#the way up you can't hear them
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That moment when you hear a long silence in your mcr playlist and you don't know whether it's destroya, mama, or the foundations of decay
#the only one with a proper silent beginning is blood i think but all of these have a really quiet intros so unless you have the volume all#the way up you can't hear them#mcr#my chemical romance#the foundations of decay#the black parade#danger days
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I guess the ultimate thing that kills CF for me - or at least nudges it away from me saying I definitively like it - is just how much Edelgard is clearly written with the player in mind before she's written with her character in mind.
Because on all of the other routes, there's a power to Edelgard's presence. Even on BE, there's a sense that for as lonely as Edelgard might be, she still ultimately will do whatever it takes for her to get what she wants. Be that be killing her citizens (or otherwise letting them be killed), endangering her friends, assisting in kidnapping people, allowing Byleth to support her only when they have the Sword of the Creator, covering for TWS - no bar is too low for her to limbo under if doing so means she's even a step closer to her goals.
She's manipulative! She's deceitful! She doesn't care for the lives of her people! Even her friends are forfeit if they try to stand in her way! And this happens no matter how close you, the player, get to her, in the case of BE - C+ ain't stoppin' Remire, and going to the coronation ain't stopping the Holy Tomb.
And in the war phase, she is dominating the field. She has the Kingdom completely on the ropes, down to a few houses standing against Imperial rule, and the Alliance is stuck in neutrality - she may not be able to do much to it, but neither can they do anything to her (to say nothing of the Alliance houses who stand with her). She's far from the underdog in this race, and she shows off how threatening she can be.
CF? Her route?
She scweams at scawy rats. She gets embawwassed when you find her dwawings. She's just so wonewy, and she's just so gwad that you chose her. She somehow fails to capture Rhea, or frame Dimitri for regicide, and so now has to deal with that on the Kingdom's side of the war. But that doesn't stop Elly Welly-kins fwom twying to find her pwecious teacher, because you're just so important to her. She cwies and hugs you when you meet her in the Goddess Tower!! Because she missed you so much!!
It's like... Dimitri and Claude certainly show different sides of themselves on their respective routes. It's the whole point! You grow closer to them and thus see how they treat those close to them, as opposed to being the Kinda Neat Teacher they see run along every now and then. But, like... Claude doesn't become a blushing maiden whenever Byleth speaks with him on VW. Dimitri doesn't scream at scary rats and get called cute for it on AM. They don't get Basic Bitch Gap Moe Traits slapped onto them that are only ever shown to the player and only on their routes. Unlike Edelgard.
Dimitri's endearing trait is that he's this big huge dude who can bench-press forests and arm-wrestle god who still wants to learn to sew and who teaches kids to protect themselves and who buys candies for his friends. Claude's endearing trait is that he's this mastermind planner who has contingency and lie and obfuscation as three separate legal government names who still wants everyone to be safe and happy and hold hands and be friends.
Edelgard is strong, confident, and willing to do some of the shittiest things known to man for her goals. Her endearing trait is that her screams are cute. She's shy about her drawings of the player character. She blushes over the player potentially joking about having sex with her per her JPN version of her C support; you know, the one about how Byleth walks in on Edelgard muttering in her sleep from a nightmare about her tortured family? Perfect time to joke about fucking her! Dimitri and Claude's endearments are, well, endearing; Edelgard's are all straight up embarrassing for her.
Hell, even the smaller stuff is affected! Claude's passion for poisons and mushrooms are things he has no qualms about having others know about, despite how weird they are. Dimitri laughing at shitty jokes brings him no personal discomfort or embarrassment, despite just how loudly he laughs at them. They have traits to them that can easily be uwu worthy, and they don't care! Of the lords, only Edelgard does! Because, it feels like, the only way for a strong, resolute female character to come off as approachable is if she's knocked down a few pegs for specifically and only you, the player.
And that sucks ass! I'm sorry, but when I'm playing Edelgard's route I don't want to deal with her hiding herself away in her room for a month IN THE MIDDLE OF HER FUCKING WAR because she's just so embawwassed! It is so fucking insensitive that Edelgard is literally the only lord of the three who can have her trauma openly belittled at any point in the story by Byleth, all to have some cheap cutesy uwu moment about her fear of rats (calling her screaming in fear cute and INSISTING that it's really cute which is just. Fucking ew man)! Why can we fucking mock Edelgard's manner of speech during the MASSACRE OF REMIRE?
This shit doesn't happen to Claude or Dimitri! And saying "oh just don't pick those options then" is bullshit because no equivalent options exist for the male lords! It's piss-boilingly annoying that the second you choose to see things from the strong confident villainous ambitious female lord's perspective you can reduce her down to this bumbling moeblob just for you (sometimes unavoidably!) like!! Dude!
#legit not even sure what to tag this because for once I'm going to bat for Edelgard LMAO her writing treats her BAD when it comes to this#this is also a huge thing that fucks me off from liking Edel/eth because Byleth can be SUCH a huge fucking dick to her for no reason#and can be UNIQUELY mean to her for no reason. off the cuff i can't think of another character you can have Byleth act like this to#and most of this shit is well before Byleth as a character has any real reason to actively dislike her so they're just.#bullying Edelgard for fun?? I guess??#among uh. other reasons the ship doesn't exactly Work Out lmao#but yeah for CF it really REALLY brings down my ability to enjoy it fully despite me REALLY wanting to#because it encapsulates just how like. shallowly Edelgard can be written?#because it's not just that no character can meaningfully react to everything she's done (though that is a huge factor too)#but also as SOON as the writing wants you to REALLY like her it goes out of its way to diminish her powerful presence and UwU her#and not to say that she doesn't have her powerful moments - she does! and they're really great to see!#but that her cutesy moments stand out SO much BECAUSE the other two lords very noticeably have nothing akin to that for them#like. you can't jokingly call Claude a loser for having no friends growing up due to the racism he faced#you can't pretend to be one of voices Dimitri hears to fuck with him#you straight up CANNOT joke about their trauma which like. duh?? why would you??#but Edelgard just woke up from a horrible nightmare and that's just the perfect setup for a sex joke#and it's perfectly fine to joke about forgetting what Edelgard said about her trauma she opened up to them about cuz ''she said to forget''#and it's a-okay for Byleth to brush off her opening up about why she has a rat phobia to embarrass her over drawing them#WHY CAN YOU DO THIS. or better yet WHY *CAN'T* YOU DO THIS TO THE OTHER TWO.#it is just so brazenly sexist and i hate it every time i think about it 😭
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Day 25. almost free. almost done.
it is Fake Peppino Friday... but for some reason, the sound of clucking is in the distance? that's strange..... perhaps one of these little Fakelings has something to do with it.
around a nearby town, strange rumors started popping up, about an old abandoned building that had stood vacant for a good few years. but odd sounds had been heard from within, the sounds of hard work, heavy objects being moved, and inhuman, almost cluck-like cries. nobody knew what it could have been, and none were brave enough to investigate. until... one day, out of nowhere, the building appeared somehow cleaner, and a large sign had been hung out at the front, with the bright, colorful words:
CHIK'N PLACE!!!
who was the culprit? well, one step inside this newly refurbished restaurant and you will be greeted by its very enthusiastic owner...
the often-excited, very sociable Poultrino! she started off as all of the other Fakelings, a strange, gooey blob-like creature with hunger and curiosity. but soon after going out into the world on their own, she stumbled across a runaway definitely wild chicken, which she chased after with great interest and then gobbled up with glee. but, the feathery snack awakened a strange feeling in her, such a delicious taste, she wanted to share it with all the world! and thus gave rise to the fifth and final Fakeling...
and now, all customers are happily welcomed at her humble Chik'n Place! there is chicken of all kinds there; chicken wings, fried chicken, chicken nuggets, living chickens, anything you could possibly want, as long as it is chicken! (and all VERY legally obtained, she wouldn't THINK of pilfering chicken from other establishments for her own....) and not to worry, she is very polite and welcoming to anyone who wishes to visit! as long as you are not also a chicken, or a tasty bug or rat.
their appearance and body are quite unique amongst the Fakes as well! and though she is still made out of simple Goop like the others, her "skin" is fairly soft and smooth, almost feeling like soft fuzz despite having no real feathers! her legs, tail, and "fleshy" parts are the same gooeyness as standard Fake Peppino though. despite her strange appearance, most customers assume she's simply in costume, and very few are any the wiser as to their true nature.
though, one more very important fact to mention... you didn't think they worked alone, did you? of course not, all that Chicken isn't going to serve itself! which is why the first person to enter her restaurant was taken happily hired as the first employee!! say hello to Sue, Poultrino's favorite and only employee!! (credit goes to my wonderful friend @plebbicinnabun-arts for coming up with her! 😊✨)
she helps prepare and serve many of the chicken dishes! (and makes sure that the stuff that's served is actually edible when possible...) and not to worry, her boss treats her with great care! she is paid well in a salary of both "human currency" and delicious chicken-based foods! it might just be very strange trying to explain her job to friends and family.
but together, these two help run the Chik'n Place, and Poultrino finds decent success at running a business! her Papa is very proud of her.
#phew! and with that... all of the Fakelings have been introduced completely! ✨#i do hope you've enjoyed them all! they have all been very fun to make... and perhaps there will be more seen of them in the future? 👀#i am very very happy with how Poultrino's turned out as well! she's one of my favorites... and some wonderful friends have helped with that#once again thank you Plebbi for helping create Sue!! (and many wonderful Poultrino drawings as well) 😊✨❤#my art#pizza tower#pizza tower oc#fake peppino oc#october 2024#fakelings#there are quite a few more details i would've added to the post but it's already fairly long!! i can add a couple here in the tags though..#Poultrino's cry sounds like a combination of both a frog's croak and a chicken clucking! a very strange sound to hear indeed...#and they have a special way of ridding things that can't properly be absorbed inside of them! in a similar manner to owls with their pellet#-any unabsorbed contents will be expelled in a thin shell of hardened goop shaped just like a chicken's egg!#... not the way a normal chicken does of course. but every so often you might see Poultrino spit up what appears to be a normal egg.#just be wary of the contents... you'll likely just find liquidy goop and bits of bones and plastic inside. no yolks to be found here...#and one more fun fact! she loves rats just like her father! if any ever make it into the restaurant they will be rid of-#- just like a normal chicken would! it's bad for business to have rats around but at least getting rid of them is quite delicious!
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
She was as excited for Marcille's milestones as Donato was.
She didn't tell Marcille much about elven food
(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato#junoposting
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#David Tennant#Alec Hardy#Ellie Miller#Broadchurch#my gifs#Yes they're talking about something extremely serious.#But can you see soft way his eyes tenderly trace her eyes and just rest on her face like it's the best thing he could look at?#He spends so long just looking at her -- and she is so mindful of his comfort level and RARELY looks back when he's looking at her.#If he's looking at her she's always looking ahead or down or away.#Except if she needs to hold his gaze to get a message across. Like go make some tea. Or if they're both worried.#This reminds me -- she is so naturally instinctively understanding of him#We rarely hear her addressing him by name after the rant that falls out of him when he has dinner at her place in S1.#She gets that simply looking at someone while you're talking to them is enough. And you don't need to tack on their name on top of that.#Which astounded me actually! I wondered if Chris Chibnall had spent some time around an autistic person!#Because I feel EXACTLY like Alec does abt names! I hate names. I hate using them. It's so unnecessary.#I'm not as outspoken as him though so I use them when I can't get out of it. But I hate it and I hate ppl using my name.#That scene was ASTOUNDING I'm telling you -- it took my breath away to find my very specific struggle onscreen!#Anyway. Yeah. She doesn't bug him or insist even though to her it's second nature.#I bet you she's very good at coming up with pet names -- another thing my autistic brain shrieks at and sth I suspect Alec finds impossible#Oh Ellie -- beautiful beautiful adorable strong wronged Ellie!#Wronged by everyone except him <3#Well and a few others -- Mark was kind to her despite his pain. Brian never treated her badly that we know of.#I will always love them for that.#I wish Jack had survived -- I think he would've been kind too. Maybe she would've hidden in his store when it got too much.
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what do you mean this is a fan art I made while in the dentist waiting room and not a real piece one of their servants made on a parchment back in the 12th century
(meme under the cut)
#LISTEN#those girls (genderneutral) would have a CLUB set up to discuss these two idiots#they would hold full on GATHERINGS like SALON gatherings to share the latest unhinged shit they hear them say to each other#and I can't blame them#I would find a way to read 40k words whump hurt no confort in any century#my best friend and I were talking about how much we love the world we live in and how glad we are to have been born in this era#and then the screnshots appeared#and I did the only sensible thing I could do#which is to fool around#this was suppose to be my first post on twitter#but I didn't want to humiliate myself like that#bbc merlin#merthur#merlin emrys#arthur pendragon#my art#if you can call it that#my meme more likely#since this is literally traced from a medieval manuscript#my post
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making a list of my favorite quote/ones that stuck with me from each season 1 episode because i feel like it
(i'm starting this after episode 4 but it will be a WHILE before i post it)
episode 1: "bones are a lie peddled by Big Milk" - alice
i love this one because it's a great introduction to alice i think. also it radiates spiral so i hope we get avatar alice not dead alice (isnt there a podcast called alice isnt dead?)
episode 2: "If I wanted to clear the canvas, I would have used turpentine." - statement
this one was just fucking powerful and caught me so off guard like 😶
episode 3: "What would I do without her?" - statement
the norris statement <3 it feels like martin asking what he would do without jon which makes mag200 a lot sadder and i love them
episode 4: "Perhaps you shall prove a stronger will than I, and will yet find it within yourself to destroy this hungry thing of wood and cat-gut." - statement
augustus sighting #1 and we immediately get jonah magnus expressing that it may be possible for gwen bouchard unknown family member to overcome the eye's hunger spooky violin
episode 5: "Voyeur needs to be seen to be believed." - statement
i feel like this one is pretty reflective of how the seasons gonna go? like if you explain the events of tma (mag200 specifically) no one's gonna believe you, it must be seen to be believed!! and also seen!! like the eye!!!
episode 6: "Not sca- This isn’t some poxy blood test, some little pinprick, this is hundreds, thousands of razor sharp points pushing into your flesh." - needles
i love needles so much and i thought this was really funny because it was like "you dont find me scary!! what the fuck!!!" just kind of toddler michael energy
episode 7: "It’s not like we’re wrestling with tape recorders and manila folders." - celia
STOP IT. celia you can't say that you just cannot!!!!!! you Know™ too much maam i cant with you
episode 8: "Pleasure to meet you both. I’m Gerry!"
RAGHHHHH OH MY GOD GERRY!!!! i love him so much and idk how to handle him being alive in the tmagp universe!! gertrude too but idk we got so much of her in tma and not nearly enough of gerry
episode 9: "And honestly, it’s kind of compelling by this point." - sam
they got him 😔😔 the horrors got sam 😔😔 also i found this to be an interesting contrast to jon's heavy resistance in season 1 like he was being compelled but he wasn't going to let anyone know that vs sam "its kinda compelling to trauma dump on this paperwork :]" how is he somehow even more victim material
episode 10: "Gosh you’re sexy, here’s a twenty for your trouble.” - alice
does this count as a quote if shes also quoting what she thinks sam should say? idk anyway i love her i would say that to her if given the chance and it was very silly. i will not be addressing bonzo i am scared.
episode 11: "...Thank you, Alice" - gwen
dyhard dyhard dyhard dyhard dyhard. okay also, the way she CRUMBLED at the idea of anyone doing anything nice for her please someone give her a hug and let it be ME. this series is tossing me back and forth between sam & alice (what is their ship name) and dyhard but this put me back to dyhard
episode 12: "You know it's rude to have absolutely no game?" - alice
she's so fucking funny i need her to be okay so badly!!!! i don't think even tim made me laugh as much as she makes me chuckle and this one really got me. it's hard to write such a comedic character in a podcast since you only have the voice but they really nailed it i adore her
episode 13: "Is it my fault?" - gwen
each of these episodes just reveal a little bit more about how loving and soft gwen is and idk i love her so unbelievably much so seeing that she felt guilt about the bonzo stuff just made her so much more real :(
episode 14: "Christ, they’re in the walls…" - statement
theyre in the walls!!! theyre in the goddamn walls!!!!! anyway that got me because i realized the hole before the statement said it. made more sad than scared tbh
episode 15: "Babies are cool!" - alice this entire interaction between her and sam & celia was so awkward, she is so obvious and i love her anyway
episode 16: "It’s not like I was holding doors open for Mr Bonzo or anything." - gwen my wife is so so so stupid but i adore her AND this gives room for character development. i wish she did not do that though. i love when characters are flawed and have depth but i struggled to get past THIS flaw of hers
episode 17: "Thanks, I guess. Not exactly the same, though, is it?" - celia shes talking TO JON IN THE COMPUTER. SHE KNOWS. i lost my damn mind i love her i love her. get the gay people out of the puter please queen
episode 18: "Why would I need to talk to you? Your work is satisfactory. Unless you have a work-related issue I could assist you with?" - lena solidified my opinion that lena is the best boss to ever have, i adore her and i would want to work for her if she wasn't the boss of Creepy Establishment #1
episode 19: "You’re going to throw it in the fishtank, aren’t you?" - alice colin's behavior is like really worrying BUT i'm glad he's back. i was not convinced he was still alive
episode 20: "I suppose it’s too late for remorse, isn’t it? And why should I be sorry? This is what I deserve!" - ink5oul/statement they reminded me of jon a lot, like especially his season 3/4 transformation when he doesn't quite know everything but he knows he isn't who he was in season 1 anymore, i hope we see more of their life and they can be helped :(
episode 21: [Tape Recorder Bites Ink5oul] - audio description i know it's not technically a quote but this is just so fucking funny. why does it have teeth. what does this mean for the lore. holy shit.
episode 22: "Jonathan Sims and Martin Blackwood" - celia. knawing at the walls of my enclosure i am so not okay. i'm not okay. wtf. wtf. wtf. they're real. wtf.
episode 23: "I had a favorite mug. It said “love you, bitch” and had a picture of a drunk dog on it." - alice. okay i just love this entire interaction because gwen got to open up a little bit and my dyhard heart is so full
episode 24: "I am told that children like me, and I’ve always held the opinion that the world would be a better place if everyone just thought more." - basira. once again this whole interaction was so fun but like idk i loved hearing basira somewhat happy and in a safe place :] my wife <3
episode 25: " I am trying to help, to save us from this goddamned fucking nightmare machine!" - colin. MAN I REALLY WAS ROOTING FOR YOU!!! I WAS SO CONFIDENT YOU WEREN'T GONNA DIE!!!! it's over
episode 26: "I was worrying for a moment that you were Magnussing." - alice. MAGNUSSING BEING CANON MADE ME SAY IT EVEN MORE I'VE SAID IT LIKE TWICE ALREADY
episode 27: "You didn’t tell me the room was labelled, “Archivist.”" - celia. oooooh somebody's got TRAUMAAAAA LMAO
episode 28: "So you’re telling me you know nothing about an OIAR external contract being found with the bodies of two tattooed thugs who met rather grisly ends?" - TREVOR HERBERT???? anyway. ink5oul mention!!!!! i hope they stop killing people it's really rude
episode 29: "Alice, er… we’ve got to talk. It’s important." - teddy. i knew it was over for him but i didn't think it was gonna be THIS bad??? bye babe i guess??? 😭
episode 30: how do i even pick. the whole fucking episode. i can't. i am in a state of shock. i need to lay down for 30 years.
#honorable mentions:#“canaries should stay above ground” because holy shit (1)#“i don’t scare so easy these days” because oh my god its our celia (7)#“i like them”/“of course you do” because weeping weeping weeping (8)#“oh no not again! oh the horrors! nooooo” that one was just really funny and not exactly part of the episode (9)#“can he read?” (10) bc it enforces the gwen/jon parallels (“you dont sound?? russian??”)#“the deep will care for his bones” (11) it creeped me out and i loved it#“the cover had this awful comic sans title 'mr. bonzo's on his way'” (12) comic sans font was so funny it almost made it not horrific#“I have a baby. Jack. He’s just over a year old now.” (13) like BARNABAS. i know him.#“The only drama is the dilemma of how I could possibly get by without you all to myself!” (14) alice.... alice....#“Oh no! Who keeps taking Georgie’s face?!” (18) SHE'S BACKKKKKKK#''I swear if I hear one more word about Trevor-bloody-Herbert MP I am going to blow up Parliament.'' (27) because WHAT LMAO??? WHATTT#''when I first awoke I knew nothing nothing but the dream of things that sliced my who from me with claws like scalpels'' (30) i cried#''They’re gone Alice. They’re gone.'' (30) tweaking#''What happens now? You push me? Stab me? Or do I need to jump in myself? Come on what’s stopping you?'' (30)#can i just put the whole episode in honorable mentions too atp.#''We are the hilltop. It is me and I am it and we are. We are…'' (30)#''Yeah sure. Sorry to bother you. Goodbye Alice.'' (30)#okay i'm done#i can't i .. i ..#the magnus protocol#tmagp#magnus protocol#tmagp spoilers#tmagp season 1#the magnus pod
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Stop using character ai!!!!!
Find another equally unhinged soul to role-play with, like god intended.
#i can't stop hearing about people using character ai and i'm so sad for them.#they don't even know what they're missing out on.#the bonds you forge role-playing with someone are so special to me. there is no trust like the one between rp partners#i was part of an online role-playing circle for a while and it was like having our souls welded together#we did some fucked up shit in those rp chats.#i committed pretend cannibalism on someone we didn't like before kicking them out. people cheered.#i still keep in touch with one guy i know irl from that group and we never speak of it. the shame and cringe would kill us both instantly.#and i wouldn't have it any other way#anti ai#anti character ai#character ai#< yeah i'm adding this tag. i'm not afraid of y'all. i've role-played shit with other people you wouldn't even say to a bot.#i don't even consider this a hot take. this is a moral stance for me.#shitpost#but i'm actually 100% serious
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wah i looove their designs and animation...
#sketched last night looped ''hot air balloon'' track last night rewatched elemental last night you know just how it is....i love it all augh#elemental#elemental 2023#pixar elemental#elemental fanart#ember lumen#wade ripple#it's so fun how just going w/the flow waviness drawing a wade is Correct. some flamey shiveriness / jaggedness in ember's lines is Correct#and it's all the more fun how it's like oh ofc not quite hitting the mark of how great their designs really are....so so good#and of course the expressive elasticity not only with their faces but the way their bodies ft. respective elements can be expressive#in addition to just usual [assume you have a usual literal human body] expressiveness options in posture / movement etc lol#also was thinking about how like we know everything we Need to know re: wade & his dad but also have so [zero details there]#which is interesting to wonder about. kinda assumed like oh a parent got sick & died but now considering how it could've been an accident..#the tiny layer of A Reaction he has when ember's talking abt parents giving up everything for you: could be nothing much; or Anything#also noting i Didn't note the first instances that they hear each other's names or introduce themselves thusly lol#or at least i sure can't recall it. just start knowing the other's name partway through which Isn't A Problem but it's like#ooh just more to consider & reexamine. i love to pick up More Details & that's helped by my difficulty in catching them in the first place#one thing about me i don't Catch things i don't Notice shit i don't Get stuff. and also of course: i do though lol#always a trip when it's like oh i love this movie i'm seeing it probably the two dozenth time#and then i notice something for the very first time that was clearly straightup meant to be Gotten upon the immediate viewing#even to the extent that smthing later seems to be kinda happening out of nowhere if you didn't. & i'd just rolled with it#like ok i'm autistic ofc that's something i gotta do all the time. & the adhd means i might keep getting distracted around the same pts.
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Y'know someone's probably waxed poetic about this already but it's on my mind so I'm gonna do it again.
When it comes to encouraging people to learn about native plants and habitat and involving themselves and their yards in the wider ecosystem, you gotta meet them where they're at.
And maybe that means they won't go as far into it as you are or would like them to in your wildest dreams. But even small steps count towards the bigger picture and I think we need to appreciate that more.
An example from my own life is my mom and the current gardening project we're working on. We're planning out the garden beds in the front of the yard by the mailbox--my mom's previous plantings for the most part haven't worked out, so I'm taking a crack at it.
I'm a pollinator gardening enthusiast who cares more about attracting as many butterflies bees and hummingbirds as possible than keeping things 'neat' and 'tidy'. However, not only do we live in an HOA neighborhood (though not as intense as some other stories I've heard), but I know my mother--an interior designer who has a deeply vested care for making sure the exterior of the house looks as Nice as possible.
We're still getting a pollinator garden in the front though. How? I'm meeting her where she's at, I'm making some concessions, she's making some concessions, but ultimately we're making something that works for the both of us. She doesn't want the plants too tall and messy? We'll trim them back in fall and winter--the insects can use the backyard garden to nest in. She doesn't want things too wild and bushy and weedy? We'll add a nice mulch to the beds, keep things a bit spaced out until they grow in to their larger sizes. She doesn't know the latin names for the plants I'm asking for, let alone how to pronounce them to ask for them at a garden center? That's fine, I don't know the Latin names for most things anyways, let's just use common names.
Does she care that the garden will attract butterflies and hummingbirds? Not intrinsically--she sees it as more of a bonus, if anything. She just cares about what color everything will be and if it'll be easy to maintain. The fact that they're native plants barely registers as a plus side to her. And honestly? That is fine.
If I approached this problem with a hardheaded attitude on how I wanted it to be just as wild and free as my backyard garden? There wouldn't be any native plants in the front beds. It's not like I didn't teach my mom things, but I didn't lecture her like she was lesser just for not knowing or caring as much about native gardening as I do. And that, ultimately, made her more open to the idea than she would've been if I looked down on her like I've seen too many people do to others.
Not everyone is going to develop a deeply seated care about native plants and Latin names and I don't think it's reasonable to expect that. Meet people where they're at and you just might get a lot more done. Meet people where they're at and you just might find they'll get excited enough to learn more--but if they don't want to learn more, that is fine.
We can't expect everyone on the globe to suddenly become plant experts rattling off Latin names left and right and professionally ID'ing native and invasive plants. In the same way we wouldn't expect everyone to suddenly learn the ins and outs of learning code, or how to synthesize medicines, or how to properly build a house. And that is fine. Because we can lean on those who do know when these things come up.
I lost track of where this was going but. Y'know????
#out of queue#ani rambles#may delete later#like idk between the CPBD channel and some posts ive seen on here#it feels like a lot of people expect EVERYONE to learn ALL the Latin names for everything and thats just not realistic#Latin names make me fuckin dizzy just hearing them out loud 99% of the time#we can't admonish your everyday homie for referring to things by their common name and not knowing the ins and outs of native gardening#you attract more flies with honey than vinegar. don't look down on people for things they don't know and instead lift them up#thats the best way to get people curious about wanting to learn more#and lead by example. show good results and people will be interested.#i put up a bird feeder for the first time like 2 years ago and just this weekend my mom decided to buy a window feeder because she likes#seeing the birds. does she care about providing habitat for wild creatures? no she just likes seeing the pretty birds.#im not gonna lecture her for not putting up a birdhouse and birdfeeder and just wanting to see the birds??? thats stupid#if she wants to get into more then she'll get into more and if she doesn't even a small contribution is still a contribution yknow?#like if someone's doing something actively/with risk to be harmful by all means talk to them about it but like#dont be fuckin rude guys#im going to bed
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idk if i've discussed it before (i have certainly THOUGHT about it) but someone on my kuwa suffering ep 89 comp mentioned it and i just had to go off about it like. ok. sensui tells yusuke something along the lines of "you heard itsuki" when itsuki's inside the uraotoko, implying that not only can sensui hear those inside the uraotoko, but that he expects yusuke to be able to as well. which means that yusuke Almost Certainly Heard And Kind Of Ignored kuwabara's prolonged mental breakdown and wailing about how much he needs yusuke to live etc. which. guHHH i hate him yusuke you ass but also listen.
the only acknowledgement yusuke gives to this (if any) is when he says something like "sensui you're sooo fucking cooked this plan's going perfectly (my friends are going to get strong and kill you when i die)." he's trash talking to sensui, ignoring the others because, i think, he doesn't want to acknowledge what he's doing to them.
yusuke is explicitly recreating the experience he had with kuwabara's "death" at the hands of toguro, complete with the announcement of intent (and power) to kill, the inability to impede the threat in any way (barring a power-breakthrough), and the target in some way racing towards/volunteering for their death. yusuke learns through doing, and through tough love-style approaches. it's only effective if it hurts. watching kuwabara die like that was devastating to yusuke, but it sure as hell fucking worked. he beat toguro because of that maneuver. so even if he has to (re-)traumatize his friends in the process, this method will make his friends stronger, and he feels confident in that. but he never had to live with the consequences of kuwabara's death, not really. that's something hiei makes clear before they enter the cave as well, that there are no fake-outs ready to make him or anyone else stronger. the only deaths here will be real. the only power gained will come at a high, permanent cost. hiei's warning is an attempt to keep everyone alive, to keep yusuke from being stupid. and then yusuke decides to take that fatality into his own hands, but it's kind of his friends who would pay the price. he's going to make them live through the days, months, years without him, the actual permanency of loss (assuming they survive for that long), something he never experienced with kuwabara (a new facet of that traumatic scenario), AND he's escaping the emotional fallout of this choice through death. he doesn't have to see them mourn, won't get yelled at, won't watch them fail to move on. he's tapping out and choosing to believe they'll be fine.
but i think he feels guilty. just a little. i mean, yusuke couldn't even believe that people cared about him enough to want him alive in episode one. he's staked everything on his friends, which means he still kind of... doesn't value his own life, at least not compared to theirs. but he believes his friends love him and want him around, and we know that because he has to, or else he wouldn't make a plan that depends entirely on that love. he is actively leveraging the care he doesn't think he deserves, trying to hurt them in a way he is intimately familiar with (only worse), for.... what, exactly?
this is kind of my sticking point tbh. i don't think the answer is... super clear, but let's start with what it's not.
yusuke is not doing this because it is the most practical way to save all of humanity; that would be the mafukan, which he stopped. it could be a gamble to save all of his friends? the mafukan strategy would guarantee koenma's death/eternal imprisonment, whereas this strategy gambles all of humanity on the chance that his friends come out of the Easy Break Oven strong enough to avert the end of the world. if the sacrifice of even one friend is completely intolerable, perhaps he'd accept those slim odds and their steep consequences. yusuke tends to take risks like that, especially when he's got fight-induced tunnel vision. he doesn't think things through too much; his schemes are usually dependent on surprising his enemy enough to oneshot them. truthfully, i think this is the closest we'll get to an answer, and it's a more conventional one for this kind of story. but there is another layer i haven't been able to get from my mind.
i think yusuke is gifting each of his friends an honorable warrior's death.
so, in case it needs saying, yusuke, kuwabara, kurama, and hiei all (at least once, if not several times) exhibit a desire to die in combat in a way they deem noble to give their lives purpose (usually by self-sacrifice, but sometimes by another metric of honor, like hiei's duel with shigure and his desire to die in mutual defeat against an evenly matched opponent; or even kurama's decision to fight shigure in his human form, displaying a sort of passive suicidality via placing being true to himself in this (somewhat symbolic/inconsequential) way over survival). they need to make their lives count for something, because they feel guilty for being alive (kurama and hiei feel guilty for their past actions (hiei's is most evident in his distance from yukina, though that's not its primary reason), hiei, kuwabara, and yusuke have all been ostracized and made to feel like burdens on/unwanted by their caregivers and general society; all four of them have felt profound isolation even from their loved ones (yusuke and hiei are rather obvious; kurama can never tell his mother about the majority of his life nor what she truly means to him in the context of it; and kuwabara is separated from his peers for his spiritual awareness and his "stupidity" (plus his parents aren't around? and he is Desperate to define manhood/manliness through a broader pop cultural one which includes the warrior sacrifice thing bc he has no male role models BUT that's for another post) (i will admit kuwa's the most tenuous one here irt isolation)). they want to die for a cause so badly it's actually physically painful to me. it is passive suicidality, and they define their lives and identities by their relation to, engagement with, and skill at doing violence, etc. they live to die by the sword. anyway. nobody talks about it but i think it's very important to understanding what yusuke's doing here.
because i think he knows that about himself and his friends. they're kindred spirits. at the very least he knows this about kuwabara, who literally made a speech about this before diving into toguro's fingers In The Event That He Is Recreating Explicitly. he is dying nobly like they all want to on the chance that they'll get to break out and fight sensui rather than dying without even getting to take a swing. it's about his pride and theirs. but i don't think yusuke necessarily believes they'll win. he knows better than anyone how strong sensui is, and how wide the gap is between sensui and team urameshi. his stated position that humanity is doomed and that he doesn't care about its fate is, i think, not completely genuine, but if we take it at face value, he's not killing himself so that his friends can survive the end of the world. something's going to come around and kill them eventually. he's doing it so they can survive long enough to fight sensui. he needs them (specifically kuwabara) to be strong enough to free themselves to begin round two. but he's given up on their side winning, on humanity surviving, on his own victory---why should he think his friends are capable of winning? this could be another case of yusuke's fight-blinders. it could be another gamble, more blind faith put in his friends. but honestly it reads more to me that yusuke's giving them a chance to die together on the battlefield. them winning would be great, but it's not his goal. it's a pipe dream.
he knows he's going to be killed. they're probably going to be killed, too. but to make it so they last a little longer against sensui, to make the odds a little more even, so they are killed not like livestock, but like worthy fighters, he'd die a little faster. it's the best kind of death someone like them can have; and he'll deprive himself of it just to make their ends a little sweeter. even if the road to that is far more bitter.
but it's not like yusuke's friends know what he's thinking or agree to it, and he can't exactly make his case for it in the moment. he's making that choice for them. whatever his intentions, whatever odds he thinks they have of beating sensui, he's kind of sealing all of their fates. so how the hell is he supposed to acknowledge kuwabara screaming at him not to die, trying desperately to express what yusuke means to him in what could be their final moments together? this plan is going to hurt his friends terribly. it is already doing so, and he can hear it. his choices to stop koenma from using the mafukan and to die for his friends' strength are both selfish in some way, no matter how you read the scene. if yusuke comforts kuwabara, he might not get strong enough. if he twists the knife, well... how could he forgive himself? and either way by responding he would have to face them all and say yes, i'm doing this regardless of your feelings (with the intention of hurting you). so i think he does what he often does. he avoids it. he lets that emotion glance off him and his bravado and his one-liners so he doesn't have to deal with the fact that he's hurting people, that he's scared and guilty and unsure of himself. that he's about to die again, about to put kuwabara through the grief he saw at his wake again, only worse; about to put his quieter friends through something similar.
yusuke is confronted with the responsibility one has to the people who care for them, and he runs from it in an attempt to give them some small peace. just like when he died before and thought hey, at least my mom and keiko won't be burdened by me anymore. because the only thing he can really do for them is die.
#UGH. sick of this stupid show (<- pathologically obsessed with it (it's just on a downturn rn))#anyway hi welcome back to my terrible mind here's another excruciatingly long yyh meta post no one's gonna read that i should just make a#video essay because nobody wants to squint through all that text but MAYBE they'd listen to me read it out. anyway#i actually made and then abandoned another post comparing yusuke's sacrifice here to genkai's death by toguro if anyone's interested in tha#anyway yeah sorry if im rusty in uh talkking about these guys. they're still rattling around in here dw#that comment just fucking hijacked my brain. my first thought was to make an ep 89 yusuke pov fic but since that's Probably not#gonna ever Actually get done (sorry) i figured i'd put the analysis behind it here bc this fucking choice makes me want to rip my hair out#(in a good way in a painful way)#yeah this gets derailed. ugh i hope all that stuff about yusuke's motivation in this gambit makes sense bc i still don't feel 100% about my#reading of it. his ass IS very much an unreliable narrator. but in what way? ehhhhh it's hard to say for sure in this case. to me.#yyh#yu yu hakusho#yyh meta#yayyy#yusuke urameshi#literally wrote for so long the sun started rising (<- not impressive since you don't know when i began writing. but i can't tell you bc i#don't remember lol)#also: his relinquishing of this fight is very interesting to me. he loses his shit when raizen kills sensui and deprives him of that victor#and he tells the others to stand down once he returns. so clearly he still Cares about beating sensui himself#but when he thinks there's no other choice he's willing to settle for passing that torch to his friends#he's like well they've earned a good revenge killing. as a treat#the real answer is probably something like 'it would fuck with the pacing' but fuck that lol it's in the show i'm going to talk about it#and a lot of this still applies even if he Can't hear them bc he Has to expect the begging and crying bc 1. he's lived it via toguro 2. his#plan depends on it. even if he's only imagining his friends' heartbreak he's choosing to ignore it for the sake of his plan#ANYWAY the real answer for. pretty much everyone is to give up fighting and find something healthier to attach their worth to#which is why kuwa not being in the final arc is a good thing (as much as it hurts me not to see my boy)#yyh really said YOU HAVE TO BECOME WELL ADJUSTED. DYING WILL NOT GET YOU OUT OF IT#i only skimmed thru this once sorry if it's ass
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Vent post
#ignore me lol#vent post#I am feeling extremely angry and frustrated and alienated#like of course I'm demotivated when I point out injustice and literally everyone just shrugs at me and tells me to get over it#“what are we gonna do about it”#put any thought into it whatsoever for starters#idk I want to give up#the same bitches that tell me not to kill myself are the same ones to vote my rights away#I hate living#I don't even get validation from participating in fan content anymore#im just anxious and feeling rejected all the time#except for like five very specific moots on here#but then I feel like a fucking failure for not knowing how to socialize or show them that I care without being weird and ugh#idk i'm tired#I feel like I put all this energy into making myself acceptable for everyone else and I go out of my way to be positive and compassionate#and then I get fuckall in return#post election blues ig#here's hoping I don't end up under a bridge#I think I would be a vastly different (better) person if everyone around me wasn't a bunch of complacent#selfish#wet blankets.#I'm getting really tired of being treated like I'm crazy for expecting better.#I can't talk to anyone because I don't want to hear that I need to get over it or that everything will be fine#it doesn't help or mean anything#things just get harder and harder and I'm just waiting around#I'm so srs if you read this far don't try to tell me nice things#im in an evil caustic mood and I will just continue pouring negativity in return
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i think one of the most disappointing things is to see that your childhood friends have grown up to represent the kind of people you're disappointed in
#had a friendship break up w like one of my entire friend groups of six ppl?#found out that one of the girls in our friend group had sent screenshots of our private conversation about smth I was hurt over#to a gc with our other friends (but not me ofc)#and they all proceeded to talk shit about me :// I swear the way my stomach dropped when the friend I was having the convo w#sent me screenshots of what our mutual friends were saying about me#she knew how much it would hurt me but still did it just to prove a point (though I'm certain she misrepresented our conversation + my word#to them considering she blocked out what she had initially said to them lol)#my stomach hasn't dropped like that since high school#which is exactly where I thought we left this kind of deceitful behaviour. like how are you guys twenty one and still sending screenshots#and talking bad behind only one (1) friend's back when you know she can't defend herself in that space#I immediately texted our collective gc to explain a text she had sent but failed to give context for#then told them if I'm as selfish as they say I will leave this friend group. and then I left that gc#I also texted two friends who I knew were talking shit and I sent them the screenshots that first “friend” sent and pointed out how#she blocked out what she said so I'm suspicious that she skewed our conversation so they (the two other “friends”) should be wary#I told them I understood it was fair game to stoop. this low considering neither of them tried to reach out to me to hear my side#or defend me + my privacy#for context: the original argument was me voicing out that I was upset bc that first “friend” had invited and planned with with our friend#group an event that landed on my birthday without checking in with me if I was planning to spend time with them that day#and she kept defending herself and saying she didn't know I'd plan smth (probably bc my bday is two months away lmao) and she said#the event they'd be attending is just as important and necessary as being there for my birthday?? it's literally just a party her brother#(who none of us are close to lol) is DJing at. and I brought up how I'm their close friend (not her brother) and it's not fair to call#it equally necessary. but I suspect she skewed what I said greatly considering all of our friends started calling me selfish and unfair#but yeah v v crazy and hurtful and just astonishing#salmaspeaks
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Consider Yelan's facial expression to be my own in reaction to opinions shared on both X and Tumblr, and I guess I'm in the minority of the 'loud ones', but I'm pretty excited for Natlan since that trailer, actually. The previous teasers left me a little 'eh', but this definitely got my hopes back up, and I'm back in the right spirits for it (and ready to catch some Pokémon.)
Now I wouldn't be me if I didn't touch on the salt that I've seen scattered across the dash, so here I go. Listen, I read people's objections and I see what you're all aiming at, but in that light want to note that it's often incredibly easy to point fingers (arguably too much so) at others while being, quite honestly, hopefully rather aware that many of our own countries, cultures, and its populations across the board (and no, I'm not excluding anyone here) would likely be just as easily guilty as MHY is with these things. And no, I'm not blindly defending them, but I also won't point fingers at only one without pointing them everywhere else as well, including those you might think would 'never do such things', because I'm absolutely certain that they would. /continues on in the tags.
#we all wear biased lenses. and no-- 'informing yourself through social media' doesn't make you aware of how cultures work/look.#people informing themselves through social media is the /worst trend/ that the 2000/2010s have ever brought us. it's insane.#i'm sorry i'm also very tired of people deciding who are minorities and when. and who is allowed to 'get away with things' and who aren't.#and who is guilty and who isn't. and how “everyone is supposed to do everything right” when most people don't even know...#how the culture of their neighboring country genuinely looks outside of simple stereotypes (and usually only bad ones).#we also need to ultimately realize that mhy is chinese. it has (uniquely) gotten a lot of praise for its presentation of japanese culture.#(from what i hear) which is incredibly rare for a chinese company (and others). and then...#it's doing cultures further away from its own less justice. it didn't exactly do mondstadt great. it played into stereotypes.#and then combined them from multiple cultures. same with fontaine. it played into stereotypes /yet again/ in the same way the west does it.#and not just stereotypes from one country and culture. but /several/. but do most people who aren't familiar with those cultures know this?#no. they don't. and why would they? look at even just the west. europe and north america think that they're similar. /they are so not/.#if WE can't/won't even get it right. and yet we pretend to every damned day; why are we condemning a country halfway across the globe?#and also no-- i don't think latam or africa would portray china properly. or france. or the states.#... but you know what all this'll still do? cause people to look up and go 'hey this is so cool-- i want to know the inspiration'.#and people will still look into it. and people will learn.#and people will be drawn to them in life outside of their homes. or at least the ones who want to touch grass. and maybe even foreign grass#sanity knows i've looked infinitely more into chinese culture and customs because of liyue than ever before. with a much higher...#interest than i've ever admittedly had in regards to china. /ever/. just like i've had other games do the same for other cultures...#way across the globe.#[ salt. ] should i be quieter next time? / no. no… it's fine. children don't learn unless you shout at them.#[ out of character. ] don't bend or water it down. don't try to make it logical. rather: follow your most intense obsessions mercilessly.
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i have managed to actually do a hobby for the first time in months. yippee
#executive dysfunction and depression are kicking my ass#like severely. i am apathetic about everything and so so tired. things that brought me the most joy are no longer available to me#like. i love you so much you are so important to me but i no longer have the ability to care or do anything about it#things i love the most are behind a glass door that i can't unlock. or break.#sewing and embroidery especially are like. things i very much love and aspire to do but they are SO time and energy consuming#i don't have the patience#i stayed up till 4 am listening to lenka králová's interviews with trans people and it made me a little hopeful#currently transition doesn't really feel possible and i kind of just want to die so. hearing from others who made it was important#i also appreciated the comments#because a lot of them are from cis people. who didn't really know things about trans people but are learning thanks to lenkas channel#and after hearing a bit about our lifes their reaction is usually to applaud the strength we have. to be ourselves#and it's heartwarming to read. that there are people who learn. and can empathise in some way. that not everyone hates us#'you only have one life and no one else is going to live it for you. so you better be yourself' or something along that was in one of them#most of the comments under every video are just people saying how beautiful Lenka looks and yeah. true#i love her
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btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.
having said which
as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"
which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.
like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.
like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer
and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.
but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.
personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.
idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.
#red said#not to Cancel Culture this but isabelle fall springs to mind in a lot of how folks talk about stuff like this#like she wrote a transgressive piece exploring her own negative feelings about transness and her anger around a transphobic trope#and she made something which i found really resonant and interesting#and she got torn apart for it because it Might From Some Angles Agree With Transphobia#and I'm not making a direct comparison. because i think attack helicopter is a really GOOD story and i think SGA is gratuitous and hack#but that's the thing right? transgression and discomfort and speaking about unpleasant things in an openended way are KEY#to making art that engages directly with your own pains and angers and discomforts#and that's hard to mediate tbh. but it's also very necessary.#i think as well thinking about Gaiman this is also a thought I've often had about Amanda Palmer#who over the years has written a lot of songs about things i find genuinely uncomfortable or offensive.#and i can engage with 'it's fucked up to tell your ex they transed their gender At You' or 'your partner's suicide is not about you' bc yeah#but#you can't celebrate someone for making confessional music then get mad because you don't like everything they confess#if you only take about your socially acceptable thoughts it's not really confessional is it?#if you only talk about discomforting things that people are comfortable hearing about its not really discomforting#and you can only really discern what's Good Transgressive and what's Damaging Transgressive through doing i think#so if you want challenging art you are going to have to get some art which challenges you and you go hmm no i still disagree#is what i think#so yeah you can hate the artwork but when an artist is specifically setting out to make challenging art it's weird to hate them#for making 50 pieces of art you like and 1 you hate
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