#the writers giving us what the show will never

[tyrantchimera]

What is fine and/or expected in fandom:

Print out the fanfic you like. Save it to your computer. Show your friends. Do whatever your like for your private, personal use. But please comment your appreciation for it. Fandom is a community, and support is extremely helpful (and considering the efforts we put into works, it should perhaps be considered proper courteousness).

Share the fic. Give people links TO THE ORIGINAL. DO NOT repost it. NEVER. Not unless you were given specific permission to do so, or if all copies of that fic have been removed and the artist is LITERALLY DEAD. If you wanna discuss it with friends, maybe do so where the author can see, or encourage your friends to comment too?? So we know we're not talking to a brick wall?

You may make a physical book of the story. Put it in a binder. Make art of it. But NEVER profit off of it. No selling those books. No making money off mass-produced fanart of fanfics (unless the author themself commissioned the work/collaborated with you). We aren't some corporation that has already made money from the franchise, we are individuals that are LEGALLY OBLIGATED to keep our works free under fair rights use. So it is NOT fair and VERY NOT COOL if you make money off our works when we can't.

NEVER take credit for writing a story that you didn't. NEVER make the claim that you wrote or drew something that someone else worked hard on. You will only discourage the actual writers and artists from making things (who may see your bullshit and decide that if you're gonna be like that, maybe NO ONE deserves to see their work because Fuck This, I'm DONE with having my work stolen).

NEVER demand an author do something a certain way. We are not AI, we are not corporate content producers. We are giving you a gift. Do not be an ass and demand a different one. If you feel so strongly about it? Go do it yourself.

ALWAYS feel free to archive things. You never know what will be lost, or when. People die, databases corrupt, sites go down, fascist purges win, and so on. If you like it, keep it safe. No permission needed.

I've never been explicit about this because I'm a Fandom Old, and back in the day it was simply understood that anything on the Internet was fair game to do with what you wish, but: if you see a story of mine out there and you like it, download it. Fuck if I care. Keep it for yourself, distribute it to friends, print copies for yourself and your friends, mail it to people, I don't give a shit. As long as you're not exchanging money, I couldn't care less. And tbh you should be doing this with all fanfics you love - print them, save them, put them on a flash drive or a hard drive or share them with friends, whatever. Fanfic authors these days are really fucking precious about their fics, but honestly we're probably going to start seeing queer art being disappeared (especially in the US under the next president) so do whatever you can to archive the things you love to read. Even if that means just printing them out and sticking them in a binder for yourself to read as a bedtime story.

[funhouse-mirror-barbie]

I may go into more detail about “Sinsmas” later, but I did want to talk about what I considered to be the one scene/sequence that I thought was very well done and that I truly enjoyed—Octavia’s song, “I Will Be Okay”.

(Song/Character Discussion below)

Octavia’s song is almost everything I could have asked for. A somber echo of Stolas’ song from season 1, Octavia’s I Will Be Okay, finally, finally, gives Octavia a voice and the chance to express her grief over her father’s abandonment.

For the first time in the series, there’s no one to tell Octavia that she should give her dad some slack or that she should forgive him. She’s finally allowed to be upset, to fully mourn her relationship with Stolas and to get mad about what happened. She’s finally allowed to start working towards accepting the ways Stolas’ neglected her, and begin healing from that pain and trauma.

Octavia’s experience is both terribly heart-wrenching and, in the most painful way, freeing. The lyrics reflect that perfectly, with Octavia acknowledging that while she’s not okay now because of everything Stolas put her through, she WILL be okay, and will grow into her own person without him.

The song is a direct response to Stolas’. Octavia is answering him, saying “Yes, I will be okay. Not because of anything that you were supposed to or failed to provide me as a father, but because I will forge my own path, and in doing so will heal from the pain you caused me.”

It’s a bittersweet song about finding the strength to cut contact with someone you loved who has repeatedly failed you in the worst ways, and who isn’t going to change.

I do have one “criticism” for this song and sequence, not because anything from it was poorly done, but because, in my opinion, the song’s visuals could have been even better.

The following scene was in the original storyboards for “I Will Be Okay”, and was changed in the final episode:

I think the decision to change the visuals for these lyrics in the song was a mistake. Please don’t get me wrong, the animation in this entire episode was fantastic, my critiques of Helluva Boss are almost never about the animation.

But the above sequence just has so much more emotional weight to me. It’s the visualization of Octavia realizing she can’t rely on Stolas, that she has to look to herself for comfort.

Octavia taking her younger self from her neglectful father’s arms, symbolizing that she’s accepted that Stolas cannot be depended on and that she’ll have to take care of herself now, is such a powerful image.

It really is a shame to me that they cut this scene, because I think it fully encapsulates everything Octavia has been through in such a simple and effective way. I think the scene really loses something by cutting this visual.

With all of that said though, Octavia’s song, and the scene where she FINALLY calls Stolas out for his behavior were very cathartic for me. I know that the scene’s intent was most likely to make us empathize with Stolas for losing his daughter, but I found myself empathizing only with Octavia, and hoping that she gets the time she needs to heal.

I would love it if the show actually let her decide whether or not she wants Stolas back in her life, but given the way HB’s writers portray women, I worry that it’s likely some big event will happen that “reveals” Stella to be awful, and Octavia will forgive Stolas just like that, and will probably end up apologizing to him instead (like in “Seeing Stars”)

Anyway, just like Octavia being the only good thing in Stolas’ life, “I Will Be Okay” was, in my opinion, the only good thing in “Sinsmas”. (well that and Octavia calling Stolas out)

[mariamegale]

More clarification on Dybowski's position within Ice Pick Lodge today from IPL ex-employee Luchin, after yesterday's comments.

Sorry for posting so much in the patho tag, but unfortunately it's what's best for visibility. I have, and will be, using the "Dybowski Allegations" tag for any post on this, so please block that tag if you don't want to see it.

Since my post yesterday on Alexey Luchin's comments/allegations against Dybowski, he has given Reddit some updates and clarifications. I'll summarise the Reddit thread, but quote Luchin in full for transparency.

The thread is on the topic of Dybowski's current involvement with IPL/Pathologic 3. Commenters stated that he has sold the company, and hasn't been very involved with the games since The Void (2008). Whether this is a valid interpretation of Luchin's earlier statements was discussed, and the fact that he's been a main P2 writer and involved with a lot of promo stuff over the years was brought up. Luchin, after being pinged, showed up to clarify:

Russian companies often use a "fake owner" for various reasons, this is the case here. Motivations may be to avoid alimony, to ease money transfers between the main company part in Kazakhstan and the original main company and it's Cyprus subordinary. It is not illegal, and even not a loophole, though. I wouldn't dwell on that much. It's important what people work in the studio factually.

and,

Yep, I'd say it's up to the currently employed to shed light reliably. But in general around after the Void he was more of an broad ideas guy — and a good one, it wasn't my intent to downplay him in that regard. At the same time, game development is a multistage process, and from my personal knowledge, I can attribute a lot of the new games qualities to "fresh blood", and the other co-founders acting more professional. E.g. Alphyna has covered a decent chunk of actual writing on Pathologic 2 and had a pivotal role in maintaining the timeline of events of the game, charater motivations, etc together. Ivan Slovtsov carried the detailed game design and balancing with his team — which gave him a good position in tinyBuild after, etc. IPL is to some extent an autere game company, with the source and numerous modifications coming from Nikolay, but in my time his input was irregural, disrupting, and in my personal opinion wasn't often for the good of the game. At the same time, the fresh blood in the studio grew on the principles on which the studio was founded and successfully carries its legacy already. This is an opinion, though, still. Personally, I'll still play Pathologic 3, it's great, from what I know / have seen. And all my posts here are done with a heavy heart — it's not easy to be dissapointed in a talanted figure such as Dybowsky myself.

So, based on this (keep in mind Luchin himself has stated to have no contact with Dybowski himself since 2018, although it feels fair to assume he'd still be in contact with other former coworkers) the exact role of Dybowski in the creation of these games seems a little unclear. But I also don't think anyone's been debating whether he's been involved up until p3, as much as how deeply involved he is in p3.

Ultimately, it's up to everyone to decide for themselves where they stand in terms of opinion on p3, buying the game, sticking around in the fandom, supporting the studio, et cetera., but that's the new info.

To just give my own personal two cents: I am still in the position I was yesterday, which is that I believe IPL has to make a statement on all of this, and cut ties with Dybowski, before I'll be completely comfortable giving them money. However, I do also want to acknowledge the fact that this is not a black and white situation, and that the discourse surrounding this does warrant some level of nuance. I'm, of course, speaking in relation to the other people working at IPL.

It's incredibly easy to say both, "Dybowski is not his team; they should never be punished for his actions," and "they may have helped cover for him for twenty years; they should be held responsible." Silence is, to a degree, complicity, and if Luchin is to be believed not just in his "open secret" statement but also here, in reference to the student grooming allegations:

That's the Nema-Soda episode around the same time previous accusations surfaced. Well known in the Russian segment of the internet.

That's bad. If this truly has been this out in the open and known, that's really fucking bad, and I want this company - at least its management - to be held responsible for their potential silence and complicity in this.

But, at risk of sounding like I'm excusing any of this, I do also want to remind you that according to Luchin, as well as earlier testimonies including Renata's, this is also a person who is apparently incredibly vindictive. He is also pretty rich by Russian standards, and has held some level of influence in academia and the Russian game dev community for many years. I don't know exactly how his vindictiveness would take its form, especially not against employees, but I've been in toxic workplaces before - it can be scary, downright terrifying, to go after or even up against someone like this. No matter how shitty they are, especially if you're not in a country with good whistleblower laws (and just, in general, a system which will take the original allegations seriously, which... I'm not Russian, but I'm allowing myself some possibly problematic doubt that you'd be able to comfortably know that. I come from a significantly more progressive country, and I would absolutely not take it for certain) it can be incredibly difficult to stand up for what's right and take that risk to your livelihood, safety, and future job prospects. Especially in a job market so (relatively) niche as Russian game development. I'm also pretty damn sure there's not a union, or anything like it, to back you up if you get inofficially retaliated against.

Human being end up in abusive situations and find themselves, for one reason or another, not doing anything about it all the time. SA victims don't always report their perpetrator. Fraud victims don't always come forward. People subjected to wage theft don't always call their union reps. And others, those who witness it, don't always do it either. Sometimes because it's not their place, sometimes because they don't care, and sometimes because they're afraid. I don't think it's fair to assume everyone is in the second category, just as how I wouldn't think it's fair to assume everyone is in any of the others - it'd be absurd to assume every IPL worker doesn't want to out someone else's victimhood, which is why they haven't said anything publicly, for example. However, not reporting is an incredibly common blame to put on a victim or witness, because it's assumed that by not reporting it, they're essentially enabling the perpetrator to do it again. And I personally just don't think that's just - not without knowing what else weighed into a person's decision not to speak up.

I'm not saying this absolves all of IPL. I especially don't think it absolves the people at the top with Dybowski, who would have been more protected than the bottom-line workers. I simply am asking for some honest-to-god nuance. Personally, I'm still not happy to give IPL any money - not until I know Dybowski is not getting any of it, and measures have been taken to protect their other employees. But I'm also not interested in broad brushing an entire company of twenty years as evil, because the employees haven't made (english) publically available attempts at getting this guy out. We know, by his own accord, Luchin didn't - we know nothing of the others. A conversation with a manager that went badly is not likely to become public knowledge. People lamenting their powerlessness to stop someone to their colleagues or friends won't reach us. Someone quietly resigning because they can't do this anymore, but not being willing to put themselves on the line, is not a detail we're going to have.

I'm happy the silence has, hopefully irrevocably and undeniably, been broken. I'm hoping some people, Dybowski in particular, will face justice, or at least consequences. I hope Renata and her son, as well as Dybowski's other children, are safe and happy. I hope that IPL will do something, and move forward as a better company.

I want them to make a statement about this. That's non-negiotiable, for me, personally. I also want to see a change, and a better company with a better work culture going forward, making games and nurturing a community safely away from all this shit.

However, I accept the grim possibility that this will never happen, and am trying to decide on what that means for me personally moving forward with the fandom. I don't have any moral qualms about piracy, that's not what this is about. And that's the wider conversation I think I personally will need more, moving forward, in regards to my relationship with Pathologic.

That's my two cents.

[antianakin]

I mean. I don't think there IS a "Watsonian" reason that works. I just don't. If I did, this wouldn't bother me as much as it does. If there was one that I thought actually worked, the writing would probably have simply been better. Sometimes, a Watsonian explanation simply DOESN'T WORK and you just need to settle for the explanation that the writers probably entirely forgot about how important it is that the chip DOES NOT CARE about the technicality of a former Jedi because Palpatine wants them all dead without exceptions, especially within that first night. The ones who end up getting captured later to become Inquisitors should theoretically be spared specifically because they AREN'T captured by clones or something (maybe it's stormtroopers, or the Grand Inquisitor himself, who initially brings them in).

This is also just such a small line in the episode that I doubt anybody really thought about it as much as I did. It's a throwaway line, more intended to foreshadow that she's going to be a Jedi again by the next episode than anything else. If they'd just left the line out and we never saw a clone speak to her at all, that would've been one thing, we could've just all come up with our random headcanons as to why Barriss was spared. But they GAVE us a reason and the reason is exceptionally stupid and contradicts information we've been given previously. So now there's no way to headcanon around it, you cannot make a Watsonian explanation that works because it just... doesn't. It doesn't work.

But sure. Let's look at this new headcanon and talk about why it doesn't work, either. Obviously if you like it enough to keep it and it's important to you to have it because you loved TOTE and what it did with Barriss, more power to you, but I hope you don't mind that I'm going to analyze it and break down why it doesn't work on this post about why this line is exceptionally stupid anyway.

Ahsoka ISN'T actually made a general, she's officially a civilian consultant during the Mandalore mission. The only reason she's able to act like a general/commander is because Rex and the 332nd know her and choose to give her that kind of authority over them, but technically, REX is in charge and Ahsoka's only real contribution is that she understands more about the mission at hand. The clones really aren't all that confused about what Ahsoka's actual status is here, they know she's not officially a Jedi, and their loyalty to her presumably does not come from whether she's a Jedi or not.

It also just doesn't work for me that the chip allows for the clones to MAKE their own exceptions like that. If it gives that much leeway, this could be a massive problem for Palpatine. Like if the clones COULD just logic their way out of killing one of them somehow, it opens the door for some of them to survive and escape. And also, the whole point of the TCW scene is to show us that the chip CAN'T be worked around through logic. It should not allow for the clones to be able to even CONSIDER what Barriss did or didn't do and whether this does or does not make her a Jedi anymore. TBB chooses to give the clones a little bit more ability to consider their actions later on, once the chip has begun to wear off more, but in the immediate moment of Order 66 and probably the first few days or weeks afterward, the clones should have next to no autonomy over the choice of whether to kill someone that the chip/Order considers a Jedi or not.

It also seems like that would be a really complicated bit of code to try to make it so that the clones only kill people who a) are officially part of the Jedi Order and b) aren't part of the Jedi Order but ARE Force sensitive and act like Jedi sometimes, but NOT c) aren't part of the Jedi Order and ARE Force sensitive but don't always act like Jedi anymore. It's a lot simpler to just say "all Jedi, past and present."

Personally, I feel like the chip should OVERRIDE whatever the clones would've felt about the Jedi in question, not be BASED on what the clones felt about the Jedi in question. That just leaves way too much to chance and I don't see Palpatine being willing to allow that.

So, you know, have your Watsonian explanation if you want it. I'll just still be over here in my corner talking about why TOTE is badly written and makes no sense. I'm not LOOKING for a good explanation, it's not like I WANT to like this show and it's just this one weird line keeping me from enjoying it (honestly if I liked the rest of it and this was the one line I thought was bad, I'd just ignore it or find it amusing probably). I think the show is bad overall and in general anyway, this just happens to be one moment that I thought was particularly stupid. So even if you DID manage to come up with a good enough headcanon to explain it on a Watsonian level, the rest of the show would still be frustrating and upsetting and bad. The stupidity of the line is just an example of the stupidity of the rest of the writing in the show, it's an example of the greater issue with the writing on the show which is that nobody on the writing staff of this show gave a flying shit about writing something that made any sense or was good and meaningful, to the point that they couldn't even do enough homework to know that this kind of exception for Barriss SHOULD NOT HAVE WORKED.

There was an entire major plot element in the Order 66 arc of TCW season 7 about how the chip didn't care that Ahsoka wasn't technically a Jedi anymore and was forcing the clones to want to kill her anyway.

Like.

It's a pretty important part of that whole story that Ahsoka not being in the Jedi Order anymore DOESN'T exempt her from Order 66. It would've been a pretty boring story if that technicality had WORKED.

But somehow the clones guarding Barriss at the prison are totally fine applying that technicality to her.

I guess they just like her better than Rex and the 332nd liked Ahsoka in the end or something. Ironic.

[whateverisbeautiful]

Recently saw a photo of Danai and Andy hugging. Lauren Cohan is hugging both of them. It looks like maybe a goodbye hug after shooting the bridge. (It wouldn’t let me upload.) What do you think about the off-screen chemistry between Danai and Andy? Sometimes it’s palpable. What do you think or feel when you see them out of character together?I love reading your insight on things.

I know the exact photo you’re talking about! Those two have so many great behind-the-scenes pics that capture the sincerity and intimacy of their connection as actors. 😊 I think Andy & Danai’s off-screen chemistry is something special. It’s why from their earliest TWD interviews to their latest TOWL promo they never fail to captivate and create memorable moments with their shared sense of charm, humor, eloquence, and passion for their craft and their characters.

And it’s so fortunate that two authentic actors with that insane amount of chemistry and mesmerizing talent got to play it out through two characters who have an epic love story.

When I think about how I feel when I see them out of character, I think about how years ago I saw my first clip of Andy and Chandler Riggs being interviewed and I remember something feeling so interesting to me about the clip. And then I realized it was because I was so used to seeing those two as father and son on TWD and in that interview they had a really cute dynamic but it was my first time seeing them not feel like a father and son but pals, understandably of course.

And then soon after that, I remember I saw my first interview with Andy and Danai and again I was like something feels so interesting to me about this clip. Except this time I realized what was so interesting to me is how their level of chemistry was so similar to Rick and Michonne.

Andy & Danai are different from their characters of course & consummate professionals, it’s just that in its own way the Richonne chemistry is definitely evident in their offscreen chemistry as well. Which is nice to see as that isn’t always a given with costars. And it makes sense that their chemistry as actors inspired the writers to want to give Rick and Michonne more scenes together.

They’re magic together on screen and off, and I love that they seem to have such a sincere loving friendship. They speak so highly of each other and the respect and admiration they have for one another is really sweet. And their banter has some legitimately great comedic timing too. 😂

Plus, having collaborated creatively to develop TV shows before, I know how that process can often put a lot of strain on collaborators’ relationships. So it’s really refreshing to see that Andy & Danai working together with Gimple as creators for TOWL actually seemed to be an overall positive bond-strengthening experience for them.

Just like I believe Rick and Michonne were meant to be together, Andy & Danai were meant to act together and so I’m so glad it worked out to where they could combine their exceptional talents in roles that were truly perfect for them. ☺️

[enmstorytime]

The Vulnerable Writer: Chapter 6

To my knowledge, I am the only professor in the history of humankind to have willingly subjected himself to being stripped naked and forced to come at the hands of his students. As I sat naked in my office, my students having claimed today's clothing, and my heart pounding as I snuck peeks out of my office window to observe the parking lot slowly empty, I had a lot of time to think.

Most of my thoughts were geared toward thinking about how I would ever live this down. How could I go back to my students tomorrow, strip completely naked and teach them with any hope that they would respect me after they had shredded my clothing today and jerked me off (and if I'm being honest, they hadn't really jerked me off, I got so caught up in the sensation of them looking at me that I didn't even last a full minute from my cock flopping out of my underwear to my seed spilling across the classroom floor). If I kept going back to class and stripping completely naked, how long would it be before a student snuck a picture and posted me online, or before a more pious student decided to report me to my department head, or before I was caught in any of the other million ways that I could be caught.

But if I went back on my word? I knew I was more likely to be reported if I broke my promise than I would be if I kept showing up to class, stripping down to my birthday suit, and trying to carry on like my cock wasn't flopping around in front of my students and my ass wasn't jiggling unsupported with every nervous step I took.

And what if seeing my entire naked body stopped being motivational for my students? What more would they or could they ask from me?

And if this is successful? A quiet voice whispered in the back of my head.

Our faculty has spent the nearly five years since the COVID pandemic trying to find a way to motivate students to care about their studies. Every academic journal I read had a new study about creative techniques on how to motivate burned out students. To my amazement, once my class had calmed down after my little show, that very first day I spent fully naked in front of them, they all sat up in their seats and paid attention to me for the remainder of class. Sure, most of them weren't looking me in the eye, but instead they were watching my cock swing back and forth, but they had participated like no class I've taught even before the lockdowns. They asked questions, they volunteered to read aloud sections from the essays I'd assigned them. Whenever I asked questions, at least five students raised their hands to answer. I'd never taught a better class in my entire career.

Despite the fact that my face was certainly bright red for the entirety of our class period, or maybe because I was so embarrassed and so vulnerable with my students, we had entered into some kind of reciprocal relationship, where my students were graciously giving me support. The small quiet voice in my brain wanted to do more studies, to write an article about my experience, to see if other professors would be willing to do similar experiments with their students.

Of course, that was out of the question. My administration did not know that I had decided to use these methods. They could not know. Without having those conversations with my administrators, I would never be able to to move forward with any actual research. And I wasn't sure I really wanted to, since it would mean even more time naked in front of students, course after course to collect data.

I cracked the window blinds again, leaning back in my chair so my abs stretched and my armpit hair would have been on full display if anyone walked into the door at that moment. I watched my department head cross the parking lot, climb into his Lexus and drive away. I couldn't deny the thrill of pleasure I felt sitting in my work office, stark naked, watching my boss leave work.

For the next couple of months. I'd walk to my class in my new teaching suit. Wait for class to start, and begin the class by removing all of my clothing, folding it, and draping it over the side of the chair. Then, I would teach my lessons. Class after class, week after week, month after month, I would teach the best lessons of my life, with the most engaged students I could imagine. Whenever anyone started to act up, Cody or Seth would tell them to be quiet, and just like that, classroom tension would be resolved. And I'd walk back and forth across the classroom, my bare feet slapping on the floor, my cock at eye level with all my students.

It was near the end of the semester when my students let me know what they had done. They had all submitted their first vulnerable essays, the ones that had gotten me naked and spilling cum in front of them, to the school's literary magazine, and every last one of them had been published. I beamed with pride, and then the panic set in.

The first email came from my department head. I received it thirty minutes after the class period when my students told me they'd all been accepted for publication. He congratulated me on my accomplishments as a professor and let me know that he would be joining my class the following afternoon to learn more about my methods. Four more emails came in throughout the afternoon from other professors in the department, all of them scheduling opportunities to come observe my class.

With each email, my stomach plummeted. I would have five colleagues sitting in my class tomorrow. I imagined trying to start the day without stripping down and imagined the absolute uproar that would ensue from my students.

The next day, as I walked into class, I made eye contact first with Cody, who smirked at me. He was seated in front of my department head. Along the back wall stood four professors, all of them older, all of them men who had been on my tenure board, all of them men I admired.

I had spent the whole night agonizing about whether to inform them of what they could expect and debating whether or not I could ask them to choose not to attend. In the end I had just left their emails on read, and mentally prepared myself for the fact that five more men would be added to the list of people who would see me teach in the buff.

"Class, you'll notice we have some visitors today," I said as class began, taking off my suit jacket and folding it over the back of my chair at the front of the room.

All eyes went back to the department head, and then they settled back on me. They were waiting, curious to see if I was a man of my word.

"Since you've all performed so well in this department, some of my colleagues have asked to see my teaching methods," I continued.

Cody whooped. My department head cocked an eye brow but remained silent.

I unbuttoned the sleeves of my shirts at the wrists and started to roll them up, my forearms exposed. Then I reached up and loosened my tie and unbuttoned my top button.

"I didn't warn them how relaxed we get in this class," I said.

"Damn straight," Seth said, "We get really fucking relaxed in this class."

And too my amazement, Seth stood up, and started to undress. All eyes were on him as his skin came more and more into view, and within fifteen seconds he had stripped completely naked, his toes wiggling on the floor, his penis swaying. He winked at the head of the department and sat back down.

"Really relaxed," Cody said.

He also stood up and undressed completely. His cock inches away from my department head's face, and I watched my department head's eyes tracking the arc of Cody's dick.

Within a minute, every student had stood up and stripped completely naked. I'd never seen so much male flesh in one room.

"In this class, clothes don't get in the way of our learning," Seth said.

"That's right," I said, feeling grateful to my students. "None of us do."

My department head sat behind Cody watching me as I stripped off my own clothing. Within seconds I stood completely naked in front of my boss, in front of my colleagues, in front of all my naked students. I met my department head's eye.

He sat, one of the only clothed men in the room, and I could see that he was enjoying it. At the thought of my boss being pleased to see me in all my naked glory, I stiffened, my penis pointing directly at the department head.

"Let's get this class started," I said, turning to the chalk board and giving my department head the view of every last inch of my skin.

[tea-cat-arts]

I simply think this fandom doesn't give Wei Wuxian enough credit for the various ways in which he saved Lan Wangji

[beenherewaytoolong]

I am old but this show has really brought me through what I genuinely hope were the worst years of my life.

I have also been through the sadness of not only watching the p0tter fandom come to an end of new material (new material I give a shit about) but also living long enough for jk to become the villain and I assure you it’s gonna hurt like a bitch but it can also never be taken away.

Stranger Things will always be the show I watched while my best friend lived in my spare room, while my first born was in the NICU for months, while I was pregnant for the second time, while I got through surgeries and chemo and so many other things.

This show will never not be in my blood, the same way that p0tter will never really be gone from my soul even if it’s very different now. I miss that fandom all the time, but there are parts of it that will never go away, and thank god for that.

As a writer and creator of all sorts of media, that is what keeps me writing in the darkest and hardest of times. I remember what kept me here through a mental break so bad I was inpatient with twin babies at home. It wasn’t activism or homework or getting back to a job I hate. It was rewatching this show that brought me through genuinely awful times and remembering that I could create something that does that for someone else some day.

I love fandom and I love media and I love books and tv and movies and theatre and the way all these things can bring us together and pull us through the darkest hours back into the light.

i grew up with this show and i can't believe it's going to end oh dear god i really need to start preparing myself emotionally for when it happens

[daniclaytcn]

no offense but when it comes to the resolution of the eddie/chris stuff...i frankly think y'all are putting too much faith in the guy who thought dead wife doppelganger was a genius idea, who cut the only important eddie and chris scene that actually gave the slightest hint of depth to this stupid storyline, who's been dragging out said stupid storyline for literal months with zero resolution and no real development on eddie's side either (for months).

[maya-caffrey]

can we bring back procedurals? or at least just proper shows like how TV used to be? 5 to 15 seasons, a generous amount of episodes per season, 45 minutes: the sweet spot between too long and too short, pilot episodes that are wildly different from the rest of the show, filler episodes that overall contribute nothing but are extremely fun because that is what god intended, random musical episode, crossovers, waiting an entire week in anticipation to see what happens next, like, this was the PEAK of television, where did we go wrong

[thesweetnessofspring]

I'mma be a hater, S3 of Bridgerton (so far) is the worst yet.

[landonkirbyappreciation]

What’s so bizarre about how they wrote Landon’s ending was how they were like “isn’t this so amazing, now Landon is finally powerful and special and has somewhere to belong.” And it’s just like… did you forget the first half of the show when Landon was the one and only phoenix who had found a place to belong where he could be with the people he loves and where he was happiest?? They took all those things away from Landon and then acted like they were giving them to him for the first time at the end of season 4. While not actually giving them to him at all, of course…

[dyketennant]

oh i can already tell i’m about to have some really unpopular opinions about the edge of sleep tv show

[moltage]

Skipper mentions Deutschmarks twice, was he ever involved with the Germans or is it the only currency he knows, i guess we'll never know

[totheidiot]

i hate that the solar eclipse just now serves as a reminder that nobody loves me.

[perenlop]

don’t mean this as serena or chloe hate, moreso hate towards how their seasons handled them and how i think they deserved better. but man is it refreshing to go back to DP and see the writers consistently pay attention to dawn’s character arc across several, rather than just kinda giving her One Episode every now and then, and otherwise ignoring her to focus on ash and giving the impression that they’re stalling while they try to figure out what to do with her.

like….. i hate to say it. but serena’s arc felt less like the writers were trying to have her realization be extremely cathartic, and more like they just…. didn’t particularly care to do much with her besides amour until later in the show. and that just feels so wrong, man.