#the turtle from nomads

[aioliravioli-69]

Heyoo!

I've been hooked on nomads recently so of course I just HAD to draw something

I know the series is pretty angsty right now, so here ya go!

the quartet (I don't know what comes after trio💀) riding on one of the turtles in the sea kingdom

I was admitedly very lazy with the outfit design and honestly I'm not even gonna try and hide the fact that that turtle was 100% traced💀

I wasn't in the mood to do ANOTHER study, which uh... probably explains a lot

Oh wow, I wonder how long that took me to-

oh well😭😭😭😭

hope @captain-juuter (the author) likes it at least💀

[water-beats-earthbender]

I can't stand the dues ex lion-turtle thing but Aang really did manifest a vegan option for taking out ozai and that's very girlboss of him

[no-passaran]

Genocide experts warn that India is about to genocide the Shompen people

Who are the Shompen?

The Shompen are an indigenous culture that lives in the Great Nicobar Island, which is nowadays owned by India. The Shompen and their ancestors are believed to have been living in this island for around 10,000 years. Like other tribes in the nearby islands, the Shompen are isolated from the rest of the world, as they chose to be left alone, with the exception of a few members who occasionally take part in exchanges with foreigners and go on quarantine before returning to their tribe. There are between 100 and 400 Shompen people, who are hunter-gatherers and nomadic agricultors and rely on their island's rainforest for survival.

Why is there risk of genocide?

India has announced a huge construction mega-project that will completely change the Great Nicobar Island to turn it into "the Hong Kong of India".

Nowadays, the island has 8,500 inhabitants, and over 95% of its surface is made up of national parks, protected forests and tribal reserve areas. Much of the island is covered by the Great Nicobar Biosphere Reserve, described by UNESCO as covering “unique and threatened tropical evergreen forest ecosystems. It is home to very rich ecosystems, including 650 species of angiosperms, ferns, gymnosperms, and bryophytes, among others. In terms of fauna, there are over 1800 species, some of which are endemic to this area. It has one of the best-preserved tropical rain forests in the world.”

The Indian project aims to destroy this natural environment to create an international shipping terminal with the capacity to handle 14.2 million TEUs (unit of cargo capacity), an international airport that will handle a peak hour traffic of 4,000 passengers and that will be used as a joint civilian-military airport under the control of the Indian Navy, a gas and solar power plant, a military base, an industrial park, and townships aimed at bringing in tourism, including commercial, industrial and residential zones as well as other tourism-related activities.

This project means the destruction of the island's pristine rainforests, as it involves cutting down over 852,000 trees and endangers the local fauna such as leatherback turtles, saltwater crocodiles, Nicobar crab-eating macaque and migratory birds. The erosion resulting from deforestation will be huge in this highly-seismic area. Experts also warn about the effects that this project will have on local flora and fauna as a result of pollution from the terminal project, coastal surface runoff, ballasts from ships, physical collisions with ships, coastal construction, oil spills, etc.

The indigenous people are not only affected because their environment and food source will be destroyed. On top of this, the demographic change will be a catastrophe for them. After the creation of this project, the Great Nicobar Island -which now has 8,500 inhabitants- will receive a population of 650,000 settlers. Remember that the Shompen and Nicobarese people who live on this island are isolated, which means they do not have an immune system that can resist outsider illnesses. Academics believe they could die of disease if they come in contact with outsiders (think of the arrival of Europeans to the Americas after Christopher Columbus and the way that common European illnesses were lethal for indigenous Americans with no immunization against them).

And on top of all of this, the project might destroy the environment and the indigenous people just to turn out to be useless and sooner or later be abandoned. The naturalist Uday Mondal explains that “after all the destruction, the financial viability of the project remains questionable as all the construction material will have to be shipped to this remote island and it will have to compete with already well-established ports.” However, this project is important to India because they want to use the island as a military and commercial post to stop China's expansion in the region, since the Nicobar islands are located on one of the world's busiest sea routes.

Last year, 70 former government officials and ambassadors wrote to the Indian president saying the project would “virtually destroy the unique ecology of this island and the habitat of vulnerable tribal groups”. India's response has been to say that the indigenous tribes will be relocated "if needed", but that doesn't solve the problem. As a spokesperson for human rights group Survival International said: “The Shompen are nomadic and have clearly defined territories. Four of their semi-permanent settlements are set to be directly devastated by the project, along with their southern hunting and foraging territories. The Shompen will undoubtedly try to move away from the area destroyed, but there will be little space for them to go. To avoid a genocide, this deadly mega-project must be scrapped.”

On 7 February 2024, 39 scholars from 13 countries published an open letter to the Indian president warning that “If the project goes ahead, even in a limited form, we believe it will be a death sentence for the Shompen, tantamount to the international crime of genocide.”

How to help

The NGO Survival International has launched this campaign:

From this site, you just need to add your name and email and you will send an email to India's Tribal Affairs Minister and to the companies currently vying to build the first stage of the project.

Share it with your friends and acquittances and on social media.

Sources:

India’s plan for untouched Nicobar isles will be ‘death sentence’ for isolated tribe, 7 Feb 2024. The Guardian.

‘It will destroy them’: Indian mega-development could cause ‘genocide’ and ‘ecocide’, says charity, 8 Feb 2024. Geographical.

Genocide experts call on India's government to scrap the Great Nicobar mega-project, Feb 2024. Survival International.

The container terminal that could sink the Great Nicobar Island, 20 July 2022. Mongabay.

[Maps] Environmental path cleared for Great Nicobar mega project, 10 Oct 2022. Mongabay.

[millionsknives]

i don’t think i’ve rewatched atla since becoming a committed pacifist and i just finished what was probably my tenth rewatch and i have never loved aang more. i've seen it so many times but i still came away with a new appreciation for the way the end of the story was handled. aang is the only survivor of a genocide and he is clinging to the last remnants of his culture and religion, and everyone is telling him the only way to save the world is to kill the dictator whose regime is responsible for the genocide, but to do so would abandon the deeply held beliefs of his people. if aang goes against his beliefs and kills ozai, his people's way of life dies completely and sozin wins.

aang knows it would be wrong but he can't see another way out so he prays for an answer, and the universe hears him and the spirits send out the lion turtle, and the creator answers him. and here's the thing that i never put together before today: aang would not have been able to energybend ozai if he had given in and wanted to kill him. the lion turtle tells aang that only the incorruptible can bend another’s energy, or else they will become corrupted themselves. and i think that aang, because of his love for the fire nation as he had once known it, was never corrupted by personal hatred for the fire lord or the fire nation. he was able to expertly hold two conflicting beliefs in harmony better than any adult could, the belief that ozai is a horrible person and the world would be better off without him and that he's still a human being with a life that is sacred.

and i don't think it's a matter of selfishness like some people make it out to be. aang is not some immature little kid who doesn't want to kill because killing is for bad guys. he's an incredibly wise and spiritual person who was shaped by airbender beliefs and upholds airbender beliefs, and he can see beyond the scope of this war. the balance of the world depends on the existence of the four nations, and aang does not just represent the air nomads, he IS the air nomads. he's all that's left.

despite many people’s interpretation of the four past avatars’ advice, none of the past avatars outright tell him to kill ozai. they tell him to be decisive, to bring justice, to be proactive, to be sacrificial. but none of them tells him definitively to kill him. he doesn't disobey or ignore their advice, he follows their ancient wisdom while still staying true to his beliefs. yangchen actually comes the closest to outright telling him to kill ozai (even more than kiyoshi, surprisingly) but what she fails to account for is that aang is not just the avatar, he is the last airbender, and being the last airbender is far greater a burden than being the avatar. no matter what happens, once he dies, there will always be another avatar. but if he is not careful to preserve the airbender way of life, there will be no more airbenders. yangchen could sacrifice her air nomad way of life for the sake of her duty to the world because there were thousands of other air nomads to continue their traditions. aang has no such privilege.

and it's not that he doesn't want to kill, it's that he actually doesn't think he can do it -- both that he won't be able to emotionally bring himself to kili someone, and, prodigy that he is, he doesn't have the raw bending skill to overcome a comet-powered master firebender. and then it turns from 'i don't think i can do it' into ‘i can’t do it.’ and when the avatar state gives him enough power to actually do it, he changes the answer to ‘i won’t do it.’ he overcomes all the combined power of his past lives to say no, i have found another answer and i will remain incorruptible. to kill is to maintain the power struggle of the fire nation and to reject air nomad wisdom and without airbenders the world CANNOT be brought into balance.

the only thing ozai cares about is power, and that's what the entire fight with ozai is about, physically and ideologically, because ozai only sees power in terms of force, fear, threats, and violence. to ozai, aang (and his entire people) are weak and undeserving of life because they are largely pacifists, but he fails to see the magnificent power that the airbenders do hold, spiritual wisdom and mastery of the self and contentment and joy and harmony and a deep understanding of the world that a man like ozai could never obtain. to kill ozai would ratify ozai’s worldview that power as he defines it is the most important pursuit in the world and the only way to assert one's right to be in the world is to be cruel and violent like him. i think to ozai, becoming powerless might be worse than being dead. he wants power, or he wants death, and aang gives him neither. it upends everything he believed in. aang, the avatar, but more importantly, the last airbender, armed by his past lives' power and his people's love and the spirit world's blessing and the lion turtle's omniscience (and toph's mastery of true sight through neutral jing), ends the war 100 years to the day after the air nomad genocide, in the way that his people taught him, with power that goes beyond force and violence, with spiritual wisdom, with an incorruptible soul, with mercy -- mercy that is not weakness, mercy that brings justice.

[queen-morgana91]

The fact that certain people dislike Aang because

"He's a pacifist" - he's a monk, guys. Horrifying. Also being a pacifist is a crime it seems. Killing people and starting wars is more cool

"He's childish" - he's 12 🤦‍♂️ he matured a lot during the series and he was forced to grow up quickly like the rest of the gaang. Let alone that most of the time is copyng mechanism, he's dealing with his trauma is his own way

"He didn't kill ozai" - ah yes, still missing the point of the series in 2024. He’s the LAST airbender of a genocided culture. The way this fandom don’t value culture is insane. Which character in this series was ever asked to fore sake their culture? yeah, no one. Aang isn’t wrong for preserving his, stfu

"He had it easy" - the GENOCIDE SURVIVOR had it easy, ok. The lion turtle didn’t give Aang an easy way out. It gave him a choice, after that Aang, the AVATAR aka half spirit, prayed for it. He said he would have killed Ozai if he had no other option and he almost killed him in their fight, but he decided to stay true to himself and to preserve his culture. Aang almost died to take away Ozai's bending, easy my ass. You wanted him to be a cold blooded murderer? watch another series

"He has no development/growth" - sigh. Did we watch the same series? some of you think that you have development if you change personality/beliefs 🤦‍♂️ Aang has a GREAT character development. He makes choices that push him in a way that allows him to move beyond what people, his past lives included, expect of him. He became far more mature and he accepted his role as the Avatar and his responsabilities for the sake of the world. The reason his beliefs never changed is because many characters pressure him to give up his core values which come from a genocided culture. The air nomads, who raised him. If the only way you know of character development/growth is them being forced to change their fundamental beliefs, you don't know what character development means. Aang is the Avatar the world needed and he put an end to the cycles of hatred

"Aang values his culture above other cultures" - lol no he doesn't. Not only Aang is extremely respectful of other cultures (if you talk about the sea prunes again, i swear) but he values his culture because.....again, it was genocided. He never hold it above other cultures, but uses his own to make his own decisions, which is different. Mind you, other characters in the series hold their beliefs above his and dismiss his (Zuko was one of them btw). The adults, like general Fong, literally forced Aang to use violence and the Avatar state. But sure let's ignore it

"He's too perfect/he makes many mistakes" - make up your mind. Not even his haters know wtf they're talking about

"He has a crush on Katara" - how inconceivable. Damn, i'm still traumatized. Also Katara has the audacity to love him back. Horrifying

And then the shipping reasons....yeah i'm not gonna bother here, braindead takes from delusional people

All opinions that i will never ever take seriously, sorry

Free Aang

[starlight-bread-blog]

The Good & the Bad: On Aang (Not) Killing the Fire Lord

I recived this asks forever ago, trurly sorry anon, but I'll keep my apologises for the end. I'd love to answer that!

If you're asking me, this is way better than """killing him""". Case closed.

Getting this cleared up: The show didn't say that Aang is morally superior for this. It was solely about staying true to himself. Not a moral high ground.

So when I hear people say it's problematic because it implies that sparing imperialistic dictators has some intrinsic goodness to it, (Ahem-Lily Orchard), I just can't agree. It was never about universal ethics, it was about Aang's culture and values.

Why Is This a Good Thing?

Aang loves his culture, and takes a lot of pride in it and its values. (See: in The Southern Raiders his first go-to to convince Katara to spare Yon Rah is his culture, rather than what such act would do Katara herself). He would have been ashamed if he had broken them. But right now they clash with his Avatar duties, with god-knows how many lives at stake. He needs to let go of his pride & shame, and become humble.

Just like Zuko humbling himself to the GAang before they accept him, or Sokka humbling himself to the Kyoshi warriors and Master Piandao, Aang could only speak to the the lion turtle after he'd given up, after he was humbled.

Even beyond Aang, it enhances the show's themes at large. A theme in A:TLA is paving your own path, and that you can do what you want despite the pressure. Your true destiny will come, you might be surprised by it, but it's yours and you're free to carve it.

You just have to keep going, to continue to do the right thing, and your destiny will find you. Things have a way of working out in the end, eventually.

Sparing Ozai serves the theme, thus the show overall. Everyone told him it's his destiny to kill the Fire Lord and end the war. But he didn't agree, paving his own path, his own destiny, and all was well. The pieces fell in their place.

It is s amplified by the fact that if you read between the lines, he actually did follow all the previous Avatars' wisdom besides Yangchen's.

Aang knew what he wanted from the start. He isn't going to kill the Fire Lord. People (rightfully) tried to pressure him, but in the end, he stuck to his decision.

Justice was served. Aang took his bending away and put him to rot in prison for the rest of his life. There's more than one way to execute justice.

"... and the destiny of the world". That's exactly what Aang did. He followed his own path (staying true to himself) while saving the world (ending Ozai regime).

So that leaves us with Yangchen's advice. The one he didn't follow:

This opens another layer to this. Why doesn't Aang take the advice of a fellow Air Nomad? The one he should relate to the most? Because despite both being Avatars and Airbenders, Aang is the last. They're not the same. Yangchen is speaking from a place of privilege. She can carry the weight of the Avatar and not worry about the Air Nomads. Notice the wording: "spiritual needs". But it's deeper than that. In her time, they were there, they'll preserve their culture and values. Aang doesn't have that.

He's Avatar: The Last Airbender. He has both weights to carry. The decision to spare the Fire Lord, while protecting the rest of the world, is embedded in the show's title.

There's also something so incredibly powerful in Ozai being defeated specifically with Air Nomad values. A 100 years ago, during Sozin's Comet, the Fire Nation started the war by genociding them. When it comes back, the Avatar, the last Air Nomad, ends the war and stops the next genocide while preserving their values. The Fire Nation isn't going to push him to taint (one of) the last living aspacts of the Air Nomads, and Aang is shouting it – in the very same day the disaster occurred.

(Additionally I view this as a land mark of his character development since Siege of the North. He used spirit powers for murder, now he's using them for mercy).

(A:TLA is also a show made with kids in mind. They may not be able to make Aang kill Ozai. He got his bending stolen and sentenced to prison for the rest of his life. That's a more than serviceable punishment for a show aimed at kids).

(Ps: If Ozai had died Zuko would never have found out where his mother is).

The concept is fantastic. Nothing wrong there. But now, it's time for the critisism.

What's the problem then?

Despite looking in internet forums, it's entirely possible that I missed some things. With that being said, the Lion Turtles could have been foreshadowed better. As I stated, I don't mind it. But as far as I recall, it was foreshadowed once in The Library, and that's it. (Edit: It's also foreshadowed in Sokka's Master and The Beach, but the point still stands).

The Lion Turtle is a twist, it subverted expectations, but that doesn't mean it has to be a deus ex machina. That's what foreshadowing is for. It's the literary device to making a plot twist feel believable. The result is many fans, including me, feeling as though it came out of no where, even though it didn't.

Overall, I love that Aang spared Ozai. It ties into the themes of the show and Aang's role as the last airbender. It makes perfect sense, it's rather beautiful. However, I do wish the foreshadowing was better.

And for Anon, to apologize for the wait, I dedicate you this meme:

[nateconnolly]

What Does the Lion Turtle Chant Mean?

A podcast episode about the spirituality of Avatar: The Last Airbender.

Transcript Preview:

Many people have told me they struggle to take Sozin’s Comet seriously because they would have killed the Fire Lord without hesitation. And, look, as far as I’m concerned — if you’re willing to kill a genocidal colonizer, good for you! Many blessings upon your journey! And the show isn’t trying to dissuade you. 

Aang is not the only voice of wisdom in Avatar. He’s not a puppet through which the text articulates its meaning. Avatar is about cultural exchange. When one character says what they think is true, that isn’t necessarily the moral of a story. That’s one voice, and the story is a conversation. So, I don’t think that Sozin’s Comet is using Aang to say “Hey, you, you, looking at the TV, you personally should never support violent revolution!” Water Tribe culture doesn’t seem to have any problem with killing on the battlefield. 

When Sokka lops off the Melon Lord’s head, there’s some very clear indications that we’re supposed to be troubled. The musical cue, Momo eating the melon, he lingering focus on Aang’s reaction … But I don’t think this scene is meant to communicate that Sokka is a bad guy. Or that soldiers are inherently bad people. I assume that Hakoda, Bato, and Tyro killed people. These figures are portrayed as admirable, and even as mentors. 

The scene in which Sokka kills the Melon Lord is there to illustrate the difference between Southern Water Tribe culture and Air Nomad culture. Sokka’s journey is about embracing and reclaiming all the parts of his culture that the Fire Nation tried to destroy. He wasn’t able to go ice dodging or to train as a wolf warrior, but he has found a way to become a strong, protective man anyways. And that does mean that he’s willing to kill or die for a cause he believes in. This scene doesn’t communicate that Sokka is a bad person. It communicates that Sokka is walking his own path, and that Aang is walking a different path. But the show doesn’t try to tell you one of them is wrong and the other is right. 

At the same time, I think we need to remember that Aang is saying something he believes. It’s not just an emotional problem for him. 

Aang gives multiple related, but different reasons not to kill the Fire Lord.

“I didn’t feel like myself.” 

The Fire Lord “is still a human being.”

Killing goes against “everything the monks taught me.”

“All life is sacred.”

In Southern Raiders, he also makes a more general claim that “violence is never the answer,” but I think that the writers had to use the word “violence” as a euphemism. In our normal usage of the word, punching somebody would be a “violent” act. Aang clearly has no problem whacking people over the head or shooting wind at them. I think this is a way of making the show more kid friendly, and that what Aang actually means is 

“[Killing] is never the answer.”

Some of these claims are about Aang as an individual. He’s saying he doesn’t feel like he, specifically, can kill someone. That it goes against the values of his culture. And some of these are universal claims. He’s saying no one should kill, not ever. 

But he also believes in a separate ethical mandate. As the Avatar, he has to protect the world. In this lifetime, that means preventing the Fire Lord from burning the Earth Kingdom. 

This is a story about moral standards, and they seem impossible to live up to. There’s no easy answer. If you believe that murder is wrong, and you believe in the duties of the Avatar, then you have a conflict of values, not just emotions. In order to understand the Buddhist themes of Sozin’s Comet, we have to understand Buddhist ideas of morality. 

This podcast episode

Bluesky

⁠Substack

⁠Twitter

⁠Patreon

Nate's short story about Buddhism

Transcript with Citations

[atlaculture]

Cultural Practices: Lion-Turtle Chant

The Lion Turtle’s Chant is inspired by a real Chinese Pure Land Buddhist chant known as Nianfo (念佛) in Mandarin. The original chant goes:

Nāmó Āmítuófó (南無阿彌陀佛) / Bow before the Buddha of Immeasurable Light

The Lion Turtle’s Chant modifies this slightly to:

Nāmó Āmítuófó Shī​dì (南無阿彌陀佛师弟) / Bow before the Buddha of Immeasurable Light’s Disciple

Which is an absolutely fascinating addition to me. Amitabha, the Buddha of Immeasurable Light, is an enlightened being who possesses pure perception and freedom from worldly attachments. By having the chant state that respect must be paid to the disciple, it acknowledges Aang’s imperfections despite his good heart and grand status as Avatar. It’s shown explicitly in the show, after all, that Aang is very much incapable of letting go of all his attachments.

Though I also wonder if, by definition, all Avatars are really just permanent disciples of enlightenment. After all, Yangchen even says:

Many great and wise Air Nomads have detached themselves and achieved spiritual enlightenment, but the Avatar can never do it. Because your sole duty is to the world. Here is my wisdom for you: Selfless duty calls you to sacrifice your own spiritual needs and do whatever it takes to protect the world.

Some very interesting ideas posed by a simple musical score.

Like what I’m doing? Tips always appreciated, never expected. ^_^

https://ko-fi.com/atlaculture

[demaparbat-hp]

I used to just think Zutara was cool because Zuko and Katara had that whole fire-water duality, had more chemistry with each other than their canon love interests, Kataang gave me this sexist pseudo-incestuous vibe while Mai was just way too under-developed to interest me (Zuko gets the most character development out of all the characters but they pair him off with the most boring character in the series?).

Now when I actually think about it more deeply, Zutara genuinely made more sense for the narrative and characters too. Aang was told he had to let go of Katara so he could become a fully realized Avatar but then he just gets a deus ex machina so he doesn't have to. They dropped an entire arc just for Kataang to get together and made it happen in the most stupid way. The lion turtle deus ex machina was already badly done but at least it sorta made sense with the lore. The rock was just beyond ridiculous. Aang solved his problems by randomly hitting a rock even though they already established how Aang had this unhealthy attachment to Katara because she was his coping mechanism for his lost people. Instead of letting her go, Aang keeps that attachment and becomes even more possessive of her. He never learns to prioritize the world over Katara even though it is his duty as the Avatar! He didn't have to sacrifice or learn anything to achieve his goals and the way he became a fully realized Avatar NEVER made any sense. Katara and Aand were not always intended to end up together if you look at the IP Bible. Katara goes back to the SWT to help rebuild it while Aang goes looking for the hidden Air Nomads. There's hints early on in Book 1 that the Air Nomads are still alive (like how Aang was able to get a bison whistle from some merchants but they never explain where they got it from).

Meanwhile the whole Maiko relationship seemed like it was a metaphor to represent Zuko's false destiny and dissatisfaction with his life since Mai encouraged him to sink into his bad habits and ignore everything else, and Azula actively encouraged them to get together so she could control Zuko easier and keep him in the Fire Nation. Zuko leaving Mai behind felt like him embracing his true destiny. This entire thing falls apart when they get back together though, and them being so toxic in the comics is just further proving how dysfunctional they are (like, do they think this is going to sell us on the ship?). I also thought it was strange that apparently Zuko and Mai liked each other since they were kids but Mai never bothered to write him his entire banishment, Zuko never thought about her, Iroh never mentions her, Zuko was totally fine with going on a date with Jin (which Iroh also encouraged), and Iroh thought Zuko and Katara would make a good couple as soon as he saw them interacting as friends. It makes me think Bryke just created Mai and put her with Zuko as a way to discourage Zutara shippers but then forgot to develop her properly. Zuko doesn't even think about Mai after she risked his life to save him lol.

I'm about to make this a long answer, sorry about that :)

I love narrative, and I love to analyze how it is built. Narrative is the way a story is shaped to express its themes. Narrative is using the events within the story to build metaphors. Narrative is the smart foreshadowing, the parallels, the foils. Narrative is intentional, until it isn't.

I am not a professional. I do not have a college degree on this subject. I just like to think about what can make writing be great or lacking. I am merely expressing my personal opinion on this show and these characters, not stating an universal truth.

ATLA is such a well-written show. It treats its themes maturely and builds the story and characters masterfully. Of course, it isn't perfect, as nothing made by human hands is meant to be. ATLA has issues with its storyline and characters and, ultimately, with the narrative itself.

Aang's character arc is different to Zuko's in that, while Zuko's is focused on change, Aang's ultimately ends with him standing his ground. (And isn't that poetic? That in order to grow they need to embrace the philosophy of their opposite element?)

Zuko was forced to change in order to survive from a very young age. He learned to suppress his true, compassionate nature, to become The Perfect Prince—that which Azula embodies. When Zuko fails to do this, he is burnt and tossed away and forced to change once more. He has been hurt and thus is the farthest he has ever been from his true self—Zuko almost forgets who he is.

Zuko's arc, in that way, is similar to Aang's. It's about staying true to himself, but also about learning, about opening his eyes to the horror and using that same passion he has always had to do the right thing. Zuko changes, not into the person he was, but into someone who could, in the future, turn into the better version of himself.

Aang is different. Aang is a child born into peace, who does not have the personal, terrible experience of his people's genocide or the hundred years of war that have left the world wrecked. Aang's arc is about changing and learning and adapting to this new reality, about accepting his role as the Avatar. But it's also about standing firm and saying, "This is who I am, this is where I come from—pain will not break me".

Aang's struggle to control the Avatar State was all about that. The Avatar State meant that Aang lost control. It meant the pain and the hurt had turned him into a thing of anger (righteous as it was) and instinct and awe. Aang needed to be at peace with himself in order to control the Avatar State.

That tiny rock at the final battle felt like an easy way out. It felt like taking from the sheer terror of watching yourself almost kill a man as if from afar. The real moment of triumph for Aang in the finale happened when he stopped. It happened when he took control back and ended the Avatar State, stopping himself from betraying what he believed in.

Was not killing Ozai truly the best choice? I won't get into that debate. I know where I stand on it, but it's not really the point I'm trying to make here.

Aang's triumph, character-wise, happens when he stands his ground and refuses to abandon who he is and what he believes in. And for someone whose flight or fight response almost always turns to flight, this is a huge deal.

Now, where do Katara and Mai stand on this?

It has always been clear to me (even as a Maiko shipper) that Mai was always supposed to be a narrative device. Her relationship with Zuko is supposed to give us, the viewers, and him, another reason to see that this isn't the life he wants, that everything isn't perfect even when it should be on paper.

Zuko goes back home. Zuko is welcomed by his nation with open arms. He is revered. Loved. His father tells him he is proud of him. Zuko has a doting girlfriend—a beautiful, noble girl who can kick his ass and is everything a Fire Prince could wish for. She is adequate and things with her are easy, untroubled. Zuko has everything he could wish for.

And yet he is not happy.

Mai and Zuko have issues that should not be pinned fully on either of them. They had trouble comunicating. They wanted different things in life. They had different ways to look at the world. Different ways to look at each other. Different ways to cope. Different ways to express themselves. Different expectations.

And that's okay. It's possible to make a relationship like that work. Nobody is perfect and no relationship is flawless. Opposites attract and it's possible to find a middle ground in which they can both be happy.

Except they never truly did.

Mai and Zuko's relationship was a plot device. One that did its job damn well... Until it didn't.

If your relationship with the girl is supposed to symbolize the lowest point in your life, and going back into being someone you don't like anymore, then why get back to her when the story is over?

As for Katara, well...

Many things have been said about the abandoned Letting Go Of Katara arc. I'd like to avoid that discussion right now, if that's okay.

I think Zuko and Katara's relationship would have made a lot of sense both narratively and thematically, but also (and most importantly) it would have made sense character-wise.

Give them a few years, let them explore the beautiful friendship they had at the end of the series. Let them find themselves and grow into their roles in this different, exciting new world. Let them reconnect.

If they fall in love in the process? Well, maybe it was a long time coming.

[pleistocene-pride]

The tiger shark is a species of ground shark, and the only extant member of the genus Galeocerdo and family Galeocerdonidae. It is a highly nomadic species which inhabits tropical and subtropical waters world wide up to 3,000ft (900m) in depth, and is often found in coastal waters with particular abundance in the gulf of mexico, Caribbean sea, Indian ocean, and western pacific. Tiger sharks are often call the garbage cans of the sea and have reputation for eating almost anything. As such there diet is wide and heavily varied an is known to regularly include: small fish, jellyfish, crustaceans, cephalopods and other mollusks, rays, skates, sawfish, sea birds, sea snakes, sea turtles, other sharks, dolphins, seals, sea lions, dugongs, manatees, crocodilians, porpoises, and sick or injured whales. When near islands or coastlines they have been known to eat sheep, goats, dogs, pigs, rats, horses, deer, cattle, cats, camels, monkeys, inland birds, bats, lizards and  inedible objects, such as license plates, cans, tires, books, boat oars, soccerballs and baseball bats. Tiger sharks are themselves occasionally preyed upon by orcas, great whites, and saltwater crocodiles. The tiger shark commonly reaches 10.5-14ft (3.2 -4.26m) in length and 385- 1400lbs (175 – 635kg) in weight, with the largest recorded reaching 18ft (5.5m) long and 3360lbs (1525kg). This ranks the tiger shark amongst the largest extant sharks on earth only being surpassed by the whale, basking, great white, pacific sleeper, Greenland, and blunt nosed sixgill sharks. They have a broad snout and stocky body with proportionally large fins and a long upper tail. Tiger shark teeth are unique with very sharp, pronounced serrations and an unmistakable sideways-pointing tip. Such dentition has developed to slice through flesh, bone, and other tough substances such as turtle shells. In the northern hemisphere the mating season takes place from march to may and the southern hemisphere from November to January, with males breeding every year while females breed once every 3 years. After a year long pregnancy mother tiger sharks give birth to 10 to 80 pups. Under ideal conditions a tiger shark may live upwards of 12 years.

[stories-of-the-past]

The only advice Aang doesn’t take is Yangchen’s

Something that struck my while re-watching Aang’s discussions with the four past Avatar’s is that when he take’s Ozai’s bending away he is technically following all of their last words of advice except, ironically, his fellow Air Nomad Avatar.  

Roku: You must be decisive.  Aang is so firmly committed to not kill Ozai in cold blood that he pulls himself out of the Avatar State.  The Lion Turtle also warns him that in order to successfully bend another’s energy “your own spirit must be unbendable.”  Aang was firm and committed to his decision to find another way.

Kyoshi: Only justice will bring peace.  Justice isn’t inherently a death sentence.  Justice means consequences for one’s action in a punishment proportional to the crime.  Ozai did need to be punished after all of the pain and suffering he inflicted on countless people and threatening the balance of the world itself.  And he was.  All things considered, what is a more fitting punishment for someone as self-absorbed and power hungry as Ozai:  Dying in battle, going down in history as such a powerful warrior that it took the Avatar (channeling every past Avatar) to best him or having to live out the rest of his natural life without his status and bending (the two things he valued most) and watching as all that his cruelty and imperialism created was systematically dismantled?  Also a point I can’t take credit for this interpretation and don’t remember where I read it from but fully agree with: making the choice he does Aang proves that the Air Nomad culture and values were not destroyed.  Going back to the crimes of Ozai’s forefathers, Sozin’s legacy is proven to have failed to truly eradicate the Air Nomads and ultimately it is their philosophy of peace that wins the day over rage and violence.

Kuruk: You must actively shape your own destiny and the destiny of the world.  Similar to the point about decisiveness- Aang makes his own choice.  He doesn’t passively accept what literally everyone is telling him the only possible outcome is.  Instead, even as he seeks advice he insists on his own autonomy, recognizing that whatever action he takes will change the course of the world and its destiny.  He very much took an active role in deciding how that battle ended and what came after.

Now finally we have Yangchen.  While, in context, yes all of the Avatars felt they were telling Aang to kill Ozai they all choose phasing that as illustrated above is actually open to wider interpretation and still holds true with what Aang actually does.  Yang Chen is perhaps the most direct in her advice:  Selfless duty calls you to sacrifice your own spiritual needs and do whatever it takes to protect the world.  The one thing Aang does not do is compromise his own spiritual beliefs and identity.  He finds a way that upholds his responsibility as Avatar to restore the balance, prevents the destruction of the Earth Kingdom, and mete out justice for past crimes all while still honoring the beliefs he was raised on and holds so dear.

[hypnoticsphere]

zuko headcanon time!!!!

He always knew that firebending was never going to be his strongest weapon, not with Azula around. His baby sister, a firebending prodigy with blue fire and lightning. So, with the resources he was allowed, he was able to study with Master Piandao. The art of the sword came easy to Zuko. Mostly.

He had trouble with his footwork. Always springing into action too soon; unable to stay patient and wait for an opening attack. Many of the reasons he struggled with his Katas. Zuko was a problem solver, he was able to make up for his mistakes with quick thinking, but Piandao wanted to limit any sort of mistakes at all. So, he proposed that Zuko take ballet once he arrived back home. A dance that required discipline, strength, and patience.

Zuko had vehemently denied it, arguing that it was going to make him look stupid. Azula already had enough to make fun of him, he really didn’t want to fuel the fire of his sisters insults. Piandao wasn’t forcing him to take ballet, only trying to help him better his already remarkable skills. He told Zuko to read up on it, maybe he would even think it was “cool”.

And, well, that’s just what Zuko did. In the palace library, he searched through scrolls about various cultural dances. Ballet came from the Air Nomads, and later enriched (stolen) into the fire nation. Zuko looked through the drawings, captivated by their flexibility, and wincing when he saw that they were standing on their toes.

He ran to his mom, doing everything to avoid running into Azula let alone father. Ursa was outside in the garden, throwing vegetable scraps to the turtle ducks in the pond. Zuko scared them away as he rushed to her side, practically shoving the scroll in his poor mother’s face. Ursa, ever the saint, took the scroll from Zuko’s vibrating hands and arched her brow towards him.

“Ballet?”

“Master Piandao told me It’d make me a better fighter.” Not true, but also not entirely a lie. Zuko was just embarrassed on how much he wanted to take a dance class.

Ursa smiled, rubbing Zuko’s hair affectionately, “Okay, then. I’ll see what we can do about getting you a private instructor.

And that’s how it began. Almost every morning, before his training with his firebending teachers, Zuko met with a strict, rather terrifying, woman named Arami to learn ballet. Despite her rough around the edges personality, Zuko liked her. A lot more than his bending teachers. He listened to her intently and hung off her every word.

It was around the same time Zuko found his interest in the theatre. Arami shared scrolls with him, and taught him how various dance styles were incorporated in his favorite plays. He would take her practices and merge them with his kata’s and again with his swords, those forged by him and Master Piandao. For once, he felt confident in his own ability, enough to discourage Azula’s taunts. It was even okay when his mother left, grandfather died, and Father was crowned firelord.

And then, he was burned and banished, outcasted from the fire nation with an impossible task. His passion and his love was snuffed out in an instant and replaced with anger as he lost sight of who he had built himself to be.

[dira333]

Married life

Sasuke x reader, just a little bit of fluff

Contrary to popular belief, being married to an Uchiha isn’t like the dreams of little school girls. 

He doesn’t bring home flowers every day or serenade you under the stars. He doesn’t buy you fancy jewelry or take you out to dinner every week. 

The reality was a lot less impressive.

Most of the Uchiha estate had been destroyed in Pain’s attack and restoring what was left gobbled up your savings faster than Naruto could scarf down a bowl of Ramen.

It had taken Sasuke a whole year to prove himself worthy of taking on something above a D-Rank Mission, his earnings barely paying the bread you put on the table.

And it took a toll on him, you could tell, that his contributions were so small. 

He had never been a romantic and living as a nomad for so long had stolen what had been left of his inclinations. Why should he buy you flowers if they would only wilt on the table? Why buy jewelry you would not be able to wear during work?

Luckily for the two of you, you’d never been one to compare.

“Thank you.” You tell him when he opens the door for you, leaning in to kiss him. “I’m so happy to see you.”

Sasuke smiles softly. He doesn’t remind you that you’ve only been gone for the day, he likes your little routine.

“I found something today.” He tells you as you unload the groceries you’ve got on the way. Without asking he picks up the fruit and places them in the bowl on the table where they are always in sight, a nice little remember to eat a bit more healthy.

“Really?” 

“Yeah. You’ll like it. How was your mission?”

“Boring, but I guess that’s fine once in a while. I’m free tomorrow, do you want to sleep in?”

He throws you a smile from where he’s putting the meat in the fridge. 

“Always. Ready for your present?”

“Always.” You copy him and let him take you by the hand, guide you through the house onto the unfinished patio.

“Wait here. I’ll be back in a second.”

Despite his efforts, you hear the soft mewling before he even opens the door.

You turn with a smile to him awkwardly holding a calico kitten, the cat desperately trying to escape.

“I found her in the bushes.” He explains as he drops the kitten into your waiting hands. “Knew you would love it.”

“She’s so cute. Have you given her a name yet?”

“I’m not good with names.” He laughs softly when the kitten starts gnawing on your thumb, his own hand softly caressing the kitten’s tiny head. “You name her.”

“How about Yuki?”

“Like Snow?”

“No, like Happiness.”

“I like that.” He gifts you a smile that’s carefree and open and so rare on his face. It makes him look just as young as he still is, as innocent as he once was. 

“Thank you.” You lean up to kiss him. “You’re the best.”

It’s not the first pet Sasuke has brought home. 

Around and beneath your house live a lizard, a turtle, and a finch, all animals he’s found and brought home to nurse back to health. Maybe the cat will stay in the house, maybe it won't, but every time he brings home another stray and claims that it’s a present for you, it reminds you how much love he’s still left to give.

Being married to Sasuke is not a glamorous feat nor the carefree life some might have thought at age 12.

It’s a calm and gentle adventure, but an adventure nonetheless.

And one of these days you’ll ask him to add another soul to the potpourri of your life when the patio is finished and the kitten has learned that the bedroom is off-limits.

Or maybe, like those things often go, it will happen when it happens.

[zvtara-was-never-canon]

Hey, i follow your blog for several weeks now and think you make some fresh of breth air.

What is your opinion on aang and his arc in general ? Are you critical of the lion turtle at the end and think it was a selfish moment when he did not redirect lightning back at ozai?

Despite of all the shipping wars :)

Let's make a distinction clear here: the lionturtle was poorly set up, that is a totally valid complaint. Claiming that a traumatized 12-year-old, who as a bonus was raised to be a pacifist, is being selfish for not wanting to be people's assassin for hire is complete lunacy. He's a child, a person. He's not your super weapon/soldier, and his responsibilities as the Avatar don't change the fact that what people are expecting of him is unfair and deeply traumatizing.

And actually, Aang's role as the Avatar and the way people misunderstand it ties into why I think his arc was great: he has a duty to the world. The WHOLE world. Fire Nation very much included.

He isn't there to wipe them off the face of the Earth in retaliation for what they did to his people. He isn't there to have them be ruled with an iron fist for the crime of being born in the wrong place/culture, regardless of how complicent every individual was, or wasn't, in the war. He isn't there to disregard anyone's humanity and inherent right to life and dignity, not even Ozai's, for "the greater good."

He is there to bring back harmony. To help put the Fire Nation back on the right path. To make them stop being a threat, yes, but through REDEMPTION, not violence.

That's why he learns that the kids were taught lies basically from birth, and that any form of self-expression, and even old Fire Nation traditions, are being suppressed. Why he turns to Iroh for advice in Ba Sing Se even though the old man was constantly helping Zuko. Why he could see the lonely, angry, sad child hiding behind Zuko's hostile behavior. Why he too needed to see that fire could be both life and death, and thus should not be hated but also not used caressly, because even though he is an air-nomad before anything, that is still his element too.

The Fire Nation's original culture might not be his primary identity, but it is part of him, and he's one of the few people alive that were there to witness it in it's true glory - and the only one who hasn't had time to get used the idea of them being nothing but a threat now. That's why Aang is the perfect guy to save the day. He won't let them do evil, but he won't let their potential for good be ignored.

And it's sooooooooooooooooo satisfying to see the Fire Nation needing to rely on Aang's air-nomad culture to help. To see him prove Ozai was wrong to think they were just dead-weight in the world, that they had nothing of value to offer (and grabbing the fucker by his stupid beard).

To see Aang, who lost his people, saw sacred temples and relics destroyed, and that even had to hide his arrow, screaming to the whole world that the wisdom of the airbenders was the one hope for a brighter future and being validated by the narrative for it was fucking beautiful.

Aang was a child that was constantly told he had to sacrifice everything, his beliefs, his peace of mind, his culture, his attachment to the people he loved, what was left of his childhood and potentially even his own life for everyone else's sake, and that he was selfish if didn't like that shitty deal the universe offered him. And in the finale he said "FUCK THAT NOISE!" and that was thing that ultimately saved everyone, not just himself.

He is the poster boy for "Fuck you! It's real easy to talk about sacrifices for the greater good when you're not the one who'll have to sacrifice anything!" and I love him for that.

Seriously, it's crazy how fans that go "Urgh, just betray your beliefs and traumatize yourself for everyone else's sake already, you selfish asshole" don't realize they're unironically talking like an actual cartoon villain that is know for being cowardly and cruel.

[newscroll]

Having feelings about Aang as such a faithful member of the Air Nomad philosophy/religion. I haven't watched the show in a while but I loved Aang's arc in the finale so much. His scene with the Turtle Dragon has stuck with me.

Aang maintains his belief in non-lethal justice and air nomad traditions of pacifism in the face of disagreement from his friends, allies, even the previous avatars. And it's not blind faith. The older generation of Air Nomads made decisions Aang disagreed with. Guru Pathik counsels him to let go of his love in order to attain greater power, which Aang refuses to do. He has such a healthy faith.

Like, there are moments where he breaks from his beliefs under pressure, but of course he does! Everyone caves under pressure, especially young people. But he does his best to do what's right for the people relying on him and for the Air Nomad Tradition.

Then, he's rewarded by the narrative for holding onto his beliefs even when they're counterproductive to the physical conflict (defeating Ozai) because he's overcome the ideological conflict (the pressure to approach war and violence the same way as the other nations). The Turtle Dragon's wisdom was a boon after Aang faced this conflict in good faith.

"The true mind can weather all the lies and illusions without being lost. The true heart can tough the poison of hatred without being harmed. "

[jones-friend]

Lets talk about The Sky

D&D is known for its exotic locales and fantastic spaces. It is fully ready to get its hands dirty digging down to the underground, the Underdark, but what about the sky above?

After a playthrough of Elden Ring I was inspired to create a “sky biome” similar to the “underground biome” of the underdark. An alien place with its own rules and logic that are different from us grounded folk. Nothing in this post needs to be canon by any means, all this is, is a theorycraft on what you could put into a sky biome in your world and how elements could work, feel free to take what you like!

To start it off here’s some things to keep in mind about living in the sky:

The Sky is Sparse. Like the open ocean there are few landmarks and guides to tell you where you are. There’s also vast, open spaces. Our sky is usually clear, your player characters aren’t often sighting floating islands or airships. This means maps of the sky biome will have broad open spaces between major points.

Difficult to Chart, Conquer. The sky biome is changing, moving, making it hard to chart and hard to conquer. Many pieces may be moving on their own over time. Maps may not always be accurate and you might need to source information to travel. You can always descend to the ground, but it takes considerable energy to land and take off.

A Resilient People. There are people dedicated to surviving some of the harshest conditions on earth. Likely anyone living in the sky is good at it, has been doing so culturally for eons, and wouldn’t want to stop just because of a few bits from land folks.

Exotic Resources. Creatures living in the sky may resort to different ways of sustenance. Sky leviathans may have forests growing on their back that give energy from the sun, cloud fortresses may harvest special plants that can only grow in their nutrient light soil. Each region may need its own way of feeding its people.

With that in mind lets check out some ways to put people in the skies!

Floating Islands are a staple in fantasy stories, from Sonic the Hedgehog to Avatar. Floating chunks of land with their own adapted flora/fauna, floating by natural or magical means. They make great places to build more traditional ground civilizations with farms, castles, towns, etc. A familiar start in an unfamiliar land. Sky islands could be subject to the moon’s pull or other celestial actions, moved as the moon moves.

Sky leviathans! Like blue whales of the deep the sky regions may have great creatures swimming through the clouds. They may prey on flocks of birds like krill, receive energy from the sun through forests and plants growing on their backs, or be more predatory like sky sharks. You could create forest cities on their backs worshipping the sky leviathan like a diskworld turtle, or structures could be artificially constructed around the sky leviathan like some D&D cruise ship. Aboard a leviathan you’re more at the mercy of wherever it travels, along for the ride as it were.

Airships! Another classic staple of fantasy adventure. Airships as a locale in the sky could be a variety of things. They could be a singular zeppelin, some great cruiser floating through the air. They could also be a fleet or formation of airships with wire ziplines serving as transportation airship to airship. These nomadic homes can easily travel wherever they please and stock up on resources from trading posts or internal farms.

D&D is a fantastic land with dwarves and giants, so why not make a castle made of clouds? Made by cloud giants, goliaths, wizards, gods, these wispy bastions rise high as indomitable fortresses of the sky. They could be major points of control in an attempted sky war, they could be subject to weather like snow or rain.

I’m making sky ruins its own category on this list, somewhere between floating islands and airships. Mysterious in origin and purpose, possibly moving on its own volition, possibly affecting the world around it with constant tornadoes or storms. Inhabitants could be ancients displaced from time, undead, constructs, or new inhabitants who don’t understand what they perch upon. This could also loop into Bioshock Infinite style constructed cities in the sky that are very much not (yet) ruined.

If we can have cave systems so deep they lead to the Underdark as a bridge from overworld to underworld why not have a bridge to the sky? Big Mountain. This is a mountain so large it moves from the overworld to the sky, a Mt Everest sized feature in the world. It should be difficult to ascend by foot but if you do you’re rewarded with a piece of the sky biome. It could be a roost for aarakocra on their migratory routes, monastery of those devoted to the winged, or even a great lair to a benevolent dragon more interested in trade than tyranny.

The last region I have for you is open sky! A no-man’s land region of the sky biome best traversed by endurance runners of fliers. Like the open ocean these are vast open spaces that could contain any number of uncharted bits of other regions or have flocks of flying creatures interacting. The open sky is defined by what it lacks and enticing for its boundless adventure. The answer is we don’t know, and by playing we discover.

And thats the sky! A region of untapped creative potential. I would love to hear other thoughts you might have for what could work as a region or landmark in the sky, or any thoughts you had reading through this! Happy exploring out there, friends!