#the title of this episode could not be more perfect

[kdheaven]

daredevil 2x06 regrets only

[nexus-nebulae]

every day i wish that Rats SMP was a cartoon bc it would make the greatest show ever i think

[asydicsydney]

Me and a friend made NV Year 12 bingo cards. Here's mine:

[dumplingcatho]

thinking abt link click this fine day GOD first and probably will be the best donghua i'll watch ever aueghhhhh it's lowkey utena 2.0 for me (i still prefer utena but linkclick is basically on that level) it's just so solid and well crafted and compelling RAHHH

the opening song too???? it didn't take too long to realise!! something had changed in the back of my miiind!! your eyes!!!!! there ain't nowhere left to hide behind!! time no longer flew like it was... when the flash froze everything before... without you.. i don't know if i could take this road.... okay i'll stop there or i WILL type out the whole op

[that-one-fandom-girl]

To me, it’s absolutely M’Lady, no questions asked. I think it’s the most grammatically correct way to spell it.

Milady is an alright second; I believe that’s the Old English way of spelling it. My Lady (though a pretty way of saying it, depending on the tone and inflection) is used for if he’s referring to her as his lady, not as a pet-name (though it means the same effect, it’s different grammatically). And Malady is a sickness, if I remember the definition correctly.

And my Mom had a really good point; ‘My Lady’ is like referring to his wife after long, long years of marriage and he’s kinda tired of her, like “that’s my old lady”; whereas ‘M’Lady’ is a form of respect, a pet-name, a level of closeness-you generally feel much more connected to that girl with that spelling than with saying the dragged-out version, ‘My Lady’.

[flowerywoso]

the babysitter || irene paredes x reader

Summary: You've had a thing for Irene ever since you started babysitting for her. When she comes home after a night out with the team, you realize that your feelings might not be as one-sided as you thought they were. Pairing: Irene Paredes x Reader Words: 3,992 Warnings: 🔞, smut with plot Notes: I haven't written anything in quite awhile (I honestly wasn't planning on writing ever again but here we are), so this might be a little rough! Please don't hesitate to let me know (politely, please!) if you notice any horrible grammatical errors or notes to myself that I somehow forgot to take out. Do not post my works on Ao3. And I am horrible at titles.

You peek your head into the room once more, carefully easing the door open and, just as quickly, shut, once you determine that the toddler is definitely still asleep. It’s a habit you adopted after your friends began to have their own children, and one you’ve maintained for the kids you babysit. Tiptoeing back down the hallway, making sure to keep your footfalls as quiet as you can, you plop back down on the sofa, settling into the corner and taking a sip of your sparkling water, grabbing your novel and flipping it back open as you wait for the boy’s mother to return home.

It’s not that much later, only long enough for you to finish a single chapter of your book, before you hear the sound of the front door opening and closing, announcing Irene’s return from the Barcelona squad’s night out. You don’t get up from the couch, merely setting your novel aside and uncrossing your legs, letting one dangle off the cushions.

She enters the room quietly, the low heels she’d left the apartment in abandoned on the mat by the front door so they don’t click on the wood floors, and when you look up you can see the flush on her face. You're not sure if it's the result of the chilly evening air or of her night out, but either way it's enough to make you swallow around a lump in your throat. The top and pants she'd left the house in are just as enticing now as they were several hours ago, and you wonder as she walks further into the apartment how you manage to stay sane around her.

“Hola,” she says quietly, setting her purse down in the center of the coffee table and taking a seat beside you on the sofa, sighing in relief as she relaxes into the cushions after a long night out. Your heart, as it so often does in the presence of the older woman, skips a beat as she comes nearer to you.

“How was everything?”

“All good,” you reply, beginning to recount your evening with Mateo. As always, the toddler had been easy, listening to you as well as one could expect a two-year-old to, and had fallen asleep on the sofa halfway through an episode of Bluey, only stirring briefly when you carried him to bed.

“He ate most of his dinner,” you relay with a smile, shaking your head at the memory of how the toddler had wrinkled his nose at the "yucky green" you'd provided for him, far more enthusiastic about the special treat that was the chicken nuggets unearthed from the freezer. “We had a bit of a struggle with the veggies, but other than that he was a perfect angel, like always.”

Your words bring a smile to the older woman’s face, and you can’t help but stop in your tracks for a moment, transfixed by the way her lips perk upwards, faint lines around her eyes becoming visible. You’ve seen her take an extra minute in the bathroom more than once after you arrive in the evenings, trying to conceal the bags beneath her eyes or the smile lines beginning to form at the corners, but you think that each and every part of her face is a work of art. 

You had no idea, when you first started babysitting for her, just how quickly your feelings for the older woman would grow. In the stolen moments at the beginning and end of the nights, before one of you walks out the door, you've learned more and more about Irene Paredes the person, not just the footballer, and something about her kept drawing you further and further in. You couldn't pinpoint it exactly, but you knew that you wanted her.

“Did you have a good night?”

Irene shrugs, shaking her head with a fond smile as she tells you about the Barcelona squad’s night out. She had mostly stayed on the sidelines alongside the other older players, keeping an eye on the girls closer to your own age as they enjoyed themselves, but Pina and Cata had managed to coax her and Alexia into having a drink and dance before she had excused herself.

The thought of Irene on the dance floor makes your heart pound, imagination beginning to run wild.

You’ve never been to Manuela’s, but from the way you’ve heard Irene describe it, there's absolutely no shortage of beautiful women. You know from the bits of information she’s given you that the Barcelona girls normally stick with one another, even while they’re out, but you’ve never been able to help yourself from wondering if any of the beautiful girls who frequent the club have tempted her enough that she’s taken one of them to her bed.

It's that thought, the unpleasant idea of her tangled between the sheets with a nameless, faceless girl from the club that makes your chest hurt. Before you fully notice what you're doing, you open your mouth and begin to speak, some jumbled mixture of thoughts spilling from between your traitorous lips.

"I mean if... If you ever wanted to stay out later... If someone..."

You trail off, clamping your lips shut as you realize just how inappropriate what you're implying is. You cringe, cursing yourself as you watch for her reaction, wait for her to get up off the couch and hand you your bags, let you know that now might be a good time for you to go home.

But she doesn't. Instead, all the older woman does is fix you with a questioning gaze, seemingly losing herself in thought for a moment.

She’s seated closer to you than she normally would be, than she ever has been before, and for a moment you wonder if she can hear your heart as it pounds in your chest, speeding up as she enters your space. You aren’t sure if it’s your imagination, the way her eyes seem to have fixed on you, tracing the details of your flushing face, eyes following your bottom lip as you nervously run your teeth over it.

“No,” she says at last. “None of the girls there have ever been who I wanted.”

Something about the word there catches your attention as it leaves her mouth, and you're certain that you must be losing your mind. Because there's no way, no way in the world that she wants you the way you want her.

The older woman reaches out and brushes a stray strand of hair behind your ear, and you’re fairly certain that you’ve stopped breathing. Her hand pauses by your left cheek, which you're absolutely certain is flushing redder than the cap on her cherry flavored chapstick.

And suddenly, before you can even fully process the fact that her soft but strong hands are cupping your scarlet cheeks, the older woman is leaning forward and pressing her lips to yours.

You must have imagined this moment a thousand times, but never in your wildest dreams had you imagined it would actually come true. The older woman’s mouth is soft but insistent against your own, exploring your lips with hers, and every coherent thought you’ve ever had is a distant memory as you move with her, kissing her back.

Kissing Irene is even better than you imagined it would be - and you could fill a planner with the amount of times you’ve imagined this exact scenario. Her mouth is gentle, but there’s an edge to her kiss that contains a promise, the knowledge that she’s capable of being anything but.

When your lips finally part, after what feels like both an eternity and no time at all, you let out a little gasp, pupils blown wide as Irene stares into your eyes, both of you trying to process what has just happened. Even though she’s the one who kissed you first, Irene seems just as shocked as you are. But, behind her wide eyes is the same feeling you know she can easily spot in your own.

Desire.

“I… Fuck.”

You’re the one who leans forward this time, lips pressing against the older woman’s, the faint flavor of alcohol on her lips mixed with a hint of cherry from the chapstick you’ve seen her spread across her mouth more than once. The taste of her lips is intoxicating, and you can feel it going straight between your legs.

This kiss is deeper than the first, your arms wrapping around her strong shoulders to pull her closer, wanting to feel her body against your own. You part momentarily, gasping for air and only managing a brief breath before she’s kissing you again, every movement raising the stakes. You whine as her lips meet yours once more, hands coming to rest on your hips, pulling you closer. The older woman uses her own lips to pry yours open, her claiming tongue slipping into your mouth and beginning to explore further.

You let her take control of the kiss without protest, the arousal between your thighs intensifying exponentially with every second her body spends this close to your own. 

“Fuck,” she gasps, breaking away from your lips only long enough to grunt in your ear. “Fuck, I want you so badly.”

All you can do is nod, shaking your head up and down in agreement, because you don’t think you’ve ever wanted another person this badly in your entire life. 

“Irene,” you whine, pressing impossibly closer to her. “Please.” 

“Can I touch you?”

You’re nodding again before the question has even fully left her lips, and the older woman’s pupils go dark with how eager she is for you. She kisses you again, her football player’s strength showing as she pushes you backward onto the sofa, hands working their way up under your shirt. She doesn’t bother with the clasp of your bra, instead slipping her hands beneath the fabric to cup your breasts. Separating her lips from yours with a low groan, Irene immediately begins tracing a path over the sensitive skin of your neck, sending a further wave of shivers up and down your spine. You moan quietly, remembering that you two aren’t alone in the apartment, but tilt your head anyway, granting her better access to your throat.

Advantage is rapidly taken, the Barcelona player letting a hint of teeth scrape across the delicate flesh of your throat as she rolls one of your nipples between her fingers, moaning quietly at the way you arch, pressing your chest further into her touch. 

Your nipples aren’t normally this sensitive, but something about the way Irene rolls and tugs at them makes the two buds feel as if they’re direct links to your most sensitive spot. Her touch is magical, and all you want is more.

As if the older woman can read your mind, the hand not busy exploring your chest slides further down, slipping under your black leggings and making you gasp, bringing a hand up to muffle your own sounds as long fingers begin to rub at your pussy over your panties. 

There’s far too much fabric between the two of you, and every thread feels like a cage. You need it off, need the last bits of separation between your heat and her touch gone, now. 

“Off,” Irene commands and, needing the barrier gone just as badly as you do, she doesn’t wait for you to obey before she’s hooking her own fingers in the waistband of your leggings, yanking them down over your legs. Your panties are removed in the same motion, both pieces of fabric coming to rest at your ankles. You try to kick them fully off, but only manage to completely free one leg before the older woman is pushing her way between your thighs, eagerly beginning to explore your bare pussy.

Her experience is clear from the first touch of her slender fingers against your naked heat, and you can’t help but press closer, spreading your legs further to give her better access. The older woman draws in a sharp breath as she circles your clit gently with one finger, exploring, watching for your reactions, the others gathering the rapidly accumulating wetness at your entrance. Irene's touch is electric, and the older woman finds herself becoming rapidly obsessed with the way your clit seems to plead for her touch.

With two of her fingers, Irene traces the outline of your pussy, hyper aware of just how wet you are, how your hole is begging silently for her fingers inside as she continues to rub your clit.

You let your eyes fall shut, eagerly anticipating just how good it will feel when the fingers you can sense lingering just shy of your entrance finally slide home, burying themselves inside your welcoming cunt. You’re practically pulsing with it, with how badly you need her inside, need to know just how she’ll fill you, what previously unknown spots inside the tips of her long fingers will be able to brush.

“Where do you want my fingers, bebita?” 

You whine, shifting your hips in an attempt to get even closer to her, to get her to slide her fingers into your throbbing heat. The digits, wet from your own slick, only withdraw further away from your needy hole, and you nearly sob with how badly you need the older woman, need her touch. 

Obvious as it may be, this nonverbal expression of how desperate you are for her to take you isn’t enough to satisfy the older woman, and she rubs your inner thigh soothingly. 

“Use your words, baby,” she coaxes. “Tell me where you need my fingers.”

The idea of using your words seems borderline impossible at the moment, your brain simply too overwhelmed with the reality of just how close her fingers are to slipping inside, but you can tell that you won’t get what you need until you do.

“My pussy,” you manage to whine, trying to stay as quiet as possible while pulsing with the need for her. “Please, Irene, I need your fingers in my cunt.”

Your words, base and simple as they are, are enough to get you what you need, and when Irene finally slides her fingers home, you can’t conceal the moan that tears its way free from your throat. You’re wet enough that the stretch of going from zero to two fingers inside your cunt brings nothing but pleasure, and you have to bite down on your lip to stop yourself from moaning aloud when you feel the ridges of her fingers settle against your walls, the older woman pausing for a moment to let you adjust to the feeling of her digits inside.

Irene has to swallow a wrecked noise of her own as she finally slides her fingers inside your soaking pussy, the sensation of your silky walls against her skin sending her brain into overdrive. The sound of your voice, desperation tinging your whispers as you plead for her to move, to fuck you, is absolute music to her ears, and she doesn’t hesitate to comply with the enticing request. 

Her pace is slow at first as she starts to move, the older woman eagerly exploring every curve and contour of your cunt, leaking around her fingers. It’s so warm and inviting, and the older woman has no idea how she’s lasted this long without knowing what feel like inside.

Once she’s sure you’ve fully adjusted to the stretch of her digits inside of you, Irene speeds up her thrusts, curling her fingers in search of the most sensitive spots hidden inside your pretty cunt. 

It’s clear when she finds what she’s looking for, because your cunt clenches down around her fingers and you squeeze your pretty eyes shut as pleasure rocks your body. 

“Oh,” she says, voice a whisper that tickles your ear and makes you shudder happily. “Is that where you need me?”

You nod desperately, the entirety of your reality reduced to the sensation of her fingers against the sensitive tissue inside you, stroking it insistently as her thumb comes to brush against your swollen clit. As she fucks you with her fingers, the older woman tests out different motions on your bud with her thumb, searching for the pattern and pace to take what’s left of your breath away. 

You can’t help but let out a cry as she presses a little harder, circling your needy clit at just the right angle. Irene quickly presses her lips to yours again, reminding you that you’re not alone in the apartment.

“Shh,” the older woman says, swallowing your noises with her own tongue, collecting each one. “You’ve still gotta be quiet for me, bebita.”

You nod in understanding, kissing her back desperately, bringing a hand up to tangle in her hair. You can be quiet, no matter how good it feels, you can be quiet, just so long as she doesn’t stop what she’s doing between your legs. Irene chuckles against your lips, redoubling her efforts between your legs. Her talented fingers thrust in and out of your pussy, each time hitting the spot that makes you see stars.

“That’s it, baby,” she whispers, lips right beside your ear. “That’s it, take it for me. Take it, just like that.”

You toss your head back, more than willing to comply. Every cell of your body feels like it’s on fire, and you want nothing more than for the burning to consume you completely. 

Your orgasm arrives without warning, Irene’s thumb on your swollen clit combined with her talented fingers inside your cunt sending you crashing over the edge with a fury you haven’t felt in a long time. You have to bite down on your lip to keep in your sounds as your it overwhelms you, nails digging into Irene’s bare shoulders. You can feel the older woman’s smile as she kisses your neck, fingers still moving gently inside you, working you through your climax, helping you ride it for as long as you can.

You shudder, aftershocks still shaking your body as you begin to come down from your peak. She slides her fingers out and you bite down on your kiss-swollen lip to keep yourself from whining at the loss. It takes another minute before you're able to gather yourself, fully opening your eyes and taking in the sight of the gorgeous older woman above you.

Irene presses another kiss to your lips, this one gentle, and you can feel the smile on her face as you give a final shudder, sitting up and leaning into her.

"How was that, bebita?"

"Fucking perfect," you reply, unable to conceal a grin of your own as you note how flushed her face still is. Knowing that touching you has her seemingly almost as worked up as you are sends a thrill through your body and you reach for the button of her jeans, aiming to return the favor, only for the same pair of hands that had just brought you to such an incredible orgasm to push yours down, Irene’s lips brushing against your forehead.

“Don’t you worry about me, baby,” she says, and you feel your heart sink with sudden disappointment.

“Are you sure?”

Irene wraps an arm around you, pressing a kiss to the side of your head, clearly oblivious to the way your shoulders sink. 

“It’s okay, sweetheart. I promise. Don’t worry about me.”

You blush, wanting to protest that getting to touch her would be just about the furthest thing away from a worry- dream or fantasy come to life would be a more accurate description- but a sudden wave of shyness overcomes you, the whiplash of going from the high of your orgasm to the valley of being denied an opportunity to make Irene feel as good as she’s just made you feel making your throat close up.

“O-Oh,” you say quietly. “Okay. I just…”

You trail off, not sure what to say to that. It feels like, without meaning to or realizing what she’s done, the Barcelona defender has just tossed a bucket of ice water over you.

“I… I guess I should head home then,” you say quietly, trying not to let her hear the hurt in your voice, reaching down and pulling your leggings back up over your calves and thighs until they rest around your middle. Your panties aren’t quite soaked, for the pure fact that they had been around your ankles soon after her lips first met yours, but they’re still wet enough that putting them back on isn’t exactly comfortable. 

And more than that, you don’t want to leave. Your body is still purring with the aftermath of your orgasm, the last thing you want to do right now is leave her apartment and walk the few blocks home to your own. The route between your apartment and Irene’s is one you know well, lit with plenty of streetlamps and well-frequented on a Saturday night, so any anxiety you might feel can be connected purely to leaving her after what’s just happened, without being certain where you stand. 

Irene opens her mouth and you pause with your hand on the knob, waiting, hoping that she’ll say something, offer her bed to share for the night. 

“Let me know when you get home safe,” she says quietly, and you can’t help the way your chest clenches with a strange sort of pain. You hadn’t really expected her to offer for you to stay, not with the amount of eyes that could be watching someone like her at any given moment, but you still can’t help but wish she had.

You nod in response to her question, clutching your bag close to your side as you shut the door behind yourself, beginning the short walk home.

...

“Fuck.”

The second the door shuts behind you, the defender wishes she could throw it open again and call you back in.

She had wanted to, especially after watching you come apart under her touch, seeing how pretty you looked as your orgasm overwhelmed you. The words had been on the tip of her tongue, but you had beaten her to it, reaching for the door handle and exiling yourself before she could even offer, and she hadn’t offered any protests. 

Peeking in the door, ensuring that Mateo is still safe and sound in his bed, the Barcelona player tiptoes quietly down the hall, two doors down, and pushes her own door open and shut behind her.

As she pulls off her top, letting it fall to the floor, quickly followed by her pants and bra, Irene curses herself, pulling back the covers and slipping into the too-big bed on her own. It feels cold compared to the contrast of your warm body against her own, and her chest pangs with the regret of not asking you to stay the night. 

Back in your own apartment, you slide beneath your own covers, mind racing at a million miles an hour.

No matter how your chest might ache at the fact that you’re here, alone in your own bed, the memory of the older woman’s lips on yours, of her talented fingers bringing you to orgasm right there on the sofa, of muffling your moans in her shoulder, still sends a familiar jolt of electricity between your thighs. With a soft whine, you reach for your the bedside drawer where you keep your vibrator, turning it up before pressing it against your still-swollen clit.

Blocks away, Irene is doing the same, quietly gasping out a much-needed orgasm with your name on her lips, the memory of your mouth on hers and your silken flesh beneath her fingertips sending her over the edge.

As the older woman drifts off into an uneasy slumber, the space beside her conspicuously empty, she knows that, now she's had you once, she won't ever be able to get enough.

[c3dricsluv]

"I gave up on the percy jackson series" stfu.

Uncle Rick worked hard on a production that represented everything he originally stood for: his son.

He did not create this world for us, he did not create these characters FOR US. This was his way of helping his son. He made this world, the books, the show, for his son. Not us.

All Uncle Rick ever has been is an amazing father and an amazing writer.

"The casting and show didn't meet my personal preferences" then stop fucking watching. It's not for you. The entire reason this world exists is because a father loved his son so much that he felt he deserved more than just what he loved, but deserved something entirely new created for him.

I'm so sick of people acting as if the riordanverse should meet up to their personal standards. In uncle Rick's eyes, the series is already as perfect as it could possibly get. He is the reason for all the changes, because not only is he trying to make a remake to represent everything it was originally created for, but he's also trying to accommodate for the current media and viewers out there. He is doing everything in his power to make this a good thing, and yet every week there is a new article with the title "Rick Riordan faces criticism on new Percy Jackson Episode". Like did he put all that fucking work in for nothing?! You guys have been begging for an accurate adaption for years, you finally get one, and all you do is scrutinise it? It's just so fucking stupid.

Okay, rant over now, goodnight.

[therainscene]

[ST5 spoilers ahead. This theory is largely grounded in canon evidence from S1-4, but I will be referencing a couple of old S5 leaks below the cut.]

Stranger Things is a show that delights in escapist fantasy; it's packed with nostalgic references and celebrates the protagonists' love of gaming in order to remind us that we don't need to abandon our childhood interests just because we grew up.

But escapism is a double-edged sword that all too easily turns into an unhealthy coping mechanism, and boy is this show also one that delights in the horror of unhealthy coping mechanisms.

I reckon they'd be missing a trick if these opposing themes didn't crash into one another for the final season.

Vecna seems to be motivated by a desire to help the kids he targets -- he wipes away their tears, he reassures them that their suffering will be over soon -- but he also barely seems to notice or care that he's just making the suffering worse. Which is exactly the attitude you'd expect from a villain who personifies the urge to turn to shitty coping mechanisms.

Since S5 is going to focus on Will's coming-of-age, then whatever Vecna is up to must resonate with Will's worst coping mechanisms.

What better fit for Will "wants to sit in the basement playing games for the rest of his life" Byers than a fantasy world in which everyone is forced to be a carefree kid forever while their bodies rot in the Upside Down?

Think about it: Henry wants to transform the world into something beautiful, but the world he currently seems to be ruling over is nothing of the sort -- is a cold and barren facsimile of Hawkins populated with monsters really Henry's idea of beauty?

Doesn't it make more sense for the Upside Down/Mind Flayer to simply be the hardware that helps him run his simulation of something more relatable -- an idyllic vision of the childhood he wishes he had, populated with all the kids he oh-so benevolently rescued from the fate worse than death that is wake up, eat, work, sleep, reproduce, and wait for it all to be over?

-------------------

We know for a fact that one of S5's episodes is titled Escape from Camazotz -- a reference to the misleadingly idyllic world from A Wrinkle in Time -- and leaked BTS photos from last year show Henry hanging out with a Hawkins child at a mysteriously pristine Creel house.

It's promising, but I'm not a huge fan of using leaks as evidence. They always come devoid of context, and even difficult-to-fake things like BTS photos could be staged by production to throw fans off the scent -- so what does the canon suggest?

One possible hint is that the Upside Down has consistently borrowed imagery from The Matrix throughout the seasons:

But more importantly, this theory is thematically consistent with what we currently know about Will in S1: while trapped in the Upside Down, he retreated to Castle Byers (his escapist safe space), and that's where he was caught, dragged to the library (another escapist space), and plugged into the vines that connect him directly to Vecna.

It's also subtly implied by Will's behaviour in S3 that part of him wants Vecna to succeed: he sticks with El after realizing Vecna is back, despite knowing full well that being able to spy on Vecna means Vecna can also spy on him; and he makes a suspiciously helpful-to-Vecna suggestion about how the party should go about investigating the monster of the week:

Could Will be under Vecna's control here? Perhaps. But I think this is a choice he's making of his own volition.

Consider: At one point Will destroys Castle Byers in a fit of grief that his childhood is over, and this just so happens to be the same scene in which he becomes certain that Vecna has returned.

He has to grow up and face the horrible truth that he's gay and broken and in love with a boy who can't possibly love him back and he does not want to deal with this -- wouldn't he do anything in that moment to find a way to escape back into childhood? Is this not the perfect moment for a seductive voice in his head to start whispering offers?

Bargaining is one of the five stages of grief, after all.

But then, so is acceptance. Will isn't walking the path of villainy here; he's at the temptation stage of his hero's journey.

S4 took him far away from Hawkins and allowed him to work through some of his feelings without Vecna breathing down his neck, and he comes to a very final-sounding decision about it:

He's realized that longing to sit in the basement playing silly games with his crush all day is immature and turning him (in his opinion) into a jealous asshole--

--and now that he's ripped off the band-aid with Mike he's gonna kill that underlying desire once and for all. Right?

Wrong. I mean, that's certainly what he believes at the end of S4 -- but he's still got a whole season of main character coming-of-age shit left to do in this show that delights in escapist fantasy and reminds us we don't need to abandon our childhood interests just because we grew up.

The visual similarities between the Upside Down and the Matrix aren't the only parallels between these two stories -- a theme present in both is the realization that the rules of the world you were raised in are an oppressive lie that you have the freedom to reject so long as you're brave enough to accept the truth.

Much like Neo, Will has a deeper connection to the horrors than any of its other victims (beyond Henry himself), and that connection grants him the gift of True Sight:

Stuck between the View-Master slides is how he describes it. Will can't bring himself to conform to 1980s expectations of normalcy, but he also can't bring himself to retreat into Vecna's time-frozen fantasy and hurt all of his friends.

The solution is to understand that Will's unique position doesn't mean he'll be forced to pick a side and either become a villain or sacrifice himself for the greater good: it means that like Neo he has the power to transcend the rules of false realities.

Will can defeat Vecna without castrating himself in the process, and he can play D&D in Mike's basement for the rest of his life if he wants to...

...just so long as both he and Mike are brave enough to accept the truth first.

[riansdiary]

Assume it as a fact + Do not accept waiting + Focus your awareness to what you want 🎀

Dearest Gentle Readers 💎

Rian, yours truly is back with a new epiphany for the law of assumption! If you were ever wondering what the hell I'm doing on my break, I'm just living my life and relaxing. Manifesting left and right. Also a lot of reflecting and thinking deeply about loa and how I can help myself and others to make it easier.

In fact, this just happened today. I thought of these today and I'm so glad I brainstormed about the loa to understand it more and make it easier for myself. It is hella easy, it's only us complicating it because it is truly that simple. I was thinking and finding a way to manifest easier in a relaxing way and to make my mindset better.

Let me break it down to you in three pieces. The things written in the title of this post are basically all I'm doing to use the law of assumption and it has never made sense like this ever before. It made it even easier for me! Let's go!

Oh and yes! I am a huge fan of A Good Girl's Guide to Murder Books and have finished reading the first two books in just four days! Can you believe that? I was hooked! I couldn't put my phone down! Yes, I read the e-book version. I also adore Emma Myers so much! She was the Pip Fitz-Amobi I imagined while I was reading! She's perfect for the role! I watched the first four episodes of the show today and I love how they did almost if not literally the exact same as the book! Anyway, let's get that out of the way now.

This all started this morning when I was eating a snack. The snack was a snack in my country and it's kind of hard to break. It's a big piece, I can't just shove it in my mouth like that. I was trying my best to break it but it just couldn't break. You know what I did? I relaxed and I did this in a second. I assumed that I was very strong and could break this snack easily. All I did was assume it's a fact and believed it. I had this silent confidence as I assumed that. I thought of this once - "I'm so strong I can break this so easily" and that thought came out naturally after I assumed that I'm strong and guess what? I was able to break the snack very easily and effortlessly. I broke that hard piece in half in a freaking second after I assumed and thought that. I then realized that this was the way I used to manifest when I first started learning about the law and I should continue it this way. Starting from that, I started assuming that my desires are a fact, fully believing they're here even without proof and persisting has been a breeze ever since that moment. Every time I manifested in this very simple way, things just materialized way faster so I decided that I will do it this way again which is the best way for me.

This is the meaning of assume:

Assume good things and assume your desires into being. Assume that your desires are facts now. Simply assume something and shift your mindset to the person who is it or has it. All I did was assume that it's a fact that I'm strong. I embodied the version of me who was always strong and can break that hard snack in two in one second.

I literally was trying so hard before and yet nothing happened but as soon as I assumed and shifted my mindset to the me who's strong then I was able to break it so easily.

Now on to the next point.

Don't accept waiting when you're manifesting.

I learned this one from Indigo Detry's video:

Everything I learned is in here and as soon as I implemented this, I never wavered even once. I fully accepted that I have my desires immediately. Do not accept waiting. Do not make manifesting a process because that just makes it longer when it shouldn't be. Decide that it's instant for you. I'm not waiting for my manifestations anymore, they're here now and I'm focusing on them instead of the old story. Because of that, I now feel fulfilled and consider it done.

Now, the last part.

Focus your awareness on what you want.

This is a little bit more non-duality but I feel like it's also true for manifesting. This was taught to me by my friend @starnightlover and it only sinked in today as I brainstormed about how I can stop looking for my desire in the 3d or how to stop focusing on the old story. I'm doing a combo of all three. It goes hand in hand.

I always say this when I'm answering asks about the 3d. What you focus on grows so don't pay attention to what you don't want. Awareness and Attention are our superpowers. Whatever you are aware of and what you focus on is what will manifest. I was thinking about how to stop looking for my desires in the 3d or how to stop thinking of the old story and this fixed these problems for me.

What you focus on manifests so how do you focus on what you want? I thought as I was doing something in the bathroom. I wanted to manifest having Dove Cameron's lips. Her lips are so gorgeous so I started manifesting that today. So I came up with a way to focus on what I want instead.

1. I made myself a vision board of my desires. The photos I used are in 1st person POV and I just included pictures of me having my desires and I made it the background of my phone, that way I will always see it everyday and it reminds me that I have it and it's already done.

2. I stopped expecting or accepting waiting when I'm manifesting. I decided that starting now, there's no waiting or process when I manifest. I immediately get it.

3. I assumed that my desires are facts now. I stopped feeding myself the old story. I stopped feeding the old story with any attention to let it die off. There's no waiting so that means it's already done. I did not care about what the 3d was showing me. I shifted my awareness from me not having Dove Cameron's lips to me actually having it already and I started to only pay attention to my desires. I also stopped wanting and desiring and instead assumed that my desires are facts and instantly here now. I shifted my mindset to be in my ideal reality. I embodied the version of me who had whatever she wanted just by assuming my desires are facts now, rejecting the waiting process, not forcing anything, focusing my awareness to what I want and using my vision board as the proof of my desires being here.

I also implemented my recent post about the devil's snare scene from Harry Potter and I'm always just relaxed now. Because why would I worry about my desires when I have them now? I also stopped forcing myself to feel things which made it be like act as if for me. It wasn't it.

All I do now is just assume, assume my desires are now facts, reject any waiting or process, change my thoughts and shift my awareness and feed my attention to the new story instead. If ever the old story bothers me which is super rare, I just relax, take a deep breath and either see my desire in my head or look at my vision board. I'm also embodying Hermione and using a sub for her so I'm getting the intelligence boost for sure! I'm embodying how Hermione would learn and apply the law of assumption and I've been seeing some benefits from acting like her!

This has been making it really easy for me and I know this will help a lot of people! I'm assuming so!

Assume your desires are now facts, dismiss and don't feed the old story any attention, reject waiting or anything implying a process, simply change your thoughts, focus your awareness on what you want (make yourself aware of what you want), relax and know it is done. Stop wanting and start relaxing and having! You would relax if you have it now.

I'll try and make an example post for this!

[shorthaltsjester]

thinking about the scene between vex and percy at the end of campaign one where after over a hundred episodes of the two of them as snarky assholes (affectionate but factual) helping to fight dragons and gods, they both buckle under the weight of just. missing their families in a way that’s fresh to both of them in different ways, where percy finally has the room to admit what’s been taken from him and what he let himself lose in his commitment to vengeance (the ability to actually Grieve) and where vex just watched her brother walk into death off towards their mother. and it’s been a horrible day, and percy confesses that he was going to be a clockmaker, once.

and then, three decades later, we see the two of them elevated to a less accessible status through the eyes of bell’s hells, where they’re to be the judges whether laudna gets to come back, where The De Rolos™ are leaders and percy is a hardass and vex is a lady, except there’s an intricate clock tower in this Whitestone’s cityscape, except ashton goes to punch a statue bust and several brown bears occupy his surrounding environment. and vex sees a face not unlike her own that was killed precisely for that fact and commits to helping her and percy sees a face too much like his own and gives them a hard time until he’s standing surrounded by the crushed glass of his home and offering genuine advice about how to move forward.

and to me what was so compelling about vex and percy both as individuals and as two people who fell in love with each other was that they both had walls for different reasons that functioned in very similar ways where they didn’t have to admit the things they knew/felt were missing in themselves. but by the end of their campaign those walls aren’t gone but they have, like, doors and windows now or something. and that’s present when we see them again from the more removed view of campaign 3, percy’s harshness softens for his daughter, vex helps bell’s hells but also ensured that should laudna bring delilah back then whitestone was protected and, god!!!! they’re perfect delicious characters genuinely and the way that matt makes the duality that defines those characters (and their relationship and whitestone itself) where they are stoic and cold and harsh but they’re also warm and kind and silly. that’s narrative that’s character creation and development that’s environmental storytelling that’s to be loved (and to love) is to be changed.

sorry but tonight’s 4sd has been fantastic and the group talking about the inherent shittiness of whitestone’s geographic and historic placement and the resonance of seeing vex and percy and percy’s advice to ashton has me thinking so many thought’s because. what if whitestone was already tending towards uninhabitability and what if it got worse when the briarwoods diminished even the warmth the sun tree could provide but. what if the last son of the ruling family returned and what if he fell in love and that was enough not to cancel out the harshness of whitestone but to amend it and add something to it. something something the mistress of the grey hunt protects whitestone from the harshness of the parchwood, something something percy’s speech to vex about why he gave her the one title she’d have to earn, something something vex was already doing the work of the mistress of the grey hunt simply by caring about and standing by percy — even before it was love — in the face of orthax and the briarwoods and death blast coffins and deals with devils.

[sorcerersandskillusers]

Fyodor and the Devil: Analysis of Fyodor's motives and role in the narrative

Asagiri has stated that he based Fyodor not on Dostoyevsky the author but on a specific scene from one of his books The Brothers Karamazov where Ivan Karamazov confronts “the devil” in his room.

(It's a really good book, you should read it if you have time. Also. fun fact, Fyodor and the devil wear the same hat, “His soft fluffy white hat was out of keeping with the season.”)

Having read the book and gone over this scene, I realized that this could be used to find out a lot more about Fyodor as a character than we see in the story, including a potential glimpse at his real motivations.

A bit of context for the scene. Ivan Kramazov is a clever but deeply trouble man who has struggling with the concept of God and rationalising him with the cruelty of humanity, at one point while very sick, Ivan starts seeing a man in his room who claims to be “the devil”. Their conversation is a fascinating look at morality and why evil exists in the world, and if you look at it closely it reveals a lot about the role of a “villain” in a story.

This line from “the devil” is really interesting to me, and seems to explain a lot about Fyodor’s character, as well as align perfectly with how Asagiri has described Fyodor in interviews:

Before time was, by some decree which I could never make out, I

was predestined 'to deny' and yet I am genuinely good-hearted and not at all inclined to negation.

'No, you must go and deny, without denial there's no criticism and what would a journal be without a column of criticism?' 

Without criticism it would be nothing but one 'hosannah.' But nothing but hosannah is not enough for life, the hosannah must be tried in the crucible of doubt and so on, in the same style. But I don't meddle in that, I didn't  create it, I am not answerable for it. Well, they've chosen their scapegoat, they've made me write the column of criticism and so life was made possible.

Basically the devil is saying that he was created because without evil then good means nothing, if everything was perfect then nothing would happen or change, life couldn’t exist, so he was forced to be that evil even though he never wanted to be.

This is so similar to how Fyodor is described in the BSD exposition 2020:

Fyodor is the antagonist, he is the villain of the story, that is the role he plays. This explains why he chooses to commit so many atrocities in the name of  “following God's plan”. It even connects to his line in The Dead Apple, and his ability name. He is both crime and punishment, as “crime” or sin originates with the devil, but it's also the devil who punishes sinners.

(I mean the title of the episode he is introduced in is literally “My Ill Deeds Are the Work of God” by committing evil acts he is fulfilling God's purpose for him.)

And if Fyodor is really based on “the devil” it's very likely he also either does or used to wish for release from this role that was assigned to him, but he knows that he cannot stray from his path or the story will cease to exist. My evidence for Fyodor wanting to be free of his mission is just one interaction, when he kills Karma.

Look at Fyodor's expression here, this is the only time in the entire series where we see him look truly sad. This isn't an act, there is no one there for him to trick, he simply says a quiet prayer for the life of a boy who's only purpose was to suffer and die.

This next part of “the devils” speech actually seems to fit very well for Dazai, it's interesting since he is the narrative foil to Fyodor and clearly is a very similar character.

We understand that comedy; I, for instance, simply ask for annihilation. No, live, I am told, for there'd be nothing without you.

If everything in the universe were sensible, nothing would happen. There would be no events without you, and there must be events. So against the grain I serve to produce events and do what's irrational because I am commanded to.

For all their indisputable intelligence,men take this farce as something serious, and that is their tragedy. They suffer, of course... but then they live, they live a real life, not a fantastic one, for suffering is life. Without suffering what would be the pleasure of it? It would be transformed into an endless church service; it would be holy, but tedious. But what about me? I suffer, but still, I don't live. I am x in an indeterminate equation. I am a sort of phantom in life who has lost all beginning and end, and who has even forgotten his own name. 

This ties perfectly into Dazai and Fyodor’s debate on the nature of God in the sky casino arc.

Dazai here points out that it's not perfection and harmony that make the world move, it's the irrational, it's the foolishness and stupidity of humans who charges into life making a million mistakes but always finding ways to fight on through it. Here Dazai and Fyodor represent the conflicting sides of “the devil” with Fyodor embodying his mission to drive the world and Dazai embodying his secret love for, and wish to join, humanity.

“I love men genuinely, I've been greatly calumniated! Here when I stay withyou from time to time, my life gains a kind of reality and that's what I like most of all. Yousee, like you, I suffer from the fantastic and so I love the realism of earth. Here, with you, everything is circumscribed, here all is formulated and geometrical, while we have nothing but indeterminate equations! I wander about here dreaming. I like dreaming. Besides, on earth I become superstitious. Please don't laugh, that's just what I like, to become superstitious. I adopt all your habits here: I've grown fond of going to the public baths, would you believe it?

And I go and steam myself with merchants and priests. What I dream of is becoming incarnate once for all and irrevocably in the form of some merchant's wife weighing eighteen stone, and of believing all she believes. My ideal is to go to church and offer a candle in simple-hearted faith, upon my word it is. Then there would be an end to my sufferings.”

“"Why not, if I sometimes put on fleshly form? I put on fleshly form and I take the consequences. Satan sum et nihil humanum a me alienum puto."*

* I am Satan, and deem nothing human alien to me.”

This piece from the devil feels like it could be a description of Dazai’s character, his wish above all else to find happiness and love as a human despite believing he is a demon. Both Dazai and Fyodor have strong ties to the Devil, both of them are often described as demonic or inhuman, with emphasis placed on the darkness of their souls and the isolation they feel due to their minds.

But the difference between them is how they dealt with it, Fyodor chose to embrace it and fully commit to his role in the story as the ultimate evil for the greater good, but Dazai has always shown a fasciation with humans and has spent his life trying to connect to them and find meaning in his existence.

Finally, let's look at what we can learn about Fyodor’s motivation. Fyodor is the villain, he is the final obstacle the protagonist has to overcome, he is the driving force behind so much of Atsushi’s life and the reason so much of the series has played out at all. He sent Shibusawa to torture Atsushi as a child, he was an informant to the guild who put the bounty on Atsushi making the mafia turn on him, he was involved in the guild invasion, and obviously he was the master mind behind cannibalism and Decay of Angles.

If he is aware of his position as the antagonist, then he also is probably aware Atsushi is the protagonist, he knew he was the “envy of all ability users” after all, so he knows Atsushi has some significance to the world as a whole.

Atsushi is also the “guide to the book” which is seemingly Fyodor’s end goal, so even though Fyodor doesn’t seem to be focused on Atsushi, he has been indirectly influencing his whole journey up to this point. This also explains why Fyodor is only moving actively now, because the protagonist has appeared and his role as the villain can finally be fulfilled and he, like “the devil” can finally get the “annihilation” he asked for. Hence, Fyodor’s true goal is to erase himself from the narrative.

There is actually quite a lot of evidence for this. The obvious part is that Fyodor wants to rid the world of ability users while he himself is an ability user, he cannot exist in his perfect world. 

Then there’s the fact that in the Dead Apple, Fyodor calls himself “crime” if Fyodor is “crime” or “sin” then a world free of sin would not contain him at all

Even when Fyodor talks about sin, he says how humans are easily manipulated into killing each other, while he constantly manipulates characters into killing each other, he is the cause of the sin he fights.

A really strong bit of evidence is this interview with Asagiri and Harukawa

Not only does Asagiri reiterate Fyodors role as the person who moves the story, Harukawa specifically mentions that Fyodor might be trying to create a world without ability users because he thought it was a “bad thing to do” aka the action a villain would take that would lead to a hero stopping them.

“Dos-san is the biggest villain in the story so far, but I have continued to draw him with spaced out eyes that are neither righteous nor evil for a long time. The only time I drew his eyes completely white was when he said he would create a world without skill users. It was because, in reality, we would decide what is evil or not by our own scales, but I wasn't sure if he himself was doing it because he thought that was a bad thing to do.”

This also connects to how Fyodor was able to understand Gogol when no one else could, Gogol is chooses to fight against the way the world is to prove to himself that he truly is free. Fyodor, who is bound to play a part in a narrative, would understand that feeling and that longing to be truly free.

To be clear, I don’t think that Fyodor is really a good person whose just been trapped in an awful position against his will, we see many times that Fyodor revels in his cruelty and enjoys killing and torturing others. Its the same with “the devil” in the book, although he hates the job he was given, he tells Ivan stories of the people he’s corrupted and seems very proud of himself for it.

My personal interpretation is that the sadistic zelot personality Fyodor displays is a mixture of a mask and a coping mechanism, kind of similar to Yosano developing a sadistic side to help her deal with the guilt of half killing people in order to heal them. I think it makes sense that after centuries of cruelty and manipulation a person would become detached and stop really caring about the lives he destroys.

This analysis is partially unfinshed but I wanted to post it now and see what other people think of it.

[hoonieyun]

date with bachelor number four

welcome to, "is he mr. right?", the dating game! where a lucky girl who is looking for love has the opportunity to go on a date with four handsome and eager bachelor's who are also looking for love.

this is an interactive dating show au where the readers can vote on "yn's" decisions, ultimately leading to who she will be with at the end... but more on that later!

heeseung 𐐪♡𐑂 jongseong 𐐪♡𐑂 jaeyun 𐐪♡𐑂 sunghoon

warnings: not really but pls lmk - 18+ not proofread lol

wc: 3022

episode four: date with bachelor number four

memories of last episode replay in your head causing you to smile at the thought. jay’s beautiful song, the delicious food, and jay’s unwavering attention that just drew you into him. there’s no such thing as perfect but to you, that date was perfect. it was all you could talk about for the last few days besides the fact that whoever the next guys are, their dates better blow your mind because jay was currently in first place by a great margin. 

when the next filming day eventually arrived, you and your style team spent a good chunk of time while you were getting ready just giggling and talking about your first date. they were telling you about how giddy it made them feel watching it back and how everyone on the internet had already started to root for you and jay to be endgame. they even went as far as to show you the hashtag viewers trended called “SingForMeJay”, “YNPrettyLikeASong” and “YNJayMrandMrsRight”. 

you laughed at the idea of those hashtags because they were somewhat long for a tag and you weren’t even sure if jay could be the one based off of one date. of course the date was better than you could’ve expected and it set a benchmark moving forward for the rest of the dates; but you couldn’t tell for sure if jay is mr. right just based on that. 

but he was sure on his way to earn that title. 

your outfit for today was pretty simple but cute. the stylists didn’t give you any hints on what your date was going to be but all they said was that the outfit they styled for you had to be comfortable for the activities this date would entail. you were nervous that the date would involve some physical activity because of that comment but considering your outfit didn’t look like activewear, you ruled that out fairly quickly. 

the outfit for today’s date consisted of baggy jeans, a comfy blue zip up hoodie and a crop top underneath. it was pretty sunny today but there was a consistent breeze so you made sure to keep the hoodie zipped up so you wouldn’t get chilly. 

and just like before, you’re driven to the location of the date. the car you were riding in had the windows covered so you couldn’t see where you were and once the car came to a halt, the PA blindfolds you just like last time. 

for some reason, you were way more nervous today than the last date. you thought it would get easier since you kind of got the first date jitters away, but because this date was completely different from the last; your mind wandered to all of the things that could go wrong. 

what if you trip and fall? 

what if the bachelor doesn’t like your outfit? 

what if the two of you don’t mix well? 

“alright, yn. ready?” the PA asks and you just nod, her hand grabbing yours as she carefully guides you out of the car and onto the filming spot. you could hear plenty of things going on around you, people talking, large machinery you assumed, and the overall sound of large groups of people. you couldn’t put your finger on it but you felt like it was at the tip of your tongue, you just couldn’t fully decipher where you were. 

on the count of three, you’re instructed to take off your blindfold and turn around, to which you did and are met with one of your favorite places. the amusement park, specifically the sanrio amusement park. this place held a lot of fond memories for you because it was not only the place you and your friends would often frequent but this was where you went on your first date with your most recent ex. 

sure, the two of you have broken up and are probably finding new people– but you held onto the good memories of that relationship even if it sometimes left a bitter taste in your mouth when you reminsce on the closing days of your relationship. the tension between you and your ex as you both try to avoid the inevitable. you two just weren’t on the same page anymore and that’s okay. 

“are you excited?” the producer asks from behind the camera and you nod, telling him that you love amusement parks so this date was already going well for you. “alright, today you’re going on a date with bachelor number four, he’s waiting for you at the entry gate so go ahead and find him, ok?” you’re told and with that, you make your way over to the gate with no help. 

it was like you knew this place like the back of your hand. 

soon enough, a person standing all by himself with a large mymelody plushie covering him comes into your vision. he’s standing in the middle of the gate and the sight alone makes you smile. it was cute that he had gotten you the abnormally large plushie but the fact that he was hiding behind it made him so much cuter. 

you were excited to meet him, all of the nerves already leaving your body as you arrived at the familiar and favorite location, but the image of the boy in front of you helped seize it fullty. “hi, are you my date?” you ask as you come to a halt in front of him. the excitement soon leaves your body and nerves quickly return when he moves the plushie away to reveal himself. 

jake, your ex-boyfriend. 

both of your faces mirror one another, wide eyed and mouth ajar at the unexpected reunion between the two of you. neither of you couldve expected to see each other, especially not in these circumstances so shock was an understatement. you felt almost blindsided? there was no way production knew that jake was your ex and no way for jake to have known you were going to be on the show so although you didn’t want to call it merely a coincidence, there was no other explanation. 

“um, can we cut?” you ask and the team around you just exchange awkward glances with one another, not doing anything as the producer looks at you with a puzzle expression. “i said cut!” frustration in your voice as you walk away, heading to where they had dropped you off. everyone on the production crew halt filming, a single cameraman following you as you walk away while the producer tells everyone to reset and hold places for filming to start again while they try to figure out what happened with you. 

“can you give me a minute, please?” you ask the cameraman and he reluctantly stops filming, at some point he was a bit nervous to stop because he didn’t want to risk his job but the troubled expression on your face prompted him to comfort you. “hey, is everything ok?” he asks, a sniffle coming from you in response, choosing to stay silent because you didn’t know how you even felt at this moment. 

“you’re clearly going through something, just tell me; it’ll make you feel better.” he offers once more and so you take his kindness and tell him what’s wrong. 

“that guy- the bachelor for this week; he’s my ex.” you explain and his face softens, like he completely understands the root of your behavior, no need for further explanation. “i didn’t think i’d see him but it’s been so long– i wasn’t ready for any of that..” you continue.

“so, this is it? you’re just going to walk away because you’re scared?” jake says, running his hands through his hair with a huff of frustration. the two of you originally met up to just “talk” but this talk has turned into a 2 hour long conversation, talking in circles and unable to arrive at a conclusion about your relationship. you loved jake and jake loved you but he wanted something you weren’t ready for. jake wanted to settle down, start a family, and build a life together but you were so young. 

you wanted to have a life with jake so badly but would it be at the cost of your youth? the two of you still had so much to live for, so much to learn and to see and to experience. you loved jake, but you loved yourself too much to deprive yourself from not being able to experience all the world had to offer. 

“i’m not afraid– i’ve never been afraid. jake i tell you this all the time, the one thing i value most in my life is my freedom, and i’m not saying that being with you will take that away but… 

right now i’m going to choose my freedom because it’s the one thing i know i will always have no matter what and i think if i were to settle down right now, my freedom would be an option opposed to the noptio.” and with that, you told jake goodbye, walking away from your boyfri- now ex-boyfriend, tears running from your eyes while jake watched your figure get smaller and smaller as you walked further and further away from him. 

the life he thought he had planned out with you failing before it even started. 

“for what it’s worth, your freedom should never be up for debate when finding someone to love you. your freedom should be something he helps you embrace, not something he takes away from you.” you give the cameraman a thankful glance partnered with a smile. 

filming resumes just minutes after your peptalk with the cameraman, a sense of comfort that only a stranger who knows nothing about you can provide because he was in no position to judge you; but instead to choose kindness. 

you apologize to all of the staff and crew, sending an apologetic gaze to the producer who simply just waves it off and tells the crew to begin filming at his countdown. “are you ok?” jake asks and you just nod, tidying yourself and putting on your best fake smile for the cameras. 

you and jake try your best to reenact the initial meeting, big and bright smiles on your faces in comparison to the first time where you both mirrored your shocked expressions. “hi, i’m jake.” he says, offering you the giant plushie in his arms to which you slowly accept before thanking him and introducing yourselves. you aren’t sure how your chemistry was going to read to viewers through a screen but you were going to try your best to give this date the benefit of the doubt. 

sure there was still some resentment between the two of you but if jake was willing to try; so will you. 

the date goes on, jake taking you to your favorite spots of the whole amusement park, your usual routine since your very first date. it made you laugh a bit knowing that he chose this as the first date because it was just like your very first one all those years ago. he took you to bumper cars, to which he always drove because he knew you were a bit scared to drive the bumper cars. 

then he brought you to several carnival game tents where he won you several sanrio plushies because he knew how to beat the riggory behind the games, a triumphant and proud smile on his face each time he won another prize and an even bigger smile when he’d see how happy you got that he won you something. 

just like old times, you dragged jake to a few rollercoasters that you were excited to ride and knew he’d be scared of. that was always the dynamic between the two of you when it came to rollercoasters; you’d tease jake for being scared and he’d try to show you he wasn’t but he’d end up clutching onto you with his eyes closed until you’d pat him on the heqad to let him know it was over. 

much like how you were now as the rollercoaster came to a halt, jake had his eyes shut while he clung onto you, comfort washing over him knowing that you’re by his side. something that he’s missed for a long time. 

“okay, no more rides. please.” jake says, dramatically clutching his chest like he just got done fighting for his life when the ride lasted less than 3 minutes and was the slowest of them all. “stop being a drama queen, come on!” you say with a chuckle, grabbing jake by his hand and dragging him to the next ride. your hand in his caught jake off guard, but he didn’t oppose. he did always think that your hand fit in his the best, like it was meant to fit into his as if it was molded by a sculptor. 

“last one, i promise.” you say as the two of you arrive at the giant ferris wheel, hello kitty’s face in the center of the large circle. the sun had gone down by now and the anxiety from the beginning was long gone, the two of you falling into your usual routine before you broke up. like no time has passed and this was merely another date the two of you had planned. the bitterness of reality yet to come back as neither of you choose not to focus on the fact that you are no longer together, haven’t been for awhile, and this was all for a tv show. 

when your carriage on the ferris wheel arrives, jake helps you on first and follows you after, a slight wavering in his expression as he steps onto the suspended cage. “it’ll be okay, jake.” you reassure him. thankfully the camera crew couldn’t follow you because there were only two per carriage so they followed behind. 

“was there a reason you wanted to go on here so bad? what if we fall?” jake says, slightly peering over and taking a gander at the height that you were now at and instantly leaning back when he sees how high up you were. 

“aside from seeing you all scared like this?” you ask, a teasing gaze. jake just pouting at you in response, “i wanted a chance to talk to you without having the cameras in our face.” you explain and jake gives you a nod in acknowledgement. 

“i know it;s been a while since we last saw each other and i know we didn’t necessarily end on the best terms but– i hope you’re well, jake. 

i never meant to hurt you and i’m sorry i chose myself but i did love you. i loved you so much.” you confessed, jake’s hand flying to your face as he softly wipes away your tears with his thumb. you grab onto his hand and melt into his touch, a type of longing you didn’t realize you had been yearning for until it was brought back to you. 

“you have nothing to apologize for. i just want you to know that i’ll never hold it against you to choose your happiness and freedom, i just wish i could’ve been the one to give that to you. maybe i still can..?” he says, hope in his eyes as the moonlight reflected in them.

“yeah..” you say and when jake looks into your eyes, he sees all the color of the world, pink, red, blue, and so many more that he wishes he could identify but your gaze alone was enough to leave him in awe. the loud popping of fireworks fills the park as bright combinations of colors illuminate the darkness of the night. 

traditional shapes of fireworks are partnered with those that resemble the images of beloved sanrio characters. you and jake take turns pointing out the ones you recognize, appreciating the joy of the moment as you two forget about the past, thinking that maybe this was an instance where moving on and starting over was a possibility. 

an option that neither of you knew were available. 

you gently place your head onto jake’s shoulder and he places his on top of your head as the two of you take in the rest of the night, finding comfort in each other and the familiarity seeping back in as the fireworks drown out the looming feeling that something could go wrong. 

once the ride was over, concluding your date; you give jake a short hug goodbye. jake wishing that he could hold onto that feeling for the rest of his life. 

“what was your favorite part of the date?”

yn: the rollercoasters, for sure jake: not the rollercoasters… that’s for sure. maybe seeing how happy yn got when i won her a prize?

“would you date the other?”

yn: yeah jake: 100% yes

“do you think he’ll be mr. right?”

yn: it’s too early to say but i definitely think he might have a good chance “do you think you’ll be mr. right?”

jake: i’ll do my best to be that for her.

after the question is asked, you try to get up and leave but you’re told to sit back down as they had another question for you, same with jake who was doing his interview in a different location. 

“your conversation together on the ferris wheel, you do realize you’re still mic’d up right?” 

yn: oh.. jake: i see.. 

the two of you hadn’t even taken that into consideration when choosing to talk about your past. no one besides the two of you, and the cameraman, knew about the two of you being exes, and now the whole crew knew about it. you didn’t know how it was going to reside with the audience but since it was briefly touched upon in previous episodes, maybe it wouldn’t be so bad that everyone knew. not like it was something to hide. 

“how does it feel to see your ex again?”

yn: i’m not sure, but i just know it was better than the last time we saw each other.  jake: it feels like fate.. 

prev ep 𐐪♡𐑂 next ep

hoonieyun notes: eeee some angst for todays episode!! did you guess right that jake was bachelor number four AND the ex that was referenced in the last chapters?

copyright 2025 - present © hoonieyun all rights reserved all writing here is fiction & not in any association with characters mentioned. if you enjoyed reading this please consider reblogging and following <3

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[lurkingshan]

Things That Have My Attention In 4 Minutes Episode 6

Original timeline FINALLY let’s gooooooooo

Going back to the start to see Great’s utter lack of remorse for killing that woman, his spoiled brat reaction to his dad handling his mess, and his decision to help his terrible friend get away with a murder was a great reminder that he is in fact a terrible person.

Congrats to… a bunch of us? for piecing together the original timeline correctly based on what we had. In the original sequence of events, Tyme was deep in his revenge plan, got dumped by his girlfriend for neglect, and then intentionally seduced Great so he could record their sex and use it for leverage against Great’s dad. Which didn’t really work. He’s not good at plans, y’all!

By the way, Tyme? Clearly not a virgin. I never liked that read anyway so I’m glad it’s dead. His awkwardness during his first time with Great in the redo timeline is more about his feelings being engaged, it seems.

Great being unphased about the video and just wanting more of that good dick makes perfect sense for his character. He doesn’t care about anything or even have real curiosity about what Tyme was after with that stunt.

And as we finish up the timeline we learn the source of Great’s regret. It’s not any actual self-motivated remorse or understanding of his moral failings, of course. Instead it’s Tyme calling him a coward to his face and rejecting him. His attempt to suddenly claim a moral high ground with his parents after his own string of murders was hilarious and I don’t think he gets the irony.

But someone does! Tonkla coming in clutch as the cause of Great’s cardiac episode was EXCELLENT. And it makes perfect sense because in this timeline, Great is one of Dome’s murderers along with Title. I think safe to assume we’ve been seeing everything else Tonkla was up to in this time in the cold opens, though the exact timing and sequencing of them is up in the air.

The only piece that’s still not tracking for me is Tyme’s side of the romance. The events of this episode explain why Great’s choices in the redo seem to center on getting Tyme to trust him, but they don’t explain Tyme’s reactions to him. This is hardly a love story for the ages. He and Great were emphatically not in love in this original timeline, so I don’t see why Tyme would trust him if he was also reliving this timeline. And if Tyme is not reliving things, that rushed romance arc in the redo timeline doesn’t really work. He has no reason to trust or fall for Great that easily. We also still haven’t seen how Tyme gets shot, so I am inclined to believe there is an additional timeline at play that fills in the remaining gaps and better motivates Tyme’s end of the romance.

Noting here that in the original timeline, the lady Great hit, Dome, and Nan all die, but his mom does not. So by saving that woman, Great inadvertently caused his mother’s death. Something to ponder as we head into the final eps and figure out whether these changes stick.

I’m still hoping that this story is going to take us to a nuanced and complex place and not lead to a pure happy romance ending for Great because honestly he does not deserve it.

It’s nice to finally have a week where we actually got a bunch of questions answered and didn’t generate too many new ones!

[crowdedimagines]

Roadkill - Aaron Hotchner Imagine

Based around the season 4 episode 23 titled Roadkill! I am going through a rewatch right now and just watched this one!! Also I am trying to stick to the storyline of the episode, but obviously things will be a little different in how they play out 🤩 3.6K

"How do you feel about Oregon?" JJ asks immediately after I pick up on the third ring.

"I have a feeling I would like Oregon a lot more when it isn't 3:00a.m." I tease, sitting up in bed, already knowing whatever she's calling for is going to be bad enough to to call us in this early.

"Can you be in to the office to brief in an hour? Wheels are up around 4:30."

"I'll be there!"

We both get off the phone so we can pack our go bags and get the day started, although earlier for both of us then intended. I manage to take a fast shower by the time I get out my phone is ringing again, this time it's unit leader Aaron Hotchner.

"I assume you've been informed that we have a case and we're meeting shortly." Hotch has his stern, yet tired voice on.

"Yep, showered squeaky clean. I just need some coffee and I will be on my way!" I smile, wringing out the moisture that's still in my hair and put the phone on speaker to set it down on the bathroom counter.

"I actually just made too much, I'm on my way in now. I could bring you coffee." He offers.

I pause in my actions, surprised by the offer. Although I would've been a lot more shocked a couple weeks ago. When I started with the team Hotch was going through a divorce, but in recent weeks there's been a shift in our dynamic and I'm not sure I'm dreaming it up. It all started a couple weeks back when I dropped off some baked goods after a rare long weekend away from work for him and Jack since it was his weekend to have him. They invited me to stay and I spent the rest of the afternoon with the boys. By the end of the night I was calling him by his first name instead of 'Hotch' which was a new development. Ever since it's been small gestures and looks that tell me something is different.

I've been a part of the BAU for a couple years, growing in confidence and skill the more cases I get under my belt. I spent four years in the military as a designated marksman before continuing my training with the FBI, which lead me to the Counterterrorism Division, and then to the BAU.

"That sounds great actually." I grin. Bringing me coffee to work is another new thing. Aaron has been chattier, smiling more, but coffee is a new ball park.

"Alright, I will be in around twenty. Drive safe."

I mutter back a "you too" before we both hang up. As I make my way into the office I'm the first to reach the bullpen, I came a little early once I knew Aaron was going to be in. A traveling mug is sitting on my desk and I take a long sip. It's still hot, and it's exactly how I always make it. It's also the traveling mug he almost always can be seen with. I set my bag down by my desk before climbing up the stairs to Aaron's office.

"Good morning." I knock lightly on his open door, "Thank you for this. It's perfect."

He looks up from the folder in front of him and the frown leaves his face.

"I'm glad."

I take a seat in one of the chairs across from his desk. It'll be fifteen minutes before the rest of the team joins us. Hotch begins to fill me in on some of the details without going too much into it. We still have to brief as a team.

"I don't think I've ever heard of a vehicle being used as the weapon." I surmise.

"It's highly rare. I've never seen a case likely this first hand." Aaron admits and we discuss a few more aspects of the case.

Eventually the rest of the team trickles in and after some light conversation I go back to my desk. Garcia comes in stomping directly to my desk.

"What's up?" I ask.

"Kevin is looking into a working a secret job and I wont even know where he'll be!" She gushes.

"Slow down, he what?" I spin around in my chair. Garcia fills me in on the details of the job and exactly what he had said to her. The worry on her face is permanent.

"Don't worry yet. He hasn't gotten the job, and if he's offered, you don't even know if he'll take it! Lets just wait to worry once we have something to worry about."

Penelope nods agreeing with my words before moving onto Morgan's desk to do the same and I smile and shake my head. JJ pulls us all into the conference room.

"An unsub that kills with his car." Emily states, "I haven't seen that before."

"Neither have the police in Bend, Oregon." JJ replies, displaying pictures on the screen in front of us.

"Two victims in the last twelve days." Hotch adds, "First was hit on a morning jog and the second was a woman stranded after her car broke down."

"Both female victims, but completely different age groups." I speak up, "The first victim was 23 and the second was 43."

"Maybe they aren't connected." Morgan thinks out loud.

JJ pulls up more pictures and explains that both victims were backed over after they were hit. No chance of accident and the same tread marks at both scenes.

"With where these wounds are, the worst of the blow is high on the bodies." I comment looking through the file, "It has to be a truck or SUV to match these wound patterns."

"See if Garcia can follow that. Try tracking makes and models." Aaron directs.

"There should be significant front end damage to the vehicle." Spencer chimes in.

"Unless our unsub is smart enough and skilled enough to cover his tracks." I begin, "Somehow I don't think it'll be as easy as finding a damaged truck."

It's a five hour flight from DC all the way to Bend but thankfully it gives us all the opportunity to rest up again. By the time we land we can go straight to the police station.

"I think it's safe to say our unsub is male." I read over the case file, thinking out loud with Aaron. This is something new too, we often brainstorm together and work well to get the other thinking outside the box.

"I agree." Hotch nods, "Given what we know about aggressive driving and road rage."

"And the fact that men have an unnatural bond with their cars." Emily laughs. JJ chimes in to agree, which turns into Morgan disagreeing before Rossi is also adding to it.

"I think he has to be overcompensating. Why else have a need for a truck that big." I guess.

"Possibly." Spencer comments, "If the unsub is physically defective the car not only gives the power and control he otherwise lacks, but it also serves as a shield."

"A way for him to avoid physical contact?" Hotch asks.

"He wants power and control of his victims." Prentiss shutters, "Female victims. It almost reads like an assault profile."

"I wanna know why he isn't getting personal with it then. If this is how he assaults women, what if there's something that prevents him from going a more traditional route. It's possible he's disabled." I suggest.

Hotch tells Garcia to look into it to see if anything recent could be a trigger and to look at the people surrounding the victims. Morgan and Rossi head to the highway to get a feel for it and see what they can get from it from the second victim's scene. Hotch and I head to where the jogger was hit.

"Not a lot of people jog here. It's a physically demanding hike." The sheriff informs gesturing to the trail.

"Well, she was a triathlete." I remind.

"The assailant drove behind her and ran her down right here." The sheriff walks us in to where the red stained gravel remains.

"She was jogging alone? Any woman would know if a car was following her up the trail. Her intuition would've been driving her crazy. She would get off the trail or call for help."

"What if he was already here waiting." Hotch agrees, taking in the scene, "What if she was the reason he was here and it wasn't random. He was waiting for her specifically."

"That would mean we underestimated him. It wasn't a random attack, it was planned and vindictive.

The team meets back at the station to go over what we've discovered. The second victim's husband comes in and recalls seeing a large black truck parked by their house giving us something. This confirms that he's targeting and stalking specific individuals.

"Ready be done for the night?" Aaron asks, he peeks his head into the conference room that only I occupy at this point. The rest of the team has already gone to the hotel to call it a night, but Aaron was still talking with the husband and I was just pouring over people in the area that raised some of Garcia's flags based on what we know so far.

"I suppose." I close the file I had been reading and rub at my eyes.

"It'll still be there tomorrow." He reminds.

"I know, the sooner the better though." That's something I don't need to remind him on. We both know it all too well. With an unsub this aggressive we know he isn't stopping anytime soon.

The drive to the hotel is short and comfortably quiet. Neither Aaron or myself have the energy to discuss anything as we're going on a fifteen hour day.

"Goodnight, Y/n." Aaron carried my bag in from the car to the foot of my bed in my room, even with multiple reassurances that I could carry it just fine. I give him a soft knowing smile before he leaves for his own room.

The next morning it's discovered that the unsub sabotaged the second victims car in order to strand them. He's very focused and well planned.

"We need to figure out why he's picking these women." Hotch states, "What makes them a target and links them together."

"Road rage, maybe they cut him off at some point?" I question, "Also how does he have the time to stalking these women to know their routines, sabotage a car, park and wait."

"Roughly eight percent of the United States is unemployed." Reid rattles off.

"Including someone who could be disabled and lives off of a pension." I remind from my earlier guess."

"Have Garcia look into it." Hotch states before walking away and I smile.

"Pretty girl is on top of it this case." Morgan teases with a smirk.

"I don't know what you're talking about." I roll my eyes.

"Maybe it's something to do with her getting the case early and going over it with Hotch before our team briefing." Reid says with his nose already in a new file. I can feel my face turn a shade of red.

"Pretty girl is getting extra credit!" Prentiss joins in happy to tease, even adopting Morgan's typical nickname for me and Penelope.

"I don't know what you guys are talking about. I simply got in early and we were both at the office." I take a sip of my coffee, looking for any distraction, reaching out to grab a file for myself to ready through. I'm really glad that I didn't bring Hotch's travel mug in from the hotel, I still have it and I almost used it today. That definitely wouldn't go unnoticed with the people surrounding me.

Thankfully the team lets us move on and were able to brainstorm some more. Unfortunately it doesn't take long for JJ to interrupt to tell us there's been a third victim.

"Impact nearly cut him in two." The sheriff explains.

"Male victim?" I question as we arrive on the scene. The unsub hit him in a parking garage, pinning him between the truck and elevator doors. "He's getting more aggressive."

Cigarettes butts are discovered where the truck was parked in waiting. All of them stripped of the filter showing signs that he's military.

"Guys I think I know what ties the victims together." Reid interrupts, "All of the victims drove two door red coupes."

Garcia was able to look into car accidents that left someone injured enough to the point that he can't kill traditionally. He holds the person responsible for his accident for killing his loved one and his own disability. There's nearly twenty five people to still filter out off of the specifications we gave her.

"Wait you guys I think I found it." I sit up from the most recent file that had red flags, "Ian and Sheila Coakley crashed while driving home from Napa Valley on route 7 around midnight. It appeared their car was run off the road. His wife died at the scene."

"And Ian?" Rossi asks.

"He survived although he suffered a spinal cord injury."

Morgan and Prentiss go to his doctor to verify some information while we try to track down Ian. His house foreclosed after the accident.

"Track the parts for his specific truck. He's been doing his own repairs so they have to be sent somewhere." Rossi suggests to Garcia.

"Rossi gets a gold star!" Garcia sings, "He's having the parts drop shipped, I'm sending you guys the address."

"Hey, what do I get for knowing he would be disabled?" I jest, I called that from the plane.

"Nothing but my love, sugar." Garcia says before hanging up.

"I don't have a gold star, but well done Y/Ln." Aaron nods.

Arriving at the home Ian had been renting we find it empty but lots of surveillance photos of the victims and one other person who hasn't been harmed.

"Send this to Garcia now, we need to know who this is." Rossi hands me the picture. I send it to her and she's able to run his plate from the image.

It doesn't take her long to find him and contact his home, where she finds out that he's out biking with a group doing a thirty mile loop.

"Y/n, you're with me. We'll take the north side, Morgan and Rossi you start south and we'll meet in the middle." I quickly get in the passenger side of the SUV and Aaron takes off.

The biking club that target is in covers a lot of milage as Aaron speeds through the dirt road trying so hard to meet the group before the unsub does. Eventually we're closing in, but unfortunately the black truck is ahead of us and gaining on the bikers faster than we're gaining on him.

"Hold on." Aaron takes a risk by cutting Ian off before he can clip the mass of bicyclists. He does this by driving the front left corner of our car into the back right of his truck.

The airbags go off and were spun around from the impact.

"Y/n." Aaron calls. He says it a second time with more panic when I don't answer.

"I'm okay." I groan. The unsub is attempting to back his truck out of the ditch we're both stuck in to finish his mission. He took a much less impactful hit from our collision. I unclip my seatbelt and swing open my door, shattered glass falling from my lap as I stand up.

"Y/n, wait." Aaron instructs, he pulls hard on his seatbelt. It seems like he's stuck from the accident, but the worry on his face is only for me. I give him a look to say I've got this, while he continues to pull at his jammed seatbelt.

"Ian Coakley." I call out, and the man looks over to me briefly. It registers on his face that I am holding my gun and it's aimed for him, he has tears in his eyes.

"This is for Sheila." he floors it heading straight for the group that's waiting after witnessing the accident.

I plant my feet and aim for the back window of the truck, hoping to hit Ian's shoulder. Enough to stop him in his tracks before can harm anyone else without killing him. I've done enough killing myself over the years, and even with all he's done he's a man suffering with the grief of accidentally killing his wife.

The bullet leaves my gun with a loud crack, shattering the back window of the truck. He swerves but not enough to take him off the road. I let out a breath and fire again, this time sending a bullet into the back of his chair and sending his car off the road again to be stopped by a tree. I let out a huff of exhaustion from the impact leaning against the SUV.

Morgan and Rossi pull up and stop to get out and help Aaron and I after seeing our totaled SUV.

"Go" I wave them to keep driving to the unsub to see if he's ok and they do. Aaron manages to get out of the car finally, I hear Morgan call out to radio in an ambulance.

"He's still alive." Rossi shouts to us referring to Ian, they have him laying down now while applying pressure to his wound. The top of his shoulder which shouldn't be fatal, I sigh in relief.

"Are you okay?" Aaron asks finally rounding the back of the car to join me where I stand, he steadies himself. I nod, finally putting my gun away, feeling how stiff my body is.

Aaron fully ignores my nod, taking my head in his hands and pulling my eyelid open to check for signs of a brain bleed. He wipes at my forehead, pulling back his hand with blood on it. Maybe we were hit harder than I thought. Damn airbags.

"I think you have a concussion-" He states, "and you might need stitches."

The worry on his face is deep. I can feel the guilt radiating off of him, he was the one driving. He's the one that chose to hit the unsub's truck.

"I'm okay!" I reassure him, placing my hands on top of his that still rest on my head. This is crossing a new line. He's never touched my face, and I've never touched his hands like this.

"I shouldn't have done that. It was reckless."

"I'm glad you did." I disagree, "If we had waited any longer he would've been able to get his last victim. There's an entire biking club alive right now because of you."

This reminder seems to help slightly, he looks over my shoulder where the crowd remains. I pull him in for a hug, both of us shaking slightly from the adrenaline. After a while we pull apart, the rest of the team arrives as well as a couple ambulances. One takes Ian away immediately, escorted with two police officers as well.

"It took two shots? You're losing your touch." Morgan teases, thowing an arm around my shoulder that makes me wince a little. My phenomenal aim has always been a touchy subject with him, not liking being second.

"I'm concussed and he was driving fast." I defend, fully knowing how whiny I sound.

"Statically of our entire team Y/n would be the only one likely to have made that shot with the variable speed that Ian Croakley was traveling at." Spencer chimes in.

"I knew you were my favorite for a reason." I grin pulling Spence in for a hug effectively shaking off Morgan's arm.

"Yeah, whatever." Morgan shrugs, ruffling the hair in top of Spencer's head.

"Ma'am, you really need to get looked at." The emt reminds, interrupting our conversation. I leave the group and look over to see Aaron sitting on the back of one of the ambulances. We both finish getting evaluated, thankfully nothing too serious that we have to delay our flight home.

"You were right about the concussion." I grin walking up to Aaron as the sheriff walks off.

"And it would seem the stitches too." He reaches out again, thumb hovering over the threading sticking out of my forehead.

"Yeah, should make fore a pretty badass scar." I tease.

"I'm sure it will." He smiles, a real smile. The Aaron smile that I have seen so rarely, but more frequent lately. The plane ride back home is quiet, everyone drained, Aaron and I just flat out sore. By the time we get back to the BAU, Aaron sends everyone home saying the paperwork can wait for the following day. Everyone clears out and he goes back up to his office.

"Not following your own advice?"I question, walking into his office. I make my way round to his side of the desk and lean back on it. The edge of my thigh just barely meeting the outside of his arm from where he sits.

"Just wrapping up a few things before." He sets down his papers, his eyes raking all the way up me from toe to head, we both pretend I don't notice.

"You know, since I have a concussion they said I need to be under observation. No sleeping, crazy delusions, slipping into comas that sort of thing. You know anyone who wants to stay awake with me?"

"I can think of someone" He smirks, "I can put on a pot of coffee."

I pull out the to go mug he had brought my coffee in a few days ago out of my tote and hold it out to him.

"Take me home Aaron."

AHHHHHHHH i hope yall like this! i haven't written in forever to it was honestly just fun to do! :)

[scoobyrooster1]

She's Mine [Part 1]

Qimir x (she/her)!reader

Summary: Events take place after episode 8 of the acolyte. You are Qimirs new acolyte after agreeing to train under him. But, first you both must escape to the outer rim and outrun the Jedi who now hunts you. A precarious situation arises when you suddenly owe a debt to the local gunrunner... but it could be just the opportunity you've been hoping for. Now you have to break the news to Qimir... Shit. Warnings: Angst, Angry Qimir, cursing Notes: I plan for this to be a slow burn story between you and Qimir. Haven't officially decided on a permanent title yet. And yes there will be plenty of future smut but I wanna do this right!

*Im trying my best to use canon history but high republic era is a little difficult so there will be discrepancies and times where I have to improvise... bear with me!

She's Mine [Intro] She's Mine [Part 1] She's Mine [Part 2]

------------------------------------------------------------------------------

The Republic's influence and reach were stronger than ever, and with that came the ever-present shadow of the Jedi. Since narrowly escaping Vernestra on Brandok, the last few months had been a blur. You were never truly safe. Settling down had been more a matter of necessity than comfort, and even then, "settling" was a stretch.

You were still trapped within the confines of Republic space. Your ship's transponder was a liability, a beacon that couldn’t slip past any checkpoints unnoticed. The only real refuge was the Outer Rim, far from the vigilant eyes of the Jedi and the ever-watchful Republic. But the closest jump to Hutt space was out of reach, forcing you to land on the barren sands of Jakart.

The Jedi were already scouring the galaxy for any sign of force discrepancies, even in the most remote backwater planets. And you both couldn't very well lead them back to Qimirs home. So, you made the choice to hide in plain sight, settling in a place where the noise of a thousand other lives could drown out your presence. Jakart, with its swarms of thugs, scavengers, and criminals, was the perfect cover. Here, you could disappear into the crowd, becoming just another face. But you knew that this was a temporary solution; the longer you stayed, the more you pushed your luck, and the longer you went without proper training.

You didn’t know when—or if—another opportunity like Ian’s would come along. Passage to the Outer Rim on a ship that could evade Republic scouts was a rare gift, one that you couldn’t afford to lose But now, you had to face the hard part: breaking the news to Qimir.

As you scanned into the small, cramped building you and Qimir now called home, a wave of exhaustion washed over you. The door slid open with a hiss, and you stepped inside, the faint hum of the city’s underbelly muffled by the walls. You pulled off your cloak, shaking off the fine layer of dust that clung to it, a grim reminder of the harsh environment outside. Your eyes stung from the grit of the sand, and you rubbed them wearily. It had been a long, grueling day.

The dimly lit room felt stifling, the walls pressing in with the weight of the choices you had to make. You tossed the cloak aside and took a deep breath, trying to steady yourself before the inevitable conversation. Qimir wasn’t going to like what you had to say, but there was no other option.

The sound of Qimir moving around in the next room broke your train of thought. You squared your shoulders, pushing down the fatigue, and stepped forward.

There he stood. Looking at you through wisps of black hair, slick with sweat. His eyes, which you once thought were brown, seemed almost black now, with a sharpness that felt more predatory than human.

"You're back." He exclaimed.

"I picked up some Jogans." You tilted your head in the direction of the small table in the corner.

"Feeling hungry after that mug today?"

You only sighed in response.

"That thug tried to take my shit... Would you have rather I just let him walk away?"

He tilted his head back in frustration, his adams apple bobbing as he swallowed whatever distaste was rising in his throat.

"How many times do I have to remind you that our survival here banks on our ability to lay low."

"About that..."

His eyes locked on you, demanding an explanation.

"I found a ship that can take us to the outer rim, under the radar."

His eyebrows shot up in surprise "the pilot you found wasn't a bust after all."

You bristled at his tone, almost offended by his doubt. These past few months had shown how strained the relationship could become. It felt more like a game of cat and mouse, and you hated losing.

"Not exactly."

He continued to stare at you through his eyebrows. Why did he always have to stare at you like that.

"A smuggler can get us there."

"who's the smuggler."

He didn't waste any time. You tensed. Ian was the last name you wanted to give. But thats where this was headed anyways. You just had to bite the bullet.

"Ian Skynyr."

Even the name tasted bad on your tongue.

His jaw twitched.

Jeez this was gonna a difficult one to swallow.

"Skynyr." He repeated.

He took a long pause before continuing. "No."

"This is our only shot. You know as well as I do that a freighter like his could secure us both passage safely off of Jakart. I just have to help him out then we can---"

"Help him with what exactly." He cut you off.

You froze.

"Its just a job." You stated casually.

"What kind of job."

"Obtaining and transporting cargo to some client." You brushed it off as if it were a mere fly buzzing past your ear.

"What else."

"Thats all he told me."

"Details matter y/n."

"No they don't matter... because this might be our only chance to get to the outer rim."

"Whatever debt he thinks you owe him... forget it. Skynyr is an idiot. Wherever he goes a blaster target follows him."

"I know, I know. I trust him about as far as I can throw him. But he's all we've got. So, I'm doing it."

"And the deal we made?"

"What about it? I'm not going back on anything. So being your acolyte is following whatever you say regardless? Can you not trust me on this?"

He grimaced.

"No. It means don't fall into a mess I have to pull you out of."

"I can handle myself just fine. I thought Brandok proved that."

"Brandok only revealed how reckless you are right now."

Did the death of your old master, at your own hands, prove nothing to him?

No.

You were bartering with a man that had no interest with the rest of what you had to say. But no matter how much he disliked this plan or how much of a headache your existence seemed to him at this moment... he couldn't resist the appeal of Ians secure passage through Republic space.

"Do you have any better ideas then?"

He sighed, finally breaking eye contact and looking down at the floor. His posture slumped as he leaned against the wall, just as exhausted as you were.

"If you can come up with one, I wont take Ians offer. Otherwise we should take this deal."

You didn’t wait for a reply. Instead, you walked into the next room, slumping onto the small cot that had been your bed for the past few weeks.

You imagined that the only reason he didn't follow was because he knew the truth, which was that you both had no idea when another chance like this would arise. He was just angry it involved working for Ian.

You replayed what Qimir had said to you.

Brandok only revealed how reckless you are right now.

You realized that killing your old master did prove your commitment. But to Qimir it also unearthed how little he truly knew you. And something he couldn't predict or control... that probably terrified him.

Good.

-----------------------------------------------------------------------------

You basically had to drag Qimir to the landing platform where Ians team was meeting. The air was filled with hyper fluid and gases that singed your nostrils. It reminded you of your old post fixing up freighters like the one that now towered before you. Although, that life now felt like it belonged to someone else.

Ian practically beamed when he saw you both approach, his voice cutting through the cacophony of the buzzing platform. "Glad to see you made it."

You only gave him a small nod in return face remaining neutral.

The rest of the crew were people you recognized from around the bazaar.

The Transdoshan known as Kiro. His presence was intimidating, standing at an imposing 6'7", with a build that suggested he could break bones as easily as he could snap his scaly talons.

Next to him was Shaun, a grizzled sharpshooter. He gave you a curt nod, acknowledging your presence with the little care.

A droid, its model old but well-maintained, stood quietly beside them. You couldn’t quite place its make, but it looked functional and that’s all that mattered.

And Ian. Your point of contact - begrudgingly so.

"Our buyer is interested in a rarity being sold at auction tomorrow on Carinth. Job is to secure the cargo and transport it. We'll rendezvous with him on Canto Bight."

"how do you intend to secure the bid. I'm guessing you don't have nearly enough credits to bid on something that an anonymous buyer wants"

Your skeptic tone was thinly veiled.

"Who said anything about bidding with actual credits."

"So what, you yell fire and then grab it in the chaos?"

"Our operation is a little more refined than that."

Qimir scoffed earning a frown from Ian.

Kiro growled, lacing his arms together in a tight cross obviously put off by Qimirs severe lack of respect for any of them.

"The buyer is willing to pay whatever sum for the item plus our services. But he doesn't want to be tied to the acquisition of the aforementioned cargo. So we're going to act as his ambassador of sorts"

"And how do you intend to make the highest bid."

"Rod here is going to take care of that." He gestured to the droid. "So no matter what you have the highest bid."

"Wait, that I have the highest bid?"

"Well Yord was supposed to be the stand in for the auction and canto bight but he's kinda occupied right now."

It took everything in you to bite your tongue.

"You said this was a simple job." You bristled.

"It is."

"You never said anything about impersonating a bidder."

"You didn't ask sweetheart."

Qimir clenched his jaw.

"Yord normally keeps a low profile which made him the best suited for the stand in. Unlucky that he broke his streak on trying to rob you"

"I'll be recognized."

"Where we'll be, no one is going to give two bactas about who you are. These aren't the type of joints where saints congregate. Jedi will be the least of your worries."

"Why are the Jedi looking for you two anyways." Shaun questioned suddenly very interested in the conversation.

"Thats none of your concern."

Shaun put his hands up realizing that you weren't one to answer pointed questions.

"Whats the item I'll be bidding on."

"that also happens to be none of your concern either."

"If we're doing this job I need more information to make sure were not walking into anything we can't walk out of."

"Even if I wanted to I couldn't tell you. The item only goes by its bidding number and the client wont share beyond that. Also I don't really care what it is... as long as I get paid. You're now the stand in on Carinth and Canto Bight, and thats all I'll hear of it."

"Why was it Yord? why me?"

"There's a strong likelihood that the rest of us aren't exactly on the best terms with some of the attendees frequenting the auction, especially not in Canto Bight. We need someone who’s not a big player—or better yet, someone who’s completely unknown. The client insists on absolute secrecy. The fewer issues we encounter and questions we face, the better."

You couldn't deny that everything he stated made sense for a job such as this.

"So what happens when they find out the credits being transferred are fake?"

"Thats when we blast out of there like a bat out of hell."

You almost smirked. You hated to admit it but the chase excited you.

"So you're what is considered a big player?" You replied mockingly.

"Ouch." He pretended to take a knife to the heart.

"Fine."

"And just because I like you so very much y/n I'll let the two of you split Yords share."

"How generous of you, Ian." You swallowed your words with disdain.

"I like to think so." he smiled with great satisfaction. "Be here at 05:00."

Before you could nod your head, Qimir had already turned on his heal heading towards the exit.

------------------------------------------------------------------------------

"Whatever you have to say, go ahead. Get it out."

Qimir said nothing as you followed him down the ally. Though you could almost read the back of his head.

"Well if you're going to brood about it at least -"

Before you could get your next words out, you were slammed against the wall. The impact knocked the air from your lungs, and you barely had time to react before his hands pinned your arms to your sides, his grip like iron.

"This isn’t my fault," you gasped.

"Of course it isn’t," his voice was dripping with sarcasm.

You could feel the anger radiating off him. He continued.

"Skynyr is trouble, and nothing but. That makes him dangerous."

"And what are we exactly?" you shot back, your voice tinged with defiance. "What are we?"

"You know what we are," he replied. His tone was cold, as if stating an undeniable truth.

"So when did smugglers become the biggest, baddest thing in the galaxy? In the dark, there’s nothing to fear but us."

"Maker, you’re naive," he spat. "He’s more trouble than he’s worth."

"You’re right," you conceded, though your voice was steady with what you said next. "The sooner we leave the sooner we can continue training. And he’s our best shot out of here."

His jaw clenched, and his teeth bared in a snarl. The rage in his eyes was palpable, and for a moment, you felt a shiver run down your spine. He tightened his grip, pressing you harder against the cold, unforgiving wall. The proximity, the force, everything about the moment screamed danger, yet you held your ground.

"The only reason I’m willing to go along with this little drama," he whispered, a lethal calm overtaking him, his face inches from yours, "is because of that damn republic transponder. Maker knows who else has one... Maybe this trip will teach you a valuable lesson, my young apprentice."

Those last three words hung in the air like dead bodies.

Ghosts.

Ones that constantly haunted you.

My young apprentice.

It wasn’t just a title; it was a reminder of everything you had left behind when you walked away from the Order. He was asserting his authority, reminding you of what you were to him—and more importantly, what he was to you. The unspoken command was clear: Don’t forget it.

You could see the words of warning in his eyes.

"Yes, Master," you whispered.

He stared at you for a moment longer, as if to ensure you truly grasped the gravity of your position. He loosened his grip and pushed himself away from you, storming off toward the compound.

You remained against the wall for a few seconds longer, the echoes of the encounter still reverberating through your mind. The word “Master” clung to you like a weight.

The next morning you both had packed everything you owned... which was very little. But it wasn't the material things that weighed you down. Qimir lashed out at you for a good reason. It was the uncertainty, the sense that you were stepping into something that could very well get you both killed.

Or worst captured.

Maker help me. You whispered.

----------------------------------------------------------------------------

Thats it for today! Hope you liked it! If your feeling it, let me know what you think in the comments.

[ichayalovesyou]

Why Do Old-School TV Duos Have SUCH MLM Vibes?!

I think there’s something very specific about the formula and writing style of non-serialized/semi-serialized shows from the 60s to 80s that featured two grown men going on wacky dangerous adventures that makes my gay little literary analysis brain go absolutely off the wall bonkers. I’m trying to figure out why!

I’m writing this on my Trek blog because I don’t think this pattern in people actually shipping these types of relationships the way they do if fandom as we know it wasn’t born via TOS in syndication. That being said! I also think it has to do with the way these shows are designed that makes myself and others OBSESSED with a specific character dynamic that feels (to me) damn near impossible to replicate in modern television. In a way that’s more than just fandom, it’s in the way TV like this was written at the time!

Further explanation under the cut!

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I think what it usually boils down to is this. There’s a charming protagonist whom without the series could not operate, frequently top billed or the title character! (See: Wild Wild West, Starsky & Hutch) BUT he doesn’t have anyone to play off of! So what do they do pretty much every single time? Give Mr. Idealized Vision of Time-Period Masculinity For Genre a second guy to rhyme with!

See but the other guy has to play opposite but parallel to our hypermasculine protagonist. So what frequently ends up happening is that in order to play off our “normal” guy, even though he’s also a white dude, is that he’s still somehow Other.

They’re always perfect for each other, and they always get into scenarios that would be written, shot and interpreted by conventional audiences as romantic IF either one of those characters were a woman! Especially at the time these shows were made in.

If the one is aggressive, the other is gentle. If the protagonist is violent, his counterpart is intellectual. If the one is stoic, the other is emotional. Which (while one size def doesn’t fit all) usually makes the second guy come off as much more queer-coded (and sometimes other minorities like neurodivergent/disabled etc) than the other because of the traits associated with masculinity vs gayness at the time! Our prime examples in these gifs are Spock, Hutch, Artemus, and also *BJ!

*(M*A*S*H is a bit of a unique case since the show flirts with queerness more openly in ways that people more into the series have explained better than me but I think it still fits the formula I’m discussing.)

Here’s the thing though right? We’ve got two best friends, and the show NEVER really feels right if one of them is missing unless the focus of the story is how A & B operate without each other while trying to find the other one. They stick with and rescue each other unfailingly in scenarios that might destroy a regular friendship.

Hell, there’s often stuff that would emotionally/physically destroy a regular person/character in modern media. But because it’s not serialized they always seem to pull through seemingly through the power of friendship alone or dealing with it off-screen! Emotional consequences? Yuck! (Unless it’s M*A*S*H or Starsky & Hutch, like I said, not monolithic)

Here’s the thing that some people might say throws a wrench into the interpretation I’m discussing. What about the absolutely non-stop parade of conventionally attractive women the main protagonist (and less frequently the supporting man) goes through?

I would reply: how many of those female characters actually emotionally impact our protagonists as characters long term?

The answer is of course, because it’s NOT serialized, almost none! Kirk can watch Edith Keeler get killed by a car accident and still be making eyes at Spock the next episode. Hawkeye can have a “life changing” romance with a Vietnamese humanitarian woman, then share a blanket with BJ next episode like she never existed!

The Doylist explanation of course is not just the fact it wasn’t serialized but also just, constant, blatant 20th century sexism. Which SUCKS!!! As well as not wanting a long term love interest to throw off the character dynamic of our duderagonists. It’s the 20th century tv equivalent of bros before hoes.

However the Watsonian explanation always seems to result in no love interest EVER being more important than what the two protagonists have no matter whether you think they’re queer or not. No attractive woman could make our reputed babe-hound protagonist abandon his buddy. There’s no earnest romance our more queer-coded supporting man doesn’t end (or get ended for him) often for the protagonist’s sake.

Now some of these women are incredibly well written and straight up GOOD matches for our guys. So why wouldn’t they get involved in something long term UNLESS!! They were in love with each other the WHOLE time?

What if protagonist (frequently the babe hound) doesnt know he’s queer, or knows but doesn’t know he’s in love with his bestie, or any number of similar fruity explanations? The supporting man also runs into this explanation but people tend to believe he’s already aware that he’s queer but either also doesn’t know he’s in love or is keeping it to himself because time-period homophobia and/or thinking (probably not unreasonably) that babe hound is straight?

Between the inherent closeness of being narrative foils. The regularly scheduled life or death drama creating sometimes insanely romantic (in the narrative if not a literal sense) drama between the two. The revolving door of weekly women they never seem to get attached to enough to leave one another. The non-serialized nature resulting in sparse personal information/history about the protagonists as a result.

I think between the very NATURE of the way tv shows were written at the time. Plus the way fandom was shaped by a dynamic that has rippled through how media works and is interpreted by fans for decades upon decades. It’s not hard to imagine getting really emotionally invested in the possibility of the protagonists being in love is a fantastic way to enjoy the media!

In conclusion, it’s really fun and easy to go “these bitches gay! Good for them good for them!”