#the thing about this fandom is that I don’t feel like I can share opinions without backlash.

[larry-hiatus]

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[starlooove]

Reading isn’t enough I need to start beating white ppls asses

[velvees-archive]

Some post-SOJ DLC case thoughts about Edgeworth, his opinion on marriage, and by extension, love.

…and how, at the very center of this discussion is one Phoenix Wright.

Contains spoilers from 3-5, 6-5 and 6-DLC

As if the subtext wasn’t enough.

I wanted to share some thoughts about the DLC case and Edgeworth's insistence on remaining unwed, which, from what I've seen, is a commonly employed gotcha moment against NaruMitsu (because all relationships must end in marriage, right? /lh). Don’t get me wrong, I don’t really mind. I just…didn’t find the dialogue exchange very damning.

Coming off 6-5, where Edgeworth says this,

I saw the DLC as an extension of Edgeworth's sentimentality, this time directed at Phoenix’s romantic prospects.

To make my stance clear, I don’t think Edgeworth is blind to romantic overtures; he just doesn’t care about them very much. As in, Edgeworth is largely unaffected by and uninterested in matters of the heart (with a concession that he is obtuse when it comes to people expressing interest in him, unless they're Wendy Oldbag over the top about it). But even if you feel he's terrible at sensing romantic tension, my argument still stands. Edgeworth doesn’t care about romance, and we never really see him prying into anyone’s romantic relationships…

…with the exception to this being Phoenix Wright’s.

From Bridge to the Turnabout:

Sorry for the janky screenshots. I didn't didn't take 3-5 pics on my Switch so I had to search for YouTube clips. Let the record show I actually really enjoy Feenris PLUS I love angst, so this interaction was…chef’s kiss.

Assuming Edgeworth doesn't care about romance but he can understand romantic signaling, this is already pretty condemning. Why are you poking around Phoenix's business if you're so uninterested in love? Surely, there are bigger fish to fry, like investigating the Inner Temple Garden because the clues found could be vital to catching the victim's murderer?

Assuming Edgeworth sucks at detecting any romantic undertones, the implications are even worse. You're telling me the guy who doesn't know the first thing about romance somehow clocked Phoenix and Iris's chemistry this quickly? How? For what reason were you able to catch it? How attuned are you to Phoenix's personal affairs?

Now, shifting back to the DLC case, we have this lovely interaction when you show Miles the wedding chapel pamphlet:

Something to note with Phoenix’s “W-Wait. You’re not thinking about finally settling down and getting married, are you?” is that the screen flashes and we hear the damage sound after the “W-Wait."

Once again, Miles inquires about Phoenix's love life, this time after Phoenix asks about his. I've analyzed my fair share of Miles Edgeworth dialogue, and I don't think he pingpongs questions just to make conversation (see: “Say something, Wright. I’m not good at small talk.”). This leads me to believe he was genuinely curious and (subtly) trying to fish for information. And why would that be the case?

My overarching point is this: Edgeworth isn’t as obtuse about romance as everyone makes him out to be (both in-universe and from a fandom perspective), which makes his mentioning marriage plans around Phoenix even more suspicious. The way the scene reads to me is that Edgeworth, in Phoenix’s company and swept away by the intimate atmosphere, lets his interest in Phoenix Wright slip through the cracks once Phoenix shows him the pamphlet. It's sentimental of him and it surfaces—once again—while he's investigating a case. At risk of sounding repetitive, there are bigger fish to fry.

It'd be less suspicious if Phoenix had similar conversations with other cast members he shows the pamphlet to, but it never gets to be this personal, even when he presents it to Maya, his best friend.

Good news if you feel otherwise about my “Edgeworth isn’t that obtuse” headcanon though, because should you believe he is actually just that clueless, you now have to contend with this:

If Miles can’t pick up on all things love, why is he so attuned to Wright’s (and to my knowledge, only Wright’s) romantic prospects in particular?

So yeah. Checkmate, I guess. Edgeworth might not be interested in marriage or love, but he’s definitely interested in Phoenix’s partners, or lack thereof. Take that how you will.

[ifyouknowmenahyoudontt]

ranting about the fandom ( TW: opinions)

- remus is so badly mischaracterized, the shift from him being a soft sensitive kid despite the violent nature of his condition was so so important but now he is turned into this mean angry alpha male. i feel like the point of him being so sensitive was to contrast w him being a werewolf ya know. bring back weird and awkward remus

- gay ships that are just there because they’re gay is pretty strange. i’m speaking of the whole jegulus/pandalily/whatever new thing ppl come up with i don’t really understand the point of just thinking that making a couple gay makes them more interesting. seems a little counterproductive .

-jily loosing its popularity is killing me. bring back my 7 year slow burn prophecy beautiful love story they are the most important ship

-sirius being a feminine dramatic gay twink. this man was a motorcycle owning rebel strong guy. and believe it or not he CAN be gay and still be that. him being gay ( in our head canons) doesn’t mean he’s a woman

- turning gay ships into basically a straight relationship by making them so stereotypical ( wolfstar w feminine af sirius and strong man remus)

- shipping character that died and fought against a certain ideology and people that were actively apart of the problem is kinda crazy. like jegulily? my brother in christ regulus wanted her dead.

-fanon regulus. he was a strong willed DEATH EATER he wasn’t forced into it or abused by his family. it.is.stated.in.the.book.

-deatheaters are interesting characters BUT don’t tell me people are babying and glorifying them in a effort to explore their complexity.

-some of you are blinded by the fancasts and forgot all about what the characters are.

- the new fan casts are meeeh. they’re not all supposed to be supermodels…

- jegulus taking over the fandom is insane.

-andromeda should be getting the regulus treatement she is what you made regulus into.

-frank and alice should be more loved.

- the romantization of that whole pureblood supremacist squad is NOT cute.

-james potter my beloved.

- i don’t really like the idea of the casanova being remus. i feel like it would james or sirius based on how remus talked about his high school years

- jily is way too important to the universe to be discredited.

-lily evans being put behind regulus is CRAZY. my girl did not die for this bs

-sirius being criticized for leaving is wild. regulus was not abused and didn’t even want to leave. sirius was mistreated.

- i kind of like the idea of the developed character of walburga. sirius said she wasn’t a deatheater. and i like people writing her as a more complex character.

- as much as i love wolfstar, james and sirius’s relationship stays the central point of the gang.

-ships have taken way too much importance over the friendships of the group.

-i feel like a people make female characters into lesbians ( like lily ) just because they are strong characters and it’s weird.

- yes once she got married to james she was lily POTTER and she was a mother just like james was FATHER they’re is nothing wrong with that.

- jegulus/ any ship between a member of the order and a deatheater is just plain stupid sorry but if your head canons goes completely against the core of a character it’s just a wrong statement.

before you start “LEt pEoPle dO whAT thEy WaNt” these are MY opinions

please share yours i love to debate

[fluentmoviequoter]

Skepticism

Requested Here!

Pairing: Tim Bradford x fem!(NFL)football player!reader

Summary: Tim is skeptical about the first female NFL player. When he shares his opinion with you, he doesn't realize that you are the woman he's talking about.

Warnings: fluff, Tim gets embarrassed and apologizes a bunch, flirting

Word Count: 2.1k+ words

A/N: Bodyguard Tim👀 If this reads like Eric Winter talking about sports in He Said, Ella Dijo just remember that he's Tim Bradford. They're pretty much the same.

Masterlist | Tim Bradford Masterlist | Request Info/Fandom List

The history of the NFL has changed forever! The first female player has been drafted into the NFL, in the Los Angeles Rams’ 13th pick.

Since the moment your name was called at the NFL draft, your life has been turned upside down. Being the first female player in the league has resulted in unending news coverage, mixed praise and backlash, and unescapable attention. People know your name now, and as you prepare to change your life forever by putting on a Rams jersey, you can only hope that the skeptics are wrong about you and what you’ll do on the field.

“Dinner tomorrow!” Lucy yells at Tim. “Be there!”

“I will,” he replies. “Unfortunately.”

“Be nice,” Angela chides.

“You can always back out and stay home to watch the game,” Nolan points out.

“If they’ll start showing the games again,” a nearby officer interjects. “Everything on ESPN has been about the chick that got drafted. Even during the games, she’s all the commentators can talk about.”

“There’s a girl in the NFL?” Lucy asks. “Finally!”

“Wait, who?” Tim inquires. “I stopped watching the draft before it was over, but how’d I miss that?”

“You must’ve been very busy,” the officer replies. “She’s everywhere, man. Football got ruined. They can’t leave anything sacred.”

Tim doesn’t add to the misogynistic view of his colleague but knows that he has some research to do. Football history has certainly changed, but Tim won’t decide on how he feels about a woman playing professionally until he learns more for himself.

“The Rams, man,” the officer laments.

The moment Tim arrives home after his shift, he turns on ESPN. SportsCenter is on, and he’s unsurprised to see a woman’s name projected behind the men at the desk.

“No, John, what we’re failing to consider is her history,” Rocky Boiman points out. “Her college playing record is better than the twelve male drafts ahead of her.”

“The point remains that a historically male-dominant sport is supposed to be male-dominant,” John Anderson argues.

“If we take the gender out, the size difference, everything except how well these people play, she blends right in,” Tedy Bruschi states. “Regardless of whether or not she should play, she can play, and she does it very well.”

“I’ve been watching her in action since her senior year of high school,” Rocky adds. “If anybody has what it takes to be here, we’re looking at her.”

“Until she gets hit,” John comments. “There may not be regulations against female players, but statistically, she is more likely to be injured.”

“Then she would’ve been injured in college,” Tedy interrupts. “At the end of the day, this comes down to one of two things. Either you don’t think women should be in the NFL, for whatever reason, or you’re ignoring the facts and judging her prematurely. I will end with this, if you think this woman should quit before she starts, you’re going to be proved wrong.”

The SportsCenter logo appears on the screen before Sarah Barshop of the Rams and Matt Bowen, an analyst, begin reviewing your stats and playing history. You played in college, but your stature and your above average statistics alone don’t convince Tim. Not because you’re a woman, but because he’s seen better odds. He’ll never say that you don’t deserve a spot on the team, but he won’t believe that you can make a difference to the team until he sees it. If you can prove it at all.

“They’re talking about you again,” your friend says.

You look up from your playbook diagram and smile. The men on SportsCenter have been talking about you every chance they get. It’s not just them, though, everyone with a pulse and an ounce of interest in football has an opinion of you.

“Still arguing about if I’ll get my collarbone snapped in the first game?” you guess. “Or have they moved on to female hormones?”

“Most of them are defending you. Your stats are all they seem to care about,” your friend explains. “Maybe you will have a fan base bigger than me and my cats.”

“But you’re all I need.”

“That and a Rams paycheck.”

You laugh and return your attention to the book before you. You’re entering a new world with a lot to prove, so you’re going to be ready for anything.

“Hey, we should go to dinner tomorrow night. We haven’t had time to celebrate with all of the interviews and everything.”

“That sounds great. Just don’t pick a sports bar.”

Tim looks away from the football game to check his watch. He’s got half an hour until Angela, Wesley, Lucy, Nolan, Nyla, James, Wade, and Luna are supposed to be here for dinner. Although Tim doesn’t remember whose decision it was to meet for an “end of the hardest week this year” dinner, he agreed to come. When he arrived nearly an hour early because he had nothing better to do, he found a seat at the bar and got invested in a game.

The restaurant isn’t busy, but the bar is nearly at capacity. It seems that everyone who wasn’t arrested this past week is now here, watching football and listening to updates on you. Every chance the announcers and reporters get, they bring you up. Tim refuses to change his opinion until he sees you in action. Your highlight reel has become an hourly regular on ESPN, but you’ll have to get through training and into next season before any of it will truly matter.

“What do you think about it?” the bartender asks as he wipes the spot beside Tim.

“I think we won’t know until we see her play,” Tim answers. “If we see her play.”

“My boss is convinced she’ll lead them to the Super Bowl, but I don’t think it’ll be that straightforward.”

“It never is,” Tim agrees.

“I also think it’s a little strange they don’t show her face. She was at the draft, but everything since then has been her in her uniform or at least her helmet.”

Someone yells for the bartender, and he nods at Tim before he walks away. It is strange, but Tim assumes that they’re trying to maintain the public image of you as a football player, and not just a woman.

As you enter the restaurant, you receive a text from your friend. Running late, so don’t have fun until I get there. You shake your head at the short message and ask the hostess for a seat at the bar while you wait. She points you toward the entrance, and you focus on finding a seat and avoiding any unnecessary spills as you navigate the crowded area.

“Excuse me?” you ask a man seated at the bar. “Can I sit here for just a few minutes?”

He turns toward you and nods, and your responding smile isn’t only gratitude. The man is incredibly attractive, you realize. As you sit on the stool beside him, you notice his attention is on the television screens over the bar. Several of them are broadcasting college football games, yet you see your name appear in the closed captions.

“Which game looks the best?” you ask him.

“Penn State and Missouri game isn’t bad,” he answers.

“Missouri’s better, I assume.”

“Aren’t they always?” he asks lightly.

Penn State’s coach calls a time out and you ask the bartender for a glass of water as the screen changes to the commentators. One of them mentions a play you made in college, and you roll your eyes. You don’t mind the attention, but they’re taking what should be about the players playing now and making it about you. The man beside you scoffs, and your smile grows.

“It never ends,” he mumbles under his breath, and he spins his bottle in one hand.

“Tired of hearing about her?” you ask.

“I mean, I don’t want to sound like every other man in this city, but, yeah, a little.”

“I get that. Skepticism isn’t a bad thing; you can have an opinion.”

“I’m just not sure I can have an opinion until she starts playing. Yeah, her college history was good, but she’s not in college anymore.”

“Right,” you agree.

“There’s a reason there hasn’t been a woman in a sport that intense. Injuries would be detrimental to her and the team,” he points out. “Not to mention the fact that we’ve only seen the good, every time someone tries to mention something she can’t do well, they get cut off with don’t judge her because she’s a woman.”

“Not that I don’t agree with the injury thing, but, I mean, women have been playing rugby for years and it’s just as intense.”

“Yeah, but that’s with other women. Seems like there’s just too much at stake for one girl to make history in the NFL. She hasn’t even proved anything yet other than the fact that women can be drafted.”

“And you don’t think she can prove more?” you ask. “Skeptical that she makes it through the next part?”

He lifts his glass and shrugs, which you take as a firm yes.

“I played football in high school,” he adds. “And I feel like I can see talent when it’s there. She has talent, I’m not arguing that, but I don’t see NFL-worthy talent yet.”

Someone says your name, and you turn. It’s a college-aged girl, and she smiles shyly as she asks for a picture. You immediately agree and slide out of your seat to hug her and take the picture.

As you pose with her, you notice that the man beside you is staring at his bottle with his lips pressed together. Maybe you should have introduced yourself the moment your name came up, but you wanted to hear the truth. And the fact that he didn’t just say no, she can’t do it gave you a boost of hope that you can. Skepticism is better than complete doubt.

“Sorry,” you tell him as you return to the stool beside him.

“No, I’m sorry,” he replies quickly. “I probably should have recognized you, but what I said- I mean, you’ve got talent, and I shouldn’t have said that you didn’t. I’m sorry.”

“It’s fine,” you interrupt with a laugh. “I needed someone to be honest to my face for once.”

“You’re getting plenty of direct negative opinions,” he points out. “And I’m sorry.”

“Now you’re apologizing for every other football fan. Seriously, it’s no problem, no hard feelings.”

“But I-“

“You’re a cop, right?” you interrupt, gesturing to the badge on his hip. He nods, and you answer, “Truth and justice is your thing. You made some good points, too. I’ll use ‘em in my training to prove all the other skeptics wrong.”

“Which I believe you can! Seriously, though, can I buy you a drink or something? Anything to make it up to you?”

“Make what up?” you question, smiling as you lay your hand over his forearm. “I forgive you if that’s what you need to hear, but you didn’t do anything worth apologizing for.”

You move your hand to offer a handshake and properly introduce yourself. He inhales deeply before he shakes your hand.

“I’m Tim Bradford,” he says.

“And you’re a cop, I play football,” you finish. “Now that we know each other, can I ask what you’re doing here alone?”

“Guy like me in a place like this?” he jokes. “I’m waiting to meet some friends from work.”

You nod and say, “I’m meeting a friend, too. A little celebration of sorts.”

“Can I ask a personal question?”

“Sure,” you agree.

“What made you get into football? Why it over any other sport?”

“Bear Bryant,” you answer seriously.

“Really?” Tim questions with his eyes narrowed.

“You’ll have to watch my ESPN special to find out. That or we could do this again another time, without the accidental meeting.”

“People are going to think you’re in this sport just to meet men,” Tim replies.

“Who says I’m not?” you tease. “But, seriously, you’re great, and I bet you could tell me how to win a Super Bowl.”

“You’re the football pro,” he points out. “I’m just a cop.”

You nod and look away, disappointed by his implied rejection. Suddenly, though, you remember what your agent told you.

“Well, if you don’t want to go on a date… I do need a bodyguard on my security team.”

Tim’s eyebrows raise as he turns in his seat to face you. “Are you serious?”

“I am.”

You look away when your friend calls your name, and you wave at her before you stand. Stalling at Tim’s side, you add, “Think about it. I’d love to flirt with a bodyguard.”

“I will,” Tim promises softly.

“Come find me if you decide tonight.”

You smile at Tim and grip his arm kindly in place of a farewell. Tim Bradford believes in you and is considering your offered position of bodyguard, so you know you can get a Super Bowl ring this year. No matter how skeptical everyone else is.

[blanketforcas]

🚩Cult and cultlike/toxic behavior: red flags in fandom 🚩

A non-exhaustive list inspired by my 10+ years of experience in fandom, both personal and second-hand. By sharing this, I hope to make other people more aware and able to protect themselves in the future. No fandom space or friend group is worth your mental health.

They claim they have secret information and use that to lure you in

They might either lovebomb you at first or make you (feel like you have to) prove your worth

The leader(s) of the group might not feel super approachable, at least not without fear of saying the wrong thing

They seem to create or point out a divide in fandom you’d never noticed before. Likely this divide isn’t actually there in wider fandom, or the need for it is wholly unnecessary.

They create an us vs them (outsiders) situation. Their group has the most knowledge and expertise, if others critique them it’s simply cause they must’ve heard false rumors. They are always the ones who are “misunderstood”.

Questioning statements from leaders/people with high regard in the group, is not without risk. You can get dogpiled, your intelligence put into question and gaslit about your own words and feelings.

You see discussions happen and get more heated, and at the end of that discussion the person on the receiving end of the things mentioned above ^ starts apologizing profusely and/or believes they are indeed stupid. However, if this person does keep defending their stance, they might get bullied or kicked out of the server/group chat

Too much emphasis on Being Right/having the correct take or theory – it may seem it has a higher priority than empathy and tactful communication

You need to have an opinion (their opinion), because silence equals condoning or agreeing with the “other side”

Everything is a moral issue. When everything is made out to be a high-stakes issue or reflective of everyone as a person, it's easier for the leader(s) to manipulate you.

You find yourself excusing people’s behavior because you agree with their point. The way they bring their argument forward and the tone they use, become subordinate to finding out the truthTM

There is such a thing as The TruthTM in every theory, discussion or analysis

If you don't Get It, it's cause you haven't "worked on yourself enough". Or it's cause you're not trying hard enough, or you haven't done enough reading, or you have blind spots only they can see.

There is a lot of conspiratorial thinking – maybe actors are trying to send us secret messages, maybe there is a Whole Lot You Don’t Know But We Do, Trust Us, maybe this or that person in fandom has tried to attack us and are planning a bigger attack,…

You barely/don’t have fandom friends outside of this group and if you do, you tend to intentionally (whether subconsciously or not) hide your experience from them. They wouldn’t understand the way they talk, they wouldn’t understand the way it works etc

They want to know a lot of your personal information. - might only happen once you get into higher ranks

You might get (more and more) specific “tasks”, it starts becoming a part-time job instead of a hobby/fun space to hang out with friends

Of course, these red flags are not always immediately visible let alone advertised when you join a group chat/discord server/twitter or tumblr bubble. They can also be nonexistent at first and show up later. Here are some general ways to stay vigilant:

Periodically check in with your values, if they might be changing & how you feel about that.

Keep an eye on the way people (and yourself) are being treated. Is it kind? Is it fair? Do you feel on edge all the time when you’re having conversations? Is your body more tense when you’re in this online space or when certain people are around? Be honest with yourself here.

Ask yourself: Is this space becoming my only coping mechanism? Am I spending too much time here? There’s no shame in spending a lot of time on things you enjoy, but do check in with yourself sometimes whether you are actually still having fun and if you are taking things too seriously or parasocialising a lot.

There's a lot of fun to be had in fandom and a lot of good that comes out of it - don't forget that. Keep seeking that. It's why we're here!

[mcfuckity]

You know what? Im breaking my silence. Im TIRED of people missing Jess’ character on purpose. Like, everyone can use context clues and fill in the blanks for every other character but somehow Jess is the only one taken at face value? Jess is being seen as a cold, detached, mean bitch by fans but I cannot determine whether we even watched the same movie.

Let’s address the elephant in the room, because she is a black woman who is NOT a mammy character, people criticize her harsher. Jess was MORE than Miguel’s “lackey”. She had her own thoughts and opinions. She definitely had her own personality and feelings about the entire situation. She lowkey stalled time to give Gwen chances to fix her mistakes.

If Jess was as cold as Miguel and such a “bitch”, she would’ve left Gwen the first time. Let’s not forget that Miguel was fully about to leave Gwen with her own father holding her at gunpoint, JESS vouched to bring Gwen under her name. Jess put her OWN position at risk to help Gwen and it required that she do her job accordingly. Jess made the boundary VERY clear, she is NOT Gwen’s mother. She is NOT her friend. I seen people argue that “Jess’ maternal instincts” should’ve kicked in to protect Gwen” but fully ignoring that Jess HAS A FAMILY! Jess is PREGNANT with her OWN child. Her instincts DID kick in and she chose her dimension with her family in it!

Jess was stuck in a rock and a hard place. She obviously wanted to help Gwen (considering she brought her in at the cost of her own position) but UNFORTUNATELY, GWEN messed up. Gwen saw Miles and that ultimately led to Spot escaping. You can love these characters and acknowledge that every character had their OWN thoughts and motivations that led to fuck ups. It’s not right to try to make Jess sound worse than the man who fuckin replaced his dead self out of grief, was about to leave a teen at gunpoint, and had an entire society of people chase a teenager who wanted to save his dad.

Don’t get me started on the “she’s fighting crime while pregnant argument” because we can accept superpowered people but NOT the possibility that their bodies are more resilient. NOT TO MENTION THAT PETER B HAS A WHOLE BABY ON MISSIONS???? Like, no one is calling him a bad father so what’s different with Jess? Miguel was mean as fuck to Miles upon meeting but Jess doing her JOB is considered being “mean”.

Then the “I didn’t see her enough to connect with her” is fair until everyone can somehow create entire {TERRIBLE} mischaracterizations of Hobie, Pav, and Peni who (arguably) had just about the same amount of screentime. She also shares traits with every other spider person with being snarky and quick-witted while being completely grounded. She’s literally one of the spider people that Miguel fully trusts but somehow the fandom erases her and goes “He loves Peter B and Lego Spidey🤪🤪”

Like, it’s crazy how people find it so easy to erase Jess and Margo (Spiderbyte) in fanworks for things they easily dismiss from other characters and it’s feelin like misogynoir. Like, Margo and Hobie served the same purpose with deciding to go against Miguel for Miles, yet only Hobie and Gwen gets that credit.

AND THEN THE MANY EXCUSES WHEN IT COMES TO SHIPPING! People keep hating on Jess/Miguel because she’s “obviously pregnant and married” but go right around and ship Miguel with Peter B. Same with Margo/Miles because it’s a bunch of “Miles and Gwen are obviously endgame” ANDDDD???? Since when did every ship HAVE TO be canon in order to be a ship? It’s especially crazy because I BARELY EVER see those comments on Miles/(Peni, Pav, or Hobie) or have no problem with having all the boys huddled around Gwen. The double standard is glaringly obvious.

In conclusion, some of you mfs dont deserve ATSV.

[area51-escapee]

Hello!!!!! If you’re seeing this post, that probably means that you’re in a fandom, possibly even multiple of them! I’m running a survey on some fandom related things and I would really appreciate it if you could help me out!

First of all, this survey is not being used for any real research or study. I’m just very autistic about fandom culture and history and I felt like this would be the best way for me to get responses to the questions I have in a well organized manner. I really hope to hear from a wide array of fans in a wide array of communities! It’s completely anonymous of course so please feel free to be honest! I do plan on sharing some of the open question responses at the end however so please be aware of that.

Second of all, my actual questions and what I’m looking for. I’m very interested in the culture and attitudes around shipping and fanfiction, and the terms pro/anti-ship. I want to know when other people recall seeing these terms first pop up, and I want to hear from people who may self identify as one or the other, or neither or something else entirely. There are several open ended questions and optional spaces to elaborate on your thoughts so please feel free to add on as much as you’d like!

Here is the link to the actual survey :) I’m posting this on July 21st, 2024, and I plan on leaving it open to responses until August 21st, 2024, to hopefully have time to get more feedback. I may repost this same post a couple of times between now and then in various fandom tags so please feel free to block the tag ‘Allen’s fandom survey’ to avoid seeing it again if you don’t want to (or feel free to block me akdhsjdhdk).

Anyways! I appreciate it if you read this far and if you decide to respond to the survey! It would also really help if you could share it so it reaches more people in even more fandoms and communities, but that’s not really necessary. You can message me for questions or let me know if you want to be tagged when I eventually start posting about the results and my findings! Thank you, here is a picture of my cat for your troubles :)

[smth-intheway]

I haven't seen anyone talk about it, or maybe someone noticed but didn't said anything...

Neil and Charlie are connected, not only by the bonds of friendship but also by their shared symbolism of “death”, which is shown at the very end of the movie/book when their seats were empty. They are both key characters and as those who, despite their differences, are very similar.

Let's start with Neil. We all know that Neil is the one who started the dead poets society in 1959, he is the speaker and the leader of the group, as if leading the boys. He is the first to find the album with Keating's photo in it, the first to learn what the society is (yeah boys were near him), the first to read the official opening speech and assign roles to everyone. Who will read and who won’t. He acts as a confident person, his actions are based on a new feeling and finding freedom from the grip of his father. Everyone noticed how he looked at Keating when he gave his famous speech that every person in this fandom knows?

Yes, you can't help but notice how his eyes shine with hope, that he like a prisoner, will free himself from the shackles and escape from the clutches of his father. By the way, about his dad.

This man plays a very important role in Neil's life, as he does in his, albeit in the most disgusting way. His father sees himself in him only in his youth, he wants to achieve what he could not in the past. He uses Neil to turn back the time and become an ideal version of himself without caring what Neil thinks. Most likely, Mr. Perry was an unsuccessful person and perhaps he did not succeed in many things, proving this with the following phrases: "I sacrificed so much for you to be here" and "you have opportunities that I don’t had” He kind of puts pressure on Neil shoulders to give him false motivation to do things as he said, setting himself as an example, like... if you don’t do as I say, then the worst will happen to you, because I know better than you and I have lived longer than you. His father makes his son a submissive and obedient boy who is obliged to do and act as he is told, simply because he has no choice, because he is inexperienced and "impressionable" in the opinion of his father and he must definitely listen to the one who knows better in order to avoid the worst outcome. Just lower your head and show obedience like everyone else.

By the way, it is interesting that in the book the first description of Neil, and the first words about his appearance sound like this: "The breast pocket of his Welton blazer was covered with a huge cluster of achievement pins." (page 5, ch.1) Ironic, right? Now try to close your eyes and imagine the same student, without imagining Neil. What impression will you have of him? Right.. smart, successful with a brilliant future. This is what people who don’t know Neil see. He has become someone who is held up as an example. A diligent student and an example of behavior. Even the fact that in the book he wears a pillar with the inscription "excellence" as if hanging a label of idealism and perfection on himself. That is why they gave him this sign, so that he would carry it, introducing himself as the personification of that very perfection that teachers want to have in their students. But is that what he needs? Neil did not know what he wanted, he did not allow himself to go beyond what was permitted, always silently and following the rules. Afraid of getting burned like a moth over a fire. He was suppressed by his father, all the time his desires and dreams were rejected and not accepted, because there is a coordinate system and you cannot move against it. I can even assume that his father pressured him if his academic results did not satisfy him, from which Neil tried to prove that he could do better, because he wants his father to be proud of him and love him for being a good son, perhaps Mr. Perry could punish Neil for disobedience, from which the boy began to fear his father like a nightmare. Remember the scene when his father entered the room at the very beginning of the movie after the ceremony? Neil's behavior changed from before to after. With his friends he was happy, self-confident and the life of the party, but when his father showed up on the doorstep all of these traits were washed away and Neil showed his fear and insecurity.

So he hid himself, his dreams, ambitions and desires including emotions in front of his father. Several times in the book, (the movie didn’t showed it) Neil had the outbursts and slightly hysterical release of his emotions he was holding when his father was around. “Neil held the achievement pin in his hand as he spoke. “The bastard!” he shouted suddenly, jabbing his thumb with the metal point of the pin and drawing blood. Todd winced, but Neil just stared at the blood intently. He pulled the pin out and hurled it against the wall.” (Page 19, Chap3)

“Mr. Perry turned and stalked out. Neil stood still for a long time, then, walking to his desk, he started pounding on it, harder and harder until his fists went numb and tears began rolling down his cheeks.” (Page 119, chap11) Neil isn’t an emotionally stable person because his emotions only show when his father is not around. He is mentally weak because he is afraid to speak his mind around someone who will not listen to him. This is important and worth remembering because Neil has no voice around his father, so he did not tell him what he wanted, so he kept silent because he understood and built a mental reflex that his father's stubborn nature would still make him do what Neil does not want. He already knows what his father will say. Rejection. This is his weak point. He is afraid of rejection and does not want to hear it again, because he has heard it so many times ... over and over again. This Neil is very different from the confident guy he shows himself to be in society.

he did not share his feelings/thoughts with anyone, because he most likely not had close friends except Charlie. Because His entire life was planned and controlled by his authoritarian father, from A to Z. His dad would’ve probably not be happy about his son being friends with the “who the hell knows”.

That's why when he heard Keating's words about enjoying the moment, living here and now while this moment is here because one day it won't be. Carpe diem my friend. You need to look at things in the different way and not be afraid of what others think because what matters is what you think. These words entered Neil's thoughts as a basis for changing his situation, to free himself from the shackles and become who he always wanted. Because if not, this moment will never come. He began to think differently and began to go towards his dream that he wanted to acquire so much. Neil was slowly drowning in his ideal world, living freely and hopelessly, but he misunderstood Keating's words, because he had to change his idea of ​​the world and not himself. Neil did not understand that you cannot change the situation you are in, you can only change your idea and vision of it. He wanted to take control, but he forgot that sucking out the bone marrow, you need to do it so as not to choke on the bone. It is interesting that he was the first to come and recreate the Dead poets society and the first to leave, thus killing this society.

His death has a huge influence on the plot as well as on the symbolism itself, because if you look closely, in the book he dies with his crown of flowers as if killing his personality "Puck" through which he embodied the archetype of the deceiver (his father’s deceiver), challenging the established standards of behaviour. The second one is a reference to Jesus that many talk about. So, if you think about it, the crown of branches that he wore is very similar to the one that Jesus had. At first, he looks up, supposedly into the sky, in search of the meaning of life and pondering his decision. He puts on the crown, proclaiming himself his own liberator, just as Jesus was in Christian culture.

He didn't want to depend on his father or the rotten system anymore, Neil thought he would make his own decision outside of his father's wishes. After all, if there is no freedom in life itself, then why should he live?

Then, he lowers his head as if accepting his fate and knowing that he has chosen the right path for himself.

Neil showed obedience to himself and not to someone else which made him one step freer before he got freedom completely. He, like Jesus, accepted himself as a sacrifice in the face of freedom intending to be free even if not for others then for himself. Therefore, it was his own "crucifixion".

It is interesting that he lowers his head just like the boy from that very wall painting.

Okay, but then how does he relate to Charlie? It's simple, Charlie isn't always himself either, and unlike Neil's hidden symbolism, he directly proclaims himself to be another person, namely "Nuwanda". He abandons his boring, past self by forgetting who he was through self-destruction. "I have an announcement. In keeping with the spirit of passionate experimentation of the Dead Poets, I'm giving up the name Charles Dalton. From now on, call me 'Nuwanda.'" (page 89, chap9) In the same way, he added more nuances to his personality, such as his famous phrase "getting red" and when he painted the Indian symbol of virility on his torso supposedly giving himself confidence through the symbol's underlying meaning, which is anchored in the Indian goddess Shiva-Lingam which signifies masculinity, virility and association with fertility due to its sexual significance.

The same goes for the symbols he drew on his cheek, what's interesting is that in the movie he drew it with lipstick using red again, which usually symbolizes power, passion and life, this colour is used to attract attention. But in the book... he literally scrapes dirt off the wall to draw this symbol on his cheek. (What a cheerful boy fr)

Charlie is a time bomb. He constantly has ideas in his head, at first it may seem empty but there really is a lot of things, plus this “dish” is also seasoned with the guy's self-confidence and huge ego. This is proven by the fact that Charlie literally claimed the cave when he entered it and then used it to bring girls, without worrying about the opinions of others. He kind of stands as an example of the opposite of the Welton school value system, and encourages boys not to be afraid to be more confident. In the film, he was the first to support Neil in the idea of ​​creating a club, standing on his side, and also defending him after Cameron's betrayal at the very end, knowing that he is risking his education in Welton, but he is not afraid to take on such responsibility ... well, because why should he be afraid? He already has a future full of money, knowing that his father will force him to work with his business. By the way, about his father.

Unlike Neil, his relationship with his father is controversial and he can fight back with the confidence that he will be forgiven. In the film, his parents are shown in the background.

And in the book we only know his mother. I can assume that Charlie is a child from a rich family who lives as an accessory in the hands of his parents. He, like Neil, is the "pride" of his parents and should be an example, only Charlie does not want to follow the coordinate system and enter it instead he moves against it. Like Neil at the end of his path.

We know that Rebellion is already embedded in any ideology at the time of its creation, and rebels only personify rebellion and do not bring it to the established system of values. After all, there will always be those who are against the established system, moving in the opposite direction and trying to find other conclusions, other ideas that will definitely suit a certain type.

Charlie could become a rebel for two reasons, the first: the search for attention. Unlike the hyper-care of Neil's father over his son, his father could be so bogged down in work that he forgot about his own son, perhaps not even his beloved, because then the marriage would be of convenience. His parents did not give him enough attention, pushing him away, rejecting him. He wanted to be noticed by them so that they would give him love, so he tried to achieve it in every possible way and it became a habit. Or the second option: He was tired of living a pretense. Straightforwardness is always a way out when it’s difficult to explain. Just be simple and do not bother to be complex, so the fear of making a mistake disappears. So Charlie did, because as far back as he could remember, he hated being told how he should behave, how he should talk to guests, how he should smile, how he should take utensils for food, and so on. Charlie was tired of seeing people from high society smiling at each other with such hypocrisy, as if a second ago they had not been in deep judgmental discussion. The world of big business disgusted Charlie, because those people were too worried about how they looked in front of others and they ran after status. Charlie was a prisoner of this every day and he didn't want to be like the others, he wanted to create something of his own in his personality, something that the others didn't have and something that would distinguish them from him, or him from them. So he chose the easy way - rebellion. So Keating's words meant something to him in the sense that he would enjoy the moment of rebelling against the school's rules and building his own system. Charlie could relate to his own approaching "death" if life at Welton was not symbolic but real. That is, his expulsion is an actual death. It could be similar to the phrase that Carpe diem oppose - Memento Mori. Carpe diem, in simple terms, says that death is inevitable, but it is unknown when it will come, and therefore it should not be feared, but instead enjoy the moment, which is what Keating taught his students, but there is also memento mori, which says that death is inevitable, but the moment of its onset can be delayed by behaving, so to speak, you should live “correctly” and act rationally for the benefit of your own life. In other words, memento mori means that everything is in your hands and when you die is determined by how you live. And Carpe diem is about the opposite, that nothing depends on you. And therefore you can and should take everything from life here and now. These two terms are closely related to the understanding of Keating's lessons, so each DPS boy had his own end. Tragic or partly happy. Knox and Todd understood that you can't change this system, but you can change your attitude towards it by finding beauty in things and avoiding death, but Neil and Charlie didn't understand him, wanting to change system and putting their lives on the line, so both of their seats are empty at the end.

If you think about it... Charlie is Neil's desire for suicide. After all, he too is moving towards self-destruction by excluding himself from the system directly through death, while Charlie does it indirectly by going through exclusion.

[kytiapseud]

In Defense of Epic Manwhore au

Okay, so I’m kinda nervous to post this but I feel like it should be said. I hope I tagged correctly for the topics I discuss in this. So, in defense of the Manwhore au as for the concept being coerced, it’s not like the god(s) said ‘you’ll die if you don’t have sex with me’. Odysseus is the one who brings it up. Although yes, the line of consent there is a bit murky with Odysseus more doing so to get out of situations rather than because he wants to. It’s totally valid for some fans to not be a fan of the au, not everything in fan spaces is for everyone. You are entitled to your opinion and get to make your fandom experience safe for you. There is something I saw though that felt like commentary about those who came up with/ enjoy the au. To me this felt close to attempted fandom censoring or those who try to ‘cleanse’ all fandom content to what they think is morally correct. Again, it is fine if you want to share your thoughts on something. But I hope no one comes after those who do enjoy the au. I haven’t seen that happen yet, I’m hoping it doesn’t. But the generalization about what it says about those who enjoy the au doesn’t sit right with me. For reasons like I mentioned above, about worrying it could turn into attempted censoring. Especially if anyone tries to get others to agree to black-and-white thinking about what they think is true. That could easily turn into justification to harassment, which I have seen in fandom spaces before. Particularly with anti-proshippers.

There may be valid criticisms to this au concept, but that doesn’t mean everyone who is a fan likes it for the same reasons. Let me address some of what I’ve seen though. The joking about Odysseus being a Manwhore coming from homophobia. Yeah, that’s possible (although personally I feel like a homophobe is more likely to not even mention gay things.) I don’t think that’s always the case though. I know there was one animatic I saw, the first thing I saw for the au, that had a joke in it that I didn’t like. I don’t judge this creator, and in fact it’s a common joke I’ve seen. Particularly with people wishing they didn’t see something. It just doesn’t vibe with me. In no way do I think that those who say such jokes have something wrong with them. People have different senses of humor and I think some use such jokes as a way to cope.

Anyways, I think some of the humor more comes from how unexpected it would be. I mean, we have a war captain facing foes who instead of choosing to fight goes for seducing them. It’s certainly interesting. I know some of the jokes come from the others not involved in the coupling being just shocked or grossed out. I think that more comes from like not wanting to see someone else talk about or get busy with another? I mean, some of these men probably consider each other to be like brothers. I imagine that would be weird. I think homosexuality wasn’t taboo in ancient Greece, I’m not entirely sure though I may need to do more research on that. So there could be some homophobia to the jokes, but I don’t think that’s the case for everyone. It certainly wasn’t for me. It could also be lgbt+ fans wanting to see more gay stuff in the story. Gay shipping isn’t uncommon after all.

I don’t think everyone who talks about the Manwhore au has no problem joking about sa. There can be many reasons why someone may enjoy a concept in media. You don’t know. Like how women are criticized for rape fantasies. I watched a documentary about sex once (I can’t remember which one this was in now) and there was a whole segment about the rape fantasy, discussing why this is an appeal to some women. It did not mean these women want to be raped of course. Part of it could come from a culture of feeling pressure to not experience any sexual feelings, so the scenario allowed them to experience something without feeling guilty about it. There isn’t always a clear explanation for why someone can find something sexy.

I think this started as a joke, but I wouldn’t be surprised if there were some who wanted something sexy in their Epic fan experience. I mean, having read the Odyssey in school (twice actually) I did not expect I would want to see Odysseus in such a scenario. But then I saw one sexy fanart of him with others and cough I ended up liking it more than I expected. Those who have seen my reblogs on this tag know heh.

There’s also the infidelity notion. I feel like given the situation, Penelope would understand. I also saw some comments that they could be poly, which is a concept I like for this. I’ve also seen mention that human relationships with gods have ended up tragically for the humans involved. I don’t think everyone who listens to Epic knows about that. I didn’t. But again, this goes back to it being fantasy. People enjoying picturing it the way they want to. It doesn’t have to be accurate to the myths. It’s fanfiction/au.

I think the infidelity notion to it didn’t bother me as much as others because in the original, he wasn’t faithful. Sorry for Odyssey spoilers I guess. Anyways, I was already used to him being a cheater. Although the one with Circe may match more with the coercion along the lines of ‘sleep with me for your crew’. The knife that’s been shown in some animatics wasn’t in the original. It’s been a while since I’ve read it so I’m not entirely sure about how that went down.

Referring back to if Odysseus wants it even if he was the one who offered (sorry if I’m all over the place with this, I have a lot of thoughts.) Seducing foes doesn’t necessarily mean he didn’t want it. There’s a character in a Sanders Sides roleplay I was in named Remy (Sleep), whose rp version was created/and played by the wonderful @queroze , who was proclaimed by them to be a manslut. His go-to to get out of situations, if he saw it was a fit strategy, was to seduce. Sure, he got into situations that weren’t great, but often he was the active one in the seducing. I wouldn’t say his go-to being to seduce meant it wasn’t always consensual. In fact, there’s many descriptions and some statements from Que themselves saying Remy loved bringing pleasure to his partners.

Then there’s the mention of the unlikeliness of the scenario actually happening. I don’t think this matters that much to be honest. It’s fandom enjoyment. Who cares if people want to enjoy something that doesn’t seem likely in canon? I personally couldn’t see seduction working, but that doesn’t mean I didn’t find the concept entertaining. Sure people shouldn’t insist it could occur to the creators. But aside from that, it doesn’t affect you. Enjoying fan spaces is way more fun if we let things stay peaceful.

I kinda want to write a fanfic now that adjusts to some of the critiques I’ve seen of this au. I know I said I probably wouldn’t, but I got inspired while planning this heh.

[nights-at-crystarium]

As a twitter/tumblr user since 2010-2011, I believe I have sufficient grounds to say that currently we as a community are living through the scariest, shittiest time yet. This post isn’t trying to fearmonger, no I’m not leaving tumblr until it literally keels over, but I suggest that we don’t put all our eggs in one basket.

If twitter/tumblr stay usable, great! In the worse scenario, you’d have kept posting on a new platform and stayed ahead of the curve.

This post shares my personal experience with three potential “new”* fandom places, and is aimed to help fellow content creators. I’m an artist fully depending on internet to survive, my reasoning may not apply to you if you’re a hobbyist. Do your own research, it’s always healthy. * Pillowfort and mastodon have been around for 5+ years, bluesky is ~2 years old.

Discovering new people to follow kinda sucks on all three platforms, twitter and tumblr are eons ahead, but, given the recent chaos and uncertainty, I’m willing to be patient, keep posting on those, and feel safer than I would’ve otherwise been. More baskets good, one basket bad.

All three have poor visual customization, don’t expect custom tumblr themes.

This list starts with the least popular, but most human and easy to join, and what I personally trust the most. All three allow nsfw if labeled properly.

✦ Pillowfort is a barebones tumblr. Intuitive, cozy, but currently very, very small. Be patient with its clunkiness or lack of some features, it’s made by an AO3-like team. I’d personally love if the fandom crowd managed to redirect its attention to it instead of the sus bluesky.

Joining: is free, invite-only, but the waitlist is nearly instant.

Lurk around on their official tumblr: @/pillowfort-social

✦ Mastodon, for me personally, is impossible to explain directly. I’ll use several comparisons.

- Discord but all servers can interact. You’re still on a server curated by some human(s) that might tell you what you can and can’t post, BUT, if you don’t like that server’s policy, you can move to a new one while keeping your followers. - Email, users A and B may be registered on different domains, still they can talk. It’s a weird comparison, but fediverse (please I’m not explaining THAT but it’s a good thing) in general looks like another email story: unlike big sites that come and go, it might stand the test of time. - Someone compared mastodon’s structure to xiv’s dc and servers, if you look at its domain names that way, it might be easier to understand.

Depending on user, mastodon may feel gatekeepy/snowflakey. I haven’t spent enough time on there to form a proper opinion yet, but a warning’s due.

An actually good and hopeful thing about mastodon AND tumblr: the two might start interacting in future. Ever lamented that your fav asian artists don’t use tumblr? If they use misskey, or any other place on the fediverse, it might be possible to follow them directly from tumblr in future, and vice versa.

Joining: is free, however some servers close for new members sometimes, and have human moderators reviewing your request.

✦ Bluesky is a twitter without Musk: today’s average internet user reads this, drops everything and already looks to register there. It’s still sus, but people flock to it like crazy. Most likely to become the next big fandom place in my eyes, even if I’m not happy about that.

I personally have no good feelings about bluesky. Same as twitter, which I hated even before the 2018 tumblr exodus, yet the crowd decided to make it The New Fandom Place, and, grudgingly, I had to give up and also join them in 2022. During the year I haven’t stopped despising twitter, yet, I can’t deny that it helped me survive. I estimate half of my patrons, and, hell, even tumblr audience, comes from twitter. So, if bluesky ends up being the next hot shit, I’ll have to keep up because internet pays for my living.

Joining: is free but hell, invite-only, the waitlist is a lie, your best chance to join is a direct invite.

This’s all I’ve got to say for now. If you have a correction or an addition, replies/reblogs are welcome!

Screenshots of the current interfaces under the cut, you may spy on my profiles o/

Pillowfort

Mastodon.art

Bluesky

[laeana]

I’ll preface this by saying no drivers should ever receive death threats or wish for them to crash and so on. You won’t ever catch me saying this to anyone (not that I ever post about f1 on Instagram or X anyway).

But on the other hand, it is a little bit funny to me seeing campaigns of how dare you hate on Lando and send him death threats! on tumblr of all the places, as if the people here were the exact same ones that were on instagram. If you want to spread awareness about that fact, do it on the appropriate platform. You shouldn’t clog drivers’ tags with it, even more if you turned a blind eye when anybody else received hate and started to advocate only when it concerns you.

That being said, if you don’t want to see posts hating or even just criticizing your driver, you should stay away from the anti tag that belongs to them.

I personally think it’s silly to have the stance “let’s not hate on any driver okay??” because that’s just not how reality works. You will feel emotions toward people and how they’re acting, good or bad. Sometimes you will vent, and maybe some other people will share the same opinion. As long as it’s kept in the appropriate space, where is the problem? I don’t want to see Max or Lewis’ hate so I have the anti tags of theirs blocked for example, it’s as simple as that.

I’m also tired to see people saying Lando is only hated because he’s challenging Max or because it’s a popular thing. Sure there are opportunists, just like in every place. But let’s not act as if Lando hadn’t been overprotected by a part of the fandom with the image of being an absolute manchild and baby that could do nothing wrong, with the excuse of British humor and the fact he’s advocating for mental health as a shield.

I say that from the bottom of my heart, I used to really like Lando. Seeing him have his first win was wow, crazy and emotional. But the way he also has behaved this year just reinforced remarks and attitude of his that never sat well with me even in the past. Maybe we should question his PR for letting him self-sabotage and say things that he shouldn’t, but nonetheless it won’t change that he has said and done things that made him appear as childish, entitled, and sometimes insufferable.

That post wasn’t supposed to be so long, but maybe we should make a list of all the times he lacked respect or said/done things about the other F1 drivers this year so that no one can come up with the idea that if we dislike him it’s only because it’s popular. Using this excuse really feels like denial from some people that don’t want to see why his behavior may have irked a part of the fandom.

[nickssidewitch]

🌬️*~Meet The Sturniolo Triplets’s Spirit Guides~*✨

Here is the long-awaited post where I introduce the fandom to the spirit guides of the triplets!! These guides protect them in their individual paths, sometimes intervening as a collective. I will not be sharing some of them because some are personal family members of this lifetime that have passed on, and some just don’t want to or like to be known! It’s per their requests! But, they’re not any less significant in their triplet’s life paths!

🪁 Nick’s Spirit Guides:

The Tall Androgynous Figure: If you’ve seen the movie Soul, this spirit kinda remind me of the first Jerry. They’re the leader of the group, and surprisingly either soft-spoken or just does not speak all of the time. They communicate to me the most using gestures. They act as a humbling tool for Nick, and allow him to stay grounded. There are some things they like to keep censored from the physical world about Nick, so they’re there to help keep Nick’s secrets safe and secure. They usually give me the big 🤫 whenever I channel sometimes 😭🤍 which is fair!

The Little Girl: Oh my gosh, you guys don’t understand how absolutely adorable this one is! Ugh, she’s just a doll! She’s so shy, but whenever she does speak, it’s something so emotionally profound. She communicates to me by tugging on my shirt (not my actual shirt, it’s a mental one 😭) for my attention, or she’ll draw something for someone if she likes them! She is there to help Nick heal his inner child because he still needs that reminder time and time again. He’s been through some shit, not necessarily in the physical world, but more-so mentally and spiritually, and the little girl is there to remind him to go through a safe and healthy healing process.

The Short and Loud One: He is so loud and forthright with his opinions (which is where I can see Nick gets that from 😭). He’s not a leader at all, but the way this one can SCREAM, you would think he is one. He’s kind of like Anger from Inside Out, or Terry from the Pixar movie Soul. He helps Nick to stay opinionated and open about his thoughts because I feel like Nick was scared to be open as a child. He came around Nick’s younger years to give him that strength to be loud and forthright.

The Literal Legend (reference to an Ayesha Erotica song; she’s the one who wanted me to call her that 😭🤍): She is exactly what she says she is. She always has a lipgloss or lipstick in her hand and gorgeous lips, and walks around like the world is hers (and Nick’s). She gives Nick his confidence and unapologetic bad bitch energy! She’s the one who sits down with him to watch Rupaul’s Drag Race when he has no one else to watch it with, just do he doesn’t feel alone and so he can feel the same energy those queens give 😭😭🤍

🐬 Matt’s Spirit Guides:

The Old British Man: I would say he’s one of the leaders in his group of spirit guides. He’s snarky, blunt, and can be a bit mean, but he means well in Matt’s case. He knows what Matt wants and how Matt can get there. But, sometimes he doesn’t intervene because he wants Matt to make mistakes in order to grow. He’s more of a disciplinarian type of man, but that doesn’t mean he doesn’t love Matt. No, this man adores Matthew, and will do anything in his power to ensure that Matt takes the proper steps to enlightenment and evolution.

The Warm, Humble Lady: She’s such a kind, warm, and beautiful lady. I see her with long blonde hair and arms always extended for a hug. 🫂 I see her adorned with beautiful flowers and there are some dogs and cats surrounding her space. She gives me woodland fairy vibes! 🧚🏾‍♀️ She has some ability to humble Matt and remind him of his roots. She acts as sort of a personification of nostalgia and everything about home. He’s probably seen her in his dreams and visions, but doesn’t really remember her. She’s telling me that’s intentional 😭🤍

The Military Man: He comes and goes, but he might be a relative of his from a long time ago or from a past life. He loves Matt’s energy and has stuck by his side since he was around 8 or 10. He’s Matt’s protector in a way, and he’s able to bring Matt a sort of strength that he might need to get through certain situations. I feel like around those ages I mentioned, that’s when Matt needed strength because he was experiencing something terrible, and that’s when Mr. Military Man stepped in. He’s not authoritarian at all like the Old British Man; he’s actually quite chill and always has a smile on his face unless he’s concerned about Matt’s wellbeing. (The Military Man is so handsome with a great smile btw— oop I didn’t say that 🧍🏾‍♀️)

The Older Grandmother: She is a grandmother maternal figure for him who is also a sense of nostalgia and peace for him. She makes him feel warm and comfortable, like a warm quilted blanket by a fireplace. She just exudes grandmother energy, and I have a feeling she knew him in a past life as well.

🐯 Chris’s Spirit Guides:

The Runaway Slave: This spirit guide was very surprising to me because I’ve never channeled a white man to have a spiritual guide that’s black or was black in a past life? But that’s what she is, and her story is quite a sad yet beautiful one. She was a house slave that ran away from her plantation successfully and lived up until the Jim Crow era and then died when she was caught in one of the Northern U.S. states. She reminds Chris of strength and resilience. She is a figure of responsibility and respect, and Chris needs that a lot of the time to stay humble.

The Circus Entertainer: This spirit guide was either an acrobat or weightlifter back when circuses were all the rage! He makes Chris as happy-go-lucky as he is 😭 He never fails to give Chris a reason to laugh or smile. I think this entertainer has been through a lot and knows what it’s like to be overworked and not be able to smile. That’s why he’s there to help Chris get a break and have a laugh every once in a while. That’s why Chris sometimes laughs or smiles very randomly 😭🤍

The Tallyman Accountant: He’s a doozy 😭 He does not speak at all. He just takes notes of everything and tallies everything that happens. He helps Chris remember things because he knows Chris’s forgetful self needs that sometimes. That’s all I can say about him!

The Bubblegum Girl: She is fierce, bold, and vivacious! Her hair is in pigtails and she loves vibrant colors like electric blues or bubblegum pinks! She seems like such a skater-girl rebellious-type. She’s short and spontaneous and loves to have fun and cause havoc. Maybe that’s where Chris gets it from 😭😭🤍. She’s there to allow him to have fun, and is also sometimes his wingwoman when it comes to his social life. I love her energy so much 😭🩷.

They have other guides as well, but those are the major ones I can channel at the moment!! 🥰🤍🤍✨

You guys can say hi to them if you want! They would love that!! 🥰🤗

[stitcherofchaos]

Kidnap Fam vs Earendil and Elwing controversy: Regarding the twins

Maybe I’m too practical-minded, but I see a lot of people either supporting or exaggerating kidnap fam, hating it with all their being, or ignoring the whole ‘love grew between them’ to translate into ‘emotional manipulation, hatred, resentment… etc (being anti-canon)’. I’ll respect opinions, frankly, I really could care less about them, but it does get irritating when people throw canon away for the drama (I certainly get annoyed when extreme pro-kidnap fams fans make it all sunshine and rainbows as if it wasn’t a difficult time or situation).

By the way, I can and will say that the twins can feel emotions, they are allowed to do that. Resentment and love can exist at the same time (for only a period of time) but one or the other must fade in order for the other the linger. One has to be consumed in order for the other to burn.

But just a thought, Elrond and Elros could love all of their parents equally, no more, no less than the others. One became a healer and the other, a king, I think they came to understand their foster father(s) and their bio-parents’ decisions.

(Ay maybe I just suck at emotions and all this feelings stuff and have no idea what I’m tolkien about)

And I’m not trying to call out or bash anyone!

I saw (and wanted to share) the quote,

“if your anger burns the furnace in your soul your whole life, you will be forever cold in the grave.”(I’m paraphrasing, I can’t remember the exact quote)

I cannot imagine Elrond or Elros being resentful to the point were they are vicious or unforgiving, whether it was towards Elwing, Eärendil, Maglor, or Maedhros (I really don’t think he was involved too much but if you swing that way).

I don’t want Elros to be cold in his grave, and I certainly don’t want Elrond's fëa to be burning for the rest of his immortal life.

Then I also had the thought, 'if the Fëanorians had never committed the third, worst, kinslaying, then Elwing would have never flown the Silmaril to her husband and they would have never gotten the help of the Valar.'

I personally headcanon that it was Eru’s work at hand to have Maglor raise Elrond and Elros. Think about it, what if they were spoiled in an alternate universe? What if something worse had happened to the twins? What if? What if?

What if they didn't become who they were meant to be if it wasn't for who they were raised by?

By the way, I read LOTR, I know Elrond refers to Eärendil publicly as his father and he makes no mention of Maglor. I analyzed this in three ways. 1.) Elrond must keep (the memory of) Maglor closed off, locked in his heart rather than talking about him more. 2.) It would've caused drama in his realm and in the counsel. 3.) Elrond really doesn't care, his father is his father, that's it. Zip. Maglor raised him, but Maglor is gone now. In a way, Eärendil is more present than Maglor in Elrond's life by the third age. Elrond can physically see the star, but he can't see Maglor.

I see it in the third way mostly. Eärendil is Elrond father, biologically, so why would he do this "My 'real' father" BS? It just seems like a waste of time. Tolkien probably didn't want to confuse anyone since the Silmarillion couldn't be published with LOTR.

Remind me of that quote from Yondu, "He may have been your father, boy, but he wasn't your daddy." But I really didn't want to refer to that quote considering Peter and Yondu's relationship is not the best example to compare this cluster of daddy issues to. Nevertheless, there is a point to be made in that statement. There is a difference between relation in regard to Nature vs Nurture, and the effects of it.

I guess the whole point of this post is, the fandom tends to take canon lore to the extreme or over analyze things to the point where they're just projecting. Trust me, I've been there, done that. I've learned my lesson (I think) and I wanted to share what I've learned.

Also (this is purely opinion) I don’t think Maglor was manipulative about anything, in the book, he just didn’t come off that way, for as little as he appeared, he actually seemed to be pretty optimistic (*regarding Eärendil) and honest (*the debate with Maedhros). He didn’t try to excuse himself or get the twins to pity him. Maglor raising the twins was out of pity/mercy, yes, but love grew (like what Tolkien said). He probably educated them on the facts and encouraged them to form their own opinions, whether that costed him their love or not. Maglor did have the more accurate moral compass compared to his brothers (in the end of the book!- Put down your pitchforks Maedhros stans!), especially if he knew that the Silmaril was better beyond their reach than where the enemy can also reach it. It was an accurate moral compass, although not a big one.

Argue, agree or disagree, or discuss with me! I want to hear different perspectives or opinions on this matter.

[dinarosie]

hi i am actually very interested in the fact that you are "anti-marauders" because i have a strong feeling you've never actually had a conversation with a (real, not tik-tokified) marauders fan. i don't particularly "hate" snape, but i do NOT think he's a good person. i have a lot of similar nuanced feeling pertaining to peter, and i will admit that james and sirius are often childish and did bully snape. i've decided to reread half-blood prince, and rewatch the movie, so i can have a real conversation of my opinion on snape, and i will send in another ask later.

also, sectumsemprus (is that it?) is his SIGNATURE spell- for reference, voldemort's signature spell is avada kedavra, and harry's is probably expelliarmus. do you know how many times you have to use a spell for it to become your signature spell?

Hi there! Thanks for reaching out.

First, I want to clarify that I use anti-Marauders tags not because I created this blog solely to spread hate against them or to harass their fans, but because it’s a general Tumblr rule. For nearly any post criticizing a character, you’re expected to use anti tags, as fans of that character might not want to see critical posts about their favorite. This ensures fans who may not want to see criticism of their favorite characters can filter or avoid it if they choose.

Now, you mentioned that I probably haven’t talked to a “real” Marauders fan, which is why I have anti-Marauders posts. But honestly, I don’t think all fans of the Marauders share the same views, nor is it possible to talk to every fan before making a post. I see a lot of anti-Snape content daily—much of it from Marauders fans—and often get an idea for a post that I decide to share. I imagine most bloggers do this; it’s part of engaging with fandoms online. I try to offer thoughtful critiques when possible, but that does take time. Sometimes, seeing particularly harsh, illogical, or double-standard comments pushes me to post a short, sarcastic response—one that mirrors the style of some of the content I encounter.

Overall, I wouldn’t call myself “anti All of Marauder fans.” Yes, I use terms like “Marauders fans” and “anti-Marauders” tags, but my issue is only with fans who unreasonably hate Snape and mock him (even for things like his background) or who attack Snape supporters, labeling them with hurtful terms simply for supporting him. Outside of those specific cases, I have no problem with other fans.

As for your question about Sectumsempra, I understand you’re suggesting it became Snape’s “signature” spell through frequent, harmful use. I looked up the reference you mentioned, and here’s the passage from Deathly Hallows where Lupin speaks of Sectumsempra:

“He lost his hood during the chase. Sectumsempra was always a specialty of Snape’s. I wish I could say I’d paid him back in kind, but it was all I could do to keep George on the broom after he was injured, he was losing so much blood.”

It’s worth noting the term Lupin uses here: specialty, not signature. Sectumsempra first appears in Half-Blood Prince as an unknown spell by an unnamed creator. After Harry uses it on Malfoy, it’s still an unfamiliar spell until Snape admits to creating it at the end of the book. But in Deathly Hallows, right after the Battle of the Seven Potters, Sectumsempra becomes widely associated with Snape (via Lupin’s words).

While in Half-Blood Prince the goal is to keep the creator of this spell anonymous, in Deathly Hallows it’s crucial to know exactly who used Sectumsempra during the Battle of the Seven Potters. The inconsistency here seems intentional. The author isn’t referencing Sectumsempra’s notoriety here to highlight Snape’s past; rather, I believe she brings it up as an important clue about the future. This clue gains significance after we view Snape’s memories, especially after reading Dumbledore’s line to him just before the Battle of the Seven Potters:

And Severus, if you are forced to take part in the chase, be sure to act your part convincingly… I am counting upon you to remain in Lord Voldemort’s good books as long as possible, or Hogwarts will be left to the mercy of the Carrows..."

But in THE PRINCE’S TALE, we see that Snape defies Dumbledore’s advice—he steps out of his role as a Death Eater and targets another Death Eater with a spell that’s highly conspicuous, one that could jeopardize his cover. (If successful, and had it hit another Death Eater, they would have immediately recognized the spell as Snape’s own.) So why would Snape make such an irrational choice? Why take such a risk? To save the life of Remus Lupin.

This scene is one of many that show Snape’s growth and commitment to doing the right thing—not out of loyalty to Lily, not for Dumbledore, nor for any personal reward.( And that's exactly why, in the chapter where Snape's true loyalty and the real story behind him are finally revealed, this spell and its backstory are brought up.) As he admitted in his iconic line to Dumbledore, he had grown weary of watching lives be lost when he had the power to save them. Whether it’s an old bully, Lucius and Narcissa’s son, or James and Lily’s, Snape steps in without hesitation to protect a life—even if it endangers his own

Another reason I don’t believe the author’s aim here is to highlight Snape’s crimes as a Death Eater is that there are numerous scenes throughout the series discussing Snape’s actions during that time. Yet, we never see any indication or hint from the author that Snape committed serious harm or atrocities while serving as a Death Eater. In fact, in his argument with Bellatrix, it’s mentioned that Snape actively tried to avoid participating in missions. During his planning conversations with Dumbledore, we’re also told that his soul has never been tainted by murder. And in Karkaroff’s trial, there’s no crime or accusation he can use against Snape.

[2500ji]

alright, that’s it.

i’m sick of seeing hate against people who don’t read the project sekai stories. this fandom has a lot of problems and this collective hatred of anyone who doesn’t dedicate hours upon hours to read the stories is one of them.

first of all, the event stories are fucking long.

each episode can be anywhere from 15-30 minutes if read as the game intends (with auto on). multiply this by 8, and you’re talking possibly 2-4 hours PER EVENT. this doesn’t even account for mixed events, which have 2 extra episodes.

not to mention, there are 137 events on the japanese server (and 101 on the english server) at the time i am writing this. 3 hours average times 137 events equals a total of 411 hours. that is 2 and a half weeks of solid content. to say that’s daunting for people who started playing the game any sizable amount of time since its release is a massive understatement.

not to mention, the events, if viewed in-game, take a massive amount of storage space. not everyone’s device can handle the insane amount of space needed for this game’s events (even moreso if you plan to listen to the voices)

not everyone plays the game for the events, and they’re NOT needed to enjoy the characters.

i get it. if someone who hasn’t read the events is trying to have in-depth analyses of the characters or the groups, they’re bound to mischaracterize. the thing is, nobody’s really doing that.

not everyone downloaded the game because they wanted to read 400 hours of stories. yes, they are a fundamental part of the game. i’m not trying to deny that. however, so is the rhythm game. i don’t see any hate towards people who hardly touch the shows. because they’re not for everyone.

you should be able to talk about, write fics for, and roleplay as the characters without needing to read the stories. yes, people may mischaracterize. but reading the stories doesn’t make you exempt to that either. i’ve read fics from people who read every story for the group the fics were about that still managed to get so much wrong.

the events can be serious triggers.

i’m a HUGE niigo fan. i buy nightcord merchandise, i’ve played almost all their songs, and i love the characters. i have not read a single solely-niigo event. you know why? because they are extremely triggering for me — the most blatant example being the most recent event on ensekai; “farewell, my mask.”

project sekai’s stories are beautiful. but if one’s writing is always light-hearted, it will not touch people as dearly. (i mean, for christ’s sake, No Seek No Find revolves around this exact statement.)

and project sekai is no exception — their stories unapologetically dive into extremely heavy topics, including but not limited to emotional abuse, grief/loss, and being hospitalized. reading the nightcord stories as people have tried to genuinely harass me into doing would result in some extremely bad feelings.

and i’m not the only one — many people i know, some who have even reblogged and expressed agreement with posts hating on those who don’t read the stories, have shared my sentiment. you cannot insist people read the stories like i’ve seen many people do, because you have no clue what might trigger someone.

what should we do, then?

first of all, build up some tolerance. not everyone is going to read the stories, and some people may mischaracterize the characters. did someone make a character analysis that ignored a big aspect of a character? scroll past the post. did someone write a fic making a character say and do things they usually wouldn’t? hit the backspace button.

second of all, try to be open-minded to the opinions of people who haven’t read the stories. maybe they get their content through the commission song lyrics, or maybe they diligently read the area conversations. or maybe they don’t! maybe they just want to talk about their fave.

if someone’s misinterpretation is genuinely harmful or bigoted, call out the harm and bigotry. that person who called ena an abusive sister despite akito acting similarly? call out the misogyny. this goes for any harmful interpretation of a character or group.

and finally, try to have some fun. this is a game. we’re all fans. if you do nothing but perpetuate hatred, nobody’s gonna wanna play toys with you.