#the script has yet to change

[sodacowboy]

on a day to day basis nothing really changes but like I also feel like every passing day I get closer and closer to the person I want to be

[feline-evil]

Wrench looking at Literally Anything and Anyone: (Rage. Disgust. Trying to kill with his gaze alone.)

Wrench looking at Numbers:

(Well listen. Ok. This is Wrench we're talking about so still some rage and still some killing-gaze but. Softer....Soft....Reserved only for This One Guy. I know it's subtle, he's Mr Wrench. But look, see hims face.)

[hide-your-bugs-away]

A Dont Look Back edit I recall making three years ago amidst a migraine episode... COMFORT MOVIE!!! FAVORITE MOVIE!!! 🥹

Song: "Joe Blazey" by Dominic Fike

[imminent-danger-came]

I really am so sad I don't like isat. The themeing was very good

[chicanedaze]

Good adaptations aren't scene by scene, line by line reenactments of a book. It's a completely different medium, that the creators can use to tell the story a different way. Besides budget issues (just writing a scene where a bunch of crazy stuff happens costs about $0, while portraying it on screen is a different matter), the pacing/flow is different in live action stuff than books.

The SPIRIT of the adaptation is what matters. The original PJO movies weren't bad because Annabeth's hair was brown or they didn't say the dialogue straight from the book or dare I argue, because they mixed in elements from further in the series. Rather, it was bad because the vibe was simply far too edgy. Percy was sassy, it did have humor, monsters were fine, but it fell flat on its face because it didn't understand its characters, its world, or its TONE. THE TONE. It was genuinely awful.

Good adaptations expand on the source material without losing the charm of the original. They understand what makes characters tick and what's at the core of the journey, its not about aesthetics or being faithful to the point of being dull and having nothing new to say.

The PJO series is doing that. Having Rick involved probably helped a lot. It has a rocky start, in my opinion. But from the second half of ep. 2 and into ep. 3, I see it gaining its footing.

[thewhizzyhead]

being a busy ass student with student journalism gigs on one hand and comm academic shit on the other is very interesting because with the jam-packed life I live I only really get to breathe at like late lAAATE night when no one can bother me about my responsibilities other than myself. that being said that's also when creative brain goes into overdrive and now misfits finally has the final draft of its opening number woo

[no1ryomafan]

Another giant robo related meme because I have brain rot even though I’m not rushing back to watch the last ep-if only because I have to finish new with my irls tomorrow and don’t wanna be burnt out bc this happened before-but I really wonder and fear for how many more “wtf is even happening” mechas there are and if each gets progressively more confusing.

[ruinakete]

☽ ・WHAT MAKES A PERSONALITY.

a template ( created by the wonderful Ree ) for analyzing features of a personality beyond listing adjectives. written beneath a readmore because of length, not spoilers!

SELF-CONCEPT

VIEW OF SELF: highly upheld on a pedestal created by her late tribe and the hierarchy of Fell Churches. though clouded by a heavy sense of superiority, there is the slightest chance of self-awareness from her, though it is an introspection that takes time. what is important to her is that she, above anyone else, knows her heart and mind. no one else can claim to relate to all she has lived through and she knows this; though the level of tragedy she connects this with is debatable. likewise, her view of self is duller than her view of others, as she truly does not care for herself at her core. this is not self-deprecation, rather it is the monotonous feeling that comes from knowing that, at the end of the day, she is what her tribe and Sombron have made of her. there is nothing else and nothing more.

VIEW OF OTHERS: hardly memorable. unlike her, time will pass for them and they will die, so their only purpose is to serve until their last breath. will she remember their names? hardly, but the impact they have will outlive their body. as a direct result of her behavioral inconsistencies and traumas, she alienates herself from society and, thus, does not view humanity and other immortal beings in any positive light. they are only useful under a leash. they are only useful if they can be wielded as pawns. if they stray from their fated path, then they must be punished. it is as much a law as it is instinct. either way, none of them will equate to the space necessary in the void of her heart; what she needs is a family, and other people cannot give this to her.

VIEW OF WORLD: unforgiving. selfish. the world is cruel to those who surpass their fate and, thus, she bares her teeth and takes as much from the world as she thinks she deserves; which is everything it has to offer. in her eyes, the world is ever-changing and will not wait for you to mend your wounds, no matter how closely you hold it at heart. you will not survive if you are not the aggressor. her environment taught her that pain is love and such love, one strong enough to destroy what it has created, is punishment, in its own way. to love was to hurt until you knew nothing else; to grieve was to love with all your heart. if you sought love then you had to seek the pain that is obligated with it upon your faults. thus, all relationships of value between her and the world were, and will always be, transactional.

MOTIVATIONS & GOALS: serve as Lord Sombron's greatest follower until he sees her as fit to be the mother of his child. whether it be one or plenty, she hopes to bear them and give fruit to lives of her blood. upon birth, they are hers, as a mother and idol and god. and that, the idea that, one day, someone she brought into the world will revolve that very world around her, is what keeps her focused on the future. but somewhere, along the line, another motivation has formed upon her arrival; protect the Four Hounds and restore what they once were.

WHEY THEY VALUE MOST: family, both in the physical and metaphorical sense. the idea of having and taking from someone who owes you their entire life for giving fruit to theirs.

EMOTIONAL REACTIONS

REACTION TO STRESS: most, if not all, negative emotions end in her lashing out in an attempt to regain the control she once lost. so, when stressed, her composure falters; she becomes jittery, scheming, and distant. she'll refocus all of her energy on picking apart the stressor and, upon recognizing what it is, eliminating it without hesitation. this could mean directly destroying the stressor or completing it, but whichever it is, she does not ignore it. it, also, does not matter what this stress comes from; whether it be a responsibility, environment, or person. the execution, however, of this determination is usually heartless and selfish, as she will go through anything and anyone to calm the nerves of her heart.

REACTION TO FEAR: though fear, too, is a negative emotion, it does not necessarily end in an unwavering sense of hostility. to fear something is to think that it has the weight to actually affect you. and, thus, it is fine to say that fear isn't an emotion she's faced often in her thousand years of life. upon first face of this subject causing her fear, she's incredulous. confused or shocked, rather than frightful. but when the emotion sets in, she becomes quieter. curt. this silence is not submissive, lest it be in the face of Sombron. her following reaction will be to right what has been wronged; control. she will combat this fear with confrontation if the risks prove to be lesser, but she knows her limits and will not provoke the fear if it will bring her harm.

REACTION TO SUCCESS: to revel in her success is not rare. this is, usually, done in the form of taunting the losing party. however, her reaction to success differs between the success of herself and the success of those she deems as hers. for the former, she does not seek praise. it is not the acknowledgment she requires, as that is flawed and not taken at heart's value. if not from Sombron, then she does not want it. however, praise is what she requires when her pawns succeed. for them to win is a win for her, as it reinforces the greedy pride of being able to create something worth loving. otherwise, success, to her, is conditional and can always be revoked. it is not something worth celebrating by the masses. in fact, it could be argued that success makes her hungrier for the possible retaliation that will follow.

REACTION TO FAILURE: depends highly on who she fails regarding the event. in light of disappointing Sombron, her apologies are swift, curt, as there is nothing else to say. her willingness to right, again, what has been wronged is high and she will take no other answer unless she's given the other chance. there is no guilt, as she does not recognize such a feeling, but the feeling aches similarly. if in the case of failing herself, her reaction is duller. again, at her core, she has come to terms with the fate she's been given, so all she is to do is find her way back unto the path paved for her. she'll try again, more determined, but emotional reactions are little to none. she understands herself best and will right herself accordingly, aiming to engrain into her the teachings that made her who she is.

DEVELOPMENT

IDEAL SELF: is constantly changing, to the point where she cannot fully recognize where she, herself, wants to be. what amount of development would be enough? from whom would this development come from? all she knows is that the ideal life she sees fit for herself is that of a mother, as it was the only thing able to fill the void in her heart. key word: was. new events have shone a light on her ideals and hope to shift them. unfortunately, because of her lack of concern for who or what she becomes, as her fate will always be written before her, the exact ideal self is unknown.

AREAS OF GROWTH: as mentioned before, loneliness is still a factor she hopes to heal. being alienated from others, even dragons like herself, because of the behavior she adapted to in hopes of defending her heart will always prove her efforts futile. to grow requires the knowledge to understand exactly what is necessary beforehand. thus, her concept of what can heal her is false and flawed. it's simple and, if she does not recognize her emotions and pick apart the years of manipulation, all will be hopeless.

BARRIERS TO GROWTH: the inability to wear her heart anywhere that is not the steel bars of her ribcages; the continuous conquest of favor for Sombron; the inability to recognize how she has affected the world and vice versa; the inability to be truthful lest she fear bleeding out on the spot; and time wearing away at the familiarity she should have with her own emotions. there is a lot that stands as an obstacle to her development. none of it will disappear quickly, so she must approach it slowly and with patience.

[ask-the-totally-real-peppino]

(Going through the 700 asks in the inbox to see if I missed any asking about the other bosses, and there are so many asks that I do not remember the context for, and I am so sorry hdfkfdg

Someday I will gather them up and recontextualise them, but not right now! Still working working working!!!

Also, someone's not been doing their job of eating those asks... Where the hell are they...?)

[desultory-novice]

Wrote this as a comment response elsewhere, but since I draw a whole lot of those-two-guys (and because I have some new followers, hi!) I figured I'd say as much in a post...

-Marx and Magolor and how I see/ship them-

Honestly? I HC them as everything from teary-eyed star-crossed lovers to soft and sweet-on-each-other life-partners to just really pretty gay for each other to hijinks loving jester besties to a pair of sussy magic-users with a mildly-vitriolic friendly rivalry to two clowns who can barely stand each other and switch between depending on the mood of what I'm drawing!

Together, they're my favorite Kirby character(s) - I can't chose one over the other - which is why my brain likes seeing them together.

The reason I started drawing a lot of romantically-styled Marxolor in the first place is due to my RtDL fan comic, “Marionettes' Pavane.” It's a strangers > awkward friendship > soulmates story but all the really good "break your heart, stomp on it, set it on fire" scenes (...Ch.11...) happen much later on and sometimes I get antsy having to wait till I get there to put what I'm feeling on the page!

So I cheat by infusing a bit of what their MariPav selves feel into their in-game selves, just so I'm not tearing my hair out holding all this (delicious) angst inside. As it result, it may seem like they have this deep, pre-existing relationship and well, to me, they kind of do!

In summary... Pretty much all my Marx + Magolor AND my Marxolor stuff can be interpreted as them being friends, boyfriends, or etc. regardless of the tags and it won’t bother me!

[fryeswiththat]

Me every time I watch or read a rendition of a character and the OP has flown with the idea that "this character's lapse in judgement is actually a defining characteristic for their future interactions and defines them rather than being a poor decision the character made"

[winepresswrath]

The foxfucking show (fanfic remix) continues to be full of things that are extremely tailored to my particular interests executed in a way where I can tell the people involved knows what their audience is looking for and want to deliver it, but the connective tissue is lacking and it makes me sad.

[merge-conflict]

it's just eternally like: i want to commission art, but the instant i think about articulating what i want i instantly ragdoll

[paper-mario-wiki]

in case you haven't thought about switching to firefox yet, here's an extension that will...

Notify you if a website you're on has employees that are on strike

Bypass paywalls for major news outlets like the New York Times

Change the browser theme based on the time of day

Directly install third party non-extension scripts

Save individual browser sessions to be reopened at any time

Use the TV format of YouTube in-browser

Make all chrome extensions compatible with Firefox

Turn YouTube dislikes back on

Fix Twitter and make it way less fucked up

Automatically remove trackers from URLs

And many more!

Feel free to add any other firefox extensions you think are slept on.

[ultrashowtime]

[audristarzz]

KOSA PASSES SENATE 7/30/24

Kosa has unfortunately passed the Senate on a 91-3 vote. I want this to be clear, It’s not going into effect, it still has to get to the House but I believe there will be a break for the month of August which gives us A WHOLE MONTH!! to call your HOUSE representatives and tell them to vote NO on Kosa. It’s not over yet so many people told their senators and representatives that they didn’t want KOSA. We can do it again, PLEASE do not panic and give up!! I know it’s scary I’m very scared right now myself but if we go silent that’s how it’s going to pass the House and get signed to the president. Let’s try to stop that from happening!!!

Call your house representatives!!!!there is more opposition in the House, we can stop it. BLOW UP THEIR PHONES!! edit: hi everyone!! I’ve made a change to the way I worded this post, I would like to apologize about the confusion I may have caused. When I had meant by “barley passed the Senate” i meant it as a way of saying how so many people voiced their concerns for so long (I first ever found out about Kosa on 7/19/23) which lead it just now getting to the Senate floor for a vote due to the pushback and feedback they had gotten. I apologize if 1. I had confused anyone and 2. If I did not word this right lmao :,) keep calling you’re all doing great!! - audri⭐️