#the show has arrived

[inconsistentlywrittensoul]

Buffy Season One Review

I’m on my first Buffy rewatch in a long time - I think over a decade? I have watched the entire series enough times that the episodes are all still kind of burned into my brain, but I’m curious what my reaction will be now I’m a bit older.

Anyway, I’ve finished Season One, and I thought I might do a quick review of each season as I go. Can’t promise I’ll be able to keep it up, but I’ll give it a go. So…

Season One Review

S1 is… fine. It’s okay. It’s not as good as later seasons, but it’s not bad; it’s shallower than later seasons, but having expected that I found there’s a surprising amount of depth here. (Partly because I’m watching after reading @herinsectreflection’s excellent analyses, which inspired this most recent rewatch.)

I actually don’t think there are many bad episodes in S1 - the problem is, there’s hardly any good episodes either, and none that rise beyond just being ‘good’. They’re mostly just perfectly serviceable - the metaphors are a bit blunt, the humour’s a bit broad, the MIDI soundtrack kind of sucks, the vibes are kind of cheesy and immature, and overall, it’s just…

It’s Power Rangers. It’s a bit deeper and scarier, and the action scenes are worse, but basically, Season One is Power Rangers. And that’s not bad - I kind of like Power Rangers, and it’s not a bad season by those standards - but it’s not what Buffy is trying to be, or what it will become.

Season Score: 5/10 - It’s fine.

Big Bad - The Master:

In some ways, the Master is perfect. It makes sense that Buffy’s first villain is this kind of ancient and powerful vampire - he’s not as interesting as later villains, but it feels appropriate that Buffy has to beat this more generic Big Bad to move on to them. And he has a strong enough presence that he can actually bear the mythic weight that is placed upon him - it makes sense that he’s the one that killed Buffy, that he sired the Bisexual Vampire Squad; it never feels inappropriate that he has this important place in the mythology of the series, and he can carry that weight in his rare later appearances.

Unfortunately, in this season, he’s a Power Rangers villain. He sits in his lair, sending out minions and screaming in frustration when they fail. (Even finally facing the hero directly in the finale, beating them easily before they get a power up and return the favour - classic Power Rangers villain stuff.) He spends most of the season both trapped and sickly - while at full power he’s a compelling, intimidating presence, for most of the season he seems weak and kind of effete, like a homophobic Bond villain. At his best, he's montrous yet civilised, brutal but witty; in his weakened state, he lacks the contrasts that make him compelling.

Still, he is charming, he does work well in the finale, and he’s always a delight in his rare later appearances. So…

Big Bad Score: 5/10 - He’s fine. (... and not in that sense.)

Rewatch Reevaluations

The biggest change in my perspective since my last rewatch is around Angel. When I was younger, I didn’t really think much about the age difference between him and Buffy; now I’m older, I’m extremely aware of it, but also, it seems like the show is too. The episode where he shifts from ‘random mysterious stranger’ to ‘potential love interest’ is Teacher’s Pet - an episode about an older sexual predator preying on teenagers. Then in ‘Angel’, we don’t just see him creepily staring at Buffy, we see him lie to her about it afterwards, in an episode where the age difference is a major topic of discussion.

In general, his obsession with her comes across as way more creepy and pathetic than I remember, and while part of that is just my interpretation, I do think think the series is aware of it; I think him following her around and staring at her from afar is meant to be kind of offputting. I’m curious how I’ll feel about their romance going forward - I remember on previous watches I thought their breakup in Season 3 was unmotivated, and I suspect I’ll feel very differently about it this time around.

I’m also generally more aware of some things after reading @herinsectreflection’s essays. In particular, I’m noticing Buffy’s relationship to death - from her ‘seize the day, because tomorrow you might be dead’ philosophy in the first episode, to her rebelling against and accepting it in the last… and her Faith-like smile as she enjoys mortal combat with vampires at the beginning of ‘Prophecy Girl’. I’m also much more aware of Giles as a very flawed figure torn between paternal affection for Buffy and sending her to her death - which is explicit in a few episodes, but I’m more aware of it as an ongoing arc, rather than just some isolated emotional beats.

Other than that, one thing I’m noticing is how much weight the show gives to the death of minor characters. It’s easy for an action/horror show to start treating death casually or flippantly, but so far the show is careful to give each death an emotional impact, to make every death matter… at least ‘til the end of the episode, at which point they’ll be promptly forgotten about. Sorry Jesse.

And unsurprisingly for a 90s show, I am finding the sense of humour a little mean and kind of misogynistic, especially towards Cordelia. That said, though Xander is often the face of this meanness, I honestly don’t dislike him, even in S1. The thing is, either the show is aware that he’s being an asshole, in which case it’s an intentional character flaw, which is good; or it isn’t, in which case I tend to blame the show itself rather than the character. Maybe that’s a little generous, but it lets me enjoy the character, so I’m willing extend that generosity. I am curious how I’ll feel about him going forward. I'm glad at least Cordelia gets to be more of a character towards the end of the season - it does make the jokes around her feel a lot less mean.

Honourable Mention Award for Underrated or Forgotten Characters Who Deserve to be Mentioned Honourably

3. Zookeeper Furry from ‘The Pack’. Just a really solid one-off villain performance, in an era where performances tend towards the broad and cheesy side of the spectrum.

2. The Black Cat from ‘The Witch’. Looks like stock footage, never shares a shot or even a set with another character, and achieves nothing except slightly startling Giles, after which he just continues as if nothing happened. Yet despite doing basically nothing, it achieves greatness by earning a place in the opening credits. Truly an inspiration.

1. Principal Flutey. With how much he gets overshadowed by Principal Snyder, it’s easy to forget how great Flutey is as a character. From tearing up Buffy’s permanent record and taping it back together again in front of her, to being eaten by Hyena-possessed students, Flutey is a delight whenever he’s on screen - he’s genuinely a highlight of Season 1 for me. Principal Flutey, I salute you, and hearby mention you as honourably as I can.

Episode Rankings

Might not do this for every season, but hey, it’s a short season, so why not. Starting from the top:

'Prophecy Girl' - Obvious choice, needs no explanation.

'Angel' - Strong character work, introduces a bunch of ideas that’ll be important for the rest of the series, and solves the problem of making a single vampire a threat by giving her guns, which I respect.

'Welcome to the Hellmouth'/'The Harvest' - A solid introduction to the series; I wouldn’t call it great by most standards, but it competently introduces everything the setting, characters and the premise of the series, which is impressive in its own way. Luke is perfect in his role - he’s a compelling presence that feels like a genuine threat, but he’s not so interesting that he distracts from the important things.

'The Pack' - A solid guest performance from the zookeeper, Principal Flutey’s last stand, and some juicy thematic and character goodness makes leaves this Monster of the Week episode at the head of the pack. (… I am so terribly sorry.)

'Nightmares' - Character! Themes! Imagery! This episode has it all, at least by the standards of Season One.

'Out of Mind, Out of Sight' - The first episode that treats Cordelia like an actual character. Also, invisible assassin school! Everybody loves invisible assassin school.

'The Witch' - A perfectly competent MOTW episode, this gets a boost for featuring the cat that accomplishes nothing.

'I Robot, You Jane' - Yeah, the 90s hacker schtick is goofy, but this ep’s not bad - I like the goofy robot demon and the surprisingly good demon prosthetics for its non-robot body that barely appears in the episode. I like the idea that scanning a magic book can summon a demon into the internet itself. Also, Jenny’s here.

'Teacher’s Pet' - Another MOTW episode that does its job adequately. I’m inclined to think of this as the Most Typical Season 1 Episode - it perfectly represents the season at its baseline.

'Puppet Show' - I kind of like some of the ideas in this episode, but the puppet’s a creep and parts of the plot feel contrived. (Why are they sure the demon will leave as soon as it has the organs? Why would Giles get into a guillotine under any circumstances?) Overall… Eh, it’s fine.

'Never Kill A Boy on the First Date' - There’s some good stuff in here, especially around Buffy’s relationship to Giles and to her own Slayerhood. Unfortunately, the plot just doesn’t work - even this early on, one vampire just doesn’t feel like enough of a threat to build an episode around, and generic serial killer vamp is no exception - he's certainly no Luke. It’s a plot entirely concerned with setting up the larger arc around the Anointed One, and that would leave this episode feeling empty and boring even if it was for an arc that was actually, you know, good.

So that's Season One. I enjoyed it fine, but... I'm definitely looking forward to the series really getting good. If somehow you've actually read this far: Thank you for putting my words into your brain. I take it as a great compliment, and hope you liked them - or, failing that, that they invoked in you a great fury, such as only the worst opinions may conjure.

In any case - and regardless of whether I can be bothered to write any more of these - I will continue my rewatch into the Actually Good seasons of Buffy.

[poorly-drawn-mdzs]

Bonus 8: How met your mother (CSSR design by @qourmet!)

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[nigellica]

I love the big, ridiculous, dramatic disasters on 9-1-1, but I'd really love to see an episode where they don't go to a single call.

And I don't mean, the focus is elsewhere and we just don't see the calls. I mean they don't get a single call. Like the opposite of the quiet episode.

I want like, Buck climbing the walls, Eddie trying to pretend he isn't also bored out of his mind. Hen trying to be responsible and do responsible things but getting sucked into shenanigans. Bobby suspicious he gets to cook and eat an entire meal. Maybe Chim trying to avoid a conversation with someone and having to find excuses around the station to escape. Or begging Maddie to send them literally any job so he doesn't have to listen to Buck whining (especially when Tommy can barely respond to his texts because he's so busy).

And maybe they get one call and everyone rushes to get ready, gets in the trucks to go and then.... Slowly and sadly reverse back into the shed when they're stood down because another unit is closer.

I want them running out of things to clean, playing stupid games like fuck, marry or kill, doing personality quizzes ('Which animal are you? Buck and Cap both got golden retrievers!'). Just... The levels of stupidity they could get into with nothing else to do.

(And Bobby somehow gets an entire month's worth of paperwork done before he emerges into the disaster that is the firehouse, smoke alarm going off, feathers everywhere for some reason and just the entire 118 looking like guilty puppies)

[cherrirui-official]

"You know... You didn't have to take that with you."

"But I promised him I'd take him out to see the ocean one day."

[ofswordsandpens]

"the Gabe and Sally dynamic in the show is abusive" and "the way they've portrayed Gabe in the show is distinctly different from his book counterpart and fans can criticize that" are two discussions that can coexist

[somewhereincairparavel]

The funniest thing about Jason slander, for me, is that it's so fucking contradictory, people would hate on Jason for being "too perfect" "too flawless" "too gary stu-esque" and that he's too boringly good and then will proceed to hate on him by nitpicking his already existing flaws that they claimed he never had (like being mistrustful towards Nico, "leading Reyna on by dating Piper", being too "serious and cold" )

Like mf, didn't you just say you wished Jason was flawed?? So now why r you yapping about what a "terrible sadistic egomaniac" person he is for thinking he can defeat Percy in a silly duel??? Lmao

[beardedmrbean]

[socksandbuttons]

Can you pretty pretty please turn our 'tupid but well meaning attack Jack into a tiny li'll thing? I just wanna see what Bby Jack would look like.

OH MY GOSH! They could call him Jack-jack as a nickname-

I'm sorry, I got excited. I'm very tired.

I CAN AND ALREADY HAVE in traditonal art but i didnt take any pictures so-

Unfortunately he's not canon to the Bean AU... But i can provide bean jack.

bfksjs jackjack awwww

[sergle]

AROUND (time): 30 minute window before and 30 after. BEFORE (time): the specified time is the absolute cutoff, bordering on late, so arrive somewhere in the hour before. AT (time): be punctual and be there or be square at the time. BY (time): something STARTS at the time specified and arriving at the exact time does not count as late. This is my take. I am not taking criticism at this time.

no dude bc I think you lowkey nailed it

[firbolgfriend]

Im just yapping but there is this fic on fimficton called Discord of Tomorrow that’s about s2 evil discord traveling forward in time right before he can be turned to stone to switch places with the version of himself (reformed discord) that exists when the elements of harmony are gone, so reformed discord gets stuck in the past and has had to snap away and hide the elements of harmony from the mane 6 so he can focus on trying to get back to the future without getting turned to stone, all while dealing with the moral dilemma of him realizing how easy it was to take the elements and how easy it would be to seriously just take Equestria over again vs being worried about what evil discord is currently doing to his friends in present time. It’s only like three chapters but I think the plot is so funny and the author didn’t even get to the part where evil discord is in the future and the mane 6 is trying to figure out wtf his problem is, thinking he has amnesia or something. I want to make a comic expanding on it so bad I’m like seriously obsessed with it I can’t stop thinking about it

[yeah-thats-probably-it]

tumblr won't let me add videos to reblogs of my own post so this is just to say: I really like this minute or so from the end of The Delayed Arrival! I think it's nice. It's hard to explain why, I think it just feels kind of cozy and domestic (fittingly after an episode where J and B have been acting Extremely Married). Jeeves waiting to pick up Bertie from his darts thing and ask how it went like a supportive spouse. The two of them exchanging meaningful glances about Stilton. I like the shot of Jeeves closing the door as the theme music starts to play. Just "we had a crazy adventure but now we're home again :)" vibes

[sciderman]

[kindahoping4forever]

🚨👄🎲 The most important update of the tour tbh 🎲👄🚨

[pocketgalaxies]

That is true freedom. (C3E40 || C3E76)

[magicandmundane]

Something something pouring rain and thunderstorm during that first standoff with Crosshair on Kamino in “Aftermath” and during that final standoff with Hemlock on Tantiss in “The Cavalry Has Arrived.”

Echoes of the past, of who we once were, but we can’t go back to the beginning, to the way things used to be.

[sinnbaddie]

I don’t understand why Kishimoto never added Kakashi having thoughts about Gai when he died in the pain assault. It’s like he doesn’t want his relationship with Gai to have depth but then adds all these interactions and feelings that show how much he means to Kakashi.

He thinks of his dead friends and family, he thinks of Konoha 11, but he doesn’t think about his longest and biggest support? Not even a passing thought?

Might Gai is Kakashi’s best friend and rival, he isn’t a nuisance to him and he doesn’t think he’s less than him. Their relationship has substance and evidence to show how much they care about one another, im sick of Kishimoto and his constant need to diminish it then prop it up and then diminish it again. How can he be so inconsistent with relationships and character writing??