#the way i had so much poses i wanted to draw so i ended up doing all of them 😭😭

[sage-nebula]

This has been spinning around in my head since I watched season 2 arc 1, and I can't refrain from putting it down to post anymore.

In season 1, Jayce and Viktor get into a fight when Viktor evades the blockade to go speak to Singed in Zaun. During their fight, Jayce snaps at Viktor that he didn't know that Viktor's friend was from the undercity, and when Viktor asks why that matters, Jayce says the above: [people from the undercity] are dangerous (earlier he had also said, "there are people down there who seem hell-bent on destroying us!"). That's when Viktor grows cold, reminding Jayce that he is from the undercity, and even after Jayce apologizes, Viktor knocks his hand away, choosing to stand up on his own.

In season 2, chembarons hired by Ambessa (though no one knows that at the time) attack the memorial for the dead council members. In the aftermath, Caitlyn calls them animals. Notably, Vi shows no reaction at all to this; she doesn't so much as flinch at Caitlyn's word choice. Instead, while she does downplay what happened to an extent ("they wanted the spectacle, they're trying to scare you"), what's notable is that she separates herself from the people of Zaun. This is especially notable when she tells Caitlyn to call off the invasion, because of the risk it poses for those not from Zaun:

"Down there, you'll be on their terms."

Viktor seems to have pride in the fact that he is from Zaun. He has love for his home. As difficult as life was there, as much as the pollution led to his illness and disability, he has no shame that he's from Zaun and he still sees value and has love for the people there. This is why, when Jayce writes the Zaunites off as "dangerous", Viktor grows cold. He is no different from them, in his mind; if they're dangerous, then so is he.

Vi is . . . different.

In season 1 arc 1, Vi expresses to Vander that she has bought into and believes that those in Piltover are more than those in Zaun:

Now, here, Vi is still grouping herself in with the rest of Zaun. But there is a level of self-hatred (and hatred for one's home) that we don't see in Viktor. Viktor doesn't see himself as lesser than those in Piltover. He doesn't see the Zaunites as lesser than those in Piltover. Vi, however, does. She states this as if it is a fact. And while she loved her family, and has parts of Zaun that she likes (e.g. Jericho's food), it's worth noting that at the end of season 1 episode 1, she isn't telling Powder that they'll liberate Zaun, or fight for Zaun, or anything like that. Instead?

"This city's gonna respect us." This city. Not our city. Here is the first moment we see in which Vi puts some separation between herself and the rest of Zaun. She wants to make them respect her (and Powder). Even if she's less than those in Piltover, she still sees an opportunity for herself to be above those in Zaun.

All of this is to say that, when she has no reaction to Caitlyn calling Zaunites "animals", when she refers to them as "they," when she refers to Zaun as "their terms" . . . ultimately, it isn't too surprising. Vi represents a type of person who does exist in marginalized groups: the self-hating type, who hate others in their group for "drawing aggression" or "negative attention."

Think about queer people, for instance, who hate those who are flamboyant or open about who they are and who they love. The ones who think, "If we just assimilate more, be less of a bother, be less obnoxious, then the queerphobes will accept us." Obviously, other queer people find this type of person extremely frustrating, sometimes even infuriating, because we know that it doesn't matter what we do or how we act; bigots will never accept us.

But what we should understand, and extend compassion for, is that self-hating marginalized people are that way because it's a defense mechanism -- a survival mechanism, really. They can't square why bigots hate them, so they reach for any kind of explanation they can find, even if that explanation ultimately blames others in their own group and does more harm than good. Not to mention that hating yourself for who you are is often a result of long-term, systemic abuse -- the exact same kind of abuse that comes from living under an oppressive regime that murdered your parents and will assault you at any given opportunity, even for something as petty as your little sister miming shooting them with finger guns.

Vi says that she, "grew up knowing [she] was less than them." This is extraordinarily damaging to the psyche, and Vi's self-hatred -- and the extension of that hatred toward Zaun, not wanting to save them but wanting to make them respect her -- is a trauma response to that. One that Viktor, obviously, doesn't share (and neither does Ekko, or Jinx) -- but everyone reacts to trauma differently.

The point is, we saw shades of this already in Vi's childhood; her statement that she's less than topsiders, but that she wants those in the undercity to respect her. So when Caitlyn calls the Zaunites animals, Vi doesn't flinch. She agrees. And she speaks of them as separate from her, because Caitlyn has already designated her as one of the good ones (reinforced to her by what Maddie told her Caitlyn said right before the memorial), and because, well, those who attacked the memorial did do something horrible. And maybe if they wouldn't do that, and maybe if Jinx hadn't blown up the council building -- maybe if they were better behaved -- then the enforcers wouldn't have to invade and do what they were about to do, now would they? Those in Zaun -- or at least those in Zaun who decided to strike against Piltover -- brought it on themselves, so Vi isn't with them. She's with Caitlyn, and is okay with referring to them as animals.

It's interesting to think about.

[petorahs]

end of summer 🌤️

(based off this! thank you for letting me draw it)

[sysig]

The brainworms are winning, clearly (Patreon)

[ghostedbunnie]

nightmare in the daylight

knight!ghost x fem!reader

based on my prompt that you can find here.

warnings: non-con/dub-con, size kink, spanking, oral (f.receiving), fingering (f.receiving), thigh riding, biting, creampie, breeding kink

a/n: i feel so rusty so please be gentle i rewrote this way too many times, it was a lot longer and had more plot but i might just end up writing pt.2 if there is interest, I added a tag list for those who wanted to see this! 🫶

Ghost hadn't anticipated encountering a robbery on the forest trail while en route to collect his king's future wife. It was unexpected but not unwelcome; he was yearning for a skirmish, for blood and broken bones. The recent tranquility had left him restless. These bandits wouldn't pose much of a challenge, but they would at least satisfy his craving.

The skies began to pour as soon as he dismounted from his horse, startling the highwaymen. They were engaged in a one-sided fight with a few knights who had undoubtedly been sent to protect the carriage on its way to his kingdom. Before any of them could react to his arrival, heads started rolling. Chaos erupted once more, with screams of terror cutting through the forest and startling the remaining fauna.

After the final enemy fell to a sword through his abdomen, Ghost approached the carriage with slow, deliberate steps. As he opened the door, he was taken by surprise as a curtain was thrown into his face and a shard of glass was aimed for his neck by a scrawny, wild-looking maid. Despite your trembling, there was a fierce determination in your eyes, a vow that you would not give up without a struggle. Beneath his face plate, the corner of his mouth curled up, and with a wry snort, he deflected the shard from your bleeding hand. Seizing you by the back of your neck like a feisty kitten showing its claws, he pulled you out of the carriage and dropped you onto the chilly, muddy ground. As he turned back to the carriage to retrieve the princess, he realized she was no warrior; she had fainted at the sight of his imposing figure silhouetted against the moonlight.

As he carries your mistress to his horse, you launch at his back, kicking and screaming, trying to make him let her go. He unceremoniously deposits her on the horse like a sack of potatoes. Finally, he turns back to catch your hands, which have been beating at his back, with one of his much bigger hands. Your eyes go wide with terror as the reality of your position with this beast sinks in. He can't help but relish in the look of you now, wet hair sticking to your face, wild eyes, and scratches on your cheek from the broken glass. You look like a tasty meal for his beastly appetite and he's been starving for far too long. You are unaware of it but attracting his attention will be the worst mistake of your life. As he draws you closer with your bound wrists, he whispers into your ear so that you can hear him over the pouring rain, “Yer brave but stupid, girl.” After that, he hits the back of your neck and everything goes black.

The next thing you know, you are standing in front of the king who explains the entire situation. However, somehow that doesn't help the sinking feeling in your stomach, especially when the king mentions a reward for the behemoth of a man towering over you. He is still covered in blood, and daylight doesn't make him any less terrifying. He stalks around like a nightmare in black leathers that hug his form tight and emphasize his width. As if sensing your thoughts, he takes a step closer, taking up more of your space, and before you can move away, you catch the last words uttered by the king: “You brought me, my bride, Ghost, it's only fair you get a reward. Take your pick - anything you wish for will be yours.”

A weighty, gloved paw settles on the nape of your neck, causing you to startle. "I'll take 'er." Your mistress immediately starts to protest but despite her objections, the king simply nods and smiles, disregarding you entirely. You have no option but to allow the beast, that he called Ghost, to guide you away with a firm hand on your nape.

After navigating through several twists and turns, you find yourself in an unremarkable room. It contains only the absolute necessities—a bed and very little else. The one thing that draws your attention in the room is the sizeable tub that is still emitting steam, indicating it was just filled a few minutes ago.

Silently, Ghost pushes you towards the tub, and you promptly begin to retreat away from it. You refuse to bathe in his presence. Even though you are just a servant, you are still a virtuous lady.

“Either you go voluntarily or I'll throw you in kickin' and screamin'.” He growls and then says, "I'll relish it either way." You can sense the predatory undertone in his voice. You're fighting a losing battle, as going willingly gives him complete control, yet resisting might provoke an even more... primal response.

You break free from his hold, realizing that he let you go willingly. 

"Can you... turn around?" he scoffs, moving to a chair that creaks under his weight. Leaning forward, elbows on his knees, he gestures for you to proceed. Though you want to scream or lash out, you hold back, sensing that he's waiting for you to lose control. Instead, you turn around and slowly peel off your muddied and torn dress. As you reach the chemise underneath, you sneak a peek and notice he has removed his helmet and face plate, revealing short dirty blond hair, black coal marks around his eyes, and prominent scars cutting through his lips and brow. Despite his broken nose, he remains strangely alluring, which frightens you. Hastily, you turn back, slide the chemise down, and attempt to hide under the steaming water.

"Good girl," he growls, satisfied with your obedience. Just as the relief that maybe this is all he wanted starts to sink into your bones, it's replaced with dread when you notice he starts shedding his clothes too. He loosens up his dark, blood-stained leathers with ease and deftness you wouldn't expect from a man his size.

"What are you doing?" Panic is evident in your question, but it doesn't seem to bother him at all.

"Can't bathe with my clothes on," he answers matter-of-factly. Once again, a wave of indignation courses through you, but it's quickly overshadowed by a pang of heat that forces you to rub your thighs together underwater. Your eyes can't help but stay glued to him, just as he did to you when you were taking your dress off. He is now down to his breeches, and when he pulls them down his thick thighs, you audibly gasp when you notice he is not wearing anything underneath. This earns you an amused chuckle, especially when he catches you looking again through your fingers.

Your mouth goes dry at the sight of him, but before your thoughts can drift to what lies between his powerful thighs, he steps into the tub with you. Water spills over the edges, though he doesn't seem to mind. He pulls you close, turning you so your back presses against him, your body nestled between his legs, leaning on his firm chest. The light tickle of his hair brushes against your skin, and his strong arm rests across your stomach, fingers splayed making you feel even smaller. The contact makes you squirm, but as you try to pull away, you only stir the hardening length behind you, making you flush with heat.

“Relax,” he grunts into your ear, more command than a suggestion.

“How can I possibly –ah.” Your reply gets cut off by a moan as his other hand falls from the edge of the tub and wanders between your legs. Your attempts at closing your legs seem futile even with one hand he is strong enough to force his way in and drag his fingers through your folds nearing the opening. Your spine arches instinctively and he answers with a nip to your neck and jaw, while forcing a finger up to the first knuckle in. 

“Gotta loosen you up a bit, pet.” You have no choice but to surrender to his touch as he sinks his finger in and curls it, drawing a moan out of you before you clap a hand over your mouth to keep the sounds in. But all that decorum is forgotten when he adds a second one and scissors them before slowly prodding you with the third making you see stars. The tension building in your body suddenly snaps, sending you reeling, legs going numb and your fingers digging into his arm still wrapped around your stomach. 

With your mind hazy from your first-ever orgasm, you don't even register that he pulls you out of the bath, drying you, and carrying you to the bed in the center of the spacious room. Your body already half asleep.

His gravelly voice pulls you out of your post-orgasmic haze. “Naive, little thing.” Suddenly he is trailing hungry, open-mouthed, and nippy kisses down the length of your body. Marking your neck and collarbones with angry red marks, biting down harder than necessary on the underside of your breast leaving behind imprints of his teeth, and making you hiss when the pain mixes with the pleasure, he licks a trail down your stomach and in a moment of clear-headedness you try to fist his hair and tug him up and away from your center but his hair is cut too short for any leverage. When you lock eyes with him, between your legs forcing them open with hunger and lust written all over his face you try to get away just for him to deliver a loud smack to your outer thigh before dragging you closer and licking a stripe through your folds with a loud guttural groan that you feel more than you hear it.

His thumb circles your clit while he alternates kissing, sucking, and fucking you with his tongue. When your squirming in an attempt to get away turns into grinding your hips against his face, his other hand rests on your stomach adding slight pressure and making you cry out which only spurs him on. The sounds that reverberated through his chest were nothing short of animalistic and when your second orgasm shot through your core, you fell limp against the sheets with a moan that would make you blush if at least half of your brain was still functioning properly. A new wave of panic sets in when you realize that he isn't stopping. On the contrary, he probes you with his fingers in addition to his tongue. You can feel the coil in your lower belly tightening again, heating up with his ministrations.

You plead with him, saying you can't take anymore just for him to disregard it with a growl, “You've got plenty more in ya.” 

You've lost count of how many times you came when he manhandled you around onto your hands and knees propping your hips up with a pillow. You turn to look at him with heavy-lidded eyes and your breath catches in your throat at the sight of him standing behind you with his massive hand tugging at his thick, angry-looking, and leaking cock with his eyes glued to your core, still pulsing and wet from all your previous orgasms. Without warning he grabs your hips, aligns the blunt head of his cock with your entrance, and pushes in. Your fingers dig into the sheets from the sheer stretch as you mewl and whimper when he drags himself all the way to slam back in. Everything is too much and not enough at the same time, with every thrust his fingers dig into your hips and you are sure there will be fingerprints left with how hard he is gripping you and the idea makes you wetter. Prompted by the delicious drag of his cock your walls keep tightening around him, as he pushes you closer and closer to your release. One of his muscular arms circles your waist, his chest flush to your back, as his other arm comes to rest next to your head with one of his legs still firmly planted on the floor and the other resting next to you on the bed for better purchase. This new angle combined with the gravelly grunts so close to your ear become your undoing and you hurtle full-force into another mind-numbing orgasm with Ghost following close behind.

“Come f'r me, pet.” Again, not a suggestion but a command and who are you to refuse him? So you do as he says, pussy fluttering from the aftershocks as he fucks you through it, thumb circling your clit before he fills you up, not allowing you to move an inch, keeping your hips propped up and when he pulls out which drags another set of whimpers from you he meticulously pushes his spend back with thick, calloused fingers. “Gotta make sure it takes.” 

If your consciousness weren't slipping away, you'd likely be alarmed, but instead, your eyes begin to close again, and this time, sleep claims you.

You wake to a heavy weight pressing down on your back, and it takes a moment for your mind to catch up with the events of yesterday. When it does, your entire body flushes and you attempt to move out of bed, only to find it futile. You're pinned beneath strong arms marked with scars—some from arrows, large and small, and others older, circular, and still appearing raw.

Your thoughts are abruptly interrupted as a thick, muscular thigh presses deeper between your legs, forcing them apart. Without much thought, you begin to grind against it, a primal urge stirring within you. Despite the lingering soreness from yesterday, a fresh wave of need starts to build, and any trace of resistance fades in the face of overwhelming pleasure. It feels shameful, but you can't stop the tentative movements, slowly finding a rhythm—until the sudden flex of his thigh makes you gasp, your eyes rolling back.

“So needy,” he growls close to your ear but there's no trace of anger in his voice, if anything he sounds pleased. “Come on, ride it harder.” He punctuates the sentence with yet another flex of his thigh and a nip to your neck, making you shudder but follow through with his command. As you grind back against his thigh you take a note of his cock stirring, resting heavy and hard between your bare ass. You push against it absentmindedly and find yourself pinned under him, your legs still held apart with his thigh that's now embarrassingly slick with your arousal. The visual of it makes you turn your head away, eyes closed and whimpering. Ghost doesn't like that. His massive paw of a hand grabs at your cheeks, your lips puckering involuntarily while he grunts at you to keep those eyes open for him. As he licks into your mouth, it suddenly dawns on you—this is your first kiss. You had already let this beast inside you before even sharing a kiss, and everything felt so out of order, that it made you want to scream and cry. Instead, you settle on throwing your hands around him and clawing at his back as he aligns himself with your needy, sore pussy and thrusts to the hilt without so much as a warning.

Even after yesterday, the burn of the stretch to accommodate his length makes fresh tears spring up into your eyes and roll down the apples of your cheeks. You swear you see his scarred lips twitch up into a savage smile at the sight of them before he licks them clean off your cheeks with a satisfied groan. In retaliation you dig your nails deeper into his sturdy back, hoping to break the skin and leave a mark that only ends up urging him to fuck you harder, faster. The sounds reverberating in the room drive you crazy; over them, you don't even notice a soft knock at the door but whoever it was scurries away registering the sound of the moans he wrings out of you with one particularly hard thrust that pushes so deep you swear you can feel him in your throat. Effortlessly he manhandles your legs on his shoulders to hit a different angle. As you struggle with the overwhelming feeling of fullness he leaves a deceptively soft kiss on your ankle before he folds you in half again and wrestles another mind-shattering orgasm out of you and succumbing to one himself, painting your insides with his spent. Pulling out, he doesn't bother moving, he simply rests his head on your chest between your breasts, squeezing the air out of your lungs with the sheer size of him. “Rest now, pet. Plenty of time for more o' that later.”

At that moment, you know there is no turning back; you've been taken, branded from the inside out. You wonder if this is truly so horrible, perhaps this nightmare of a man will drive away all the other nightmares plaguing your mind.

Or perhaps he is even more dreadful than your imagination could have ever conjured.

taglist: @a66-1 , @ghostlythots , @rttxcmt , @september-22-1998 , @fluffysmiko , @gyusbrownie , @bumblebeesfromvenus , @magicalforestcat , @nommingonfood , @tami-doodles , @fateisnotafactor , @m-a-l-a-c-z-a-r-n-a , @nicolebarnes , @msdevil333 , @lilpothoscuttings , @tealeaftallulah , @not-reptilian , @moonfloweronmars , @aliceinwonderland-5678 , @marshmelloe , @i-love-you-just-the-same, @lazyperfectioniste , @tragedyinwaves , @thisisforthebest97 , @talkingcorn , @hxnneydew , @resplendantrosewood , @telvannitea , @the-casual-act , @hello-lemons, @kiwicopia , @just-a-sewer-goblin

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?

[scoutswritingcorner]

Can I request Hazbin Hotel characters reacting to an artist!reader that draws a lot but never shows anyone their work but one day accidentally left it out and their partner finds it and sees several sketches and finished drawings of them? Sorry if it’s an odd ask, I’m an artist and I thought it would be a cute idea I don’t see nearly enough, it’s okay if you can’t. Thank you either way!!!

Artist Rendition

Hazbin Gang x GN!Reader

TW:A little flirty with Angel’s reaction. Other than that none!

A/N: Not an odd request at all, Friend! For Angel’s part I did write for a male Reader and Fem Reader for Vaggie! KINDA SHORT I APOLOGIZE FRIEND!

-🦌Alastor🦌-

-🦌 Alastor was very curious to see you carry a sketchbook around all the time. He wanted to pry so badly.

-🦌 But he didn’t, he simply ignored the book and only ever asked about it if you were near him. You always get flustered and hide the book even further. Oh now he’s wondering what kind of dark secrets you have in there~

-🦌 But to his surprise when he finds it open and on a page, he sees drawings of him, he carefully flips the page and sees a half down sketch of him sitting in front of the fireplace.

-🦌 Oh boy you just made his ego inflate and his undead heart soar to new heights. His tail starts wagging and that’s the only way someone can catch how happy he is.

-🦌 Now? He’s going to poke a little fun at you, “My Dear, if you had to pick anyone in the hotel to be your muse who would it be?” 

-🦌 Silly deer man loves you and your abilities, he often tells you that your work needs to be displayed in a museum.

-🍎Lucifer🍎-

-🍎 Oh boy- when he finds out you can draw? Oh he gets super excited and asks if you can draw him a duck- even if it’s a little doodle! He doesn’t care!

-He doesn’t really ask or pry into your hobby much but he will admit he does want to see what you draw.

-When he does see that you drew him of all people he gets all flustered and he’s prideful cause his partner?? His darling little angel drew him?!?

-He will volunteer to pose for you, he’s used to sitting still for hours on end! 

-He will even pose naked if you want him to! Just say the word and he’ll drop his clothes right there.

-🎰Husk🎰-

-🎰 He watched you sit at the bar and draw to your heart's content and never really commented on it.

-🎰 When he does peek into your sketchbook it’s to pull behind the bar into a safe place so nothing ruins your work.

-🎰That’s when he notices the drawings and doodles of him and his tail curls happily. The way you captured him doing menial tasks sends his heart into overdrive.

-🎰 You were too good for him, damn it. The next time you find it? It has a little sticky note on the cover of your sketchbook and it has a little drawing of you with a small message, “Had to go out with Alastor. Love you, Dollface.” 

-🕷️ Angel Dust 🩷-

-🕷️ Oh this man- he loves it! You’re an artist and he’s also like an artist! But of a very very different genre.

-🩷 He also doesn’t pry much as he understands privacy. He wants to give you that as much as he can since he doesn’t get much of it.

-🕷️ Once he finds out you draw him? He’s over the fucking moon cause his man? His precious boyfriend draws him! 

-🩷Expect him to start flirting more and more but with art related flirts. “Come on, Suga’~ Draw me like one of your french girls~” im sorry. He’s very supportive!

-👑Charlie👑-

-👑 oh this baby girl..she’s been so busy lately that if she did notice it completely slipped her mind!

-👑 But when she finds your sketchbook? She gets super excited cause you draw this good?? She’s so proud that she immediately goes to find you!

-👑 She is another who fully supports you! You need anything, don't hesitate to ask!

-👑 Will try to convince you to start painting for the hotel! You can say no it won’t offend her.

-🎀Vaggie🎀-

-🎀 Much like Husk she won’t point it out or comment on it.

-🎀Will find out you draw her when she sees it when cleaning up and gets all blushy cause this is how you see her?

-🎀 Comes clean immediately about seeing your drawings and tells you how amazing they are.

-🎀 Shyly asks if she can pose for you next time, how could you say no to her?

[bloodymarymorstan]

So yesterday I watched all the historical scenes of Crowley and Aziraphale in chronological order and then feverishly came up with a new interpretation of the "you go too fast for me Crowley scene" so here it is:

Ok so now we know from season 2 that the Dirty Donkey pub where Crowley holds his heist-planning meeting is right across the street from Aziraphale's bookshop. This means that when Aziraphale goes to meet Crowley in his car he literally just walks across the street, but it also means that when Crowley offers to drive Aziraphale somewhere he isn't offering to take him home. The previous implication of that interaction was that Crowley was going to drive Aziraphale back to his bookshop, but Crowley knows that the bookshop is only a 30 second walk away so that's obviously not the case. In fact, Crowley doesn't actually ask Aziraphale if he wants to be driven home, what he actually says is "can I drop you anywhere?" and then "I'll give you a lift, anywhere you want to go".

So now we know that Crowley isn't trying to drive Aziraphale home, the conclusion we have to draw is that he's asking him if he wants to go somewhere else with Crowley. This is kind of a covert way of wording things, but Crowley is still testing the waters at this point in their relationship. He pulled this same tactic in 1941 when he said he would give Aziraphale a "lift home" and then ended up taking him somewhere else which led to them spending the entire evening together. "I'll give you a lift" has essentially become code for "let's hang out". This also explains why Crowley looks genuinely disappointed and upset when Aziraphale turns down his offer (and why Aziraphale acts apologetic about it).

But, considering that we know Aziraphale has fallen for Crowley by now AND that they went out together in 1941, why the "you go too fast for me Crowley" line? My explanation is this: in 1941, Crowley nearly got in big trouble with Hell simply for having been seen with Aziraphale, and not only did he not seem that bothered by it but he is now asking Aziraphale if he wants to go out again even though they've both been directly confronted with the risk this poses for him. I think it scares Aziraphale that Crowley is willing to risk so much just to spend time with him - he's not ready to confront the truth of what that means yet, and he's also not yet at the point where he'd be willing to take the same risk with Heaven. As usual, Crowley is a step ahead of him in terms of his commitment to their relationship, hence "you go too fast for me". Keep in mind that Aziraphale was very caught up in the moment in 1941 and has had a lot of time to reflect since then about the potential consequences of a relationship with Crowley, and he's just not ready yet even if he definitely wants it.

As a side note, I think it makes a lot of sense that this is the point when Aziraphale agrees to give Crowley the holy water (and why Crowley is more determinedly seeking it in the first place), because now both he and Crowley more fully understand the the danger Crowley will be in if Hell finds out what the two of them have been up to.

[sommerbueckers]

BABE OKAY I HAVE THE BEST IDEAAAA

okay so paige and r go out on like a really cute date and then at the end paige sets up the camera to propose but when she does r pulls out a ring too and they both just start DYINGGGG and btw i literally love you so freaking much

𝟐𝟒𝐊 𝐌𝐚𝐠𝐢𝐜

___________________________________________________________

✰ ❝𝐓𝐰𝐞𝐧𝐭𝐲 𝐟𝐨𝐮𝐫 𝐤𝐚𝐫𝐚𝐭 𝐦𝐚𝐠𝐢𝐜 𝐢𝐧 𝐭𝐡𝐞 𝐚𝐢𝐫❞

✰ 𝐰𝐜 :: 𝟏.𝟕𝐤

___________________________________________________________

PAIGE WAS DELICATELY HOLDING your heels in her hand, careful not to hit them against each other and scuff the ends. The two of you were strolling along an empty beach in Kill Devil Hills, the sun disappearing over the horizon as the hours ticked by. Your girlfriend had fallen in step with you, her hair blowing to the side as the sun casted a golden glow on her tanned cheek.

"You look so pretty baby," you murmured smoothly, brushing a stray lock of hair from her face.

A shy smile crossed her face, and she turned away for a brief moment to release a breathless laugh. You loved how nervous she got whenever you complimented her.

"So do you mama," she said, one of her arms breaking free from the hold she had on your shoes to snake across your shoulders. She pulled you closer to her, drawing a giggle out of you as she placed a kiss on top of your head. "Lemme take a pic of you."

Paige fumbled in her pocket for her phone, feeling her hand brush over the tiny velvet box that she'd been waiting all night to bring out. She couldn't decide on the write time, she wanted you to be completely caught off guard. But you were making it harder than ever, you hadn't taken your eyes off of her the entire time.

"Is the lighting good? Make sure you can actually see my face," you told her, glancing back at the sun and slightly shifting in the other direction. "Stand over there so you can see me better."

The blonde shook her head, "How 'bout you turn around and i'll get you looking that way."

"Oh, good idea!" you grinned, twisting around in the sand. You were silent for a moment, giving her a chance to take a few photos before you glanced around. "Should I change my pose?" you asked.

"Turn around!" she laughed, her other hand quickly retreating from her pocket. You were making this harder than it needed to be without even knowing it. You had your own thoughts running wildly through your head. Your curls were up in a bun on the top of your head, and concealed within the bun was a ring tied to a string.

You had no where else to put it.

You had everything all planned out; you'd start by telling her how much she means to you, how the thought of settling down used to make you nervous but now you could do it with confidence because that's how secure she makes you feel. You'd tell her how proud you are of her basketball career and that she stayed true to herself, to God, and to you. You'd thank her for the patience she had with you and your journey through medical school. All the late nights she had stayed up with you to help you study for exams even though she had practice early the next morning. You'd express to her how you had never felt more certain of a decision than you did right now, and that's when you'd do it. You'd take your hair down as majestically as you could muster, and then you'd get down on one knee and ask her, the love of your life, to marry you.

You spun around on your heel, "Okay, let me see them now."

You looped your arm with hers as she swiped through the pictures, favoriting a few as she went by. When she got to the last one, she smiled and shut her phone off, staring down at you. It was the perfect moment, and you would've taken advantage of it if Paige hadn't decided to interrupt it instead.

"You wanna do a fit check?"

"Aren't you supposed to do that before you go out?" you quirked your eyebrow, but the blonde wasn't listening. She was already heading away from the water and toward a couple of rocks that she could set the phone up on.

"You go first." She clicked the tiny pink button and backed up to you.

"How long is this?"

"I put it on ten minutes," she laughed, gently nudging your shoulder with her hand. "Now go."

"Okay guys, this dress is from Hello Molly, all my jewelry and stuff I got from a little shop here, and my heels," you pointed to the shoes that Paige still had dangling from her fingers, "are Christian Louboutin."

She kissed your temple briefly.

"Aight so the shirt and the shorts is a gucci set 'cus y'know I keep it fresh, the shoes are from StockX, and.....the ring is from Verragio."

You stared at the camera for a moment with a smile before turning to look at her outfit. You remembered the day you had picked out the set for her, casually pointing out how you liked the patterns on it as you walked past. Next thing you knew, she was at the register with it in her hands. But there was something else you noticed about her, about her hands; she wasn't wearing any rings.

"What ring?" you frowned.

She reached into her pocket, taking a deep breath as she pulled it out. "This one."

Your eyes widened as she held up the box, her hands trembling slightly. Paige's eyes searched yours, her expression a mix of hope and nervousness. She didn't wait for you to say anything, she was afraid that if she didn't get the words out immediately then she would never have the chance to.

"For as long as i've known you, you've always been the one to make me feel understood. You know exactly what to say after i've had a bad, you never complain about having to massage my back, or my legs, or my feet," she flashed that familiar gummy smile. "You always stay late with me at the gym when I wanna get in some extra reps, you offer to grab my rebounds and play one on one with me even though you don't know a thing about basketball. All that matters to you is that i'm happy.

I love how you never let us go to bed angry at each other, how all your apologies always start off with you offering me food. I love how you anytime you try a new recipe or make a new sauce, you always want me to test it — even though you know it's already perfect. You're always doin' spontaneous things like cutting your hair or taking random trips. I love how determined you are — like you're the only person I know who has the mental capacity to go through medical school. You're so strong willed and independent, and those are things that i've always admired about you. Those are the traits I want you to give our children...someday...in the far future.

You know it's gonna pay off in the long run, and I love how you focus on that instead of how stressful the work is that you're putting in now. But most importantly, I love the way you love me. You make me feel heard, you make me feel seen. And if the world were to end right now, I'd spend my last breath telling you how much I love you. I want you to know that I see you too. I want you to make me the happiest woman in the world and marry me."

It was then that Paige got down on one knee, opening the velvet box and revealing the most gorgeous ring you had ever seen. A white gold, square diamond ring, the kind you had always talked about wanting when you'd go on your tangents about getting engaged. Paige had been listening the entire time, she had heard you. She was staring up at you with red-brimmed eyes, she had started crying. You were crying too, you weren't sure when you had started.

"Baby," she whispered, voice trembling. "Will you marry me?"

Your hand moved to cover your mouth, to cover the choked up cry that you had let out. You had been planning to propose, you hadn't planned on being proposed to. You had come to realize that it was an entirely different set of emotions to prepare for. You fanned for face to dry the tears, laughing and rolling your eyes at her.

"On one condition," you say, reaching up to pull your hair tie from your bun. Shaking your hair loose, you catch the string before it falls to the sand. You hold it up to her, her eyebrows furrowing. It caught the light, a simple yet elegant band that perfectly captured her style—understated, but undeniably beautiful. "You marry me first."

She stood abruptly, glancing back and forth between you and the ring. A breathless laugh escaped her, "You're unbelievable."

You threw your head back and laughed as well, "Dude! I had it all planned out and you beat me to you!"

"You told me you wanted me to propose to you! Forgive me for not expecting you to pull a ring our your hair!"

The two of you were smiling uncontrollably, your cheeks beginning to hurt. Paige's hands were in yours, her lip between her teeth.

"What do you say?" you beamed.

"Yes! Wha— yes!"

You slipped the ring onto her shaking fingers, and she did the same to yours. You squealed at the way the diamonds caught the light, sparkling with a brilliance that seemed to echo the joy in your heart. Paige laughed, the sound full of relief and happiness, her own eyes transfixed by the ring now resting on her hand.

Paige’s smile widened, and she pulled you into a tight embrace, the warmth of her body the only thing keeping you from practically floating with excitement. You were both trembling, hearts racing in sync, as if they too were celebrating this perfect moment.

When she finally pulled back, her eyes were misty with happy tears. "I love you so much," she said, her voice catching.

She leaned in, pressing her forehead to yours, and you could feel the cool metal of the rings against your skin. The world around you seemed to slow, the moment stretching out, filled with nothing but the two of you and the love that connected your hearts.

"I love you more."

___________________________________________________________

[leighsartworks216]

You Have A Type, Don't You?

Astarion x gn!Tav/Reader

Based on this post

I wrote this instead of doing any of the work I need to do! I'm gonna go do that now lol

Warnings: innuendos, minor references to sex, the barest hints of jealousy

Word Count: 1,601

Masterlist

AO3

Tag List Form

Your pencil scratched across the paper, drawing Astarion over and over again on a single page. This wasn’t anything surprising; you drew all of your companions. Gale, Wyll, Karlach, Shadowheart, Lae’zel - they all had pages of their own, but it was usually only one drawing. Some had even posed for it. It was just a way to relax, and their faces always lit up when you showed them, even if they tried not to show it.

Everyone needed a break from fighting and exploring day in day out, so you decided one more day here wouldn’t hurt. As such, you’ve spent the better half of the day just drawing. At first it was little doodles of Scratch, but then you realized you hadn’t drawn the vampire spawn yet.

Most of the expressions you captured came from memory. You’d occasionally sneak a glance for quick reference, pretending to stretch or get distracted by some birds. But at some point, he’d disappeared from camp. You just assumed he’d gone off hunting.

That assumption was proved quite wrong when a voice tsked over your shoulder, almost directly in your ear.

Startling away from the sound, you whipped around to see Astarion crouched down. He wore a self-satisfied smirk and settled down into a full sit on the ground.

“It seems someone is infatuated,” he teased. “So who is it? Someone we saved from peril, perhaps?”

Oh. Right. It had completely slipped your mind.

You cleared your throat as your cheeks warmed and smiled. “Y-Yeah, something like that.”

He chuckled. “Come on, darling, there’s nothing to be shy about. Spare none of the juicy details. What’s he like?”

“He’s, well,” you stammer, “he’s interesting.”

He scoffed. “That’s hardly juicy or a detail. Or is he just another pretty face?” He leaned forward, trying to get a better look at your drawings. You wanted to pull them away and hide them, but why? All the others had drawings done of them, and you loved showing it off when they were done. Why was this any different?

“No, he’s a lot more than that,” you admit quietly. You weren’t good at lying - usually Astarion took the lead any time you had to - but maybe if you didn’t tell a complete lie… “He’s funny, charming. His laugh lights up my world. He’s had a rough go of it, but he doesn’t like it to show.”

“He must like you if you know,” he hummed. Your heart leapt into your throat as he pointed to the pin pricks drawn on the neck. “Is he a vampire, too?” He chuckled, but it sounded strained. “You have a type, don’t you?”

You scoffed even as warmth flooded to your cheeks. “No! I do not have a type.”

“No, of course not,” he played along. “Certainly not for creatures of the night who bite into that pretty little neck of yours.” Despite his smile, there was a tension in his eyes. “I don’t mind, dear. I’d be more than happy to scrounge around some nights so you may indulge your new lover.”

You shook your head. “You don’t have to do that, Astarion,” you assured. “He’s not… We’re not together.”

“No?” You shook your head again. He opened his mouth to give you advice or console you, but you cut him off. It was better to end this fantasy now, before it began to hurt too much.

“It doesn’t matter. Besides, you shouldn’t be sneaking around so you can look over my shoulder. I could have been drawing something terrible.”

He laughed. “All the more reason to risk a peek. You’re so good, it would be nice to know you can be tempted.” Then he scowled. “Unless it’s something terribly dull. You deserve much more than missionary.”

If your cheeks weren’t already blazing hot…

“In any case, I was only wondering when you’d draw my portrait. You seemed more than happy to provide the others with a likeness. And…” He looked past you, seemingly far away. “I haven’t seen myself in two centuries. One gets curious, especially when you’re as vain as me.”

If he heard your heart start racing, he didn’t comment on it. Drawing him would make him realize it wasn’t some other vampire crush you were drawing. But, it had been a while since your adventure began, and you’d drawn everyone else. You swallowed down your anxiety. “Yeah! Of course! Did you wanna pose, or anything?”

He blinked and suddenly he was back in the present. A sly smirk covered up whatever emotions could be lingering on his face. “If your little vampire friend doesn’t get too jealous. I would actually like if you could draw me just,” he paused, “smiling. It would be nice to know what everyone else sees. Make sure I’m not off-putting, you know how it is.”

Once he was sitting comfortably, you turned to a fresh page and began drawing. The paper was hidden from his view, but he watched as your hand, wrist, and arm all moved in tandem like a clock’s gears to create an image. Your eyes moved between the sketch and him multiple times. Sometimes you’d glance up and draw for almost a minute. Then other times you kept going back and forth, constantly checking for reference.

Watching you work was fascinating. All your surroundings faded away. Karlach being her usual loud self, Wyll dancing, Gale cooking, Lae’zel sharpening weapons - nothing could turn your attention from him. He almost felt subconscious with the intensity of it. Your eyes studied him, taking in every single feature, and translated it to your journal. What did you see when you looked at him, he wondered. What did the world see? It had been so long, he couldn’t even remember his face. All he knew was he was attractive.

With a final few marks, brushed away to blend them into the rest, you looked down at your masterpiece. You were so caught up in the drawing you forgot why you were hesitant before, but now that Astarion stared at you from two different angles, your anxiety came back full force. There was no way out of this.

“All done, dear?”

You smiled shakily up at him and turned the journal around. His face scrunched up in confusion. When he met your eyes, he was decidedly unamused. “Darling, if you’re going to draw your fleeting fancy, don’t trick me first. I know it’s hard to see past the depraved bloodlust, but we don’t all look alike, you know.”

“No, Astarion, it’s not- I-”

While you fought to find words, Karlach picked up the slack. Cupping her hands around her mouth, she shouted across the camp, “IT’S YOU, FANGS!”

Dread washed over you. You closed your eyes. If a merciful god was going to kill you and rid you of this embarrassment, now would be the time. A bolt of lightning, perhaps. You’d even welcome decapitation.

You risked a glance when you felt your book being tugged carefully from your hands. His eyes were wide, mouth slightly open as he tried to comprehend what the fuck had just happened. Gods, now he was going to leave camp. You buried your face in your hands. He was going to pack everything up and leave before the sun even touched the horizon. And you’d never see him again. Maybe you’d go find Cazador yourself, just to kill the bastard.

“All these drawings… are me? Darling?”

You inhaled deeply and lowered your hands, but you couldn’t bear looking at him. He could stab you with his dagger and you’d apologize to him for it all. Hell, you’d let him drink you dry if it meant leaving this all behind you. “You’re very pretty,” you admitted quietly. “I didn’t know how to ask, and just- You can rip the pages out, burn them, whatever makes you feel better. And if you leave, I won’t blame you or chase after you or-”

“I’m not upset.” Your head never shot up so fast. “Well, a little. You’re not subtle when you stare, you know. I thought you were just uncomfortable being around a vampire, but this…” He turned back to the portrait you’d just finished. “This is really what I look like?”

You swallowed away a small portion of the shame. At least he wasn’t running away. “As best as I can capture you, anyway. Y-You’ve got these sharp eyes, and your hair curls around your ears, and you get little wrinkles around your eyes and mouth when you laugh - and I just like drawing you.”

The page flipped over again. The page of expressions, capturing everything you described. When he smiled full and bright his fangs were on full display, accented by the laugh lines on either side of his mouth. And the puncture wounds on his neck…

“Ah, so when I said you had a type…” He chuckled, but it didn’t hold as much warmth as usual.

“Your laugh does light up my world,” you admit. His red eyes were on you in an instant, flickering over your whole face. “Just, for the record.”

He glanced at the drawings once more, contemplative. Then, he held the book back out to you. “I wouldn’t be… opposed to trying this. Whatever this is.”

You reached out to take it, but he pulled it away. “But, no more sneaking glances across camp when you want to draw me. I would be delighted to model for you again, in any pose your sweet heart can concoct.” He held the book out again. “Deal?”

You grabbed onto the book, finally relaxing as you smiled. “Deal.”

---

Tag List:

@satelliteapotheosis @hypopxia @mjmygd @flsalazar @thedevilssinner @marina-and-the-memes @softempest @rebeccasship @pinkishredlemonade @faeoran

[badbtssmut]

Jimin and YN are models during a live painting class (you know the ones where they use people as models on the spot), the class is called "sexual anatomy 101" so they have to be basically fucking? i mean doing sex poses? but just posing (but he has his cock inside her), not moving so they are horny af , so as soon as the class is finished, they go at it like crazy (hehe do you get the reference???) while people are still packing up their things

Admin note: so so so sorry for the long wait anon ❤️ also “Students” are all adults!!

—

The students’ pens scribbled over the paper hastily, drawing out lines and shapes and colours over their easels. You and Jimin were surrounding by the artistic adults, who had signed up to do the Sexual Anatomy class. You were on all four, and Jimin was behind you, his cock deep into your pussy. Your fingers were intertwined together as you held the pose, waiting for the time to tick by.

Your body felt hot— today was the first time you were posing with Jimin, and you couldn’t help but notice how hot he was when you entered the room, and truthfully you couldn’t keep your eyes off him.

“Let’s wrap up, all.” The teacher clapped her hands, signalling the end of the class. You felt the students packing their things, and your body relaxed a bit as the teacher went around to look at their work.

“You know, we can stay like this.” You heard Jimin whisper.

“What do you mean?” You knew what he meant… but you needed to hear him say it.

He chuckled softly.

“You don’t think that…” His hips pressed up against yours, his cock going deeper. “I wouldn’t notice how soaking wet you are?”

You couldn’t deny that.

When the arts room was nearly empty, you felt his hips pull away from you, his cock slowly moving in and out. Jimin’s pace was slow and steady, making you feel every inch of his cock.

“Yes…” You whispered, closing your eyes as you lowered your upperbody, your ass up as he started to pick up the pace. “Wanted this cock the moment it was in…” You admitted.

His hands held your hips, pulling you back against him.

You were a moaning mess, as his cock hit every right spot.

“I knew I wanted this pussy the moment it took me in so well.” Jimin responded, eyeing how your ass bounced against his hips. “Fuck, nice ass.” He growled, and his hand spanked against your skin.

You yelped, surprised at the spank. But you liked it.

The last adult students were wrapping up and leaving the classroom.

Jimin didn’t care if they were watching or not, he was enjoying this way too much. His cock was already throbbing, wanting to reach his high.

“Right there…” You whimpered, at which Jimin leaned forward and wrapped his fingers around your throat, pulling your upper body back, your back now pressed against his chest.

“Take it.” Jimin groaned, his hips picking up the pace and fucking into you harder. Your pussy clenched around him and your hands held onto his firm forearm.

"Ah, ah, ah’” You nearly drooled at the sensation, squeezing your eyes shut as you felt him thrust harder.

The door of the room closed, the final adult student gone.

His fingers around your neck tightened, and your hips were pushing back, meeting his hard thrusts. Jimin fucked you so well, he made your body shake and then you came. Your mouth was open, trying to form words as your pussy clenched around his cock but you could only leave out a series of whines.

Jimin was groaning, feeling your pussy clench around him, riding out his errection on the waves of your orgasm, only halting when you stopped.

[ramp-it-up]

Best of All

Pairing: Pilot!Steve Rogers x Publicist! Reader

Word count: 3.3 K

Summary: You and Steve FINALLY make it to your suite. And the results are sweet.

Warnings: 18+ ONLY Minors, DNI. Former Enemies to Lovers, and there was only one bed, 20 yr angst, sexual frustration, A yacht, swimming,Steve sketching reader, dry humping, fingering, size kink, personal lubricant, woman on top/ in control, Captain/Sir kink, praise/degradation kink, dirty talk, sloppy oral (m/f receiving), raw p in v, breeding/lactation kink, creampie. Basically porn with plot. Not Beta’d. All errors are on me.

This is the next part in the Greatest series.

A/N: It has been just a little over exactly a year since I've written these two. Please forgive my ain't-shitness. And thank you for rocking with me. I love you all!

I no longer have a taglist. Please follow @rampitupandread and turn on notifications to learn when I post! 😘

I Do NOT Consent to my work being reposted, translated or presented on any other blog or site other than by myself.

-----

You were relaxing on the bow of the yacht, staring out over an amazing view.

You’d had a delicious brunch with Aperol spritzes, and as the yacht floated on the beautiful Gulf of Genoa, the only sounds you heard were of the water, John Coltraine, and the scratching of Steve’s pencil against the paper of his sketch pad. 

He had been wonderful, and contemplative, company for you. 

Your time was spent journaling and looking at the water and the cliffs, rotating your lounger with the sun. You even dozed for a few minutes, waking up to find Steve looking at you piercingly as he sketched. 

Your sister was right.

Steve was very much into you.

You could get used to this you thought as you got up and walked over to Steve, who looked up at you and smiled.

“Can I see what you’re sketching?”

Steve blushed, and then moved so that you could sit down beside him.

“Sure.”

He put his pencils down and handed his leather bound sketch book to you. You gasped.

“Steve! These are…”

You flipped the pages, looking to him for approval. He nodded and smiled at you.

There were many images, on the boat, some very detailed from the day, some rough sketches, but they were all clearly you. You turned to one drawing of you naked, and it made you feel some kind of way.

You’d never posed that way for him.

“Drew that one from memory. Last night.”

“You make me look so…”

“Beautiful? Then that just means I’m drawing you accurately.”

“You really see me this way?”

You were gazing at the sketches with wonder.

“I can’t believe that you don’t. Y/N. You are one of the most beautiful, most desirable women I’ve ever seen. People talk about Aria, but she looks just like you.”

You turned and put the sketch book down on the table beside Steve’s lounger.

“Can I have a kiss?”

Steve’s eyes lit up.

“You can have anything you want.” 

“I want you…”

Steve groaned as you climbed up on his lap and grabbed his face. You traced his lips with your fingers before he closed the distance between you and captured yours with his own. You were breathless before he pulled back and rested his forehead on yours.

“That was… nice.”

Steve shifted, sending his crotch grinding into yours and relishing the way you shivered in his arms.

“You want me?”

Steve looked back up at you. Hopeful.

“Yes. And I want to try. A relationship? Dating once we get back to the states? It will be hard. I travel a lot with what I do, go from coast to coast, and all over the world with Aria.”

You were nervously speaking in questions.

“Hmmm. Wonder how I could get from coast to coast, and all over the world? Oh right, I have two airplanes and I’m a pilot.”

Steve smirked at you as you smacked him on the arm.

“I just don’t want you to feel as if you have to chase after me. Or wait for me to get back when I need to go. Long distance can be hard.”

Steve nodded, and then gave you a quick peck on your lips.

“I know. But I would follow you to the ends of the earth. And I’ve already waited for 20 years. What’s a little longer?”

“How can you be so damn perfect?”

You attacked him, kissing him again as he laughed and grabbed you, holding you close.

“Not perfect, maybe just perfect for you?”

“Maybe,” you smiled into his shirt as you traced a vein down his arm. 

“But I want a do over.”

“A do over of what?”

“Of our first date.”

“Tonight?”

“Yes, tonight. But first, I wonder if you will give me some? Please? Pretty please Steve?”

You reached down and grasped his hardness in your hand; Steve moaned.

Steve’s mouth was open as you begged for him.

“Oh Baby, you have no idea how much I want that.”

You whined as you moved your hips to feel more of him.

“Steve… need you…”

Your sultry whisper in his ear made him weak.

“Me too. I just … I want it to be special… to take our time…”

“I need you inside me, Captain.”

“Fuuuuuck.…I want that too, Doll. So bad… I dreamt of it last night.”

Steve moved so that his mouth was on your neck.

“You taste like coconuts right now. Why is that?”

“Hmmmm. Flavored body oil spray. It’s edible.”

“Well then, I need to taste more…later. “

You writhed against him hoping for some relief.

“So desperate. I love it when you get needy for me, Baby.”

Steve took in your face and your lips opened in desire. He grabbed the back of your neck, wrapping his hand around your face and inserted his thumb into your mouth. You sucked at it greedily which made him groan again.

“Is that what you want?”

You moaned around his digit and nodded, your heart about to beat out of your chest. Steve leaned down to whisper in your ear as he shoved his thumb further past your tongue and held your mouth open.

“I loved the way you took it in your mouth yesterday. Such a good, good throat. Such a good, sweet girl for me.”

His hand was now at the crotch of your bathing suit and your eyes rolled back into your head at his filthy words as he gagged you with his digit. His long fingers on his other hand pulled the suit to the side and slowly inserted two inside you.

“I can barely get in here, Sweetheart. You’re gonna struggle to take me …”

You grunted, both at what he was doing to you and at what he was saying.

“Yes… you’ll have to be patient just a little while longer. Tonight…”

His wet thumb was caressing your nipples over your bathing suit now. You were frustrated.

“You’re all talk.”

“And you’ll do whatever I say. Later.”

Steve’s words and his steely eyed stare were speaking straight to your pussy. You clenched down on his fingers and he moaned.

“So fucking right. Patience, Doll. Just a little while longer. Meanwhile, you and I need to cool down.” 

Steve abandoned you to take off his shirt, laughing at your lust before he reached down to gather you in his arms again while approaching the passerelle.

“Can you get your hair wet?”

“Yes, I planned on swimming, but are you really about to throw me in the water right now?”

“No. “

Steve shook his head as he stopped on the edge.

“Good.” 

You smiled as you took in the view.

“I figure we’d take the plunge together.”

And then he backed up and ran toward the edge, you squealing in his arms, the warm mediterranean water separating you when you hit the surface. Soon you felt his arms slip back around you as you found each other again and kissed in the warm Italian sun. 

You wanted this moment to last forever.

—-

You made it through the 6 hour voyage and back to the hotel to change for dinner. The meal was nice, with great wine and even better conversation. 

After the meal, Steve asked a question as you walked to the elevators.

“Does that invitation to your suite still stand?”

You pressed your back into the elevator wall as Steve pressed the button for your floor before you even answered his question.

This cocky bastard. It was so hot.

“Sure, are we gonna have a pillow fight?” You raised your arms to his board shoulders as he leaned down to your ear.

“Did you say pillow bite?”

You cocked your head at him, smirking.

“So it’s like that?”

“Very much so.”

You kissed him as the doors opened onto your floor. Steve kept his hands on you as you opened your door and immediately had you up against the first available surface once the door closed hands and mouth everywhere he could reach.

After you two almost broke what looked to be a very expensive vase, Steve stepped back from you, lips swollen from your kisses and chest heaving.

“D’you want me as much as I want you?”

You realized now that the look on Steve’s face that you’d once interpreted to be irritation with you or annoyance, was in fact concentration. You pondered the meaning of being the center of his attention as you moved toward him.

“Do you not remember the way I took your cock down my throat the other day?”

You pressed your body against his and Steve swore, growling in your ear. 

“Oh yes. That was truly.” He kissed your neck.

“Truly.”

This time the kiss was on the plane of your chin.

“Truly amazing.”

He kissed your lips softly when you decided you were tired of playing around. You grabbed his hand and pulled him toward the bedroom.

—-

Soon, you were both naked in the bedroom, a bottle of Prosecco rescued from the honor bar and opened on the dresser. Your eyes were drawn to Steve Rogers, who was as beautiful as one of the statues in the Galleria Borghese. 

Steve was grasping his cock at the base as his eyes swept over your body. He was remembering the taste of you.

“You are so beautiful.”  

He squeezed himself harder and tried to keep from moving his hand up and down his thick shaft as you stared and licked your lips.

“Come over here, Stevie. Please.”

You lay on the bed on your stomach, showcasing your ass and looking at him invitingly. Stave moved closer, but stopped.

“What if I told you that I wasn’t going to fuck you tonight?”

You began to pout.

“Fix that face.”

That command made you whimper at the power in his voice.

“You are going to fuck me, Doll.”

“What?”

Steve reached for your hand as he switched places with you. Then he lay there and resumed stroking himself. You licked your lips at the sight and retrieved the bottle of Prosecco, suddenly very thirsty.

You contemplated the power he was giving you, and decided you liked this rush of control. 

“I like the idea of that, Steve. I’ll get to express exactly how much I want you.”

You took a swig and leaned down to kiss him, giving him a taste from your lips. He licked your mouth as you thumbed his nipples, causing him to shiver from your cold touch. You couldn’t resist tasting his cherry red lips again and again as you lightly squeezed his throat, then ran your hand down his sternum and his abs to the tip of his wet cock. 

You grazed the length of him down to his balls, then looked into his eyes and kissed his lips as you took control of him.

“Your lips are perfect,” you whispered as you caressed him.

“No. yours,” replied Steve as he sought your mouth again. 

“You like my mouth?”

As you leaned to teasingly kiss the thick cap of his cock, then took him fully down your throat 

“Oh.. Shit…”

Steve massaged your scalp as you bobbed on him

“You are so fucking hot, Doll…”

You looked up with a smile and moved to lick his nipple, then kiss him again as you stroked him. Steve was mesmerized. Your hands, your lips, your tongue, he couldn’t concentrate on any one part of you that was ruining him. 

It was sensation overload, and he needed to focus to not shoot off.

You were drunk on power. You spit on his cock, deep-throated him once, twice more, and then pulled away, causing Steve to groan as you withdrew contact, your sloppy blow job scrambling his brain.  His head was on a swivel as he watched you get up to go to the dresser. 

“May I?”

Steve nodded, eager for what was to come. You had a small spray bottle in your hand, and when the liquid made contact with his body, he jumped from the sensation. You rubbed the oil on his cock and up his body to his nipples, basking in the rapt attention he paid you as you sprayed yourself between your breasts. Steve’s cock got impossibly harder in your hand at the sight. 

“I think I’m gonna like this.

You loved to hear his sexy deep voice break.

“You like me?”

“Yeah. I…”

Steve trailed off as your hands roamed his body.

“I like you too, Stevie,” you kissed him again. ”

Steve actually whimpered as you swung your leg over his hips and sat down on his cock, rubbing your pussy along his shaft as it lay against his stomach. He closed his eyes and clenched his jaw to keep from manhandling you.

“I wanna try that sweet cunt.”

“Hmmm. Is it sweet? Wanna taste it again?”

You leaned back and circled your clit with two fingers, then inserted them into his pretty mouth. Steve’s adam's apple bobbed as he sucked your fingers and swallowed your taste. You pulled away to suck his cock again until he was moaning, at which point you kissed and licked your way up his body, settling your thighs at his shoulders. 

He gripped your ass as he turned hushed head so that his lips could kiss your thigh. His fingers reached around your leg to play in your crease as he gave your clit kitten licks and kisses. You tried to move back down, but he grasped your thighs hard enough to leave bruises that would give you daydreams the next day. He started sucking your clit so intently that you began seeing stars.

“Wanna fuck you now, Stevie. Wanna cum on your cock”

You were on the edge as Steve pulled off of your clit with an obscene slurp.

“I’m yours, Y/N.”

You reached back and grabbed his throbbing cock as you scooted your pelvis down, one hand on his neck and one hand positioning him to enter you. His shaft was large, but the head was even wider, and the stretch as you worked yourself open on him made you moan loudly. Steve grabbed your chin to make you look at him while you slid down his length, stretching yourself out so incredibly well.

“My cock looks so big against your tiny pussy.”

His eyes were riveted.

“It is big, Captain. You’re so huge.”

You grabbed the headboard while you adjusted to his size. Steve’s hands came up around your waist and held you steady as you trembled around him.

Those blue eyes looked up at you with adoration.

“You are the most beautiful thing I’ve ever seen. Are you okay, Doll?”

“It feels amazing,” you stared down into his eyes and smiled, your slick leaking down his thick shaft to collect and drip off his balls.

“Yes. Yes it does. Holy mother god.”

 He looked down to where you were connected.

“You’re wrapped around me so tight and so good, Doll.”

Steve looked up at you and licked his lips, pupils blown wide and struck dumb by lust. 

You leaned down and kissed him when you bottomed out on him.

You stared at each other as you both finally got what you wanted. You took his head in your hands and kissed him as you pounded together. 

Then you started moving. 

Steve played with your nipples and you arched backwards as he planted his feet and pistoned up into you faster.

“Oh! Steve. Feel so full. So good.”

Steve wrapped his arms around your waist and held you in place as his hips moved at the devil's pace. The sound of his dick breaching your wet pussy and skin slapping on skin was everything. His thumb went to your clit and traced figure eights as you shuddered in his grip. 

“F-f-f- u-u-u-ck! I’m- I’m coming!”

“Give it to me!”

He stroked you through your orgasm and then sat up, manipulating you so that you were sitting back on your arms in his lap as he moved you up and down his cock like a sex toy.

“Shit, you feel so good!”

Steve looked down at you and then up at the ceiling, eyes rolling

“Jesus, you’re so fucking hot.”

You looked down and the image of Steve’s large member destroying your hole was enough to make you cum around his cock again. Steve took control, taking your hips in his large hands and moving you at his will.

“Oh my god.” 

He ground you against the base of his cock and started grinding circles for his greedy eyes and your pleasure. You were addicted.

“Such a good little slut for my cock. Need you to give me one more. That’s it. Good girl.”

He grabbed you by the hair and kissed you as you shuddered through your orgasm and suddenly, you were on your back as Steve flipped you over, getting on his knees and folding you in half to fuck you even better. 

Steve stopped as he tried to hold back.

“You got me so close Doll… I gotta calm down.”

“I just want you to stuff me full of your cum, Captain.”

“Ooohhhhhh. Fuck.”

Steve sped up and then stopped, trying to calm down. But he couldn’t help what he said next that turned out to be his doom.

“Are- are you trying to have my baby, Y/N.”

You arched against him, shuddering at the thought.

“Nnnnnnoooooo. Fuck. Maybe.”

“You wanna be all round and full of my child, tits so full of milk…so I can suck… holy fuck!”

The image was making Steve start to shoot off.

“Fill me up, Steve–I”

“Ahhh!”

And then you keened as you felt his hot cum start to spurt against your walls. You came around his rapidly pulsing cock as he finished inside you.

You two were a hot, sweaty heap as you came down together, Steve kissing your forehead and praising you.

“You did so good for me.”

He gathered you in his arms.

“I love you.”

Steve gazed at you.

“Think I’ve been in love with you for 20 years, Y/N.”

You smiled at him.

“I love you too.” 

You said it, barely above a whisper. But you meant it. Then you said it again.

“I love you, Steve Rogers.”

You attacked him, kissing him again as he laughed and grabbed you, holding you close. 

“All of the bad things that we’ve gone through to get to this moment is for the best. I can see that now.”

Steve looked to you just like that little boy you met 20 years ago. Then you saw the beautiful man who loved you.

“You’re right. And this, right now. It’s the best of all.”

[ask-whitepearl-and-steven]

Is shattering permanent in the comic (especially with the force fusions and cluster) or can it be fixed down the line like future did? Asking for your opinion on this too bc I found out about it in Future and it makes me feel weird (bc now it feels like any SU stuff and shattering has no consequence or tension, so haven’t been able to read or write stories). Maybe I’m seeing this wrong? Would love your thoughts

Hmm...

So to answer your first question: The comic for WDAU works on the same rules as canon does. I have no intention to over-write anything canon clearly stated to be true.

The ability to put back together shattered gems is definitely a part of that.

So yes, theoretically, even in WDAU, gems being shattered is not 'the end' because they can be eventually re-instated through the work of the diamonds, IF they someday decide to Change Their Minds like they did in the original series.

That being said...

I want to talk a little bit about something you said, because it tickles my brain in an interesting way:

"now it feels like any SU stuff and shattering has no consequence or tension"

And the best way to talk about stuff, I've found, is to ask questions about our underlying assumptions. So my questions for you (all) today are:

For us humans, death certainly IS a constant that remains ever-permanent, and thus it's easy to compare it to shattering and draw that parallel... but is that a fair comparison?

In fiction, death is often circumvented and there still remains reasonable tension in things like magic-heavy worlds, vampire novels, sci-fi where almost any sickness is eradicated, etc. Is this not quite similar to what shattering is for gems?

Is the perceived permanency of shattering the only reason it feels like a heavy consequence?

Are there OTHER consequences of being shattered that make it just as interesting, if not more than, to be explored as a plot device?

Must there be an ever-looming threat of something horrible and permanent happening to make a story good?

There isn't a right or wrong answer to these questions, necessarily. I'm not posing these in order to lead you to a singular, 'absolutely correct' conclusion or way of writing.

For some stories, death DOES need to be permanent in order not to make light of what the characters go through! In some forms of writing, there IS no other way around that consequence.

But I daresay SU is not one of those stories.

Let me put it this way - 100 years ago, medicine had only BEGUN to develop into the thing we know it as today. Sure, there were therapies and treatments for diseases, broken limbs, poisonings, etc. Some of them were quite good, even! But overall, the death tolls back then from basic illness were MUCH higher than they were today.

Pnumonia, Malaria, Syphillis, Smallpox, Bubonic Plague, AIDS.

These were things that people died from, with near CERTAINTY, for the LONGEST time. They were considered the road to a permanent black screen.

And today? Even though they are still, without proper intervention, JUST as deadly, we now have new tools and vaccines to combat them. Hell, if you get vaccinated fast enough you can get bit by a rabid dog and live to tell the tale, unscathed! Rabies used to be a one-stop-shop to the afterlife.

Despite this, we still view these diseases with appropriate fear. They are still dangerous - in the right conditions.

In the right conditions, the consequences for a LOT of things can be permanent. If permanency is what you're looking for.

So alright, the Diamonds can heal shattered gems now. Booooring. How easy it is to fix any shattered gem! What a simple solution to anything tragic.

But................... will they ALWAYS do so?

In fact...will the Diamonds ALWAYS be around?

Will the gems who got shattered always be picked up, piece by piece, and be brought back to them, perfectly preserved? Or will they lose pieces of themselves along the way - literally?

And what NEW consequences can we think of, when we stop thinking of the permanency of death, and start thinking of the Impermanence of those tools that keep us here longer and longer?

Just food for thought. 👀

[alicenpai]

the shadow and her living doll 🌹🌼 print for montreal otakuthon! come see me at next week from aug 11-13 ✌

you can grab it as a print here if you so wish ! WIPs & other thoughts under the cut

shadows house is such a fantastic series & i wholeheartedly recommend it... the story delves into super dark horror elements but doesn't present itself as a story with no hope. hope must be found and then tenaciously gripped with all one's heart, much like pandora's box. it tickles the victorian gothic part of my brain forever imprinted on me since i was 14 haha...

in the first draft i had marionette strings hanging above the characters (kinda reminds me of Erased.. since I just finished rewatching that ahaha...) & shadow puppet hands on the sides, almost as if gripping each character. i decided against it in the end, to let the characters shine in the spotlight (literally).

i also wanted a more active or lively pose, but kept in line with the stiff victorian portrait style, caused by long camera exposure times. i'm not sure if that worked out better bc i'm unsure if this drawing is interesting to people wahahaha.

initially i also wanted more of a dollhouse theme, but each draft got more and more muddy, so i decided to save it for another day (i'm around ch 90 in the manga, so probably a good call to save a more complex idea until i'm all caught up)

^ quick 5 min style test i posted recently! in that post i stated that i wanted to streamline and simplify my art style more, especially after the recent bunch of illustrations i did in the past winter that took way too long to complete, at the sake of my health.

im continually looking for areas to simplify more in my art, but one of the areas i will NOT skimp on is depicting fabric!!!!!

what also helped was working on my sense of structure in my spare time, so that i could be better at depicting form without relying so much on shading to show 3d forms. i love colouring, but i need to be working smarter, not harder from now on. using 100000 shades and highlights is just not feasible anymore wahaha.

in this drawing i loosened up with the bg and kept it rough, inspired by the wonderful xeroxed bgs of 101 dalmatians, and only implied details, rather than actually rendering all of them.

the tldr is that i draw too slowly i just would like to be able to make more drawings more often!!

[mibkid]

Can i just say as both an artist and cosplayer i am so greatful and amazed over Jojo's amazing linked universe comic and just how much time and effort she puts into it.

i mean i am floored over 10 pages a month fully colored with detailed backgrounds and good story, believe me it's crazy amount of work. ...and speech bubbles. eurgh typography...(u can guess which part of comic making i enjoy the least)

Not only that but i am eternally greatfull for just how many angles we get to see the characters in the comic, the varied poses and expressions are not only amazing to look at and great way to show personalities, but also just such great reference points when either drawing the characters or trying to figure out how the hell a costume is built up.

AND jojo has drawn them in various stages of their clothes on during the comic, so you KNOW HOW THE LAYERING WORKS.

How is Time's armor built up? Boom right there in multiple angles and sometimes off.

Ah how does Hyrule's layering work? BOOM right there with an interesting maybe leather based under-armor??

How large is Twilight's chainmail and how is it built up? BAM right there.

Jojo literally drew a whole page of how Sky's clothes are built up, layer by layer.

It's truly a blessing!

AND IT IS CRAZY that jojo added so much beautiful embroidery to the characters' clothes.

(my brain is like "oh but me like to know every detail of the embroidery of every character", and i end up looking at the pictures and say "sush brain don't be a spoilsport they're already detailed just use your imagination of what jojo has drawn and what could fit the specifics", because that is fun too! like Sky's embroidery on his over-undershirt could very much be berries of some sort on twig together with some sort of classic skyloftian forms, like lingon berries though it isn't,( i know that lingon berries don't exist in hyrule...) but it would be a fun idea!)

As you can see by my... detailed oriented nature i am very interested in their designs. But again the whole comic is a true wonder, i mean, so many angles not just the characters but the surroundings. So many different zoom-outs and zoom-ins utilized, the comic knows when to change from one character to another to more than one. So it's great on a technical standpoint too. And it's SO cool to see how Jojo's art has changed through time. (that is not a pun)

Anyway, i felt like i had a lot to say, and this was me saying it. I guess it's a Appreciation post for jojo, for showing other artists and creatives so much different and amazing artwork. (and giving us amazing references)

But also it's that i want other people to see(though i think they do already) how much time and effort and love has been put into it, not that it matters much coming from me as a random person who happens to enjoy her work.

But i think it's fun to show appreciation for artists and writers anyway.

[kozachenko]

Here, have a fairly light sketch dump with two relatively complete sketches and some of the process for the main Zanmu one. Also, Gensokyo's specalist girl makes an appearance here too

Artist's Notes;

Zanmu is such a fun character to draw, like, there's so many little aspects in her design that you can emphasize, and her colour palette is so satysfying too. The reason I ended up drawing this was because when I was scrolling on Pinterest I found a specific pose that just screamed Zanmu to me (it was the skull that did it for me) and I just had to draw her in that pose. I did end up taking my liberties with my reference though, and also I am not drawing feet, I just straight up don't like it, and this is mainly something more on the sketchy side so it didn't really matter lol. Also, IDK too much about the hands, I'm usually pretty good with them but I struggled with them a bit this time. Also Zanmu is sitting on nothing because I just didn't feel like drawing what she was sitting on (plus I already drew in the clothes and including what she was sitting on would mean having to change the sleeves and I just didn't wanna do that lol). Also realized that I should probably start trying to improve on drawing frills in clothing, and I tried a new technique for drawing them. I do like how they look, but at the same time it can still be better.

I do love how Zanmu's pose turned out the most in this batch of sketches. In my process, I put the reference image on the canvas and then roughly blocked in the silhouette. One change I knew I wanted to make since the beginning of the sketching process was opening up the space between the bent arm and body more, mainly to make the silhouette of the pose clearer (even though with the addition of the clothes it does get closed up a lot). I also wanted to turn the torso towards the viewer and change the position of the legs to something more cross legged/casual. In another sketching pass, I just kinda quicjly scribbled what I wanted the pose to look like just so I could get my idea out and I'm glad I did that because that helped me focus more on the pose itself rather than the small details. Afterward, I did a sketch of the body, clothes, and hair all together and then coloured it to get the coloured Zanmu sketch!

Again, I could've done a better job with the feet and the legs themselves for that matter, but the nice thing about sketches is that they don't need to be perfect, and I was more so focused on the gesture/feel of the pose rather than the minute details. With her facial expression, I knew that I wanted something very specific with her eyes, so I just simplified it into this "almost closed" eye and I do like how it turned out a lot. Also, a problem that I often have drawing Zanmu is that in the poses I put her in, I don't really know how best to draw in those triangle cut outs she has, so instead, I added these little triangle details onto her sleeves and pants to add some visual interest and allude to them instead, also because they can kinda allude to a crown and Zanmu is the king of Hell so it fits lol (also, love it when people add details like that onto sleeves sm lol). The hair and tassles did a lot of heavy lifting when it came to making the drawing have a nice flow to it, and I have the headcanon that Zanmu is just able to make those float on there own by.... honestly I don't know, I just like the idea of her tassles defying gravity and floating all the time. Also IDK if you can see them, but I did make sure to include her scars as I'm basically adding that as a part of my way of drawing Zanmu. It just adds a certain something, y'know? Also found a specific reference for the skull and made it the red that it is in Touhou 19, and also because drawing skeletons and skulls is just fun lol.

Now onto Reimu, so that face drawing was mainly there just so I could get a better idea of how I wanted to draw her face in the future. My main concern was trying to make it different to Keiki and Zanmu's faces, so as I was sketching hers I had the drawings of Keiki and Zanmu's faces turned on to make sure I wasn't drawing the same thing again. Down here I included this little test I did where I hyper simplified the eyes of the three faces and just traced over their face shapes, noses, eyebrows, and mouths. While the nose is the most consistent trait shared among the three of them (tbf that can just be chalked down to an aspect of my style), I feel like the three are different enough from each other to where they don't have same face syndrome, even if you simplify the eyes into dots and also didn't include the detail of Zanmu's scars on her face.

I'm obsessed with giving Reimu these tiny little eyebrows for some reason, IDK it just works for her. I also really like using a red as a highlight for whenever I draw her hair black, mainly because it helps to give the illusion that her hair is just a really dark brown and incorperates her main colour of red into another aspect of the design. I also wanted to try and draw Reimu's eyelids differently to try and imply monolids but tbh IDK how well that reads. I also like how her pupils turned out, as I'm experimenting with different characters in my style having different kinds of pupils. I didn't even bother properly rendering her clothes, so I just did them linelessly (I think I wanna try drawing in my lineless style again for a future piece sometime as I kinda miss the feel it had). I of course had to give Reimu her big bow, and also use that specific shade of red. IDK what it is about that shade of red specifically, but I just love it, it looks so nice to me you have no idea- Now that I think about, I kinda wanna draw Reimu more now, as I feel like I can still do some more experimenting with how I draw her eyes specifically. Also because I've got some ideas when it comes to how I wanna draw her body type.

[bots-and-cons]

I saw that your requests are open, can I ask How would decepticons react when they capture a human that was an artist. Precisely painter with brushes, canvases and everything.

A/N: I’ve got some previous HCs related to something like this which can be found here and here. As usual I didn’t do all the cons, just the ones I had ideas for when I started writing this

•You’ve brought a lot of your art stuff to the Nemesis, since you spend so much time there and surprisingly, it’s a pretty calm place most days

•Or at least the empty habsuite where you’ve set up is

•When Knockout found out you were a painter, he immediately offered to pose for you

•If he’s not in his alt-mode he’s a bit bad at staying still though, so he doesn’t make for the best model

•Also he can never seem to settle on a pose, and when he does, it’s something very dramatic

•And god forbid you get any paint on him, he will screech in terror, because his paint job is now ruined

•You just wipe the paint off with a rag and tell him it doesn’t dry instantly and that his paint job is fine

•Knockout is like “I definitely knew that” when he in fact did not

•He also wants you to teach him how to draw and paint

•So you go to the web and buy the biggest canvas you can find, Soundwaves makes sure it’s paid for, but you’re still not really sure how he pays for all these things when you ask him to buy you something

•He’s probably stolen a dozen people’s credit card information or something, you’re not really bothered by it though

•Anyway, Soundwave is a big fan of your paintings, and he thinks they’re quite interesting, especially the more abstract ones

•He likes to interpret things in his own way and the abstract ones give him a chance to do that

•Megatron wasn’t really a fan of you dragging all your art stuff into the Nemesis, and he definitely made that known, but he stopped complaining eventually and sometimes even comes to check on you when you paint

•Starscream is also an enthusiastic model, though he wasn’t at first

•It took some convincing, but he will model for you now, and in a very Starscream fashion, he’s talking the whole time and you have to tell him to stop moving constantly because he talks with his whole body

•You got an idea one day and asked Soundwave to buy you some metal paints

•He had an inkling on why you might have wanted them, but he didn’t say anything

•Breakdown ended up being your first victim, because he’s probably the one who cares the least about how he looks

•So he agreed that you could pain his driver’s side door, however you wanted

•You made a really cool decepticon-ish insignia design on it, and he actually really liked it

•You couldn’t convince anyone else to let you try it out on them, but oh well, at least you got to test that whole thing out

•Shockwave isn’t really interested in art, surprise surprise, but some of your paintings do catch his optic, even if only for a moment