#the road to a no-automobile reality
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End Times Prophecy Headlines: January 23, 2023
End Times Prophecy Report.com HEADLINES MONDAY January 23, 2023 And OPINION âAnd Jesus answered and said unto them, Take heed that no man deceive you.â âMatthew 24:4 âThe best way to keep a prisoner from escaping is to make sure he never knows heâs in prison.â âFyodor Dostoevsky ===INTERNATIONAL UKRAINE: Ex-SEAL dies in Ukraine; 6th known American killed in war RUSSIA: Biden administrationâŚ
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#"I thought I&039;d be long gone before any of this happened!"#attacking God&039; Word via charming stories#chickens gone wild!#counterfeit Christian politicians#God loves all of His Creation#heaven: a one way trip#just passing through a lost and dying world#keys to reality#many times the media justifies crime#more false reality#more new-boss-same-as-the-old-boss#poor atheist#promoting bad habits#suspicions of foul play#the last days are a time of testing: the wicked are tested but so are believers#the road to a no-automobile reality#The World&039;s Most Christian NationâEVERâ˘#two political parties: one team one master#what one worries about during the last days#Word of filth preachers
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Me:
"I fucking hate potholes, when are they going to fix the roads?!?"
BUT.. Also Me:
"Ugh..I hate having to drive with construction. When is this shit going to be finished?!?"
#relatable#goth#gothic#driving#life#highway#road#car#automobile#Spotify#reality#every day#everything
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Not really a fan of how many socialists like trains.
One of the things socialists like to do is designate things so only the government may have or use them, and make those the obligate and exclusive things that "Society" (Capital S) has to use, in lieu of any other alternative. Because it's a way to force control from a purely authoritarian sense to an indirect one with the false necessity of bureaucracy and effort.
They hate automobiles because it gives an individual "more say than the rest of society" (over their own personal lives and mobility/autonomy) and decided that one set schedule for transportation via railcar is somehow superior to any schedule by anybody at any time and anywhere, via road.
Please note that this post is not railing against trains, it's what socialists think trains should be used for, and why, in the absence of other options. And they feel similarly about busses and keep trying to sell the idea of replacing all the cars on the road with busses and public transportation.
When you take that personal choice out of the equation, the state and its agencies don't care what you have to say, they only care about the abstract idea of their jobs and the reality can go quietly die in a corner. And that's where freedom dies. Their entire basis for using trains can poison the policy and render it ineffectual for the job it has.
Trains are a very efficient way of transporting things over land across a very large distance. And while I absolutely agree we should have better passenger AND freight rail state-side, I despise the people that think it should be used as a bludgeoning weapon against personal automotive use and ownership, city or rural planning, or anything like that.
But that ugly penchant to try and, "kill two birds with one stone" and force communities and societies to commit to one decision specifically to fuck up opportunities for others is something that I just have to keep in mind, these days, because these people have such shitty, manipulative attitudes.
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You may find yourself living in a shotgun shack (in a safe house)
You may find yourself in another part of the world (in a fearsome, transformed reality)
You may find yourself behind the wheel of a large automobile ( in possession of power beyond comprehension)
You may find yourself in a beautiful house, with a beautiful wife (you donât remember this place. You donât remember at all.)
And you may ask yourself: âWell, how did I get here???â
You may ask yourself- âwhat is that beautiful house?â (Hilltop road)
You may ask yourself âWhere does that highway go to?â (Where will these decisions lead? Through to another reality? To Somewhere Else?)
And, at the panopticon, you may ask yourself âAm I right? Am I wrong?â And you may say to yourself: âMy god! What have I done!â
#SAME AS IT EVER WAS!!!#anyways once in a lifetime incredibly web coded song when you think about it#tma#tma s5#the magnus archives#the Magnus archives season 5#jonathan sims#martin blackwood#talking heads#once in a lifetime
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History is very important to the automobile industry. Despite being a relatively young field, itâs well-documented, and full of great tales. Most of those tales are about hubris. Flashy Italian guy smuggles cocaine to pay for a Volvo-engined stainless steel coupe. Economy-minded automaker builds engines out of aluminum and forgets how to finish bolting them together. Henry Fordâs race car driver runs over a bunch of people, quits racing, then returns to racing and runs over even more people.
By telling these stories, the auto industry likes to paint itself as a brash group of aggressive innovators. Bold risk-takers. Complete assholes. This is because the sales department is running things. In reality, cars are made by a series of professional engineers progressively refining an essential product that is meant for mass consumption. Your choices are âbald-faced sociopathic liesâ or âfucking boring stories about reducing cabin vibration with a slightly different durometer of rubber on the upper motor mount.â
This is where the auto owners step in. Most of us have at least one great story relating to cars, whether itâs an old crap-can that just wouldnât die, or a road trip born under a bad sign that eventually erupted into a sort of rain-soaked horror movie climax. And we tell each other these stories, in order to cement the mythic status of the automobile in our lives. Sure, we bitch about our houses, but nobodyâs eyes well up when they think about the glorious time they cleared the P-trap on their kitchen sink and finally got that chunk of hair out of there. Not when they could be making engine noises with their mouths and pretending to shift gears in the middle of a drunken story about illegal drag-racing, spoken way too loudly at a dinner party.
Of course, most of these stories are also bullshit. We have a tendency to mythologize, and also wallpaper over our own failures of memory with a dream of what must have happened. For instance, I once told a story about using a frequently-misfiring 1978 Plymouth Volare to fend off multiple police officers on a highway chase, but it was a little bit inaccurate. It was actually a 1979 Volare, which if anything makes the story even more thrilling.
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Going insane over my city's transit system, mainly because it's been pitched as this sort of lost gem killed by the automobile industry but in reality the trams never even reached the pretty centralized location I live in and the busses barely made it further out than this.
The obvious solution is to build massive nuclear-powered lines of electric trams that span the entire city, following the already built out highway system and running on elevated paths above major arteries, branching to street-level for local lines that would practically eliminate the need for schoolbusses, each rail terminating in massive futuristic rail terminals, all churches of the atom.
This would cost like a trillion dollars but also free up valuable space on the roads for gangs of youth on motorcycles to evade the police at high speeds
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Before I Leave You [Eren/Levi x Reader FF]
[ curated playlist ][ full story can be found here or here ]
[Overview & prologue]
âş pairing: levi ackerman/eren jeager x fem!readerÂ
âşcontent: mafia au, crime, arranged marriage, enemies to lovers, angst, lol so much angst
âşwarnings: SHIT. IS. DARK. YO. violence, blood, strong language, guns/weapons, and illegal activities are all mentioned but hey, thatâs attack on titan for you, so if you can handle that, you can handle this (:Â
chapter 5: the worst kind of monsters
You stand leaning against the black metal railing of your homeâs rooftop, alone, a lit cigarette in between your fingers. Above you, the sky bleeds a crimson red and orange as day gives way into night. You look out over the smog-infested city, to the bustling streets below.
Children are scurrying back home as shops begin to close for the day. Men and women of all ages cross through the unpaved roads as they return back from work, sidestepping out of the way every once in a while to let a random member of the aristocracy drive on by in their rumbling automobiles.
Before your father came into power, the Founding Sector had been nothing more than a rundown, underdeveloped, pathetic excuse of a city. The ones in power were the only ones who ever knew what it was like to live comfortably. Slaves to their greed, they fed off the weak like ravenous vultures, all the while the people of the Founding Sector grew ever the more weak and powerless.
Your fatherâforced to grow up under such a corrupt and broken system â learned from a very early age how the world worked.
And the world belonged to the strong.
You were either the one in control or the one being controlled.
It was for this reason your father, a mere young working class man with nothing to his name save his wit and desire to succeed, refused to submit to the unfavorable hand he had been dealt with.
You draw your cigarette to your lips and exhale, your sharp eyes easily locating your fatherâs legally owned businesses and properties across the city like landmarks. You think of the illicit activities taking place from within most of them and your eyes narrow.
You will not deny there are days when you are sick with guilt. Sick with death. When your mind aches for solace and peace even though every drop of blood youâve ever spilled screams you do not deserve it. But then you gaze out into the powerful city your cunningly ambitious father has managed to rule over through violence and fear and intimidation, and you're reminded of why the line between right and wrong does not exist for people like you.
You never asked for this life.
Neither did your father, or Levi, or Mikasa, or any of them. But the world has never apologized for forcing you all to walk down this dark and weary road, so why should you?
The strong devoured the weak.
That was the twisted reality. So your father found a way for this rigged bureaucracy to serve him instead. If that meant crime was to continue running rampant across all Sectors of Paradis, than so be it. At least he would be the one in control now.
And youâŚ
You were to make sure it stayed that way.
Eventually, the streets below begin to clear out and the clanging of construction and manufacturing companies begins to die down as street lamps and late business signs flicker to life across the Founding Sector.
Meaningful footsteps sound behind you moments later. You donât need to turn around to know they belong to Mikasa.
âThe appointment you requested with the journalist has been scheduled for eight oâclock tomorrow morning,â she informs you, coming to stand beside you to look out over the city.
You flick the burnt ashes from your cigarette with a tap of your ring finger, letting the wind catch them in its midst, before taking another smoke. âYou sent the invitation under my fatherâs name as I instructed?â
Mikasa nods. âWill he need to be taken care of?â
The corner of your lip curls. âNot yet.â
Based off what you wrote in your invitation, Marlo Freudenberg, a journalist for Paradis Times, thinks he is meeting with your father tomorrow morning in his office, Ymir & Co., for a brief one-on-one interview, which is why he responded so quickly. Your father is not one to entertain the prying questions of many journalists, after all.
But if Marlo thinks you haven't already figured out what his true intentions really are, he's more of an amateur than you originally thought.
You put out your cigarette against the metal rail of the rooftop. âErwinâs little spies are hard to come by,â you say almost playfully. âIâd like to have a proper chat with this one first before we're forced to part ways.â
You turn on your heels and commence to make your way down the rooftop to the stairs leading to the balcony on the third floor. Mikasa shadows behind you until you reach the hallway on the first floor leading to the kitchen where she thinks you will join them for dinner.
The freshly rich aroma that welcomes you as you pass by the dining room on your way to the front door stirs your appetite. You manage to catch a glimpse of Niccolo, your home chef, watch with expectant eyes as Sasha and Connie bite into his exquisite looking meals with great enthusiasm and appreciation. Jean and Historia, seated beside them, are the only ones who notice you walk by.
Youâre almost to the front door when Historia calls after you. âAnya? Arenât you staying for dinner?â
A glimpse over your shoulder tells you sheâs popped her head out of the dining room, along with Mikasa and Jean.
âI need to check on something,â you mutter reluctantly.
âYou havenât eaten anything since this morning,â Mikasa points out almost accusingly.
âIâm fine. I wonât be long. Iâll be just around the corner.â
Mikasa begins to stride over towards you with the full intention of chaining you to the dining table if thatâs what it took to get you to sit down and eat.
âItâs fine.â Jean steps in her path, a hand in the air to get her to stop. âIâll go with her. Iâll make sure she eats something at one of the pubs.â
âIâll go too,â Historia offers, leaving the dining room to reach for her coat.
âMaybe we should all go,â Connie suggests reluctantly, not wanting to leave his precious meal behind so soon. âLast time she was alone with Jean she nearly died and Levi almost had our heads.â
Jeanâs face flushes as he turns on him angrily. âAnd what the hell were you doing? Stuffing yourself with food like a damn useless boar?â
âHuh?!â Connie exclaims indignantly.
You roll your eyes and head out the door as they continue their bickering, not willing to wait for them to come to an arrangement.
The moment you step out, however, you inwardly grimace at your timing.
Eren is walking up the porch to the townhouse next door, where Leviâs men are stationed, key in hand and ready to head inside. Levi had insisted his people be the ones to keep an eye on him, since no one trusted him enough to have him anywhere near you, let alone living under the same roof.
A swift glimpse in Erenâs direction confirms heâs just arrived from your fatherâs office. He carries a leather suitcase in hand and wears a dark grey tailored suit that helps him fit the role youâve assigned him well.
You test your luck and walk forward into the streets, needing to head past him in order to get to the alley behind The Red Rose â your destination for tonight â but your presence doesnât go unnoticed by him. The second he recognizes you, his face lights up and he begins to walk towards you.
âAnya!â He waves at you thinking that might get your attention, but you blatantly ignore him, not wanting to peer into those doe-like eyes of his if you could help it.
This doesnât seem to derail him though. He's close enough now you catch him from your peripheral vision as he extends a hand out to try and reach out to you.
âOi!â Jean quickly appears beside you, roughly shoving Eren back before he can touch you.
You donât miss a step in your stride as you leave Jean to deal with Eren, but you can still hear Jean loud and clear behind you, pointing a threatening finger at Erenâs chest.
âTry going anywhere near her again,â Jean growls, âand Iâll have you wishing she had never spared your life at all.â
âJean!â Historia chides, stepping in to steer him away from Eren and back in your direction. âHe only wanted to say hello. You donât have to be so hostile with him all the time.â
Jean lets out a grumble of disagreement before they both fall into step beside you, failing to notice the amused glimmer in your eye.
There is no denying how much Jean despises Eren. Whether itâs because he doesnât trust him or because Eren had bruised his ego by saving you in his place from your encounter with Floch, Jean was looking for any kind of excuse to get his hands on Eren. To prove to you he needed to be gotten ridden of. And it was killing him that despite Leviâs objection, you were still adamant on keeping Eren close â to you, to your circle, and now to the inner workings of Ymir & Co.
Or at least thatâs what it looks like to him.
You glimpse over your shoulder to Historia, an assistant to one of your fatherâs legal advisors, and the one you assigned to oversee Erenâs work at your father's company.
âHas he settled in well?â you ask her casually, not needing to mention Erenâs name for her to know you were talking about him.
Erenâs current position there was to serve as your fatherâs administrative assistant â a temporary role you wanted him to perform to help determine if he was fit for the actual position you had in mind for him.
Itâs been over a few weeks now since you first made his acquaintance, and you find it rather suspicious that in all that time, not once has he attempted to leave town. Youâve allowed him to walk the streets of your city freely, without any threat of your people tailing after him. He could have used any moment to make his escape. And yet, at the end of the day, the boy still kept coming back.
You donât spare Eren a second glance as you continue down the street for the same reason Historia is looking at him over her shoulder with a sympathetic look in her eye. Given Erenâs unexplainable attachment to you, heâs probably standing in the middle of the road watching you leave the way a puppy looks when their master leaves them behind. Confused and hurt, but still loyally waiting for their return.
Historia turns her head forward again. She nods beside you. âYou were right about him. Heâs clever as he is charming. Heâs already interacted with some of your fatherâs usual clients, and thereâs no denying he's got a way with people.â
Jean scoffs, not at all impressed, but Historia ignores him. Her softhearted sapphire eyes are pinned on you. âHeâs been asking for you.â
But your face remains indifferent. âIâm flattered.â
She frowns. âAnyaââ
You throw her a warning look and she lowers her gaze, dropping the subject.
You make one quick stop at the fish market, ignoring the odd looks Jean and Historia give each other when you ask for any leftover tuna or sardines from today, before heading to the Red Rose.
As the pub appears within your line of sight, Jean goes ahead and stops in front of the entrance where many of your fatherâs men are already stationed so he can inform them of your presence. Ever since the attempt on your life, your father has doubled the amount of men in your area to help patrol town. Unfortunately, that means any chance for Erwin to make any more bold appearances grow all the more slim.
When you confronted Hannes about why he'd failed to mention to you Erwinâs little surprise visits to the pub, he claimed it was because of how difficult it was to keep track of the amount of people that go in and out of the pub ever day. If Eren had spotted him, it had been because ever since Hannes had hired him, Hannes had spent less and less time out front serving drinks for him to notice.
To some degree, you believed him. If only because you knew that nowadays, he was always passed out, drunk, somewhere in the back.
âOi!â Jean calls after you when he sees you walk past the entrance of Red Rose. âWhere are you going?â
You turn the corner into the narrow alleyway behind the pub where you spotted the little furball a few weeks ago.
âAnya, what is it?â Historia asks, peering into the dark alley behind you.
You raise a finger to your lips to silence her and signal for her to stay back as you see her begin to follow you, but Historia refuses.
âIâm not letting you walk into a dark alleyway on your own,â she hisses behind you.
Jeanâs footsteps stop short beside Historia. âWhat is she doing?â
You tear open the small newspaper-wrapped package youâve been carrying in your hand from the fish market and pull out a sardine.
Trash bags rustle on the floor near a dumpster to your left and when you crouch down, a pair of eyes flash in the dark.
You hum in delight. âThere you are.â
You toss the small piece of fish a few feet in front of you to lure the kit out. It had taken shelter under a stack of cardboard boxes, but the moment it caught the scent of food it slowly made its way out.
Itâs black fur blended well against the darkness of the alley. If it werenât for its bright, glowing eyes you wouldnât have been able to pinpoint where it was.
Just a few weeks ago youâd seen a female cat with her young litter foraging for food around the back of the pub. They must have relocated soon after because you never saw them again, but being the runt in the litter, this last one must have been left behind. It couldnât have been any older than three weeks old when you first heard its mewling on your way back from the pub.
Out of curiosity, youâd gone in search of the noise and came across the little black thing stumbling its way around the alleyway looking for food.
For a while you just stood there and watched as it struggled.
You knew that without the mother to fend for it, it was not going to survive on its own. It looked so small and frail in comparison to its surroundings, so helpless, you were reminded of that day as a kid when your mother was taken from you. When you too learned what it was like to be afraid and powerless. But like all things born of this world with a will to live, you learned how to survive. Instead of being afraid, you became something to fear. And if this little thing wished to live despite its unfavorable circumstances, it would learn this too.
You would give it a week before deciding if it possessed the strength and determination necessary to live and survive on its own. You had no interest in weaklings, and if this one didnât fit your requirements, you would find another that did.
Assessing it up closely now, youâre impressed by how nicely it has grown in size since you last saw it. It has to be at least five weeks old, which means itâs much more curiously aware of its surroundings than before, and within seconds, it devours the piece of sardine you've offered it.
It meows at you for another and starts to approach you cautiously, sniffing out the rest of the fish you carry in your hand.
But then Jean steps forward too abruptly and startles it, having peered over your shoulder to check what you were doing.
âA flea-infested stray?â he asks incredulously beside you. âThatâs what we came here for?â
The kitten hisses at him in warning. Jean has stepped far too closely than the kit is comfortable with. Itâs back is arched towards him with its hairs raised and its ears flattened backward on its headâpupils dilated.
You smile approvingly at the kitten's reaction. In the short time its lived out on the streets, its learned to be distrustful of humans â and much rightfully so. Humans are the worst.
As you were about to prove it.
Dropping another piece of sardine in front of you to warrant its attention, you take advantage while itâs distracted to reach for its scruff.
âDonât touch it!â Jean scolds you, pulling your hand back. âIt's feral. Itâs probably got rabies.â
The cat mistakes Jeanâs quick hand movement as a threat and scratches him across the hand with its sharp claws with enough ferocity to draw blood. Jean curses and pulls his hand back as you raise your eyebrows in surprise.
Historia stifles a giggle. âIt doesnât seem to like you very much, Jean.â
âVicious little thing, arenât you?â you muse as it resumes munching on the last scraps of raw fish on the floor when it feels Jean no longer poses a threat to him.
Before it has time to finish it, however, you snatch it by the scruff before it can fight back and you rise to your feet with it. It hangs helplessly in your hand with its paws out in front of him. You tap its pink nose. âWeâre going to get along just nicely.â
You hand the leftover fish to Historia despite your new companionâs meows of protest. But it's already associated your scent now with food so it believes youâll provide him with more if it behaves and waits a little longer.
Jean and Historia follow after you as you begin to head back home, but Jean has his scratched hand cupped in his other hand with a sulking face. âYou better have a good reason as to why you're bringing that bloody thing home with us.â
You pet the mangy fur of the creature in your arms mindlessly. It looks to you and meows before it starts purring at your touch, comforted by the scent of fish in your hands. As you pass under a lamppost, you notice the catâs eyes are bright and green, like fresh blades of grass.
âThereâs a very special person Iâd like to befriend at the park,â you tell Jean and Historia. âHe's very fond of these furballs.â You raise the black cat to your eye level, noticing it's still very small for his age given his entire body fits in the palm of your hand. âMy walks to the park will prove most promising with this one in my pocket.â
â
The following morning Connie drives you over to Ymir & Co. in a sleek black automobile, gifted to you by your father now that you were enforcing business meetings further out into the city more frequently.
Mikasa sits in the front passenger's seat next to Connie while you sit in the back of the car, gazing impassively outside your window with an elbow propped up against the door frame. Outside, the people of the Founding Sector scurry about, rushing to get to work and start their day. Theyâre familiar with the type of vehicles you and your family own, so when they recognize your car drive past them, they nod towards your car respectfully before continuing on their way.
Ymir & Co. is located in the heart of the city, and itâs where your father handles the legal side of business. You drive past one of your fatherâs warehouses a few blocks from your townhouse, where his men are most likely finalizing the last preparations necessary to ship out the manufactured commodities over to Marley as agreed upon, along with various misplaced military weapons hidden in the cargo.
If anyone were to discover these weapons had been sent over to aid enemy nations, like that of Marley, when Paradis was on the brink of war with them for wanting to extract Paradis of its natural resources, the ones responsible would be found guilty of treason and imprisoned for life, if not sentenced to death.
You look to the east of town, where the Founding Sectorâs canal networks currently send illicit goods into the heart of the city, per the requests of many powerful lords and elected officials, who await for them with open arms and pockets full of money.
There was a time when you used to look down on them all for their unscrupulous ways. As a child, you would often hear of their appalling demands and just the mere sight of them afterwards sickened you to your stomach. But after your childhood became overrun with death and violence, you grew numb to humanityâs sinful nature. You came to realize there was no use changing it. Your father understood this better than anyone. The intricate web of criminal activity he was able to form in the underworld, embedded so deep in the Founding Sector only those within his circle knew just how deep it truly lied, proves it.
Such was his network of clients â corrupted to the core, requesting all kinds of services ranging from the legal to the illegal, and willing to pay good money in exchange for the guaranteed promise of delivery â that made this business so profitable. But your father also had a reputation to uphold as CEO of a highly successful car manufacturing company. And to continue holding onto that respectable power and status, all legal matters needed to come first.
Which is where Eren would come in.
Your father needed a spokesman. Someone to represent him whenever he couldnât attend a certain business meeting for Ymir &Co., or whenever he needed someone to simply whisper in his ear the names of people he encountered at charity events or other important social gatherings so as to appear interested and involved.
Ymir had originally wanted it to be you. So he could show you off proudly as his one and only heir. But your father had raised his taste in business partners. He was now keeping senators, diplomats, leaders of entire countries, for company â people whose presence required you to play civil.
And you were never one for diplomacy.
To keep the bridges your father had built with his new affluential clients, your father needed someone tailored to their liking. Someone with a welcoming face and charming personality, capable of striking a deal with them because he knew how to put on a fake smile and make it look genuine. Someone docile and patient, who didnât appear like a threat and could follow their social rules and etiquette until he had them letting down their guard enough to attack.
Eren checked all these boxes perfectly, and as Historia mentioned earlier, was doing so already.
When you brought this up to your father, you assured him that he lost nothing with using him. Eren would only ever be informed of the legal parts of business. He would have no access to the records or dealings that your father partook in outside of the law because all incriminating evidence was stored outside of that office. In a room that only you, your father, and Levi had access to. And after showing your father Erenâs identification papers, along with a photo of him, he could not deny you that he fit the part well. All Eren needed was to prove whether he had the skills necessary to take on such a task.
The boy also seemed to be willing to do anything to please you, and you would have mentioned this to your father â to assure him of your confidence in this plan â but after the way Eren saw you kill another man in cold blood without hesitation, you werenât so sure.
Armin would have been an alternatively ideal and safe choice after you, if his name hadnât already been marked and linked to the underworld. The majority of your cadreâs identities, actually, had already been defaced in some shape or form before coming to you.
But it did not matter; you needed Armin down in the Colossal Sector more.
The day you had been targeted, he had been in the area on business. Once he knew you were out of danger, he returned back to the Colossal Sector without a moments waste, despite having left it in safe hands. Bertholdtâs clan may have bent the knee to House Ymir, but tensions still ran high between families, and only Armin was capable of keeping them all in check. He was wickedly clever. He knew what made people tick, which made it easy for him to find peopleâs weaknesses and manipulate them to your advantage. A skillset of his you valued greatly.
Ten or so minutes later, you arrive at the red-bricked building where Ymir & Co.âs business partners frequent and where your fatherâs prestigious looking office is located.
You make your way up the staircase with Connie and Mikasa behind you, passing through the open glass doors and richly warm colored hues of the main parlor.
Not bothering with the receptionist at the front desk, you walk right past her and take the elevator up to the last floor where your fatherâs office as CEO is located. Mikasa and Connie join you inside. When you arrive at the top floor, Connie stays behind and stations himself beside the elevatorâs sliding black gates while you and Mikasa head down the end of the hallway to your fatherâs office.
A metal sign with your fatherâs name on it and the word CEO underneath is framed on the wall beside a dark cherry wooden door. You open it and find Eren sitting behind a desk to your right. Historia stands over his shoulder, in the middle of explaining something to him.
At the sight of you, Eren stands up so suddenly, the chair behind him nearly tips over. He was not expecting you to make an appearance at the office and itâs caught him by surprise.
âAnya,â he says in a daze, as if not quite believing youâre standing in front of him.
Historia clears her throat. âYouâre early,â she notes, beginning to move towards you so as to draw your attention away from Erenâs reaction. âHave you had breakfast? I can order you something to eatââ
âI wonât be staying long,â you reply, already half way across the receptionâs area. âSend him in when he arrives.â
From your peripherals you catch Eren attempt to follow you, but Historia rests a hand on his shoulder and manages to keep him seated at his desk.
You turn the corner to the right and walk through the open door of your fatherâs office where youâre immediately welcomed with the smell of expensive leather, fine wood, and burnt cigarettes. The blinds are drawn, with only a small sliver of golden sunlight to seep through, but thereâs something about this dim lighting that makes you feel powerful the second you walk in; you feel right at home.
Ymirâs desk is made of rich, dark wood and is sparsely populated by writing tools, a telephone, a cigarette tray, and two tall lamps. One on each side to provide him light during the late hours of the night. Behind his desk is a wooden shelf with a small collection of decorative books and trinkets on display, and to his right is a metal filing cabinet pushed up against the wall. Beside it, a little farther to the left, is a small table where he keeps some fine bottles of scotch and bourbon, a pair of drinking glasses, and some fresh ice that Historia must have recently set up for you.
You take a seat on your fatherâs black leather padded chair behind his desk as Mikasa closes the door behind her. She faces you, her jaw set, and you sigh, bracing yourself. You cannot avoid this conversation with her any longer.
âGo on then, Mikasa. Out with it.â
Mikasa crosses her arms across her chest and rests her back against the wall beside the door. âLevi is right. You canât keep collecting any more of these strays. One of these days theyâre going to betray you.â
You shrug, nonplussed. âIf the cat remains feral, we can always toss it back out.â
She throws you a deathly glare and you try not to smirk. You know she is referring to Eren, but sheâs so easy to rattle you enjoy teasing her when you can.
âYou think keeping him confined within these walls is going to shield him from the things that go on outside this office?â she questions. âHe knows who you are. Heâs aware of your fatherâs reputation. The longer you keep him at your side, the higher chance he has of finding something to use against you âagainst your father.â
You meet Mikasaâs troubled gaze with steady eyes. âHis sole purpose is to serve as the face of this company. Nothing more.â Eren may have an inkling about the kind of activities you and your family are involved with outside of Ymir & Co., but he cannot begin to comprehend the exact kind of business that entails. And he never will.
Mikasa raises an eyebrow and crosses her arms over her chest. âRight. But does he know that?â
You roll your eyes, a look of distaste on your face at her underlying meaning. âWhatever perfect vision he has of me will shatter soon enough, if it hasnât already.â
Mikasa frowns. âThatâs the problem.â She begins to cut across the room towards you. âHe knows youâre spoken for. Heâs got a good sense of what you do for a living â I mean, you killed a man in front of him. A police officer, at that. All things that would have any normal person running, yet he refuses to stay away.â She shakes her head with open annoyance. âYou should see the way his eyes light up whenever you walk into the room.â
You prop your elbow against the arm rest of your fatherâs chair and rest your chin on your fist. Mikasaâs suspicions mirror your own so you surprise her by not dismissing her concerns as you usually do. Jean is also very much against Erenâs presence. Mostly because they cannot be assured of Erenâs true intentions with you, and you have too many enemies on your back for Eren not to raise mistrust amongst your inner circleâŚ
You flick a subtle gaze over to Mikasa at the thought of the rest of your cadre.
Mikasa, Armin, Jean, Sasha, Connie, Historia â all loyal to you because you had saved them all from a fate worse than death. When the world turned its back on them, you gave them a second chance at life â even if it that life was one of crime. The fact that you went out of your way for them, risked your own life and your own people to save them, is what ultimately won you their undying loyalty. They would die before letting anything happen to you.
ExceptâŚEren is not like all your other strays.
You cadre had all suffered. They had known pain before coming to you. Eren had not. And thatâs what has your team worried. They are all well acquainted with the darkest parts of humanity, and thus understand why you do what you do, but Eren never will. The second he finds out what you are truly capable of, he will not hesitate to turn to the law and make you pay your dues.
A knock sounds at your fatherâs door and your attention cuts to Historia as she opens the door to let herself in. But a hint of sadness envelops you at the sight of her. The softness in her eyes and inviting aura she radiates with her charm is the most deceiving part about her; itâs also what makes her the most dangerous.
If you didnât know any better you would think sheâs lived a carefree, happy life, alongside a family who loves her and wishes only the best for her.
But, you do know her.
You know the kind of life sheâs lived. Of the grotesque filth you tried wiping off her golden hair and skin the night you set her free from her captors. But no amount of water or soap could remove the amount of scars traced across her body, and itâs that gentleness in her demeanor she carries with her always that catches you off guard. Because you are incapable of smiling the way she can.
As if everything was all right in the world.
As if she wasnât terribly broken inside.
It always made you wonder if Historia would behave any differently â less pleasant, more angry, more real â if you had been able to save the brunette as well. But Historia never spoke of the girl with the freckled face, who had looked after her protectively inside the brothel. The selfless girl who died helping Historia get away â to you.
âThe journalist from Paradis Times is here,â Historia announces, snapping your attention back into place.
She steps aside to signal the journalist to come in and you amuse yourself by the look of confusion that quickly settles across his features at the sight of you sitting in your fatherâs chair. At Mikasa standing to your right.
âMr. Marlo Freudenberg,â you announce in that deceptively inviting tone of yours, leaning back in your fatherâs leather chair to give Erwinâs little spy a once over. âYou have no idea how much Iâve been dying to meet you.â
Marlo Freudenberg was a tall young man with a diamond-shaped face, black bowl-cut hair, a beaklike nose, and dark brown eyes. He carries a dark grey coat in his arm and a brown leather suitcase where you assume he stores all his notebook and pens to take notes. He glances over nervously to Historia and Mikasa as they begin to take their leave.
âI wasâŚI was told I would be meeting with Mr. Ymir today,â he stumbles out.
âRight.â You offer him a wicked side grin as Mikasa closes the door shut behind her. âAbout thatâŚâ
Marlo might have thought âor perhaps had it been Erwin?âthat by setting up a meeting with your father at his companyâs office, under the watchful eye of the public, Ymir would never risk acting out on a threat so openly. That by being in his office with so many potential, respectable witnesses, his safety was guaranteed. So the fact youâre here instead changes things significantly.
He seems well aware of how wild and unpredictable you are, and the danger of being left alone in a closed room with you based on the way his eyes flicker over to the door warily.
Reaching into the inner pocket of you coat for your pack of cigarettes, you take your time lighting one up, enjoying the fear and uneasiness you evoke in him as he watches your every move, not knowing what youâll do next. You finally lean back in your chair and put your feet up on the desk, blowing the first smoke upwards.
âYou're not the first journalist to request a meeting with my father and get denied,â you begin most calmly. âInquiries after inquires he receives. Every day.â You give the cigarette in your hand a light tap and let the ash fall on a tray nearby. âYour very own list of questions might have gotten lost amongst the rest if I hadnât come across them first.â You flick your gaze up at him, an undertone of danger in your voice. âAnd your questions have garnered my attention, Mr. Freudenberg.â
You nod to the chair across your father's desk. âHave a seat.â
Marlo swallows at your command, throwing the door behind him one final look, before gingerly taking a seat at the chair youâve indicated. Heâs realized that Mikasa is probably waiting outside the door and that there is no way out for him until you allow there to be.
âIâve read your articles, Mr. Freudenberg,â you continue coolly while he loosens his tie with unsteady fingers. âYou consider yourself an honorable man, willing to stand up against corruption. You wish to empower your readers to do the same. To not be afraid of those in power and bring about change.â
You blow out a last line of smoke from your cigarette before putting it out. âI commend you. I really do. It takes a lot of courage to play the hero.â You let out a heavy sigh before getting out of your chair to circle around the desk. âIf only you werenât trying so hard to dig into my fatherâs past.â
Marloâs jaw clenches as you lean against your fatherâs desk in front of him, hearing the threat in your words, but his eyes remain leveled to the empty chair where youâd been sitting. His voice, unyielding. âThe people of this city deserve to know about the kind of leaders who represent them.â
âMy father is nothing but a small, working class man who made his fortune by working hard,â you correct him, an edge to your voice. âDo not write him off as the villain Erwin Smith is trying to sell him as.â
His stoic expression falters for a brief second. âErwin Smith? I donât understand. What does the Chief of Police have to do ââ
You laugh mockingly. âOh, but Erwin Smith has everything to do with this, my friend! He hired you to tear my fatherâs image apart, did he not?â You swiftly reach into the pocket of his coat and pull out the voice recorder Marlo had intended to use to record your father during his interview. Youâd seen him subtly reach for it when he first walked in, and you turn if off with a click. âTo use any means necessary to gather your evidence so you can release it to the media. He risked your life by setting up your meeting with my father here, and yet you still chose to walk in here willingly.â
You step away to fix yourself a drink from your fatherâs bottle of scotch. You serve one for Marlo as well before heading back to him with both drinks in hand.
âTell me,â you say curiously, holding out his drink to him, which he takes somewhat mindlessly. âWhat inspirational speech did he give you for you to give up your life for him so easily? Did he share with you his vision of the world? Free of evil and corruption?â You read his tense posture and smirk as you take a drink from your glass. âHe made you believe you were important, didnât he? That despite the danger, what you would accomplish hereââ you gesture to the space between you and him â âwould be for the greater good. And if you died, it would be an honorable death. That your lifeâs sacrifice was a step towards the betterment of mankind.â
His refusal to look at you tells you youâre right.
âHe does not care for you, Mr. Freudenberg. You are all just pieces of pawns for him to use in his grand scheme of things.â You take another sip of your drink. âWhich is most unfortunate, really. Your noble, white knight has ruined more lives than you will ever know. And for what?â Your voice drips with venom. âAll his life heâs been chasing after a pipe dream, and deluded others to do the same.â You shake your head. âThis whole world, this society,â you say emphatically, circling your hand in the air you nearly spill your drink, âis founded on corruption. You cannot change it.â You narrow your eyes at Marlo in warning. âIf you do not accept this, you will die for nothing, as will the people of this city â your readers.â
Marloâs grip on the drink in his hand has his knuckles turning deathly white, that you wonder if heâll break the glass. âYou wish for me to turn a blind eye to everything wrong in the world?â he asks, voice strained. âLike some spineless coward?â He finally meets your gaze. âNo. My heart will not allow it. I cannot live in such a world.â He firmly places his drink on your fatherâs desk. âI refuse.â
You study the deep resolve in his eyes closely before lowering your gaze with lament. âAll Iâve said,â you mutter quietly, âand you still think heâs on the side of the angels. Is it because heâs offered you money to pay for your daughterâs treatment?â
Marloâs face pales. âWhat â What are you talking about?â
You give him a pointed look. âCome on now, Mr. Freudenberg. I make it my business to know things â just like you. And I not only know what Erwin Smith hired you for, but I also know of your family. Your wife â Hitch, was it?â You place your cup of glass on top of some books by your fatherâs desk to pull out a dainty golden locket from the pocket of your coat. âAnd your only child, Freya, who is terribly ill.â
You let the locket fall out of your hand, using its golden necklace to dangle it in front of him.
A noteworthy gift from Sasha, you had to admit, considering she had nicked it from his daughterâs room while her mother bathed her. Inside the locket is a mini portrait of five-year-old Freya being held in Hitchâs arms with Marlo standing behind her. Engraved in the back with fancy letters was Freyaâs name.
Marloâs eyes widen at the sight of it in your hands and he lunges for it, but you pull it back out of reach before he can take it. âUh, uh, uh. Not so fast.â
Despite how Marlo stands looming over you, you are not at all threatened by him. You wave a hand for him to back away and he obeys you. Reluctantly, but without protest. With the way his wide eyes are full of dread at the thought of you hurting his family, heâs at your complete mercy.
âPlease,â he begins to say, âdonâtââ
You raise a finger to silence him and his mouth clamps shut as you force him to wait.
âHere is my offer, Mr. Freudenberg: I will pay for your daughterâs medical expenses and I will make it that you and your family live a safe, and comfortable life.â
He opens his mouth to protest, but you cut him off.
âDo not give me an answer just yet. Think it over first. Think of your daughter. If you die, do you really think Erwin will keep his word and look after her? You cannot deny the gamble Erwin took with you. The chances of you succeeding here were slim. By giving you this job, he knew he was most likely sending you to die.â
Marlo frowns, looking hesitant, and you watch as the seed of doubt youâve planted begins to grow.
âThis is what he does, Marlo,â you insist with brows knitted in concern. âHe sends people to their deaths. Do not give him the power to do with you what he wills as heâs done with so many others.â
He slowly sinks back down into his chair, an expression of defeat woven in his features.
âIf you insist on sparking change and influencing the mind of the people,â you go on, unable to hone down the malice in your voice, âyou will only be leading them straight to their deaths. And you will be no better than him: a monster.â
This doesnât seem to sit well with Marlo, however, and you sense the change in him almost immediately. âI fail to see how wanting the best for humanity makes you a monster,â he says through gritted teeth, glaring up at you.
Your expression hardens as you catch the heroic ardor in his eyes. Heâs made you aware of his decision without even realizing it and you canât help your disappointment.
You break eye contact with him to reach back for your drink and throw the last of it down your throat before going over to place the cup face down on the table with the rest of your fatherâs drinks. âThe worst kind of monsters are those who donât think theyâre monsters.â
Marloâs own drink, which heâd left untouched on your fatherâs desk, is in your other hand. You give it a swirl.
âYou have twenty four hours to collect whatever research you have managed to get your hands on for this story and deliver it all to me,â you say with finality. âYou betray me, you submit any of your work for publishing, and I come for you instead.â
He takes this as his cue to leave and numbly makes his way to the door while you down his drink in one go.
âAnd something you should know about me, Mr. Freudenberg,â you forewarn behind him as you place the empty cup face down next to your other one.
Marlo stops halfway to the door and turns to you. The familiar look of resentment you rouse in your enemies settling well over his features. You toss his daughterâs necklace for him to catch.
âI always keep my word.â
â
Moments later, Eren catches you in the hallway as you try to leave your fatherâs office.
âAnya!â you hear him call behind you. âWait!â
Mikasa stands a few feet ahead of you, eyes fixed on Eren from over your shoulder as you hear him approach you.
Heâd skittered out of his desk the second you walked past him in the receptionâs area, and with no sign of Historia there to stop him, he did not hesitate to chase after you.
âAnya!â
Your nails dig into the palm of your hands as he keeps calling your name, frustrated at his inability to take a hint. Ignoring him was clearly getting you nowhere, so you stop short in the middle of the hallway, most unwillingly, your back to him. When Eren realizes he has your attention, his footsteps come to a halt a few feet behind you.
âWhy are you avoiding me?â he asks quietly, almost petulantly. âYou spared my life that day, but ever since then you wonât even look at me.â
You scoff dismissively and resume your leave, hating that Mikasa was right about his undying attachment for you, but the boy is deeply wounded and unwilling to hide it.
âDo you regret saving me that much?â you hear him muster out behind you, his voice pained, as if afraid to hear the answer.
His words stop you dead in your tracks.
âSaving you?â
You let out a sharp laugh, turning to face him.
âWhat makes you think I saved you?â
His bright green eyes are visibly hurt as he looks to you from across the hall, but your piercing gaze remains cold and dangerous as you stride towards him.
Eren watches you wearily as you come to stand in front of him. He manages to hold his ground, but your disdain is written all over your face he struggles from flinching away.
âYou exist because I allow it,â you snarl at him, inches from his face, âand you will die when I demand it.â
You turn on your heels and leave, not needing a response from him, but youâre left with a bitter taste in your mouth, as if youâve swallowed down poison. But you refuse to take the antidote; refuse to let doubt cloud your judgment.
You storm out of there before the crushed look and anguish on Erenâs face remains permanently branded across your mind, and before the guilt, of knowing just how much youâre bound to ruin him, starts to catch up to you.
â
Later that evening Sasha knocks at your bedroom door. Youâre lying on your stomach in bed with your elbows propped on the mattress and your chin in the palm of your hands, watching as your little black alley cat frolics around on the floor in front of you.
âDid you retrieve it?â you ask Sasha as she makes her way inside.
She places a manila envelope beside you on the bed. The article about your father Marlo had tried to deliver to the presses despite your warning, tucked safely inside.
âAny problems?â
She shrugs. âNothing I couldnât handle it.â
You let out a heavy sigh, hating that the journalist had to go on and be so predictable, because now you had to drag yourself out of bed and pay him a visit all the way across the city, when all you wanted to do tonight was catch up on your sleep.
It was tiring, always being right.
After your meeting with Marlo, youâd sent Sasha to monitor the Paradis Times building for any signs of him while you had Connie tail him the second he left your fatherâs office.
Leaving your bed, you retrieve your weapons from your bedside table and begin to strap them to their respective places across your person.
It was truly a pity about Marlo.
Youâd tried to warn him about Erwin, but that hard look in his eyes at the end of your meeting with him told you Erwinâs scrupulous ideals were already planted in him too deeply. There was nothing you could say that would change his mind.
Even when youâd offered him the money for his daughterâs treatment, you knew he wasnât going to accept it. Not when he knew where that kind of money came from.
Swiping the manila envelope from your bed, you begin to open it as you make your way out the door, your four-legged creature following behind you like a small shadow. It hurries on past you and disappears somewhere downstairs, probably in the direction of the kitchen where it hopes Niccolo will feed it some scraps before dinner.
âI could have spared you the trouble of doing it yourself,â Sasha says, coming up beside you as you head down the stairs while you skim through the article Marlo had risked his life to send to the presses. âI had eyes on him from above the whole time he was there. I could have taken him out at any moment before he sneaked out from the back and drove off. If heâs got any brains, heâll be trying to make a run for it right about now.â
But you disagree.
When you had asked Sasha to keep tabs on the Paradis Times building, youâd done so with the assumption that Erwin had provided Marlo with some form of protection for him and his family, since he knew what would happen once it became known he had gone against your wishes. Connie had followed Marlo all the way to his home and only confirmed this for you when heâd returned to report the number of coppers stationed at every corner of his home. Whatever trouble Sasha had come across in her interception of the article had come from Erwinâs men, who had been patrolling the area from your people so as to assure Marloâs success.
Youâd asked Sasha to maintain secrecy and act as quickly as possible so as to avoid any unwanted attention since sheâd be working out in broad daylight. You trusted her skillsets to get the job done so you had her act alone, not wanting any more of your people in the area than necessary. Itâs why youâd had her keep Marlo alive â to make him and Erwin think he had succeeded â all the while Sasha would swoop in moments later to infiltrate the place with as much discretion as possible, and locate Marloâs article to replace it with a fake one.
âErwin promised Marlo security,â you explain to Sasha, ripping the article in half, âand Marlo trusts him too much to think the coppers stationed at his home will be enough to stop me.â
Sasha hears the slyness in your voice and it finally dawns on her. âYou know this is a trap,â she states matter-of-factly, not at all surprised that youâre once again running into danger head on. âTheyâre expecting an attack from us.â
âTheyâre expecting an attack from my father,â you correct her. âBut in Erwinâs pathetic attempt to draw him out, heâs failed to anticipate the extra chess piece on the playing board.â
You.
âYour father has plans for Erwin,â Sasha reminds you gently. âHeâs told you not to interact with him until the time is ready. Is Ymir even aware of your meeting with the journalist today? Is Levi?â
You slide her a knowing look that answers her question. âIâve waited long enough, Sasha. Donât you think?â
Your stealthiest of spies exhales sharply through her nostrils in disapproval. You smile back at her wickedly. âRelax, love. There will be no encounters with Erwin tonight. Though, I expect him to be watching. His obsession with my father means heâs got tabs on him everywhere, waiting for him to make a wrong move. But by doing so heâs invited me to come out and play.â Your smile lights up like a loaded gun. âAnd I want to show him just how well I play the rules of the game.â
As you reach the bottom of the stairs, you head into the main living room where the nearest fireplace is located. Pulling out your lighter you feed the ripped pages of the article to the candle-like flame and throw it into the hearth to let its ashes collect inside. The article contained nothing that could implicate your father legally. Everything Marlo had brought up, Ymir had been cleared of years ago. But despite Marlo being unable to collect any new hard evidence that could stir open a new investigation against your father, his mention of these past allegations was enough for peopleâs suspicions over his questionable background to resurface amongst his new business partners. And that was not the kind of attention your father needed, or deserved.
The sound of a car engine draws near and moments later you hear the front door open.
You turn towards it and Mikasa appears in the doorway, layered in all black, much like you and Sasha.
âThe carâs ready,â she informs you. âThe rest of your team has already left and will meet us there. Theyâve been instructed to wait until you give the signal.â
You lead Sasha and Mikasa to the front door. Opening it, you find your car and another modestly luxurious car parked outside in front of the house. Connie sits in the driverâs seat of the car behind yours while Jean leans against the side of your car with a cigarette pressed to his lips, patiently waiting for you.
It had been decided that Jean and Mikasa would accompany you in your car, while Sasha and Connie would take the spare.
You begin to climb down the stairs of the front porch when you catch sight of two running figures a small distance away.
âEren, wait!â you hear one of them call out.
You quickly recognize them as Historia and Eren, but the way theyâre racing towards you has your cadre on alert. Mikasa immediately steps in front of you protectively, not allowing you to take another step further, while Jean stands ready for them at the bottom of the stairs by your car.
Both Historia and Eren look completely disheveled and appear to be returning from the office despite their work attire reflecting their current indecorous state. There is no mistaking Historia is chasing after Eren, trying desperately to catch up to him and get him to stop. But Eren has a great lead over her and covering a lot of ground, fast. He makes it to you in no time, but Jean is there waiting for him and intercepts him before he can make it up the stairs. You inwardly wince as Eren collides into him.
âNo!â Eren protests, struggling in Jeanâs hold. âAnya!â The horror in his face takes you by surprise as he looks up to you with pleading eyes. âYou canât do this! Please! Call it off!
âOi!â Jean hisses at him angrily as he struggles to hold Eren in place. âCalm down!â
âHe has a family!â Eren cries out to you. âThe reporter, Marlo ââ
Your cadre all tense around you at his mention of the journalist, eyeing you for your reaction, but your face remains void of emotion.
ââ I spoke with him when he came asking for your father a few days ago. Heâs a good man!â
Historia finally reaches you and collapses on her knees before you. âForgive me, Anya,â she says in between breaths, head bowed in shame. âHe must have overheard my conversation with Jean earlier today. I should have been more careful, but he must have connected the dots on his own. I tried to stop him the second he figured out about tonight, but heâs faster than I anticipated.â
You tsk, and shift your eyes to Eren, annoyed. Why was this boy proving so damn uncontrollable? He was supposed to remain ignorant and far, far away from all this bloody business of yours, dammit. Why was he trying to meddle his way into this life of crime when his chances of surviving it were nonexistent?
âI donât have time for this right now.â You sidestep Mikasa and resume your way down the stairs to your car. âIâll deal with you both later,â you say as you walk past Historia and Eren.
âNo! Anya!â Eren grits his teeth as he struggles against Jeanâs grip. âHis daughter,â he pleads to you desperately. âSheâs sick. She needs him!â
You pause mid-step. Rather surprised and mildly impressed by how he got that piece of information out of the journalist by simply striking up a conversation with him when Sasha had to follow him all day, and from afar, to collect that same intel.
Your face, however, remains blank, distant, as you resume and open the back door of your car. âThen he should have thought of her before dipping his toes in business that does not concern him.â
Before you step inside, you glance at Historia over your shoulder with evaluating eyes. Levi was out of town with Isabel and Furlan so you couldnât rely on them to keep an eye on Eren for you while you and your cadre were away.
âCan I trust you to keep him in check,â you ask Historia none too kindly, âor is he going to run off on you again?â
Historia registers youâre talking to her and she stands at attention. âIt wonât happen again,â she assures you firmly. âYou can trust me.â
You give Jean a subtle nod before stepping in the car and directing your next order to Historia, gesturing to Eren. âGet him out of here. Heâs causing a bloody scene.â
You shut the door and seconds later hear Jean knock the air out of Eren. You donât need to look out your window to know Eren is on the ground, doubled over in pain.
You rest your head against your seat and close your eyes, impatiently waiting for Jean to get in to start the car so you could leave this moment behind. The look of horror and desperation on Erenâs face at your callousness is seared across your mind and you canât shake it off. It was far too similar to the way you had once looked upon your tormentors from that day. When theyâd rid you of your innocence and filled your heart, your soul, with so much darkness, the girl you were before was left buried ten feet underground.
Perhaps this is why you canât bare having Eren anywhere near you. Because you knew that for as long as he remained within close proximity of you, you were chipping away at his innocence the way they had done away with yours.
It makes you hate yourself just a little bit more, knowing you were turning into the same monsters youâd vowed to destroy.
But then you think of what your father once told you, and your inner demons still once more. âThere are two kinds of people in this world,â your father had said. âThose who live on the side of the world who have never been touched by darkness, and those who were raised in darkness.â
And you, Anya Ymir, belonged to the darkness, residing alongside the monsters and devils that reigned within it until youâd learned to make it feel like home.
As a child these creatures had threatened to devour you, sensing the softness still nestled within you. But now they recognized you as one of their own â a monster in human form. If you had any chance at retribution, your wretched soul could not waver. Could not forget: your motherâs killers had been monsters too.
A slam of a door closing snaps your eyes open. Jean has finally made his way inside your car and jabs the keys into the ignition, turning it on. Behind you, Connieâs vehicle also roars to life. Connie and Sasha leave first and Jean follows behind them seconds later, leaving Historia behind with Eren still bent over on the floor at her feet.
You draw out the revolver from your holster and pop the barrel open. Taking out the bullet with Marloâs name from your coat, you exchange it for one of your regular bullets.
It takes a monster to destroy a monster, you remind yourself, locking the barrel back in place with a hard click. And you intend to be the deadliest.
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PENDULUM ⌠. ăâş ii.
THE WORLD WE KNEW (FRANK SINATRA)
"Every road we took turned to gold, But the dream was too much for you to hold." wc: 7.1k
JOJO'S BIZARRE ADVENTURE MASTERLIST
PENDULUM MASTERLIST
MASTERLIST ăťăăťNAVIGATION
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Stephen Steel is a brave man.Â
âMr Steel, the conference is ready for you.â
It was a proclamation that littered both gazettes and newspapers alike: a subtle dig at his penchant for big ideas. Brave. No, those journalists were wrong. Stephen was stubborn, and a coward; his daughter was the brave one. Though, unlike those twittering fools, he didnât mean bravery to be an insult. Rather, he admired Lucyâs fresh perspective in an industry where cowardice was the standard.Â
When she had first proposed the idea of a cross country race across America, he could already feel the printed ink on grey paper. Scathing remarks adorning comments about his character â maybe he was already growing senile â perhaps a dig at his adopted daughter, just for good measure. It was practically a given that the economist broadsheets would flock to scoff at what was undoubtedly a pipe dream. Foolhardy , theyâd write, one canât possibly hope to attain profit from this witless scheme â truly, Steel has grown rusty.Â
What those money-hungry sharks always failed to recognise was that Stephen didnât do this for money. Something that never clicked for them was the beauty of watching an idea bloom into life. If it put that sparkle into Lucyâs eyes, who was he to deny her wishes? She wasnât a fool; this idea was bold. The worldâs eyes would be on this stage, and it was all his daughterâs doing. What idiot wouldnât be proud of her? It was about the point.Â
The age of the horse is not over.Â
Amidst all the growing interest surrounding automobiles, there was a fervent desperation to catapult into the future. He could see it â had seen it â time and time again. What inventions could technology bring about ? What heights can humanity hope to reach ? It wasnât a bad thing; innovation was the crux of mankind. In a rapidly industrialising world, though, he felt old .Â
Time slipped past his fingers like minuscule grains of sand.Â
He wasnât one to dwell in the past; wallowing about with the dregs of tradition was left to the other members of his generation. This country had forced unbearable apparitions to plague his thoughts, to torment his dreams and reality alike. No, he really wasnât one to stay in the past.Â
If it wasnât innovation that unsettled him, what was it?
As industrialisation and capital sunk their grimy claws into humankind, community was shredded apart. Was there any to begin with ? Stephen hadnât known community , but he could see the individualism piercing through man with every step they took to the future. This country was plagued with it.Â
No, he wasnât a patriot.Â
He had watched people he knew from youth turn into reverent acolytes to the dirty ideal of business . He knew business intimately: watching talk of capital and money seep out his old friends like the most ardent of prayers. They had no compassion â no empathy â for others, save themselves. It settled over his skin like a layer of grease â infinitely hard to scrub off. Neighbour forsake neighbour .Â
Lucy, never fall prey to this beast .Â
This race across the continent could bring people together. All walks of life â rooting for a champion to cross the finish line. Hope . Humans and their equine companions . Could this remind people of the threads of fate intertwining them to each other? Maybe. He was almost too afraid to think it into the existence of his mind.Â
He wasnât a patriot, yet America was all heâd known. Something would change with this race, wouldnât it? The feat of crossing the continent of horseback had the potential to unite . All across the world, eyes would be trained on the glory of the victor racing against all odds â with a tool, a companion , that the wealthy viewed as primitive .Â
No, the age of the horse was not over.Â
It couldnât be.
âMr Steel, those reporters and sponsors might be growing a tad impatient.â
He was shaken out of his thoughts by his butlerâs insistent voice. Instinctively, he sat up ramrod-straight in the armchair at the exasperated tone â a habit he could never quash, even decades after leaving the army.Â
âDo you want me to inform Miss Steel to join you?âÂ
âNo, that wonât be necessary,â Stephen stood up with a bone-deep weariness that betrayed his age. His hands shook minutely as he adjusted the green collar slung over his shoulders. âI donât want my daughter to be present should things get heated.â
Stephen Steel is a cowardly man , he mused. The furthest thing from brave .Â
. ăâş âŚ
San Diego beach was awfully quiet. It had been late in the afternoon when you finally meandered your way to the coast, after walking in circles and getting fooled by the street signs (not one, but thrice ). Finally, a local had taken pity on your pathetically despondent face and kindly pointed you in the right direction.
By now, the sun was hanging low in the sky, and a pleasant chill eased over you; instead of being sticky and overheated, you were now sticky and covered in cold sweat. This sucks , you thought as you dug your shoes into the sand by your drooping backpack.There was no sensation you loathed more than the itch of clothes plastered to your skin (save for maybe the feeling of nothing ).Â
Almost unconsciously, your eyes roved over the shoreline: not a soul was present, not even a stray seagull circling the sky above. Wind hissed in your ears, and the insistent lapping of waves against sand was the accompanying melody. It was empty , yet the floating head still hadnât appeared into your field of view. Â
Whatever , you scowled. You suck anyway . Instead of worrying about where that Annoying Prick had disappeared off to, you turned your attention to the discarded newspaper nearby. With any luck, it would give you information on the Steel Ball Run that your friend had so graciously withheld.Â
The Daily Bee , you read. Issue 257. Your hands grasped your personal gold mine; by some miracle, it hadnât gotten soaked by the spray of water nearby (though it was severely rumpled, as if someone had tossed it in a fit of rage).Â
â Ridiculous race across America announced ?â you mouthed along, practically choking with how greedily your eyes scanned the letters. Bingo . The ink was slightly smudged â like it had been veritably ripped from the printing press â but that didnât matter. You had a paper treasure trove in your clutches.Â
â The infamous promoter, Stephen Steel, declared yesterday his plans to establish a cross-country race on horseback. Spanning lengthways over America, it has been dubbed the âSteel Ball Runâ. Already, it faces criticism from rival promoters and citizens alike â I can imagine,â you paused to swat away a fly that was getting too close for comfort, before continuing your fascinating perusal. â However, Steel insists that America needs this reminder of âpioneering spiritâ. Certainly, it has never been done before in the history of mankind. Will he- turn to page six to read more .â
You set the newspaper on your lap as you thumbed your temple. Of course theyâd put the concrete information later in the goddamn issue. Irritably, you turned the pages until you reached it.Â
â -manage to appease the opposition? The grand cost of the race is in the hundreds of millions, with the prize money for the champion being fifty million dollars ,â your eyes almost bugged out of your head. Fifty million.. Already, you could hear a stampede of entrants flocking to prove their worth. â Entrance fee is $1200. The start date is 10 AM, September 25th 1890, on the beach of San Diego. Second place- alright, thatâs plenty.â
Neatly, you folded the newspaper in two and set it down. There was a lot to mull over. San Diego beach . That was here, right? Your gaze traced over to where the sand winked out on the horizon â it was hard to picture the coast being filled with horses when it was presently so barren.Â
Entrance fee . Any cash you had was still in your truck, you realised mournfully. Although, you doubted youâd get very far with modern money. Sure, you could probably pawn off some of the equipment in your pack, but youâd still be short by a couple hundred bucks. A job . With a pang of loss, you thought back to your internship with Dr Ferdinand. And with a pang of annoyance, you thought about the absence of your floating buddy.Â
Where the hell was it?
Exhaustedly, you tipped your head back and leant on your palms in the warm sand. The steady beat of your tattoo resounded in your left arm and lulled you into a lazy stupor; youâd never wished for the comfort of your bed this hard in your life. Â
When you really focused, you could feel the familiar surge of energy tugging and twisting at your innards. And it was annoying : much like the uncomfortable feeling of indigestion, or the sound of that irritating head. Wait . You furrowed your brow, and shut your eyes determinedly.Â
Like it or not, you could feel the cords twined around you â and they tied you to that head. Each of your limbs, your very soul was inexorably bonded to that thing : marionette and puppet master.Â
( Who is the puppet ?)
Something instinctive twisted within your gut; just as naturally as breathing, you let the sensation ebb and flow over you. Your left palm grew colder: a testament that you were doing something right. Inhale . Salt burned your tongue. Exhale . The air pressure grew heavier. You could feel the presence manifesting before you â like something was unfurling against your sternum.Â
Your eyes flew open.Â
There, bobbing through the air before you once again, was that Hideous Apparition. Automatically, your face settled into a healthy scowl.Â
âHi again,â it wheedled. If that ugly mug had eyelashes, you were sure theyâd be fluttering in some attempt to gain favour with you. âLong time no see-â
âNice try,â you interrupted. You were really, really irritated now. âGreat job, disappearing like that after I just got dropped in the middle of nowhere. Super convenient. Itâs really making me want to help you.â
â You were the one who hid me away,â it replied petulantly. Your eye twitched. âBut then you summoned me again just now!â
âSo now youâre blaming me?â you snapped. â Thank you for explaining your weird shit before you tossed me into that wormhole.â
âNo, no, I didnât mean it like that,â it cajoled. You decidedly missed the period of time where the inflection of its voice was flat and impersonal; this mockery of an apologetic tone simply added insult to injury. âI can explain right now, I promise! Iâll even tell you my name to make me easier to summon.âÂ
â Great ,â you hoped every syllable absolutely dripped scathingly. A small, traitorous â scientific , you insisted â part of you was trembling with earnest curiosity. You were finally getting answers. And you had the ability to summon this thing: suggesting a modicum of control over it. Your fingers twitched with excitement. Obviously, youâd experiment (and maybe, maybe youâd be able to use that Question of Time ability to return home).Â
âIâm you,â it began, before promptly staring at you to really punt the message inwards. You grimaced, but didnât open your mouth to refute it. âOr more accurately, the manifestation of your fighting spirit.â
âWhat fighting spirit? Iâm a lab intern !â you wailed despairingly. Not only were you somehow related to that ghastly thing, but now you were expected to fight on top of that?Â
âLook, I know this isnât the most ideal situation,â it tried to pacify you, but that irritating attempt at a soothing voice from a floating head was only repulsive. âBut the Devilâs Palm chose you for this.â
âQuestion of Time: take me back,â you clasped your hands together in fervent prayer. You could feel the headâs exasperation buzz across your neurons. The familiar pull of the wormhole didnât appear. Even the tattoo didnât hum with extra vitality.Â
âThatâs just not gonna work,â it sighed. âThis is the destination, and your objective is here.â
âIf I prevent the President from taking the corpse â is it an actual corpse â will I be able to go home?â
âIâd think so,â it replied thoughtfully, spinning in the air as if it were cycling back through its thoughts. âLike, Iâm new to this, but that sounds like it would work. And yes, it is an actual corpse.â
âRight,â your shoulders drooped. Neither morbid curiosity nor hope stirred any interest within you; exhaustion had long since taken command of your body. âAnd I have to enter the race? Canât I just track the President down outside the race?â
âNo can do,â those clock eyes distorted slightly in a sympathetic squeeze. âThe race is your best bet to get closer without suspicion, as well as finding the corpse before he does.â
âBut I have to buy a whole horse , and pay the entrance fee, and get equipment and provisions,â you mumbled, covering your face with your hands. Against your cheek, the tattoo pulsed with something akin to a comforting hum. âPlus survive here for a good two months. A horse !â
âWeâll find you a job,â it came out slightly muffled due to your hunched shoulders pressed against your ears, but you appreciated the assurance nonetheless. Silence settled briefly, before you peeked through your fingers; the head was quietly watching you with an expression that seemed to be a cousin to concern.Â
âWho are you?âÂ
The question escaped out of your lips before it had a chance to become a fully-fledged thought. Curiosity had begun to flare up against the dampening fatigue that soaked through every cell in your body.Â
Despite the haze of the unknown clouding your conscious mind, that impossible familiarity kept tugging your gut. You knew what that head was: somewhere in the deepest recesses of instinct . Even now, your mouth formed something that mightâve been a name â yet it was impossible to know. Your tongue felt leaden, as if you were just learning how to speak.Â
âMy name is Depeche Mode.âÂ
And it was true ; just as soundly as you knew the earth beneath your feet, you knew that name. Depeche Mode , you called out, and something answered within your very soul.
[ Iâm here. ]
âIâm a fragment of you,â Depeche Mode continued, as if it hadnât just resonated with your internal monologue. âIâm a tool , that you yourself created.â
A rather faulty tool of you .Â
[Shut up.]
âSo what can you do?â you settled your chin on your forearms and leaned forwards. âOther than, yâknow, kidnapping hapless interns for weird schemes?â
âTechnically, you kidnapped yourself by foolishly wandering into the Devilâs Palm and awakening me, and by extension, you ,â it retorted snippily. âLetâs not point fingers here.â
You closed your mouth.Â
âLook at your palm â right hand, right hand , idiot.â
Not wanting to get head-butted by an irate Depeche Mode, you twisted your palm round. Nothing. You flipped it over â still nothing.Â
âHey,â you looked up. âThereâs no-â
Then, you felt it. That familiar prickling sensation, that familiar heat was beginning to emerge from your very bones â and right into the meat of your palm. Straight lines plastered themselves under your watchful gaze; those bold lines (interrupted only by the decorative friezes embellishing them) were so unlike the fragile lines of the other tattoo that you were quite taken aback.Â
âOkay, a rectangle with decoration, cool,â you uttered, deadpan. Although, you had to admit, the swirling patterns crawling up your wrists were pretty decent for something that wasnât your choice. âYou secretly a tattoo artist or something?â
âItâs not a rectangle,â it scowled. You could feel its simmering vexation threatening to spill over. âItâs a slot machine.âÂ
âThatâs even more bizarre!â you threw up your hands in exasperation. There really was no winning, but the glower you received prompted you to cease any further remarks.Â
âWith two numbers,â it challenged, practically daring you to say something.Â
Thatâs stupid as hell , you thought. Two numbers ?
â And a five minute cooldown after itâs used,â it replied icily. You swallowed nervously. âThe pocket watch on your left palm will show the time remaining.â
Sounds great !
âThink of it starting up,â it instructed. You peered intently at your palm: feeling those blocky lines brand themselves in your mindâs eye. This was not intuitive. Depeche Mode was practically breathing down your neck with how intensely it scrutinised you.Â
âLook away,â you snapped after a minute of no luck. That empty stare was making you nervous , or at the very least, irritable .Â
âRelax your muscles, and imagine pushing the button to that slot machine,â you could feel it twirl away from view, and you heaved a sigh of relief. â Feel the spin of it.â
â Feel the spin ,â you muttered. Of course that thing had added a silly little riddle as a garnish to its advice. Focus . You inhaled, then shakily visualised a big, red button. Shiny, stereotypical - the one that screamed âdonât press this doomsday button or elseâ.Â
You slammed down on it.Â
Immediately, something clicked . Your heart skipped a beat. Beneath your widened gaze, numbers and symbols were spinning within that rectangle splayed out on your palm. If you really focused, you could even hear phantom whirring and chiming, as if you had wandered into some haunted casino. Â
Just as suddenly as it began, the spin came to a grinding halt. There, framed by that embellished rectangle, was the number 1: proudly emblazoned and complete with a decorative syringe sketched inside the ink.Â
A syringe , you pondered. What could that possibly -
[Activating: Personal Jesus. Countdown has begun.]
âWhat the-â your incredulity was cut off with even more incredulity as Depeche Mode poofed into existence before you. Something was different .Â
Your eyes roamed over the brand new floating hands that accompanied that dismembered head. And in its grasp, in its grasp , was a cartoonishly over-sized syringe. Depeche Mode was currently tapping it against its palm menacingly like a goddamn baseball bat . You eyed it nervously.Â
âYouâre not going to bludgeon my brains out, right?â you queried with an uneasy smile. â Right ?â
âOf course not!â that cheery, yet somehow still monotone, denial had you break into a light â light â sweat. âYou got injured, didnât you?â
Those lacquered lips had yet to open. Why, why the hell did your soul have to form this horror movie extra?Â
âYeah, uhh,â your eyes darted to your arms to check out the shallow scrapes that appeared after each time you got shit out of that wormhole thing. Did you want to be honest? Did you really trust that thing?
âRelax,â that smug tone was not helping its case. âPersonal Jesus can quickly heal you!â
Before you could even react, Depeche Mode grasped the plunger with those two hands, raised it, and struck you with that huge needle. You let out a rather embarrassing yelp, but it passed through you . It felt warm , like you were swimming through some amniotic fluid. Against your will, you felt your shoulders relax. Beneath your disbelieving eyes, those cuts and scrapes were rapidly clotting and vanishing . Even your sore shoulder had eased up.
âAs you can see, Personal Jesus rejects injury someone has taken â unless the body has already accepted it as the natural state ,â Depeche Mode rattled off robotically, as if it hadnât almost given you heart palpitations.Â
âLike a scar, or something like that?â you rasped. Your mind was still hazed from the shock and abrupt warmth.Â
âPrecisely. If the body is already rejecting it, this ability helps it out, and if itâs already deemed âhealedâ by the body, you canât do shit about it. Like if itâs a fresh amputation, you could reattach the leg, but if not⌠well,â it waved the syringe nonchalantly, and you fought the urge to flinch. âAny other questions?â
You squinted, and something finally seemed to register in your brain. Perched precariously on that shiny, bald head was a⌠nurse hat? No, surely your own ability wouldnât wear something as tasteless as a goddamn Halloween costume .Â
You wouldnât ask. You wouldnât . Not when the two of you were getting on so swimmingly .Â
â Uhh ,â you began intelligently, desperately fighting the urge to poke fun. âWhen the five minute cooldown is up, does that ridiculous get-up disappear?â
Way to go .
âWatch it,â it threatened, though there was barely any malice in its voice anymore. âBut no, not unless you want it to go. But youâre stuck with this form for those five minutes. Unless, of course, you want to make me disappear â but that cooldown will remain.âÂ
Looking down at your left palm, you noticed that the analogue watch face had been replaced with a digital timer. The countdown , you figured.Â
âYouâll be able to feel it when the countdown reaches zero,â Depeche Mode added helpfully.Â
âWhy is there a countdown and this half-chance thing in the first place?âÂ
It wasnât like your question was particularly astounding or radical , but Depeche Mode was silent nonetheless. Unlike the comfortable lull in conversation that happened naturally, this quiet was plagued with an unsettling hesitance.Â
âWell,â it began, though there was a note of something youâd never heard in its voice before. Wariness . An abject caution that, while not deeply discomfiting, disturbed you nonetheless. âQuid pro quo, this for that â you sacrifice something, you end up stronger for it. Itâs a limitation that allows you to transcend other limits.âÂ
While it made sense, the quick explanation nagged at you. There was more to it that Depeche Mode was leaving out. You knew it, and you knew it knew that. It couldnât conceal it any more than you could conceal your thoughts. It was you , but you were lying to yourself . Implausible, ludicrous, but true . It left a bitter taste in your mouth, but you couldnât bring yourself to push the issue further.Â
Itâs a warning .Â
You dropped it. In your ears, you could hear the pleasant chime of the countdown finishing, and you turned away. Turned away from your ability, turned away from the water, and turned away from acknowledging the persisting unease that wrenched at your gut.Â
Quid pro quo .Â
What would you get for sacrificing your life?
âRight,â your voice rang out. Fragile. Shaky. You pressed your lips together briefly. âWhatâs the other form youâve got?â
âWe donât have time for that, unfortunately,â it replied apologetically, but you felt the double blow of dejection nonetheless. You fought back the water clouding your vision and looked at the fabric of your fatigues twisting under your clenched fists. Depeche Mode was right ; it was already evening and you hadnât even found shelter yet, let alone a meal to sate your hollow stomach. Still, your heart smarted with a dull ache that just wouldnât go away.Â
âRight,â your agreement was barely there. In fact, it was a mere jape at affirmation: a petulant, childish plea went unspoken beneath the cover of the syllable. I donât want to . If you could, youâd rest in the sand forever and let the sun bleach your bones to dust. If you could, youâd let the sea wash you away, and maybe youâd wake up in a better place.Â
If you could, you wouldâve never been born in the first place.Â
. ăâş âŚ
Twilight was currently coaxing the sky to shed its orange coat for a purple one. Those melancholy paint strokes of prussian blue streaking the sky only added to the pensiveness in your own heart. Even the cicadas, with their mournful â painfully familiar â song, were quieter than usual.Â
You fought the urge to cry.Â
Not here , not when there were the lively sounds of bustling humanity behind those saloon doors, and in the warm light bathing the porch: laughter, the clink of glasses, and incessant chatter that grasped at your heart and refused to let go. People , but not from life as you knew it. People , whose general history you ascertained and whose future you had the potential to change with your actions. People , who were just as alien to you as you were to them.
Your backpack was significantly lighter, but your leaden heart more than made up for the difference in weight.Â
Minutes prior, youâd quietly and grimly sold off a good chunk of the equipment to the pawnshop located in the seedy side-street across from this inn. They were impersonal relics, yet they were remnants from your time; the painful feeling of childish possessiveness had wracked you, and your hands were shaky as you set the items down.Â
$470 . That was the final numerical value assigned to the shattered fragments of your past. Your future . Dr Ferdinandâs old mirror light microscope ( that good old-fashioned thing , sheâd called it) â gone. Diyaâs favourite soil pH-meter ( the only one that didnât act up constantly , sheâd quipped) â sold . Even your old hand-lens, gifted to you by an old teacher â given away for money by your own grimy hands.Â
Youâd taken the coins and bills in that clipped, resigned manner that was slowly becoming more and more familiar.Â
Survival , some rational part of you had begged yourself to accept. Itâs just survival . Yet the irrational feelings grasping your heart with gnarled fingers begged to differ. Traitor , they whispered. You didnât really care about Dr Ferdinand or Diya . Theyâd never do this .Â
All you were left with were some binoculars and those cursed plastic containers of sand. You felt utterly defeated, yet you couldnât bring yourself to throw them away. Sure, that search for samples had started all this, but those were still from home .Â
You wanted to cry. Here, standing in the very outskirts of people , youâd never felt more isolated.Â
[You can do it.]
It was quiet â hell, barely even there â but you could hear the tremors of Depeche Modeâs encouragement vibrating through your sternum.Â
Yeah .Â
If Depeche Modeâs thought was quiet, yours was crossing the line into silence.
Steeling yourself, you shouldered your too-light backpack and pushed open the saloon doors. The toasty air that wrapped around you only served to further magnify the exhaustion and all-consuming hunger you were feeling. You fought the urge to sink onto the polished timber of the floor and sleep .Â
Only a few eyes turned your way when you stumbled in, though they were probably more preoccupied with the draught of cold air that was let in rather than you. Probably. Hopefully. Trying not to draw any more attention to yourself, you slunk into a booth in the back and hunched into the soft seat.Â
Tiredly, you contemplated pressing your cheek to the honey-grained wood table in front of you. A short nap would be good, and everything would work itself out, right? Unfortunately, at that moment, your stomach gurgled in misery; once again, you were reminded of how your last meal had been around eight hours ago. Â
âHiya,â a voice chirped to your right, and you looked up to see a fleshy blob with a toothy grin beaming right at you. You blinked, and that fleshy blob in front of you emerged into a sunburned, freckled kid of around ten with dark brown pigtails. âIâm Dolly. Is there anything youâd like to eat or drink?â
âUhh, sure,â you responded, wracking your brain for a suitable answer as to not screw yourself over at the first encounter with a person from the past. Stew . Stew was good, right? âStew?â
âNo, Iâm Dolly,â her grin didnât disappear, but rather grew even more smug. Your brows lowered in exhaustion and mild exasperation. âJust kidding! Uncle Vinnie made a fresh batch yesterday, and itâs got a bunch of potatoes and venison inside. Whiskey or ale?â
You fought back the urge to frown at the choices presented to you, but then you remembered that you were in pre-prohibition America, and the only water available was likely contaminated with bacteria youâd rather stay ignorant of. The taste of alcohol wasnât particularly pleasant, but you didnât have the time nor the energy to attempt making potable water. âIs there any mead?â
âSure is!â she responded enthusiastically. âWeâve got strawberry, pear, and even some blackberry .â
Her voice dropped conspiratorially as she rattled off the other beverages available, including some European vintages for the posh visitors , as she put it.Â
âIâll take a cup of strawberry mead, and a bowl of stew,â you quenched a yawn valiantly as you responded. You barely registered handing her three dollars and her skipping off to the counter on the other side of the room. Propping your head up on your forearm, you watched as a tall, gruff old man ladled a bowl of soup and cup of mead up. Perhaps that was the famed Uncle Vinnie youâd heard so much about.Â
[You should try ask him for a job.]
Maybe , you considered, noting the lack of other servers besides Dolly. The other patrons werenât exactly the most amicable chums youâd ever seen, but they looked to be regulars â judging by the familiarity with which they talked to the man behind the counter. Looking around, you spotted the faded newspaper hanging beside you in a simple wooden frame.Â
Within its yellowed pages, you could make out the letters of The Daily Bee , with what appeared to be a photo of the younger version of the man behind the counter, standing beside the building. The owner, maybe , you mused, before skimming over the article written below.Â
Vincent Cosgrove, pictured above, recently opened his restaurant and inn, Jamieâs House on May 14th, 1881. Named after his late brother -Â
You were interrupted by the sound of something knocking against wood, and you turned to see Dolly carefully setting your food and drink down â brows scrunched with concentration and tongue sticking out as she made sure not to spill it. âYour meal!âÂ
âThanks, kid,â you nodded your head in a polite bow, but she didnât turn around and leave like you thought she would. Rather, she waited expectantly for something.Â
âYou gotta try the stew,â she explained earnestly, pointing to her uncle. âSo I can tell Uncle if you like it!â
âRight,â you picked up your spoon hesitantly and scooped a chunk of potato into your mouth. It wasnât particularly amazing or revolutionary, but the rich sauce and tuber were filling , so much so that you could feel your stomach gurgle in some delight. âIth gooth.â
âReally? Iâll tell him you liked it,â she chattered, then promptly scampered off to the counter once again.Â
It wasnât much, but the cosy atmosphere â coupled with the warm food â were lulling you into a murky stupor. Dutifully, you chewed the savoury game meat; paired with the garlic and caramelised onions present in the sauce, it practically tasted like life itself. You tore off a chunk of the bread roll gratis, and shovelled it into your mouth right after. No, you really werenât one for manners right now, not with a ravenous stomach and the pragmatic need for sleep.Â
Raising the tankard to your lips, you eyed the cloudy, dull pink liquid inside. Cautiously, you inhaled; the vinous aroma mingled with the fruity notes, and you could almost taste the heavy scent of honey already. You took a hesitant sip. It was smooth , and it washed over your tongue with an ease that you hadnât expected. Sure, the strawberries were a lot more syrup-like and it was different , but it was something . You swilled down the drink, leaving only a swallow for after your meal.Â
Lazily, you used the last of your bread to mop up the remaining gravy and onions; the wooden bowl of stew had been finished remarkably fast, even for your standards of quick eating. As you thoughtfully chewed at the roll slathered in fragrant onions, you turned to watch your potential employer.Â
He was gaunt, you observed: lined with decades upon decades of life. Harsh steel-grey formed thick waves atop his head and thin eyebrows, which seemed to be permanently stuck in a deep scowl. Despite the staunchly unapproachable appearance, the comments he yelled at patrons had them roaring with guffaws that practically shook the entire inn. For a brief moment, that furrowed expression unfolded into a minuscule smile. Just a small one, but a smile nonetheless.Â
You felt a brief glimmer of hope.Â
With your spoon carefully placed in your bowl, and the now-empty tankard grasped in your hand, you stood up and slung your pack over your shoulder. No time like the present . You swallowed dryly, feeling several eyes swivel your way at the scrape of your chair.Â
It was wildly disconcerting.Â
Although, you did look out of place, with those cargoes and a T-shirt that looked like it had been dug up along with the fossils. In the recesses of your mind, you could feel Depeche Mode snicker at your astute observation. Shut it , you grumbled, youâve got no room to poke fun at my clothes .Â
Still, it was only with relief and a hint of trepidation that you finally set your empty bowl and tankard down on the honey coloured wood of the counter. Those cherry-red barstools dotting the perimeter secluded this area with a seemingly invisible barrier that you had nothing but appreciation for.Â
Here, the lights were brighter; several wall sconces flaunted their amber luminescence behind carefully decorated glass. The glow flooding your eyes felt more accusatory than welcoming. Judgement day . You took a deep breath. The aroma of tobacco faintly curled through the air.
âCan I help you, kid?âÂ
You started as the booming voice of the owner sounded in front of you; it took an embarrassingly long time for you to realise you were still gripping onto the tankard and bowl with all the life within you. Sheepishly, you pried your fingers away.Â
âMr Cosgrove, sir?â you began. It was with hesitance that you met his heavy gaze, but he paused in picking up your empty dishes regardless. Now or never .Â
âAinât no one who calls me that unless they need something or theyâre cityfolk,â he eyed you wearily, and you felt your resolve crumble much too rapidly.Â
[ Do it, coward .]
You gritted your teeth and steeled yourself. Get straight to the point . If youâd learnt anything from your observations and years of life, it was to match your wavelength to somebody elseâs. And in this case, it was some gruff old man who appreciated bluntness. Iâd like to be hired , you attempted in your head. Was that too direct? Would he see that as city entitlement? A minuscule furrow appeared in your brow.Â
âAre you hiring?â
Perfect. It was polite, but showed the heart of the matter. His brows rose slightly in surprise. You watched with bated breath as he looked you up and down: taking in the fatigues, the modern hiking sort of backpack, and lingering on the tattoos that extended up your forearms.Â
âYou ainât a convict or outlaw or anything?â he looked at you dead in the eye as he asked â it was clear he was trying to gauge whether you were lying or not. Still, it was a pretty pointless question to ask â a hardened criminal wouldnât tell the truth either.Â
âNo, sir,â you replied evenly. âJust not from around these parts.â
âYou literate, kid?âÂ
âYes, sir,â a spark of hope flared within. You could see the cogs turning in his head - in his eyes, your standing had just increased. Hell yeah .Â
âWell,â he started appraisingly, and you could feel in your bones the glory of a small victory. âWeâll be closing in about a half-hour, so sit tight âtill then.â
âThank you, sir,â you fought the urge to break out into a grin. He waved it off dismissively.
âNone of that pandering,â he shook his head in good-natured disappointment. âCall me Vincent.â
[ Youâre in. ]
. ăâş âŚ
What was with these offices looking like they had been last used in the Jurassic era?Â
Sure, it wasnât like you were expecting something pristine for a backwater town like this, but the dust swimming about in the glow of the oil lamps was only rivalled by that in Dr Ferdinandâs office. Everywhere you looked there was paper: piles overflowing from the floor-to-ceiling walnut cabinets, thick stacks lounging on the desk to your right, and perhaps most interestingly, mounds of childish pencil drawings on the coffee table in front of you. You scrutinised them while you waited for Vincent to clear the seat opposite from any remaining debris â maybe they were that kidâs rough attempts?
âSorry about the mess,â he confessed abruptly, looking around as if he were taking in the jungle of white upon cream sheaths of card littering the space for the first time. âI go here once a week to check the accounts - the rest of the time itâs a storeroom for all these contracts and invoices.â
âNo worries,â you thumbed at the clock tattoo idly while he sat down in the leather armchair opposite your couch. 21:48 . It wasnât particularly late by your standards, but you stifled a yawn nonetheless.Â
âAs it stands, Iâve a vacancy after our last bartender left for our competitor,â he scowled. His hands knitted together, and he leaned forward. âDamn city branches come here for the thrill of the Steel Ball Run, setting up shop for twittering tourists. Leeches, the lot of them.â
âRight,â your mouth was dry. Vincent picked up on your hesitance and shifted in his seat.Â
âWell? Spit it out, kid,â the lines by his eyes deepened as he frowned at you. âWhat sorta job are you looking for?â
âA temporary one, but I can fill in the position of bartender,â you blurted out. Two months. You had two months to scrounge up whatever cash you could. Your blood ran cold as he looked at you appraisingly â had you screwed up by telling the truth?
[With your small coffee shop experience? Really?]
Shut it , you replied. Doubt the bartending hereâs more complicated .Â
âAt least youâre honest,â he responded. Maybe all hope wasnât lost? âHow temporary are we talking?âÂ
âAround two months,â you admitted. If he found out you were only taking the job to make up the cash for the race, would he turn you away? Your mouth was dry. After all youâd trudged through today, after this murky amalgamation of problems building and building onto your weary shoulders, would you be forced into turning away from these goalposts?
âAh.â
His answer was flat. Impersonal. What the hell did that syllable conceal? Even his face, usually set into a stone mask of disapproval, was impassive . It was impossible to read what he was thinking at that moment. You braced yourself for failure.Â
âWell,â he reached over to grab a clean sheet of paper from the table, but frowned when there were only the scribbles of a child on the top layer. Sighing, he grabbed a random sheet and flipped it over. Within a few seconds, he had jotted down several bullet points with one of the crayons lying around. âThat gives me some time to find a replacement for you anyway.â
[ Way to go .]
âBesides,â he continued. His eyes met yours in a knowing gaze â too knowingly. âYouâve got a race to enter, donât you?â
âHowâd you know?â you spluttered incredulously. Was he secretly a mind reader?
âPlease,â Vincent snorted derisively. âTwo months from now is September, and youâre not from these waters. It donât take a genius to work it out, kid. You entering for the money offered?â
Right . You were suddenly hit with the pang of loss; even in the midst of this success, your heart ached to be back home. Sure, if you were someone else, youâd enter for the sheer mountain of cash being offered. But you werenât someone else.Â
âNo, not really,â your voice was hesitant. Puny. âItâs my only chance of getting home.âÂ
Without preamble, he reached over and clapped a calloused hand on your hunched shoulder. It almost knocked you into the coffee table, but the clumsy attempt at comfort was somewhat, well, comforting .Â
âIâm sure youâll get there,â he reassured in that same gruff tone. âItâs a better goal than the prize money at least.â
âThanks,â you mumbled.Â
âBunch of bigwigs entering, like Diego Brando and Mountain Tim,â he continued tactlessly. âNo way youâd bag first, in any case.â
. ăâş âŚ
At long last, you had a room. Well, it wasnât technically yours â rather, it was a spare kept for any workers. Walls, a single bed, a desk, and a wardrobe; that was good enough. It even had a window!
There, pinned on the walnut-coloured wardrobe, was the red crayon outline of your work. Works. Bartending five days a week, Sunday and Monday off work. Cleaning bar and any paperwork during mornings â rest of morning off, bartending during the late afternoon and evening. $250 weekly wage . Odd jobs for bonus . It was doable. No, actually, the mishmash of duties reminded you all too much of Dr Ferdinandâs assortment of tasks for you.Â
You sank onto the creaky bed and leant against the dark green wall. As you shifted, something dug into your hip. With trembling anticipation, you pulled your phone out of your pocket. Could you contact somebody? Was there any way to leave a mark for the future? Your shaking fingers could barely press the power button. Greedily, you could only stare at your screen, but only your reflection answered.Â
Dead .Â
With a thud, your phone was tossed into your backpack.
Inhale . Exhale . You were tired . Weariness sunk its ghostly claws into you and refused to leave. Futile. Futile, futile, futile, futile . Who were you kidding ? Youâd probably get kicked by a horse and die at the beginning. Why the hell were you chosen?
You werenât a hero.
Any composure you had was rapidly unravelling. As if the very ocean pressed above you, the torrent of todayâs misfortunes crashed against you, and there was no one else to bear the brunt of it. Your body heaved with choking sobs; there was only the piercing taste of salt to keep you grounded in reality, and barely even that.Â
Depeche Mode was silent.Â
It hurt. It hurt , and there was nothing you could do about it. The weeping trail of tears marring your face wouldnât turn back time â turn it forward , until all you could do was laugh this off as a fitful dream. Hope deteriorated. Reality was altered and rewoven around you; your understanding of what was true was fundamentally skewed on its axis. It was something straight out of a 70s sci-fi novel Dr Ferdinand pretended she didnât keep in her office: something too putridly laughable and distorted to be believable. Irony and ill-fate meshed together clumsily until they were one. Exhaustion wracked your body; it was the only feeling that forced you to curl onto your side.Â
Quietly, you slipped into a dreamless, restless slumber.
. ăâş âŚ
#johnny joestar#gyro zeppeli#diego brando#steel ball run#sbr#jjba#johnny joestar x reader#gyro zeppeli x reader#diego brando x reader#hot pants#funny valentine#slowd1ving#res ď˝Ľďž writing#jojo no kimyou na bouken
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A Self-Driving Auto Dystopia
Bad solarpunk me, but true child of the western US, I like to drive. And I donât mean to the grocery store, but to beautiful places, especially ones Iâve never been to before. What could be better than the freedom of the open road and all the wonders my car can take me to see?Â
Yet, having lived nearly half my life now in Europe, I've spent a lot of time on buses, streetcars, and subways, and know the joy of travel by train. You canât get everywhere on public transportation, butâadmittedly more ideally than in actual practice, since they tend to be running late and (especially with the trains) are so often so crammed with people, thereâs barely even anyplace left to standâyou can kick back in your seat, go sweetly to sleep, and wake up in a whole new place (hopefully one that comes before your stop, not after).Â
Add those two things togetherâall of the freedom without the hassle of having to do the driving yourselfâand you get utopian dreams of self-driving cars. We wouldnât even need to own one. In fact, owning one wouldnât even make any sense, when we could just hail one through our phone or our watch or the chip in our brain, or wherever it is that the technology has gotten us to by then. Up it would roll and in we would go, buckle up, and weâd be off in peace, quiet, comfort, and security.  The most strenuous thing weâd have to do is figure out how best to pass the time between us and our destination, especially if weâre not feeling sleepy.
Iâm no futurist, but I think I have that all pretty much right. Itâs not hard, really. It would be just like being a passenger in a car, except with a more sociable seating layout and without the stress of our best friendâs impatient husbandâs road ragey driving. Except that last week reality came crashing like a drunken dystopian moose into my sweet dreams of self-driving cars. Â
I donât know why it wasnât front page news. It barely even got mentioned by the news sites I peruse, and only on some of them at that. Never mind the autos of the future, the cars of today are already a privacy nightmare. As in, if your biggest fear of a selfâdriving car future is of the hacker who takes over and crashes the car youâre riding in, guess again. Our biggest fear should be of the car companies themselves and the future they're aiming to create for us. And the present they've already got us corralled in.
Here's the news you probably didnât catch: On September 6, 2023, the Mozilla Foundation released a study of privacy and security issues in cars. All 25 major brands of automobile that they surveyed failed to pass muster, making cars, as they point out, by far the worst case they have ever examined.  In short, your car knows everything about you that your smartphone does (because youâve let them talk to each other) about who you are, where you live, where you go, where you shop, what you buy, who you associate with, who youâre having an affair with, what music youâre listening to, what your sexuality is, and what genetic tests youâve taken. Plus, your car collects data about how you driveâhow fast, how often, how far, how aggressively, etc. The car companies feed all these data into an algorithm, crank the wheel, and out pops answers (accurate or not) about how smart you are, what abilities you have, and what interests you. The vast majority of the car companies sell their data on you to other companies and some would be happy to pass it on to the government after nothing more formal than an informal request (i.e., they see no need to require a warrant before handing over the information theyâve got on you). Meanwhile, only two of the brands surveyed (Renault and Dacia) give car owners the right to have their personal data deleted. To make matters worse, it doesnât even appear that the personal data the car companies hold about you from your car is stored securely.
That's a pretty bad present. But even before I got to the end of the Mozilla Foundationâs report, I got hit by a horribly dystopian vision of the future of self-driving cars as created by the car companies. We wonât just hail a car, get in, buckle up, and off we go in peace, harmony, comfort, ease, and privacy. Instead, the experience will be as ruined as the internet (itself also once a nonâcapitalistic utopian dream of a level playing field and the free flow of information between people). Weâll have to lock ourselves into a subscription service that, thinking it knows everything about each of us, will bombard us with personalized advertisements repeatedly throughout our journeys. Itâs like what Amazon, Google, and the company formerly known as Twitter are also trying to do... be the behemoth that makes all the money because theyâre the one stop shop weâre locked into for everything from banking to shopping to healthcare to entertainment. That subscription service to the selfâdriving cars that behave like they know everything about each of us wonât just be about what make and model of self-driving car we have access to and which driving style mode/level of passenger safety we can deploy, but which music streaming and entertainment services weâll be able to access and, in the worst case, which brickâandâmortar stores the selfâdriving car will be willing to drive us to. Prices per mile will clearly vary, not just for where we are and where we want to go and when we want to get there, but also for which route we take (shorter and fast will definitely cost a premium), and for who we are as a person (if they can get away with that kind of discrimination) and how desperately we need to get there (the greater the need it has calculated for us, the higher the price the service can charge; supply and demand, after all). And, oh, I donât even want to think about how hard they could make it for some of us to get driven toâor leave!âa march or demonstration.
In other words, if we just sit idly by and let the selfâdriving car future happen to us exactly as the car companies are creating it now, weâll end up living in a self-driving auto dystopia... instead of merely the privacy nightmare most of us donât realize weâre already mired in. Worse, once selfâdriving cars become enormously safer than peopleâdriven cars and it becomes illegal for a person to drive a car, we will have little choice but to participate in this system stacked so strongly against our own interests.Â
Unless, of course, there is plentiful useful public transportation and/or regulations preventing such monopoly power and abuse of our privacy by car (or any other) companies.
Maybe itâs not very solarpunk to be shouting about this selfâdriving auto dystopia. Solarpunk is all about envisioning futures weâd like to live in and I would most certainly not like to live in a future like that one. But solarpunk also shouldnât stick its head in the sand. We are traveling fast down the road toward the selfâdriving auto dystopia of my nightmares and its worth facing that fact... so that we can start working to prevent that outcome.Â
Super easy step one would be to sign the petition at the bottom of the page on the Mozilla Foundation article.Â
Step two could be to clamor for an expansion of your local public transportation network by showing up at local planning meetings and otherwise making your views clear to the local elected representatives who control how much of the budget flows toward buses, trains, streetcars, subways, light rail, and expanding those services.Â
Step three would be to demand that our governments step up their protection of the privacy of citizens, like Europe is starting to do with things like GDPR.
Step four, I suppose, is running for actual office to work on all of these issues.Â
Because it would be so much nicer to live in a world where the transportation we take isnât spying on us so it can blast us with ads, lock us into subscription services, and, if we stray too far into the grey, turn us over to the police or give the government or hackers the information they need to blackmail us or entrap us.
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(anon who talked about tone) Val, I'm not saying that you aren't doing things well, what I'm saying is that the way you go about saying things makes it sound worse than it (probably) is.
When you reply you always focus on damage and winning in a very "might is right" way, and you come across as being a bully even if you may not be one.
People are trainers for a variety of reasons, and not all of them *want* to be like you. They don't all want to be the strongest, or to have PokĂŠmon that aren't able to do anything other than battling. They may be an old lady who wants a yamper to help fetch her slippers so she doesn't have to bend down, will play nicely with her grandkids, and will maybe be able to get a nice ribbon at the local contests her granddaughter wants to enter it into.
Her Yamper wouldn't be able to do what you do, it may not have any moves for battling, hell it may be scared of the local pidove, but it'll be perfect for the kids. Sense is a good battler, but he wouldn't be able to do the job of that yamper. The yamper wouldn't be able to handle victory road. That's just how it is, and that old lady wouldn't be any less of a trainer if she'd mostly trained the yamper to use only cute moves for the contests and to bark to let her know the kettle has boiled.
Okayyyyy. but if she only went into Contests than she wouldn't be a Trainer but a Coordinator (minor definition mistake. Checkmate Argument)
Okay but let me actually explain this to your smallbrain. why your hypothetical doesnt make any sense
1 its against the Ace Trainer Code (linked in Pinned) to fight against someone if they aren't on my Level. (you think i call myself ace because i'm arrogant. FUCKHEADS)
2nd Sense is absolutely capable of fetching slippers and the way he is isn't my fault. i did not purposefully create the state he is in. it was the accident and a PokĂŠtherapist recommended that i should keep him an active Fighter so that his EBF doesn't get worse.
3rd If that kind of person actually challenged me... i think i would be able to hold back. like Sense could just do a simple Powerslam and it would be a 1HKO. i don't need to be cruel.
BUT, if i find myself (behind the wheel of a large automobile) In a serious Battle -one which could impact my Rank- then yes. i will absolutely use everything in my Arsenal.
Maximum Pain is the way to victory.
Making your opponent Pass out is the Point of these Battles.
That is a reality you have to accept. this is a violent Contact Sport.
Stop acting like it's about cuteness and Friendship & shit.
But don't take this as an excuse to be cruel to your own PokĂŠmon, they are the real heroes and you should never ever EVER think that you are better than them.
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ARISTO vs SUPRA
go fast or have fun
Aristo vs Supra lap time comparison
ARISTO
1'11'33, 1'11'84, 1'11'84, 1'12'41, 1'11'19
SUPRA
1'11'79, 1'11'95, 1'12'51, 1'16'65, 1'13'00, 1'12'85
After all, the Aristo was faster... I didn't feel like it was when I was driving, but I was able to get a good lap time..." It's a word. "But I think the Supra is better when it comes to the fun of controlling it."
Recently, the surroundings of the car called Aristo are harsh. It is said to be the monster of a sedan with the largest torque of a domestic car.
As the voice grows louder,
I really wanted to confirm its ability.
Driver Takayuki Kinoshita, against Supra Twin Turbo R
And the stage is Tsukuba. Now, the actors are ready.
Text/Takayuki Kinoshita, Photos/Akira Takahashi
"It seems that a terrifyingly fast luxury sedan will be born, and it is said to be a sister car of the Crown." Is it true?
Indeed, in the Japanese automobile market, sporty cars with unparalleled potential are making their debuts one after another. However, even if Japan is a privilege, is it possible to establish a sporty model that belongs to the ultra-luxury car genre? If true, how much performance is hidden? I waited with bated breath for the appearance of the new model.
The engine, which combines an in-line 6-cylinder 3-liter DOHC unit with a two-way turbo, is the heart of a sporty car. It can be said that it is the real thing without any extra value. It exhibits excessive tenacity at low revs, and it blows all the way up to high revs.
An engine that draws a flat curve like NA
In addition to being given characteristics, maneuverability is somewhat
This is based on excellent stability that will not cause bankruptcy. Despite the fact that it has such extreme characteristics wrapped in oblate, it cannot hide the high power performance hidden inside. Although seemingly obedient, once it turns its fangs, it will turn into a ferocious wolf. It exuded an atmosphere similar to the killing that is peculiar to meat-eating animals. In that case, I want to release the chains and let it go wild. I want it to run around thoroughly. It is only natural to be seduced by such impulses. Therefore, there was no hesitation in running this kind of model with saloon characteristics.
Fast or slow? Fun or shrew?
In order to evaluate it, I ran it with Supra's top sporty grade "2.5 Twin Turbo R" on a circuit where there was no room for false intervention.
Aristo: There is something I would like to confirm before making an impression. "The Aristo is better than the Supra.
It was fast!" is the fact. It certainly did quite well on public roads. I feel the outstanding speed with my whole body. There was also the thought of âWhat if?â However, when it becomes a reality, Aristo's latent strength
I have no choice but to do it. Most likely, when I thought about running it on the circuit, I already had a premonition that Aristo would win. Or perhaps, somewhere in his heart, he was hoping that the refined driving that he experienced on the public road would lead to a lap time. Just making us think that is enough, isn't it? But Aristotle doesn't give up. In a world where there is no excuse for one lap time, the Supra was mercilessly thrown into the dust.
On the backstretch, the speedometer needle was pointing at 170km/h. Despite being a 4-speed AT, which should have a disadvantage in startup acceleration, it slightly exceeds the speed of the Supra. What's more, the four-wheel bench disc with hydraulic servo exerts a braking force approaching that of Gran Turismo in recent years. Therefore, it is possible to push deep into the corner.
The 245/40R16 tires (ADVAN HF-TU Type F), which are one size larger than the front, are overwhelmed by the rear, and will not break easily even at such times. Slightly higher speed than common sense
ARISTO IS DIGITAL AND SUPRA IS ANALOG
Even if you invade while creating a strong front wheel load from the road, you will still be firmly gripping the road surface. That's why you can attack without worrying about it. The grounding of the rear around here is at a high level that is by no means inferior even compared to the recently debuted sporty bike.
Sustainability at the front is similarly high. The responsiveness of the steering is tailored so that it cuts directly. The Piezo TEM S setting works to increase the roll rigidity from the beginning of the turn, so it does not roll more than necessary. As a result, it is possible to obtain handling that responds quickly and a feeling of turning without feeling uneasy.
However, it seems that the front response during cornering is set to be moderately lost, and understeer due to the pushing out of the rear wheels is slight but always occurring. Therefore, even if the throttle is opened roughly, the tail does not get in the way, and this setting allows the car to stand up with a stable tendency. I felt that the reason for the superior time was the excellent stability that allowed us to actively use the brakes and power. However, if you ask whether it is fun to run, the answer is "no" at this point. Because stability outweighs power, the driver doesn't feel like he's in control. There are almost no scenes where the tail sticks out and is pushed down on the counter, and it is driven within the range that does not exceed the performance of the car. Even if you try to force the tail slide and drive hard, the behavior will only become nervous as soon as the tire limit is exceeded. It is even more difficult to determine power drift within the limit
Moreover, the fact that information is transmitted only digitally is a factor that spoils the enjoyment. Steering always maintains the same steering force, so it is difficult to grasp the feel of the tires. Even TEMS, which is effective in ensuring squeezability, does not have a linear roll feeling, leaving a sense of incongruity in sporty runs.
It didn't feel like the car was lapping faster than the Supra.
As for my impression, "It's leaner than the Supra, but it doesn't look too fast." This is similar to the impression felt by the driver.
TWO DIFFERENT PERSONALITIES
In terms of this fun part, on the contrary, the Supra is leading by a large margin. Especially the fans who come from the high controllability near the actual world.
Verticality was overwhelming.
Certainly, the grip limit is inferior to Aristo
However, the flow and convergence of the rear wheels are poignant, and they are conveyed as if they were picked up. that's why,
Feel free to drift even in high-speed corners
All about driving
He clearly communicates his feelings analogically to Wakelists under his control.
To conclude, the Aristo is fast, but that's it, and the Supra is a fun car to drive.
However, the point that I do not feel fun with Aristo,
I have no intention of denying that it was inferior to the Supra's speed for this one shot. each
It's because the personality that can be put in is different.
The Mercedes 300E, BMW M5, which Aristo says is a rival, also cuts down on the fun of swinging at the price of outstanding stability, and even with the Z, which is a competitor of the Supra.
In addition, the control
Emphasis is placed on rollability.
If the concept is divided into the big genre of sporty cars, the concept becomes ambiguous. have a distinct personality
It's a sign of what you're trying to do.
As a means of transportation to safely reach your destination, Aristo is one of the world's highest standards.
become a car. If you want to enjoy the journey,
It's the world of the Supra. "Aristotle
or the Supra's time is slow."
That's what I mean.
PIC CAPTIONS
Aristo's corner link at the second hairpin in Tsukuba. As far as I can see, its behavior is stable and does not make me feel uneasy. Let's call it "quiet" cornering. It is so calm that it sometimes feels lacking in power. On the contrary, it will be a run with plenty of room.
Compared to the corner link of the Aristo, Supra, which also runs in the first hairpin, the behavior is greater. On the contrary, it also gives the impression that the driver is controlling the car and driving it.
#JZS147#Aristo#Toyota Aristo#JZS147 Aristo#2JZ-GTE#1JZ-GTE#JZA70#Supra#1JZ-GTE Supra#Supra twin turbo R#JDM
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TRAINSPOTTING!
Lucy and Railway Transportation
Before America was ruled by the automobile, train transportation was the way to go. Lucy makes tracks for the railroad in these unforgettable moments on the (laugh) tracks. Â
As a young girl, Lucy would take the train from Jamestown to New York City, hoping to fulfill her dreams of becoming a performer. The train station is now part of the National Comedy Museum.Â
1933 ~ Lucille Ball joined the Goldwyn Girls on a train headed west to Tinseltown. Left to right are Katherine Mauk,Rosalie Fromson, Mary Lange, Vivian Keefer, Barbara Pepper, Theo Phane, and Lucille Ball.
1943 ~ Lucille Ball and other well-known stars set out on a Union Pacific special train to cross America promoting the sale of War Bonds. It began in Washington DC and went through 16 American cities before ending in San Francisco 21 days later.
Fancy Pants (1950) ~ Lucille Ball and Bob Hope pose atop a railroad handcar.Â
âNew Neighborsâ (1952) ~Â When Ethel is looking through the OâBrienâs belongings, she holds up a bronze of a man on horseback. She deems it âearly Pullman.â Â Pullman refers to railroad sleeping cars that were built and operated by the Pullman Company from 1867 to 1968. The cars were often decorated with inexpensive items that sometimes found their way into travelersâ suitcases! Â
âTennessee Ernie Visitsâ & âTennessee Ernie Hangs Onâ (1954) ~ Ford sings the train-themed song "The Wabash Cannonballâ waking Lucy and Ricky from a sound sleep, and then again just before Lucy enters as the 'wicked city woman.' The songâs first documented appearance was on sheet music published in 1882, titled âThe Great Rock Island Routeâ and credited to J.A. Roff. A revised version was made famous by Roy Acuff in 1936.Â
Listen to the jingle, the rumble and the roar As she glides along the woodland o'er the hills and by the shore. Hear the mighty rush of the engine hear the lonesome hobo's call As you travel across the country on the Wabash Cannonball.
âGetting Readyâ (1954) ~ Thinking about how to get to Hollywood, Lucy considers the train. The brochure Lucy reads has the Union Pacific Railroadâs logo redacted. In reality, the Union Pacific did not operate East of the Mississippi, betraying the showâs Southern California roots!
LUCY (to Ricky): You know, on the train, you can see the country you're passing through. This is little Ricky's first chance to go across the United States, so don't you think you ought to get a chance to really see it?
âFirst Stopâ (1955) ~ On their cross-country road trip, the gang takes refuge at One Oak Cafe and Cabins. Their rundown cabin is near an unseen (but loudly heard) railroad - which causes the entire building to shake! Â
âRicky Sells The Carâ (1955) ~ In this episode we learn that the gang will return to NYC by train on the Union Pacific Railroadâs new Domeliner service on the City of Los Angeles train. A rift develops between the Ricardos and Mertzes when there arenât enough tickets in the same class. Don Brodie plays the Union Pacific Railroad clerk.
Before he entered show business, William Frawley (Fred Mertz) worked as a stenographer for the Union Pacific Railroad.Â
Frawley was featured in the 1945 Deanna Durbin film Lady on a Train. The Universal release also featured future âI Love Lucyâ cast members Elizabeth Patterson (Mrs. Trumbull), Edward Everett Horton (Mr. Ritter), Allen Jenkins, Fred Aldrich, Joseph Crehan, Mike Lally, Sam Harris, and Sam McDaniel, who played a train porter, just as he would in...
âThe Great Train Robberyâ (1955) ~ Returning from Hollywood to New York, Lucy wreaks havoc on the City of Los Angeles train.Â
As set up in the previous episode, Desilu had a partnership with Union Pacific Railroad. The line operated the City of Los Angeles train from 1936 to 1971, when Amtrak took over national train service in the USA. Although it is not mentioned, the train route terminated in Chicago, where, presumably, the foursome got a connecting train to New York City, perhaps the famed 20th Century Limited.
To simulate the emergency braking of a speeding train, Desi wanted more than just actors reacting to a jolting camera, so sets were built on a spring mechanism that was triggered by the emergency brake itself. When Lucy pulled the handle, it caused the entire set to lurch forward in a sudden movement. All this is demonstrated in the special features section of the DVD release.Â
As part of the partnership with UPR, Desilu was granted permission to film aboard the real Domeliner train. As there was a nearby train station, Vivian Vance, William Frawley, Kathryn Card, Frank Nelson (the conductor) and Sam McDaniel (the porter) were all featured in the location footage on the platform and doubles were not used. Lucille Ball and Desi Arnaz, however, do not appear in any of the second unit location footage. This is the only time principal cast members (instead of doubles) went on location during the half-hour series.
Footage of Fred and Ethel enjoying the Domelinerâs dining car and lounge were cut when it was realized that movement outside the window did not line up with the episodeâs continuity. Rare 16mm film footage of the scenes was discovered and allowed the cut scenes to be added to the 2005 DVD release.
The lounge, however, was recreated on the soundstage. The short scene of the Mertzes boarding the train on the platform (complete with sound), assisted by the Porter and the Conductor, was still included in future syndicated broadcasts.
âLucyâs Italian Movieâ (1956) ~ Opens in a crowded train compartment headed to Rome. Here Lucy meets a film director and thinks this is her big break.Â
Band manager Fred failed to secure proper train acommodations for the overnight trip - forcing the gang into some unusual sleeping positions!Â
âLucy Hunts Uraniumâ (1958) ~ The hour-long episode opens in a train car headed to Las Vegas, where Ricky's band is booked to perform at the Sands Hotel and Casino. Establishing footage indicates that they are traveling on the Union Pacific Railroad. In reality, getting to Las Vegas by train from Connecticut would have meant many transfers and route changes. Â
On the train they meet actor Fred MacMurray, who also gets uranium fever and races the Ricardos and Mertzes across the desert on a railroad handcar.Â
âLucy Visits the White Houseâ (1963) ~ Lucy and Viv accompany their scout troop to Washington DC on the train. The episode features establishing footage of an actual train and station.Â
The train makes stops in Greenview, Middlebrook, Flint Ridge, and Scottville. Like Danfield, all are fictional towns along a fictional railroad line.
Frank Nelson reprises his role as the frazzled train conductor, first played in âThe Great Train Robberyâ.Â
When Lucy misses the train, she tries to catch up on horseback. This sequence was shot on the soundstage using a mechanical horse. Coincidentally, an early literary name for a train was âiron horseâ.Â
THE âFOREVER DARLINGâ EXPRESS
Lucy and Desi board a special car provided by the Santa Fe Railroad to promote the film Forever Darling in early 1956.
The train was dubbed the âForever Darling Special  with stops in Chicago, Detroit, Dallas, Cleveland, Pittsburgh, Philadelphia, New York City, and Ball's hometown of Jamestown, New York.
Back in Los Angeles, with Desi Jr., they admire the train that served them on their busy promotional tour. Desi is proudly wearing the cowboy hat heâd been given in Fort Worth.
TRAIN DEPOTS
âOff to Floridaâ (1956) ~ When Lucy misplaces their train tickets to Miami Beach, she and Ethel must share a car ride to Florida with Edna Grundy, a woman they suspect might be a hatchet murderess. At the end of the cross-fade between the second unit footage of the âNorth Miamiâ train station and the studio set of the same location, Lucy and Ethelâs doubles can be briefly glimpsed walking down the tracks on the left.
âLucy and the Loving Cupâ (1957) ~ Unable to tell where she is, Lucy gets off the subway train at the Flatbush Avenue station.Â
LUCY: Pardon me. Can you tell me where the stairs are? STRAP-HANGER: Well, you'd better get off the train first. LUCY: I am off. STRAP-HANGER: You're telling me.
âLucy Misses the Mertzesâ (1957) ~Â The scene at the Westport Train Station is in the best tradition of farce, with both couples narrowly missing one another in the same space.
âLucy and the Mustacheâ (1960) ~ Disguised as Ernie Kovacsâ chauffeur, Lucy parks outside the Westport train station.Â
âLucy Wants a Careerâ (1959) ~ Lucy and Ricky only see each other at Grand Central Station, one of the most famous train stations ever built. There is establishing footage of Grand Central.Â
âNo More Double Datesâ (1962) ~ At the Danfield Train Station, Lucy and Harry narrowly miss Viv and Eddie when trying to have independent dates. When Lucy and Harry lie about missing their train, Eddie notes that the next one only makes one stop - in New Rochelle. The real-life New York town has already been mentioned several times in the series, establishing that Danfield (and nearby Ridgebury) are similar commuter suburbs of Manhattan. Â
âLucy Visits the White Houseâ (1963) ~ Lucy gets off the train at the Greenview Station to hunt down sugar cubes to rebuild the cubsâ sugar cube White House.Â
âLucy is a Process Serverâ (1964) ~ Charged with serving Mr. Mooney, Lucy tracks him to the Danfield Train Station.Â
âMain Street U.S.A.â (1967) ~ Lucy and Mr. Mooney arrive in the small town of Bancroft by train.Â
TOY TRAINS
âThe Atticâ (1949) ~ An episode of Lucille Ballâs radio series in which George and Liz (Lucille Ball) clean out the attic and get locked in. Â
GEORGE: Hey, look at that! My wonderful electric train. LIZ: Well, I haven't heard you use that tone since you proposed. GEORGE: Oh, gosh, I haven't seen this train in years. LIZ: Well, you certainly have no use for it now. Out it goes. GEORGE: Take your hand off that box! It stays! LIZ: Oh, George, don't be silly! GEORGE: Now, who's being silly? That train doesn't leave this house. LIZ: Now, that's being practical. There's nothing as useful as an electric train. In fact, we should get another one for me. We can race them every night before we go to bed! GEORGE: Yeah. I guess you're right. Out it goes. LIZ: I'll let you keep your train if you let me keep my corsage collection. GEORGE: It's a deal!
LUCY:Â âLook out for the Super Chief! Woo Woo!â
âThe Ricardos Change Apartmentsâ (1953) ~ Lucy fills the apartment with Little Rickyâs toys, including a Lionel Electric Train Set, to convince him they need a larger apartment.Â
âLittle Ricky Gets Stage Frightâ (1957) ~ Little Ricky is discovered playing with his Keystone Toy Railroad, a wooden train set made by the Keystone Manufacturing Company. The box is tucked under the bed.
âThe âI Love Lucyâ Christmas Showâ (1956) ~ Lionel Trains are under the Christmas tree for Little Ricky.Â
âMy behind-the-scenes memoris are just the toys on the set. The writers, Madelyn and Bob, gave me a Lionel Train set and that was a real big treat for me as a kid.â ~ Keith Thibodeaux (Little Ricky)
âLucy and the Efficiency Expertâ (1966) ~ Oliver Kasten (Phil Silvers) sits in front of red blow mold locamotives at the Grantland Toy Factory where Lucy is employed on the production line.Â
THE SUBWAY
âTennessee Ernie Visitsâ (1954) ~ Ernie explains the subway.Â
ERNIE: I asked a fella how to get to the Rickerdos'. Well, he said, "Take the subway." Well, he pointed over there to a hole in the ground with some steps a-going down in it. I went down in there, and do you know what I saw? Â A bunch of people a-standing there looking in a ditch. Well, here come two streetcars hooked up together. All that bunch of people come a-steamin' up there pushed me through that door, shut it up, and we took off like a scalded gander. Well, sir, we drove and drove and drove and do you know what? RICKY: What? ERNIE: That driver never got that thing out of that hole.
âLucy and the Loving Cupâ (1957) ~ When Lucy gets a loving cup stuck on her head, she must take the subway to Brooklyn to get it off. The episode features establishing footage of the New York Subway trains, although the footage was reversed.Â
The subway car was recreated on the Desilu soundstage in Hollywood.Â
#Train#Locamotive#I Love Lucy#Railroad#Railway#Lucille Ball#Desi Arnaz#Subway#Vivian Vance#William Frawley#Seinfeld#The Lucy Show#Train Station#Grand Central Station#depot#Tennessee Ernie Ford#Phil Silvers#My Favorite Husband#Little Ricky#Keith Thibodeaux#Lionel Trains#Santa Fe Railroad#Union Pacific Railroad#Lady on the Train#Frank Nelson#Gale Gordon#Fred MacMurray#Forever Darling
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The trouble is, the artist clearly doesn't have any idea of how reality works. Cities are barely planned at all - urban planners have to deal with the dynamic nature of human behaviour, which is largely out of their control. Where are you living? Where were you living? Where will you be living? Vast numbers of people have to suddenly move in response to completely unpredictable changes.
Like in Detroit. There was no reasonable way to predict that the automobile industry would collapse in America due to automation and due to the opening up of trade with China by Richard Nixon which caused the change from communism to a weird hybrid totalitarian capitalist-communist country. With slavery, and not a lot of blackjack. Urban planners have to make models for what they think the future will be like. They can be right. They are often wrong. Sometimes terribly wrong. The collapse of industries is taking place very quickly now, as the sag aftra strike showed. Almost every writer in Hollywood could be replaced by a pocket calculator running Eliza. It wouldn't do a worse job at a Batwoman script.
The sheer wave of smug from these faces nearly eliminated the local raccoon population, and was responsible for a global cull of sealife not seen since Godzilla was pregnant. But seriously, these fvckers caused the local industries to collapse. Hollywood has been around for near a century, and they caused it to grind to a halt. The irony is that people like Drew Barrymore proved they were utterly useless, and had Hollywood had any balls left, they would have been pushed out of the way with farm machinery so that capable workers could come in and do the jobs instead. So Hollywood is weaker than it ever was, while rival industries are exploding. The British film industry is undergoing a revival, and social media platforms keep on booming, even if they still can't make any profit.
The collapse of the Star System means that even youtubers are becoming household names. As was pointed out, even minor youtubers were getting more views than major channels, and the biggest ones? Swedish YouTuber Felix Kjellberg, known online as PewDiePie, has uploaded over 4,700 videos on the YouTube platform.[1][a] Having accumulated over 28 billion video views and 111 million subscribers. PewDiePie's channel ranks as the 45th-most-viewed on YouTube.[2][b] Due to PewDiePie's YouTube channel having been the most-subscribed on the platform from 2013 through 2019, and it remaining one of the most since, his channel's videos have attracted substantial media coverage.
Some dude working from home IN SWEDEN can outproduce the Hollywood studios. Who could have predicted that twenty years ago? How do you plan ahead for that? Walkways, in Australia, are paid for by local councils from the revenues generated by rates. What happened here was that they were trusting the banks to invest it for them. The financial system, according to insiders, was getting people to take it to race tracks and betting it on horses. Flip a coin - heads I win, tails you lose. If the horse won, the pensioners got some of the winnings - but if the horse lost, the pensioner savings were lost.
Reckless behaviour caused a global collapse. Councils lost their money. Suddenly there was nothing in the piggybank. Money means life. Not having money means not repairing roads, means not having pedestrian crossings or overpasses. That means bodies on the roads. And the financial industries were bailed out instead of being punished. I think there was ONE European country where they faced consequences. Otherwise, if anything, they were rewarded with the funds of taxpayers. As a kid, I participated in a demonstration. There was no safe place for us to cross the road. We succeeded in getting media attention, and we got the council to spend funds to save our lives. The reason they hadn't? Because our suburb had grown quickly. It was rural when I moved in. Horses were ridden on the roads, and I would walk over a few streets and buy honey and fruits. All of that was gone in a decade. How do you plan for that? The decision to drastically increase the Australian population was done by world leaders, who said that it was racist to enforce our borders. The increase in immigration meant people who had to go somewhere. They went to the places like Cherrybrook and West Pennant Hills. It was suddenly just another suburb, and the roads were country roads. You had heavy traffic on single lanes, you had kids trying to ride their bikes on the footpaths only to be told by the government that was now a crime and they had to ride on the roads, you had no hope of planning for any of that. And I am sure equivalent stories are everywhere. Look at Covid. Suddenly world production was artificially halted whilst governments printed worthless money to pretend to be creating wealth. The globe stopped work for two years. Businesses, two years later, are still collapsing now from the after effects. And that was very minor, much more of a strong flu. Go back and look at genuinely dangerous epidemics like the Spanish Flu, which was ten times deadlier at the very least. The local medical centre has a two week wait now. They used to be same day. Why? Because the government imposed covid restrictions that required huge amounts of extra work but they couldn't charge for it. And never lifted the restrictions. The plague ended, but government plods on, mindless and vast. It can't respond quickly. So the doctors left the practice, and government restrictions stop competition from being allowed in. Two weeks. People around here die trying to get help. Completely for artificial reasons; because of government interference in the free market. Because they responded to a crisis years ago, responded blindly and in a panic, and haven't bothered responding to the end of the crisis.
The government's turning circle depends on the size. The bigger it gets, the slower and more dangerous it becomes.
Have a look at tax history. Again and again, a temporary levy would be introduced for a crisis. Then reasons would be found to increase the duration - it was too convenient, too delicious, for a government to give up.
Governments only give up power when they are forced to, and make decisions that are not to their benefit extremely slowwwwwly. So how can ordinary people make a difference? One: Make sure there's money in the till. Get involved in a grassroots level. Where's the money going? If your government is paying for illegal immigrants, then you can't be surprised that they have nothing left for the actual citizens. You get what you deserve if you are a Leftist and your environment goes to shit because of your policies. You chose this outcome.
Places like San Francisco are now hellholes because of Leftist policies. Same with Paris.
You get what you deserve. Unless you are suffering because Leftists elsewhere are forcing your borders open, and then the question becomes, how are you opposing Leftism? What can you do to motivate a community to protect themselves against this colonisation? And if you are a Leftist, and still don't understand why there has to be consequences to your idiocy; well, there's no explaining things to an imbecile.
Honestly, Idiocracy is looking more and more like a documentary.
The Shopping Center Disconnect
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Driving Dreams Into Reality! đ Thereâs nothing like the thrill of driving home your new car! Congratulations to our wonderful customers on their big day with Kataria Automobiles. Hereâs to new roads, new memories, and an exciting journey ahead!
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