#the show canon is very different from book canon

[teradul]

Holy fuck Welcome to Noxus is amazing.

And I do mean that. And part of the hype is for how it folds Arcane in, but it also kinda has me worried.

Like, with Arcane and its canon, the best approach to the timeline is to let all of the cuncurrent events that work in a comic-book like environment of connected but mostly self-contained stories (that necessitates that concurrentness given the scope of the stories and the number of artists working on different parts at any given moment) to be spread out into a much larger timeline. Where a strong narrative drive can be better explored.

And with the state of the Noxian invasion of Ionia, especially the Singed of it all, it would be, imo, the best interest of the story to make Arcane as early in this timeline as possible. Before the first invasion of Ionia, AT LEAST. Makes sense, right?

But we see Katarina going against the Black Rose. And we see them talk about the next move while teasing what seems like Riven's Blade. And all of that is very much post-invasion stuff. Like, Katarina has her daggers infused, which also means we're post J3's death and in the middle of the Mage rebellion in Demacia, which is something that with "The Arcane is waking up" from the show, would have fit much more easily into the Sylas is recruited by the mageseekers part of that plotline than being forced to be happening right now.

We're currently 1 step removed from Arcane and shit is already looking wobbly at the seams because it was never intended to work like this, and even though Welcome to Noxus was incredibly hype and might be dethroning RISE to me, it very much needs you not to think too much about the broader universe implications, despite its purpose being trying to sell me on that broader universe.

[wisteria-lodge]

About the gender in hp thing: I know JKR wrote the books wanting the patriarchy to have minimal impact on the world but even through a couple of the metas you wrote you can see that that’s not the case. In your character crying post there’s a clear implication that showing that kind of emotion is a weakness but also that it is not masculine. Equating strength with masculinity is foundational for cultures with strong patriarchies, and this idea infests every other aspect of their lives. Idk because of that and many other reasons I have a very hard time of writing the wizarding world as anything other than a patriarchy

This is a watsonian analysis vs doylist analysis issue.

I 100% do think that JKR went out of her way to really, really downplay the importance of gender in her worldbuilding - and this contributes a lot to the specific feel of the world. You could genderflip, idk. Neville. Snape. Draco. Hermione. McGonagall. and almost no plot elements or character dynamics would change. (Maybe James would bully Severus slightly differently? Idk. He honestly might not.)

Compare HP to something like His Dark Materials, another British fantasy series released at the same time, marketed to the same demographic... in which gender politics are REALLY important. Lyra conforming or not conforming to specific gender norms hugely impacts the way a lot of other characters treat her. So much of Mrs. Coulter's character has to do with how she's navigated the back ways and side avenues into power, because the patriarchy that runs *that* world is extremely explicit and plot relevant, and there's a lot she just can't do.

Now is JKR *good* at writing a gender-blind world? Not really no. So she's stripped out the importance of gender in a fairly surface way, while leaving evidence of the foundations intact. Everyone's a het couple, women take the husband's last name, Molly and Petunia are at home while their husbands work and there's no inverse of that situation, Fleur's father walks her down the aisle at her wedding, it's important that Hermione be able to tame her hair when she wants to, but for Harry it doesn't matter...

There is ALSO the narrative voice poking through and putting its own spin on everything. This is where we start getting judgment (for example) directed both at girls who are too feminine, and at girls who aren't feminine enough. Or sexual assault not really "sticking" if it's directed at boys. We don't have a character talking, in-universe, about how it's wrong for a woman not to want children. We just have a book where the only women who don't have kids (or take care of kids) are villains. Same thing with masculinity = strength = no crying. That's something the narrative framing / bias of the author brings to the table, but it's kept out of the mechanics of the magical world. I guess you could say Harry and Draco equate crying/fainting with weakness (but not explicitly anti-masculinity)... but then Lupin goes out of his way to separate 'fainting' from 'weakness' anyway.

Interestingly, gender is much more baked into the muggle worldbuilding. (Part of why I think leaving that aspect out of the wizarding world was a deliberate choice.) Smeltings is an all-boys school, so is St Brutus.' Dudley teases Harry about his "boyfriend" Cedric, Vernon sizes up Arthur and Mad-Eye by how masculine they are. At the beginning of Book 4, Dudley's diet is this very gendered conflict between Vernon and Petunia, where Vernon doesn't want a "little nancy boy for a son" - and that is one of the only truly gendered insults in the whole series. "Crybaby" almost counts... but the Slytherins tease Hermione for crying too, so idk. They tend to go for pretty gender-neutral insults, like "poor" "unimportant parents" "looks like a chipmunk" ... etc.

Like... I'm trying to imagine a scene were Lucius lays into Draco for not being masculine enough, and I can't. I think that in a canon-compliant fic, a scene like that would feel odd. The conflict would need to be framed more like a "you disgrace the name of Malfoy with your weakness" or "never tell anyone outside the family what you're thinking" or "your believe yourself to be more intelligent than you truly are." Not "you need to man up."

[snackugaki-jestsjapesjokes]

ヤッホー ！！スナクがきついたよ！°˖✧◝(⁰▿⁰)◜✧˖°

でも 日本語が少し分かります

ngl my ass had to whip out my old dictionary because I doubt my reading level is a solid N5 when I don't practice as often as I should. also since japanese is my third language so idk, I'm gonna try ok

so! i do rag on and bully these poor turtles a lot but the kanji on them is very like.... gymbro style "fire", "dragon", "strength" type of tattooing or marking oneself. Which does fit considering Bay splinter taught them ninjutsu from a book he found while sweeping the sewers. To me, they're canonical ninjaboos (affectionate).

but usually it's like a motto or a mantra or an oath that's tattooed if ever but that's neither koko nor soko

_ _ _

starting with Leo's bandana

So yeah, confirmed for 息子, musuko. more or less. looks like 'musu' is missing a few strokes plus a few misplaced ones. anyway. looks like it was written on with a paint pen. i would think splinter wrote it because it just seems kinda weird for Leo to have written it himself. i don't have the linguistic perspective to describe why it seems weird to just have "son" on his mask. "blue son" would be less weird actually, "beloved son" would work. "upstanding son". but just "son" is like... idk man, ig, they replaced it with a bunch of staples in 2016 so moot

I cannnnnot get a clean shot of his shell kanji the only clear part is 子

three zero action figure of Out of the Shadows Leonardo

I got this from the figure but even zoomed in I can't make heads or tails of the first kanji, i feel like this puzzle is for someone whose first language is japanese

visually something about the top kanji makes me think about those "fonts" that arbitrarily assign kanji radicals to the english alphabet to "spell" things. at most it looks like whatever kanji it is it has the 勹 radical other than that? a mystery to me

_ _ _

now for Raph's 憤

which is an example of what I mean by gymbro-style "dragon" or "strength" tattoos in that 憤 is not exactly a word by itself, it's part of a word or I guess concept would be better? either way it's like writing "indig" instead of "indignation"

憤慨 fungai, is "indignation", technically it IS also "anger" in that when you resent someone you're also a little angry at them. Which considering... Raph does a lot of resenting, he resented being benched, he resented not being told about the purple ooze, he resented Leo for disregarding not only his but also Mikey's input.

i guess if you wanted to keep 憤 then 憤激 (fungeki) fury would work?

i think the funniest thing is the font choice for 憤 as it's written on his bandana because it's like a very official for-use-in-textbooks type of font. like the kind of font for government buildings or legal documents.

tried to find in-movie examples alas, three zero coming in clutch with the clearest details for at least the Out of the Shadows designs. but. looks like another chopping problem where there's 憤 and 怒 which together don't really make a word. although 怒 oko from 怒るokoru which is the "angry" you use when you say things like "I'm angry!" again, both kanji are written with the legal document font which: haha heehee

獣 confirmed though i'd go so far as to guess he meant for it be "brute" either way it hurts a little because the connotation is like "unthinking beast compared to thinking human", like the whole sort of "the difference between 'animal' and 'man' is like logic/reason/empathy whatever". especially since this is his 2014 design when he was accusing April of taking pictures of the freaks to show her friends

_ _ _

now for donnie's 明

i think this is another case of just putting in a piece of a word. 明 by itself is like the phenomenon of something being visually bright and the light we see but i'm guessing they were thinking of trying to put adjectives on them for in-jokey sort of design tells. in that case I would have opted for like 説明 setsumei (explanation) which.... explains itself ba dum tss or i guess on a more serious take 明確 meikaku (precise, clear, definite) which is bay Donnie with his habit of expressing the probability of something happening in percentages down to the like 8th decimal place

_ _ _

annnd Mikey's 仲

This one was a little frustrating as the most handwritten looking one. at one point I swore it looked like 5 TH but whether the top mark is a 5 or an S or even a 己 at a stretch. again it seems someone who might have a passing familiarity with how hanzi/kanji works possibly swiped a part because given 仲 I'd have went with 仲間 nakama yes like from One Piece, comrade, the kind you go up to bat for or fight a shark man with a chainsaw for a nose. hell 仲良し nakayoshi the shoujo manga magazine?! good friend/close friend, Mikey can be anyone's nakayoshi and if you're not careful to stay aloof Mikey will instantly consider you nakama.

hoo, yeah, those are my best guesses idk man

Okay nertles, I need Bayverse help on my little investigation and appreciation journey. Today I’m looking into the kanji on the turtle designs, please help me fill in the blanks and correct me!

Leonardo’s shell has a painted 子 for son, and also “ne” sign of the rat in the zodiac (which isn’t just interesting in the Splinter way, but in the way that the ninja turtles were first conceived of in 1983 but published in May of 1984, making the franchise’s “birth year” the year of the Rat). His bandanna tails either say 忍 子 patience and son or just son 息子

Raphael’s scarification on his right arm, bandanna, and shell are all the same, “憤”indignant/hate, but beneath it on his shell is “怒” which means to get angry (like ok, we get it), and his bandanna appears to say “beast” 獣.

Donatello’s bandanna tails have bright 明 on them.

And Michelangelo has this, and I can’t find anyone talking about this at all but it looks like poorly written kanji for naka, go-between/relationship “仲”, which would make so much sense with his being the heart of the group and most socially outgoing.

I’m so sure there’s more, pretty sure Mike and Don both also have shell paint but I can’t find good screens. Will update this as people add if they do.

[pompomchihuahua]

Genya's Role in the Family

So, today, because I never shut up and I love Genya, I wanted to talk a little more about Genya, specifically his role in his family from the little we see of them and the conclusions I've personally drawn from that.

First of all, from what I can gather, it looks like Genya filled in more a homemaker role than a "man of the family" or traditional gender normative older brother role. In fact, it seems like he's taken up the burden of what you'd normally expect to be placed on the eldest sister.

I find it so interesting that in our first shot of the whole family together where they're all sleeping, we can already glean a lot of their situation. But what I want to focus on is how everyone gets their own futon, even Sanemi! Everyone except Genya, who's sleeping with baby Koto.

We know why he's not sleeping with his mama but wouldn't it make the most logical sense for him to go with the eldest? Sanemi is older than Genya by at least five years (21 to Genya's 16 in canon) ergo he would be the most responsible. Or, if you want to be gender normative since this is the very early 1900's, why not with his eldest sister?

Well, first of all, we know Sanemi trusts him above all the other siblings. We know this because Genya is the one he chose to confide in when making the promise to protect everyone. We also know that when Sanemi goes to go looking for their mother, he trusts in Genya to watch over the kids while he's gone. Which brings me to another point.

Just look at how all of them turn to him!

How he cradles baby Koto back to sleep, Genya warning them away from the door just before disaster strikes.

Even in official art, Genya is the one carrying the baby while Sanemi does the hard labor. Which brings me to Sanemi's role. Legally in this time period, he is the head of the house, which means he and Shizu are likely their main bread-winners. In the flashback, Sanemi is the one pulling the cart with the heaviest load while Genya carries a small knapsack.

During Genya's monologue he says this: "My mother was always working, from morning until night. Not once did I ever see her sleeping."

So if Shizu is always working and Sanemi is always working, who's taking care of the babies?

Well, based on how Genya interacts with the younger siblings, I would place my bets on him!

And siblings caring for their younger siblings or just young children in general was so common in rural areas they were called Komori, though they were typically little girls caring for the children of wealthy people. Simply put, by placing the burden of child-rearing on a Komori, you could free up more time for you to work.

And, it's shown that Genya does have the gentleness and patience for it. He's fiercely protective of his siblings (punching the landlord's son for making Sumi cry, standing up the caterpillar girls in One Winged butterfly). The corps record book states that Gyomei helps him regain his "gentle nature", something you'd definitely need for child rearing. He also has the patience and attention to detail needed for it as shown by his love for bonsai.

I find it so interesting that Genya has so many parallels to Nezuko from him being the only survivor out of all the little siblings while the older sibling was away, to the demonic ties to even their gentleness. And I know this was intentional: just like Gyutaro and Daki are meant to show "what could have been," Sanemi and Genya are also meant to be a "what could have been" scenario as well.

But I find Genya so much more fascinating, not just because of how he defies gender norms just from the little that we see from his past but from littlest details of his character. I could make a whole different post just on his speech patterns and how it reflects his emotional stunt in growth and how he's forcing himself to be more of a man to get closer to Sanemi.

He wears his emotions on his sleeve but he's still a private and reserved person, he's fierce but he's gentle. He's a walking dichotomy and just an excellent character with a very interesting ability that I could go on and on about too.

I would like to give a special shout out to @princeblue and boff and bepp and rose and everyone else on the blue corps server! I never would have been able to put these thoughts into words until they let me ramble at them endlessly and they rambled back!!!!!

[nalyra-dreaming]

I didn't find Sam's "agency" comments that bad, tbh? Unless there's something I'm missing (totally possible)? I didn't feel like he was suggesting Lestat was fully in control during the trial, or had the power to prevent it or anything. He stated elsewhere that Lestat doesn't want to be there and is hating every minute of it. He also heavily suggested that Lestat did not have the ability to save both Louis and Claudia, and for me, I feel like that's where his modicum of 'agency' came in - he couldn't stop what was happening but he had a few choices, and was able to exert his will to some extent (i.e. defying the coven by going off-script, influencing the audience, and somewhat altering the intended outcome of the play) whereas if he'd had zero agency throughout then he would've stayed on-script the whole time and both Claudia and Louis would be dead.

Am I missing the point, or did you interpret his comments differently? I think a major issue with some of these interviews is that the cast are so afraid of spoiling that they can't fully explain their statements or put them into context (a lot of the s2 interviews were pretty misleading in hindsight!)

The point with the agency... is that Lestat did not have that, often, canonically. A lot of his actions in the books are a wild try at regaining his agency, because throughout his story there are recurring patterns of his agency being taken away. His family, Magnus, Armand, Akasha, even Amel to an extent.

It's not that what they do there does not fit with the story the show tells.

It's the repercussions for later.

Lestat knowing about the attempted murder changed murder night and his very reactions to it, both before and after.

Lestat being able to make a decision changes the trial, and makes him choose.

Lestat giving Louis to Armand... (whichever way that will turn out eventually) shifts the impact quite significantly.

The Lestat in the books had no agency in any of these three events, and these are just... some examples. They were things that happened to him, and he had then to deal with that.

Again, the show chose to add agency there, which is not necessarily a bad thing - but it changes arcs. Arcs which they want to do still. Arcs which rely, to a significant extent imho, on the fact that Lestat is fighting for his agency. Is fighting for a way to deal.

Now, and Sam has also brushed that topic, some of his actions will come from a place of shame... because of his actions.

And that... is just not the same.

I mean, Sam said it plainly: this isn't Anne's Lestat.

But it's the Lestat we're getting.

And it is Sam's, which is a huge plus.

And tbh I am investing quite a lot of my time in consolidating the versions (not just of him, but also of Louis and Armand, who have had similar changes to their characters) in my fics, which is why those are always tagged into both, show and book canon :))

[shades-o-grey]

HELP! GOOD OMENS FIC WRITERS <3

Hello, my fellow lovelies - I'm taking a shot out here in the tumblr scape since I don't know where else to look without getting lost.

Basically I would like to find some people willing to help beta some of my writting or some direction to a community or discord with fellow fic writers or even just enthusiasts in this fandom.

I've gotten mutual help from a friend of mine with my current projects - but they're very busy with life and their own projects, plus our writing style are very different and they're not someone who's seen the show or read the book.

It's great for getting a fresher and objective look - but for more stylistic writting choices and flairs I'd love to find a community who has the same level of Good Omens brain rot as I do who might understand my writting better more creatively?

If that makes sense.

Basically i have so manny ideas a projects and writting things that I want to bounce of someone who can pick up what I'm putting down but don't know where to look.

And shouting out concepts and ficlets into void can only get you so far.

So If you know a place and would like to share, I'd be very grateful - or if you're personally interested please leave a comment or dm me!

If you need an idea of what I sound like when writting- I'd say this post is a pretty good indicator (so if you find my writting annoying in this I'm probably not your cup of tea).

Current projects is a re-work of a 'in canon' fic i wrote last year about the apology dance. It didn't perform as well as I wanted it to so I'm giving it another polish before I re-post it.

If you're curious, here's the link "The Little Dance" - please be gentle with me.

Basically that it - I'd love some writing help and would love to help beta other people writting too - tit for tat. I also draw so if people are looking for some art/banners or covers for thier work I'd love to do that too.

I'm 22 - English is my primary and only language. I am comfortable with mature and sexual themes even though I myself identify in the ace-spec.

Any further inquiries hit up my asks or leave a comment. I'm desperate for some interaction.

Anyway Ciao~ <3

[generic-sonic-fan]

I know this might be niche/20, but... Do you feel writing Metaze (Metal Sonic/Blaze) as a romantic pair ? Thinking about it I was fascinated by their similarities and differences (also in main canon they've never met so it's open to freedom !)

Ah, I'm so sorry for not answering this in a timely fashion!

Regrettably, I'm actually writing an Omega/Blaze fic write now, which is sapping just about all of my very low tolerance for romance writing. However, I'd still love to imagine some headcanons for you!

He/him pronouns for Metal, but I'm happy to modify if you'd prefer different ones!

Blaze x Metal Sonic (Metaze) Headcanons!

I like to imagine they met after Metal ended up in her dimension due to shenanigans from one of Eggman's experiments with the Chaos Emeralds.

Blaze shows up after feeling the disturbance in dimensions and finds him busted up in a crater. She does remember Sonic mentioning something about a robotic copy. . .

But when Metal Sonic gets up, he doesn't attack.

He's doing two things- attempting to reconnect to the Eggnet, and frantically searching his databanks to recognize this purple cat in front of him. He fails both.

Blaze, hesitantly, holds out her hand.

He takes it.

She leads him back to her palace. On the way, she explains where he is, who she is, and where she's taking him.

(She leaves out the part about being Sonic's friend. Something tells her he doesn't need to know.)

Once in the palace, she finds a notepad and pen so that he can finally respond.

She asks him if he's alright.

He replies, "status: operational."

"Yes, but are you alright?"

She spends the next ten minutes explaining, logically yet warmly, exactly what it means to be "alright" vs "not alright", answering any questions and rebutting any constructive criticism he might have of her definition.

She then waits patiently as Metal stares at his paper and pen.

He writes, "I am alright now. How did you explain so well?"

"It wasn't an intuitive concept for me either, at first," she replies. "I had to figure it out for myself."

And that's when Metal falls head over heels right there.

I imagine the following days are very little-mermaid coded. Blaze takes Metal on a tour of the palace. Seeing that Metal is instead listening intently instead of merely putting up with her for formality's sake (as so many in the royal court often do!), she begins talking more about things that interest her, like her favorite books.

Metal is enraptured by the way she talks. More accurately, the way she treats him as a person. She even waits for him to respond with his pen and paper instead of talking over him!

And she asks him questions as well! She seems genuinely interested in getting to know him! Not Sonic, but the real him!

. . . for better or for worse.

He has to struggle with the game of "how much can I share without giving away that I'm hard-coded to serve a megalomaniac villainous overlord."

But thankfully, Blaze doesn't pry. She understands- she wasn't so eager to share much about herself before she made her first friends either. She doesn't push it.

Moving onto more general headcanons I see for them:

They, as a couple, exist in a comfortable introverted silence.

Yet in between those comfortable silences, they share very sophisticated conversations.

I've always imagined Metal being a bit high-brow about art/literature if he was ever given the chance to be.

And I think Blaze would love discussing the literary techniques of her favorite books.

I think she'd like to read to him. He finds her voice so soothing.

She feels awkward about showing affection in traditional ways, so it's actually Metal that is the super doting, romantic partner of the two.

He loves getting her flowers and holding her hand. Classic, I know.

In return, she enjoys leaning against him. While standing, while sitting, pretty much just whenever.

The first time he felt her purr just about caused him to short-circuit.

As Blaze gets more comfortable with him, she starts to wrap her tail around his waist, and on rare occasions while alone, to nuzzle against his muzzle plating.

Anyways, I also headcanon that they LOVE dancing together.

Please, for your entertainment, imagine Metal in his Neo outfit dancing in a traditional ballroom style with Blaze in her own formal attire.

He's normally a very deferential partner but while dancing I think he'd love to take the lead. Spin her around. Dip her gently towards the floor.

All and all, a very soft and low-key couple, provided that Eggman doesn't interfere and reality comes crashing down.

[swanqueen-is-the-story]

Okay, here's the thing... I've always LOVED the big coma theory from Operation Out...

BUT THIS RIGHT HERE makes the show MORE SWAN QUEEN!!

Like, I totally understand why people hate coma theories, I hate it too most of the time 'cause it sort of erases everything that happened in a show or a book, and makes it a dream.... But, that's not the case with OUAT, and I LOVE THAT! Like, yes, give me MORE TO CHEW ON!

All the emotions are not erased by this theory, and I love that the Swan-Mills family is still THE HEART OF THE SHOW!

This opens up the possibility of so much Swan Queen that we haven't witnessed but that's told metaphorically... Like, maybe in the beginning, Emma was not very responsive, but then she's kinda back and forth, so she isn't completely cut off from Regina and Henry.

She's sometimes moving and talking. So Emma and Regina are interacting, they just have to work super hard for it... like they're on opposite sites of the town line.

Or imagine Regina mocking an Emma who says weird fairy tale sentences... and a Regina who is so lonely that the only person she comes to talk to is a woman who is half-conscious... because it's safe. But then still being snarky about it like:

Sidney: The only thing I really learned was that she doesn’t like to sit still. Regina: Well, that appears to have changed.

OR

Regina (to Emma): Well, you covered this room. I suggest you branch out.

And then, the half-conscious woman is completely in love with Regina against her own better judgment because this asshole is not being precious with her like everyone else. And Regina goes from little sarcastic interactions to starting to look at Emma and really seeing her... she's listening to the weird things she says, she's trying to go to where Emma is, understand what she's saying with all her fairytale adventures. She fucking likes her, in spite of being in different realms, and feels like she knows her... profoundly. And that's holy CANON.

Video: YouTube

Like, I love Swan Queen still after all these years, and the fact that analyzing this show with these new glasses still has the potential to give me new SQ squeal moments is just insane. I am now on the HUNT for hidden Swan Queen moments in other storylines.

Like, one thing I've already noticed is that from the beginning, Regina is "cast" as the love interest every time in the first season. I mean the fact that Sydney is "The Mirror"... literally a reflection of Emma, and he goes, "She's an amazing woman." and then Emma "You're in love with her? Ugh." Like, Emma's annoyed with herself for totally being into this woman... and all of this stuff seems fully intentional. Just when you thought this show couldn't get more gay, it really, really does. And that's an example that's not super evident.... because let's remind ourselves that Swan Queen parallels Snow and Charming ALL THE TIME!!! So where are the other hidden ones, you know? 👀

So anyway, all I'm trying to say is that we should hunt all the Swan Queen that's still left to discover.

SQ really, really is the story.

Analyzing Once Upon a Time

This can't be how the story ends

Since this blog is now as old as Henry in the Pilot, we thought this would be a good time to re-introduce this Once Upon a Time theory to the new kids on the block - and to the old kids on the block, because we have learned a thing or two during the decade we've been researching this concept.

The heart of the theory can really be summed up in one sentence:

"Everything that happened on Once Upon a Time also really happened in our world, and it is all a metaphorical retelling of Emma's life experiences in the past and in the present."

That's the part of the theory that we are certain about. Every episode has a deeper meaning, there is no fluff and together they all form one big story.

Does that mean that the story that we watched, didn't really happen? No, it's more like getting two stories for the price of one. The best metaphor we can come up with is that of lenticular cards.

Remember those little cards that you would twist and then the image would change? It doesn't really matter which one of those two images is real, because they both are. Someone had to draw and print both of them and use the right technique so we could see them both. Usually the images tell a bit of a story when you combine them, but they work perfectly fine as two standalone images.

So what we are doing is simply twisting the card, we're revealing our second story. We've really emotionally invested in these characters and now we're entering an Alternate Universe that was written by the same writers. And that's the real appeal of this theory, to get another story after the show's been off the air for so long, with the characters we know and love, because they are both.

Let's say the genre of the story we watched on television for 7 years is fantasy and the genre of our new AU is magical realism. So take a seat, suspend disbelief and enjoy the ride, because we're about to watch the official trailer of this new ABC show called Once Upon a Time.

If you watch the trailer, you see the idea of the two sides of the story being reinforced. You also hear the voice-over tell us that "someone from our world" needs to save the fairy tale characters while showing an unconscious Emma. This is the moment when the story splits in two.

Once Upon a Time takes place in what Jung called "The Collective Unconscious", or in this case The Enchanted Forest - a place where humankind's stories are real, where the fairy tale characters we know and love live - the world of archetypes.

A metaphorical curse is cast when Emma crashes her car. She loses consciousness and travels to her own subconscious mind. The fairy tale world and Emma's personal world collide and she gradually steals the fairy tale characters to work through her own issues and traumas. This is how the fairy tale characters actually get trapped in our world.

This is why this version of the story is "Magical Realism" - In magical realism, the underlying idea is that the world we currently live in actually has an undercurrent of magic, of intelligence, a magic that expresses itself through uncanny coincidences. We see this in the Pilot. Emma makes a heartfelt wish, and a second later, her long lost son rings the door bell. Unlikely, but possible in our world. When she slams her car door in anger, electric sparks fly and when she looks up at the clock, it's stuck on 8:15. August 15th. The date her long lost son was born. Odd coincidences, but entirely possible.

This magical world, however, is also a world of karma, because she violently knocks a man against his steering wheel earlier in the episode. Later that night, she hits her own head. This was the only way for the hidden magic of our world to grant Emma's wish and to restore her karma. The intelligent universe forced her to confront her demons with the help of age-old archetypes, so she could heal from her traumas, learn the life lessons she needs to allow people like Henry and Regina into her life.

Everything we saw on this show was Emma's real experience during the show's timeline, but the undercurrent of the world she experienced was created by her memories and by everything what's going on in the world around her while she is in different states of consciousness. Like Jefferson points out during "Hat Trick", even fictional stories come from a real place. They come from the writer's emotions and experiences, codified into story.

What we didn't know when we first started writing this theory, was how weird our consciousness really is. Real comas are nothing like movie comas where people just sit up one day. Maybe they need a little bit of physical rehab and then off they go. No, in the real world, people spend days, weeks, months or even years living in between their dream world and reality, trying to make sense of it all. Some people report having no memory of the months after they woke up and after they were up and somewhat functional. Many report strange dreams and remembering conversations that happened around them - except they thought they were participating.

Based on this newfound knowledge, we concluded that Emma was only in a deep coma for parts of the show's timeline. We think Emma's state in this theory closely aligns with what medical professionals call a minimally conscious state (MCS). Sleeping curse victims in an MCS are awake but show limited awareness of their surroundings. They may respond to stimuli, have brief moments of purposeful behavior, or even show emotional reactions to familiar voices or events. While their consciousness seems fragmented, they can form connections between external events and their inner experiences. The show uses David's coma story to tell us what's happening with Emma. He is able to grab Mary Margaret's hand, which he couldn't do if he was in a full coma. That means Emma is sometimes saying words and interacting with the people around her. They can connect with her in meaningful ways. And they do.

The show is peppered with hints that point to Emma's state in the land without magic. Jefferson is one of the characters who is used as a part of her subconscious that is trying to make Emma aware of her situation in the reality realm, but during the second episode, Emma herself gives us a description of the curse that she is now trapped in.

Emma: "So, for decades, people have been walking around in a haze, not aging, with screwed up memories, stuck in a cursed town that kept them oblivious."

What's very important about this description, is the "screwed up memories". The flashbacks about Emma's life that we have seen, are just as metaphorical of the other parts. They did happen, but they didn't happen in the way we saw them happen. The best explanation for how these 'new memories' are created is by looking at one clear example.

The "memory" of Emma giving birth to Henry is actually a metaphorical memory of Henry coming back into Emma's life, through parallels and visual clues. In this new memory, she expresses how she really felt in that moment, in so much emotional pain she could scream, and terrified to be asked to be a mother. This is how all the stories are created.

Much of the show works this way, except unlike during this scene, we haven't seen the original experience that the metaphor is based upon. So to decipher the rest of Emma's memories, all we can do is look at the recurring themes and storylines, as they show what Emma is wrestling with. Season 1 is full of car crashes, because crashing her car in the Pilot is a very recent trauma. Parents giving up children is a recurring trauma, because it matches both her story and Henry's story. This is the translation key to figure out Emma's story. Look at the patterns.

If we listen back to the show's trailer one more time, the theme song that was chosen to represent the show couldn't be more of an invitation to see the reality layer of the story.

Rescue me

Show me who I am

'Cause I can't believe

This is how the story ends

Fight for me

If it's not too late

Help me breathe again

No, this can't be how the story ends

This is Emma fighting for her life in reality. Asking Regina and Henry and the people around her to help her come back to life, because this can't be how the story ends. This can't be how she dies.

Ooookay... so where's the fun exactly?

You may be wondering, what is the appeal? Admittedly, this story is somewhat sad and dark at first glance, but remember when you watched the first season and you were trying to guess the characters' fairy tale identities? You get to do that again, except this time you are trying to guess the real world identities. You get to experience the curse from the inside and it really does feel like you can recapture some of the fun from the first time around.

Once you realize that the memories we saw were warped, many questions bubble up to the surface. How did Henry really find Emma? Who gave him the story book and why? How did he come to his conclusions? Is he the author because he is creating the fairy tales he is reading to Emma? Who are Emma's real parents? Why was she given up for adoption? What really happened to her in foster care? Is Neal really Henry's father or is there more to the story? What is wrong with Emma? Was there something fishy about the adoption? Why is she in and out of consciousness? How do Henry and Regina react? Did Regina really try to kill her? If Regina wasn't actually the evil queen, why did Henry think she didn't love him? Why is everyone suddenly related? Who is Emma Swan? Who is Regina Mills? Who is Henry? And Gold? And Hook?

It becomes a gigantic mystery, a fantastical true crime show. And the more people lend their ears and their eyes to it, the better our chances are to actually solve this very, very weird puzzle. Because as we said, the only part of this theory that we are sure of, is that everything we saw, is all a metaphorical retelling of Emma's life in the past and in the present. We report on the connections we find, the possible interpretations. The recurring themes. The meaningful parallels. We don't claim those are the correct interpretations, because they change as we dig deeper.

So consider this an invitation to take a bite out of the forbidden fruit of knowledge, join in and share your observations, because we would like to see the full picture once we tilt our little card to take another look.

[autismmydearwatson]

I'm reading the Trollhunters book and I'm in love with book Claire <3 in the show she's a thin white Hispanic girl called Claire Nunez and she's badass but in the book she's British (a step down tbh) and her name is Claire Fontaine and she's FATTER and punk rock enough that she's not accepted by the popular kids I dearly dearly want to hear more

[ofswordsandpens]

I'm sincerely very happy for anyone who is enjoying the show but every time I see takes that the show has improved the book characterizations or that the book characters are underdeveloped in comparison to the show...

[navree]

"can we stop pretending the evil stepmother trope is bad and boring" oh my FUCKING GOD just reread the book!!!! just reread the fucking book!!!!!! if you want the book canon so bad it's right there, go read it!!!!! you've got to have it in your possession since you talk about it all the fucking time and i'd be astounded if someone this fucking pressed hasn't actually read it!!!!!! the change to rhaenyra and alicent's relationship has been known since they first cast the fucking show!!!!! it's been there since episode one!!!!!!! if you don't like it don't watch the show and just REREAD THE FUCKING BOOK!!!!!!

[rearranging-deck-chairs]

because im less breakable than you

[twinsarekeepers]

It always gives me the ick when y’all try to say there’s a specific book canon, especially concerning only the show, because that’s not true. The “book canon” has been changing since literally the very beginning of the series. From tlt to som, Rick changed so many things not just about the lore in his universe but the characters too. He did it from PJO to HOO as well. This is a consistent writing pattern of his where he changes physical and personality traits of his characters depending on his whims and that’s just the way the pjo verse is. This is why the whole “book canon” vs “show canon” thing does not make any sense because firstly, the books are like 50 steps ahead of the show. The show characters are literally in the first book phase of their character arcs and it’s relatively the same other than minor plot changes. And secondly, the books have so many conflicting character moments for all of the characters that the fandom was having arguments about what was book canon long before the show was even announced.

while i love and adore the new percy jackson trilogy so far, i have to admit that i am both disappointed and a little upset at the mischaracterisation of the characters, specifically the main trio. percy, annabeth, and grover, are no longer percy, annabeth, and grover. not their book versions, anyway.

i know that rick has said this before; that he is writing these characters now with the actors in mind, and i do understand that, but it’s not working. the books and the show are two very different things. while both are wonderful and i love them (and the movies!!), they are different. and that is okay.

but yes, there are so many moments (more in wrath of the triple goddess than in the chalice of the gods i think) especially regarding percabeth, where it just… isn’t. that isn’t my percabeth. it’s a weird mix of book canon and show characteristics, and it’s just a mess when you do that.

i love and respect rick riordan with all my heart, and i am not in any way against him or his writing, but i don’t think that the way he is writing these new book is even remotely a good decision. i think it needs to be changed. book canon should be remaining book canon, and the show versions portrayed by walker, leah, and aryan should remain their portrayals. (which are incredible, they are perfect for their roles but they can never be the book versions. they are different).

[imaginarianisms]

i was just thinking of this &. i think helaena would've reconciled with viserys for her children's sake bc she'd want them to have a good relationship with their grandfather.

[jaehaeryshater]

Gilly, Ygritte, and Monster in Winterfell

art by @shebsart, commissioned by me

Shebsart came through once again guys!!! I’m so excited ^_^

For about a year and a half, since I got into ASOIAF, I have admired Shebsart’s work. Their Theon in particular is the closest I’ve ever found to my vision of him, I adore his hooked nose (Asha’s too!). They also have such an amazing Barbrey design and the Starks, including Jon, are amazing. I have paid for some Ygritte commissions before with other artists, and I have liked all three of them, but when it comes to the closest look of what I think of when I imagine her book counterpart is some of Shebsart’s old pieces of her (and Jon). I was looking for someone to draw Gilly and Ygritte and there was nobody whose opinion that I held in higher regard than Shebsart, as they were my favorite ASOIAF artist, so I asked them if they had any recommendations of who had their commissions open. They told me they actually considering opening their commissions and I have been working with them ever since, even though as far as I know they have not formally opened commissions. Shebsart has been really great to work with and patient, even though there’s been some trouble with payment barriers since we live in very different parts of the world. They’ve been professional and worked hard.

I have long imagined the possibility of Gilly and Ygritte as friends; I thought it was high time I got it depicted in some way. I think it would really benefit Gilly if she had some female influences that weren’t family members. Of course, she does receive this to some extent, but I think it would be very interesting for her to find companionship with a girl around her age that shared the general Freefolk culture, although of course her upbringing was wildly different than Ygritte’s. We know that Ygritte has some sort of soft spot for young children, or at least some sort of moral code that keeps her from killing them. This is one trait shown in both the books and the show. In the show, while I don’t consider anything that happened to it as canon, she specifically spared Gilly and Monster knowing that the others around her would not. I don’t think it would be much of a stretch that Ygritte would grow attached to Monster and have a soft spot there, even though we know she hates incest and would therefore consider his conception an abomination. Everyone in ASOIAF is misogynistic to some extent and some of the things Ygritte says about women are toxic, but I would like to think she wouldn’t victim blame Gilly or call her a whore as Stannis did. I definitely see Ygritte as a strong woman who would want to protect and stand up for someone like Gilly. And Gilly has great compassion and is all around a good person, so I think a friendship would be good for the both of them.

In the depiction above, Ygritte is Queen in the North, consort to Jon. This fits in the same AU as my previous Jon and Ygritte commission by shripscapi. I’ve said this many times, I respect people who hate Jon x Ygritte and they have very valid reasons, but knowing Jon’s character, as long as Ygritte lives, which she would have in this AU as the Battle of Castle Black does not happen, there’s no other choice in Jon’s mind for consort for him as King Beyond the Wall. For the timeline of this art, Jon was first crowned King Beyond the Wall and he went South with his people to get away from and prepare to battle the Others, seeking help from other rulers. His men battle the Boltons and because neither Rickon or Bran have been found yet, he is declared King in the North as well for the time being. His residence is temporarily taken up in Winterfell and the Freefolk settle nearby in close quarters. Jon goes towards the Vale as he’s heard word about Sansa, but Ygritte stays behind with some of the Freefolk. This is when Gilly is her lady-in-waiting. I wanted to show that Ygritte’s clothes are nicer than Gilly’s, but I still wanted both outfits to be respectable. I wanted the fashion to be reasonable for a Northern climate, so that meant furs. Besides, they are both Freefolk and furs mean a lot to them culturally. I sent references for clothing and Shebsart went from there. Some people say Ygritte would never wear a dress but I disagree if it was comfortable enough and she was able to boss people around and be smug, I think she’d wear it as long as it was advantageous for her. And besides, I imagine that Jon designed the dress herself and that’s flattering enough for her to like it. What I did like to show is that Gilly is taking more towards traditional “ladylike” activities like embroidery, while Ygritte isn’t interested. She’d rather sit around and talk and laugh.

Oh, and isn’t baby Monster precious????

Edit: I’ve seen someone say they think Ygritte would hate her life if this is what it was like, and I’m not mad at it or anything, but I don’t agree!!! To clarify more about this AU, Jon becomes King Beyond the Wall because the Freefolk believe that only someone with Stark blood would be able to negotiate with the Others, so they’d be doomed without him. So therefore it’s not just about her feelings for Jon, she’s married to the person she believes will be able to save her people. The influence she has on him is also major and a source of pride for her. In the art above, she is living in Winterfell and yes she’s wearing a dress, but that isn’t her life forever. The reason she stays and doesn’t go with Jon to the Vale is not because she’s a woman and he refuses to let her fight, but because in the main timeline she has a child already (this art has a bit of a fudged timeline, if I were to write a fic on this idea she’d already have had a child before they breached the Wall) and if Jon were to die, the child still has Stark blood and would still be the only hope against the Others. If she had been South and had died with Jon (Jon doesn’t die at this point, but the prospect is why she stays behind), the child would have a regent with their own motivations and wouldn’t have its interests at heart like Ygritte would. This is an important role that I do think at the end of the day, despite Ygritte not being the smartest person, she would take pride and be protective over. It’s not simply that motherhood has changed her and is a role that took over her previous personality, because that’s not true. It’s that there are greater things at play and she’s a key part of protecting the source of the realm’s salvation, so to say. She doesn’t live at Winterfell forever and when at Winterfell, she does boss around some Lords but doesn’t do any chores that she would find tedious. The most she does is sew together a wolf plushie for her child, which was incredibly poorly done. When Bran and Rickon are eventually found and thus Jon doesn’t have the title of Winterfell, they settle in lands previously ruled by the Umbers and she doesn’t wear a dress anymore, I have another commission by shripscapi that shows her usual attire but it is furs, she does hunt, she teaches her children to hunt and falconry. Her traditions are not stomped out in favor of Southron traditions. Her home is not a castle, but a small home slightly more impressive than the huts of the rest of her people, inspired by architecture during the Norman invasion. All in all, she’s really happy. The most important thing to her is that her people are safe, the Others are going to be defeated, and they’ve gotten past the Wall, a goal of her people for a long time. I guess I’ve just had a different view of Ygritte and the Freefolk than majority opinion. I think the Freefolk are more adaptable than people in the South generally are, and it’s impressive how they rallied together despite their differences when faced with the Others. I don’t think the Seven Kingdoms would be able to do that. So I feel as if she, as well as most of her people, would be very happy and feel a sense of accomplishment for being able to live on and live among people that, before the threat of the Others, would never be able to tolerate them and vice versa.

[arabellasleopardcoat]

To Conquer (Daemon Targaryen x Reader)

Summary: Incest is common amongst Targaryens, Daemon assures you. Unfortunately, Alicent got to you first.

Warnings: Mentions of sex. Cursing. Arranged marriage. Periods. Daddy issues. Religious guilt. One death aside from canon ones (Daemon murders a man)

A/N: In which I rewrite the scene of my first encounter with incest in a book. If you get it, you get it.

YOU NEVER dared call Alicent mother out loud. But in your mind, she was.

The woman who had birthed you had passed away the same day you had been born. Out of her womb you had been pulled, alongside your twin. He had not survived the day.

Queen Aemma Arryn was a mere name to you, a woman who existed in paintings and shadows, a ghost that lurked on the Red Keep. Your father never once spoke of her too you, too consumed by guilt and grief. In fact, he did his best to never speak to you at all.

You were an uncomfortable reminder of the crime he had committed. Robbing a woman of life so a man may live. It hadn’t even worked in the end. Your brother had faded from this world, nothing of him remaining.

Against all odds, you had. You had clung to life, the Maesters would later say. Fought tooth and nail to stay in this world. And somehow, it hadn’t been enough. Your father avoided you like the plague, but Alicent, guilty, scared, lonely Alicent, did not. She was all you had.

You stared at your reflection in the mirror. Despite your dramatic entrance to the world, and your eventful first few months of life, your life had turned out to be quite lackluster. There were no exciting adventures or claiming of dragons, much less a moniker attached to your name like there was to Rhaenyra or Daemon. You wondered why this, out of all things, had to be different.

The robes looked graceful enough on you, you supposed. Your father had called you a true Valyrian beauty, the very image of your mother. You knew it wasn’t true. King Viserys didn’t remember her. How could he, if he had done his best attempts to erase her? He had replaced her at once, and he never once spoke of her again. At least, not with you.

His presence in your life could be defined with one word: Absence. But he had thought it fair to reappear when he needs you to do something for him. The least he could have done would have been asking for your input about the wedding.

If you had been asked, you would have chosen a traditional wedding ceremony, with a Septon and a hand fasting. You would have worn a Targaryen cloak… To be exchanged for another Targaryen cloak. No. Perhaps it had been for the best, not to desecrate such a beautiful ritual with this nonsense.

Still, you couldn't shake the feeling of not being really married. You didn’t like it. And you liked the man who was waiting for you on the other side of the door much less.

“Are you done, niece?” The knock on the door forced you into action, once again. You reached into the basin, watching the cool water shift under your fingers. There was something about the cold that cleared your head, helped you think. You took a deep breath, and tried to focus.

Alicent had told you that you should obey him in all things. That you had to do your duty, just as she had done hers. But you had seen the fear in her eyes when you were getting ready for the ceremony, and how her hands had grasped at you desperately during the feast. It had taken Ser Otto’s intervention to make her let go of you.

Your bedtime stories had not prepared either of you for this. When you were a young girl, plagued by night terrors, she would sit at the foot of your bed and pretend to read your destiny.

“One day, you will fly to the moon wearing spiderwebs as wings.” She would squint at your hand, making a show of reading the lines there.

“Tell me more!” You would squeal, fears forgotten. Despite not being the motherly type, she would always indulge you. Perhaps, because she saw herself in you. Another little girl, her mother dead, her father defined by his lack of presence.

“It says here…” Alicent would tickle your palm. “That you will grow up into a beautiful, beautiful princess who will marry a handsome lord. He will love you very much.”

Out of all the lies you had been told, it was your favorite. Each night, you would ask to hear it again and again, and think, tomorrow will be better. Tomorrow I will be all grown, and the lady of a great castle. My father will love me then.

It had been a consolation you had clung on through all your childhood. You were a princess, worthy of being appreciated by your future husband. He would love you, you knew. You would build something together, something only yours. You would raise your children to be better than you, following Alicent’s example. You would be happy.

You had never realized how much she had clung to that thought too. Her frustrated dreams for herself had been turned into hope for your future. Alicent had spoken them into the night like an enchantment, as if she could bring them to life by repeating the words over and over. So you could have what she hadn’t had. Like all parents wished.

What both of you had imagined wasn't this. You wanted to scream from rage.

“Just a bit more.” You said, your resolve hardening. The faith of the Seven dictated that laying with a relative was a sin, the same for laying with a man who was not your husband. They barely recognized Valyrian wedding ceremonies.

Had you really married him? Your High Valyrian was sloppy. Your mother had not taught you much, and your lessons had often been interrupted because of Aegon. Out of all your siblings, Aemond had been the most proficient one. He had not been present at the ceremony, being judged too young to attend.

It had been your parents, Daemon, Aegon. An intimate ceremony, just as they liked. Could your father betray you so? Give you away as a whore to appease his brother?

You opened the table’s drawers. Daemon’s bathing room was unfamiliar to you, but he must have used something to shave and you would find it. You riffled through various oils and soaps before finding the blade you were seeking.

With your non-dominant hand, you bunched the robes up. Bracing yourself, you used your other hand to slit your upper thigh. At first, you didn’t draw blood, despite feeling the sting of the blade. Your grip was too shaky. But your determination didn’t waver. Your father had asked too much of you already, there was no power in the world that could force you to share your Uncle’s bed.

Your second attempt was much more successful. Despite having tensed the muscles of your thigh anticipating pain, it didn’t hurt as much as you expected. Blood rushed out. You grabbed a rag and rubbed it on it. You examined it, coldly. No matter how Valyrian, you bled red, like any Andal.

You schooled yourself into faux embarrassment before you spoke.

“Could you… Husband…. Could you fetch my mother?”

Despite your calculations, you make the mistake regardless. The noun slips from your tongue, unprompted. A slip. The first of many to come. The temperature dropped in the room, Daemon’s anger a near palpable thing.

“Your mother is dead, niece.” He stressed the last word in a way you didn’t like. Despite the door separating the two of you, you could tell his mood had shifted from bad to something much worse. You feared what he might do to you, were you to backtrack in your plan. “Whatever Alicent has been teaching you, you should know you are not hers.”

“Queen Alicent.” You corrected, annoyed. How did he dare criticize the way she had raised you, when there had been literally no one else around up to the task. How did he dare speak down to you, as if you were a simpleton? You fought to keep your tone steady and stomped on the anger bubbling up. “I have… lady troubles.”

“Lady troubles?” Daemon asked, sounding puzzled.

You pondered the merits of skirting around the issue. You weren’t in the mood to enter a euphemism’s discussion, and so, decided to be more graphic.

The bloody rag was held gently between your fingers when you opened the door. No more words were needed. Daemon cursed and went to get your mother.

HE DOESN’T dare ask at first. Daemon understands that women’s bodies work different from his own. He has never bedded one in her moonblood, and doesn’t intend to start with you.

Despite your beauty, Daemon felt oddly disappointed. He had hoped, with you being fully Rhaenyra’s sister and not half, like his younger nephews, that you would be similar to her.

You weren’t. You lacked her fierceness and the respect for your heritage. The only thing Valyrian about you was your looks. You didn’t even have a dragon of your own, and were so damn timid, he might confuse you with a mouse rather than a Princess.

Because of that same reason, he let you be during your moonblood. While Daemon didn’t object to some blood, he doubted you would be the same. Bedding unwilling maidens wasn’t his thing. He preferred his girls willing, be it from the promise of coin or delirious from their own lust.

Somehow, he was getting the feeling you weren’t going to be the second type anytime soon. Every time he attempted to kiss you, you squirmed away, as if he were initiating something sinful and not simply trying to kiss his wife.

“Seven Hells, would it kill you to remain still?” He asked as you nervously avoided his grip on your waist. “I am not trying to initiate anything. I know you are still on your courses. Stand still. I command it.”

“I… I…” You had looked at him, all hesitant eyes. Alicent had done scarcely any things right when raising you, but at least she had instilled you obedience. But blood couldn’t be denied, and every so often your Valyrian nature reared its head. Mostly, playing against Daemon rather than in his favor. Little dragon that you were, you weren’t keen on following orders.

Ah, but bring you a Septa. Then you were jumping out of your seat to offer the damn woman your chair and observing her earnestly for non-verbal cues, tending to her every need like a commoner. Ridiculous.

“The Mother obeys the Father, from what I understand.” Daemon kept his tone matter of fact. He wasn’t certain that the Seven Pointed Star said that, but it sounded right, and it suited him, so he spoke the words with as much conviction as he could muster. In truth, Daemon had never opened the damn book in his life. A waste of time. The Septons he knew were a bunch of cunts and their followers weren’t any better.

“Maidens are supposed to be demure.” You protested. “Not indulge on indecent displays.”

“You are not meant to be a maiden any longer.” He grabbed you by the waist regardless, coaxing you to stroll next to him. “And wives obey their husbands.”

While you remained unconvinced, you allowed him to lead you around the Red Keep’s gardens. He kept a constant stream of chatter, using all his best lines, but you answered in monosyllables. Not only did Daemon wish to cultivate a better relationship with you, but he also wanted to flaunt his new bride. It was only fair that the other cunts here got a look at Targaryen superiority. Kept them from being too uppity.

Like everything else in this marriage, though, that too proved elusive. Soon, whispers began to circulate about his virility. One of your maids had a loose tongue, it seemed. The whole castle was snickering about it not even a week later. You, like usual, were oblivious.

In a fit of anger Daemon would later not be proud of, he got all the little chits whipped. But their attitudes about your moonblood made him begin to suspect something was amiss. A fortnight of bleeding seemed… Strange. While he was never particularly interested in women’s bodies beyond fucking them, something had to be wrong. An inquiry with the Maester proved him right. Apparently, over a week was unusual, a fortnight near impossible.

That night, he sat on the foot of your shared bed, watching you fret around the room. Daemon had asked for shared chambers, thinking it would bring the two of you closer. With his constant exiles and marriages, and the fact that Alicent had coddled you during your whole existence, you were a stranger with a familiar face. He had hoped to entice you by appealing to your curiosity about marital duties. Safe to say, it didn’t work.

You had put up barriers. Both metaphorical and physical ones. Right now, you were at it again. Laying down a towel on your side of the bed and a pillow in the middle of it. As he watched you, he found himself struck by the beauty of your hands. They were firm and precise in their movements, fixing down the towel and then neatly delimiting your side of the bed with the pillow.

You were wearing the most hideous nightshirt know to man, more adequate for a Septa than a newlywed. Slightly bent over, fluffing up your pillows, Daemon noticed that it was as white as fresh snow. Now that he thought of it, all your shifts were. And yet, none of them had ever been stained. Nor had the towel you placed on the bed and loudly proclaimed it was to avoid leakages. An effort to make yourself more unappealing, perhaps?

Somehow, the realization didn’t anger him. Instead, it made him more curious. Was this your way of rebelling? Were you scared? What went on behind your eyes, inside that skull of yours?

“Wife.” Daemon finally spoke, when you were starting to kneel for your nightly prayers. You paused, kneeling gracefully. You looked up at him, all curious eyes and nervous smile. “Have your courses always been this long?”

This time, he watches your reaction closely. During these past days, Daemon has not pressured you about it. But now, he waits on bated breath.

Your eyes widen. The hands you have clasped in prayer get even tighter pressed together.

“Oh, you shouldn’t… These are womanly concerns.” You are a terrible liar. He would laugh, were it not such a cruel thing to do when in the face of a little fool.

“I insist.” Daemon arches an eyebrow at you. You squirm on your knees like there are ants on your shift. You are visibly distraught. Does it pain you, pious girl that you are, to be committing a sin?

“Yes, they are.”

Another lie. He had asked some of the fools in Viserys’ employment. Yours didn’t last more than a week. But Daemon finds all the twitching you are doing entertaining, and so, decides to give you more rope to hang yourself.

“And yet, your father promised that you were fertile.” He drawls, cruel amusement almost leaking into his tone. He can’t help the way his lips twitch. This is too entertaining. It’s like toying with a mouse before eating it.

“I… I am.” You weakly defend yourself. Your face is looking more distressed by the second. And is that..? Oh, wonderful, you are starting to sweat a little.

“No, you are not. You are either lying about that, or about your moonblood.”

“I am not!” You protest, finally getting up from your kneeling position. A shame. You looked positively delicious in your predicament.

“Yes, you are! But I am giving you a chance to tell me the truth. Which one are you lying about?”

“I am not.” You look about to flee the room, so Daemon gets up and places himself on your path. You flinch a bit, but stubbornly refuse to admit the truth. His amusement at your attitude is starting to turn sour. Not only it is unflattering that you are making up excuses to avoid bedding him, but they are so stupid half the court is laughing at him behind his back about it. And you, absolute fool, can’t admit it.

“Wrong answer, niece.” He steps closer, trying to intimidate you. “I know the truth.”

“You do?” You startle. You take a step back, nearly tripping on the hem of that ugly nightgown. Daemon reaches to steady you, his grip on your arms punishingly. You twitch, as if sensing that you are caught in the maws of a hungry beast that could pounce at any moment.

“You are not on your moonblood. You can't be every single day of the moon!” He shakes you a little, making you yelp. But then, the most astounding thing happens. Because instead of going very still, as the frightened bird that you are, you shove him hard.

“What would you know!” You scream at him, pointing one finger at his face. Daemon wishes to say he is unbothered by your hysterics, but instead, he grabs your accusing hand and tugs it. The delicate bones shift inside his hand, threatening to snap, and you're left with no choice but go towards him or break your finger.

Wisely, you choose the second. You are breathing hard, and looking up at him in righteous indignation.

“Brute!”

“I asked your maids.” Daemon smirks at you, something ugly appearing on his face. In truth, whatever you see spooks you because you deflate a little. “So? Shall you tell me the truth? Or must I find it myself?”

He makes it as if to lift your shift. You bat his hand away, hard. Interesting enough, you harden then.

“What else is there to know? Beyond that I am not on my moonblood?”

“We can start with why you lied. Or why you don’t wish to lay with me.” Daemon suggests, gripping you tightly so you cannot escape. He brings his face closer to yours.

Your eyes are wide. Your face is frozen into a terrified expression, like you are realizing all your lies are catching up to you.

“I didn’t want you to force me.” You say, voice barely a whisper. Who do you think he is? Some sort of monster? Your depraved half brother, perhaps? Daemon had already heard the exploits that one was up to. Jerking off in a window, of all things.

“Force you! If I wanted to force you, I could already have.” Daemon rolls his eyes. You were not trained in any sort of combat, and you were the kind who had her head in the clouds more often than not. You were not a match for him. If Daemon wanted to force you, he just had to pin you down or pull out Dark Sister.

You stay quiet, perhaps coming to the same realization. You have gone to bed next to him for nearly two weeks, only in thin shifts. Every day, you have woken up untouched. Doubt starts to cloud up your face, as if you are noticing how vulnerable you truly have been and how well Daemon has behaved.

As if he were going to be deterred by a little blood. He was a true Targaryen. It was in his house’s words. Plenty of maidens bled when being split open on his cock. Your moonblood would not be very different.

Daemon decides to appeal to your more… Hightower side. Perhaps that would get you to yield to him. He uses his more Otto-like tone, trying to sound as cunty as possible.

“It’s your duty.”

You shake your head, frantically.

“We can’t. It's not right. You are my uncle.”

Your words are spoken with such conviction, he has to fight the urge to scream. That was your problem? You? A daughter of the house of the dragon, complaining about incest?

“It is not unprecedented. Our whole line begins because Aegon the conqueror had his sister wives. And then, Maegor married his niece, too.” Daemon’s words are sharp. He lets go of you and starts to pace the room. Good Gods, what had Alicent done to you? Had she twisted your mind so, you now thought marrying him was wrong because you were related?

“And their marriage was cursed. No child was born out of their union.” You reply, with an ugly smile. He wants to slap it out of your little face. Smug little girl, thinking she knows everything about the world.

“Jaehaerys married his sister, the Good Queen Alyssane. They had plenty of children.” He insists, trying to get you to notice the flaws in your argument. Everyone knew that the only way to preserve the Valyrian bloodline was by marrying other Valyrians. Otherwise, the magic in their blood would dilute, and they would no longer be able to claim dragons. It was common sense.

“All of them turned out very… queer.”

“My parents..!” But you interrupt him before he can finish.

“Exceptionally queer, too.”

Daemon feels his face heating up. No one before has managed to infuriate him so. He wants to shake some sense into you. His hands itch for something to punish you with. Impudent little thing, daring to suggest his parents had been queer!

Queer! The queer one here was you! A Targaryen who opposed incest!

“Listen here, you awful little…”

“Stop that. Stop insulting me, by the Seven. You won’t change my mind.” You raise one of your hands, in the universal halt sign. “I will never share your bed.”

At that, Daemon thinks actual steam must be coming out of his ears. Never. As if. You would change your mind, he knows it. No one can resist him for long. He is experienced, charming, and handsome. A prince and a true dragon. What more could anyone want?

He would make you regret your words. He would show you. Under all your repressed, Hightower ways, you were a dragon. Targaryen blood ran thick. Daemon would have you eating out of the palm of his hand before you could realize. Before, he hadn’t really been trying. But now? He was ready for war.

“Come here.” He orders. You stare at him, and do not move. “You will disobey me in this, too?”

You step closer, eyes narrowed in suspicion.

“I wish to make a deal.” Daemon says. You cross your arms over your chest. “You don’t have to bed me if you don’t want to. But you will have to give me something in exchange.”

“What?” You tap your foot against the floor, impatiently. Yet your face, as always, betrays you. His offer has made you lower your guard, interested in what he has to say. Probably because you are seeing a way out of this whole issue.

“I want you to let me be as affectionate as I wish with you.”

“Fine.” You snarl at him, trying to look fierce. But you are too new to this game of pretending for Daemon to not see through your mask. You are confused.

He steps closer. He gathers you into his arms, and hugs you.

At first, you tense. Your arms remain glued to your sides, body stiff in his arms. Daemon enjoys the feel of it regardless. You smell like innocence, sweet and young. Your body is soft and feminine, nothing like the hard muscles of his first wife. He allows himself to relax into you.

Eventually, your body sags a bit. You relax into the hug.

“I wish… I wish….” You start speaking, face hidden in his shoulder. Daemon doesn’t let go. His gut tells him that whatever you are going to say, it is important. “I wish I wasn’t ashamed. And that… In our wedding ceremony, I would have liked to know what was being said.”

Daemon’s heart aches. His poor little Hightower, denied of her birthright. And then, a giant grin spreads on his face. Here it was. The opportunity he needed.

“I will teach you.” Daemon whispers, against your hair. He kisses it. It’s a lovely thing, an icy blonde that doesn’t fit your warm personality. Now that you are not fighting him, he is starting to notice you are very sweet natured. “I promise.”

“You will?” You look up at him, wary. “And what will the price be?”

Daemon chuckles.

“No price.” He caresses the bridge of your nose, tracing your features. You seem bashful at the attention, and it is so adorable, he can’t help but kiss you.

You startle. All coltish, you nearly elbow him in your haste to move away.

“What are you doing? We said no bedding!”

“I know.” Daemon smiles at you, indulgently. Now is the time to tread carefully, less you spook, and he ends up losing all his progress. “I just want to kiss my wife. Affection, for the sake of it. Kissing doesn’t need to lead to anything.”

You nod. You don’t seem convinced. But he soon discovers your hesitance comes from something else.

“I have never kissed anyone.” You whisper, almost ashamed.

“Then let me teach you that too.” And he is leaning in, and capturing your mouth with his.

“I GOT you something.” Daemon suddenly says, one morning. You lift your gaze from your book, an historic account about the doom of old Valyria, and watch him with curious eyes.

Your husband is carrying a bundle of cloth on his arms. He is back from his usual shenanigans in the city. Betting and drinking, but no longer any whoring, he assures you. The Lord of Flea Bottom is no more, or so he says.

It is quite early. You have just broke your fast with your mother, after the two of you did your morning prayers together. It is a ritual you find great comfort in, despite Daemon doing his best to discourage you. He doesn’t like that you worship the Faith of the Seven.

He has grown slightly more tolerant of Alicent as time goes by. You cannot say the same for her. Despite the fact that Daemon treats you well, she still can’t seem to get over the fact that he is Daemon Targaryen, the same man who had terrorized her father, courted her best friend and possibly murdered his last wife.

The bundle of clothes moves in Daemon’s arms. You place your book down, and creep closer, wondering about its contents. It’s then that you hear it. A soft, quiet mewl.

A grin spreads across your face. You cross the distance between the two of you, and watch as a small paw reaches out from the cloth, flexing its tiny claws. It is covered in white fur, the cushions on the bottom of it a soft pink.

“A kitten!” You say, delighted. You take it from Daemon and cradle it against you. The kitten can’t be older than a few weeks. His eyes are already open, a cloudy gray that takes your breath away. It’s love at first sight. “Oh, husband, thank you!”

“I saw it when I was coming back this morning. Thought you would like the damn thing.” Daemon says, gruffly. He crosses his arms over his chest.

“I will name him… Quicksilver!” You say, cheerily. It makes his lips twitch a bit, unable to hide his amusement. This week, Daemon has been helping you practice your High Valyrian by reading a more recent text, accounting the times of King Aerys.

The language practice has brought the two of you closer. You are no longer as resentful or scared of him as you once were. You spend nearly all your evenings with him, pouring over gigantic tomes written in the language of your ancestors. Daemon patiently corrects your pronunciation, teaching you the right way of rolling the vocals, and how to accentuate your consonants.

You would have never thought you would enjoy learning so much. He is a very compelling teacher, clearly passionate about the subject yet stern enough to make you do all your assignments before their due date. Daemon is patient and encouraging, willing to explain things to you over and over again until you understand them fully.

The kitten yawns, showing a row of tiny white teeth and a pink tongue. You coo.

“Tiny but fierce.” Daemon smirks. “The Seven preserve us all.”

“How pious.” You tease, and Daemon steps closer. He grabs your waist and pulls you in for a kiss, Quicksilver still in your arms.

Despite having kissed him many times before now, you feel as weak to his advances as you had felt the first time he had kissed you. Daemon kisses like he is conquering, nipping at your lower lip until you open for him, and taking complete ownership of your mouth. His hands grasp at your nape, holding you against him. There is no escape from his kisses, and it fills you with a thrill you had never expected to feel before. Daemon wants you. He desires you, as a man desires a woman. There is no headier feeling than that.

At first, you had thought he was lonely. Why else would he ask for affection, when he was able to ask for anything else from you? That night, when he had found out you had been lying to him, Daemon could have asked for anything, done anything to you. Not a man in the realm would have judged him for it.

His behavior after that only seemed to confirm it. When the two of you were in public, his hands would linger on you, as if fearing you would leave his side. When someone told a funny joke, his eyes would seek yours before laughing, making sure you were still there.

It was an urge you understood too well. Abandonment was something you had learned to fear as well. Your mother had left you unwillingly. Your father and sister had both been eager to wash their hands from you. You guessed Daemon’s life had been a bit like that, too. From what you had heard, his mother had passed when he was a child. Your father had grown tired of him. And your sister… Well. That had been his fault.

When you grew up like that, you clung to every kindness, to every slice of warmth you could get. It was no wonder Daemon clung to you as hard as he did. It was difficult to live like that, not knowing what kindness feels like, grasping desperately to any scraps of it until you can almost piece together what the real thing feels like.

Despite having all reasons not to, Daemon’s attention never turned suffocating. Perhaps, you too, were starved for affection. You had gone your whole life with no positive male attention, being overshadowed by your sister and forced into almost a Septa-like life by your mother. His touches were never beyond the proper attention a man would show his wife in public. It felt almost… fatherly.

As a child, your father had never sat with you, or listened to anything you said. Daemon, instead, seemed to pay close attention to everything you did or told him. He sat for hours with you, pouring over myths and historical accounts, correcting your pronunciation of High Valyrian, teaching you the meaning behind old rituals.

It was as if a door had been opened for you. One you could use to glimpse inside his mind, and your father’s and even Rhaenyra’s. You understood now much more about how they behaved, and why they did. You didn’t necessarily agree, but you understood.

Some confusing feelings had begun to arise with all this new information stuffed into your head. You liked Daemon’s attention. He was charming, and it made you feel good about yourself, being able to keep someone as worldly and cultured as him interested in you. It made you wish, sometimes, to have been his daughter instead of King Viserys’. But at the same time, the way you felt and the things you did with him weren’t the kind of things you imagined daughters feeling for their parents.

When Daemon kissed you, as he did now, you felt your stomach swoop. His skilled mouth made your skin tingle, and all your hairs stand up on edge. It made you feel ashamed of yourself. You weren’t supposed to feel such things for your uncle. No matter how Valyrian, it was just not right.

What made you feel even more ashamed was the fact that sometimes, when he kissed you for too long, the place between your legs would get slick with arousal. You wanted him too, you realized, with the utmost horror. You wanted him like a woman desires a man. A wife desires her husband.

It is then the game starts. Daemon kisses you, and you kiss back, eagerly exploring his mouth and learning how to play his game. You make out with him for what feels like hours, until you feel drunk from his kisses and become as pliant and soft as clay being molded in his hands. It is then that you let him touch you a bit more, push the boundaries your previous truce has set. His hands grasp at your hips, his lips mouth at your neck. And when the edge of your shift starts to ride up, or his lips trail too close to the neckline of it, you jolt out of your stupor.

Shame licks at your spine, grabs tightly at the back of your head. Makes you stiffen under him, body set into a hard line. How can you be so wanton? Why do you behave in such whorish ways? You struggle then, overcome by the embarrassment you feel at your own behavior.

Daemon tries to subdue you. Sometimes, you fold, other times you spend the night tossing and turning on the bed, trying to get the upper hand. Sometimes, he wins, and pins you down on the mattress. But instead of forcing you, he kisses you again and the game begins anew.

You spend the nights like this. Kissing and struggling with anxious violence, until it has begun to replace the act of love. You can tell Daemon enjoys your struggles, the feel of your buttocks against his clothed crotch. You can feel the weight of him against your hip, burning hot and hard.

Eventually, he tires and heads out. You don’t know if he pleasures himself then, or if he just ignores his arousal until it goes away. You prefer the second when it comes to yourself. For hours, you stare at the ceiling, willing the heat in your blood to go away. Sleeps evades you, yet when it does not, it feels even more torturous. You dream of him, of the act, conjuring lewd positions and thoughts, until morning comes, and you feel like you have not slept at all.

This precarious balance could never last. You are not good at the court’s games, having been a wallflower most of your life. You are a stranger to waging tongues, and malicious comments, but Daemon is not. He is doomed to always be the center of attention, this husband of yours.

Someone notices that almost three moons after marriage, you are still a maiden And someone remembers Daemon’s lack of children with his first wife. One plus one makes two.

He comes to find you in the Royal Sept, as you are lighting candles with your mother. He grabs you briskly by the arm and drags you away, the match still alight between your fingers.

“Have you heard?” Daemon asks, breathless. It is clear that he has rushed to you. “What they are saying about me?”

You shake your head.

“How would I?” You are, after all, as isolated as you were before the wedding. Your only companions are Quicksilver, Daemon, your mother, and your siblings. And Aegon is at that terrible age, where he behaves like a little deviant. The others are too young to provide true companionship, Helaena stuck on her imaginary worlds and Aemond not quite a boy, not yet a man.

“They say I am impotent. That your womb has not quickened because I have not taken you. Because I am unable to.” The crude words Daemon speaks make your eyes widen. You have grown protected from the nastier side of court life, forgotten as you were. You cannot believe how someone would dare comment on a married couple’s bedroom activities, which are meant to be one of the more sacred things to happen between man and wife according to the Seven. Much less, how someone would dare to utter such poisonous slander.

“We know it’s not the truth.” You place your hand on his arm, trying to soothe his wounded pride. Daemon is, above all, impulsive. You fear he is about to do something rash, even if you do not imagine yet what.

Isn’t it enough that the two of you know the courtiers are in the wrong? You have felt the press of his member, hard against your hip, in the nights the two of you struggle. You have felt his hips rutting against yours, as his kisses mapped unknown constellations on your shoulders. What does it matter if Daemon hasn’t taken you? How can these people dare interfere, or even mention what the two of you do or do not do?

Shame, once again, grips you in its clutches. You feel your face warm at the thought of how these strangers must view you. Queer. Twisted. You wonder if they blame his inability to perform on your blood ties. If they think the Seven are cursing your marriage, just as they had with the ones of King Maegor.

“It isn’t.” Daemon says, coldly. He walks away, a tense line on his shoulders, and you walk back inside the Sept.

Alicent is still lighting candles. You sense that there are not enough of them to make a difference for what is about to happen.

That night, a disgruntled looking Harwin Strong wakes you up. He tells you how he is there to supervise your packing. You are leaving the city, he explains, to your bewilderment. Effective immediately.

As you place your dresses inside some linens, and ready Quicksilver, you manage to coax the story out of him.

Daemon had been at his usual haunt in Flea Bottom, betting on some cockfights. You could picture the scene clearly. Daemon, lazily counting his winnings with that infuriating smug look he got when he was proud of himself. An angry patron, getting up and on his face after losing to him.

“Maybe that cock will work for your wife!”

The whole establishment erupting into laughter. Daemon, cold smile on his lips.

“Go to your manse, and arm yourself. Because I am going to kill you tonight.”

After that, there was little he could say in his own defense to King Viserys. It had been a premeditated act, in front of multiple witnesses. No way of denying it, or trying to shift the blame.

You stood outside the city gates, observing Caraxes. He looked as done with Daemon’s antics as you felt. In front of you, stood the world.

Daemon strode by, being dragged by Ser Harwin. He was chained, but managed to look as carefree as any free man.

“You know the rules.” Ser Harwin said, unchaining him, before turning towards you. There was a bit of sorrow in his brown eyes, perhaps feeling pity for you. “Farewell, Princess.”

“Where to, Lady Wife?” Daemon asked, cheekily. There was no hint of remorse on his face. It seemed exile reinvigorated him like nothing else.

Your lips pursed into a thin line. You didn’t want to leave. It was scary, the thought of being away from home. The times you had been outside the Red Keep could be counted with the fingers of your hands alone. And what were you to do, friendless in the big world that opened in front of you?

You wanted to punish him. If he was giving you a choice, you were going to give him a lesson.

“To the North. Perhaps that hot blood of yours will fare better there.”

“ARE YOU sure?” You ask him, all pleading eyes. Daemon nods, already sitting inside the hot spring. You are strangely fearful of the warm water, perhaps, having already grown used to the cold of the North.

“If this scalds me alive, I will come back to haunt you.” You warn, turning to face away before beginning to undress. Daemon can’t help but let his eyes linger on your body, despite knowing how indignant it would get you were you to notice. He has promised to avert his eyes, after all.

Naive as you are, you never check to see that he actually does.

He watches as you remove your furs, and unlace your dress. It has taken him quite some effort to get you to feel comfortable enough to be naked in his presence. There might come a day when you are desensitized to nakedness, but Daemon guesses you are still far away from it. He has to keep trying.

You are worth the effort, though. His precious niece, sweet as the Maiden herself and twice as pretty.

“Dragons don’t burn.” He answers, absentmindedly. You are only wearing your chemise and your hoses, and as you lean down to remove those, he gets a perfect view of your cute rear.

“Perhaps. But I am no dragon.” You pull the chemise over your head, unaware of the fact that you are being watched. Daemon drinks in the sight of your naked legs, strong yet delicate, leading up to beautiful hips and a soft back. As you pull your hair up, he notices how the muscles of your arms and back move in a graceful combination that can’t be anything more but a natural gift. He spends a few seconds mesmerized by you, before you start to turn around and Daemon remembers he is supposed to be averting his eyes.

He fixes them politely on the other side of the hot spring, careful to not let you catch him looking out of the corner of his eyes. You are becoming sloppy in your old age, he scolds himself. Daemon can't help it. Lately, he feels more like the boy he once was than the man he is. His attempts at seduction are fumbled, he gets carried away by his passion, a single one of your smiles can render him tongue twisted.

Everything that you do is charming. The slight sway of your hips as you walk, the way your eyes light up when you laugh, but most of all, your personality. Freed from the cage of Alicent’s judgmental stares, you seem to be growing into yourself. Life on the road seems to suit you, despite your fearful nature. Surrounded by strangers, you no longer feel the weight of being judged for imaginary sins.

“You are. Just one with a more…. Fragile constitution.” How he wishes to be able to turn back time, sometimes. Gather the girl you once were into his arms and soothe all the old hurts. Raise you the right way, give you all the attention you had desperately needed and watch you bloom into an impressive woman. You were already a creature of impossible beauty. How much better could you have been, if they hadn’t stunted your growth?

You were too much of a Hightower, Daemon himself had thought once. But Alicent had thought you not Hightower enough, and she had tried to mold you into one, keeping you well away from what she thought of as queer customs.

Who had told you weren't a dragon? And how had they made that awful lesson stick, until you felt adrift, and belonged nowhere?

The sudden sound of water shifting, and you hissing makes him jolt out of his contemplation. Daemon turns his head the barest bit, managing to catch sight of your hips sinking into the water, and the shape of one of your breasts. There is one puffy nipple crowning it, hard and proud and begging to be bitten. He fights the urge to pounce on you, and instead remains sitting on his side of the natural pool and tries to relax into the warm water. Patience is of the essence in seduction, after all. You need to come to him convinced it is your idea.

“Ready.” You say, sounding a bit too close. He turns and there you are, right in front of him. You sit on the shallower end, water covering you to nearly your collarbones. Daemon playfully reaches out with his foot and touches your leg, making you jump. He laughs.

“It isn’t so bad, is it?” Daemon’s voice still carries a bit of mirth. He can’t help it, you have such cute reactions.

“No. Almost like a warm bath.” You fan your face with your hands. Seeing you lose your composure a little, Daemon feels a bit guilty about pressuring you to enter the pool. It’s true you are not as used to extreme heat as he is. He rushes to your side, uncaring of his own nakedness.

“Too hot?” He asks you, wiping away a stray drop of sweat before it can get into your eyes. You mumble something incoherent, so he presses a hand to your forehead. He doesn’t want you to swoon from heat exhaustion, out of all things. But your temperature is normal. It is then he realizes your eyes are fixated on his chest.

Ah. Poor thing. Daemon can feel his lips stretching into a proud smile. Finally, succumbing to your lust. He should press his advantage, but he finds himself hesitating to do so. Despite how appealing he finds you, he understands that you are different. A being that walks the world of the divine and the mundane that skirts the two but was not made for the more carnal things.

Instead, he commits the sight to memory, for when he decides to touch himself. Perhaps tonight, even. It is something he has been doing more and more often. Daemon has found intercourse with whores is nowhere near as fun as laying on the bed, with you by his side, and tugging at his cock until completion.

He is never quiet about what he is doing. Soft grunts and moans fill your chambers each time he does. You pretend to be asleep, but Daemon can tell you are listening. The next day, you turn fevered with lust. It is you who kisses him, who rakes her claws along his back.

There is no consummation yet. But it is becoming clearer than once fully freed from the judgment of your family, there will be.

You sway slightly. Daemon opens his arms, and lets you curl into him. He guides the two of you into a sitting position, placing you firmly on his lap. Your hair falls into a mess of curls thanks to the humidity, up do barely resisting. He fixes it for you, tightening the ribbon keeping it up. Then, he starts massaging your neck and shoulders.

The pleasure of your bare skin under his hands is undescribable. It’s a luxury he has worked hard to get, and for that, tastes even sweeter. Your sweet little face is scrunched up, in a rare show of pain and pleasure. Daemon wonders if it is the face you would make when he spears you open on his cock.

An annoying hardness begins to make itself known in his groin. He feels like a mere boy, getting excited about the smallest touch. You are driving him mad. And Daemon is enjoying every second of it.

Almost as if listening to his inner monologue, you shift on his lap. Something seems to be bothering you. You can’t get comfortable, and you squirm on his lap more than a seasoned whore. Daemon can pinpoint the exact moment you notice what you are squirming on. Your eyes go wide and you freeze. An embarrassed look takes over your face.

He fights the urge to laugh, wrapping his arms more firmly around you and encouraging to rest against his chest. Daemon could spend years like this. Denial is a fun game. Months have passed, and he has yet to grow tired of it, of taking away your innocence little by little.

You lean in. You give him a playful little smile, and you bite, hard. The pain from your teeth blooms on his shoulder, making his cock throb.

“Impudent little thing.” He chastises, softly. “I should spank the defiance out of you.”

You laugh. You have come to realize that he is not as much of a brute as everyone painted him to be, and that he is too soft to make good on his threat. Ever since your argument, Daemon has never hurt you. He likes you too much for it. He wouldn’t force you to bed him, nor would he willingly do anything to upset you. Not even if you announced you didn’t want him touching you ever again.

Was this what love felt like, he wondered? Being happy with just sharing the same air you did, watching you play with your cat, being honored that he was trusted enough to feed the damn thing?

It probably was. But hell, if he was going to let it stop this corruption of your innocence. No. Instead, Daemon grabbed you by the shoulders and bit down on the hollow of your throat, playfully. You made a small sound, like a caught animal. He could tell you were getting ready to succumb to pleasure once more. His hedonist little wife, always ready to be put in a kiss drunk state. You turned liquid in his arms when it happened, going lax over him.

Daemon could tease you some more. Or… He leans in, breathing in your scent, before blowing a giant raspberry by the side of your neck. You shriek in laughter, squirming on his lap. Water is sent flying everywhere. He peppers your face and neck in kisses as you do, laughing st your squeals and squirming.

“Daemon.” You say, after a while, when the both of you have calmed down. Your head rests on his shoulder, expression hidden.

“Little niece.” He whispers, and you tremble at the endearment.

“I have decided something.” You whisper back. Somehow, your voice feels loud in the cave of the hot spring, nothing but the soft murmur of water being heard.

“You have?” Daemon asks, heart thumping in his chest as if he has just taken to the skies in Caraxes. He pulls you out of hiding, lifting your head towards him.

“I want to marry you right.” You say, shyly. You look deeply embarrassed. “Under my faith. So we can…” You trail off, averting your eyes.

“So we can..?” Daemon asks, feeling a triumphant grin spread over his face.

“Have a child.”

And oh, it is the most wonderful thing he has even heard. He will buy you a cloak, and a couple of ribbons for the hand fasting. He will find the two of you a home. Daemon says all this, as he presses his forehead against yours. Not even his conquest of the Stepstones felt as sweet.