât go in until your grandfather sends someone to fetch us,â Zyn said apologetically. âStay right here, Iâll go speak to the guards.â
While she dealt with communicating the fact that she needed Astarion to fetch them, Zyn watched the city streets. She could see a few shadowy figures out now, which meant it was probably just past nightfall. Yes, better not to parade the children through the streets in front of a bunch of barely-awake, hungry vampiresâ that was a recipe for disaster. Â
After she got her point across and managed to extricate herselfâ communicating with myconids was simple for her as a bard, but also addictively enjoyableâ Zyn returned to the twins to wait. And wait. AndâŚwait.
She was starting to get genuinely annoyed by the time Astarion arrived, and had paced back to the gate to wait, crossing her arms over her chest. Coming down the hill, disheveled and still in the process of fastening his belt, Astarion looked about as annoyed as she felt. When he noticed her and frowned, she lifted her chin and stared him down.
âYou know where I live!â he snapped at her as he approached.
âI do,â she agreed, lifting her hands as he bore down on her. âCome here. Your hair is a mess.â
âYes, well, I was still in my dressing gown,â he fussed, but obediently leaned down so she could fix his hair for him. âWhy didnât you just come uââ
âHello, grandfather!â Poppy called cheerfully, the twins crunching up to join them.
Astarion straightened abruptly, pulling out of her reach. He tugged down the front of his embroidered jacket, staring at the approaching pair for a moment before turning an accusing gaze on her. She gave a small shrug. Astarion sighed, heavily.
âDonât take it out on them,â she hissed.
âI know,â Astarion snapped back. Much to her relief, his mask slipped into place. âYou must be Poppy and Lysander. I apologize, I hadnât been told you were coming! Imagine that!â The last two words snapped with pointed accusation.
âCan we not fight in front of them, either?â
He gave her a dour look, and then sighed and stepped past her to greet the children. She kept her peace all the way to the half-ruined palace he had claimed, which amusingly she had realized from the designs of the stonework had once belonged to her motherâs family. Not that sheâd mentioned it. In fact, Zyn didnât think sheâd ever brought up House Tzahaneâs history here to himâ it hadnât seemed relevant.
Having grown up on the surface, she had about as much connection to this place as a pig did to a plate of ham.
Whatever they would make of this place would be their own.
At any rate, Poppy chattered the entire way, so that filled the silence quite nicely. Â
As sheâd been suspecting, their bright, noisy presence drew a lot of attention as they traveled the shattered streets, something Astarion also seemed extremely aware of. The twins were relaxed, but they were both on high alert. Naturally Lysander was drawn to mooning about every even slightly interesting feature, but Zyn kept her hand close and gave him a bit of a tug every time he started to wander or pause to peek in ruined courtyards or fallen buildings. Â
He was a bit too much like his deceased mother at timesâ head forever in the clouds.
As they approached the House, she looked it over with a critical eye. The towers were missing their old statuary and spires, but it looked like heâd managed to get one of the roofs repaired, finally. The gardens that spread before the building were neat and tidy but mostly empty, nothing but dirt, rocks, and old paths, with just enough fungal and bulbfruit foliage to feed the pair of rothes stabled there, tied to the remnants of an old shattered obsidian statue of the Spider Queen.
âWell, this is grim,â Poppy remarked.
âGardening is a bit low on my list of priorities right now,â Astarion replied, sounding fairly annoyed. âBut I agree. Aesthetically displeasing. A state of affairs Iâve had to grow accustomed to. Itâs irritating.â
âWhy empty it out, then?â
âHalf the plants here were aggressive. They kept trying to kill people. I much prefer plants I can use to kill other people. I was unaware kelpies were such an issue here in the Underdark, weâve had a full half-dozen run ins with the damned things.â
âIâve never met a kelpie. Iâve heard theyâre very beautiful,â Lysander mused softly.
âYou would die,â his sister retorted sharply. âPlease donât go looking for them.â
âDrowning seems like a peaceful way to die. Donât you think?â
âNo, love, it involves a lot of choking and thrashing and loosening of the bowels,â Zynatheri said tolerantly, unphased. âThe right poison or a beheading will do you much better.â
âBeheading is classic,â Astarion agreed. âBut what about you, dear?â
âIâm going to go out fighting. Iâll spit blood in their eye as they run me through,â Poppy said with delighted relish. Â
âHow vicious,â Astarion laughed.
She knew he was irritated theyâd come, but Zynatheri was grateful to discover that he respected her requests to keep things like that private. Whether it was because they were virtual strangers to him or not, it was still appreciated. After Ilethra and Portia had gotten to meet him, she hadnât seen real reason to refuse the twins that wouldnât have been infantilizing on her part. Just because they were the babies of the family didnât make them children.
And she couldnât say yes to Poppy and no to Lysander just because he had a more, mmhâŚpassive personality.
But Hells, she was going to have to keep an eye on him. If they werenât careful, heâd wander into the middle of town in an open-fronted shirt, reading poetry and looking wistfully melancholic. Then theyâd have to explain to Lilithera how theyâd gotten her youngest killed.
Or worse, theyâd end up with a vampire-in-law.
Silly, lovely boy.
âLetâs try to stay at the House, loves, shall we?â Zynatheri suggested as they wandered into the vaulted front hall, the massive funguswood doors sheâd painstakingly magicked back to life cracked open enough for them all to file in.
âNo exploring?â Poppy asked, obviously disappointed.
âThereâs plenty of exploring to do here,â Astarion said, in tacit agreement with Zyn, which relieved her. âI havenât been in half the rooms of this place. And on that note, weâre a bit low on furniture, so you may have to break out those bedrolls again. I havenât the supplies to be a good host.â
âI brought some furniture, and weâre fully provisioned,â Zyn assured him, and smiled at his questioning look. âLily found me a portable hole. I thought it was high time I brought you some things to make this place a bit more livable, now that itâs survivable.â And because she knew heâd be annoyed and she wanted to sweeten his temper so he didnât take it out on the children.
Astarion shot her a look of wide-eyed gratitude that made her laugh.
âYou suffer more than anyone has ever suffered before,â she teased him.
âEven a single rug sounds like bliss right about now. The floors are always cold despite how warm it is here.â
âLittle mum said you like to read, so I brought you books,â Lysander said, attention fixed somewhere among the buttresses. He tripped slightly, staggered, and then straightened up with Poppyâs hand on his elbow, looming over all three of them. âWhen you have time later, grandfather, Poppy and I were hoping we could speak with you.â
âMy docketâs rather full for most of the nightâ at dinner later, perhaps?â
âDinner? Dinnerâs already passed,â Poppy said with a laugh.
âWhen youâre a visitor, you have to follow local customs. Weâll follow his schedule. You heard grandfather, he has a lot to do.â Zyn turned her attention to him, raising an eyebrow. âShould I put them in the room you gave me last time?â
âThank you,â he said simply, already stepping away. âIâll leave you to it?â
As sheâd much rather he processed their arrival away from the twins, Zynatheri left it at that and they parted ways.
It was always such a struggle to keep your damage from infecting those around you. And Astarion? He had a great many scars both literal and figurative. Well, if he got too snippy with them, she could always threaten his life again.
There was always time for murder.
...
Astarion cradled his head in his hand, slumped deep into his chair.
âThere is no need to waste energy on a farce of a court when immediate suppression is necessary to our survival,â Aurelia said firmly, with a hint of hurt and frustration in her voice. âWe lost another of our brethren today, andââ
Violet sighed in deep ennui, eyes rolling up and to the side as she splayed forward. Resting her pale cheek on her palm, she stared at their tiefling sibling. Her voice dripped with sing-song disdain. âStop pretending to care. You just want power. Youâre afraid giving Astarion judicial power means you canât be Queen Aurelia. Give it up. Nobody wants you to be in charge, you overbearing, weepy cow.â
âWhy are we worrying about a few dead rothes when thereâs runaway spawn out there, muddying our name everywhere we go? We need to strike them down! This is about our long-term survival!â Petras snapped, slamming his hands on the table.
Astarion sighed again, well aware Yousen and Dalyria were staring at him expectantly. Of course when Petras said something, he was expected to respond. âAnd what do you expect us to do in the short term, I wonder?â he asked, head rolling to the side as his hand dropped with an exasperated flourish. âDo tell, brother. Where does the money come from to fund your little hunting escapades? Will we starve while you play? Or are you just trying to get permission to go lurk in the nearest city? Hmm? Do a little clandestine hunting yourself?â
Predictable as always, Petrasâ expression immediately stiffened. Idiot. Gods, at least he was still stupid; imagine if heâd actually become intelligent in the wake of freedom.
This all would be even more complicated.
They didnât have the time for complicated right now, there were some corners that needed cutting.
âThereâs no need to overthink it. Itâs only a judicial court, and weâre immortal! We either execute people, flog them, or fine them within an inch of their lives. What good will imprisonment do?â Astarion declared, leaning back in his seat to scan across his siblings once more.
Dalyria gave him a look of disapproval, but he ignored it.
âHe has a point,â Yousen said sardonically.
âWe may not have time for building a code of laws just yet, but we cannot start executing people in the street!â Dalyria protested, tearing her gaze away from Astarion. âIf people are afraid they will flee, and the damage already done will worsen. What we need to do is focus on a cuââ
âCure? What, while we starve to death? The idiots are killing our source of food. They may as well die,â Petras said, giving Dal a look of frustration. When she turned away from him, lifting her chin, he raised his voice sharply. âDonât ignore me because you donât like my point!â
âWaaah,â Violet said snidely, rubbing her eyes with her fists.
âWhat an intelligent rebuttal.â
âRebuttal? What a long word. Have you learnt to read at last, Petras?â
âLeon?â Aurelia interrupted from the head of the table before things grew any more fraught.
âDo as you like,â their silent sibling said, staring at a polished black stone mural behind Aureliaâs head. Leonâs voice was affectedly bored. âWhat do they call those spider-drow, Astarion?â
âDriders,â he replied, cautious about the change in topic. Â
âI found a skeleton of one below my House,â Leon said, voice musing. âWithin tunnels surrounding a wholeâŚtemple of Lolth. Have we any knowledge regarding Lolthâs opinion on vampires?â
âNecromancy is common in Drow society,â Astarion temporized, trying to search his memory. Did he know that? Had he asked Zynatheri? No, he didnât think he had, beyond using their dead. âRitual sacrifice is her favorite activity, I doubt she draws the line at vampires. Just try not to desecrate the temple?â
Being the opportunist he was, Yousen slithered into the conversation then. âLucky for us youâve acquired a pet Drow, then. You can ask it.â
âJealousy is ugly, brother,â Astarion retorted dismissively, waving a hand. Considering how she had chosen to arrive this time, he knew the information would have reached his siblings. He also knew Yousen was ensuring that everyone else was certain to know. Stirring the pot. Â
Conniving little gnome.
âYou should share food with the whole family.â
Fine. He wanted to push? Astarion was more than happy to push right back. âSpeaking of pets, brother dear, have you told Violet yet that you were the one who killed the kruthik hatchling she was keeping?â
Yousen went silent immediately, but the silence didnât last long.
Within moments the table had descended into threats, verbal attacks, and accusations as two centuries of bile spilled over once more. Normally Astarion would have been among them, goading, but being in control for the moment, he only felt a detached sense of amusement. They were so easy to manipulate.
Granted, this wasnât progress, but at least they werenât irritating him any longer.
And wasnât that what really mattered?
As the others attacked one another, Astarion and Leaon observed one another across the table in silence. Their alliance was, and remained tenuous, but Astarion understood his youngest âbrotherâ more now than he had before. What he had doneâ what he was still doing for his daughterâ was completely comprehensible now in a way none of the others could understand.
It also, unfortunately, settled some of his rage and vitriol towards Zynatheri for never rescuing him.
Although he didnât feel it, that urge to protect a child, he did at least understand it now. It wasnât fair that his grudge was being ruined with this new comprehension, but oh well. She didnât need to know he wasnât angry any more. Â
If she did, she might feel less guilty, and then she wouldnât be so quick to placate him.
Eventually, when he made no attempt, Aurelia bullied and tearfully manipulated everyone back into line. They made a few pressing decisions, though the greater one of âjusticeâ remained undecided apart from temporarily being shoved onto Astarionâs plate. Dalyria was the odd one out, determined to give grace and understanding for some reason. He assumed she wanted to pick a fight with Aurelia.
And Astarion also knew she was already experimenting on some of the spawn assigned to her House. Another tidbit to keep in his back pocket. One never knew when it might come in handy to toss out at a necessary momentâ no matter how lenient he was towards the three of them, he was also more cautious around his sisters.
Yousen was wholly untrustworthy, Petras was stupid and petulant, and Leon, wellâŚhe was only here at all due to bribery and threats.
Things wound down a bit more tense than before, as they always did, and everyone parted ways to go back to secretly trying to manipulate one another. Part of him had hoped being free would mean things would get better, but that seemed impossible unless they went their separate ways. Their scars were all twisted together, making them parts of a whole in an unwholesome and unpleasantly familial fashion. They had been forced to be family, but that was over, and somehow they still were.
Even Leon, though he denied it.
And right now, they needed each other.
He waited until they were all gone before leaving the table himself, knowing none of them would be stupid enough to go skulking through his House right now. Later, when he wasnât expecting it would be more likely. He did note that Yousen hadnât mentioned the children, which made him think that he hadnât known they were Astarionâs mortal relations.
None of the children looked enough like Lilithera to be easily identifiable as his blood, thankfully.
Finally he rose to leave, ignoring the papers and reports. Not now. Now he wanted to relax, as being around family could be exhausting.
âAstarion.â
Hands clutched abruptly at his sleeve as he left the ancient dining room theyâd been using as a meeting chamber. Astarion paused with a start, exhausted mind already ready to snap until he looked into Violetâs worried eyes, her lips pulled down into a deep frown. Annoyed, he still tempered his frustration. Not listening to her would just send her into a fit.
âYes, Vi?â
âBefore the meeting over the judicial court, I overheard Petras telling Dalyria that Aurelia wanted them to vote against you.â
Astarion fought the urge to roll his eyes, well aware of the simple attempt at manipulation. âWhile I appreciate you telling me, dear, you do know that for this to work, sometimes we will vote against each other? Otherwise, whatâs the point in making a council at all? I would just name myself tyrant if that werenât the case.â As much as he hated to admit it.
âYes, but theyâre plotting.â
He tapped the end of her nose affectionately, and she clutched him closer, fingers creeping into the crook of his arm, possessive and spidery. âIsnât that what youâre doing right now?â
She smiled at him with an innocence that almost hid the wicked edge, ducking her chin, scarlet eyes averting. âI thought you would want to know. Iâve been working very hard on my House. Will you come see it tonight?â
For a moment he nearly, habitually said yes, and then remembered the hapless relatives gamboling around in his House with fearless abandon. Also, Zynatheri was waiting for him. With a smile, he peeled her fingers from his arm, giving her hand a small pat as he released her.
âTomorrow. I have things to do, still.â
âYou mean youâre going to spend time with your mortal.â All affectation and smiles left her face; she didnât even bother to look hurt or pained. Just cold, and nasty. âI donât like her.â
âShe is the only reason weâre safe down here,â he rejected her simply, taking her arm with a pointed air and all but dragging her to the exit. The last person he wanted to be here right now was Violet. Â
Once he ensured all of his siblings were gone, he turned away and headed deeper into the House, away from any errant spawn.
Every step echoed.
That echo was constant, a reminder of how empty this place was. When Astarion had sent them to the Underdark and promised to follow, heâd been anticipating a crude camp, a constant struggle, carving a life out of dangerous caverns. Heâd even been considering leading them to Grymforge in the hopes of making it livable, butâŚ
To have found this half-shattered, ancient Drow city was beyond all of his expectations, and it was Lilithera and Zynatheri who had made it possible.
But gods was it empty.
Then again, empty was better than how it had been when theyâd moved in; stuffed full of monsters, traps, and other dangerous things.
He didnât blame Zynatheri for preferring to be in his roomâ it was the only one decorated. Again, thanks to her and her daughter. He should dig something out of the artifacts theyâd found to send back to Lily in thanks. Something that wasnât necromantic. This time.
âGrandfather!â
The word still roused a twinge of unease, and not just because it made him feel old. Because it made him feel dead. It was the same reason heâd rejected Lilitheraâs offer to find what remained of his mortal familyâ that all was so ancient and forgotten he would rather leave it that way. For now. But his own discomfort, well, it hardly mattered to the children.
And Zynatheri had made it rather clear she would murder him if he in any way upset them.
They bore down on him, golden-eyed, energetic Poppy and wistful, distracted Lysander. A continuation of his life, like lively mushrooms sprouting from a dead log. All of them made him feel the strangest sense of rejection and yearning, wanting what they were to him but not wanting to admit what heâd lost. He did try to keep it from them, at least.
His relations were twisted enough without inflicting it on these bright, curiously innocent creatures his mortal life had made.
âDid you sleep well?â
âIâve never been in a Drow Great House before! Sometimes I forget that weâre quarter drow, itâs not like people see that. They just call you a half-elf and be done with it,â Poppy chattered, beaming at him until her eyes crinkled like Lilitheraâs.
âItâs beautiful and lonely,â Lysander opined, untidy hair falling back from his eyes as he gazed upwards. "The walls are full of ghosts, and the floors hold memories of blood."
Poppy grinned with a hint of feral excitement. âWe were just going to go find little mum, to see if she wanted to go exploring! Maybe we'll find an ooze.â
Astarion knew by now that there was nothing she wanted less. Lazy woman. âYour grandmother is resting. Under orders. I would appreciate it if you two would head downstairs and survey the second level for me. Take an inventory of what remains. But if thereâs danger more than a trap or a few undead, you have to promise to come fetch us at once.â
âWe promise,â Poppy agreed earnestly, cheeks dimpling in an irrepressible smile. Â
âGo on, then. My rooms are just there,â he pointed down the left-hand hallway. âYouâll be able to see the firelight. You haveâŚfood and things? Water? Potions?â
âWe are provisioned for the journey,â Poppy said, curls bouncing as she nodded vigorously.
He was about to let them go, until a thought struck him, uncomfortable and worried. No. They werenât truly safe here, were they? Not even in his demesne. It chilled him to think about what Violet would do if she had them in her hands. âIf youâŚsee anyone at all. Any strangers. Please come right back.â
âLittle mum told us not to trust anyone but you,â Lysander reassured him, those dreamy copper eyes suddenly, and surprisingly intent. âWe wonât succumb to the lure of darkness.â
âHe means we wonât talk to strangers,â Poppy said, with a hint of exasperation. Grabbing her twin by his upper arm, she started dragging him off. âHonestly! They act like we arenât grown,â she complained as she pulled him towards the grand staircase in the main hall.
âThey have seen centuries; us, mere decades.â
âThat doesnât mean they have to be so overbearing about it,â Poppy complained.
âIâm still standing right here!â
Poppy glanced over her shoulder, pulling down the skin under her eye with her free hand, making a horrible face.
Reflexively he made a face back at her, and her expression shifted into an impish smile. Â
Bemused, he watched them disappear into the darkness.
Once their footsteps died away, a thin silvery thread of sound drew his attention. A soft, ethereal voice, languidly singing a wordless song. A siren in the shadows. It was the barest beckon, only audible due to echoes and the slight crack of the bedroom door that spilled gilded light into the massive ebon corridor. Â
A lone figure, dwarfed by the empty and lonesome architecture, he followed that lure.
The austere, icy darkness of the reflective walls and ominous vaulted space faded away as he pushed open the door, the gilded firelight spilling over him. It was warmer within, a spiral of steam rising from the newly-hidden bathtub in the corner. The wood and silk folding screen Lilithera had bought him was in front of it, partially blocking it from view.
What had once been a room empty of everything but an icy stone bed frame and an empty basin was now a living space, hangings on the walls, rugs on the floor. Books and furnishings and a sturdy desk covered in papers, curios. A painting of his family on the mantle. Signs of life and living, tucked into a space that was his.
And before the fire, lounging on the daybed with her nearly-dry alabaster hair cascading over the arm and down to the floor, was the curious creature who had barged her way into his life and gleefully disordered it. A glowing golden glass of brandy was sitting on the floor just under her dangling fingertips, her moonstone eyes vague and distant. Zynatheri was singing to herself, drowsy and soft, blue cheek pillowed attractively on a bright golden pillow, her knees curled up under his burgundy dressing gown. The curve of one soft calf peeked out, her foot pointed off the cushion in a graceful, sinuous line.
Astarion was struck, in the oddest fashion, by a desire to let her do nothing but lounge and sing like a contented songbird for the rest of her life. Avarice wanted her caged, unable to leave so that he could always have this curiously warm sensation, but humanityâ if thatâs what you wanted to call itâ wanted her here like this. A sweetly nested bird with no desire to fly away.
It suited her.
âAre you drunk, little fox?â he asked, amusement spilling over the words.
She startled, knees curling up to her chest, hands clutching the front of his dressing gown closedâ as if he hadnât seen the unbound, ripe curves of her bared chest already. Accusing moonstone eyes turned on him. âYou bid me relax, brought me brandy, and I have drunk. I cannot un-drink, or un-drunk.â
âBut you can draw me a bath, it seems.â
âI heard you talking to the twins and heated it up, so itâs still warm.â
âThank you.â
Pushing off the doorframe, he pulled the door closed behind him, knowing there would be a sliver of light in the hallway. Feeling a sudden buoyancy in his mood, he paused while passing by the daybed, leaning over the curving back. She peered up at him, nose wrinkling irritably as he swiped a finger down her cheek, the skin velvety and warm under his fingertip.
Mockingly, he rubbed his fingers together, inspecting them. âHmmh.â
âI washed,â she said, tartly.
âSo you did,â he agreed, smirking to himself.
âThereâs a wooden box of bath essences on the table,â she murmured, eyes slitting closed like a contented cat when his hand briefly rested on her head in passing.
The reaction was so soft, so natural, that his mind couldnât help but dwell on what a more affectionate caress might do. He might as well admit it. Astarion was fascinated by the little minx. Attracted to her. He might be a little more uneasy about that if her two centuries of devotion felt in any way attached to some adoration or sexual desire, but they didnât.
Sheâd looked for him for their daughter, not out of love or infatuation. He knew what those looked like. In her eyes he saw neither, just a friendly affection that had been slowly growing with each meeting, much like his for her. But even her disheveled state of sexually charming disarray right now was just relaxation and her feeling comfortable, not any active attempt at seduction.
She was simply a seductive person.
Why was she still here?
Was it really just for the children?
His thumb caught the catch on the richly-scented wooden box settled on a small side table carved with sinuously twisted designsâ a decorative table. Such a small, pointless luxury, but one he had now. The box was filled with small glass bottles, and he smelled them each until one struck him. Earthy, woody, relaxed and warm. Â
Not a scent made to hide anything, just to be enjoyed.
He plucked the oil out of the box, and headed for the heated water. âWhat do you expect me to wear?â
âIâll go dress,â she muttered drowsily.
âIf the dressing gown is damp I donât want it.â
He heard a huff, but no verbal response.
The vial poured into the water filled the air with an inviting, rich scent, beckoning him to relax. After today, it wasnât a lure he could resist. Shrugging his clothing to the floor, he stepped into the deep tub, pleased to find the water scalded his skin, warm to the point of discomfort. Perfect.
Astarion closed his eyes and sighed as he sank into it.
Seconds flowed by, languid, as he let the heat sink into his bones. It felt good. Rejuvenating. The room would normally be empty, but he could hear the small sounds of someone else moving around in his space, filling it with a strange warmth. Her footsteps, breaths, the soft hum.
âSing me a song, little nightingale,â he murmured, lungs filled with heady steam.
Instantly, but distantly, she lifted her voice in song, a softly lilting little folk tune that was as gentle as it was morbid. Like so many folk songs. Her sweet voice sank into him, relaxing muscles he hadnât even known were tense. Â
After so many nights alone in the darkness, working, having her here was a balm to wounds he hadnât even known were causing him pain.
Her voice wandered closer as she completed the song, some little tune about a woman dying on her wedding day. She tossed his dressing gown over the top of the curtain, followed by a loose pair of pants. Nothing else. He gave a rather pointed âahemâ.
âWhat?â
âGenerally undergarments are worn under trousers.â
âGet your own underwear,â she scoffed, making him laugh. Her voice softened minutely. âDonât worry about your dirty things, Lysander needs to practice his cantrips, Iâll have him clean them.â
âI was under the impression that he was learning wizardry, not bardic arts.â Astarion scooped up the sponge, finally feeling relaxed enough to bother with scrubbing.
âLily tried, but he just doesnât have the mind for it. Not stupidity, just focus. He doesnât like it, so his mind wandersâ music is easier for him.â
âToo much of a dreamer.â
âHmmh,â she agreed softly. âWe should let him dream.â
âI suppose it is a luxury we can afford him,â Astarion said, trying to ignore the weight of that statement and the bitterness it brought up. âSo what do you think of the twinsâ grand plan to reconnect people with their families?â
Zynatheri sighed, the sound trailing off into silence. Nothing but the crackle of the fireplace and soft sloshing of the water filled the air, until she finally blew out a breath between her lips. âI think it has a lot of potential to do good, but also a lot of potential to summon an army of Lathanderâs followers intent on wiping you all out. I still think isolation and discreet alliances are your wisest courses until you are stronger. I think that they areâŚthinking the best of people. I think that they are thinking âour grandfather is a vampire, and we donât care. Why would anyone else?ââ
She was absolutely correct. There was no way they could survive a crusade, and any followers of Lathander would slay them on principle. They were vulnerable, and would be for some years as they started slowly creeping past survival into thriving and growing. And they needed those years. Their weakness was a lack that only time and hard work could cure.
No skills, no martial talents, no magic even beyond Leonâs.
Which was why Astarion didnât feel the least bit badly about blackmailing him into staying.
âIâll speak to them. Perhaps you and I could think of another outlet for theirâŚyouthful enthusiasm.â
âDo you even have the mental fortitude for more problem-solving?â she teased.
He gave an exhausted sigh that made her laugh, slumping back in the bathtub until his head rested on its edge. Astarion closed his eyes. It was a valid question, and the answer was noâ but they both knew that.
âIâd like to help, but my knowledge is more broad than deepâ I donât know a lot about logistics. But if it would help, Iâd be happy to make a donation. The twins will want to stay for a while, so Iâll have time to recover.â
Was sheâ
Shock spurred his tongue, water sloshing dangerously as he sat up straight. âAre you offering me blood?â
âItâs the easiest way to help you, isnât it? I do like things that are easy.â
âIâve never had someone offer it to me before.â At least not out of altruism. Thinking of that alchemist from Moonrise just made him disgusted, however, so he moved on quickly from thinking about that. And in his current situation⌠âIâd be a fool to say no.â
âShould we wait until Iâm sober?â
As much as he wanted it now, in a desperately hungry wayâ that uplifting warmth that washed away the eternal fog, that invigorating breath of life⌠âWe should wait until dusk. Itâs nearly morning. Iâd hate to waste even a drop.â
âItâs funny how you can tell,â she said, and cracked a soft yawn. âIn the mornâ er, dusk, then.â
The water was starting to cool, and with it his desire to be in it any longer. It was a shame, though. When she wasnât here, the best he could do would be a cauldron heated over the fire, which wasnât enough to lounge in, just enough to get clean. But what real impetus could he give her to stay? How could he make her stay and take care of him the way he wanted, the way she owed him for the two hundred years sheâd done nothing.
It wasnât at all true, but it felt trueâ which was enough for him.
It didnât matter what he thought, as long as he didnât say it.
Regardless, Zynatheri wasnât in love with him, he couldnât provide for her or offer her comfort that she wasnât the one giving to him. Asking her to stay would be asking her to struggle. And for what? So he could enjoy her company and the comforts that came with it?
WellâŚwhy not?
It wasnât as if there would be any harm in asking, right?
If she wasnât willing to stay and indulge him, then sheâd simply say no and that would be the end of it. She wouldnât hold a grudge. Right? Of course that was right, why was he even second-guessing it?
When he finished dressing, she'd pulled herself up to sit on the daybed, leaving space for him. She'd thrown on her loose linen traveling shirt and trousers, bare feet tucked under her, head resting on her arm. He didn't ever think he'd seen her with a fully upright posture.
Always lounging like a cat.
The temptation was near-impossible to resist, and by now he knew she'd allow it.
Astarion was proven correct when dropping onto the seat next to her and slumping to the side only had her shifting her posture, legs dropping to the floor, back settling into the embrace of the fainting couch's arm. Willingly, he let her shift him from her shoulder to her lap, head falling onto the soft pillow of her thighs.
Gods, the damnable woman was comfortable.
âYouâre so tired,â she said fretfully, running her fingers slowly through his damp hair as he adjusted himself. âYou need to relax more.â
âTwo centuries ofâŚspite, rivalry, competition, and puppeteering by our Mâ by Cazador has made it difficult between the seven of us. They listen to me, of course, but the constant bickeringâŚugh. Exhausting.â
âDo I make things more difficult for you, because I keep coming by? Would you prefer that I stay aââ She stalled as he cracked open an eye and placed a single finger on her lips. Bemused, she pursed them.
âYes, I would,â he said.
âThen Iâll go,â she said, posture stiffening, an amusingly annoyed expression on her face.
âWhat are you talking about?â Despite knowing exactly why heâd irritated her, Astarion pulled a confused expression.  A little game. Except...much to his surprise, he was the only one playing it.
Usually she was quick, but heâd forgottenâ Zynatheri was drunk.
While her face went through a long journey of utter bemusement, he watched from his very comfortable position, highly amused watching her alcohol-sodden brain trying to function. When she turned a glare down on him, he smirked. The silly creature pouted.
âYouâre taking advantage of my muddled head,â she whined, flicking his forehead. Â
He swatted her away, knuckles smacking into the back of her hand, stinging.
âOwwwwh,â she whined pathetically. âWhat are you doing? You told me to go away, so Iâm going away.â
âYou didnât say go away,â he replied, discreetly shaking his own hand.
âYes, I did, I asked if you wanted me to go away and you said yes.â
âNo, you asked if I wanted you to stayâŚâ he finished by placing a finger on her lips again.
Her pretty moonstone eyes went rounder than usual, lips pursing under his finger out of shock and not affection. Still amusing. Cheeks flushing an unfairly charming shade of purple, she stared down at him. His smirk grew into a wide, amused smile of delight.
Was she actuallyâ
âYouâre blushing!â
âNo! I donât blush!â she protested, reaching up and clutching her cheeks. âIâm flushed from drinking!â
âIâve been lying here wondering if somehow all my charms have gone stale,â he teased her, laughing when she gave a faint âhmphâ and turned her face away, nose in the air. He let his expression turn cajoling, amused by her pouty little act. He saw the little peeks she gave him, wanting to know his reaction. Softening his voice, he tried to lure her out with a low croon. âCome now, little fox. Weâre friends, arenât we?â
She shot him a scornful, aloof look, her big silver eyes turning distant. âAre we? Well, friends shouldnât be indebted to each other, should they? Iâve been raising your non-vampiric spawn for two hundred years, that adds up!â
Offended, but too comfortable to move, he folded his arms over his chest, steepling his index fingers together. âReally? Youâre extorting me? I wonder what Lilithera would say if I told her that you said that.â
Immediately she puffed her cheeks, looking mortally, but hilariously offended. Any attempts at dignity flew right out the window. âDonât you dare! You bully!â
âIâm the bully?! You just threatened me!â
âYou were teasing me,â she replied, a little whine to her voice.
What a frustratingly, infuriatingly adorable creature she was.
âYouâre impossible to be angry at. Itâs annoying,â he informed her, amused by her smile of triumph. And then she went back to stroking his hair, which soothed away any thoughts of continuing the play-fighting. His eyes closed, the rhythmic, affectionate touch soothing and gentle. Â
His words gained no response, but he had no desire to break the peaceful, calm silence. The fire crackled, her touch wound through his hair, strands curling around her fingers, tugging lightly when she freed herself. It was hypnotic.
She smelled like brandy and night-blooming flowers, a rich, sultry perfume, and her lap was warm and soft as he lounged bonelessly against her. Her embrace was possibly just a little better than the bath. And all of this with the oddest lack of seduction or sexual intentâ just intoxicatingly guileless affection. It made him think of Lilitheraâs words, about how she would ânever make the first moveâ. If she hadnât by nowâŚ
Zynatheriâs velvety voice was soft. âDid you mean that?â
He knew instantly what she was referring to; a shared thought. âI donât have anything to give you.â
âHmm?â
âThereâs no reason for you to stay even if I had meant it.â
Zynatheri gave another of those soft âhmmâs, voice a low murmur of sound. âDo you think the pleasure of your company isnât a reason?â
âWell, naturally, dear, but usually the company is a means to an end, not the end goal,â he said flippantly, not liking the direction of the conversation.
âNot for me,â Zynatheri replied, voice slow and casual. âIâm a very simple creature at heart, Astarion. I do what I enjoy. I enjoy your company.â
 He couldnât keep the frustration from his voice any longer, the odd uncomfortable anger heâd been feeling all evening when all he wanted was to relax. His voice sharpened, body restless. âThereâs nothing down here, donât you understand that? No fine food, wine, society, no safe audience for your pretty songs but me. Itâs dark, cold, and empty. Dangerous. Every luxury I could possibly give you is something youâve given to me.â
The comfort was unwanted now, meaningless in the face of his internal strife. Astarion rose to his feet abruptly, pacing across the floor with frustration in every stride. He glanced at her, but it only made him feel badly, the rejected hand still in the air, her patient stare. Why was she doing this? Why did she keep wandering into his life only to leave?
It drove him absolutely mad.
Her voice was frustratingly calm. âI feel like even if I said those donât matter, youâd still feel otherwise. Why is that?â
All of the frustration and annoyance he hadn't felt towards his siblings seemed to have turned on her, rising with the tone of his voice as Astarion whipped around to stare down at her. âBecause my mind keeps telling me all I would have to do is seduce you to keep you by my side, and I donât want to do that any longer! But without thatâŚwhat? What? What do I have to give you?!â
She watched him from the daybed still, cheek lowering to pillow on her arm, silver eyes turned up towards him. There was the faintest hint of a smile on her face. Infuriating wretch.
âWhat are you smirking at?!â
âHave you forgotten how to court someone without sex?â she asked, voice teasing him.
It was so unexpected that his anger lost its momentum immediately. Sheâ âCourtâ who said anything about courtship?â
âIsnât that what youâre asking? You want me to stay. You want me to sing for you and coddle and spoil and flatter youâ take care of you. SoâŚfigure out how to make me want to stay, then. And no, I donât want to sleep with you either. To make me be a part of degrading you in a way youâre finally free of just as an attempt to placate meâŚIâd never forgive myself.â
âJustâ ugh. Just because it isnât about sex doesnât mean itâs romantic.â
âNo, it doesnât have to be romanticâŚbut it is,â she replied, fingers splaying against her cheek. âIâm not going to pretend itâs not. Youâve shown me what you have to offer me, told me why itâs not good enough, but I disagree. I like what we have for what it is.â
âYes, but that wonât get you to stay,â he insisted awkwardly.
âIt might.â
Finally he had to avert his gaze, unease overtaking anger. His emotions were confusing, shame and discomfort and disbelief that she was saying it at all. But she was. âYou mean that, donât you.â
âJust think about it.â Â
He shouldnât resent something as simple as her standing up, but he did. Astarion knew she was leaving. The last thing heâd wanted was to stew in his own mind like this, but it seemed his mind didnât care.
âIâm going to go find the twins,â she said, confirming it. âI think if you contacted our daughter, sheâd be more than happy to help you. But if you need somewhere to startâŚâ She grimaced, heaving her hair forward over her shoulder. âYou could learn to braid. Rest well. Iâll see you first thing in the evening, hmm?â
âI canât help but feel as if Iâm being punished for being honest,â he admitted, despite knowing it wasnât true.
âI can see why it might feel that way. But weâve been dancing around in this gray area for a while, so itâs probably time to figure things out. You were right to say something.â
âYouâve done a wonderful job of putting this all on my shoulders,â he pointed out, wishing sheâd give him some damned indication of how she felt about it all.
She glanced over her shoulder and stuck her tongue out at him, and then smiled impishly. âHow much have I been doing for you lately? Tsk. The nerve of you.âÂ
âWell, how do I know youâre not this sweet to everyone?â He gave her an aggrieved pout, crossing his arms. âMaybe Iâm not special.â
âYou are.â
âAnd how many beautiful former lovers have you said that to over the years, I wonder.â
She smiled faintly. âAsk Lilithera. Sweet dreams.â
Well, it seemed she was determined to go. As much as he wanted to shout at her, leaving things on a bad note would make their next meeting unpleasant instead of restful. Right now, those crumbs of rest were all that was keeping him sane.Â
And he wasn't going to lie and claim he didn't desperately want the blood she was offering.
âSweet dreams, little nightingale.â
Zynatheriâs good mood was unabated, glancing over her shoulder with a wink at him on her way to the door. âYou sound so sulky,â she teased.
âBegone,â he ordered her irritably, throwing himself down on the daybed sheâd abandoned.
Despite the fact that this room was no longer empty, her laughter still echoed long after sheâd left.
#Fanfic Friday#bg3#baldur's gate 3#astarion x tav#astarion#tav: zynatheri rivati#Astarion starts sending death threats to Gale for trying to date his daughter#there's about 20-30k more of this but it wasn't properly linked up#just in bits and unfinished pieces rn#but if people like it I can polish it up at some point
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More context/explanations for the AU I made with @thelightfantastik that I mentioned in a previous incorrect quote. There's no real name for this AU (yet?) so I'm just going to call it the Curse and Ghost AU.
So basically:
-I always JATD as being a world with "soft" magic-Dragons and that being pretty much it-if that makes any sense, but in this AU, full blown "hard" magic exists, like magic curses and ghosts.
-John D'ark, Sir Theodore, and the unnamed woman in Sir Theodore's mysterious portrait all knew each other and eventually got caught in an extremely tangled and painful love triangle.
-Then an invading army is about to take Kippernia.
-John D'ark uses powerful and dangerous magic to destroy them all, but in order to do so, he turns himself into stone, and turns Portrait Woman into stone too, either because a.He's madly in love with Theo and has a "if I can't have you then no one else can either" mentality, or vice versa, with Portrait Woman instead. Or b. something Happened and he was agonizingly furious with them both and wanted to hurt both of them at the same time and take down the invading army in one fell swoop.
-Army is defeated, but D'ark and Portrait Woman are still stone, and Theo is left behind to pick up the pieces.
Here's where things get a little bit tricky.
-In one version of the AU, everyone knows what happened and just decide to not talk about it because, hello? World shatteringly traumatic wartime event involving magic most people don't understand? Best to just let some sleeping dogs lie and silent statues stare. Because the statue is of magical origin, it can't be moved or destroyed. It remains, a constant reminder.
-In another version of the AU, the Castle Wizard uses a spell of his own to wipe everyone's memories of what happened. He possibly even wipes some of Theodore's memories, as per his request, so he's not left shouldering the burden of everything that happened, or the memories of what the man he loved became.
-Then, somehow, D'ark and Portrait Woman get free. My personal interpretation is that a specific frequency on the dragon sword either reverses the spell or breaks the stone. D'ark is back, but far from better than ever. In fact, he's worse than ever, having spent decades frozen in a moment of blinding heartache, obsession and agony and now freshly dropped into a kingdom that has changed immensely. It's time for everyone to reckon with what they thought they could sweep under the rug. (note: in the amnesia version of events, everyone who remembered what happened would also get their memories back when he returned.)
Miscellaneous(?) stuff:
-In a version of events where Jester also dies, then that opens up a whole new can of worms, like Corrupted!D'ark and Ghost!Jester bonding and Ghost!Jester being led down a darker path.
-Also, Theodore sees parallels between D'ark and Jane, and that scares him. Maybe he can remember the exact details of what he's so afraid of, maybe he can't. Regardless, seeing Jane act a little too much like D'ark makes his stomach sink.
-Also I basically just thought of this right now- What if the secret to everything: D'ark, the curse, how to break the spell, was hidden by the Wizard in the one place no one would even know to look: The Book of Dragons created by King Bartok, hidden away? If Jane and Dragon find that book, they find out everything else too. But of course, Theodore-whether he understands why or not-knows that it is imperative that Jane and Dragon do not find that book, so he starts hindering their efforts to learn more dragon lore. This drives a wedge between Jane and her mentor, making her side more with Dragon (an allusion to the whole conflict of Jane needing to choose between the castle and Dragon in Dragonblade.)
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Hi, I just read the chapter and I was in shock, really, I was staring at nothing for minutes hahaha. I have some questions that I hope it's not a bother to answer, it's that I was really left with doubts đ˘
1- Will Kaiser stay forever without his hand? The curse is incurable? can't he use a treatment? I dislike her, but I'm curious if she will stay like that, seek revenge or just accept her mistake that led her to that situation.
2- Where did Hadrian learn "Peredo" from?
3- since you won't write about it yet, could you give us a spoiler about what the jury thinks about Hadrian's actions during the whole battle?
4- could you tell us which of the other spells he used Hadrian are considered more out of the ordinary or obscure, I don't know how to distinguish them đ
Hello! Thatâs what I like to hear! Nothingâs a bigger compliment than hearing how people are affected by a twist or event in one of my stories!! đĽ°
As for your questions:
1 - Kaiserâs hand situation will be addressed by the end of the story - I donât want to spoil whatâll happen, but her and Hadrian will have a final conversation which will reveal where sheâll go from here and what sheâll plan to do.
2 - Hadrian learned Peredo from Magick Moste Evile, which is a canonical book and something he was reading in chapter 1! đ
3 - The panel areâŚtorn on their opinions. Weâll learn more about the intricacies of their decision in the last two or so chapters, so I canât deep dive into their thoughts either; but Iâll just say that some of them arenât exactly happy with Hadrianâs use of Peredo.
4 - Hadrianâs spells are âout of the ordinaryâ more in the sense of power than the spells themselves being unorthodox or unknown. But as a breakdown:
His use of elemental magic showed his talent and is somewhat uncommon, itâs typically a sign that a witch / wizard is strong (ventus = wind, the wall of water, the blue fire, manipulating the stone, etc.)
Bombarda is a pretty ordinary spell in the HP!verse
Acuere (transfiguring the stone chunks into long spikes) was high-level transfiguration so uncommon in that sense
Avis and Oppugno (the bird he summoned) were the same spells Hermione used to conjure birds and attack Ron
Conversus ad glaciem (the ice under Kaiserâs feet) is an off-shoot of elemental magic - nothing extraordinary but also nothing to scoff at
The unnamed spell he used to explode his stone dome was borderline Dark
He just used pure magic to banish Kaiserâs smokescreen, which is A Big Deal and Very Impressive since he didnât use Finite, but itâs not a Dark vs Light thing, just raw magic
The unnamed spell that created the orange octopus/blob thing against Draco was Light magic but very uncommon
He just used minor jinxes against Kaiser
The unnamed pale-yellow slice he used against her moving wall of stone was Light magic, not uncommon, itâs basically just a whip that most would be able to conjure
Flectere lucem (creating illusionary copies of himself) is Light magic but an uncommon spell and is hard to maintain for long
Flash healing is uncommon in non-war scenarios and not encouraged by medics due to the stress it puts the body under (itâs basically a magical way to cauterise a wound / rapidly heal it and always results in a scar)
Peredo is very very Dark, and not wildly used by a lot of magical people because thereâs no counter and the only way to stop it is to cut off the affected limb (if you can) before it eats through the body
And finally the healing Hadrian does on Kaiser is very high-level, so itâs uncommon in the sense that not many would be able to heal such a horrendous wound when so low on magic.
I hope that clears things up? I didnât name every spell Hadrian used, but yeah, most of his spells required great control over his magic to use, so you wouldnât find your ordinary witch or wizard using them. His wandless and nonverbal casting that was also a big show of skill.
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Fashion in Oz: the Good Witches (1)
To give a bit more credit to the Good Witches of Oz, who are unfortunately too often overlooked compared to their Wicked counterpart, I decided to do a breakdown of their costumes and outfit (similar to what I did for other fictional characters, such as Cruella). And we need to begin by going back to the original source: L. Frank Baum's "The Wizard of Oz" book. Above you can see a colorized version of one of the original illustrations of the book, by W. W. Denslow (the actual original drawings were not colorized, but black-and-white - this was clearly done later by someone else). Let's begin with the first of the two Good Witches of Oz: the Good Witch of the North (left unnamed in the books, but who got the name "Locasta" in the stage version, the 1902 extravaganza oversaw by Baum himself and so semi-canon to the Oz series).
Now, in Baum's original work here is the description given of the Good Witch's appearance and outfit: an old woman dressed in a white gown that hung in pleats from her shoulders, and wearing a white round hat that rises to a small point above her head, with little bells around the brims that tinkle sweetly as she moves. Over her dress, little stars are sprinkled that glisten in the sun "like diamonds". She is noted to be quite old, due to her face being "covered in wrinkles", her hair "nearly white" and her walking rather stiff. And, just like the Munchkins, she is noted to be smaller than what a normal adult in our world - she is roughly the same size as Dorothy, who is noted to be a "well-grown child for her age" (said age never actually precised). This is all we are given in the book. We also have the precision that if the Good Witch is dressed in white, it is because white is the color of witches in Oz, and given both the people of the Emerald City are said to wear the same "peaked hat" as the Munchkins, it seems the pointy hat with bells isn't so much supposed to be a twist on the witch' hat, rather than the traditional headwear of Ozians.
Denslow' interpretation stayed as close as it could be to the original description, and yet changed some details... For example, he did not drew any star on the Good Witch's dress, despite the narration insisting on it (and given the magical kiss she gives Dorothy leaves a glowing round mark on her forehead, the idea her dress has shining little stars fits a sort of "sparkling aesthetic" to her). The design of the dress is also slightly altered: while Baum talks of a dress "hanging in pleats from the shoulders", Denslow decided to rather had a sort of large, wavy collar - basically a form of ruff - and cuffs imitating the collar. This all gives the Good Witch a sort of ample, wavy, flowery design - that does fit the descriptions of her as practicing her magic through strange acrobatics (such as turning on herself on her left heel, or balancing her hat on the top of her nose): if you look at Denslow's other illustrations of her, when she moves and performs her magic he truly makes her dress move around her like waves or clouds. The final thing Denslow added, to really point out how she is the Witch of the North, is a grand staff in her head, with at the top a stylized "N". This detail, invented by Denslow and not present in Baum's original description, will actually be extremely important, as it will influence many of the future incarnations of Good Witches in Oz media.
This is another colorized version of the original drawings of W. W. Denslow for "The Wizard of Oz" - remember: the original pictures were conceived in black and white, not with color! The other Good Witch of Oz, the Good Witch of the South, also gets a description - AND A NAME! Glinda. Unlike the Good Witch of the North, Glinda is noted to look young. "Beautiful", she is noted to have a "rich red" hair that falls in flowing ringlets over her shoulders, kind and blue eyes, and finally a dress of pure white (again, in the original Oz book, white was the color of Witches). Nothing more - beside the fact that she is seen sitting on a throne of ruby in the middle of her palace, since she doubles as the Queen of the Quadlings. Now, Denslow also added to his drawings several details not told by Baum: such as Glinda wearing elbow-high gloves, or her dress being decorated with hearts at the bottom of the skirt and the end of her puffy, elbow-long sleeves, probably a detail added to show her kind and loving the Good Witch is. She even has little heart-jewels dangling from her belt. A detail that will however gain some importance in later Oz depictions of Glinda is the headwear Denslow gives Glinda. This is a fascinating and interesting headwear. Baum never says Glinda wears a crown of any sort, despite being the queen of the Quadlings, but Denslow did decide to show her royal status, while avoiding the traditional crown in favor of a more fantastical headset. But the fact this headset rises with a "point" at the top, and has dangling jewels around, seems to be also here to mimick the hat of the other Witches: the Good Witch's explicit pointy hat with little bells ; and the Wicked Witch of the West (who in Denslow's illustrations wear an immense pointy hat). Baum never describes Glinda as wearing such a hat, but Denslow seems to have wanted for all the Ozian witches to have a pointy headwear, and so decided to give to this not-crown some of the attributes of the other Witches hat. (At least, it would be my theory)
Unlike the Good Witch of the North, that makes one brief cameo in "Road to Oz" and then is completely forgotten by Baum, Glinda became a recurring helper and secondary character in the Oz series, appearing in many other books of the series. And yet... Baum never described her again. Every time she appears, she just... is there. As if the original portrait of her in the first book should be enough. And yet, Glinda throughout the Oz books truly evolved in terms of appearance. This evolution began in "The Marvelous Land of Oz" (of which the picture above is an illustration) and went all the way to Baum's last Oz book, "Glinda of Oz" (I suggest you check the cover of the book to appreciate the visual evolution). Why this change? Because Denslow was replaced as an illustrator by John R. Neill, and Neill, while a long-time collaborator of Baum and becoming an "official" Oz illustrator, also changed massively details of the original book. For example, Dorothy as illustrated by Denslow (and later colorized) had long brown hair (a depiction that became famous thanks to the MGM movie) - but Neill' idea of Dorothy was for her to have short, blond hair. And among the many changes Neill brought to Oz was the one of Glinda's appearance. Gone are the red and curly hair falling over her shoulders - Neill draw Glinda with straight, black hair that usually was kept together by some sort of strange hair-net. The strange jeweled headwear of Denslow got replaced by a crown - but very tiny and tall, a small slender crown above Glinda's head (as seen above), that with time stretched and thinned out ; and even fused with the hair-net holding Glinda's head, to become the bizarre helmet-thing the Sorceress ends up wearing on the cover of "Glinda of Oz". Similarly, the "simple white dress" Baum originally thought about got usually ditched for more imposing, "royal" and fashionable dresses, various colorized as white, red or pink (to fit the red of the Quadling country) - but then a certain "simplicity" was regained with "Glinda of Oz", where the dress became more simple and body-fitting in appearance. Probably to match the fashion of the time - Neill was actually concerned with his illustrations always trying to match a sort of "modern" set of fashion and aesthetics, which notably explains why Dorothy wasn't dressed like a farmer girl anymore but like a little 10s-20s-30s fashionista. In fact, it is quite strange to see that on the cover of "Glinda of Oz", Neill decided to return to a design similar to what Denslow gave to the Good Witch of the North, with a very large and wavy collar on the white dress - though instead of making it look like an old-fashioned ruff, Neill lowered the collar so the neck and the shoulders could be visible, making it more... "modern" I guess?
#oz#wizard of oz#the land of oz#good witches#glinda#the good witch of the south#the good witch of the north#fashion#witches#dress#outfit#john r. neill#w. w. denslow#fashion in oz
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Trinkets, Books, 10: An eclectic library of dusty tomes, fictional textbooks, pocketbooks, paperbacks, hardcovers, booklets, leaflets and magical manuals. Paper leaves and the binding surrounding them can help define a character, kick off a subplot, fuel a fetch quest or simply serve as a generic macguffin. Commonly seen in video games such as Baldurâs Gate, Neverwinter Nights, World of Warcraft and Skyrim, book items are a way to subtly world build while still handing out sellable loot. A wizard has a spellbook, a cleric has a holy text and now you have a trinket list.
An ornamental prayer book of Random Domain with illuminated pages and semiprecious stones.
Ars Optica: An ophthalmic guide thatâs treasured by magicians, who read its dull and technical pages not for purposes of spectacle manufacturer, but for the construction of resonance spheres; Pressurized, lensed devices used in the contact of alien realms.
A book the size of a large man's hand, composed of ten plates of blue-black jade mounted in thin silver and bound with black silk lacing. Each plate is inscribed in silver with charts of the night sky.
The Book of Math: What seems like a boring book about maths problems is in fact all about Mathom, the God of Delays, and has this title because the author was distracted and unable to finish said title. It contains all sorts of important information on Mathom and His Priests, but is frustratingly not completely finished, as it seems that the author was unable or unwilling to finish it. Knowledgeable PCâs are aware that the books is very rare, as only a few copies were ever successfully made before first the printing press broke, then the ink supply ran out, and then the printers were raided by the police by mistake, then the building caught fire...
My Life as a Gnome Bodyguard: A moderately-sized autobiography of Mifierwa Cinibnil, a gnome paladin that served as the protector of Queen Evelyn Crystaldown.
A very old book of coastal charts, which has obviously seen heavy shipboard use in the past; the pages are marked and stained and smell faintly of salt. Next to an unnamed island on a map of a distant coast, an unsteady hand has drawn a deaths-head marker and scrawled: âblaydes dont cutt em but fires wil burn em upp.â
Blood Debt Ledger: A small book bound in wolf hide and decorated with the beast's claws and fangs. It has ninety-nine pages, each with nine names inscribed on it. Knowledgeable PCâs can discern that it originally belonged to a hag who used it to record the names of those who owed her a debt.
Tippy's Gardening Tips and Tricks: A farmer's almanac, focusing on the cultivation of herbs and their various medical and culinary uses.
A large instructional manual entitled â195 Easy Projects with Human Skinâ. Knowledgeable PC's are aware of its notoriety for its gruesome, yet imaginatively intricate, woodblock illustrations.
A small personal journal penned by a hunter of the supernatural. Although the majority of the pages are too bloodied, dirty, burned or torn to be legible, a cluster of pages near the middle detail the process of an infernal summoning ritual. The book describes that a specific order of fiend can be called into the world by digging a hole in the dead center of a set of crossroads and burying a box containing a picture of the mortal wishing to make the deal, some graveyard dirt, and a bone from a black cat. This specific type of âcrossroads demonâ looks like a human except for their blood red eyes and are tasked with âbuyingâ souls for Hell through deals with mortals. The demon can grant the summonerâs wish in exchange for ownership over that person's soul, resulting in the person dying and going to Hell to be transformed into a demon upon death.
âClick Here to be directed to the Hotlinks To All Tables post, which provides (As you might have guessed) convenient links to all of the loot and resource tables this blog has.
âClick Here for additional Book Descriptions to give these objects even more personality.
âKeep reading for 90 more books.
âNote: The previous 10 items are repeated for easier rolling on a d100.
An ornamental prayer book of Random Domain with illuminated pages and semiprecious stones.
Ars Optica: An ophthalmic guide thatâs treasured by magicians, who read its dull and technical pages not for purposes of spectacle manufacturer, but for the construction of resonance spheres; Pressurized, lensed devices used in the contact of alien realms.
A book the size of a large man's hand, composed of ten plates of blue-black jade mounted in thin silver and bound with black silk lacing. Each plate is inscribed in silver with charts of the night sky.
The Book of Math: What seems like a boring book about maths problems is in fact all about Mathom, the God of Delays, and has this title because the author was distracted and unable to finish said title. It contains all sorts of important information on Mathom and His Priests, but is frustratingly not completely finished, as it seems that the author was unable or unwilling to finish it. Knowledgeable PCâs are aware that the books is very rare, as only a few copies were ever successfully made before first the printing press broke, then the ink supply ran out, and then the printers were raided by the police by mistake, then the building caught fire...
My Life as a Gnome Bodyguard: A moderately-sized autobiography of Mifierwa Cinibnil, a gnome paladin that served as the protector of Queen Evelyn Crystaldown.
A very old book of coastal charts, which has obviously seen heavy shipboard use in the past; the pages are marked and stained and smell faintly of salt. Next to an unnamed island on a map of a distant coast, an unsteady hand has drawn a deaths-head marker and scrawled: âblaydes dont cutt em but fires wil burn em upp.â
Blood Debt Ledger: A small book bound in wolf hide and decorated with the beast's claws and fangs. It has ninety-nine pages, each with nine names inscribed on it. Knowledgeable PCâs can discern that it originally belonged to a hag who used it to record the names of those who owed her a debt.
Tippy's Gardening Tips and Tricks: A farmer's almanac, focusing on the cultivation of herbs and their various medical and culinary uses.
A large instructional manual entitled â195 Easy Projects with Human Skinâ. Knowledgeable PC's are aware of its notoriety for its gruesome, yet imaginatively intricate, woodblock illustrations.
A small personal journal penned by a hunter of the supernatural. Although the majority of the pages are too bloodied, dirty, burned or torn to be legible, a cluster of pages near the middle detail the process of an infernal summoning ritual. The book describes that a specific order of fiend can be called into the world by digging a hole in the dead center of a set of crossroads and burying a box containing a picture of the mortal wishing to make the deal, some graveyard dirt, and a bone from a black cat. This specific type of âcrossroads demonâ looks like a human except for their blood red eyes and are tasked with âbuyingâ souls for Hell through deals with mortals. The demon can grant the summonerâs wish in exchange for ownership over that person's soul, resulting in the person dying and going to Hell to be transformed into a demon upon death.
A History of Tea: A book bound with tea stained wood that (As its title proclaims) is a comprehensive history of tea, a plant first discovered and cultivated in the Northern land of Awn, where it remains most popular. A History of Tea denotes the conflicts, agricultural developments, and serving preferences surrounding tea over the last two millennia. Helpfully, the book contains a list of all herbs and barks capable of being steeped in addition to black tea. It is a hearty reference document for travelers and adventurers in need of a hot brew, regardless of its origin or quality.
Brobson's Guide to Decoys: A gamesmans' guide, devoted to fishing flies, wooden ducks, and other such beast lures. Written in unceasingly-energetic confidence about their use, history, composition, and construction. A book treasured by hunters of prey both mundane and monstrous, as it contains details for luring both plant-eaters and predators of varied size. Many a fisherman has thanked Brobson for his wooly bugger lure, as have countless cutters for his pattern for false goats, which is much cheaper than buying an actual goat.
A book on the proper ways to do mundane domestic chores written in large simple words similar to a scholarly document. Simple pictures take up many of the pages and it is probably meant to be used as a reference guides to young maids and scullery girls. An extremely perceptive reader will discern the bookâs true purpose. When held to the light, hidden writing is exposed revealing a list of assassins, thieves, fences, sellers of illicit goods, safe houses and other black-market connections that can be found in the nearest capital city.
Identification of Irritants; A Gentleman's Guide to Avoiding Discomfort in the Field: A guidebook that proved to be too good for the purposes it was designed for by providing in depth identification guides, descriptions of growing conditions, and technical analyses of the properties of many dangerous plants, including several very rare and incredibly poisonous ones. Someone has scribbled recipes for several dangerous poisons derived from some of these plants in the margins.
A brown, leather-bound tome with the image of a knight emblazoned on the cover. When opened the book contains a riveting story of a knight, a princess, a dragon, and a kingdom in peril.
Practical Exercises for Young Magicians: An instructional book written by Amelia Popper containing intricate finger and voice exercises divided into several dozen etudes for magicians. The book consists of detailed charts and a series of movements that serve as educational practices and introductory techniques to the physical complexity of magic and spell casting. Popper's work has been used throughout many mage academy curriculums as a structured, refined method to spellcasting.
Manual of Flesh Golems: A thick tome imbued with magical properties and stamped with arcane symbols on the cover. The book contains theoretical musings on the construction and control of golems. It goes into some detail on how the reader may construct a servant of assembled, animated flesh which will obey the creator without question.
A small, thick sea captain's journal. Leather bound and filled with dense, near unreadable notes. The cover has a piece of lead shot embedded deep into it from a run-in with pirates.
Magical Bleed and the Effects of Lingering Aura: A tome of arcane theory that introduces and focuses on Sir Bleepin Loopfoodle's Model of Epi-Magical Exchange. The detailed treatise describes how magical leftovers from a spell changes the environment and soul and the impacts can differed based on the nature of the spell. The book contains examples on how intensely supernatural creatures such as venerable dragons, elder aberrations and extraplanar outsiders (Such as celestials, elementals and fiends) passively affect their environment.
The Faerie Queen: A vastly underappreciated collection of Light Cottonstream's poems about the summer court, detailing the queen's affairs, courting at the summer court, and the involvement of love potions.
Wintering with Wizards: A hard-bound, extravagant, lengthy volume chronicling the adventures of the author, Earnest Holcomb, during his stay at a wizardâs school over a long winter. Itâs clear to any wizard that the author hasnât a clue what heâs talking about.
A Comprehensive Encyclopedic Approach to All Things Draconic: A massive and richly illustrated compendium of dragon lore that covers nearly all areas of knowledge pertaining to dragonkind. With various sections devoted to prismatic, metallic, and rare dragon breeds (As well as smaller sections on drakes, half-dragons, dragonborn, and even wyverns) this is likely the most thorough text on the subject. Not many copies of the book exist and it is coveted among collectors and curators alike; finding a copy and the access to read it can be an expensive venture on its own.
Pendlesea's Scroll Compendium of Scrolls: An exceptionally long and somewhat stiff scroll safely kept within the confines of a dark leather scroll container about two feet long and four inches in diameter. The scroll contains the rambling treatise of a slightly crazed wizard named Bidoop Pendlesea. The treatise examines the various uses of scrolls and the not-so-subtle embellishment of their claimed superiority to books by the author.
A brand-new copy of âVolo's Guide to What to Expect When Youâre Expectingâ with advice and guides on humanoid pregnancy. A big brightly colored âCongratulations!â is written on the inside cover and the chapter summary pages are dog-eared.
A thick wood-bound chapbook of gnomish jokes.
A leather-bound book detailing the complete genealogy of a noble family.
An illustrated travelogue of remote and exotic locations rumored to include sigils for teleportation circles hidden in the text.
A pocket-sized book devoted to the ancestry and heraldry of the vampiric Bloodlines of Erubescence. This copy has been annotated with cutting remarks about the various families, sometimes revealing embarrassing gossip or secrets.
A slightly tattered but complete copy of a rare first printing of the Saga of the Sacred Cauldron, a chivalric romance recounting a quest in the realm of Elfhame involving such colorful characters as Bellstajj the Capacious, Blue-Eyed Molly, Fennrix the Blind, Fun Guy the Barbarian, the Knight of Harts Petalu Morriden, Susurrus Psithurisma, Weevil Stench, Wick the Silent, and the notorious Sparks & Mud.
A stained manuscript containing fan fiction for the popular and long-running Wendolyn the Werewolf sequence of serialized romantic novels.
Noland's Small Book of Portals Vol III: The work contains a collection of fine lithographs of man-made, natural, or magically occurring portals, in good detail as well as their destination. Not all are sized for people to fit through. Many include detailed description and measurements, and might prove useful for a magic user or scholar of the arcane looking to understand the planes and magical travel better; this may be for good or ill.
Seven Jistkan Forms of Ancient Hygh Majiks: A thread-bare tome, with pages that are more dust than parchment. Some of the pages are actually made of papyrus and were literally cut out of scrolls and sewn into this work. The runes described inside are incomplete, and use one ancient, dead language, to transcribe the words of an even older and even deader language that was destroyed by a great volcanic explosion. Most of the time the book is spent on the names of the offspring of the offspring of a myriad of gods, with incomplete glyphs and logograms.
The Case of the Disappearing Daughters: A historical horror novel that is also known as The Mad Queen and her Daughter, this is the true(ish) story of how the once capable ruler Queen Yocasta of Vallermoore went insane after her daughter's death, and how the daughters of her subjects were kidnapped to replace her original daughter and then murdered when they failed to be just like her. In the end the Queen went insane, took her dead, decaying daughter from the royal tomb and had her by her side at all times as if she was still alive.
A small prayer book with a green leather cover and indecipherable notes in the margins.
A large tome bound with unadorned black leather, containing a multitude of jumbled essays, theorems and anecdotes, all of a mystical, slightly odd or perverse nature. The more one reads or uses the book, the more the writing within makes sense but such clarity comes at a horrible price.
Dimensions of Evil; A Guidebook to the Nether Realms: A demonhide bound grimoire written in Infernal that provides information relating to the Lower Planes of the Nine Hells. Dimensions of Evil paints a fairly accurate and unflattering view of the Lower Planes and its inhabitants. Due to its subject matters several faiths of good deities have banned this book and attempt to confiscate any copies that appear. Others encourage their followers to read the book, going so far as to create multiple copies.
The Theory and Application of Force Magic: A tome that provides information relating to spells involving the use of magical force. Many wizards consider Aeroth Blith's book the best reference about force magic ever written. Well organized and clearly written, if a little dry and analytical in places, the tome examines force magic as a mysterious power akin to a fifth element. Copies of this book can often be found in universities and larger libraries that cater to war wizards and battle mages.
Commoriom: A bound manuscript written in symbols barely recognizable as a script. Its pages number in the hundreds, and splitting the book in two is a single engraving upon a thin sheet of metal; a deserted city square surrounded by tall pillars, and in the middle, a hideous, crooked monstrosity squats as it devours his screaming victims. The image is atrocious, but has some weird magnetism, and if one looks upon it for some time, a weak voice in his head says, "Beware the vile offspring of Knygathin Zhaum."
A childrenâs book filled with stories of long dead heroes and the sacrifices they made to light the path ahead.
De Vermis Mysteriis: A book whose cover is made of black leather with copper insets covered in a green patina. It describes the rituals and tools of priests who seek the worlds that lie beyond. An excerpt of the book reads as follows; "A R'lang is an item that the caster imbues with his soul before travel to the Beyond. To begin, one should find a shell or piece of polished wood on the shore of the ocean. It must be placed in the ground not further than ten paces from the timeline on the 20th day of the lunar month. After exactly nine days, mark the place with two circles and proper signs. Chant thrice the incantation: "Khlu Sya Asa Nmrihg Aym Eghu Akaman" to grant it its powers..."
Chaos Theory; A Calculated Cataclysm: A tattered book that seems to have had numerous pages torn from it and perhaps entire chapters. It is hard to be certain as it seems to have been rebound multiple times.
Druid's Staff Quarterly: An intriguing, regularly published journal that appears to have pages made from thin bark; these pages are jagged and irregular.
Fish are Friends, Not Food: A strange dietitian guide that encourages the reader to choose alternative protein sources to fish.
Grimoire of Devilish Contracting: A worn, leather-bound tome with an oversized silver and gold latch that requires a key to open it. If one can manage to gain access to the text, the reader will find extensive advice on how to broker deals with fiends of the lower planes and get out with oneâs soul relatively intact. The volume has no information how to actually summon a devil to bargain with.
It's Hyyyydra-matic!: A peculiar book that contains a bard's tale of encountering a mighty hydra. It contains over 100 uses for various hydra body parts. Â
Shorthalt's Journal of Awful Limericks: A well-worn, cloth-bound book inscribed with scrawlings of horrific poems, each of which are imbued with enchantment magic. There are also bizarre, childish drawings of humanoids doing various acts of vile behavior.
Tales of a Troglodyte Named Thomas the Truthful: An interesting parable that tells of a Troglodyte named Thomas the Truthful that rose to power in a small Underdark community by virtue of his honesty and good nature.
The Arts Alchemical: A Primer: A strange volume fashioned from the hide of some unidentifiable creature. The vellum pages contained within describe the steps to creating a variety of potions.
These Furry Fellas: A notebook with beautiful calligraphy that describes the types and habits of various small beasts and critters. The accompanying sketches are quite cute.
When Life Gives You Lemons: A simple, single-page pamphlet filled with positive affirmations that emphasize the importance of seizing opportunities.
...And the Bear Says...: A worn, small leather journal that appears to be a naturalist's notes from time spent tracking a family of bears.
A is for Aboleth: A rare copy of the famed children's book. It has simple cartoon pictures and humorous descriptions of monstrous creatures, all the way from A â Aboleth to Z â Zuvembie.
A scuffed and wellâworn text written with manticore blood ink on fine linen paper, bound in aged dried leather. It bears the title âElementary Principles of the Arcane Instrumentâ.
Lords of the Pit; a Guidebook to Devils: A beautifully illustrated book, bound in leather with a pentagram on the cover. It describes the various types of devils with dubious accuracy.
Gusty Fintagelâs Most Excellent Miscellany: A cheaply printed chapbook of random facts, lists and bits of trivia. It would be perfect for someone to memorize before a social event and pepper in the information to create an illusion of schooling or worldliness.
An obviously handmade barkâcovered annotated scrapbook filled with rare pressed flowers and herbs, and exotic feathers.
A blue leather folio entitled âThe Fey King of Darkwood and Other Tragediesâ. It was written by the celebrated bard and playwright Iancu Petronas.
A History of the Lonely Coast: A historical tome written by Brenn Unger, it is a dry account loaded with bias towards the Locher family. The book is of black leather with silverâbound edges.
The Sampalataya: A leather tube containing a long scroll with carved wooden handles. Told horizontally along the scroll is an illustrated epic poem on the birth of the gods of the distant kingdom of Gopura. Unrolling the scroll slowly tells the story.
A torture manual bound in skin of dubious provenance, featuring disturbing etchings. It was written and illustrated by the notorious Count Vaklav of Treblik.
A heavy tome with a steel scale cover inlaid with carnelians written by Elfric Stonyfist. Entitled âSongs of the Dwarvesâ, the text contains the traditional versions of classical Dwarven songs as well as detailed stories of their origin.
A spellbook bound in basilisk skin, branded with the arcane mark of the wizard Vaskaren a noted abjurer.
When the Stars are Right: A book roughly bound in mottled purple leather and marked with a large staring eye. Supposedly written by Idris Bahar, it contains insane ramblings about eldritch beings from the alien realms beyond our own.
A book bound in wooden covers, with paintings of flowers and plants decorating the pages. The text contains prayers to the Nature Goddess and details various methods to commune with nature, encourage the growth of plants and speak to animals.
The Poems of Caranthir Greenmantle: A blue leather folio decorated with silver, containing twelve loose sheets, each a handwritten poem.
Decline and Fall of the Hobgoblin Empire: A painfully dry historical text bound in barghest pelt and set with three sapphires.
Common Mycological Meals: A recipe book, all focused around making food out of easily accessible fungi, mosses and mushrooms. Its pages are made out of an unusually textured material with a light-yellow hue.
A gruesome manuscript bound in what is probably dwarfskin, judging by the number of hairs still left on it. The text is written in Infernal and entitled âSculptors of Menâ. Even without being able to read the text, itâs clearly full of anatomical diagrams, runes and sigils, alchemical recipes and handwritten marginalia. Knowledgeable PCâs who can read the text are able to determine that it is a manual on how to create flesh golems and animate them through demonic power rather than through arcane or alchemical means. These changes make the construct much cheaper and easier to animate but with exponentially more risk to the creatorâs soul and the ease of which the golem can be controlled. Â
A cheap-looking book whose cover bears the image of a handsome half-elf with a cheesy grin splitting his face. Titled âBreaking Throughâ it is an autobiography of the mildly famous bard Shagwyn Starfellow. The story itself is a turgid, self-aggrandizing affair with occasional spelling errors, anecdotes which are exaggerated far beyond belief, unfounded criticism of his siblings and some of the least funny jokes you can remember having been committed to parchment.
A slim volume bound in an orange-red slipcase which feels warm to the touch. Entitled âElementary Pyromancyâ it is written entirely in Infernal. The book contains promisingly detailed arcane symbols, with runes the reader immediately associates with fire and flame.
Entitled âThe Atlas of Foreverâ and the bright blue ink seems to crackle on the page, and the reader immediately senses that the book is old and powerful.
A black board-bound book with bright bands ribbons. Itâs partly unreadable with age. You think it says something like âArcanusâ
Hunger More: A book of various legends and fables all of which relate to the origin of the mythical being known as the Frost King. The compilation is entirely written in sylvan and none of the storied are marked as the âcorrectâ version, as if the writer wanted the reader to decide which of them is the true story.
Tome of Solis: A spellbook with leather front and backing. On the front is a gold imprint of a magic circle with an image of a lion in the center of the magic circle. All text inside this book is made with gold and is unburnable.
A manuscript recounting the memories of a dying dwarf folk hero.
A notebook detailing an elvish account of an important treaty being signed over 400 years ago.
A girdle book mounted in cobalt leather backing ermine. The book itself is trimmed with brass tabs but the vellum pages are blank.
A fragmentary diary of a mercenary recruit who was separated from his squad and died in the local area. According to his own scribbled words he took on a mortal wound and has able to hole up, write his last words and will drink his flask of brandy and try to drift off peacefully.
Manual of the Numinous Realms: A book bound in orichalchum, written in silver ink on the finest vellum, and illustrated with strange diagrams that move on their own, the manual describes the interplay of elemental forces and spiritual currents that underlie the illusion we call reality. According to the text, by manipulating these fundamental levers of reality, you may accomplish great feats of magic.
A tome is filled with unintelligible runes from languages long forgotten. If somehow deciphered, it details a theory of magic one practiced by those referred to as the âMejaiâ who stole the souls of those who opposed them and bound them within objects giving them great power at the cost of the spiritâs eternal torment.
A large, leather bound, gold trimmed ledger containing the complete financial information of a duke of the nearby kingdom. The archive goes back five years and the information contained within would be extremely valuable to the duke's enemies as blackmail. Â The duke himself would probably offer a reward of some sort on its discrete return.
A small lexicon of nautical terms.
Travels of a Planeswaler: A cloth-bound book containing lurid tales of seductive genies, underwater cities and fiery snakelike creatures.
A tome with a cover promising one hundred wonderful stories. All but one have been torn out.
A small journal titled âA Guide To Creating A World Without Endâ. It always smells like the delicious confectionery known as lokum.
The Measure: A massive codex of duties, laws, and crimes, the Measure serves as a guide to a strict, ordered society. The semi-religious text is written and maintained by the militant order known as the Hell Knights. Based upon centuries of legal codes from ancient empires, as well as passages from the strictures of Hell itself, this body of laws extols justness rather than justice.
An evil tome of dark construction with wrinkled patches of rough skin that have been sewn together around plates of some hard material that serves as the cover. Bones from two human hands have been fastened to the binding as if cradling the book. Itâs is always bone chillingly cold to the touch as if stealing heat from anyone foolish enough to look inside. When opened, it smells of brimstone and copper. Inside, profane diagrams and hideous illustrations accompany spells penned in some fiendish script. Everything is composed in crimson but not in ink. Those who choose to read from it will discover it the spellbook of a powerful necromancer.
An old book filled with blank pages. Anything written in these books disappears at sunset.
Manifestations Arcanum: A quintessential text written by an archmage from a previous era. This enormous tome outlines the metaphysics of magic, how it works and the divine symbology, sacred geometry and the religious practices involved.
A book with no name, but it holds the true history and ascension of an old but very powerful deity.
The Clouded Mirror: A encyclopedia of portals and other means of interplanar travel, including secret paths between planes that are not normally considered contiguous, ways to reach and navigate the Far Realm, and instructions to find hidden places that are normally inaccessible.
A Deal with the Devil: A tome detailing various historical contracts that have been made with devils. The text goes to great lengths to make it sound as if it were actually very easy to find loopholes in fiendish contracts. Insightful readers suspect that the book may have been written or published by servants of the infernal powers in an effort to lure unwitting souls to believe that they can outwit a demon when the average person is in fact far more likely to lose their soul in an unholy bargain than come out ahead.
Death Eternal: A book written by an ancient dwarven smith famous for making cursed blades. It describes rituals needed to create blades that trap the souls of those killed by them, with the blades growing in strength as the number of souls trapped within grows.
Under The Silver Moon: A hidebound book that contains information on lycanthropy and the effects that it may bestow upon a creature lucky enough to be gifted it. The author makes lycanthropy sound like a REALLY good idea with little to no downsides.
Cooking with Grandma: A seemingly pleasant-sounding cookbook whose first few pages are simple wholesome recipes designed for two people working together. The book was actually written by hags, and the majority of the text goes into great detail explaining how the flesh and bones of older humans can be used to make delicious food.
Fall of Revelation: A heretical tome bound in the skin of the author, Hazeomeel (An angel), it describes the celestial's fall from the heavens because it attempted to use divine prophecy to find which humans could be killed to prevent evil from occurring.
The Endless Litany: A thick tome whose every single page of which is filled with the same phrase repeated over and over again âThe end is never the end is never the end is never the endâ. Despite this monotony, when a creature starts reading from the first page, they can not stop of their own volition, nor will they ever reach the end no matter how long they spend reading it as the book has an infinite number of pages.
Paradoxomicon: A bound volume of the collected works of a plane-shifter wizard who has dedicated his life to finding loopholes in magic and testing them in parallel planes of existence, collapsing each one of them in doing so.
Jerbe Kendalcanthe's 'Love Elixirs': An alchemical tome detailing the formula and instructions on how to make a highly addictive potion that possesses no benefits other than addiction. The book warns that small villages have been wiped out as every resource is pooled into acquiring the materials needed to produce more.
Into the Labyrinth: A tome bound in red leather emblazoned with the symbol of an open flame stamped in gold leaf on the front cover. In a well-practiced, easily readable handwriting, the author had penned a short warning: âThis volume is strictly forbidden from being read, except by those ranked at least Bishop or higher in the Church of The Eternal Heavenly Flame. In it are detailed some of the foulest, most pernicious pieces of magic ever devised. This volume only exists in order to offer ways to defeat these spells, in the off chance these heresies ever resurface and must be confronted again. Be warned, the spells grow progressively more deranged towards the end of the book. The original scribe was driven quite insane by recording them, and ended up having to be committed to an asylum.â
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alright lets talk ttrpg goals for 2023! this post is about games im writing that i want to finish this year, ill make another one for games i want to play in 2023.
i have. so many half finished games. in fact i even have several games that are written!! they just need to be laid out and put out there. so heres the goals and the order for said goals
1- Record Collection 2K23, and the yet-unnamed game for it that ive been writing up over the past few weeks. part tarot-driven game, part... play? thereâs stage directions in there in any case
its based off the four wind albums by the Oh Hellos, later on the two characters in the play only talk to eachother via lyrics from each album, moving through the seasons as they move through their story.
ofc i want to finish this one during the jam, which means by the end of january. very much pushing myself to just Get It Out There and not worry so much about it being exactly what i want, because i can always come back and update it later. its horribly (affectionate) self indulgent already so to b clear i am writing this game for Me, so the only person who needs to like it at any point is Me :3
2- There Is An Anger Inside Of You. ive been noodling at this game for over a year now, with the creation date on the word doc being may of 2021. its done!!! its finished, i swear to god, i just need to lay it out, and i already know how im going to do that i just need to *grabs myself by the shoulders* fucking do it
its a game about being angry when youre not able to express it, the struggle of keeping your anger under wraps being played out as a rather unfair game of chess. and i am going to get it out by the end of february.
3- The Lady, The Tiger, and The Accused, a hack of For The Queen based on the short story The Lady or The Tiger. its another one that is currently completely written out, but rather than laying it out and getting it out there my goal with this one is to get it formatted for playtesting. its a three player game, players taking on the role of either The Lady, The Tiger, or The Accused, and answering the prompts as such. i really love it, but it needs to be played by people and revised before ill feel comfortable declaring it finished.
also, i want to actually crowdfund and print this one, with art and editing and maybe some pretty extras and such. so my goal is to start playtesting it by my birthday, the 17th of march. after that... im not sure! crowdfunding it by the end of the year would be wild i think, since, in true For The Queen style, id love to get a gaggle of artists to draw Princess cards for it, and that takes time! so the goal is more to have it ready for crowdfunding by the end of this year, and if that happens sooner then thats cool and good!
4- Someones Simple Book of Spells Volume One: Paper. This one is also FULLY WRITTEN *sounds of agony in the distance* i just need to LAY IT OUT
and honestly since i already know how i want to lay it out lets put this one for the end of april. yes this is pretty much a game a month for the next bit but theyre all SO CLOSEEEE to being done anyways its just that final push, i could accomplish most of these goals in a weekend if i just did it so. im going to!! do it!!!
5- ok finally, one thats actually not almost finished, its The Center of the Known Universe. a small anthology of games originally started for the weird west jam but never finished.
its got some of my favorite concepts ive ever thought of though, a game about aliens freezing time in a small western town and LARPing as cowboys, two wild west wizards battling it out at high noon, a game about supernatural cowboys falling in love while experiencing all the seasons of the desert, and more. its a love letter to the small desert town i currently live in, and i want to see it come into being. im going to give myself the summer for this, lets say the goal is to have the full first draft written by september. i also would love for this one to go into print, so a secondary goal is to have it ready to crowdfund in time for ZineMonth 2024, so february of next year.
i think thats probably all the projects i can set goals for this year, october-december is always very busy for me so im not gonna set anything besides the two i want to get ready for crowdfunding in 2024, though i do have several other half written games lying about (looks nervously at my over-4000 word âttrpg ideasâ doc).
maybe ill get into the swing of actually finishing games and get to them as well! but if not thats just fine :3
you can always find all my games over on the Grey Jay Games itch.io page, and i may make a sideblog just for GJG, but for the moment all game news and stuff from me will be right here @resident-corvidâ
#corvid caws#indie ttrpgs#also who knows#trying to crowdfund two things in 2024 might be a wild thing to try and do#cause running crowdfunding projects is Hard#but at the least id like to have those two ready so i could potentially crowdfund both in 2024#and at the very very least the overall goal is to just SLAP SOME STUFF UP ON ITCH#number one goal above all else#GET IT THE FUCK UP THERE#njsdkbhjbgd#its going to be great#im excited
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SueĂąos de piedra (ch2)
Still not sure if I'll read this whole book but I decided already that I want to at least read this one because I'm curious about what Lynne's deal is (especially having confirmed that she is indeed the "damsel in distress" who is haunted by her past)
(Her past being murder, apparently)
I'm hoping the magician/wizard character Hasan shows up too, I'd like to find out about him while I'm at it
I didn't mention this in the last post, but the chapters have these little ornaments at the beginning before the name of the POV character (the chapters are otherwise unnamed, it's like ASOIAF). Arthmael's was a crown, similar to the crown on the book cover but just tilted on its side and with an organic pattern behind it. This one seems to be coins. Is it specifically three coins? Maybe!
I remember seeing the full dust jacket design of the book having coins on the back cover, maybe these are the same coins
Three coins here too, so maybe the number is significant
The other thing of note here are the two figures on the coins, who are they? To me it looks like two princes facing each other, one maybe older than the other? This seems too early for them to have had time to mint new coins showing both Jacques and Arthmael so idk if it can be them? But maybe? This chapter could take place at a later date or something, I have no idea.
Or it could be the king and Arthmael, that would make sense.
(Sorry, this is how I blog about books, I pay too much attention to the details sometimes)
Anyways, onto the actual chapter!
...
.....
....... Welp
Okay this is going under the cut immediately
(Do we need a content warning already? I think we might, but I don't know how to word that exactly. In any case NSFW)
ETA: Yes we doooooooo, we do need content warnings: human trafficking, forced sex work, both involving a minor, including a scene with the victim and her victimiser having sex, physical abuse, also just straight up sexual assault towards the end
Lord Kenan collapses onto my naked body with one last grunt of pleasure. I feel his sweat sticking to the skin of my back and his hands still grip my hips tightly. I can only stare at the sheets, waiting for the moment when he pulls back once and for all and lets me move again. Let me leave your side. Let me be free, this time forever. Tonight was my last night. This will be my last time. Or so I want to convince myself.
Okay reading ahead, it sounds like Lynne is a sex worker, so I guess that's the context of the coins? Oh boy...
Lord Kenan is apparently not the worst client but clearly not her favourite either.
... Oh but he does hit her sometimes if she doesn't show enough enthusiasm, okay
Alright then.
Fourteen years. At fourteen years old he brought me to this damned place. On nights like this, I wonder how I've lasted so long.
Oh it's getting worse, great
I'm no longer excited about this chapter xD
Also I guess Lord Kenan is not a client then but a pimp?
Kenan likes them weak, submissive and sweet. Full of attention for him. I stopped being sweet a long time ago, although perhaps I have never stopped being weak. Maybe that's why I haven't run away yet. Because I'm afraid that what's outside is worse than what's here. But that's over.
Okay okay, realistically this chapter is gonna be her escaping right? Is Lord Kenan the guy she kills or did she already kill someone else? Are we about to witness a murder? I would not be opposed to it
His serious look makes me tense in my seat as he gets ready. His blue eyes have always been icy, although he often tries to melt them with the false warmth with which he treats all of us prostitutes, to make us feel that we are in a good place even if we live in hell.
He tells her that she's their most precious jewel and hopes that she's not boring their customers and then kisses her possessively. She finally snaps and says she's going to leave.
She also randomly starts wondering how old she is, I kinda feel like I might have missed something there, why she's bringing that up right now. But the point is that she thinks she's somewhere between fifteen and twenty.
He seems to think she just meant leave the room to see other customers but she clarifies that she means leaving the brothel entirely, for good.
His hand grabs my face again before I can do anything to stop it. Only this time it's not abrupt. It's sweet, tender. And that's almost worse than the violence he often uses. When he does this, when he smiles, when he caresses me as if he really cared for me, the more dangerous he is.
btw I'm skipping a lot of the details here, I'd just rather not djkghglkj
What is the alternative for a girl like you out there? Without property, without family, without money⌠You will do the same, charging less adn in any alley. Besides, that would be so ungrateful, Lynne⌠Who took you out of need when you were a bony, lost child, a thief who couldn't even put more than a couple of crumbs a day in her mouth?
They've had this talk before and Lynne has always caved in the end out of fear and shame but this time she decides to stay strong
But I'm not going to let it scare me this time. No. I can do great things. If I try hard, I can be the owner of my life. I can start my own business, just like my father once did, before he died. Maybe not in Silfos, where women don't have options, and much less will I have them, having been a prostitute. But Marabilia is a large continent: I will look for them in other countries and, if I don't find them, I will travel to other continents if necessary. I have heard that beyond our seas a woman can be anything she wants to be.
Okay so there might be other continents in this world where women have more opportunities, enough so that the people in Marabilia are aware of this, noted.
lmao, I fully thought this was an island not a continent. I swear the map looked so small! I think it's the style, with the towers and trees and mountains drawn individually, but of course they don't actually have to be to scale, I realise
Anyway, I'm now wondering if the title of the book is metaphorical and refers to the aspirations of the main characters? Not sure what the stone would symbolise, but it would make sense, especially with the dedication as well. Dreams definitely seem to be a theme
Lord Kenan mocks her and thinks she wants to find a wealthy husband to save her, asks her doesn't she already know what all men are like, having seen them visit her, etc.
In her mind she basically agrees that all men are like that but she doesn't want a man or a family
I don't aspire for anyone to love me. I don't aspire to love anyone either. Maybe I couldn't do it even if I wanted to, because I forgot a long time ago what it was like to feel affection.
Well rip
â Oh, little flower! Have you learned so little? Have I taught you that badly? Do you really have hope for something like that? I'm afraid you've read too many stories from exotic countries across the ocean. Here women are not queens, nor do you have rights beyond giving birth to our children. You are worthless without a man to protect you. And who is going to protect you if I don't?
Okay we're clearly not gonna be very subtle
She insists that she's going to leave and goes to put on her clothes but he assaults her and rapes her again, but she reaches under the pillow and stabs him with a dagger.
â I told you I was leaving here, I whisper to him. I open the window. I don't even look at Kenan again. I don't even worry about how long he will agonize until he finally gives up and dies. Arming myself with courage, I take the leap towards my freedom.
End of chapter two.
Ooookay. To be honest that went pretty much exactly how I expected it to go after finding out that Kenan was her pimp and not just a client.
I wonder if he's actually a lord or is that just his nickname? The consequences of the murder would definitely depend on whether he's an actual nobleman or just a random pimp.
Buuut yeah, idk, didn't enjoy this chapter so much ngl xD I much preferred making fun on Arthmael. But I guess it's over now so... idk, maybe I'll read at least one more
I do kinda have a hunch that this book is not gonna be my thing, but to be fair it hasn't really started yet
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As far as arbitrary sorting systems in books go, what's your limit on the number of options? Say you're going to attend a wizard university with different colleges for different focuses of magic - how many colleges is too many?
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This is a post about Ghân-buri-Ghân and the Woses, or the Wild Men.
Full disclosure: When I was a kid, I pretty much skipped this part. I was already getting very lost with the logistics of the Rohirrimâs movement, and I was very impatient for Merry and Pippin to be reunited already and Frodo and Sam to be done with the quest and back on home turf. I was having a hard enough time telling the difference between Gondor and Rohan (every other race in Middle Earth only gets one country thatâs very important, but for the most boring race of them all Iâm supposed to keep track of two?? preposterous), and having yet another group of humans pop up out of nowhere just to disappear after half a chapter left me baffled and annoyed.
After all, the Wild Men are pretty much disconnected from everything else in the story, arenât they? They arenât related to any of the characters weâve met already. Theyâre not personal friends with any members of the Fellowship, or even friends with the friends of the members of the Fellowship. They have very little to do with Rohan and Gondor, and nothing at all to do with elves or dwarves or ents or hobbits or wizards or anything else that Little Me thought were the Important Parts of the story. If you took your cue from the movies, this opinion would only seem reinforced: the Riders of Rohan reach Minas Tirith with no complications greater than a Mumakil, and the Wild Men arenât mentioned even once. If you didnât know better, you might think the Wild Men are little more than an extraneous detour.
But itâs exactly because they seem extraneous that I think we need to pay them extra attention. Tolkien is not a careless storyteller; heâs long-winded, for sure, and has a knack for descriptions in excruciating detail, but heâs not careless. Every word, every sentence, every line of dialogue and narration and poetry exists in the story for a reason. If Tolkien didnât have to put the Wild Men in the storyâif they werenât strictly necessary to the plot, save to solve one problem that (letâs be honest) kinda looks like it was invented just so they could fix itâthat means he wanted to put them there. He wanted them there, because he wanted to tell us something.
I think it behooves us to listen.
So what is Tolkien trying to say? I have no idea. The manâs dead, and I canât ask him. But the message Iâm getting here has two parts:
1. The World Is Big
If nothing else, the Woses serve as a reminder that Middle Earth is much, much bigger than even Lord of the Rings makes it out to be. Thatâs saying something, because LotR isnât a small story! This is a grand legend that stretches across nations, from one horizon to the other in an epic trek, and yet it still fails to capture Middle Earth in its every detail. Entire nations and kingdoms get lost in the wash, or are only mentioned in passing, and some names we only see in the maps at the back of the book.
Remember, Tolkienâs framing device for LotR is that it was an eyewitness account, a history written by the hobbits and supplemented with accounts from their friends. The POV characters weâve had so farâif Iâm remembering correctlyâare Frodo, Sam, Merry, Pippin, Fatty Bolger, Bilbo, Aragorn, Gimli, and a sort of omniscient narrator that seems to represent âhearsayâ or âlocal gossipâ. If any of these characters didnât witness something and come back to report it, then it didnât make it into the story. If they didnât go someplace, or meet some people, and come back to tell about it, then it didnât make it into the story.
But just because the unnamed peoples of Middle Earth donât get into the histories doesnât make them any less important. Just because we donât learn their names doesnât mean they didnât suffer under the fear of Sauron, or rejoice when he was defeated. Just because we donât know them doesnât make them any lessâŚwell, for lack of a better word, human, or any less important.
The War of the Ring mattered just as much to the Wild Men as it did to Gondor or Rohan or the Shire. Because the War of the Ring was about saving their world too.
2. A Treatise on Treatment of Native Peoples
Again, Iâm only trying to reiterate what I can see of Tolkienâs opinion in this passage. I happen to agree with a lot of what he says, but weâre talking about him, not me.
The Woses are, as far as I can tell, the closest thing to an indigenous or native people group in the southern region of Middle Earth. Obviously they must have come from somewhereâanyone whoâs read the Silmarillion could probably fill me in on thatâbut Ghan-buri-Ghan says himself that âWild Men live here before the Stone-houses; before Tall Men come up out of Waterâ. The Wild Men preceded the settlement of Gondor, and inhabited the land even before the Numenorians; they were here First, and still they remain.
So, how does Tolkien portray this native people group? Well, the first thing he does is to sayâhilariously and pointedlyâthat the Wild Men are anything but stupid. Ghan warns, in his broken speech, that Mordorâs forces outnumber the Rohirrim, and Eomer challenges this assertionââhow do you know that?ââto which Ghan says, if I may paraphrase, âboi Iâm not a child I can count as well as you canâ. The first point made is that, though the Wild Men may seem ugly and primitive and are clad only in grass skirts, they are as shrewd as the tacticians of Rohan, and maybe even more.
The next thing that happens is that Ghan strikes a deal: he and his people will lead the Rohirrim to Minas Tirith by long-forgotten roads, and in exchange, the men of Rohan must battle to drive off the Darkness so that the Wild Men may go back to their lives in peace. Of course, this arrangement benefits both parties; both are in danger, and both have a common enemy. To see the end of the Darkness would be infinitely valuable to them both.
This is fascinating to me, because you canât really say that one party here was âusingâ the other, or that one benefited at the otherâs expense. Yes, the Rohirrim gained the guidance of the Wild Men, which furthered their goal; but in the end, it only put them one step closer to possible death on the battlefield against a great Enemy. Yes, the Wild Men get to sit back and watch the Horse-Men risk their lives in open war, but if they should fail, what then? By helping Rohan, they are establishing themselves as an enemy of Sauron; whether Ghan realizes it or notâand personally, I think he doesâthis single act of defiance is putting a target on the backs of his people, should the Enemy emerge victorious. Sure, they can hide in the forests for a whileâas long as there are forests. But not forever. I think thatâs why Ghan takes his stand now; he knows there might not be another chance.
Ghan has established that he is shrewd, straightforward, and honorable. He even vows that he will lead the Rohirrim himself, and that they may kill him if he steers them wrong; heâs that willing to stake his life on his word. But when Theoden promises to handsomely reward Ghan for his help and his faithfulness, Ghan only asks for one thing in return: âif you live after the Darkness, then leave Wild Men alone in the woods and do not hunt them like beasts anymoreâ.
Thereâs something in me that kindaâŚtwinges, when I read this. Like Iâm half-remembering a bolt of anger from Baby Me before I checked out of this passage entirely. How dare this book imply that these kind, noble horse-people would be so cruel and barbaric as to hunt other human beings like animals? Wasnât this the same people whose king accepted Merry like a son, and who provided Gandalf with the best horse in the world? These are the GOOD guys! They wouldnât do something like that! The book doesnât know what itâs talking about, clearly. I wish I could get back to the hobbits again.
But now that Iâm older, I think itâs more telling that Rohan isnât spotless and blameless in this transaction. They have wronged the Wild Men in the past; out of ignorance, maybe, and out of prejudice, perhaps, and out of fear, almost certainly. We all fear what is foreign to us and what we donât understand. But Ghan is putting that aside for the moment. Ghan chooses to extend forgiveness. For once, his people and Rohan face a greater evil, and they unite against a common enemy. All of the sudden, Rohan has an opportunity to make amends for all their wrongs, by âdriving away the bad air and darkness with bright ironâ.
Iâm sure I donât have to tell you about the historical treatment of native people groups in our real world. The archetypal example, of course, is the European settlers and the native tribes of North America; but we see the same thing in Central and South America too, and thatâs not even getting into the British Empireâs other affairs in Egypt and India and China and Oceania. I could talk about the Spanish conquistadors; I could talk about the Dutch in South Africa and apartheid. But it goes even further back than that. Itâs what the Roman Empire did to the Germanic peoples of Gaul; what the Islamic Empire did to the entire Middle East and much of Northern Africa; what the Babylonians and Persians and the Mesopotamian superpower of the week did to their vassal states on a regular basis. Standard practice in Babylonia was to invade a place and immediately ship all the smart, strong, and wealthy people off to Babylon to be assimilated, leaving behind the weak, poor, unlearned, and destitute to till the land and keep their heads down. Canât have a rebellion if everyoneâs too dumb and starving to organize it.
(Incidentally, the Roman Empire is what gave us the word âbarbarianâ; the speech of the Germanic peoples they conquered was unintelligible to them and sounded like âbar-bar-barâ, so they named them after it. The fact that the word they coined now refers to a ruthless, stupid, uncouth person should tell you a lot about the Roman Empireâs opinion of these folks.)
Anyway, the point is that throughout history, thereâs always been a pattern: up comes this people group whoâs smarter and more advanced than anybody else, and they think that gives them free rein to go wherever they want, do whatever they want, and use, abuse, and extort the people they see as âbeneathâ them. The Romans had figured out indoor plumbing by the time of Christ, and they thought they were such hot stuff that they took over the Mediterranean and taxed the living daylights out of them. (Some estimates put the tax rate at about 90%. 90!! Imagine keeping only a tenth of your paycheck every month. I know it already feels like that, but still!)
Weâd do well to address the question that Baby Me probably thought when I read this for the first time: âWhy canât the Wild Men just be Men of Rohan?â Why canât they put on real clothes, and pick up spears and swords, and get on horses and ride into battle and make a real contribution? Why do they insist on going back to their primitive lives? Perhaps part of the reason the Men of Rohan felt justified in hunting the Wild Men is because they saw them as more crude and less advanced people; âthey live in the forests, clad only in grass, hunting and sleeping under the stars like dangerous wild animals, and therefore must be treated as suchâ.
But let me ask you a question: Arenât the people of Rohan primitive too? Aragorn describes them as âunlearned, not writing any books but singing many songsâ; how is that any different from the songs that may be passed down by Ghan-buri-Ghanâs people? Isnât Rohan crude and simple in its own way, at least in comparison to some others? Just because they build houses of wood and speak with fair, beautiful speech doesnât mean they are better than those who donât. If Rohan had the right to treat the Wild Men as they wishedâbecause, as âcivilized peopleâ, they were so much smarter and more advancedâthen Saruman had the right to treat Rohan as he wishedâbecause, as a Wizard, he was so much smarter and more advanced.
I want you to get this. If Rohan does not check itself here and humbly accept the Woses as equals, then Rohan is no better than Saruman.
Thankfully, Rohan does pass the test. One of Theodenâs greatest traits is his humility, and it serves him well here. A deal is struck, a path is cut, and the Wild Men make their contribution and disappear into the forests, with only a lingering portent that the wind is changing, and maybe the times with it. The book says that they were ânever to be seen by any Rider of Rohan againâ; by which I take it that Rohanâs side of the promise was upheld, and the Wild Men lived on, in their own ways, unmolested, in the Druadan Forest until the end of time.
I donât have a way to end this, but maybe thatâs appropriate to the subject matter; like the Wild Men themselves, this post will appear out of nowhere and disappear just as quickly as it came. I just think the Woses are fascinatingâboth for in-universe and meta reasonsâin spite of, and perhaps because of my initial annoyance all those years ago.
We will return to your daily crack post tomorrow LOL
#ghan-buri-ghan#the wild men#lord of the rings#lotr#lotr meta#my writing#there are no tags on tumblr for ghan-buri-ghan or the wild men or anything like that#literally no one is talking about these guys#they are the cryptids that they were always meant to be#in which i wax eloquent about the roman empire and history nerd stuff for WAY too long
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Do u have any good lady's isekai falls-in-love-with-a-prince-from-a-novel type webcomic recommendation? I read 2 and now im hooked
Do I EVER!!!!!!!!!!!!!
Most of these I find on Webtoon. If you join webtoon and read regularly, you'll see them suggesting more things you might like, and new stuff on the main page, and you'll discover more and more of them, too. đ
Happily Ever Afterwards - The heroine is reborn AFTER the epilogue of her fave novel, after her favorite character has been exiled from the kingdom due to the storyâs events (heâs a tragic, sympathetic character). She sets about traveling to the cold, difficult kingdom of his exile to try to convince him to marry her, so that she can give him the happiness he deserves to have after all of the sad events from the book! This comic is SOOOOO sweet, cute, and fluffy-fluff! âď¸
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The First Night With the Duke - Starts out with a lot of comedy, but has gotten much more serious as the chapters have progressed, with some intense scenes that I havenât been crazy about. The heroine completely derails the plot of the novel by being born as a random, unnamed side-character who accidentally seduces the male lead, and no romance between him and the actual female lead ever even has the chance to happen. đ
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The Matchmaking Baby Princess - The heroine is born as a tiny baby princess, who uses her super cute charm to influence the characters around her so that things turn out better for them than the way the novel goes. This one is still fairly new, so the episodes havenât shown a whole lot about how she derails the story yet, but, it is REALLLY CUUUUUTE!! And has very beautiful scenes of palatial gardens and such. Also obviously the heroine herself is not the one that the romance happens to lol.
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His Majesty's Proposal - This one is a bit similar to The First Night With the Duke, with a rando side character getting proposed to by the prince after spending a night with him. A fun twist with this one is that the heroine is reincarnated from a crotchety old woman in her previous life, so she uses all kinds of old person slang (like calling people âwhippersnappersâ and stuff like that lol) and is kind of rude and grumpy lol.
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Every Rose Has a Death Flag - Pretty typical isekai where the heroine is reincarnated as the villainess and knows that all of her ends are bad ends, so she tries to remove herself from the attentions of the prince and the other main characters, but through the process ends up endearing herself to them instead. Good stuff without any weird quirks or gimmicks. đ
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Tricked into Becoming the Heroine's Stepmother - The protagonist is actually one of the AUTHORS of this novel, so she is familiar with exactly what will be happening to all of the characters! She is reincarnated as a rando townsperson though, and doesnât have much influence, until she appeals to the prince and just spills the fact that sheâs the author and knows everything thatâs going to happen to the princess (his daughter) in the future lol?! And he believes her?? And employs her to his household in order to prevent any of the princessâ suffering??? Also did I mention that the princess is the most adorable little toddler ever, with fluffy hair like a chestnut? đđ
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The Male Lead's Girl Friend - Again, the heroine is reborn as the villainess of the story, and attempts to distance herself from the male lead as much as she can (endearing herself to him in the process). Some of the interesting quirks here are that she ships the male and female lead SUPER HARD, and is trying everything she can to hook them up together, but they both only seem to fall for her harder with every attempt. đ There is also a cool school/academy setting to this one to set it apart from the others with similar plots, as well as BIG YURI VIBES between the protagonist and the female lead.
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How to Survive a Romance Fantasy - This is the most comedy-intensive of everything on this list. In fact, it just kept getting sillier as its chapters went on, and I actually dropped it from my reading list because it wasnât making me laugh as hard anymore as it was in the beginning.. đ
In this one, three normal-world folks are reborn in the fantasy world, as the heroine, the prince, and the villainess, and ALL THREE of them hate it and want nothing to do with the plot, so they run away as far from the plot as they can, and are also keeping their identities as the main characters secret from one another. It is very, very silly.
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Non-Webtoon Webcomics
These have not been officially picked up & translated. To read them in English, you will have to find them online where they are posted by fan translators.
The Villainess is a Marionette - This is for real probably my very favorite comic on this whole list, and can you believe how beautiful the art style is??? The tone of this one is totally different from any of the others here. The protagonist is reborn as a malicious villainess with particularly cruel endings in her future, and she sets about to avoid them by using her power, influence, and wiles to manipulate the royal intrigue happening around her. Sheâs... RELATIVELY kinder than the original villainess was in the story, and several characters that were her enemies in the original story are endeared to her now, but sheâs still got her claws sunk into the royal familyâs shady dealings. This is a âbad boss b*tchâ kind of heroine lol, and itâs super satisfying to see her come out ahead of the other villains with her crazy 4D chess manipulations.
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Sincerely: I Became a Duke's Maid - A super snuggly, sweet, and fluffy story where the protagonist is reborn as a maid during the tragic antiheroâs childhood. He is afflicted with a painful curse, and the protagonist, knowing that only more pain is ahead for him, does her best to befriend him and make his youth a little bit lighter.
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Who Made Me A Princess - Yet again, a tragic end awaits this princess that the protagonist is reborn as in her childhood, so she uses her cute charm to change the kingâs attitude toward her (he was neglectful in the original story). Some interesting original-plot-derails happen in this one, where her innate magic power is much stronger than itâs supposed to be, and she needs the help of a magical pet creature and a very handsome wizard to sustain her life in this world.
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Seduce the Villain's Father - This one wins the award for having the most hilarious title in this list. đ Itâs much cuter and lighter than it sounds!! This protagonist derails the original plot by allowing herself to be kidnapped by the villainâs kingdom instead of the intended character (her sister). She is reborn among characters the generation before the events of the novel, so the villain himself isnât here yet - but his handsome dad is! And if she can convince him not to marry the woman that would become the villainâs mother, then the storyline is saved! Probably!
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Special mention:
My Next Life as a Villainess: All Roads Lead to Doom! - This anime is probably the main âreincarnated as the villainessâ isekai that introduced most of us to this concept. đ
Iâve linked to where you can watch the anime for free on Crunchyroll, but there is also a manga if youâd prefer to read it! While there are many, many comics that use this plot hook, this is the only one that made it to anime form, so itâs like, required watching!
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To close this long list up, all of these recs are JUST ISEKAI!!!! If I were recommending my favorite webcomics in general, there could also be Cursed Princess Club, The Remarried Empress, The Princessâ Jewels, and Men of the Harem in this list...
There are so, so many comics with beautiful art styles featuring gorgeous princesses, itâs crazy!! đđ I could for real spend my whole life reading them probably?? đđ Those millions of women that read romance novels about dukes falling in love with noble women are suddenly extremely relatable.
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Some thoughts I want to add in the comments to this but have no coherent connection between them:
I do not condemn piracy but I think WotC been going after sites hosting content like the one you linked so I would be careful sharing those links in public, because if they become too common-known and talked about openly, WotC may shut them down.
If you want to stay with D&D regardless of the argument about its cultural dominance, then you could at least support third partry developers instead of WotC. You can buy a whole D&D-esque game without paying WotC a dime by using Tales of the Valiant or Level Up! Advanced 5e. There are probably more setting and campaign books from 3rd party than there are from WotC, it's why Wizards tried to kill the OGL once they realized how much money D&D makes that they are NOT getting.
It is also worth mentioning that some companies that started as third party d&d publishers used the founds and experience to launch their own games. Kobold Press' abovementioned Tales of the Valiant, Darrington Press' Candela Obscura and Daggerheart and MCDM's yet unnamed RPG are all good examples of games we would not have if the publisher didn't make money on d&d first. And for the record, Tales of the Valiant is a 5e clone, yes. But Candela is a Forged in the Dark game, while MCDM and Daggerheart are in real of "my own fucking thing cut off from current trends" entierly.
Cultural dominance of D&D does not just mean 5e and games based on it. Sorry to break it to you, but Pathfinder and OSR games are also closely related to D&D, mostly older editions, and if you want to break off this conversation you need to try something else entierly. "Play another game" means nothing if you just use is as a roundabound way of saying "play Pathfinder". And yes, this point is me still being mad at the asshole who told me to try another game than D&D and then, when I told him I also play Blades in the Dark, had the audacity to say it doesn't count and told me to play Pathfinder.
-Admin
I've briefly touched upon this topic before but here goes; I know you can play D&D for pretty much free because it's extremely easy to pirate, but I think we've settled by now that piracy doesn't actually hurt companies as much as they want us to think, meaning that pirating D&D isn't as big of a "stick it to WotC" move as it's often presented as. Of course if you absolutely have to play D&D (but, like, why?) you won't get any moralizing from me about piracy, like, ever.
But the point is: supporting another game either monetarily or with your valuable time is a much more direct and tangible way to stick it to the cultural monopoly of D&D than playing D&D and not paying WotC. I mean if it's another big-ish publisher I don't have a lot of faith in their working conditions being much better than WotC's, but in some cases it probably is so. As it often happens, the market leader can often afford to pay its employees worse simply due to those positions being more desirable.
But anyway who cares, there's lots of games out there where you can actually get a full game sometimes for less than the cost of a single D&D book and since those games are often built as more focused experiences than the D&D "forever game" formula you're actually more likely to get to experience all of the game instead of a lot of the content existing just as shadows on the cave wall.
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Is It Me Or Does This Describe Amity To A Tee?
So this is just a detail Iâm noticing from âWitches Before Wizardsâ and while Amity has yet to appear yet Luz has the dialogue of, âOr should I be like a bad girl Chosen One with black nail polish and a mysteriously withdrawn attitude? "I act like I don't care, but I secretly do."â
When we do finally meet Amity, she wears black nail polish and she does have a withdrawn attitude. We rarely see her hanging out with her âfriendsâ of Boscha and co and when we do, she has an attitude that suggests she would rather be anywhere else.
And as for, âActing like I donât care, but I secretly do.â She admittedly fails at this a lot, but she fails at it around Luz. We only see her when this new factor has been introduced into her world, the new factor that causes her to open up. Before Luz, maybe this was Amity.
Plus letâs also consider Amity is a Good Witch Azura fan. Luz in this moment was deciding which sort of Chosen One she should be, there is the Good Witch Azura and then Luz describes this bad girl who could possibly be reflective of a character in the books. Perhaps, Amity has built a personality based on this unnamed character. Better yet perhaps it is alluding to Amity potentially being a Chosen One sometime in the future?
I mean I think Luz will eventually be a Chosen One of some sort but Iâm pretty certain she will model herself on the Good Witch Azura, she tends to lean that way in her fantasies and fight scenes, âI am the Good Witch Luz.â So perhaps Amity is the other side of this coin, the bad girl side who compliments Luz in her fights against evil. I mean after âEscaping Expulsionâ I can quite easily see it. I mean just look at them.
Feel free to like, comment and reblog. I always welcome comments and criticism. Anyway I hope you enjoyed đ
#amity blight#luz noceda#boscha#skara#lumity#the good witch azura#witches before wizards#escaping expulsion#spoilers#the owl house spoilers#the owl house
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Merry Go Round of Life 2
Find my masterlist
Part two of the Howlâs Moving Castle AU! There will still be a blend of movie and book in this chapter. Still no Din, but we do meet a couple others! (Iâm very curious to see your guesses about the as-of-yet unnamed certain scarecrow.)Â
This will eventually be a Din Djarin x f!reader.
Warnings: Nothing much. A little unspecified swearing.Â
Chapter two: In which we meet a fire demon
You stood there for a moment, stunned into silence. What had just happened? Curse? What curse?
Shaking your head, you moved from behind the counter to go lock the door, only you couldnât seem to walk as quickly. Indeed, you were almost⌠hobbling? Concerned now, you looked down at yourself. Was the ground closer or was it just you?Â
And then you froze at the sight of your hands. Your hands were thick-knuckled, knobbly, wrinkly, with prominent veins. You blinked down at your own skin, confused for a moment, and then you rushed (as well as you could) towards the floor-length mirror you had set up for customers.
A little old lady stood in the mirror, in your blue dress, with white hair. She looked about ninety - a little hunched, knobbly all over, with wrinkles everywhere. You blinked, and the reflection blinked.
âIs that me?â you murmured out loud, and then jolted. Your voice didnât sound right - a little more scratchy, something. It sounded off. You touched your fingers to the mirror and stared. The reflection was wearing your dress, so unless the mirror had been enchantedâŚ
But no. Sheâd specifically said that you were under a curse.
âThatâs really me, isnât it?â you asked yourself. As the realization faded a bit, you felt oddly calm. Almost detached. With a low groan and a series of creaks and cracks, you hobbled over to the door to flip the sign to closed and lock the door.Â
Well. This was⌠something.
You creaked and cracked and groaned your way up the stairs to your apartment. There were no wizards or witches in Kalevala, you knew this. So there would be no one to help you here. Which meant there was no point staying, honestly. Wizards were notoriously unreliable, from what youâd heard. You had no guarantee one would come even if you sent a letter begging them.Â
So, clearly, the best choice was your next one: go find one. Surely if you found a wizard (or witch, you werenât going to picky) one would help you, right? And of course there was still the mysterious wizard of the moving castle around, not far from Kalevala at all. Surely you could convince him to help.Â
So you wrote a letter to Omera (in shaky handwriting that you had trouble reconciling as yours). As promised, you couldnât write anything about the curse, and ended up wasting a few pieces of paper because of that. Finally, you gave up on that and simply wrote that you were taking a few weeks to travel for inspiration.Â
Inspiration. Sure. Omera was going to read that and get half the town in an uproar. But it was the best you could do on such short notice.
That done, you gathered up some food and your favorite cloak. You locked your apartment, and sealed a spare key in with the letter to Omera, which you left on the shop counter. Omera had a key to the shop - sheâd let herself in once someone realized you were gone.
(Someone would realize, right? Right. Of course.)Â
With a faint wistfulness, you patted the shop door, and set off to find a wizard. Fortunately, though youâd aged quite a bit, you still seemed hale - your legs worked fine (after a few more cracks), and though you were slower than usual, you were able to get around just fine.Â
The walk out of town to the hills was⌠something. It was odd. Youâd left the town exactly once before, to visit your other sister Cara in the capitol once. But even then, youâd had transportation, and Omera beside you. Leaving on your own with nothing but your pack? It was frightening, and new, but somehow liberating. There was no expectation here. No inherited dress shop to run. No expectant clients to appease. No gossip to listen in on, or ignore.Â
It was quiet.
Once out of town proper, you started climbing the hills. There were dirt roads up here for the farmers that lived out this way, and for now you just continued along those. You took a couple breaks, sitting on the side of the road to take a drink or eat a nibble, always turning to look back at Kalevala.Â
âIt doesnât look so far away,â you muttered to yourself. âI could probably throw a stone into the nearest chimney!âÂ
Heaving yourself upright again, you started on again, until you spotted what looked like a stick. A walking stick, maybe. You could use one of those.Â
Hobbling over, you grabbed the stick and managed to wrestle it free from the hedge along the road. Only it wasnât a walking stick. It was some kind of scarecrow. You hefted it upright (with perhaps a muttered swear or two) and then squinted up at the scarecrow.
âWhy is your head a turnip?â you asked, rhetorically. âAh, well. Not a walking stick after all. Too bad, my friend. May you find a better field to stand in.âÂ
You continued on your way, grumbling a bit to yourself. It was getting late - the sun had not yet set, but it was low in the sky. Your daylight was limited, and you had no idea where you would bed down for the night.Â
You stopped for supper on a low rock, sitting and stretching out your legs with a low groan. You could still see the town quite clearly.Â
âAll this walking and Iâve barely left home,â you grumbled. âThis wizard had better be able to help me.âÂ
You gnawed on your food, stuck somewhere between melancholy, anger, and resignation. But you were far too stubborn to turn back now. After all, what did you have left to lose? Certainly not your good looks. You chortled at yourself for that.Â
You had just gotten to your feet again when you spotted a likely-looking stick. Hobbling carefully over to it in the dimming light, you pulled a nice walking stick out of the hedge. It was a bit tall for you, but smooth and sturdy.Â
âNow this is a fine find!â you muttered. âThis will be a great help.âÂ
And with that you marched on. You were panting as you reached the top of the hill and you paused to look around. The land out here really was beautiful - rolling hills dotted with farms. Although you could see something moving towards you. Something big. Something big and grey and oddly bulbous, not very like a castle at all, actually.Â
The wizardâs castle ground to a stop not far from you. It was odd, round where it shouldnât be, not as tall as you expected, and an odd color. It was almost metallic, although surely it wasnât actually made of metal. That would be preposterous.Â
âWell, I wanted the wizard,â you told your stick. âI suppose I should go knock.â You started towards the castle, searching for a way in. There wasnât one immediately apparent. It wasnât until you hobbled around to the back that you found a door, and eagerly started towards it.Â
The castle started moving.
âWill you slow down?â you gasped at the castle, hobbling as fast as you could. You managed to tap on the door with your stick, stumbling a bit and falling behind momentarily. With one desperate hop, you managed to grab the doorknob. Another hop and a skip got one foot on the doorframe, and you pushed the door open. Two more skipping steps got you in the castle, and the door slammed shut after you.Â
Your first impression of the inside of the castle was⌠not favorable. While it wasnât a total mess, it was cluttered. The large table in the center of the main room had objects strewn across it. More things lay on the floor, largely shoved into corners out of the way. (You didnât quite dare to look too closely at these items.) A large fireplace dominated one wall, with a cushy armchair in front of it. Troubles momentarily forgotten, you made straight for the chair, sinking into it with a grateful groan. These old bones hurt more than you thought possible, but the warmth of the fire was slowly helping.Â
âWhat a curious fire,â you mused to your walking stick. âWhy, itâs almost got a face. Curious indeed what these wizards can do.â
âNo wizard did this,â the fire snapped back at you.Â
You blinked. The fire blinked back. There was a riot of bright red flames atop the face, and the face itself was vaguely feminine, all in yellow and orange with a touch of blue at the eyes.Â
âThe fire speaks?â you asked, sitting up straighter.
âYes, the fire speaks,â the fire spoke. âThe fire also has a name. You can call me Peli.â The fire puffed up a bit.
âPeli,â you repeated dutifully. You were still not convinced you were somehow hallucinating this.Â
âSo what brings you out here? Not many are willing to wander out so far away from the town, or so close to Tattooine.â Peli leaned forward a bit.Â
âIâm seeking a wizard,â you told Peli. You noticed the logs in the grate were almost burned up, and leaned over to heft a new log into the fire.
âOh thatâs nice,â Peli hummed, settling in on the new log. âWhy do you need a wizard? Oh, wait.â The fire looked you up and down, very obviously. âAha! Youâre under a curse, too!â
âI am,â you agreed. âWhat do you mean, too?â
âI am also under a curse,â Peli told you, lowering her voice. âBut I can help you, if you help me.âÂ
âYou can break my curse?â you asked, caught between eagerness and suspicion.
ââCourse I can!â Peli boasted. âI wasnât always stuck to this grate, you know. Iâm a very powerful fire demon.âÂ
âSo I see.â You yawned. You couldnât help it. Youâd been traveling all day, the fire was warm and felt good on your old bones, the chair was comfortable enough.
âHey. Hey! Will you help me or not?â Peli hissed.
âAlright,â you agreed, half-asleep. âIâll help you, if you promise youâll help me.â
You missed whatever Peliâs response was. Your head tipped back against the chair and you were out like a light.
#merry go round of life#the mandalorian x reader#din djarin x reader#din djarin x you#howl's moving castle au
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