#the trials and travels of lil b | Explore Tumblr posts and blogs

nickfowlerrr · 2 years ago

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working on it

main masterlist

this is a list of all my wips (including requests) so we can all be on the same page in regards to what i have coming up 🖤

*these aren’t in any particular order - as you guys know, i write what i have inspiration to write and not in order of when requests were received or series were updated.* if you don't see your request on here, and did not get a response from me letting you know i'd be unable to write it, then i didn't receive it. feel free to send it in again if you'd like.

i saw @sweetpeapod’s ��to do list” and it’s such a great idea i literally never would’ve thought to make one myself so all credit to her for this! 🥰

updated: 06/06/23

legend: actively writing • on hold/writer’s block • haven’t started

series

bucky barnes:

if i could - chapter five

keeping secrets - chapter seven

stucky:

trust me - chapter two

drabbles, one shots or continuations (not series)

andy barber:

waiting - pt 2

dark!professor andy

bucky barnes:

soft!dark bucky - basement wife

dark!brat tamer bucky

you can’t - pt 2

dark!ex bucky - pregnant reader (might not end up dark lolll)

when a stranger calls bucky

yandere mechanic bucky

“enemies” to lovers bucky

iou - pt 2…possible miniseries

enemies to lovers - one bed trope

die happy - chubby!reader

first time for everything - drabble

call it what you want to - pt 2

mean!bucky one shot

duke!bucky x duchess!reader (soft!dark?)

pro wrestler!bucky

charles blackwood:

dark!charles halloween fic

lee bodecker:

dark!lee - traveling!reader

dark!lee - salem witch trial

lloyd hansen:

ransom drysdale:

delivery - one shot

mean!ransom one shot

nick fowler:

dark!nick - daddy’s dead - one shot

steve kemp:

steve rogers:

mean!steve one shot

stucky:

dark! road trip fic (two stories in one/choose your own adventure)

royalty au

fumbling - drabble

fawn - pt 2

requests

humble request to the queen of my lil dark heart for your sluttiest a/b/o with your man of choice inspired by ‘hurt you’ by the weeknd 🖤

bucky barnes:

request/imagine: mafia bucky x reader where bucky is very obviously obsessed/infatuated with the reader and just wants her to be his but she plays hard to get (for some time) and starts hanging out with other men so he gets jealous and punishes her (smut if you want with degradation/humiliation kink idk💀) very new to tumblr so idk if im doing this right or not. thank you! 💘

Dearie write some angry seggs with Bucky barnes

Scenario 5 10 17 22 please & Dialogue prompts 32 and 38 please with bucky 😭 he’s a total grinch throughout but seeing the reader happy makes him happy and I love the grumpy x sunshine trope🤤😮‍💨

Hey yo! I'm not sure if you're still accepting Christmas prompts or anything (I've absolutely loved reading them) But I've been listening to this song on repeat and idk, I can just imagine the reader singing it to Buck on their first christmas together, and him falling even more in love with them. Anywho, happy holidays, can't wait to read anything and everything you bless us all with 🥰❤️🎄

What would have happened in a AU version of your dark biker Bucky finding his soulmate finally…and also meeting her husband?

What if the reader had a really toxic husband who wouldn’t let her go or let their divorce proceed unless she cheated on him? Only the man she picks for her affair, Bucky Barnes, is WAY worse than her husband and she doesn’t realize until it’s too late? (No idea though if this is like a mobster Bucky or Winter Solider or some other profession)

a bucky fic of any length based on this text exchange with my husband (who’s deployed) ((i’m the red bubble lol)) 🥹 you work is magic so i trust however you wanna take this

Bellllaaaaa hiiii:) I’m hooked on biker/bartender bucky(even tattoo artist bucky) with fucking Tats right now and I’d totally love if you could maybe write him and chubby/plus sized reader having a flirty relationship, maybe they’re like a fling or something. She works at his bar/tattoo shop, whichever au you pick, and they’re just fucking flirty and so naughty together lol. Smut is always welcomed!! Thank u bby in advance<3 mwahhh🥺💋

Was curious if you could do a TFAWS Bucky request? Reader is a curvy plus size gal, and Sam has been trying and trying to get Bucky to ask her out. Then one day, he finds her really upset and self conscious… He finally lets his true feelings show, trying to make her feel better… maybe it turns into more? 👀🥰 Like…. ‘Let me just show you how beautiful you are..’ kinda thing lol. I really hope that made sense ☠️☠️

charles blackwood:

Hello there I want to ask... Do you still write Charles blackwood x reader fanfic? It has to be very romantic but very naughty. Charles being very sexy and dominating. It is also the reader's very first time with him too. Can it include a photo of Charles as well? Thanks x

max burnett:

Hi can I request a max Burnett x plus!size reader.

nick fowler:

Okay, speaking of thots, having the Nick Fowler says something sexy in Romanian and leaves gifs back-to-back with the 'no, I'm not okay; I should be sucking his dick rn" thot was— 🥵 Think you could combine those two into a little (or big, would not complain 😉) something something? 😘🤍 👉🏻👈🏻

I’m reading a book about the history evolution of dating, and it has this section on sugar daddies and babies. Apparently a lot of sugar babies are warned not to fall for their daddies, but the women report that usually it’s the other way around and the men fall for them. So what about a soft dark mafia Nick who quickly gets obsessed with his sugar baby reader? He just get more intense the more she denies an emotion connection because it’s just bad business on her end.

pwyc! bucky:

Hi I loved your Pretty when you cry series read it twice already and you did a amazing job 🥰 I was wondering if you could write the reader from that series being catcalled by some creep and dark biker Bucky witnesses it and completely losing it and defending her and maybe it ends with some fluff I hope you have a lovely day or night ��️

OK maybe After Reading your Dark Soulmate Story I want/need more 😁 So I was thinking about Bucky and the Curvy Reader. Was there ever a time when Bucky Breaks down and cry? Like, He is so Hurt that he is Not Angry but gets really sad? How would the Reader react? How would Bucky himself react? Thanks again For creating These two and thank you For your time🖤 i Love them.

Hi Bella! So you’re my fav tumblr writer and I’m never gonna get over pwyc cause it’s pretty fucking amazing, and I don’t know if you’re taking requests for drabbles or anything like that, but I thought I might as well ask! So imagine that Bucky and Y/N have been living together for a while and things have been great, but Bucky is thinking of proposing, but Y/N is so not ready to get married or have kids, and her and Bucky get into a huge fight over it, and maybe she briefly moves out, and Bucky is basically lost but like also super angry cause we all know he doesn’t take rejection too well, but in the end they make up and by that I mean smut, and you can decide if they get engaged or not, but yeah that’s basically it

Hi! I love pwyc so much then when i saw the new trust series was from you I did a little happy dance! I was wondering if i could request a little drabble of what would happen if reader found out she was pregant and how biker Bucky would react? If not no pressure honestly love all your fics thanks for sharing them with us!

Belllllllaaaaa I have a request to make for pwyc series💕❤️ Imagine bucky getting possessive and jealous of readers coworkers, the reader trying to escape when he thought they were finally getting somewhere in their relationship…..😬😬 would he be angry or upset just love feral bucky 🫣😭🥵

Pwyc reader having nightmare about that night Bucky raped her. While dark!pwyc Bucky is sleeping right next to her. So reader started crying in her sleep,tears and all (cause that's what she does best) from the nightmare with him in it and woke Bucky up. Bucky can tell what it was about and started to soothe her nightmares the only way his perverted ass knows how. He started nuzzling and kissing her neck all over and kiss all her all over her face including her lips,eyes and her tears away while his hands roam all over her body to wake her up. Reader woke up still crying and Bucky ended up giving her the most gentlest (?),angsty or passionate sex? Idk,it doesn't have to be gentle. Just like really angsty and passionate in a really pwyc dark!Bucky way to show reader he's her only choice no matter what so she just gonna learn how to love him and get over her fear and nigthmare with the fear and nightmare himself. And maybe some angsty stomach flipping aftercare afterwards. Dark! request ofc. This can be during pwyc or after pywc,it's up to you. Reader being a crybaby makes this fic special to me :,D Been looking for a pic like this. Thank you so much and sorry if my English sucks a lil. I try. Tysm again 🙏🏼🙏🏼🙏🏼

Hiii Bella!! I love your writing so much, you're very talented 😍 I found the pwyc series about three days ago and I've read it twice 😅 I wasn't that productive at work ig 🤣 as a curvy girl myself who falls very close into the description of the reader/soulmate who loves Bucky, I felt very satisfied. So... I'm rubbish at requests but I thought I would like to ask for something and it's nice that you're kind and understanding so I don't feel too anxious about doing so 👀 so... what about reader going out shopping a dress for an occasion (idk what exactly, something formal-ish ig... a birthday party/dinner maybe?) and the shop assistants make her feel bad by saying things like "we don't have clothes in that big of a size, miss" or "this doesn't suit your fat thighs/stomach" (this has happened a lot to me, unfortunately)? And she gets home sad and spends all week self-loathing and insecure, wearing very baggy clothes and starving herself and pwyc bucky doesn't exactly get what's going on because she doesn't want to discuss it but he feels how down she feels and worries. Then he hears her explaining the experience to eva and he becomes a man on a mission. He has one thing in mind; to shower her with compliments, sweet nothings and have beautiful, passionate and rough sex with her 😏 (and also decides to punch whoever said sh*t about his girl). Thank youuu 💜💜 P.S. Sorry if this was too long☺️

hiii so i just thought of pwyc fluff (bc i love two hopeless romantics) so uhhh what if reader gives bucky a pet name? calls him "love" in front of his friends and bucky just melts and swoons

I just want pwyc reader and bucky to have kids 🫣😬😂 it would be so unexpected and I’m sure bucky would be super excited even if the news comes out of the blue 🥺🥺💕💕 it would be so funny though 😂😂

Just finished your dark soulmate Bucky fic-absolutely loved it, stayed up WAY too late reading it because I couldn’t stop. I was wondering if kids are ever discussed between them? I feel like no for both of them because Bucky seems too greedy to share the reader/lose time with her and I don’t know if the reader would really want babies with him after their start, even if she’s forgiven him. But I do wonder what would happen to Bucky’s mindset-does having a daughter make him realize any new aspects of what he did? Does a son make him worry about raising a man who could do what Bucky did to his own soulmate?

I have a pwyc prompt! Reader borrows Bucky’s beloved car as hers is in his shop. He tells her to be careful as it’s his baby. She misjudges a turn and wrecks it, only gets minor cuts/bruises but goes hospital to get checked out in case concussion. She doesn’t want to see bucky - freaking out about seeing him and admitting she crashed his baby but of course his main worries lie with someone else’s welfare!

what if reader wasn't bucky's soulmate but he wants her anyway. (long request)

Sorry in advance if this is too indulgent even for fanfic, but would you be interested in a prompt where pwyc Bucky is thrilled that the reader is gaining weight? Either because he takes it as a sign that she’s happy so she eating more, they’re going out on fun dates and have delicious things to eat or they’re spending too much time together for her to work out, etc etc. but he’s super into it. And loves to show it, especially during moments when she’s upset about it? So it’s something positive instead of negative.

Hi Bella. Love your work and love that you write curvy/plus size reader as I’m a curvier girl myself. I was wondering if you could write a Drabble/fic with pwyc bucky worshipping/praising reader’s bigger body - maybe she’s having a bad self image day or similar and he kisses all of her curves and lumps/bumps because he genuinely adores her figure and also is very much turned on by her even if she sometimes worries his muscular frame would be better suited to smaller partners as he’s so in shape.

This but she hurts herself bad?🤔🥺

“You come across any other kinks you wanna try, you just let me know. You know I’ll do anything for you, pretty girl.” Hmm how about breeding kink combined with marking kink. I believe the possessive side of Bucky here would absolutely eat this up and be feral. Would love to see your take on this, but if you don’t want, that’s okay! Thank youuu! 🫶🏻

Hi Bella! I have an idea for a PWYC Drabble please don’t feel obligated to respond or make it. So today I was walking and some total jerks yelled out the window calling me fat. I wonder how Bucky would either comfort reader or handle it. I know you have something similar with your knight drabble. Thank you for all of the incredible work you’ve given us, this is my favorite series of all time— you’re a great writer. ♥️🥹

Hi! I’m a huge fan of PWYC and I was wondering if you thought about doing a pregnancy one shot, or multiple shots related to Bucky and reader starting a family? I’m curious how the dynamic would be considering how Bucky already acts towards reader and how he tends to be very loving but also on consistent watch over reader. If you don’t like the idea or aren’t interested that’s totally okay too!

steve rogers:

I would love to see a stalker Steve Rogers who thinks he’s “courting” you when he buys you presents off your (private) wishlists, takes care of chores around the house when you’re sleeping or away, has lunch delivered to your workplace for you, etc. (sure it’s scary and weird all these things are happening to you, but I would also like to come home to packages on my porch and my lawn mowed, you know?)

#bellasburdens #masterlist #my wips #nickfowlerrr

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charms-cat · 10 months ago

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Is it a good idea to remove the more bloody parts when adapting from book-to-movie?

I know it's a problem when movies show unnecessarily violent scenes; too many of that and I think an audience would get kinda numb to the cruelty displayed

but in cases of book-to-movie adaptations, would the standard be the same? the book(s) already exists; there's already a (semi) graphic description literally written out. so do you think the movie should keep the violence?

imo movies tend to sanitise/lessen the bad parts which kinda presents a false image to the movie-only audience since they're unaware of just how bad this character/group/organisation is

it doesn't help when the violence is completely removed. not even an equally damning (but less bloody) scene to take its place. so movie-only fans don't have a "full" understanding of the character since they don't know how mean/cruel/atrocious they actually are (or were meant to be)

Non-spoiler example would be something like if Organisation B, in the book, was a group that murdered kids and desecrated their corpses; but in the movie, B is alluded to committing atrocities, but nothing actually happens onscreen (at least not explicitly)

TLDR: do you think adaptations should keep the original violence from the books? should there be a balance? or should adaptations sanitise (or straight up remove) any atrocities from the books?

SPOILER examples forThe Maze Runner: The Scorch Trials, The Hunger Games, The Ballad of Songbirds and Snakes below (I'll be doing the examples in order so just scroll fast if you wanna read one spoiler but not the other):

The Maze Runner: The Scorch Trials

admittedly, the movies kinda went off the rails starting from TST but imo it wasn't in a good way. my main gripe is that WICKED seems... nicer

(it's been a while since I fully read the books so I might mix up some events)

in the books, the Gladers were left alone for a few/several days before Janson showed up and explained the Trials to them. then on the first day of the Trial(?), the Gladers were shocked by multiple bodies hanging from the ceiling. then they had to travel through a dark tunnel where they got attacked by metal balls that literally swallowed your head. this is all before they actually step onto the Scorch! WICKED prepared that for them! all this to obtain the Killzone data

but in the movies, WICKED was keeping them in the facility before harvesting them. it's cruel to treat these kids like that, yes, but it's still nowhere near the level of fucked up of book!WICKED planning lethal traps just to see how their test subjects react and adapt.

PLUS, book!WICKED forced the Gladers to enter the Scorch by promising that there would be a safe haven(?) after they travelled 100 miles; they do this without ever preparing the Gladers for the harsh desert environment, the Cranks, etc.

yet in the movies, the Gladers escape to the Scorch of their own volition. WICKED had no part in their harsh environment or any traumatic event the Gladers experience

the final Trial in the book was orchestrated by WICKED; the Gladers and Icers had to fend off violent lightbulb monsters while lightning struck all around them; WICKED only picked them up at the designated time (I think they were supposed to reach the 100-mile mark at a certain time?)

there's no real Scorch Trials in the movie literally called "The Scorch Trials". WICKED never gave them a trial, never forced them to the Scorch; they disappeared until the very final scene. compare this to the fact that book!WICKED was a looming threat (the constant reminder that they had to reach a certain location in limited time, the mysterious messages painted on the walls of city buildings, the Gladers literally being labelled on their collarbones, etc.)

The Hunger Games

THG has probably one of the better, if not one of the best, adaptations. I'll admit that this gripe is ultimately something minor

but I'm still a lil disappointed that the movie changed a psychological tactic from the Gamemakers - the dog mutts

the dog mutts are still scary in the movie, but, in the books, the mutts were also said to resemble the dead tributes. the Gamemakers had even made Rue's mutt wear a grass necklace, similar to how Rue wore a grass necklace as her tribute token.

as I said before, this is an admittedly minor issue but it's still one of the instances where we see that the Gamemakers are definitely aiming to attack the tributes psychologically as well as physically. the psychological attacks happen in the next books too - the voices of tortured loved ones from the jabberjays (Catching Fire), the lizard mutts hissing Katniss's name (Mockingjay)

The Ballad of Songbirds and Snakes (this movie should've been a two-parter)

I understand that they only had two hours to cram everything in, but it doesn't change the fact that, in the process, they also had to cut out all of the Capitol's atrocities

it's been a while since I fully read the book, but there is one horrifying cruelty that I can remember: Arachne's funeral

specifically, the way that the Capitol paraded the surviving tributes down the road. the tributes were chained up and crammed together on one truckbed(?) while the corpse of another tribute (Brandy) swung above them. not only did the Capitol chain up the kids like animals, but they also disrespected Brandy's corpse. yes, Brandy had murdered Arachne, but Brandy was already brutally shot by the Peacekeepers after being starved by them for days, she was already suffering and she doesn't get any respect even in death

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henwhore-the-bard · 1 year ago

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// OOC: Pinned Post!

Informational Post (read byf) 💚 Henry Oak-Garcia

🍃 Character Sheet: [🚧] 🍃 Daily Swap!Henry Facts: click here! 🍃 Playlist & Pinterest: [🚧]

🍃 Sign Off: - the cooler/hotter henry (+ variations or w/ 🎸💚)

💚 Quests: (w/ competion level) Currently in Hell w/ @v-purple-heart-anon and his children @sparrow-in-the-sun + @dilf-dennis

🍃 1) Travel through Hell (100%) 🍃 2) Draw from the Deck of Many Things (0%)

Boundaries, Story, and more under the cut!

This is a DnDads (Dungeons and Dragons, a D&D podcast) rp/ask blog for an AU version of Henry Oak-Garcia! Officially, they are Swap!Henry. Unofficially, me and some other mods call him Henwhore b/c its a lil funny <3 They are transmasc and use he/they pronouns!

This blog is run by Mod Bishop, who uses he/they/xe pronouns. (Blog follows from @princehen!)

OthOther DnDads RP blogs can be found here as well as here, and my other RP blogs can be found here!

💚 Boundaries:

🍃 In Character (IC) DMs: ✅ (and encouraged!) 🍃 Out of Character (OCC) DMs: ✅ (would prefer you said hello on discord or at @violets-in-spring, but you can message me here to plan stuff or do private rps!) 🍃 Anon/In-Character Asks: ✅ (negative & positive asks are welcome!) 🍃 Shipping: ✅ (has plans w/ @too-cool-4-meth-bay, but also has two hands /lh) 🍃 Tagging: ⚠️i tag for serious topics (drug use, suicide, assault, violence, etc) but not for spoilers b/c hen is a pre-S1 character and is a MASSIVE S1 spoiler. I also add IC tags to posts--OOC tags/markers/messages from me begin with "//". - OOC posts: "// OOC: bishop chats" - OOC reblogs/tags: "// OOC: bishop reblogs" - IC posts: "bardpostings" - IC reblogs: "bardreblogs" - Daily Facts: "// OOC: daily swap!henry facts" 🍃 Reblogs: This acct reblogs nature photos/facts, art/hobbies, and positive messages! 🍃 Other: ❌ no explicit 18+ content (i joke, but nothing explicit on the dash lol)

💚 Story:

🍃 Henry is a level 18 Bard and level 2 Sorceror Demon! I do roll for stats <3

🍃 Other Accounts from the Swap!AU: @lark-foster, @sparrow-in-the-sun, @military-officer-foster, @glenn-is-closed

🍃 Story-wise, Henry is swapped with canon Glenn. His children are @lark-foster and @sparrow-in-the-sun, who have been swapped with post-trial Nicholas Close/Foster. His wife, Mercades Oak-Garcia is dead because she has been swapped with canon Morgan Close. He is the lead man of a folk-music cover band called The Oak Trio. Growing up, their children were very involved in the punk/hippie aesthetic and everything in Faerun follows very closely to canon with the Omegadads being swapped as well. 🍃 Henry recieves a verdict in the Meth Bay Courthouse by Barry Oak for Bad Father and Good Person. They are sentenced to 20 years in the Meth Bay Supermax Prison and their children's memories are altered similarly to canon Glenn's timeline. They also lose an eye and are rescued by the other dads. 🍃 Jodie Foster and other characters are not swapped--Jodie becomes the King of Hell still. Over the course of S1, Swap!Sparrow and Swap!Lark become royalty of hell as Jodie's children. But they all eventually find out the truth as-per canon, and eventually "revive" Henry as a demon after he is murdered by Swap!Ron's father. Henry's relationship with Jodie is tense due to how Swap!Lark (Narc) and Swap!Sparrow (Narrow) essentially choose different fathers to identify with.

#// OOC: bishop chats #// OOC: pinned post #rp blog #ask blog #dungeons and daddies #dndads #henry oak garcia

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torvus-bong · 1 year ago

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if you don't mind my asking, what do you like to write about? any particular genres or types of stories you like creating?

what a WONDERFUL ask tbh. <3 I'm gonna go off a bit sry in advanced sp

I've always been into science fiction, fantasy, supernatural, action/adventure & thriller/suspense the most. I wrote 2 novels (it was supposed to be a trilogy) in my teen years involving these elements! it's called The Trial and it sucks, lmfao. I also have several short stories and novellas under my belt, editing accolades, and four poetry collections, three of which were published before I was 16 c:

in recent years though I've carved out a niche for myself. I primarily write queer erotica and medical dramas and was makin pretty decent money off of it, but I had to close commissions about a year ago for my mental/physical health. :c there is a reason why I keep an entirely separate blog for it lmao but I honestly love to talk about it.

I wrote a 200,000 trilogy in ten months flat, from Dec 2020 to Oct 2021. it blew up in my sub-community and has somewhat of a cult following. I actually created it as a love letter to a friend, and that's why the driving conflict is so weird and sexy lol. but I'm gonna b a lil more open abt than usual it because its fucking FAG MONTH BABEY!!!! kink belongs @ pride and w.e so it's basically this:

a colony of aliens is at risk of total extinction after a natural disaster decimated their planet and irradiated its inhabitants to almost complete infertility. earth, largely a planet that has not yet formally had contact with other intelligent beings, is contacted by this colony - they want to trade technology and information in exchange for "help" saving their dying race. in this world, capitalism fell, and deep space travel has been widely accessible for about half a century - the colony contacting the Global Governing Body is not a random event; unbeknownst to the humans, it was inadvertently put in motion by one of the original "separatists" (earth defectors).

the story revolves around two transmasculine main characters: one an enigmatic surgeon with a traumatic past, the other a bubbly but intensely focused scholar of the emergent field of xenopharmacology. the latter is just starting his transition at the beginning of this story, and the medical side of it - with all the neat scifi bells & whistles to go with it - is explored and described at length. they are both employed by the government program that was created specifically to serve/interface with the alien colony, and over the course of the plot, they realize they've been deeply in love.

by the second & third books, they find themselves at the centre of an extensive conspiracy driven by cultural trauma & steeped in human experimentation, genocide, and military conquest. it's all really quite elaborate for some niche as fuck porn lmfao and I've considered revising it for a more wide-spread appeal, but I've decided against it.

the revision I've started is so that I can do all the lore and worldbuilding that was born of the writing process, actual justice. I started rewriting in the manic period that occurred just before my most recent suicide attempt actually lol but the notes are both extensive and mind-bogglingly coherent and I'm excited to see it thru. (and it definitely doesn't hurt that my fans are climbing out of the woodwork to tell me how fucking excited they are for the reboot!!!!)

thanks for this ask. it gave me such a mood boost to talk abt this a bit :3

#personal #sorry this got so long lmao #asks & answers

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katyliz415 · 2 years ago

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lil nas x said mpreg rights | my favorite songs from the plague year (2!)

2020 playlist | 2019 playlist | 2018 playlist

full tracklist under cut

arizona / ms. white // blaze & sybil's lullaby / ben dickey & alia shawkat // don't wanna / haim // brothers / hanggai // guitar song (live) / frou frou // the wellerman / the norfolk broads // julianna calm down / the chicks // let the tall ships sail / walter martin // my lagan love / the chieftains w/ lisa hannigan // ain't got no (i got life) / nina simone // silver dagger / dolly parton // infatuation / sophie // travelers / andrew prahlow // ode to billie joe / bobbie gentry // all together now / ok go // stil love / great caesar // rooftop dancing / sylvan esso // robert henry / the westerlies // doom days / bastille // in waves / house of waters // thunder clatter / wild cub // dear august / pj harding & noah cyrus // slow dancing / aly & aj // pledging my love / fawn wood // sono inochi / kaho nakamura // harlem / jazzboy // whiskey c'est mon ami / pine leaf boys // fabulous / c.u.t. // hainamady town / toumani diabete & the london symphony orchestra // runaway (guitar acoustic) / aurora // difyrrwch / the trials of cato // with you (a sweet little love song) / valeria june // half a mind / freddy & francine // in his arms / jack ingram, miranda lambert, & jon randall // angel island / the brother brothers // montero (call me by your name) / lil nas x // sahara / debanjan biswas & akshay dabhadkar // symptom of your touch / aly & aj // halfway tree / the east pointers // kiss me more / doja cat & sza // jubilee / the war and treaty // mara / jack garrett / ooh ahh! / miguel // fraulein / colter wall & tyler childers // the medicine man / keb' mo' & old crow medicine show // fruits of my labor / waxahatchee // buzz / maddie medley // whipporwill / chance mccoy // train song / feist and benjamin gibbard // garden / nahko and medicine for the people // down the road / stan rogers // rita mae young / the record company // last laugh / elise davis // empty threat / chvrches // find yourself / lukas nelson and promise of the real // dog in a manger / smooth hound smith // don't lose sight / lawrence // krivo polska / hazelius hedin, esbjorn hazelius, & johan hedin // i wish i was the moon / neko case // pizza day / lucky chops // surefire (piano) / wilderado // pilgrim / john mark mcmillan // live for it / moon taxi // remember when / tinashe // this can't be love / dinah washington // getaway / vincint & tegan and sara // without your love / the paper kites w/ julia stone // breath i breathe / ayla nereo // be and bring me home / neko case // jalebi baby / tesher & jason derulo // colors / black pumas // water me down / vagabon // stay (little dragon remix) / valerie june // shade of yellow / griff // cloudy day / tones and i // wine, beer, whiskey / little big town // song of my returning / phil ochs // skate / silk sonic // magnolia blues / adia victoria // i need my girl / aly & aj // rumors / lizzo feat. cardi b // long tailed winter bird / paul mccartney & idris elba // worry no more / amos lee // can't do much / waxahatchee // butter / bts feat. megan thee stallion // love's been a little bit hard on me / juice newton // devil like me / rainbow kitten surprise // in the image / beverly glenn-copeland // hands up / bent knee // verona (stripped) / geographer // coming home / honne feat. niki // oba, la vem ela / jorge ben jor

#playlist #music #remade this post cause i realized i never actually put the link to the playlist in there lol

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the-exhausted-xexandaler · 3 months ago

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Xexandaler’s PM: tTYD Saga Chapter 3 (kinda); Of Glitz and Glory!

Session One; Getting Distracted is Job One!

Okay, so next stop is this floating city named Glitzville. Is it like that final city place in Final Fantasy 7? Wait… this one is rocket powered?!? Dude I need to see that! Goombella pack your books! We’re going to Glitzville!

Um… how do I meet this Don Pianta bloke? I’ve run four circuits around this port and haven’t seen hide nore hair of any Pianta’s besides the guy in front of the casino.

Oh there’s a badge shop? Nifty! And they get more stock as I progress in the game I guess which is also cool. Heck, this mouse girl (which I’ve been informed that they are either called a Nomadimouse or a Lil’ Mouser) with a heart on her tail seems like a nice lady. Maybe I can bring her some fancy cheese from Glitzville. But for now I’m going to get some badges. It’s a Mario game. I can find coins just by squishing the roaches so why would I ne-

(Finds the person who is supposed to tell me how to meet the Don in a back alley)… B-but I burnt all my dosh on badges… I only have two coins left game! Why didn’t anybody tell me?!?

Apparently there’s this place called the ‘pit of 100 trials’ that a kid needs my help to save his father from. Easy peasy. I can take care of that after I get some of my Mysteries cooked by Zess T.

Ooo! I got a Zess T. Tea. And it heals 20 Flower Points! Oh I’m keeping this.

Alright time to save the dad! I’m sure he’ll just be on like floor 8 or something. He is a Toad after all. He can’t have gone that far down.

(Reaches floor 18 and finds the Toad dad and a Pokey) A. How did you get down so far against Dull Bones and Fuzzys? B. What was the plan for when you found a spiked enemy Mac? I’m the guy with the hammer not you. C. You better be worth the Zess T. Tea I spent getting to you…

Yay the kid is reunited with dad and now I can play a new game at the casino. I wonder what else is down here… know what? Speaking of Casino that kid by the Casino said that something scary was down the grate, let’s put a pin on giving the Robbos their dosh for now and see what’s going on.

Ooooo! A dark underbelly of a dank dark town. Groovy! I like this development.

Oh… good… the trampolines developed spikes… glorious.

Oh sweet there’s a fast travel point. I think it lets you travel once you put the star in the door? Maybe? I’ll have to test it when I get that glittery star from that glittery island.

That’s it for this session. Next time I’m going to go give that bloke in charge of the Robbos a piece if my mind and a chu k from my wallet.

#paper mario the thousand year door #paper mario #my journey through #on the way to Glitzville #pit of 100 trials #very sleepy

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thesithdiaries · 3 years ago

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Rhea Ripley NSFW Alphabet

Rhea Ripley NSFW alphabet

Warnings: this is filth, obviously

It’s based on the character she plays onTV, not her real life personality.

*crossposted on Tumblr and AO3*

A = Aftercare (what they’re like after sex)

Aftercare is a must for Rhea. Even after an intense night when you try out new things, she will still take care of you. Getting you water, cleaning you up gently, running you a nice bath. After making sure you’re okay, she’ll cuddle you to sleep, whispering sweet nothings in your ear.

B = Body part (their favorite body part of theirs and also their partner’s)

On her, it has to be her arms. She’s a strong, beautiful woman with big muscles. Rhea loves that she can protect you and also give you the best bear hugs… and hold you in place while she fucks you senseless.

On you, it has to be your thighs. Of course, she worships loves your entire body. However, feeling how your thighs clench and shake under her hands or how they lock her head in place really makes her heart (and pussy) weak. Sure, there can’t be any visible marks left, so she will bite and leave hickeys on your thighs.

C = Cum (anything to do with cum, basically)

Spitters are quitters. We’re not wasting a drop of yours or hers. When she notices your cumming, because she knows you like the back of her hand and knows your little ticks when you’re close, Rhea will make sure to be there to lick it clean.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

Rhea loves seeing you wearing her choker (collar). She won’t say it outloud, but the first time she saw you trying it on, she almost came right there. Even though you’re trying out new things and exploring fun stuff, she doesn’t know how to ask if you’d be willing to wear one. Lowkey, she’s been researching different styles to give one to you.

E = Experience (how experienced are they? do they know what they’re doing?)

It’s a bit of trial and error. Rhea definitely has had her fair share of one night stands before you, traveling for work and being alone for most of it. She’s not a pro at everything, but she knows what to do.

F = Favorite position (this goes without saying)

You on top. Rhea loves seeing your body on top of hers, feeling how you move and use her to pleasure yourself.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Rhea means business. She will smile when she sees the effect her moves have on you and will laugh softly on occasions, but her focus is to make you feel good. The most giggly you see her is if she’s a lil drunk.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

Very clean and shaven. She doesn’t care if you shave or not, the important thing is that you’re comfortable (and hygenic).

I = Intimacy (how are they during the moment? the romantic aspect)

It depends on the night. Some are rough, punishments go for a few hours but other nights are slow, passionate, where you both take time to pleasure each other.

J = Jack off (masturbation headcanon)

She has a few audio recordings of you moaning, she uses that to make herself cum. Feeling lonely at night is hard, but thankfully, you packed her favorite toy and vibrator for her to use when you weren’t there. If she’s very needy, she will facetime you.

K = Kink (one or more of their kinks)

Rhea is a brat tamer. She doesn’t tolerate disobedience and you love pushing her buttons. Expect a pinch on your thigh and a serious glare, that means you’re in for a long night.

Spanking

Choking

Handcuffs (or ropes, but there can’t be any marks left behind)

Edging

Overstimulation

Mommy and/or daddy kink, this depends of her mood

Roleplaying

Biting

Hair pulling

Dacryphilia (crying kink)

Praise

L = Location (favorite places to do the do)

Rhea loves to take you in a bedroom, anywhere as long as there’s a bed. But this doesn’t limit places like the car, the locker room, the gym at night, bathroom, kitchen, anywhere as long as it’s safe.

M = Motivation (what turns them on, gets them going)

It’s the way you clench your thighs together. It doesn’t even need to be sexual, she gets wet quickly and will let you know.

N = No (something they wouldn’t do, turn offs)

If it will cause you pain, it’s a no. She will never put you in that situation. If the safe word is used, everything stops immediately.

O = Oral (preference in giving or receiving, skill, etc.)

Rhea likes to both give and receive, yet pleasing you is her favorite thing to do. Seeing you squirm under her touch is mesmerizing. The way your nails dig in her scalp and how you pull her hair, sends little shocks of pain through her body directly to her pussy. She loves when you get bossy.

P = Pace (are they fast and rough? slow and sensual? etc.)

As stated in I = Intimacy, it depends on the night. Passionate nights are slow and sweet, punishments are rough but can be quite slow if she’s edging and overstimulating you through it.

Q = Quickie (their opinions on quickies, how often, etc.)

Yes. It’s not her ideal thing to do, but if either of you is needy or there won’t be another chance during the day to be together, then yes, a quickie will have to do.

R = Risk (are they game to experiment? do they take risks? etc.)

Rhea will try anything, the only requirement is talking about it first and not doing it randomly.

S = Stamina (how many rounds can they go for? how long do they last?)

She can last for maybe 3 rounds. Rhea is a fucking machine and you know it.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Tons of dildos and vibrators, strap ons, buttplugs, nippleclamps… She even has a sybian in her house.

U = Unfair (how much they like to tease)

Brat tamer Rhea is so unfair. She teases you for hours, making you wait until she allows you to cum. If you cum without her permission, it will make the teasing worse.

V = Volume (how loud they are, what sounds they make, etc.)

She’s not very loud but she is very vocal. Her moans and whimpers are heavenly in your ear, as are the little gasps and sighs she lets out.

W = Wild card (a random headcanon for the character)

Rhea loves doing domestic things with you. Not everything if your relationship is sex, that doesn’t work. She loves making you food and cuddling all day.

X = X-ray (let’s see what’s going on under those clothes)

Steel muscles, tattoos and piercings. Her body is amazing and you make sure she knows how much you love it.

Y = Yearning (how high is their sex drive?)

Very high. Whenever she feels needy, she’ll drag you to the closest safe place and go for a few rounds. If that’s not possible, Rhea will tease you until she can take you somewhere else.

Z = Zzz (how quickly they fall asleep afterwards)

It’s usually after you, unless she’s very tired. She loves to caress your face and hair, taking mental pictures of how pretty you look when you sleep.

#wwe smut #rhea ripley smut #rhea ripley imagine #rhea ripley x reader #wwe imagine

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birb-tangleblog · 3 years ago

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Rise of Flynn Rider - THOUGHTS

THE PROMISED LONGER POST ON THE RISE OF FLYNN RIDER- spoiler warning!

Ok so first off, a very brief summary: the book centers on Eugene and Arnie (Lance), childhood best friends. The orphanage they've grown up in is financially struggling, under threat by a crooked tax collector, and they're both aging out of the system; the only clue Eugene has to his parents is a letter from the woman who left him there, which is signed with a ~mysterious symbol~. When a traveling circus run by the Baron (yes, that Baron) passes through town and Eugene learns of a possible lead on his past, the two boys reinvent themselves, join up, and eventually end up entangled in a scheme to steal from the King and Queen of Corona.

I won't lie, I enjoyed this one a lot- it was a fun read, very cozy to curl up with, and even with some contradictions, it felt like a novel that was derivative of the series and set in that world. There are a lot of cameos and references, enough that I think most TTS fans will find something they like to nibble on.

Like I said in my earlier post abt the prologue and first few chapters, I'm so happy that Lance got a role alongside Eugene- he's definitely a secondary character to Eugene’s main, and he does get sidelined somewhat, but it's charming to see his friendship with Eugene and his growing passion for cooking.

'I didn't expect anything, so I'm more delighted and pleasantly surprised than genuinely unhappy with the execution' is a running theme with this book for me and basically the tl;dr of this write-up.

There are soo many cameos and little treats- I get the impression Calonita didn't have the most complete knowledge of the series, but her chats with Chris and interest in the series’ writing definitely show. King Edmund, the Stabbingtons, all of the pub thugs, Weasel, Stalyan, and the Baron all make appearances, and we get cameos from Cap, Maximus, Pascal's mother, and even Cass gets a name drop. Several series-exclusive locations are also mentioned by name- Vardaros, the Spire, and the Forest of No Return.

I'm not immune to the fannish hit of 'hey! I understand that reference!' and I really enjoyed hunting for easter eggs, so even if the presence of the pub thugs in the Baron's crew, or the boys stumbling on Rapunzel's tower in one scene and making nothing of it (yea that happened) is a lil questionable, it made me smile and I can't be mad.

I would just describe this book as 'comfy'.

(That said, I'm a little unsure who all those references are for- I feel like if you hadn't seen the series, you'd lack context and some details would be meaningless, but if you had, I think you might long for more depth and exploration...)

Structure & Progression

Here's the part where I start criticizing the book aimed at middle and elementary schoolers lmao

It's a v short book, but the plot progression still feels a little scattered- it didn’t feel quite like a heist OR a mystery. The subplot that takes up a lot of focus is actually interpersonal conflict between Lance and Eugene- and they reconcile, but not after spending much of the book in a standoff due to a misunderstanding/'liar revealed' trope.

One of Eugene's motivations for joining the circus is spotting a man with a mark on his arm that matches the one from his letter working there, and believing he'll be able to learn more abt his parents from him. He doesn't disclose this to Lance right away, and when it comes out later on, he's upset that Eugene didn't tell him- he feels tricked, and like Eugene's prioritizing his biological family over their bond. I had a hard time with this, b/c I honestly think Eugene could've literally said to Lance, 'hey, joining this circus is a great opportunity to travel, make money, send some back to the orphanage, AND I found something about my parents, will you come with me?' and Lance still would've jumped on it. Later on, there's also another similar miscommunication that deepens the rift.

It feels like manufactured drama, and I would've loved a book of the two of them just being buds, bouncing off each other, and trying to unravel the mysteries of the DK symbol and the Baron's ulterior motives together. Lance's fears of being left behind by his friend absolutely could've surfaced without the misunderstandings, especially the closer they got to the truth. (And I don't think that'd have been dissimilar to the unused 'Trial' episode concept and flashback.)

The pacing itself... meanders. After the boys complete an initiation mission to get a hold of a special key for the Baron, time passes (two weeks in-story) and there's some slice of life as they learn the ropes, get inducted into a lifestyle of thieving (it’s revealed the circus is a front for a crime ring), and get to know the Baron's crew.

I liked these parts and would've kept them in a longer book! But maybe there could've been some fine-tuning here so big events (Eugene stealing for the first time, the heist, the meeting with the mysterious Man with the Mark) weren’t so one-and-done. There are several points where nothing's really happening because the characters can't quite connect with each other, or they're waiting around for an opportunity passively, and that makes for a frustrating exp for me as a reader.

There were also lot of elements I thought were getting set up to come into play later, but not a lot of follow through? The folk hero Lance Archer is mentioned several times and has wanted posters, but we never meet him in the flesh. The Man with the Mark is revealed to be a former member of the Brotherhood(!) named Vedis(!!), but he isn't seen again after Eugene speaks with him... once. (More on this later this post is getting so long omg)

The Baron’s plan is revealed to be stealing a reward offered for the lost princess when it’s on display to the public during a festival. Eugene and Lance balk b/c stealing doesn’t sit well with them, especially when it’s from what are ultimately a family trying to find their lost child- they decide to do the right thing by foiling the scheme/stealing it back and returning it to the royals. It goes a bit pear-shaped and they’re caught, but are forgiven and face no consequences after explaining, other than being ousted from the circus/crime ring and making enemies of the Baron. Eugene hasn’t given up on finding the DK, but he realizes he already has a family in Lance, and that’s the most important thing; the two resolve to travel the world and have adventures together.

I want to make another post on it, but at the least it feels like a foregone conclusion given we know ‘Flynn Rider’ goes on to become a renown thief who steals the crown of the lost princess- that’s literally the plot of the movie, and being a dashing rogue is Flynn’s defining trait- so even aside from questionable ideas about wealth, class, and morality, the novel’s ending doesn’t fit what’s firmly established about his character, and I think big fans of Eugene might have an even harder time with that then me.

(I’m very suspicious that there might’ve been some executive meddling in an attempt to soften young Eugene’s character, and send a more palatable/upstanding message to children- it feels like Disney editing the old SW films to show Han didn’t shoot first.)

It’s def one of those novels where you can take some elements you like and leave others, but overall I’d still rly rec it for series fans! I’ve been buzzing and what-iffing about it for a few days, and I got some tasty tidbits on the characters and nods to the series, which is exactly what I wanted out of it.

And maybe it’s a funky take, but honestly I want to think of this book as the beginning of an alternate timeline where Lance and Eugene got out of crime earlier, Eugene got a clue abt his heritage by chance, and it changed his course. I think embracing the retcons and contradictions to canon makes for an interesting angle, and you’ll enjoy it more if you don’t take it too seriously.

#OKAY PHEW GOD took me way too long to post this #I'd consider this a general reaction/impression and overview #and I have more written that I want to sort out into posts abt Eugene's char AND my thoughts on Vedis as a Brotherhood Stan™#if I included it here it'd have been like... another 1k words lmfao #hopefully I can post those in the next day or so!#I have no idea how to structure proper reviews man I just want to yammer #I'm honestly just having fun reacting to smth new again C:#the rise of flynn rider #text post #my post #eugene #lance

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jumukus · 3 years ago

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A3! Translation: Tasuku Takato’s SSR [Straddle a Noble Steed] - Alpha Horseback Archery

Tasuku, Muku, Citron and Izumi joined a horseback archery trial thanks to the tickets Citron received from the neighborhood association.

Citron: Listen up, guys! I've got something good from the neighborhood association.

Izumi: Something good?

Muku: What is it, Citron-sama?

Citron: Book at this, everybody!

Itaru: You mean, "Look at this"?

Citron: Ta-dah! Four tickets to the horseback archery trial!

Izumi: Horseback archery!? You mean, the one where you ride a horse and shoot a bow?

Banri: Never knew there's a trial for that.

Citron: I'll be going on next weekend. Raise your hand if you can join!

Muku: Can I tag along? I want to try horseback archery!

Citron: I knew you'd say that, Muku! It's decided, then~.

Muku: Thank you! I hope I can hit the target with style.

Izumi: I'm sure you can, Muku-kun. You're good at horseback riding, after all.

Muku: Ehehe. I had fun riding a horse back then!

Itaru: I'll pass. I can already tell I'm going to fall from the horse.

Citron: I knew you'd say that, Itaru! It's decided, then~.

Itaru: How about you, Banri? I have a feeling you'll be good at it.

Banri: Haha, yeah, I probably can do it if I try but I have plans next weekend.

Citron: Oh, that's too bad! I wanted to see you doing horseback archery~.

Muku: Same here! Since I'm sure you will look cool doing that, I want to see it!

Izumi: There's nothing we can do since he has plans on that day. Such a shame, though, indeed.

Itaru: Not you all going, "Oh, that's too bad," when Banri could not join but said nothing when it was me. LOL.

Citron: How about you, Director?

Izumi: Huh? Me? I don't have any plans on that day…

Citron: You should join us, then! We have three people with this!

Izumi: What? I'm not really confident I can do it…

*door opens*

Tasuku: I'm home. What are you talking about?

Citron: Oh! To think you're back at this time, this must be good riddance!

Itaru: You mean, "God's guidance"?

Citron: Tasuku! Join us in horseback archery next weekend!

Tasuku: Horseback archery? I don't understand what you're talking about...

Banri: Citron got tickets to a horseback archery trial from the neighborhood association.

Muku: Since he has four tickets, including Citron-sama, Director-san and I will be joining…

Citron: The last ticket belongs to you, Tasuku!

Tasuku: Well, I don't mind. I don't have plans on that day, anyway. You'll be going too, right, Director?

Izumi: Looks like it…

Citron: In that case, the four of us will be going! I'm looking forward to it!

Citron: It's finally the day of the horseback archery trial! I'm so exited!

Muku: Me too!

Tasuku: I've already checked in at the reception. Go change your clothes at the building over there and gather here again.

Izumi: Women's dressing room is over there so let's meet up here again once we're done changing!

Tasuku: Okay.

Izumi: Wow! You all look good in that attire!

Tasuku: Do you think so? Well, that's great to hear…

The person in charge seemed to be having a hard time putting these clothes on me.

Izumi: You're tall, after all, Tasuku-san.

Citron: Oh, horseback archery attire is so cool! This is so exciting!

Muku: You also look great in that attire, Director!

Izumi: Thanks. I'm a lil bit nervous since I'm not really used to wearing traditional clothes.

Muku: Because Tasuku-san wore traditional clothes several times for plays before, you're somehow giving off this dignified vibes in that!

Citron: You look really, really confident!

Tasuku: Thanks. This time I'm wearing a Hakama, though. It's different from the ones I wore in "Die by the Sword" and "Hotel Compass".

It's a little bit hard to move around in this, but it's not like I can do something about it.

Person in charge: Everyone, we are going to start the trial now so please gather here.

Teacher: We are going to start with a horseback riding lesson. Get used to the horse you're riding today while trekking.

Izumi: Put your left foot here…okay.

Muku: What a calm and good kid. There, there.

Citron: I want to run fast! It reminds me of the long ride I took with Pochi back home!

Tasuku: You have a great posture, Citron. It makes sense since you're used to riding a horse.

Muku: The same goes for you, Tasuku-san! You look like a real samurai.

Izumi: I couldn't agree more. It's more impactful since you're wearing traditional attire now.

Teacher: Everyone in this group is talented. Are you all already used to riding horses?

Especially you. That's very impressive of you to sit up straight like that.

Tasuku: Are you referring to me?

Citron: Look at you, Tasuku! The teacher is praising you.

Muku: That's to be expected. Tasuku-san's posture is already good from the start. I think it also has something to do with your strong muscles.

Tasuku: I guess my years of experience on the stage has influenced me in some way. It has become a habit to straighten myself up.

Person in charge: Next, we're going to practice shooting a bow on the ground. This session will be split in two parts with lunch break in between.

Izumi: Whoa…! I never knew bows are quite heavy…!

Tasuku: It's pretty big in size, too. It's taller than me.

Muku: I heard Japanese-style bow is larger than the western-style one, and it can make your arrows fly farther.

Citron: It'll be hard to shoot while riding a horse!

Tasuku: Oh. I hit it.

Izumi: No way. You already hit the mark!?

Tasuku: You can say it's luck, I guess.

Citron: That's still great, though!

Muku: You're so talented, Tasuku-san! I have to do my best too!

Citron: Me too! I won't lose to you~.

Izumi: (Hehe. They seem to be having fun. I have to do my best to hit the mark as well!)

Tasuku: It's finally time. I hope we can do well, just like how we did during practice.

Citron: Tasuku, you also got praised for your archery skill, right!

Muku: While we didn't actually ride the horse during practice, you were still impressive for being able to hit the mark most of the time!

Izumi: Not only hitting the target, but quickly fitting the arrow to the bow is also difficult.

Teacher: We are going to move on to the actual horseback archery now. Try to aim for the mark over there. No need to rush.

Tasuku: No need to rush… Like this?

*shoots*

Muku: Y-You hit it!

*shoots*

Izumi: You hit it again!

Citron: Oh, would you look at that! He hit the center spots!

Teacher: It's so rare for participants to be able to do that. I don't usually let beginners do this, but… can you try running?

Tasuku: Is it really okay?

Teacher: Yes. I have a feeling you can do it.

Tasuku: I'll give it a try, then.

Muku: Whoa…! Running through with a horse while shooting an arrow… It feels like we're in a real battle!

Citron: This is true horseback archery!

Izumi: Do your best, Tasuku-san!

Tasuku: Thanks.

*shoots*

Teacher: It's a hit! Well done!

Participant A: Who is that man? He's so amazing!

Participant B: He's so good!

Participant C: So hot…!

Tasuku: ...phew.

Izumi: Great job, Tasuku-san!

CHOICE 1: That was flawless

Izumi: You hit the mark flawlessly despite running so fast like that.

Tasuku: It's actually quite the opposite. I did worse than I expected.

I could have run faster, and I could have done a better job at fixing the arrow to the bow.

Izumi: Really!? It was perfect in my eyes.

Tasuku: For me, I can't say I have shown the result of my practice enough.

Izumi: (He's really stoic…!)

CHOICE 2: It was as if I traveled back to the past.

Izumi: Seeing you shooting a bow in that attire made me feel like I traveled back to the past.

Tasuku: In that case, I might have done a better job at that if we were doing an etude set in Kamakura.

Like, let's say, while I'm on the run after kidnapping you, the daughter of the Lord… I will shoot my bow at the pursuers.

Izumi: That's a great plot!

Tasuku: ...On second thought, seeing you in that getup, I think it's more fitting to have you as a tomboy princess who ran away with me.

Izumi: A tomboy princess… But I'll go all out if it's for etude!

Tasuku: Haha. How reliable of you.

Muku: You were totally impressive, Tasuku-san!

Citron: I made the right choice inviting you here!

Tasuku: I had fun joining this trial as well. Thank you.

Muku: Today was so fun!

Tasuku: I would never try doing horseback archery if I didn't have an opportunity like this. I learned a lot.

Citron: I should offer my gratitude to the neighborhood association after this!

Izumi: Have you seen the photo we took in this attire? It came out great. See?

Muku: You're right! I want to show it to the others in the dorm.

Tasuku: Then, let's get go--.

Teacher: Hey, wait up!

Tasuku: Yes?

Teacher: Thank goodness. You're still here. I actually have a request for you.

Tasuku: What is it?

Teacher: Do you… want to try aiming for the top in horseback archery!?

Troupe Members: Come again!?

Teacher: I'm sure you can be Japan's top horseback archery athlete! Please join my team.

Tasuku: I don't think I can do that. I'm an actor.

Teacher: In that case, can you at least join the next tournament…!?

Tasuku: Even if you say that…

Teacher: Oh, right! There's an annual event called "Horseback Archery Festival".

If it's alright with you, can you take part as a guest at that event?

Tasuku: Well, I don't mind appearing as a guest…

Teacher: Thank you so much! I'm looking forward to your appearance.

Izumi: (Being invited as a guest despite being an amateur… Tasuku-san, you're way too awesome…)

#a3!#a3! translation #spring troupe #summer troupe #autumn troupe #winter troupe #itaru chigasaki #citron #muku sakisaka #banri settsu #tasuku takato

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blookmallow · 3 years ago

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and now, the thrilling conclusion, where EVERYTHING GOES TO SHIT

never did find all these tapes or understand what they were about, either. gdi

fuck fuck fuck fuck fuck fuck FUCK NO NO NO!! NO!!!

god this scene was so well done, though. almost too well. something about the old phone and the. “my friend is suddenly Not Okay what the fuck do i do” really, really struck a nerve with some shit i went through in high school

i dont... understand what happened to his body, though. i think he did this because he knew they needed someone on the Other Side to be able to stop the cult. maybe he also just couldn’t take the pressure anymore as well. i think he realized someone had to and he decided it would be him. maybe he even knew something about what sal was going to have to do and maybe he didn’t want to be there when it happens. maybe he knew he wasn’t getting out of this alive anyway, so he decided he’d rather just do it himself and let his death mean something. i dont know. i dont know. this hit so fucking hard im honestly still a lil shaken up about it

so i guess... whatever the cult was doing, whatever demonic influence is still ravaging this place, everyone was already doomed from the start. everyone was already infected with the curse or The Dark or whatever it is. everyone who died here couldn’t pass on because something went Wrong and was keeping them there

and at this point i think everyone was essentially already dead before sal got to them. they would have been consumed either way

i dont think i like the fact that sara is being taken by the dark, too. i dont know what that means. maybe it just means david believed she was a person enough for the dark to latch onto her and try to take her too. maybe it means something else

i dont understand what happened to these two, either. they’re the only ones who were faded out like this instead of being consumed by the ooze. it didn’t seem to make any difference, though. i dont know why only maple knew to run or why she didn’t try to take them with her

GOD FUCK

WAS HE LIKE THIS THE WHOLE TIME??? GOD

FEAR

WHAT??????? NO????? WHAT

this is so bad this is so bad this is so bad you’re gonna make me do this aren’t you. you’re gonna make me do all of this

im sorry man you were weird but as far as i can tell you didn’t deserve this

sara isn’t acknowledged. i still want to know why the dark was trying to take her too

im sorry im sorry im so fucking sorry

well. i guess that. explains the trial, then. boy this sure is a fucking lot to take in

anyway, im. ashley now and ive found maple. i guess this is how we’re dealing with this. fuck

i dont understand why the. they’re not kids anymore now but you know, the main group, isn’t being taken over, i dont think ash lived at the apartments so she could have escaped it but everyone else grew up there. you can’t say it’s not long enough to get infected because maple didn’t live there initially, she moved in with chug later and it still got her. im not sure that it got chug and his daughter. they weren’t in the shadow ooze. but they were faded out and they. were also. among the body count, so. clearly sal believed they were already too far gone

i think this is the first actually clean and well-kept bathroom we ever see in this game, id be happy for them, but, well. you know

NEITHER WAS I

b............beedle juice................

nice

i dont really understand why this style shifting thing is happening, different realities converging or something, i guess, but im into it

“character shifts into other parallel versions of themselves in different styles/travels across different universes” sequences are always my favorite i dont know what you call that or if it counts as a trope but i love it

GOD

DAMN IT

none of us are surviving this, huh. like actually none of us.

I DIDNT KILL HER SHE KILLED HERSELF FOR SOME REASON THAT ONE WASNT MY FAULT

but then she. wasn’t dead and had a new ghost arm that i think was also me. im her haunted arm now its fine we’re fine everything’s fine

FUCKING SHIT HELL WHY

i cant tell if im supposed to know these people or not i think that might be neil though........ probably maple. god. god

for some reason i keep wanting to call maple “willow” where is that coming from

big fan of being able to just smack cultists into bloody puddles with our new ghost arm though that’s very nice

YES THANK YOU I AM AWARE i had a bad time with the controls on half these little final boss mini game things fsjdg

anyway, uh. that sure was a lot of things and i still have no idea what happened at all. i am confused and terrified thats all i can say

i mean. like. this is an incredibly good game its very well written the characters are so real and engaging, the story hits you over and over again right in the fuckin guts, the passage of time and gradual development and change through different points of these peoples’ lives is done so well and its so interesting and unique but at the same time i do not understand a goddamn thing that just happened here

also according to my very depressing episode stats i seem to have missed a shit ton of things, so maybe that’s why. genuinely think im probably just going to immediately start a new game and play it again now that i Know and. well, suffer again, mostly, but also just. try to understand try to figure out what i missed

i think part of the problem is it took me way too long to realize there were occasionally things i could interact with that didn’t specifically. say i could interact with them, i got used to looking for like. the little marker subtitle things that pop up over important objects/etc like “radio” “sal’s room” but sometimes there’s like. a little thing on the ground you can pick up that doesn’t say anything when you stand over it or something and i guess? i must have? missed a lot of those

#lucy plays sally face

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fmjoanna · 4 years ago

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hola , mamakeishas ! 😍 i’m claire, and we love a good repurposing of intro posts. no but seriously, i’m really excited that this is finally open. i’m also really excited to meet all of your muses & write with youuuu. so without further ado, lemme introduce you to jo. aka my stupid, stubborn child who i love so much. like this & i’ll swoop into your dms for some plots. 👉👈

☆ . · . cindy kimberly, twenty-one, cisfemale, she/her . · . ☆ JOANNA “JO” VASQUEZ lives in that huge mansion over there! no, not that one. look for PERFECTLY TRIMMED HEDGES and that’ll be it. the ACTRESS has offered occasional glimpses of MAROON walls and an impressive collection of WINE in the background of social media posts, but all of that is nothing compared to seeing the opulence in person. they’ve remained DILIGENT as ever since moving to tercet court FOUR MONTHS AGO, but it seems like they might’ve gotten a little more RESERVED too. maybe that’s why they’re rumored to have such a CAUTIOUS relationship with everyone else who lives on this street.

* BACKSTORY .

tw. mentions of drugs & death.

from the beginning , it was never jo’s dream to be famous. while most girls were at home playing with toys, jo was getting prepped for auditions by her parents. they had ambitions ———— to get filthy stinkin’ rich off the back of their daughter, and for the most part, it worked.

jo landed a major role in a disney show ( think like hannah montanna or wizards of waverly place, that kinda cultural impact ), and quickly, she became one of america’s sweethearts. that was a lot for one kid to handle, with all the filming, press, etc. her parents, of course, ate up the attention and capitalized off it fairly quickly. brand deals, interviews, anything you could find a child star on at that time. it pretty quickly became overwhelming, but she was definitely raking in the dough. that meant she was to continue, no matter how tired of it she was.

which is where her perfectionism comes in to play, she had a lot of people relying on her ———— her parents, who she loved regardless of the stress they put her through, director, costars, company, etc. jo was definitely a natural when it came to acting. she knew how deliver line after line, emote, and successfully pull off a comedic moment. on screen, she played a charismatic, social butterfly, which was the exact opposite of who she really was, a quiet, nervous girl who valued her privacy and just wanted to live a normal life.

which began to take it’s toll on her. the older the she became, the less she liked being seen as the sweet girl next door, so she completely had a breaking out of that mold phase ( ala like miley cyrus or britney spears ) around the time her disney show came to an end. much to her parents dismay, she became known more for her off-screen antics than her onscreen one & definitely kept the paparazzi’s pockets fat. “jo vasquez spotted (fill in the blank with something controversial)” filled the pages of magazines for a lot of her 17-18 years, and she went from america’s sweetheart to probably one of america’s most hated lol. it had a negative impact on her career as well, which she was happy about for awhile. that is, until she realized that most of the money she made as a child was collected by her parents & not her.

with no money coming in & the relationship with her parents souring, she left home & avoided the spotlight for around three years. probably lost contact with a lot of people then too. she thought a nice, quiet time by herself & without paparazzi following her 24/7 would be healthy.

& it was. jo used the last bit of her childhood savings to fund her time away, but with money tight , she was a bit unsure of what was left to do. that’s where her great aunt came in. her great aunt had gotten rich of her stocks in a successful makeup line when she was in her late 30′s ( something that joanna’s parents were super jealous of ). with that kind of money, she was able to move to the hills and purchase a beautiful home. joanna had met her only once or twice, but there was definite tension between her parents and her aunt. the only thing she really knew about her was that she was wealthy and lived alone, no kids or significant other.

unexpectedly, her great aunt passed away, news that didn’t reach jo until she got a letter from her aunt’s lawyer, saying that since her great aunt didn’t have kids & didn’t want to leave her belongings to her niece ( jo’s mother ), she had left everything to jo. it completely caught her off guard, and she considers herself pretty lucky.

she knew that she couldn’t stay in the hills forever without some income, and because she feels like acting is what she’s best at, she decided to contact her old manager, and together, they came up with a plan to revive her career.

sooooo , now she’s back in los angeles. media has def heard of her return ( apart of her manager’s plan ) & there’s been a small amount of buzz around it. she’s more of a former a-list, so she’s really not that in demand. however, she did manage to land a supporting role in a major blockbuster ( something like a marvel movie probs ) so she’s hoping that’ll change fairly soon.

* PERSONALITY .

probably fake lol. let’s just be honest. kinda hates the celebrity lifestyle & is cautious when it comes to other people in the industry so yeah, she’s the type to smile in your face and then glare when your backs turned. she knows how important connections are in this business & word travels fast so she’s probably not “real” except with the people she’s closest to. also the type to be like “OMG ofc i know what that is. 😍 it’s my fave” but then have absolutely no clue what the fuck it is lmaoo a tragedy

she’s a hard worker & def a perfectionist. everything has to be perfect, and she’ll do as much as she can to get it right. it’s probs the reason she stuck with acting b/c the trial and error of learning something new would be way too much for her lol.

but also enjoys time out a lil too much prolly. is a regular to night life & partying ( more under wraps now than back in the day ) & will out drink just about anyone you know. it makes her a bit more brave & she believes ppl bare their souls when they’re inebriated so it’s easier to get to know ppl. what a weirdo. also partakes in her fair share of prolly just weed. no hard drugs tbh she’s not the one

your average gal just looking to have fun , but could def potentially catch feelings that she would deny til she can’t anymore or until it’s too late. 🤪 lowkey wants someone to just sweep her off her feet, but she’s blind to the reality that she always be making things complicated.

behind the facade, she’s a bit stubborn. probably also a side effect of being a perfectionist & also her need for control ( since she lacked that when she was young ) so be prepared for that

* WANTED CONNECTIONS .

ok but plots really do be making my world go ‘round. 😳 i love em, so literally hmu with anything you’re feeling, and i’ll be down. just wanna plot & write with everyone 💕 but here’s a couple of wanted connections for y’all. i’ll prolly have a most wanted tag sooner or later & i’ma be make a plot page soon.

best friend / friend group: there’s no way jo could function without friends, so pls give her some good ass platonic tingz. these are the people she can be herself around, so she holds them really dear.

people from the past: someone she knew from the past. could be friends, enemies, lovers, costars, etc. she didn’t really let that many people know that she was leaving so now that she’s back it could be like 👀 dramatic.

unrequited love / crush: these are fun. joanna doesn’t really know how to handle her romantic feelings so it’d probably be her getting the cold shoulder .

hookups / fwb: past, present, future. fwb would probs get messy. maybe she caught feelings or sumn.

former friends: something happened & they’re no longer friends. we can plot it all out . :^)

childhood friends to lovers to exes that ended on bad terms: saw this on a plot masterlist & it sounds fun so i thought i’d put it here lol.

literally anything your heart desires: a lot could work. we could even just start from nowhere & have them meet for the first time b/c jo’s only been back for a couple of months.

#linksintro #oh hey :^)

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scni · 5 years ago

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chicago’s very own addison sani has been spotted on madison avenue driving a rolls-royce wraith , welcome ! your resemblance to greta onieogou is unreal . according to tmz , you just had your twenty fourth birthday bash . your chance of surviving new york is uncertain because you’re reactive , but being tenderhearted might help you . i think being a virgo explains that . 3 things that would paint a better picture of you would be walking out of a casino with double the money you walked in with, sunkissed skin all year round, drunkenly dancing on a table . ( my dad has ties to the mafia and when things started getting out of hand my mom forced him out of our lives what she doesn’t know is that i meet him for lunch every week ) & ( cisfemale + she/her ) + ( taylor , twenty , she/her , est )

wow ok guys , this took me alot longer than i expected ? i’m TIRED , lol . i’m taylor though , hi legends ! i’m 20 and live in the est + go by she / her pronouns . a little about me before we get to my lil baby — i spend too much time in the timewrap that is youtube where i’ll watch a ricky thompson video one minute then daily vlogs of a raccoon to mgk’s kelly vision vlogs true story , this MAY have happened while i was supposed to be getting this intro up 🥺 i’m a total music whore and love everything that has a good flow idc if it’s rap or country if it’s good it’s lit ! also heads up i have the attention span of a squirrel so if i don’t respond to a thread or ims it’s because im a dumb hoe , i still love ya . anyways , enough about me lets get this intro rolling ! give this a like if you’d like to plot . ALSO ? i know the background is a lil long it was honestly mostly for me to really flesh addison out and give me something to look back to , so if you wanna get to the point of the intro just skip the background ? there is a tl;dr after it followed by her personality / secret / stats + some basic wcs toward the end of the post !

* 𝐛𝐚𝐜𝐤𝐠𝐫𝐨𝐮𝐧𝐝 !

addison mikhailovna sani , was born in saint petersburg , russia where she grew up in a home too big to even be referred to as a house . she wasn’t the first child of ivanka and mikhail but she definitely was their first planned child . a couple that met early in their twenties , had their moments but at the end of the day they loved one another . both extremely traditional and their beliefs , they were given no choice but to accelerate their love story when they turned up pregnant with their son . he was a beautiful and happy little boy , but posed a threat the ivanka and mikhail’s pretty storybook life they wanted to set up for themselves . obsessed with staying on some sort of timeline , ivanka began her campaign for her budding political career . then she turned up pregnant again , with their second child , a daughter this time . in their eyes their daughter was just another bump in their perfect life . they held a sort of resentment against the kids for that , especially given that ivanka had lost her window of political popularity . she’d resigned to the life of a socialite and stay at home mom and they decided the best way to fill her time up was with another child . this time , one they truly wanted . her parents would never admit it , but they hadn’t seen the true “ sani potential “ in their children that wasn’t until they had addison . her parents truly doted on her . from her point of view life was perfect . silver spoon life did her well . that was until the perfect facade the sani’s held up was beginning to crumble before their eyes . her father , a wealthy international real estate investor comes from a crime family , it was a world he hid in the shadows but things grew rather messy and the family was posed with a choice (a) leave russia and start up life somewhere else or (b) stay in russia and chance mikhail going to jail for the entirety of the kids childhood . of course they chose to leave russia , on the one promise to ivanka that mikhail was done with the life of organized crime .

they made the move to chicago , illinois when addison was just ten years old . luckily for her she’d grown up speaking three languages russian , nigerian , and english and so coming to america was made just a bit easier for her as she wasn’t completely fluent but was able to get by and converse with others . her parents quickly integrated themselves into the elite society within chicago’s wealthiest families , which wasn’t too hard with her father’s up - and - up line of work of real estate investing and her mother’s status as an heiress . the same could be said for the kids at school , each one integrating fairly well into their own friend groups . like at home stayed the same , they may have been in a new country but her parents love or obsession with addison knew no borders . she had everything a little girl could ask for and more , plus her busy parents actually made time for her - that was much more than her siblings could say . addison knew the dynamic , she was a smart girl and picked up on it quickly . often apologizing to her older siblings and offering up her own support for their lives in place of their parents . as she grew older the pressure from her family started taking it’s toll . when ivanka and mikhail sani thought you were destined to be great , they really pushed you and placed the highest of expectations on you . addison carried around the fear that one day they’d look at her the same way they did her siblings and so she worked herself in all aspects of her life to be the perfect daughter . she excelled at everything she did - academics , ballet , student government , and even becoming a debutante .

it wasn’t until she was sixteen that the toll really started chipping away at addison . she’d spent a month on a downward spiral; popping pills , drowning herself in alcohol , losing her virginity , and throwing parties . it all came to a head when she stole millions from her father’s secret stash and booked a private jet with a couple friends . the three went missing for nearly two weeks before they were spotted at a resort in ibiza . her parents brought her home only to send her away to an inpatient program for a little over a month . addison spent that month really digging deep , finding out who she was and what she actually wanted . her therapist had told her for her to get out of the dark place she was in she’d need to separate her thinking from her parents and let go of the perfectionist act . when she came back home it was like the last few months had never happened , her parents ignored it all . to them , the issue was fixed and now it was time to sweep it under the rug but for addison it broke her heart . she realized over that next year that her parents didn’t see her as a person with her own choices but instead some sort of maniquin for them to play some weird version of real life sims with . despite this realization she couldn’t help but to fall back in line .

senior year of high school came quick and the four years of student government , mock trial , equestrian , and perfect grades was nearly over but not before addison’s whole world crumbled before her . no matter how perfect she tried to be the sani’s could never run from the truth . they weren’t this perfect family , when her mom caught her dad tied up with the russian mafia within the city of chicago it was over . by the end of the night ivanka was kicking him out of the house , with the threat that if he so much as looked in the direction of her and the kids she’d have him sent to jail for the rest of his natural life . the threat was enough to spook him , he’d known her well enough to know she wasn’t bluffing . just a few months later he moved out of the state leaving secret letters for the children to let them know he loved them . but of course , addison wasn’t allowed to so much as miss a beat . ivanka was still on her like some crazed momager and when she landed multiple acceptances in some of the top schools across the country the two inevitably made the decision for addison to attend yale . secretly she wanted stanford but bit the bullet . she studied finance with a major in philosophy . joined a sorority and mock trial . in truth she took a liking to connecticut and the change of scenery helped her forget about everything happening back in chicago .

during her senior year at yale , her mom broke the news of the family making the big move to new york city . which really just meant addison and her mom were moving to new york city because her brother had started a family in his college town of durham , north carolina + was also playing for the carolina panthers while her sister traveling the world on some sort of instagram model high . her mom rambled on for week about how the move was perfect since addison would be attending columbia for law school so now the two could see one another more often . even at twenty two addison couldn’t put her foot down when it came to her mom and so for the millionth time in her life she held back what she really wanted to do ( finally going to stanford , for law school ) and committed to columbia law .

* 𝐭𝐥;𝐝𝐫 !

basically , addison is the baby of three kids . born in st petersburg , russia but grew up in chicago . she was always the favorite of her parents ivanka ( a russian heiress + philanthropist ) and mikhail ( a international real estate investor ) as she grew older she realized their love was more of a obsession with control + perpetuating a picture of a perfect family + daughter . the pressure to a toll on addison during highschool and she had a break down that led to a major downward spiral landing her in an inpatient facility for a month . when she got out , her parents ignored all the issues within the family and went back to treating addison like some sort of puppet + addison continued to go along with it , as she didn’t really know how else to be . today she struggles with being who she wants to be and who her mom wants her to be . she and her siblings have always gotten along , even though their parents never treated them all the same they were all able to see the struggle in how each one was treated and able to bond through their messy parent situation . as of now addison’s trying to play up a double life sort of situation . having fun + being the perfect daughter . she’s also on the path to becoming a big time lawyer . she’s in her 2L of law school at columbia + also works as a paid intern at the district attorney’s office .

* 𝐩𝐞𝐫𝐬𝐨𝐧𝐚𝐥𝐢𝐭𝐲 !

addison has always been full of love and unlike her parents her love isn’t conditional maybe delusional sometimes but never conditional . don’t worry , after a nation wide search i’ve found the first girl who doesn’t suffer from resting bitch face . instead you’ll always see a smile on her face , to the point where if you ever see her not smiling be worried . something life shattering has happened . she’s the type to say she “ hates drama “ but perk up the minute she hears about drama going on in some else’s life . don’t worry though , after she done being nosy she’ll do all she can to help fix the issue even if you don’t want her too . hey , she may make things worse in the process but atleast she cares , right ? maybe not , i don’t know . incredibly loyal and loves to have a good laugh , she’s incredibly witty and a lover of corny jokes . very talkative . wants everyone to like her and if you don’t like her get ready for her to try at every chance to win you over . very much so the “ pardon me , but you really hurt my feelings “ type . she’s really just a soft , smart rich girl trying to navigate through this big world . also she falls in love quick , although she’d never had a real relationship . not because she’s a T H O T , she’s not , well , she doesn’t mean to be atleast . she just finds her befriending guys more than becoming their girlfriend . despite her naturally affectionate behavior , she just has this weird “ no boyfriend “ curse going on . maybe she’s pushing them away when things get close to serious in fear of losing the guy from her life . on a negative note , addisons hands down worst quality is her inability to control a situation she is incredibly reactive / volatile . she’ll easily fall into a screaming match or crying fit . never the type to walk away . a true virgo , y’all , the girl can and will argue until you’re blue in the face .

* 𝐬𝐞𝐜𝐫𝐞𝐭 !

so basically , her dad is apart of the russian mafia . he was heavily involved while they lived in russia but when the government was catching onto his actions the family fled the country before they could dig any deeper into the case . he was supposed to cut ties when they moved to chicago but it was a way of life he simply couldn’t let go of . when addison’s mom found out she forced him out of their lives threatening to turn him in if he so much of looks at his children . despite this when addison and her mom moved to new york he reached out to addison . they’ve been meeting for lunch once a week for almost a year and a half behind her moms back . absolutely no one but those involved with the mafia know about her dad being within the mafia , which is exactly how he’s always wanted it , which is why her mom could never find out addison and he are continuing their relationship .

* 𝐬𝐭𝐚𝐭𝐢𝐬𝐭𝐢𝐜𝐬 !

full name : addison mikhailovna sani age : twenty - four date of birth : september 7th place of birth : saint petersburg , russia zodiac : virgo label : the facade pronouns : she/her gender : cisfemale orientation : bisexual , biromantic height : 5′8″ weight : 132 lbs ethnicity : nigerian , russian hometown : chicago , illinois occupation : law student , intern @ the district attorney’s office more : allergic to apples , hates takeout food , has an affinity for adult cartoons and stand up comedy, lives for alternative music , believes cuddling is a natural human interaction , loves video games , graduated valedictorian of her high school , loves painting .

* 𝐜𝐨𝐧𝐧𝐞𝐜𝐭𝐢𝐨𝐧𝐬 !

soooo i know these are pretty basic but im just throwing things at the wall here and hoping they stick , okay ? im down for really anything so we can take inspo from these ideas ? expand more on them ? or just brainstorm something completely different ? whatever works ! , best friends , GIRL squad , drinking/party buddies , we’re just friend or at least that what we say but i always bring you as my date to big events type of deal , flirtationship , sibling like friendship , someone who has a crush on her , they don’t like her and she’s always trying to get them to change their mind , someone who tries to talk her into standing up to her mom , a confidant , someone she has a crush on , booty call maybe she initially wanted something serious from them but just fell into this booty call dynamic and she wont say anything otherwise because she likes having them around , someone she has a crush on , an ex friend who probably broke her trust .

#wealthyhq:intro #( 🍒 ) a look 𝓫𝓮𝓱𝓲𝓷𝓭 the mask — ooc #rehab tw

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blackkudos · 5 years ago

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Little Richard

Richard Wayne Penniman (December 5, 1932 – May 9, 2020), better known as Little Richard, was an American singer, songwriter, and musician. An influential figure in popular music, Richard's most celebrated work dates from the mid-1950s, when his dynamic music and charismatic showmanship laid the foundation for rock and roll, leading him to be given the nickname "The Innovator, The Originator, and The Architect of Rock and Roll". Characterized by his frenetic piano playing and raspy singing voice, Richard's music also played a key role in the formation of other popular music genres, including soul and funk. He influenced numerous singers and musicians across musical genres from rock to hip hop, and his music helped shape rhythm and blues for generations to come.

"Tutti Frutti" (1955), one of Richard's signature songs, became an instant hit, reaching No. 2 on Billboard Rhythm and Blues Best-Sellers chart and crossing over to the pop charts in both the United States and overseas in the United Kingdom. It reached No. 21 on the US Billboard Top 100 and No. 29 on the UK singles chart. Richard's next hit single, "Long Tall Sally" (1956), hit No. 1 on the Billboard Rhythm and Blues Best-Sellers chart and No. 13 on the Billboard Top 100 while reaching the top ten in the UK. Following his success, Richard built up his backup band, The Upsetters, with the addition of saxophonists Clifford "Gene" Burks and leader Grady Gaines, bassist Olsie "Baysee" Robinson and guitarist Nathaniel "Buster" Douglas. Richard's critically acclaimed debut album Here's Little Richard (1957) peaked at No. 13 on the Billboard Top LPs chart.

In 1962, concert promoter Don Arden persuaded Little Richard to tour Europe after telling him his records were still selling well there even though they were not in the US. Having heard of Richard's European tour, Brian Epstein, manager of The Beatles, asked Arden to allow the band to open for Richard on some tour dates, to which he agreed. The first show for which the Beatles opened was at New Brighton's Tower Ballroom that October. During this time, Richard advised the group on how to perform his songs and taught Paul McCartney his distinctive vocalizations. In the fall of 1963, Richard agreed to rescue a sagging tour featuring The Everly Brothers, Bo Diddley and The Rolling Stones. At the end of that tour, Richard was given his own TV special for Granada Television titled The Little Richard Spectacular.

Richard was honored by many institutions. He was inducted into the Rock and Roll Hall of Fame as part of its first group of inductees in 1986. He was also inducted into the Songwriters Hall of Fame. He was the recipient of a Lifetime Achievement Award from the Recording Academy and a Lifetime Achievement Award from the Rhythm and Blues Foundation. In 2015, Richard received a Rhapsody & Rhythm Award from the National Museum of African American Music for his key role in the formation of popular music genres and helping to bring an end to the racial divide on the music charts and in concert in the mid-1950s changing American culture significantly. "Tutti Frutti" was included in the National Recording Registry of the Library of Congress in 2010, which stated that his "unique vocalizing over the irresistible beat announced a new era in music".

Early life

Richard Wayne Penniman was born in Macon, Georgia, on December 5, 1932, the third of 12 children of Leva Mae (née Stewart) and Charles "Bud" Penniman. His father was a church deacon who sold bootlegged moonshine on the side and owned a nightclub called the Tip In Inn. His mother was a member of Macon's New Hope Baptist Church. Initially, his first name was supposed to have been "Ricardo", but an error resulted in "Richard" instead. The Penniman children were raised in a neighborhood of Macon called Pleasant Hill. In childhood, he was nicknamed "Lil' Richard" by his family because of his small and skinny frame. A mischievous child who played pranks on neighbors, Penniman began singing in church at a young age. Possibly as a result of complications at birth, he had a slight deformity that left one of his legs shorter than the other. This produced an unusual gait, and he was mocked for his allegedly effeminate appearance.

Penniman's family was very religious and joined various A.M.E., Baptist, and Pentecostal churches, with some family members becoming ministers. He enjoyed the Pentecostal churches the most, because of their charismatic worship and live music. He later recalled that people in his neighborhood sang gospel songs throughout the day during segregation to keep a positive outlook, because "there was so much poverty, so much prejudice in those days". He had observed that people sang "to feel their connection with God" and to wash their trials and burdens away. Gifted with a loud singing voice, Penniman recalled that he was "always changing the key upwards" and that they once stopped him from singing in church for "screaming and hollering" so loud, earning him the nickname "War Hawk". As a child, he would "beat on the steps of the house, and on tin cans and pots and pans, or whatever" while singing, which annoyed neighbors.

Penniman's initial musical influences were gospel performers such as Brother Joe May, Sister Rosetta Tharpe, Mahalia Jackson, and Marion Williams. May, a singing evangelist who was known as "the Thunderbolt of the Middle West" because of his phenomenal range and vocal power, inspired Penniman to become a preacher. Penniman attended Macon's Hudson High School, where he was a below-average student. He eventually learned to play alto saxophone, joining his school's marching band while in fifth grade. While in high school, he got a part-time job at Macon City Auditorium for local secular and gospel concert promoter Clint Brantley. He sold Coca-Cola to crowds during concerts of star performers of the day such as Cab Calloway, Lucky Millinder, and his favorite singer Sister Rosetta Tharpe.

Music career

Beginnings (1947–1955)

In October 1947, Sister Rosetta Tharpe overheard 14-year-old Penniman singing her songs before a performance at the Macon City Auditorium. She invited him to open her show. After the show, Tharpe paid him, inspiring him to become a professional performer. Penniman stated that he was inspired to play the piano after he heard Ike Turner's piano intro on "Rocket 88." In 1949, he began performing in Doctor Nubillo's traveling show. Penniman was inspired to wear turbans and capes in his career by Nubillo, who also "carried a black stick and exhibited something he called 'the devil's child' - the dried-up body of a baby with claw feet like a bird and horns on its head." Nubillo told Penniman he was "gonna be famous" but that he would have to "go where the grass is greener."

Before entering the tenth grade, Penniman left his family home and joined Dr. Hudson's Medicine Show in 1949, performing Louis Jordan's "Caldonia". Penniman recalled the song was the first secular R&B song he learned, since his family had strict rules against playing R&B music, which they considered "devil music." Penniman also performed in drag during this time, performing under the name "Princess LaVonne". In 1950, Penniman joined his first musical band, Buster Brown's Orchestra, where Brown gave him the name Little Richard. Performing in the minstrel show circuit, Penniman, in and out of drag, performed for various vaudeville acts such as Sugarfoot Sam from Alabam, the Tidy Jolly Steppers, the King Brothers Circus and Broadway Follies. Having settled in Atlanta, Georgia at this point, Penniman began listening to rhythm and blues and frequented Atlanta clubs, including the Harlem Theater and the Royal Peacock where he saw performers such as Roy Brown and Billy Wright onstage. Penniman was further influenced by Brown's and Wright's flashy style of showmanship and was even more influenced by Wright's flamboyant persona and showmanship. Inspired by Brown and Wright, Penniman decided to become a rhythm and blues singer and after befriending Wright, began to learn how to be an entertainer from him, and began adapting a pompadour hairdo similar to Wright's, as well as styling a pencil mustache, using Wright's brand of facial pancake makeup and wearing flashier clothes.

Impressed by his singing voice, Wright put him in contact with Zenas Sears, a local DJ. Sears recorded Penniman at his station, backed by Wright's band. The recordings led to a contract that year with RCA Victor. Penniman recorded a total of eight sides for RCA Victor, including the blues ballad, "Every Hour," which became his first single and a hit in Georgia. The release of "Every Hour" improved his relationship with his father, who began regularly playing the song on his nightclub jukebox. Shortly after the release of "Every Hour", Penniman was hired to front Perry Welch and His Orchestra and played at clubs and army bases for $100 a week. After a year with RCA Victor, Penniman left the label in February 1952 after his records there failed to become national hits. That same month, Penniman's father Bud was killed after a confrontation outside his club. Penniman continued to perform during this time and Clint Brantley agreed to manage Penniman's career. Moving to Houston, he formed a band called the Tempo Toppers, performing as part of blues package tours in Southern clubs such as Club Tijuana in New Orleans and Club Matinee in Houston. Penniman signed with Don Robey's Peacock Records in February 1953, recording eight sides, including four with Johnny Otis and his band that were unreleased at the time. Like his venture with RCA Victor, none of Penniman's Peacock singles charted despite Penniman's growing reputation for his high energy antics onstage. Penniman began complaining of monetary issues with Robey, resulting in Penniman getting knocked out by Robey during a scuffle. Disillusioned by the record business, Penniman returned to Macon in 1954 and, struggling with poverty, settled for work as a dishwasher for Greyhound Lines. That year, he disbanded the Tempo Toppers and formed a harder-driving rhythm and blues band, the Upsetters, which included drummer Charles Connor and saxophonist Wilbert "Lee Diamond" Smith and toured under Brantley's management. The band supported R&B singer Christine Kittrell on some recordings, then began to tour successfully, even without a bass guitarist, forcing drummer Connor to thump "real hard" on his bass drum in order to get a "bass fiddle effect." Around this time, Penniman signed a contract to tour with fellow R&B singer Little Johnny Taylor.

At the suggestion of Lloyd Price, Penniman sent a demo to Price's label, Specialty Records, in February 1955. Months passed before Penniman got a call from the label. Finally, in September of that year, Specialty owner Art Rupe loaned Penniman money to buy out of his Peacock contract and set him to work with producer Robert "Bumps" Blackwell. Upon hearing Penniman's demo, Blackwell felt Penniman was Specialty's answer to Ray Charles, however, Penniman told him he preferred the sound of Fats Domino. Blackwell sent him to New Orleans where he recorded at Cosimo Matassa's J&M Studios, recording there with several of Domino's session musicians, including drummer Earl Palmer and saxophonist Lee Allen. Initially, Penniman's recordings that month failed to produce much inspiration or interest. Frustrated, Blackwell and Penniman went to relax at the Dew Drop Inn nightclub. According to Blackwell, Penniman then launched into a risqué dirty blues he titled "Tutti Frutti". Blackwell said he felt the song had hit potential and hired songwriter Dorothy LaBostrie to replace some of Little Richard's sexual lyrics with less controversial words. Recorded in three takes in September 1955, "Tutti Frutti" was released as a single that November.

Initial success and conversion (1955–1962)

"Tutti Frutti" became an instant hit, reaching No. 2 on Billboard magazine's Rhythm and Blues Best-Sellers chart and crossing over to the pop charts in both the United States and overseas in the United Kingdom. It reached No. 21 on the Billboard Top 100 in America and No. 29 on the British singles chart, eventually selling a million copies.

Penniman's next hit single, "Long Tall Sally" (1956), hit number one on the R&B chart and number 13 on the Top 100 while reaching the top ten in Britain. Like "Tutti Frutti", it sold over a million copies. Following his success, Little Richard built up his backup band, The Upsetters, with the addition of saxophonists Clifford "Gene" Burks and leader Grady Gaines, bassist Olsie "Baysee" Robinson and guitarist Nathaniel "Buster" Douglas. Penniman began performing on package tours across the United States. Art Rupe described the differences between Penniman and a similar hitmaker of the early rock and roll period by stating that, while "the similarities between Little Richard and Fats Domino for recording purposes were close", Penniman would sometimes stand up at the piano while he was recording and that onstage, where Domino was "plodding, very slow", Penniman was "very dynamic, completely uninhibited, unpredictable, wild. So the band took on the ambience of the vocalist."

Penniman's performances, like most early rock and roll shows, resulted in integrated audience reaction during an era where public places were divided into "white" and "colored" domains. In these package tours, Penniman and other artists such as Fats Domino and Chuck Berry would enable audiences of both races to enter the building, albeit still segregated (e.g. blacks on the balcony and whites on the main floor). As his bandleader at the time, H.B. Barnum, explained, Penniman's performances enabled audiences to come together to dance. Despite broadcasts on TV from local supremacist groups such as the North Alabama White Citizens Council warning that rock and roll "brings the races together," Penniman's popularity was helping to shatter the myth that black performers could not successfully perform at "white-only venues," especially in the South where racism was most overt. Penniman's high-energy antics included lifting his leg while playing the piano, climbing on top of his piano, running on and off the stage and throwing his souvenirs to the audience. Penniman also began using capes and suits studded with multi-colored precious stones and sequins. Penniman said he began to be more flamboyant onstage so no one would think he was "after the white girls".

Penniman claims that a show at Baltimore's Royal Theatre in June 1956 led to women throwing their undergarments onstage at him, resulting in other female fans repeating the action, saying it was "the first time" that had happened to any artist. Penniman's show would stop several times that night due to fans being restrained from jumping off the balcony and then rushing to the stage to touch Penniman. Overall, Penniman would produce seven singles in the United States alone in 1956, with five of them also charting in the UK, including "Slippin' and Slidin'", "Rip It Up", "Ready Teddy", "The Girl Can't Help It" and "Lucille". Immediately after releasing "Tutti Frutti", which was then protocol for the industry, "safer" white recording artists such as Pat Boone re-recorded the song, sending the song to the top twenty of the charts, several positions higher than Penniman's. At the same time, fellow rock and roll peers such as Elvis Presley and Bill Haley also recorded Penniman's songs later in the year. Befriending Alan Freed, Freed eventually put him in his "rock and roll" movies such as Don't Knock the Rock and Mister Rock and Roll. In 1957, Penniman was giving a larger singing role in the film, The Girl Can't Help It. That year, he scored more hit success with songs such as "Jenny, Jenny" and "Keep A-Knockin'" the latter becoming his first top ten single on the Billboard Top 100. By the time he left Specialty in 1959, Penniman had scored a total of nine top 40 pop singles and seventeen top 40 R&B singles.

Penniman performed at the famed twelfth Cavalcade of Jazz held at Wrigley Field in Los Angeles which was produced by Leon Hefflin, Sr. on September 2, 1956. Also performing that day were Dinah Washington, The Mel Williams Dots, Julie Stevens, Chuck Higgin's Orchestra, Bo Rhambo, Willie Hayden & Five Black Birds, The Premiers, Gerald Wilson and His 20-Pc. Recording Orchestra and Jerry Gray and his Orchestra.

Shortly after the release of "Tutti Frutti", Penniman relocated to Los Angeles. After achieving success as a recording artist and live performer, Penniman settled at a wealthy, formerly predominantly white neighborhood, living close to black celebrities such as boxer Joe Louis. Penniman's first album, Here's Little Richard, was released by Specialty in May 1957 and peaked at number thirteen on the Billboard Top LPs chart. Similar to most albums released during that era, the album featured six released singles and "filler" tracks. In early 1958, Specialty released his second album, Little Richard, which didn't chart. In October 1957, Penniman embarked on a package tour in Australia with Gene Vincent and Eddie Cochran. During the middle of the tour, he shocked the public by announcing he was following a life in the ministry. Penniman would claim in his autobiography that during a flight from Melbourne to Sydney that his plane was experiencing some difficulty and he claimed to have seen the plane's red hot engines and felt angels were "holding it up". At the end of his Sydney performance, Penniman saw a bright red fireball flying across the sky above him and claimed he was "deeply shaken". Though it was eventually told to him that it was the launching of the first artificial Earth satellite Sputnik 1, Penniman claimed he took it as a "sign from God" to repent from performing secular music and his wild lifestyle at the time.

Returning to the States ten days earlier than expected, Penniman read news of his original flight having crashed into the Pacific Ocean as a further sign to "do as God wanted". After a "farewell performance" at the Apollo Theater and a "final" recording session with Specialty later that month, Penniman enrolled at Oakwood College in Huntsville, Alabama, to study theology. Despite his claims of spiritual rebirth, Penniman admitted his reasons for leaving were more monetary. During his tenure at Specialty, despite earning millions for the label, Penniman complained that he did not know the label had cut the percentage of royalties he was to earn for his recordings. Specialty continued to release Penniman recordings, including "Good Golly, Miss Molly" and his unique version of “Kansas City”, until 1960. Finally ending his contract with the label, Penniman agreed to relinquish any royalties for his material. In 1958, Penniman formed the Little Richard Evangelistic Team, traveling across the country to preach. A month after his conversion, Penniman met Ernestine Harvin, a secretary from Washington, D.C., and the couple married on July 11, 1959. Penniman ventured into gospel music, first recording for End Records, before signing with Mercury Records in 1961, where he eventually released King of the Gospel Singers, in 1962, produced by Quincy Jones, who later remarked that Penniman's vocals impressed him more than any other vocalist he had worked with. His childhood heroine, Mahalia Jackson, wrote in the liner notes of the album that Penniman "sang gospel the way it should be sung". While Penniman was no longer charting in the US, some of his gospel songs such as "He's Not Just a Soldier" and "He Got What He Wanted", reached the pop charts in the US and the UK.

Return to secular music (1962–1979)

In 1962, concert promoter Don Arden persuaded Little Richard to tour Europe after telling him his records were still selling well there. With fellow rock singer Sam Cooke as an opening act, Penniman, who featured a teenage Billy Preston in his gospel band, figured it was a gospel tour and, after Cooke's delayed arrival forced him to cancel his show on the opening date, performed only gospel material on the show, leading to boos from the audience expecting Penniman to sing his rock and roll hits. The following night, Penniman viewed Cooke's well-received performance. Bringing back his competitive drive, Penniman and Preston warmed up in darkness before launching into "Long Tall Sally", resulting in frenetic, hysterical responses from the audience. A show at Mansfield's Granada Theatre ended early after fans rushed the stage. Hearing of Penniman's shows, Brian Epstein, manager of The Beatles, asked Don Arden to allow his band to open for Penniman on some tour dates, to which he agreed. The first show for which the Beatles opened was at New Brighton's Tower Ballroom that October. The following month they, along with Swedish singer Jerry Williams and his band The Violents, opened for Little Richard at the Star-Club in Hamburg. During this time, Little Richard advised the group on how to perform his songs and taught Paul McCartney his distinctive vocalizations. Back in the US, Little Richard recorded six rock and roll songs with the Upsetters for Little Star Records, under the name "World Famous Upsetters", hoping this would keep his options open in maintaining his position as a minister.

In the fall of 1963, Penniman was called by a concert promoter to rescue a sagging tour featuring The Everly Brothers, Bo Diddley and The Rolling Stones. Penniman agreed and helped to save the tour from flopping. At the end of that tour, Penniman was given his own TV special for Granada Television titled The Little Richard Spectacular. The special became a rating hit and after 60,000 fan letters, was rebroadcast twice. In 1964, now openly re-embracing rock and roll again, Penniman released "Bama Lama Bama Loo" on Specialty Records. Due to his UK exposure, the song reached the top twenty there but only climbed to number 82 in his native country. Later in the year, he signed with Vee-Jay Records, then on its dying legs, to release his "comeback" album, Little Richard Is Back. Due to the arrival of the Beatles and other British bands as well as the rise of soul labels such as Motown and Stax Records and the popularity of James Brown, Penniman's new releases were not well promoted or well received by radio stations. In November 1964, Jimi Hendrix joined Penniman's Upsetters band as a full member. In the Spring of 1965, Penniman took Hendrix and Billy Preston to a New York studio where they recorded the Don Covay soul ballad, "I Don't Know What You've Got (But It's Got Me)", which became a number 12 R&B hit.

Hendrix and Penniman clashed over the spotlight, Hendrix's tardiness, wardrobe and Hendrix's stage antics. Hendrix also complained over not being properly paid by Penniman. In July 1965, Richard's Brother Charles fired Jimi [This is possibly incorrect. Jimi wrote to his father, Al Hendrix, that he quit Little Richard over money problems - he was owed 1,000 dollars.] Hendrix then rejoined The Isley Brothers' band, the IB Specials. Penniman later signed with Modern Records, releasing a modest charter, "Do You Feel It?" before leaving for Okeh Records in early 1966. Two poorly produced albums were released over time, first a live album, cut at the Domino, in Atlanta, Georgia. Okeh paired Penniman with his old friend, Larry Williams, who produced two albums on Penniman, including the studio release, The Explosive Little Richard, which produced the modest charters "Poor Dog" and "Commandments of Love". His second Okeh album, Little Richard's Greatest Hits Recorded Live!, returned him to the album charts. In 1967, Penniman signed with Brunswick Records but after clashing with the label over musical direction, he left the label the following year.

Penniman felt that producers on his labels worked in not promoting his records during this period. Later, he claimed they kept trying to push him to records similar to Motown and felt he wasn't treated with appropriate respect. Little Richard often performed in dingy clubs and lounges with little support from his label. While Penniman managed to perform in huge venues overseas such as England and France, Penniman was forced to perform in the Chitlin' Circuit. Penniman's flamboyant look, while a hit during the 1950s, failed to help his labels to promote him to more conservative black record buyers. Penniman later claimed that his decision to "backslide" from his ministry, led religious clergymen to protest his new recordings. Making matters worse, Penniman said, was his insistence on performing in front of integrated audiences at the time of the black liberation movement shortly after the Watts riots and the formation of the Black Panthers prevented many black radio disk jockeys in certain areas of the country, including Los Angeles, to play his music. Now acting as his manager, Larry Williams convinced Penniman to focus on his live shows. By 1968, he had ditched the Upsetters for his new backup band, the Crown Jewels, performing on the Canadian TV show, "Where It's At". Penniman was also featured on the Monkees TV special 33⅓ Revolutions per Monkee in April 1969. Williams booked Penniman shows in Las Vegas casinos and resorts, leading Penniman to adopt a wilder flamboyant and androgynous look, inspired by the success of his former backing guitarist Jimi Hendrix. Penniman was soon booked at rock festivals such as the Atlantic City Pop Festival where he stole the show from headliner Janis Joplin. Penniman produced a similar show stealer at the Toronto Pop Festival with John Lennon as the headliner. These successes brought Little Richard to talk shows such as the Tonight Show Starring Johnny Carson and the Dick Cavett Show, making him a major celebrity again.

Responding to his reputation as a successful concert performer, Reprise Records signed Penniman in 1970 where he released the album, The Rill Thing, with the philosophical single, "Freedom Blues", becoming his biggest charted single in years. In May 1970, Penniman made the cover of Rolling Stone magazine. Despite the success of "Freedom Blues", none of Penniman's other Reprise singles charted with the exception of "Greenwood, Mississippi", a swamp rock original by guitar hero, Travis Wammack, who incidentally played on the track. It charted only briefly on the Billboard Hot 100 and Cash Box pop chart, also on the Billboard Country charts; made a strong showing on WWRL in New York, before disappearing. Penniman became a featured guest instrumentalist and vocalist on recordings by acts such as Delaney and Bonnie, Joey Covington and Joe Walsh and was prominently featured on Canned Heat's 1972 hit single, "Rockin' with the King". To keep up with his finances and bookings, Penniman and three of his brothers formed a management company, Bud Hole Incorporated. By 1972, Penniman had entered the rock and roll revival circuit, and that year, he co-headlined the London Rock and Roll Show at Wembley Stadium with fellow peer Chuck Berry where he'd come on stage and announce himself "the king of rock and roll", fittingly also the title of his 1971 album with Reprise and told the packed audience there to "let it all hang out"; Penniman, however, was booed during the show when he climbed on top of his piano and stopped singing; he also seemed to ignore much of the crowd. To make matters worse, he showed up with just five musicians and struggled through low lighting and bad microphones. When the concert film documenting the show came out, his performance was considered generally strong, though his fans noticed a drop in energy and vocal artistry. Two songs he performed did not make the final cut of the film. The following year, he recorded a charting soul ballad, "In the Middle of the Night", released with proceeds donated to victims of tornadoes that had caused damage in 12 states. In 1976, Penniman re-recorded eighteen of his classic rock and roll hits in Nashville for K-Tel Records, in high tech stereo recreations, with a single featuring live versions of "Good Golly Miss Molly" and "Rip It Up" reaching the UK singles chart. Penniman's performances began to take a toll by 1973, however, suffering from voice problems and quirky marathon renditions. Penniman later admitted that he was heavily addicted to drugs and alcohol at the time. By 1977, worn out from years of abuse and wild partying as well as a string of personal tragedies, Penniman quit rock and roll again and returned to evangelism, releasing one gospel album, God's Beautiful City, in 1979.

Comeback (1984–1999)

In 1984, Penniman filed a $112 million lawsuit against Specialty Records; Art Rupe and his publishing company, Venice Music; and ATV Music for not paying royalties to him after he left the label in 1959. The suit was settled out of court in 1986. According to some reports, Michael Jackson allegedly gave him monetary compensation for his work when he co-owned (with Sony-ATV) songs by the Beatles and Little Richard. In 1985, Charles White released the singer's authorized biography, Quasar of Rock: The Life and Times of Little Richard, which returned Penniman to the spotlight. Penniman returned to show business in what Rolling Stone would refer to as a "formidable comeback" following the book's release.

Reconciling his roles as evangelist and rock and roll musician for the first time, Penniman stated that the genre could be used for good or evil. After accepting a role in the film Down and Out in Beverly Hills, Little Richard and Billy Preston penned the faith-based rock and roll song "Great Gosh A'Mighty" for its soundtrack. Little Richard won critical acclaim for his film role, and the song found success on the American and British charts. The hit led to the release of the album Lifetime Friend (1986) on Warner Bros. Records, with songs deemed "messages in rhythm", including a gospel rap track. In addition to a version of "Great Gosh A'Mighty", cut in England, the album featured two singles that charted in the UK, "Somebody's Comin'" and "Operator". Penniman spent much of the rest of the decade as a guest on TV shows and appearing in films, winning new fans with what was referred to as his "unique comedic timing". In 1989, Penniman provided rhythmic preaching and background vocals on the extended live version of the U2–B.B. King hit "When Love Comes to Town". That same year, Little Richard returned to singing his classic hits following a performance of "Lucille" at an AIDS benefit concert.

In 1990, Penniman contributed a spoken-word rap on Living Colour's hit song, "Elvis Is Dead", from their album Time's Up. That same year he appeared in a cameo for the music video of Cinderella's "Shelter Me". The following year, he was one of the featured performers on the hit single and video "Voices That Care" that was produced to help boost the morale of US troops involved in Operation Desert Storm. He also recorded a rock and roll version of "The Itsy Bitsy Spider" that year that led to a deal with Disney Records, resulting in the release of a hit 1992 children's album, Shake It All About.

In 1994, Penniman sang the theme song to the award-winning PBS Kids and TLC animated television series The Magic School Bus based on the book series created by Joanna Cole and Bruce Degen and published by Scholastic Corporation. He also opened Wrestlemania X from Madison Square Garden on March 20 that year miming to his reworked rendition of "America the Beautiful".

Throughout the 1990s, Penniman performed around the world and appeared on TV, film, and tracks with other artists, including Jon Bon Jovi, Elton John and Solomon Burke. In 1992 he released his final album, Little Richard Meets Masayoshi Takanaka featuring members of Richard's then current touring band.

Later years (2000–2020)

In 2000, Penniman's life was dramatized for the biographical film Little Richard, which focused on his early years, including his heyday, his religious conversion and his return to secular music in the early 1960s. Penniman was played by Leon, who earned an NAACP Image Award nomination for his performance in this role. In 2002, Penniman contributed to the Johnny Cash tribute album, Kindred Spirits: A Tribute to the Songs of Johnny Cash. In 2004–2005, he released two sets of unreleased and rare cuts, from the Okeh label 1966/67 and the Reprise label 1970/72. Included was the full “Southern Child” album, produced and composed mostly by Richard, scheduled for release in 1972, but shelved. In 2006, Little Richard was featured in a popular advertisement for the GEICO brand. A 2005 recording of his duet vocals with Jerry Lee Lewis on a cover of the Beatles' "I Saw Her Standing There" was included on Lewis's 2006 album, Last Man Standing. The same year, Penniman was a guest judge on the TV series Celebrity Duets. Penniman and Lewis performed alongside John Fogerty at the 2008 Grammy Awards in a tribute to the two artists considered to be cornerstones of rock and roll by the NARAS. That same year, Penniman appeared on radio host Don Imus' benefit album for sick children, The Imus Ranch Record. In June 2010, Little Richard recorded a gospel track for an upcoming tribute album to songwriting legend Dottie Rambo. In 2009, Penniman was Inducted into The Louisiana Music Hall Of Fame in a concert in New Orleans, attended by Fats Domino.

Throughout the first decade of the new millennium, Penniman kept up a stringent touring schedule, performing primarily in the United States and Europe. However, sciatic nerve pain in his left leg and then replacement of the involved hip began affecting the frequency of his performances by 2010. Despite his health problems, Penniman continued to perform to receptive audiences and critics. Rolling Stone reported that at a performance at the Howard Theater in Washington, D.C., in June 2012, Penniman was "still full of fire, still a master showman, his voice still loaded with deep gospel and raunchy power." Little Richard performed a full 90-minute show at the Pensacola Interstate Fair in Pensacola, Florida, in October 2012, at the age of 79, and headlined at the Orleans Hotel in Las Vegas during Viva Las Vegas Rockabilly Weekend in March 2013. In September 2013, Rolling Stone published an interview with Penniman who admitted that he would be retiring from performing. "I am done, in a sense, because I don't feel like doing anything right now." He told in the magazine adding, "I think my legacy should be that when I started in showbusiness there wasn't no such thing as rock'n'roll. When I started with 'Tutti Frutti', that's when rock really started rocking."

In 2014, actor Brandon Mychal Smith received critical acclaim for his portrayal of Penniman in the James Brown biographical drama film Get on Up. Mick Jagger co-produced the motion picture. In June 2015, Penniman appeared before a paying audience, clad in sparkly boots and a brightly colored jacket at the Wildhorse Saloon in Nashville to receive the Rhapsody & Rhythm Award from and raise funds for the National Museum of African American Music. It was reported that he charmed the crowd by reminiscing about his early days working in Nashville nightclubs. In May 2016, the National Museum of African American Music issued a press release indicating that Penniman was one of the key artists and music industry leaders that attended its 3rd annual Celebration of Legends Luncheon in Nashville honoring Shirley Caesar, Kenny Gamble and Leon Huff with Rhapsody & Rhythm Awards. In 2016, a new CD was released on Hitman Records, California (I'm Comin') with released and previously unreleased material from the 1970s, including an a cappella version of his 1975 single release, "Try To Help Your Brother". On September 6, 2017, Penniman participated in a long television interview, for the Christian Three Angels Broadcasting Network, clean-shaven and without make-up and dressed in a blue paisley coat and tie, in a wheelchair and proceeded to discuss his lifelong Christian faith.

On October 23, 2019, Penniman addressed the audience after appearing to receive the Distinguished Artist Award at the 2019 Tennessee Governor's Arts Awards at the Governor's Residence in Nashville, Tennessee.

On May 09, 2020, Penniman passed away at the age of 87 years old.

Personal life

Relationships and family

Around 1956, Penniman became involved with Audrey Robinson, a 16-year-old college student, originally from Savannah, Georgia. Penniman and Robinson quickly got acquainted despite Robinson not being a fan of rock and roll music. Penniman claimed in his 1984 autobiography that he invited other men to have sexual encounters with her in groups and claimed to have once invited Buddy Holly to have sex with her; Robinson denied those claims. Penniman proposed marriage to Robinson shortly before he converted but Robinson refused. Robinson later became known under the name Lee Angel and became a stripper and socialite. Penniman reconnected with Robinson in the 1960s, though she left him again after his drug abuse worsened. Robinson was interviewed for Penniman's 1985 BBC documentary on the South Bank Show and denied Penniman's claims as they went back and forth. According to Robinson, Penniman would use her to buy food in white-only fast food stores as he could not enter any due to the color of his skin.

Penniman met his only wife, Ernestine Harvin, at an evangelical rally in October 1957. They began dating that year and wed on July 12, 1959, in California. According to Harvin, she and Little Richard initially enjoyed a happy marriage with "normal" sexual relations. Harvin claimed when the marriage ended in divorce in 1964, it was due to her husband's celebrity status, noting that it had made life difficult for her. Penniman would claim the marriage fell apart due to his being a neglectful husband and his sexuality. Both Robinson and Harvin denied Penniman's claims that he was gay and Penniman believed they did not know it because he was "such a pumper in those days". During the marriage, Penniman and Harvin adopted a one-year-old boy, Danny Jones, from a late church associate. Little Richard and his son remained close, with Jones often acting as one of his bodyguards. Ernestine later married Mcdonald Campbell in Santa Barbara, California, on March 23, 1975.

Sexuality

Penniman said in 1984 that he played with just girls as a child and was subjected to homophobic jokes and ridicule because of his manner of walk and talk. His father brutally punished him whenever he caught him wearing his mother's makeup and clothing. The singer said he had been sexually involved with both sexes as a teenager. Because of his effeminate mannerisms, his father kicked him out of their family home at 15. In 1985, on The South Bank Show, Penniman explained, "my daddy put me out of the house. He said he wanted seven boys, and I had spoiled it, because I was gay."

Penniman first got involved in voyeurism in his early twenties, when a female friend would drive him around and pick up men who would allow him to watch them have sex in the backseat of cars. Penniman's activity caught the attention of Macon police in 1955 and he was arrested after a gas station attendant in Macon reported sexual activity in a car Penniman was occupying with a heterosexual couple. Cited on a sexual misconduct charge, he spent three days in jail and was temporarily banned from performing in Macon, Georgia.

In the early 1950s, Penniman became acquainted with openly gay musician Billy Wright, who helped in establishing Penniman's look, advising him to use pancake makeup on his face and wear his hair in a long-haired pompadour style similar to his. As Penniman got used to the makeup, he ordered his band, the Upsetters, to wear the makeup too, to gain entry into predominantly white venues during performances, later stating, "I wore the make-up so that white men wouldn't think I was after the white girls. It made things easier for me, plus it was colorful too." In 2000, Richard told Jet magazine, "I figure if being called a sissy would make me famous, let them say what they want to." Penniman's look, however, still attracted female audiences, who would send him naked photos and their phone numbers. Groupies began throwing undergarments at Penniman during performances.

During Penniman's heyday, his obsession with voyeurism carried on with his girlfriend Audrey Robinson. Penniman later wrote that Robinson would have sex with men while she sexually stimulated Penniman. Despite saying he was "born again" after leaving rock and roll for the church in 1957, Penniman left Oakwood College after exposing himself to a male student. After the incident was reported to the student's father, Penniman withdrew from the college. In 1962, Penniman was arrested for spying on men urinating in toilets at a Trailways bus station in Long Beach, California. Audrey Robinson disputed Penniman's claims of homosexuality in 1985. After re-embracing rock and roll in the mid-1960s, he began participating in orgies and continued to be a voyeur. In his 1984 book, while demeaning homosexuality as "unnatural" and "contagious", he told Charles White he was "omnisexual". In 1995, Little Richard told Penthouse that he always knew he was gay, saying "I've been gay all my life". In 2007, Mojo Magazine referred to Little Richard as "bisexual". In October 2017, Penniman once again denounced homosexuality in an interview with Three Angels Broadcasting Network, calling homosexual and transgender identity "unnatural affection" that goes against "the way God wants you to live".

Drug use

During his initial heyday in the 1950s rock and roll scene, Penniman was a teetotaler abstaining from alcohol, cigarettes, and drugs. Penniman often fined bandmates for drug and alcohol use during this era. By the mid-1960s, however, Penniman began drinking heavy amounts of alcohol and smoking cigarettes and marijuana. By 1972, he had developed an addiction to cocaine. He later lamented during that period, "They should have called me Lil Cocaine, I was sniffing so much of that stuff!" By 1975, he had developed addictions to both heroin and PCP, otherwise known as "angel dust". His drug and alcohol use began to affect his professional career and personal life. "I lost my reasoning", he later recalled.

He said of his cocaine addiction that he did whatever he could to use cocaine. Penniman admitted that his addictions to cocaine, PCP and heroin were costing him as much as $1,000 a day. In 1977, longtime friend Larry Williams once showed up with a gun and threatened to kill him for failing to pay his drug debt. Penniman later mentioned that this was the most fearful moment of his life because Williams's own drug addiction made him wildly unpredictable. Penniman did, however, also acknowledge that he and Williams were "very close friends" and when reminiscing of the drug-fueled clash, he recalled thinking "I knew he loved me – I hoped he did!" Within that same year, Penniman had several devastating personal experiences, including his brother Tony's death of a heart attack, the accidental shooting of his nephew that he loved like a son, and the murder of two close personal friends – one a valet at "the heroin man's house." The combination of these experiences convinced the singer to give up drugs including alcohol, along with rock and roll, and return to the ministry.

Religion

Penniman's family had deep evangelical (Baptist and African Methodist Episcopal Church (AME)) Christian roots, including two uncles and a grandfather who were preachers. He also took part in Macon's Pentecostal churches, which were his favorites mainly due to their music, charismatic praise, dancing in the Holy Spirit and speaking in tongues. At age 10, influenced by Pentecostalism, Little Richard would go around saying he was a faith healer, singing gospel music to people who were feeling sick and touching them. He later recalled that they would often indicate that they felt better after he prayed for them and would sometimes give him money. Little Richard had aspirations of being a preacher due to the influence of singing evangelist Brother Joe May.

After he was born again in 1957, Penniman enrolled at Oakwood College in Huntsville, Alabama, a mostly black Seventh-day Adventist college, to study theology. Little Richard returned to secular music in the early 1960s. He was eventually ordained a minister in 1970 and resumed evangelical activities in 1977. Penniman represented Memorial Bibles International and sold their Black Heritage Bible, which highlighted the Book's many black characters. As a preacher, he evangelized in small churches and packed auditoriums of 20,000 or more. His preaching focused on uniting the races and bringing lost souls to repentance through God's love. In 1984, Penniman's mother, Leva Mae, died following a period of illness. Only a few months prior to her death, Penniman promised her that he would remain a Christian.

During the 1980s and 1990s, Penniman officiated at celebrity weddings. In 2006, Little Richard wedded twenty couples who won a contest in one ceremony. The musician used his experience and knowledge as a minister and elder statesman of rock and roll to preach at funerals of musical friends such as Wilson Pickett and Ike Turner. At a benefit concert in 2009 to raise funds to help rebuild children's playgrounds destroyed by Hurricane Katrina, Penniman asked guest of honor Fats Domino to pray with him and others. His assistants handed out inspirational booklets at the concert, which was a common practice at Penniman's shows. Penniman told a Howard Theatre, Washington, D.C. audience in June 2012, "I know this is not Church, but get close to the Lord. The world is getting close to the end. Get close to the Lord." In 2013, Penniman elaborated on his spiritual philosophies, stating "God talked to me the other night. He said He's getting ready to come. The world's getting ready to end and He's coming, wrapped in flames of fire with a rainbow around his throne." Rolling Stone reported his apocalyptic prophesies generated snickers from some audience members as well as cheers of support. Penniman responded to the laughter by stating: "When I talk to you about [Jesus], I'm not playing. I'm almost 81 years old. Without God, I wouldn't be here."

In 2017, he came back to the Seventh-day Adventist Church and was rebaptized. 3ABN interviewed Penniman, and later he shared his personal testimony at 3ABN Fall Camp Meeting 2017.

Health problems

In October 1985, Penniman returned to the United States from England, where he had finished recording his album Lifetime Friend, to film a guest spot on the show, Miami Vice. Following the taping, he accidentally crashed his sports car into a telephone pole in West Hollywood, California. He suffered a broken right leg, broken ribs and head and facial injuries. His recovery from the accident took several months. His accident prevented him from being able to attend the inaugural Rock and Roll Hall of Fame ceremony in January 1986 where he was one of several inductees. He instead supplied a recorded message.

In 2007, Little Richard began having problems walking due to sciatica in his left leg, requiring him to use crutches. In November 2009, he entered a hospital to have replacement surgery on his left hip. Despite returning to performance the following year, Penniman's problems with his hip continued and he has since been brought onstage by wheelchair. He has told fans that his surgery has his hip "breaking inside" and refuses to have further work on it. On September 30, 2013, he revealed to CeeLo Green at a Recording Academy fundraiser that he had suffered a heart attack at his home the week prior and stated he used aspirin and had his son turn the air conditioner on, which his doctor confirmed had saved his life. Little Richard stated, "Jesus had something for me. He brought me through".

On April 28, 2016, Little Richard's friend, Bootsy Collins, stated on his Facebook page that, "he is not in the best of health so I ask all the Funkateers to lift him up." Reports subsequently began being published on the internet stating that Little Richard was in grave health and that his family were gathering at his bedside. On May 3, 2016, Rolling Stone reported that Little Richard and his lawyer provided a health information update in which Richard stated, "not only is my family not gathering around me because I'm ill, but I'm still singing. I don't perform like I used to, but I have my singing voice, I walk around, I had hip surgery a while ago but I'm healthy.'" His lawyer also reported: "He's 83. I don't know how many 83-year-olds still get up and rock it out every week, but in light of the rumors, I wanted to tell you that he's vivacious and conversant about a ton of different things and he's still very active in a daily routine." Even though Penniman continued to sing in his eighties, he kept away from the stage. His last concert was on August 25, 2014 in Murfreesboro, Tennessee.

Death

Little Richard's death on May 9, 2020, was announced by his son, Danny Penniman. The cause was not disclosed.

Legacy

Music

Penniman was nicknamed "The Innovator, The Originator, and The Architect of Rock and Roll". His music and performance style had a pivotal effect on the shape of the sound and style of popular music genres of the 20th century. As a rock and roll pioneer, Penniman embodied its spirit more flamboyantly than any other performer. Penniman's raspy shouting style gave the genre one of its most identifiable and influential vocal sounds and his fusion of boogie-woogie, New Orleans R&B and gospel music blazed its rhythmic trail.

Combining elements of boogie, gospel, and blues, Little Richard introduced several of rock music's most characteristic musical features, including its loud volume and vocal style emphasizing power, and its distinctive beat and rhythm. He departed from boogie-woogie's shuffle rhythm and introduced a new distinctive rock beat, where the beat division is even at all tempos. He reinforced the new rock rhythm with a two-handed approach, playing patterns with his right hand, with the rhythm typically popping out in the piano's high register. His new rhythm, which he introduced with "Tutti Frutti" (1955), became the basis for the standard rock beat, which was later consolidated by Chuck Berry. "Lucille" (1957) foreshadowed the rhythmic feel of 1960s classic rock in several ways, including its heavy bassline, slower tempo, strong rock beat played by the entire band, and verse–chorus form similar to blues.

Penniman's voice was able to generate croons, wails, and screams unprecedented in popular music. He was cited by two of soul music's pioneers, Otis Redding and Sam Cooke, as contributing to that genre's early development. Redding stated that most of his music was patterned after Penniman's, referring to his 1953 recording "Directly From My Heart To You" as the personification of soul, and that he had "done a lot for [him] and [his] soul brothers in the music business." Cooke said in 1962 that Penniman had done "so much for our music". Cooke had a top 40 hit in 1963 with his cover of Penniman's 1956 hit "Send Me Some Loving".

James Brown and others credited Little Richard and his mid-1950s backing band, The Upsetters, with having been the first to put the funk in the rock beat. This innovation sparked the transition from 1950s rock and roll to 1960s funk.

Penniman's hits of the mid-1950s, such as "Tutti Frutti", "Long Tall Sally", "Keep A-Knockin'" and "Good Golly Miss Molly", were generally characterized by playful lyrics with sexually suggestive connotations. AllMusic writer Richie Unterberger stated that Little Richard "merged the fire of gospel with New Orleans R&B, pounding the piano and wailing with gleeful abandon", and that while "other R&B greats of the early 1950s had been moving in a similar direction, none of them matched the sheer electricity of Richard's vocals. With his high-speed deliveries, ecstatic trills, and the overjoyed force of personality in his singing, he was crucial in upping the voltage from high-powered R&B into the similar, yet different, guise of rock and roll." Due to his innovative music and style, he's often widely acknowledged as the "architect of rock and roll".

Emphasizing the folk influences on Little Richard, English professor W.T. Lhamon Jr. wrote, "His songs were literally good booty. They were the repressed stuff of underground lore. And in Little Richard they found a vehicle prepared to bear their chocked energy, at least for his capsulated moment."

Ray Charles introduced him at a concert in 1988 as "a man that started a kind of music that set the pace for a lot of what's happening today." Rock and roll pioneer Bo Diddley called Penniman "one of a kind" and "a show business genius" that "influenced so many in the music business". Penniman's contemporaries, including Elvis Presley, Buddy Holly, Bill Haley, Jerry Lee Lewis, The Everly Brothers, Gene Vincent and Eddie Cochran, all recorded covers of his works. Taken by his music and style, and personally covering four of Little Richard's tunes on his own two breakthrough albums in 1956, Presley told Little Richard in 1969 that his music was an inspiration to him and that he was "the greatest". Pat Boone noted in 1984, "no one person has been more imitated than Little Richard". As they wrote about him for their Man of the Year – Legend category in 2010, GQ magazine stated that Little Richard "is, without question, the boldest and most influential of the founding fathers of rock'n'roll". R&B pioneer Johnny Otis stated that "Little Richard is twice as valid artistically and important historically as Elvis Presley, the Beatles, and the Rolling Stones put together."

Society

In addition to his musical style, Penniman was cited as one of the first crossover black artists, reaching audiences of all races. His music and concerts broke the color line, drawing blacks and whites together despite attempts to sustain segregation. As H.B. Barnum explained in Quasar of Rock, Little Richard "opened the door. He brought the races together." Barnum described Little Richard's music as not being "boy-meets-girl-girl-meets-boy things, they were fun records, all fun. And they had a lot to say sociologically in our country and the world." Barnum also stated that Penniman's "charisma was a whole new thing to the music business", explaining that "he would burst onto the stage from anywhere, and you wouldn't be able to hear anything but the roar of the audience. He might come out and walk on the piano. He might go out into the audience." Barnum also stated that Penniman was innovative in that he would wear colorful capes, blouse shirts, makeup and suits studded with multi-colored precious stones and sequins, and that he also brought flickering stage lighting from his show business experience into performance venues where rock and roll artists performed. In 2015, the National Museum of African American Music honored Penniman for helping to shatter the color line on the music charts changing American culture forever.

"Little Richard was always my main man. How hard must it have been for him: gay, black and singing in the South? But his records are a joyous good time from beginning to end." – Lemmy, Motörhead

Influence

Penniman influenced generations of performers across musical genres. James Brown and Otis Redding both idolized him. Brown allegedly came up with the Famous Flames debut hit, "Please, Please, Please", after Richard had written the words on a napkin. Redding started his professional career with Little Richard's band, The Upsetters. He first entered a talent show performing Penniman's "Heeby Jeebies", winning for 15 consecutive weeks. Ike Turner claimed most of Tina Turner's early vocal delivery was based on Little Richard, something Penniman himself reiterated in the introduction of Turner's autobiography, Takin' Back My Name. Bob Dylan first performed covers of Penniman's songs on piano in high school with his rock and roll group, the Golden Chords; in 1959 when leaving school, he wrote in his yearbook under "Ambition": "to join Little Richard". Jimi Hendrix was influenced in appearance (clothing and hairstyle/mustache) and sound by Penniman. He was quoted in 1966 saying, "I want to do with my guitar what Little Richard does with his voice." Others influenced by Penniman early on in their lives included Bob Seger and John Fogerty. Michael Jackson admitted that Penniman had been a huge influence on him prior to the release of Off the Wall. Rock critics noted similarities between Prince's androgynous look, music and vocal style and Little Richard's.

The origins of Cliff Richard's name change from Harry Webb was seen as a partial tribute to his musical hero Little Richard and singer Rick Richards. Several members of The Beatles were heavily influenced by Penniman, including Paul McCartney and George Harrison. McCartney idolized him in school and later used his recordings as inspiration for his uptempo rockers, such as "I'm Down." "Long Tall Sally" was the first song McCartney performed in public. McCartney would later state, "I could do Little Richard's voice, which is a wild, hoarse, screaming thing. It's like an out-of-body experience. You have to leave your current sensibilities and go about a foot above your head to sing it." During the Beatles' Rock and Roll Hall of Fame induction, Harrison commented, "thank you all very much, especially the rock 'n' rollers, an' Little Richard there, if it wasn't for (gesturing to Little Richard), it was all his fault, really." Upon hearing "Long Tall Sally" in 1956, John Lennon later commented that he was so impressed that he "couldn't speak". Rolling Stones members Mick Jagger and Keith Richards were also profoundly influenced by Little Richard, with Jagger citing him as his introduction to R&B music and referring to him as "the originator and my first idol". Penniman was an early vocal influence on Rod Stewart. David Bowie called Little Richard his "inspiration" stating upon listening to "Tutti Frutti" that he "heard God".

After opening for him with his band Bluesology, pianist Reginald Dwight was inspired to be a "rock and roll piano player", later changing his name to Elton John. Farrokh Bulsara performed covers of Little Richard's songs as a teen, before finding fame as Freddie Mercury, frontman for Queen. Lou Reed referred to Penniman as his "rock and roll hero", deriving inspiration from "the soulful, primal force" of the sound Penniman and his saxophonist made on "Long Tall Sally." Reed later stated, "I don't know why and I don't care, but I wanted to go to wherever that sound was and make a life." Patti Smith said, "To me, Little Richard was a person that was able to focus a certain physical, anarchistic, and spiritual energy into a form which we call rock 'n' roll ... I understood it as something that had to do with my future. When I was a little girl, Santa Claus didn't turn me on. Easter Bunny didn't turn me on. God turned me on. Little Richard turned me on." The music of Deep Purple and Motörhead was also heavily influenced by Little Richard, as well as that of AC/DC. The latter's early lead vocalist and co-songwriter Bon Scott idolized Little Richard and aspired to sing like him, its lead guitarist and co-songwriter Angus Young was first inspired to play guitar after listening to Penniman's music, and rhythm guitarist and co-writer Malcolm Young derived his signature sound from playing his guitar like Penniman's piano. Later performers such as Mystikal, André "André 3000" Benjamin of Outkast and Bruno Mars were cited by critics as having emulated Penniman's style in their own works. Mystikal's rap vocal delivery was compared to Penniman's. André 3000's vocals in Outkast's hit, "Hey Ya!", were compared to an "indie rock Little Richard". Bruno Mars admitted Little Richard was one of his earliest influences. Mars' song, "Runaway Baby" from his album, Doo-Wops & Hooligans was cited by The New York Times as "channeling Little Richard". Prior to his passing in 2017, Audioslave's and Soundgarden's frontman Chris Cornell traced his musical influences back to Penniman via The Beatles.

Honors

In 2007, an eclectic panel of renowned recording artists voted "Tutti Frutti" number one on Mojo's The Top 100 Records That Changed The World, hailing the recording as "the sound of the birth of rock and roll." In April 2012, Rolling Stone magazine declared that the song "still has the most inspired rock lyric on record." The same recording was inducted to the Library of Congress' National Recording Registry in 2010, with the library claiming the "unique vocalizing over the irresistible beat announced a new era in music".

In 2010, Time Magazine listed Here's Little Richard as one of the 100 Greatest and Most Influential Albums of All Time. Rolling Stone listed his Here's Little Richard at number fifty on the magazine's list of the 500 Greatest Albums of All Time. He was ranked eighth on its list of the 100 Greatest Artists of All Time. Rolling Stone listed three of Little Richard's recordings, "The Girl Can't Help It", "Long Tall Sally" and "Tutti Frutti", on their 500 Greatest Songs of All Time. Two of the latter songs and "Good Golly, Miss Molly" were listed on the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.

The UK issue of GQ named Penniman its Man of the Year in its Legend category in 2010.

Penniman appeared in person to receive an honorary degree from his hometown's Mercer University on May 11, 2013. The day before the doctorate of humanities degree was to be bestowed upon him, the mayor of Macon announced that one of Little Richard's childhood homes, an historic site, will be moved to a rejuvenated section of that city's Pleasant Hill district. It will be restored and named the Little Richard Penniman – Pleasant Hill Resource House, a meeting place where local history and artifacts will be displayed as provided by residents.

In early 2019, Maggie Gonzalez, a resident of Macon, Georgia, began an online campaign proposing that a statue of Little Richard be erected in downtown Macon, taking the place of a Confederate memorial that currently occupies the space. Georgia law forbids the tearing down of Confederate statues, though they can be relocated; Gonzalez has proposed that it could be moved to nearby Rose Hill Cemetery.

Awards

Although Penniman hasn't won a competitive Grammy Award, he received the Grammy Lifetime Achievement Award in 1993. His album Here's Little Richard and three of his songs ("Tutti Frutti," "Lucille" and "Long Tall Sally") are inducted into the Grammy Hall of Fame.

Penniman has received the various awards for his key role in the formation of popular music genres.

1956: He received the Cashbox Triple Crown Award for "Long Tall Sally" in 1956.

1984: He was inducted into the Georgia Music Hall of Fame.

1986: He was inducted to the Rock and Roll Hall of Fame as a member of the initial class of inductees chosen for that honor.

1990: He received a star on the Hollywood Walk of Fame.

1994: He received the Lifetime Achievement Award from the Rhythm and Blues Foundation.

1997: He received the American Music Award of Merit.

2002: Along with Chuck Berry and Bo Diddley, he was honored as one of the first group of BMI icons at the 50th Annual BMI Pop Awards.

2002: He was inducted into the NAACP Image Award Hall of Fame.

2003: He was inducted into the Songwriters Hall of Fame.

2006: He was inducted into the Apollo Theater Hall of Fame.

2008: He received a star on Nashville's Music City Walk of Fame.

2009: He was inducted to the Louisiana Music Hall of Fame.

2010: He received a plaque on the theater's Walk of Fame.

2015: He was inducted into the Blues Hall of Fame.

2015: He was inducted into the Rhythm and Blues Music Hall of Fame.

2015: He received the Rhapsody & Rhythm Award from the National Museum of African American Music.

2019: He received the Distinguished Artist Award at the 2019 Tennessee Governor's Arts Awards.

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