#the secret society of supervillains

[infinityinc4ever]

From DC Sampler # 1 - and check out Infinity Inc. rushing in from the upper right!

[doctorslippery]

[a-bluedream-posts]

Talia al ghul | Gameverse by FickleMeAI

[surrender-souls]

EVERYONE IS SO MEAN TO THE CREEPER

[cigamfossertsim]

gorilla grodd: no offense intended

lex luthor: yet somehow you always manage

[nitpickrider]

To answer your question about what moral line Deathstroke has yet to cross: he's never attempted genocide. He's a murderer, but he's never attempted to kill an entire race or half the entire human species. So, he's at least better than Thanos or the Red Skull. So, that's the one moral line Deathstroke hasn't crossed yet.

Funny thing? You're actually kinda WRONG. Slade was head hitman for the Secret Society of Supervillains in the lead up to Infinite Crisis, working under the plans of evil Alexander Luthor to wipe out New Earth and replace it with the original Earth 2, Pre-Crisis. If that plan he directly contributed to had been allowed to succeed, every living being in the New Earth universe would have been directly killed as a result of his actions. Now, there's degrees of separations there, I grant. But he never actually reneged on that when it was discovered what the actual purpose of the Secret Society was, nor did he ever seem especially bothered by it

[maxwell-grant]

There's a trend people have pointed out in superhero stories over the past 20 or so years that is the death of "regular" supporting casts, an increasing absence of un-powered sidekicks or people involved who aren't in the thick of the action or in the hero's secret. Everyone who interacts with superheroes is a couple issues away from becoming one, every story involves a supervillain encounter or several dozen, every hero's gotta have a lunchbox-ready "superhero family" made from these characters, and every side character that doesn't join them is either going to die or become a supervillain.

The defining example people use for this is Spider-Man's supporting cast, with every Spider-Man cast member short of Aunt May and J Jonah Jameson getting some kind of powered upgrade or symbiote, and I'm gonna say Amanda Waller is an excellent case study of how this kind of thing happens, and I think it helps to explain why Amanda Waller has been, Like That, for the past 30 years.

She’s wearing a grey shirt underneath a blue blazer and it’s tucked into a similarly blue skirt that stops at mid calf. She reminds me of the neighbourhood aunties I used to see leaving for church every Sunday morning.

My mom used to say that you are the company you keep. So what kind of person does it take to keep a variety of bruised, battered, and dangerous personalities in check? - Amanda Waller: DC's Most Terrifying Woman

To those of you who haven't read John Ostrander and Kim Yale's Suicide Squad, there once was a time where Amanda Waller was something more than a powerful antagonistic force able to butt heads with the biggest superheroes, and something other than a heartless establishment face out to make superheroes miserable for ill-defined reasons. Structurally speaking, Suicide Squad is a comic about marginal DCU characters forced to deal with actual real life problems, and it's central character is a marginalized person forced to deal with DCU problems and characters. The members of the Squad are a rolling parade of costumed misfits and maniacs assigned to go around the globe to fight and kill and die on dirty missions to deal with dirty laundry and stop war zones from erupting, while Amanda Waller is forced to shuffle around her cadre of D-list supervillains and disgraced superheroes and get into stand-offs with secret spy societies, living nukes, voodoo cartels, and Batman.

Amanda Waller neither looks nor acts like the kind of character that stars in a superhero comic, and she is the central character throughout the 66 issues of the run and we follow her character arc from beginning to end as she's forced to spin plates to accomplish her goals and prevent bad situations from getting worse. She is the most fully realized character in the run and everything rests on her shoulders. We spend a lot of time inside her head, her team, her associates, she is the center holding together an extremely chaotic book with no two characters on the same page. She is, and has to be, an extremely powerful person, someone who stands her ground no matter what, an unbeatable force of will because that is the only way she's going to survive the situations she's in, the only way she can be "The Wall", the kind of person who can repel Batman, command a platoon of monsters, talk her way out of Deadshot's contract, someone who can stare at Darkseid and credibly threaten the President into letting her live.

That's the part that everyone is more or less familiar. But there is, or at least used to be, much more to Amanda Waller than just being The Wall, not in the least because being The Wall is also hampering her effectiveness as well as straight up killing her.

"Amanda's toughness has taken her a long way" "It's taken her as far as it can. But it can't take her no further. It's actually starting to drag her down. I'm scared for my baby sister, rev - scared that the anger in her is congealing into hate." - Suicide Squad #31

We get to know her backstory, her plans, her points of contention with the system, her relationships with people around her, and how deeply she cares about things and people even as she sends them to the meatgrinder. From the start we learn that Waller staffs her team with people she's prone to getting into disagreements with, like Simon LaGrieve and Rick Flag, specifically so they can cover her moral blind spots and pick up the slack in emotional intelligence she's lacking, be the heroes that she can't afford to be. It is unspeakably crucial that the Squad is led by Rick Flag as well as Bronze Tiger, a fallen hero who owes Waller for his recovery who eventually takes Flag's baton. Waller stands up for her team, gets into fights with her superiors when they decide to terminate them, and takes the fall for them when necessary. Waller is a person who does Bad Things - but she is not a Bad Person.

The book in no uncertain terms frames the Suicide Squad's existence as monstrous in a scale Waller doesn't understand until the very end, and it digs deep into the unethical things Waller has to allow for and perpetrate in order to keep it running no matter how many lives it saves, and she spends the first half of the book on a downward spiral. But then there's the 2nd half of the book:

In the first 39 issues, Amanda’s flaws are her undoing. As she pushes away the people she hired to act as a balance, she grasped tighter and tighter to her uncompromised vision of the Suicide Squad despite the constant changes and derailment. Her choices had consequences: the death of Rick Flag, her demotion, employees quitting, and finally, the disbandment of the team.

The last 27 issues have Amanda rising up from the ashes after a year in jail. She’s less in her own way – she communicates, her anger isn’t driving her, she’s more receptive of alternative perspective and recognizes when she’s wrong in real time – but she’s still just as scary.

Waller rebuilds her relationships with the people she drove away, takes a different tack to how the team works, and starts going out into the frontlines with the Squad. She brings Oracle (who actually made her debut in this comic) into the fold, saves her life and plays a big role in Barbara making progress in overcoming her Joker trauma. She genuinely puts in the work to improve as a person and do things a better way than before, even if there is an inescapable immorality to the very existence of the Squad and what they do. That immorality never goes away, and it only further horrifies her when learning how badly her project has gone. In fact, it's that very inescapable immorality that ends her arc.

She learns that the CIA has started using a new Suicide Squad to support a brutal regime in South America, and when faced with the full extent of her complicity in Western imperialism? She decides right then and there to end the Suicide Squad for good after they liberate the population of said regime from said Squad. She is the only person who gives a shit about the country enough to start the assignment for free once she knows about it, force the Squad along, lead the mission in field, and personally (and even gently) usher the villain to his death at the end, to end what began with her.

She does bad things, and she does good things. She cares about people, and she uses people. Her decisions ruin as well as save the world. She spins a million plates to match wills and wits with the strongest, wickedest, most cunning humans and superhumans alike, and she still has superiors to answer to and people close to her she hires to judge her for what she does. She endured racism and misogyny and poverty for decades and rode whatever she could to attain as much power over her own life as someone like her could possibly attain, and to have it, she must be a willing tool of the state and bend the knee to Ronald Reagan, the man she derides for what he did to her community, hating every minute of it.

She lost her family to sexual and racial violence, and now she wrangles a penal battalion comprised of some of the worst people on the planet to inflict violence on her orders. She has saved and redeemed people, and she's haunted by the corpses she's left in her wake. She is oppressed and oppressor, someone who could only escape the ravages of American imperialism by becoming one of it's chief enforcers, and still she rebuilds herself into a better person from it upon confronting and challenging her role in it. She is not a bad person, she is not a good person either, she is just afforded a degree of agency and complexity unpowered characters in superhero books simply don't get.

Okay cool, now what is she up to these days?

That, I guess. That is what a strong but unpowered person who does not allow themselves to be bossed around by superheroes or supervillains looks like now. Everytime there's a call for a military bad guy, Waller gets tagged in to be DC's Henry Gyrich. There was a point where Waller was made to contrast the likes of Sarge Steel and Wade Eiling, someone who butted heads with them because she was a well-meaning person working for and committing evil as often as she attempted to stop it. These days, the most consistent beat with her is that she is the most dangerous person alive and worse than the villains she wrangles into working for her. She is a thing to be overcome, a hypocrite to be exposed, a challenge to the natural order of the universe, and she is too terrific at it to be shuffled off quietly. She is a Bad Person and so everything she says and does is Bad (and thus can be ignored).

Integral to Suicide Squad's structure was the fact that Waller was the center holding everything together, the ultimate third party: spinning plates working with, for and against all of the others so she can bend rules and be bent by them. Bent, but never broken, because The Wall doesn't break, others break first. Waller was a one-of-a-kind character, and that broke her, because beating Sarge Steel and Wade Eiling at their own game means replacing Sarge Steel and Wade Eiling. Waller doesn't look like them, she doesn't look like the superheroes either, and so she can't be one of them. She can't even look like herself a lot of the time, they try to slim her up everytime they think they can get away with it.

Suicide Squad was preoccupied with exploring a perspective from a world outside the superhero worldview, but we no longer have her perspective or that of people around her, we only know her through the superheroes she inherently defies and has had an adversarial relationship against from day one. She is someone with a viewpoint that is charitable to neither superheroes nor institutions, and thus, the universe is increasingly less sympathetic to her, the less utility she has to the grander narrative where everyone has to pick between one of two options. If she wasn't powerful and assertive, she'd be another Leslie Thompkins, another Jiminy Cricket the heroes passively ignore. But because she is powerful and doing morally compromised things without asking Batman's permission, she must have a personal grudge. She must be a government monster. She must attack the superheroes for no reason, no ideology, no motive.

So now she's just The Wall 24/7, the mean icy establishment boot who is strong and clever and cruel and hates superheroes and wants to destroy superheroes and rule the world from the shadows. Everything she does is a fuck-up she refuses to take responsability for, everyone is right to hate and distrust mean old Waller, and now everyone gets to look good by dunking on her. They couldn't make her a superhero, so they made her a generic supervillain instead. And now that she's a bad guy, she no longer has to believe anything, she doesn't really have to mean anything, they don't have to write stories about something other than superheroes and supervillains, and they don't have to let a fat woman of color take up space and screentime they could be giving to Harley Quinn and Slade Wilson instead.

Even by the time of Waller's debut on the tail end of the 80s, her career opportunities were on their way to extinction

Days Of Future Past marks the triumph of the superhero comic that's pretty much concerned with no-one but superheroes. Where Ditko and Lee's Spider-Man featured a single costumed crimefighter in the context of a commonplace existence, the X-Men of the 80s focused on a huge cast of mutants who had little if any lasting involvement in the everyday world.

By the 21st century, the corporate superhero comic would largely - if not exclusively - concern itself with little beyond a large class of superhumans and their fantastical existence. I suspect there's a significant correlation between that and the continuing cultural  peripherilisation of the superhero comic - Colin Smith

Amanda Waller is one of the strongest characters in all of comics, she was as powerful as an non-superpowered character given center stage could possibly be, a perfectly designed character from which an entire corner of a shared universe was developed out of with her as the center making it work, but as the room for civilian casts and unpowered protagonists got smaller and smaller, so did Waller's options. If she was a Spider-Man character and somehow didn't get killed or made into a villain, they would have slimmed her up and given her a symbiote, because you're nobody unless you're web-swinging. Characters didn't look or act like Amanda Waller, and unfortunately, they still don't. It's just instead of making more characters like her, they gutted Waller to be more like the rest. If she couldn't make it, who else even could.

Keep your eyes peeled for this summer when she'll team up with two meaningless robot baddies to burn down the Justice League and I guess the universe for the next reboot or something.

[celaenaeiln]

What do you think of Slade and Dick’s relationship ok the comics? Dick somewhat killed his first child, was friends with his second and mentored his third so idk about you but I’d feel like Slade would have some pretty twisted feelings towards him by then even without the whole apprenticeship thing

It's weird? I can't really pin it down because Slade and Dick are kinda everything. They're enemies, allies, friends, as well as mentor and student. Dick is the one that Slade is closest to in the entire family. They're so close that Bruce actually called Dick to ask him for information about Slade.

Deathstroke (1991) Issue #7

"Dick--I need information. Tell me about Deathstroke. I remembered you fought against him several times...as well as fighting alongside him recently."

Bruce...do you need that calming tea because you're mad at criminals or because you're mad that Dick had dealings with Deathstroke?

Anyways, after Bruce hangs up on Dick, guess who Dick calls?

Deathstroke (1991) Issue #7

Wintergreen!

Who also lies to Adeline about someone calling Slade because she's mad at him.

Deathstroke (1991) Issue #7

So Dick and Slade have a tight mutual enemies but also friends relationship. And this was after joey died.

After Grant died, Slade was furious at the Titans and hated them for a while

The New Teen Titans (1980) Issue #2

He then uses this hate to plan and trap the Titans into the way of a specialized bomb but the titans escape. Afterwards comes the Judas Contract where he tries to kill all of them but fails.

However between Grant's death and the formation of Nightwing in Judas contract there's a very important scene between Dick and Slade. Even though Slade hates the Titans and blames from for Grant's passing, he still respects Dick an incredible amount. A year after Grant dies, Slade seeks out Dick individually.

Deathstroke (2016) Issue #19

So basically he finds out about Rose and the first thing he does is dump her on Dick. This ties into Dick's comic Renegade era because Dick as Robin has trained Rose when she was a kid in the rights and wrongs and how to be a good person but Slade as usual has the conscience of a goldfish so he changed his mind after he grew a little more separated after Grant's death. He now decided to push Rose into his ways.

Nightwing (1996) Issue #112

Instead of morals, he now wants Dick to teach her skills, tactics, and fighting techniques because even at his maddest moments, Slade has always respected Dick.

Nightwing (1996) Issue #80

The change from Slade asking Dick to teach Rose only his moral to teaching her his everything is a testament to how much Dick has grown from Robin to Nightwing. One of the most formidable villains ever is asking his long time enemy to teach his daughter. That's-there aren't enough words to express the weight of these scenes.

So Slade heavily respects Dick. He actually respects him the most out of the family despite what happened with Grant.

He respects Dick so much he was absolutely furious at Dick that he got himself shot and got amnesia.

How do we know this? It came out against his fight with Batman.

Batman Secret Files Issue #3

Wait, who's the great man that lost everything?

Batman Secret Files Issue #3

"You're going to got try and kidnap somebody you think I care about. So get to it. What do you think you can offer me? Why would I say yes?"

Batman Secret Files Issue #3

HE'S SO MAD THAT JOKER EXPLOITED HIS CARE FOR DICK AND HE'S SUPER MAD AT DICK AND BRUCE FOR HAVING THE JOKER FORCE HIS HAND.

He got himself involved so he could control the damage without seeming like he cares too much because he has a reputation to upkeep.

Slade really cares about Dick.

That's not to say he doesn't hate Dick at times. When Dick turned his daughter away from him, he got so furious he made a society of supervillains just to bomb Bludhaven. His rage was explosive (haha). He even used Damian to get to Dick.

Batman and Robin (2009) Issue #12

Talia gets it.

Batman and Robin (2009) Issue #12

Batman and Robin (2009) Issue #12

But at this point Dick's just like seriously? screw off.

Batman and Robin (2009) Issue #12

At this point Dick literally doesn't give a shit-he's just so done with everything.

Batman and Robin (2009) Issue #12

Going back to post Grant's death, Slade still kinda sees himself as a mentor or like an older friend to Dick.

After the JL failed to contain Deathstroke, the Titans had to step in and Slade's thoughts about Dick are so funny

Deathstroke (1991) Issue #14

More than hating each other, it's more like Slade is a nuisance to Dick and he really only acts out when he thinks Dick's taken away one of his kids. They have a really long and complex history where their stories are deeply interwoven with each other. Dick has influenced the pivotal moments of Slade's life and Slade has done the same to Dick.

This moment from their team up in the Titans (1999) comic explains their dynamic best

Titans (1999) Issue #10

Dick keeps all of Slade's stuff to study but treats him with a healthy amount of suspicion while still helping him out and being on opposite sides.

Titans (1999) Issue #10

lol

Dick is sort of responsible for Grant's death, yes, but also Dick is Joey's best friend, Rose's second parent, allies with Wintergree, and helped save Adeline. He's involved with Slade's entire family.

Yeah Slade's feelings toward Dick are pretty confusing but I guess you can think of Slade's relationship with him as Slade's hero confidant. He also feels some sort of responsibility over Dick which is weird. Their history is too tight and closely connected for Slade to ever permanently hate Dick but his bouts of rage mainly come from him feeling betrayed by Dick.

Overall, Slade just wants Dick's attention, and Dick for the most part just wants Slade to stop pestering him.

[astroboyart]

Astro Boy Reboot not dead yet; new visual unveiled at 2024 edition of Annecy International Animation Film Festival

Sources: TF1 Pro (English Google Translation), Mediawan Kids & Family (X)

Announced on June 11, 2024 at the Annecy Festival in France, Astro Boy Reboot has surfaced once again with a new visual.

This version of Astro Boy Reboot will be co-produced by Method Animation (Mediawan Kids & Family) and Shibuya Productions. No release date was given.

TFOU, a youth based TV channel in France, signed an agreement with Method Animation/Mediawan Kids & Family to develop this new version of Astro Boy Reboot which will be geared towards the 6-10 year old crowd.

It will have 26 episodes which will each last 22 minutes.

A pitch for the show was posted:

Atom is 9 years old, he plays soccer, has his small group of friends at school, bickers with his little sister Uran, and dreams of telling his friend Silica that he is in love with her. But Atom is no ordinary boy. He is a 9-year-old ultra-advanced robot and the only android capable of feeling real emotions! He hides his true nature to live like a normal child. But when supervillains threaten the coexistence between humans and robots, he must act, because he dreams of a world where everyone lives in harmony. Secretly, he transforms into a superhero to protect Metro City. To all the locals, he is Astroboy! But can Astroboy save the city without revealing its secret and thus preserve his complicity with the marvelous Silica?

A couple major figures for Astro Boy Reboot also commented on Astro Boy Reboot:

Yann Labasque, director of youth programs at TF1. "Welcome Astro Boy to the TFOU family! We are delighted to launch the development of this new animated series with Mediawan Kids & Family," rejoices Yann Labasque , director of youth programs at TF1. "A series rich in promises of action and adventure, but also of emotions through the eyes of this little robot boy with a human heart who will have to find his place in a divided society and the solutions within him. Themes with great stories to tell and great values ​​to convey.

Katell France, General Manager and Content Director of Method Animation. "We are very happy to be able to develop the reboot of Astroboy, an iconic character created by Osamu Tezuka, with our historic partner TF1 who has supported us for many years on the Miraculous franchise with the success that we have known. Astroboy is a legendary character whose values ​​such as the cohabitation of technology and nature, tolerance and friendship, perfectly embody those that we defend at Mediawan Kids & Family. This series responds to our strategy of creating a great franchise for young people and families. We look forward to bringing Astroboy back to life through this reboot, and new stories in which all children today will recognize themselves."

[dcdreamblog]

The All-Star Squadron included heroes who came from a wide array of professions, social/economic classes, regional cultures (which was a much bigger deal back then) and ethnic backgrounds. And while most of them were cishet white men, some of them weren't. Likewise, many of them held religious/philosophical beliefs other than "mainline" Protestantism. Now, they were all heroes, dedicated to the common goal of fighting for justice, and etc. so I have absolutely no doubt that all of them were able to get over any prejudices they may have had and do the job, but we are talking about people who were mostly white cishet American men who were born in the first half of the 20th Century; I cannot imagine that none of them had prejudices, and that these prejudices caused friction. Can we talk about that?

You're right and I wish I had better answers to give you. But a few factors keep me from offering up a lot of clear or worthwhile examples.

The Squadron's members were really opaque, and their actual thoughts came AFTER the war through Tarantula's book "Altered Egos". He's one of the few heroes where we have a distinct and purposefully kept war journal of his thoughts and the thoughts of some of his comrades during and after the war. Most of the other heroes were really concerned with their secret identities and didn't write these things down for posterity, especially not their own bigotries and stumbling blocks.

The War gave everybody an incentive to face front and close ranks. Public schisms in the Squadron's membership basically didn't happen and arguments that occurred behind closed doors stayed there.

The Squadron was, for its age, a deeply, RADICALLY liberal organization.

(A propaganda poster of Will Everett Sr, The Amazing Man, punching Hitler in the face. Circa 1943)

It accepted a black man into its ranks without a single public disagreement. From its FOUNDATION a large chunk of its membership were women. The Squadron even intervened in the Detroit Race Riots in 1943 where Amazing Man publically eviscerated an android supervillain calling himself "The Real American".

I could sit here until the sun came up rattling off all the times that Squadron teams or its individual members smashed pockets of the Klan or the American Nazi Party, or the German American Bund and then dragged their ass in front of the papers to call bigotry and intolerance UnAmerican and damaging to the war effort. The Young All Stars publically celebrated a Japanese American member during the era of internment.

Any bigotry in the organization was imposed upon it from the outside. The biggest example I can think of is that Wonder Woman spent the war years officially listed as the JSA's "secretary" because the Society's membership was more heavily scrutinized and it wasn't possible for her to take what was technically a military position in what was technically a combat role.

What stumbling we do have evidence for is very, VERY slight. The Sandman voices some homophobic opinions during a case that lead up to his confrontation with the Phantom of the Fair. But by the end of that case file we read about Dodds going through an active epiphany about homosexuality because of that case.

The widest spread "bigotry" that seemed to be present in the Squadron was patriarchal language directed at its female members who were always in a position to safely and openly give as good as they got. We have a collection here at the Perisphere that is JUST photos of Liberty Belle elbowing Johnny Quick in the ribs!

It sounds absurd. It sounds too good to be true. It SOUNDS like a lot of things. But there it is, in black and white.

If you want me to undercut your heroes from the past, I would for the sake of intellectual honesty. But I can't.

The JSA are the superhero community's North Star.

Not just because they were the first. But because they have always been like that.

The only time I have ever even heard a RUMOR of UNCLE SAM cursing is a couple years ago when the modern Ray came out as gay and people started talking bad about him online.

The modern Shining Knight started identifying as Bigender and Sir Justin has gotten into fist fights over it.

Please just. For your own sake. Believe in them, they are maybe the only figures I can't bring myself to mistrust these days.

[ukiyowi]

Mini PAC IV

If you were a character in a fantasy novel, what would your quest or adventure look like?

Piles read 1 -> 4

Note: This is a bit different, more intuitive and wrote this in the train back home, hope you enjoyyy

Book a reading! || Ko-fi

🪽 Pile 1

In your fantasy novel adventure, you are an aspiring mage with a unique ability to communicate with ancient spirits. Your quest is to find a codex, a legendary book said to contain the secrets of controlling the elements. With this power, you hope to prevent a catastrophic war between rival mage factions.

Your journey takes you through enchanted forests, treacherous mountains, and forgotten ruins, where you encounter magical creatures and uncover cryptic clues. Along the way, you must make choices that balance the ethical use of your newfound powers with the greater good of your realm.

As you get closer to your goal, you discover that the Codex is protected by a guardian spirit, and you must undergo a series of trials to prove your worthiness. These trials test your wisdom, empathy, and resolve. Ultimately, you succeed but must decide whether to keep the Codex's power for yourself or use it to broker peace among the warring factions, knowing that doing so may come at a great personal cost. Your adventure is a tale of magic, self-discovery, and the enduring struggle between power and responsibility.

🪽 Pile 2

In your fantasy novel adventure, you are a skilled rogue known for your exceptional agility and wit. Your quest is to track down a notorious group of thieves known as the "Shadowed Serpents" who have stolen a powerful, cursed gemstone that can control minds.

To catch the Shadowed Serpents, you'll navigate a sprawling, ancient city filled with hidden passages, secret societies, and corrupt officials. Alongside your trusty band of misfit companions, each with their unique skills, you'll decode cryptic clues, outsmart traps, and engage in thrilling rooftop chases.

As you close in on the thieves, you'll discover their leader possesses a dark secret connected to the gemstone's curse. Your journey becomes a moral dilemma, as you must decide whether to break the curse, which might endanger the city, or use the gemstone to expose corruption and free the minds of its victims. Your adventure is a thrilling blend of espionage, cunning heists, and the complexities of right and wrong in a shadowy world.

🪽 Pile 3

Your adventure takes a darker turn as you become the leader of a formidable group of supervillains. Your quest is to unleash chaos and establish dominance over a sprawling metropolis known for its vigilant superheroes.

As the cunning mastermind behind the Syndicate, you'll recruit a diverse array of superpowered individuals, each with their own unique abilities and motivations. Together, you'll concoct ingenious schemes to disrupt the city's peace and challenge the superheroes who stand in your way.

Your journey will involve heists on a grand scale, unleashing destructive powers, and psychological manipulation to exploit the heroes' weaknesses. Along the way, you'll delve into your own character's complex backstory, exploring the motivations that drove you to become a villain and your desire for ultimate power.

As your plans escalate, you'll face increasingly powerful heroes, leading to epic showdowns and thrilling battles that could determine the fate of the city. Your adventure is a morally ambiguous tale that delves into the depths of villainy, exploring the complex motivations and personal struggles of those who choose to walk the path of darkness.

🪽 Pile 4

In your story, you are a talented, yet reclusive, artist living in a picturesque coastal village. Your quiet life takes an unexpected turn when a charismatic and mysterious stranger arrives in town. This stranger, exudes an aura of intrigue and possesses a passion for restoring antique books.

Your adventure begins when the stranger discovers a hidden chamber in the village's ancient library, rumored to contain a love letter written centuries ago by a long-lost soul. They enlist your artistic skills to bring the letter's sentiments to life through illustrations.

As you both work together on this project, you unravel the story of a profound, forbidden love between two people from different eras. The more you delve into the past, the closer you grow to the strabger. Sparks fly as the line between the story and reality blurs, and a deep connection forms between you two.

Yet, secrets from their past threaten to tear you apart. The quest for the truth behind their enigmatic identity becomes as important as preserving the love story from the past. Along this romantic journey, you'll confront your own fears, past heartaches, and find the courage to embrace a love that transcends time.

All rights reserved - Ukiyowi©

[infinityinc4ever]

God, I was so psyched for this storyline back in the day. Sadly, the DC Implosion ruined it all.

[doctorslippery]

[whump-in-the-closet]

Villain Whump Thoughts

when the villain only works for supervillain because they’re terrified of them which leads to a standoff between villain and hero

“They don’t control you!”// “Yes. They do.”

Villain accepting Supervillains hold over them matter-of-factly and not even denying it when asked. What would be the point of hiding it? The bruises are obvious enough.

When villain is captured by the heroes, and already knows that supervillain won’t send anyone to rescue them

they tell the heroes all of supervillains secrets, but the heroes still won’t trust them

after all, who would trust a snitch

the heroes can’t let villain go either, because they’re a menace to society and instead keep villain around

villain is nothing more than a warning, kept chained and humiliated where everyone can see

when the villain refuses to cross a moral boundary and supervillain makes them regret it

no one else knows what happened to villain but when they appear back on the streets they’re twice as fierce and without any of their hesitant kindness

They follow supervillains orders perfectly. They’ll never mess up again. Supervillain’s mark carved into their arm to remind them of the last time they messed up.

[book--brackets]

Summaries under the cut

Les Chevaliers d'Emeraude by Anne Robillard

Apprenant que l'Empereur Noir s'apprête à envahir le continent de nouveau, le Roi d'Emeraude, soucieux de protéger tous les peuples d'Enkidiev, ressuscite un ancien ordre de chevalerie. Choisis pour leurs dons particuliers, dotés de pouvoirs magiques, les nouveaux Chevaliers d'Emeraude sont au nombre de sept : six hommes et une femme.Au moment où les compagnons d'armes se disent enfin prêts à combattre, la Reine Fan de Shola demande audience à Emeraude Ier et lui confie Kira, alors âgée de deux ans et encore inconsciente du rôle qu'elle sera appelée à jouer dans le futur des hommes. Ce jour-là, Wellan, le grand chef des Chevaliers, tombe profondément amoureux de la reine. Malheureusement, le Royaume de Shola subira les attaques féroces des dragons de l'Empereur Noir et tous les Sholiens, y compris la reine, seront massacrés.Le coeur brisé, Wellan devra organiser la défense d'Enkidiev et repousser les forces du Mal...

I Am Not Esther by Fleur Beale

After her mother unexpectedly leaves her with her uncle's family, members of a fanatical Christian cult, Kirby tries to learn what has become of her mother and struggles to cope with the repressiveness of her new surroundings and to maintain her own identity.After her mother leaves her with her uncle's family, members of a Christian cult, Kirby tries to learn what has become of her mother and struggles to cope with the repressiveness of her surroundings and to maintain her own identity.

Regarding the... by Kate Klise

The Dry Creek Middle School drinking fountain has sprung a leak, so principal Walter Russ dashes off a request to Flowing Waters Fountains, Etc.

...We need a new drinking fountain. Please send a catalog.

Designer Flo Waters responds:

"I'd be delighted...but please understand that all of my fountains are custom-made."

Soon the fountain project takes on a life of its own, one chronicled in letters, postcards, memos, transcripts, and official documents. The school board president is up in arms. So is Dee Eel, of the water-supply company. A scandal is brewing, and Mr. Sam N.'s fifth grade class is turning up a host of hilarious secrets buried deep beneath the fountain.

Mustang: Wild Spirit of the West by Marguerite Henry

Horses were in Annie Bronn's blood. For as long as she could remember, she had been fascinated by the spirited wild mustangs that roamed free throughout the West. So when greedy cattlemen started to round up the mustangs for slaughter, Annie knew it was up to her to save the breed.

Ghost Knight by Cornelia Funke

Eleven-year-old Jon Whitcroft never expected to enjoy boarding school. Then again, he never expected to be confronted by a pack of vengeful ghosts, either. And then he meets Ella, a quirky new friend with a taste for adventure...

Together, Jon and Ella must work to uncover the secrets of a centuries-old murder while being haunted by terrifying spirits, their bloodless faces set on revenge. So when Jon summons the ghost of the late knight Longspee for his protection, there's just one Can Longspee truly be trusted?

The Roman Mysteries by Caroline Lawrence

The dogs on Flavia's street have started dying mysteriously, and she is determined to find out why. Her investigation leads her to three extraordinary people: Jonathan, her new neighbor; Nubia, an African slave; and Lupus, a mute beggar boy. The four embark on a search for the killer ... and that's when the excitement begins

The Cloak Society by Jeramey Kraatz

The Cloak

An elite organization of supervillains graced with extraordinary powers. Ten years ago the Cloak Society was defeated by Sterling City's superheroes, the Rangers of Justice, and vanished without a trace. But the villains have been waiting for the perfect moment to resurface. . . . Twelve-year-old Alex Knight is a dedicated junior member of Cloak who has spent years mastering his telekinetic superpowers and preparing for the day when Cloak will rise to power again. Cloak is everything he believes in. But during his debut mission, Alex does the He saves the life of a Junior Ranger of Justice. Even worse . . . she becomes his friend. And the more time he spends with her, the more Alex wonders what, exactly, he's been fighting for.

Barnen pa Brakmakargatan by Astrid Lindgren

Look out -- here comes trouble! Jonas, Maria, and Lotta Nyman don't mean to make trouble, but because their idea of fun is to stick salami on the windows, keep the water running from the kitchen faucet until the sink overflows, and lower meatballs down through the chimney, trouble just seems to follow them....

With the Nyman kids around, anything can happen!

The Water Horse by Dick King-Smith

The story begins with a mysterious egg washed up on a Scottish beach, the morning after a great storm. Kirstie and her brother Angus find the egg and take it home. The next day it has hatched into a tiny greeny-grey creature with a horse's head, warty skin, four flippers and a crocodile's tail. The baby sea monster soon becomes the family pet – but the trouble is, it just doesn't stop growing!

Silver Brumby by Elyne Mitchell

A silver brumby is special, but he will be hunted by man and horse alike, and must be stronger than both. Thowra, the magnificent silver stallion, is king of the brumbies. But he must defend his herd from the mighty horse, The Brolga, in the most savage of struggles. But that is not the only danger. Thowra needs all his speed and cunning to save his herd from capture by man. In a desperate chase through the mountains, it seems there is no longer anywhere for him to run to...

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Hugo Best Novel Finalists 2024

I've read all 6, so here's my impressions and loose ranking. The numerical ranking is only approximate for now, I'm going to pin it down once we get closer to voting closing. I could see the top two books switching places, or any rotation within books three, four, and five.

The Saint of Bright Doors, by Vajra Chandrasekera This was one of my top books of last year and one of my own nominations. It's a very strange book, twisty and creative, and left me with a lot of thoughts, particularly about how it handles government. I appreciated the mishmash of worldbuilding, all sorts of things that felt incongruous next to each other but somehow fit together. It also felt more literary than most sff novels? I am not normally deeply noticing of language, but I kept coming back to individual turns of phrase here. All books should have a 50-page chapter in the middle where the protagonist wanders through a neverending surrealist prison land.

Some Desperate Glory, by Emily Tesh Another of my nominations, this is a more straightforward exploration of, essentially, the deradicalization of someone raised in an authoritarian military camp. I respect how this book lets Kyr be awful, be completely convinced she is correct, and be defensive and lash out when confronted with her home's issues. I think the ending stumbles a bit, but really I mostly wanted this book to be much, much longer and have Kyr's character arc spread out more. Also, the choice of title and epigraph is excellent.

Translation State, by Ann Leckie Not much to say here, it's a new book in the Imperial Radch universe, I read it when I came out so don't remember detail. I liked the different intersecting plotlines, and particularly the Presger merge-and-devour adolescent instinct

The Adventures of Amina al-Sirafi, by Shannon Chakraborty This one I hadn't read before but enjoyed. I don't know how deep I'd say it is, but it's fun, a good classic adventure story with a putting-the-crew-back-together plot common to heist narratives. It benefits a lot from its setting: my main takeaway was that the Indian Ocean in medieval times is a criminally underused setting for any kind of nautical/swashbuckling/adventure story.

Witch King, by Martha Wells I read this one when it came out, and remember liking it a lot. The two intertwined narratives, set centuries apart, worked well for me to let the backstory unfold to inform the main plot as it progressed. I think I preferred the backstory narrative? But that might be due to also having the present narrative, since my favorite part was seeing how the echoes of relationships are still going on centuries after we get to see them form

Starter Villain, by John Scalzi I did not like this. I had some criticism last year for Scalzi's Kaiju Preservation Society, on the grounds that it was fun but not substantive enough for an award. But at least with that one I enjoyed reading it! My main thought while reading Starter Villain was "Well, at least it's short." I think my main problem with this is tonal: it doesn't commit enough to the over-the-top goofiness of "guy inherits his uncle's supervillain empire" and keeps trying to ground it in what an actual secretive genius billionaire pulling strings behind the scenes for his own nefarious purposes might look like, but then any attempts to actually be serious with the grounded stakes and world established kept running into the fact that it also featured sentient cats and talking dolphins! Also, I couldn't stop noticing that the protagonist talks the same way as the major supporting characters, which is the same way the protagonist talked in KPS last year