#the vibe is so different and they're just precious

[hotasfahrenheit]

There's been far less to say about the The Eclipse episodes of Our Skyy 2 because they're actually telling a cute story with a plot so it's fine

The goofy movie scenes were all cute, Akk being dramatic over Aye seeming to not know his birthday is soon is silly but they're still being cute together, Kan and Thua are cute, they all deserve this low stakes chill vacation they're on and I'm here for it

[rosecandyart]

My personal rankings of each special splatfest Callie outfit because why not. This one is gonna be controversial 💀

1. Springfest

2. Splatoween

3. Grand Festival

4. Summer Nights

5. Frostyfest

[arklay]

i recently had the opportunity to commission the amazing @666chevy on twitter for a spread of diana (and wesker, of course) !! this came out perfect and i haven’t stopped staring at it since ♡ chevy is so kind and easy to work with, and he did diana so much justice, so i just cannot recommend him enough if you’d like to get a commission done ! 

[thewriteadviceforwriters]

🌟 Creating Character Names: A Non-Basic Guide for Fantasy Writers 🌟

Listen up fellow writers! aggressively slides into your dashboard with chai in hand Let's talk about one of the most CHAOTIC yet FUN parts of writing - naming your precious book babies!

👀 First things first - throw out everything you know about "normal" naming conventions because honey, we're going WILD today!

Here's the tea: Your character's name is literally their FIRST impression on the page. It's their brand™️, their essence, their whole vibe condensed into a few syllables. And in fantasy? The rules? We don't know her.

🔮 Non-Basic Methods for Name Creation:

The Vibes-Based Approach

Close your eyes and picture your character

What color are they giving off?

What texture?

Now translate that into sounds

Example: A character who feels like liquid silver might be named Sylthra or Mercurine

2. The Meaning Mashup Method

Take 2-3 words that represent your character

Break them apart

Frankenstein them back together

Example: Brave (Fortis) + Storm (Tempest) = Fortempest

3. The Aesthetic Alchemy Instead of just picking random syllables, think about:

How does the name look on the page?

Does it have strong consonants or flowing vowels?

Would it look good written in blood on a magical contract? (IMPORTANT)

🌙 Pro Tips That Nobody Talks About:

Test Drive Your Names

Write them in different fonts

Yell them dramatically

Whisper them mysterously

If you can't dramatically whisper "Lord Xylophone the Terrible" without giggling, maybe reconsider

2. The Name Evolution Game Your character's name should have:

A formal version

A nickname

What their enemies call them

What their mom yells when they're in trouble Example: Theodora → Thea → The Midnight Witch → THEODORA BLACKTHORN GET DOWN HERE THIS INSTANT

3. Cultural Consideration (but make it fantasy)

Create naming patterns for different regions/species

Maybe elves use lots of 'ae' and 'th' sounds

Perhaps dragon-folk names always start with a hiss

Desert dwellers might have names that sound like wind through sand

🔥 Advanced Name-Crafting Techniques:

The Emotional Echo Method

Write down the key emotion of your character

Find its opposite

Create a name that somehow bridges both Example: A character who's both gentle and fierce → Lysander (means "liberator" but sounds soft)

The Musical Approach

Names have rhythm

They have melody

Try singing your character names

If it sounds like a spell, EVEN BETTER

💫 Remember:

Names can be weapons (looking at you, True Name magic systems)

They can be prophecies

They can be curses

They can be LIES

🚫 What to Avoid (but like, in a non-basic way):

Names that look like you headbutted your keyboard

Names so complex your readers need a pronunciation guide every 2 pages

Names that are just regular names with random 'y's thrown in (looking at you, Kathryn → Kathyryn → Kathyyryn)

✨ Final Thoughts: Your character's name is a spell you're casting on your readers. Make it memorable. Make it meaningful. Make it YOURS.

And remember, if all else fails, you can always name them after what they had for breakfast. (Looking at you, Toast the Dragonslayer 👀)

sips chai aggressively

That's all for today's chaotic naming advice! Drop a 🌟 if you're gonna rename all your characters now! - Rin T.

[Note: Feel free to reblog and add your own chaotic naming methods! Let's build this resource together!]

[eclips-moon]

Batboy's dating younger Reader headcanon

Hey y'all ! So this is my first time writing, please feel free to give your thoughts on the headcanon and if you want I would really appreciate some tips and advice :)

Tim Drake (Robin/Red Robin)

Protective AF: Tim would be a bit obsessed with keeping you safe, like... he already has a big brother vibe, so dating someone younger turns that into overdrive. He’s always checking on you, making sure you’ve eaten, got home safe, etc. Dude’s basically your life manager.

Super Respectful: He would NEVER cross any boundaries, especially knowing that you’re younger. He’s all about giving you space to grow at your own pace, while quietly supporting you from the sidelines.

Overachiever mode: Expect random gifts like "I did your homework for you" or "I hacked into the school system, and you’re now top of the class." He’d be lowkey smug about it but also super sweet, blushing when you thank him.

Jason Todd (Red Hood)

The Rebel with a soft spot: Jason? He’ll tease you about being younger, throwing around nicknames like "kid" or "baby" just to rile you up, but deep down, he’s got this protective instinct that runs DEEP. Anyone messes with you? They're about to meet Red Hood.

Conflicted feelings: Jason’s probably the most worried about the age gap. He’s already got a lot of self-doubt, so he’s constantly overthinking whether he's bad for you or if you deserve better. You’d have to reassure him that you’re all in, age difference and all.

Gentle Giant moments: Under all that sarcasm and tough exterior, Jason’s a softie. When you’re alone, he’s way more affectionate than you’d expect—always making sure you’re okay, wrapping you up in his leather jacket when you’re cold, stuff like that. He has this big-brother energy but romantic vibes creep in, making it all the more intense.

Dick Grayson (Nightwing)

Mr. Charming: You think the age difference bothers him? Nah. Dick’s the smooth talker of the Batfam, and he’ll joke about being your "wise older boyfriend," but he takes the relationship seriously.

Casual PDA King: He’s super affectionate. Always sneaking in little kisses on your forehead, holding your hand, or pulling you into his lap when you’re both chilling. He’d lowkey treat you like you’re the most precious person in his world.

Big Brother Mode Activated: Being the oldest of the Batboys, he’s super used to looking after younger siblings. This means he’ll also be extra watchful of you, even when you don’t realize it. He won’t overstep, but his protective side would slip through when he thinks you’re not noticing.

Damian Wayne (Robin)

Denial City: Damian hates admitting he cares for you at first because you’re younger. He’s probably the most resistant to the idea of romance. He’d tell himself (and you) that you’re too immature or inexperienced for a relationship... but his actions say otherwise.

Tsundere Vibes: He’ll brush off anything romantic at first. Compliments? "Tt, don’t be ridiculous." But then he’ll turn around and make sure no one else gets too close to you. If anyone flirts with you, they're getting the classic Damian death glare.

Secret Softie: Eventually, he’d accept his feelings, and when he does, he’s surprisingly thoughtful. Damian may not say "I love you" often, but he shows it through his actions—whether it's training with you, sharing his books, or letting you sit in on his quiet moments with his pets.

[endearing-dalliance]

Just like Piltover, Arcane's beauty hides its fundamental problems. Its ableist, antisemetic, acephobic, classist, and worst of all, it doesn't initially seem that way.

Firstly, I want to say that this post and my problem with all of this is due to the real-life references, biases, and viewpoints of the team people who created the show, made the design decisions, wrote the scripts, and continue to defend what many have pointed out are genuine problems in their stories and characters. This nothing to do with the VAs, individual animators, supporting crew, or even the characters themselves. I'm genuinely heartbroken for all those people who proudly worked on the show, did their parts beautifully, supported the viewers, and are met with a fanbase disappointed, hurt, and angry about something completely out of their control.

I wrote up a different post about Piltover vs Zaun in the original lore and how that version is such a different situation than we we got.

Despite everything they did to make the Arcane undercity/Zaun this horrible place, they keep referencing the positives of LoL Zaun (an equal and respected society) and attributing them to Arcane Zaun. All of this is straight from the AoA:

"When you look closely, Piltover and Zaun are not entirely dissimilar" (y'all literally designed them as polar opposites)

Zaun is a refuge for outcasts who don't have a home, and there is the thrilling sense that anything is possible. So pretty much the exact opposite of what Vi was trying to show Cait?

In Piltover everything is heavily regulated; Zaun is wild and more pure meritocracy. "its is not completely lawless, though there are some issues with the mob." That's certainly one way to put it.

Zaunites "make magic out of nothing. nothing is precious, everything can be recycled and be reworked to make it better" I'm sure it has absolutely nothing to do with the fact that people can't afford to replace things when they break. Nope. Completely plausible reasoning. No real life parallel at all.

One example of innovation is a jeweler from Zaun who makes unique gothic work. Not only did they never showed us this side of the undercity, I maintain NOBODY in Piltover is putting on a gas mask to go jewelry shopping in a slum.

"Even though they were oppressed, they can innovate in ways Topside can't. Like well let's take this freedom we have because they don't care about us, and use it to find beauty and innovation. That's where Ekko's little conclave came in." Did they forget the literal orphans he rescued from those "shady streets"? What were they free from, their parents? Cause Piltover's enforcers seem to kill a lot of those despite "not caring". This is straight from Ekko's LoL lore where he spent his days being a kid running around with the Lost Children and inventing for fun. Arcane Ekko got Misfit Toys as an intro song. The Firelights were called a gang. These are not happy, healthy kids enjoying their world. They're vigilantes taking care of other kids who have nobody else.

"Ekko emerged as one of the unlikely heroes of the show, rising to meet tough, sometimes heartwrenching challenges, and becoming a charismatic and beloved leader" His LoL lore is that of a self-educated genius described as "The Hero of Zaun's Youth". Beloved pretty firmly established already. Also charismatic...are we really not past the point where its not supposed to be a shock that a black guy can be articulate?

Sevika's arm is specifically described as "flamboyant", which was the same word used to describe Piltover's augments

This gave me the vibe that they were trying to glorify or romanticize Zaunites' suffering and environment, but on further reflection I think that's giving them way too much credit. Christian's reply below makes it pretty clear he doesn't understand his own story, and Alex's indicates they weren't even trying to tell it and are surprised by this interpretation. Because to them, the Zaunites were the bad guys all along.

(Cool cool name one team member who has personal experience with living in under an oppressive ruling class that is either ignores their suffering or actively worsens it. I'll wait.)

Also, I think its very telling that a cocreator admits to having difficulty distinguishing between a group of systemically abused people fighting for their right to live on their own terms and people breaking the law because want power and influence and money. I don't think Peaky Blinders and the French and American Revolution (among others) are really compatible stories.

"It was an impossible pipe dream if you ask me." Well then. All the nations that successfully rose up and freed themselves from their oppressive overlords were just flukes I guess. Also I'm not sure how they managed to figure out the alien invasion lack of relatability and not realize that's basically what they ended up with. Also, the fact that they keep framing it as a civil war rather than a revolutionary one is mindbogglingly out of touch.

So they were trying to comment on the two party system, but also the point wasn't to comment on the real world. They wanted to show the widening wealth gap in a "fun way", but also that's not what they were shooting for. Over and over we've heard about how the show is about duality, the struggle of Jinx and Vi and the struggle of the two cities. If they didn't want to comment on the real world, didn't know enough about politics to even realize what they were doing or what message they sent, DON'T MAKE A $250 MILLION STORY ABOUT IT. Thanks to their contributions, we now have a story about two girls brutally traumatized by their environment enveloped in a pro-oppressor, forgive your abusers theme. Well I aint forgiving any of this.

I get the idea of "show, not tell", but some things do need to be explicitly told. Oppression is objectively wrong no matter who the oppressed are should not be left up to interpretation. Its not the viewers' job to piece together that Zaun's problems are ultimately caused by Piltover, especially since what they are shown is that death of a child makes the world a better place. Not once in 18 episodes do they ever explicitly condemn Piltover. Not once did they validate Zaun's right to independence. We got "forgiveness" (forgiving your abusers? great message) and "finding your way back to each other" (which none of the duos actually did. They're all "dead"). And my personal favorite, the important lesson that asexual people do not have happy, healthy, nonplatonic relationships, so TAKE THAT JAYVIK SHIPPERS.

Since they ended Arcane with a reference to a Japanese proverb, in the spirit of duality I'm ending with a quote by someone who actually has personal experience on the subject:

“If you are neutral in situations of injustice, you have chosen the side of the oppressor."- Desmond Tutu

[stellarshifter]

✨ Pst? Y'okay? I saw you have a mental breakdown in the corner (Me too, babe, me too)

Agh...shiftok ruin your vibe? Spreading bullshit? C'mere. I got ya.

✨ BREAKDOWN OF MISINFO

1. "Your script might not all happen, or be in that reality."

Like huh???

Scripting, infallible, or meaningless?

Oh babies... Scripting is infallible. Wanna know why? It's literally a GPS for your awareness to shift to the reality that all of your chaotic (and probably very fun) notes are very real in! Like, c'mon, who would even script if it meant nothing like that???? I wouldn't waste my precious time... I could be looking at vintage shops around town. Like seriously, no.

2. "You need a method to shift"

Bitch please. Do I need to astral project and beat your ass? I'll do it. Don't test me.

Look, methods are fun and all. But that's it! They're fun and can help you become aware! But that's all they are. You don't have to even to work on your subconsious. Know why? That bitch ain't catching a ride with you! You just gotta be aware. Just shift your focus.

3. "You gotta stay hydrated.." bleh bleh I don't even remember the rest.

Bullshit. Sure you should stay healthy and hydrated for you! But that's nothing to do with shifting. This vessel's priorities don't matter in terms of shifting or not!

4. "You can't age up/down that's immoral!"

...I need a minute... I dont wanna commit arson.

Who the fuck thinks they're so intilted to tell others what they can't shift to be?? You need to fucking chill. Aging up or down doesn't matter because you are literally shifting to a reality where you're that age. You will have that mentality unless you script you don't. For fucks sake, stop.

5. "You can't shift to where you're a different ethnicity/gender/sexual orientation, that's disgusting"

Again... who gave you the right? Hm? I'll wait.

Unless you're being a weird fetishist creep. Then you're good, babe. And for all of this, once again. There's infinite realities where you're all different enthcities, genders, and sexual orientations. There's nothing wrong with shifting there either!

6. "Respawning is unethical"

Okay, this started due to people misunderstanding respawning as something it is not! It is not suicide. You people need to chill on TikTok. Swear to god you fear mongers!

Respawning is just cutting ties with this reality. Which lets be honest? In its state? For the love of God, me too, honey. Me too. The only difference between respawning and permashifting is that you'll never remember this reality. There's no harm. Okay?

7. "Permashifting is not okay"

As a permashifter, fuck you. You intilted bitches spewing bullshit because you come from different circumstances.

You have no clue what people are going through, and even if they live perfect lives, you are 1000000% valid permashifting. Go home, babies. You deserve it!

8. "Shifting shouldn't be used for escapism"

Look most of us were day dreamers? Right? Right?

I was a kid with a WILD ASS imagination. I mean wild, and I come from a not so cool environment. I used shifting as escapism when I first started. And y'know what? That's okay! If you are just wanting to leave to get a break! Do it! No one can stop you. There's no shifting police.

Which..gets me to this one.

9. "The shifting police will find you"

Bitch please. Shut up. My brother in christ, what fanfic you reading?

Shifting police do NOT exist (unless you want them to. You do you)

Seriously no one. I mean no one, not even me. Not even the holiest of holiest can stop you. We live in a multiverse that does not run by morals set up by shiftokers. And no if you do something questionable the shifting police will not find you. You're safe. I promise

10. "You can get stuck in your DR!"

If we can shift to our DR we can shift again. Like what? Who let this toddler type? That doesn't even make sense.

Honey, I can assure you, you're not stuck here. You're not stuck there.

11. "You can't script relationships that's against their free will!"

Have you ever heard of infinite realities where every single thing you can ever think of exists? Yeah? Then STOOOOOP

You are shifting to a reality where those relationships exist! Where that relationship is real and mutual. Where they feel so much love for you as you do them. No forcing.

Now, if you're holding them in your basement, tying them to a chair and begging them to love you forcefully like you're in a yandere wattpad fic from 2013? Yeah, you need to rethink some things. But if not! You're good!

Whatever relationships you script are requited

12. "Your DR isn't as real as this one"

Woooo, imma throw hands. Let's go. Someone hold my hoops for me? I'm gonna beat a bitch up.

YOUR DR IS A REALITY!!!!!!

Meaning it is just as real as this one. Just as real, maybe even more real! The people are real. The places are real. The experiences are real!

13. "People shift based on genetics"

Aw yes... my new favorite reason to murder.

Anyone and their mama can shift. You can shift, I can shift, the person you randomly saw on the street can shift, fuck your pet can shift. Anyone can. Okay? We are all one. Pure awareness. That's what we all are.

None of that. We are not shifting based off anything but what we all are.

✨ That's all for today, folks. Take care, and remember, you've got this. Go shift, baby!

[adventures-in-mangaland]

Another Dead Boy Detectives Fic Rec List

Netflix sucks and I'm sad, but the Dead Boy Detectives fandom continues to be awesome, so here are some more very quick fic recs!*

Tonight's the Night You Fight Your Best Mate's Dad by Opossum_Subatomic

Everyone's Alive College/University 5+1 things fic featuring Charles bringing Edwin coffee and slowburn payneland. Also Family/Wedding Drama involving Everyone Thinks They're Dating so acute is verges on Fake Dating. This author is seriously fantastic, everything they write is gold.

You should also check out Kissing Lessons, which is a high school AU that does what it says on the tin while also giving non-binary Monty and polyamory.

Ornithology by Rosie447

Monty gets a job working at Tragic Mick's. This one's not actually payneland, being gen and Monty-centric. I know, gasp. It's a fantastic and very sweet exploration of Monty discovering his sense of self post canon and works as a great metaphor for recovery from toxic family/relationships. Also, the ex-animal solidarity and bonding with Mick is lovely.

what some circumstance stole by Chrome

The Sandman crossover featuring Edwin and Hob being kidnapped and tortured together. Their friendship is really wholesome with eventual Father Figure and Found Family Feels for the whole agency and background Dreamling.

dandelion wine (life and death in summertime) by world_wanderer

Payneland Right Person Wrong Time AU in which neither of them die but they still meet and become friends. The May/December friendship is sweet but tragic, with a bittersweet ending. Superb.

Mirror Image by Anonymous

Charles' afterlife gets taken over my an evil shape-shifting doppelganger, leaving him with plenty of time to regret never talking to Edwin about his feelings. Angsty but with Feelings Realisation and the Power of Love and Friendship vibes.

my healing needed more than time by babyseraphim

Case fic with de-aged Charles! Baby Charles is precious but be prepared for discussions of childhood trauma/abuse.

The same author has also written I'm So Aces at Babysitting, which is a really cute two-chaptered AU featuring Charles and Edwin babysitting the kid versions of each other, with bonus Crystal and Niko doing the same. It's very wholesome and the author writes little kids really well.

Pouring into me by tragedy_machine

Love me some "Charles wants to date Edwin to figure out his feelings but gets turned down" fic. Feelings are hard, OK?

thank u, next by KiaraSayre

Edwin fucks and Charles seethes. It's very funny and also features some interesting worldbuilding with the Fae.

Like We've Never Known Hurt by dearheartdont

Just cute established relationship PWP and praise kink. So good.

all of these hollows by handwrittenhello

The boys are alive again but sans memories. Can they still find each other and prove their devotion to the Night Nurse?? While also evading heavenly and hellish forces trying to keep them apart??? Very interesting concept executed well.

Suo Gân by emryses

The agency takes on the case of a traumatised Edwardian ghost searching for her missing baby... Read it for Edwin family feels.

Where Primroses Bloom by PantryJesus

Reading aloud as a love language and Watership Down feels. Idk, I'm now convinced that Edwin is kind of rabbit-coded with the whole "if they catch you they'll kill you. But first they must catch you" thing. A lovely well written fic.

I'm so sick of online love by Hse11z5

College/University AU where the boys meet through a dating app. It's cute.

you can have the best of me, baby (and I will give you anything) by aletterinthenameofsanity

Again, it's the Friends with Benefits but with real feelings and mutual pining for me. Now has a Charles PoV companion fic.

True Love's Kiss by Asidian

In which Charles curses himself with a Sleeping Beauty enchantment in order to confirm his feelings for Edwin and Crystal is the real MVP. I love this one because the boys are both SO stupid but in very different in-character ways.

I also recommend Promised, in which they kind of play the Green card angle to keep Edwin out of Hell? Which honestly needs to be more of a trope. And Tight Quarters, starring the boys trapped in a magic circle, leading to Forced Proximity induced Feelings Realization (in more ways than one! 😉).

Something I Can Turn To by DontOffendTheBees

I love some domestic fluff, in this case as an Everyone's Alive/Childhood Friends AU in which the boys are poor but happy living together. I liked how they both survive their respective traumas, but Reality Ensues.

I also recommend Lived My Whole Life Before the First Light for a lovely but melancholy Soulmate AU that goes for the "seeing colours" trope for extra wistful angst.

Dining at the Ritz by TerresDeBrume

Meeting the Parents fic in which Edwin's parents are awful and Charles is Not Having It. This has Everyone Thinks They're Dating and autistic Edwin stimming representation, plus discussions of racism, classism and ableism. The fic is also part of a great Modern AU series in which the boys attended St Hilarion's at the same time and Charles saved Edwin from a non-supernatural but still almost deadly prank. Highly recommended!

The Case of the Couples Retreat by juliasfanart

Listen, I can't get enough of undercover fake dating/relationships at a couples retreat, OK? Some minor angst but overall very cute and fluffy.

acu (aysar cinematic universe) by ObsessedWithFandom

The agency is hired to solve the mystery of Charles' death and bring his killers to justice. I'm genuinely obsessed with this series; I love its OCs and Charles having an exboyfriend gives Edwin a fun crisis. Plus haunting Charles' killers is very satisfying and cathartic. Just imagine they're Netflix execs, y'all.

*Not actually quick, as it turns out. 😅

I love doing these lists because I always think I've only got a few recs and then I look back over my recent bookmarks and I've got a metric ton of great fics to rec. You guys are so talented. ❤️

[weirdmarioenemies]

Name: Spoing

Debut: Super Mario Galaxy

Spoing is a jumping spider! Though it's not quite a jumping spider, you know? Like how a lynx is a big cat, but it's not a big cat. You know. But even so, I would like to express my appreciation to real jumping spiders! With their extra conventional cuteness, they capture the hearts of even people who are scared of other bugs, and as such are ambassadors for the rest of spiderkind. A gateway to appreciating some other creatures, which some fools may call "less charismatic", as if it is not charismatic to, for example, dangle a blob of silk to catch moths like a little fisherman. Anyway, as president, I will make sure all jumping spiders are compensated for their services. In dollars.

I don't know if I'm just saying this because I've been replaying Galaxy recently and have a sort of recency bias, but Spoing really might be one of the cutest Mario enemies ever! We all know, we all love, the eyes-in-a-void face! And on a BUG? Yowza! I've seen that kind of face on crabs and sometimes bagworms (I think?) but I'm not sure I've seen it on any other arthropod, and ESPECIALLY not a spider. I don't know how Spoing would hunt. Would it just shove prey into the eye void? Is it also a mouth? That would be pretty awesome.

You know, their faces make them look kind of like funny astronauts... and they only have four limbs, not eight. Are these truly spiders? Were they once human, until something unspeakable happened? And will it happen to me someday? I hope so!

Spoings mainly appear in Space Junk Galaxy, which I think we on the Weird Mario Enemies Office Pizza Party Email Chain all agree is a really great galaxy, with impeccable vibes. It's space at some of its most lonely, as opposed to spectacle, and I REALLY appreciate the presence of spiders here. Spiders and their webs are always used to visually communicate the idea of a place or object being unused, abandoned. And this galaxy is just a bunch of forgotten debris, not inhabited by any sapient civilization! If moths are the mascot of empty wallets, spiders are the mascots of forgotten attics! Spoings to not seem to make webs, which, yeah, actively hunting spiders do not! But they might make Sling Pods. And Sling Pod Galaxy is... well, I don't want to use this post to criticize a galaxy that precious spiders may have had a part in designing. So I will move on to...

Name: Spangler

Debut: Super Mario Galaxy

Spoing's got an evolutionary relative, and rather than being a spider boing, this is a spider dangler! It at first looks like a recolor of Spoing, but it actually lacks the fuzziness of Spoing's abdomen, and it DOES have a big ol' spinneret, which it is always using to dangle on a silk thread! One big one, like a really long string cheese. These ones debut in Ghostly Galaxy, indicating that they are spookier than the more generalized Spoings. Is it the silk? Is silk Spooky? It is what ends up encasing the spider's prey... like a MUMMY! Maybe I'm on to something here!

I really like Spoing and Spangler, and that both exist! It may be sort of the same design for two different enemy behaviors, but they're both behaviors that make sense for the design, and it's a design I always love to see. It's like they're closely related species! Maybe a population of Spanglers was separated from the others and ended up in the more barren Space Junk Galaxy, where there was not nearly as much infrastructure to dangle from, and where only active hunting was a viable strategy. And over time, Spoings evolved from this population! Actually, maybe they even use the Sling Pods for hunting, when we're not looking, launching themselves at unsuspecting prey...

And just to make sure we're not appreciating fictional creatures over real ones too much, I should tell you that there is, indeed, a spider that slingshots itself at prey using its web. Sometimes reality is stranger than fiction. And it's often a spider's fault! The variety of ways in which different species use their silk is honestly one of the most incredible things in all of nature!

[thankskenpenders]

IDW's Fang the Hunter miniseries! All four issues are out now! I don't have as much to say about it as I did with the Knuckles show, but I do have some thoughts.

So! This is a pretty fun miniseries. I liked it.

It's fun to see Ian get to write a four-issue arc starring the Hooligans, his precious boys, with a B-plot showing Sonic and Tails' perspective on this little adventure. As always, Ian captures the characters' voices well. In particular, I really liked Bean in this, who despite being a slapstick screwball is actually a pretty perceptive guy. He often acts as sort of a voice of reason for Fang, seeing right through his sweet talking and pointing out how badly all of their schemes go but sticking around nonetheless just for funsies. And the art (illustrated this time by Mauro Fonseca for the first issue and Thomas Rothlisberger for the rest) is as good as we've come to expect from IDW's Classic Sonic output. Overall, this is a fun little romp that captures the vibes of the Classic era very well.

...But...

Well, as I've said before with the Amy and Tails anniversary specials, I feel like we're kind of seeing diminishing returns with these Classic spinoffs. They're fun, sure, and very nice to look at, but their writing always leave me wanting more.

A big part of this is just that there's just less to work with compared to the Modern universe. The Classic cast is much smaller, and within that cast there are a bunch of characters currently going unused, some of which are currently off-limits. Aside from the appearance of the Witchcarters in Tails' special, we've pretty much just stuck with the cast of Sonic Mania and the Hooligans, as established in the first special. No Chaotix, no Battle Bird Armada, barely any Honey. (Classic Vector was able to get a tiny cameo in the Amy special only because he was so obscured that it gave the IDW team plausible deniability to say it was actually a different character if Sega complained.) It's a very small box, and Ian's recent Classic comics haven't particularly expanded the boundaries of that box. They're just excuses to play the hits for old times' sake. And that was a lot of fun the first time around, but the novelty is starting to wear off for me.

I will admit, sure, the tighter focus on a specific set of characters from the games is a big part of the appeal of these Classic comics. They're simpler. They're nostalgic. They're shining the spotlight on characters that can't be used in the main series. They're the slavishly faithful old school Sonic comics that we could never get in the '90s, because the comics we did get diverged into their own continuities with tons of new characters. I get all that.

But the thing is, the Sonic comics have always added all those new characters because you can just do so much more with them. The game cast is great! But they're corporate mascots Sega keeps on a tight leash. You can do so much with a character like Sally or Surge that you could never do with any of the game characters, and by pushing into new territory with these new characters you can also bring out interesting new sides of the game cast. Maybe Sonic himself can't have some crazy complex character arc, but you can see how he'll respond to the things going on with these other characters, and how these other characters' arcs are informed by their relationships with Sonic.

So I look at the Fang miniseries, and I'm like. This was pretty fun. But by the end, what was the point of the story? What did we learn about the Hooligans as characters that we didn't already know? Is the point just to depict an adventure where things go off the rails a little and Bean and Bark end up a little miffed, explaining why they weren't with Fang in Superstars? There's potential for an arc there about the dissolution of the group, but it really does come off more as the type of spat these three probably get into all the time before coming back together for the next job. It's neither super dramatic nor super funny, feeling more like it ends on a fairly matter-of-fact note where Fang's like "welp, time to go do the events of Sonic Superstars" at the end, not particularly plussed by anything that happened in this arc. What we're left with is four issues of the Hooligans encountering recognizable characters and visiting recognizable locations from the Classic games, with little that really feels new or fresh here.

Ironically, the most interesting story element to me here (aside from Bean's characterization) is its tie to the main comics, something previous specials couldn't do since Sega had yet to reunify the Classic and Modern timelines. The plot of this comic revolves around Fang following the myth of the "eighth Chaos Emerald," riffing on both old playground rumors and Sonic the Fighters. What they actually end up finding isn't an extra Emerald, but rather the Warp Topaz that would eventually end up in Starline's possession in the Modern era, having apparently been found by the Hard-Boiled Heavies in the cave seen in the 900th Adventure special.

That's kinda neat, and the abilities of the Warp Topaz are used in fun ways. But this isn't exactly something to write home about for people who aren't lore nerds like me. There isn't a particularly meaningful connection between Fang and Starline's arcs here due to the presence of the Warp Topaz, it's just a thing for the wiki. Again, Ian's in his connect the dots mode a little more than I'd like here.

(...So wait, if Starline didn't find the Warp Topaz himself, did he track down the cave where the Heavies found it to leave that "greatness began here" graffiti? Eh, I guess that sounds like something he'd do. He's known for nothing if not his obsessiveness.)

So, again. This was a pretty good miniseries. This all makes it sound like I hated it, but I did like it overall. I particularly liked seeing the Hooligans fight the Hard-Boiled Heavies. But it leaves me feeling less fulfilled than something like Scrapnik Island or Tangle & Whisper or Imposter Syndrome. I get that, by the very definition of the word, Classic Sonic is always going to remain trapped in amber to some extent. This isn't the version of the franchise that's supposed to grow and change. That's what Modern Sonic does. Classic Sonic will always be trapped in the early '90s. I'm not asking for them to add a dozen new characters with complex dramatic arcs to the Classic comics, since that's not what Classic Sonic is about. But I think the other Classic Sonic stories not written by Ian - i.e. the driving school story by the McElroys and the two stories about Amy by Gale Galligan - show that you can tell fresh new Classic Sonic stories that aren't just about remixing the hits from the games.

If we're going to continue getting Classic Sonic comics from Ian (and I hope we do!), then I just hope he's able to find a better balance between familiar and new ideas, like he and Evan do so consistently with their Modern Sonic output.

[marvel-starwarsfangirl]

I rewatched the CW Bad Batch episodes and it feels so long ago since we saw the team whole. Not to mention the old armor since the boys recently stripped theirs. Their CW vibe was so goofy and sibling energy. Now, they're worn down and dead set on saving the most precious person in their life. The tonal shift is kinda shocking at times.

Hunter and Wrecker have become much more serious. They've grown and have suffered great losses. Comparing past and present feels like night and day. Hunter now comes with dad mode and is so determined to find Omega. Wrecker isn't as loud or impatient.

Crosshair is waaaay different. To be fair though, he's suffered so much both emotionally and physically. The snark still exists, but he's practically an open book when compared to his first appearance. He's so expressive and talkative now. The Empire broke him and then Omega swooped in to help. I started doing a character study for him because there is so much to talk about, but that's a post for another day.

Echo is also more serious. It hit me, but there is such cruel irony about his fate with the Techno Union. Echo's whole schtick was that he couldn't stop repeating orders. He wound up captured and was left in a state where he could only relay orders. That's pretty twisted.

Just some observations because of the tonal shift. TBB is so dark when compared to CW. That being said, I'm so grateful for both these shows and I love them.

[marsprincess889]

Not all that glitters is gold

Style vs Substance

Why are Chitras known as "messy"?

Or gossipy? Manipulative? Chaotic? Deceptive?

Are they all bad though?(spoiler: OFC no👁) but why are they famous for being messy and triggering?

Note from me: I've expressed multiple times the chaotic nature of this nakshatra, and figured it would not be out of place to explain why. I think some ppl thought I had only bad things to say about it(even though no nakshatra is good or bad come on guys grow up lmao, i only have had good or bad experiences with their natives, and that's just my experience, others have different stories). And while it's true that I have had not great experiences with Chitra natives, that does not mean that it's inherently bad. I think you guys will get it once you read my point. So, I have put my personal "beef " with them aside for this one lol.

To start with, I want to say that all nakshatras have their place within the wheel and therefore, are all nessecary partz of the whole, just like the zodiac signs and just like every living being.

Nakshatras also are points within the whole journey. They are all unique, and while they relate to others in regards to certain themes, in the end, none are the same.

The chaos of the mundane

The placement of Chitra is very interesting. Each nakshatra opposes two nakshatras. Half it opposes one, the other half opposes the other. Chitra is opposite the last and the first nakshatras: Revati and Ashwini(one ends Pisces, the other begins Aries), marking it as the opposite end of that division point, ending Virgo and beginning Libra, the nakshatra that is arguably the most immersed in the material world. To make that point even stronger, its gunas are Tamas-Tamas-Tamas, the unaware/chaotic guna.

The sign of Virgo traditionally rules the sixth house. They deal with the "mundane" world, the everyday matters, the nitty-gritty, the details. Virgo is also the ruled by Rahu(and Pisces is ruled by Ketu). So, the material world goes hand-in-hand with the themes of rahu: the outward manifestation, anxiety, nervousness, paranoia and deception.

Chitra's symbol is the gem💎 the precious rocks that are sculpted and manipulated to suit the demands of society(6th house) or the agreements with others(7th house). Chitra is Mars(distraction, triggering, energetic output) filtered through Mercury(precision, manipulation, discernment) and Venus(love, beauty, agreements). It also therefore relates to the law of the written word(is that how you say it?), law in its everyday sense, like how defendants need good lawyers to argue and get all the details right, even if they're innocent, because this is not about "the ultimate truth", or who's innocent or wrong, it's about who wins the argument. And that's where the chaotic element comes.

Society has a lot of opinions, doesn't it? And different people have different points of the view. Chitra goes from the 6th house to the 7th house, so its task is to find out the truth in all the drama and bring a harmonious end to the situation, to achieve equilibrium. The trap is getting lost in all the mess yourself and not even noticing how much of your energy it has taken from you. In a way, it's about getting down to business while trying not to "get triggered".

So, that's why natives of this nakshatra have that energy.

I've also heard a lot of very opinionated remarks or argumentative expressions from Chitra natives(sun, moon, asc, ketu too) and if you point it out to them they will deny it immediately lmao. Tamas is the unaware guna.

The thing is that they have a great potential to see the truth in messy things, but often it's biased and therefore still far from the real truth(6th house, Rahu). This triggered energy, when channeled through harmony(libra, active venus) becomes an energy of peace.

The girly girls, fashion.

Ik a lot of this sounds like a teen drama but to me that's genuinely the vibe of this lunar mansion. Feminine/female Chitras also LOVE that kind of aesthetic. If not, they have a thing with aesthetics, and how things appear. They also isually love the colors pink and/or red.

All is not how it seems, and the appearance should be morphed according to substance/truth, because the truth can't be changed. That's the lesson of Chitra. Venus nakshatras love aesthetics in a different way. They moreso have an innate appreciation for all things that they find beautiful and develop a unique "aesthetic" that is specific to them individually, and they're usually not the ones who are concerned with "aesthetics" as most of the society views them, like "Parisian chic" or "punk rock", etc. Chitras tho, directly relate to those, they WANT to fit into certain aesthetics, and the personality of Chitra women(feminines) is often what people probably think of when they hear the words "girly girl". It's bubbly, snappy, moody, coquettish and sometimes ignorant. They, I've noticed, are very particular and opinionated(or they present themselves that way👁, rahu/illusion) about fashion and appearances in general. Again, the lesson is to fit the appearance to the truth of the matter, not the other way around, you can't really do it anyways. The truth always comes out, and it might bring drama, but the confrontation will happen one way or another, that's life. What matters is that it leads to peace and harmony. Until then, the drama is not over.

And so you gotta learn to see the good side of this: an opportunity to really sort things out, and to enter the sign of Libra(equilibtium, partnerships, harmony) with grace.

The sacrifice of the craftsman

We all know the lament of the artist, the eternal search for perfection that always seems out of reach(hi purva ashadhas). I think of Chitra more as the craftsman, because ultimately, its creations are nessecary for the functioning of the material world. In a way, this nakshatra is about learning humbleness and sacrifice as it's also associated with vanity.

The god Hepheastos in Greek mythology is described as a disabled man, and I've seen this archetype of the disabled craftsman many times. I think it's symbolic of the sacrifice for their creation.

I think everyone who has created or wants to create something wants appreciation for their work, and to know that somehow, it's useful. At their best, Chitras are no frivolous tricksters, they are the craftsmen, serving others, providing something beautiful and valuable, but that's not how many of them are or how everyone sees them. When you go to a jewellery store a lot of things might catch your eye, you might even be tempted to splurge your money(energy) on one or two of them, but then, if you are more mindful, come the questions: "are they really worth it?", "am i being conned?", "what if I find this or something better in a cheaper price?", and then you go through all the details of this and that. That's sort of the energy of Chitra.

When Chitras know the value of sacrifice and channel their energy towards harmony, they are on the side of truth and integrity. Otherwise, when you go that jewellery store, be careful to not get conned👁

[utilitycaster]

You have been watching CR so much longer than me, and I'm curious to know your take on TV Show Canon interfering with or replacing Live Play Canon? On the latest 4sd, Sam mentioned that they're sort of in a schrödinger's Canon, where in one instance the show and campaign have two opposing cannons and they get through it by not directly addressing one or the other. The example he gave was Highbearer Vord, who was an old man in campaign 1 and a woman in the show, whom Matt referred to by name or as 'they' in campaign 3.

Personally, I've never been precious about adaptations changing or ommitting things, and I didn't care about the change from the campaign to the show, but for some reason, the show changing the campaign gives me pause. I also personally love the show! Campaign one was my favorite, especially the chroma conclave arc, and I love the tv show just as much, so I don't know why I would be precious about one over the other? I think maybe I'm worried about changes retroactively impacting the campaign because I already saw and loved the campaign as it was and I don't want it to change, whereas the show is currently being created and so any changes or adaptations just feel like their own thing that I get to see unfold.

The change I mentioned is very small and doesn't really impact much, I'm just wondering what your preference would be for this practice in general! I think that the cast mentioned that some changes will be made to the beginning of the Mighty Nein's story for the upcoming show. In a hypithetical future campaign, if someone mentioned the M9, would you prefer it to be in line with the campaign or the tv show, would you prefer if it was vague like Vord, or is it dependent on what the changes are?

For me it would be dependent on the scale of the change and what it is. Honestly, for Vord I don't even find it in conflict in the present campaign (ie, in 843 PD); while obviously Vord's gender is different between the canon of Campaign 1 vs. the Legend of Vox Machina and those are taking place as two versions of the story in the same time, I just assumed that in 843 PD Vord was figuring some shit out re: gender and pronouns. (I'd also add that Vord's description during Campaign 1 itself varied wildly; Matt's changed character pronouns before in the past and I don't know if it's been deliberate or if he forgot but it's not a big deal).

I think if we're talking about scenes that were not visible in the campaign and were expanded upon in TLOVM (eg: getting to see more of the Briarwoods or the Chroma Conclave plotting without Vox Machina present), treating them as canon within Campaign 3 is fine; honestly those probably were canon in Matt's notes anyway, just unseen. Small things that aren't plot critical - changing a character's gender or appearance, for example - are also fine by me.

The issue arises if we get into actual plot conflicts - for example, the party splitting during the Feywild and Westruun arcs in TLOVM vs. Scanlan and Grog being present in the Feywild in canon. In that case, resolving the two is not possible and I don't care for attempts to make it so. I don't generally care for attempts to justify a cast mistake or canon contradiction and make it all lay flat when the answer sometimes is just "this is improv and they forgot", and this feels similar. Like...if Kamaljiori were to show up in Campaign 3, that would be valid, because he doesn't die in Campaign 1 and does in TLOVM, and when we're watching the streaming campaigns we should defer to campaign canon. I don't think it's fair to Campaign 3 to try to play it with an eye to animated adaptation, so any ripples from that can be addressed if an when they come up. But for stuff like Vord's gender, as long as you get the presence and the vibe right, details can be altered. The same, presumably, will be true for mentions of the Mighty Nein if there is an Exandrian-set Campaign 4.

For what it's worth, that is what I expect when the cast mentions changes to the adaptation as well. Like...look, if I'm wrong about this there will be other discussions to be had, but I think the idea that Molly won't die in the Mighty Nein adaptation is a rather desperate and unrealistic one since that sort of derails the entire rest of the campaign both plot-wise and thematically. Fine for AU fanfic, though I'm personally uninterested, but a poor adaptational choice. But changes like splitting the party between the Feywild and Westruun, or Grog becoming weakened, or Vax communing with the Raven Queen a little earlier and at a smaller temple, or Vex facing Saundor alone, all maintain the core vibes and themes while dealing with time constraints and letting Pike be more present. If someone were to ask Vex point-blank "was Scanlan there when you fought the guy who had that cool bow you're carrying" in Campaign 3 I think the answer should be "yes"; but that's not actually important. What's important is that Vex faced a guy who had been consumed by bitterness and grudges for a weapon that she ultimately carved the word for "forgiveness" into as a personal reminder. An adaptation should retain what's actually important to the story, but changing what hangs on the same fundamental fixed skeleton is fine.

[soaps-mohawk]

So everyone has different headcanons for this but most of the time people have similar ones

How old do you think are the 141 men?

Yeah, everyone has their own thoughts on this one, mostly because we don't really have set canon ages for most of them.

I kind of stick to a mix of canon ages, and for the ones we don't know (*cough cough* Ghost *cough cough*) I pick age based on the average age of military members in their current rank.

So Price, I'm fine with his canonical age. Honestly just looking at him, I probably would have put him a bit older (like more Barry's age, but they're really not that far off.) But 38 works just fine for me.

Kyle, I agree with 1993. I would have said late 20s, early 30s just looking at him, so I wasn't that shocked when I saw 1993. Mans needs to drop his skincare routine though cause he's beautiful.

Johnny. Soap. My precious baby boy. Ngl I had a full mental breakdown when I saw he was supposed to be the same age as me 😭 There's no way I'm that old already. But 28/29 seems right to me for him. He's definitely the youngest, though I don't think by much. I think he and Gaz are fairly close in age.

Ghost. Simon Riley. The mystery man. We have no canonical age range for him, so I kind of based my decision on his age on the typical age one reaches the rank of Lieutenant in the British Military and just kind of the overall vibe that Ghost gives. I kind of throw a dart at around age 35 for him. I think he's closer to Price's age than Gaz and Soap, and considering both Barry and Samuel are the same age, that makes it easier to kind of put him as second oldest of the group.

Yeah, that's my opinion on their ages. I know everyone kind of has differing thoughts on it.

[thelonelyshore-if]

lake/fog is so hard for me because they're so differing in their relationship to MC in such good ways. the lake loves MC the way you might love a pinned moth on your wall. the lake fully drowned MC to keep them. the lake's love is devouring; it is a need. the lake wants to possess MC, to have them utterly and fully. to love MC is, perhaps inevitably, to kill them. which is a vibe! BUT ALSO. the fog found a bird with a broken wing outside its door and brought it inside, placed it in a cage, and refused to let go when the bird recovered. the fog gives me curious child energy, poking at frogs to watch them jump. MC is a curiosity, but a beloved one. a mystery, so closely connected to the lake. something precious and desirable and rare and beautiful. that is also a kind of love. the fog does not love MC as deeply as the lake; the MC is a part of the lake at this point, i think. but infatuation comes strongly and quickly, and the fog just found a shiny new thing to keep. we talk of the lake loving MC, but i think the fog also cares very deeply. which is also a vibe! i can't compare them properly, their relationship to MC is too different (and obviously the only qualifier of preference of lake v fog is the relationship to MC and not the dead people and imprisonment /j).

Ohhhhh Nonnie this is delightful. I'm loving all of your thoughts here. Pinned moth vs. caged bird is suuuuch a tasty way to look at it.

I'm really enjoying getting the chance to see how y'all are interpreting the lake and the fog and your thoughts on what it all means.

And ofc their feelings on MC are the most important thing the dead ppl are inconsequential /j

[propertyofrjl]

As someone who is currently rewatching all of Aphmau's series and has major brain rot over the Aphverse, i am desperate to find a fic where some of the mystreet people get somehow transported to the MCD universe. BECAUSE IMAGINE THE ANGST POTENTIAL IF MYSTREET!ZANE WAS IN THIS GROUP OMG.

MCD!Garroth having to see what he could have had with his own brother if things were different is breaking my heart.

OH OH OH BUT ALSO

Right imagine this little mystreet group is also when they're teenagers, smol little Zane being transported to a world where pretty much everyone despises him because MCD!Zane is the embodiment of evil.

Like, maybe little Aphmau and Zane get separated from the others and end up in Phoenix drop, they manage to make it to the town square where Molly is coming back from praying to Irene, and she sees Zane, the man who hurt her precious baby and used dark magic on their town. Molly then runs to alert whichever guard she can find (it just so happens that Laurence, Garroth and Dante are all leaving the guard tower for their respective patrols at that moment)

These men run to the town square, fearing the place they are sworn to protect is under attack by one of the most dangerous tyrants of their time, and they come to find not only Zane (who's looking around with a sour look on his face, and albeit a little smaller than Garroth remembers) but also the woman they spend their lives protecting (and two of said party are definitely, totally, not in love with her...)

And when i say they're teenagers, i mean the first season of PDH vibes, so Zane and Aphmau with these squeaky voices and no social skills, and Aphmau has spent most of her time looking around in awe up until that point because OH MY IRENE ZANE IT'S JUST LIKE MY GAME!!!

Laurence moves first, rushing over he knocks Zane to the ground harshly before yanking Aphmau away, to which she screams because this tall, scar covered, very scary looking version of her friend (or maybe crush depending on when in PHD this happens) has picked her up far too easily for her liking and she's worried about Zane.

Then Garroth and Dante move in, and suddenly Zane is being looked down upon by his big brother with such a look of disgust and hatred that has never happened before. Garroth loves Zane. Sure they disagree and fight every now and then, they're brothers, but Zane knows Garroth loves him and would keep him safe, and even though he wouldn't admit it, Zane loves his brother too. But the scary and hate filled man standing above him does not make Zane feel safe, and a flush of fear runs through him, followed by watery eyes and embarrassment because why is he feeling so weak and despised by one of the only men in his life who's provided a steady stream of love (unlike his dad)

And when Zane pulls his shaking hands up in surrender, with this wounded animal look upon his face, MCD!Garroth almost has to double take, because not even as children has he ever seen Zane look at him with such fear, the only man who'd ever brought fear upon Zane's face was their father, and maybe that gives Garroth his own little internal crisis because he's tried so hard to be nothing like dear old dad.

BUT ALSO, LETS PICTURE THIS

The rest of the group (let's say...Laurence, KC and Garroth) show up, and they try to find a way home without the help of the villagers of Phoenix drop, only to be attacked and have Zane kidnapped by people MCD!Zane has royally pissed off. The little group run back to Phoenix drop for help, and all the MCD lot just can't seem to understand why these little versions of themselves/their friends want to help Zane of all people so badly. It takes the Garroths having a full on row over it and Mystreet!Aph breaking down in tears to get people to help (because how can Laurence and Garroth watch a small version of the woman they love sob and not do something to try and help?) and obvi Lord Aphmau was on board the moment they asked and was going to do it alone before her Guards through out their protests and Little Garroth decided to cuss out MCD!Garroth for "abandoning his baby brother" (which is where the fight started)

...

Maybe I should write this myself...

Anyway, that's where my brain has gotten me today.