#the scroll arc (arc 1)

[rainbow-crane]

Piping hot take apparently but. Maybe if you're going to criticize a thing for poor writing you should actually watch it first

[boygirlctommy]

i finished the sketch :3 i have to time it all out and. redraw it nice. but also i have work today so who knows when ill finish it lol <3

[hauntingblue]

Nami giving sanji the beating of his life when he gets weird about seeing vivi on the paper..... this can only have one meaning

[manifestingdiana]

how to level up during the winter arc

winter arc ; oct to jan

1. build a strong routine - examples: wake up immediately and journal, don't scroll in the morning, meditate, drink 1 glass of water

2. create realistic goals - be more practical. when we set big goals and they don't happen we brush them off and say 'i'll just do it next week' hence delaying action

3. visualize - visualize how the highest person of yourself looks like

4. be consistent - wake up at the same time, be consistent, and don't scroll when you wake up, just take action everyday ! things don't just happen overnight

5. habit stacking - habit stacking follows a simple formula of "when i do [current habit], i will do [new habit]." for example: "when i drink my coffee in the morning, i will listen to an educational podcast."

6. use habit trackers/to-do lists

7. don't give up when your day isn't perfect - be flexible and understand that not everything has to be checked off, life happens

8. don't go through hardcore restrictions - since it's festival season, there are chances that you might not be able tick off some habits but that's okay !

9. listen to your body - do what you feel is best for you, don't beat yourself up if you aren't able to do something

let go of the feelings you've had in the past year, "i wish i did this" blah blah. don't beat yourself over it. just move forward. why keep waiting for tomorrow when you can start today? show up for yourself. why do i want to achieve this goal? it has to be for you.

just. start. now.

[dear-ao3]

Sorry i tried to scroll past but, i know nothing about f1 other than max verstappen is fast, my dad doesnt like lewis hamilton, fast car goes in a loop and sometimes expodes. Could you give me a crash course in f1 drama? Im very intrigued. Whats the tea as it were?

a terribly loaded question, but i will do my best. i’ve talked about some of the drama before like the red bull second seat and the chronicles of haas but allow me to briefly try my hand at explaining the nightmare that is the upcoming silly season

under the cut we go

silly season is when the drivers go through contract renewals, extensions and switches. usually it’s confined to the first half of the season (march-july) but it has been known to extend all the way to the last race of the season and they like to switch people around at random sometimes. driver contracts are complex, there’s a lot of money involved and basically You Are The Face Of The Team so if you have a shit season then you make the team look bad. but at the same time you could have a shit season because you have a shit car. it’s sticky stuff.

so. there are only twenty seats in formula 1. 10 teams. each team gets two drivers. (there’s also reserve drivers but we’re not going to get into that). who ends up with a contract is largely up to the teams, they can pull the contract out from under people they can also cut you mid season. they’ve done it before.

of the 20 drivers on the grid, 14 of them have contracts expiring at the end of the year. yes. 14. you see how this could get complicated.

so let’s meet the teams.

red bull racing. they came first this year (and last year) in the championship. like aggressively first. like they won the championship by over 350 points. they are definitely the team to beat. but if you end up with a seat at red bull, you do have to deal with max verstappen being your teammate and he won all but three of the races last year. he’s the golden boy. red bull are also notoriously silly when it comes to contracts and famously swap people mid season who aren’t performing.

mercedes. merc is home to 7 time world champion lewis hamilton and they have won the championship a great many times, though not since 2021. they are kind of in their flop arc and their car the last 2 years has been pretty garbage, but they have still made it work because they were able to come in second last year.

ferrari. god help the poor little meow meows with a ferrari contract. ferrari is a notoriously great team and they’re trying to get back to the top again but their strategy every single time has fallen short. to the point where their drivers are the ones doing the strategy in their cars while driving. they came in third last year and have been decently consistent at getting first in qualifying and then getting beat by max verstappen on race day.

mclaren. they’ve definitely worked their way up over recent years. they ended fourth last year and have had some championship wins before but not nearly as many as say merc and ferrari. their team ceo (owner? director?) is a little interesting and their car started out a pile of flaming hot garbage at the beginning of the year but they did manage to get their shit together.

aston martin. they are owned by canadian billionaire lawrence stroll, father of lance stroll (one of the drivers for the team). they’ve undergone several name changes over the recent years (force india, racing point, etc). they positively slayed at the start of the season and then one day they sucked. they finished fifth in the championship.

alpine. the frenchest french team. they’re (i think?) still partially owned by the french government. both of their drivers are french. (their drivers also hate eachother but we’ll get to that. just know they’re in the middle of a modern french civil war). they had the opportunity to have a good rookie driver (oscar piastri) this past year but in a thrilling twitter battle, he publically flamed the shit out of them and went to mclaren instead (and slayed). they're usually solidly middle of the pack. they ended sixth in the championship.

williams. williams has been one of the back of the grid teams for the last many years but they have finally started to get their shit together and don’t quite suck as much as they used to. all of the points this year were scored by only one driver though (except one but we’ll get there). they came in seventh.

alpha tauri. they are the sister team of red bull. so technically redbull owns both teams (meaning they can swap drivers between teams. they like doing this.) they’ve just kind of been There for awhile but they did slay towards the end of the season when one of their drivers led the race for several laps. basically tho, this team is the gateway to redbull. they came in eighth.

alpha romeo. recently renamed to stake f1 team (but sometimes they are going to be called kick sauber. this is a whole other drama post and i’m not getting into it). they’re also just kind of there. generally unproblematic. seems that really great drivers who get ixed out of a contract for a younger driver end up here or young drivers who are in their early years are here before they go to a better team. they ended ninth this year.

haas. oh haas. goofy team. they suck. point blank they suck. they keep loosing sponsors because they suck, they don’t win ever (one time they came first in qualifying last year). they cursed themselves in australia in 2018 by not tightening their tires and its been downhill ever since. they came 10th. their team principle got let go (fired?) who’s to say today.

so those are the teams. it is important to note that:

-there is a cost cap. each team is allowed to spend no more than 135m per year.

-not all cars are equal. some things are standard. they all undergo the same testing. but the cars are all very different. so you can be a good driver but stuck in a shitty car. which makes it impressive if you are doing well in a shitty car.

let’s meet our drivers!!!

starting with the guys who’s contract is not ending in 2024:

max verstappen. 3 time world champion. 26 years old. general beast on the track. he dominated the whole season. he’s currently racing for red bull and has a contract with them through 2028.

lewis hamilton. 7 time world champion. 39 years old. he drives for mercedes. he will not leave mercedes until he retires. he really really wants to win an 8th world championship and is willing to stick it out a few more years as long as merc still believes in him. his contract expires in 2025.

george russell. the other merc driver. 26 years old. hes aggressively british and says thinks like blimey unironically. walking meme. got his merc seat in 2022 right when they entered their flop arc by getting his tractor of a williams to finish second in qualifying in the middle of a rainstorm. his contract expires in 2025.

lando norris. mclaren driver. 24 years old. he has notably never won a race in his five years of formula one (mostly because right when his car finally was good enough max verstappen was 20 seconds ahead of anyone) but he is regarded as Very Good. he has only ever driven for mclaren. and even though there is another year left on his contract there is mass speculation that he will not renew his contract with mclaren after it expires and he may move up to one of the top teams (red bull, merc, ferrari) (tho i think he doesnt hate himself quite enough to go to ferrari). his contract expires in 2025.

oscar piastri. the other mclaren driver. 22 years old. this was his rookie season and he positively slayed. like people compared his rookie season to lewis hamiltons rookie season. he also had the positively funniest start to his rookie year because alpine announced that he would be driving for them (he had been their reserve driver and in the alpine academy) and he posted a tweet that basically said yeah thats false i never singed anything with you and im going to race with mclaren instead (he dodged a bullet) and then alpine tried and failed to sue him for $4m USD. he signed a contract extension with mclaren this year and his contract expires in 2026.

lance stroll. aston martin driver and son of the aston martin owner. hes doing ok, tho there was conspiracy that he wanted to quit and have a tennis career awhile ago. but basically since his dad owns the team it seems that hes guaranteed a seat for as long as he wants one.

so now. moving onto the good shit. the people who have contracts expiring in 2024. hold onto your hats people.

charles leclerc. (everyones favorite slutty little soup can). 26 years old. he is currently at ferrari and he has been since 2019. notably, he was given the longest contract in the history of ferrari after a stellar rookie season at sauber (renamed to alpha romeo, renamed to stake f1) where he got the tractor of a car consistently into the points. having the longest contract in the history of ferrari was a flex at the time, but now its likely how he will introduce himself at therapy sessions. ferrari have fucked this man left right and center up the ass with a plastic lunchroom spork. hes talented, he can drive, and he can drive well. but the strategy that ferrari has absolutely sucks. either something is wrong with the car (see him blowing out his gear box on the formation lap in monaco, his car completely crapping out and spinning into the barrier in brazil before the race even started) or they fuck up his pit stops or put him on the wrong tires and honestly its just frustrating. but will he leave??? likely not. you'd have to pry ferrari out of his cold dead hands and at this rate that might be where this is headed though there has been some minor speculation of him going to another team like merc or red bull, but merc doesnt have any open seats and red bull is a whole other dumpster fire of drama. ferrari are going to have to pay him a boatload of money to make him stay.

carlos sainz. the smooth operator. 29 years old. ferrari driver. previously carlos was at toro rosso (renamed to alpha tauri), renault (renamed to alpine), and mclaren before signing with ferrari. he has been at ferrari since 2021 and has voiced that he would like to stay with them for however long he can. there is speculation that lando might replace him at ferrari (but landos contract is not up until 2025) and there is also some speculation that alex albon might replace him. while charles is clearly the golden boy at ferrari, carlos is slightly slower but also definitely consistent. he was THE ONLY non red bull driver to win a race this past year, in Singapore after max verstappedn was knocked out of qualifying by alpha tauri reserve driver liam lawson (more on him later) and because he basically came up with his own strategy in the car while he was driving.

sergio perez. aka checo. red bull driver. 33 years old. and oh boy here's where we open the can of worms. checo was previously at racing point (renamed aston martin) and it was very near the end of the 2020 (?) season and he was out of a contract. he had a bonkers race where he was knocked to the back of the grid and then overtook everyone and somehow ended up winning (there is more to that story but just trust me) and christian horner, red bull team principle, mr ginger spice and definite disney villain called him and said congrats sir you have a seat at red bull! well. fast forward. hes been causing problems. problems as in crashing a lot, generally not doing great and pissing the crap out of red bull. it is basically guaranteed at this point that he will not be getting a contract extension. there was actually talk this year of him losing his seat mid season to one of the alpha tauri drivers, because remember, red bull owns both teams and they can switch them whenever they want to (and they have!) but ultimately this did not happen. even though checo has a seat at red bull until the end of 2024, its mass speculated that he is going to get switched with an alpha tauri driver, probably daniel ricciardo (more on him shortly) mid season because there is a speculated clause in daniels contract that says that if checo isn't performing well in the first few races daniel is getting his seat.

daniel ricciardo. 34 years old. alpha tauri driver. man oh man what a guy. outside of being the prankster of the paddock, he has one of the most batshit careers of anyone currently on the grid. he started out at red bull and was showing real talent and skill and was on track to win things (and was!) and was there until the end of 2018 when max verstappen (his teammate) started getting preferential treatment and also red bull started having a lot of problems with their engines (which were being outsourced from Renault (now alpine) and another team on the grid) and well very very long story short he made the surprise move of the century and decided to sign with Renault (which makes no sense they're the one with the engine problems) and was there for 2 years before moving again to mclaren where he was reportedly not treated very well and had a hard time driving the car so they mutually ended his contract with them early and he basically retired at the end of the 2022 season and became a red bull reserve driver. then halfway through the 2023 season alpha tauri ixed one of their drivers, nyck de vries, because he wasnt doing well and promoted daniel back up to a full time driver at alpha tauri (which we know is only a step down from red bull) but then he broke his hand in a crash in zanvort (?) and then he was replaced for a few races by formula 2 driver liam lawson (who we will also talk about) and then he came back to finish out the season in alpha tauri after he was cleared. daniel has admitted openly that he never should have left red bull and he was given bad advice to do so. hes towards the end of his career at this point and its well known that he Really Really wants to finish out his career at red bull again. he and max have already been teammates before and they do work well together and daniel is great driver (see his comeback in texas (or maybe it was brazil?) this year). so. Pretty Sure that daniels going to get either an extension at alpha tauri or go up to red bull. thats what we all want. get this man in a red bull we need him there biblically.

liam lawson. now technically liam is not actually a formula 1 driver. hes a formula 2 driver, but he was daniels replacement for five races and there has been some speculation and some confirmed news about him so hes getting included. when he was racing for f1 he was at alpha tauri. hes 21 and looks like he belongs in the movie grease. no one was expecting him to slay in formula 1 and he positively knocked everyones socks off. the scene: Singapore. which, if you'll recall, is the one race that a not red bull driver won. this was largely because liam lawson slayed the absolute game in qualifying. the qualifying part of racing determines what order the cars start in on the grid for the race and theres three parts, the first two parts the bottom 5 drivers each time get knocked out and then the top 10 complete for the last 10 spots. liam lawson knocked BOTH max verstappen and checo perez out of qualifying in the second round by going very slightly faster than them, effectively fucking up red bulls race and allowing carlos to win. and he also scored points in that race, which no one was expecting. now thats all fine and dandy, but here's the speculation: hemlut marko (im pretty sure) (who is somehow decently involved in the decision making at red bull though i couldn't tell you how) said that he thinks that liam lawson will be in an f1 seat no later than 2025. meaning that he will probably get offered a contract this year. and hes already raced for alpha tauri. red bull have sunk a good amount of money into him. they clearly want him. so if he gets offered an alpha tauri seat in 2025, that means theres a good chance danny rics is going to red bull. do you SEE how the plot here is THICKENED

yuki tsunoda. age 23. currently at alpha tauri. and fun fact, the only alpha tauri driver to race there the whole year. he had three separate team mates. he is slaying and hes often slept on. he has a bit of a temper and likes to shout on the radio and also hates working out (they had to force him to move to italy or something to work out, long story) but hes been kinda killing it. he led several laps in the abu dhabi race this year and hes decently consistent. people think theres possibility that he could get moved up to red bull on account of the fact that he is younger than daniel and clearly has more years in him,, but there is also possibility that he might not because red bull like to make stupid decisions. and if he doesnt get moved up to rebel, will he stay with alpha tauri? we don't know.

alex albon. age 27. currently a williams driver. alex albon is another one with a batshit career. he started out his rookie year in 2019 at alpha tauri then got moved up to red bull halfway through the year when red bull decided that pierre gasley wasnt doing a good enough job (more on him later) and stayed with red bull for a solid year and a half until he lost his seat in 2021 to checo. he has been with williams for the last two years and is basically carrying the team. like. williams as a team scored 28 points this year. and alex albon scored 27 of those 28 points. and as we know, williams is still kind of in their shit arc (though they are doing much better. they didnt score any points for a solid 2 (?) years. so this is an improvement.) and if you can get a shit car to perform you catch the eye of bigger teams. now, alex has already been a red bull driver. and he was on the cusp of podiuming two separate times when lewis hamilton ran into him. this (among a few other things) basically killed his chances at getting resigned at red bull because he wasnt ""performing"" and red bull are bitches who love to win. but some people think that red bull should give him another shot. like daniel, hes already been max's teammate and he can definitely drive. but theres also talk he might go to ferrari because ferrari think that he might compliment charles's driving style (or something). but going to ferrari at this point is kind of suicide. so.

logan sergeant. age 23. the only american on the grid. the other williams driver. he just finished his rookie year. he scored a grand total of one single point this season, in texas, and it was because charles leclerc and lewis hamilton both got disqualified because the floor of their car had more wear (by literally less than millimeters) than it was allowed to, bumping him up from 12th to 10th. he has never done better than alex albon. he was also the very last driver to get a contract for 2024, with williams waiting until i think december of 2023 to announce his contract extension. clearly, hes on thin ice. but people have also said that he needs time to get used to formula 1 (other people have pointed out that oscar piastri slayed his rookie season this year and this statement about needing time is largely false). where logan ends up next year though will largely depend on how well the 2024 season goes for him.

fernando alonso. 42 years old. many people like to point out that oscar piastri is actually younger than fernando's racing career. he won tiktok creator of the year (somehow) and is also a 2 time world champion. he retired a few years ago, just to show back up again and slay. during the first half of the season when aston martin had a zoom zoom car he killed it, and then they had problems on top of problems and he didnt do well. except for that one race in brazil where he came in third, beating checo by literally .05 seconds. he hasn't really made any hints about retiring a second time and he is kind of carrying aston Martin right now (he scored 205 points this season, coming in 4th and tying in points with charles leclerc, lance stroll only scored 74 points this year.) and they did have their best year yet this year. (though they are relatively new).

pierre gasley. 27 years old. french. drives for alpine. the french team. previously he raced with toro rosso (now alpha tauri), then got promoted to a red bull driver in 2019, then halfway through the season they decided he wasnt doing a good enough job and he got demoted back down to alpha tauri. then he won a race with alpha tauri just to stick it to red bull. after the great oscar piastri contract twitter war, he was signed as alpines second driver, with Esteban ocon being the other driver (more on him soon). estie bestie and pierre (both french) were childhood friends and now hate each other for unknown reasons and basically feuded on the track for most of the season. french civil war at alpine. he scored 62 points in 2023 and came in 11th. not really sure where he will end up, it is possible that he will stick it out at alpine.

esteban ocon. 27 years old. also french. currently driving for alpine. another one with a silly bonkers career. he started out at force india and had a baller few seasons there but his teammate at the time was checo, and checo didnt really cooperate with him too much and caused some drama that cost estie bestie some places and some points. max verstappen also beat him up in the garage once. thats not really relevant but it did happen. anyway, after the owner of force india was arrested for .... i don't remember what maybe it was embezzlement or bankruptcy or something money related, the team was backed by lawrence stroll and became racing point. but all of that happened mid season and lawrence was basically like look ill back you guys for now but next year my son gets a seat (lance) so one of you two (checo and estie bestie) have to go. and ultimately they let estie bestie go even though he was more consistent because checo had more sponsors and they needed money. so he was out of formula 1 for a few years (but was a merc reserve driver) and then went to Renault, which then became alpine. he did come in 12th though overall this season, just behind pierre. so. will alpine keep both him and pierre and keep the civil war going? whos to say.

nico hulkenberg. 36 years old. haas driver. in his 200+ f1 races he has never been on the podium and he really really wants to be on the podium. unfortunately this will never happen in a haas because haas fucking sucks. and everyone knows it. he is getting towards the end of his career though. though! stake f1 will become the mario Andretti and audi team in 2026 (don't question it) and they have supposedly voiced interest in nico. so we will see if he hangs on that long to end up at audi. for now tough, hes definitely hating it at haas. though, haas are going to have a different team principle next year so maybe that will change things. i have a sneaky feeling through that haas will probably end up with another 2 rookie drivers because everyone else is smart enough to not race for them.

kevin magnussen. 31 years old. haas driver. hes another deeply interesting character. he has had one podium. in his rookie season. in his first race. and none since. kevin started at haas in 2017 and then left at then end of 2020 when he basically got kicked off because the team needed money and they wanted to bring in drivers with more sponsorships. these drivers were mick schumacher and nikita mazepin. so kevin basically was forced to retire after the 2020 season. this went decently well for haas. until russia invaded ukraine right before the start of the 2022 season and, well, nikita was Russian and it was never distinctly proven that his dads company (who was sponsoring the team) wasnt also funding the invasion. so nikita got fired and they were literally like 2 weeks out from the start of the season, down a driver. who are you gonna call? kevin magnussen! and hes been back ever since. but hes clearly getting annoyed with haas. there was one great clip from this year where his car caught on fire and he kind of just stared into to, clearly hoping it would burn for a long time. so the likelihood of him extending his contract is looking slim.

valtteri bottas. 34 years old. currently a driver for stake f1 (alpha romeo, kick sauber, whatever you wanna call it). previously, he was a mercedes driver and notoriously helped lewis hamilton win a great many championships, until he lost his seat to george russell in 2022. there was a rather awkward part of the 2021 season where valtteri knew that he was out of a merc seat the following year and kind of just chose violence. he slayed. then he went to alpha romeo, grew a mullet and made a calendar of his ass. quite the glow up if you ask me. hes also very interested in cycling. honestly though, i have my own personal speculation that hes going to retire at the end of this year.

zhou guanyu. 24 years old. driver for stake f1 (alpha romeo/kick sauber, etc etc). hes doing alright. he just finished his second season, in his first season he was majorly out qualified by valtteri but this past season he managed to out qualify him a good 6 times. which is decently good for the tractor of a car hes driving. its possible that he could get a contract extension, but like logan, its probably going to depend on how the 2024 season goes for him.

and thats all the drivers. theres also a few others i didnt talk about, like some other f2 drivers who want seats and mick schumacher, who is currently a merc reserve driver, all of which could be contenders for f1 seats. but one things for sure. this is going to be the silliest fucking silly season.

feel free to add on and peer review me

[mikeystrawberry]

Today is Dungeons & Daddies’s 5th Anniversary!

I haven’t been listening for nearly that long but the podcast and all its characters means a lot to me. Happy Anniversary!!!

Throwing the cropped sections under the cut because there’s a lot of stuff going on and I know Tumblr likes to throw half the pixel quality out the window. And also so I can ramble a bit about this piece!!!

This piece has been months in the making, possibly an entire year. And by that I mean I’ve had a sketch of the comp scribbled on my whiteboard for ages because I wanted to save this specifically for 5th anni art. Now onto design stuff!

(First off a random thought: I really love how the garlic knot came out, I kind of want it as an enamel pin.)

I knew I wanted to make this a stained glass piece since the beginning, but I was also going to add flowers at one point but quickly dropped the idea. It felt like too much and I also didn’t want to fuss over flower language assignments for everyone. I was also going to add Doodler tentacles, but also dropped that idea pretty early. Kind of on accident, right at the end, I figured out how to make it even more stained glass-like but taking a duplicated lineart underneath the regular layer and turning the brightness all the way down, then setting it to overlay and adding a guassian blur. It’s very subtle but it adds that tiny bit of depth that makes it look more real. As for shading on the lineart/gold, I tried adding more highlight on the characters who died but once I evened everything out it wasn’t as noticeable anymore so I’m throwing that thought here so the attempt at least known lol.

The order of characters only changed a little bit from my original comp, I flipped the Wilsons and the Oaks so the rainbow could work. As for the anchors, specifically in season 2, I lined them up to the teens since the season 1 anchors lined up with each dad:

Tony —> Scary: his death was the beginning of Scary’s betrayal arc and also Willy killed him.

Guitar Pick —> Taylor: it’s not really aligned with Taylor at all, but the anchor was with Glenn so I put it next to his blunt.

Scroll —> Normal: was only because it was the last left to give him, but there’s the whole scene of him and Hermie in the Green Room so it still works!

Garlic Knot —> Link: one of two that he broke, but the more significant of the two with him telling Grant he never wants to see him again.

Small notes on the season 1 anchors: I put the layer of mold in the overnight oats but you can’t really tell with the overlay. And to make the supper bowl more interesting I added the fantasy sodas mix they dumped into it. The lure of actually drawn before so I just traced my own art lol.

As for the other smaller triangles, it took me a bit to figure out what I wanted to put there. I didn’t even think of adding the vehicles until two days ago but I’m so glad I did. I don’t really have my own take on the mascot version of the Doodler (yet?) so I borrowed the design from one of the stickers in their merch shop. Teeny was terrifying as just a front facing head so I made him cute again.

In the outer circles, I put what I felt was the most significant quotes for each family. I really wanted to use “It’s okay to be angry, it’s not okay to be cruel” but it was just a little too long.

That’s all I can think of! If you read all the way through, thank you for indulging me in my excitement to gush over this piece.

[paigebuckets6]

Yearning Allegations

Part: 1

Pairing: Paige Bueckers x reader

Genre: Friends to lovers slowburn (Series)

Synopsis: You've liked Paige for the longest time. Is there any chance she likes you too?

Paige Bueckers was your best friend.

She was also one of the most popular players on the Uconn Huskies.

Although many loved her, none of them knew her like you did. Most certainly, none of them loved her like you did.

You had known her since the first year of high school, where you two hit it off in English class, teasing her about how slowly she read. She had just shot some stupid comment back at you, and from then on, you two were inseparable - which is why you were sitting courtside at this very moment, happily watching her play.

"And that's time, another win for Uconn!!"

The announcer shouted loud as Paige threw the basketball at the last second, arcing perfectly into the net. She beamed wide as she turned around, her cheeks pink with pride, scanning the crowd for you. Her eyes seemed to shine a little brighter, or so you thought, upon landing on you.

She grinned in your direction, nodding slightly at you, as she ran past you to congratulate her teammates. They tackled her, nearly knocking her over. The crowd's roar was racious in your ears, their shouts nearly as loud as yours. Uconn had won again. You smiled to yourself, Paige was gonna be absolutely insufferable after this. She always was after games like these.

You waited patiently outside the change rooms, scrolling mindlessly on tiktok, waiting for Paige to finish up. Usually, she stayed a few extra minutes afterward, yapping with the team about whatever, and then would come out with KK, jokingly bickering about some nonsense. You hadn't been waiting more than 5 minutes when Paige came bounding out alone, grinning proudly. You grinned back, amused. She was like a 6 ft tall puppy.

"Yooo y/n, did you see me out there??!" Paige threw her arm around you as you guys started the familiar walk to her dorm. After wins, she'd refuse to let you get any work done so you didn't even bother going back to your dorm at this point.

"Yeah, I saw!!" You say, unable to stop yourself from smiling back. Paige's smile was genuinely infectious.

"Dude, I'm the best hooper at Uconn for reallll hahah." Her laughter echos around the hallway.

You roll your eyes and pat the hand she has draped over your shoulder.

"Ehhhh, I think you're alright"

Paige scoffs at you, eyebrows raised.

"Come on, just alright?? You love me, don't lie. " Her eyes are alight with happiness and you fight the corners of your mouth, looking away.

"That play at the end was eh, I've seen better"

Paige rolls her eyes, scoffing yet again before holding the door open for you, leaning against it.

"You're a terrible liar y/n"

Before you can reply, Paige ruffles your hair, and you bat her hand away, complaining. She grabs your hand, and you bodycheck her, but to no avail, cause she takes off running to her dorm just to annoy you on purpose. But you laugh anyway, cause it's so typical Paige.

---

It's only a few days later when you find yourself at an infamous Uconn house party, and the alcohol in your system is making your cheeks feel warm. Your red solo cup of vodka is half empty, and you peer at it, wondering if you should leave your comfy spot on the kitchen counter.

You're admiring Paige from across the room, watching her talk to some fans.

She looks hot as hell tonight, dressed in a black cropped tank top and low waisted baggy black cargo pants. Her middriff is on display, and a tiny bit of her boxers peak out. For a second you wonder about what'd it feel like to put your hands there but you force yourself to stop thinking about her, nails digging into your palms as you take another sip of your drink.

Your feelings for Paige had only intensified over the years, becoming harder and harder to ignore as you two got older. In high school, you could just explain it all away because she was your best friend, but now? You guys had only become closer since starting at Uconn, and these days resisting the urge to make a move was becoming nearly unbearable, especially with the looming fact that everyone and their mother wanted Paige.

Normally, you'd just go over to her and yap her ear off, but the amount of alcohol you've had tonight makes you feel like being around her might be a bit dangerous.

So instead, you just stare from afar, watching her put her arm around the girl who's exclaiming she's "her biggest fan." You roll your eyes, inner monologue already snarkly thinking that Paige gets told that at least once a day.

You're so engrossed in watching Paige take pictures- she's now laughing with the fan over some stupid joke- that you don't notice KK's slid over to you.

"Damn girl, you really ain't beating the yearning allegations huh"

Her voice shocks you out of your reverie, and you glance over at her.

"Huh!?? What do you mean-"

KK's eyes are knowing, and she just raises one brow as she pours herself a new drink.

"Boo, we all see the way you look at her"

You roll your eyes, trying to play it cool. Although you're pretty sure the whole team already knows how you feel, you still refuse to admit it cause what if that got back to Paige? You want her, but not more than your friendship. You could never forgive yourself if something happened to you two. You resist the urge to do anything about how you feel solely to protect your friendship.. but also because you're scared. What if she doesn't like you like that? It'd probably just make everything awkward anyway.

"I don't know what you're talking about- Paige's just my friend." You keep your voice steady, but your expression darkens as you see the girl is STILL talking to Paige, her hand lingering on Paige's waist as she draws back from a hug.

"Uh huh.. whatever you say, " KK says, leaving the kitchen with her refill.

A few minutes later, you're busy answering some texts when Paige comes over.

"Hey, KK told me you're being all edgy and hiding out in the kitchen instead of having fun at the party. You're scaring off the hoes, dude. "

Paige is always more affectionate than normal when she's drunk, and tonight is no different. She places her hand on your thigh, grinning as she peers at your face, and you look at her for a few seconds before you move off the counter to stand.

"I'm not hiding, I was dancing a bit ago I just got tired-" This is technically not a lie, considering you did dance for a few minutes before deciding to become the next Joe Goldberg.

"Rightttt..." Paige towers over you, an annoying fact that hasn't changed since high school.

You're about to reply with some smart ass answer when some girl walks into the kitchen, cup in hand, her jaw dropping open as she spots Paige.

"Oh my God, Paige Bueckers?!?" The girl's voice raises practically 3 octaves, and you feel so annoyed you resist the urge to just sigh at the sight.

"I love you so much! I was watching you the other day - that final score was so good you really clutched the game-" The girl gushes, her hand resting on Paige's arm. Paige is, of course, grinning broadly. She loves the attention - and you can practically feel a headache coming on from the sound of the girl's voice.

"My head hurts real bad, gonna go back to my dorm-" You murmur as you pass Paige to leave.

"Oh, are you okay?" Her attention is momentarily distracted by your leave, and you try to inject some pep into your voice.

"Yeah, I'm fine."

---

Authors Note: Hope yall don't mind a slowburn! Thought it'd be cute to make a short series <3

Trilogy: Part 2 here / Part 3 here

[tizeline]

Tizeline - She/Her - Digital Artist

Mostly fanart with some original art sprinkled in here and there

Pr*ship & Tc*st go awayyy

Tag navigation, FAQ and AU info under cut 👇

Tags

#tizel art - Art tag

#tizel talk - Me rambling about random stuff

#Tiz Sep AU - My dumb RotTMNT AU

FAQ

Can I repost your art? No! Please don't!

Can I use your art as a profile picture / header? Yes, I am fine with that! Preferably with credit

Can I draw fanart of your AU? YES god yes no need to ask just make sure to tag me so I can see it :D!!

Can I dub your comics? No, I'd rather you not

What do you use to create art? I mostly draw in Procreate on an iPad

What brushes do you use? This is something that changes as I like to switch things up sometimes, but lately I've mostly been using the Shale Brush in Procreate

What canvas sizes do you usually work with? Depends on the drawing, but usually either A4 format (2480 x 3508 pixels) or a square canvas (ca 2000x2000 pixels). As a rule of thumb, I rarely go lower than 1000 pixels on either side. I always use 300 dpi.

What's Tiz Sep AU?

A seperated RotTMNT AU where Raph, Leo and Mikey were raised by Draxum and Donnie were raised by Splinter, check out the tag for more info!

Some highlights of the Tiz Sep AU

(there's more to find under the hashtag, but if you don't wanna scroll through it all, here are some of the more important/interesting posts)

(ALSO! These are not in chronological order, they're in the order that I posted them, so they jump back and forth in the story quite a bit)

First Post (original concept)

Turtle Hands

Powerhouse Mikey

Donnie's complicated relationship to his brothers

Leo Fanboy Moment

Everyone sucks at names (including me)

Shelldon!

Leo-Brooding-In-A-Pizzeria Arc

- Run of the Mill encounters

- Jealousy

- Leo AND Donnie Fanboy moment

Overprotective Big Bro

Unusual Team Up

Raph + Casey Friendship Moment

Leo is a Poor Winner

Raph + Casey Friendship Moment PART 2!

Cell Talk - Part 1 - Part 2 - Part 3

Little Bro...?

Separation anxiety and it's consequences - Part 1 - Part 2 - Part 3

Gearing Up (Follow up to Cell Talk) - Part 1 - Part 2 - Part 3 - Part 4 - Part 5 - Part 6

The Beginning - Part 1 - Part 2 - Part 3 - Part 4 - Part 5 - Part 6 - Part 7 - Part 8 - Part 9

Family Secrets - Part 1

[matchalovertrait]

"Count your days," is what Dulce is thinking. She WANTS to kill him, but she still feels a little bad for breaking his heart... and she's trying to be in her character development arc! Also, she kind of got herself into this mess.. What's a girl to do in this situation???? Okay, okay. Y'know what? We're overcomplicating things. In response, we have to be well-mannered and considerate. There is a certain image we have to maintain. Dulce will make a video calmly explaining the truth and bring out the receipts. After all, her cookbook wasn't made overnight. There are drafts of her ideas everywhere on her computer and she backed everything up in other places. This'll be easy to handle! Piece of cake.

Note: I'm kind of exploring different genres with each generation, at least the first three. Generation 1 was more slice-of-life (besides the social commentary on money, power, etc.). Generation 2 is going to be much more telenovela-esque 😅 So if things get a little outlandish, it's supposed to be like that.

I also researched a lot for certain things that are coming up, but I'm just one person so maybe it's not 100% perfect 😭 I don't have an editing team and I'm a very inexperienced writer. Sooooo yeahhh, let's get this next part started!

Transcript:

Dulce: Oh, a text from Rubiya! Did she send me another cat video?

Dulce: Never mind, she didn’t. Why does she want me to see Caruso’s video? Did he become an executive chef? Good for him.

[Thumbnail of Caruso's video titled, "storytime: MY IDEAS WERE STOLEN!!]

Dulce: This better be a clickbait title and this better not be about me.

20 mins into the video...

Caruso's "video" subtitles: Sorry for how long this video ended up being, but yes. In short, Dulce Alegria and I broke up because she was toxic. She treated me unfairly and took my recipes without asking! I was too afraid to speak out.

Caruso's "video" subtitles: However, I now recognize my self-worth will no longer be silenced! It’s time for me to take the credit for my stolen work. Bravo for me.

Caruso's "video" subtitles: I’m proud of myself for finally stepping forward. I was being manipulated and taken advantage of for too long. Thank you for watching.

Dulce: Son of a bitch.

Dulce: Okay, but there is no way people actually believe this. My cookbook is clearly personal to ME. [Scrolls down to read the comments.]

Dulce: I’m going to kill him.

[vampsired]

☆ masterlist ✎ Jujutsu Kaisen

I POST 1-2 TIMES DAILY !!! total works: 40 favs = ❤︎

[disclaimer: if a post is said to be posted at a time and is not linked, check my most recent blog posts or scroll through the #’s below for it <3 # for smaus, fics & headcannons etc]

• HIDDEN INVENTORY ARC SERIES •

• GROUP SMAUs- Hidden Inventory Arc (HIA) group chat. cast ᯓ✦: gojo, geto, shoko, nanami, haibara, & utahime

─── texts

Gojo time out: part one

Gojo time out: part two

Gojo’s Big Back-tivites ❤︎

Barbie movies x GC debate

GCs fav disney princesses

Revision with the JJK characters

part one : GC x Y/N likes who?? + bonus priv texts ❤︎

⤷ part two : GC x Y/N’s ‘date’

GC x Girls on a trip ❤︎

Gc x Kiss, Marry, Kill

Who’s awake? x GC

Get this spider x GC ❤︎

Stupid questions x GC

‘The Perfect Couple?’ x GC ❤︎

Pick a movie ! x GC + bonus priv texts

Training [failed] x GC

Pre-Exchange event drama

Karaoke Day x GC

Babysitting x GC ❤︎ ⤷ P2 : babysitting Himari w/Haibara and Nanami -drabble

Game Night x GC

Gojo’s cookies: gone wrong x GC ❤︎

Gojo’s food combos x GC ❤︎

Pizza night x GC

Date?? X GC +insta post +priv chats ❤︎

Geto’s spice tolerance x GC

Injured x GC ︎ ︎❤︎

Dating advice x GC

Late Dinner Plans x GC new post !

Argument x GC JUST POSTED !!!!

⋘ upcoming works… ⋙

Amusement park x GC 🔗 request

I’m pretty? x GC 🔗request

•send requests and I’ll choose some to write when i can>.<•

─── drabbles

Babysitting Haibara’s younger sister with him and Nanami

─── social media

Happy Birthday Y/N insta smau

HIA characters as your best friend: part one

HIA characters as your best friend: part two

Night Out X HIA characters: part one

Night Out X HIA characters: part two

• CHARACTER SMAU AU

─── social media

Rockstar!Geto Suguru insta AU ❤︎

• HEADCANNONS + SILLY n FUNNY STUFF

JJK characters as cats: part one

JJK characters as cats: part two

Random things about JJK characters ❤︎

Hobbies JJK characters would have

• FICS

…

⨳ return to navigation. feel free to send requests ᡣ𐭩

[s4lv4tions]

numerology; nsfw

pairing; gojo satoru x reader / gojo satoru x geto suguru (past) / geto suguru x reader (past) summary; numerology — the belief in an occult, divine or mystical relationship between a number and one or more coinciding events. or: trying to move on. wc; 13.4k cw; death, angst, requited unrequited love, violence, smut (at the very end, but mentions throughout), canon divergence, spoilers for manga an; if you think you've read this before, you probably have! i posted this on my old tumblr a year or so ago, and it's still available on my ao3. this version is slightly updated and edited, but still diverges from canon as it was created at the start of the culling games arc :)

1.

The first time you bathe with Satoru, he cries.

You don't notice at first; he's quiet — abnormally so —, and his face remains pristine, unchanged. The only hint you get is a small, barely audible sniffle that stops as quickly as it starts — and you think he wants it that way. You don't think he's ever cried in front of anyone.

That's why you don't say anything. Just continue washing the suds from his hair, and pretend that the tears rolling down his cheeks are beads of water dripping from his hair — but you take extra care to massage the conditioner in, and peck his cheek as you finger-comb through silky, cloud-white strands. 

It occurs to you afterwards — as he lounges on your bed, scrolling through channels with a wayward hand planted on his stomach — that perhaps, it's the first time somebody has taken care of him. The first time ever, or just the first time since… since…

Geto Suguru's face smiles up at you from your vanity — a tiny polaroid, his face no bigger than the nail of your thumb. Beside him, Satoru grins, cheeky and bright-eyed — you don't think he's ever been any different —, and in the corner, the smudge of your thumb covers the lens. You don’t have to lift the photo and check the back to know what’s written there, in your scratchy, looping scrawl; the strongest, 2006.

"Lord of the Rings?" Satoru calls, carefree as ever. A yawn catches in his throat, and his fingers slip underneath his shirt to scratch absentmindedly at his chest. "Ooh, haven't seen this one yet…"

"Uh, yeah. Sure."

It was a better time. Less pain. Less responsibility. Less death — or maybe the same amount, just shielded by the blinding cover of childhood inexperience. Suguru was still alive and burning bright, Satoru was happy (happier. He didn't cry in the bath, at least). Shoko didn’t self-medicate as intensively as she does now. The days were spent in childish ignorance and stupid indulgence, and even when things seemed their darkest, you never lost hope. 

(It probably says a lot about you that, if given the chance, you wouldn't return. Whether that's because of what you know is bound to happen, and the pain is too much to experience again, or because you're so utterly pathetic that you'll take sadness and grief and a tiny shred of affection over… whatever it is you were back then, you don't know. A smudge in the corner of a picture of the jujutsu world's greatest.)

Suguru's eyes seem to burn into you. You turn the picture over, and rejoin Satoru on your bed.

2.

"It's been two years."

Satoru doesn't like to talk after sex. Not in any way that's really meaningful, you mean, nothing that lets you in. He loves jokes, empty small talk, work politics. Chatter that's deep enough to show he cares a little without bearing any part of himself — your injury healed up? When was the last time you had a break? There's a new teppanyaki place in Shinjuku, I'll treat you. Don't work yourself too hard, you'll put me out of business! 

If you're being honest, you didn't go into this expecting anything more than a person to scratch an itch with. 

You're already friends — though, you're not sure friends totally encapsulates what Satoru is to you, romantic or platonic. You've been friends since you were 12. Satoru, Suguru, you — and then Shoko, when you all met in your first year at Jujutsu Tech. That's how it's always been.

You swear sometimes you know him better than yourself. You swear sometimes it's his voice you think with. Is that what "friends" encompasses? Somehow, it doesn't seem enough.

Whatever. The point is that your relationship with Satoru is already strong; foundations tall and proud and unshakeable. You didn't start fucking Satoru in the hopes of forming a relationship — one was already there.

It's just... Satoru is young, yes, and he enjoys flirting, but (contrary to common belief) he's not all that keen to sleep with the first person who's willing. You don’t say this with the belief that you’re special. It’s just that with work, and especially with — y'know, his… romantic history, Satoru hasn’t found the time or will to just sleep around. At least, according to him.

Sheer willpower isn't enough to make those urges go away, though, and… well, you had them too, and you were willing, and he trusts you. And you'll take anything he'll give you, really, even if it's just scraps. Even if sometimes it makes you feel worse.

Today's one of those days.

You feel sick, after. Not because of him — because of yourself. Your polaroid of Getou and any other photo he's in has been turned over, anything that could remind you of him tucked away, but — but he's everywhere today, everywhere, and you'd fucked Satoru despite it. And Satoru is covered in memories of Getou, of course. Every freckle, every shifting of muscle, every jut of bone — did Getou touch him here? Caress every bit of him he could get his hands on? Tangle his hands in his snow-white hair, breathe against his collarbone? 

When you came, you cried. Pretended it was just because it was so intense, but behind your eyelids, dark, cat-like eyes stared back.

"Hm?" Satoru hums as if he didn't hear you, eyes fixed on the TV. Dumb doesn't suit him — it's honestly a bit of an insult for him to even try it. Like you didn't sense the stiffness of his limbs the second he'd stepped inside, or the crumbling edge of his smile, or the way he'd forced you to love him harder — pull his hair harder, scratch his back deeper, his Infinity turned off and his skin yours for the marking. 

Satoru's mannerisms are scribed into your brain. You catch yourself emulating them, sometimes; hands waving, head tilting, grin wide and posture open. You wear it like an oversized coat, an ill-fitting costume, and sometimes you wish you could stop taking on pieces of him. The more you take, the more you must throw away — and it's Suguru that your memory discards. You find yourself forgetting how he hummed when he woke up from a nap, or filled his cheeks with food like a hamster; how he scrunched his face up when he laughed, pretty all the while…

The point is that even with his incredible knowledge, his awesome strength, the sheer holiness of his existence — you know Satoru. And the fact that he came to you today isn't mere coincidence.

You decide to come out with it. You've tiptoed around it for 24 months, give or take, had a shockingly brief mourning period before the jujutsu world forced you along, and… even with what he did, Suguru deserves better. "Suguru died today."

A beat of silence. Then:

"Mm, I guess he did."

You'd spent the day staring out at the grey sky, the miserable sight of soaked pavement. Grey, grey, grey. Concrete jungle. Heavy rain clouds and an ocean of multicoloured umbrellas, bobbing and rolling to destinations unknown. You hadn't said it aloud; hadn't even thought of it, specifically. The knowledge of it had just sat over your head like a thick, sweltering fog — and if you know Satoru at all, you know that he'd done the same. Maybe he hid it better.

You don't have to look now to know that his lips are pressed thin. You find the sudden thought of looking him in the eyes daunting, anyways, so you turn onto your side, back facing him, and pick mindlessly at the sheets. You don't want to see what his reaction will be when you say—

"Did you know that I loved him — back then?"

You don't want to see the shock, or the confusion — and you'd rather not see a lack of them, either. What's worse, you wonder — him knowing and loving Suguru too, or not knowing and loving him?

"...Yes."

You screw your eyes shut and try to will away the sudden surge of cold, like a sharpened dagger to your chest. 

(It turns out that knowing is much more painful.)

Suguru Geto had been the apple of your eye ever since you'd met. 11 and gangly and stupid in a way that all children were always stupid, Suguru had been a bit kinder than his white-haired counterpart. Satoru, being Satoru Gojo, had grown up with no fear of authority, no mindfulness for his less-powerful peers as anything more than people who existed around him. You and Suguru were allowed the title of friends, but very few were. Anyway — he grew out of that mindset, of course, but your fondness for Suguru stayed.

(Though they'd always seemed to be on another level than you — not even just in terms of power, but… just caught up in each other, always. Suguru had only ever wanted Satoru. And vice versa.)

And then Suguru changed. Right under your nose, he changed, and his sudden quietness made sense. His fatigue. The way his hands would always shake when swallowing an exorcised curse, always had since you were kids, and then suddenly they were ingested with a scary calm. Nobody understands the taste of curses. Not even you, not even when he’d explained it in sickening detail.

You sigh, then. Tired and lethargic and not from physically straining yourself for an hour. This is bone-deep, soul-weary. It's been held in for 730 days, or maybe more. Maybe you've carried it with you since birth. "I never apologised."

"For what?" Satoru asks — and he laughs, jolly, and the sound fits awkwardly in his throat. A clear attempt at feigning indifference, but he's a bad liar. He always has been, because he's never needed to lie. Perks of being the strongest, you guess. You can just come out and say shit — and if you can't, not saying anything technically isn’t lying. 

"I hated you, after," you confess. You dig your thumbnail hard intoyour pinky finger, taking momentary refuge in the sharp shock of pain. "I couldn't stand to look at you. When I did, I saw… I saw what you did. What you had, and what you had thrown away. I blamed you for Suguru. I blamed everyone except Suguru."

Another snicker, a bit too humourless. "You can't stand to look at me now."

"I…" You don't know what to say to that.

Truth is, you don't want to see his face. Contorted in pity, or disgust, or sadness for you. You've gotten used to living in his shadow — most everyone has — but that doesn’t ease the ever-present blanket of insecurity that you carry around your shoulders. It doesn’t dull the ache of inferiority you’ve been housing in your chest from the moment you were saddled with your technique. As you aged, you got better at hiding it, and you generally prefer your self-pity to go unnoticed, but Satoru—

He could always read you like a book. And you hated it. You hated being pitied by someone who was as powerful as him — someone as close to God as one could get. It was demeaning. Patronising. It makes you feel like a child again, bowing your head as your mother makes excuses for you.

You shift over — onto your back, and then onto your other side — and you look at him. You force yourself. Blankets pooled around his waist, his skin so pale it could be translucent, eyes icy blue and framed with fluffy white.

"You were forced to do it," you murmur. Your eyes remain trained on his chin — his are much too bright, much too all-seeing for comfort. "If you hadn't, he would've gotten worse. He never would have stopped. You knew that, you always did. It… took me a while to come to terms with it."

Satoru sighs. Then, he slumps down so that — like you — his head rests flat on the pillow, and his body arcs towards yours. He's forced himself into your sights again, in a way that’s gentle, but not so much that you wouldn't be able to figure out what he's doing: forcing you to face him.

"Would it have made you feel better," Satoru begins, reaching forward to brush his fingers against your chin, "if you were there when I did it?"

Would it have?

Would it have given you closure? Would you no longer spend your nights wondering what he'd looked like, what his last words were, his last thoughts? If he had spittled and roared in anger, if he had wept in fear, if he had attempted a smile, a joke? If he thought of you, or if you were just another insignificant blip in his radar?

In your mind, Suguru exists as his 17 year old self — smiling and mischievous, polite yet humorous. He puts extra broccoli on your plate and gently berates you to eat more. He tells you that you're a precious part of the team, that none of them would be who they are without you. He calls you crybaby because you always wear your heart on your sleeve, and tells you not to worry about things you cannot change.

Change what you can. Forget the rest and leave it to me, crybaby.

The bubbling hatred that had festered inside him has no place in your head. You want him to stay as he is, your Suguru that was never yours, shining like gold in your mind.

"No. He hated me at the end, I think," you say quietly. For a second, you dare to meet his eyes — bright and pointed in how they stare at you. You know he can see the tears that have begun to burn in your waterline, the way you ball your fists so hard you dig half-moon into your skin. He doesn’t need to be blessed with the Six Eyes to see.

"I wasn't interested in changing the world like he was, even with my Technique. That made him despise me, I think."

Satoru stares for a few more seconds. You wonder what he's thinking about. A second in your time is a lifetime in Satoru's; he must be thinking hard. 

But he blinks, at last; sighs so deeply that his chest caves in with it, before he winds an arm around your waist and pulls you close, bare chest to bare chest, only atomic space between you.

There's nothing sexual about it. You're nothing but bones and skin and blood, here. He moulds your head to his shoulder with one large hand and cocoons you in his embrace, warm. Protected. You're not sure who the action is meant to comfort.

And just when you think the conversation is over — just when minutes have passed with nothing but the sound of the TV between you both — he speaks.

"Suguru could never hate you. Trust me."

You don't want to know what that means. You're only beginning to get over it, two years later.

3.

Satoru is holding three onigiri in one hand, and two Starbucks' cups in the other — extra sugar, extra cream, extra ice, extra unicorn-marketing, just the way you both like it. 

"There she is!" Is the first thing he says as he meets you just outside the metro, grinning. 

It's sweltering hot today — the sun had risen early and would surely set late, and Satoru seems to be taking advantage of it. Gone is his Jujutsu Tech uniform and thick blindfold, but he's stuck with the all-black theme like he usually does — black jeans, black linen shirt, black socks and shoes. Even the frames of his sunglasses are black.

(Handsome. He's handsome. He's always been handsome — years later, you'd think you'd stop feeling the effects of it.) 

Lucky for him. You're not, y'know, the strongest sorcerer in the last century, so there's no leeway for you — and even in your summer uniform, the skirt and short-sleeved blouse, you're sweating. Your only respite is that the combined force of you and Satoru will mean this mission is going to be a breeze.

Satoru tsks. "Took your time. I almost ate your onigiri."

A man nearby jogs past, clearly in a rush, and Satoru has to step closer to you to avoid him. He could've stayed still. He wouldn't have touched him, anyway, with his Limitless.

"And you would've had to buy another, genius."

A pout. "You only love me for my bank account, don't you?"

(He's joking. It's a joke. 

But your hand shakes — a miniscule tremor — as you reach out to take one of the cups, and you know he sees it because he's Satoru and he sees everything. You turn away as quickly as you can, setting off in the direction of whatever place it is you're here for, and pretend that the fact that he can say it so casually doesn't kinda fucking hurt. 

(He could never say it like that with Suguru — so bluntly, so crassly. Not without softened eyes and softened smiles and a gentle tilt of his head — those are mannerisms reserved only for him, never to be seen again. Instead, you get snickers and digs in the arm and teasing pulls of your hair. Of course it’s a joke. That’s all you are.

Perhaps you should just be grateful for what you get. Perhaps you should try to stop comparing yourself to a man you once loved. Perhaps you should try to stop comparing yourself to a dead man. Perhaps, in the end, you just love the pain of it all.))

"Yeah," you reply, taking a large, sugary sip. "And don't you forget it, either."

Satoru catches up to you quickly, effortlessly; his arm flops around your shoulder as he tugs you in the opposite direction, chastising you for going the wrong way — but it stays there long after it needs to.

4.

Itadori Yuuji — Sukuna's dead-but-not-really vessel — thinks your cursed technique is powerful. He thinks it’s amazing that you can use reverse cursed technique — you must be really powerful, right? Gojo-sensei says you’re special grade. He also thinks you're very pretty. He tells you this over his fourth grilled pork belly wrap — this one bursting at the seams with kimchi, garlic, and roasted sesame seeds.

He doesn't say it in a flirtatious way — it's just an observation to him, simple and blunt, and you figure he has about as much of a filter as Satoru does.

"O-oh," you say, metal tongs frozen over the sizzling meat. "Thank you, Yuuji."

You had briefly met him for the first time before his death — Nobara, too. Megumi, the third piece of the golden trio, has been something of a little brother ever since Satoru had taken him in, and you know him well enough to know that Yuuji's death (or lack thereof) is weighing on him terribly. 

(There are too many parallels you could make. Suguru and Satoru. Haibara and Nanami.)

Hiding it does make you feel guilty. To experience that grief, that loss — even if it will soon go away when Yuuji rejoins jujutsu society — isn’t something to take lightly. But Yuuji needs a guide that isn’t completely off the rails. Satoru and you balance each other out, and balance seems to be something Yuuji needs.

He reminds you terribly of Satoru when he was younger. Maybe that's why you have such a fond spot for him — he's too goofy and well-meaning and genuine to dislike.

"Why are you acting surprised?" Gripes Satoru, chewing with his mouth open. "I tell you that all the time."

Your eyes narrow. You place a perfectly cooked slice of marinated beef on his plate. "You're you."

"What's that supposed to mean?" He whines. "We're best friends, crybaby!"

"You don't say I'm powerful. You say I'm helpful. There's a difference. And don’t call me that."

"Is there?" Satoru asks, turning to Yuuji for guidance. The teen boy shrugs, preoccupied by assembling his newest monstrosity. "I call you pretty, too."

"Yeah, when—"

When you're eight inches deep in me, face buried in my neck, trying to get yourself off. Your cheeks flush with warmth at the thought, and you shut your mouth. Yuuji doesn't notice your slip up, busy as he is; Satoru does completely, and fixes you with a grin so sharp that you vow to not give him any more meat until Yuuji is completely full.

"It's not the same," you say, voice final. It's a lighthearted lunch. You don't want to ruin it by getting touchy over semantics, and that's exactly what'll happen if you keep going. "You say it to reward me. Like tossing a dog a bone."

You reach for the scissors to snip the meat into little pieces — and in doing so, you miss the brief frown that presses against Satoru's brow.

Neither of you say anything more on the matter.

5. 

Satoru has known you for five years when he realises that he resents you. Not completely, and not for one particular or solid reason, either. He prefers not to think about it, in any case, because you're one of his closest friends — and even at 17, he knows that that's hard to come by. Especially as the Strongest.

Satoru stares up at his ceiling; stares at the miniature striations only he can see, the starburst-shaped gyrations of clay used to finish it off. 

Tonight, he's thinking about it. And many other things.

He hates that you're so hesitant about everything — he hates that you believe yourself so weak that you have to tiptoe. You, with your reverse cursed technique — which is a feat in and of itself — that could transcend time and space, just like he could. A technique passed down for hundreds and hundreds of years, accumulating power all the while…

(Your technique has lots of rules and regulations, of course. A handicap, and he understands it frustrates you, but his own frustration eclipses his understanding. Why should someone so strong feel anything but their own strength?)

He hates that you curl in on yourself when you're sad, or lonely, or angry. He hates that you wear your heart on your sleeve — he's never allowed himself to, not fully. He can't, never fully, because there are people who are watching him, people who hate him, people who want him dead. He can joke. He can make his political desires clear — but he can’t love like he wants to, and God forbid he cries.

He hates that you close your eyes and bask when it's sunny, like a cat in a sunspot; hates that you remember that he doesn't like chicken wings and prefers thighs; he especially hates that you watch over Suguru like it's your job, when Suguru doesn't need it.

And some part of Satoru hates Suguru, too. It was strange for him to come to terms with it, fond of him as he is, but as he grows Satoru realises that there's no love of his that isn't closely affiliated with hate. It makes the love all the more strong.

Satoru, for one, dislikes how polite Suguru is, even when he doesn't need to be. He hates that Suguru becomes a straight-faced, unfeeling thing when he's upset, and tries to hide it — the emptiness in his eyes unsettles him like nothing else.

Most of all, above all, Satoru hates that Suguru loves you, crybaby, and is too pussy to do shit about it. Satoru doesn't understand why, anyways, because he'd made it clear that if he wanted, Suguru could have you both and Satoru wouldn't care. Usually, the thought would offend him. How can you love someone when you already love me? When you've already sworn yourself to me? You already have the strongest, who else do you need? 

But… he doesn't know. He kinda understands. You're precious to him, too, after all, sunflower soaking up the sun. 

Like he said: there's no love of his that isn’t closely affiliated with hate.

6.

Six and a half hours after the hours-long meeting that followed the ruined School Goodwill Event, you find yourselves in a diner somewhere in Harajuku. It’s one of those weird fusion places, loaning ornamentation and tokens from classic American diners, serving omurice with fries, sushi with mashed potatoes, with a cute little mascot that looks like Elvis. It’s loud enough and bright enough to make you feel timeless. It's a sensation you can appreciate. 

Something’s been telling you that time’s ticking, and you’re not quite sure what it is. Trauma, probably. Anxiety. The fact that curses have been banding together, learning spoken language, amassing power — planning an attack on Jujutsu Tech, gaining intelligence, gaining anger.

Satoru doesn’t say it — doesn’t want to say it — but you think it’s unnerved him, too. The last time outsiders entered school grounds was… two years ago, wasn’t it? It’s crazy. Everything always seems to lead back to Suguru.

The attack has fueled something in both of you, anyways; something that makes you both stay up instead of knocking out like you usually do; something that makes you both hungry and restless and liable to travel across Tokyo past midnight. By public transport, no less. No warping or high-speed flying for you, tonight.

But you appreciate it. And you think that Satoru is taking things slow for the same reasons you want to — to take things in, to appreciate what you never think to appreciate. To admire the mundane, even for a little while. Satoru’s less emotionally attached to the jujutsu-less aspects of life than you are — bullet trains and waiting in line and standing on the train platform, escalators and traffic — but he enjoys them all the same when he has time to. And it’s not often The Strongest gets to experience pure, genuine normality, too, so maybe sitting in this gaudy diner and watching the world pass you by is a luxury he rarely affords himself.

He orders the most complicated drink they have — a sakura-caramel milkshake topped with whipped cream, glacé cherries, and an entire slice of cheesecake. He’s down to the last dregs of melting cream within 10 minutes, swiping fries from your plate between sips, ignoring your chides of rotten teeth and high blood sugar.

Blindfold swapped for glasses. Strands of hair drifting down against his forehead. 

You’re always reminded at the worst times of how handsome he is. It’s not like it’s a secret, or he’s unaware of it — and he takes pride in his looks, if his extensive skincare shelf and general attitude is anything to go by — but he puts much more stock in his strength, in his usefulness to others, his intelligence. The things he can provide for others. Not many people realise that.

Maybe you shouldn’t act so high and mighty. It’s not like you don’t appreciate his appearance as much as the next person — hell, half the time you’re trying to stop it from distracting you — but maybe you get a pass. Y’know, as a person who actually has reason to marvel over the stretch of his neck and the flush of his cheeks and how his lips go the prettiest pink when you kiss him. Or the cords of muscle along his arms; the slender-yet-thick bands of muscle of his chest and legs. The large, veiny expanse of hand — slim, delicate fingers wrapped around a paper straw…

"Are you gonna eat those?" Says Satoru, slurping obnoxiously. “Haven't eaten since dinner."

You push the basket across the table, uncharacteristically void of argument. "Go crazy."

Satoru sets his empty glass aside, but the straw remains in one hand. The other he uses to pluck up fries, 4 or 5 at a time, his gaze suddenly fixed on you as he chews nonchalantly.

"Y'know," he says, licking salt from his fingertips, jabbing the straw in your direction, "I can always tell when you're horny."

"Excuse me?"

"You squirm," Satoru continues — matter-of-fact, casual, as if he's talking about the weather. "And you get quiet.”

“I’m a quiet person,” you snap, nails pressing against your palms under the table. “Sorry I know when to shut the fuck up—”

“And then you get flustered. And when you’re flustered, or embarrassed, you get angry.” He raises his hand — signals the cute waitress for another basket of fries, and leans back with his arms splayed along the back of the booth. “Don’t look so surprised! How long have we known each other?”

If you were a better person, you’d probably admit that yes, he’s right. You do get quiet when you’re horny, and you do get angry when you’re flustered — if you were a worse person, though, you’d remark on how you're the first person he crawls to when he’s sad, or overwhelmed. How getting you into bed and losing yourselves in each other is a sort of therapy for him. How he always tries to distract you with cheeky grins and sly, flirty comments, but then afterwards he cries in the bath as you clean him up. 

You don't say that, obviously. Seems like a pretty shitty thing to bring up today of all days. He'd probably deny it anyways, but you don't think it's a coincidence that the attack has left him restless and he obviously wants to take you home.

The new fries are delivered to the table, but he looks right past them. He bows his head slightly, glasses slipping a little further down his nose so that his white-framed eyes peek over the top of them. 

"Let's warp home," Satoru says — and oh. There's that voice. That drop in tone, that lack of boisterous humour he always employs. It's soft enough to have goosebumps rising on the back of your arms, smooth enough to have you squirming — yes, squirming, you admit it — in your seat. "Alright?"

"Yes." And it's embarrassingly breathless, and embarrassingly quick, but Satoru doesn't tease you. Just smiles, raises a hand for the bill, and watches you all the while.

7.

You count seven stitches in the forehead of Geto Suguru.

Count, because it's all you can do. Everything else is lost to you. 

Breathing.

Standing.

It feels like even your heart has stalled. Because—

Because—

Because Geto Suguru is dead. Dead, in the ground, no longer breathing, no longer living. Satoru had killed him. Satoru had demolished him.

The lips of the Geto in front of you twist — a sickening, stomach-turning imitation of the smile you once adored. On his face it's a sneer, a mockery. Your Suguru did not smile like this when you knew him.

"Hello," he greets pleasantly. His arms are hidden within the sleeves of his yukata. Hair down. Suguru always tended to wear his hair up, unless he was fresh out of the shower. Unless he was upset. It was too much hassle to take care of. You know when he took over the Time Vessel Association and donned the gojo-kesa he began wearing it down. "_____ _____, yes?"

You can't answer. Your ears are ringing. Your stomach gives a worrying lurch that winds up your throat — you think you're going to be sick. 

How? Why? Who — who is this in front of you? Because it's not Geto, not Suguru — and you don't say that because of longing or a pathetic desire for ignorance. This thing feels wrong. Inherently, blasphemously wrong. Looking at him for too long makes your cursed energy prickle. Seeing Suguru's image painted in such slimy, rancid energy has you gasping for breath.

Satoru, your mind whispers. Satoru needs to know.

He should. He needs to. But this pseudo-Geto does not look friendly in the slightest, and you are isolated.

Looking back, it had seemed fine to go alone to exorcise curses in the belly of Tokyo's metro. Taking old service tunnels and eventually entering abandoned tracks hadn't felt scary. You're a semi-special grade sorcerer with years of experience under your belt and a powerful cursed technique that could get you out of most, if not all, pinches, restrictions and regulations be damned.

"I'm sure you're very confused. I apologise, really…"

The reality of the situation hits you. Maybe hit is the wrong word — it doesn’t come as a bloody, stinging smack in the face. It’s a trickle of ice-cold water down the nape of your neck, drawing dread from your head all the way into the pit of your stomach. You don't think this is a pinch you'll come out of — at least not battered half to death, especially when a silver-haired curse decorated with stitches steps out from behind pseudo-Geto. The curse Kento had fought. The one that he said to look out for. Patchwork.

Immediately, you know fighting isn't an option. But what else is there to do, in the face of pseudo-Geto and his silver-haired, sentient curse? Your technique may not be limitless in your possession, but in theirs? If they did to you what they did to so many others — transfiguring you past the point of recognition, stealing your body and technique, desecrating your corpse with cursed energy…

"I can feel it from here," titters the curse excitedly. "So warm… I have to have it! Her soul, I have to have it!"

Fuck.

You could try to escape, but you wouldn't have enough time to run past them and through the winding corridors of the underground, even while distracting them with your cursed technique. They'd catch you within seconds. You’re sure they have curses lurking around waiting to thwart you, too.

You could burst directly into the layers of concrete and metal above — use your technique to revert them back millions and millions and years to their very first forms, atoms and subatomic particles, and then rebuild them up as an ascending platform — but that would take too much time, and you'd be completely defenceless while you did. Not to mention the toll it'd take on you.

(Not to mention the fact that you'd be bursting into the public eye from a giant crater in the ground.)

"I'm sure you know what I'm going to do," continues pseudo-Geto, amiable. "I would ask you to join us, but I know that is impossible. Therefore, there is only one course of action."

Can't fight. Can't escape. Can't get answers. Can't stay clueless. How contradictory.

You're not dying, that's all you know. And if you have to do the one thing you never wanted to do, then so be it. Anything is better than death. Death is not an escape, in this scenario — it’s a guarantee of imprisonment.

"It's a shame," pseudo-Geto sighs, bloodlust swelling. "Such a waste of a good technique."

You make a Binding Vow with yourself within seconds.

Using a magnitude of cursed energy usually out of your reach, your entire body will be reduced to atoms — intangible, untrappable, unkillable — for as long as it takes to retreat to safety. In return, you will be unable to think, unable to move according to your own will, only a mere pawn to entropy as the rest of the galaxy is — high risk, high reward.

There are many things that could go wrong.

In reducing yourself to essentially nothing, in splitting your cursed energy into billions of particles, you could reach a state of such low cursed energy concentration that you are, for all terms and purposes, considered dead. In doing so, your Binding Vow could break, and you would be unable to return to living. 

Or you could float for days, weeks, years — safety is subjective, subjective is dangerous when it comes to contracts, and you can only hope that your own understanding of it sets the standard.

It's either this, this fleeting, terrifying chance, or death. With one, you can return to your school, your students, your Satoru — you can tell them what happened. You can bring justice to whoever has disturbed Suguru from his slumber. With the other — nothing. Just plain, utter nothingness forever and ever.

(You know which you'd rather.)

The last thing you recall, in spotty haziness, is the heart-stopping sight of Suguru surging towards you, eyes bloodthirsty, face contorted in malice. 

The last thing you hope is that Satoru isn't too upset about the risk you've taken.

8.

Eight days after your solo mission, you resurface — a discombobulated, stumbling mess on the outskirts of Shibuya, eyes glazed and mouth stuttering over syllables. A nearby Window calls the college within seconds, and Gojo is there just as soon — hands shaking when he grasps your arm and turns you to face him, fingers trembling when he cups your cheeks and brushes them under your eyes.

It’s you. It’s you, it’s you, it’s you, and he can breathe, he can fucking breathe, his chest is lighter than it’s been for those entire 8 days — all the while, he burns with an anger so intense it hurts. And Satoru is no stranger to anger, of course — knows it as intimately as he knows himself — but he's not sure if he can remember the last time it had rendered him breathless, trembling. Bloodthirsty.

It's not the time to think about it. Not when you're shaking in his arms, so frail and weak everywhere except your hands — no, your hands remain strong, fingers digging into his clothes and skin. He turns off his Infinity. The sting of your touch grounds him.

Shoko is already waiting in the clinic for him — she’d been preparing ever since the call first came in. The students (the ones on campus, at least) crowd together at a distance, buzzing anxiously as Satoru disappears swiftly into the depths of the infirmary with you in his arms.

Bad things happen often. Too often. Satoru isn’t sure whether it’s a good thing or a bad thing that they haven’t gotten used to it yet.

“Gibberish,” Satoru answers when Shoko asks if you’ve said anything competent since he picked you up. “Just gibberish.”

Shoko is poking and prodding you with the usual doctor's shit — stethoscopes and thermometers and that blood pressure band that goes around your arm — and you just lay there and take it. Head rocking side to side, limbs trembling, mouth lolling open, and Satoru's trying not to lose his head because what good is taking your temperature? Do you look like you have a fucking cold? Is the way your eyes focus and unfocus normal? The way you can’t string together two syllables that make fucking sense?

But even with how he can see your cells malfunctioning all over your body, Shoko knows more about this shit than him. So he sits pretty on her swivelling chair, twisting back and forth, body the image of boredom but mind anything but. Time and time again, he’s reminded of how unprejudiced tragedy is — how it leaves no hint, no mark of itself, no time to prepare for the toll of it all. 

Satoru had greeted you briefly before you’d left. Said something about getting lunch together, that you better be careful because you were treating him — the same shit he said time and time again, his real plea hidden within the folds and twists of his jokes and quips. Be careful. Don’t die. I can’t lose you. You’re precious to me.

You’ll be okay. You have to be — he won’t allow anything otherwise. But if he’d known last week that you’d end up like this, would he have said those things out loud? He doesn’t think so. He’s cowardly in that way.

A few moments later, Shoko straightens up. Immediately reaches into the pocket of her lab coat and pulls out a cigarette and a rusting lighter, and is puffing out clouds of bitter air just seconds later. 

Shit. That’s not a good sign.

Shoko sighs. Rubs at her dark undereye circles and only makes them worse, taps her cigarette so that the ash falls to the floor. “I know what it is.”

Well fucking tell him instead of keeping it in!

“Oh?” Satoru says instead, leaning forward onto his knees. “What is it, then?”

“She used her technique on herself.”

“She does that all the time to heal."

“She didn’t heal herself,” Shoko snaps — and Satoru remembers that he’s not the only person you’re important to. That while he and Suguru had gotten ahead of themselves being the strongest, they’d left you and Shoko to stroll humbly along your own paths. The only girls in their year. The only person Shoko could fully confide in, really — at least in Tokyo —, the only person who had bothered to check up on her when she drank too much, smoked too much. Even if Shoko hated it. 

Shoko is upset. Satoru doesn't what to do with it.

(Alcohol — she likes alcohol. Satoru reminds himself to pick up the most expensive bottle of the stuff the next time he's out.)

(No. She’s trying not to drink so much, isn’t she?)

(Whatever. Life is short.)

“She dissipated herself.”

Satoru knows about your technique intimately enough that it immediately gives him pause — but he runs over the details in his head, just in case, as if it isn’t already imprinted on the flesh of his skull.

Your cursed technique allows you to disassemble items down to their most basic units — subatomic particles — while your reverse cursed technique allows you to reassemble them. Items can be reassembled into their previous form, or to another related form, but you cannot exceed the item’s natural entropy threshold. If you do, the item cannot be reverted back to a physical state, and you will bear the brunt of the resulting shift in energy.

It's a finicky technique. Finicky and fickle and the risks tend to outweigh the rewards — but you'd always used it so elegantly, so gracefully. Even when you doubted yourself, you had a handle on it. Satoru admired that about you.

("You don't say I'm powerful. You say I'm helpful. There's a difference."

You'd said that to him once, when he brought you and Yuuji to lunch. You'd acted like it didn't bother you but he could tell it did — he didn't need his Six Eyes to notice how your nose twitched and your eyes narrowed, displeased. 

But Satoru believes in two types of helpfulness. 

The kind he is — powerful, needed, a force to be reckoned with. Someone that keeps things afloat, that acts as a beacon in the dark.

Then there's the other kind. The usefulness of pawns, of bait. Necessary, but not fundamental. Desired, sure, but rarely crucial.

You've always been the first. Always. You and him and Suguru and Shoko, always. Even he could admit that.)

You disassembled yourself into atoms. Into nothingness. You lost your mind, your body, your energy, everything—

Satoru sighs. He's been doing that a lot today.

“I didn’t know she could do that,” Satoru says. His throat is covered in a layer of sawdust. He can’t remember the last time he had to actually focus on not throwing up. “Why would she do that?”

“She talked about it, before,” Shoko says. She leans against the bed you’re laying on, gazing over her shoulder — and the way she looks at you turns his stomach, the upturn of her brows, the sad downturn of her mouth. It’s as if you’re already dead. As if she’s looking at a living corpse. “Just… as a theory. A last resort to help her get away, if needed, but—”

“But what?”

“She knew she didn’t have the power for it,” Shoko mutters. Breathes another puff of cigarette smoke. “If she tried, she'd end up just… fading away. In breaking herself up, she'd negate the cursed energy that gives her the power to put herself together.

"And the side effects would be… well, you can see that for yourself. Stupid, so fucking stupid…”

“Well, obviously she has the power for it,” Satoru murmurs. “Or made the power for it.”

“A binding vow?”

Satoru shrugs. Clenches his jaw, watching as you scratch at the faux-leather underneath you. “It'd make sense. Explains how she put herself back together."

(But for what? What could have driven you to such lengths? 

A curse like Jogo wouldn't be all too difficult for you to defeat.

So who…?)

Shoko hums. She stares into space for a moment, eyes unfocused, and for a moment Satoru sees her younger self — the one who just started smoking, just started drinking, who carried the weight of all the people she healed (and those she'd failed to) tucked in her pocket. The Shoko that would make sarcastic quips and humble them when they needed humbling, but humour them when she knew the outcome would be funny.

A time when they had very little responsibility. Even him, shackled with it since birth. Comparing his duty from then to now is like comparing a boulder to the weight of the world.

He feels very old, suddenly, at 28.

"There's nothing I can do for her," Shoko says, softly. Regretfully. "If she did make a binding vow, I can only assume she made a condition about returning to normal. If so…"

Satoru can’t do anything about it, basically, she explains. Your condition is one that will only heal with time, patience, and the odd boost from Shoko’s technique. Maybe, she says — she's still unsure about that last bit.

It sickens him. It festers as a deep, curdling annoyance in his bones, his uselessness. It’s a sensation he had only felt once before, standing before the slumped-over body of Geto Suguru. Nothing he could do for him except put him out of his misery, and even then that felt like a cop-out.

So… he can't go directly after the thing that had forced your hand, because they had left no trace. He can't heal you, either. He can't take care of you while your body repairs itself, while your supposed binding vow returns you to your rightful state — that duty will fall to Shoko, or one of her interns. 

He can do nothing. And Satoru is nothing if he cannot be of use.

9.

Nine months after the events of the culling games, Satoru enters your room to see you sitting up — eyes wide, eyes seeing, and it only takes you fixing him with a single look to know that you're okay. 

(Subjectively. Relatively.)

Suguru Getou — Kenjaku — is finally dead — exorcised. He’s not sure which is the right word to use. All of his allies, killed or exorcised too. Nanami, murdered. Nobara, comatose. Yaga, dead. Inumaki, Maki, Okkotsu, maimed; the great houses of sorcery destroyed and rebuilt in the image of Satoru’s will. 

Itadori Yuuji — dead. Sukuna Ryomen — exorcised.

Adding up the gains, subtracting the losses, carrying the ones… Both sides seem to have lost pretty evenly. And he should be happy about it, too; things could have turned out much worse. And they would have, too, if he hadn’t pushed himself out of his pouting and escaped the prison realm — a feat that was half out of spite and half concern for the outside world, and maybe a little curiosity. Rage. Longing to see the bastard who’d stolen Suguru’s face and body, who dared to reanimate him and rouse him from peace — longing to slaughter the thing that had rendered you bedridden and half-mad for months.

He had been the one to kill Kenjaku. It only felt right to be the one to do so — he’d killed Suguru, after all; had been the one to leave him defenceless and open to manipulation. If Suguru hadn’t been dead, Kenjaku wouldn’t have been able to steal his body. 

Of course, Satoru ignored the fact that the very last rotten, desperate dregs of Suguru would have enjoyed Kenjaku’s plan — it was the only way he was able to keep his eyes open when he blasted his brain to bits. It was hard enough the first time.

All of these things sit on his tongue, bitter and souring and curdling — every detail of the battle, of the culling games, the colleagues and peers and students he’d held in his arms, the ones he’d comforted as they slipped away, the ones he’d reassured and promised. 

(Pink, blood-covered hair; a smile that never dimmed, a nervous murmur (“It’s okay, Gojo-sensei. I know what I got into.”). The shaky laugh that had followed.)

Satoru’s hands tremble at his sides.

Your eyes are wet with tears when you look at him. 

“How long has it been?” You croak — voice dry and cracked with disuse, whining in some parts, low and wheezing in others. Bone-deep, the fear in your voice, and for good reason — things had already been at a boiling point when you’d been taken down. Everything had moved past you. “Satoru—?”

Another selfish decision on his part: he doesn’t tell you. At least, not now, when the words threaten to vomit out of his mouth, when the pain is suddenly too fresh and too raw. 

(For one strange, too-long second, he’s reminded of his mother — weak, presence-less, powerless as she was. Empty-eyed and unhappy. She was hardly even a mother with the amount of governesses he had.

Somehow, though, every problem would seem worse when her eyes were upon him; every cut and bruise was more painful; every slight against him a grave insult; every mistake a cause for self-pity and temper tantrums — and none of it mattered, as long as she took him into her arms.

A rarity, yes, but… maybe one of the only fond memories he has of his childhood in the Gojo household.

Satoru feels like a kid again — suddenly sniffling from a bruise he swore didn’t hurt, his mother ready to pat his head and baby him and coo his name. Satoru. Not Gojo-sama.)

He crosses the room and plants himself upon your bed and takes you into his arms for the first time in months, and—

And for the first time since Yuuji’s death, since Nanami’s, since Suguru’s, since your injuries—

He cries. Openly. Heaving, chest-wrecking sobs; red, wet nose and ugly whimpers. It’s overwhelming. It’s cathartic. It makes the pain worse, for a second, before it begins to taper out in a bruising wave; with it, he remembers his darling underclassmen who died, his colleagues that he’d wanted to live at least a few more years; he remembers that despite years of being told so, he’s not God — he couldn’t stop Yuuji’s death, or Suguru’s, or Toge losing his arms, or—

“Thirteen months,” he manages to get out. “Thirteen months — you couldn’t talk, or move properly, or—”

Satoru grabs handfuls of you — hair, waist, belly, it doesn’t matter. He can feel you beneath his skin. Rushing, pounding blood, cells, micromolecules — and he doesn’t need to, but he engages his Six Eyes for a moment — actually engages them, doesn’t let them run unconsciously in the background. It’s a comfort to let himself see each receptor interact with each signal on each plasma membrane, to let himself see the tissues that formed organs that formed organ systems forming you, breathing, living, sentient—

He kisses you — or you kiss him, he’s not sure — but it’s far more intimate, far more tender than any touch he’d delivered unto you; hands clutching the sides of your face, your fingers digging into his wrists. You’re crying, salt on his tongue — and he only knows they’re not his own tears because you give a great, shuddering sob when you part, trembling like a leaf in the wind. 

“I had to,” you gasp, and he wants to tell you that he knows, he knows, he doesn’t blame you, sweet girl — did what you had to do to live, to survive— “I had to—”

“Only go where I can follow, okay?" His eyes are burning again, voice cracking with the promise, regardless of the fact that he’d rather you do it 100 times over than die. But it's the only way he can tell you he loves you without telling you he loves you, and he can't remember the last time he said the words aloud.

(He does. He remembers. And he remembers that Suguru wouldn't mind if he said it to you — that Suguru loved you as he loves you. And he remembers that Suguru is dead and doesn't have an opinion anymore, so it really doesn't matter, anyways.)

Satoru calls Shoko when he rights himself, barely pulling back from your embrace to text her something barely understandable and hurried. You don't say much while he does; still acclimating to being aware, being awake — he catches you with your eyes screwed shut and your nose buried in his jacket, fingers tight on his arms again. Grounding yourself. Reminding yourself that you're alive, and with him.

Shoko scolds you between rummaging around for a thermometer and scribbling your prescription in messy, barely legible cursive — calls you a dumb bitch for doing what you did, tells you that you owe her a bottle of wine and a trip to a fancy hot spring, and it all seems a little lighter.

(She cries a little — if the slight glassiness of her eyes can be considered crying. Satoru only teases her a bit for it, though you're quick to mention how he'd blubbered like a baby when he saw you, and he's humbled quickly.

It's the most normal he's felt in weeks.)

Shoko clears away after a few hours — gives you strict orders to rest, and sends him a knowing look that he's not all too sure of the meaning of. 

"You look tired, Satoru," you finally say when you're alone again. Your smile is sad, knowing, and Satoru curses it all. You deserve a grace period, a moment of ignorance before the grief settles in. "What happened?"

But when have you ever wanted a moment of ignorance? When has he ever been able to hide the truth of things from you? When have you ever been anything but his equal, his confidant?

"Everything," Satoru says. A short, humourless laugh punctuates his single-worded sentence. "Everything, crybaby. Everything that we thought could happen, and everything we thought couldn't."

A flicker of a smile — uncomfortable, flat. Your eyes flicker down to the bland, starched sheets of the hospital bed. "Did you see him?"

He doesn't need you to elaborate. There's really only one person you both mean when you say him.

"Yes."

"Who was he?"

Satoru shifts in his seat. "An ancient sorcerer named Kenjaku. His cursed technique allowed him to transplant his brain between bodies and possess them."

"And he chose Suguru."

"Yes. And many others, too."

"And you killed him."

"Yes. For Suguru, and for you. But mostly for Suguru.”

“I’m glad,” you say, but your fingers twist the sheets tightly. “When I saw him, I was angry. So angry, I… I wanted to kill him. I knew I wasn’t strong enough, and I knew he would kill me, but for a second—”

He understands. God, does he understand. “You wanted to take the risk.” No matter the cost, no matter the damage to your own body. Anger like that consumes.

“I did.” You swallow. Your eyes meet his. “It was like… adding insult to injury. As if it’s not enough that Suguru is dead, but this — this Kenjaku has to puppeteer him too. Disturb his peace."

The wind rustles the trees outside. The late-afternoon gold of the sun settles along the horizon, a burning orange that stretches the shadows and warms the wind and turns the side of your face honey-soft and sad.

“But I realised that I was probably the first person he’d revealed himself to," you continue, "so I was the only one that could warn you."

Always thinking about the good of others. It was another thing he admired about you — Nanami, too. Satoru, for all his big talk about changing the world of jujutsu, about being better than those who came before him, is really quite selfish. 

It's why his hands had trembled when he'd had to kill Yuuji. It's why he couldn't put Suguru in the ground the first time they met after he became a curse user. Even when he knows things are necessary, he tries his damnedest to hold on — just for the chance of it all. The chance that Suguru could change his mind. The chance that Sukuna could be removed from Yuuji without him needing to die. 

"And…”

One snow-white brow raises. “And?”

“You’ve already lost too many people that you love,” you say simply, shrugging — like it's a simple fact, no need for experimentation, no need for an academic paper complete with its own abstract and footnotes. Like you've always known, in some little way, but you're only able to bring yourself to say it now.

And Satoru — well, it's no secret to him, is it? He's known it since he was 13, 14, 15 — had a bit of a buffering period, sure — and now here at 28, he knows it just as well. The point is that you're not supposed to know. Not while you're still healing from Suguru and… being attacked by fake-Suguru.

Regardless of what he knows and how long he's known it, Satoru feels his throat begin to close up, twisting and turning and holding his breath tight. He doesn’t like the feeling.

“Love?” He echoes. His voice has gotten a little empty. It's too soon for him to say it aloud, he thinks. It was okay when he whispered it in his head after making love to you; it was easy when he grinned at your scrunched up nose and scoffed comments and thought fuck, I love you. It was easy when he could pretend it was a simple, passing comment, a trick of the mind — but having it said as fact? 

Not so simple. But you don’t need to know that. “Is that so?"

You don't seem to notice his momentary pause — a lifetime of rambling in his time, a second's hesitation in regular time — too busy staring at the space where his fingers stretch apart over the sheets. Just inches away from yours. "We're friends, aren't we?"

Oh.

"Oh." Satoru blinks back. "Oh, yeah. Best friends, you and I, crybaby."

"I know it's normal for us," you say, ploughing ahead, "to just lose and lose and keep losing, but… I'll be honest. I never fully got used to it, and I don't want to."

He wishes he could say the same, but he can't.

He understands, in some capacity. Nobody wants to see the people around them die, a continuous and vicious cycle. Nobody wants to get so used to loss that most funerals no longer hold any emotional significance. But getting used to it had saved him. Getting used to it helped him act without consequence, without remorse, and that's what the battlefield both needs and requires of him.

He could count on both hands the people he wants to save in this world — about half of them were dead, at this point. A lot of them died while he was imprisoned. Two, he had to kill himself. He swore he'd protect the rest with all Six Eyes, every non-existent boundary of his Limitless.

So Satoru doesn't care much about getting used to death and dying and loss and grief. As long as you're okay, he's okay. As long as his job as the Strongest is done, everything is as it should be.

He doesn't say that to you, of course. You'd probably curse him out and call him a heartless bastard. Instead, he nods, hums and agrees and tells you the names of those who died when you work up the courage to ask.

It's a long night. It's an even longer list.

10.

Shoko keeps you for observation for 10 days after you wake up — three days longer than necessary, but she won't hear it from him, no matter how many times he reminds her that technically she falsified her degree—

He's joking. Mostly.

Satoru volunteers himself to help you back home, taking with you the plastic bag filled with your cleaned sorcerer's garb and weapon. He carries it over his shoulder along with two teddy bears, a half-wilted bouquet of tulips and a half-eaten box of chocolates (all courtesy of the second years — except for the chocolates, which are half-eaten because of him). He winds his other arm around your waist even though you can walk perfectly fine, but — it's just in case. Purely precautionary. For once, you don’t argue about being babied.

In the midday sun outside, you tilt your head back and close your eyes and smile. For a moment, it's as if the sadness has melted away from you — the tears you shed over Yuuji, Nanami, Suguru. The tears you shed over him, and he wasn't even dead. Satoru is glad your eyes are closed — even beneath his sunglasses, it's painfully obvious that he's staring.

You decide to take the subway home — it's my first time outside in almost a year, you remind him, so he pushes down any arguments he might have and enjoys the too-cramped journey towards Akihabara. You’re both shoved standing together, between a panicked looking man holding a tray of coffee and a woman with her child hanging about her legs, your head bobbing against his chest as the train moves. 

For a moment — as the train passes momentarily out of the underground and becomes encapsulated in light — it's easy to drown in the normalcy of it all. For a moment, he sees himself looking in as a stranger would. Here, he isn't the Six Eyes; just a simple man taking his girlfriend home, standing close on the train, wishing to be closer. Riding home to your shared apartment where he'll peel oranges and feed them to you, where he'll lay his head in your lap and hold your hands to his heart.

His nose wrinkles. He prefers reality, he thinks, where he can be powerful and have you by his side; where he can protect you, uphold peace, change the jujutsu world for the best — and then go home all the same, and have you to hold.

"What are you thinking about?" You mumble against his collar.

"Oranges," he replies.

"I don't have any at home," you say, "or if I did, they're rotted."

"Don't worry — we cleaned your kitchen up. Me and the kids." It was an afternoon of Yuuji attempting to shove rotting potatoes in Nobara's face. That was before Shibuya; before everything, really.

"Oh? You got your hands dirty?"

Satoru tries to not think about that same beaming, smiling Yuuji's last breaths. "Of course! This is me we're talking about, honey. I was front and centre."

You snort, soft against his neck. It's a wonder he went almost a year without you. "Housewife Satoru. I'll keep it in mind."

When you return to your apartment, you shower together for the first time in forever. He spends extra time and care massaging shampoo into your scalp, detangling each knot; spends extra time rinsing the suds out, tilting your head back with a gentle tap to your chin. 

Steam clogs his mind. Almond shower oil and citrusy shampoo fog his senses. The realisation that you could have potentially been taken away from him sits heavy like a stone in his stomach — why it hadn't sunk in in the past, oh, 13 months or so, he doesn’t know. All he knows is that he's terribly bad at caring for precious things — but if he could, if it's possible, he'll remould and reshape his hands, his heart, his mind, just for the chance—

"Satoru," you breathe against his lips, "Bow your head."

(Bow your head, you say. He'd kneel if you asked him to.)

You brush your hands through his hair; rinse him free of suds and bubbles and kiss his temples as you shut off the water. What is supposed to be healing for you is quickly becoming therapy for him — muscles relaxing, mind clearing of all responsibilities, mournings, obligations. All he knows are the soft, newly washed sheets beneath him and your nose in the crook of his neck.

It's a strange sensation, the lack of tension, his brain not working overtime. But hardly unwelcome.

11.

Satoru asks you if you saw anything when you were indisposed. Memories, flashbacks, prophecies? Blurry half-truths, nonsensical babbling? You tell him that you can't really remember — and you can't, not really, but you do remember one thing.

When you were 11, you met Satoru and Suguru for the first time. It's that memory that you can remember playing in your head, over and over and over again: Satoru and Suguru, scrawny and still-faced in their yukata. 

Satoru was from a great, traditional house. Suguru was not, but upon discovery of his powers, was taken into unofficial custody of the higher-ups. In most circumstances, you wouldn’t have been allowed within two feet of them — but the elders had deemed your cursed technique a great gift, and so you were warily accepted into the upper echelons of jujutsu society, a stranger, a foreigner.

Introducing you to the most powerful sorcerers your age was nothing more than political play, of course. The adults followed behind as you walked through the grand grounds of the Gojo family — (maintained by a team of 12 gardeners, according to the Lady of the house) — muttering and scheming between themselves, making sure nothing would go awry.

Nothing did, of course. Satoru picked his nose and Suguru told him it was rude and they bickered for a while — Satoru bickered, Suguru replied calmly and quickly. Satoru asked you if your technique was good or bad ("No such thing," interjected Suguru) and whether or not you think you could beat him in a fight. 

(That last question was to stroke his own ego, of course. Everyone knew he was the strongest sorcerer born in the last century.)

At some point, Satoru made you cry. 

You can't remember what about, all these years later — you'd think you'd remember, considering the fact that you know the amount of gardeners employed by the Gojo estate — but you know that you had tried to stop it; fists balled, teeth gritted, full-body heaves. Crying was the last thing you had wanted to do. Crying meant weakness. Weakness meant being taken advantage of.

But you were so scared. It was all so alien. You wanted to go home, but home didn’t exist anymore. You wanted your mother, but your mother was long gone. All you had left were stone-faced adults that were only interested in your abilities. 

Suguru had been confused at your reaction to what he took as a harmless quip — a little callous, as most children are — but he had reassured you nonetheless.

"Don’t cry. Satoru speaks before he thinks," he'd said, nudging your shoulder. "Sometimes you have to ignore him and he'll be so bored that he has to think."

"I can hear you," Gojo huffed. "I didn't mean to."

"See?" Suguru smiled. "Works like a charm."

Yes, Suguru had always been there to protect you. Emotionally, at least. He was willing to be kinder to people. More gentle, more forgiving. He'd believed that it was his duty as a sorcerer to protect those that couldn't protect themselves, and—

Well. That had changed, by the end, but having that memory replay in your head made you see the bigger picture of it all. Suguru's place in things. Your place in things.

You'd loved Suguru, no doubt. And you’ll probably always carry a piece of him with you — you'd hate to do otherwise. You’ll carry his kindness and his jokes and his catlike smile, all tucked away in bubble wrap somewhere in your chest cavity — but you will never disregard his wrongdoings. Since his death, you'd argued against the two sides of him; felt guilty for loving him after what he did, felt guilty for hating him after loving him and knowing him for as long as you did. Two halves of a whole. Darkness in light and light in darkness.

He was both of those things. You love him, but you don’t forgive him, and you probably never will. He will never again be the boy that comforted you after Satoru made you cry; he will never again be the boy who let you braid his hair back. He won't be the boy who slaughtered innocents, either — death's funny like that. Indiscriminately doing away with both the good and the bad.

And that's okay. Kenjaku is dead, after all, and Suguru can finally rest — and with him, your warring mind.

12.

Midnight strikes and you're still awake. You don’t even seem tired, and that's after a long shower and takeout and a movie. Usually you'd be a drooling mess by now, but tonight is different. Feels different. Satoru isn’t sure if it's just a year's worth of built up sexual tension or something else, but he feels it regardless. 

He's flopped on his stomach, hair still damp; you're curled up in the shape of a C, skin reflecting the light of the TV. He might visit Nobara tomorrow. Megumi usually goes on Wednesdays, too — they could make a day out of it, and you could tag along, too. He's got a craving for the pistachio macarons they sell near—

"I'm in love with you," you announce. 

Satoru doesn't bother asking you to repeat yourself because he knows he didn’t mishear. It isn't the knowing that shocks him — he's not stupid, and you wear your heart on your sleeve — it's the sudden, quick verbal affirmation of it that catches him off guard. After all, haven’t you two been putting this all off? Yearning for a dead man? Being pulled from two opposing poles?

He turns his head towards you, opens his mouth to ask you just that, and—

"After Suguru, I thought I'd never be happy again," you say, and you’re smiling like you didn't just say something inherently heartbreaking. But no, you look fond — content, even, blinking slowly at him. "And I thought I'd never feel for someone as strong as I did for him. But here I am: happy, and in love, and okay."

Satoru opens his mouth — then closes it quickly. For some reason, he remembers something Suguru said to you when you were younger: "Satoru speaks before he thinks." But he wants to think about this — about what he should say. How does he respond to you quite literally baring your heart to him? How does he tell you what he wants to tell you, what you deserve to hear? He's never been good with real, genuine words — emotional shit never came easy to him out loud. His thoughts are much more concise than his mouth is, but he guesses it's because it moves so fast in comparison.

Pity you can't read his mind. It'd make things much easier. 

“You don’t have to say anything,” but he wants to, don't you know? "You don't have to pretend. It’s okay. I know that… maybe you don’t love me as much as you loved Suguru, but I know you love me in some way, at least—”

Satoru frowns — strings of ideas and thoughts bunching up and stopping short as your words register. “As much as I— hey, stop putting words in my mouth—"

"The truth is," you continue on, "I feel lighter than I have in years. I don't dread life so much anymore. I don't dread you anymore."

"You… dreaded me?"

You hum. Your legs stretch down, arms forward, face scrunched up in a passing yawn. "I'm not stupid to think you didn’t know how I felt, but… I hated that I was so obvious about it. Even when I was fighting with myself about it, I was obvious. It made me hate being around you, sometimes."

You sigh, then — not as heavy and melancholy as they used to be, no. This is a sigh of relief, of cathartic release. 

Satoru blinks, and attempts to wade through the seventy-or-so compulsions telling him to make a joke, to laugh, to tease you. Maybe he should actually be serious for once. Say it straight and say it firm, so you can't take anything the wrong way. If there was ever a time for him to not beat around the bush…

"I've liked you since I was 17," he confesses, finally. "Me and Suguru, we were together, y’know, and we were happy. And Suguru loved you, and somewhere along the line I… began to do the same, but we were so young and then… Everything changed so fast. Everything broke so fast.”

Your fingers brush against his, and he breathes in a sigh. Your eyes are wide and watery, low light reflecting like glitter in your eyes. 

"Sometimes, it keeps me up at night," Satoru says, laughing a pained sort of laugh. "Out of everything, that's what keeps me up — that we could've been happy together, all three of us. It never would’ve been enough to make him change, but…"

At least you would’ve known what it was like. To be happy together in that way. To be content. To find your places in the world, hand and hand. To know what it was like — even if Suguru’s fall from grace was inevitable — so you wouldn’t have to keep wondering until your untimely, gruesome, sorcerer-style deaths, or whatever. 

Back then, Satoru didn’t understand why Suguru never told you how he felt. He couldn't understand how he could be content watching from afar, looking but never touching. What Satoru wanted, he learned to take; the Strongest didn’t need to ask for permission, only forgiveness. 

He learned quickly that some things were better left unsaid. And now, 28 years old, half of his friends, students, colleagues dead — he understands even more. 

He remembers how Yuuji had tried to stave off tears when he realised he had to die; remembers how his student’s throat had felt being crushed in his hands. He loved Yuuji like a little brother. Like a son, even. He was family. He was his student, and yet his death had been necessary, and Satoru battled with it. It allowed him to succeed in the mission he was born to complete. But he had given up Yuuji in return.

There is no curse more twisted than love.

Therein lays the problem, he supposes. The second you love someone, you run the risk of having them end up like Yuuji did. Like Suguru did. Like Nanami did. When you are burdened with incredible power like Satoru is — like Suguru was — you must be able to sacrifice for it. The closer that people are, the more likely they are to be caught in the crossfire, the more likely you are to be hurt. Suguru hoped to avoid that at all costs. It was easier to watch from afar, less painful. 

Satoru is a tad more selfish. Which is bad, he knows, because he's too prepared to sacrifice. Even now. Even now, he knows that if caught between saving you and saving society, he would be forced to — to—

Satoru inhales. The only thing for it is to simply stop things from getting that far. 

He could explain all this to you. He could talk circles around you about it, in fact, but the truth is that it's all conjecture. Suguru isn’t here to tell him why he did what he did. He can’t speak for him, no matter how well he knew him.

"I don't know why Suguru never told you," Satoru says instead. He folds his fingers tighter, taking yours in his grip as he does so. "Guess that's something he took with him to the grave."

"I've stopped wondering," you say. “I’ll never stop regretting, but I’ve stopped wondering. I can’t stay rooted in the past any more. It was doing more harm than good."

And you raise your interlocked hands — nestle them under your chin and screw your eyes shut, like you're wishing on the evening star, like he's something precious to be treasured. All of a sudden he's 17 and confused about why he can't stop staring at you. He doesn’t have Suguru to tease him about it, now.

“I’ll never forget him,” Satoru announces — a warning, or a reassurance, he doesn’t know. All he knows is that he’s telling the truth and nothing but the truth, and whether or not you like his truth is not his concern. He respects you too much to lie about this to you.

Your lips twitch upwards, a phantom of a smile. “Neither will I. "

"I'll never forget you, either."

The smile grows, blooms, blossoms, until it stretches bright and full across your face. The first smile of yours he's seen in a while that wasn't at half-mast, or tinged with sadness, or pain, or fatigue.

"How lucky I am," you whisper, "to be known by you, Gojo Satoru."

It should be the other way around, he thinks.

(12.5.

It's the first time he makes love in years.

Satoru has always fucked you. Always. No matter how tired you both were, no matter how injured — he'd always force himself to be rougher, force his touches to not linger as much as he wanted them to.

If he felt too much, he'd crack a joke instead of drowning in it; if he felt his eyes beginning to burn he'd bury his nose in the crook of your neck and push it down. If he thought of long, dark hair and cat-like eyes, he'd tighten your grip in his hair and the shock of pain would clear his mind. He fucked quick, and when he was done he'd lay far away enough that he couldn't feel your skin against his.

Tonight, he lets himself love and be loved again. 

You're on top of him, ass flush against his thighs, taking every inch he has to give you; his hands have found your jaw, thumbs brushing back and forth across your dewy, sweat-slick cheeks. One hand of yours clasps around his wrist; the other bands to his chest, nails digging red into his skin. Your cursed energy blooms, flushes, flourishes when he opens his eyes to look at you. 

He sees every pore, every hair, every dimple, every broken capillary, every scratch and scrape. Every part of you, bending to him in some places, unfalteringly stubborn in others. 

"Look at you," he mumbles, blinking dumbly. "So… pretty…"

You snort something like a laugh, and continue: up, down, up, down. Slow, grinding gyrations of your hips that make his head spin pleasantly; and with his Limitless nullified, he feels every inch of skin, every tensing of muscle, every scrape and press fully and completely. He’s never felt so engulfed in it before — the sensations of it all, the warmth, your scent, your weight above him.

He'd drown in you, if he could. Take you in his mouth and nose and ears and everywhere, until he's left gasping for air and grappling for something of substance. Maybe once upon a time he would keep those thoughts to himself, for whatever reason — but now he's allowed to be selfish in his affections, allowed to give more than surface-level compliments and vague declarations of love.

Between pleasure-ridden shudders and sloppy, wet kisses, he breathes:

"I want you everywhere," he says, "All the time. Over me, on me, in me—"

You raise a brow, impudent and teasing in a way that makes his abdomen tighten. "In you?"

And maybe he didn’t mean it in the way that you took it, but he plays along anyways, waggling his brows. "You heard me."

"You're terrible."

"I'm not joking," Satoru argues — but it’s hard to take him seriously when his voice quietens, when he arches up eagerly to meet your lips— 

When his grip on your lower back becomes painfully tight, when his lips part in a moan and his eyes screw shut and he throws his head back, hips rutting up to meet yours, and—

His peak rises to greet him — and his heart swells all the while. He finds himself clawing for you as his orgasm builds, hands clambering against your back, your neck, your hair, until (with a great, shaking breath, may he add): "Fuck, I — mmf, I love you—"

It carries him off to a state of fuzzy, empty-minded ignorance — pleasure tightening his entire body, fizzling from the tips of his fingers to his curling toes. Your name on his tongue, slurred and mellifluous, his smile dizzy and drunk. 

As you smile down at him, so unbearably fond, Satoru thinks that he doesn’t mind saying I love you aloud after all.)

[lilypadding]

👒 maraudersdenier Follow

sometimes to feel alive I rewatch danganronpa season 1 and 2

#idk it was peak series to me #they had the hope's peak arc going #season 3 was completely different

5 notes

🪴 soniasansflowers Follow

I can't believe the surviving casts of DR are just walking around now??? you survived a genuine killing game and now you're just waking up on tuesday and driving to starbucks to get a drink????? what???????? 

#danganronpa #scribby.txt

111 notes

🧚‍♀️ loserrrville Follow

sorry but I still think it's funny that dr2 was the only season where they revived the cast 💀

#and the only cast that deserved it was s15 but you guys aren't ready for that convo #sdr2 #dr15

42 notes

🧸 danganwrongpers Following

🎮 monokumasmilk Following

Do you guys ever think about how everyone in Danganronpa isn't even real...? We'll never know their actual backstory, especially not from their perspective. Their memories are always wiped and replaced with hijinks fabrications. And we've already talked about how everything is real to them because it's in their head, but it's not. Their memories are built on lies. nobody in this show is real. 

🧨 fdr38frontlines Follow

average danganronpa fan discovers acting

#the reblog is funny and everything but op is onto something #I've gotten so uncomfortable whenever I think about it for too long #yeah they're all consenting adults #and they signed up for it knowing what would happen #but...

23.8k notes

☁️ komaedasoup Following

remember when people got so weird about nagito and hajime hanging out (and being actual friends in interviews) that they stopped talking to each other just to avoid you freaks shipping them 😭

👤 despairinglyhopeful-deactivated

they probably stopped talking publicly not privately 👀

☁️ komaedasoup Following

THIS 💥 POST 💥 IS 💥 ABOUT💥 YOU 💥

#be NORMAL??!?!

547 notes

🍇 junkorenoshimer Follow

everyone's suddenly so obsessed with danganronpa not being "ethical" but how did you guys not realize this show is kinda fucked when that one interview with makoto came out and he literally says he got nightmares of the game and intense survivor's guilt. like the signs have always been there

🎮 monokumasmilk Following

Yet you never made a post about it until now did you?

3.1k notes

🔑 wannabekirigiri Following

KYOKO'S RED CARPET LOOK??!?!?! 😍😍😍😍😍 SOBBING AND CRYING ADN SKINNING MYSELF RUGHT NOW

#i am normal so normal so

2 notes

🎀 sdr2-supremacy Following

the things I would let hajime hinata do to me

🍡 hinatahajimeofficial Following

Okay let me run you over

🎀 sdr2-supremacy Following

HAJIME??????

#help I forgot he was real #DOES HE SCROLL THROUGH HIS OWN TAG??? 

52.9k notes

🔑 wannabekirigiri Following

all my mutuals will be very happy to know I GOT CAST FOR SEASON 53!!!!

#for legal reasons this is a joke haha 

1 note

based entirely on @okthatsgreat 's original post

[dr-spectre]

Hey guys! I wanna share something REALLYYYYYY important with you all!!!

So, I was having a nice conversation with an editor from Inkipedia. Really friendly individual, we had a nice civil discussion and it was great to hear out their points and wiki related things. I learnt some cool things and how Nintendo operates in certain areas.

I asked them about some stuff relating to Callie and localisations, and they told me that the "Hypnoshades" are actually just called "sunglasses," in the original Japanese version of Splatoon 2 and theres no mention of brainwashing OR hypnosis. All of the events in the original japanese version of Splatoon 2 seemed to be a lot more vague and up for interpretation which i found to be very interesting!!

However.... the editor told me that the English localisation line from DJ Octavio, "I remixed Callie's brain!" is actually different in the original japanese version.

GUESS WHAT DJ OCTAVIO SAID...

"Aori-Chan is so simple minded! I was able to brainwash her with ease."

Nintendo JP.... WHAT THE FUCK?!?!?!?! I WAS YOUR BIGGEST DEFENDER!! WHAT IS THIS?!?!?! YOU MEAN TO TELL ME THAT IN THE ORIGINAL JAPANESE VERSION... CALLIE WAS STILL BRAINWASHED?!?!

Oh I'm gonna be sick....

You know, this ultimately just proves something to me.

Splatoon 2's writing... just fucking sucks. Straight up, it's ass. And not the good kind. It's poorly written and you wanna know why? It's set up is REALLY GOOD!!!! but it's pay off is the most uninteresting, vile, disrespectful, childish, lazy, DISGUSTING THING THEY COULD HAVE POSSIBLY DONE!!!

All this interesting set up with Callie and having this arc where she's so lonely and busy that she ultimately runs away to the Octarians, joins them willingly and ends up getting hypnotised, resulting in her becoming more emotional and seeping into the darkness in her heart... Marie, having to come and remind her of the good times they had together... to reignite the positivity in Callie's heart... to repair what they have broken... to have a fresh start...

But did this setup get paid off in a satisfying and emotionally deep way? No.... they choose to TREAT CALLIE LIKE A FUCKING MORON AND FOR WHAT REASON?!?!?! ARE NINTENDO JUST SCARED OF DEPTH?!?! WHATS THEIR FUCKING ISSUE?!?!?!

ITS SO DISRESPECTFUL!!! SHE LOST THE FINAL SPLATFEST AND YOU CONTINUE TO BEAT HER DOWN?!?!?! WHAT THE FUCK?!?!?! WHAT WERE THE WRITERS COOKING?!?!?! GET THEM OUT OF THE KITCHEN DAMN IT!!!!

They literally picked the most uninteresting and disgusting fucking outcome possible and I genuinely don't know why. There's SOOOO much concept art and multiple sunken scroll entries that showcase this depth for Callie, AND THEY THREW IT AWAY!!!

But you know what? Im gonna continue to hold my stance about the events of splatoon 2 because I would rather like to look at the story in a more interesting and narratively fulfilling way than what Nintendo is trying to push. Sure, it might not be what Nintendo said happened, but I would rather look at the events in a different, more character rich way for my own fucking sanity and enjoyment. I am going to continue to say fuck you to the notion that "Callie was brainwashed and kidnapped" because I like stories where characters go through character arcs and growth!!!! I hate it when that depth and agency for my favourite character in this franchise IS TAKEN AWAY!!!!

I would rather live in a world where Fresh Start ACTAULLY MAKES SENSE AS A SONG!! I would rather live in a world where OCTAVIO ISNT A FUCKING UNREDEEMABLE EVIL MONSTER THAT CUTTLEFISH WOULD NEVER WANNA SEE AGAIN AFTER HEARING WHAT HE DID TO CALLIE!!!!

I would rather live in a world where Splatoon 3 feels more satisfying to me and the Squid Sisters get proper send offs and pay offs to their arcs from the start of Splatoon 1.

I would rather live in a world where Tidal Rush is more emotional and personal, THAN SOME BULLSHIT "oh we gotta save callie because she's a dumb idiot and she's an object to grab because it's a video game!!! Ha ha!!!"

I would rather live in a world where Callie is given a proper character arc, INSTEAD OF GETTING KIDNAPPED AND THESE AWFUL AND DISGUSTING THINGS DONE TO HER! ONLY FOR IT TO GET REVERSED SO EASILY WITH NO MENTION OF THESE EVENTS EVER AGAIN!!!!!

UGH.... I'm actually so angry. I hate this so much.

When Splatoon 4 comes out, I'm not gonna hold back on my criticisms. I want change out of these writers because the current format we have for Splatoon stories is actual dogshit and I'm so tired of it. Everyone in the community is tired of the cool and interesting character details being pushed to the side and hidden away because Nintendo fucking hates narratives and only saves it for RPGS for some ungodly reason.

Im tired of important character details giving shoved off in optional and hard to find content. I'm tired of these awful implications and events being spread like wildfire in the community because daddy Nintendo said so.

Im done.

[genericpuff]

I've been seeing you say/speculate Rachel Smythe has been cut loose from webtoon, could you elaborate what you mean by that?

It's only a tinfoil hat theory that people should take with MOUNTAINS of salt (seriously, I'm more likely to believe that Rachel really is just done with LO), but there's a general suspicion that LO wasn't meant to end here and that Webtoons decided to cut the cord. I've made a post about it before but some new stuff has surfaced since then.

1.) The announcement the series was ending was made quietly at NYCC and not shared to either Webtoons' socials or Rachel's socials.

The only way fans initially knew about the series ending was through a screencap from the Discord where someone else who had been attending NYCC passed on the info from a Q&A that LO would be entering its final arc.

For a good while the only other way to know the series was ending was through the Discord, a Cosmopolitan article, and my own post.

Though it sounds odd for a series to get cancelled halfway through its third season, it's not uncommon for Webtoons to suddenly axe series while they're on their midseason hiatuses, it's happened before. So there's a general suspicion that Rachel may have found out during NYCC that LO would only be given one more arc.

2.) The actual finale announcement was made in a text post on Instagram that suddenly announced it would be ending on May 11th, despite the fact that there was still lots to wrap up in the story.

What this implies is that Rachel was given one more arc, with no concrete end date... until Webtoons told her to wrap it up in a limited number of episodes, hence why despite us knowing it was in its final arc, the end date still felt too soon. This is also supported by the fact that her initial announcement was vaguely "early/mid 2024" - she couldn't give a more accurate end date because she didn't plan for the actual ending.

3.) Things that Rachel has said implies that she was either hoping for the final arc to go on longer, or that she didn't think LO was going to be ending now.

(that "nothing is set in stone" quote further supports the theory that she may have been hoping to get renewed in spite of the lukewarm ending announcement - that the only reason the announcement was so quiet was because WT hadn't fully committed to it yet and wanted to see how the series would do upon its return; now that they see it falling behind to other series, it might mean WT became more sure in their decision to cut it and gave her an actual deadline to wrap it up by.)

4.) Webtoons has stopped promoting Lore Olympus despite it ending.

Any promotional spots that it has gotten have been stuffed into the dead zone of the banner reels (seriously, anything past the 3rd spot is practically useless because it takes actual committed scrolling to get there vs. the first 1-3 banner spots which can be seen as soon as you open the app/site) and the banner art itself does not in any way advertise the series being in its final arc. These banners also only seem to be appearing for a day at most, compared to the days upwards of weeks they used to get.

Webtoons also hasn't been doing any sort of promoting on their socials for it. Considering The Mafia Nanny has been consistently beating out LO in the top rankings for weeks now, and that LO's rating and view count is still dropping, it appears that Webtoons has finally given up on shoving it down people's throats and put their focus elsewhere.

Again, this is all tinfoil hat speculation, so take it with massive doses of salt. Considering this is Webtoons, I wouldn't be surprised if they finally decided to put LO out of its misery, but this is also Rachel and I wouldn't blame her in the slightest if she finally wanted to be done with it after the past two years of people clowning on it. And I say that knowing I, myself, am a clown LOL

Either way, I feel like either outcome is plausible in its own ways, but whatever is the true reason, it doesn't change the fact that LO is ending and has 3 episodes left to wrap itself up. And whatever comes after will likely involve the launch of Inklore which was estimated for the spring.

[india422]

Babygirl, nothing and no one in the world can make me hate you.

With dealing with this misogynistic-ass, biased-ass, lowkey racist-ass fandom, this (unfortunately) will not be my last time saying this: leave Vaggie the fuck alone. The hatred and vitriol towards her is unwarranted, disgusting, and forced. You don't have to like her - hell, you can hate her if your heart so desires - but don't make up things/reasons to hate her. Don't character bash her because of petty hatred. Don't be hypocrites and hate her for doing one thing, then turn around and praise/hype up another character for doing the same thing. Shit, just say you hate/dislike her one (1) time and then move on, because anything after that is just showing that you're an undercover fan.

And as for her relationship with Charlie...these two women are in no way toxic to each other. Yes, they are flawed; yes, there are things they can fix within themselves individually; yes, they're not all over each other like a lot of you want, but so what? Listen, I know that a lot of your feelings are still hurt because Charlie isn't with Alastor, but get. Over. It. That is in no way, shape, or form a reason to constantly hate on Vaggie...unless you're just THAT immature. And honestly, I'm glad Vaggie's presence makes a lot of you (shippers and haters alike) bitter to the core - all it means is that Vaggie really is THAT GIRL™️. Her existence really has you all that angry? I'm impressed.

All this to say, Vaggie isn't a perfect character, but no one in this show is - and that's the point. Also, we only have the first season, so stop being so impatient with Vaggie's arc/development. It's coming. We have three more (and maybe more) seasons to get through. Just trust Viv and the writers to do right by Vaggie; besides, Chaggie's getting a sexy number and a peek into their bedroom life, so...chill out.

And let me say this before I post: I firmly believe in ship and let ship, so I apologize if it seems like I don’t. As long as no one is being abused, it’s not incest, p#do stuff, or anything like that, then ship what- and whomever you want. It is entirely possible to like a character/ship without bashing and assassinating another character or ship to do so (and don’t be hypocritical either). You don’t have to like what I like, I don’t have to like what you like. I am so tired of ship wars in this fandom - I am. Being rude and trying to tell people what they can and can’t like solves nothing at all. Just block/scroll and move on.

[ruanbaijie]

I’ve been thinking a lot about KoD/ The Spirealm lately (no surprises there), and I think, after having watched the show two times and read the novel a couple of times, I have an inkling of a theory of what really happened in The Spirealm. And I don’t mean just the ending. I mean what was really going on throughout the entire show. Because when I was doing my rewatch, I noticed that beyond the obvious lines, this show is rife with foreshadowing.

So here’s my theory, with evidence picked out here and there from the show. Beware: this will get very long, and a lot of it might be overthinking on my part (as an INTJ, overthinking is my middle name). There will be spoilers for BOTH the novel and the show, so if you don’t want to be spoiled for either or for both, perhaps you might want to scroll on or save this post for another day.

But, if you’re absolutely curious and totally okay with spoilers… We shall press on.

When I finished the show for the first time, I went “oh god yet another open-ended cdrama ending”, and only had two theories for what that ending meant.

1. Everything had really happened, everyone that had been involved had really gone into the doors. When RNZ managed to cleanse the game, ~somehow~ time got rewound and events got rewritten, and everyone (including those who had died) went back to how they had been before encountering the games, memories wiped clean and all, except for LQS.

2. LQS had dreamed everything up in those few seconds between getting hit by the car and regaining consciousness. The games did not happen in reality at all.

The first one didn’t sit well with me, just because it seemed too damn unlikely. Even if we were to consider advanced technology and all, it just seemed too… far-fetched (for lack of a better word) for such a technology to completely rewind time and rewrite things, including the minds of everyone except LQS.

So I thought well okay maybe it’s Theory 2 which seemed more likely, LQS dreamed up everything and none of it had actually happened, and he spent the next 50 years remaking and rebuilding the entire Spirit Realm. And this theory pained me. Because it meant that after it all, LQS was still alone, and was a RNZ made up with data that LQS had input, who had never “experienced” what they had experienced together, really RNZ at all? Besides, how did LQS manage to dream the names and personalities of so many different people so accurately?

Which leads me to Theory 3, which is actually pretty close to what had really happened in the novel, and also kind of an offshoot of Theory 1, but with a but.

Now, circling back to Theory 1, it’s a chilling thought that something like this could happen in reality. But what if, what if, what we thought was reality reality is not actually reality? Could there be a technology that’s so great it could rewind time and rewrite events and minds… à la The Matrix? 

And so, Theory 3, which is the one I strongly believe (with >95% conviction) is what really happened:

THE WHOLE SHOW IS DOOR 12.

My supporting evidence, split into a few sections:

The Forum Scene

More Individual Instances

Common Motifs

What Happened Outside the 12th Door? + Unanswered Questions

A Simple Chronological Diagram

Tidbits

EXHIBIT A: THE FORUM SCENE

This was a very quick cameo of Wu Qi scrolling on the forum and then proceeding to still impersonate as a college-going girl (after the crying baby arc). There was absolutely no reason for this scene to be there, which highlights just how important this little cameo discussing the 12th door is and what it could entail.

A summary of what this says (bolded parts added by myself for emphasis), as far as I can since some parts are blocked:

A Quick Deduction: The Rules of the 12th Door

Everyone says that the higher the level of the door, the closer to reality it gets. That means that the 12th door is extremely close to reality. In the 12th door, your entire world is exactly the same as the real world, and there might even be doors within doors.

The people who enter the 12th door will lose all memories, including those of their relationships, and will exist in the 12th door with the identity of “if they had lived till then without entering the doors”. An NPC will replace the “personality” of the person who enter the doors, and other than their appearance, their personality and identity will be very similar, and the progress rate will be very high. (This sentence is quite blocked out so I don’t really get it.)

Then, the two will meet. Because after waking in the 12th door, one will find themselves in the “1st door”, then meeting place will naturally be in the world of the doors.

After that, the condition to clear the game would be to, under such circumstances, go through the eleven doors all over again.

I know, it’s a forum post, and it was titled “deduction”, but this is exactly what the novel was revealed to be about, and it also explains a lot of the foreshadowing that I started seeing throughout the show.

EXHIBIT B: VARIOUS INDIVIDUAL INSTANCES

Right at the start of the show, even before entering his supposed 1st door, LQS is shown to already have very sharp hearing. If these additional abilities are gifted by the doors to selected people, then why does LQS already have it not just outside the doors, but also even before setting foot into one? Unless, he is not outside the doors, and he has already set foot into not just one, but in fact, several.

RNZ says this line when he is directing LQS to run from the wolf. This is not just a foreshadowing for RNZ’s identity as an NPC, but also hints that the people that RNZ has been “directing” till that point (think all those people in the villa, including the twins, Chen Fei, etc.) were also not “live people”, but NPCs.

After the 1st door, LQS returns to the real world, while still wearing the jacket he had put on in the door. It is later mentioned that only selected props from the doors can be brought out and back in for special uses to be figured out by the players themselves. So how can LQS return to the real world with the jacket, which is never mentioned to be one such prop?

Ah yes, the lovely RNZ fake death scene. It’s a huge piece of foreshadowing for RNZ’s identity, but it might be foreshadowing something more. I’ve wondered, since RNZ is an NPC, if he “died” in one of the doors, would he respawn somewhere else? This quote might be referring to that. But it also sounds very much like he’s hinting to LQS that what he thought was reality was also not reality at all.

In the penultimate episode, LQS, out and about after his accident, running first to the villa to see if RNZ and co. are still there, and then proceeding to question himself if his reality is really reality at all. I think it's at this point he starts to suspect that he's really still in the world of the doors.

The final pre-time leap scene: notice how LQS says find (寻找) the point where reality and virtual world meet, and not create (创造)? Which means that here, LQS has already realised that this reality is not reality at all, but he’s still in the world of the doors. Now, he has to find the point where reality and virtual world meet, i.e. the physical 12th door.

Post-time leap: “including the 12th door”. After spending 50 more years in the 12th door, LQS has finally found the physical 12th door, at the point where reality and virtual world meet.

And when he touches RNZ’s hand, he gets restored to his younger self, because he has solved and unlocked the 12th door and the 50 years that had passed have not really passed at all.

EXHIBIT C: COMMON MOTIFS

1. Kaleidoscopes

Of course, kaleidoscopes. The original intention was definitely as nod to the name of the novel, but they’ve been written into the plot in a different way. Also a clue to RNZ’s identity as an NPC, since the only other ones that have been shown to have kaleidoscopes are the NPCs/ door gods. But, the kaleidoscopes only appeared in the doors, but RNZ has been shown to have them outside the doors. Unless… you know the drill by now.

2. Corridors

In the first episode alone, not one, not two, but four hallways of doors are shown. The first is a straight corridor that starts off the entire show (with credits and all), the second is another straight corridor and is shown to be rotating clockwise, and the third and fourth are the one we’re most familiar with: the one with the doors facing one another like a cross-section of a kaleidoscope. Here’s my theory for each: the first one is the “real” one, the one that LQS walks to get to the 12th door. It starts off the entire show and hints that the entire show is the 12th door. The second one that rotates (see next point on this motif) is the one in the bootleg game that LQS plays in the PC bang. The fourth one is when LQS enters the door world within the 12th door.

Also, this could very well just be an artistic choice, but note how in the poster of the show, the doors are also shown not in the cross-sectional kaleidoscope format, but in a straight corridor.

3. Circularity

I don’t know how to summarise this motif because it’s a combination of a few, but this show has a lot of circles, things in rotation, clock imageries, and the idea of things being in reverse.

The clue that Gao Dawei gives LQS through the kid NPC, “Flower in the water, moon in the mirror” (水中花，镜中月) is actually a reversal of an actual Chinese idiom “Flower in the mirror, moon in the water” (镜中花，水中月), which means a mirage, something that is an illusion. While this is a huge analogy for the whole real world vs. door world theme, it’s also another instance of reversal or something flipped in the show.

Some other examples are the flipped clock in the 11th door, RNZ’s quote in the 11th door about ending at the beginning, and even in the lyrics of that painful song that plays whenever someone dies: “Please don’t rewind time again, for I’m afraid I will do anything regardless of the cost” (请别再倒数时间，我怕我会不顾一切). Now… this idea of circularity, of rewinding time, of going back to the beginning to end… sounds a lot like everything restarting again after LQS emerges from the “11th door” and finding himself in a car accident. Or maybe, just maybe, it also sounds a lot like going back to the first 11 doors to finish the 12th door, doesn’t it?

4. Repeated Phrases

Now these might REALLY just be me overthinking. But Wu Qi mentioned a couple of things in his monologue (side note: this show has some SERIOUSLY GOOD angsty monologues) that made me go… hang on a second. These mentions of “light”, “the meaning of friendship”, and “path” - they were all also brought up in previous conversations between LQS and RNZ. “Light” - so many times (another side note: I find it hilarious that Xia Zhiguang also has the same “light” character in his name, so whenever RNZ says that LQS “has light on him” I get sad at the foreshadowing but I also snicker a bit for Reasons). “The meaning of friendship” - when RNZ and LQS argue over accompanying TZZ into her 6th door.

“Path” - when RNZ and LQS walk under the umbrella in the rain doll arc and RNZ mentions (also foreshadowing) that “legs are longer than paths, and paths will always have an end”. Again, these might jolly well just be coincidences, but my overthinking brain says I think not. Because, if LQS is really still in the door world, then Wu Qi and everyone else around him are really NPCs, and then it makes sense for the system to throw these words that had popped up before, in situations where Wu Qi was never present, right back at him.

5. Premonitions

There are so many of these. 

In episode 1, LQS already briefly “hears” the blades of the air vent of the room he had been trapped in with Gao Dawei, even though he’s still in the PC bang and the memory of that kidnapping is not at the forefront of his mind… unless it had already been triggered at some time shortly before that (i.e. in the “real” door whatever number it was when he had met the NPC that revealed the nature of the doors to him).

Just before LQS is hit by the car, he sees a door on the road, that is the same door as one of the two in the 11th door - the one that represents “illusory life”. How did LQS manage to conjure up the image of a door that only appears in his future? Unless, he has already seen the door before in the real 11th door.

BUT that being said, in the same flashes, he does also see the kaleidoscope cross-section style (seriously, I need a better name for this) of doors - the third hallway he sees in the first episode. This one, admittedly, I’m still trying to figure out, since technically, based on the theory I’m working out, at that point, he should not have yet actually stepped into the hallway.

LQS also encounters Li Dongyuan and Xiong Qi in the “real world” before he enters his “1st door”.

And also explains why he could dream the names and personalities of so many different people so accurately before actually meeting them “in real life” (that asshole in the hospital arc - I forgot his name -, Xiao Ke, Chen Fei, the twins, TZZ, Lu Yanxue), including the “real” owner of the villa.

This might also be me overthinking and just be the cast trolling, but the “actual” Spirit Realm game in the “real world” also seems to draw upon elements of what LQS had experienced in his 11 doors in the show, albeit in a more chibi form: from the door and Nanqiu and Toast and Chestnut on the front page, to the kaleidoscope and entering the door on the loading page, and the woman in the rain, Xiao Jiu, rain doll, nurse, and Zuozi characters on the game grid. If this was really the real world, was it really a coincidence that LQS had “dreamed” or “experienced” doors that had these very same elements? Or do we have cause and effect the other way round here, where the “reality” is actually drawing on what LQS had “dreamed” or “experienced” in the doors? I say, it’s no coincidence at all.

EXHIBIT D: WHAT HAPPENED OUTSIDE THE 12TH DOOR? + UNANSWERED QUESTIONS

Now, if the entire show is about the 12th door, then what happened in the real world? In doors 1-11? Well, it could be anything at this point.

Perhaps it’s something closer to the novel, where there’s nothing game-related about it at all, and people get pulled into the doors because they're about to die a sudden death, and the world of the doors is a "gift" for them to fight for that chance to continue living. The whole business is really just a supernatural thing, and the 12th door just happened to take on the setting of a virtual reality game.

Or, perhaps it’s really more like the show, where doors 1-11 happened exactly as they did (or close to) in the show, where LQS had to save the world from the nasty game that had been sullied by the capitalists in Piao Liang Guo (an analogy for the USA, if you haven’t yet realised), but he had to sacrifice his closest friend (read: bosom buddy) for the sake of the greater good.

Again, it could be anything. But I’d like to believe that it’s the latter. Because it goes exactly with the idea of circularity (see Common Motifs), of starting from the beginning again. 

But, post that, after everything is said and done, does RNZ end up going to the real world? I really hope so, because I need my happy ending damn it. It was possible in the novel which was more supernatural-coded, so the idea of a door god stepping out of this supernatural door world and into the real one to live with his husband seems a bit more… probable. (I know we’re talking about fiction here but please hear me out it’s like the walrus vs. fairy thing.) But if RNZ is really just made up of data, how the heck does data step out from the virtual world and into the real one? Maybe LQS really does end up making a “body” for him in the real world and takes a few years (or decades) to code him from scratch? But that just kinda goes back to my 意难平 with Theory 2 - is this RNZ really RNZ? Not to mention, the pain of LQS being alone for decades and trying to make RNZ from scratch.

Another unanswered question: what the heck is with LQS’s evolving hairstyle and fashion throughout the show? Is it an analogy for LQS’s changing personality, that even TZZ’s director “friend” mentions in episode 62? Or does it symbolise something else? I really don’t know, at this point.

EXHIBIT E: A SIMPLE CHRONOLOGICAL DIAGRAM

If you’ve managed to read till here, MASSIVE kudos to you. And here’s a simple diagram that I drew on PPT just to illustrate this entire theory, because I was also confusing the heck out of myself and I needed to see it visually to make sense of it.

EXHIBIT F: TIDBITS

These don’t really support Theory 3, but I’m including them anyway because I find them… interesting.

There’s a Yuyu Hakusho book in LQS and Wu Qi’s apartment. Now I’m in no way familiar with that series (I only watched that one live action adaptation of it), but in that series, there also exists a Spirit World (霊界, Reikai), which (ahem Wiki copy and paste) is the world where sentient beings (humans and demons) go after they die; not the equivalent of heaven or hell, but a station in between worlds where a soul's fate is decided. Which sounds… a lot like the premise of the doors in the actual novel.

I also find it extremely punny that the drama changed LQS’s name to Ling Jiushi (凌久时). For one, the characters for Jiushi are the exact ones that mean “long time” - which reminds me of the final exchange that RNZ and LQS have in the show. Also, the fact that his surname is now Ling instead of Lin? Absolutely hilarious… once you realise that the Chinese slang for bottoms in a MLM pair is 0 (零)… pronounced exactly the same way as show!LQS’s surname. And, if you haven’t yet figured out the running thread through this entire damn long ass post by now: coincidence? I think not.