#the story had great potential

[originallypoki]

Our Flag Means Death S2 Spoilers!

Something people doesn't seem to realize, is that pacing has a key impact to a story. Yes, the tale you want to tell can be the best someone has ever come up with, but if your pacing of it is awful, it pulls the whole story down with it. To rushed pacing? It loses meaning and impact, because there's no time to become attached. To slow paced? It becomes boring and uninteresting, finishing the book, show or movie feels more like a task than actual fun.

The first 4 episodes of season 2 of OFMD were awesome. The pacing was perfect, we had enough time to register what was happening and to sort out our emotions. I was a bit thrown off by ep 5. Because, while still good paced, you can start the see the problems because of the missing 2 eps ( for example the skipped fight, instead choosing to tell, not show. )-

Then episode 6 and 7 happened. And oh boi, I wanted to drop the show, only my love for it keeping me going.

I know that it isn't David Jenkins and the production team's fault, since the 2 episodes got cut, giving us the total of 8. But I can't excuse the decision to cram the plot of 10 eps into 8. If you have so little time left, why don't just cut some 'unimportant' storypoints?

Like Ned Lowe, he was introduced and died in the same episode. His purpose was to give GentleBeard development I know, that still doesn't give him enough importance to let him stay in the shortened version. Just like the second break-up from GentleBeard we got in ep 7.

Instead we got very out-of-character characters, Stede for example. I can see why he acts the way he does in ep 7. It would make sense, had he more time to have proper character development! Instead he feels weird, plus the very very uncomfortable second-hand embarrassment scenes (like the fight with Zheng). And sadly after ep 3, I couldn't feel the same chemistry GentleBeard had in S1. While there were cute scenes, like the end of ep5, I felt like something was missing to make me actually care. It's just my feelings, so not very important, but it was a bit disappointing.

The end of ep 7 gave me hope. Because it was a perfect way to introduce a villain, who's a genuine threat to our heros. And I maybe like Prince Ricky a bit to much. Then ep 8 came crushing down while drowing my love for OFMD, that made me ignore everything wrong with the second half of S2.

I like ep 8, well the first few minutes. It felt like I finally had time to see what's happening and David Jenkins didn't leave us completely clueless. ( Let's ignore the logic holes since it was is a comedy show and they were always there. ) And I was way to busy squieking like a pig of happiness to think critical.

I have many criticism points, but will only focus on one;

Izzy's death. And by god, I. Am. Pissed. Killing a character that is beloved by the fandom isn't the problem. While I love him, he's my favorite, I also love a good ol' angst. But he was in the middle of his redemption arc, and ending this with death is just such weak writing. I have nothing against killing a character off for development. Iron man for example, his whole story is about becoming a better person and jumping over his ego. And it ends just like Izzy in death. But Tony was through his arc, his death was the final, showing he has changed, showing he would do everything to save the universe and more important, the people he loves.

If Izzy died at the start of or before S2 I wouldn't complain, because it would've been perfect for him. Maybe if he died a more impactful death I wouldn't write this. But you can't make a character finally change and then destroy the meaning of it by killing him off in the fucking middle of the change. It would've had so much more impact seeing how he becomes a part of the crew he loathed not even a few weeks ago. Episode 5 did that great, while a bit fast. I like how he and Stede get along. Growing closer. It was a bit too fast paced, and I hoped for them to finally communicate, not talk. The same with Ed, I wanted him and Izzy to finally talk to eachother and not through eachother. However, giving us acutally communication while Izzy's fucking dying is not how you give impact. (And credit where credit's due; I really like that dialog, it was beautiful and the right words choosen to explain how Izzy feels)

Not to forget what a meaning it conveys. Izzy always did what he thought was right, even when it was completely wrong. But when he finally grows and begins to do actually what is right and let's go of Ed, he dies?

Still, I wouldn't say that they shouldn't have done a season 2 at all. It has great potential and I can see what they were going for. So, while it has it's problem's, it's nothing what a good fanfic can't fix. So I look forward to the amazing works that will build up on this hot mess and / or 'correct' it.

So bye, I'll go cry and give the last three episodes of S2 of OFMD, the last 20 minutes of S2 Go treatment T^T (except that GO S2 was fucking fantastic through the whole season)

[poorly-drawn-mdzs]

The girls are plottinggggg

[First] Prev <–-> Next

[littlestkoi-n]

the rage I feel when reading Blood of Olympus chapters 45-56 is almost equivalent in magnitude to the absolute joy I experience when reading The Last Olympian chapters 1-23.

remember when percabeth was good? when they meant the world to each other but had other people they cared about (nico, for one. both of them. so much), other worries and other storylines aside from their romantic plot? and when nico's completed arc wasn't repeated for no reason other than to dump more trauma on the youngest character in the series? when background characters were included in the story not for all the unnecessary last minute romantic subplots but because they were fun and fascinating to learn more about? and were actually friends with main characters? remember when grover was percy and annabeth's best friend forever? and antagonists were actually interesting and intimidating and had compelling goals? and the story revolved around friendship and family and loyalty? and death was definite and loss was palpable and battles were thrilling?

yeah. good times.

[mrs-gauche]

I beat Veilguard.

It's 4am. I'm a mess. I'm in tears.

[blackhholes]

teen wolf meme: [3/6] creatures -> kitsune

There are thirteen kinds of Kitsune: celestial, wild, ocean, thunder... But there is one, a dark Kitsune. They call it void, or Nogitsune.

[itsybitsybatsyspider]

don't you just love it when you find an obscure mediocre media that has such an intriguing concept and storyline that has better potential than whatever Marvel's been putting out for the last two years but then go to see that there's no fandom or fan content for it so you're basically vibrating and going feral by yourself in the corner as it rots your brain??

yeah so anyway, have some Max Steel doodles

[homewrecking-lore]

People will really talk about how Star Trek: Voyager isn't good and then list reasons that LITERALLY apply to all classic Star Trek. "Developments didn't carry over from episode to episode." "There's a lot of bad or boring episodes." "It missed a lot of opportunities." Have you ever seen Star Trek? Have you ever watched a Star Trek series? Are we really pretending these are just problems in Voyager?

[starry-bi-sky]

Danyal Al Ghul's missed potential - this kid is not gonna behave like his canon self if he's with the league of assassins until his late formative years, and my reasoning why

(feel free to take this all with a grain of salt this is just my thoughts on it, this is all mostly amusing to me and isn't trying to be negative towards anyone else)

similar to how i was talking about how danny growing up in crime alley would affect him, demon twin aus with danyal al ghul make me laugh a lot (affectionate) because... whose teaching danny to unlearn all the ecofascism he picked up from the league of assassins? whose teaching him to be kind? to be gentle? Not the LoA thats for certain.

(you could plausibly say Jazz but she's only 2 years older than Danny and do you really expect a fellow child to properly explain why X is wrong to another child and have it be 100% effective? i don't doubt it'd help to an extent, but not in the same way an adult explaining it would)

plus a ton of other things, like whose teaching him to value human life? not the LoA. Whose teaching him how to adjust to living with American society after he ends up with the Fentons when he's 8-9-10? Who teaches him that killing is wrong, whose enforcing that?

(not the Fentons if you're going the neglectful parent route, and Jazz can try but i really don't think Danny is going to listen to her, a stranger who isn't even part of his grandfather's league)

How do you teach a child to value human life when the greatest development window for that opportunity has closed and he's already formed his own opinions?

You're not gonna get a Danny whose exactly like his canon attitude if he's staying with the league during his formative years (0-8 years old). you're not. You could get someone LIKE it, potentially, or someone who has traces of it or is similar -- like danny's wit and jokes and sarcasm, and on some level his kindness. but you're not gonna have a carbon copy. Development doesn't work that way. "nature" can only do so much in the face of nurture.

If anything, it doesn't even have to be a major change -- in the league he cans till be kind, but it's probably going to manifest in a different way than what is considered normal. Tough love, for one. But there's gonna be something that affects him negatively. Why make him 'always good/kind' when you can make him a brat who develops into a kinder (if spikier than in canon) person?

TLDR: Danyal Al Ghul would not be like how he is in canon if he's with the league until his late formative years -- not without any lasting pr permanent impacts from the league at least. Missed potential to make him an absolute nightmare like damian was -- especially in his early years when he first arrived to the Fenton house.

(this doesn't apply to danyal al ghul aus where he's either given to the fentons as a baby/is reincarnated/etc. this is mostly aimed for danyal al ghul aus where he fakes his death at like, 7-10 and somehow ends up, personality-wise like his completely canon self by 14 without any differences.)

(and even then if he's five or four, or even three, he would still be traumatized and influenced by the league. he'll just have more time to adjust. the sooner he leaves the league the more likely he is to be like his canon self, but not like an exact copy)

(more under the cut)

Anyways what I'm saying is that there is prime missed Danyal al Ghul potential to make him an absolute NIGHTMARE to the Fentons however way he ends up with them, just like Damian was with the Waynes! Cuz why does Damian get all the fun? Danny got the same training and endoctrine as him! He is also an ex-assassin! Why is Danny the only one who is 'well adjusted and non-violent' hm? Hmm?

Why can't he also be mean, and stabby, and a total stuck-up in some way or another? Have fun with his characterization, its prime opportunity to play play-doh and clay with him! If he starts out as X how does he get the personality traits of Y, and thus become XY?

Like take this with a grain of salt if you will, but make him arrogant. Make him an asshole! Make him a bad person at first! Because he will be! He's the blood son of the batman and you mean to tell me that damian is the only one arrogant about it at first? Make him stabby and mean even at 14 when he's begun to chill out! Have fun with it! If he's with the Fentons at any point past the age of four or five then he's gonna be a nightmare to handle because he still remembers the league and his time there.

(and while it gives him more time to chill the hell out, his time at the league is still gonna leave an impact on him.)

also what im saying as well is have him and sam potentially get along like a house on FIRE. Again, Danny grew up under the views of an ecofascist cult and nobody to challenge those views to him until he got to amity park at whatever age in late formative years he was at. He could be about as intense or even MORE intense about environmental awareness/rights than Sam is!

(also him being supremely unimpressed with Sam's wealth. he gave up a palace in the mountains for this town. because that's funny to me - like let his past have more influence on him! it'll be fun!)

you could have a danny who doesn't kill but doesn't fully understand the value of human life because jazz is like two years older than him and isn't that good at explaining why people's lives are important. he won't kill but he's not morally opposed to it. there's very little chance he actually gets bullied at school because he nearly killed Dash the first time he tried anything.

Danny could have scars, physical ones, because its implied in multiple canon that training starts at toddling (my best bet is 3 at minimum and ~maybe~ 2 but only on the later side of 2. Good fucking luck getting any infant under 2 to do anything you ask, ESPECIALLY assassin training. They're gonna stick the weapon in their mouth sooner than they're gonna do katas. This is coming from a daycare teacher.)

there's more examples of how danny being at the league during his formative years would affect him, but those are just some of them. he could have a sword! An appreciation for weaponry and nature. Maybe he still speaks all shakespearan and formal, does he still make bodily threats to people? If Damian is still threatening people at 14 why can't danny?

[aroaessidhe]

2024 reads / storygraph

Asunder

slow-paced high fantasy

a woman who has a contract with an eldritch entity allowing her to see the dead & survives by taking various jobs

when a job searching for stranded smugglers in a cave goes wrong, she ends up with the soul of a dying stranger bound to her shadow

along with a scholar and her old childhood friend, they travel to his home country to find a way to unbind him and save them both

dark fantasy world with gods, demonic entities, arcane magic, and semi-sentient beasts used as transport

[hermemescabin]

Annabeth forgave her dad, let it go

A person reconciling with a neglectful and/or abuse parent in real life is a very personal choice that you have the right to make for yourself.

A character who grew up in an abusive and/or neglectful house in fiction, only to have this neglect invalidated by the author, is a totally different matter. Personally I never felt that Rick gave me enough reason to believe Frederick is redeemed. Also he's fictional and my opinion won't hurt him. I just don't like him.

At the end of the day we're all going to interpret these things differently and I welcome you to disagree if you feel like it.

[menlove]

the way I cannot stand sa//ltburn but I've made people watch it with me 3 times

[fiona-fififi]

Gonna go 911 negative for a minute, so look away if you're not into that.

But I am bothered by the focus on Buck with Gerrard in the new description. I mean, I generally understand why Buck would struggle with Gerrard when Bobby's gone and Buck has recently realized he's bisexual. But it bothers me so SO much that they have brought back Gerrard (and Tommy, though it's obviously a little different from the Gerrard bullshit—but still TWO characters from that same era) and don't seem to be doing anything at all with the fact that Gerrard totured Hen and Chimney because he's a racist, homophobic, misogynistic piece of shit. Like HOW have Hen and Chimney not been incorporated into this story in any significant way yet??

And maybe they will be. It's just concerning to me that Buck is the only one with the mention in regards to Gerrard. Which could well mean nothing—they do often provide episode and season descriptions that separate each character and give them a line that doesn't fully reflect the extent to which other characters are involved in their storylines.

But it is making me uncomfortable nonetheless. :/

[stop-breaking-my-heart-dragonage]

Okay I thought I was done but apparently I'm not. I need to talk more about this banter you can get during the Legacy DLC between Aveline and Warden Carver because it makes me want to scream.

Aveline: I'm glad you found a place with the Wardens. Carver: Well, it's not the city guard, but it'll do. Aveline: Carver... it wasn't the place for you. Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...

In my last post, I talked about how Aveline had no place telling the guard to refuse Carver's application, regardless of if he was "right" for the job or not. But I believe he would've made a great guard, and getting that job not only would've provided for him and his family during a desperate time, but would've prevented him from either fate of becoming a warden or a templar. He was unfairly robbed of a chance to prove himself because Aveline believed he wasn't right for the guard.

This is one of the banters I brought up but didn't go too in depth about. At this point, it's been between 3-6 years since Act 1, depending on if you decided to do Legacy in Act 2 or Act 3, and every line here is important.

Carver's response to Aveline saying she's glad he "found a place" with the wardens is so telling. Not being accepted by the guard is still on his mind after all this time. He wouldn't bring it up if it didn't still bother him, and implies that he still would've preferred the guard over the wardens.

Which... yeah. Listen, I'm a dedicated "Carver joins the Grey Warden" player. I don't like leaving him behind to become a templar, and I certainly don't like him dying. For me, the Grey Wardens are the best outcome he has. It’s where he seems the happiest and finds the most fulfilment, and it fits well with how I play my Hawke. But it obviously has some tragic issues.

Like the fact that becoming a Grey Warden only delayed his inevitable death within the Deep Roads. Eventually his Calling will come, and Carver will go back down there and fight until the darkspawn eventually kill him. I'm sure that's not traumatic to think about given he was a soldier at Ostagar and then watched Bethany die at the hands of an ogre. Oh, and there's the whole nightmares and voices thing.

Carver didn't choose this life for himself. It was either this or death, but a "what if?" still lingers in his mind about the city guard.

Something Aveline ruined for him.

And continues to ruin.

Aveline: Carver... it wasn't the place for you.

You hear that? In the distance? That's me screaming.

I must reiterate; what makes Aveline believe it's her place to tell Carver whether or not the city guard was right for him? Why did she think she should get a say in whether or not the guard takes him? What's made it HER call?

And still, after all this time has passed, she believes it wasn't right for him and she's unwilling to consider otherwise. Maker forbid she do some reflection and question if she was in the right for interfering at all, too!

Carver is standing right there before her, proving everything she said about him wrong, and she just doubles down. There's no reason to say this to him unless she's trying to remind him of his place; he's a Grey Warden, and she's Guard-Captain of Kirkwall's city guard. But c'mon, Aveline, he's hardly a threat to your precious guard anymore given the whole dedication to killing darkspawn thing he has now.

Maybe if you paid more attention to the threats within your guard, Kirkwall would be a safer place with less murder going around? Just saying!

But isn't that how it's always been? Aveline putting him in his place, making sure Carver remembers she's always outranked him?

Carver: Did you approve my application? Aveline: I can't make you a guard, Carver. Carver: We were both soldiers. Why won't they take me? Aveline: I was an officer. And I follow orders. Carver: [laughs] No you don't. Aveline: I also think of others before myself. You seem tired of that, and that's dangerous. Carver: Just when it's not my choice. You told them not to take me, didn't you? Aveline: Yes.

That he should remember who he's talking to?

Carver: I'm surprised you still travel with us, Aveline. Aveline: Carver, don't. Carver: You're ever so busy with the guardsmen. It must be a burden to slum with the refugees. Aveline: It's oddly comforting that you insult me like I'm family. Carver: That wasn't... no, I didn't mean that. Aveline: I know. But you should be glad that's how I took it.

That she's in charge?

Aveline: Your form's sloppy, Carver. Stiffen up or the darkspawn will take your blade. Carver: Right. I'll keep that in mind. Aveline: And you're angry, why? Carver: You didn't fare any better than I did the last time we faced darkspawn. Aveline: If they take your blade, people die. That's not happening again. Stiffen up. Carver: Yes ma'am.

Oh, and she used to spy on him [and Hawke].

Aveline: I don't like some of the people you've been associating with, Carver. Carver: Talk to my brother/sister. He/She's the one in charge. Aveline:  Maybe, but I know you get around. This city's full of people who are dead set on ending badly. I don't want to see you end up the same way. Carver: Would asking you to stop spying on me help in the least? Aveline: No.

That's their banter.

But sure, she's glad he found a place in the wardens. I don't think she's being ingenuine when she says that, but I think it's a little more complicated than a mere "congrats on doing well, I knew you could do it."

But Carver's response? Oh Maker's ass. It actually hurts me.

Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well...

I... what can I even say?

He accepts it, but you can tell it hurts to do so. It DID cost a lot. More than Aveline will ever understand. And it doesn't matter now! He can't become a guard now anyway, so what would be the point in him disagreeing with her? Carver acts as the bigger person here because he does get it, even if Aveline doesn't.

But it's that last part... that last damn part... Don't be alarmed, that screaming you hear is still me.

Here's the deal; Carver acknowledges that he could be an ass back in Act 1. Hell, he acknowledges it IN Act 1. For example, when you talk to him after finding your grandfather's will, he's an ass to you about Bethany no matter what you say.

But y'know what? You can be the biggest piece of shit to him and have Hawke literally call him a "lazy brat with a chip on his shoulder," and Carver will still be the one to be apologetic for what he said and attempt to explain his feelings.

"Brother/Sister... I feel... I don't know. It's like Mother taking things out on us. She was just scared. I don't have a place in the life she's trying to bring back…"

Carver can be an ass, but he's aware of that and actively tries to change his behavior. If you bring him and Fenris with you on the Mark of the Assassin DLC, there's a moment where Carver says, "You still don't like me? I've tried to change." And if you bring Varric, he once again acknowledges that he used to be an ass.

BUT... that being said. If you don't remember, "I really was a bit of a tit those days, wasn't I?" is referencing back to this conversation in the barracks of Act 1:

Hawke: This must be a very different pace from serving King Cailan. Aveline: It's just one more change, though. The real end for me was Ostagar. What about you Carver? You were there. Do you feel something similar? Carver: No. Aveline: All right, then. Bit of a tit, your brother.

Now, I've already expressed my beef with Aveline over insulting Carver in the middle of the barracks just because he doesn't agree with her view point on Ostagar... but consider the fact that Carver says nothing. He just lets her insult him without a complaint! Carver Hawke, who tends to complain! And he says nothing!

Not only that, but he actually internalized that insult enough that years later he's able to repeat it back to Aveline word for word, and all she has to say is, "Well..."

This isn't the same thing as him reflecting on his past behavior and acknowledging his flaws. This is Carver accepting a snide jab Aveline made that hurt him because apparently he was wrong for not wanting to discuss any trauma Ostagar left him with as openly as she does.

Oh, and don't forget that any other companion you brought along dogpiles on, too!

Carver: No, it's all right. It is. It cost a lot, but I get it. I really was a bit of a tit those days, wasn't I? Aveline: Well... Varric: No shit. Fenris: Insufferable. Isabela: Legendary. Anders: Maker, yes. Sebastian: I've heard as much. [If Hawke has a humorous/charming personality] Hawke: Spoiled, annoying, thick-headed, brattish little nitwit of a... oh, have we stopped?

Y'all ever wonder why he's so on edge or hostile with the other companions?

Also, I have to point out that Merrill is the only companion who doesn't say anything in agreement if she's there. In fact, across all their banter, Merrill's never been rude or insulting toward him. All she does is ask him if he's talking dirty to her and compliments him on what a great sworder he is. It's pretty obvious why Carver develops a crush on her, c'mon.

But to wrap this up-

This banter strikes a nerve due to how telling it is about both characters involved.

Carver has grown and done what he can to improve himself, but there's regret that lingers, a longing for a better life he could've had if given a chance. Maybe he would've failed, maybe he would've succeeded. But there's nothing he can do now, so he looks forward, just as he's always wanted to do. He's a damn good Grey Warden who wants to do right.

Aveline remains stagnant. She hasn't changed, nor has she improved, and maybe she would if she could figure out how to dislodge her head from her own ass. She still believes she was in the right to tell the guard not to accept Carver's application despite knowing the Hawke's were desperate and that Fereldan refugees couldn't find work. She knew Carver's a skilled soldier who fought at Ostagar just as she did. The guard wasn't the place for him so she's in the right to deny him any chance. Aveline knows best.

And y'know what, I think all I have left to say is...

Fine, Aveline. You're right. It wasn't the place for him.

Carver was too good for your city guard.

[astralarias]

I may have said this before but I don’t like how the wizards being up there watching but not intervening makes the previous stakes feel so much less.

It makes it feel like all our struggles weren’t that serious because if they thought Tyria was actually going to explode and end, the wizards would’ve presumably stepped in.

[snowstories]

The problem with BOTW is that it's obnoxiously popular in the LOZ fandom to the detriment of other games but also unfortunately it's genuinely really really fun to write fanfic for.

[nonbinary-octopus]

my dream last night was mentally tagged as "based on a movie you've seen!" and I was like "I wish that was true, because then I could rewatch it!" and so my dream doubled down on that, and after going through the whole story (which, I do appreciate that I got to see the whole story, it was very neat!), the dream shifted to 'awake' me looking the movie up on my phone to prove that it was real.

I couldn't remember the title, so I googled "audrey hempburn sleeping beauty" because it was a sleeping beauty retelling (presumably), and the lead actress was Anne Hathaway, misrecognized as Audrey Hepburn*

and of course, since I was dreaming, found the movie! I don't remember the title anymore, but I think it had both the words Love and Power in it. Also, the movie was based on a book! With a similar but slightly different title.

So I went and found the book, which I just so happened to have on hand, and started rereading the story. Also it turns out that it was the first book in a series of like five.

aaand then the dream got distracted with other stuff

* ironically, turns out irl that sleeping beauty from the disney animated film was based on Audrey Hepburn. I did not know this before this morning seeing what would happen if I actually did this search