#the writing is clunky

[sunshineandlyrics]

*the only explanation for it, 12 April 2024

(Mink music?? Collab with DJ Snake and Liam Payne?? His birth name? 2 fan question and 1 was about Grease etc)

[thepunkmuppet]

my girl celia really said have you ever heard of this one show it’s called the magnus archives and it’s a podcast distributed by rusty quill and licensed under a creative commo-

[oldmanffucker]

[lucabyte]

A belief in Nominative Determinsim

[hydrobunny]

'cause he really knows me (so call it what you want)

tags: hurt/comfort, established relationship, argument?, happy ending! 1.1k words

a/n: slightly different style than my previous stuff but it's been a while. fic based on call it what you want.

nagi seishiro isn’t known for being a very public persona.

it’s usually reo who takes that crown; the heir isn’t afraid of posting whatever he has on his mind. his best friend, on the other hand, might as well as not exist for all the presence he has on social media.

you close out of nagi’s blank profile with a sigh.

the teen in question is barely three feet in front of you, headset glued over his ears as some fast-paced first person shooter game blazes on. as if he could hear the sigh, nagi turns around immediately.

“you good?” he asks, dark eyes flicking over your form in scrutiny.

you give him a smile. “fine.”

after a pause, he turns the chair back around, muttering some apology into the headset.

with another exhale, you roll over onto your back, staring up at the ceiling. sometimes you wondered if nagi was purposely ignoring you when you were over, or he was actually just that dense.

for god’s sake, you were in his bed. you had been in it for at least two hours, and he had been on the game for probably three.

you eye the back of his head again. all that time on his computer was going to give him a headphone dent soon enough. hell, if you squinted, you could already see it forming.

in one smooth motion, you roll over once again to step off the bed. “bathroom,” you say, not sure why you’re even bothering.

compared to his LED lit bedroom, the rest of nagi’s household is bright, with large windows littering almost every wall. the afternoon sunset peeks in through slightly closed window blinds, you breeze through the hallway, avoiding making any noise.

you’re not really sure where his parents go all the time. you saw them once, for a slightly awkward dinner, and then never again. either way, he doesn’t seem to mind, so you don’t press the issue. you’re pretty sure he’s spent more time with reo than them anyway.

(deep inside, you wonder if it bothers him. you think it might bother you.)

as you enter the bathroom, you realize that you didn’t even need to go.

so why are you here?

you stare at your reflection through the large mirror, eyes tracing the shape of your facial features slowly. is there a particular reason nagi finds better company in the form of online games? does something not fit his many likes?

you find your hand steadily approaching your mouth, and actively push it down. it’s taken you long enough to stop your anxious habit of biting your nails down to the quick, and you’re not excited to start that again.

instead, you go for something safer: turning on the sink and absolutely dousing your face. the coldness helps ground you, helps you realize that you probably should take the hint and just leave.

your phone’s in your hand before you realize, some dark emotion taking over to write a message to your boyfriend.

going home. ill text you tomorrow.

you’ve made a decision. and honestly, you think nagi’s made one too. you doubt he’ll even see this message- or even notice you’re gone- for at least an hour.

it still takes you two minutes to leave the bathroom.

the sound of your steps almost echoes in the large house. your vision blurs with every beat of your heart, and you know that you’re simply being stupid.

crying did not act as a viable solution. crying fixed none of your problems.

your fingers clasp over the door handle-

and there is a hand on your shoulder, bringing you to an abrupt stop.

“hey,” nagi’s familiar voice says. “why are you leaving?”

you turn. and you can spot the exact moment nagi realizes you are crying. his usually tired eyes widen to an extreme, then he’s stepping backward, taking you with him.

“y/n, what's wrong?” he asks. “did something happen?”

so the sobs start coming faster, for you realize he still doesn't understand- he pulls you into his embrace, and your cries become muffled by his soft hoodie. you can tell he’s trying to awkwardly console you from the rhythmic pats on the back.

when you finally manage to get out your words, he immediately freezes.

“sei- sei, it’s you.”

nagi gently pulls you away from his chest. he stares down at you with uncomprehending eyes, still so heartbreakingly concerned.

“it's me?”

those two words get your own tirade flowing.

“i don’t know if you know me anymore. i don't know if you still want me anymore,” you inhale, guttural. “i look at us and wonder if you would notice if i wasn't there. i look at us and don’t even see a couple. i- i think you might be better if i wasn’t here.”

there’s a beat of silence. he swallows.

“i would.” he says softly.

you meet his gaze.

“i would notice if you were gone.” nagi continues. you think he’s never been more ready to talk in his entire life. “y/n, i would notice- i can’t stop noticing you.”

“i don’t say it enough. i know. but i also know that you’ve changed your perfume lately. i know that you’ve been feeding the stray cat in your neighborhood. that you’ve been thinking about going to the beach. that you want another ear piercing. that you’ve started another save in my game.”

you blink rapidly.

“i know i don't sometimes act like it. but i’m listening, y/n. and i’m sorry. i’m sorry that i don’t tell you i love you. because i do. i love you.”

your mouth is hanging open, all tears stopped from sheer surprise. nagi stares at you, gaze searching.

you nod. it’s all he needs.

and so his entire body relaxes into you, and it’s just ironic enough to get you laughing. (and crying, again.)

“i love you too,” you manage out. “i love you too- and i’m sorry i made you leave your game, and i named the cat melon, and-”

nagi snorts into your shoulder.

there’s no more words to be said after that. you're both too busy laughing at each other, hands tangling in the other's hair.

it probably seemed a little strange to other people, having a boyfriend that didn't act like he was a boyfriend to the online world. one that didn't seem to mind long silences. maybe it did bother you, in the smallest sense there was.

but honestly, in moments like these, you were willing to let it go.

because in this moment, seishiro nagi was your boyfriend/lover/something. it didn't matter that he didn’t shout it from the rooptops, didn't matter that no one could put a label on it.

he was here. and he saw you. and that was all you needed.

[mortysmith]

I GPT THAT FANTA IN MY SYSTEEMEMM.. FANTA IN MY SYSTEMMM

[thriftybruce]

3 pg. comic about an AU where both Stan and McGucket work on the portal together in the 80s

(Script for those who need it, or can't read my handwriting);

Page 1:

Caption: In an alternate universe, where Stan and Fiddleford worked together on the portal in the 80s...

Page 2:

Fiddleford (in his head): Huh...what is that racket? Huh? Oh!

Fiddleford: Well, I think I'm in need of a good, long break...

Do tell Stanley, I didn't think you'd be the kind to like David Bowie!

Stan: Well, I don't! But he's catchy...I'll give him that. Also... he was always playin' on the radio. It was nice havin' someone else on the road...

Fiddleford: Well, Lee, now's your chance to move your legs and get loose!

Page 3:

Fiddleford: C'mon Stan!!! Shake what your mama gave ya!

Stan: Alright, alright Fidds! Just this once though!

(after the dancing montage)

Stan: Okay okay! None of that now, c'mon we gotta get back to work.

Fiddleford: Woops! Sorry Stan, but I haven't felt this good in a long, long time. I got the jitters! The good kind, that is! But oh alright!

[lost-in-fandoms]

I love your writing so much!! If you are taking prompts (no pressure!!!!): daniel doing something cute for max’s bday while they are together in Perth after Singapore ❤️

Hello, I love you!! You are SO nice and I appreciate you sending a prompt! This was probably not what you were envisioning, even if there are cute things happening, but I hope you like it anyway. I wanted more birthday stuff but it sort of ran away from me. Also, this is about 2k oh god.

Daniel figured out in the early days, even before they were actually together, that Max doesn't care much about his birthday.

He will never say no to cake (unless his trainer gives him really mean looks), he appreciates gifts, and he loves a good party, but he has no real feelings about it being his birthday.

Daniel had asked him about it once, wondering if maybe there was some sort of deep rooted trauma behind it he didn't know about, but Max had just shrugged, easy and relaxed. It is not important, Daniel, when I get old, if I am getting older every day.

He knows that this year Max has no plans for it, and knows that neither of them minds, both just wanting a quiet day with each other.

It's been...a lot, lately.

Even here, away from the crowds and the hungry world that has just recently spit him out, like a bitter and unwanted bite, it's not been easy to let everything go.

The first two days after landing they had barely left the bed, sleeping and kissing lazily, too drained to even have sex. The third day they had spent with Daniel's family. The fourth, the one when the news had become official for the world, he had gotten horrifically drunk, in a way he hadn't done in years, Max being the one providing glasses of water for once and hands on his forehead while he was crying over a toilet bowl. He doesn't have many memories of the fifth one, spent nursing the worst hungover on this side of thirty.

And then he had tried to start his new life.

He doesn't know yet how that will look like, which makes it harder, but he's taking one step at a time, like his mom has been telling him.

Yesterday's step had been joining Max for some training, because he doesn't want to actually become a couch potato, and looking into finding a new internet provider after Max's numerous complaints.

Today's first step is going to be the farmers market.

He considers waking up Max for it, but it's barely seven a.m., and he doesn't actually want to be threatened with bodily harm this early in the day, so he leaves him with a kiss (Max doesn't even stir) and a post-it note on the bedside table.

It doesn't take long for him to decide that the farmers market isn't for him, at least not yet. Maybe it's an acquired taste, but there's just too much going on, bustling people pressing around him, vendors loudly calling out prices, colorful things attracting his attention everywhere, making his head spin.

He manages to get what he wanted and then flees, back to the safety of his car and towards the quiet of the farm.

It's only when he's halfway there that he realises that a few years ago he would have loved all of it, and then has to force himself to not have an existential crisis over it, wondering if it's just a result of getting old, or if something about the last few months has irrevocably broken him.

When he pokes his head into the bedroom, he finds that Max is awake, sitting up against the headboard, phone in hand and blankets pooled around his waist, looking soft and sleep-mussed.

"Good morning," Daniel says, stepping inside and feeling the warmth of Max's smile wrap around his lungs. "Happy birthday."

Max, impossibly, seems to soften further, his ears growing pinker.

"Thank you," he says, his voice still raspy with sleep. He reaches for Daniel, but he holds up a hand, taking a step back towards the door.

"Hold on, I have something for you. Don't move."

He watches as Max makes a show of settling back against the pillows and stilling there, beaming at him when Daniel laughs, retreating in the other room.

He comes back holding a paper bag and a bottle of orange juice in one hand and a small bouquet of flowers in the other, offering both to Max with a smile, refusing to feel self conscious about it.

Max blinks up at him, fingers just a touch away from Daniel's hand, surprise and confusion mixing on his face.

"For me?" he asks, soft and amazed.

Daniel nods, not really trusting himself to speak, and Max finally closes the distance, wrapping his fingers around the bunch of stems and taking the flowers from Daniel, pulling them close to his chest and burying his face into the colorful petals.

Daniel doesn't really know what kinds of flowers they are, he just chose a few that looked pretty, but he doesn't think it matters. Not when Max looks up at him again, cheeks red and eyes bright, smiling wide wide wide, happy and lovely.

"Thank you, Daniel," he says, so earnestly it cracks something open in Daniel's chest, unwanted and unexpected, making him feel like everything is too much once again.

Luckily, Max seems to notice, because he always notices, and he settles the flower gently on the blankets, uncaring of the wet stems, before tugging Daniel down in his lap. His hands are solid weights on Daniel's hips, and for the first time since he woke up that morning, Daniel feels like he can breathe fully, settled and steady, the feeling of being adrift that he had refused to acknowledge pushed away for a little while longer.

"What's in there?" Max asks, thumbs rubbing circles on Daniel's hipbones, gesturing with his chin towards the paper bag still in Daniel's hand.

The smell of baked goods has for sure given it away already, but Daniel makes a show of it, extracting a croissant as if it was a bunny from a magic hat, wishing Max's laughter could seep right into his bloodstream, weaving itself around his cells.

Max bites into the croissant cheerfully, not minding the flaky crumbs that rain down on the sheets, thanking Daniel again and humming his approval.

Daniel's chest feels warm.

"What's that?" Max asks again while he chews, pointing at the orange juice.

"Orange juice," Daniel tells him, untwisting the cap and offering the bottle to him, missing Max's hand as soon as it's gone. "Watched Marco squeeze it fresh myself."

He does his best to keep his face straight as Max hesitates, bottle halfway up to his mouth, eyes narrowing.

"Marco?"

"Charming guy, yes," Daniel teases, unable to keep himself from smiling any longer, amused by Max's frown, "about sixty years old."

The frown disappears as fast as it had formed, and Max smirks at him, finally taking a sip.

"Forty years too old for you," he says once he has swallowed, laughing at Daniel's outraged squeak.

Max makes it up to him by offering him the middle bite of the croissant, sweet custard oozing onto his fingers, and then again by kissing Daniel thoroughly, sweet with vanilla and sugar.

"I have something else," Daniel tells him some time later, when they're all kissed out, pushing away from Max's chest and clambering back onto his feet.

Max follows him without question, tugging on a pair of shorts abandoned on the floor, and grabbing the flowers from the bed, taking them to the kitchen counter before joining Daniel outside.

Daniel grabs his hand, because he can here, away from prying eyes, and guides him around the porch to a cardboard box peeping quietly.

Max gasps, immediately crouching in front of it and opening it, letting out a surprised laugh when he sees what's inside: four little chicks, fluffy and pale yellow, tweeting up at him.

"You said we needed them to have a real farm," he says, carding his fingers through Max's hair, "and mom said I needed a project."

Max has his fingers in the box already, trying to pet the chicks without startling them, but he leans back to beam up at him, eyes crinkling.

"I love them," he declares, steady and unashamed, before turning back to the box.

This time, he manages to scoop two chicks up in his cupped hands, taking them out and cradling them against his chest, humming happily.

"I think you're their mama now," Daniel jokes, "you'll have to come back for them."

He knows he's said the wrong thing as soon as it's out of his mouth, Max's shoulders tensing, even as his hands stay gentle around the chicks. He doesn't know how to backtrack though, doesn't really want to, so he watches as Max puts them down again and gets up, knees cracking.

He goes to make a joke about that too, something about Max getting old, but the words get stuck in his throat at the sight of Max's unhappy expression.

"Of course I'm coming back, Daniel," Max says with a frown, steely certainty behind it. "Did you think I was going to leave and..."

He doesn't finish his sentence, crossing his arms and looking away, blinking rapidly.

"I..." Daniel swallows, picking at a cuticle on his thumb. "I'm sorry."

It's again the wrong thing to say, Max turning back towards him, eyes shiny and thunderous expression.

"I love you, Daniel," he snaps, forceful and determined. "I love you, Daniel, not the you who races. I am not going to fuck off and leave just because..."

He shakes his head, reels himself in. Daniel doesn't know if he's breathing, but if he was, he stops when Max steps closer, bringing his hands up to cup his cheeks.

"I will have to leave, because I need to finish this season, and maybe the next, I don't know, but I am always coming back. Any time I can find time, I will be here. Or in LA, or wherever you will decide to be."

Max swipes his thumb along Daniel's cheekbone, leaning forward to gently thump their foreheads together.

"I wish you were racing with me," he whispers, a confession he hadn't let Daniel have yet. Daniel's heart is split open. "Always it is better, to race with you. I thought we would be racing until we both retired, but I don't care that it is different. I will miss you, when you're here and I am there, and then I will come back."

Max's fingers are damp with Daniel's tears now, and Daniel lets himself be tugged closer, wrapped in the safest arms he knows, hiding his face in Max's neck.

"I'm sorry," he croaks again when he finally finds his voice again, twisting his hands on the back of Max's sleep shirt.

He feels Max's take a deep breath, letting it out against Daniel's hair.

"I wish I could fix it," he says slowly, measuring his words, "but I don't like when you say that I will leave. I have never left. I will not start now."

And he's right, Daniel knows he's right, but it's been hard to remember what he still has lately, after everything went down.

He nods against Max's skin and then lets Max hold him, gently rocking side to side, the chicks peeping softly at their feet, until he doesn't feel like he's going to break with every stuttering breath anymore.

"I was thinking we could go down to the trail," he murmurs, lips dragging against Max's damp shirt. "Take some food, have a picnic. I bought bread rolls."

Max squeezes him tightly once more before putting some distance between them to be able to look at his face, smiling gently.

"I like that. You can make the food while I take the babies to their new coop."

Daniel freezes.

"You have bought a coop too, right Daniel?" Max asks, eyebrows raising. Daniel can feel himself blush.

"I...didn't think about it?" he tries to justify himself.

For a second Max just stares at him, and then he starts laughing, dropping his head against Daniel's chest.

"Stop laughing at me!" Daniel whines, hitting Max's shaking back, but making no move to step away.

Max hits him back, then straightens himself, laughter still etched in the lines of his face.

"Alright," he says, slightly out of breath, "we are going to buy a coop instead. Or build a coop, I don't know what is better, we'll have to call your dad. And we'll do the trail tomorrow, or the day after."

Tomorrow, or the day after.

It seems to hit Daniel all at once, that this is the start. He has tomorrow, and the day after, to do anything he wants. To go on hikes with his boyfriend, to think about new projects, to pick up old hobbies and interests, no schedules to stop him. And he will have tomorrow, and the day after, even when Max has to leave to go racing again, because Max will come back, to have more tomorrows, and the days after, with him.

He surges forward, crashing his lips against Max's, who gasps in surprise but eagerly kisses him back, until all that's left in his brain is tomorrow and Max.

Only then he lets Max go again, stepping back with a smile.

"Let's go get a house for the babies, baby."

And in the lines of Max's smile he can almost see it already: tomorrow, and the day after.

[arsenicflame]

It's a time-honoured tradition- every time Sam comes across Izzy (and Ed) in their travels, he asks Izzy to marry him. And every time, Izzy turns him down.

At this point, Sam is asking more for the sake of it than any belief Izzy will ever say yes, a remnant of childhood dedication touched with 30 years of heartbreak and regret- though even now, a small part of him still holds out hope. Sam's promises have only got more extravagant over the years, from a job as his first mate, to a captaincy, a fleet at his command, a whole fucking island if that's what Izzy wants- but he knows it isn't though, not really. If Izzy was ever going to agree to marry him, to leave his life and go with Sam, it wouldn't be for anything Sam could offer him. Izzy never did care for flashy shows of wealth, for a ship or to be captain. The only thing that ever mattered to him was loyalty given, and loyalty shown in return. 

It all comes to a head after Stede left and came back, after Izzy lost a toe, lost his leg. Sam hasn't seen him since before things with Ed started to really slide off the rails, before stress permanently set into the lines of Izzy’s face. So, when he sees a dishevelled man with a hoof for a leg in a no-name port, he doesn't even consider the idea that he might know him. It's only when he turns towards him, and Sam catches a glance at those oh too familiar tattoos, he realises this is Izzy, his Izzy, that stands before him.

Knowing Izzy's discomfort with pity, he doesn't treat him any differently than he would in years gone by, positioning himself in Izzy's line of sight before approaching and sweeping him up into a bone crushing hug. 

“Israel-goddamn-Hands!” he exclaims, as Izzy grumbles back a begrudging “Samuel-fucking-Bellamy”, a tradition almost as old as their friendship itself. Izzy might not hug him back, but he can’t keep the corner of his mouth from twitching, just for a second.

(If Sam holds Izzy a little tighter and a little longer than usual, well. That's his business)

By the time Sam lets go, most of the crew has appeared in the town square, drawn in by the commotion. They may have given Izzy his leg and welcomed him as one of them, but still there’s an underlying tension, with nobody quite ready to set aside everything that happened before the Kraken. Seeing him cosying up to an unknown man sets everyone on edge, unsure whether to come to their first mate’s aid, or to assume that they've been betrayed once again.

When Ed sees that the yelling was Sam, his hand goes tense where it's held in Stede's. He knows the routine, has seen it more times than he can count, but as he watches them part he realises that this is the first time in a long time he's unsure of what Izzy's response will be.

Knowing that something’s different, knowing that Izzy's feeling vulnerable already, Sam doesn't go for the same flashy proposal he’s been giving for years. He doesn't promise Izzy the world, he doesn't cause a scene (or, any more of a scene than he already has, anyway). He looks at the fractured man in front of him, takes his face in his hands, and says the exact same thing to him he said when they were little more than boys. “Israel, I have to ask you. I know what you'll say, but I have to try. Come with me. Marry me and sail away with me. I'll keep you safe”

And Izzy… hesitates. He glances over at Ed, at Stede, and says to Sam “...We’re staying in port for a week. Ask me again then”

That's the moment Sam knows there is something deeply, horribly, wrong. He's not just looking at an Izzy who got seriously injured in a fight and is struggling to cope, this is something so much bigger than that- and that Ed has something to do with it. Izzy wouldn't even be considering leaving if he didn't. Whether it was negligence or something more sinister, Sam doesn't yet know, but he intends to find out.

[elflutter]

logan x chubby!reader wip

i have a little snippet from my logan x chubby!reader wip- i have a feeling this might be a slightly longer oneshot than i anticipated so i want to give a little sneak peek while i continue working! i'm already at 500 words and it's mostly been setup please enjoy and don't hesitate to leave feedback!

In the beginning, you were downright surprised when he was interested in you. You knew you were beautiful, from your tummy, to your luscious thighs, to your more than generous ass. And from the first time you met him, you felt an undeniable pull towards Logan’s hardened physique, so different from the softness of your own. It wasn’t that you weren’t confident in your attractiveness. You had already won that battle with your body before meeting your Wolverine. It’s just that—with men who look like Logan—you have to keep yourself guarded. There are a lot of fucked up ideas about what makes a woman pretty, and a lot of the time, guys who look like Logan ascribe to them. But, once Logan had sniffed out your interest in him (with a little help from Wade), he made his feelings towards you abundantly clear. And you quickly discovered that beneath his gruff exterior is a delightful gentleman with a filthy mouth. Tonight, you plan on putting that mouth to extremely good use.

a/n: so i myself am chubby and sometimes have a hard time picturing myself in logan x reader fics, so this is some self-healing shit :') if anything sounds at all insensitive, please let me know! even though i'm not thin, all of our experiences are different and i am trying to write this with very empowering language <3

dividers as always from the lovely saradika-graphics

[bookshelf-in-progress]

Reflection: A Retelling of “Snow White and the Seven Dwarves”

The mirror is a gift from the dwarves. Its frame of hammered gold is wrought with delicately-crafted birds and beasts, fruit and flowers. Its silver-backed surface, unlike those created by human craftsman, shows a true reflection.

The queen loves to gaze at herself in the mirror. It tells her that she is beautiful—skin like milk, hair like midnight, eyes as blue as a crystalline lake. She is young, healthy, graceful, charming—perfection in human form. Truly a queen worthy of this kingdom.

Then, one day, the mirror’s message changes. It shows that the queen has lines around her eyes, sunspots on her nose, wicked glints of silver in her night-black hair. The queen does all she can to hide the damage, spends hours before the mirror with cosmetics and concealers. To the rest of the world, the queen is as perfect as ever.

Yet every morning, the mirror tells the truth.

Worst of all, her husband has a little daughter—barely fourteen years old—who grows lovelier by the day. Every morning, the mirror says that before long, those who worshiped the queen’s beauty will transfer their devotion to the princess—and will be right to do so.

The queen's beauty would not seem so tarnished if the princess were not there for comparison. The queen tries to send the princess to an isolated estate—tells her husband it is better for the girl to grow up away from the corrupting influences of the court. But the girl is too dear to her father. She wastes away with homesickness, until her father the king orders her to come home for the sake of her health.

The queen tries neglecting the girl in ways the king won't notice—refusing to let her wash with good soap, denying her a maid, forbidding her fashionable clothes and hairstyles. Through it all, the mirror tells her that the girl’s beauty shines out brighter than ever.

Before long, the queen spends hours by the mirror each day, locked in a futile endeavor to restore what is lost forever. One moonlit night, she finds a dagger, and considers plunging it into her heart just to end this ceaseless torment, but the morning shows her a better path.

She will never be perfect, nor make the princess less so—but she can destroy perfection.

It would be easy to take this dagger to where the princess sleeps and shove it through her perfect heart, but the queen doesn't dare to mar her own beauty with blood-stained hands.

She gives the dagger to a loyal huntsman. He takes the girl into the forest—and returns holding a small, bloody heart.

That night before the mirror, the queen's smile makes her glow with a new kind of beauty.

*

People often tell the princess she is beautiful. She believes them, for she has never seen an ugly face. Old Sal’s missing tooth is an open door into her smile. The chambermaid’s freckles make a daytime constellation. The little stable boy’s one good eye glitters green as an emerald. Her stepmother owns a beautiful mirror, but the princess barely gazes at it. Why would she waste time examining her own familiar face in a world with so many other lovely faces to gaze upon?

One day in early spring, she asks to go berrying in the forest beyond the castle, as she once did with her mother. To her surprise, the queen permits it—the queen rarely allows the princess anything that might be a luxury. She even sends one of her huntsmen as protection.

In the eaves of the forest, the princess finds strawberries not far from the path, and she hastens to gather as many as she can. She invites the huntsman to join her, but he stands statue-like at the edge of the clearing, always on guard. Not wanting him to go without, the princess brings the berries to him, and offers him the largest, sweetest one.

As she does, she gazes at his face. Scars make mountain ranges along his cheeks and brow. His hair is edged with silver. The lines of his face are solid as stone. His deep gray eyes hold storm clouds.

“Oh, my,” the princess says in awe. “You are beautiful.”

The huntsman’s face disappears as he hides it in one of his hands. “I can’t,” he says, his voice rough with unshed tears. “I must betray my queen."

His other hands darts to the side, quick as a serpent, and the silver flash of a blade disappears into the undergrowth.

The huntsmen places both of his hands on the princess’ shoulders and crouches to look into her face. “You must run. The queen wants you dead. If you stay at the palace, she will find a way to kill you. You must flee into the forest and never return.”

“The forest?” the princess asks in terror. She has often wandered in the eaves, but she has never dared the strange terrors that are said to lurk in its interior.

“There is nothing there that can harm such innocence,” the huntsman says. “You will find shelter.” He turns her around and pushes her toward the depths of the forest. “Now run! As fast and as far as you can!”

The shadows of the forest embrace her, and the flowers make a path at her feet. She crosses shallow rivers, climbs rocky slopes, winds through twisted groves of trees. She couldn’t return home even if she wanted to.

She had not been blind. She had seen something like ugliness in the queen’s face whenever they were alone. But hatred? Murder?

She nearly collapses with grief, but through the trees, she sees a wisp of smoke. A chimney. A roof over a tumbledown cottage. The princess runs through the open door, collapses on the floor, and is glad to find a safe place to weep.

Her father will think her dead, and she will not be there to comfort him. She will never again see any of the beautiful faces that fill the palace. The hundreds of hidden details that made the castle home are forever out of her reach. The huntsman saved her, but to what end? A lifetime of loneliness and misery? Is this truly a better fate than the quick death of a dagger through the heart?

She opens her eyes. She has looked too long at the sorrows in her heart. She must find solace from without.

She gazes upon the cottage.

And sees seven beautiful faces.

*

The dwarves love their princess. She is beautiful, not only because of her face, but because of the way her soul shines out through it. She is endlessly beautiful because she sees the beauty in everyone and everything.

There never was a girl so selfless. Her every waking moment is spent filling their days with a million small comforts. The cottage has never been so clean. The food has never been so lovingly prepared. There is nothing she would not do for them, and in return, they devote their lives to her service.

She needs their protection. One so naturally kind and innocent can’t recognize when strangers might have ill intent. One day, after being out in the woods, the seven dwarves return to the cottage to find the princess nearly strangled by a set of stays. When they revive her, she tells them of a ragged old woman (with such beautiful hands!) who asked for food and water and then repaid her generosity by giving a nearly-fatal gift. The eldest of the dwarves caught a glimpse of the stranger’s retreat, and saw enough of her form to suspect the queen.

The dwarves keep a closer guard on the princess, but six months later, a few minutes go by when all seven of them are away from home. They return to find the princess nearly killed by a poisoned comb in her hair. The story she tells is similar to the last one—an old woman in need of help repaid their kind princess with a gift meant to kill.

After that, the princess is never alone. The dwarf on guard duty always has the envied task, so lovely is it to be in her presence. A year, then two, go by with no signs of danger.

Then one winter morning, after a night of birthday feasting, all seven of the dwarves sleep late. The princess rises at her usual time, hoping to fix them a holiday breakfast. By the time the dwarves stumble out of bed, they find the princess sprawled across the kitchen floor—cold, pale and lifeless, with a poisoned apple in her hand.

They despise themselves for having failed her, but their love for the princess drives them to serve her the only way they can—by laying her body to rest. The cold, hard earth won’t take her, and they can’t bear to hide her away in the realm of death. Knowing that decay will not touch one so innocent, they place her in a coffin of glass and lay her in their garden, where her beauty can brighten the world in death as it did in life.

They keep a constant vigil, lost in loving grief. They ought to have known she would end this way. This is the fate of all innocence in this dark and sinful world—to be destroyed by wickedness. Even as they see this truth, they know that it is wrong. The world should not be this way, but what can they do? They wish and pray for better, but they can’t hope. How can innocence ever overcome such evil?

In the spring, when the last snow melts and the first snowbells bloom, the dwarves see movement in the woods beyond their cottage. A prince approaches on a snow-white horse. He is ruler of this forest and its mysterious ways—a king of kings, even more beautiful than their princess. His face shines with a wisdom that does nothing to defile the innocence of his heart.

He leaps from his horse, approaches the coffin, raises the lid, and takes the cold hand of the princess between his.

“Beloved,” he says, “arise.”

In his words and actions, the dwarves find the answer to the riddle they have pondered in their long vigil of grief. In a world of wickedness, the salvation of Innocence is Love.

The princess opens her eyes. Takes a breath. Sits up and gazes upon the world she loves, upon the one who loved her back to life. Something of the prince’s wisdom is reflected in her, so that her beauty is almost painful to behold.

The dwarves rejoice, and the princess rejoices with them. She kisses each one atop the head, but does not release the hand of her prince.

Eager to serve one who served them so well, the dwarves cook her breakfast, and she eats with even more enthusiasm than she showed in her former life. Yet when the meal ends, she stands with her prince at the threshold of the cottage.

“I must return to my father,” the princess says.

The dwarves protest. What of the queen? What of the danger?

The princess looks at her prince with eyes full of love. “I have nothing to fear.”

*

The king rejoices at his daughter’s return—he has thought her dead for so many years. Grief has aged and weakened him, but there is beauty in his face that grows brighter with every minute he spends in the presence of the princess.

The princess tells him of her troubles since she went away, and the king is horrified by her words. “I knew my wife had lost her reason,” he says, “but not her heart! She must pay for her crimes!”

He moves toward the door as though he will administer justice this moment.

The prince stops him with a gentle hand upon his chest. “There is no need.”

*

The queen gazes at herself in the mirror. She never looks anywhere else. If there is a world beyond the edges of its frame, she has forgotten it. She sees only her own face, searches for the remaining scraps of beauty, tries desperately to erase the blemishes that grow ever more hateful with the passing of years.

Another face appears in the reflection—a face the queen thought she had destroyed long ago. It is lovelier than ever. The queen hides her face in her hands so she can not see the painful beauty of the princess.

“Come away from there,” the princess says. “Gaze with me upon the other beauties of the world.”

“And lose myself?” the queen shrieks. “That is what you have always wanted—to destroy my very self! To take all the honor and beauty that should be mine!”

“I wish to save you,” the princess says. “Come away.”

“Never!” the queen screams, clutching the mirror in two white-knuckled hands. “I have everything I need right here! You can’t take it from me!”

The princess touches the queen’s shoulder. The queen screams and shrinks away, hiding her face once more in her hands.

A man’s voice—painful in its beauty—says, “Beloved, she has made her choice.”

At long last, they leave. The queen looks in the mirror and sees no face but her own. No greater beauty remains nearby to shame her.

In the confines of her world’s silver surface, she is fairest of all.

*

The queen is locked away in the prison of her choosing.

The king stays to do what good he can for his kingdom, and the princess promises to return for him after he has fulfilled his purpose.

The prince places the princess on his snow-white horse, and they travel once more past the cottage of the dwarves, who are glad to see her so beautiful and beloved.

At last, the prince brings the princess to his kingdom at the heart of the forest.

The beauty she finds there is beyond words.

[skywalkr-nberrie]

I absolutely looove the writing in ROTS where Anakin narrates what it feels like to be “him” at different sections of his life during the course of the book, and I realized I just had to do my own version for Padmé.

( “This is what it feels like to be Padmé right now… sometimes you are Amidala, other times you are Naberrie, and a lot of times you feel as if your true mold is engraved in the core of the name Skywalker. But right now, you’re just Padmé. You are with child, that is why you remain strong. And you’re also in love, so in love… with the only man who had ever existed before you. The man to whom none other would be worthy to take his place even if centuries were to go by. The man whom understood you, who had mistook you for an angel… but loved you anyway when he realized you were just human.

The man whose love burned across the stars for you, and would tear down the galaxy out of love for you if he had the chance. You shiver at the thought… because you love him too much to see him fall. You thrive and suffer under the weight of his love and passion. Your soul sings to his, he responds in kind. You feel him slipping away, you fear for the fate of his and the fate of others… you long to help, cry to change everything…This destruction destroys you utterly and wholly. Amidala would remain loyal to your duty, as you’ve always been. But Padmé was as a rose who bloomed to rays of the sun striving to blossom into pure beauty, and you know that Anakin was always your sun.

You worry for the others, your colleagues, the Jedi… even Obi Wan… you pray that they are well and safe. But underneath all this… you want to leave behind everything even more. You want to with the love of your life, more than anything. You want to let him play the tunes of your heart as a musician his violin… but you feel him slipping, further and further away from you. And now he stands in front of you, from the tips of your fingers, you hold onto his soft and gentle hands.

The same hands that has always tended to you with such love and care. You longingly gaze into his deep and beautiful blue eyes for which you’ve always admired. Perhaps, looking for something more… maybe it was the absence of his healing smile, or cleansing laughter which never failed to ease your ache. So you continue gazing into him as he promises you, in his soothing voice which was as sweet as honey, of his return. You beg him to come back to you… ‘my love, my love, come back to me.’ But there’s a deeper, more dreadful feeling inside you… it is an echo you don’t want to hear… refusing to search deeper within to acknowledge its existence. So instead you just let it… echo. You trust in him. You believe in his goodness. You let him go, and you trust in him.

This is what it feels like to be Padmé… right now.” )

[manchasama]

You know, historically I did most of my writing as random ficlets. Maybe that is why these are a bit easier? Either way, feeling out characterizations, these are fun to do!

--

"What are you doing?"

Ingo didn't move from where he was looking down at the brown…circles in front of him. "Baking," he said. He didn't have to look to sense Emmet's stare. "…Theoretically," he conceded with a sigh.

Emmet poked one of the circles. It dented under his finger, but bounced back into shape instantly. "It doesn't look bad," he said. He poked the circle again, fascinated at its texture.

"While that means a lot coming from you, unfortunately the taste leaves much to be desired." Ingo's frown pulled deeper. "They taste bad. I don't understand how the same ingredients can come out so wrong!"

Emmet leaned over so he could look Ingo in the face. His smile had a hint of teasing humor in it. "It looks like you tried to bake donuts?"

Ingo wasn't listening. "I have looked at dozens of recipes! I measured everything exactly so." He gestured ferociously toward the pile of used dishes soaking in the sink. "Baking is supposed to be easy." He threw his hands up, exasperation written in every line of his body. "You merely need to follow the directions, with the exact measurements. I thought I could do this!"

"Hmmmmm," Emmet drawled, looking entirely unsympathetic. "Why did you bake them? Aren't donuts fried?"

Ingo grimaced, half turned away as if that would save him from his brother's attention. "…I merely wanted it to be a bit…healthier."

"Uh huh," Emmet said. "And how may donuts have you snuck behind my back this week?"

"That is NOT why I did it!" Ingo protested loudly.

Emmet cackled, covering his ears dramatically from the sudden volume. "That is a confession if ever I heard one!"

All Ingo could do was splutter protests that fell on deaf ears. Emmet was far too delighted in catching Ingo out on his sweet tooth. Why were younger brothers so infuriating?

"If you are quite finished," Ingo said stiffly, "I have to clean up this mess." Emmet's smile still reached from ear to ear, his face rosy from his laughter. He reached out to poke one of the donuts again, and Ingo swatted at his hand. "Stop that! I need to wrap them properly, and I don't need your fingerprints all over them."

"Wrap them?" Emmet asked, eyeing Ingo as he picked up the plate of pastries. "Ingo, you are not planning on eating those?"

"Of course I am," Ingo sighed. "Just because they aren't ideal, doesn't mean I should waste food."

"Oh no you don't." Emmet swiped the plate of 'donuts' from Ingo's hand. "This is now a treat for Garbador!"

"But—" Ingo tried to protest.

"Nope!" Emmet popped the word in his mouth. "You can learn from your mistake. You do not need to force yourself to suffer because of it."

"Emmet…" Ingo would deny to his dying day the whine in his voice. "All I have learned is that donuts should not be baked!"

Emmet gave a satisfied nod. "And that is a valuable lesson."

They stared at each other silently. Then Ingo lunged, and Emmet turned and fled out the kitchen before Ingo could catch him.

"Emmet!" Ingo bellowed, charging recklessly after his brother.

"Garbador! I have a treat! Quick!" Emmet hollered, thumping against the walls as he took corners at speed. The real miracle of the day was the fact that he kept all of the donuts on the plate. At least until Ingo tackled him and the whole thing went tumbling across the floor.

Garbador did indeed enjoy her treat.

[mintypsii]

not a part 2, but here's a prequel to this sanuso comic I did last month !!! (takes place the night before ,, technically after the first three panels)

[grimesgirll]

you love forcing your guys to watch tv with you.

snuggled up on the sectional together, there’s nothing you’d rather be doing with your saturdays.

your head is on daryl’s chest and your feet in rick’s lap while the old vhs tape plays an old episode of six feet under.

one of the alexandrians who’d passed long before your group arrived had a considerable hbo collection, along with some of the other most popular television series of your time before the end of the world as you knew it. from dvds of mad men to nip/tuck, there was enough to keep you preoccupied binging the best of the 2000s.

your duties in your new neighborhood kept you to a constant schedule but making time for tv wasn’t hard. slipping away to rock judith asleep in your arms was made easy with an episode of grey’s anatomy. it was nice to feel normal for once - like someone who wasn’t holing up behind ten foot high walls from hordes of the dead.

it’s even nicer getting your busy, go-getters to simply sit and enjoy your company, and the glow of the tv.

having never had a tv aside from the busted flatscreen merle’d once ditched at his place before everything went down, you were shocked when daryl told you he didn’t have a favorite show. it seemed every dvd or vhs you inserted had the man mocking the media.

dexter is dumb. arrested development’s cast consists of assholes. house bored him. psych too. and don’t get him started on desperate housewives.

at least you could count on wrestling rick into the couch for an episode of cops. rick’s rambling on everything the show got right and wrong was worth it if you could get him off his feet, because then it wouldn’t be long before you were teasing a foot along his leg.

still on top of daryl, you’re hoping the two pick up on what you’re putting down without you having to be too obvious. rick ruins your perfectly scripted scene with a single clearance of his throat. that’s all it takes for his attention to be diverted from the screen and for a hand to settle on your foot.

your tongue swipes across your lips. your twinging foot eventually brings rick’s attention from the limb to your lust addled expression. daryl’s probably half asleep. he doesn’t give a fuck about cops.

“they’re all gettin’ caught doin’ some dumb shit merle’d do,” he’d gruffed when you first played the title.

regardless, he’s relaxed beneath you. the hand wrapping your frame into him pulling him close. a lightly planted hand on your breast that lures your gaze back to his. you curl into the warmth of his arms and into a balmy kiss.

rick blisters his own impressions onto your calf. “ah,” you hum off-guard into daryl’s mouth. that only spurs the sheriff further up your thigh until you feel a finger over top the crotch of rick’s your boxers. between two pairs of masterful mouths, you could care less about cops. you have your own pulling down your underwear with his teeth and an outlaw on your lips. the latter is laying a hand on your head, savoring the feeling of your soft hair beneath his rough, calloused hand. you don’t mind it at all when he ushers you crushingly closer.

“were you even watchin’?” rick asks, the breath of his laughter panting onto your thigh.

“a bit,” you admit in a puff of breath. “cops is boring.”

“say that again,” daryl snarks into your neck.

rick shakes his head. those bronzed locks brush against the sensitive skin of your thighs, with rick now situated front and center facing your dripping core. he parts the light bush you’ve been maintaining to spread open your plush pussy. cool air makes you whine just as the roving pucker on your pulse point pulls the same sounds from you. “you want a finger? or my mouth?” rick leaves it to you.

you choose the hybrid option.

rick should know that you live for the way he prods you open with a nice fat finger, then letting his tongue wander up and down your clit.

knowing you inside and out, rick is ready to do just that. so it only makes sense that his tongue and a thick finger is already driving you up the sofa, so far gone already that all you can do is muffle your cries with daryl’s mouth.

the brother of georgia’s most wanted has no problem absorbing your pleasure. in fact, he works in near tandem with rick to get your heartbeat racing on both ends. fingers fall into a deft hold on your breasts, going from groping to taunting the buds popping up through your thin long sleeve. bunched up over your chest or your head seems to be the only fate that typically befalls that shirt. the thin material is always accenting your headlights in a cold room or straining holding back your bust enough that your boys always take note of it.

daryl loves it. loves getting a fistful of the flowy, flexible, blue and white flowered fabric. loves it even more when it’s out of his way. bunched up over your tits, it goes. “you gon’ come, pretty girl?” daryl questions, ducking down to capture your breast in his mouth.

you don’t know what to say. the answer is obvious but your words are mere babbles and all you do is moan and huff and pant yes.

all you can see of rick is that fluffy mop of brown. hands dug into your hips, he’s not relenting even as your clit pulses beneath his tongue. he only takes it as an opportunity to run his skilled appendage along the single pronounced ridge of your pleasure point.

“rick takin’ care of ya’? givin’ you a break from the pig show?”

you feel a snort against you, but it’s not long before you’re bucking your hips against rick’s face and he’s steadying your hips. that damn tongue just has to drag against you and you’re ready to flop off the couch. you can barely manage a smile at daryl’s dig because your mouth is contorting into an open o shape - o for orgasm because that’s the only thing on your mind. not the dead stalking the gates upon hearing a single human breath, not the responsibilities of running the community within those gates, not worrying about who’s on watch, definitely not anything other than the burst of delight coursing through you.

sunlight tumbles through the windows onto the perfect center of the living room. it would be blinding rick had he not still been between your thighs. squeezing your eyes shut, the last thing you see is rick’s sunlit head grooving up and down.

feeling snug on rick’s two fingers is enough for you to feel completely unbound. clenching but not clamping like daryl is now on your tit.

“fuck me,” you groan. the vulgarity comes out wispy as the man flattening his tongue and pancaking a new finger to your soaked clit steals your breath.

the denim hardness beneath you has you guiding daryl’s mouth from your chest to your face for another kiss. your hand is wound in his hair, almost like the kiss could distract you from the overstimulation rick’s so hellbent on.

a stripe of gold beams across your faces - and rick’s - so once you’re parting from the messy mash of tongue and lip you’d shared with daryl, the sight of rick has you squeezing your thighs again. with a finger still inside of you, rick’s slowly massaging your newly drenched cunt, and he’s never looked better. pink glossy lips have you yearning for a taste.

luckily, you and rick are always on the same page, thus, he’s leaning up on forearms to croon, “wanna taste yourself, baby girl?” and with a sure nod, your mouths are connecting so you can sample the fruits of your labor.

a hand on daryl’s dick, a bit of maneuvering on your part, and some sweet sounds from rick are all it takes for the television to be ignored. it feels like you’ve all fast forwarded through a season of cops by the time anyone recognizes the television’s still on but no one gives a damn. not when there are better distractions.

[spacecasehobbit]

It makes me so happy that Emerald Fennell has said outright that Felix was doing something shitty in every scene. He's pretty, he's wealthy, he's charming; he's so spoiled with privilege that he can get away with casual cruelty underlying everything he does and still think of himself as a good person.

The fact that so many people can watch Saltburn and come away thinking that Felix is a nice person is both a testament to the quality of Emerald Fennell's writing, and it is a perfect example of how Oliver himself got drawn in by the facade of kindness that Felix presents.

I want her to write so many more things, and I want to watch all of them.