#the unreliable narrator strikes again
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isfetkey · 1 day ago
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I mean, Pony was an unreliable narrator…
I love the idea that Ponyboy over exagerrated the entire Outsiders storyline. Like
Ponyboy: Hey, this is my school paper, could you guys read it over?
Darry: Yeah, I'll give it to the others
Ponyboy: So?
Johnny: It's really good, but.. uh-
Dallas: I didn't fuckin' die? When the hell did I get shot?
Ponyboy: That one time when-
Dallas: That was a fuckin' bb-gun??
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jonahmagnus · 4 months ago
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TMA IF IT WAS A 2000s CHILDRENS LIVE ACTION SERIES
[Opening narration]
Hi, my name's Jon. Im a 7th grader, and kind of the smartest kid at school. Not that my bullies, Daisy and Basira, see me the same way, or let me have a day of peace, but genius is always underappreciated in its time.
[Scenes of him at school and Daisy and Basira being mean to him, knocking his books out of his hands, tripping him, etc. He has gigantic glasses and braces.]
I live with my older brother, Jonah, who is sooo annoying. All he does is play his keytar, modify his moterbike, hang out with his boYFrIeNd, and make fun of me for being smarter than him. Hes definitely moms favorite, which is totally not fair.
[Scenes of Jonah, a gender neutral young adult, messing around with a keyboard, changing the wheels on their bike, talking to a same-aged Mordechai Lukas, and holding a book above Jon's head and laughing.]
Then theres mom, Betty Holding. Their not really my mom, they dont have a gender, but it said "mom" as close enough.
[Scene of The Eye, a tall white person with long dyed blonde hair, cooking something while reading off a recipe book, before looking up, and winking at the camera.]
Yeah... mom is kiiiiind of the whole reason Im in this mess.
[Scenes of Jon finding a secret passageway in what appears to be The Beholding's offce, him in a dusty libray, and holding a book, with his friends (tim, sasha, martin, all also like 12,) leaning in to look.]
Oh right, did I mention Im currently running for my life?
[Cut to Jon & friends running from a weird monster thing down a hallway, before a freeze frame on them doing funny faces]
Listen, I'll look a lot less stupid if you let me explain it to you, okay?
[REWIND SOUND EFFECT]
[THEME SONG PLAYS, A CHIPPER UPBEAT GRAVITY FALLS ESKE REMIX OF THE TMA THEME]
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monstrousmuse · 7 months ago
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“THREE SIDES TO EVERY STORY”
Is this just another clever triangle pun, or could it potentially mean that there are well, three sides to the ‘story’ that is going to be told in this book? Three accounts, three perspectives...
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It is telling that when Katniss is supposedly trying to be distant from Peeta in the first half of CF, there are two specific instances where she notes she’s in a state where her inhibitions are lowered and she worries about things she might say or do around Peeta. First, is under the influence of sleep syrup when she hurts herself and the second is after she gets drunk with Haymitch when the QQ is announced.
“A side effect of sleep syrup is that it makes people less inhibited, like white liquor, and I know I have to control my tongue. But I don’t want him to go.”
“My head’s spinning from the drink, and I’m so wiped out, who knows what he could get me to agree to?”
These aren’t instances that tell us that Peeta is a danger to her in some way while she’s in these states - because there’s absolutely no world in which Peeta takes advantage of her like that. But it reveals to us a lot about where she herself is in regards to Peeta. For all her talk of choosing Gale and the rebellion, she knows she’s harbouring feelings for Peeta, feelings she can’t even fully say to us the readers. She knows that with her inhibitions lowered around him, she’s emotionally vulnerable to him. She knows she has to restrict herself from saying/doing certain things, or even seeing him altogether because seeing him in that state? She’s a goner.
It’s that whole notion of “drunken words are sober thoughts.” In the first encounter, she’s the most physically affectionate and essentially needy (!) with him that she’s been since the victory tour and since her conflict over the rebellion/Gale’s whipping. All the restraint she’s been trying to have, the flimsy wall she’s tried to build comes crumbling down. She asks him to stay repeatedly, she holds his hand to her face and takes in his scent. And that’s her while she’s trying to be in control. So it’s a good thing she doesn’t at all go to see him the second time because she’s fully drunk then. And considering that when they meet the next morning, she’s disappointed that he’s not comforting her with hugs and kisses, I can imagine how a meet up between those two that fateful night would’ve been.
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transkholins · 5 months ago
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"one who'd rejected his advances" 1) that is categorically not what happened 2) getting increasingly uncertain about if i'll have to mark off my "eleventh hour shakadolin" box on my bingo card
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hyperlinkproxy · 3 months ago
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love the contrast of these sentences
especially with the context that the first line is said cuz of his total non reaction to hearing abt luo binghe's spontaneous rise from the dead. from shen qingqiu. the martial sibling whos been grieving him for like years to the point that people outside the sect have heard of it.
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milfshenyuan · 2 years ago
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reading is a dangerous hobby 🤷
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cementcornfield · 2 years ago
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like how do you go from '"i forced him to go to Vegas with me, he's such a great person" and "we watch ufc fights together" to "we go back to 'i don't want to talk to you' normal life" in 24 hours. feels like an overcorrection!!
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heavysighing-dreamyeyes · 10 days ago
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A Specter
Jason Todd is once again more or less an unreliable narrator (and a little dramatic, but he gets a pass for dying) ~1k
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Jason Todd wakes up from death drowning, his lungs burning out of his chest. When he breaks the water, he will cough out sickening green that will claw its way into his nightmares. He will dig his jagged nails into the ground and gasp for air he is not meant to be breathing.
And when that is all said and done, he will only have one thought on his mind. Where are you.
Jason Todd rejoins the world as nothing more than a poltergeist. He haunts back alleys and rattles skeletons in the closest of anyone stupid enough to get in his way. He is a wraith, his visage screaming with nothing more than vengeance and bloodshed.
That is, until the night ends and his mask is left clattered to the floor of his barren safehouse. And then he will think of nothing but you.
It's pathetic, to be so attached to someone who doesn't even know he's alive. But that's the problem. He's attached. His dreams, when they aren't nightmares, are filled with your laughter and the memory your hand curled into his.
Jason Todd has not moved on from anything. He hasn't moved on from that warehouse. Hasn't moved on from his own incompetence. Hasn't moved on from the betrayal of those who were supposed to love him.
So he doesn't think he should be expected to move on from you. Not when you're the only anchor his lost soul has left. (This is an excuse, one he knows all too well, one he'll never acknowledge)
The thought of you seems to claw at his heels with every step, every breath he takes that isn't intended towards an effort to find you. He knows it would be easy, to find you. All he would have to do is look. But Jason Todd is a name meant for gravestones, and yours is a name meant to be written in light.
So, he cannot imagine, even in his most twisted desires and daydreams, dragging you down to where he rots. To the moments he starts to wonder, if he breathes too heavily– if he coughs too hard in the Gotham smog– will green water leave his lungs instead of air?
Jason Todd does not look for you, content satisfied accepting enough with the memory of you. His own private apparition that manifests into every part of his life.
(He sees your favorite color in the blankets he buys, lingers too long in front of your favorite flowers, orders your favorite foods, even if they were never his own)
He is stuck in his never-ending pattern of revenge that wails of a past still broken– anguished by the weight of things never fixed, words never said. He stares out through the white, glowing eyes of his mask that was made to strike fear and knows that this is all he will ever be.
The people he saves, the good and bad he does, the lives he takes, does not change that he is still drowning. He is still the boy sputtering emerald waters laced with a magic he doesn't understand. He is still the boy who came back to life with only you in his head.
But he is not the boy that held your hand with gentleness and hope. He is not the boy who smiled at you and promised to come home.
He is a ghost. A thing of memories bound to the present by hate and fury. He is wrongness and he is twisted, and he knows that if he did seek you out, he would only darken your doorstep with curses and decay.
So it's very much a problem when you grace his crumbling safehouse of the week with your presence.
He's not sure who tipped you off to where he was, not sure how you even know he's alive. But you're here, and there's nothing he can do but let you inside.
He doesn't remember everything you say. He doesn't even remember if he talks much. He just knows he's choking back that eerie, unnatural water in the back of his throat every time his eyes meet yours.
You shouldn't be here. But you are– were. You brushed your fingers over the back of his hand as you moved to leave. You asked to come back. That he remembers.
And, by whoever is listening, he said yes. He said yes and scribbled an address onto a piece of paper and pressed it to your palm.
He said yes, and he says it again and again, each time you carry yourself into his home that was no better than a morgue– a tomb to hold everything he used to be– he says yes.
You don't seem to care that he has nothing to offer but whispers of something that will never exist again. You do not mind that he is hardly more than false righteousness and thinly veiled wrath. You are fine with the fact that Jason Todd is supposed to be dead, but by some foul trick of fate, he is not.
No, you count him–the waters that made him new– as a blessing. It shocks him, the first time he hears it. Nearly makes him retch.
How could it be a blessing? How could the pain of feeling your bones snap into place, your muscles restitching themselves, your soul fragmenting apart and back together, be a blessing? How could knowing you do not belong and can never belong again be anything more than a blight?
It isn't. It can't be. It won't be.
Until one day– after weeks of pressing papers with scrawled numbers and letters into your palms– your fingers thread into his and then it is.
Something in him settles. Something haunted seems to fade. And not everything is perfect, but there is suddenly more than the past and shattered things. There is more to Jason Todd than an etching on a headstone, a hushed warning in a story.
There is a future, and Jason Todd suddenly finds himself to be more than a passing, vindictive phantom. With your hand in his, what rings in his head, laced with hope and something that was lost now found, is you. As it has been, and as it always will be, it is your memory in his head, your name on his tongue, you, in his heart.
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tillsfan · 2 months ago
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new official arts analysis..
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i really like how. doll-like sua looks here. i love when vivimeng depict sua as a husk of a person, dehumanizing her because she really had nothing without mizi.
the sua on the right seems very content, leaning into her reflection. she honestly seems kind of proud in my opinion. this is her satisfied with her decisionto sacrifice herself without mizi’s knowledge, content with the happy lives they lived while they could live it. sua was accepting of her death, happy it would be her and not mizi, because she KNOWS she wouldn’t survive on her own. mizi is strong, sua isn’t. we also know sua is very selfish. maybe she looks so content because she knows mizi will continue to think of her? maybe she’s aware of the impact this would have on mizi, how she will never leave mizi’s mind, making it easier to accept her own sacrifice.
the sua on the left is creepy, soulless. i always imagined this version of sua is mizi’s current perception of her.. sua was still an angel in her eyes, she was literally mizi’s god, but mizi didn’t know as much about sua as she thought. she knew nothing at all. the sua she knows now is not the sua she knew previously, the innocent and happy sua she grew up with. she’s a shell of a person now, haunting mizi’s mind. did sua plan this? how did she know this would happen? why didn’t she tell me? why did she lie to me? i’m sure questions like these are circling in mizi’s mind, never to be answered.
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ivan looks. deranged. to start. he’s way more focused on the camera than sua, looking down on us. also unlike sua, he’s sweating and crying(?), and is leaning away from the reflection. this immediately pushes the fact that ivan didn’t exactly plan his death like sua did hers. we’ll never truly know what was going through his mind, but i always felt like his lash out at till was an impulsive decision. he knew one of them was going to die, and when he saw till no longer fighting, he realized the reality that he wouldn’t be able to keep on going without till. so he ran, letting out all his emotions in his final moments. he is also a very selfish character, so i feel he’s ecstatic that in the end, he got to leave a lasting impression on till like he wanted. either that, or he’s grateful he finally got to let out all his emotions towards till, making till suffer yet saving him in his final moments.
another detail i noticed is that the ivan’s hands aren’t touching each other like sua’s, his hands have their backs faced to each other. the ivan on the left isn’t ivan’s true nature, it’s the facade he’s known to have showed those around him. he’s detached from this persona he put up, therefore not touching his palms. he’s also looking at us like he KNOWS something we don’t. unreliable narrator ivan strikes again.
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okay so till’s is SIGNIFICANTLY different than both ivan and sua’s. he’s the only one facing away from us, the blood on him not visible. the side of his injury is also facing away from us. there’s also a lack of branding on him. i feel this is the most obvious piece we’ve gotten signifying that he’s going to be alive. they’re deliberately hiding any way for us to see the aftermath of his injury.. vivimeng has been treating till’s supposed death So much more differently than they’ve treated the other characters deaths. in his final comic, his post ‘death’ official art, and now this (which i will elaborate more on in a different post. i have an 10+ paragraph long analysis on why i believe till is alive LOL..)
his reflection is also not a normal mirror—it’s a true mirror. the hand placement isn’t mirrored like ivan and sua’s, it’s as if he’s directly holding out to the till in front of him. i believe he has a true mirror because he has always been true to himself. he never put up a facade or lied like ivan and sua did, as he never needed to. he was always his most authentic self, not only living for another person like the other true, but also for himself. we don’t see the mirror till’s expression, but we can see his mouth. he’s frowning, showing a lack of acceptance to his fate. i genuinely think he’s going to be okay. he’s a fighter, even in this photo, he’s still fighting. he refuses to accept that it’s his time to go, not sparing us a mere glance of assertion regarding his death.
note that i’m not saying these are the true meanings! just how i interpreted it. <3
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queereads-bracket · 3 months ago
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Queer Adult SFF Books Bracket: Preliminary Round
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Book summaries and submitted endorsements below:
The Last Sun by K.D. Edwards (The Tarot Sequence series)
Endorsement from submitter: "Totally immersive, absolutely gut wrenching, with the most fascinating of unreliable narrators, this series has me in a chokehold. This first book is the least diverse, but as the series goes on you get more female characters and more characters of color. I think one of the most personally striking things for me is how nice it is to read a book by an ace man about an ace man. We don't get near enough of those. Plus I will die on the QPR Rune/Brand hill. There are so few stories where one of the most crucial relationships in the book is neither romantic nor sexual and you can pry it out of my cold dead hands."
Rune Saint John, last child of the fallen Sun Court, is hired to search for Lady Judgment's missing son, Addam, on New Atlantis, the island city where the Atlanteans moved after ordinary humans destroyed their original home.
With his companion and bodyguard, Brand, he questions Addam's relatives and business contacts through the highest ranks of the nobles of New Atlantis. But as they investigate, they uncover more than a missing man: a legendary creature connected to the secret of the massacre of Rune's Court.
In looking for Addam, can Rune find the truth behind his family's death and the torments of his past?
Fantasy, urban fantasy, mystery, series, adult
The Javelin Program by Derin Edala (Time to Orbit: Unknown series)
When Dr Aspen Greaves signed up for the Javelin Program, humanity's first foray into colonising deep space, they expected to wake up to life in a thriving colony on a distant planet. Instead, they find themself five years away from their destination on a broken spaceship full of complex mysteries, dead astronauts, and a very unhelpful AI.
Aspen wasn't trained for any of this. But if they can't keep themselves alive, get the ship in working order, and find out what went wrong by unravelling a chain of mysteries leading all the way back to distant Earth, then neither Aspen nor the five thousand sleeping passengers in their care will ever see a planet again.
Science fiction, mystery, series, adult
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charliemwrites · 6 months ago
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Oh, Witchfinder...
The rumors are seeds carried along the last frigid winter wind. There’s a cluster of townships that flirt at the edges of a dense forest in the northeast. The smallest and farthest village is said to be infested by those most heinous of Hell’s denizens, a witch. Witchfinder General Shepherd sends the captain of the 141st witch hunting division to investigate. "Let me pour you a drink."
Original AO3 Link
Content: Witchfinder AU, Dark Content, Dub-Con and Non-Con, Abuse of Power and Power Imbalance, Murder (non-descriptive), Possessive/Obsessive Behavior, Unreliable Narrator, Blasphemy and Religious Elements (Christianity)
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The rumors are seeds carried along the last frigid winter wind. They sprout suspicion in the fertile soil of the witchfinders’ information network.
There’s a cluster of townships that flirt at the edges of a dense forest in the northeast. The smallest and farthest village is said to be infested by those most heinous of Hell’s denizens, a witch.
Travelling merchants who have weathered the journey tell tales of shrieking trees and shadows that creep around campsites. Water coppery with blood and plagues of nightmares swathing entire caravans.
Witchfinder General Shepherd sends the captain of the 141st witch hunting division to investigate.
It is a sunny spring day when John first steps foot in your apothecary.
A bell above the door announces his arrival, a little brass thing that peters off like good laughter once it’s closed after him. The shop is absent of customers in the late morning; all the better to ask his questions without others to share the weight of his attention.  
A voice calls to him from a room beyond the counter, a bright compliment to the doorbell just gone silent, begging his patience.
Church bells ring for death too.
But death knells are not what flood John’s mind when you flutter into view, sage-stained hands smoothing ribbon-laced hair. An apron hugs tight about your waist, a stained linen cloth tucked between double-looped strings. A smear of vibrant green when you absently wipe your fingertips over a corner.
Barbed hooks burrow into his mind and hold fast.
You come up short when see him, eyes big and blinking like a trick of the light you can’t make sense of. He takes a heavy step deeper into your shop, herbs fresh and bitter in his nose.
What remains of the man he was before this moment clings to his shoulders.
“Oh, hello,” you say, “I’m sorry, I expected… ah, what can I do for you, sir?”
You close the last bit of distance to the counter, a half step for him two of yours. Dainty hands stack at the edge, one beneath the other like nesting birds. John crosses your humble shop in two long strides, boots loud as gavel strikes across a clean-swept floor. He is accustomed to being judge and executioner, a blood-soaked cloak draping his shoulders; something in his chest stirs at being yours.
“You are the shop keep?” he asks, dragging his eyes over yours.
You peer up at him through your lashes. Sunlight spirals through your irises, trips over the dark ring that separates them from pristine white.
“Yes, sir,” you answer.
“You’re the village healer, then?”
You blink again, brows doing a complicated dance deciding if you’re offended or not. “I am.”
Petal soft lips curl and press together on that last phonetic, hint at the question you didn’t quite ask.
“The others tell me you were beset by a witch last year.”
Your mouth parts on surprise, closes when you notice the silver medallion perched on his chest.
“Oh,” you breathe in realization. “Yes, in the autumn. Another witchfinder cured me.”
His eyebrows arch, but your expression remains open and guileless. The counter is less than the length of his forearm, but it’s too much distance. He wants to drag you to his chest and bruise that delicate jaw, squeeze a story from your polite tongue.
“I heard no news of this,” he says, hardening his voice into brick.
You tilt your head. “I couldn’t say why. He seemed quite proud of his victory.”
John’s eyes narrow. Pride is a poison to be imbibed in small doses. A couple drops on the tongue will do, a honeyed warmth fueling good, hard work and living well. A witchfinder must abstain regularly, lest the work become hollow and the living too well.
“His name.”
“Sir Graves,” you answer promptly, then tap a neat fingernail against the countertop, “I’m afraid that if he shared his first name, I don’t remember it.”
Not likely, he thinks. Philip indulges pride a little too readily by John’s estimate – and by most others’ as well. It’s no wonder when Shepherd feeds his lapdog feasts just for fetching. Could, perhaps, put the Devil himself to shame one day, glutted on lording himself over peasant folk looking for salvation by his sword.
If Philip was in this little village and saved a lovely young thing like yourself from perdition, he would have come back to trumpets.
“Odd, that.” John muses. “That I heard of your village’s witch, but not one of my own killing it.”
You hum. “Yes, you said.”
“And the witch is dead now?” he confirms.
One shoulder lifts, a tentative shrug. “I should think so. The village has been peaceful and I’m no longer ill.”
No, you certainly are not. You’re a portrait of health, haloed in good humors. John has seen mere brushes with the wicked rend men in their prime to frail simulacra of themselves. Yet you stand exquisite upon the year’s rebirth, cheeks round from a full belly through the winter.
“And yet I hear that the woods cry in the night.”
He heard no such thing on his journey in, but better to see how far the roots spread. 
“I could not say,�� you demure, “I sleep quite well, sir.”
He flicks his gaze over the precious silhouette of you, a pretty thing in a dress trimmed in yellow. An idle thought tiptoes to the front of his consciousness, a thief sneaking away his good sense.
You, tucked up alone in a too big bed, sleep soft and vulnerable, moonlight kissing bare skin…
The sleeves of your dress are scrunched up a bit at the wrist, tender skin and serpentine veins peeking past modest fabric. A dark splotch near your thumb draws his gaze.
He snatches up your little wrist like a lightning strike, yanking your arm across the counter while you’re still scrambling past a gasp to protest.
“When witches consort with the Devil, he often marks them.”
John’s grip is iron, though it wouldn’t bruise if you’d stop pulling. Surely you must know, just from the size of him, that you have no hope of resisting without indulging in some inhuman power. Even bracing your free hand against the counter for leverage, you’re held fast.
He tugs your sleeve down, revealing the discolored patch of skin to the light. You make a noise in the back of your throat, brows scrunched and tilted with distress.
“It’s just ink!” you squeak. “Let me—”
He concedes to his initial urge and locks his big hand around your jaw, from corner to corner. You squeal, supple lips bracketing teeth blunt of suspiciously sharp edges. A slick pink tongue pillows the floor of your glistening mouth. He twists his wrist, rough fingers hooking under your jaw and chin so that he can plunge his thumb into that noisy cavern.
He’s tempted, so tempted, to leave it there. To pet at your tongue until it’s a tame pet, jumping at his command. But your whines are getting pitchy, your eyes shiny, and he has no need of scaring you until you’ve been proven heretic. He dips into the saliva pooling behind your bottom teeth, then pulls away before you can do something monumentally stupid – like bite.
He rubs the wet digit over the mark and sure enough, it reactivates and dilutes a coal gray. Just ink after all.
When he releases you, the glass-laden shelf behind you rattles, glass vials shuddering together with a tinkling sound. Laughter at your expense.
“W-wha – why…?” you whimper, arms drawn close to your chest.
Perhaps he was hasty. He nearly startles that he does not feel more than passing regret – that you will be warier to approach him again. Hastily, disturbed at his own reaction, he forms his expression into a moue of apology.
“I know,” he soothes, weaving his voice into a velvet blanket around your tense shoulders. “That must have been frightening. That was not my intent, little miss.”
You sniffle a bit, those unshed tears still glossing big, round eyes.
“Witches are a dangerous kind,” he continues, “you know that for yourself.”
At your tentative nod, he curves his mouth into a gentling smile. Combined with the scruff of his facial hair, he knows he telegraphs warmth and trust – Soap has even teased as fatherly. The sight of it unfurls you, a wilting flower twisting towards the sun.
“You can understand, then, why I had to act swiftly?”
You nod slowly after a moment, taking the tiniest of steps away from the wall.
Brave little thing, he thinks with a wicked curl of fondness. The type of fondness a dog would feel for their favorite bone to gnaw.
He offers his hand, beckoning you to come of your own volition this time. His palm tingles in anticipation of your touch, builds into a burn the longer you hesitate, your touch the balm he needs to relieve it. Your eyes flick between his face and his hand; your unmarked throat bobs as you swallow.
Then you shuffle closer and glide your soft fingers across his, alighting his nerves.
“Though it is my duty, I do regret the affect it has had on our introduction,” he rumbles, voice lowering. You lean a bit to hear him better; he nearly drops to a whisper. “But may I offer my name, as a sign of good faith.”
Your answering smile is small, still shaky, precious like gemstones.
“I am Captain John Price, witchfinder. At your service, my lady.”
Men avoid you in the streets.
It’s a subtle gesture, a slight change of course or pivot of the heel. John doesn’t even notice until a group of three splits two and one to allow you unhindered passage. They don’t appear nervous, nodding their heads in greeting that you respond to with smiles and tiny waves. There’s a basket on your arm that they are careful not to bump, though none offer to carry it either.
The women, by comparison, frequently stop you in the middle of the street for a pleasant word or friendly clasp of hands. Like songbirds on the eaves, twittering brightly.
“Where are all the men?” John asks the baker.
“Begging your pardon, sir?”
“There are fewer men than women,” John notes, nodding to the main street – three women to every man. “Why is that?”
The baker blows out a breath, the long sigh of an elder man. “Oh, the same reason all boys leave home, you know? They go out to make their fortunes, chase fame, fall in love. We’re a small village, little of those first two to be found here.”
John chuckles his agreement, thanks him for the insight – and the fresh rolls – then strolls towards the smithy. The short journey is riddled with curious glances and whispers, none with concern, but none with eagerness. He thinks someone might whisper your name to another as he passes.
As luck would have it, you are outside the smithy, a younger girl hovering at your elbow with a worried brow.
“Is something the matter, ladies?” he calls.
You jump a bit, cup your hands together, one over the other. Hiding something. He arches an eyebrow and hooks a hand in the belt across his chest, thumb peeking out. Stops a polite distance away. Without the illusory safety of a counter, you appear ready to dart off like a startled doe.
“Or are we up to mischief this morning?” he teases upon seeing the younger girl’s flustered face.
You drag your teeth across your bottom lip, trepidatious eyes scanning John’s features. He keeps his smile warm and friendly, the set of his shoulders loose. Your gaze lingers at the corners of his eyes where the skin has begun to crinkle with his age. Then you giggle a bit, an embarrassed grin sneaking across your mouth.
“We’ve made a friend, Sir Witchfinder,” you reveal.
“A friend you say?” he asks, tilting his head.
You hum and lift your hands a bit in offering. “Would you like to see?”
He arches an eyebrow, taking his turn at a cautious measure of your intentions. The glint in your eyes is joyous, not sinister. Shaking his head a bit, he idles a step closer.
“If I end up with a face full of ash…”
“We would never!” the younger girl gasps.
“I wouldn’t dirty my hands for a silly joke like that,” you add with a cheeky curl to your lips.
“Let’s see it, then.”
You slowly, carefully, lift the hand on top. Sat in the well of your palm is… a mouse.
“This is your friend?”
“Handsome little devil, isn’t he?” you coo, thumb smoothing behind a rounded ear.
“A bit waterlogged, though,” he notes.
The poor creature’s fur is dark and clumped together, sticking up where it's brushed against your hands. It’s curled into a tight, shivery ball, beady little eyes staring out at a world far too big for it.
“He fell into the rain barrel,” the girl explains sadly, “I didn’t know what to do.”
“You could have sent it on its way,” he offers, peering at her across your arms.
This, apparently, is of great offense.
“He would die! It’s still far too cold!” she cries.
You hum in agreement, soothing the mouse as its ears twitch. “He’s a young one too, would be a shame that he survived the winter to die like that.”
A circler patch on your skirt reveals just how much of a shame you thought it would be.
“Well, what’s to be done with it now?” he asks.
You cuddle it closer to your breast, beaming as it huddles into the warmth of your body.
“Mallory, would you collect a wooden bowl your father won’t miss?”
“Gladly!” the girl chirps and scurries into the smithy.
Left alone, you don’t seem to grow wary of John again. Most of your focus is on your tiny charge, though you flick him a warm glance when he ventures a careful finger over its spine.
“What a stupid little thing,” he muses, not unkindly, “falling into the water like that.”
You laugh a bit, soft and quiet. A precious jewel shining from a riverbed.
“I like stupid creatures,” you reply. “When they lash out, you know it’s not with malice. Ill intent is an invention of man.”
His brows arch. “How do you reckon?”
You tilt your head, eyes sliding away in thought. “Well… I’ve never heard of mice starting a war for gold. Have you?”
Such a seemingly harmless question; it sits like stone in his chest.
“No,” he admits. “I have not.”
Mallory returns, a wooden bowl with high sides in her hands. You pluck a square of linen from the layers of your dress and arrange it at the bottom of the bowl, then deposit the soggy rodent atop. Its tiny black nose twitches, exploring its new bed.
“Set this in a sunny window with a thimble of water. When he’s regained his strength, you can return him to the forest,” you instruct.
John clicks his tongue. “Your father will not be pleased if it gets loose.”
Still, he tears a bit of bread from his bounty of rolls and drops it next to the mouse.
“I’ll keep an eye on it,” Mallory assures and trots off with her occupied bowl.
You and John watch her until she’s disappeared back inside the smithy.
“It’s still a pest, you know,” he says after a moment.
You slant your eyes towards him, a sad twist to your smile now. “That didn’t make him any more worthy of drowning.”
“Someone may still kill it one day.”
You turn to him fully then, chin tilted in not quite a challenge. “Then why did you give him bread?”
It’s a question he could easily shrug off or wave away, but the weight of it settles heavy around his shoulders. Your gaze bores into him.
“I don’t believe in cruelty for cruelty’s sake,” he explains after a moment. “And I do not believe in suffering for principle.”
You blink at him for a moment, storm clouds churning in your eyes. Then someone calls your name and you bid John a quiet ado.
The sheep are huddled in the pasture, an off-white island in a blue-black sea of grass. Their sentinels perk as John passes, eyes glinting by fish-belly moonlight. They make no sound, only lift their shaggy heads to track his passing. John spares them a nod, one guard dog to another.
The nature of a witchfinder is not so different from theirs, to protect the flock and bend to the shepherd’s guidance. How must they feel when their master inevitably slaughters one of their own lambs and lets them taste of the meat?
The forest is loud for the first half-league. Mother nature has let her night children out to play – foxes in the brush and owls perched amongst crooked boughs. Perhaps she has welcomed the arcane tonight as well. The moon is not full, but the lure of sin drives the craven to sate themselves on unripe fruit.
John follows the trodden path to the river where the witch drowned. No trace of the execution or her remains. The wilds are cruel that way, swallowing the righteous and wicked alike and leaving not even bones behind. Marrow is always good for feasting, no matter the soul that inhabited them.
He follows the bank upstream a ways, deeper into the forest, and farther from the places that most would venture. The animals here are more cautious of unfamiliar scents and flee long before he might disturb their evening. As a consequence, the night grows quieter, lonelier.
Then silent all at once.
John is a blooded witchfinder; he knows what this silence means. His palm curls around the handle of his flintlock.
A shrill scream splits the air, high and awful. A death cry – a rabbit’s.
The insects return as the night folds over the bloodshed. John doesn’t move his hand from his pistol.
He waits, a chill wind gnawing at his skin, wriggling in the spaces between his clothes, tangling in his cloak. But there never comes a sign of anything more. Eventually, he turns and navigates back towards the village along the threads of deer trails.
Just as he passes the tree line, a breeze stirs. A few faint haunting notes burrow into his ears and carve maddening paths through his brain. Someone is singing.
His gaze curves towards your apothecary, though even from this distance the windows are ink black.
How easy it would be to steal inside, confirm that you are a good girl tucked up in bed. Perhaps even, for the sake of thoroughness, confirm with his hands and tongue that your croons are not the ones teasing him on an unnatural wind.
John takes a single leaden step towards your home. Towards you. Then the church bells toll – once, twice, thrice.
He pivots on his heel and returns to the inn.
You are at mass the next morning, in the third row from the front, tucked between the baker’s wife and the blacksmith’s daughter. The latter is giggling to you while the other parishioners trickle in and lace the pews. Your smile is bright and sweet, primrose blooms in the trellis outside the inn. A spiderweb of lace threads through your hair today, an intricate pattern he traces with his eyes, over and over and over.
He asked after you – before going to your apothecary and then after. You are well-liked, of course you are. Their precious healer, so handy with your tinctures and ointments, so kind in word and deed. A dreadful business it was, when the shadows appeared in your eyes and spilled over, vitality washed from your skin. You snapped at a huntsman one day, then snarled at the mayor’s eldest son a week later. They each fell fatally ill by month’s end.
You had not liked the witchfinder one bit. Had forced him from your shop and refused his men aid for their travel sores. No one knows what happened All Hallows Eve, when they dragged you from your home to the tiny village jail. All anyone knows were the rabid screams, the curses you shouted through the night, the staggering gait of one witchfinder come first light.
The villagers spoke little and reluctantly of the drowning. That you were marched, silent as death and blank as parchment down to the riverside in chains. The forest was silent when they bundled you up in canvas and roped it closed. There was a terrible splash when they threw your still body into the depths, how you sank and sank and sank…
You were sitting at old woman Josie’s side when they returned, dry and warm and so curious about where everyone had been for so long.
John watches you kneel for communion, mouth parting to receive sacrament. How powerful the Lord must feel, to be placed upon that silken tongue and taken into that soft mouth. The light shifts through stained glass, you’re dyed with Heaven and saints.
No, you are far too exquisite for God; all His angels would fall for envy of you at their gate.
Blasphemy tastes like fresh bread, warm and soft and a little sweet.
John forgets to cross himself. The eucharist has ended and you are gliding down the center aisle towards his post at the church doors.
“Good morning, Sir Witchfinder,” you chime.
The baker’s wife squeezes your elbow as you part ways. John replaces her touch with his own, turning with you towards the apothecary.
“I trust you slept well?” he asks, falling into step.
“Like a lamb,” you reply, “and you, sir?”
“Well, for what I got.”
You are a song that followed him into sleep. His dreams were laden with your big eyes and your soft lips and the memory of you yielding beneath his grip. He woke this morning humming your tune.
You have to tilt your head so far to gauge his expression. “Trouble sleeping?”
“I went into the woods last night, looking for truth to the rumors.”
“Oh! Did you find any?” You wear innocence like fine pearls.
“None. Though I may find something on the full moon.”
You hum, curious. “The full moon is important, then?”
“It is sacred to witches.” He scoffs, “Well, what passes for sacred to them.”
Another question perches on your lips, but a call of your name robs your attention once more. The mayor, asking for a tonic. You pause to ask after his symptoms, and his wife, and his niece in the next town over. It’s a simple yet beautiful net you weave, ensnaring the man’s good will. You promise a bottle before noon and continue on with John at your pretty little boot heels, a dog on a silver leash.
“Tea?” you ask as you enter the apothecary.
He nods. “My thanks.”
You hum and flounce off to the back room. He keeps half an ear on you there while he wanders the shop, a more critical eye upon your wares. There are jars labelled in looping script with commonplace items. A quartet of honey, a cluster of infused oils. Tins of balm for wind chafe and sunburn. Nothing of suspicion, though it would be a foolish witch that keeps virgins’ blood and reptile eyes in plain view. He’s still not sure if he expects to find them anyway.
Spurred by he knows not what, John rounds the counter. Beneath it is a number of other glass vials and containers with careful labels. Their uses are not included, but he recognizes some of them. Cinnamon powder, crushed chamomile, lavender buds, mint leaves. There’s also a little sheaf of bound parchment denoting inventory and sales; business is healthy for the village’s sole healer.
The quiet shuffle from the other room becomes supplemented by a light hum.
John’s feet move of their own accord. The backroom is a well-lit, clean space, but the entirety of his razor focus is on you. He does not bother to lighten his steps and so you’ve already turned by the time he reaches you.
A gasp pitches high in your throat when he backs you against the table behind you.
“Sir—”
You smell like vanilla and daffodils today. Incense in the church that’s been built for you in his mind. He braces his hands against the table to either side of you, caging you in.
“Price,” he growls against your ear. “Call me by name.”
The sweetest little shudder wracks through your smaller frame, a spray of blush blooming across your nose and cheeks. He exhales the urge to drag his tongue across it, let the heat burn his mouth, initiation by fire.
“I-I couldn’t possibly – never mind, what are you doing?!”
He could coo at the affront daring to color your voice. How dare this big man invade your shop and your space and your life, how dare he sink his teeth into the very thought of you?
“I heard singing last night,” he says instead, a growl in his chest that you surely feel against your fluttering breast. “It sounded like you.”
You shake your head, a little furrow between your brows. “I slept through the night, sir.”
“Price.”
“Captain, please, are you sure it sounded like me?”
He stiffens to his full height, towering over you. You try to shrink away, but space has become a commodity he will not afford you.
“You doubt me?”
That little spark of indignance is already cooling, smothered before it could grow into a proper flame. You try for reason with a man who thinks he lost it sometime between seeing you for the first time and his next breath after that.
“There are many children in the village,” you explain. Your hands inch up between your bodies, like ivy creeping up stone walls. Their roots will find purchase in the cracks you’ve chiseled in his foundation. “Perhaps it was a mother singing a lullaby?”
He grasps for all the good sense he was once graced with that made him captain.
Behind him, the kettle begins to shriek.
“Please… Price?” you murmur. “Let me get that?”
He allows the narrowest margin for you to escape. You take it with nervous, stumbling steps. As you collect the kettle from the modest fire burning against the back wall, he tries to wrestle up what remains of his tattered resolve.
John has always considered himself a fair and reasonable man. Unlike a tragic number of his fellows, who have never met a woman they did not condemn, he has strived to be more discerning. A shepherd dog cannot protect the flock if it bites its own sheep. He’s saved as many from the stake as he’s sent to the noose.
Since meeting you, however, he feels as if he’s stranded with no compass and no stars. You’ve robbed him of sense and patience and virtue, left a ravenous beast behind in his skin. It’s unlike any enchantment he’s heard of – one that wishes to ruin the caster so thoroughly. He’s possessed by his need to possess.
It’s some kind of magic, it must be. He doesn’t think he’d recognize himself in a mirror.
“We’re putting this to rest.”
His voice startles you, eyes wide and anxious when he closes the distance again. He counts his steps, measures them on whirls in the floor. You fidget at the sleeves of your dress, light blue trimmed in white lace. A bit of sky draped around temptation. Hell hidden in Heaven.
“The Lord’s Prayer,” he commands, “now.”
Though your voice wavers, you manage its entirety without stuttering or coughing, each word carefully enunciated. It is no surprise; you attended church and took communion without strain.
And yet… and yet.
“I need to be sure,” he decides. “I must examine you.”
You blink. “E-examine?”
“You must be familiar with this, yes? The Devil hides his marks in many places.”
Realization washes across your pretty panicky face. What an awful spell you’ve cast, that makes him want to see that expression when he wrests terrible ecstasy from your trembling body.
“I-I don’t…”
“I know,” he soothes, “it is frightening. We will do this last thing to ensure your innocence, and then I will not seem so mean, I promise.”
You squeeze your eyes shut as you nod, perhaps finding solace in darkness one last time, before your glamour is revealed.
“One thing at a time,” he encourages, firm but not unkind. You look like your knees are about to give out. “It will not take long.”
With shaking fingers, you unbuckle the thick leather belt cinching your waist. You fold it in half and set it aside on a clear patch of worktable. Your gown comes next, laced at the front with a neat bow that had been hidden by the belt. This is draped atop the table as well, and then you pause, hands twitching in the skirt of the cream shift you’re left in.
John takes pity, generous with the promise of more to come. Delayed gratification has always been his vice of choice. “Let’s start from the bottom, shall we? Shoes next.”
You sigh softly in relief and bend at the waist, drawing the hem up with one hand. The other tugs at the laces of first one boot, then the other, stockinged feet padding out onto the wood floors. You tut offhandedly about tears while you set your shoes neatly aside.
Higher and higher your thin shift goes, a measure for the anticipation roiling in his gut. Your stocking climbs up to your thigh, where a clever little cuff hugs plush flesh, a slight bulge where you’ve laced it tight to stay in place. It slides down, down, down, and off your dainty little foot. Between the deliberate slide of fabric and the fluttering of your shift, bits of skin flicker into view like clouds passing over the moon.
The other stocking is just as torturous, just as hypnotizing. John drops to his knees when you’re finally standing barefoot, the hem of your shift still drawn up enough to display how you shift your weight.
Even your ankles are so small that he can fit his entire palm with fingers overlapping. You make a nervous noise as he pries your foot up from the floor.
“I’m going to fall,” you mumble.
“Hold onto me, then.” With his free hand, he guides one of yours to his shoulder. The other follows suit, balling into his tunic. “Just like that, there we are.”
You hum, sounding unsure but mollified. He tilts the limb until he can get a look at the sole, finds smooth and unmarked skin. The same for the other, and he luxuriates in how you lean into him for stability.
On both feet again, you seem to forget to let him go. He does not remind you while he smooths your skirt up your calves, your knees. He thumbs at a little bruise on the left and bites off a mean smirk when you twitch away.
“I bumped into a table,” you explain.
“Clumsy thing,” he tuts.
Your pouty little huff tempts him to look, but he refrains, rallying all his years of witchfinding service to the task at hand. There’s a scar on the inside of your left thigh that makes his mouth water.
“And this?”
“I dropped a kitchen knife when I was thirteen. My mother was furious.”
His teeth ache to bite into it. He taps at your hip instead. “The back now.”
“Oh.” You unlatch your hands from his shoulders to hold your dress for him. When you turn, he can’t resist drawing his palm up your thigh, marveling at living silk against his callous-roughened hand. It feels like he could tear you.
He stands, so close he can see the shade of each strand of hair. You glance at him over your shoulder, curious, but he wraps his fingers in your hair and faces you forward again. If you keep looking at him with those big, wet eyes, he’s going to do something unspeakable.
He examines the nape of your neck, the fine hairs that gather at the base of your skull. You fuss a bit about him ruining your braids when he tugs the lace ribbons free. Like a kitten, you subside when his fingers card through, scraping blunt nails along your scalp. It’s its own sort of magic, that. How your shoulders fall, and you lean into his touch just that guilty little bit.
“Back ‘round now, little miss,” he orders when the moment has stretched far, far too long for any justification.
He gives you another moment to gather your courage for what’s next and continues his inspection above your neckline. You scrunch your cute little nose when he brushes your ears and shiver a bit when he tilts your head back.
“Last of it now, c’mon,” he encourages.
A bit calmer now, you unlace the corset from your abdomen. An endearing little breath when it’s gone, ribs expanding like fireplace bellows. In nothing but soft linen, your nipples form rosy shadows through the fabric.
You have to turn away as you gather it up, flushing the brightest yet as you pull it over your head. The shift is piled with the rest of your abandoned clothes, and you are left wonderfully, scandalously, bare.
“No knickers?” he asks, a fingertip skimming over your buttock.
You jump. “I-I need to do laundry.”
He hums, amused despite the suspicious convenience of that explanation. Still, you are hardly the first woman to forget your washing, and you are a busy little bee at that.
“We’ll continue from here.”
The curve of your spine is a masterpiece, a thing for starving artists to make their name if they could capture it on canvas. He draws his thumb along each ridge, counting knots of bone down to the dimples at the small of your back.
Silver fissures decorate the lush roundness of your hips and lower stomach, where your body grew too fast inside your skin. A sign of a good, healthy childhood. They’re even softer and smoother than the surrounding skin, more decadent than silk.
“Once more. We’re almost done.”
You turn with great reluctance, arms drawn up and thighs pressed tight together. You’ve turned your face away, staring into the low fire. When he opens his mouth to coax you again, you fling an arm out, smacking into his chest. The other is still folded across the swell of your breasts.
“These as well… right?” you ask.
He tries to keep his chuckle soundless, but the dubious glance you send him from the corner of your eye is unappreciative.
Deft fingers unfurl when his thumb presses to the center of your finger palm, reflex that spreads them wide. It’s mouthwatering how easy your body yields. He turns your wrist and forearm over, checking along the tender parts beneath. You wrinkle your nose again when he holds it out to check your armpits as well. Once he’s satisfied with that, there’s some awkward shuffling to offer him the other arm.
“Your stomach, now?” he guesses, not trying to hide the patronization this time.
You jerk your head in a haughty little nod. He bends a bit to scrutinize your stomach, soft and well-fed. A sharp noise bursts from your throat when he thumbs at your naval. He arches an eyebrow as he tilts his head to your face, but you’re stubbornly looking as far from him as you can.
“That tickled,” you complain.
“My sincerest apologies, miss.”
Your nose twitches like you want scrunch it at him again. All that fussiness evaporates, however, when you realize what’s next.
“We’re almost done, little one.”
You squeeze your eyes shut. Slowly, achingly, you lower your arms. They don’t go far, folding across your stomach with tight little fists. It only takes a glance to know that you are unmarked, but John is far from satisfied. He can’t bring himself to look away, fingers tingling with desire to touch that supple skin, to feel the weight of your breasts in his palms.
“Thinking naughty thoughts, are we?” he teases, the barest brush of a fingertip over one hard nipple. “And on a Sunday.”
“N-no!” you squeak. “There’s a chill. I-I’m not…”
“So when I check this precious little cunt, I won’t find you dripping for me?”
You yelp, hands flying up to cover your face. “You mustn’t say things like that!”
“Mustn’t I?” he wonders as he lowers to his knees. It sends an ache through them, but the view is worth the toll.
“I know this is all so unusual but that’s – that’s improper, sir!” you cry.
“How many times must I remind you?” He traces his fingertips up the back of your calf, delighting in the goosebumps left in his wake. “Call me by name.”
You squeal when he hooks a hand beneath your knee and jerks it over his shoulder. Your hand flies to his other to keep your balance, eyes huge. He rakes his gaze deliberately down the curving length of that delicious body until it settles on his prize.
Heaven, he thinks, is on Earth. It is here, nestled between your thighs. The pearly gates are dripping between plump lips in a bed of downy curls. The clouds are pink and shimmering; the apple of Eden is a swollen, throbbing bud. God’s throne is the tight little hole twitching around nothing, untouched for want of a worthy offering.
Heaven’s choir is your shuddering little inhale when his thumbs part your slit wider. It’s the bitten off sound from cool air blown over sensitive flesh. It’s your sweet, startled “oh” when he draws a knuckle through all that decadent wetness. Angels sound like your moan when he pays special attention to that forbidden fruit, light circles until your hips twitch.
“W-wait,” you whimper, breathy, “I’m a – I’ve never…”
“Shh, shh,” he soothes, “I won’t hurt you, but the Devil can hide things inside, can’t he?”
You whine as he prods a careful finger at your entrance. Your modesty is still intact, really the last bit of evidence he could ever need that you are innocent. He gathers your slick on his fingertip and prods gently at that thin bit of tissue. You shake your head, bottom lip pinched between your teeth.
“Calm yourself, little miss,” he croons. “This hasn’t been painful so far, has it?”
“N-no…”
“It will not be painful now, either. Just stay still for me.”
You make a weak little sound of agreement, hands clenching and unclenching. He massages at the membrane of your entrance in slow, even strokes, his thumb toying at that swollen button when you start to tense. It finally gives just that little bit and your body welcomes his finger inside.
He does not rush, keen to fulfill his promise of a painless touch. Who would forgo the pleasure of exploring Paradise in favor of sprinting from one end to the other?
When he’s down to the knuckle, he pauses, absorbing all of this exquisite moment, all of you. Shaking and panting, leaning into him with blush down to your chest. He curls his finger, draws it out just a bit, then sinks back inside. You bend your head to him as if in prayer, mouth falling open.
“Steady on, darling,” he coos. “You’re doing well.”
When you start to squirm, he hides a smile against your thigh and pumps his finger again. Deeper, faster, curling just that little bit to pet your supple walls. Your voice breaks loose when he finds his rhythm, a cascade of moans and whimpers that baptize him an acolyte. He devotes himself to your alter, to the pleasured twitching of your virgin cunt and the rocking of your untrained body.
He finds a spongy place inside that makes you flutter around him, a gush of slick beading a bracelet down his wrist. It soaks into the edge of his sleeve and beneath the leather of his vambrace.
“Th-that’s… oh.” You nearly sing with pleasure, a hymn made of monosyllables and whiny hums. He presses his thumb firm and insistent to your sensitive clit, rewarded by another flood of wetness and desperate whimpers. “I feel… ah, I feel l-like… what are you doing t-to me?”
He chuckles deep in his chest, brushes his lips along the side of your knee. Your traitorous pussy clenches around him, not nearly so demure of its admiration.
“Let that feeling build. Let it wash over you,” he purrs. “Don’t be afraid.”
You tilt your head back, crying your pleasure to the heavens as you tighten and shake. John braces your standing leg as your eyes roll back in your skull. You’re vicelike around just a single finger, it would be nearly painful around anything thicker. He rubs at that spot inside you, thumb still in place, unspooling your ecstasy like pulling a thread from knitted cloth. You unravel so beautifully for him, on and on until you’re a puddle in his hands.
It takes a little sniffle and a wordless mewl to coax him from your heat. His hand is drenched, slippery between his fingers. You lower your leg shakily from his shoulder, reluctant to put your weight on it with aftershocks still wracking your frame.
“Good girl. You’ve been so strong and brave, there’s a love,” he soothes, stroking your hip with his dry hand. “We can put this witch business to rest now.”
You tilt your head. Perhaps a nod; perhaps just exhaustion. He straightens while you gather yourself, flexing your fingers, likely sore from how hard you held onto him. He considers the mess on his hand, a temptation more intoxicating than any wine…
But he would rather drink from the source.
There’s a spare cloth folded into a neat square next to herbs you likely meant to cut. He cleans his hand with it and turns back just as you’re fumbling for your shift.
“Easy now, little miss. Allow me.”
John leans you up against the same table where you’ve piled your clothes, palms lingering at your waist until he’s sure you have your balance. You’re sweet and pliant under his touch, his voice. He redresses you with careful consideration, putting you back together just as he found you. Or nearly just.
The post-orgasm haze dissipates like fog with each article of clothing, an odd curiosity chasing across your face when he helps you back into your boots.
“You’re a strange sort of man,” you murmur, almost to yourself. “Is it because you’re a witchfinder?”
He arches his eyebrows as he stands again, arms winding around your waist to buckle your belt.
“I could not say without knowing what makes me so strange,” he chuckles.
You tilt your head, eyes still and deep, Leviathan’s abyss. Something is coiling behind your irises, a beast stirring from long slumber. Ripples in a lake will calm eventually, its natural state to be a placid mirror. You’ve become contemplative in your satiation; it’s the most substantial you’ve ever felt.
“You can’t decide to be cruel or kind,” you muse. “I didn’t know someone could be both.”
He presses his mouth to your temple.
“I’ve taught you a few things today, then.”
John sighs and runs his hands down his face, scratches a thumb absently at the corner of his jaw. His room’s modest writing desk is obscured by four pieces of parchment. One from each of his men, and a fourth from the witchfinder’s spymaster.
He sent Ghost, Soap, and Gaz to investigate the neighboring villages before setting for this one. They have each reported that there was nothing of note from any of them. Just the same things they’ve all heard. Rumors of a witch, a story of a healer who was exorcized of the evil. No curses or hexes since.
Laswell’s message was the last he was waiting for, just come in this morning.
Two men fell victim to your affliction. A huntsman, and the mayor’s eldest son.
The huntsman, an unpleasant man by the name of Robert, traveled along the province following his prey’s migration patterns. Apparently, he also had a predilection for women - girls, really - far too young for him. His last occupation before expiring: a certain blacksmith’s daughter.
As for the mayor’s son, there’s something to be said for still wearing that title at some four and a half decades old. Though Laswell’s information is scarcer here, owing that it was a very local matter, it seems he had a conflicted relationship with you. Would preen and fawn for your attention and then condemn you when you did not return it past politeness.
Even once boasted to a merchant two towns over that you would be the one he married, then stormed off when you declined to let him carry your basket.
Misfortune couldn’t have befallen better men, John muses. It was fortunate that no one else in the village fell victim to the witch’s wrath.
Fortunate indeed.
He sighs, sets his hands on hips. There’s really no need to stay, not now. None of his squadron have found any evidence of foulness. His own investigation concluded when his one suspect passed every measure of witchcraft he knows. He’s no reason to stay.
Gathering the parchments, he sets them aside and pens three identical messages commanding his men back to headquarters. He pens another to Laswell, thanking her for her diligence.
He returns downstairs, to hand his correspondence off to the innkeeper. Cecilia, the wife, is there instead. Talking to you.
“Oh, Captain Price,” she says, “dearest me, were you waiting there long? And here I am clucking like an old hen!”
“Not at all, madam,” he replies, approaching so that she need not go through the trouble of leaving her chair. You watch over the rim of your teacup, eyes dark and too knowing. “I thank you for looking after my correspondence.”
“Not at all, dear,” Cecilia coos. She takes his letters in one hand and pats at his shoulder with the other. “Now, then, we don’t want you losing any of that muscle, do we? How about a bowl of stew, it’s been cooking overnight.”
He stumbles out an agreement - not that he thinks it’s needed, she’s already bustling off to prepare him a bowl. You set your cup down with a gentle clatter.
“Important witchfinding business?” you ask, nodding after Cecilia.
And there’s the crux of it. You’re not a witch; you can’t be. He’s assured of that himself.
Yet…
Something lingers in the back of his mind, that animal knowledge of an unknown predator lurking nearby. Gut instinct tells him something is off, despite all evidence to the contrary. It has never betrayed him before.
“Something like that,” he answers.
You hum, apparently satisfied with that answer.
He’ll stay until the full moon, at least. Perhaps then better sense will finally win out.
There’s a garden in back of the apothecary, just sloughing off hibernation. You’re tending to what few brave plants have ventured above ground in defiance of the lingering cold. John finds an orange cat batting at your apron springs. It flicks its ears towards him, then turns back to your laces.
“Flaunting your familiars?” he asks to announce his presence.
You half turn, though your eyes don’t stray from the rosemary spines you’re collecting. “Do you mean Curtis?”
The cat overbalances and lands on its back, rotund stomach hindering its ability to gracefully recover. As far as familiars go, it would be a pathetic one, stocky and cockeyed as it is.
“He’s a village cat, but he likes to test his luck with the crows.”
“You’ve crows now, too?” he asks, sidling closer. He’s mindful of the neat rows of your garden, where seeds or bulbs may lie dormant. “You enjoy drawing suspicion.”
You scoff; it’s unladylike, but he’s enchanted by sincerity. “There have always been crows. They eat pests from the garden. Better here than in the fields, no?”
He does spot a number of crushed snail shells and unharmed leaves amongst your few charges.
“I defer to your logic, my lady,” he chuckles, hands up in defeat.
You shake your head, but he spies your smile regardless. “Have you need of me, Sir Witchfinder?”
“I’ve need of your expertise today.”
He follows as you gather your little harvest and sidestep him out of the garden, arm brushing his. Curtis brings up the rear, tail swishing. You don’t seem bothered by his presence and so John only closes the door after the cat is inside. Back to your preparation room; you’re ignoring the back wall by the fireplace.
“What is it?” you ask.
“The full moon is tonight. I intend to camp in the forest. Have you anything to deter wildlife?”
You hum, eyes gazing off and head tilting back and forth as if shaking the information loose. “Yes, I think so.”
You beckon him about the backroom and the shop. He holds a cheesecloth pouch open while you sprinkle powders and dried herbs into it, murmuring as you go. Calendula and some of that fresh rosemary for wolves, ground spice for bears, peppermint for foxes. It’s certainly fragrant, but even if it is not effective, it’s worth its weight in gold to watch you flutter about with a confident set to your fine brow.
You tie the pouch closed with a neat but tight bow and instruct him to sprinkle it around his campsite. When he tries to pay, you shake your head, flushing hotly as you tell him it is thanks for making your examination so… painless.
He chuckles and strokes a finger down your warm cheek to make you swat at him.
Just as he turns to leave, you take his wrist and press a smaller pouch into his palm.
“Lavender, to help you sleep,” you explain.
“Will I dream of you?”
“So improper!” you complain, pressing your little hands to your cheeks.
He dips down close, bristly cheek brushing the softness of yours. You shiver as his lips skim the shell of your ear.
“My thanks, love,” he whispers, “I will show my gratitude when I return.”
You turn your face away, “It is a gift, you need not repay me.”
He grins wickedly. “Oh, but it will be my pleasure to do so.”
You shake your head and push gently at his chest. “Out with you, Sir Witchfinder. You’ve preparations for your hunt, I’m sure.”
He goes, though not without locking his gaze with yours. “I will hear my name from your lips again.”
There was never a vow so sincere.
If God is the Holy Father, Mother Nature reigns His queen. It must be a contentious marriage.
It’s the first warm night and a fat full moon. John’s gut tells him that if ever there were a night for heathens, it would be this one.
He makes camp on the other side of the river, only just within earshot of the water. He builds a modest fire and scatters the sachet generously. It makes for a pleasant perfume, at least, and mingles pleasantly with the tobacco he smokes while he lets the night deepen.
The moon is high and the stars bright by the time he sets off from his campsite. Much like his last foray, however, there is little more than chittering animals and nightbirds to disturb the evening. John returns to stoke the fire after a couple hours. He is a patient man – except, apparently, where you’re concerned – he can wait for some sign.
It comes as he’s dozing on his bedroll, the scent of lavender fogging his mind with pleasant apparitions of you. The singing, again.
He pads through sodden leaf litter, ghostlike as he weaves among the vegetation, following faint notes. They grow louder as he picks his way through the forest, building in strength and pitch – and number.
It is not just one voice he hears but several, threads that twine a haunting tapestry. Soon there is not just melody, but shouts and whoops as well, powerful as they bounce off the trees. It is pitch black until all at once it is not. The thick tree line breaks upon a great clearing, where a bonfire smolders in the center.
Around it, a dozen dancing women. They are not naked, levitating hags painted in blood and ichor. They are dressed – or mostly dressed, in any case, as firelight gilds thighs peeking from skirts and shoulders bare of under-shifts. Some have their hair pinned back, others wear it loose, flying and tangling as they throw themselves about.
Hands joined and rising as they bounce around the flames, then spinning apart with cries of delight. A few plant their feet wide apart in the earth and drop their chests, hands extending towards the fire and then up towards the stars. The others whirl around them, voices rising to start a call and response that sends chills down his spine.
“When God is gone, and the Devil takes hold,” one set begins.
And the other answers, “Who will have mercy on your soul?”
A few refrains of this and then of others, until a single voice rings damnation above the rest.
“I am Death, none can excel. I am the door to Heaven or Hell.”
It has been burned into John’s bones, into his soul. Your voice.
A glamour he knows now. He knows, he knows. It is a foul trick meant to distract him from his true query, one he is ashamed clouded his judgement for so long. Of course you would not cast such a garish and obvious enchantment to draw his attention – lest it was not you that cast the spell in the first place.
Death is in the valley.
John knows his own capabilities, and he knows he cannot beat nor catch a dozen witches on a full moon. He must content himself with what he can, far as he is from their ritual and unable to distinguish any particular features. It need not be this night; he’s caught the scent and will root out the wolves from the flock.
The morning light is water between his fingers. He swims through it at the perimeter of the village, smoking another roll of tobacco. The night was long and cold; he did not linger near the witches, wary of being found. He gathered what little information he could, stamped out the coals of his campfire, and returned to the inn. Your lavender came in quite handy; he means to be especially generous with his thanks this morning.
You are not in the garden and the shop is still locked up from the night before. Perhaps you were called out early to treat some ailment. He makes a direct line from your shop back to the tree line and hears your humming again.
When he follows it this time, he’s led to a creek and your naked form sunk beneath the surface. Your back is to him, hair streaming with the current.
“And what naughtiness are you up to this morning, little miss?”
You shout, hands instantly flying up to protect your modesty. When you spin to find him, arms crossed, on the bank, you make an angry little noise and splash at him. Not even a droplet touches his boots.
“You know witches bare themselves in the open like this?” he asks.
You scrunch your nose at him, an embarrassed blush high on your cheeks. “That’s not funny.”
“You oughtn’t to be out here like this.” In fact, the more he thinks of another man stumbling upon you like this, the hotter his blood simmers.
It seems you’re not entirely unaware of your actions either as you deflate a bit. “I know, I know – but I spilled an entire jar of vinegar all over myself.”
A bloodless finger emerges from the water to point at flat rock, where your clothes are laid out in the meager sunlight. A brush and bucket rest beside it, suds still clinging to the sides.
“Clumsy thing,” he sighs, fond and exasperated.
“You oughtn’t to call me names,” you huff.
He arches an eyebrow and uncrosses his arms.
“Is that so?”
“It is,” you reply haughtily, turning away to scrub at your hair. He suspects it is to give you reprieve from his darkening gaze. “It’s terribly rude.”
He wades into the creek. “Rude, you say.”
“I do.”
You peek over your shoulder and startle when you see him approaching. “John, you’re getting wet!”
“I’m not the only one, I reckon.”
You sputter long enough for him to snatch you up in his arms, the entirety of your shivery little body pressed against his. The creek isn’t actually that deep – just to his waist standing. You’ve only been knelt down among the round stones of the bed, but he drags you up to your feet as you wiggle.
“Why do you insist on such impropriety?!” you groan, ducking your head.
He takes your chin between thumb and forefinger and tilts your face back towards him. Craves your eyes on him like the starving man craves food.
“I may be improper in word, but you are in deed, my lady,” he counters, drawing spirals at the small of your back. “A matched pair we make.”
You dart your eyes away and purse your pretty, pouty lips, but you cannot conceal your pleasure at his declaration.
“You oughtn’t to call me your lady either,” you mutter. “I am not yours.”
A serpent’s tail thrashes his insides. He swallows the sick, violent burn in his belly.
“No?” he asks. “How can that be when I’ve pleasured you the way a man pleasures his? When you take such good care of me with your teas and herb pouches?”
You blink, latch onto that last thought with endearing desperation to alter his course.
“Oh, how did the lavender treat you?”
“Quite well,” he answers, sweeping his hands along your sides. “Allow me to repay your care.”
Your fingers curl gently in his sodden shirt, peeking up at him through your lashes again.
“I told you, you need not – wah, John!”
He’s hoisted you up on the steep, grassy incline of the embankment by your lush thighs. Your weight is negligent when he has your knees nearly to your hitching chest. Splayed open and lovely, a breakfast fit for a king – no, for God. He would usurp Atlas to have you like this. 
“Remind me again, little one, how exactly you are not mine.”
Your lip wobbles a bit as you try to gather your scattered words. Have just begun your very sensible quibble when he laps at the cream between your thighs. Digs his tongue into that precious hole he so recently collared as his newest pet. Traces the seam of your cunt to that perfect, round clit and flattens his tongue against it.
Whatever pretty bouquet of arguments you’d arranged are swept downstream. His mouth is mortar upon your flimsy defenses; devastates you to trembling rubble. The mewling pours fast and easy now that you’ve found your voice, pitches into a squeal when he sucks. You taste clean and human on his tongue, sticking in his facial hair, ambrosia from the purest source. He pampers your cunt to keep the drink flowing, swallows you down like the finest wine.
Even better than those weak cries, is the way you squirm in his hold. You arch your back and twist your hips, fingers tearing up flossy grass, then tugging at his wet shirt, then scratching uselessly at his forearms. He growls when you think to tug his hair, and the vibration of his voice against your swollen folds makes you sob dry.
“Please, please, John,” you chant. His new favorite psalm. “Please, I can’t, John, please.”
He hides a smile by curling his tongue as far inside you as it can go. When he comes up for air, you’re properly teary this time.
“Why not?” he murmurs against your neck, false concern makes your hips twitch. “Why can’t you, darling?”
“It’ll – I’ll fly apart this time,” you gasp. “I swear, John. I’ll fall apart.”
Oh, so precious. So sweet and perfect and utterly his. You can’t be anything else. Not now.
“Is that all?” he asks. “I’ll put you together again, just like last time.”
He dives in with your bitten off fretting in his ears, licking you into silence, compliance, until you’re obediently whimpering again. Your slick spills down his chin, his neck, smears across his cheeks. Gentleman that he was raised to be, he is a messy eater, and you are a delicacy.
Now that he knows what it sounds like, he recognizes the rising tide of your pleasure and rides its crest with gusto. You wail and whine about that feeling again, that sublime crescendo to a symphony played with your own body, by a conductor so cruel as him. He swirls his tongue around your clit, then suck it into ravenous mouth.
“John, John, John!”
He only just manages to cover your mouth; your songs are for him alone, no need to serenade the rest of the village. You taste like salvation, communion he’ll kneel for at every mass.
Overstimulation makes you noisy, fussy sounds in the back of your throat as you try to press away, pushing with earnest at his forehead. He relents only because you say his full name, sharp and scolding, and he needs to see the angry little furrow between your brows.
“You are incorrigible,” you pant.
He hums, licking shamelessly at his lips. “My sincerest apologies.”
“Lying is a sin.”
He gives you a look. It makes you burst into a fit of giggles to rival birdsong.
“Yes, yes, have a laugh at the old captain,” he grouches, lowering you gently to your feet.
“You’re not old, John,” you scoff.
“Older than you, spring chicken.” He pauses as he notices that the fine tremble in your limbs has not subsided. “And speaking of spring, you’ve spent far too long in this water. You’ll catch your death.”
“I would have been out sooner had I not been accosted.”
“Oh yes, I’m a terrible man,” he soothes, guiding you back to shore. “A scoundrel.”
You hum in placid agreement, clinging to his side to leech his warmth. “Yes, yes. All of that.”
“As you say, little miss.”
You tuck up against him by the fire in the apothecary’s backroom and send him warning looks whenever his gaze grows hotter than the flames.
John wakes in the dark.
He cannot move his arms or his legs. The mattress at his back is softer and thicker than the inn’s, absent the odd lumps that bent his spine at angles. He is also stark naked.
He has been captured, somehow.
Memory shines thin and useless beams through a waning fog. A thick, warm stew… sweet, floral tea… you���
You.
Where are you?
There is little point in trying to gain his bearings, though he does regardless. There are no windows to light his prison. Only the scent of exposed wood and slightly stale air. It’s warm enough, at least, even bare as he is. Sound comes from above his head, creaking boards.
He’s belowground.
Some minutes pass in consternation, his last memory your hands in his hair and his head in your lap.
Then the creaking above shifts. Away, then to his right. A louder, metallic squeak. Hinges. Individual steps now, descending a set of stairs. A faint seam of gold grows near the ground, a miniature horizon with an approaching dawn.
A click.
Candlelight infiltrates the room, shying from corners and exposed ceiling beams. John gets his first glimpse of his prison – a rather cozy bedroom. The generous bed he’s splayed on and tied to. A vanity in one corner; a bedtable to his left. A chair kept company by a small shelf of books.
There’s even a rich burgundy rug on the stone floor, on the other side of which you stand.
“This is one way to have a man in bed.”
You do not speak, only cross the room, round the bed. The heavy candelabra you’ve brought is set on the bedtable. The flames play ghostly shadows across your features, caressing the line of your nose and the curves of your mouth.
The silence stretches so far it begins to sag beneath its own weight in the middle.
You – or the facsimile of you – have not turned your gaze from the whirls of silver in the candelabra.
“You need not keep this shape any longer, witch,” John growls at last.
The illusion twitches, fingers curling tight in its skirt.
“I know this is a glamour, stop hiding behind her face.”
“Damn you, John!” You – it snaps around, gaze burning hellfire and brimstone. “There is no glamour.”
Held still before, he is stone now. “What?”
It – you? – snarl, showing all your teeth. Still as blunt and neat as ever.
“You witchfinders,” you scoff, shaking your head, “and your so-called purpose. You’ll see anything shiny and call it gold. By God, any woman is a witch if you try hard enough, isn’t she?”
“I acquitted you.”
You snort. “Was that before or after you wanted to wet your cock?”
It was always, regardless. He does not think it wise to answer. You don’t seem to need one.
“Graves condemned me only after I denied him – repeatedly.” You perch at the edge of the bed by his ribs and press your palm against the mattress on the other side of his head. John denies you the pleasure of leaning away. “He took me to the river in chains.”
“Magic.”
You roll your eyes. “What did I say? Use the wits your God gave you.”
When he just stares into your blown out pupils, you pull away with a groan, standing again.
“The blacksmith made the manacles,” you explain. Slow, quiet. “And Agnes brought my last meal.”
Mallory, the smith’s daughter and Agnes, the baker’s wife. Your church companions.
You hum as understanding smooths his brow. Despite the pleased lilt, your mouth is a flat, angry line. “Makes much more sense, doesn’t it?”
He tugs at his binds as you gather up the skirt of your dress.
“I took a blade to that wretched sack and swam with the current downriver,” you explain. There is no shift or corset beneath this time. “When I emerged, I snuck back home and hid right where you are now.”
You bend at the waist to unlace your boots, ass on full, beautiful display. You are no longer just a temptress; you are a succubus. The limited candlelight paints you in burnished gold, Hell’s currency. John is far, far too gone on your sin to help his reaction to the sight of you, even now.
“When the moon rose, Cecilia let me into the inn and unlocked their doors.” You kick off your boots, inner thighs glistening. You don’t even bother with your stockings. “One. By. One.”
You pad to the foot of the bed and place your knee on the mattress between his legs. It’s real weight, your weight that sinks into it. You crawl up the bed, body swaying over his, flesh and blood depravity.
“I saved Graves for last.” You straddle John’s thighs, trace soft palms up his abdomen and over his chest. The bite of your little, clean nails chases belies that deceptive gentleness. “I slit his throat with his own iron dagger. The blood looked like ink in the moonlight.”
His cock stands proud and flushed, pressed against your belly, begging entrance. A tower of pride in spite of God and all sanity, he throbs with the low thrum of pride in your velvet voice. He tries at the ropes again; they hold fast, creaking in reprimand.
“I fed him and his men to the river.” You lift yourself, wrap an elegant hand around the girth of him. Your lips part, above and below, at the heat of him against sensitive flesh. “I thought it was over. Hoped I could finally have my peace again.”
You grind the flared head of him against that bundle of nerves, back and forth, up and down. A sigh slips from your lips and blankets him in fire. Head tipping back, neck rolling as everything that makes you human sloughs off, overworn garments. You tease yourself and him, wetness dripping down his shaft and spilling over his groin. He is a slave to his desire’s whims, your whims, hips twitching to grind.
You crack your eyes open, damnation in your gaze. “And then you showed up.”
You bare your teeth and take him into you all at once. A ragged shout cracks you both in half, clashing in the lust-heated air between your bodies. You are tighter than a vice, strangling him in plush, slick walls.
“Fuck,” you grit, sucking in air. Your mouth drops open, a delirious bark of laughter hitching in your throat. Ruby crescent moons decorate his chest. “You fucking bastard.”
Swallow thick and harsh, as if you can feel him in your throat. It certainly feels as if he reaches that far, as deep inside you as he is. He wants to test it for himself, but the ropes do not relent despite his persistent tugging.
“I could not do a goddamn thing without feeling your eyes on me,” you snarl. “Is this what it’s like to believe in God?”
You rock your hips. A little at first, still somehow so mortal to the pain of a thick cock in your virgin pussy. And then your spite and pride overtake the discomfort and you bounce once, hard. Grin wildly when it guts a groan from him and do it again. And again. And again—
It’s torture, it’s paradise. It’s John’s undoing. Your face twisted in divine wrath and hedonistic ecstasy, riding his cock like you were born to bring men beneath your dainty heel. He drops his head back against the mattress, tries to arch up to meet your thrusts. You’re having none of it, hissing as you brace all your (not considerable) weight on his chest.
“I don’t care if God is real,” you breathe, “I care about the people He and His have forgotten on Earth. Does that make me a witch?”
It’s all so much noise to him with the way you squeeze around him, walls fluttering. You’re moving hard and fast, but not hard or fast enough. John moans your name, earns another of those scowls that makes him throb.
“Shut up, Witchfinder,” you pant. You rise up, back arching as you find an angle that breaks your voice. “I will have my pleasure and you will thank me for the privilege of delivering it. The least you can repay me for all the trouble you’ve caused.”
The angels themselves could come to his aid now, and he’d only ask that they cut him loose.
And for all your scoffing, perhaps there is a greater force at play because the rope circling his right wrist catches. A rough edge or a bent nail, it does not matter. John works his arm back and forth, sawing through rough fibers, any remaining blood in his body dedicated to this salvation.
Your voice rises with your pleasure, knees widening to get him deeper, but not with any actual intent to bring either of you to climax. No, you’re luxuriating, gloating. You’ve won. He reaches across while your head is tilted back to pull the loop from his other wrist.
He will show you the spoils you’ve wrought.
“Tell me, oh Witchfinder,” you smirk, diamonds dripping between your breasts, “what am I?”
Your eyes go beautifully wide when he fits his wide palm around your pretty throat. Small hands grasp at his wrist, need both just to wrap around the circumference. Lips parting, you clench down so tightly as he sits up and reaches for the silver hidden in your right stocking.
A paring knife, honed to a deadly edge.
“Now what did you plan to do with this?” he wonders. “Little girls shouldn’t play with knives.”
Eyes locked with yours, fluttering like butterfly’s wings, he slices his ankles free with two flicks of his wrist. The knife is discarded over the side of the bed, far from your sneaky fingers.
It is laughably easy to flip you onto your back, to bind your dainty wrists together with the remains of one of his. So he does laugh, cock still buried deep inside your pulsing cunt and his hand loosening from your throat.
Each blink brings you back to focus, until you seem to realize all at once what’s happening. You snarl, kick your legs, back arching at an angle that makes him grunt. And you are still so, so wet.
“I should have killed you!” you shout, even as John guides your legs around his waist. Your knees press into his ribs, ankles interlocked at the small of his back.
“You should have,” he agrees, pressing your tied wrists to the mattress. He forges a path of biting kisses up your chest, over your neck, licking where he can feel you swallowing noises.
“Oh, let go, let go!” you demand, except it comes out more a whine, and one you don’t even mean at that. Not when you twist your hips to feel him pressing inside you.
“Oh, my little witch,” John rumbles, drawing his tongue along your jaw. “Never.”
That just spins you up further, mouth clashing violently with his. He revels in the scrape of your teeth on his lips and tongue, chasing into your mouth and counting how long before you remember you hate him.
“I’m not a witch,” you spit when he pulls away.
“Then what was all that business in the forest?”
You smirk. “Just a bit of fun to hail the spring - and at your expense.”
He sinks his fingers into the roundness of your hips. “Funny.” And slams home.
You shriek, loud and shameless, body jerking as he sets the pace you couldn’t achieve atop him. It’s brutal and animal, you keen at every scrape of his fat cockhead against your (nearly) untouched walls. The headboard knocks against the stone wall, a steady, rapid beat to match his thundering pulse.
You’re still cursing and threatening him between moans, rocking your hips eagerly to meet every thrust. He snakes a hand down your stomach, down to where your bodies collide with obscene wet squelches. You yelp when his thumb finds your neglected clit, shake your head and struggle in earnest.
“Don’t you dare,” you wail. “Y-you don’t get to…”
He sheathes his cock as deep as he can and grinds.
“Say my name,” he commands. You shake your head, squeeze your eyes shut. “Say, ‘John, don’t make my pretty cunt come.’”
You whimper, high and keening, sinking teeth into your bottom lip hard. There’s nowhere for you to go but try to press your hips into the mattress - and he can’t have that, can he?
Manipulating your squirming body is becoming his new favorite addiction. John gets his knees under him, curls an arm around your waist, and hauls you up into his lap so easily. You’re half-limp and half-struggling and yet still he sinks you deeper and deeper onto his cock unti the head of his cock bumps against your womb.
“There we are,” he purrs against your jaw. “Do you feel me? Right here?”
He presses a covetous palm to the spot where he swears he can feel the pulse of his own drooling cock. Your arms loop over his head, try to pull yourself up and off. A firm flex of his biceps drops you right back down again, squealing.
“Just like this, darling,” he whispers, “You’ll milk my cock just like this.”
You moan, hide your face in the crook of his neck. This position slows him some, but he’s not lost any of the power or angling that makes your eyes flutter. He rolls his hips each time he buries inside, just to tease at your cervix. If he could, he’d bury himself there too and fill you with his seed directly.
As it is, he’s not nearly done with you yet. No, not when you’re starting to shake so badly that all you can do is grip onto him for support. Your clit is rubbing against his pelvis each time he bounces you to meet him. An object built solely for his pleasure.
“I’m going to - no, no, you can’t,” you hiccup, tugging and pressing closer, closer, closer. Your hips are twitching of their own accord. “You shouldn’t get to—”
He doesn’t even need to coax you over. A final shiver wracks your body as you clamp down. Head falling back, you scream to the ceiling, fingers twisting in the short hair at the back of his head. He rocks you through it, steady, until you finally go limp against his chest.
There’s a sharp pinch to his shoulder - you’ve bit him. When he eases your head away, your mouth is smeared crimson. At first he thinks you’ve managed to break skin; then he notices the bead welling up on your bottom lip.
“All that just to avoid my name,” he tuts, amused despite himself.
When he leans in to lick at the wound, you sigh softly. “I-I’m going to kill you.”
He grins against your mouth. Kisses you one last time as he pulls you off his cock. You whimper, sensitive, arms barely able to lift over his head. He lays you down gently, follows to ghost his lips and tongue over the marks he’s left all over your skin.
“Now, then,” he says, sitting back on his haunches. “Once more.”
Your eyes fly wide and panicked as he turns you onto your stomach. 
“Absolutely not,” you gasp, scrambling away.
“Ah, ah.” He catches your hips and yanks you back. The force of it knocks your trembling and still-bound arms out from under you. “I’m not done with you yet, little witch.”
Chest against the mattress and hip high in the air, he has a perfect, unfettered view. And what a view it is. Your pretty little cunt is puffy and red, visibly stretched, and the sensitive little button above it is swollen with abuse. Slick drips and drips from your entrance, entreating his return.
John nudges your knees wide and fits himself between them, the dripping and flushed head of his cock slipping over your folds.
“Get that away,” you snarl, “you’ll fucking break me!”
You try to wiggle away, but he just holds you firm, waits you out. And when you pause to catch your breath, he plunges inside.
“If you don’t recognize God, then there’s really no need for ceremony, is there?” he muses.
You make a questioning noise, the best you can manage when he’s forcing the air from your overworked lungs.
“My little witch wife,” John croons into your ear, “what pretty children we’ll have.”
It’s suffocating, how tight you get around him, even as you buck and swear. Your voice breaks when he tilts his hips just so, torturing that spot that’s already tipped you over once already. It’s such sweet music to his ears, protests cut off on long, rapturous moans, each time he bullies your overstimulated walls.
“I’m going to keep you.” John adjusts his bruising grip on your hips. Widens his own stance and presses his chest to your back. “I will be your god and your devil. My name will be amen.”
He drives home especially hard, and your voice breaks with a sob. His groan twines with it, divine harmony.
“We’ll form our own covenant, you and I,” he rasps. “I will give you everything, and you will be mine.”
His end is coming. Balls drawing up tight and hard, sparks crawling up into his stomach. A ragged grunt leaves his chest as you spasm around him, leftover of the last orgasm or forewarning of the next. He shifts to one arm and wraps the other around your hip, reaching for your clit to ensure it’s the latter.
“My name, love,” he breathes, “that’s all I need.”
“You’re awful,” you cry, “I hate you, John.”
“I know, little one,” he moans, shuddering. “Show me just how much.”
You reach your peak with his name on your tongue, loud and clear. His ears ring with it. Hips tilted back to get him as deeply as you can, John finds his end in the rhythmic, coaxing pulses of your cunt. His cunt.
He buries as deep as he can, hips stuttering roughly against your plush ass. Hopes he’s gotten you pregnant on this first try - perhaps your baby will be born on Samhain. You’re cooing softly when he comes back to himself, so sensitive you can feel the last feeble twitches of his release.
“Easy does it, now, darling.”
He supports your hips as he slowly pulls out and your knees collapse. The sounds you make are truly pathetic, he shushes you half-heartedly while he pets at your sweat-sticky back. He doesn’t let you drop; that’s no way to treat his new wife.
John lowers you gently to your stomach, then reaches over your head to pull the knot of your binds loose. You make a noise as he rubs at the red marks left behind, kisses at any raw spots.
“I-I have a salve…” you murmur, “upstairs.”
“We’ll get it in a mo’,” he assures, pushing tangled hair back from your face.
You nuzzle into his palm, lips skimming his fingertips. Not quite a kiss. “Don’t pretend to be kind now.”
He chuckles, exhaustion leaving the sound mostly in his chest. “I’m not the one who pretends between the two of us, little witch.”
You huff. “I’m not a witch. Witches aren’t real.”
“Of course, love,” he huffs, “and neither is God.”
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pen-and-umbra · 10 months ago
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FFVII Rebirth introduces something never extensively explored in the original game or in the compilation of Final Fantasy VII: Sephiroth's anger towards Professor Gast’s experiment and the contempt he came to harbor towards ShinRA as an organization.
(Herein lurk spoilers.)
While the latter is something the fans have glimpsed on and off throughout previous installments, the second part of the Remake amplifies it ever so more. What began as admitting that the company had fabricated his legend and expressing a desire to live a normal life in Ever Crisis gradually transforms into a lack of clarity regarding his reasons for fighting in Before Crisis (as prompted by Elfe), followed by an open disgust towards Hojo's and Hollander's experiments when confronted with Mako pod entities during the hunt for Genesis. Sephiroth and Zack's ordeal during Crisis Core events appears to undercut his willingness to stay, as he famously considers leaving the corporation right before embarking on the ill-fated Nibelheim expedition.
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FFVIIRb picks off where we left off, painting a more complete picture of Sephiroth's dissatisfaction with ShinRA overall. Interestingly, one of the discarded sequences from the original game featured Sephiroth hinting at his lack of affection for his employer as early as the truck ride.
Narratively, the sequence spans the gap between OG and Crisis Core's departure cutscene, implying that Sephiroth used the time on the road to reflect on his current and future connection with ShinRA. His companion, however, does not appear to understand why he is bringing the topic up. What distinguishes Rebirth is the suggestion that Sephiroth came to view the entire ShinRA system as a problem, rather than just a few rotten apples. He no longer singles out Hojo, but rather the entire ShinRA branch, indicating that something's wrong with the system. When "Cloud" casually inquires about the problem with the Nibelheim reactor, Sephiroth responds that it is "people who run it," adding that this particular site is controlled by the Research and Development department. In addition, in response to "Cloud's" fair comment regrading the lack of transparency in company's operation, he rather sarcastically suggests to bring the issue with the President, thus implicitly conveying the futility of the endeavor.
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When the party encounters Mako pod residents, one can detect genuine rage in his voice. While Sephiroth had previously shown bitterness for the test subjects during CC, it was tinged with disgust/pity rather than wrath. And once again, I’m grateful to Tyler Hoechlin for broadening his range in this particular segment.
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"Cloud's" reaction to the contents of the pods, however, came off a little weird. The confusion appears out of place, because Zack had seen it all before — he had been there to watch the aftermath of Hollander's work; is it really odd that ShinRA's chief R&D scientist spearheaded the entire thing? Perhaps, unlike Sephiroth, Zack treated it as a rotten-apple issue, rather than a systemic issue. Or maybe this is an example of Cloud being an unreliable narrator, having conflated his own experience with that of Zack, which also explains Zack being sort of too green for the First Class throughout the Nibelheim portion of the game.
The shift in Sephiroth's perspective, from singling out Hojo's misdeeds to viewing ShinRA's itself as a systemic problem, is further highlighted during the mansion segment. This is no longer a strictly Hollander or Hojo issue. Human experimentation formed the fundamental core of what ShinRA is now, and those were approved from the very top. As Sephiroth puts it with barely concealed disgust, as soon as the company realized what had fallen into their hands, they became ambitious.
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The wording also strikes a contrast to how he used to refer to the company in the past; as such, when Angeal deserts, Sephiroth states that Angeal has betrayed “US”, which points at both his personal connection to the person and the fact that Sephiroth likely saw himself as part of ShinRA circle. In the library, however, he distances himself by referring to the company as THEM, thus no longer perceiving himself as a part of it.
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More important still is the rage he expresses when quoting excerpts from Gast's notes. The anger is new, never before seen touch. Sephiroth has been portrayed in the moment differently throughout earlier installments — dejected, perhaps overwhelmed, but never angry enough to snarl and nearly flip the table.
And it's wonderful. It's authentic, and it makes sense. It makes you question how much of that rage has been bottled up, compartmentalized, and never fully processed throughout the years. That rage should have existed, but was suppressed by ShinRA, before becoming internalized and sealed.
The scene is extremely on point on another level as well. As the flash of rage passes, and Sephiroth looks away, hiding eyes behind bangs — a gesture previously briefly appearing in Crisis Core.
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One could interpret the body language as being ashamed and unwilling to show his composure cracking. Even in this state he KNOWS he wasn't supposed to let anyone see hurt or anger, wasn't supposed to lose cool. The "wonder child" and the "poster boy" is not to be seen as something other than “efficacious” and “collected”. The habit of suppressing displays of emotion or physical/psychological ailment had apparently become a part of himself. It doesn't take a lot of imagination to deduce why the habit persists. The internalized compulsion to live up to the expectations placed on him by ShinRA and the myth it imposed on his character, as well as the internalized imperative not to reveal to someone like Hojo — anyone— the extent to which their acts or words affect him. There's also another layer to this shame — one of being an artificial creation, but that's for another write up.
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The anger towards Gast differs greatly from the way Sephiroth went “Why didn't you tell me?” in previous iterations of the Nibelheim incident. In retrospect, Gast's supervision of the project, involvement in Sephiroth's life, and unexpected departure seem like a betrayal. Gast had not only abandoned Sephiroth, who had likely come to see him as a salient figure in his youth, but had also been lying to him all along, until finally discarding him, as Sephiroth might believe. Gast therefore falls from grace, becoming yet another person who misled, attempted to exploit, and eventually abandoned him to deal with the consequences on his own.
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literaryvein-reblogs · 4 months ago
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Writing Notes: Setting the Mood
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Setting the Mood in Your Novel
Mood - goes beyond the atmosphere of your novel.
It is the feeling your novel inspires in the reader.
Whether your reader comes away from the novel with a chuckle, or a heaviness of heart—it’s likely to be the mood that’s responsible.
Mood can influence context, how you experience the story, and what you take from it. Example:
In a story where people are stranded on a desolate island, the mood could be Gilligan’s Island, or it could be Lost.
Similar circumstances, but the two stories produce a profoundly different emotion.
Mood Changes
Through the course of your novel, the mood will change.
It’s likely to shift, as the reader connects with the narrator, develops empathy for the protagonist, and experiences the ups and downs of your exquisite storytelling.
Your story’s mood can jump from jubilant to sorrowful and then back again.
Remember that mood doesn’t have to be constant, but it does need to be ever-present.
The Importance of Mood
You must create a mood that enhances the story you’re telling, whether that story is sad, terrifying, romantic, or joyful. When you tell a story, you want people to feel a certain way when hearing or reading it.
Example: If you’re relaying a funny story to your best friend--you want your friend to feel happy and even laugh while hearing it.
It’s the same way with a novel. You can do that by first striking the right tone, which will then create the right mood.
Mood also enhances the reader’s experience.
As a writer, your goal for the reader should always be emotional reaction.
The reader needs to feel emotionally attached to the story, the characters, the plot, and the possibilities.
The right mood will help the reader immerse completely into your world of characters. It will give them a personal and visceral connection to the story.
Mood vs. Tone
Mood deals with the reader.
Tone deals with the writer and/or the narrator.
The tone of a story is how the narrator feels about what’s happening in the story.
Sometimes, it can be connected to the mood, and in other times, it can be in stark contrast to the mood.
Example: You have an unreliable narrator who happens to be a serial killer. He or she may use a matter-of-fact, or even humorous tone when depicting events. As the reader, the tone may make you feel uncomfortable, unsettled, or weirded out-- that’s the mood.
And that’s also an extreme example.
Generally, if the narrator can be trusted, the mood and the tone will be similar.
Mood vs. Tone vs. Voice
Voice is different from tone.
Your writer’s voice is your own.
It’s the unique style in which you tell your stories.
You’ll carry your voice with you to every book your write.
It’s tethered to you as an author and doesn’t change. However, tone can change from book to book, character to character, scene to scene.
Remember the old saying “tone of voice”. Your tone can change, but your voice is uniquely and consistently yours, no matter the tone.
The Right Mood
What do I want the reader to feel when reading my novel?
Is the answer: Delighted? Suspenseful? Hopeful? Helpless? Desperate?
Whatever the targeted sentiment, be intentional.
Write towards that emotion.
During the self-editing process, check your work against that specific emotion.
After a peer critique, inquire about the reader’s emotion.
Is it the same as the emotion you were hoping to create?
If not, edit until you get the right emotion.
The Importance of an Emotional Goal
Emotions tie the reader to your story.
Finding the right emotion(s) will also strengthen your story, and make it more engaging. Without a defined emotional goal, your story will feel loose, unfocused, and unintentional.
4 Ways to Establish Mood in Your Novel
Explore Theme
The theme of a novel is its big idea.
It’s the meaning of your story, and the interpretation you’re hoping to communicate.
A few popular themes in literature:
The circle of life
Empowerment
Fading beauty
Love and sacrifice
Self-reliance
True love conquers all
Oftentimes, the theme of your novel can set a mood for the reader.
When you choose a story that focuses on the theme true love conquers all, your reader may feel angry, optimistic, melancholy, nostalgic, and ultimately gratified.
By focusing on the theme, you can create the right mood for your reader.
Use the Setting
Setting can set the mood.
Example: Your protagonist is lost. As darkness falls around her, she reaches...
A dilapidated mansion overtaken with weeds and ivy. It’s seemingly abandoned except for the one faint light the emanating from an upstairs window.
A well-built log cabin that’s nestled deep in the woods. Smoke billows from the chimney, and she can hear a sitcom playing in the background.
In both of the above examples, the protagonist reaches a house, but the mood is different.
You can use setting to make the reader feel a sense of foreboding.
Or the setting can suggest safety.
And depending on the journey you’d like to take the reader on, the mood you create could betray and misdirect the reader.
Choose the Right Language
The choice of words you use make a huge impact on how the reader feels about the characters and each scene.
Example: A character laughs.
You can choose a term like “cackle” or “giggle” to describe the laugh.
One (cackle) suggests a shrill, unpleasant sound.
The other (giggle) suggests an innocent, or even nervous, sound.
Your word choice directs the reader on what to feel about the character, the scene, and more.
Set the Pace
Pacing captures the energy of the scene.
Example: When you choose short, terse words and sentences, you’ll cultivate a rushed mood in your narrative.
You may choose short words to indicate a range of emotions from excitement to anger. Alternatively, if you use lyrical, long-winding sentences, you can cultivate a contemplative mood.
Wordiness will slow down the narrative and has the subtle power to make the reader feel hopeless, trapped, or completely immersed.
Source ⚜ Writing Notes & References Writing References: Worldbuilding ⚜ Plot ⚜ Character
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petalsofyouth · 1 year ago
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bees that flew away | ran haitani x reader
warnings: drugs usage and alcohol consumption, implied self-harm, unreliable narrator, mentions of a rape (nothing graphic, it's just there), sweet gentle love.
wc: 16 473
author's note: i started writing it on the verge of death and it shows. in the middle of writing it i felt fine and finishing it i was dying once again. oh, and, also! it's a bit unedited. i doubt there are some actual crucial mistakes, but there must be something i overlooked, i'll get to it tmw. so bear in mind that it's unedited. i just wanted to post this, because otherwise i would delay it and delay it and delay it all over again.
_ The room is foggy and you wonder if it’s from five - you counted - lit cigarettes or it’s just your tired drunk brain. It wouldn’t be the first time you conjured something out of nothing. Shaped it in between your fingers and gave it form. Brought it to life.
Your lips quiver and you press them together, averting your red high eyes from you don’t know who. You probably look pitiful and scared because Haruchiyo reaches over and snakes his long arm around your shoulders, hugging you closer to his body. It’s hot in here, but for one reason or another, he is still wearing his favourite old leather jacket. Now, hours into the party, its surface absorbed all the nasty smells of this huge house in Yokohama. It stinks and you gag. 
His long bleached hair smells even worse and you gag again. This time closing your mouth with your palm and he looks at you, worry in his hooded eyes.
He should offer you a glass of water and maybe a ride home, you think. If he was a better - maybe normal - friend. But he does neither of that. He takes the joint from his lips and holds it close to your mouth. When you don’t move, just staring at him as if you don’t understand what he wants from you, he sighs and smiles.
Sweetly.
Haruchiyo is a sweet guy. Your best friend.
Deep down the fuckery that he is he is indeed very sweet and kind; pure.
“Come on,” he urges you, tapping on your shoulder. “Relax. Tensing up and thinking won’t do you any good. Be nice. Open your mouth.”
You do just that and when he places a cigarette between your lips you inhale. Toxic green smog invades your lungs and the nausea subsides. Once again you feel light and careless. You feel almost happy. The knocking on the back of your head and in your heart dies. Killed by your own stupid hands. If Rindou were here you suppose he would’ve been very mad at you. 
For killing and for not caring. For pretending. “Truth or dare?” 
The girl speaks to you and you know that. You feel her stare on yourself and if you weren’t so high you would see the expecting, oh so spiteful, glint in her eyes. If you were sober you would’ve noticed it and probably still would’ve done nothing.
That’s just the way you are. 
“Truth.” She licks her glowing with gloss lips and smiles. Her friend, a girl with uneven bangs and the longest hair you’ve ever seen in your life, just beneath her hips, giggles. They share a glance. A knowing one. The trap they settled for you closing with a loud thump. 
On the right side, with his arms across the girl's shoulders sits Ran Haitani. She’s almost between his legs, but not quite, and yet there’s a striking familiarity that surrounds them. Maybe it’s in a way his thumb caresses the bare skin of her shoulders or maybe it’s her leaning even more into his broad chest when she catches you watching them. 
Either way your hands shake and it might be the alcohol or weed or something entirely else. You don’t bring yourself to care. You simply can’t. 
“So,” the girl speaks. Despite the music and the fog around your senses you can hear her clearly. “Is it true that there are burning marks on your upper thigh?” You tense and beside you Haruchiyo tenses too. But the girl continues, “Is it true that you burnt yourself because you hate yourself? Is it true that you always do it high because you are a fucking coward to do it sober?” Your eyes are open and no matter how much you want to close them and squint them hard, you won’t. You stare at the girl as she spews your silly little sins out like they are nothing; like you are nothing. “Is it true that you wanted to fuck Ran, but he said no, because you are..?” 
She never finishes her sentence and for the rest of your life you can only guess what insult she had prepared for you. 
The table that stood between you falls to the side when Haruchiyo’s Docs comes in contact with it. Ashtrays, bags and glasses scatter on the hardwood floor and you stare at them for quite a time, unable to look at anything or anyone else. The girl screams and her friend screams too and suddenly you aren’t that high anymore and you want to get out of this house, of this party. Out of the sight of all those people. Your body trembles and Haruchiyo, who tightly holds your hand, nudges you to stand up. You do as he asks, because you're tired and because you’ll go anywhere he’ll take you. If Rindou was here, he would’ve hated you not fighting back, but he is not and you are glad there’s one reason less for him to be disappointed in you. “Pathetic fucking excuse of a woman,” Haruchiyo spits at the girl and you tune out, losing yourself in the broken glass on the floor. It’s pretty with myriads of lights - lives - in every broken shard. They are colourful and full of hidden senses you don’t understand. 
In the corner of your vision you notice Haruchiyo raising his free hand. The girl screams again and this time when you finally raise your eyes, you see her face and pretty white t-shirt with one of Sanrio characters on it wet with whatever alcohol Haruchiyo had in his cup. A few splashes of it hit Ran’s cheek and arm too, but it’s hard to say what he is thinking. He was never one to betray his mind and show it off to everyone and besides you don’t look at him for too long. The cup and the remnants of a joint goes straight to the floor too. Haruchiyo steps on them and curses again. 
“Tame your fucking bitch, Haitani. Next time I won’t see that she’s a woman.” With this you leave. Hand in hand, with bitter hearts, you swim between the people and friends, until you are out of the house, in the fresh air outside. The night that meets you is starry and cold and so it’s very beautiful. Both you and Haruchiyo, stand on the side of the street, near the house in silence, clearly absorbed in surroundings. There’s a black cat watching you across the pavement and somewhere in the bushes is a cicada. Or maybe there are many. You have no way of knowing. The smoke of the cigarette - a regular one - hits your nose and you wonder how in the world have you missed the familiar click of Haruchiyo’s favourite ZIPPO lighter. His older brother gifted it to him when he was barely fifteen. The gift is quite questionable and Haruchiyo is not very sentimental, but he always has it with him. There’s a naked woman engraved on it and he fooled you to believe that’s why. The door behind you sways open, but none of you is interested to know who it is. Maybe it’s no one important. Maybe you both should leave and forget this night like many others. But it’s Kakucho and he gently places his huge brown jacket across your shoulders and so you stay for a little bit longer. His harsh presence cuts the night in two and what happened before suddenly turns into an ugly illusion. The cat yawns and you are reminded of how late it actually is.  “True,” you say after the night digs dipper and the smoke of Haruchiyo’s cheap cig envelopes you. 
The boys are quiet. Kakucho turns his head to look at you and you smile shyly under his curious gaze. It’s not like anything really matters. 
“It’s true. Only I never wanted to fuck Ran. I just wanted to share the love I have for him.” Haruchiyo sighs, dropping unfinished cigarettes onto the pavement. You hope the cat's paws won’t touch it and burn. As it hurts when it burns. Very very much so. “Who the fuck cares if it’s true or not?” “I hate to admit it,” Kakucho sighs pretentiously, a kind smile smudged across his lips, “but I do agree with Haru. Who the fuck cares?” Drops of alcohol on his cheek. Little perfect pearls. Wet black blouse. Cold dead eyes. He doesn’t look at you. He never does. He used to, but not anymore and besides it was so long ago, it’s like it’s never happened. Old images of false memories your brain conjured by itself with a sole reason to feel something; anything at all. 
The cat disappears, night swallowing it whole, and you wish it would do the same to you. But beside you two boys bicker so loudly it would never happen. Their voices tie you to them and despite your strong wish to disappear into thin air, you are glad they make you stay. “Do you wanna get going? You are crashing at mine, right?” Haruchiyo asks, stretching out his hand, palm up. You don’t need to think about it, but you still do, taking a little pause before you reply. “Yes. I can’t show up like this at home. Mom’s gonna cry again.” None of these boys know what it means for a mom to cry. And yet they understand the ache and the heartbreak. The sacred prayer to be a better child someone somewhere could be proud of.
Before you part ways, you and Haruchiyo go to find his parked motorcycle and Kakucho his old sporty car he bought with money he probably stole from someone, you shrug Kakucho’s jacket off your shoulders. “No. Take it. You can return it any other time. I don’t mind.” He smiles at you and his smile reaches his eyes. 
Haruchiyo’s apartment is small, but it’s only his and that is something to be proud of. 
The bathroom is all fogged up from the hot shower you just took. You slip into a pair of clean boxers, old grey sweatshirts and plain white t-shirt. They don’t smell like anything, but they are so undeniably Haruchiyo’, your heart swells. You love your best friend to death. 
“I hate the post high,” he murmurs when you sleep under the duvet next to him. “How are you feeling?” “Like shit and worse.” 
He giggles, but then he grows serious and his hand slides across the bed. He is searching for your hand, to take it into his and calm you down, to show his love. You help him find it. “Your scars are just scars and she is just a bitch. Don’t think about her.” When you don’t reply, he adds. “I know you do. You are breathing strangely.” And when you don’t say anything else, he speaks again. “I have never spoken about those things with anyone. And I can give my head that Rindou hadn’t either. I don’t know how she knows.” 
Those things that are your feelings, your inner world and ugly cracks all over your body. 
Those fucking things. Involuntarily, without your mind's consent, you curl into yourself. Cold attacks your limbs like thousands of small invisible needles and you weep, and Haruchiyo understands why and for what. All the reasons are so plain, they are written in black ink on white paper. You hate that you are so easy to crack open. You want to be something else entirely. 
“I love you,” he shifts closer to you and soon you are one body, “However you are. Okay?” His long beautiful fingers hold your own hands near his bare chest. He twirls your many many rings and swipes his thumb across your skin. Haruchiyo is a gentle creature and you don’t know where it all went wrong and when sleeping pills in his cupboard became dust to snort up his nose. 
“Okay.” 
He smiles at that and checks the window behind you. It’s still dark. The dawn - nowhere in sight. Good. So so so good. Before he closes his eyes, he presses his lips against your damp forehead and then under each of your eyes, kissing the tears and headache away. Somehow he manages to do just that and you fall asleep with a light heart. _
Two summers ago, on the warm evening of the last August day, your careless youth slipped away from you.
It’s an irony that it happened when the sun was setting and a small part of you remained forever imprisoned in that pleasant August day, while another you strode forward to some distant place in the night, where you shouldn’t have been at all. 
You were wearing a pretty sparkling dress and you were all dolled up and beautiful and yet that wasn’t enough.
With your hands behind you, supporting your body and legs stretched forward, you sat on the porch of the Haitani’s house. The sun had already dipped behind the grey buildings and Roppongi, the heart of nightlife in Tokyo, was just summoned back into existence. Sometimes it felt like during the day this bright area was almost dead, barely breathing, due to the sheer constant of blinding lights it birthed at night. 
The all too thoughtfully magazine under your butt did little to protect you from the coldness of the ground. You shivered uncomfortably and gazed at the boy standing in front of you. Ran was always a dream. So handsome. So mature. So perfect with all the hard edges of his character and soft plump of his lips. 
So so so so so. 
It was embarrassing how in love with him you were and it was more embarrassing, almost devastatingly so, that you fell for him the first day you met him. You still remember how the three of you - Ran, Rindou and you - stood near the vending machine under the metal roof of the small bookshop. It was heavily raining then and you were waiting for the droplets to stop. For the storm to cease and for you to go home. You remember Ran’s beautiful face and you remember how he lit up a cigarette and you remember how his body shivered because he was cold and how he smiled when he caught you staring at him. How he said nothing and how that pretty smile of his never left his face until you closed the door of your home and bid them goodbye. 
That day you were supposed to go to a party. Ran was supposed to drive you in his new shiny car and you were supposed to have a good time. Your best friend was already on the train to Roppongi, just one station away and Rindou was still inside the house, torn between white blouse and a grey t-shirt. He didn’t want to appear too casual and yet dressing up never sat right with him. 
Maybe if one of them were with you nothing would’ve happened and maybe you would’ve stayed. 
But none of them were. Only Ran and his stupid smile that fell off his soft lips the moment you confessed. The frown settled on his face then, and he was silent for a very long time, until he spoke and it became dark. 
“You know, I don’t do sloppy seconds. You kinda are my brother’s. It's like… I am sorry. It just won’t work out.”  
Once warm air quickly turned dry and you were suffocating. Heart beating too fast and not enough to spread blood across your cold frigid body, you stood up from the porch and without a mere word strode down the road. Ran didn’t say a word. He didn’t go after you. He didn’t call. And if you were to turn back, you would’ve known that he didn’t even look after you as you were slowly disappearing between the building and despair. 
The rest of the evening passed in blur. There’s no recollection in your mind of how you ended up in that particular bar and how you spent the little yen you had on you. Till this day, you believe it is your brain that is protecting you from sleazy hands of men across your body, shielding you from the force of pain that overtook you once they had your way with you. You don’t remember much because you were drunk and high, but you remember when Rindou ran into the toilet of that bar and looked away from your abused body splattered on the floor. And you can still hear the sob your friend let out when she saw you. And if you try hard enough you can still feel the love of Rindou’s blouse when your best friend dresses you up in it. Her warm hands on your marked dirty skin.  
And of course, you remember the day after, when you woke up in her bed and you both sobbed together, until numbness overtook you and you surrendered to it like a warm hug from the life of your life. 
Since that very day, two summers ago, when your little heart was broken and your youth bid you a gruesome farewell, Ran Haitani hadn’t spoken to you at all. It’s like instead of you there was a blank waste of a space and somehow you could understand him. You could justify his silence. 
The headache after a hangover is never kind. Mixed with a loud banging on the door and muffled - thanks God - shouts of the Rindou it is truly the worst. 
The inner sides of his fists are red, but irritated skin shows barely an ounce of the frustration and anger that bubble in Rindou’s throat. His always so pretty face, now scarred by fury, is what gives him away and by the force with which he kicks off his boots, you can tell he wasn’t trying to ease himself or hide how he is feeling. “What the actual fuck,” he shouts and neither Haruchiyo who stands near the still open door, nor you still in bed under thick blanket can’t tell if this is a question or a statement. 
His body rigid and eyes burning an unfriendly fire Rindou throws his bag on the ground near the wooden dinner table that Takeomi brought in Haruchiyo’s apartment - or rather picked it up from the garbage -  and strides through the only room to you. “Get up and strip,” he commands and his voice so unnerving, so angry and forceful leaves no space for you to retreat to. You hate when he is doing this, but you understand why and his quivering lips and red dust across his cheeks are enough for you to forgive him. It’s hard for him too. 
Loving you and caring for you is hard. But it’s not a new found truth so it’s easy to fathom it in your bones.
You shed clothes that aren’t even yours, easily. One by one they pile up near your legs, a protective shell broken and discharged, until you stand there in your panties and palms for a bra. Haruchiyo curses and averts his gaze. He despises these little checks-up Rindou does and he resents that you are letting him do them every single time. Not once you said “no”.
Smooth hands glide across your skin. Between legs, under your arms, right down the spine. Optical examination ceased to be effective long ago when you put makeup on the newish wound you inflicted upon yourself. Now, Rindou had to be sure. Now, he needed your safety ensured by his own two hands. You wonder if he does all these, because he feels guilty. Because he thinks what happened to you is partially his fault. You had this conversation with him already and it ended in you sobbing and him so angry you were almost afraid of him, but not nearly. Rindou, too, is sweet and kind. Maybe a little bit more so than Haruchiyo. 
That’s why you aren’t asking anything anymore. Instead of a question you puff out a little air from between your lips. Rindou’s head shots up and he looks at you, his eyes hidden behind the thin metal rim of his glasses. You suppress a laugh. Something in between his white and blue locks charges you with merriness. 
He watches you as you press your lips together and adjust his glasses higher up his nose. He is not amused, you can tell that much, but he isn’t angry anymore and that is a relief. And he let you touch his glasses, something he never allows anyone to do [except you, but not when he is in a bad bad bad mood]. So, you decide, the storm is over. The waves are calm. 
“Not even gonna ask what you are laughing about,” he mumbles, inspecting your ankles and when he finds nothing, he stands up from the floor, not before picking up the clothes on the floor. 
“Your eyes,” you make a vague gesture with your fingers in front of your own face, “They were just hidden and you looked so… I don’t know… Never mind, Rin.” In front of you in the kitchen fighting with a kettle Haruchiyo snorts. There’s a herbish aroma and something almost too sweet circulating in the air and it’s so strong it startles you. Too absorbed in Rindou you didn’t notice the smell before. Another Haruchiyo’s tea concoction. Hopefully, this time successful. 
“Did you two get high yesterday?” Rindou asks, going inside the kitchen - it’s hard to tell where the bedroom ends and kitchen starts since Haruchiyo’s apartment is a studio - and peeking over Haruchiyo’s shoulder. “You laugh even more in the post-haze than you do while you are at it.” The silence that settles is murmuring all the nasty things that happened yesterday right in Rindou’s ears. He looks between the two of you exchanging glances and sighs. 
“Whatever. Honestly, I am not even interested. I am here this early only because your mom called.” At this, you stop, your sweatpants half way your legs. You would’ve called Rindou out for lying, because he is here not only because of your mother’s call, but because he simply can not stop caring for you. But then, when your parent calls Rindou it’s never a good thing. It’s always about your scars, your secrets and your lies. 
This time, however, you know why she called him and you sit down on the bed, feeling like the smallest tiniest human being in the whole world. You hate this feeling of a deep humiliation. You want to burn yourself to not remember the ache in your tightened jaw and the disgusting sweat on your clammy palms. 
“If this is about the blades under my bed I didn’t buy them to… har… cut myself. I bought them for postcards.” 
He doesn’t buy it. He bites his lip and shakes his head, waiting for you to continue. “I am telling the truth, Rindou. I bought them to cut out postcards. I… I…” Hot tears pool in your eyes and you hate that he doesn’t believe you and you so badly want to pity yourself, but you can’t. Can’t do this. Because it’s your own fault no one trusts your words and promises anymore. When they look at you and pity you it’s done by your own hands. Hands you too want to burn. 
“Oh, baby, stop,” Haruchiyo helps you pull your sweatpants up and then he ties the drawstrings for you, his body - a shield between you and Rindou, “you didn’t cut yourself with those blades, did you?” “No, I swear, I didn’t,” you repeat it a few times and the only thing that makes you stop mumbling is the pain that seeps through Haruchiyo’s eyes into your heart. 
“Well, good to hear, but you will have to buy a pair of scissors for your postcards, because I threw away those blades you hid under your bed.”  
A clammy hands of desperation tighten around your neck and you want to scream. From frustration and from anger, from despair. Was it like this back too? Your every word carefully weighed and put on the pedestal to judge? You don’t think so. For better or for worse you can’t remember how it was before, but you wonder when everyone will just give up on you. 
With a loud screech against the chair against the floor, Rindou stands up. He takes a few steps and gently shoves Haruchiyo away from you. His long white hair swaying in the air. Haruchiyo smiles at you, reassuringly, kindly and the pools of grim pain evaporate from his beautiful eyes. Love heals, you think. So then, why do you remain sick? “You know how much I care about you, do you?” Rindou asks, cupping your face, his thumbs stroking your cheeks. “I’ll do anything for you to be healthy, happy and well. If it means I have to be harsh with you then I will. And if it means you will hate me somewhere on the way, so be it. But I won’t let you down again. Get this in your head. I. Am. Not. Letting. You. Down. Ever. Again.” Haruchiyo turns away and gets to his kettle and tea. And you finally silently cry cradled into Rindou’s warmth. Humiliation washes away with salty tears and the ever so heavy guilt crashes upon your shoulders. It’s better than anything, you think. Because that means you still care too and that means you are alive and well and there’s hope that one day all the check-ups and blades and tears will be in the past. 
You believe in this. 
Haruchiyo’s tea turns out not so bad and you and Rindou have two cups, one and half each. 
That day you come home late in the evening. 
You still wear Haruchiyo’s clothes and have Kakucho’s jacket thrown over your shoulders. The sneakers you place on the shoe rack - dusty black Adidas - are yours. This random sudden thought makes you happy and for the first time in a while you bubble with excitement. Over shoes. It can’t be normal. It’s not normal. Probably just a lingering side-effect of weed or bottled up emotions in which Rindou effectively made a hole once again. Inside the living room, under tonkatsu, sits your family. They are watching TV over dinner. You see an empty plate and an empty space reserved just for you and your giddy happiness holts. You had dinner with Rindou and Haru already and you aren’t hungry. Guiltiness spreads across your lungs like a web of poisonous spiders. 
Your mother is the one who sees you first. She is wary and tired when she looks at you, but this is nothing new. Your father turns back to look at you too, he nods and returns to the TV as soon as he can. He says, you should join them and eat something, you must be starving. You nod and wave at your little sister. She waves back. 
You go inside your room.
No one said anything about new shining scissors you had in your hand that Rindou bought for you. 
No one came to check on you and you didn’t have dinner together. 
_ You skip school for the next few days. 
There’s no particular reason. You just don’t feel like going. 
In front of you, there’s a void and it’s luring you in. Black colour, so inviting and beautiful. Inside of a space avoidant of anything and everything, where no air is floating, you are blossoming. The slightest aroma of laundry detergent and fresh baked cookies are so hard to resist and this is exactly what this imaginary [not so] place of yours smells like. You wish you could stay there forever. 
You almost do. 
But then your phone rings and the number is unknown. Yet, you have the slightest hunch of who it could be. That’s why you pick it up. 
“Hey! You have no idea how hard it was to get your number. You do have some seriously overprotective friends,” Kakucho laughs echoes through that night where you met a black cat to now  and then right into your ear. 
You hum, holding your phone in the safest place between your ear and shoulder, “I guess you could say that. Why are you calling? Oh! I am sorry I totally forgot to give you your jacket back. Do you wanna meet up somewhere? I am free now.” 
He laughs again and you notice that his laugh is boisterous and contagious. It’s almost childish in its raw sincerity. You haven’t heard people being that happy in a long long time. In a reminiscence the corner of your lips stretch up on their own. “What about… Can you be at Shibuya station in twenty minutes?” “I can try.” “Cool. I'll see you there then!” 
He hangs up just as abruptly as he called and the taste in your mouth is not of sweet abyss cookies, but of metal and caramel. It’s exciting in the most lazy manner. 
Outside, running down the street, to catch the bus on time, you notice the vast blue sky that is so clear it looks like it’s made of glass. You stop on the crossroad, hands on your hips, and take a few shallow breaths. Running was never and will never be your forte, but you stare at the infinite beauty that covers the whole earth and all people living on it, and wonder why haven’t you got out of the house earlier. 
_ Kakucho takes you to a nice barbeque place. 
It’s a chain restaurant, so the food is quite cheap and nice. You order two bowls of rice, beef, soup and kimchi. Kakucho gets himself Sapporo beer and you ask for iced lemon tea which he claims doesn’t go well with meat, but still smiles when you sip it. 
He is sitting opposite you in a small booth made for two people only. He is wearing a black turtleneck and plain jeans that can’t be that expensive, but they do look like he paid more than twenty thousand yen to get them. On the back of his chair hangs yet another leather jacket. The one he gave you sits in the Mitsukoshi bag under the table near your leg. 
In everything he does, Kakucho is effortless and confident. He grills the meat for you and he carries the conversation for you too. He asks you about school, about your hobbies, your likes and dislikes and even learns what your favourite colour is. 
Half through this spontaneous dinner you understand that this was never about returning his jacket. At least for him. But then, it’s his dark black hair that he spontaneously decided to grow out almost two years ago after he got tired of seeing that ugly bald dude with a scar in reflection every morning. [This you too learn over the food and while you want to tell him that by no means he can be considered ugly, you suppress yourself and listen to his soothing voice carrying you to yet another story already.] They are so black, they almost have this blue-ish inky feeling to them. And somehow looking at him so smiley, so kind and so handsome, so welcoming and accepting, so invested in every few words you say, he reminds you of those beautiful warm summer nights. Not the one that happened two summers ago, but all the ones before that. It’s a burning sensation and it calms you. 
You think, if he wants you might give him a chance. 
It’s dark when you go outside and back to the metro station. 
“Next time I’ll see you I’ll bring my car. I feel really bad, but my car is in the service. The engine has been acting up.” 
“Don’t be ridiculous, Kakucho,” you say counting the colourful kaleidoscope of the stained glass window of the random shop, you pass by. You connect every piece to seconds that fly away and they make beautiful constellations. “Just think it’s a good thing you are taking me home then and we are going by foot and not driving there. I am bad with directions. But now you are going to remember where I live and next time you can pick me up right from home. You know, just to pay for all the walking we did today.” He bites his smile back, lips pressed tightly together, but it fights him and reaches his eyes. They shine. _ “Since when are you and Kakucho going out?” 
You sit on the floor of Haruchiyo’s apartments with a scissor in your hands. Bright patterned paper, stickers, glue and so many other things you sure are two boys in the room with you don’t even know the name of, lay in a circle surrounding you. It’s messy, but Haruchiyo who lays on the bed, behind you and watches every single creative step you take, doesn’t seem to mind. 
In fact he never does. 
“We are not going out,” you mumble, eyes focused on cutting the most precisely shaped heart without an outline. “We’ve been hanging out. That’s all.” Rindou doesn’t seem to be convinced. He glances over to Haruchiyo laying on his stomach, blond hair a curtain, and sighs. 
“You do know, he has a thing for you?” “Well, I mean I kinda do, but I am sure it’s not anything serious. Who would’ve been in lo…” “He punched Ran at that party and they haven't talked since then.” 
The scissors stop and the bright yellow heart falls to the ground. It’s nicely and evenly cut out, but something about it isn’t right and you can’t tell what it is and you are spiralling and nothing can stop you now, because fire is nowhere in reach. You scratch your left thigh. 
“I didn’t wanna tell you, but…” “I am glad Kaku did it. I am sorry Rin, but it was actually very nasty there and if not for her,  I would’ve killed his bitch first and then kill him,” you hear the springs in the old mattress squeak and then Haruchiyo plops right next to you, making a space for himself between glue bottles, colourful tapes and you. “Ran never told her anything, because he didn’t even know, and I never told Ran or anybody about it. It wasn’t my brother’s fault she ran her mouth. For all I know Ran and her were never even together.” “Oh, really? Then how the fuck does she know?” The anger rising up in Rindou scorches you and you wince, but boys being boys, playing their own little war don’t notice it. “How would I know that? I just know that even if Ran knew he would never speak about it with anybody else!” “For fuck’s sake, Rindou, I know he is your older brother and you always admired him and…” 
The words bleed. The wounds they leave suffocate. You plaster a yellow heart over a red cardboard. You draw millions of hearts around it. You wish they’d stop now, but you know them both well enough, to know they won’t. You know how much Rindou loves Ran and how much Haruchiyo thinks everything that happened to you is because of Ran. But it’s not. What happened to you has never been Ran’s fault and you won’t let anyone think that. Not even your sweet pretty Haruchiyo. “I believe it,” you say loudly enough to stop them. “In fact, I know it wasn’t Ran who told her. Ran is not like that and… I… I just know he didn’t know about it. It wasn’t him. It wasn’t Ran and it’s not his fault. Neither it’s his responsibility or yours.” Splashes of alcohol across his cheek and wet t-shirt. The look on his face. Of pure horror and so many regrets. It wasn’t Ran. It could never be him. 
Rindou and Haruchiyo mend over the sweet sour chicken you make for them. They laugh, and joke and make those stupid boyish remarks only male in their twenties can. But you forgive them for that and for everything else too, like they do the same for you. 
It’s when Rindou examines your newest red card with yellow heart and I LOVE YOU RINDOU written across it, he brings the subject of Kakucho back. “Just so you know, I won’t hesitate to add another scar to his face.” Haruchiyo snorts, “Aren’t you two like best gym buddies?” “Yes we are. But he doesn’t make me postcards. And want it or not, but my loyalty lies with my brother so we aren’t speaking either.” 
Haruchiyo never comments anything on it and neither do you, but for the rest of the evening and well into the night when you lay down in Haruchiyo bed and try your best to sleep, you can’t help it, but think where does your loyalty lay? To what latitude does it extend and what seconds are most important to you to get back to them over and over again. _ 
It’s summer and you are in Kyoto. You are in your last school year and life has never ever been more beautiful. The green around you has the most vibrant colour and the sun above you is the warmest it has ever been. You close your eyes, spread your arms and melt. If you had to choose a moment to live in forever it would be this. 
There’s a festival going on in town. You hear music and people laughing. You smell chicken and something very very sweet. But despite this cacophony of smells and sounds, you also hear birds chirping and because of that your heart beats twice as fast. It’s a pretty feeling and you hope your heart will stay this way forever. 
Ran finds you kneeling in front of the small flower cart in front of the flower shop. You are so engrossed in the scenery of random shapes and ethereal feelings to them, you don’t notice him at all. Or so he thinks, because it’s very very difficult for you not to sense Ran’s presence.
It’s even harder not to feel his lazy stare on you and it’s impossible to not be burned by his crooked hazy smile as he watches you pecking tender petals with your fingertips.  
“Where’s Rin?” You ask, eyes focused on the bright pink flower. Ran takes a step, then another one and then he squats by your side, shoulders touching, the flower unnoticed. “With Kakucho, your two friends and Haruchiyo at a sportswear store.” “What?” Head snapping to the side, you study his face, to see if he is teasing you and while his lips are stretched in a smile, you don’t think he is. 
“I know. I am surprised Haruchiyo tagged along with them,” he stops talking, his lips form a straight concerned line and the crease between his blonde eyebrows makes you want to press a fingertip in there to soothe it. 
But instead of you reaching out to him, it’s him raising his hand to your shoulder. You hear a little buzzling near your ear, see the blue vast sky and people swarming behind Ran and you feel so warm, so safe, so i-wanna-freeze-this-moment. And you don’t know why your heart clenches the way it does and why your hands get clammy. 
“It’s a little bee,” Ran says, eyes fascinated by the small creature sitting on his finger. “Probably mistook you for a flower.” He laughs and shakes the bee away. It falls in the air, but as if remembering it can actually fly, spreads its little tiny wings and goes off. To the crowd. To the festival. To so many shared happy moments. 
“Do you want to go eat something? I am starving and on my way here I saw a decent looking place that serves yukke.” “Can we get Yatsuhashi after?” you stand up first, your head a bit dizzy from squatting for so long. Ran grins and nods, “Anything you want.” It’s on the way to the more than decent looking, but high-class restaurant that Ran takes you to, in the middle of your conversation that you remember about the flowers you were so fascinated with. There was no tag on them and you weren't sure they were even for sale, and yet you wished you went inside the shop and asked. Everything needs a name to stay. Today, Ran is eager to provide you with one. “It’s camellia. The flower you were looking at. Did you like it?” 
The sun is still high up in the sky and people are still walking. The Gion Matsuri festival will last for another three days. “Since when can you tell flowers?” 
You are genuinely interested and maybe that’s why Ran responds. You are sure he wouldn’t otherwise. 
“Mom used to have a book on flowers. Encyclopaedia. Was obsessed with them and how do you think she came up with the name for me and Rin? Obviously took them from there. It was the only thing that remained after she left. Along with our names.” 
“Well, you and Rindou remained too and then that old apartment of yours.” The smile blooms on his face again. He points at the restaurant with his finger and leads you there, “That apartment was actually of our beloved father. I wanted to set it on fire, but Rin talked me out of it.” 
Somehow you know once again he is telling you the truth. The fire, him and Rindou, and the book that for one reason or so many more others he kept and read so many times, he could tell camellia apart from other flowers. 
“Anyway, do you think bees migrate?” Inside the restaurant almost all tables are busy, but Ran finds you a perfect place near the outdoor garden for two people. You get a haunting feeling like it was waiting for you. “You mean migrate like birds do?” “Yeah,” he says casually overlooking the menu, “Oh, they have your favourite iced lemon tea. I always thought it’s amusing how you never drink anything hot.”  
“I don’t like hot things. They burn. I hate it when it burns,” you do and you don’t think you’ll ever change. “And to answer your question, I don’t think bees migrate. I’ve never seen them flying around freely like birds.” “I’ve never seen a single bee in Roppongi. Today's gotta be my first time.” You end up ordering a lot more than you both can eat. It’s always like this with Ran and you think you know why. You think you understand him, and his questions and a lot more things he tries to keep confined in that heart of his. 
Like an encyclopaedia of flowers and bees that flew away.  
_ You and Kakucho will never end up together. Not in this universe, not in any other. He is the first one to break it to you, but you were the first to realise. 
The truth is swallowed under bright cold stars. There’s not much light on the pier where you are lying down on the cold grey cement, but the roar of crashing waves and flickering lights of bulk carriers’ lamps are enough to guide you home. If needed. 
“I feel like I could love you, but you won’t let me,” he says and these words are mere whispers that take the form of a knife. Dull or sharp doesn’t matter. It still cuts your skin in two and you bleed. This is nothing new. 
“Maybe you are right,” is all you say. Your hands on your belly, you imagine sharks, three of them, emerging from the water and ripping you apart. They have five rows of deadly sinful teeth that will shred your flesh in seconds before you become part of them and the sea. You won’t die and you’d feel pain until sun blasts and the Earth will pause to exist and you with it. But no sharks come out and you are breathing. 
“I still want to be your best friend, though,” Kakucho turns to his side, prompts his head on his palm and peers in your face. “If you want to, of course.” 
Under his gaze, you think he’s searching for something. You want to tell him not to, because he won’t find it there. There’s no fight left in you. It’s all in vain, all in vain! “Nah. Those roles are taken,” you are only half-joking, but he doesn’t have to know that. “You can try though.” “Oh, I will. I will try my very best. I still like you. It’s not like it will go away any time soon.” If sharks do come, you pray, please don’t kill Kakucho too. He deserves to live a long nice life with a person who will love his gentle soul. But again, no sharks come, and you and him are alive and well. And an hour later he drops you off at home and you wish you won’t see him again and regret your inability to make people feel love. _ Haruchiyo’s hair is the prettiest you’ve ever seen. You’ve known him since you were eleven and every single hairstyle he had he owned. He was a young cheerful boy then, and a quite pretty young man now. Sometimes, you wished you could be together. You think both of you could make it work and maybe both of you would, if there wasn’t Rindou in between of you. But, today, there’s no Rindou and Haruchiyo’s head is in your laps and his clear bright eyes, almost transparent in their intensity, look at you and you only.  
“What are you thinking about?” He asks, hand finding yours, fingers sewn together. “Nothing much,” you lie and he accepts it, because he knows what goes in your head.
He sighs then, a tired loud sigh ripped right from his chest, just where his heart is. He tears himself off you, and sits opposite you, stretching his legs on each side of you. 
“If you want, we can, but I do agree with Kaku, you will never love anyone, even me, like you love that beanpole. And hurting me will break your heart more than… Ah, you understand what I mean, right? And sex won’t solve anything either. It’s gonna make everything worse. And I am willing to give up anything I might feel for us, but not you and what we already have. I love you and I love your happiness and it’s not with me. Not in that way.” “Wow,” you giggle, face hot with tears. Haruchiyo smiles. His kind, beautiful smile makes him even more ethereal than he already is. With this angel white hair. 
He leans in and kisses you on your lips. Hands on your wet cheeks, he doesn’t wipe them away, but hold them there and you feel them. They are cold and sorrowful. They are happy. 
“Let’s go eat something. I’m paying. And if you want we can rent a movie to watch before we come back.” I do, you say and he nods. He kisses your forehead and helps you stand up. Haruchiyo is your best friend and you don’t really suppose you are destined to become something else. And it’s good. It does feel right. 
_ The school is somehow not how you remember it. It’s even more dull, grey and ugly. You so badly want to drop out and never come back, but you can’t disappoint your family and friends more than you already have. You suck all your regrets and unpleasantries in, and continue to carry on. 
Today, you are all alone. Haruchiyo isn’t in Tokyo and neither is Rindou. They went to that stupid DJ convention in Osaka and you, sitting in the cafeteria with your store bento box in front of you, wish you were with them. They are for sure having a lot of fun. 
Unlike you. 
It’s not a recent thing, but you are craving company, because thoughts inside your head are suffocating you. You see fires, fireworks and sharks with fairy lights. You feel waves and your little sister stares at you. Your skin pops off, wrinkling and coming off in ugly distorted layers. 
You need this to stop, until you do the unforgivable and this is betraying Rindou to whom you promised not to do anything with yourself. You promised to go to school and study and be a good girl. Just for this week. Until he comes back and it gets easier to breathe. 
Maybe, you should call Kakucho and go out with him. He won’t say no. You know that well and that’s why you don’t call him. He is too good for you and your haunting voices in your mind. 
Everything seals in, when your friend finds you in the cafeteria and invites you to the party. It’s a small intimate gathering she promises and it’s gonna be so fun! We can dress up and have a little fun. We haven’t hung out in so long. Let’s go! Let’s go! Let’s go! We are going to have the best night ever. 
You don’t think twice, you need to relax and shut your shaking fears in your head, lock them away and preferably kill. So, you say “yes” and it makes your friend so happy, she spills her orange juice on your bleached jeans that your mother washed yesterday. _
The party is awful and your heart screams at you to get out before it’s too late. 
But your friend holds your hand and you feel safer and she claims she knows a lot of people there and they are nice and then, she would never let anything happen to you. The last part is true, but there’s only so much a young girl in her twenties can do. People she knows are a group of men. They look like rock stars, smudged eyeliner and long hair, multiple piercings in both ears. There’s no way to tell their age, but you don’t think they are that much older. A strong smell of weed and alcohol doesn’t scare you either. It feels familiar. 
With a few drags from a blunt you levitate, head in clouds, river of shitty bitter drink in your stomach, you levitate. You laugh and giggle and let the boy with orange bleached hair throw an arm around your bare shoulders. His touch isn’t anything, it’s barely there. 
Until it’s not. 
Until, his hand slides to your breast and he squeezes it. Once, twice, you lose the count. You feel sick, smoke disintegrated from your head, alcohol still in your blood. All the scars you carry on your body itch. You breathe in and breathe out, and the boy mistakes it for excitement. He grins, eyes foggy and greedy. 
The bile rises up in your throat. You shove it down, to your stomach. The friend that promised to be there for you isn’t here anymore and you can’t pinpoint the moment she left. Hazy thoughts and remnants of what she said to you before going upstairs with one of the boys are still there, but they are melted in the hold and attention forced on you. 
When the boy turns you around and kisses your neck, you’ve had enough. With a smile on your lips, and wobbly legs, you push him away, hands on his chest and he groans unsatisfied and hungry. He dives right back, fingers latching onto your waist. “I really need to use the restroom,” you whisper again and again and again. “I really need to. Please. I’ll be back. Just let me go.” He doesn’t and his friends laugh behind you. Is there no one to help you? No one to not let that awful night happen again? “Please, I just want to go to the restroom,” you plead and this time he releases you. You flee away. With trembling hands and shaking heart, you flee away and run to the bathroom. It’s vacant and it’s dirty, but it will do. It will do until you think of how to escape that party and get home. To your mom, to your dad and to you sweet little sister. To everything good and innocent that still lives in you. But now, you cry. You sit on the dirty floor in the house of a person you don’t know with a dress ridden to your mid thighs and cry. You cry for betraying Rindou’s trust, because once you are out of here, you’ll cut and then you’ll burn yourself and this time you hope it hurts so much, you won’t be able to feel anything for weeks. You hope it scars your body so ugly everyone will finally turn away from you. But firstly, you need to get out of here and this is almost impossible, because that guy wants you and waits for you and you promised to be back. Swallowing, you reach out for your phone. It’s in your bag. It’s fully charged and when you are about to dial Kakucho’s number, because he’s the only person to come and get you now, it rings. You answer before you see the name of the caller. “Hey! Why weren’t you answering my calls? Where the fuck are you?”
It’s Rindou and you know everything ends here. “I am fine. I am just at the party with…” “Are you crying? What the fuck? Where are you?” You sob. Because he is harsh with you and because he has every right to be. 
“Rin, I am sorry, I… that guy… I don’t want you to worry about it. I’ll call Kakucho and he…” “Who? Did someone hurt you? You need to tell me where the fuck you are.” “He just… Rin, I can’t… Why are you in… I am sorry… I want to go home.” He is panicking. On the line, in another city, his heart breaks in two for you. “I need you to tell me where you are. Tell me where the fuck you are.” You tell him. The address, the way to the bathroom and even what you are wearing. You have no idea why you are doing this, because Rindou is no god and he can’t get to Tokyo, to you, swiftly. Today, he won’t save you. But he promises you he will and then he hangs up, only to call you a couple of minutes later and talk to you about anything and everything, before you are safe. Before you are you again. _ The lightning that shoots through your body is so strong and powerful, you straighten up against the door and stop breathing. Outside is eerily quiet. The music is no longer playing and people aren’t speaking. It’s like the world died and you are the only one left. “What is it?” Rindou asks after he catches you not listening to him telling you about the new DJ set up he and Haruchiyo saw today at the exhibition. It’s pointless asking him, because you do know the answer to your question, but you do ask anyway. “Who did you call, Rindou?” “Ran. I called Ran. Is he there?” 
His voice is soft and comforting, but it does little to calm your wires of nerves.  Suddenly the world is very crispy and clear. “Rin, I don’t think I am ready to talk to him and…” “Listen here,” he interrupts you, taking a long pause, “It’s just Ran. My older brother. The guy you knew since what? Five years old? I don’t know a better person I can trust you with than him.” “It’s not that… it’s just… I am not ready… I don’t think…” A knock on the door never lets you finish the sentence. Rindou is babbling up on the phone again, you can hear him, but you can’t comprehend what he is saying. Slowly you open the door. You feel safe. You start breathing again. _ Ran doesn’t take you to your house. He doesn’t speak to you when he escorts you out of the house, your hand in his, and he doesn’t speak to you once he stops near KFC, gets out and gets back with two large bags he throws in the backseat, neither does he say anything when he makes the last stop at convenience store two blocks away from his and Rindou’s apartment. 
Two stops and thirty minutes ride, you don’t hear his voice even once. I am with her, is what he said to Rindou when he found you and took your phone from your hands; it still sits in the right pocket of his sweats. 
And you, you don’t try to talk either. Instead, you watch him. You caress his face with your eyes and try to spot if everything is different since you last saw him this close. Two summers ago. 
You don’t find anything new and it’s disappointing and relieving at the same time. Inside the apartment everything is still. He flickers on the light in the living room, places bags with food and drinks on the table and turns to you, standing where he left you. In the corridor. “Go and take a bath. Puke if you want and then come here. We’ll eat and we’ll talk.” When you don’t move he adds. “Go and wash yourself, I’ll bring you fresh clothes in a minute. Go.” The shower does help you. Water and soap feel nice on your skin and it’s not the cleansing you wish it was, but it still makes you feel better. Less anxious and more grounded. It also washes your worries away and you can’t help, but blame it on the weed wearing off your body. You are happy you are sober now and you wish it was something else that sobered you and not a random guy groping you at the party you shouldn’t have been at, at all. You don’t puke and you rinse your mouth with green mouth wash that you find on the sink. Haruchiyo has the same one at his apartment. You think if he is already aware of what happened. You should call him tomorrow and say you are okay, you are fine. Nothing bad happened. You suppose Rindou has told him, but you want to reassure him yourself. Ran sits on the floor when you emerge from the bathroom, wearing black sweats and grey t-shirt. You know it’s his clothes and you know when he raises his head and sees you wearing them, the corner of his lips tug up. He is quick to lower his head again, eyes on the chicken and fries neatly divided between two plates, as he motions you to come join him. 
This time you do it without hesitation. You eat in silence. Words on the tip of your tongue you so desperately want to say something, but it’s not your turn to talk and so you wait, until he gathers up and says what he has to say to you. “You are staying here. I already called your mom and told her you are with me so you don’t have to worry about it. I also spoke with Rindou and he’ll stay at the convention until the end. He won’t return tomorrow as he initially wanted.” You don’t say anything back. The fast food Ran bought is delicious and this apartment with him in it is a pleasant nice memory you dissolve in. You sip on your beloved iced lemon tea and you hope this moment of the night will never end or it will snatch you away. Imprison you in its comfort. “How do you feel?” His purple eyes never leave your presence and while the question is expected, you never wanted him to ask you that, because for once you don’t want to lie anymore. You are sick and tired of lying. “I am fine now, but I don’t think I’ll be tomorrow morning when I leave and I’ll probably get worse when I am home and alone.” He hums to that, shaking his head. His hair is parted in two nicely done braids. It’s longer than you remember it and yet it’s the same. “You won’t go home tomorrow morning. You are staying here until the answer to that question is I am good. Until I see you are better I am not letting you go.”
“Ran, I don’t think it works like that.” “Then, we’ll make it work like that.” 
That puts an end to your conversation. Together you wash dishes and he returns to his room, while you slip in Rindou’s bed and close your eyes. Violence is never an answer to you, and maybe Ran didn’t mean to enforce anything on you, and that’s why he didn’t close the door to his room as he always did before [you remember it so, but he might have changed, it’s been years after all], but you want to try. You so desperately want to feel good, you are willing to do anything. _ The next morning comes and you are the first to wake up. Ran’s room is dark and silent. The door is still open. There’s no sound coming out. Everything is still and motionless, but alive. That’s how you know he is actually home, inside his room sleeping peacefully. 
You don’t move around much. You don’t want to wake him up, because you do remember how grumpy he gets when someone disturbs his sleep. So, instead, you return back to Rindou’s bedroom and lay on the bed, staring at the ceiling. Your phone is still in Ran’s possession and you are quite bored. Not that you can do much with it, but you could have messaged Rindou or Haruchiyo. It’s better than doing anything and in Rindou’s bedroom there’s nothing much to shorten the time you have until Ran wakes up. 
It’s around noon when your back gets so stiff and you just simply can’t fall asleep again no matter how hard you try, so you get off the bed and stride into the kitchen. The cupboards don’t have much and it’s even worse than at Haruchiyo’s house. That boy at least has a collection of tea, instant coffees, chicken take-outs leftovers and rice. All Haitanis have are a pack of rice, one cup of instant noodles, a carrot, two cans of spam and five eggs. It’s all definitely courtesy of Rindou. Ran solely survives on deliveries and eating in those favourite posh restaurants of his. 
It’s another hour and a smell of grilled spam that lures him out of the bed. He crosses the corner that separates his bedroom and kitchen, and with a heavy blanket across his shoulder and droopy eyes that are ready to close any second, stares at you. “What are you cooking?” 
“Rice with spam and eggs.” “I didn’t know we had eggs. Good. I’ll be right back.” 
He disappears into his room and then reappears a second after and goes straight into the bathroom and you standing in their little kitchen for the first time since yesterday shrink in size, feeling very very small. It’s all too strange, you comprehend, mind spiralling and angry and so frustrated. So so so strange for you to be here, in Ran’s and Rindou’s kitchen, cooking a miserable attempt at breakfast at noon, for yourself and a guy with whom you once were so close, but then you haven’t spoken in almost two years and now… 
You freeze, hands raised mid-air, and mouth slightly parted. Breathing in and out. In and out. In and out. 
Now… Now, there’s rice on the stove and you need to reach for bowls, which should be in the cupboard right in front of you. That’s if they didn’t wake up one day and decided to store their dishes in the drawer next to the fridge.
Now, you need to turn the stove off, so the spam will stay crispy, and not turn into an ugly tasteless black  coal. You need to do all this and that’s what you do. Ran is back to you in almost no time. He watches you carefully, and you wonder if he sees your worries in your trembling hands and bitten lips, in how you avoid his intense gaze. But if he does, he doesn’t say anything. Wordlessly, he helps you by taking both of the bowls, leaving you to grab chopsticks and soya sauce. 
He settles on the floor and you sit next to him, putting a comfortable distance between the two of you. 
It’s very Ran to not turn on the TV. He eats quietly, throwing a small praise your way, that means nothing, because it’s just an appreciative humming and a couple of pleased curses. You eat too, because there’s nothing else to do and you are kinda hungry. It’s also is a distraction enough not to send you down your torture tunnel again. You welcome it happily, grabbing the opportunity with both hands. You welcome Ran staring at you too. You suppose you are acting as the TV for him today. The thought makes you smile. “Yesterday, when I arrived, no one would tell me who was the guy that made you uncomfortable by touching you,” he starts, confident with purple eyes never leaving you. “They only spoke when I kneeled one of them down and stepped on their fingers.” The rice in front of you, sticky from the yolk, dances. You wish you could dance too, but you haven’t had a good dance since the last party with Haruchiyo and Rindou almost two weeks ago, where Rindou got so drunk, he couldn’t remember what his name was, but he remembered you. That moment was sweet and you think the moment now isn't really so, but your mouth suddenly tastes like cotton candy and it’s a pleasant feeling. A great even. 
“I broke the fingers of the guy who touched you yesterday and I broke every single finger on the hands of the guys who touched you that day. It was a mess, but there won’t be a day now in their lives, that they won’t feel the pain and that’s all I wish for.” “Ran…” The bowl is too heavy for you to hold and the rice isn’t dancing anymore, nor does the world move and you doubt anything exists past this apartment. The white noise and deafening eerie silence envelope you in their deadly hug. But you don’t want them to touch you. You want to swim in Ran’s eyes that carry no remorse or guilt or pity, but acceptance and comfort. Tenderness seeps through him like the sand of the broken hourglass. If he suffocates you with it, burying you under him, you won’t mind it. 
You won’t mind it at all.  “You don’t have to say anything,” he laughs, clearly amused by your lack of reaction or from the plentiness of it. “Good.” “Yeah, good. Finish your food and let’s go grocery shopping. We don’t have anything to eat in this house and Rindou’s stack of shochu isn’t much to my taste.” “He still has a stack of shochu?” “That’s the only thing you are worrying about?” “No, but…” “I am teasing you. Yes, he has. It’s in the cupboard next to the fridge.” Well, it seems like nothing much changed in their apartment after all. Bowls in the cupboards and stacks of shochu, and everything else in between. 
Two years after last visiting, you feel like it was just yesterday. A nice revived warm memory. You hope it will linger for a little more, its light pleasantly warming your cold hands. _ Your phone is somewhere inside Ran’s room and he isn’t willing to give it to you. It’s also a no trespasse territory so you don’t dare to go in there and take it yourself. “Did Rindou call?” You ask on your second day spent with Ran. It’s raining outside. Quite heavily so, but inside this little cute cafe that serves only coffees and cheesecakes, it’s warm and safe. “He called me,” Ran says, cutting his lemon cheesecake in half and transferring the piece to your plate. He cuts off part of your strawberry one for himself too. “Asked what we were doing and how are you doing. Don’t worry about him. He is getting drunk, high and probably has a couple of girls in his bed to warm it. I bet he is having a good time.”
“It’s good then. I want him to have a good time.” Ran hums, takes a sip of his black coffee that obviously doesn’t taste good at all and observes you. Eyes squinting and all. It would’ve been uncomfortable before, but it’s not anymore. In these two full days you spent with him in his apartment it’s almost like all those years before. “Your other friend called though and sent lots of messages.” You don’t have to ask to know who this friend is and Ran understands it very well, because he continues without waiting for you to ask who he is talking about. “I answered him and told him you’ll stay with me. Apparently what I did at the party reached him.” 
Never once he looks away from you, waiting for anything from you. A small frown, barely there sigh, tears or glossy eyes. But nothing comes, so he asks. Simply, because he desires to know. “Are you upset? I can give you your phone back if you want to call Kakucho. I know you’ve become close since that party.” There’s nothing you are feeling. No sadness, no remorse, no heart in the stomach. It stays in your chest where it’s supposed to be. So you shrug and put a little bit of yellow cheesecake on your spoon. You taste it, the back of the spoon hanging from your mouth. It tastes good. Really really good. 
“I am not upset and we are just close friends. Nothing more.” “Nothing more?” “Nope.” “That’s good. Anyway, do you want to rent something to watch later today?” It is good and yes you do. Of course you do. 
_
With his hair up in a messy bun, loose strands falling all over his face and glasses always falling off past his nose bridge, Ran looks ridiculous. You tell him just that. 
He also looks very domestic, very warm and safe, but you aren’t about to tell him that. He understands it anyway. 
_ On the fourth day of getting back to Ran he leaves the apartment very early in the morning and doesn’t return until the evening when the clock strikes eight. 
It’s very boring without him there. With nothing to do you read Rindou’s book about healthy food and when you finish it, you read his handouts about the importance of music in western world. Both food and music are dull topics to you, but with nothing to do it’s better than just sitting on the sofa and waiting for Ran to come home.  You also watch TV. MTV with loud pop and all the same techno music and then some soap opera with an all too obvious plot on TBS. You even tune in on the football match on TBS Sports and find it a bit entertaining. 
But then the match ends and Ran isn’t home yet and you have no idea where your phone is so you could’ve called him [you don’t have his number], so you get up and get to cooking. Cooking is nice and it’s creative enough for you to lose yourself in it. You notice a pack of shaving razor’s on the kitchen countertop and wonder how they even got there. 
You take them back to the bathroom. When Ran does come home it’s dark outside and he doesn’t look any different. It’s raining again and his hair and clothes are a bit wet, which makes you think that he didn’t use his car. You so want to ask him where he has been and why has he left you alone, but you don’t dare. 
You stare at him from the safe space of Rindou’s room. Watch him take his coat off, then his boots and then he is right by your side. “I wanna see your scars,” he asks, almost pleading, and this is so unlike him, so not Ran and everything you know about him, you think you heard him wrong, but he repeats, “I want to see you. You aren’t afraid of me, are you?” And you aren’t. You were never afraid of Ran and his vicious, sometimes cruel, nature, because to you he was never like that. You never saw him as a person capable of turning another human being's fingers into a bloody mess that won’t ever heal. To you, Ran is Ran. Beautiful sleepy eyes and gentle touches. A never ending worry for the people he loves and all the knowledge about flowers he once read in the encyclopaedia of his gone from his life forever mother. 
Without saying anything, holding onto each other’s gaze, you strip to your underwear. Your scars ugly tissues of messy skin, are wanting to be hidden. They scream at you and cry and rebel. They promise you, you can hide them under other scars, more brutal, more deadly, more deep, but you don’t believe them anymore. 
Nothing ever will steal them away from you. They are now you and you have to carry them for as long as you live. No sharks or stakes are the option.
Cold fingers burn your warm skin. Ran’s hands glide across every patch of your existence that once were wronged by you. He finds every single one. On your arms, your legs and thighs. Your ribs and lower back. He doesn’t say anything, but his hands tremble and that is enough for you to understand everything. Him and his reasons. 
When he claws your waist with his fingertips and brings you close to him in an impossible tight hug, you start crying. Your own hands fist the plush of his sweater and you want it gone, because you need to feel him close to you. Skin to skin and nothing apart. 
The pressure from his fingers is painful, and if he presses more, he’ll leave blooming bruises, but you won’t mind it. You wouldn’t mind it at all, because just this once it’s so nice to be safe and sound in the arms of someone other than Rindou or Haruchiyo. It’s so nice, so so nice, to want something more and not be afraid of it. 
It’s like blooming camellias and stinging honey bees. 
_ Fully dressed with sanrio cookies Ran got at 7-Eleven, you sit near him on the floor, on the Rindou’s blanket you spread across it for warmth and comfort. Your tears have long dried and the Ghibli movie is now playing on the TV. The room is dark, the rain is still falling and Ran is slowly falling asleep. 
“You know, I’ve never rejected you,” he yawns, laying down. “That summer. I didn’t reject you. I thought you and Rin had something going on between you and that’s why I said what I said. Maybe if I were to… Anyway, it doesn’t matter now. Let’s just watch the movie.” Ran doesn’t make it to the end. He dozes off right at the moment when Chichiro boards the train and suddenly you too lose interest in a magical movie with so much sense behind its gentle animation. For a couple of seconds that stretch into an endless drop of water you bring your knees to your chest and stare outside the window. The view is nothing much. A grey building and dimly lit street lamp. Not a soul passes under the windows and you don’t hear any voices or laughs. No steps or coughs and rustling of clothes. Maybe there’s a black cat there somewhere, but its paws are too soft to make any noise. It most definitely won’t reach the second floor. Especially with rain meeting the pavement and cars and roofs, and maybe cats, but hopefully not. 
That night that summer it was raining too or so you were told, because you don’t remember. Drunk, high and very very sad you were brought into Haruchiyo’s apartment where he cared for you as best as an eighteen year boy could about an eighteen year old wronged girl. And in that crumpled dusty bar in Roppongi another act of love was happening. More vicious and more cold. Rindou has never told you about it, but you know him and Ran well enough to know that they did it together. Haitani brothers and all. 
You are too lazy to go to the kitchen and put sanrio cookies in the cupboard where they belong so you place them on the table near the TV. You grab the remote and switch the movie off. Darkness envelops the apartment, but you are used to it and then there’s that street lamp with its light and Ran. Slowly, you sneak under the blanket and curl next to him.
His breaths are even and methodical. His heart beats the same and he is very very warm. He is asleep and you so desperately want to sneak into his dream and live there. Meet the bees and blooming camellias along with other beautiful flowers he knows by heart. It must smell so good there and it must be day. Full family at the table and everything is good. Cats can be heard from miles away and fire is never burning the skin, only purifying. It never hurts there. 
Just like it never hurts near Ran. 
“Stop thinking so loudly,” Ran turns on the side, arm hooking across your waist and brings you closer to him, his body and his peace, “You are waking me up with those thoughts of yours. It’s gonna be alright. We are… I… It’s… I…” Whatever he said is lost on you, because he falls asleep again. This time, in his arms, in his warmth, it’s easier for you to close your eyes, because after many many days you are eager to open them again. _ This time, you don’t wake up first, but you wake under an intense gaze and hand caressing your face. He doesn’t stop when you open your eyes, curiously, looking at him and you don’t stop him when he leans in and kisses you. Slowly and sweetly. Besides drunk games at parties where you pecked a couple of boys, you’ve never ever kissed anyone, because you loved them. And right now doing exactly that - kissing the person you love, - your chest burns and you are not sure what you are supposed to do and how to suppress all those whimpers and moans you are so readily feed Ran with. 
Somewhere in the kiss, right after he hugs you impossibly closer to him, both arms around you, he smiles. The flame in your chest is now fire, and so you push him away. “What?” He asks leaning in again, this time pressing wet open mouthed kisses across your jaw. It makes it harder to speak, breath uneven and clogged, “Why are you smiling?” Surprised, he looks up, “I thought you were gonna ask me what the kiss was about, but you so you, and… why do you think I am smiling?” He waits for an answer and your brain runs kilometres in a millisecond, but you can’t come up with a decent answer that is not embarrassing or humiliating and full of self–doubt. Instead, you want to kiss Ran more and you want him to hug you tight again, hands holding you together, in one piece. And so you do. And it feels nice and it feels beautiful and right. And probably you should have had a conversation about all these before, but as he said you are you and he is Ran Haitani, and you kinda like doing everything in mysterious complicated ways only understandable to you. So you kiss more and he kisses across your face and under your jaw and then your neck where he plants bites and hickeys that bloom right away. Pretty shades of purple.  Only when you are sitting on top of him and his hands slide under your [his] shirt, does he stop. Hair a wild mess, he tilts his head and retracts his hands from your bare waist moving them to your face, which he cradles with all the gentleness in the world. He searches for something, anything, in your expression, but only finds swollen lips and pretty eyes that hold all the stored love they never gave away. And he crumbles, falling so hard and so fast, you hear the air crying and flowers blooming in his chest. 
Right at this moment, you both know, he’d do whatever you want and this will either be the best reward of his life or his demise. [As if you ever would let the last happen]. Ran presses a small barely there kiss to the corner of your lips and nudges your cheek with his nose. He takes a deep content breath full of the meaning you don’t catch on. Not because you don’t understand, but because you can’t, because he holds your head to his and kisses that sweet place right below your ear. Because he whispers, asking you, “How do you feel?” “Good. I feel good, Ran. I really really do,” you breathe out, hands clutching onto his shoulders. You can’t see his face, he buries it in your neck, inhaling your very being into himself. Storing you and what you are to the depths of his heart to where he will never let anyone reach. 
Your skin absorbs his smile and it makes you happy. So happy, you believe, if you died right there in his arms, an army of bees and the prettiest pink camellias would swerve from your ashes and Ran would name them all. 
_ The afternoon was spent exchanging lazy kisses and tender caresses. The time passes and the rain continues and when you stand outside of Haitani’s apartment building waiting for Ran who forgot his card upstairs, you inhale the wet aroma of pavement and green leaves and everything seems fine. Uncertain and wobbly, but fine. 
You actually believe that if sharks would come right now and try to swallow you for the first time ever you would fucking fight them. And they would back off. _ “You know, we should have ordered,” Ran complains in his small accusatory voice that you haven’t heard in so long. “You are soaking.” “Maybe. But then the poor delivery guy would’ve suffered and the food would be cold and…” Ran gives you the look. The one you haven’t forgotten, but could never crack up before. Where he believes you are very cute, but hella naive and a bit stupid. Now, though, you know what this small smile with a very relaxed face means. Now, that you know, you just nod embarrassment overflowing, and turn away from him, cheeks hot and hands trembling. He notices it all. He finds you endearingly cute. So cute, he wants to tear you apart. “You know, let’s just eat our burgers and get home.” “Burgers and fries, Ran. You did order fries, right?” “Yeah. Yeah. And fries. I just really wanna get you home.” _
“Say it again,” Ran murmurs, tenderly kissing your right cheek. His hair is still wet from the shower and his skin is slightly tinted red from the hot water. The huge tattoo that splits his body in half is more evident than ever and you find your gaze lingering there, tracing pretty shapes of it. 
He doesn’t wear much. Only sweatpants. And straddling him, legs hugging his hips, you can clearly tell that there’s nothing under them. Only him and his bare skin.  The smell of his shampoo and gel shower lingers in the room and it’s unclear if it’s from him or from you since you’ve been indulgently using his toiletries this whole time. Not because you always wanted to be closer to him, but because there was just no way you’d use Rindou’s mint one. Vanilla and bergamot it is then.
And now, all senses high and elevated, you claw at Ran’s naked shoulders, letting him slowly mouth your neck and you throw your head back, and you inhale this pleasant aroma that will forever remain you of these days and you desperately try to compose yourself. Dissolving into him would be easier, but you want to remember every single moment and every single sensation, and so you stay. “When was the last time you had sex?” In his question there’s no shame or hesitation, and it’s good. Really good. Because Ran doesn’t want to hide his intentions and pretend nothing is going to happen since this morning it was clear you would be under him today.
 “And with whom. I wanna know who had you last.” There’s slight fear in his last demand and you want to wonder why, but you stop yourself before your mind could create impossible scenarios and trap you. You pull back a little, peering into his face. You need to know why he is asking you this and as if he understands you, he leans forward pressing a soft kiss to your lips. 
“I am asking, because I need to know how hard I can go and what you can take from me.” His hands, warm and attentive, slide under your shirt. You too wear nothing under it. He doesn’t seem too surprised when he finds it out. Instead, he stops at the small of your back and hugs you closer to him. “I don’t want to hurt you or make you do something you aren’t ready for.” If not for the gentle fire in your heart, you would’ve cried. But you drop your head down, unable to look him in the eyes anymore. There’s something in them you aren’t mentally prepared for and Ran should be fearing about it more, than he does about sex. “I am not afraid of you and you won’t hurt me.” You say and then something possesses you and you cradle his face in your palms and you hold the whole world there and he isn’t aware of it and everything hurts, but in a good sweet way. “Can we kiss some more? I really like kissing you and I like you. You asked me to say it again and I will. I like you, Ran. So so so much.”
Ran kisses wet and sloppily and he grabs at your waist so clumsily, so unsure and so uncertain that it sells him immediately away. He has never kissed anyone like this and now that he has it has him spiralling. And so out of his mind, he pulls you closer, his bare chest against your [his] t-shirt and he does it again, and then again and again, as if could possibly merge with you, because being like this seems so so so far away to him. He wants you closer and it physically hurts him not being able to. And so he takes a good look at your flustered face, your perfect collarbones picking out of the loose clothing and dives in to kiss you again. This time he doesn’t stop only at your lips, but he mouths across your neck, guiding his tongue across the bruises he left this morning. He smiles all the way down to your collarbones and his smile makes you smile too, and despite you being quite shy and awkward you grin, melting in his happiness. 
If that’s how love feels, it feels good, it feels right and it might help you. It should. You want to give it the power to.
Somewhere between losing yourself in each other completely and starving hands, Ran hooks his fingers under the hem of your t-shirt and lifts it upwards. There must not be enough of you for him and so he wants more. But you freeze, heart beating so fast, it’s going to burst any second now, and Ran understands. He puts a gentle sweet kiss on your lips and presses his forehead to yours.
His breathing is ragged and fast. 
“We don’t have to do anything. It won’t be good for you if you feel…,” he starts, but you take all those words with your mouth on his. You don’t want to hear what he has to say, because you know what it’s going to be. And you don’t want your fear to overwhelm you, because that’s what has been living inside you and that’s what you’ve been trying to carve out of your soul. With razors, scissors and knives. Never with love or understanding. You slip away from him. You take off your shirt and place it near you on the bed. Ran watches you. His eyes are hazy and unfocused, but not any move of yours passes by unattended by him. He glides over your breasts and there’s a slight jerk under you and suddenly you want to hide yourself. You almost do, but then you think better of it and you raise your hips and you try to take your sweatpants off, but Ran stops you. “Don’t,” he murmurs, flipping you on your back. “Don’t. I wanna do everything myself. I want to undress you myself. And I want you to kiss your body and I want to play with your tits until you lose your mind and then I want to eat you out and make you cum, because you fucking deserve it. Because this fucking tension needs to go the fuck away. Okay? And then I want to kiss you and then I want to fuck you and I will watch your face as I do it. I’ve always wanted to see your sweet pretty face under me. Always wanted to hear how you will scream for me and how insanely perfect you’ll be with my cock inside you. Okay?” You nod and he does exactly what he said. And Ran is attentive and careful and very very kind. He talks you through everything and doesn’t push your buttons even though a couple of times you secretly wish he did. That night it’s only one round. Mainly because he is too exhausted and sleepy after he cleans you up and dresses you in his boxers and a new clean t-shirt. 
You don’t change sheets though and decide against opening the window. Because it’s heavily raining outside again and because none of you wants to get up from the warm bed and lose the comfort of each other. “Is it too early to say that I love you?” He whispers, taking a full deep breath. 
You think it’s not, but you say that it is and he laughs seemingly seeing through your small insincerity. “Okay. Then you should ride me tomorrow morning. I deserve it after today.” “You know, Ran, I think this is too, too early to ask of me.” “Really?” “Well, yeah.” “But I kinda already asked and I kinda already…” A loud thunderstorm slams Tokyo and you get startled. Your body is aching in all the pleasant ways and you don’t have any capability in yourself to continue this ridiculous conversation. You press a kiss to his chest and hide yourself in the crook of his neck. You are safe and you are in love and pain is still there, and memories will never die, but pink camellias are blooming and bees are going to return. _ Rindou is not supposed to get back next afternoon, but he does. 
It’s still raining and Haruchiyo is at his back complaining about how much he hates humidity, because his hair gets all frizzy and ugly. [Not that someone particularly cares about Haruchiyo’s hair, but Rindou is too tired to argue with him, so he just hums.] Because he understands where Haruchiyo comes from and he is also still tipsy. 
Yesterday, before boarding the bus they did drink a little too much. But the bar they camped in in the night, ditching the comfort of the hotel, was nice and the girl that sucked Rindou off in the back alley behind that said bar, was pretty much exceptional, so he won’t complain. 
Besides, he and Haruchiyo, but Rindou more or so he believes, were too worried for you to stay in Osaka. All the girls in the back alleys be damned, they need to see you and make sure you are alright. Short unconstant messages from Ran - “oh, she is fine”, “don’t worry i got her” and “she’ll be just fine” - were not cutting the white patch of horrors off for him. 
Rindou needed to talk to you. He needed to do his little check up and maybe [most definitely] buy you some expensive patterned paper and a couple of cute storage boxes. And because he feels generous enough you’ll stop at Daiso and buy all the stickers you want too. 
“Does it smell like mackerel or am I tripping? Again,” deadpans Haruchiyo taking off his soaking wet shoes. He dumps the sports bag with all his clothes next to Rindou’s and waits for him to take his last evening white now grey Adidas sneakers to go check into the living room. It does indeed smell like grilled fish and vegetables inside the apartment. Tofu and spring onion. He tries his very best to remember when was the last time their apartment smelt of homemade food and simply can’t. To his own dismay, this special cosiness of familiarity and domesticity were more native to Haruchiyo’s studio.   But that’s only because you spent a lot of time there. 
Getting high, getting creative and being you. It clicks and responds and suddenly everything makes perfect sense and they could’ve stayed in Osaka for two days more as planned. 
So when they enter the living room and find you picking out bones out of the fish, Rindou is not surprised. He is not surprised when he notices that it’s actually Ran’s plate in front of you and this small act of service is for him and him only. And he is so not surprised when his own brother doesn’t pay any attention to them staring at you both. His thin lips curled into a tiny smile, chin prompted on his hands as he watches you knowing there won’t be anyone else. 
And there never were. 
It’s all so simple and so fucking stupid. 
“Rindou! Haru!” You notice them, of course you do, and you set the chopsticks aside and run to them, somehow hugging both of them at such an awkward angle, the hug doesn’t last long. 
In the back, Ran clearly rolls his eyes and drags the plate with the boneless fish to him. It makes a disturbing screeching sound. 
“Weren’t you supposed to be back much later? Like in two days?” 
“We changed plans,” Rindou replies without an ounce of venom or disappointment of whatever else he is supposed to feel right now at his brother’s not so inviting tone, “But I guess we were wrong to rush.” Near him Haruchiyo snorts, Ran laughs a little and you with your neck and collarbones a perfect constellation of purple flowers, get so shy, Rindou himself cracks a smile. 
It’s evident where he is looking and what he is reading from it all, and your hand - trembling as per usual - flies to your head, in a poor attempt to cover what can be seen from miles away. More than anything, at this moment, Rindou wants to tell you that there’s nothing you should be ashamed of, nothing to worry about in his presence. 
Hickeys, cuts, bruises and all the blemishes are evidence of feelings and we people are meant to feel them. We are meant to experience them in our own ways. 
But he can’t say that now. He’ll do it later. 
Now, he throws his arm around your shoulders, kisses the top of your head and excuses himself to the bathroom. 
He needs that hot fucking shower now.
_ Three days later the rain stops. 
Haruchiyo goes home the day after they arrive from Osaka and you spend two more nights at Haitani’s. 
You leave when it’s sunny and not so cold for January. Ran offers you his long grey coat and a deep kiss to your lips. At that Rindou rolls his eyes, but he is smiling and so it’s fine. 
They both promise you they’ll stop by your apartment in the evening to go have dinner together. You all settle on something french. It’s weird how today your wants align and you aren’t about to pass this extreme luck of not quarrelling on where to eat.
[You feel like today is going to be a nice day.]
Your parents are home. Your little sister too. The house smells like butter and caramel. They probably had something sweet and nice for breakfast. The last time you ate with them together in the morning was so far away you can barely remember it. It saddens you, but only a little. 
“What are you watching?” You ask your sister. She sits on the floor, her legs inside the kotatsu. It seems to be a new one, because the wooden frame is white instead of dark brown. You’ve never noticed they changed it and you don’t know why. Something might have happened to it or perhaps your mom just wanted a small change. She can be like that sometimes. 
“National Geographic,” she replies without turning her head. “Is it interesting?” You genuinely inquire and she gives you a weirded out look. She shrugs, “I guess so. You learn a lot of things about the world we live in. Like did you know that all flowers have meanings behind them? Yellow roses mean friendship, tulips mean perfect love and camellias symbolise romantic love, adoration and care. It’s pretty cool. Don’t you think so?” 
From the kitchen with two puddings and small all too familiar from childhood silver spoon in her hands emerges your mother. She has a sweet hesitant smile and her face is so lovely and you missed her so so so much. She sits next to you and opens the pudding for you. You think that if she was to feed you, you’d gladly accept. Any neglected love you can take from her you will. “Oh, and bees… that don’t fly south. They actually never fly away,” your sister says and your mother laughs for one reason or another and there’s tears in her eyes and what your sister just said makes no sense at all to anyone, 
but you.  [Maybe tomorrow will be the same too.]
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agentrouka-blog · 5 days ago
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In the books I know Ygritte sexually assaults Jon by coercing him into sleeping with her under the threat of death. But I saw somewhere that she is also physically abusive and I want to know if that’s true as well.
There are three chapters that cover them after the relationship turns sexual, and while there is only one instance of true violence, there is a sense of manhandling and a roughness to how she deals with him that speaks of her physical entitlement to him and that makes the instance of violence unsurprising. It matches the way she feels entitled to dictating her view of the world to him and outright discounts his perspective as irrelevant.
Ygritte punched his shoulder. "An old woman, am I?" [...] She punched him. "That's vile. Would you bed your sister?" [...] She punched him again.  (ASOS, Jon III)
Ygritte slammed the heel of her hand into his chest, so hard it stung even through his layers of wool, mail, and boiled leather.  (ASOS, Jon IV)
Ygritte had looked so angry he thought she was about to strike him. "All of us," she said. "You too. You're no crow now, Jon Snow. I swore you weren't, so you better not be." She pushed him back against the trunk of a tree and kissed him, full on the lips right there in the midst of the ragged column. [...] Ygritte punched his arm. "You know nothing, Jon Snow. I'm half a fish, I'll have you know." [...] He washed the arrow too, turning it in his hands. Was the fletching grey, or white? Ygritte fletched her arrows with pale grey goose feathers. Did she loose a shaft at me as I fled?  (ASOS, Jon V)
We cannot know if she is the one whose arrow hit him, but since Jon considers it a plausible possibility, I think we can too.
I actually reread their chapters for this ask to get a sense of the relationship again and it still makes me want to take a shower. The shame, the self-blame, the denial, the literal reframing of reality. He keeps infalitizing Ygritte, recasting himself as responsible for her safety, defining their relationship as "love", drifting in and out of recognizing her violent side. "Were you a maid?" The unreliable narrator is strong in this one.
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