#the writing seems devoted to most of the original world

[xinea]

Finally got around to watching live action ATLA and actually so far? I don’t hate it

I am very much the first to be cynical about soulless nostalgia cash grabs but as far as those go this is far from the worst

[astropookie]

Ascendants at different degrees 🦚🦢

my natal mercury is square with transiting mercury 😭 km pls. my mind has been a MESS I can’t and that’s why all my fucking ideas seemed difficult to write. srry if it’s not it.

julianlandini

Ascendant at Pisces degree (12° or 24°)

that’s fucking meee. i have this fairy vibe or they often call me hippie. that sensible and humanitarian side it’s there, the wanting to contribute for the best of others, to make that world they dreamed of basing it on the different perspective of others, of what the other have felt and how they have felt when they witnessed it. since the origin, since the depth of things. the path of their life is about to express themselves and to speak for others? The ones that couldn’t spoke? Bc all their life they have been listening to them, looking from a side the reality they’re scared of. -they’ve been psychologists if you want to call it that way-. They want to give love, they have so much love to give. During a period of their life -mostly childhood- they could have felt isolated from the world, these period of time could have been pretty sensible for them and helped them to “open their eyes”, how the world they thought worked was a lie.

Ascendant at Taurus degree (2°, 14° or 26°)

the difference of a person when the degree of the ascendant changes it’s incredible. There’s two people in my life that have aries rising but the one with taurus is completely different of the other. How a person with taurus degree on their ascendant live or the vibe of their life…they want comfort but at the same time have to have what they want, they’re persistent in to what they want and that’s attractive. I have seen people with this placement having a lot of romantic interactions or situationships, it’s easy for them to attract lovers👅 I’ve noticed they make good use of opportunities, they remind me of a bear bc I want to hug them no matter what. They’re realistic or practical. They indeed are critical with food, they need to take their nap to feel good. They’re like old people, how they point out manners and limits people have to have on their perspective and etc. I’ve seen a lot of people with these placement that had moved to their natal place to other bc of the opportunities. could mean also they are part of a family that can provide them economic support or/but with time they had struggle with it.

Ascendant at Aries degree (1°, 13° or 25°)

they’re pretty erratic, they look fucking mad all the time. They’re impulsive, their emotions, their decisions, they don’t know how they ended up the way they ended up. You can see from aside they’re natural liders. however, their whole life they’ve been fighting for being the liders of their life. there’s people around them that don’t understand limits, that think they have the right to control the aries degree life. these placement have to learn that they have the right to stand up for they want even if others don’t want to or don’t let them. they want to have something build by their own, THEIR thing, if not they’ll feel lost. they follow their heart and not doing it will cause problems in the future.

Ascendant at Capricorn degree (10° or 22°)

I have a friend that has Leo ascendant but she wasn’t giving me the stereotypical explosive energy someone expects from a leo. I did my research 😌 and of course she has a Capricorn degree. She is a very career focused person, grounded and driven by her goals. Also an introvert or priorities the company of the ones she likes the most or thinks is the best. She’s studying to be a doctor, her whole life will revolve around her work, she is devoted and has a BIG heart for her loved ones and the ones that would be part of her path. She looks serious. They’re seemed as reserved bc they’re 🤪 and when you get to know them they’re a beautiful soul. They won’t let anything get into their way when it comes to their career and goals, they’ll risk it all. Around their life they’ve had this introverted behavior or they’re Saturn ruled, which means they know bc they have to experience things, little by little but they have had and have to. In other words, they have seen and been in difficult situations that later -bc they have the power- analyzed the situation in 3er person to comprehend bc if not saturn will do what they do🤭

—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•—•

❀ Based on my personal experience and what I’ve analyzed in my surroundings.

❀ English is not my first language.

❀ I’m not a profesional astrologer, I just love astrology and I’m willing to learn.

Thank youu. baibaiii🫣🫶🏼💋

Do not copy. Please give me credits.

[etrangeres]

The Curious Case of Kaitou Kid

(UPDATED 11/27 JST. Sections with significant new portions will be bracketed with a ☘️)

We love alliteration in this household.

To start with an anecdote, I went to the main Animate store in Ikebukuro some 2-3 weeks after M27 began showing in theaters. I had two reasons to be there: hopefully grab some copies of the Magic Kaito Treasured Editions, and grab what movie-related merch I could. The former I managed, but the latter was a lot harder. Despite them devoting nearly an entire wall on the right side of the first floor to Detective Conan merch, every single piece of non-blind box Kaitou Kid merch had been snatched up already. This trend of Kid’s merch being sold out seemed to continue for at least a couple weeks afterward, at least in and around Tokyo.

This demonstrates something I think we all already know: Kaitou Kid is a crazy popular Detective Conan character.

…Detective Conan character? Yes, but… No. But definitely yes. But… yes?

Kaitou Kid - real name Kaito Kuroba - is such a funny character if you think about him for more than a few seconds. So I chose to think about him for a few, uh. Days.

When I say he’s funny to think about, I don’t necessarily mean in terms of who he is as a character - which is admittedly also fun, because I think Gosho Aoyama is the king of gap moe - but more in terms of his placement in the greater DCMK canon. I mean, the fact that we have the “DCMK” acronym at all signifies the importance of tying these two series together. Even though they technically take place in different worlds. You know. Technically.

So I want to (mostly) chronologically go through Kid’s history in Detective Conan, how it relates to his origin as Kaito Kuroba in Magic Kaito, and amuse myself with the strange relationship he (and his source manga) has with the juggernaut that is Detective Conan.

Before we jump into this, some basic notes:

-I don’t mean for this to come across like some academic thesis. Nor did I actually think this would hit over 18k words. I’m just Like This.

-Any translations you see here are done by me, from the source Japanese.

-There will be concrete mentions of events from M27. They are comparatively trivial in terms of the mystery the film offers, but there will be spoilers for certain major parts of the plot as they relate to Magic Kaito elements. This will be clearly demarcated, should you wish to avoid those spoilers.

The MK to DC Pipeline

So I don’t know how many people actually need this information, but for completion’s sake:

Magic Kaito is Gosho Aoyama’s debut serialization (important distinction), and it began in June 1987. Though roughly the first two volumes’ worth of chapters were published at a fairly consistent monthly rate, it grew more and more irregular after that due to the popularity of both Yaiba and (more importantly for our discussion) Detective Conan. Due to it still technically being an ongoing series, it is currently Weekly Shonen Sunday’s longest running manga. This just so happens to be followed by Detective Conan, and they lead this particular ranking by a fairly wide margin.

The manga as it currently exists came out of the one-shot “Nonchalant Lupin,” which he submitted to Shonen Magazine’s manga contest after his editor told him to “draw the story you most want to draw” (Treasured Ed. V5). The one-shot won an honorable mention. His comment in Treasured Ed V1 also mentions that he “all but became a mangaka because I wanted to write about a high school kaitou,” so he’s clearly attached to the concept. He’s also clearly attached to Magic Kaito itself; a number of excerpts from the Gosho Aoyama 30th Anniversary Book, for example, talk about how a greedy part of him immediately thought of Kaitou Kid on the silver screen when he heard about the first movie being greenlit, or how he thinks Detective Conan will one day end but Magic Kaito may not because that’s what he really wants to be writing.

Back to our timeline: the Kindaichi Case Files were gaining steam in the early 1990s, and Weekly Shonen Sunday wanted its own version of the boom. Gosho himself was approached by the editorial team at Sunday to do a mystery series, and he accepted, not thinking it would last very long - not only because he wasn’t all that interested in the idea, but because he didn’t think there would be enough material to last more than three months.

It has lasted 30 years.

I say all this not to indulge in the depressing truth that Magic Kaito only has just shy of 40 chapters, but to specifically highlight the synergy Magic Kaito has with Detective Conan - despite the existence of magic in the former - due to their shared inspiration of Arsene Lupin. Things like Sherlock Holmes and Kogoro Akechi are pretty obvious inspirations for Detective Conan that I don’t need to go into in much depth, but the idea of a “high school kaitou” still very much bleeds into aspects of Conan’s character. Many of the things Kaito is either capable of naturally or has to deal with due to the inherent nature of his position are things that are also reflected in Shinichi.

Feats of physicality (Comes naturally to Kaito due to genetics and practice; enhanced for Conan via Agasa’s inventions)

Master of disguise (A practiced skill with makeup and voice changing for Kaito; use of a voice changer and aid from people in his life to deal with disguises)

Secret identity (a flipped perspective version: Kaito has a straightforward secret identity, while Shinichi has to keep his survival a secret)

The “bumbling police” (A good kaitou story will have a morally upstanding but kinda dumb detective that demonstrates the sheer skill of the kaitou in question while putting a contrast to their morals. Nakamori is this to Kaito; though not a one-to-one, characters like Megure or Kogoro serve similar roles to Shinichi to demonstrate his skills as a detective.)

“Why are you like this????” (Admittedly the most Vibes of the list, but there’s a level of gray morality. We root for the main character while knowing that what they’re doing is at times questionable. Kaito goes without saying, but Shinichi is more likely to engage in suspicious behavior like breaking into cars, bugging people’s houses, or even stealing evidence after becoming Conan.)

Motive (The most interesting - and sometimes the funniest - overlap is the fact that they’re both after a shifty organization. It’s a bit surface level at first, but there’s a suspicious level of overlap between not Shinichi and Kaito, but Shinichi and Toichi.)

All of this is to say that pushing DC and MK into DCMK is almost comically easy once you adjust for tone (and, uh. remove Akako, I guess) because Shinichi is BUILT from the kaitou framework and tweaked into a detective. So it’s no wonder Gosho decided to throw in a Kaitou Kid cameo that turned into the character asserting himself as a recurring sub character, as opposed to a quirky crossover character.

Even if he’s still both. And also a secret third thing.

The Last Wizard of the Black Star

So, there’s not much to mention about Magic Kaito’s early run. All chapters in the pre-DC era are stand-alone stories, with the plot starting and concluding within the span of a single chapter. It was a bit of an “anything goes” era, with the genre fluctuating all over the place and a lot of things we consider “standard” in any given Kaitou Kid story not yet being fully codified. Many of these weirder chapters have their own charm if you allow the gag manga energy to take you for a ride, but if gag manga isn’t your thing then it feels like these chapters are where Kaito himself is at his most…incongruous with the character that would eventually show up in Detective Conan. (Let it be known for the record that I personally find these early chapters SO silly and would kill for an animated adaptation of Clockwork Heart, the truly bonkers third chapter.)

The biggest “what do you MEAN that wasn’t there from the start?!” is by far Blue Birthday, which is the chapter of Magic Kaito that was published immediately before Detective Conan began serialization. It took about half of the currently released chapters to introduce Pandora, a now fundamental concept that is likely to be included in ANY one-paragraph summary of Magic Kaito’s plot. It isn’t the only thing, of course; though Kaito’s card gun debuts in the very first chapter, his hang glider doesn’t show up until Chapter 10.

The other major thing worth pointing out in the pre-Black Star era is the general pacing and fundamental makeup of the stories themselves. Very few case-only (or heist-only, as it were) characters show up in these chapters. When they do show up, they tend to be pretty flat, are often ridiculous, and are there to facilitate the hijinks of the day (the gun-crazy detective, the weird robot inventor, the irresponsible prime minister).

This changes with Green Dream, and it’s an immediate change. Detective Conan has been in serialization for over half a year by this point, and already its formula is bleeding into Magic Kaito. There are multiple new characters per heist, and multiple pages with two to three times more text than before are dedicated to setting up a fundamental conflict. Kaito is also more likely to take a stance in this fundamental conflict and use his talents and status as Kaitou Kid to lead it to a conclusion. Behind all of that, though, Kaito himself is still the cheeky little agent of chaos we all know and love throughout these chapters. (As an aside, the Kid mark used on his advanced notices debuted in this chapter!)

The big watershed moment is very obviously Black Star - the Detective Conan version, in this case. In both this and the Magic Lovers case (despite his very little screen time in the latter), readers of Detective Conan are introduced to a FAR more serious version of the Magic Kaito character. This is largely because what we’re seeing in Black Star specifically is a 100% outsider's perspective. Though we’ll very shortly find out this is not Shinichi’s first meeting with Kid chronologically, it is the first time he not only hears his name, but also has any real interactions with him. Kaito wears the mask of his father in his performance as Kid, and you could very much argue his guard is WAY up around probably the weirdest child he’s ever met. So in a story from Conan’s perspective, we have no way of seeing behind that mask.

Personally, I always put a bit of an asterisk next to DC’s Black Star. This is the case that feels the most like a “crossover” than any other Kid case after this, and of course it would. It’s the very first one! It’s the Kaito and Aoko cameos that really bring this vibe for me personally; great care is taken in Detective Conan not to pull much of anything from Kaito Kuroba’s personal life except in a few stand-out cases, and those  almost never involve anyone in our core cast directly. And I don’t even mean in the “he’s only ever shown in his Kid costume” way, because there are plenty of times where he shows up not wearing that. They key for me is that Kaito is always “at work” as a disguised Kaitou Kid as opposed to as Kaito Kuroba - the hat, the darker clothes, the low-effort disguises as police or staff. That kinda thing. But the appearance of Kaito and Aoko in their casual wear or school uniforms here really makes this case stand out in a way that later cases simply don’t joke about.

Detective Conan shows us Kaito at work. It’s why he comes across as so difficult to grasp and almost intimidating in these earliest of appearances. Those vibes obviously continue into The Last Wizard of the Century, the third theatrical release and Kaitou Kid’s very first movie appearance! His grand total screen time is only a fraction of the movie’s full run, but the vibes have a heavy overlap with that first conversation Conan has with Kid on the roof in Black Star. Though there are debates regarding the movie’s canonicity, this also marks the point in at LEAST movie continuity where Kaito figures out Conan’s identity, so there’s that precedent set. (Put a pin in that, by the way.) This also marks the first time Kid disguises himself as Shinichi.

What’s more amusing to me is that Magic Kaito’s Black Star seems to have been published to coincide with the movie’s release. Magic Kaito’s very first chapter after Kaitou Kid’s appearance in Detective Conan brings Shinichi Kudo to Magic Kaito. This is his only appearance in Magic Kaito to date, whether it be as Shinichi or as Conan. Gosho mentioned in his note on the Yaiba vs Kaito chapter that he really likes crossovers (same hat), so I have to think that the limited run of Magic Kaito is likely why we don’t see more DC characters in MK. Though in a Q&A he did toy with the idea of Conan showing up in Magic Kaito one day, so…

All that said, every time I think of MK’s Black Star my brain shoots off in two directions. The first and easier to articulate direction involves Akako’s presence, but we will get to that in the next section. The second direction is the very existence of this chapter at all.

As I mentioned above, this is the first new heist for MK after Kid showed up in DC. It is also the first multi-chapter heist, which indicates even more influence is bleeding over. It was also published alongside the movie, probably as part of a promotional stunt. Something about it feels like a doubling down of sorts on the stapling of these two series together. Kid showing up in Detective Conan is a fun reference; Shinichi showing up in Magic Kaito instead of the more recognizable Conan feels like a statement of shared worlds, largely because of how it makes you think about the timeline. The Akako issue aside, it really feels like he wanted these worlds to collide. If you have your own Lupin analogue AND your own Sherlock analogue, why wouldn’t you want to pit them against each other?

Add More Staples!

It’s at this point that updates to Magic Kaito get… particularly sparse. But there’s a LOT of stuff going on across the DCMK space as a whole in these few years that feels like it’s trying to tie the two series together.

We start off with the Twilight Mansion case, which introduces Hakuba into Detective Conan. Which would be fascinating by itself, but this was also Hakuba’s first appearance in EITHER DC or MK in TEN YEARS if you don’t count his one-panel cameo in MK’s Black Star. The framing of his introduction in Detective Conan is interesting, because the paneling and composition very clearly tell the reader that the character that’s about to be introduced is either 1) important, or 2) already known. In Hakuba’s case it’s clearly the latter, but this would make very little sense to someone that isn’t as aware of his place in Magic Kaito.

Enter The Gathering of the Great Detectives, the animated adaptation of the Twilight Mansion case that was turned into a two hour special and opened with MK’s Black Star. There are ways in which it’s an odd choice, given Hakuba barely appears in Black Star at all. But I think Hakuba’s status as yet another Magic Kaito character being introduced into the narrative provided an opportunity for them to adapt a Magic Kaito heist for TV broadcast, and the chapters featuring Shinichi were the easy choice. The Yaiba vs Kaitou Kid vs Conan OVA had come out shortly before this, so it’s technically not the first time a Magic Kaito chapter had been adapted. But that was more of an altered gaiden OVA compared to this, and this TV adaptation seemed to hit you over the head even harder that there was merit to delving into Magic Kaito if you were a fan of Detective Conan.

☘️Between these two was the first of many OVAs, and the first of a couple of attempts to shove Conan into Magic Kaito material: Conan vs Kid vs Yaiba. This is an adaptation of an August 1993 chapter of Magic Kaito, and is the chapter that broke a roughly three year break in publication (it was then followed a few months later by Blue Birthday). Much of the main plot of the chapter is largely kept intact, with one fairly major (and obvious) difference: Detective Conan’s involvement. Much of the core DC cast has been dragged into the plot, which is at first a little odd considering the explicitly battle shounen-style magical flavor of Yaiba.

This OVA handles that incongruity with the “fever dream” solution. In Conan’s side of the story, things get increasingly more and more ridiculous until the final reveal that Conan had fallen asleep reading Yaiba. Which is to say that, plot wise, the OVA ultimately amounts to nothing. But that’s fine, because what’s more interesting is how early they display Kaito’s carousel of emotions in this OVA as compared to the “mainline” media (manga or movies). What’s also worth noting is that this is the first appearance of Akako in DC media, right before she gets a more mainline debut in EP219. She’s a one-scene wonder, bursting in with an ominous fortune and leaving in a very magical disappearing act.☘️

But the OVA, in the aforementioned fever dream context, excuses her existence. In the manga, though? Oh, Akako. Bane of the DCMK world. Sole reason we must argue that they take place in parallel worlds despite how ridiculous that sounds.

In the manga, Akako gives Kaito her premonition about the Demon of Light coming after the White Sinner. This is also in the episode, if memory serves. But in the episode as aired on TV, Akako features very little after that… because they fully cut the scene of her attempting to use magic at the base of the clock tower. Magic does not exist in Detective Conan, after all. It was eventually put into the episode another ten years later on the bonus DVD that came with certain versions of the Treasured Edition of Magic Kaito Volume 4.

More broadly, Akako is clearly a sticking point for the combining of these two “worlds” into one. Gosho himself takes the easy way out by ignoring Akako’s existence entirely in the Detective Conan canon, just as the TMS adaptation of Black Star did. He’s often brought up the concept of the two taking place in parallel worlds where the only major difference is the presence of magic in one and its lack in the other, as in his comment on Akako’s intro in Treasured Ed. V1: “In truth, the biggest bottleneck when it came to introducing Kaitou Kid into Detective Conan was the inheritor of Red Magic herself! So please just accept the two series as parallel worlds (lol).” He’s much more straightforward in his comment for Sun Halo in Volume 5: “You really gotta have Akako use Red Magic! (Please just assume Akako does not exist in the Conan world…lol)”

Despite this insistence she doesn’t exist, Sky Walk features an almost blink and you’ll miss it reference to her. Nakamori brings up the idea of Kid’s assistant being in play, to which Conan shows surprise at him having an assistant at all. Nakamori replies that there are multiple reports, some of an “old man” and others mentioning a “young woman.” The old man is obviously Jii, but the young woman is very likely meant to be a reference to the stunt Akako pulls in Akako’s Delivery Service, a very early Magic Kaito chapter.

As you’ll notice, Akako is still very much a practitioner of sorcery as of something as recent as Sun Halo, so it’s not as though Gosho has simply opted to phase her or her magic out of Magic Kaito. But considering there are MULTIPLE DC cases that deal with debunking the supernatural, her presence would most certainly complicate things. That being said, Magic Kaito’s world and plot do not seem to hinge on magic in an intrinsic manner (unless Pandora is literally a magic gem, as opposed to the tale of the gem being a metaphor for something), so I personally don’t see too much of an issue with magic being very rare, even in Detective Conan’s setting.

To keep with Magic Kaito for a little while longer, Golden Eye was the single heist released during this period. As far as its significance is concerned, I actually think Gosho said it best in his comment in the Treasured Edition: “Magic Kaito may be a thief story, but it’s also a magic story, so it was incredible to finally be able to mention the actual legend Harry Houdini. Even so, there’s an awful lot of deduction going on, so in this story you can also really feel how it’s been corrupted by Conan (lol).” It was a thought I had about Golden Eye even before reading his comment, so I’m a bit amused to find he actually called it out to be honest.

The following Detective Conan cases - Sky Walk, Three Instruments, and Four Masterpieces - and the movie Magician of the Silver Sky are all more along the lines of Black Star in terms of Conan and Kid’s relationship, but with an extra added pinch of “coming together for a common cause” in the movie. Sky Walk specifically also introduced Jirokichi to the mix, and he becomes the only Detective Conan character whose purpose in the narrative is tied exclusively to Kid. It’s in this way we begin to create a Detective Conan-exclusive environment for Kaitou Kid, which in turn establishes him more and more as simply “a Detective Conan recurring character” as opposed to the main character of another story that’s here for crossover shenanigans.

There’s a Pandora’s Box reference in Three Instruments that makes me want to pull my hair out because don’t say Pandora that word is important, and Four Masterpieces is a lot more “murder mystery involving Kid.” They happen very rarely in Detective Conan, but they happen basically NEVER in Magic Kaito (Dark Knight doesn’t count), so this lowkey feels like another way we’re shoving Kaitou Kid into the rules of Detective Conan.

In Magician of the Silver Sky, Conan expresses a level of shock when “Shinichi” passes the pinch test. This then marks the first time (in movie continuity, at least) that Conan is aware that Kid naturally resembles him.

But the funniest thing about this series of cases (and the movie) for me is the cracks in Kid’s mask, whether that be for Conan himself or for the reader. The final confrontation in Sky Walk ends on an almost comical note with Kaito being blasted off again via gasoline fire, and there’s a stinger at the end of Four Masterpieces showing a pathetic Kaito after Conan has just shot a mecha-powered soccer ball directly at his stomach. And that’s not even getting into the movie, whose entire first act drops us into a tense confrontation with a very suave Kaitou Kid before rewinding back to when he put on the least convincing act ever as a disguised Shinichi Kudo.

Have I mentioned he contains multitudes yet? King of gap moe. 

But we aren’t truly there yet. He’s a little silly for sure, but there are still times where the mask is on about as tight as it can be in Conan’s presence.

☘️The last two OVAs from this era - Conan, Kid, and the Crystal Mother and Follow the Vanished Diamond - have varying levels of significance. The latter matters extremely little to this conversation on the whole except for Kid finally showing up toward the end. Heiji and Kid have only ever had cursory interaction in DC to this point, and this frankly continues that trend. It’s worth noting that its release right before Movie 10 is significant specifically in this regard, though.

No, what’s way more interesting is the extremely forced adaptation of Crystal Mother. The bare bones and much of the meat remains - it’s still very much recognizably Crystal Mother in every way that matters and then some - but we’ve once again stapled Detective Conan to an adaptation of a Magic Kaito chapter. To accomplish this, they find ways to make Magic Kaito fit the world view of Detective Conan, like with OVA 1… But this time, it requires many more changes that wind up feeling a little more forced.

These changes are largely focused on Pandora and MK’s organization. Though Kid still looks at the jewel through the moonlight, all mentions of Pandora are dropped. Snake being recognized by Conan under the code name “Jackal” as an international jewel thief also has some interesting implications. A more generous reading would be that he potentially had another, more general-use, code name before joining his organization and receiving the name Snake; a less generous reading would be that the OVA has recycled Snake into an otherwise original character for the OVA that has taken Snake’s place, thereby removing any implications of a Pandora plot existing at all. Regardless, Jackal seems to have had previous run-ins with Kid. Which of these readings you opt for greatly changes the implications of Kid’s own personal plot in DC. At this point, despite pulling a very real crossover this time around, they apparently aren’t ready to commit to Kid’s motives being the same across both series.

In addition to Jackal, an assassin by the name of Rose is introduced in this OVA. Though she’s working with Jackal, her purpose seems to be to give Conan someone to confront in a more tangible manner, since Conan and Kid’s paths can’t really cross without drastically changing the story. Otherwise, the last major note I have for this OVA is the final scene. Conan hearing Kid saying he’d come after the Jewel of Destiny next is a nod to the at-the-time upcoming movie, Movie 8.☘️

The last two stories mentioned here - Detective Koshien and the movie The Private Eyes’ Requiem - are actually a lot less about Kid and a lot more about Hakuba. So let’s talk about the cosplay detective for a little while.

Hakuba is interesting to me, for a couple different reasons. One is the cadence of his appearances in Magic Kaito. He is introduced late into the pre-Blue Birthday run and is in a total of three chapters. Those three chapters speedrun his discovery of Kid’s identity… and then he’s gone until his first Detective Conan appearance. Golden Eye is his return to Magic Kaito in a short but fairly significant scene that fills out the contours of his relationship with Kaito with regards to that identity, at which point he is in all but one case thereafter.

The other reason is that he seems to slip through the cracks of “significant Kaitou Kid relationships” unless you consider yourself a Magic Kaito fan. But I think this is largely due to the line in the sand we shall not cross: Kaito Kuroba’s personal life is off-limits in Detective Conan. As a result, Hakuba is framed far more often as a detective in his own right that just so happens to have some manner of connection to Kaitou Kid in his few Detective Conan appearances.

This connection is made fairly obvious in Twilight Mansion by both having him introduce Kid’s presence in the case, and having him and Conan highlighted as the two people that are after him at the end of that case. But his next appearance, Detective Koshien, only implies a connection in passing and chooses instead to focus on contrasting him with Heiji in preparation for the movie. In an interesting move, the plot developments of the case actually give Hakuba an excuse to avoid wearing a school uniform like the other students because he ultimately settles into the “foreign detective guest” role. There are, as a result, zero indications that he and Kaitou Kid’s civilian identity are actually classmates - or that he attends a Japanese school at all.

As for the movie itself, Hakuba was Kid in disguise the entire time, so there’s very little we can discuss when it comes to Hakuba himself. But after Kid’s frankly poor performance as Shinichi in M8, his performance as Hakuba in M10 is almost uncanny levels of spot-on (which admittedly turns into a very funny contrast with his Hakuba disguise in Green Dragon).

All in all, this selection of chapters, episodes, and movies pulled more of Magic Kaito into Detective Conan (when those details weren’t flying in the face of it), while Kid himself began to more closely resemble the Kid of Magic Kaito in the small moments. In Magic Kaito, meanwhile, we’re starting to see far more obvious influence from Detective Conan in the writing and pacing of its heists.

But the gates have not yet been thrown wide to truly allow the silly in.

Throw Wide The Gates That We May Sillie

The collection of chapters that start this portion of the list are, in a word, fascinating from a Magic Kaito perspective.

We start with Shinichi’s Childhood Adventure, which does a couple of notable things. First, it confirms that Toichi was the magician that taught Yukiko how to use disguise makeup for her acting career. It was implied to be him in a very “if you know, you know” fashion in the Golden Apple case over 200 chapters prior, but this makes it inarguably clear. The extension of this confirmation is that Toichi also taught Vermouth the art of disguise, which is a particularly interesting connection to think about. As obvious as it sounds to say, this chapter is also the start of confirming that many things we know of Magic Kaito’s plot and backstory remain consistent in Detective Conan as well. The case ensures you don’t need prior Magic Kaito knowledge to pick up on Toichi being the first Kaitou Kid. That he meets Yukiko with Kaito in tow also means (unless my memory is failing me) that this is the first and only time Kaito’s name is spoken within the Detective Conan manga. It also confirms that the author that named Kid was, in fact, Yusaku.

The big part of this case that people tend to bring up in the wake of the M27 reveal is the “I’m your younger brother” conversation from Toichi to a young Shinichi. Now, 2006 is earlier than what meager sources I’ve managed to find that seem to indicate he had the familial relationship in the back of his mind, so I’m personally not sure how much stock I place in this conversation as any form of foreshadowing. The other aspect people bring up with regards to the family terminology - the reversial of younger and older brother - is easily answered by the context the case is set in. Toichi is referring to the order in which Yusaku named them - Shinichi first, as Yusaku is his parent (親, oya), followed by the moniker "KID" for 1412 as Kid's name-giver (名付け親, nazuke oya, a term that can also mean "godparent" in certain contexts that more literally translates to "name-giving parent"). As such, Shinichi is the "older brother" between the two.

What the entire case does seem to indicate regardless, though, is that Toichi and Yusaku are aware of each other on more than a surface level. At the very least, we’re meant to take away a passing of the baton, from father to son, in their relationship as friendly rivals. It has, apparently, always run in the family.

All in all, this case is a far more intentional mixing of Magic Kaito with Detective Conan because it deals with past events. It says “these things were always here, intermingling” and concretely refutes the idea that the modern Kaitou Kid was the first point of contact, retroactively entrenching the character even more into the world of Detective Conan.

We switch back to Magic Kaito for a heist with Dark Knight, which Gosho acknowledges in his Treasured Edition comment is “another story with a strong mystery feel, and a dark conclusion that isn’t very Magic Kaito-esque.” This also happens to be the first Magic Kaito case to feature Superintendent Chaki, a Detective Conan character and Nakamori’s boss as introduced in Black Star.

The following series of four Detective Conan cases all look at slightly different aspects of Kid that haven’t really made themselves known in DC yet. First is Purple Nail, a personal favorite and the case that arguably leans the most into the idea of a magic show. The focus on having an audience and the employing (and challenging) of Thurston’s magic principles give it a slightly different vibe to other cases. In relation to Thurston, Kid actually opts to approach Conan ahead of the heist to personally challenge him. In the manga, it’s the first clear look at Jii in Detective Conan. But the thing that stands out to me is the sheer level of emotional expression on display from Kid. It’s not in a small moment at the end of a case anymore, but in various moments throughout. You see his panic when Conan shows up above the building, or his sense of satisfaction when running through the crowd in the middle of his trick. All of it combined makes it feel much more like, by this point, Conan and Kid are engaged in a game.

After that is Iron Tanuki, an amusing oddball of a case. That Jirokichi used a fake notice to send a secret message to Kid pleading for help is interesting enough, given it displays a level of begrudging trust the former has in the latter. But more amusing is Conan’s choice to facilitate this upon realizing the truth of the situation, as well as his choice to stay behind and ask Kid if there was anything he could do to help to open the titular safe. If Purple Nail was their first real game, then Iron Tanuki is the first time they really came together in anything resembling a cooperative stance.

Kirin’s Horn seems like an outlier at first - and it sort of is, since Kid thought a little shock and awe was in order - but the case also demonstrates a level of familiarity. Conan remains flat on the ground because he knows how Kid works, and knows figuring out why he’s chosen to knock him out this time is the key to the case. There’s also a level of gag to this case via Kid’s choice to disguise as Genta, and the stinger of Conan getting the last laugh via something as silly as a paper taped to his back.

The fourth case, Ryoma’s Gunbelt, is where the real fun starts. Despite the rather nonstandard premise of Kid opting to return stolen goods, the general flow of the case is fairly standard for a Kid case in Detective Conan. The standout of this case, in my opinion, is the final conversation between Conan and Kid. They speak of their respective mothers in a conversation that reveals key details about each other, and do so surprisingly candidly. There’s an argument to be made that Kid knew of Conan’s identity by this point; regardless of that argument, that Conan spoke of his mother with such identifying details once again indicates a level of trust. Kaito implying Phantom Lady is his mom, while not particularly identifying, returns that trust. And that’s not even getting into the fact that a Kid case in Detective Conan is introducing a pretty important fact about Kaito’s mom.

Skipping ahead a bit, what makes this case notable is not the case itself, but rather its pair: Phantom Lady, a Magic Kaito heist published a year later that serves as an immediate prequel to Ryoma’s Gunbelt. This is the first time since Black Star that Magic Kaito picks up on a Detective Conan case in any capacity, and arguably the first time at all it does so with such a direct connection. The mentions of the Black Star served as a vague framing story for the clock tower heist, but Phantom Lady ends with a shot of the three treasures that assumes you know exactly where things go from here.

All of these cases do much more to peel away the mysterious veneer from Kaitou Kid, and give him a more candid and open relationship with Conan.

But the big thing of this stretch, and a turning point as a whole for Kaitou Kid in the franchise in my opinion, is The Lost Ship in the Sky. Now this? THIS is a Sillie Movie. Kid is playing around with goats, smirking like a fool with Conan before jumping out of a helicopter, and making the most inappropriate sounds when Conan’s hand wanders a little too far. He and Conan are actively seeking each other’s help and indulging in silly banter, even as Kaito makes a fool of himself with Ran. Speaking of Ran, this is the movie where she first fully realizes that Kid naturally resembles Shinichi. And as a cherry on top, we also get a shot of Kaito Kuroba himself.

And the movie was far from the only thing happening in April 2010.

☘️First is the OVA that was released just a few days prior: Kid in Trap Island. What starts as a standard Kid heist gets utterly derailed when the Detective Boys shoot Kid out of the sky, and now he has to chaperone them back to safety. Despite Kaito not being named in any capacity, we get to see him out of (most of) his costume and even hear about his fear of fish for the first time in DC media. Heck, Jii is even mentioned by name as well!☘️

Then there’s what aired the very same day the movie came out: Secret Birth of Kaitou Kid, the first episode of TMS’s adaptation of Magic Kaito.  After years of teasing the door open on who Kaitou Kid is behind the mask, TMS adapted the first chapter of Magic Kaito and aired it in the Detective Conan TV time slot. It, too, is an incredibly silly episode of an incredibly silly first chapter of an incredibly silly gag manga. THIS IS KAITO KUROBA, Detective Conan said. OBSERVE HOW SILLIE HE IS.

Testing the Waters

TMS eventually made 12 of these episodes. Based on the air dates, I can only assume Secret Birth of Kaitou Kid was meant to be a one-off, or at the very least it was a testing of the waters. Whatever the case, the remaining episodes got greenlit and were aired over 2011-2012. The most interesting change to the second half of these episodes is the addition of new plot points related to Magic Kaito’s organization, chiefly the new member Spider. They were introduced alongside Hakuba, who I imagine they wished to give a larger role in the episodes he did show up in. Another major takeaway from the TMS adaptation is their decision to animate Akako’s Delivery Service in The Witch, The Detective, and The Phantom Thief, albeit edited and extended to deal with the new anime-only plot points. In terms of Akako’s feelings for Kaito and Hakuba’s discovery of his identity, it’s a fairly significant chapter. Despite that, this is the only animated adaptation. I have some… complicated feelings regarding this, but now is not the time. 

As for the manga, we have a major arc in Mystery Train. This is not, in all technicality, a Kid case. If anything, his presence is pure coincidence, given he was only there to stake out the train ahead of the actual heist. Though this is a purebred Detective Conan plot, with the Black Organization’s involvement, Kid winds up a key part of their plan to convince the Organization that Sherry is well and truly dead.

Though his appearance in this case would be referenced in the future, this would be the first and last time Kid was directly involved in a major Detective Conan plot beat. This chapter was released before I had an active interest in Detective Conan, so much of what I’ve seen are second- or third-hand accounts from Japanese fans who went through the arc’s release. In short, reception was very mixed to Kid being such a major part in the resolution of this conflict. While there are those who enjoy his inclusion, either because they’re fans of Kid or because they accept the manner in which he was dragged into the plot halfway through, there are also those who consider him a “cheat” character who taints the worldview of Detective Conan by his presence alone. Gosho himself has also mentioned that he won’t be involving Kid in Black Organization plots anymore, either, due to the backlash.

My personal view on Kid’s involvement in Mystery Train is that the arc felt very much like a capital-E Event, so I bought it. There was a clear amount of luck involved in his presence there, so I could see how some may think the entire thing contrived, but it’s that coincidence that sells it for me. It’s Conan needing to fly by the seat of his pants to ensure Haibara makes it out alive, and further impresses upon us that they were half a step away from potentially fatal consequences. Nevertheless, this seems to be a case of an attempt to integrate Kid into the greater Detective Conan narrative that ultimately failed, so he returns to being largely divorced from the overall plot.

Despite this, though, there appear to be multiple chapters after this that focus on systematically introducing Kid to members of the extended cast. This starts with Blush Mermaid, Sera’s first presence at a Kid heist. What’s also unique about this chapter is the small but significant scene at the end that actually does continue the overall main plot - in this case, Sera’s misgivings over the death of Akai. Though Kid will not be overly involved in the main plot from here on out, his chapters do start featuring B Plots that touch on said main narrative. It’s… a half victory, of sorts, in terms of integration.

The other major takeaway from this case is a continuation of Conan and Kid apparently keeping a score of sorts. Due to Kid’s assistance during Mystery Train and the lack of a real theft, Conan lets Kid go. We’re in real “friendly rival” hours now.

Twin Bets pits Kid against Kyogoku, a frankly long overdue confrontation considering he’s Sonoko’s boyfriend. There’s a half-argument to be had that this also involves Kid in a major B Plot for the series as a whole, since this is a romance plot with a major recurring character. There’s also a level of intrinsic amusement in a Kid vs Kyogoku confrontation, since it comes down to (to quote my girlfriend) “guy who is literally from another manga but feels like he belongs here vs guy who somehow belongs here but definitely should be in another manga.”

Twin Bets also serves as the very first time Kid looks at the gem of the day under the moonlight in a Detective Conan chapter. It's the first case post-TMS Magic Kaito where it's applicable for him to do so; he's a bit busy with other things in Mystery Train, and he calls out Blush Mermaid for being a fake. This trend would continue in every case afterward where the plot wasn't otherwise preventing him from doing so (like the murder in Azure Throne).

Normally, this particular stretch of chapters would include quite a few more due to how many of them follow this “Kid, meet [Character]” format. But some of you may have noticed that, despite all the ample opportunities I’ve had to speak of it, I’ve avoided mentioning a certain number…

1412

Thousands of words earlier in this retrospective, I mentioned that Detective Conan’s Black Star felt the most like a crossover chapter. What I didn’t mention at the time, however, was that it also feels like one of the most fundamentally necessary Kid cases in Detective Conan. Not because it’s Kid’s first appearance, but because it introduces a piece of information about Kaitou Kid that eventually becomes baked into his identity despite the fact that it was introduced outside of his source series.

1412, the Interpol criminal code assigned to the internationally renowned phantom thief that was subsequently transformed after an author misread a journalist’s hasty scrawl as “KID.”

It feels like no small coincidence that the A1 adaptation of Magic Kaito added “1412” to the end of its title not just to differentiate this adaptation from TMS’s Magic Kaito specials, but to also indicate that this version of Magic Kaito would be the marriage of its namesake manga and Detective Conan.

In this regard and more, Magic Kaito 1412 modernizes aspects of the original story.

Technology, for example, was updated to reflect what a high school student like Kaito would be doing. Instead of reading the news in the papers, he’s scrolling through news sites on his phone. This is the most common kind of update that you see across adaptations of all stripes, so it’s the less interesting change.

The anime also modernizes with regards to itself, looking inward to find out what people associate with Kid in the modern day and adjusting the story - and the order that story is told - to account for that. This is expressed in ways both large and small. Blue Birthday, for example, is pushed way up to episode 2 of 1412 to introduce Pandora to the audience as soon as possible. Given Blue Birthday is also an Aoko-centric episode, it’s equally fitting that she gets the second episode. Jii’s significance is heightened by reworking the scrapped chapter Hustler vs Magician, a chapter that also coincidentally focused on an aspect of Jii’s past, into episode 3. This focus on major characters continues into episodes 4-6, which introduce Hakuba (chapter 15), Akako (chapter 6), and Shinichi (chapter 23), in that order.

There are also minor changes, likely made for pacing or simply content reasons. One small but frankly fairly significant change involves Kaito’s card gun. He’s shown using it in the first chapter of the manga, which also means he’s using it in the first episode of TMS’s adaptation. Since it eventually comes to be a signature weapon for Kaitou Kid, 1412 prevents Kaito from using it while in his civilian identity (like when he’s panicking about the fish with Aoko). Due to moving Blue Birthday up to episode 2, heists that originally weren’t really bothered with holding the target up to the moon include scenes of Kaito doing just that. Jii is suspiciously absent for most chapters until Black Star, so 1412 inserts him into animated adaptations of older heists, such as helping Kaito prepare the fireworks for Blue Birthday or providing an anime-original explanation of magic vs sorcery. There are similar one-offs with other characters as well, like a short scene of Hakuba being inserted into Akako’s introductory episode.

As a proper series in its own right, as opposed to a series of animated specials, 1412 also had to decide on a unified tone. Though TMS’s adaptation fluctuates wildly, 1412’s tone is a bit more even across the board. It’s comedic and dips its toes in gag vibes without taking it to absurd levels. While TMS’s adaptation of the first episode includes an entire apparatus outside the classroom window in episode 1, Kaito simply jumps out the window and makes it to the ground after running around the classroom in 1412. Though it also pulls away from some of the more atmospheric moments of TMS’s adaptation, it pulls back far more from the gag energy.

As a result of the above two points, many chapters are shuffled around or cut entirely. Chapters like Clockwork Heart, Japan’s Most Irresponsible Prime Minister, or I Am The Master are a level of absurdity that doesn’t fit with modern Magic Kaito’s energy, so they were completely cut. The Police Are Everywhere (chapter 2) was pushed back and adapted as The Princess and the Thief’s Improv (episode 15), because the emotional core of Nakamori potentially getting removed from the police force simply doesn’t work that early in the story outside the gag context. Akako’s Delivery Service was also unfortunately cut… Whether it be because of Akako’s appearance as Kid and the subsequent punchline or because of the technology Hakuba used to ascertain Kid’s identity, they apparently determined it was either too outside the tone or too difficult to adapt. Hakuba’s call in Golden Eye truly comes out of nowhere as a result, though, and that’s one fewer episode for a character that already had a bit of a spotty appearance record early in the manga’s run.

When the anime was announced, there were 30 chapters out. Seven of these were ultimately not animated, and many of the two chapter cases could be easily adapted into a single episode. They needed more material to fill out the remaining episodes, so they did this in two main ways.

The first is by reaching into some key Detective Conan cases. Black Star is a bonafide Magic Kaito case, but shifting it and Shinichi’s appearance in this adaptation to episode six - right after a series of core cast introductions - is actually very telling. 1412 was not only concerned with adapting the manga for modern sensibilities, but also with adapting Detective Conan for a Magic Kaito audience and further strengthening the connection between the two. This “adaptation” resulted in anime-original retellings of Ryoma’s Gunbelt, Sky Walk, and Purple Nail from Kaito’s point of view. Personally, I wouldn’t be surprised if this was a decision early on in the anime’s development, and if it was their existence that necessitated the tone of 1412 be evened out via not adapting the more “out there” chapters of the source manga.

The second thing they did to fill the run time was for Gosho to write an entirely new heist to function as a finale for the anime. This was Midnight Crow, the first heist to really touch on the driving plot of Magic Kaito (outside of Snake showing up to be ineffective) since Blue Birthday. Gosho’s comment on this case in the Treasured Edition is… a lot.

After a standalone anime adaptation was greenlit, the topic of what we should do for the final episode came up at our first meeting, so I said “Why don’t I write the ‘Black Kaitou Kid’ story I have saved as a trump card in Sunday and use that in the final episode?” Thus I wrote Midnight Crow! I’ll never forget how surprised the members of staff looked when I bluntly told them that Toichi is actually still alive (lol). (…) Though Chikage made Kaito work as Kid in Phantom Lady, she tried to get him to quit in Midnight Crow because of everything that happened in Las Vegas… But that’s a story for another time (lol).

The story itself has plenty of hints that Kaitou Corbeau is a Toichi-Chikage tag-team, but actually seeing him spell it out so casually sure is something.

Speaking of spelling things out, though, I also want to take an aside to touch on the Magic Kaito 1412 novelizations. Six volumes were published roughly concurrently with the anime’s run, and though there isn’t anything drastically different from what we already know from either Magic Kaito or Detective Conan, sometimes the narration can be quite enlightening. For the purposes of this, though, I specifically want to touch on that pin from earlier.

In the movie continuity, there is very clearly a moment where Kaito figures out Conan’s identity in The Last Wizard of the Century. There is no concrete equivalent to this in either Detective Conan or Magic Kaito, and 1412 doesn’t really expand on this either. I mentioned the possibility that Ryoma’s Gunbelt would have given Kaito ammo to figure out who Conan might be, but it’s not the most compelling argument. I’ve heard tell that Gosho once implied Kaito may have simply come to this conclusion on his own outside of the movie continuity, and I’ve personally always taken this stance given he seems to recognize Conan as a “high school detective” in Fairy’s Lips - and simply DOES know, no arguments, by Azure Throne.

Taking novelizations like these as fully canon is always a bit of a risk, but there’s a very interesting expansion on this particular issue in Volume 3, during the Ryoma’s Gunbelt adaptation. After Kaito runs into Conan while under disguise at the museum, the novels go into a brief explanation of how Kaitou Kid came to be known as such (aka the 1412 thing), followed by a flashback to Kid and Conan’s first meeting in DC’s Black Star. The narration then turns to what happened after the fact. This is fairly long, but as far as I’m aware these novels aren’t available in English, legally or otherwise. As such…

***

Kaito investigated the child that was on the roof of the Beika hotel - the young boy who called himself a detective, and with whom Kaito fought during the Black Star incident.

His name was Conan Edogawa.

He was a distant relative of Hiroshi Agasa, inventor and scientist, and was currently freeloading at the house of Kogoro Mouri, the famous detective “The Sleeping Kogoro.”

…And that was all he really figured out about him.

Conan Edogawa was full of mysteries.

But there was one thing that bothered Kaito.

Kogoro Mouri had a high school daughter named Ran. And Ran Mouri was the childhood friend of Shinichi Kudo.

That Shinichi Kudo.

The very high school detective that cornered Kaito during the clock tower heist.

Before his run-in with Conan, Kaito had looked into the young man that had aided the Metropolitan Police Department.

At a certain point after that clock tower incident, he had apparently gone missing.

He was not officially registered as missing, nor did it become a massive incident. But he stopped attending Teitan High School and disappeared from his home. He was apparently gone because he was busy chasing after some case a client had requested of him, but…

The elementary schooler Conan Edogawa appeared before both Ran Mouri and Kaitou Kid as if taking his place.

Shinichi Kudo, and Conan Edogawa.

Due to their mysterious nature, the two detectives continued to fascinate Kaito.

By the way…

The certain young novelist who had given Kaitou Kid his name was currently a world-renowned mystery writer.

His name was Yusaku Kudo.

Shinichi Kudo’s father.

Then there’s his mother, Yukiko Kudo, who was an essayist. She was a former actress, and once studied under the magician Toichi Kuroba to prepare for a role. Kaito had even once met her alongside his father in his childhood.

A strange turn of fate connected the Kudo and Kuroba families across multiple generations.

Did Kaito realize…?

Did he know that Conan Edogawa was actually Shinichi Kudo, who turned into a child after being forced to take a strange medicine?!

-

Professor Agasa was aware that Conan Edogawa was actually Shinichi Kudo… and it was likely only a select few others knew this. Not even Ran Mouri, his childhood friend, knew.

If Shinichi Kudo was keeping his identity a secret… then the reason he became a child must be pretty dangerous. Something that involved crime and the underworld. Just knowing the truth could put your life in danger.

It was only obvious that Kaito kept his identity as Kaitou Kid hidden.

But Shinichi Kudo must be living an even more troublesome life.

***

The narration of these novels knocks on the fourth wall fairly often, explaining that middle bit of this particular excerpt. It never confirms for sure whether or not Kaito managed to connect the dots, but the aforementioned questionable canonicity of novelizations like this means that was probably the safe choice. That there’s extra information here at all about Kaito looking into both Shinichi AND Conan is a pleasant surprise, as far as I’m concerned. But it’s also a bit frustrating that we don’t yet have even a hint of how this occurred in the manga when we now have two potential sources of that knowledge in the movies and these novels.

Which you opt to take as the more likely canon is probably up to personal interpretation, but I think I’m personally a bit more willing to go with a version of the novel’s events. I prefer to include the movies as a level of canon unless they outright contradict the manga (like M10 does, tragically), but the novel’s versions of events is probably the safer option.

But it’s the inclusion of extra scenes like these that further connects Magic Kaito - especially this particular iteration - to Detective Conan. They are holding hands so tightly now.

This all eventually culminates in Sunflowers of Inferno. Though M14 is the more obvious turning point with regards to Kid’s general behavior and personality in Detective Conan movies, Sunflowers of Inferno is a slightly more interesting turning point: all three movies after 1412 airs involve aspects of Magic Kaito, whether it be in its story or in its theming.

For this movie, it’s a very obvious example of the former. I think the plot of M19 is… strictly okay, but Kid’s motivation throughout being related to Jii is something I really enjoyed about the film. You know, assuming you don’t think too hard about Jii’s age as it relates to the timing of the flashbacks. Outside of that, Kid’s behavior in the movie almost looks as though it’s walking back from M14, but that’s only because Kid is playing the villain for most of it. Once that facade is dealt with he’s fully cooperative with Conan, to the point that the latter trusts the former with Ran’s safety. The opening scene with Kaito in his dark heist garb is also a nice bonus.

All in all, I think 1412 airing actually has the biggest effect on the movies. I’m not sure if that was intentional - movies 23 and 27 have the same director, so it could just be that her artistic vision includes MK in it - but for Sunflowers of Inferno it was almost certainly intentional as a show of fireworks after the ending of the anime. As for the manga, 1412 airing actually seems to have had very little influence on the Detective Conan chapters featuring him. Though Kid is a lot more likely to resemble the version of the character from Magic Kaito now, the manga seems a bit more concerned with introducing him to the new guard.

Meet The Fam

The Detective Conan cases in this section continue the general trend from after Mystery Train of either 1) introducing Kid to a significant sub character, or 2) running parallel to a B Plot that is concerned with the main narrative.

Luna Memoria does a couple of interesting things. First, this is the first time Conan explicitly asks Kid about investigating the jewel of the heist, since he knows Kid is on the search for a “special jewel.” Kaito is very candid in his response, telling Conan he ran into the deceased owner as the readers get a small flashback to Kaito Kuroba reverse pickpocketing the necklace. It’s an interesting conversation to have in the first Kid case since 1412 aired, especially since this aspect of Kid’s MO hasn’t really been discussed in any concrete way in DC before this point.

The second thing it does is have a small but nonetheless amusing B Plot with Okiya. While taking pictures of potential targets for his disguise, Kaito inadvertently gets a picture of Okiya’s voice changer. So Okiya joins Conan in confronting Kid in the bathroom and Very Nicely requests they get that picture back. Kaito has an “oh shit” moment, gets the heck outta dodge, and the chapter ends on a comical note when Kid can’t escape because Nakamori refuses to stop looking for him.

The next DC chapter, Fairy’s Lips, does a little bit of 1 and a little bit of 2. Surprisingly enough, Heiji has not had a significant confrontation with Kid in the manga before, and now Kid is getting himself involved in his and Kazuha’s romance plot. This chapter is retroactively significant because it’s the key jumping-off point for Heiji and Kid’s relationship in M27. But it’s also surprisingly significant for the MAIN main plot of Detective Conan by bringing in Koumei as a secondary detective that’s working to capture Kid… because he’s in Tokyo to receive a mysterious envelope addressed to him. The truth of the envelope’s contents is an Extremely Big Deal, and though by this point in the manga I was fully aware that plot developments would often happen in otherwise standalone cases now, I was personally not ready for that in a Kid case. So there’s that.

Between these two cases is the Magic Kaito heist Sun Halo, which puts a focus on Aoko for the first time in a while. It’s also very minorly a Magic Kaito version of a suspicion arc - the first one since Kaitou Kid’s Busy Day Off - though it ends with a return to the status quo. This chapter, as mentioned way earlier, also features some magic shenanigans from Akako in a more concrete way than we’d seen in a while. There’s some stuff about these chapters that are more disturbing the longer you think about them (what do you Mean Kaito just carries some blood neutralizing spray around with him so people can’t figure out his identity based on his blood), and the general tone is a lot more somber because Kaito is suffering from both pain and blood loss. It feels like an extension of Midnight Crow’s tone, in that regard.

After these three chapters is our next Kid movie, Fist of Blue Sapphire. This movie features a romance subplot between Sonoko and Kyogoku, and thus brings Kid back into it via certain aspects of the movie plot. As a post-1412 movie, the major feature of this movie is not the plot, but the thematic underpinnings of said plot.

Many post-Blue Birthday Magic Kaito heists tend to overlap aspects of Kaito’s situation with that of the characters introduced in the heist. The feature character of Red Tear is a woman who has grown to hate magic after the untimely death of her parents. The titular Dark Knight lives a double life as a notorious criminal for his son’s sake, and Kaito works to make sure his son never finds out about that double life. The thief in Golden Eye is attempting to salvage her father’s legacy. If they aren’t straight parallels, then they present what-if scenarios or twists on what Kaito is going through.

Fist of Blue Sapphire pulls something similar with Rishi, one of the movie-original characters. He’s torn up enough by his father’s death that he chooses to dirty his hands in order to get his revenge. After Midnight Crow, where Toichi himself wants to ensure that revenge is not Kaito’s only driving force, this presents a what-if scenario - an alternate path that Kaito might have chosen, had his admiration for his father not won out over his grief at his death. It’s interesting to see this particular thematic through line in a Detective Conan movie because it’s never been shown in a Detective Conan manga case before, and it’s one of the reasons I’m particularly fond of Chika Nagaoka’s Kid movies.

Another major aspect of this movie is how the sheer amount of screen presence Kid has gives the movie ample time to show what more involved cooperation between Kid and Conan looks like. The second Kid is framed for the crime, he chooses to go to Conan; if Kid looks to be in genuine danger, Conan begrudgingly comes to his aid. They spend time talking over the aspects of the case, and work seamlessly together during the climax. It’s by far the most actively cooperative they’ve been before or since, but it doesn’t come out of nowhere (and the spirit doesn’t quite go away, either). The clearest indication of this change in relationship is the line spoken by Kaito after he’s dealt with his wounds on the roof: “A magician makes you believe he holds something within his clenched fist, and a detective guesses correctly what they hold before it’s ever revealed.” It’s a stark contrast to probably his most famous line from Black Star about phantom thieves being artists and detectives being no more than critics.

Fist of Blue Sapphire happens to be one of those movies that I personally have any concrete info about via things like guidebooks. I don’t want to bloat this more than it already is, so there’s only two things I read that I want to share. 

The first is Kappei Yamaguchi’s seeming reaction to the script during recording, specifically in regards to his laugh. Normally, Kid in Detective Conan has had a sort of booming, open laugh, but twice during the recording for Fist of Blue Sapphire he opted to go for a version of the laugh as written out in Magic Kaito - an “ahaha” vs a “kekeke” kinda difference. He talks about this in the Kaitou Kid Secret Archives, but an online article on the movie from Movie Walker expands on this from Nagaoka’s point of view:

This time, we have a lot of aspects from “Magic Kaito” and Kaitou Kid’s true face in this movie. The moment I thought “This is just Kaito” was during ADR, when Yamguchi Kappei-san laughed like ‘hihi!’ Kappei-san said to me “I did it even though I thought it’d be struck out.” (lol) I could tell in those words that he met this movie with his own interpretation. I was impressed. We have a very cool Kid as a result.

It’s also in the Secret Archives interview that we get the “His speed may be at 100, but he has zero combat ability at all” comment from Gosho to Nagaoka, which is… extremely funny.

The other major thing from the Secret Archives interview (and elsewhere) is an anecdote about a certain regret. Nagaoka herself seems to be a big fan of Magic Kaito, but after M23 was released to theaters, Gosho lamented that he should have had Kid allude to Aoko. This was brought up again in a more recent Animage article: “Actually, back during Fist of Blue Sapphire, Aoyama-sensei had told me something akin to ‘We should have had Kid say “I have a better sapphire (Aoko) already” when he returns the blue sapphire,’ and I responded ‘You’re going to tell me that now, Sensei?!”

This is all to say that, despite the lack of any obvious elements akin to Jii in M19, they were clearly thinking of Magic Kaito while making M23.

☘️The next case on our list isn’t really a Kid case at all, but I consider it significant in the way it illustrates Kid and Conan’s developing relationship. Yusaku Kudo’s TV Show Case’s big twist is that Vermouth had been in disguise as Yusaku the entire time, but what’s important is that instead of being suspicious of his dad’s double showing up, Conan immediately assumes and trusts the double as being Kaitou Kid. “Kid” claims he’s here to help after Yusaku stated on the news that Kid wasn’t the culprit, and the following events snowball into interesting events and implications.

The first and most obvious is Conan’s implicit trust and expectations for Kid. He is visibly disappointed when “Kid” doesn’t respond to his deductions the way he assumed he would or didn’t pick up on details he was convinced Kid would immediately notice. It’s actually a staggering amount of trust, despite everything.

Then we have the fact that Vermouth was able to use this tactic at all. Her visiting the Kudo residence was a failsafe to ensure Yusaku really was out of the picture, so she needed a way in. Personally, I think it’s safe to assume she didn’t adjust after Conan thought it was Kid - she knew this would work from the start. Yusaku absolving Kid in the news is a perfect in for someone who was already fully aware that Kid had teamed up with her Silver Bullet before in Mystery Train. And she was right. Conan’s immediate assumption and subsequent display of trust blinded him to the possibility of the other infamous master of disguise on his list.

(What this does - or doesn't - say about Vermouth's knowledge of Kid, aka Kaito Kuroba, to the point that she so successfully tricked Conan in the first place is another matter entirely.)

That this particular case works as a prologue of sorts to the minor Black Organization arc that follows is also interesting to consider. Kid didn’t appear in the arc at all, but he certainly was used as a tool for it.☘️

The subsequent DC chapters continue the “Kid, meet [Character]” trend with Amuro (and Kazami) in Queen’s Bang. He’s a fairly active part of the process, not the least of which because Kid belittled his card trick skills as they were lining up to enter the museum. Though this chapter doesn’t have a relevant B Plot, it is the first reference to Kid’s presence in Mystery Train since Blush Mermaid - and a pretty significant one at that, since Amuro was the one that actually had to deal with “Sherry.” It's also one of the first real references to Magic Kaito itself, albeit still somewhat vague: Kazami mentions Queen Selizabeth from Ingram, a fake country in a series that does not normally deal with fake countries. (Selizabeth was also the name of the ship from Black Star, as it turns out, but that's less a hard reference and more of a reference with a wink.)

Siren Splash’s main character introduction is actually Azusa, which feels a bit like a follow up on the minor role she had in Queen’s Bang. This case has a couple of fun things that sort of cover the entire spectrum of ways in which a Kid case could be fun for our purposes. The least significant of these is Kid’s skates, which (if memory serves) haven’t been seen since chapter 10 of Magic Kaito. Gosho mentions wanting to use them again in his Treasured Edition comment on that case, so it’s a lot of fun to finally see them show up again.

Going up to slightly more significant, there’s a Very Ominous Comment from Kanenori about his left eye, which serves as foreshadowing to information we find out about him about a volume later. And then we have the end of the case, which is a little difficult to talk about because we don’t have any elucidating information yet. Regardless, I’ve always been amused that, despite Conan being the talk of the various police departments, he’s largely avoided being in the news… except where Kid is involved. It seems that’s finally coming to a head with the older gentleman that is none too pleased about the news story covering Conan’s victory. We don’t know what role this man has yet, but if this has ties to the main plot, then this is a very amusing way in which Kid has affected the main plot.

There’s not much else of note to say about this series of chapters, because it’s largely continuing the trends of the era that led to 1412’s release and codifying a less mysterious Kid, and an (at times) more cooperative Conan. But it’s also a comparatively sparse number of chapters; in the over seven years since 1412, Kid had only featured in four chapters here. You probably wouldn’t expect any major developments from a precedent like that, right?

…Right?

Erasing the Line in the Sand

We have now entered the modern era - specifically, the immediate lead-up to M27. Recency means some of these things are going to be a little bit harder to extrapolate on, largely because we have no idea if this is the start of something new, or perhaps just an outlier in the general trend. Regardless, some of this stuff fully makes my brain spin. Never mind brainworms - I have brain bees, and they will not stop buzzing.

We start with the most-recent Kid case in Detective Conan as of this writing, Azure Throne. This particular case is significant for multiple reasons, besides just being a good time. First, it’s Hakuba’s first appearance in Detective Conan since Detective Koshien, which means it’s been a whole seventeen years. Help. It’s arguably also the closest it comes to a proper Hakuba vs Kid case in Detective Conan, since Twilight Mansion is a little too busy with other aspects of its plot to spend much (if any) time on Hakuba’s relationship with Kid. Hakuba is also just a little insane, given his plan was to airlift the entire observation deck and sink it into a pool to trap Kid… There’s some minor Magic Kaito gag energy in that idea, and Hakuba’s never done things by halves.

Next, we have yet another reference to Kid’s presence in Mystery Train. Queen’s bang was only a couple years ago, and in Conan Publishing Time that’s no time at all considering Mystery Train was back in 2012. It’s interesting to get two references to that particular case so close together. 

And speaking of references, my third point of interest for this case is that it straight up references Golden Eye. There’s even an illustration of Cartier, the security company manager that Nakamori is thinking about when he responds to Jirokichi’s comment. Magic Kaito has certainly referenced Detective Conan before, and 1412 itself pulls heists whole-sale from it to fill out its runtime. But this is the first time it’s gone the other way around in such a specific manner.

It’s also, somehow, the very first time Kid has assumed the Shinichi Kudo disguise in the manga. And even more surprisingly, it’s done so at Conan’s request. Sure, Kid was the one begging Conan to free him of suspicion for the murder that just happened, but “disguise yourself as me and make sure Ran doesn’t find out” was the condition Conan put forward for his cooperation.

This connects to the fifth and sixth points that I’m concerned with. The fifth point is Ran herself; she has a comment toward the end about how she can’t forgive Kid for “disguising as Shinichi every single time.” Which is, you know. Kinda weird, if all we’re considering is manga continuity. This is his very first time assuming this disguise in the manga! So in Gosho’s mind, at least, the movies aren’t not canon. Considering more recent movies are more likely to require “homework” to fully enjoy them, I wouldn’t be surprised if they were more carefully written to slot into canon more easily than early movies were.

The sixth and most hilarious point is a single aside in a conversation Kid and Conan have.

Actually, why do you look so similar to me?

Why would I know?! Maybe we have a shared ancestor or something. (To be honest… I’m not even changing my voice much, either…)

Now, the addition of that voice comment makes the whole thing sound like a gag - they do have the same seiyuu, after all - but their similarity has always been a bit of a gag… In the movies. Thinking back on it, I’m not sure it’s ever really been brought up in the manga, so this is a joke that feels almost necessary after Conan requested Kid to disguise himself as “Shinichi,” which Kid managed to do despite being not at all prepared for it.

And, you know. It’s also foreshadowing now. Not by much, considering the movie was only a few months out, but still.

tl;dr: There’s a lot going on in Azure Throne. It is probably the densest of the Kid cases in terms of its relationship to itself and its relationship to Magic Kaito. As a result of that, there’s something about this case that feels like the purest mix of Magic Kaito and Detective Conan. It also feels pretty clearly written with the movie in mind, considering it not only had the aforementioned foreshadowing, but also brought in ideas from previous movies into the manga to create synergy between them.

After that we have Green Dragon, a Magic Kaito heist that ran through M27’s theater release. Meeting Aoko’s mother is certainly a standout of this particular heist, but what I personally find more interesting is the tone. It eschews the steady creep of drama into the narrative by pulling back to something more comedic, and in some ways feels a little like a return to form. Kaito’s fear of fish is brought up again for the first time in ages, and Midoriko gets a whole host of muscle men to corner Kid.

The chapter also opens with a reference to the crimes (as Midoriko would prosecute them) Kid committed in Queen’s Bang. In terms of time, it’s been over ten years since the last MK heist referenced DC in any meaningful way. But in terms of heist count, Phantom Lady was only three heists ago.

It is at this point I must discuss the movie, The Million-dollar Pentagram. As the movie is not yet out on Blu-ray as of this writing and the international offerings were a bit spotty (especially outside of Asia), I want to give another spoiler warning for the information I’m about to go into. I mentioned earlier that later movies require a bit of “homework” for full enjoyment, and M27 is no exception. It has also turned into one of the more common complaints I see from casual DC movie enjoyers, at least on the Japanese side of things - because yes, there is a whole audience of people whose only exposure to the franchise is the yearly movie. While the most easily recognizable pieces of “homework” for this particular movie are clearly cases like Fairy’s Lips or even M21 for familiarity with Momiji and Heiji’s attempts to confess to Kazuha, it is also very much arguable that the second major pillar of this movie requires a working knowledge of Magic Kaito. Like, not just knowing who Kaitou Kid is, but knowing who Kaito Kuroba is.

Which means I’m going to be talking about a lot of this movie in concrete detail. The main thrust of the movie is, to put it very simply, a treasure hunt. What I discuss will give you very few clues as to how or why that mystery is solved, but it will end up touching on key events, motives, and emotional beats. If you’d rather keep yourself unspoiled so as to enjoy those aspects as well, please skip to my discussion on FILE.0. You can find that by scrolling to below the second horizontal line, or doing a Ctrl+F search on “FILE.0.” That being said, there will also be more concrete references to the post-credits scene everyone knows about by this point in the final section of this retrospective as well.

——

There’s a lot I want to discuss with regards to M27, but it’s frankly hard to conceive of how I’d go about it. Going through the movie chronologically would take far too long, so I think I largely just want to list up a few interesting elements and then dive into what significance I think those elements hold. For the curious, I saw this movie twice in theaters: once about a week after premier, and again when they were running English subtitles at certain locations.

Let’s start at the beginning, with the most amusing thing this movie did before it was even released: the lack of a pre-screening. Movies like these usually have a seiyuu event of some kind attached to an early screening of the movie that fans can attend via lottery a little while before the official release, but they used the framing device of Kid “stealing the pre-screening” to avoid holding one at all. This isn’t strictly related to anything I’ll discuss further, but it is amusing to think that they believed the information presented in this movie was important and significant enough that they didn’t want to risk people talking ahead of the official release. And, you know, it WAS, but we’re not getting into that just yet.

Also somewhat minorly was the cover of an-an being Shinichi and Kaito, as opposed to Conan and Kid or even Shinichi and Kid. There’s also been a handful of DC merch that includes both Kaito and Kid in the lineup, and I don’t think stuff like this has happened since 1412 aired. It’s clear in hindsight they were focusing on his civilian identity because of his motive in the film and the reveal in the stinger.

As for the movie itself, I want to start REALLY basic, and actually talk about the score of the movie. The Million-dollar Pentagram is the first Kid film since Yugo Kanno took over from Katsuo Ohno for the movie soundtracks. This normally wouldn’t matter too much, except for the fact that Kaitou Kid has utilized a variation on the same two themes since The Last Wizard of the Century. There was apparently quite a bit of back and forth as to how to handle this aspect of the soundtrack, but in the end they went with a completely new theme: The Grand Circus (華麗なるサーカス). If you’re reading this and somehow haven’t heard it before, I highly recommend you give it a listen. It serves as his calling card throughout the movie and is a much more playful tune. I can’t help thinking about Toichi’s conversation with Kaito in Hustler vs Magician about how the pierrot is the most important member of the circus (yet another reason I’m glad this chapter got salvaged in the 1412 adaptation). I definitely don’t dislike his old themes, but I do enjoy that the vibe of this one expresses a side of Kid in Detective Conan that has seen more screen time lately, but has until now had no musical motif to express it.

Another amusing part of this soundtrack is a certain melody, only a couple bars long, that repeats throughout the entire score. This melody just so happens to play during the final major reveal of the movie: that Toichi had been disguised as Yoshihisa Kawazoe the entire time. Kawazoe is a local detective that is in and out of the movie for almost its entire runtime. Toichi was, in essence, with us the entire time. Just like this melody was, weaved in and out of the soundtrack. It’s a nice touch. Kanno mentions in the Toho Cinemas guidebook that there’s very little impact to a melody introduced in the final moments, and that he wanted to inspire a sense of deja vu alongside surprise by accompanying that final reveal alongside a melody that had played the entire time. It’s kinda neat.

As for Kid’s behavior in this movie, it’s informed entirely by his desire to discover why his dad apparently went after this “potentially world-destroying” treasure, found it, and then left it alone. There’s an overlap between this and his motive in M19, considering both are more personal in nature, but M27’s motive is also far more fundamental to Magic Kaito. Kid is mentioned multiple times to have an assistant of some kind in Detective Conan chapters, but the only mention of his dad is that 1) he exists, and 2) he was the previous Kid. He’s not at all connected to Kid’s search for Pandora or his reason to be the second Kid in the first place, so bringing his dad into things as a motive feels more poignant if you know Kaito’s always been chasing him. Which is to say, it relies a bit more on knowing Kaito’s personal story from Magic Kaito.

The plot leans into this “if you know, you know” vibe by having Kaito only ever indirectly refer to his dad. When he explains why he’s searching for these swords to Conan and Heiji, he only refers to “a certain thief.” In a moment of respite, he only just barely gets to say the first sounds of “dad” before he’s interrupted by one of our culprits. It’s not said in any capacity until the very end of the movie, when the treasure is found alongside Toichi’s glove and a notice from Kid the first: “Wake not a sleeping lion.”

Going back to Heiji and Conan, he’s not openly cooperative with them until they save him from near death. It’s at that point they share info and Kid ropes them into solving this puzzle because it’s what they do best. The rest of their cooperation in the movie usually takes the shape of a “2+1” format. Conan and Heiji are obviously working together while Kid comes in and out via a number of disguises. There’s a comedy to his disguises in this film, since they’re almost too easy to see through. It’s likely in part so Heiji and Conan can be aware of his presence, since they’re technically working together. Minami Takayama also picks up on this in her movie pamphlet interview, adding that he “seems more open and honest this time, probably because that’s just how badly he wants to solve this mystery” and that it feels more like “Kaito Kuroba and Shinichi Kudo have taken a step closer” as opposed to it just being Kid and Conan this time around. Kappei Yamaguchi in the same set of interviews says he’s “basically Kaito” with Conan, even if he still mostly behaves as Kid with Heiji.

To summarize, Kid’s behavior in this movie is far more open due to the goal being tied to his dad, and with Conan specifically the mask is basically off. Add this to the comedic touch of his disguises throughout, and you’ve got some good Magic Kaito vibes despite his reduced screen time compared to M23.

But that only lays the foundation for those vibes. There are plenty of other reasons why it feels more Magic Kaito-y, given key aspects of this movie bring in more aspects of Kaito’s civilian life - and certain emotional beats rely on your knowledge of that.

To start with a more minor beat that wraps up things mentioned above: Toichi’s glove. Kaito takes it with him after discovering the treasure, and there’s a short scene while he’s flying through the sky (after a more significant moment we’ll discuss later) that sees him looking at the glove with a frankly mixed expression. The novelization of the movie mentions him smiling happily as he soars through the sky, but that is not the expression we actually see in the movie. He has Thoughts about finding his dad’s glove there, but the audience is left to guess what they may be. It’s a hole that’s nearly impossible to fill without knowing Kaito’s backstory (and, arguably, without knowing about Midnight Crow).

And we’ll get to Midnight Crow’s significance, just you wait.

The second beat I want to talk about is Nakamori. First (and more minorly) is his engagement in some true gag Magic Kaito energy. A short scene with a disguised Kaito at a hotel alongside Conan and Heiji ends with Nakamori up against the window, looking in with multiple police officers behind him, as he realizes he’s found Kid. Kid then runs, and Nakamori and his officers run across the screen as Conan and Heiji continue their conversation. Real goofy hours.

But the actual most important story beat with Nakamori is him getting shot by one of our antagonists. He’s shot while on duty and escorting another principle character, and the framing of the movie puts us in Kid’s shoes as he discovers a gun aimed at the both of them just a little too late. This decision carries with it a couple of interesting tidbits, whether they be for our purposes or for how it seemed to affect the people that worked on it.

I want to do the latter first, since the snowballing is less extreme. Yamaguchi has talked about this scene a number of times, whether it be in interviews or during seiyuu events. As a voice actor, he was surprised at his own performance as Kid yells out Nakamori’s name. It was desperate and loud in a way he’d never been before, but it still felt natural to him; he thought it was indicative of just how important Nakamori is to Kaito, and that this was less Detective Conan’s Kid and more Magic Kaito’s Kaito Kuroba.

Related to this is a comment he made at a stage event that in his heart, he’d wanted to say “ojisan” instead of “Inspector Nakamori.” But he felt that it would be too difficult to display their relationship that way, so he went with the latter. There’s a lot of character interpretation you can do with regards to what Kaito chose to say in the moment, but I also can’t deny the possibility that it simply comes down to the “Kaito and Nakamori” dynamic not appearing in Detective Conan at all. Well, at least in part.

The other major ramification of this narrative decision is actually Aoko’s appearance in the movie. Nagaoka recounts in multiple interviews, such as in Febri or Animage, that she originally felt the tension in the movie was a little too slow-going, so she suggested someone get shot. The original plan suggested shooting Nishimura, the Hokkaido police detective, but Gosho said Kid wouldn’t save him if that was the case. It was here Nagaoka suggested Nakamori, to which Gosho agreed. He then added, though, that if he was in the hospital, then Aoko would likely show up.

Thus we have Aoko’s first theatrical appearance, and her first appearance in Detective Conan at all since Black Star. Her appearance in this movie grounds Kid’s emotional narrative in Magic Kaito; it implies the existence of Kaito Kuroba in ways Hakuba or Nakamori never could, because her significance rests entirely in his civilian identity. There are scenes dedicated to Kaito watching over her in disguise as she waits for her father to wake up, only leaving once she seems to be okay. He’s on the phone with her in one of the last scenes in the movie, and his smile when he ends the call is the softest it’s ever been in Detective Conan.

That’s not all, though. In a cute example of the movie affecting the manga, Gosho told Nagaoka later on that a gesture Aoko performs - a two-handed clap to the face that helps her psych herself up - was brought back into Magic Kaito for his April serialization. We see Midoriko do the very same gesture when she wakes up after her quick nap, as it turns out.

There’s something else I want to mention about Aoko, but that fits better elsewhere. So before we talk about the elephant in the room, I want to mention the theme of the movie. Both Nagaoka and Takahiro Okura, the script writer, have described the movie as dealing with “parent-child relationships” and “inheritance.” All of the antagonists follow after their forefathers in some way, but it’s an idea most obviously expressed by Hijiri Fukushiro, the main movie-original character. The complicated feelings he has about following in his father’s footsteps, and the things he does as a result, can all too easily be compared to Kaito’s own struggles. As I mentioned earlier, Nagaoka does something similar with M23, but it’s even more powerful here because Kaito is just as determined to chase after his dad as the many other characters in the narrative are to deal with the legacies their forefathers left them.

So. 

Elephant in the room. 

The ship-breaking shot heard round the world.

Shinichi Kudo and Kaito Kuroba are cousins, and their fathers are twins.

I want to just trace this thread throughout the movie, in as brief a form as possible.

It starts with the very first confrontation between Kid and Heiji. When Heiji gets the upper hand and knocks Kid’s monocle off, cutting through the brim of his hat in the process, the moon peeks through the clouds and gives Heiji a clear view of Kid’s face. He’s immediately shocked to discover he resembles Shinichi.

Heiji has a couple of moments following that clearly illustrates he’s ruminating on this. When he first sees Conan, he crouches down and takes Conan’s face by the chin, examining him. When Kid and Conan banter on the train, Heiji sits behind them, a confused but thoughtful look on his face.

Shortly after the above, Heiji confronts Conan: “Do you have any siblings?” He brings up the physical and vocal resemblance Kid has to Shinichi, but Conan brushes it off. “It’s a coincidental resemblance. It happened by chance.” Heiji drops the subject, but there’s an argument to be had that the way Conan says that last line sure is suspicious.

The movie follows the main plot until Aoko’s introduction. In one scene with her, Heiji, and Conan, she watches the latter two talk with interest. She crouches to the ground and stares at Conan, telling him that she’s reminded of her childhood friend’s younger years when she sees him. This is the first time their resemblance has ever been phrased as “You look like Kid/Kaito,” as opposed to the more common reverse. Nagaoka remarks in an interview that Aoko’s presence in this movie presented the perfect chance to further thread the foreshadowing of their resemblance throughout the film, and personally I rather enjoy that one aspect of this foreshadowing comes from the Magic Kaito angle.

Post-credits. Yukiko is surprised to discover Yusaku has an older twin brother. Yusaku is a little…cagey, in my opinion. He expresses mild surprise he hasn’t mentioned it before, says they keep in regular contact despite not seeing each other in over 20 years, mentions he receives gifts every once in a while (including the extremely plot-relevant missing sword) and hints to Yukiko that she’s likely met him before. As she continues to guess who it might be, Yusaku attempts to change the subject to his new book; he wants her opinions on it. This is when he receives a text praising his most recent novel, signed by “TK,” and Yusaku smiles. The scene cuts to a skyline view and Kawasoe standing atop a tower of some kind. He looks at his phone: “Thank you, Nii-san! YK.” He laughs, and the disguise comes off, revealing a smiling Kaitou Corbeau.

Now, I mentioned Midnight Crow earlier, so I want to recover that pin now. Midnight Crow is a Magic Kaito case. It is the case that very strongly implies Toichi’s survival. Absolutely none of this is brought up in Detective Conan in any capacity whatsoever. Not even a REFERENCE to a “Kaitou Kid in black.” I’ve seen multiple stories, whether they be about themselves or about others they went with or saw in the theater, about people that were simply confused as to why THIS was the stinger in this film. I even have a personal anecdote myself, given I dragged my roommate with me to the movie and what surface knowledge she had did not do anything to help her understand what the heck was going on in the post-credits scene.

Within the film, in the vacuum of this one movie, the connection between Kawazoe and “the guy that wears a monocle like Kid who seems vaguely threatening” is actually really well foreshadowed! It’s even BETTER foreshadowed if you know Magic Kaito, because the relationship between Hijiri and his dad has parallels to Kaito and his dad. Because Kaito’s first disguise in the movie and Toichi’s disguise throughout used the exact same method: taking advantage of someone’s vacation, and thus their absence. Because you know this man is Kaito’s dad, the thief who found this treasure before and chose not to steal it, and is now taking advantage of Kawazoe’s klutzy nature to give Heiji and Conan information so they can find and protect it.

As far as Kaito and Shinichi’s resemblance is concerned, it was always used as a joke in previous films. Considering how long this running joke went, I imagine that made their blood relationship that much harder to accept. It was clear they were doing something different with it from the very start of this movie, though, when Heiji’s reaction to the resemblance isn’t played for laughs and it just kept coming up.

This also doesn’t necessarily come out of nowhere. The earliest piece of info that I can personally confirm is from a six-page interview with Gosho in a 2011 issue of Hayakawa Mystery Magazine celebrating the release of M15. After the interviewer implies that the similarity between Kid and Shinichi may be due to Kid being written first as a protagonist (further implying it’s a stylistic “protagonist” thing), Gosho replied, “Their resemblance is not just because of the order they were written in, but because there’s a secret backstory. There’s no way someone that looks so similar exists, you know? (lol) As for why, look forward to it, I suppose.” In the No. 22-23 2024 issue of Shonen Sunday, Gosho also has a little cheeky comment saying he’s relieved he was finally able to talk about Kid’s secret…

The other comment complicating the timing of when Gosho would have first considered this is a comment from Yamaguchi during a later screening of M27 alongside the seiyuu. According to fan reports, he mentioned being told that Kid had a “secret backstory” when he was given the offer to voice him. Combined with the fact that Gosho had apparently specifically chosen Yamaguchi despite the latter already being onboard as Shinichi, and Gosho choosing to go with a Kid cameo in DC in the first place because he wanted to introduce a regular rival… Maybe the idea of them being related existed well before that 2011 interview.

You might be able to tell, given how much I have written about M27 alone, that I think it’s a very interesting movie from a Magic Kaito perspective. It borrows from it the most by far, and I have to agree with the Febri interviewer when they said this movie has the biggest crossover between the worlds of Magic Kaito and Detective Conan by far. Because aspects of the theme, Kid’s motivations, and the entire post-credits scene are frankly lost on you if you’ve never bothered to read Magic Kaito. It’s a very funny thing for the “yearly event movie” to do, if I’m being honest, but this movie relies on the strengthening ties the two stories have made over the years. It sure did break box office records, though, so it seemingly worked out for them.

My only question at this point is whether further media, manga or movie, will pick up on the movie’s main revelation.

——

Since merch releases and promotion for M28 are ramping up, I wasn’t expecting much out of the Magic Kaito or Kaitou Kid mines for a while. Imagine my surprise, then, when FILE.0 was finally released as part of the special rerelease of Volume 1. At a mere four pages, one could barely call it an extra chapter; if it could be called anything at all, it’s more like an omake of sorts. Here we have Shinichi taking a trip to Tropical Land to plan out his date with Ran - and with Fate, of course.

It’s honestly pretty cute, the way he’s likely taking way too many notes on what he could do there. But what ends up happening is Shinichi stumbles upon a scene from Magic Kaito (Kaitou Kid’s Busy Day Off, to be exact), right as Kaito says his embarrassing line about ice cream being as sweet as it is cold. Shinichi is taken aback at how cringe this guy’s being, but he likes the idea of ending his date here by the fountain, so he takes notes regardless.

Did we really just put Shinichi in a scene from Magic Kaito for a rerelease of Detective Conan’s inaugural volume? With Kaito and Aoko, right there? It feels so small and so silly, but I still can’t get it out of my brain. The last time Kaito and Aoko showed up just as normal people in front of our main cast in any capacity was in Black Star, and I’ve already mentioned that this appearance makes the chapter feel even more like a crossover. But now, after everything that’s happened, they show up again. Maybe the line in the sand is still there, but I think it’s moved.

Final Thoughts & Hot Takes

The very nature of Kid originally being from another older series means I have no idea where we actually go from here with all of this. I have no major expectations at all for when or how or IF Shinichi and Kaito being related will be brought into the manga in any capacity, largely because there’s very little precedent for it. You have things like Ran already knowing Momiji in the manga even though they only ever had a “first meeting” in M21, or James Black knowing about Akai’s survival first being confirmed in M18, but stuff like that that’s a pretty rare occurrence. Even so, Takayama and Yamaguchi discuss the idea themselves in an Animage interview. She mentions that the movies seem more connected to the manga nowadays, while he muses at the idea of Fairy’s Lip leading into M27, which may very well then lead back into the manga.

Regardless, I don’t think anyone would argue if you said Magic Kaito felt more integrated into Detective Conan now than it did 20+ years ago, when Kid was first appearing in the manga and movies.

So to cap everything off, I think some Hot Takes are in order.

The cousin reveal isn’t actually all that bad. I’ve admittedly been on this particular train for a decade, so this was like every national holiday and then some rolled into one. I definitely have some questions about things like Shinichi’s Childhood Adventure or Yukiko’s relationship with Toichi, but for me personally none of them really snap this reveal in two. Nor do I think it dampens the way they were brought together as detective and thief, especially since I think you could reasonably argue that Toichi and Yusaku maintained their distance not only due to the divorce, but because of Toichi’s new profession. “Over 20 years ago” puts them at probably no more than a couple years before Toichi became Kid, when he was likely traveling for his magic show, as opposed to the young age they apparently were when their parents divorced. It’s also made fairly clear in DC that Yusaku knew who Kid’s civilian identity was… or at the very least, that’s how I read that interaction. If they intentionally kept their halves of the family from meeting, then it’s pretty incredible Shinichi and Kaito met at all. If the manga touches on them being related in any capacity - and again, I have no clue how likely that actually is - then it’s not going to suddenly supersede the relationship they have now. It’ll just add to it, assuming they chose to entertain it at all, and that complexity could be fun. This is all admittedly personal, of course; my shipping preference leans very heavily into “weird platonic relationships,” so that informs this particular take by quite a wide margin.

1412 is the ideal way to consume Magic Kaito. I don’t know how much I even like this hot take, but I can’t help thinking it’s true regardless. It more closely resembles Detective Conan in tone and vibes than it resembles its own source manga in a couple of key ways, so I do actually think this - over either the manga or the TMS adaptation - is the way they want people new to Magic Kaito to consume it, especially if they’re coming in from Detective Conan. That Gosho created a new finale for it, and did so by pulling out the “Toichi is actually alive” card, is also fairly telling. And if people like it enough and want more, the manga is still plenty available.

Magic Kaito has become a Detective Conan spin-off. I think I also hate this take, but I also believe it to be true in any way that functionally matters. We must respect that Magic Kaito came first - that Kaito and Aoko and Hakuba came first - but Kid’s modern popularity can be almost entirely attributed to Detective Conan. And honestly, I have to wonder if it’s still running, albeit irregularly, because of that. Phantom Lady jumps off of Ryoma’s Gunbelt, Green Dragon references Queen’s Bang and takes a quirk from the movie for both Aoko and Midoriko. The tone does a clear shift after DC begins serialization as well, and goes even further into mystery solving after Kid makes his first appearance in DC. If you didn’t know any better, you might think it was similar to something like Zero’s Tea Time: a spin-off for a crazy popular character. It’s not, and it never actually will be, because Magic Kaito came first. But I think it sort of has become one.

The line in the sand is not bad, until it is. I don’t actually mind the parallel worlds argument, largely because I can understand what kind of slippery slope Akako is for the logic-driven Detective Conan. There’s also a part of me that doesn’t really mind Kid plots being largely stand-alone, with little to no involvement with the main plot. I could even also buy the two shady organizations actually being different, if and when we ever get information about MK’s organization. But after coming this far, and developing Conan and Kid’s relationship to the level that you have, I think not delving into who Kid is when he takes off the costume becomes the more contrived option. Gosho’s said before that solving the DC plot will not simultaneously solve the MK plot due to those organizations being different; I don’t think that means Kid should be verboten from Black Organization plots entirely. I don’t think it means Kid shouldn’t maybe suffer a consequence or two for being so open and casual with Conan, or that we can’t have a running side plot involving him. But then you run into the problem of Magic Kaito being its own series, and if you erase the line in the sand - if you let Kaito Kuroba be in Detective Conan - what do you do with Magic Kaito? The two worlds have overlapped so heavily with M27 that I almost wonder if we’re at a breaking point. Maybe this is the real Pandora’s box.

Kaitou Kid is a Detective Conan character, but Kaito Kuroba might not be… yet. I think DC has claimed Kid for its own. Especially the performance of Kid as displayed by the man behind the mask. But that mask has been chipping away, and Kaito himself is usually the one speaking to Conan at this point in both the manga and the movies. Even so, to so many people, that’s still just Kaitou Kid. I’ve seen disappointment expressed at that suave gentleman thief from the Black Star and M3 era being nowhere in sight in modern times, and it’s because it was always an act. You can’t keep up that act when you choose to trust someone, and they trust you back. You just… start becoming yourself. But he’s not truly himself in DC yet, despite the few scant appearances of Kaito himself we’ve received. For some reason, Kaito Kuroba still feels like a crossover character, and his appearance some special event, compared to Kaitou Kid. FILE.0 was a surprise in this regard, but in relation to the above, I have to wonder: Should Kaito himself ever feel as entrenched in DC as Kid is?

Kaito Kuroba - who many and more know as Kaitou Kid - is such a funny character if you think about him for more than a few seconds. His popularity in the Detective Conan vacuum is more than warranted, given his back and forth with Conan, but I really do want to believe that it’s the duality of his appearances in Magic Kaito and Detective Conan that contributes to this popularity. If M27 and some of the recent trends in both DC and MK are anything to go by, maybe I’m not so far off the mark.

We’ll likely get more stuff to enjoy in the meantime, but I’m currently looking ahead to Magic Kaito’s 40th anniversary in 2027 and hoping we get another movie… Or maybe another major manga arc. If you’ve managed to read all of this, you have my deepest gratitude! I hope this adventure was as enlightening for you to read as it was for me to write.

[yesimwriting]

Match Burns

A/n saltburn rewired a part of my brain

also my original idea was way too long for a one-shot so now i'm splitting it into 2 (maybe 3?) parts, if you'd be interested in that pls lmk lol

Summary: Despite your charm and kind disposition, Oliver has never been able to let himself be fond of you. Not with the way that Felix gravitates to you and your obliviousness to the attention. When you're invited to join him and Felix at Saltburn, his wariness of you morphs into an oddly suffocating dislike, until he realizes how to turn you into a way to get 'in' with Felix.

Pairing(s): eventual felix x reader x oliver, current oliver x felix (unreciprocated) and felix x reader (unreciprocated)

Warnings: potential typos (i'm tired yall), first time writing characters so potentially ooc?, canon-level toxic thoughts/plotting, some canon deviation (felix is alive and well to me and it's staying that way), oliver lowkey hating reader,, but kind of in the grown up version of a kid pulling another kid's pigtails when they have a crush lmao

----

The qualities that make the others adore you, that leave them with no choice but to treat you as some kind of dorm hall trapped princess, are the parts of you that make it difficult for Oliver to tolerate you.

You may not be the heir of some great fortune, the kind of commodity that can only be created through generations of pristine breeding and a lifetime of wealth that comes attached to that kind of pedigree. But you do have something.

His peers may see your self sacrificing nature in the ear you're always willing to lend or the time you're willing to give away without a second thought as instinctual kindness. But Oliver knows how to look beyond careful facades, the stained glass people use to warp the way they're perceived. He knows that your too sweet smiles and soft eyes are just your forms of social currency.

And the most off putting part of it all? The only person that can get away with pretending to not notice the way people react to you, is you.

Sometimes, when his thoughts drift to you without his permission, Oliver convinces himself that it's impossible for anyone to not see your softheartedness as the compensation that it is. And then someone--Felix, says something that is so transparently devoted, Oliver knows that it's worked. Give people what they want, and eventually you'll ensnare them.

Oliver let himself believe that he was finally reaching the peak of Felix's favor after being invited to spend the summer at his family's estate. Then, two days into his stay, Felix informed him that you'd be joining them at the end of the week.

The thought of you and your sense of humor that always seems to toe the line between witty and sarcastic; and the warm feel of your hand on his, or anyone's, arm, because when you listen you do so with your entire body; and your bright eyes that seem to see through everything but yourself, at Saltburn seemed to take something from this away from him. You didn't even need a sob story or to flash an indicator of something in desperate need of repair to get invited.

You were just you, and that was enough.

The way Felix told him only strengthened his chargin. She's friends with you, isn't she? I've seen you two together at the library.

The two of you. Not something that Oliver chose. You appeared one day at his side, on a too warm day for late November in Oxford. A too crowded library had the universe dropping you onto his lap. He accepted your presence because of the way the world seemed to light up for those around you.

But now there are no crowds of admirers to divide the attention. There is only Felix and his family, and with just two guests being invited to spend the summer, it'd be easy for the ultra wealthy to turn this into a competition for favorite pet.

It's also more than that. Alone here, it was easy to pretend Felix's attachment to you didn't exist. But now--now he could easily be the second favorite out of a set of two.

----

There was only one part of your arrival that Oliver was looking forward to, and you stole it from him.

He wanted to witness a crack, a wavering in your assuredness. The size of the estate would get to you, would make you--for once--seem small. You'd hesitate, maybe even see Felix in a different way that'd have you rethinking your friendship.

Your eyes had widened, a combination of shock and awe meshing together behind your gaze. Oliver could feel it, the moment that you'd reveal yourself as susceptible to shrinking in on yourself...and then your eyes met his, and the look vanished before it could fully take root.

You grinned at him and then at Felix, abandoning your luggage next to the car that picked you up before approaching them with unashamed enthusiasm. You pulled each of them into a quick hug, your warmth an ache against him. You didn't attempt to suppress your joy until Duncan appeared, standoffish as ever as Felix introduced you. That was just enough satisfaction to make Oliver want it more.

He's still thinking about it now, imagining just what it'd take to leave you vulnerable. You don't sense the resentful nature of his thoughts. You never do. Not even when Felix tells you that you'll be staying in the room connected to his through a shared bathroom.

Felix suggests giving you some time to rest before dinner. You accept the offer, tired from the back forth traveling from the UK to the US. Your visit to your mother had been so brief, you accepted Felix's offer so quickly. Maybe there's more tension in your family than you've admitted.

"She likes you a lot." Felix's low tone snaps Oliver out of his thoughts. It's a strangely nervous statement that doesn't make sense. You're friends with both of them, and if Felix means the statement in the romantic sense, he's wrong. Oliver's in the habit of taking note of the way people see him, and he can't remember instance in which you've ever looked at him like that.

He could see you feeling that way about Felix easily. You're around Felix often and while there is an underlying hint of stiffness when you're around him, it isn't a sign of dislike. You're determined to like him less, you're dedicated to not loving him. An amicable, but ultimately pointless goal. Who doesn't end up loving Felix?

Oliver doesn't know where this conversation is going, so he decides to keep his response simple. "She likes you, too."

"N--" Felix starts to deny the point, but realizes a full dismissal wouldn't be true. You do like him, it's just--it's different. "She trusts you." Felix shakes his head once, still uncertain. "I know we're friends, but sometimes, especially when we're alone, it-it feels like she sees me as a match that's starting burn too close to her fingers."

There it is. Oliver can't blame you for your precautions. Felix has turned the heads so many women--and some men--and he allows them to hang around him openly. His desirability, his options have never been secret. And your only overlap into his world is going to the same college. Oliver's even heard of you deciding to spend the night alone instead of with Felix because you don't always feel safe at those kinds of parties.

You're playing it safe, like a very good girl from suburbia, USA. It's your way of surviving, but Oliver can't quite respect the choice. You're smart enough to realize that loving Felix is like playing with matches, but you're not strong enough to realize that the proximity would be worth a few burns.

"I know we're a little different, but I don't want her to think I'd ever make her do anything." The obliviousness in Felix thinking that this is just about social circles is endearing in an odd way. "How'd you two get so close, anyway?"

Oliver isn't sure so close is the right way to phrase things. Sure, you're attentive and a little touchy, but that's just how people like you move through the world. Besides, if anything, Oliver thinks you choose his company so often because he's never given you the kind of desperate attention everyone else gives you.

Oliver forces a smile, pushing against the thought of being the one to bridge the gap between the two of you. It twists at his stomach. "What? Are you asking me for girl advice?"

Felix cracks a grin, playfully nudging Oliver with his shoulder. "You know how I meant it."

The words are light, but still another attempt at getting a concrete answer. There's an edge there that Oliver's familiar with, an implication of a feeling he's gotten used to. That chest tightening, what's so special about them? And now the Felix Catton is viewing him in that light.

Personal emotions aside, this--you--could be more useful than Oliver thought.

[astro-break]

I've been sitting on this ever since the chapters came out but Kiriwo vs Iruma and Azz was actually a really good section? Both from a technical and a storytelling standpoint it was top notch and is an excellent case study of how far Osamu Nishi's writing has come

First off, its the first time both Iruma and Kiriwo are meeting face to face after the events of the Battler Party. And it only took 300-ish chapters. Of course its going to be impressive, but I kind of want to focus on what I really really love about these two chapters.

From a technical analysis, I absolutely adore the double page spread with Kiriwo breaking the panel to lean over and devour Iruma. Demons are the most powerful when they are their greediest and not even the foundations of the medium can stop Kiriwo. I also absolutely adore how the hand pointing into his mouth lands right over Iruma's terrified face, the outstretched hand as well boxing him in with no way to escape. It breaks the natural flow of reading manga, forcing readers eyes to jump from the first panel to the last immediately. Even the speech bubbles which also break the panels to bleed into the next are boxing Iruma in, leaving only Kiriwo as the only option. He's right. Right here. Into his mouth. That's the only direction the manga allows him to go. Not even Azz, who is logically right behind Iruma on the other side of the barrier, can't be seen. Its just them.

One thing that Mairuma likes to emphasizes is eyes. Nishi likes putting in a lot of close ups of the face but eyes specifically is something she puts a lot of focus on. Of course, eyes are the only reliable way to tell if someone has returned to origins but eyes also change according to wicked phase. They are the windows to the soul, and whenever a hype moment occurs, the eyes are almost always a focal point to enhance the action.

The latter half of 303 really ramps this imagery up as eyes become one of the main focus points of the sequence. Iruma's watery eyes when he asks if its really Kiriwo, the concealment and subsequent focus on Baal's eyes as he looms over Princes Shura revealing his motives (also Shura covering her face up till Baal "saves" her is an interesting symbolic choice i might write about), the ever present return to origin markings on Kiriwo's eyes after declaring his intentions, and that final page is all about eyes. My favourite is the hiding of Azz's eyes as he breaks the barrier only to reveal them as he boldly says he'll stay by Iruma's side, eyes finally coloured in when up till that point in the chapter it was left white.

Speaking of panels though, Kiriwo is allowed to break past the gutters and invade other panels. His single minded devotion to consuming Iruma allows him to bend the laws to manga and lean right over. So logically, the next page where Azz saves Iruma, Azz who is consumed by devotion and is perhaps even more enamored with Iruma would do the same, no?

Nope.

Despite everything, Azz is still trapped within the story and its confines. Not even his words break through the boundaries. The best he can do is close the gap between the gutters, squeezing the panels together as close as he can. He still lacks critical information and Kiriwo has and no matter how much he tires, without that he will always be a step behind his senior. Even all the power in the world will not change that Suzuki Iruma is a fragile, fragile human.

As if to rub salt into an already gaping wound, Kiriwo's speech bubble at the end of the chapter literally shuts down Iruma's protests. Kiriwo is in control of the situation and his words take over the page. He's also drawn to be taller than Azz who is canonically about 10-15 cm taller

Control seems to also be a big theme/determining factor for whose words are allowed to transcend the metaphysical boundaries boxing them in because who else would be the one to quite literally dominate the next climatic moment than the unpredictable agent of chaos, Clara herself? The ringtone from her call quite literally cuts both Iruma and Kiriwo's words in half, drowning them out in her silliness. I remember seeing that a lot of people were upset that Clara interrupted Kiriwo but I argue that Clara is the perfect person for this? Master of funtimes and such a wildcard that she managed to seduce Raim through pure innocence? You can not tell me that you didn't laugh at the stupid fonts that Misfit Scans used for Iruma's ringtone. (Thank you Flare, whoever you are. Because I laughed. So hard.)

Also KiriAzz's faces when they look at Iruma? Peak visual comedy

Clara calling is also just the breather that the story needed. Yes, she inadvertently protected Iruma's secret, but she also the most emotionally mature out of the Love Trio which I think so many people forget. Clara is super smart when it comes to her boys, she knows that off on their own, they're bound to get caught up in their own heads worrying and agonizing in silence. Clara knew to call her boys after the Devilculum because it would had undoubtedly been stressful mingling among the upper ranks. Of course she was lonely and wanted to know how her soulmates were doing but even if she knows it or not, she is their emotional center and grounds them when they drift too far into their own self flagellation. But more importantly, she grounds the story in its genre. Lets not forget, Mairuma is a comedy series. Devilculum Arc was quite uncharacteristically somber for the series which runs on comedy of errors and misunderstandings galore. Sure, the beginning of the Arc was kind of funny but once everyone stepped into the venue, comedy became secondary to the plot.

Would it have been interesting to see what would have happened if Clara didn't call? Of course, yeah. But I think thats better left explored in fanfiction. At the end of the day, they're the Love Trio, they are a tripartite. Do not separate. And even unknowingly, Clara's protecting Iruma in her own way. And because of that, she is given the power to take over the page, filling it with images of Magitools Batara and her own silly creations, flower shaped speech bubbles framing the members as they work towards their own ambitions. She is the one that reminds Iruma of his own goals, who reminds him that there are demons at home who are waiting for him, and who he too is waiting for.

On a more aesthetic note though, I do like how Iruma's necklace this arc mirror's Kiriwo's collar. Its a very nice parallel but also acts as a way for Iruma to be connected to the people he's attending Devilculum with. The frilled collar on Ameri's dress and the Amosdeus Clan's rose brooch that both Azz and Amu have on their suits.

Idk how to end this ngl but I am completely normal about ch 303+4 the writing and set up is so so so good. I remember Misfits being so mad that others were translating the human part and I agree. Its so vital for the Love Trio and their relationship that their secrets are theirs to tell and not anyone elses. And the way these dynamics are portrayed through diegetic story telling is just perfect, I will never get over how good the KiriIru double spread is. Like those two pages specifically is my Roman Empire. I think about those pages on a hourly basis. I love that spread so much but 90% of what makes it so great is the surrounding context and the proceeding events. One day Nishi will probably top this and make me slobber all over her artistic storytelling but for today, I will continue to be consumed with thoughts about these two chapters.

One last thing but the fact that Iruma's secret got cockblocked from being revealed twice because of a phone call is just hilarious. Once is good enough but Narnia prioritizing a work phone call over warning his brother about what he sees as a great evil? He's so silly actually.

[bastart13]

What's the game you're making? What's the premise?

Love and Legends is a fantasy isekai dating sim, originally written for and produced for the Lovestruck app. The app shut down a few years ago, and though the game is archived in videos here (x) I wanted to give remaking it a shot.

The premise is that one day, the MC has just got out of work, only to be struck by lightning and teleported to a fantasy world of knights, elves, fairies... and evil queens. And turns out she looks just like the evil queen, the one killed three years prior. People in the world either want her in a dungeon or to restart war as their despotic overlord and she has to learn to navigate the world, chosing someone to stay by her side.

There are seven love interests:

Lord Reiner Wolfson - A second-born son of the former leader of his domain, forced to become leader after his family died fighting the Witch Queen. A kind, considerate leader with a love of bad jokes, prepared to but the weight of the world on his shoulders to protect what remains of his loved ones.

Altea Bellerose - A young, gifted wizard who's devoted most of her life to refining her art and fighting for justice. She's deeply curious, quick-witted, and determined to prove herself against those who might dismiss her.

Prince Iseul Idreis - An elven prince with a family history with Reiner's, who served him in war and now takes time to enjoy the peacetime. Laid-back and sharp-tongued, he seems to take nothing too seriously but cares deeply for his friends.

Saerys - The last known demon after the Witch Queen launched a brutal extermination of his people. Isolated and marked, he struggles to find his place in the world. As much as he loves and trusts his allies, he does not believe he has a place among them.

Sir August Falke - Reiner's most loyal knight and fiercely protective of their won peace. He does not allow any threat to pass, even if it leaves him a little uptight. Taking care of his beloved noble steed, Wyndsor Royale, shows off a softer side to him.

General Helena Klein - The Witch Queen's general, former lover, and apprentice, Helena's gift with magic breaks bounds. Though she has a long, dark history of pain, even when she thought it might be love, she hopes for a way to escape.

General Alain Richter - The Witch Queen's longest-standing general and oldest friend, he followed her down an evil path, sowing pain whenever she commanded it, he wants nothing more than to return to a time where he and his love find peace together.

The writing is overall very impressive, with a strong sense of character chemistry and dialogue. There's a lot of variety between the characters and routes, each following a unique story with variations on the world's lore. The MC is a surprisingly strong character in her own right, allowing interesting dynamics between her and the love interests rather than a default.

[the-trans-folk-witch]

The Triple Goddess of Wicca, and why she must be killed : Another trinity with a problematic following

What better time to bash Wicca than the present? At the time of writing this it is nearing the height of Autumn and All Hallows is lurching towards us with natural disasters all along the southeast of the US. Hurricanes are bringing ruin to the homes of the innocent, as well as the possible deserving conservatives of Florida.

At this time I am in deep thought of the many times in history that loss, death, illness, and danger upon a group of people was seen as a "cleansing" by the Christian god. The Aids crisis is a great example of this. It was seen as natures way of ridding the earth of queer folks. so why should we not view the hurricane as such a riddle?

In relation to problematic religious views that damage queer folks, I wanted to disect one of these religions. Wicca, a religion with many branches and problems. This religion -as many know- prides itself on its pagan origins and distance from Christianity, while still displaying the same issues Christianity presents to the world. A religion where the pedo-priest becomes the rapey-coven-leader. A space where women are just a womb for a man or god to lay seed in, and most pressing; a place where trans bodies are ignored. Another religion made by a cis white man and taken too far.

I was inspired to tackle the beast that is this neo-religion by the load of terfs that have plagued my inbox for the past 3 years. These Dianic-Wiccans seem to forget the cultures that bore their goddess also created many stories of gender-bent gods such as Hermaphroditus who is most famously known. Shikhandi, who is labeled as a FTM warrior. Lakapati, whose gender changed many times in Filipino history. And Apollo who has a myth where he lived in the form of a woman for 7 years. As we all know, transness is older than wicca will ever be, and there is no use in continuing to argue with dianic -terfs on the internet. So, instead of berating them on their lack of historical knowledge, I want to pinpoint the thing within their faith that this trans-exclusionary "feminism" stems from. Their goddess.

We all have seen the links made to Hecate or Diana in their religion. The concept of an ancient goddess having three main forms or titles to call on. But what maddens me is the ignorance that many non traditional wiccans spout off. As if they are from an ancient tradition of Hecatean worship. When their triple goddess is historically claimed as a purely wiccan invention by the mouth of Gardner himself. The dissent from traditonal wicca to neo-wicca has been maddeningly full of lies. This religion did not evolve, but made space for more issues. If you asked the first or traditional wiccans who they worshipped, you would hear they worshipped the gods of wicca who were revealed to Gardner. Not an entirely Greco-Roman rip-off. Yes, the triple goddess may have been inspired by triple goddesses of history. But she is much newer and much more problematic than her ancient counterparts. To think an ancient tradition such as hecatean devotion has been watered down and conflated with a made up goddess that prioritizes women's usefulness to man as her purpose. To be more clear, let me roughly describe Hecate's triple form in history. Hekate of the moon/sky, Hekate of the earth, and Hekate of the underworld. A goddess who was encompassing all places and aspects of life. The ultimate power of the world. She was not this maiden mother and crone being. She has been reduced to this western concept of "maiden, mother, and crone". As if counting the stages of a woman's service to men is to be empowering. As if all women must be these three things. As if women are only worthy of worship if they rear children, or had a period of chastity (maidenship). A spirit that was made up by a man with a breeding kink has claimed the titles of hekate and are now toting her images as if they are her. People are holding this goddess close to their hearts and wombs only to mock greek culture despite not having greek ancestry. Cis women are using Hekate's image to attack trans women and use this made up triplicate nature of child birth and their British founder's obsession with women's bodies to make us seem unnatural. Yet, here they are pretending Hecate, Diana, or whatever name they are aimlessly slapping on this goddess is of natural pagan origin. It all satirically contrasts with the actual historicity of transness. Imagine having the nerve (read: ignorance) to mock me for being trans as if it is a new thing, when the very gods you're using to back it up are from the mind of a mortal man. Trans people have and will always be divine. Even without bearing children, having a womb, or lying with a male god. Your obsession with your baby making abilities is not the feminism you think it is. You can be so much more you terf wiccans. Yet you cling to the parts of yourself a man told you to. Do not use your body as a weapon to shame my body. Because we are both equal in the eyes of men. worthless, and only for sex. Whether its to make a baby or to give a man a shameful night to remember with a tranny. You, like i am, are just a fantasy. And your god emulates that.

Before you tell me I am sexualizing the titles of the maiden, mother, or crone too much, notice how the religion does that itself. Lets not forget how often wicca has holidays devoted purely to their two gods having sex. The maiden claiming to hold this fertile power and being a feminist figure of virginity while also slightly drifting into purity culture is not exactly the feminist religion wicca intends to be. Its damaging if anything. The maiden is simply a title given to woman to hold until she was made pregnant. There is little depth or actual ties a true maiden in the religion may relate to in this goddess. It is such a flat epithet which holds little use for ones faith other than to claim your youth and sexual awakening. And yes, being young and sexual is in line with feminist ideas. Embracing sexuality or the lack of sex is empowering. But this empowerment was not intended by Gardner. The "feminist" nature of the maiden is fairly recent and flawed. And it is still being marked as a woman's title which she can not move from in life until a man allows her to become a mother.

The mother is a a more three dimensional aspect of this spirit. One I think wicca did mostly right. She is the typical mother goddess all religions have. She can be loving, stern, etc. And yet, she is still hollow. Who would she be outside of the other pagan cultures she is based on. Where is her originality? And do modern wiccans realize Gardner did not share the same ideas of her as the religion does now?She was made by a man's idea of a woman just as many other goddesses were, but who was she before? There wasnt always an origin myth. She was the maiden. Wicca tries to make this growth of a goddess reflect human growth expecting it to make her relatable, but it falls flat. She is a mother. cool. She got pregnant. What if a worshipper has no interest in having kids, fertility obsessions, or the sort? what is the point of even worshipping her? in the early stages of wicca, she wasn't a mother goddess in the sense of caring for her worshippers. Gardner in my belief fully intended her to be a way to pull women into the religion by utilizing the growing feminist movement of his time. She was a way for him to express his mommy issues in a spiritual sense as well as to discuss sex between man and a woman in a disturbingly hetero-centric way. It started off as a minor sex cult in the eyes of Christians. And there was some truth to that belief. The mother was cause of this. She allowed space for men to get women to embrace their sexuality in a group setting. It was masked as a feminist idea instead of the reality which was men perversely trying to discuss nature's sexual powers and the power of creation. Many a coven spent time sharing intimate stories and ideas in a setting that was more than just friendly. And I can not be convinced this was not for male gain. With the spread of femininism there were covens who of course tried to rid the group of creepy men. But alas, they all fail to admit the religion was crafted for the very things.

The crone is no better. She is today revered as a source of wisdom or power. Yet in a coven system this "wisdom" is just older coven members using their age as a way to act smarter than their fellow members. The spirit of the crone is an archetype we see in many cultures. I can respect the usefulness of it in one's spiritual hierarchy. Yes, older women are wise. I say this with my fantastic and loving grandmother in mind. But the crone of wicca originally was not as multifaceted as she is today. She was the ending of life. But most importantly and unbeknownst to female members, she was the ending of a woman's sexuality. The idea that after you're old you are no longer beautiful. You are no longer having sex with the male god or bearing children. you are no longer useful to a man unless it is to inspire his art or give him ideas as a source of wisdom. The crone too was made by a man's idea of female aging. The god and goddess were presented to us as a pair on equal footing, but the woman was just to fulfill a role. The god serves an equally damaging role too. Enforcing ideas of masculinity and protectiveness. But it does not hold the same weight as the triplicate nature. It does not follow a man into every stage of his life expecting him to change multiple times. The crone is the end of female empowerment. She is not a servant to her children or husband like the mother, but a servant to men who seek knowledge.

Wicca had a feminist appearance at one time. But it has not aged well. Although many covens try to be inclusive to queer folks, we can not ignore how its own gods do not acknowledge us. I understand the interest in wicca that many (mostly newer) witches have. The hunger for a community or a mentor. But forcing yourself into a highly performance based and gendered grouping is not going to result in a deep faith or fulfilling spiritual life. Yes it can be nice for those of us with OCD or autism to put all of the spirits in boxes and to categorize them into a balanced or symmetrical hierarchy. (god and goddess, sun and moon, life and death.) But the dualism in this religion reflects the gender binary and transphobic agenda within the religion. It can not be escaped. In fact, it is so infectious that traditional witchcraft spaces have adapted these male/female concepts. We have forgotten how feminine the devil is and how the witchmother has a beard. We have allowed our spirits to be organized in ways that fall within the binary. And it all started with Wicca.

So as a response to this malignancy in our community, I kindly tell all of my terfy readers to get fucked. Preferably by the old wrinkly cock that leads your coven.

[lazycats-stuff]

Congrats on 500 followers 🥳 ! I know that the weapon!reader fic came out today but I so badly want a fic about how he got adopted into it, like Ik you told us but could do you do write it out, if you get what I mean? Sorry I suck at explaining lol

I’m so sorry to request so soon, so take your time ❤️

Thanks, it's time for the origin story it seems. Also, I'm closing request for a while, I got 9 of them in my inbox and I would like to catch up with them, so just watch my blog description to see when they open. Also, I wrote 2.9k words... What the hell?

Summary: How (Y/N) got adopted.

Warnings: violence, murder, (C/S)= call sign, (F/N)=fake name, (F/L/N) = fake last name, a random target for (Y/N) to kill.

A weapon. A thing. Not even a human being. That was the motto he was told over and over again. He doesn't remember the life he had before all of this training. Or maybe he was just training from when he was born? Who really knows.

He was always on a strict schedule. Wake up at 6 am, have breakfast at 6:30, then it was time to do training. Whether it's martial arts or just being at a shooting range, his days were often filled with training or missions.

He was always a shadow. A person who just melted with people, who blended in with the crowd and who could disappear easily. More appropriate name would be ghost.

He met the best assassins in their world and he earned their respect for his skills and undying devotion and motivation for the mission.

Even Ra's al Ghoul respected (Y/N) and that was something that is not easy to achieve. Even more so, he was shocked when Ra's wanted to meet with him. It was something about a mission that he was going to get.

It was in Gotham city.

And by meeting Ra's al Ghoul, that meant going to his own base. He closed his eyes as he was driving in the helicopter. The vibrations were slightly comforting as he watched the base materialize in front of his eyes.

He was always in awe of Ra's al Ghouls base. The man was untraceable and the fact that he popped up somewhere in the middle of nowhere and the fact that he led (Y/N) to his base was incredible.

When the helicopter landed, (Y/N) took of his headset and stepped out. He squinted due to the sun shining in his face. He bowed his head when he saw Ubu, Ra's al Ghoul's second in command.

" Welcome to our base (C/S). Please follow me. " Ubu said, turning on his heel and walking back to the base. On both sides there was a row of assassins, just ready to strike at moments notice.

It was eerie. He walked right behind Ubu, looking up at the big base. And that man is untraceable too. This base is massive and although in the middle of nowhere, it's easy to find something massive.

They stepped inside into the shade and (Y/N) was relieved to be shielded from the sun. He saw Talia al Ghoul as she walked by, always gorgeous, but fatal. Femme fatal and black widow mixed in one really.

He remembers one altercation that he had with Talia a few years back. Turns out that they were on the same mission and Ra's and (Y/N)'s handler didn't bother to let each of them know before they tried to kill each other.

(Y/N) still remembered the fight and how brutal it was. Talia might not seem to be physically strong, but she most definitely is strong. She could really punch and the entire room was completely trashed. It wasn't until the room was trashed, faces were bloody and (Y/N) broke Talia's nose and Talia broke his wrist.

Ra's and his handler were shocked when they saw the state of them. Talia and (Y/N) were glaring at each other and if not for their handlers, they would have gotten at it again.

But now, they had mutual respect.

Where was that mission anyway? Metropolis? It could be. He remembers hearing about Superman in the news and he also read the newspaper, seeing that Superman was on the front page.

Talia and (Y/N) nodded towards each other, a sign of saying hello and respect for each other. She walked off down the corridor and (Y/N) turned his head back to look forward.

They stopped in front of the big doors and the two guards opened it. (Y/N) stepped into a lavish room. My God, does Ra's have money to burn. Marble, gold... On the left there was a big bookcase with first editions of the biggest literature works. The said man was sitting down at the balcony, seemingly drinking bourbon.

Who even drinks bourbon this early in the morning?

" (Y/N), please, do sit. " Ra's said, pointing to a chair opposite of him.

(Y/N) sat down and Ra's poured him a glass. (Y/N) sat, hand grazing the gun in his holster. It was still there, loaded and ready to go.

" Now, you must wonder why I summoned you here. " Ra's started, turning his entire body to look at (Y/N).

" I can only assume that it has something to do with my upcoming mission in Gotham. " (Y/N) said, leaning slightly back, putting his arm around the back of the chair, but still keeping his other hand near his gun.

" That is true. I know you are no stranger to Gotham, but you are a stranger to Batman's modus operandi. "Ra's started, picking up his glass, before twirling the liquid around.

" I'm familiar to how Batman works. I'm afraid you are wasting your time if you called me because of that. " (Y/N) said, watching as Ra's smirked.

" I have no doubt you know how Batman works, but that was all in theory. Your handler never fought with Batman. I have. " Ra's replied, taking a sip of his bourbon.

" Not a drinker I see. Well, I know your mission is not about Batman, you have assassinate a prominent politician, but Batman will be all over it. That man can tell when somebody very well trained does it. He can recognize assassins and he can tell if somebody of your caliber entered the city. " Ra's stated, turning to look at his people training.

" Batman is like a dog with a bone, I believe that's the term that Americans use. And it's a good term for Batman. Once he has something, he won't let go of it, no matter what. I just want to warn you, once you do this, Batman will look high and low for you. " Ra's explained, turning his head to look at the young man, who looked back at him with confidence in his eyes.

" I'm pretty sure that I will be pretty quick with my mission and will be gone by the time I'm done. I will be in the city for just a few hours. " (Y/N) said, now taking the glass.

" And those few hours might change your life. " Ra's said, taking his glass too. He raised it and (Y/N) followed. " A little toast to your mission. May all go well. " They clinked their glasses and (Y/N) murmured hear hear.

A few days later, he was landing in the Archie Goodwin airport. He has a small sports bag with him, containing his suit, some extra clothes and a burner phone. He walked out of the airport, seeing the car already waiting for him.

He got in, already having the keys in on him. He turned the car on and he drove to a small, shabby motel in Gotham. He turned on the radio, listening to news.

" Welcome back from our brake. Tonight, at the city hall, Richard Peterson will be starting as a mayor. In the attendance are a lot of prominent Gotham citizens, including Bruce Wayne himself. Mister Wayne hasn't been so present in these types of events, but since it's a charity party, mister Wayne is always ready to show up. But don't get me wrong, that man did more for our city then anybody in the mayor's office and the government combined. Thank you for listening to our news and we are going to be back with our regular program. "

(Y/N) turned the volume down a bit, not really interested in music. It was a rock song, but (Y/N) didn't really listen. He watched the road in front of him. The said road was empty, expect for a few cars. He was never a fan of Gotham. It was a dirty city, both with actual garbage and by metaphorical garbage.

Corruption, drugs, murders, muggings... Crime all around. There wasn't a single sign of changing until Batman showed up. His handler told him that. he also told him that Batman coming onto the scene in Gotham has changed the world.

And Batman also changed it by creating the Justice League. Many were happy, and by many, he meant civilians. Villains were not so happy and they created their own league, the League of Light. He took a turn and he drove into the motel parking lot. He turned of the ignition and stepped out. He frowned a bit at the smell.

Ew. He took his sports bag and went to the reception. There was this old lady, probably old enough to retire. She was smoking and it seemed like he was her first guest of the day.

" Hello ma'am. " (Y/N) said politely, leaning on the front desk

" Hello sugar. I assume you need a room. "

" Yes ma'am. "

" Give me your name. "

" (F/N) (F/L/N). " (Y/N) said, taking the key from the lady. " Is it possible to pay up front? " (Y/N) asked, feeling a stack of cash in his pocket.

" Of course. I presume cash. "

" Of course ma'am. " (Y/N) said with a fake smile.

" I still got it. " She said, giving (Y/N) his key and (Y/N) gave a hundred dollar bill.

" You can keep the rest ma'am. " (Y/N) said, making her smile.

" Thanks sugar. "

(Y/N) nodded, taking his sports bag and he went to his room. He saw a pool, but there was no way in hell that he would go in there and swim. And besides, he has way to important things to do rather than to take a swim in the pool.

He dropped the sports bag on the bed. Now he had to go check out the city hall and the surrounding buildings. And he also needed to pick up his weapon from his contact here.

This was going to be a fun evening.

(Y/N) huffed as he set him self down onto a roof. He prepared his rifle to stand on the edge. He was in all black, with a black mask covering the bottom half of his face. He also had a black beanie, covering his hair.

He had his gloves on too. He can't have any fingerprints linking him to this. That is the most armature thing ever to be caught over. He sat down on the roof, waiting for the ceremony to start.

He watched the politicians rolling in their expensive cars and wives or husbands under their arm, used as trophies. He never saw the appeal of it, but he himself in a way was a trophy to his handler. Although, not because of his looks like in this case, rather for his skill set.

Also, why do you pay so much for clothes? (Y/N) could see without his binoculars that the dresses were expensive and he never saw the appeal of it.

He took out a small protein bar, munching on it as he waited for his target to arrive. One tip he learnt is to never shot from a rifle when you are hungry. So, it's better to eat something.

He put the wrapper into his pocket and he got down. His target just got out of the building and stood in front of the podium. (Y/N) looked through the scope, setting his sights on the politician.

When everyone settled down, (Y/N) took a breath and pulled the trigger. (Y/N) shot him through his forehead directly. Screams started and the police started scrambling to secure the area. (Y/N) took his rifle and separated it into parts, to fit into his backpack.

And then he ran from the rooftop, sinking into the shadows. The plan for this was to get to a bridge and throw this backpack into the river. And then get to on a plane get out of here.

Batman knew that this assassination had something to do with somebody of high caliber. It was dead on in the center and the fact that whoever did this didn't leave any traces on the roof where he stood.

However, there was a security camera.

" Tim, I need you to hack into a security camera on the building across from the City hall. Look who was there at the time of the murder. "

" Will do B. Alfred is looking into this politician, trying to figure out why he was killed. " Tim said, already hacking into it.

" I will show you the footage now B. " Tim said.

Bruce tapped a few buttons on his gauntlet and the video feed was shown. Bruce just looked at the eyes, saw the munching on the protein bar. And it seems that when he was escaping that the wrapper fell out.

Maybe the wrapper had something on it. " Tim, look for other footage of him. We need to get a face for the recognition. "

" Already on it. "

Bruce hanged up and scanned the wrapper. It had some DNA on it and he could probably have a DNA sample from this. He scanned it now and put it into every database known to man, even through the Justice League database.

Oh my. It got a hit. It was by the name (C/S), aka (Y/N) (L/N). He started making waves in the assassin community. But what ticked Batman off was the fact that he is a teen.

Whoever trained him... Whoever trained was going to be maimed.

" Everyone, I have a name and a face. Track him Tim. I want to know when he got into Gotham. Look at the airport, stations, everything. "

" Okay, but I put his face to find him through the city. Right now, he is on his way to... The airport. Robin and Red Hood could intercept him."

" I will. Let me know where he is and the car he is driving. " Batman said, calling the Batmobile. Time to find (Y/N).

(Y/N) was driving peacefully, just ready to get out of this city. Batman and the others, however, had other plans. (Y/N) never saw them coming. Batman rammed the Batmobile into the right side of (Y/N)'s car, making it turn a sharp left. (Y/N) braced for impact and more importantly, he got his seatbelt on.

He was a bit shocked, but that quickly wore off as he saw what hit him. He wasn't staying long enough to fight Batman. Nobody in their right mind would.

(Y/N) got out, gripping his gun. He saw a fire escape and ran for it. He can't fight him, he needs to get out of this city and far away from Batman and his sidekicks as humanely possible. He looked down and he saw Robin. He knew who Robin was, he saw a photo of him once though.

He climbed even faster, getting onto a roof. Nope. He stopped in front of Batman, who didn't look impressed.

" Hello (Y/N). You need to come with me. "

" I'm afraid not. I have to go back so... " (Y/N) said, ducking to the side to run. He jumped to the next roof, but somehow Red Hood jumped him from the right putting them trough a window on the roof. They both fell down and (Y/N) hit his head against a beam.

The world got dizzy and he heard voiced mixing. He closed his eyes, hoping to die instead.

(Y/N) wasn't so lucky as to die. He woke up with a big headache and he knew that he didn't escape. He opened his eyes and was met with a glass ceiling. He turned his head and was met with the sight of Batman and the others.

" Morning (Y/N). " Batman said, moving closer to the glass.

(Y/N) sighed, sitting up at the small bed here. " Yeah, sure. How can I help you? "

" You can start with telling me who your handler is. " Batman said calmly.

" I'm afraid not. Besides, I only know him as the handler so... "

" Where is the base then? "

" Aren't you supposed to be the detective? " (Y/N) retorted.

" And you are supposed to be a normal teenager. Enjoying life. Going to high school. And not be an assassin for someone. " Batman retorted back.

" Either way, I can't tell you anything. And you are going to keep me here? "

" Yes. And I don't care about the fact you are not telling me who your handler is, I will find him either way. I won't allow you to go back to him. "

" So what are you going to do? Adopt me? " (Y/N) asked sarcastically.

" Yes. " However he didn't expect such serious response.

" No. "

" I mean, I need to keep you here. " Batman said, making (Y/N) go eye wide.

" Now I wish that Red Hood killed me. " (Y/N) said laying back down, making Jason smirk a bit.

" Likewise. " Jason said, making Bruce give him a quick glare.

" You will be better here (Y/N). You will have a chance at a free live. Your own life. No control, not anything you don't like. " Bruce said, trying to appeal to him.

" Hmm. No. " (Y/N) said, closing his eyes.

" Well, I can't send you back to that hell. " Batman said, finality in his voice.

" Well, I still don't like this. "

[pastorfutureletthembe]

Link Click and flowers

When CANON gives us such amazing and layered characters, we're always fascinated. We go on treasure hunts to find every little secret about them. Because we want to understand them better. We empathize with their struggles. We write meta and fanfictions.

Sometimes, CANON shares golden nuggets of easter eggs: Birthdays and flowers.

Today I'm gonna tell you everything you need to know about Myosotis and Daisies!

> Myosotis ~ Forget-Me-Not ~ Scorpion Grass

The genus name comes from the ancient Greek word, mus (mouse) and ous or otos (ear). This comes from the shape of the plant’s foliage, which features short, pointed leaves reminiscent of mouse ears. More than 70 species of myosotis exist in the world. Most likely, when you picture this flower, you think about Myosotis Alpestris. The alpine forget-me-not species is distinguished by its delicate blue petals featuring yellow throats, which create a striking contrast against the rugged landscapes where it grows. Its ability to flourish in harsh, cold environments makes it a remarkable example of nature's adaptability. Another type, Myosotis scorpiodes, is sometimes called scorpion grass, which seems like an unusual name for such a pretty little flower. Before the flowers bloom, the plant's stem appears coiled, like a scorpion’s tail. It then slowly uncurls as the flowers open up. When you give someone these tiny blooms, it represents a promise that you will always remember them and will keep them in your thoughts.

Lore

Throughout history, forget-me-nots have been laden with meaning. Europe: A German knight was strolling with his lady along the banks of the Danube river. The lady saw pretty blue flowers—but they’d been pulled loose by the river’s flow and were about to disappear downstream. She wanted to save the flowers, so her chivalrous knight jumped into the water. He couldn’t fight the strong current, so he tossed the flowers onto the bank, and as he was carried out to sea, he called out, “vergiss mein nicht”, which is German for “forget me not.” World War I, they were linked to fallen soldiers and were used as a symbol to remember the dead. Victorian era: emblematic of true love and remembrance, often given as tokens to signify faithful and enduring love. During this time period, people sent each other flowers to convey messages that couldn’t be spoken aloud. In this flower language, they represented love, devotion and everlasting faithfulness. They also conveyed the message, “Do not forget me.” Christian creation: God bestows names upon all the plants He created, except for one tiny blue flower. Afraid of being passed over, the unnamed flower calls out, “Forget me not, O Lord!” In response, God declares, “That shall be your name!”

Symbolism

Forget-me-nots represent true love, devotion, and faithfulness. Everlasting love: From the Middle Ages to Victorian era, they were used to decorate valentines. Devotion: They seen as symbols of remembrance for loved ones who have passed away. Commitment: They’re often given to spouses, significant others, or friends to convey deep affection and loyalty. Friendship: Long distance, two friends enduring affection living in different places.

> Daisy ~ Bellis Perennis ~ April Flower

Daisies originated from the Old English word "dægesēage”, meaning day's eye. This etymology reflects the flower's association with the sun and its daily cycle. It refers to the nature of the flower's sunny appearance as well as its behaviour of opening in the morning and closing at night. A sun-like core surrounded by delicate white petals as if a radiant sun is peeking through the clouds. The white, often red-tipped petals are both separate groupings of numerous flowers giving the illusion of a single flower. It actually posesses a composite flowerhead: daisies are two blossomes in a single one. Daisies are a diverse family of flowers, each carrying a unique symbolism. Bellis (meaning pretty) perennis (meaning everlasting) are the common Daisy, and those provide a message of innocence, childlike happiness and playfulness. Shasta Daisies have an ability to thrive in diverse climates, mirroring our own human resilience and making it a fitting symbol for enduring love and the continuity of life. No matter the species, it is known to bring hope and joy for anyone who takes the time to appreciate its beauty. They are often given to someone you admire. It is also a tangible expression of union, used in weddings, and ironically considered as a heartfelt farewell, placed on graves, as promise of remembrance through genuine love even in death. The birthmonth for Daisies is April.

Lore

Norse mythology: In Norse mythology, daisies were considered sacred flowers because of their power to predict the future. They represented love, loyalty, and destiny. They were also associated with Freya, the goddess of love, beauty, and fertility. According to legend, whenever Freya cried, her tears turned into daisies. Ancient Greek Mythology: According to Greek mythology, Zeus, king of the gods, fell in love with a beautiful nymph named Belides. When Hera, the wife of Zeus, learned of this, she turned Belides into a daisy to protect her from Zeus' advances. Zeus could not save Belides and instead honoured the daisy for her beauty and love. Celtic Mythology: In Celtic mythology, people associated daisies with the sun, bringing prosperity and good luck. They also believed that these bright flowers were a sign of the summer solstice, carring the sun's light to the earth. In Victorian era, they developed floriography, or the language of flowers, to relay different coded messages depending on the type of flowers they sent and received. Daisies in particular symbolized loyalty and the ability to keep secrets. Someone would send daisies to a person who told them a secret to let them know their secret was safe.

Symbolism

Daisies are quite popular for radiating cheerfulness and positivity. The beauty of this flower is that it implies trust and reciprocity. Innocence: symbolise innocence, purity, and childlike wonder, because of the flowers’ soft, white petals, which give a sense of freshness and purity. They also stand for innocence in the sense of faithful love and loyalty. Love and Romance: associated with true love and secret admirers. As two flowers which have blended harmoniously together into one bloom, it represents perfect union. Beauty: while appearing simple, their sunlike attribute makes them the symbol of aesthetics. New beginnings: for transformative times, most especially for new beginnings. Popular for spring and to welcome new chapters in life. They represent a positive change or even a fresh start. They are often used for depictions of Mary, mother of Jesus, as childbirth symbol. Friendship: tokens to express appreciation or to celebrate a beautiful bond between friends. Joy, loyalty and union in the purest sense. This one is for me haha: Celebrate a 5th anniversary

That's all for today! they choose wisely, don't you think?

I am willingly ignoring that Forget-Me-Not could hint on Lu Guang's death :D I just wanted a cute post on flowers for now.

Find out more about Hyacinth, Qiao Ling's flower, here!

[yuseirra]

This manga is truly the epitome of avoidant disaster (Hoshino family analysis)

Yeah... Jotted this down earlier this morning :/ it's been machine-translated so if the writing feels off in some parts, it could be because of that!

After everything, my personal impression of the original manga is that it hurls misfortunes at its characters without resolving, healing, or addressing any of them. Everyone just seems to endure, carrying their festering wounds for years while pretending they’re fine, hiding them, burying them, or even living submerged in them. No one truly confronts their pain or thinks about what to do with it.

Aqua says he’s seeking revenge, but it’s not what he truly wants. He’s suppressing his inner wounds, telling himself it will all be over once he avenges Ai, and that he’ll die afterward. Then he claims it’s all for Ruby, but to me, that feels like rationalization. What Aqua really wanted was to live happily. He kept avoiding his genuine desires.

Ruby said she was chasing her dreams and seemed to be thriving, but in the end, she also turned into an avoidant type.

Ai… she tried so hard, but her basic attachment style leans avoidant. Ai really lived her life with all her might, didn’t she? Yet, as an idealist who wanted so much, she often compromised to make those around her happy. It seems like she always held herself back, standing a step or two away from what could have made her truly happy. She kept postponing things. She would have been happiest if she revealed her truth, but the reality was that the world wouldn’t have accepted it. That’s undeniable.

I think Ai genuinely loved her boyfriend and wanted to convey her feelings to him, but was there just too much to lose if she did? It’s such a classic avoidant way to end things—truly loving someone but cutting them off abruptly, without properly explaining anything, coming to conclusions on her own, and distancing herself. Aqua, it turns out, inherited this unfavorable trait from his mother.

Still… I think if Ai had survived, she would have eventually made a revelation, created a documentary, or told her story. She seemed to be enduring to her limit. If the kids had grown older and more time had passed, or if Kamiki had just gone to see the kids when he got that call instead of sending flowers, I feel like things could have worked out. But instead, he didn’t go, and tragedy struck, leaving everyone miserable. If he had just gone to see them? Everything might have turned out okay. Or if it had happened earlier, while Ai was still in the hospital.

Kamiki… sigh. There’s so little revealed about him, but among the family, he seems to have become the most honest about his desires. However, that doesn't come from his right state of mind... From my perspective, this character completely lost his mind after Ai died. He seems to be in such anguish. Honestly, I think he was as good as dead the moment Ai passed away. His despair feels like something out of Mephisto or Fatal. If Aqua were to turn out to be the one who's, responsible for those songs, the writer is crazy!! I would truly curse them. You just can’t write the story that way. It would invalidate Kana, Akane, and Ruby all at once. That would be horrifying. It would mean Aqua spent the entire series forming connections and relationships with others while secretly being obsessed with Ai. But to Ai, Aqua is her child. If that’s the conclusion, it would feel so wrong. But when you consider Kamiki’s devotion, his emptiness, his corruption—it fits him more than anyone else. Yeah, those songs are his all right.

Returning to Kamiki… he seems to be in terrible shape. His current form feels like fragments barely clinging to the shell of his former self. If Aqua is rotting from within, Kamiki feels like a hollowed-out specter, a human husk that’s already crumbled. He seems to have kept living purely out of some stubborn resolve. And what remained for him? His desire to meet Ai or the urge to bring her back to life. It seems like that was all he had left, and he abandoned everything else, deeming it unnecessary. His state feels beyond avoidant; it’s like he’s become a ghost.

Was this truly the same person who spent time with Ai? He’s so hollow now. How does someone end up like this?

In any case, none of the characters fully addressed their wounds or healed. Ai had plans to confront hers, but the writer killed her off before she could. She should have gone to her boyfriend and had a proper conversation. The video was a plan, but she was planning to confess her love and delay it for 15 years? While having such a huge regret that'd remain for so long. Surely Kamiki wouldn’t have completely misunderstood, would he? He wasn’t a bad person—if anything, he was the kind of person who could help Ai grow.

When a friend said this manga was about everyone being avoidant, I didn’t quite get it, but now it hits home. Everyone keeps burying their true feelings, convincing themselves they want something else, and spiraling endlessly. And in the end, they just keep doing that. The characters started with avoidance and never truly faced their real wishes.

Kamiki is the only one tied so deeply to making and granting wishes. He must be the one who granted those in the story. And yet, because no one expressed their true desires, Kamiki ended up fulfilling all the wrong ones.

That’s why no one’s wishes came true. Even Ruby’s wish feels deceptive—it can’t be considered truly resolved.

Still, Ai had some potential. As for Kamiki... if what he testified about himself is true (and it probably is), then rather than being avoidant, I think the fact that he was abused and became passive was the root cause of many things. Looking at him consistently, he didn’t take much action. And when he did, it often led to bad outcomes. If we’re asking when he started to change or began manipulating people, I think it happened after Ai died. He became her mentor because he was asked to. Ai was the one who stepped up to protect him, and when he tried to sever ties with his abuser, he ended up being gaslit. He froze up.

He’s the type of person who’d hesitate to visit Ai in person the way he's described it as, that's why I don't think he lied in 160. His cautious nature seems to be part of his core personality. When Ai needs something, she’d step up, while he seems more introverted. The idea that he deliberately avoided her or schemed to harm her doesn’t sit right with me. It’s still ambiguous, but judging by how much he liked Ai, it feels like he was afraid she’d reject him, so he hesitated.

But after Ai’s death, it seems like he awakened to something… maybe this just became his behavioral pattern. He’s not someone who actively takes charge, but it feels like he learned to make use of others to achieve his goals. And all of those goals revolved around Ai. It seems like he wanted to keep delivering something to her. Thinking about it, he probably became this way because he didn’t visit her back then, and then after that, he could never see her again even if he wanted to. That longing must have consumed him. So, he really might have been the ultimate avoidant personality.

Wow… this entire family is just ridiculously avoidant.

Still, Kamiki seems like he’s charging straight toward what he wants with no hesitation after losing his mind. The problem is, what he wants no longer exists in this world. Judging by his actions, if Ai were still alive, he might have shrunk back again, been scared, dug himself into a hole, and avoided everything. But because there’s no chance of meeting her now, he’s become reckless.

Everyone should have gone to therapy together... seriously.

LOL. Ah… well, life is short. I hope everyone manages to achieve and get what they want! Fighting!! ♥ This might actually be a very educational manga... though it’s pretty brutal.

The author might be avoidant too, judging by the themes in their work. No offense, but that’s just what I’m thinking. Everyone in the story just circles around what they want without ever actually getting it. The only exception might be Kamiki, who became a little more honest about his desires after going insane, and Ai… if this were another story, maybe she would’ve achieved what she wanted. But this story is so frustrating and harsh. It’s cruel... Who should we even blame? (The writer...yeah. Has to be the writing)

[asksythe]

Commed. Artist: Duckie Beam

I want to write a post-FGO dark romance Oberon/Ritsuka story featuring Single-Dad!Oberon and Dead-Mom!Ritsuka.

It's my third attempt at writing a dark romance story, with different interpretations of dark and the characters themselves. Out of the three attempts so far, this one seems to have excited @erimies the most. I get why. It's my most poetic so far.

I have given it a name...

Apple, Apple in the Skies

The story is styled around gothic fairy tales and dark nursery rhymes, in which Oberon effectively becomes a single dad to a flock of terrorist children, all of whom remind him of the woman he loves, who hurt him beyond anything he has ever known in his thousands of years of existence. The children are feral little gremlins born of Riri's flesh and Oberon's heart.

The plot goes something like this:

Ritsuka Fujimaru's journey ends. The world is saved and humanity is secured, but she herself dies. She dies not in battles but at the hands of the very mages she saved, who go after her to make her a subject to study and harvest.

Oberon watches it all go down, watches Ritsuka being butchered by the people she fought for. And there's not a thing he can do about it.

Centuries pass. Humanity is now stagnating, trying to break into the Age of Wills and failing. Some secret components are missing.

The mages of the future believe the key to their ascension lies with the Last Master of Humanity. Examining the impossible miracles she performed and her extraordinary link with the heroic spirits, they believe she accidentally and unknowingly created a doorway between flesh and blood humans and ether-liner existences (ala Age of Wills humans).

If only they had the still-living specimen to experiment with! But alas! The foolish, wasteful, and shortsighted mages of the past already wasted such prime research materials! They cut her up into pieces and used her body as reagents for frivolous projects. And when those projects failed, they paraded her body around as trophies. A lock of hair here. An eyeball there, pickled in primordial juice. The hand with the command codes still in tact. Pieces of skin and teeth and some pulled nails with the crusted blood still stuck to them.

The petty king of some nation boasts of having her entire preserved spleen as house decor. What wasteful, gross misconduct as magi researchers!! Now their descendants have no more of the prime original materials to work with.

But needs must. So several wars break out in order for different groups to claim the remains of Riri's preserved body.

They start experimenting with these parts. One group has a success, using the hand with the command codes, they create a genetic clone of Riri, and then use this clone as catalyst in a summoning ritual, hoping to call forth a rare extra class servant.

Oberon answers the call, and, of course, promptly massacres all the mages and steals the cloned child away. In no time at all, Oberon susses out the existence of other research cells carrying out their own attempts at cloning the original Last Master. He goes after them, hitting them guerilla style and stealing any successful clones they manage to create.

The story is propelled forward by Oberon's desperate drive to free all the little morsels of Riri and the human's efforts to corner him. The mages are fascinated with Oberon's devotion to Ritsuka even after her death and the cessation of their contract.

.

.

.

I want to examine the layers of Oberon in this scenario. He's such a fascinating and complex character. I just can't help but want to play with such a well-written and designed character. I want to see how far he will stretch and bend, see if I can break and remold him and make it convincing somehow! Ergo... why this story idea goes to such dark places.

I want to explore the trauma of having to see the one existence he loves be butchered and he himself is completely helpless, incapable of doing a single thing. Then I want to explore the whorls of his warped feelings upon hearing that impossible, familiar call all the way in the Throne of Heroes, and then rushing to answer that call only to see the flesh of the woman he loves be used to make a walking, talking facsimile of her.

How does he feel when he looks upon the cloned child bearing her eyes and her face and her hand upon which the command codes are emblazoned? What does he think when he decides to steal the child away with him into the night?

It's Ritsuka but it's not Ritsuka. It's some child who is the physical manifestation of Ritsuka's violation at the hands of the mages. But this child will grow up to look exactly like Ritsuka, and maybe one day she will look at Oberon exactly like Ritsuka did centuries ago when he first fell into this horrifying, inescapable abyss called love.

His feelings for Ritsuka would be warped too, because how can it not in the face of Oberon's suffering over the centuries after her passing? He loves her but he doesn't trust her. Because she has shown before that she can't be trusted with her own safety.

He loves her. He wants her to be happy. He doesn't trust her. He can't let her leave. He clips her wings and tells her to stay forever. Oberon as a character should be aware of his own misplaced, warped feelings. He's too internally conscious not to. But being conscious doesn't mean he can do anything about it. Like how he was in LB6, laughing at himself in the end.

Once more, Oberon chases after an ephemeral dream forever out of his reach. She is gone, and they will never meet. He doesn't even get to hold her and take her into the abyss with him in her final moment like he said he would. All of that repressed yearning and how did it end up? He's once more stuck in hell of a different kind.

My plan is that eventually, Oberon resolves to treat the clones as Ritsuka's children. He tries to teach the cloned children what he believes the original Riri should have known. He teaches them to fight, to survive, to run away, to scheme and deceive, to be ruthless. He believes this is what Riri should have done to avoid her grisly fate, but even when he talks of her in his barbed way to the children who never know her, slivers of the woman he loves come through.

The Riri clones all possess the ability to see right through Oberon, just like the original Riri.

The story becomes Sad single-dad Oberon rearing a flock of feral children as they go about terrorizing the mages and detonating all of their research facilities, stealing away more clones and any morsels of the original Riri's body.

.

.

.

The ending is fairly straightforward. Oberon is cornered by the mages. At the end of the day, a masterless servant against the totality of the mage's resources is not a fair fight. Oberon makes a production out of his own death, a fitting exit for a Fairy King / Terminal Device. But in doing so, he makes sure his flock is grown and strong and escapes the mage's eyes after the final battle.

The children take his lesson to heart. They lie. They scheme. They deceive. They are ruthless just as he wants them to. And they survive just like he wants them to. They disguise themselves and slip into the great mass of humanity. They infiltrate human governance and magi high society. They avenge their fallen father and mother.

Yep, the clones are children of Ritsuka's flesh and Oberon's heart. Imagine a flock of feral gremlins with Ritsuka's determination and insight into human hearts but with Oberon's social savvy, ruthlessness, and sheer brain power. Now imagine them all on a roaring rampage of revenge for their father and mother. Not only will they slaughter all the mages and anyone having to do with their parent's death, they will suborn the mage's great project itself.

.

.

.

The finale of the story is the scene where all the now grown-up children come together to witness the pinnacle of their achievement. Having suborned the mage's dream to propel humans toward the age of wills, they carry it out in a way they think their mother would have liked.

More than that, using their combined knowledge and the magi tech after centuries of mesing around with servant summoning and splicing human genes, they find the heroic spirit Ritsuka Fujimaru and create an interlock binding between her and the terminal device Oberon Vortigern.

No good children want to see their parents separated in such a tragedy, don't they? So of course, after avenging them, the children would make it a goal to reunite mother and father.

The children are clones of Riri, but they are not Riri. They each hold a piece of her, so they instinctively know what she would have liked and the guilt she bears, knowing what happens to Oberon once she passes away. It is a regret so strong it persists even after she dies.

.

.

.

I have 2 endings in mind:

Ending 1: the sad ending. Oberon gets his wish of 'dying together' with Ritsuka as their saint graphs are merged into one.

Ending 2: the earn your happy ending. the children incarnate Oberon and Ritsuka into 'new age-of-will human' bodies. They have a second chance at life, growing up together. Final scene of this ending would b tiny Oberon and tiny Ritsuka playing in an orchard in space and falling asleep underneath the shade of an apple tree. This is Erimies' preferred ending!

.

.

.

Some lines from reborn Oberon's perspective in the second ending.

"I want to pull your pigtails and push you on the swing, laugh at you for being clumsy, and skinning your knees while patching you up. What a crybaby you are, never leave me again."

.

.

I also wrote nursery rhymes for this story!

Apple, apple on the tree,

Whisper secrets, dark and free.

Shadows dance in moonlit night.

Lonely branches weep for thee.

Beneath the branches, children play.

In the orchard, lost their way.

Apple, apple on the tree.

Hold our childhood's reverie.

Leaves have fallen, seasons passed,

Memories of joy don't last.

Apple, apple in the skies,

Silent witness to goodbyes.

Ah, still pretty rough. They need polishing for sure. But I like some verses and how they sound.

If I ever get around to writing this, I would like to commission an HTML skin for AO3 so that readers will read the story like they are reading the pages of an old fairy tale book.

Something like this, probably.

[digenerate-trash]

Yandere faction leader sydney x reader headcanons (reader joins the faction originally but after Sirris dies it takes a turn for the worse…)

Sydney- such a sweet innocent presence. him and his dad have been doing everything they can too keep everyone feeling safe and calm.

Sirris keeps everyone fed and clothed. there are fires every night where people share stories and talk and laugh

youre close with Sirris and Sydney. They're the only two people at school that feel like family. and now that you have no home to go back to they might as well be.

when Sirris starts to get sick you worry. you offer him food and water but he readily gives it away to students he thinks need it the most. he gets sluggish and over time

the morning Sydney stops talking is when you know Sirris is gone. you offer to comfort him but Sydney has his own plans. he locks the library and keeps everyone trapped inside. he writes down a lengthy list of rules and posts them up for everyone to see. Sirris is dead and Sydney is now in charge...

the first week goes well. some other students stay silent along with Sydney some offer to do chores to keep the library clean and safe. people are working to make things easier for everyone and despite the tragedy people are calm.

Sydney starts insisting you sleep in the back office with him. he grabs your sleeve and drags you there every night. It's secluded and cold but safe... away from the others...

sometimes in the middle of the night, you think you hear Sydney singing... but that might just be a dream.

after a couple weeks, the isolation is getting to some of the others. they want to see their friends. they want to leave the library. they shout and cause problems. they throw tantrums and refuse to follow the rules. the next day they're gone.

everyone assumes they left. and some of the other people who cause to many problems are gone too. rule breakers escape the library it seems...

still Sydney's closest "disciples" have the first good news since Sirris' death. they've found a hoard of rats they hunt at night. scraps of meat are soon cooked over open fires, it's a miracle everyone gets to eat.

not only that but some of the most devoted followers are allowed to leave the library. they come back with good news from the outside. they bring bottles and buckets of water. though they mention that the world outside is hostile and almost everyone is dead...

eventually, the library becomes quiet. and Sydneykeeps to the back room. he only leaves when he's needed and in the meantime, he keeps you with him. constantly.

you're clean. he pampers you. you get the best cuts of meat and he makes sure you're always clean. he brushes and braids your now long hair keeping you as presentable as possible. but he never lets you leave anymore.

Sydney sometimes leaves at night when he thinks you're asleep and when he comes back his hands are dripping with blood. to much blood... he washes them in a bucket ritualistically before he returns to your side

"Sorry for leaving you" he whispers. his voice a harsh rasp "I had to deal with the Rats again..."

[yanxidarlings]

YANDERE ZACHARIAS SMITH HEADCANONS

okay so i'm supposed to be writing theo headcanons but I haven't got inspiration for him rn so here's my current hp fixation.

once again a special shout out to chat gpt for being there for me when fanfiction writers weren't. but honestly most of my headcanons for him are my own perceptions of him so yay for originality.

as i was saying in my last post "this dude cares only for his chosen darling and literally no one else" when i tell you he's a devoted yandere- his darling could ask him to commit the most horrid atrocities, they could be the most selfish unlikable person in hogwarts (only second to him, of course) and he'd still worship the ground they walk on. once he's become obsessed, there's no going back.

zacharias's infatuation with his darling develops so quickly, whether he meets his darling at hogwarts or if he's known them since childhood; there's just something about them when he meets them. it lingers in the back of his mind, what are they doing, who are they talking to, what are they thinking about are they thinking about him. after some self reflection, he comes to a conclusion; they've given him a love potion.

it makes so much sense! his darling is too shy to tell him they want his attention, and so resorted to underhanded methods. it's fine, zach isn't not mad. once he comes to this realisation, he'll begin to insert himself into their life; but obsession or not, he isn't exactly great company, so his presence will be more of an annoyance to his darling than anything.

even if his darling expresses their discomfort or explicitly rejects him, zacharias refuses to accept it. he's convinced that they secretly love him and continues to pursue them relentlessly.

zacharias just always seems to say the wrong things. always seems to pry and cross boundries. but no matter what his darling says, he thinks they're just playing hard to get; a part of him knows they aren't, but he doesn't care about their comfort that much. sure he wants them to be happy but he'd rather they suffer with him than be happy without him.

as a yandere, zach wants to know his darling inside and out, the idea that they aren't sharing their every thought with him drives him insane. he pry's until they detail every moment of their life before meeting him and when he isn't around. as if he leaves them alone after becoming obsessed.

there is no boundry zacharias won't cross, his darling has no privacy whatsoever - but on the bright side, he doesn't force his darling to follow him to the bathroom or skip their classes they don't have with him, he'll put his basic needs on hold if it means staying attached to his darling at the hip.

seriously. if zacharias's darling decides they want to stay awake for 2 days straight, then as exhausted as he is, he's staying up with them. he'll vocalise his discontent, but refuses to sleep if his darling isn't.

he often daydreams about a future where he and the person are together forever, ignoring any signs of their discomfort or fear. these fantasies become increasingly ✨ disturbing ✨ and detached from reality.

ironic as it is, zacharias is a coward when it comes down to it. he won't hurt his rivals; he'll convince his darling to. he relies on the mental instability of his darling to isolate them from their loved ones.

zacharias is overwhelmingly possessive, doesn't matter if his obsession is romantic or platonic, he just can't stand it knowing his darling is close to other people. so he'll sabotage every relationship they have; he'll convince them he's the only one they can trust, the only one truly loyal to them, the only one that understands them.

his yandere tendencies are on display for the whole world to see, which is why, despite being pretty goddamn crazy, he's no where near as threatening as draco or even anthony because everyone knows how obsessed he is with them.

[prostocupoftea]

HI HELLO HAVE THE TRANSLATED LYRICS TO THE NEW RUSSIAN KINITOPET FANSONG

song - ДРУЗЬЯ НАВСЕГДА [KINITO PET ПЕСНЯ] | НИНТЕР (FRIENDS FOREVER [KINITO PET SONG | NINTER {author's nickname})

thanks to this post for posting about it on here!! Made me find it out (:

Udp: Thank to this post for a lot of corrections!

If im gonna change some things i will leave the closest to the original translation in the brackets to it will not drift it's meaning if anyone wants to use it!

Lyrics

[Verse 1]

Я другом твоим хочу стать - I want to become your friend

Дай побольше о тебе узнать - Let me know more about you

Будем вместе мы играть - We will play together

То, что в письме - лучше не знать - What's in the letter - better not to know

Задаю тебе вопросы: - Asking you questions

Зима, лето или осень? - Winter, summer or autumn?

Твоя любимая еда? - What's your favorite food?

Какое имя у зверька? - What's the name of your beastie? (as in like. small animal. it rhymes in russian i promise.)

[Pre-Chorus]

Доверься мне, мы же друзья - Trust me, we are friends after all

И ты со мною до конца - And you with me untill the end

Я всё узнаю про тебя - I will find out everything about you

От меня не скроешься - Can't hide away from me

В моих руках твои друзья - Your friends are in my hands

Ты их забудешь навсегда - You will forget them forever

Ведь у тебя есть только я - Because you have only me

И только я, и только я - And only me, and only me

[Chorus]

Бесконечное веселье - Everlasting fun

Только лишь для нас двоих - Only for us two

С тобой найдём мы увлеченье - With you we'll find devotion

О проблемах позабыв - All problems forgotten

[Verse 2]

С возвращением, друг - Welcome back, friend

Кажется был завершён сеанс - Seems like our seance was cut short

Но ты не бойся, коли вдруг - But don't fear, if that's so

Смогу восстановить баланс - I can fix the balance

Осталось сделать одну вещь - Only one thing left to do

В админ состав меня вовлечь - In admin list include me

В командную строку набрать: - Type into cmd:

“Кинито дать твой комп зас—” - Give Kinito my pc- (wow i accidentally made it rhyme. anyways, back to blank verse)

[Break]

Давай, давай, пиши! - Come on, come on, write!

Комп мне свой уступи! - Give your PC to me! (it uses Russian rude-ish-sland for the word computer but that is most likely for song purposes bc it only has one vowel while computer is a long word in both languages

Я не вирус! - I'm not a virus!

Я не вирус! - I'm not a virus!

[Chorus]

Бесконечное веселье - Everlasting fun

Только лишь для нас двоих - Only for us two

С тобой найдём мы увлеченье - With you we'll find devotion

О проблемах позабыв - All problems forgotten

Бесконечное веселье - Everlasting fun

Только лишь для нас двоих - Only for us two

Нам не скучно - это правда - We're not bored - that's the thuth (technically better in future lang like "we won't get bored" but in song was present bc song purpouses so i will leave it like that in literal translation)

Разве не согласен ты? - Dont you agree?

[Bridge]

А теперь… Дай мне доступ! - And now... Give me access!

Мы же друзья! - We are friends after all!

Скажи, ну хоть раз - Tell me, even once

Подвёл я тебя? - Have I let you down? (also technically in the present tense here but yeah...)

[Outro]

Целый мир, здесь я и ты - This whole world, for me and you (orig. "The whole world, here's me and you")

Места нет для скукоты - No place for boredom here

Всё подстроил под тебя - Everything i arranged for you

Теперь системой правлю я - Now the system's ruled by me

if ya are native/just really good in english i'll be happy if you check it for any mistakes or propose better/rhyming translation! that's just the meaning mosly word-by-word (:

[lets-try-some-writing]

I love the Unicron "I guess I'm a Sire now" au, like I adore it. But also I vibe the au "humans are other and terrifying, borderline uncanny valley to bots " line of thought......sooooooo, hear me out:

Unicorn sees his offspring: they are very tiny and deceptively weak (at least in comparison to his brother creations), so he decides to meddle and gives us a boon, he changes us....a bit. Maybe he starts with the little ones (to him we are little ones) that are closest to the conflict: the tfp kids + associated humans, and giving it a test trial before moving to humanity as a whole

They still look as humanly possible, but its obvious that they are very other to an external expectator (even to other humans). But one thing is for sure, he made them into predators using human skin...

He builds them stronger, faster and more cunning than ever before, with superior senses. More resilient to the trials of time and less prone to injury or disease (giving his children immortality is anathema to him; chaos brings the possibility of change, which is inherent to them as much it is to him). He re-makes them with a general idea, but gives them a singular extra gift, to make them unique between each other, and as proof of his care snd devotion, but not su much as to isolate them from each other...

If ever asked, he will deny the possibility of partaking in favouritism like his brother. And yet, its a fact that he holds his most favored very close to his core (aka: the tfp kids, much to Papa Op infinite dismay). His children have faced dangers beyond the capabilities, and still, they have percevered despite all odds being against them, and he couldn't be any prouder (he knows that his kids will bring down empires if given the chance, well...HE WILL GIVE IT TO THEM)

In simpler words: I want the kids to become wholly other cause of Father Unicorn meddling, their reactions (and the bots + cons reactions)

This idea is FANTASTIC! I'm mad at myself for not writing for it sooner! Dang. Well I will try to make up for it with my work! Let's see how this turns out. I've always been a bit fan of cosmic horror and uncanny valley type situations. They are fun to write about.

Previous part here.

Not Quite Human Anymore

It was not his wish originally to change his creations. They had adapted and evolved just fine on their own without his interference. However now that Primus's children were involved, things were different. The playing field needed to be evened once Primus's children inevitably failed to protect his in a moment of hesitation or a lapse of judgement. Unicron refused to watch his children perish to forced that were unnatural to their world. They were HIS creations, and they would die in a manner he saw fit, not as victims to Primus's creations ridiculous war.

Thus while he used his avatar to keep an eye on the children who were most affected by Primus's creations, Unicron began to think and plan. He observed Primus's creations, he saw what they gained and what they lacked. He saw their mentalities and watched how they behaved. Then he observed his own children, watching how they preferred to act and what would suit them best.

It took months of careful planning, he couldn't risk hurting his little ones after all. However once he had come up with a plan he liked, he looked to his three most affected children and decided to use them to test his newest alteration. He had never done this to any of his creations, so they would be the first. If all went well, they would be leaps and bounds ahead of the rest of humanity, his little heralds. But if things went south, they would have Primus's creations to guard them, especially the Prime that seemed to taken with them.

Thus very quietly, Unicron began to act. He twisted the essence of the children, molding their flesh, their senses, and their minds to better endure the presence of Primus's eternal creations. It was a slow process, one that had the children growing taller rapidly. The team and the adult humans wrote it off as growth spurts kicking in... right up until they just kept growing. Jack reached a startling eight feet and didn't even seem to be suffering for it. Miko stopped at around seven feet, and Rafael at six. They towered over their peers and didn't even end up being disproportionate in any way.

They were taken to doctors and had Ratchet look over them when they began to start developing other adjustments. Their teeth sharpened, their eyes restructured entirely to be able to see in almost any light condition, and their sensory capabilities skyrocketed to the point of being on par with the bots. Their skin evidently became tougher, not invincible and still very capable of bruising but far less likely to tear. Their immune systems shot up in ability, warding off any and all diseases that weren't severe and lessening the pains of those that were meant to kill. They became faster, able to jump farther, last longer, and more importantly, their reaction times became increadible.

Overall they looked largely the same, if not for the fact that they were now the size of smaller minicons. The only other noticeable difference in them beyond their leap in capability was Rafael's new agility to sense fields, Miko's near total resistance to climate changes besides the worst of temperatures, and Jack's ability to handle pressure changes and hold his breath without fainting or being crushed. The children were rightly panicked, June and Fowler especially so. For the children's safety and to keep the government off them, they were kept with the bots until Ratchet could figure things out.

The team were startled and confused more than anything else when it came to the children, especially as their abilities became more obvious after their run in's with the Cons. Optimus nearly had a spark attack when Jack ended up flying high into the air after grabbing ahold of Laserbeak during battle and being carried off. He was retrieved but Optimus was expecting to find a corpse with how fast and how high the cassette had gone. Instead he found Jack right as rain clinging to Laserbeak's back as the cassette landed on the ground again. He nearly had a similar breakdown when Miko went through a groundbridge without them knowing that led straight to the Arctic. He once again expected to find a body, instead finding Miko rather unconcerned sitting in the snow building an igloo. As for Rafael? He didn't panic when the boy began asking why he was sad even when he was masking it, no instead he focused on helping Rafael figure out his gift if only so that it didn't overwhelm him.

The children startled Optimus, but he loved them all the same even if he had a vague inkling as to what was happening to them.

Ratchet straight up thought they were creepy. He still cared for the children and often found himself staring and running tests, but they worried him. He grew especially more concerned when after the children seemed to settle into their abilities, reports from around the globe began turning up pointing towards humans everywhere gaining a few extra inches and having an increase in strength, skill, and will.

Bulkhead and Wheeljack worried for the children but found their changes more relieving than anything else. Now the kids would be safer and less likely to die from random things that even their sparklings could endure. They found it especially fun to start chucking small lob balls (softly) at the children only to watch Jack or Miko catch it and toss it back. Bumblebee was also relieved, if a tad worried, but mainly took the changes in stride. He had a grand old time setting the children on his shoulders and not having to worry about them as much. Arcee was concerned and took little joy in the changes with how distressed they made the children in the beginning. Most of her time went toward trying to help them adapt while Ratchet tried to figure everything out.

The Decepticons didn't know all the details, but when the children did turn up on the battlefield, they found the vermin harder and harder to kill. A blaster shot just wasn't enough anymore, especially with that squirrel targeting them as well. Of course they grew more and more concerned about the whole thing when they too began noticing the reports of humanity changing into something... other. It reeked of divine influence and they began watching the children more closely to see if they could figure it out.

Unicron for his part simply began his work in relative silence. To ease the transition he sang to his children, every last one of them. During dreams he gave them visions of what they could do with their newfound frames. When they grew fearful he would hum softly to them in their minds through the bonds he forged through his touch. The humans didn't even know it was him, nor did they "hear" his song. But their souls knew him for what he was, their maker.

He tried not to play favorites, but he adored his three heralds. They were gifted, special, and so very unique. Not only that, but they had Optimus wrapped around their fingers. He adored them, and as he watched them grow and learn, he could see their ambitions and their drive. He would give them to the world.

Thus in dreams he sang to them. He showed them all they could be. And just to spite Optimus because he knew the Prime knew he was the one behind the changes, he became more bold with his usage of power around them, showing them marvels and warping the world to his desire.

[daresplaining]

An Interview with Christine Hanefalk

Christine Hanefalk created her blog, The Other Murdock Papers, in 2007 as a place to discuss and share her interest in Matt Murdock and his world. Over the years, she has become one of the most compelling and influential voices within the Daredevil fan community, even making a cameo appearance in the comic itself in Daredevil volume 3 #31. In 2022 she published Being Matt Murdock, a passion project centered around an area of particular fascination: Matt's legendary hypersenses. The book weaves real-world science into the vast Daredevil canon to explore the notion that Daredevil's powers, though superhuman, are not – and do not need to be – as divorced from reality as one might think.

Christine was kind enough to answer my questions about the book, and about her nearly twenty-year-long fascination with the Man Without Fear. Read the interview below...

Daresplaining: I know many people will be familiar with your blog and your longtime interest in Matt Murdock's sensory world, but could you say a little about how Being Matt Murdock first came about, and how you approached writing and researching it?

Christine Hanefalk: I started The Other Murdock Papers in late 2007 and gradually allowed myself to start writing more about the scientific and sensory aspects of Daredevil as time went on. I was really worried it might turn people off, but the opposite was true and people really seemed to dig my deep dives. And so as far back as around 2012 I decided that, one of these days, I was going to try to write a whole book on the subject. 

Despite the fact that it took me ten years to complete it, with most of the work being concentrated to the final 12-18 months before publication, I had actually done some writing early-on. I think I had about half of chapters one (on the literary history) and seven (on the sense of smell) written several years ago, along with various snippets and notes that I had filed away and was able to work into some of the other chapters. I had also consistently been keeping an eye out for anything new and interesting in the peer reviewed academic literature, and managed to amass – and read through – quite a collection of books on sensory neuroscience over the years.

When that “now or never” moment finally arrived, it lined up well with a period of time in my life where I was able to cut back on regular work and devote most of my time and energy to the book. I went over all of the stuff I’d already looked at before but with more focus, and got myself reacquainted with subjects I hadn’t really touched since college, such as thermodynamics. I also reread nearly all of the comics, taking very detailed notes on how and when Daredevil used his senses to get a better idea of the overall pattern. It’s not an understatement to say that I’ve spent upwards of 2,000 hours on this project over the years.

D: I understand that you were introduced to Daredevil through the 2003 movie. What drew you so strongly to Matt as a character? How much of a role has your fascination with his powers played in your continuing interest over the years?

CH: I grew up reading comics and enjoying sci-fi and superhero movies as a kid. I was born in 1977, so both the original Star Wars trilogy and the Superman franchise loomed large in my life when I got old enough to watch them. And while I eventually stopped reading superhero comics, I always had a special place in my heart for the genre and had a certain fascination with the general idea of superheroes. That eventually steered me in the direction of the Daredevil movie when it was released in video stores (I don’t think it even went up in theaters in my native Sweden). 

The specifics of Matt Murdock’s power set was definitely one thing that gave this character an unusual kind of appeal to me. I had always been interested in the science of the senses – and what happens when one is missing – and had even written a paper on sensory compensation for my neuroscience class while I was an exchange student at the University of Rochester around the turn of the millennium. 

There were additional things that made Daredevil interesting of course, such as his career as a lawyer, his overall personality, and the general mood of the world he inhabited, but the combination of his power set and my already having a soft spot for superheroes definitely piqued my interest right away. Within a few months of learning that Daredevil even existed, I had read pretty much everything he had ever appeared in.

D: Do you have a favorite sense, both in terms of your own research and as a Daredevil fan?

CH: I think I probably enjoyed researching hearing the most since there’s so much to cover. It’s also fascinating to me how hearing can be called on to perform spatial functions despite having this deceptively simple, linear, time-dependent form in terms of how it is received by the ear. The fact that it’s possible, even for quite ordinary humans, to sort of “see-hear” silent objects is fascinating to me.

However, if we look at Daredevil, I’d say that hearing has tended to be overused compared to both smell and touch. While hearing is often called on to perform near transcendental duties, smell tends to be forgotten by a lot of writers, probably in large part due to the fact that we humans seem to be less conscious of smells than we are of other sensory input. For the entire history of the comic, Daredevil has often gone several issues without any reference to smell, and the things he’s been smelling have often tended to not be very interesting. It’s always a treat to see smell being used in creative ways.

Still, the sense I would be even more interested in seeing more of in Daredevil is probably touch, which I also think is used less than it could be. Sure, there’s plenty of reading by touch (print or braille), but I still think we might be underestimating the importance of touch in Matt’s life, due in part to the high expectations of the radar sense (whatever we make of it). I view the “radar” as absolutely vital to everything Matt does as Daredevil, but I also see a much greater potential role for touch to work synergistically with such an ability.

D: Do you have a favorite new fact that you learned over the course of researching this book?

CH: Yes. I do think my coming across Jacob Twersky’s writing helped solidify the idea I had about how the concept of the radar sense may have originated. Blinded in childhood, Twersky would go on to become a champion collegiate wrestler, and later a historian and author. I read both his 1954 novel The Face of the Deep and his 1959 autobiography The Sound of the Walls while working on my own book. The way Twersky describes his sense of the obstacles around him in The Sound of the Walls struck me as shockingly similar to early descriptions of Daredevil’s radar sense, including the use of the term “radar” itself. 

While I can’t know for sure whether anyone at Marvel was familiar with Twersky’s writing, it’s worth noting that he was a New Yorker and a contemporary of Stan Lee and many of the others in the Marvel bullpen back in the day. Whatever the case may be, it’s clear that the Marvel creators were not the first to use the word “radar” to describe the “obstacle sense of the blind,” as it was often known at the time. Over the years, and especially after having studied the early issues in great detail, I’ve definitely come to favor the idea that the “radar sense” wasn’t meant to be understood as a literal (electromagnetic) radar, though I should add that the understanding of the radar seems to have been all over the place for most of Daredevil history. Reading Twersky definitely added considerable weight to my interpretation of the early radar sense.

I also had some favorite epiphanies connected to the radar sense, one in particular which I think explains why Daredevil’s very particular way of being blind is often so difficult to make sense of for writers and fans alike. I recently wrote a rather lengthy post covering much of that stuff.

D: While taking a renewed deep dive into the source material, did you find yourself changing your opinion on anything?

CH: I should preface this by saying that there are definitely things I’ve changed my mind about over the years, even before I started most of the work on the book. I mentioned above that my understanding of the radar sense has shifted gradually, away from the more literal take the name suggests. Looking at the comics very carefully gives you even more of a sense that pinning down anything concrete here is going to be really difficult.

Revisting the comics has also given me a new appreciation for certain runs, such as the pre-Miller Bronze Age issues. This process has also led me to reassess my earlier assumptions that Daredevil’s senses have gone through some kind of steady evolution from Silver Age goofy to modern and grounded. This really isn’t the case, especially when you exclude some of the early outliers. You can find plenty of examples of both nonsensical and absolutely brilliant “senses writing” throughout the history of the comic, but I wouldn’t say that the treatment of the senses, or Matt’s blindness, have necessarily become more grounded on average.

D: You go into great detail about how much of Matt's sensory world has not been explored yet on the page. Is there any particular, specific experience that you would love to see depicted in future runs or adaptations? 

CH: Contrary to what people might expect of me given my priors, I don’t necessarily think that there needs to be more stories about his senses, blindness and so on. However, I think these aspects of the character should be viewed as absolutely essential to how Daredevil is written, no matter what the particular storyline happens to be. I make a point in the book about how Daredevil is an amazingly interesting thought experiment, and I really believe that. So I’d really just wish for writers to be more comfortable running their scenes and stories through whatever their own version of this thought experiment happens to be and making sure that what’s on the page makes sense in light of that.

D: While researching other superpowered blind characters from the comics world and beyond, did you discover any new favorites? Can we expect a spin-off blog about Doctor Mid-Nite?

CH: Ha ha, no. It’s enough of a challenge keeping up with The Other Murdock Papers these days. As regular readers have undoubtedly noticed, I’ve been considerably less active there in recent years, having to do with work on the book as well as other real life stuff that’s competing for my time and attention. I do expect it to live on for many more years though, and I do update every once in a while. I’m definitely looking forward to writing about Daredevil: Born Again when that comes out, and we also have Echo coming out in early 2024.

D: What is your biggest Daredevil sensory pet peeve?

CH: To be honest, what bothers me more than all of the silly things put together is the suggestion that Daredevil can “see better than all of us,” is “not really blind,” and so on. As much as this might sound like the whole point of the character, it also takes much of the complexity out of what Daredevil does and how he does it. As blanket statements go, it just doesn’t hold up to scrutiny, unless we radically redefine what sight is, and what the other senses – even when heightened – actually do. 

D: I love the scene in volume 3 #26 when Matt evades Ikari by changing his heart rate, even though logic would suggest that Ikari could still track him using his other senses, or even just other sounds. Do you have any favorite DD moments where you let sensory weirdnesses slide just because the scene is so compelling? 

CH: While it’s a whole issue rather than a single scene, I really enjoyed what Mark Waid and Chris Samnee were attempting to do with the story that sees Matt attempt to escape Latveria while losing all of his senses. The scene I’m choosing to let slide here is when Matt seems to develop some kind of heat vision (it’s frankly unclear what it’s supposed to be) as his body tries to compensate. Whenever you see hints of thermal imaging in Daredevil, that’s an indication that he’s doing something that’s much further removed from how his senses should work than most people realize. It’s not something that follows naturally from heightened senses and is more like an entirely different kind of superpower. 

I definitely tend to give a writer much more slack when 1) I'm enjoying the writing overall, and 2) said writer compensates to some degree by doing a good job of exploring, or at the very least remembering, that Matt is in fact blind.

D: What are your hopes for this book in regards to the impact it might have on how Daredevil is written in the future? What are the key takeaways that you hope fans and/or potential future Daredevil creators pull from it? 

CH: If people reading this interview haven’t read Being Matt Murdock they may get the impression that it’s all a long list of “don’ts” or “can’ts,” but that’s a far cry from what I’ve attempted to do. I remember reading another superhero science book a few years ago that seemed to have as its central premise that “superpowers are stupid,” which didn’t feel particularly gratifying. I don’t see it that way at all. Sure, there are certainly characters whose powers read more like magic than anything else, but I don’t necessarily mind that. We don’t have to hold every character to any kind of scientific standard, and there definitely comes a point when taking this too far just takes the fun out of it. 

When it comes to a character like Daredevil, however, I feel very strongly that bringing science into the picture has the potential to aid in the creative process rather than hinder it. Daredevil is relatively unusual in that he can exist comfortably in a kind of “reality next door.” His powers are not possible in our own universe, but they are not so far removed from our normal understanding of things that we can’t attempt to make sense of them and imagine what life would be like from his perspective. Because while no one has super hearing, most of us do have regular human hearing which detects the measurable and explainable phenomenon of sound. 

There are naturally things about Daredevil that not even loosening the reins of biology will address – for instance, even a science-minded writer is likely going to have to break some of the laws of the physics of sound – but understanding how these phenomena unfold in the real world helps create a good structure for how Daredevil might operate. And I feel like I’ve come pretty close to presenting a coherent “view” of the world from Daredevil’s perspective in this book.

It would definitely be a dream come true to have this book inspire future Daredevil writers, but I obviously don’t have much control over that kind of stuff. I’ve been able to give out plenty of copies to past writers and artists though, ha ha. I would want incoming writers to know that science is their friend. And that understanding some of the science makes Daredevil even more fascinating.

D: If you were given the opportunity to actually experience the world the way Matt does for a day, would you take it?

CH: Absolutely! Mind you, I probably wouldn’t want to do it for longer than a day or two and I very much appreciate my standard issue eyesight, but I think it would be fascinating to explore his world. Though in this thought experiment, I would assume that I could experience things the way he does after years of getting used to it so it’s not too much of a shock to the system. Unlike what happened in the delightfully ridiculous story where Daredevil switched bodies with Doctor Doom, and Doom appeared to adjust on the spot and couldn’t even figure out that he was now blind, I would expect it to take months or even years to learn to navigate the world the way Matt does (superhero acrobatics not included). And it’s not just about being able to integrate different amounts and kinds of sensory information. It’s also a matter of acquiring the strategies that allow for combining this sensory information with real-world knowledge in order to handle the many ambiguities which remain in a world organized around people with a more standard set of human senses.

D: Do you have any book/article/etc. recommendations for someone wanting to expand their reading on the topics explored in the book?

CH: Among the books I’ve read that I would recommend for general audiences is David Eagleman’s The Brain: The Story of You as a good introduction to the brain. If people want to progress from there I also recommend Brainscapes by Rebecca Schwarzlose. I don’t make any explicit references to Brainscapes in my book, but it’s a very solid read for anyone who wants to learn more about the role of “brain maps” in guiding our experiences. For the senses themselves, there’s The Universal Sense by Seth S. Horowitz (about hearing), and What the Nose Knows by Avery Gilbert.

Another book I read years ago that is sort of “on-topic” is A Sense of the World: How a Blind Man Became History’s Greatest Traveler by Jason Roberts. It’s not one I reference in my own book, but I guess it’s “Daredevil adjacent.” It tells the absolutely fascinating true story of James Holman (1786-1857).

D: Beyond Being Matt Murdock and your blog, is there anything else you would like to promote/mention here?

CH: Not for the time being. Maybe there’ll be a second edition of Being Matt Murdock one day, but I don’t have any such plans for the foreseeable future. What I would like to do is take the opportunity to encourage people to tackle their own passion projects. For me, finalizing this project came down to realizing that if I were to be told I only had a year to live, I would want to prioritize finishing this book. That’s how much it meant to me. And when you feel that way about something, try to do whatever you can – as much as your current circumstances will allow – to give yourself that gift. Tackling something like this can be very daunting, and I definitely had to get over my fears of making mistakes and putting myself out there in order to do this. But I’m really glad that I finally did.

For more fun facts and information on Being Matt Murdock, and to purchase your own copy, visit www.scienceofdaredevil.com

For more of Christine Hanefalk's writing, visit www.theothermurdockpapers.com