#the real question is do I force my family to rewatch this arc on the basis of 'just trust me we should' lmao

[katara-stan-club]

Bad Batch Season 3 speculation under the cut

So, do we think this means Ventress will come back via nightsister magic? I had originally been thinking Ventress was a red herring and that her appearance is actually a flashback from Quinlan Vos's perspective, but this is giving me pause. Now I'm wondering if the Batch will go to Dathomir for some reason (reviving Tech?), and they run into the ghosts of the nightsisters and/or Ventress raised from the dead?

Also I do not remember this episode very well, so it could be there's something I'm missing that was important in this episode. Guess I'll definitely be rewatching it!

[cienie-isengardu]

Why Kuai Liang was not given his cryomancer power but fire?

After rewatching character intro dialogues from previous games, I think I figure out why Liu Kang changed Kuai Liang into Scorpion/pyromancer in his timeline and the reason is so he did to not have to deal with two cryomancers at the same time AND I’M SAYING IT ONLY HALF-JOKING.

If there are two things we can say about all cryomancers presented in games and old Mortal Kombat Conquest TV series is that they have a rocky relationship with authority and all of them are abrasive, straightforward and challenging, and yes, this applies to Kuai Liang too. He may grow up into wise, patient sage but he was as relentless, aggressive and stubborn in his quest to avenge Bi-Han as the other cryomancers were when dealing with people/situations they did not like or agreed with.

Generally speaking, cryomancers are those who are hard to keep on leash because of their independent streak.

Now, one may ask, but why change Kuai Liang and not Bi-Han, if Grandmaster Kuai Liang dedicated his life to protect Earthrealm while Bi-Han is the best known as evil Noob Saibot?

The thing is, Kuai Liang was loyal to Bi-Han (and Smoke) above everything else and only the devastating experiences like brother’s death, Cyber Initiative project and enslavement under Quan Chi’s magic - and born from it guilt - set him on the path of redemption. This is by no means a critique of Kuai Liang as in majority of “intercarnations” the younger Sub-Zero has the sense of honor from the start however it is personal tragedies that truly force him to face some harsh truth about his clan and his older brother to whom both he was deeply devoted. In a way we may say that Kuai Liang’s redemption arc is a reaction to experienced trauma.

Stripping him from devastating experiences of being changed into a killing machine (or losing best friend to C.I. Project, depending on timeline) and being a slave to dark magic would also strip Kuai Liang from the obstacles he needed to overcome to grow into a wise, patient Grandmaster and dedicated protector of Earthrealm. And in this universe Shang Tsung, Quan Chi and the dark nature of original Lin Kuei were - in theory - eliminated from happening, so Liu Kang would be left with a young, rash, stubborn cryomancer deeply devoted to his older brother above anything else.

And let’s no forget that this cryomancer last time without second thought ignored his superiors’ orders and went on the revenge quest in the name of fallen brother, openly putting family over his life-long oath to Lin Kuei, did not aid Sonya and dying Jax, then disturbed the Mortal Kombat Tournament held in Outworld by demanding from Emperor to bring him Bi-Han’s murderer straight to the Emperor’s face without any hint of respect, and generally, was hell-bent to find and kill Scorpion and all consequences be damned. The nightmare of what he did as Cyber Sub-Zero (MK9) was the first real shock that put him on a different path. But then even as traumatized by tragic events, older Kuai Liang still wasn’t blindly following others’ orders. As intro dialogues presented, he has no respect for whatever gods (he do though respect some godly immortals as individuals) and openly criticized or challenged Raiden’s authority in MK11:

Sub-Zero: You failed to protect Earthrealm. Raiden: Do you question my authority? Sub-Zero: I demand you renounce it.

or

Sub-Zero: I am grateful that you saved my life. Raiden: So why fight me, Grandmaster? Sub-Zero: To find out whether you are dark or light.

or

Sub-Zero: Do you serve humanity?  Raiden: And the Elder Gods, Sub-Zero.  Sub-Zero: One cannot serve two masters.

And now, strip Kuai Liang from trauma and who knows how much more stubborn and at odds with godly’s authority he would be?

Bi-Han though? When he stole Shinnok’s amulet [Sub-Zero: Mythologies], the action did not right away ruin his life. Raiden warned him about the possible destruction of Earthrealm and with it, Lin Kuei  and demanded to repair damage done, which Sub-Zero agreed to do.

Rayden: Do you realize what you've done?? Sub-Zero: I was just earning my living. Rayden: Your clan's ignorance and greed will cost this entire realm. You must now set things straight. Sub-Zero: Quan Chi could simply be a lunatic sorcerer. I've never heard of an elder god named Shinnok or of a place called the Netherealm. Rayden: Well, you'd better start believing in both, because you're going to the Netherealm and you're going to bring the amulet back.    We must act quickly. I have no dominion in the Netherealm... You are reality's only hope. Sub-Zero: I'll do it, Thunder God... but only because I have no choice.

Bi-Han risked his life and soul to save the whole realm from Shinnok - as Raiden said:  “The Netherealm is a place for lost souls. If you fail, your soul will join theirs… and so will the souls of this entire realm”, however it was Quan Chi who revealed the whole truth: "Don't you realize why Rayden sent you? The Netherealm is a place for evil beings. You could not exist here unless you were tainted with evil."

This knowledge affected Bi-Han yet he still returned to Lin Kuei. Whether he did that because of loyalty to Grandmaster or just for Kuai Liang’s sake is up to debate but what is important, he did not abandon his assassin profession. 

Now, I know that Mortal Kombat 9 (2011) does not dwell much into details and its story mode does not always follow logic in regard to fights each character participated in, yet during the Mortal Kombat Tournament Bi-Han must have changed sides otherwise his fight with Scorpion would make zero sense. Lin Kuei warriors were hired personally by Shang Tsung to kill Earthrealm Champions and the only reason for the sorcerer to allow for such a fight was if Bi-Han worked against him. 

(And if Bi-Han supported Raiden’s cause, Shang Tsung would have an actual reason to kill Cyrax after Lin Kuei warrior talked with Thunder God over Sub-Zero’s remains. As in, he was afraid another assassin could be persuaded into helping Earthrealm).

Those are two examples* in which Bi-Han prevented or tried to prevent upcoming danger - Shinnok’s return and Outworld’s Invasion (alternatively, he was trying to eliminate the danger of Quan Chi who broke contract by keeping Hanzo Hasashi / Shirai-Ryu as his Wraith, a reason on which Cyber Sektor refused to aid Netherrealm in MKX and Bi-Han’s goal just nicely worked with Raiden’s need). Sub-Zero risked his life for the safety of Earthrealm as he could died during task or be killed by Grandmaster for allying himself with Lin Kuei’s enemy (Raiden) - and Bi-Han did so even when thinking there was nothing wrong with assassining and thieving (“I was just earning my living.”)

This is not really about which brother has a better sense of honor - or duty, for that matter - as both have this sense in various source material. The difference is about the nature of their choices to protect Earthrealm.  Bi-Han’s decisions weren’t born from personal tragedy but from pragmatism as he understood that walking away from the problem wasn’t a wise choice. In contrast, Kuai Liang’s actions were a reaction to an already happened tragedy. In that sense Bi-Han, even as an assassin tainted with evil, acted to prevent bad things before those affected Earthrealm (his life/clan) while Kuai Liang tried to stop history from repeating itself.

Of course, Liu Kang as a mortal did not have any knowledge about Bi-Han's past but as his powers merged with Thunder God, he could gain an access to Raiden’s memories and opinion that affected his own judgment. Raiden praised Bi-Han at least twice for saving Earthrealm (Sub-Zero Mythologies and Mortal Kombat 9) and went so far to ask Scorpion to spare Sub-Zero’s life - granted, more to prevent creation of Noob Saibot he had vision of, but he was still angry at Scorpion in MK11 for breaking the promise

"Your word is worthless. At the tournament I trusted you to spare Bi-Han, and you betrayed me."

Raiden specifically calling Sub-Zero by his given name makes it sound much more personal compared to an actual scene from MK9:

"Spare Sub-Zero's life and I will request that the Elder Gods return the Shirai Ryu to the realm of mortals."

(Another thing to take into account is the age difference between Sub-Zero brothers. It is understandable that Kuai Liang looked up to Bi-Han, an older brother who was at the age of (most likely) 32 recognized as the most cunning Lin Kuei, while Bi-Han was not bound by the same idealization toward his younger sibling and maybe even felt it was his duty to take care of Kuai Liang.)

Bi-Han wasn’t the easiest person to work with, sure, but his cryomancer’s lack of social skills and abrasive nature did not get into the way of serving Earthrealm in an active way to prevent danger. Putting him as he was in different Lin Kuei - now dedicated to Earthrealm and duty bound to serve it - doesn’t sound that weird. 

But why change the element (ice) of one of the brothers at all?

Looking how crymancer Kuai Liang and MK1!Bi-Han actually shares the same independent streak and the “don’t let your loyalty stunt your growth” mindset, I think Original Younger Sub-Zero would have a much better understanding of current Bi-Han and could if not support him then at least understand his desire of breaking free from Liu Kang as alternative version of Kuai Liang in one of intro dialogues (MK11) outright would refuse aid Raiden, thinking Lin Kuei bleed enough for Earthrealm: 

Raiden: Earthrealm needs you, Sub-Zero. Sub-Zero: Enough Lin Kuei blood has been shed. Raiden: I ask only for your bravery. 

With the implication that current sibling’s mother was a fighter and she died (possibly in line of duty) before game events and how Bi-Han seems to be on much better terms with her (or generally, being more affected by Kitana & Mileena’s mother death than death of his own father), this Kuai Liang’s statement too could easily support Bi-Han’s desire to break from tradition of servitude and Lin Kuei dying for Earthrealm’s sake. 

The older and wiser version of Kuai Liang wouldn’t agree with abandoning duty to Earthrealm, but the young, rash, blindly devoted to his older brother version? Without traumatic events - that weren’t meant to happen - there wouldn’t be the needed impulse for Kuai Liang to look at his life, Bi-Han’s ambitions and clan from a different perspective.

Bi-Han mentioned in one of character intros that Lin Kuei use cryomancy since his ancestors settled in Arctika 

while Kuai Liang said pyromancy is closely kept family secret.

So cryomancy is something passed down from ancestors to modern days, while either in the past people controlling fire married into family and added mastery of this element to gene pool or the Lin Kuei/Kuai Liang’s family found a different way to control it and this is why they guard their secret.  To keep it as simple as possible, let’s agree that Kuai Liang had a 50% chance to inherit ice and the same chance to get fire. On one hand, it is easy to assume, well, if fire is part of his family legacy, then he simply get different gene pool from Bi-Han, why blame Liu Kang?

In Scorpion vs Liu Kang intro, Kuai Liang learned in previous timelines he was always Sub-Zero (cryomancer)

In Sub-Zero vs Geras intro, Bi-Han learned that Kuai Liang was not destined to be his enemy

(once again, considering how loyal cryomancer Kuai Liang was to brother, this statement sounds like admitting this change was against the design of the previous timelines)

and Bi-Han accused Liu Kang of turning his brother against him

but considering how little Kuai Liang interacted with Liu Kang in story mode before Bi-Han’s betrayal, this could be read as Sub-Zero learned or deduced somehow Kuai Liang’s ice powers were changed to fire abilities on Liu Kang’s decision. And from a certain perspective the accusation is true, as in both previous game timelines their brotherly conflict happened always after Bi-Han’s death and change into Noob Saibot.

So, Liu Kang’s choice to change Kuai Liang's power may be a safeguard in case Bi-Han’s corruption at some point still happened. By breaking the cryomancer bond that connected Bi-Han and Kuai Liang, he redirected Kuai Liang's constant devotion to brother into passion for tradition (father’s teaching that support Liu Kang’s case) while giving younger brother a control over element that naturally overcomes Bi-Han’s ice, as proved by previous timelines in which Scorpion’s fire kills Bi-Han.

(Personally I think the change of ice element backfired as it affected their sibling bond. An unfortunate side effect Liu Kang may not take into account. Bi-Han and Kuai Liang still consider each other as brothers and don't seem keen to allow others to get involved in their family matters as intro dialogues suggest but the way how quickly they turned against each other with intention to hurt is surprising. Yes, in previous timelines Kuai Liang and Noob fought frequently and Kuai had a lot of reasons to be angry at undead!Bi-Han but A) this was twisted by dark magic version of Bi-Han and B) Kuai Liang has never abandoned hope to save his brother as was seen in Armageddon [original timeline] and Mortal Kombat 11: Sub-Zero ending [alternate timeline]. But then again, this is a restart of their history and future additions to Mortal Kombat 1 may change that impression.)

Mind you, this is no slander against Liu Kang, as he proved to try his best at keeping realms at peace instead of ruling all realms with an iron fist, however as he himself admitted, he did interfere with some characters’ origin. Shang Tsung and Quan Chi are the best known examples as their on purpose were born to have meaningless life

I gave the sorcerers meaningless lives... They should have never gained power, let alone joined forces.

and as intro dialogues implies, it was his decision to orphan Tomas, presumably so he could join Lin Kuei (and Kuai Liang). As Liu Kang explained: “Being Keeper of Time means making many hard choices" and so I assume there was a reason why he decided to break the otherwise strong cryomantic bond between those two brothers and why it was Kuai Liang who got fire instead of ice, even if previous timelines prove he was great ally as Sub-Zero.

*The third example comes from old MK comics, "A Cold Day in Hell" [Mortal Kombat Tournament Edition II] in which Outword and Earthrealm teams were fighting to take Shao Kahn's Medallion. The rule? Who reaches the item first, wins.

The teams were busy fighting each other and as the narrative box said "there was one warrior who understood that this was not a group exercise. Just like Mortal Kombat, here there could be only a single winner" and so "Bi-Han" went ahead alone to finish the mission. Despite being burned alive by Scorpion's fire, he reached the medallion and saved Earthrealm:

and even Shao Kahn himself was impressed by "Bi-Han's" deeds:

It was a brave showing, mortal. Were it within me to do so... I would wish you a season of rest for your tortured soul...

In the same comics, two months after brother's death, "Kuai Liang" was attacked by his clan and in return denouced Lin Kuei as unworthy of the continued services of Sub-Zero

which brings me back to my point about Bi-Han's pragmatic choices to prevent danger vs Kuai Liang's decisions as a reaction to personal tragedy.

So yeah, out of my head I can name three separate examples in which Bi-Han risked his life (and in case of two events, got killed in the process) for Earthrealm's sake.

[sadquickchristmassnowman]

hi! what do you think are the best/most tolerable episodes in season 4 of community? it’s widely regarded as the worst season and I never know which episodes to watch each time I go through a community rewatch binge lol. so, I figured I would consult the encyclopedia! (this is my first time using the ask feature so I apologize if I am not using it correctly)

heyo! this is a great question. I actually have an abbreviated season 4 watchlist that cuts out the worst episodes (in my opinion), while staying comprehensible and making sure you're still able to follow the season's overarching plots:

4x01: history 101

4x03: conventions of space and time*

4x05: cooperative escapism in familial relations*

4x06: advanced documentary filmmaking

4x08: herstory of dance

4x11: basic human anatomy*

4x12: heroic origins*

4x13: advanced introduction to finality

the episodes with asterisks* are the ones I actually really enjoy watching. the others on the list are pretty mid, but are, in my opinion, important enough to the overarching plot and character development to be worth watching. when I'm showing other people season 4 for the first time, I adhere to this watchlist lol.

I’m going to do some (hopefully quick) explanations of how I came up with this list, but you don't have to read it if you don't want to lol:

✅ history 101: it's the first episode of the season, so it really does set the tone and establish some important details (jeff wants to graduate early, troy and britta are dating, this is their last year at greendale, etc.) as with most of season 4, the weirdness seems really contrived and unnatural, but it does have its moments of being genuinely funny. it's also a pretty abed-centric episode, which is always a bonus lol

❌ paranormal parentage: I don’t hate this episode, but it's just kind of boring and doesn't really add anything to the season. I love megan ganz but... yeah. a lot of the jokes seem forced, and there's way too much pierce for my liking. there are a couple good one liners ("you should probably tell your boyfriend's boyfriend" "I remember when this show was about community college") and it does help set up jeff finally contacting his dad, but imo it doesn't quite make the episode worth watching

✅ conventions of space and time: I’ve heard that some people hate this episode? couldn't be me. way too much trobed for me to hate it lmao. there is a lot of jeffannie in it too, but that resolves with the conclusion that annie is just a romantic who loves to fantasize, and doesn't actually have real feelings for jeff. it actually fuels my lesbiannie agenda tbh, because she is evidently just in love with the idea of a man but doesn't actually put that into practice. but that's another post lmao. we have some great one-liners, we have britta helping troy through his jealousy, we have "troy will find me :)" we have some more inspector spacetime lore, etc etc. I love this episode and rewatch it frequently.

❌ alternative history of the german invasion: for me, this episode has almost zero redeeming qualities. the jokes are lame, I hate professor cornwallis, there is so much discontinuity, it has zero importance in the bigger picture of the season and the show, it's out of character, etc. the one thing I like is the end tag.

✅ cooperative escapism in familial relations: this is a big one for me. I never see people talking about it, but to me this episode is one of season 4's saviors. we have HUGE jeff development, jeffbritta moments, some much needed shirley screentime and development, some great jokes ("-to eat garbage dip WHY DID I HAVE TO GO THIRD), classic trobedison shenanigans, and the shawshank redemption homage is very funny to me. plus! adam devine cameo! I like this episode more every time I watch it. unsung hero fr.

✅ advanced documentary filmmaking: okay so I won’t lie, I fucking HATE the changnesia arc. I think it is so incredibly stupid and uncreative. there are a million different and better ways they could have brought him back. but, this episode is just too important in the season's development to skip. and, honestly, if I ignore the whole premise, there are a lot of funny bits and jokes in this one. troy constantly smiling at the camera (read: smiling at abed), troy and annie being the silliest ever, jeff's trust issues, and ken jeong is truly very funny, I just hate this arc so much. but ultimately it's too important to cut. imo.

❌ economics of marine biology: I basically feel the same about this one as I do about alternative history of the german invasion. it's boring, the premise is stupid, it's out of character, it's unfunny, the guest character is lame, and it's pointless to the overall plot. abed and the delta cubes is a little bit funny? and I guess you could argue that the jeff and pierce development is important? but I’d refute that very quickly. it's pierce, who cares. not. worth. it.

✅ herstory of dance: this episode is honestly the upper end of mid, but it has enough good jokes and development to make it worth it. it is also Very abed-centric, which we've established is always a plus imo, and his whole bit with going on two dates at once is very in character. he also meets rachel, who comes back in season 5, so that's important. it also has some great jeff & britta development!!! which is sort of few and far between in the later seasons!!! yippee!!!

❌ intro to felt surrogacy: tied for my least favorite community episode of all time. it's clear they tried to do something similar to what they did with abed's uncontrollable christmas, but it is so incredibly contrived that it is physically painful to watch. I hate the puppets. the hot air balloon story is so stupid and out of character. the songs are bad. how dare they sully the legacy of my third favorite episode (lmao). the only redeeming qualities are troy as a whole (all of his lines are good, and that moment when he pretends his puppet is falling asleep is very funny), and the fact that pierce is not physically in it. but those do not make up for how horrific the rest of it is. in my opinion. haha.

❌ intro to knots: once again! Tied For My Least Favorite Community Episode! they're right next to each other, how convenient. and again: bad jokes, bad premise, I fucking hate professor cornwallis, the changnesia shit is back, the plot is ALL over the place, there is little to no actual character development, the dialogue just goes in circles, and it ends with a random litter of kittens that are never mentioned again??? I guess the only mildly important thing is the end tag with the evil study group, which comes back during the season finale. but yeah. not worth it. disgusting.

✅ basic human anatomy: and here we have a HUGE jump from the last one. this is my favorite season 4 episode, and is probably in my top 15 from the entire show. I could talk about this episode for hours. the troy development alone is so so so good and important. add abed into the mix and Oh Boy!!! britta is great in this one, jeff and the dean's whole thing is so fucking funny, shirley and annie competing against leonard for valedictorian on a technicality is very in character and silly, danny and donald's acting in this one is commendable, etc etc etc. there really isn't much, if anything, I dislike about this episode. jim rash being the credited writer makes me love him even more. legendary. outstanding.

✅ heroic origins: I actually really like this episode. it does still have that sort of unnatural and off-putting vibe that the majority of season 4 has, but I think it holds up. it's in character, it has some great jokes and one-liners, and although it does have its moments of discontinuity, it does a surprisingly good job of staying compliant with what has already been established. certainly much better than alternative history of the german invasion. abed's whole bit with the star wars prequels makes me laugh, the annie's boobs lore, footage of annie and troy in high school (surprisingly well done if you ignore the discontinuity of troy's injury), etc. it's also massively important for the overarching season plot, and we finally get to the conclusion of the stupid changnesia arc. I could go on and on, there's just a ton of really cool callbacks (including one to the pilot, which I only noticed a few months ago and am obsessed with), and I just. wasn't expecting this one to work out as well as it did. pleasantly surprised, all in all.

✅ advanced introduction to finality: this one is not great tbh, but it's too important plot-wise to skip. and, I mean, it does have some good moments. abed immediately recognizing evil jeff, the whole thing being in jeff's head a la remedial chaos all being in abed's head (insert something about how this being yet another demonstration of how fundamentally jeff and abed understand each other, which I could expand way more on but won't in this particular post), season 2 of the cape, "one of us is out of bullets" "is it you" "...yeah" "why would you tell me that," and more. overall, yeah, worth watching imo.

I do also want to say that I think season 4 is a bit overhated. I do agree that it is the worst season, I think most of us can agree that that is an objective truth, but it does have its moments and I do get slightly frustrated when people write the entire season off.

I’m also happy to hear anyone else's opinions on what you think is/isn't worth watching in season 4, especially if you really strongly disagree with me. I’m curious to what your reasoning is lmao.

okay! this is definitely way more elaboration than you needed, but I hope this was helpful 💯💯💯

[amrv-5]

HI ⭐️! (loved Droughtland, would love to hear commentary) :)

HELLO and THANK YOU FOR THE ASK and I'm SO GLAD YOU LIKED IT I loved WRITING IT ARGHH!!!! Also tagging in @catgrub who asked the same just a few minutes later -- HELLO and THANK YOU ZANE!!! Since there were two recs for Droughtland I feel like the extreme length of the following Commentary can be excused.

(For context: I realized I've got 0 idea of how to do a Director's Commentary except for ones I've seen where directors just rewatch their own movie and speak overtop of it, so, I did the same except with reading and typing. This is my read-along author commentary on Droughtland, arranged in chronological order--feel free to look at it with the OG, or not, it should stand alone just fine. Or ignore it entirely. My god it's fucking long, so sorry. Anyway, onwards.)

Okay close reading. Okay commentary. Engaging on this journey together yaaaay.

[Iowa, 1962]

Okay, from the first line, we’re invoking concerns of location, identity, belonging, otherness—Radar struggling to adjust to home because he senses he’s been changed by his experiences in a way that makes him incompatible with the life he used to lead. He’s good at his job, we sense that he’s well-respected, but he’s undeniably not entirely present. Everything he does, sees, thinks, remembers, ends up in service of the Project, which I think I’ve (maybe not obviously or even all that consciously) tried to imply has an element of spiritual or religious calling to it, given that we’re introduced to it in a church. 

And retrospectively enjoying the complexity of Radar running the line between escapism and catharsis in his writing at the end of this first section. He misses the people he was close to, that much is clear, and writing is a way to feel close to them. And yet he’s also mentally returning over and over again to a war. A theme I’ve played with in the background of my BeejHawk fics, and more centrally in Droughtland, is one I sort of cribbed from Michael Herr’s Dispatches: Who are you after the most defining event of your life has ended?

[Iowa, 1952]

...And who are you when you KNOW the most defining event of your life has ended? That’s not to say the War Was A Good Experience and One To Reminisce Over. In fact the war being experientially horrific only complicates this idea more. I’m fascinated by how somebody goes about the rest of their life knowing with near-certainty that anything / everything they experience will likely never be as impactful on their sense of self and arc of life than a single past event. Anyway, this ends up concerning Radar greatly, who moves from that Defining Event—Drafted Into the Korean War—back to the rhythms of family and farm life, where he expects himself to be content with the life he’d always assumed he’d have. Actually I’ve read more and realized I had him state that concern textually, rendering this redundant. Ah well. Moving on. 

Okay, something else—Radar and writing and fiction and voice. I wanted to get across very clearly that the driving force of his writing is a direct desire to communicate—his first attempt at beginning the book takes the form of an introduction (“My name is Radar O’Reilly”), and he states that writing lets a fellow talk to people who aren’t around. The silent implication being, then, that he’s got no-one real to talk to. Another important set of questions getting kicked around in this piece: Why do we write? Is writing still communication if it’s never shared?

I wanted to play with the idea specifically of writing in relation to loneliness. If you’ve got nobody to talk to, or no way to express yourself meaningfully, or nobody who is interested in understanding you, it makes a lot of sense to sink into the realm of the creative, which we see Radar do here very explicitly. He doesn’t have any close connections, really, or at least not ones he thinks he can explain his new sense of self to, so he turns to writing. Summoning the last people who really understood how he felt, in some ways, writing to communicate with people who are dead or gone from him. Making some record of himself, his experiences, the way he sees the world—an attestation of self, or something, in direct defiance of a landscape and life that feels flat, uncaring, inaccessible—he starts writing alone in a field.

[Iowa, 1959]

Next—mm, field fire section, which was my favorite to write. I’m clearly and obviously soft for rural concerns. I know it’s been pointed out that my voice is significantly different in this fic than in my others, and I’ll admit that I did dip into the author-voice I usually reserve for my personal fictionalizations of family histories, which largely concern, go figure, rural American questions of identity, place, belonging, family, fulfillment, etc. And yet the usual Vonnegut-y sensibilities aren’t wholly gone—the idea of Radar being a volunteer fireman was lifted both from Vonnegut’s life AND volunteer firefighters' positioning in his work as bastions of selfless humanity and civic duty. I like the idea of a latently lonely Radar doing all these very quiet upright civically-minded things. Frequently good people are dealt bad hands, and aren’t cared for by their communities, and still go on doing good anyway. 

[Iowa, 1963]

Reading on—and the arrival of BeejHawk. It’s been long enough by this point that Radar’s sort of been subsumed by the Project. We see that tendency in him as he anticipates seeing ‘Dr. Pierce’ and meets Hawkeye instead.

And then—AH! At last! The title is Droughtland, obviously, and that’s a multivalent image, but here’s at least one moment and facet of relief: Sometimes, he thought, a fellow just needed words. Words and words and words like rain on a drought. And the good doctors Pierce and Hunnicutt had always known how to talk up a storm. 

As much as it’s a relief, it’s also destabilizing to suddenly have people notice him after so long living almost entirely within himself—Hawkeye calling him Radar shocks him into silence—wow, I’m realizing belatedly just HOW MUCH this fic is about loneliness, actually. Funny the things you can catch on a reread. His name is important, that’s all, and Hawkeye would understand that. 

Meanwhile BeejHawk as a unit are very clearly sensing something wrong—not wrong, maybe, but not all right, either. Radar’s Restaurant Allegory is key here as he admits that ‘enjoyment’ is absolutely meaningless in the context of his life—it doesn’t matter if you like the restaurant if it’s the only option. It’s not that he likes or dislikes it—it’s that forming and expressing an opinion would be pointless. This is a stand-in for his opinion on life, which Hawkeye finds distressing, though I think he’d agree with Radar to a degree on his related idea that happiness, delight, joy are intentional practices more than consistent feelings (another idea cribbed from elsewhere: Ross Gay’s Book of Delights, which I am coming to realize sunk way more deeply into my psyche at age 19 than I thought. I may elaborate someday if there’s ever an interest in Parker Creative Nonfiction because the story’s sort of ???, but also, maybe not).

Anyway, Hawk at last manages to drag a bit of real sentiment out of Radar: writing, and the Project, where so much of his internal life is focused (Hawk makes a Lot’s wife joke, because of course he does, but also I like him invoking a story where somebody looks backward on something terrible and suffers for their inability to turn away). 

And from here Radar takes the plunge and finally gives all that lonely writing an audience. Terrifying, but it pays off—Hawk affirms that he’s very good (important to me that Radar’s very good as a writer coming from outside a formal academic context. Everybody has the potential to create resonant art, and I wanted to be clear that Radar’s interest in something like the Iowa Writer’s Workshop isn’t the need to be Validated by the Institution or to Escape some sort of poorly-informed or condescending vision of Rural Nonintellectualism (bad themes!!! I hate them!!! NOT at play here, or at least consciously attempted to subvert) but as an extension of the desire for artistic community. To be seen and heard, instead of all the silent listening he’s been doing for years.)

The tradeoff of communicating, by the way—Hawk is a good listener, and picks up on a number of things maybe Radar wasn’t even aware he was revealing in his work—loneliness, vague dissatisfaction, a focus on finding interior fulfillment when the external world fails to provide. Scary, destabilizing, embarrassing… but eventually very, very good. For Radar, at least, who’s suddenly feeling like he’s allowed to want something. 

Moving on. Hawkeye’s reaction to learning he’s a part of Radar’s Project. Obviously he’s worried about how he’s going to come across. I think it’s a very scary thing to be the object of cameras, of writerly gaze, all of it, because it creates an image that exists entirely outside the object's control. How horrifying/enticing/awful/fascinating it’s got to be to be able to find out how you exist in another person’s mind… and when that image was formed in the lowest years of your life… of course Hawk’s apprehensive. And clearly it rattles him—but maybe in the way any really, really resonant art rattles us, based on his next-morning response. 

Hawk comes downstairs and we get this baffling little kiss scene, which I’ll be honest I wasn’t entirely sure what it meant when I was writing, only that it felt right. But now I’m thinking it’s clearly an exchange of seeing—Hawk feels he’s been thoroughly Seen in Radar’s work, for better or worse, and comes downstairs to communicate in this abstract way that he sees Radar, too—and affirms what he sees. 

So we end with these moments, finally, of communication and understanding and connection. Very obviously there’s the Hawk-Radar connection, which is so intense and emotive it’s basically psychic (what's good writing if not successfully communicating an idea or image with all original emotive force and vividness from one mind to another?). There’s also Beej, who isn’t Hawk’s brand of incidentally clairvoyant, but is all around a very bright, kind, warm person who’s able to give Radar the sort of horrendously necessary everyday sort of conversation and care that makes life bearable, the kind it’s so easy to take for granted when you’re experiencing it regularly. And then there’s BJ stepping in to hold Hawk even if he doesn’t fully understand what’s transpired between Hawk and Radar, because he knows Hawk and knows that he needs a second of support, which is sort of psychic in its own way. 

And that's the end. So, overall, I’d say the thing is very directly related to the title—drought of the soul which is only starting to lift by the end of the piece. One storm doesn’t solve a drought, after all—you need consistent rain, and time for ecological repair. And still the first few drops of rain after a dry spell feel awfully good. 

[shinygoku]

CutCat’s ATLA Takes

Here I am, jotting them down before doing a series rewatch. This is gonna be a bit disorganised, so beware!

---

First I guess I oughta put a quick disclaimer in that Zuko is one’a my biggest Blorbos, comparible with Son Goku!  ...so like, you may notice me focusing more on him than other characters or topics or whatever lol

Also I am Not interested in the Comics or Korra series...s. The former for writing that is plain ass bad, and the latter for changing so much of the setting (not for better) and uhm, also less than good writing. If I want bad takes on Communism and Anarchy I can just go look at Twitter or some rubbish. Also I know Kyoshi novels exist. I’m just talking about the OG show, even if select pinpoints of the subsidiary installments have good moments.

This got PRETTY LONG and ain’t particularly coherent, so I’ll put a Cut in here ;3

Overall Show:

Not gonna lie, some’a the Book 1 eps get pretty throughly memoryholed, even what happens in the first two! They ain’t bad, but it does take The Storm for the series to really hit its stride with the delish Backstories.

Following that solid W of an ep is The Blue Spirit, and this is actually one of the best in the entire show. Seems they initially wrote it like it was a season finale to get more eps approved, and it worked! lol

I dig that all the characters get some character focus and growth even early on

...I’m mixed on my stance on Aang’s crush on Katara. If it was a one sided thing that started off quite strong and then de-intensified over the series, I’d find it very cute and endearing. But that sure ain’t the course they took lol, but I guess I’ll sum my thoughts on shipping in its own section later.

The real highlights of S1 are in The Storm, The Blue Spirit, The Northern Water Tribe and the Siege of the North 2-parter. All these have a lot of Zuko, fancy that XD

Also I like how early it’s set up how Built Different he is, especially them last three eps. Dude gets blown up, swim through long underwater tunnels in freezing water, barely wins a fight, treks out into the arctic, gets 1-shot in a fight, and THEN starts another fight, this time with Zhao. His only true weakness really is his mental state and lack of planning, innit!

Book 2 overall kinda bothers me. Objectively it has some of the strongest points, but so much of it feels like it’s dark and dingy or really damn slow to get moving.

Strongest points are of course Toph’s entire existence, the zigzags of Zuko’s arc, and Azula’s anatagonistic omnipresence

The rest of it, myeah... while it’s more focused on a through line plot, it feels a bit monotone until The Library and eventually The Guru and Crossroads

Zuko Alone might be the GOAT episode. It’s not my favourite but DAMN it is firing on all cylinders!!!

I also like Bitter Work a lot. Gotta eat up more Parallels Episodes, babes!

The “Brainwashing” / Sleeper Agents thing feels OP. I get ya need an antagonistic force different to the Fire Nation but myeahhh... not convincing me

But yeah, then there’s Zuko’s continued character thread with the Angst Coma and the dreams and then the REALLY WEIRD turn of him being all smiley and optimistic. It always felt really fake and non-Zuko-esque to me, but I can ‘get’ that given he’s trying hard to shift gears from the status quo of before, overcompensating in the process. What’s odder still is that Iroh doesn’t seem to question it...

Like, sure, he wants to settle down and Tea Shop it up, but even if he could get Zuko to stop pining for the position in the Royal Family, does he honestly believe a day of fever dreams will have had such a profound effect last longer than a few days of re-settling? Zuko’s actions feel like someone having decided to turn their entire life around starting tomorrow and then swiftly burning out as change is a slow and gradual process in reality, and shouldn’t be forced.

So what I think is going on is Iroh himself having become blinded by what he wants, rather than a more realistic outcome. And that could be fab gear writing! A reminder that Iroh too is not immune to bias and oversights, and is indeed a human who sometimes Dun Goofs. If it is what’s intended rather than lazier writing lol

Also yeah, Zuko’s almost- side switching, I’ll save that for later ;3

Book 3 is both a high point but again there’s some episodes that are pretty lame or have less to offer, but I feel more forgiving of this one as sooo much juicy Plot stuff actually unfolds~

Again it takes the Main Plot stepping up for the quality to rise with the Day of Black Sun, and then the episodes after all feature the long-awaited Redeemed Zuko, and those times ae Gooooooood

The stupidest moment I have to complain about though, in the DoBS, is when Azula “proves” she’s an expert liar by... saying she’s a giant purple bear thing? That’s not lying, it’s absurdism, and it’s incredibly easy to say dumb shit like that without any “lying tells” that polygraphs or Toph look for (keep in mind that irl Polygraphs actually suck, they’re a Stress detector but lying doesn’t always stress liars out... LIKE AZULA, but even the biggest ball of anxiety could say “Yeah I’m Barney the Dinosaur” without triggering anything. GRAAAAAGH)

Back on track, my only complaint with Zuko joining so late is that I want mooooore, all the eps with the ‘field trips’ are such fun AND such Character Building

Ember Island Players was a great ep, though I don’t need to see the closing scene used to draw comparisons to the live action movie any more. It’s been like 500 times.

I DON’T THINK AANG SHOULD HAVE KILLED OZAI

That would be proving Ozai’s point that Might makes Right, which of course is WRONG

The show has been leading up to non-lethal ethos

Taking Ozai’s bending is a good out.

BUT. Holy shit they fumbled the ball bad

Energybending has ZERO build up or allusions even when there were chances to sneak it in, like The Library or The Guru

Commenting on a picture of a Lion Turtle and having Lion Turtle background sculptures DOESN’T CUT IT

Because that is ALL we get!!

At least have the Lion Turtle picture say “They’re so ancient they’re rumoured to pre-date Bending” or something to hook interest in

And the Guru coulda been a great way to drop the 5th Element lore in

But they waste all chances they had to set it up despite claiming they knew from the beginning that there would be a peaceful out

The Rock unblocking Aang’s chakra is also pretty bad, but I’m more inclined to forgive a moment of luck if the Energybending wasn’t so bogus

But it could be improved if Aang like, deliberately earthbent the Rock and then used it as acupressure

Both the Energybending and Convenient Rock make Aang’s victory feel less earned, which is a huge shame as we’ve seen him actually try soooo much. But alas, that last hurdle and they resort to lazy ass writing

The lst Agni Kai rules though. It’s beautiful and tragic, showing how much Zuko has grown and Azula fell. And Katara’s finishing the fight so effectively is bodacious and actually feels really smart~

WHERE IS IROH AT THE CORONATION??!?!

The end is a cute scene that is then strangled by the Red String lol, but damn, what a cool ass show

 Characters:

Aang: He’s a cute protagonist, I’ve always liked the Cheerful and Highly Powerful archetype (cough cough Son Goku), though Aang is also heavily defined by his childishness, both a strength and a flaw. As much as I enjoy him, unfortunately I think he got a bit of the short end of the stick writing-wise, he can feel a bit Flat and, worse, like Bryke’s Pet. They lean too hard on letting him get what he wants, and we miss out of the development that coulda followed if the story didn’t twist itself to give him outs. Not unlocking his Chakras properly for selfish reasons should be punished. Finding an alternative to Murder should have had him Proactive. Not getting the Girl would have been a lot more realistic...! See the Shipping section for the latter...

Zuko: Holy rigatoni, man. Zuko is the bar by which Enemies to Friends, Redemption Arcs, Anti-Villains AND Anti-Heroes are all measured. His character has so much incredible nuance!! And yeah, maybe I too am weak to the dark and handsome and yet dorky type’a fella ;3c - I’m in the kinda situation right now where I find it hard to actually phrase everything I dig about him, but that’s from having too many thoughts and they all get crammed in the doorway between my brain and ability to type lmaooo

Katara: This girl is another high water mark (pun unintended) for how to Female Character. She’s the designated Mom of the team, but she ain’t defined by it, also being one’a the most capable fighters, having a hot temper and even a mean streak. It would really suck if she had just been written primarily to Love Interest (as the early drafts seem to imply...), but in the show, she has her own agency and goals that compliment the main quest, and she manages to be both a stable grounding force while having plenty of growth of her own.

Sokka: Again, I really wonder how it woulda turned out if the original plan had been followed; in Sokka’s case he was s’pposed to be the serious, stiffer contrast to Zany Playful Aang and Wide-Eyed Idealist Katara. But his VA is very naturally Funny, and so Sokka as we know him is a bodacious blend of Wacky yet also Level Headed. It’s an odd blend and many have tried and failed to replicate this delicate balance, but Sokka does indeed feel like a real person who seamlessly switches between being the group’s eccentric and also the one making all the plans.

Toph: ANOTHER amazing W for Girl Characters, Toph is such a delight and welcome shaking-up of the existing dynamics. She’s pretty consistently one of the most amusing and Real of the crew, while hilariously OP without it feeling cheap. It’s so weird to think she wasn’t in Book 1 at all, cause once she joins you sure as hell can’t imagine her being absent.

Iroh: Everybody loves this dude, and they’re right! What can I say about him that ain’t already been covered?? Maybe just that I do like that, as wise and benevolent as he is, there are still times where he’s allowed to be wrong or short sighted (see: my previous ramblings about Zuko’s very-un-Zuko behaviour), cause it allows him to feel more Real, and Human. That he’s speaking from experience and not from reading the script. That’s dope, man.

Azula: This is hard... I feel Azula is a massively polarising character, many people enjoy her but there’s too many people who either want to pretend she didn’t do horrible things, too many people who forget she’s also a victim, AND too many people who are just blindly like ‘woo, yeah! What a #Girlboss! Azula’s so cool and automatically wins at whatever”. Like, she’s one of the more nuanced characters but the surface level is indeed of hyper competence, it’s what’s below that veneer which is interesting. I kinda feel like more people oughta talk about the moment where she looks pleased, almost triumphant at Zuko being maimed...

And the rest: Oh god, I can’t talk about every semi-developed character as there’s a lot. Sorry Suki. You’re cool too! But most characters who appear in more that one episode see to be written pretty good, again, like People, rather than just plot devices in human skin. I like that.

...

Shipping:

lol. I think the BEST route would have been to not ‘canonise’ any ships of the ragtag group of kids and teenagers. Alas, we don’t live in that timeline and have dumb ass wars over it. Anyway, here’s my hot take:

Kaatang, while foreshadowed early on from Aang’s side, is a really lame route as Katara seems to have to loose her actual personality for it to work. Also, it jars with Aang’s role as both Avatar (while they’re allowed to Get Freaky, he was s’posed to be able to detach from Earthly attachments to gain the Avatar Powers), and as a totally-not-Buddist Monk, who are NOT allowed to get bizzay. So Aang too loses insteresting notions of Duty and being able to Mature cause he just gets what he wants without having to try. Lame.

Katara doesn’t have many moments where she even looks at Aang as something other than a Friend / Little Brother / Son?? type figure, there’s only brief moments where there is potential moments from her side, and they are far between and seldom deeper than her chemistry with the likes of Jet and Haru. The most I can speak for is the Day of Black Sun, where she’s taken aback by Aang planting one on her, but when he directly and Un-Classy-ly brings it back up in the Ember Island Players, she is quite rightly reserved and when he kisses her again without warning she’s angry! And that’s never resolved!! They just Mandatory Ship them together in the end because Bryke are biased and soooo intent of having their ship even though the writing hasn’t sufficiently built up to it. I don’t dig this, baby!

Maiko is also badly written and the comics make Mai unlikable. [slow sarcastic clapping]

So the ships I do like are:

Zutura - THEMATIC PERFECTION and not because of the red and blue, fire and water juxtaposition, but because Katara and Zuko are fundamentally so similar but coming from opposite sides and thus approaches. Both so kind at their cores but quick to anger or do something stupid on impulse, both so affected by the loss of their mothers and family-motivated. The fake out in Crossroads introduces a fascinating extra crease to their interactions that lasts, and the finale?? HELLO?!?! That’s legit one’a the most compelling Ship Fuel moments ever, baybeee! Other serieses would knaw off their own leg for material that rich!

Also yes, the red/blue, sun/moon, fire/water, and that they are pretty together lol. But still, there’s more in how they are a fantastic combo when on the same side, and also the meta reality that several writers and their own Voice Actors ship it. And they’re right to!

Zukka - The new darling of the fandom and while it doesn’t have as much going for it, I can see it. At it’s worst it feels like people desperately trying to rationalise the red/blue guys from Failtron Legendary Idiot Space Show, but when people who actually care about the characters here in ATLA and draw on their parallels and interactions I find myself enjoying it. Zuko goes well with the Water siblings I guess haha

Sukka - I don’t have much to say, I just like it lol

Also in the past I liked Zukaang but now I wanna redefine it as them being allowed to be Buddies and close friends and teammates, like what the Blue Spirit ep teased at but then didn’t really follow up on outside The Firebending Masters. I want more!! MOOOOORE!!!

...

But man this post is obnoxious and long enough already lol, thanks if ya endured it all~

[space-specs]

I, T and X <333

Thanks for the ask bestie, this was very fun!!

I - Has tumblr caused you to stop liking any fandoms, if so, which and why

BBC Sherlock. I really wanted to watch this show when it was all over tumblr and all my friends were watching it back in like 2014, but I never got around to it. Eventually, people stepped back and were like "actually, so much about this show sucks so much", and I was just kinda glad I'd never actually watched it yet and now I won't. If I want Sherlock content, tbh, I'll probably just rewatch "Elementary, Dear Data" from Star Trek: TNG. Or finally finish the Enola Holmes stuff.

T - Do you have any hard and fast headcanons that you will die defending, about anything at all (gender identity, sexual or romantic orientation, extended family, sexual preferences like top/bottom/switch, relationship with poetry, seriously anything)

Duke Thomas cannot make direct eye contact with people. It gives him a splitting headache. Since eyes both absorb and reflect light, looking directly at someone's eyes creates a sort of feedback loop of light beams for him.

Cass is, in all actuality, older than Jason. However, because there is some ambiguity about her precise age, both of them frequently insist they are the older sibling of the two. They could very easily confirm who is older; they both refuse because they don't want to be wrong.

Steph is more of the common sense in the batfam than people give her credit for. Don't get me wrong, she is far from normal (she is vigilante, she grew up in Gotham), but she is the one with the wherewithal to, idk, solve her problems by actually talking to people. She's clever and witty and quick on her feet and actually some really good and really practical people skills.

Duke and Jason are both functionally immortal for different reasons. (Also, they are good brothers and DC needs to bring back the two of them getting to interact).

Tim doesn't call Bruce "dad" and probably never will. Not because he doesn't see Bruce as his parent, but because "dad" has some very complex connotations for him and he doesn't want to apply those to Bruce. More specifically, because good batdad is canon to me, Bruce is better than what "dad" means to him. (It’s also important to me that Jack does try to be a father to Tim and does love him. But loving your kid is not always enough. Sometimes you still hurt them).

There's definitely something I'm forgetting that I'm even more die hard about, but this is already more than I intended on writing for this one 😂 needless to say this is a fun question. (Also maybe putting this out will kickstart me writing the fics I have planned based on 3 of these)

X - top 5-10 characters who are yoUR PRECIOUS BABIES AND YOU WILL DIE DEFENDING THEM

Tried very hard not to just put every single batkid on this list but know that I would go to war for any of them I love them all so much.

In no particular order

1. Jason Todd -- listen, do I think his philosophy on crime should be applied to the real world? No, absolutely not. Has he done anything wrong ever? Also no.

2. Duke Thomas (bonus: the whole We Are Robin crew) -- if you hate Duke Thomas, meet me in Denny's parking lot. Something is clearly wrong with you and I will right it via blunt force trauma /j.

3. Tim Drake -- Catch me untangling the mess that is his fanon and canon characterizations and weaving a beautiful tapestry out of it. I see so many wrong interpretations about him and I am tired. Very carefully sorting out what should and shouldn't be kept from both fanon and canon every time I write him.

4. Cassandra Cain -- she has done nothing wrong ever and she deserves to be Batman. my favorite weirdgirl ever <3

5. Trevor Belmont -- my wife /p just introduced me to Castlevania and I did not expect to love it this much. Trevor is my babygirl and I would die for him.

6. Sypha -- I love her soooo much and I am dreading any potential romantic arcs to come about since she's the female lead because I really don't think she needs it. Please let her be cool af and single and not ruined in favor of the inevitable contrived romance, oh god.

7. Rise!Mikey -- I started my dive into tmnt content with Rise and then I tried to go back and watch 2012 because people said it was also good but they were so mean to Mikey 😭 I couldn't do it. He is like a squeaky toy to me.

8. Rise!Donnie -- I am captivated by his autism swag. Enough said. (Him and Mikey as a brother duo is so precious to me).

9. Razer -- Watch Green Lantern: The Animated Series if you haven't already. Do it. I promise you will not regret it. I won't say anything because spoilers but I have so much to say.

10. Talia al Ghul -- I am taking a knife to canon and carving out the parts I don't like because she is a good mom, goddammit!

Bonus: Koriand'r. I haven't read enough comics to know much about her, but I respect woman juice everyday for my favorite 6+ ft buff alien woman. (She should get to be huge and strong and I will fight for that).

[warm-like-autumn]

Little Witch academia theories

Since now there's the possibility of an upcoming Lwa season I thought it was the perfect time to share this theory I've had for a long time, along with what I think the upcoming season could be about, possible episode ideas and… maybe future villains. And as I’m rewatching this show , I developed this theory that I had for a long time and even came up with ideas for the new season and what it could be about.Let's speculate!!

My main theory is about Croix Meridies and how she could possibly be related to the Hanbridge family.

This might be me over analysing things, but after seeing someone on Tumblr point out to how similar Andrew and Croix's eyes are, I believe they are connected in some way, but the creators didn't have time to develop on that. Especially in how in ep 24, there was put a strong emphasis on both of their eyes. In a scene that was supposed to parallel their reactions.Especially in a show like Lwa, where all the important characters have unique eye shapes that match their personality, having two important characters have the same eye shape and the same eye color raises some questions.

And this is not the only evidence I have to Croix being related to the Hanbridge family. In episode 19, Andrew even states that him and Diana are sort of related. And now on to the Paul Hanbridge part, it would be weird for a man who claims to dislike magic so much to be related to witches. So, what if his wife was a witch, because I think there's a reason we never saw Andrew's mother, and even though we don't see all of the characters parents and flashback moments in this show, Andrew's backstory seems to be pretty important and his father is always present throughout the story.

And for a father that is so strict it raises some questions that his mother is absent. So what if his mother is… dead, and what if her death had to do something with witchcraft, possibly being a reason why Paul hates witchcraft and forced his son to have the same opinions , thinking magic is a dead practice, and his hatred seems too personal to be political in the first place.

Another interesting factor is how Paul's hatred for witches seems to be different from Blackwell's hatred for witches. Whereas Paul's reasons are more justified since he hates the art, not the artist and thinks magic and witches are outdated and have no place in the modern age, Blackwell holds this opinion out of pure bigotry.

And as much as he hates witches, Paul still tries to keep a good relation with them, even if trying to "keep his enemies in debt"

as he says in ep 6 and he seems to have had a good relation with witches and Luna Nova for a long time. So something must have happened along the way for him to hate witches and that something may involve… his wife. What if witches or witchcraft were involved in his wife's death.

And this gets us to the important part of the theory, Croix and how she could possibly be Paul's daughter. What if Andrew isn't the only child Paul has, and this theory is plausible since Croix is around 28 years old,(she graduated in 2007, the anime takes place somewhere around 2017)

and Paul seems to be around his middle or late 50s, basically old enough to be her father. Another piece of evidence I have to that is how there not anything known about Croix's past before she joined Luna Nova, and despite her achievements and the fact that she was described as a "magic prodigy" she was also described as timid and reserved during high-school days, and back then she wasn't as confident and over the top villainous as she is today, her stance being much more distant and reserved, compared to Chariot, who was much more extroverted, even a bit of a show of, always surrounded by people.

She seemed as if she was hiding from something… or someone. What if Croix ran away from home in order to pursue witchcraft, since Paul could have been just as strict about witchcraft to her as he is to Andrew.

And it would make Andrew and Paul's connection to the Chariot and Croix storyline deeper and better, since even the magic shop owner was more relevant to the plot than those two at this point, and they acted as spectators in the second half of the story. Another interesting factor is how Paul constantly says that magic is dead ,obsolete and not necessarily in modern times, while Croix's main motivation is to prove that this exact thing is wrong and that magic is still useful by fusing it with science. And think about it for a second, the damage Croix's monsters did, how Croix fueling the protests for her experiments almost sparked into ww3, all of these things affect the government, which Paul is a part of. Her villain plan might have also been a revenge plan at her father, for being an awful parental figure.

On top of that, neither Andrew or Paul ever directly interacted with Croix or even saw her, and all of the important characters saw Croix and interacted with her, except those two. And at the end of episode 25, right after Croix was arrested and left the scene, Andrew appeared, almost as if the creators didn't want the two characters to interact just yet.

And knowing that Andrew and Diana are cousins, this would also make Croix be part of the Cavendish family, Meridies being possibly a fake name she took to distance herself from both of the well known powerful families. Andrew and Diana often parallel each other in the show, and Croix and her relationship to Chariot is also supposed to be a foil to Akko and her relationship with Diana. Therefore Andrew and Croix were supposed to be a foil to each other, Croix kind of showing Andrew what can happen if he quietly held a grudge against his father and not standing up to him at the right time for two long until he eventually could snap and do the same thing as Croix. Her story of being misunderstood,missguided, filled with jealousy could serve as a cautionary tail.

And Croix being Paul’s daughter would also make sense given her overambitious personality and her constant need of validation from others , including Profesor Woodward and desire to be on top.All of these factors could have easily shaped her into the sort of person that despite having good intentions doesn't have the best ways of achieving them , often putting others in danger to do so.Her being Paul’s daughter would also make sense of why she is jealous of Chariot , since Chariot not only has the shiny rod , but also support from others and appreciation .

A reason my theory could work is how Andrew was originally supposed to be Akko’s love interest , but the creator of the show , Yoh Yoshinari scrapped that sconcept at the request of staff and voice actor , he ended up making Akko a “girl who’s not interested in boys” , so Andrew needed a new purpose in the story , and maybe him discovering Croix is his sister and potentially also becoming a wizard could be those purposes , since they already been kinda set up.

But this theory also raises some questions .How did Andrew’s mother die?Is Andrew a wizard?Did he know he had an older sister? These could be interesting themes to explore in the potential upcoming season .Other things that would be cool to see in this potential season what happened after the missile, Croix redemption arc, my theory becoming cannon and Croix and Chariot having to deal with the mistakes they made, how Akko feels about all of these, and more stuff with the nine new witches, are they considered like superheroes, are they famous now??

Now , onto what the upcoming season could potentially be about :

- As I stated in my theory , Croix and Andrew having to deal with the fact that they are siblings

-Croix redemption arc , maybe more development with her relationship with Ursula/Chariot

-Maybe another episode focused on nightfall , maybe Akko using a spell to make the Nightfall characters real for Lotte’s birthday.

-More flashbacks about Chariot and Croix’s years as Luna Nova students

-Lore behind the golden age of magic and the nine new witches

-New villains

-Return of the shiny rod , but in a unique way

-Maybe the stories could deal with Arthurian Mythos via Appleton Academy

-Male Wizards , maybe more episodes with Andrew and Frank

-More action scenes and serious moments

-The preparation for the spring festival mentioned at the end of episode 25

-More references to other pieces of media (maybe more kingsman , marvel and star wars references as well…)

I should go in depth with some of these aspects :

1.For example , even after episode 25 showed everyone cheering for the 7 witches,they were happy and cheering because otherwise the missile would have killed everyone.They now are happy that they are saved by the witches , and possibly entering a new age of magic , but what if somehow , it is discover that it was because of Croix’s magic that the missile attack almost happened in the first place.How would they react knowing a single witch was capable of such a feast.Especially how would the politicians react.Because at the end of episode 25,Paul was willing to learn more about Andrew’s opinions about witchcraft and even be open to it .But maybe after he finds out the truth about the missile attack,his hatred for witchcraft is even more reinforced , maybe ruining all the progress Andrew has been trying to make in teaching his father about magic ,for him to hate it even more now.Maybe it would even push him to become a villain in the show.

2.Another idea for a villain in the upcoming season I theorize about is Daryl , Diana’s aunt , even though she was kinda redeemed by the end of the season , she is a strange figure , possibly using dark magic , maybe after Diana became head of the Cavendish family , Daryl does not agree with some of Diana’s ways of improving the Cavendish family title and returns to villany , maybe serving as a possible introduction to dark magic (Like she literally can go through walls and has a snake as a pet AND HER EYES GLOW RED)

3.After rewatching episode 17 (Amanda O’Neill and the holy grail) I came up with this silly idea for a plotline , what if that episode wasn't just about an epic fight scene and showing us Croix’s first experiment test , but set up something even more interesting.Even if the title of the episode is a reference to “Monty Python and the Holy Grail” , in the Arturian legend of the holy grail it is Galahad the knight who is chosen to find the Holy Grail. Galahad, in both the Lancelot-Grail cycle and in Malory's retelling, is exalted above all the other knights: he is the one worthy enough to have the Holy Grail revealed to him and to be taken into Heaven , so Galahad is the one to have found the holy grail.And for a first test , Croix’s monster worked quite well , and we also know in Lwa , spirits and ghosts exist and they tend to attach themselves to objects.And if Croix’s pixels were in the grail before Louis broke it , why didn't they start working yet.My theory is that Galahad’s ghost was attached to the Holy Grail and the cubes only powered the ghost up , making it able to separate form the grail ,but decided to stay still until Louis broke the grail , pissing the ghost of Galahad off and thus punishing Louis by possessing a nearby knight armor along with Blackwell himself, combining both into a violent berserker.After Amanda destroyed the armor she could’ve weakened the ghost of Galahad , thus everything instantly went back to normal , but what if the ghost started regaining strength , adjusting to life not being attached to the grail , but planning to stroke again , to punish Louis and the other students of Appleton for ruining the reputation of the school with their hatred for witches .Appleton academy could possibly have lore connected to Arthurian legend to it , with how much they hold the importance of tradition , duels , and gentleman like behaviour , almost knight-like.Maybe the next season could have a plotline that involves stopping the Ghost of Galahad.

4.Last but not least , even after the shiny rod vanished in episode 25 , i think there is a way for it to return without ruining the impact it had in the show. There are seven words of arcturus , and seven of the Luna Nova students are part of the nine new witches , right ?So since the rod became a constellation at the end of the show , seven of those stars could be the seven words , so what if each of the seven words materializes as weapon of their own on earth and each of the seven witches(Akko ,Diana, Lotte,Sucy, Amanda , Constanze , Jasminka) get one of the seven words that became weapons .Because even if the rod disappeared , it came to Akko’s help in a different way , since even if the quest to bringing a new age of magic is far from complete.

[macgyvertape]

Castlevania kinda had a pacing problem

spoilers for all of Netflix’s Castlevania. I haven’t seen much analysis for the show on tumblr, im honestly curious if discussions I had with irl friends mirror what fandom talks about

tldr: Castlevania seems inconsistently paced from season to season, and within season as well, leads to a lot of characters motivations feeling unclear so characters repeatedly explain why they are doing something while they’re doing it

overview of the seasons:

S1 I know somewhat of a test for Netflix but it has good main trio character establishment and sets the scale of the conflict

s2: pretty complete emotional arc for most characters and resolves the plot of killing Dracula while setting up additional characters to continue the story. Isaac, Hector, Carmilla all established with the audience as characters whose story would continue

honestly I would bet this is the most popular season

S3: s2 did a bit of worldbuilding, but this season really fleshed out the world with both a wide range of locations and exploring the question of “what now, Dracula is dead but vampires and night creatures remain”.

There were basically 4 plot threads: 1) Sypha/Trevor investigating the cult & Saint Germain; 2) Hector & Carmilla (also introducing Lenore, Striga, Morana); 3) Isaac’s journey of revenge & self discovery; 4) Alucard sits around the castle and is betrayed.

overall characters roughly feel like they are in the same place if not worse. A big criticism I saw at the time, which hold up after rewatching this before s4 is nothing felt resolved for the main characters

I would say this season is where the pacing issues start to become apparent, juggling 4 plot threads that lack a central theme or even mutual character connection. If there was a central theme it would be “humans are awful to each other”. The Judge doing Hot Fuzz style murders, The Wizard in the tower, Sumi & Taka

S4: it starts with the same 4 plot threads, though upfront it is made clear that the plot theme is “people are trying to resurrect Dracula”, and the progression of the plot works to resolve unrelated plot threads until the main trio reunites for the boss fights. To me and my friends watching it was obvious that the show would reunite the main trio, the question was how and how far into the run time.

Season 4 is why I’m writing this essay, for the past 2 days I’ve been like, yeah that character sure explained their motives repeatedly maybe with some philosophical discussion, but it’s just such a weird place considering where they were in s3

Alucard’s arc:

Where he was left in season 3, it was after killing people he had trusted in self defense and impaling their corpses. It was clearly meant to parallel Dracula’s dislike of humanity. However overall his character lacked a proactive motivating force.

Honestly the most interesting thing I found in s3 was Alucard clearly misses Sypha and Trevor, however they don’t miss him or refer to him

One reason Sumi & Taka betray Alucard is for the secrets and power of Castlevania. After inviting the village including St Germain who Alucard was warned of into the Castle, Alucard makes 0 effort to secure anything, not even his personal childhood room. Guess he really learned nothing

Discussing St Germain, I think it’s funny that they had a several minute flashback sequence for his lost girlfriend (who doesn’t have a name or a voice actor), to remind the viewer of who he is, and to justify how he’s suddenly back and down for murder.

In s4 there is the call to help the village, and the walk back to the castle is a montage of Alucard opening up to Greta and becoming friendly literally overnight. He laughs off the impaling, and basically all of the darker things he went through in season 3, which has me asking what was the point of his season 3 arc then? 

Honestly writing this I realize the biggest parallel he has with Dracula is the call to action from a bold woman with a dramatic entrance speech which then leads to a romance

Isaac’s arc:

in s3, with all the other themes of “humanity sucks” I was always unsure if the townspeople were meant to appear irrational while attacking a larger force instead of letting him pass through an leave, or him not caring about how he’s provoking them is meant to show his insanity

ive seen the discussion elsewhere, curious about the Discourse here

is s4 Isaac has the whole monologue about how he now has agency but him gaining that agency was his s3 arc. In s4 he’s already at the point of accepting it. By the end of s4 he’s one of those who comes the furthest from his first character appearance to his last.

s4e5 where of Isaac attacking Carmilla in Isaac’s 2nd appearance had him resolving like 4 plot threads at once (Carmilla, Striga& Morana, Hector, and Isaac himself).

but i do wonder if Trevor, Sypha, or Alucard even know any of these people exist. I think not

I was honestly confused if I missed a scene from his dialogue about building something and what is inherent nature, to “My plan has evolved, my plan is now conquest” because he only conquests the one castle and the rest is left unclear

Upon rewatch the connection there is “killing [the wizard] felt just ... I liked that feeling”, so the show says that Isaac in the end attacked Carmilla for the sake of justice and not revenge.

Isaac in his last conversation expresses the theme of s4 “build something new on these old bones, where people can live for the future”

however, his arc honestly feel scenes were cut, and then dialogue was written around it. He’s the only living character who doesn’t show up in the epilogue and the sentient night creature “what if I could empty hell” dialogue was some of the most interesting worldbuilding. Night creatures with sentience and possibility of regaining memories!!!!

The Council of Sisters & Hector’s arc:

oh I’ve already seen s4 discourse about Lenore/Hector while searching for character analysis, a chunk of it seems to be rationalizing the absolute difference between how s3 ended with these characters and s4. It was extremely confusing for me and my friends; wondering if 1) was Hector showing more emotional intelligence than before and putting on a facade to cover up hatred? Nope 2) did more time pass than 6 weeks for there to be some kind stockholm syndrome? No, Hector seems fine to let Lenore kill herself

The slave control ring: played up in the climax of s3 and easily solved s4. s3 Lenore says if he tries to harm them, flee, or take it off it would cause crippling pain, in s4 Hector just easily cuts off his own finger.

for a control ring that they take time to show a version being on the Rebus, it doesn’t do much controlling of Hector

also guess the definition of “do harm” just refers to direct action

Lenore in s4: has no purpose in conquest, has that useless remarked on by multiple characters, is imprisoned, then kills herself after a genre aware philosophical discussion. This essay is long enough, but what the fuck happened to this character who ended s3 clearly physically and sexually abusive? Seriously this was one of the biggest writing changes to the point where she was treating Hector as an equal. Compare her last words in s3 “shh the real people [vampires] are talking”. The change in the relationship is actually something I would have taken being shown, or atleast told of what exactly caused this change other than the vague “you adopted him”

Striga&Morana get the best arc of the Council. 3 scenes: the tent argument, Daybreak armor fight & argument resolution, declaration of feelings and turning away. You could argue Castlevania is plot to be connective tissue between fight scenes, but for all the dialogue about human resistance in different seasons it was nice to see it. Overall the scenes were short but had a lot of showing what their relationship is not just telling,

unlike Carmilla. For as much hyping up as they did with her, and as much power as she had, she only appeared in 2 episodes and no other group except Isaac knew about her military conquest.

the map scene where she states her motive for conquest of wanting to take things from old men is the key example of how characterization became tell not show. How interesting was that monologue compared to the past seasons flashback to her murmuring the old vampire lord, or all her repeated insults of men/man-children that shows how she judges people??

That monologue had to carry the weight of justifying the Sisterhood bonds falling apart as well as why her motivation changed from building a human pen from Styria to Braila to world conquest. I think it did so poorly

Sypha & Trevor

really Sypha & Trevor have the main plot in the show. I checked and post season 1 the only episode they don’t appear in is s4e6, which is entirely devoted to the Isaac, Hector, and Council of Sisterhood arc. Their partnership and adventures are the main plot of the show.

Its easy to see what Trevor’s arc was over the show: coming to peace with the deaths of his family, taking up the mantle of being a Belmont, and starting a new family with Sypha.

With Sypha I actually had to scroll through tv tropes for what is her character arc, and I guess hers is disillusionment from adventure and life outside the speakers? My friends joke that Sypha’s magic is what the plot demands to look cool in a fight, which isn’t necessarily a bad thing.

Tangent: the ending of their arc was easy to guess: as soon as Trevor went to fight the final boss alone I literally said “oh i bet Sypha’s pregnant, Trevor’s doing a heroic sacrifice, theyll use the unexplained magical dagger mcguffin, and 60/40 odds that he goes through an infinite corridor to outright come back vs just the implication he might come back”

I guess my final thought of the show, was overall the SUPER Final Boss got my by surprise. It was a good twist I enjoyed. Not that Death appeared, I had guessed that from the heavy foreshadowing, but I was surprised by who it was, because I had thought I thought the characters involved feeling shoehorned into the plot was just more bad writing. The Alchemist who put St Germain on the path or murder for no discernible motive for helping? Sure gotta move the plot along. New Dracula court member Varney who has a whole introduction with almost every character he meets and banter about his smell? Sure thats basically how all characters talk with a snarky and acerbic voice.

[lizacstuff]

Sen Çal Kapımı / Edser ask from episode 43 (2x04)

AKA Serkan’s episode. 

There is also speculation about episode 44 based on the fragmans and a few random asks

 (Asks under the cut)

Anonymous asked: Hey, Liza! How did you like the ep? I still get chills when watching the diary x video scene and the final one.. Finally the truth is out to both Serkan and Kiraz! And that fragman! 😍 but It seems like Aydan filing for custody will be the new drama, do you think it will last long? Because I highly doubt that they will give solely happy edser and Kiraz in remaining episodes..

My full episode thoughts are here,  but I agree the diary and video scene was spectacular. It makes me teary every time. 

I’m also psyched that the truth is out. Truthfully, I was one that wanted Serkan to find out at the end of the first episode, but now I concede that it was better to draw it out a bit to really build everything up to this episode and his journey to letting go of his fears. What a character arc they gave him. They really explored Serkan and what drives him this episode and it was a treat-- a painful treat-- to watch it all unfold and for him to finally admit what had driven him to push her away all those years ago and what was still holding him back in the present. 

As for what’s next, that’s a great question. I agree that it’s unlikely we’re going to get happy Edser family from here on out, there has to be some obstacles and drama before we get to the end. The Aydan custody drama will clearly be the conflict in episode 5, but I don’t see it as any real barrier for Eda and Serkan. We see in the second fragman that Eda is already confronting Serkan about it, so if Aydan is doing something underhanded they can’t draw it out too long. 

I assume that while the custody thing may cause a wee bit of miscommunication between Eda and Serkan, I think it mostly will serve as fodder for Aydan and Ayfer’s relationship dynamic and give the supporting characters something to run around and chase after while Eda, Serkan and Kiraz actually start forming their new family unit. If anything it might serve as a catalyst for Serkan. Picture it, Eda confronts Serkan about it and Serkan is like “I don’t know anything about that, I wouldn’t do something that would hurt you or Kiraz, but I do want her, I want us.” You know, serve to clarify things.  

There are probably a few episodes of family drama in store for us as everyone, including Eda, Serkan and Kiraz adjust to this new reality. I assume once the euphoria of having her Baba back wears off for Kiraz, she might ask some questions that are hard for Eda and Serkan to answer. We shall see. 

Anonymous asked: i don't think i've cried THIS much at an sck episode... in like ever lmao. i was full on silent sobbing at serkan watching kiraz's baby videos.. but the scene i really loved the most was the one where they have it out after that fancy dinner. it was EVERYTHING we needed to hear serkan's POV and i almost can't believe a lot of us got the "can't have kids" theory right. i have loved so much this season how edser have communicated, even when it's painful and hard.. it was sorely missing for them.

I know! The communication! I don’t think they’ve ever communicated like this. Of course their issues were not as deep and nuanced back in the first batch of episodes so going this in-depth wasn’t necessary, but they didn’t communicate like this when dealing with Babaanne or when it was really needed after the amnesia era.  

Honestly, so pleased the “can’t have kids” theory was correct. It goes so far in explaining his actions and thought process when pushing her away, as distorted as that thought process was.  It truly was selfless, because I’m sure all he wanted was to hold her tight and never let go, but it was also so unnecessary. Their love story has just been so tragic, but if you think about how many things were stacked against them, it’s also stunning that their love has persevered. They were so opposite and unlikely to fall in love to begin with and then you add in all the things that stood in their way, meddling mothers, family secrets, Serkan’s father being responsible for her parents death, evil, rich, powerful grandmother using everything in her considerable arsenal to keep them apart, psycho stalkers, kidnapping princes, crashing planes, amnesia, brainwashing and abusive exes, plotting “friends,” tumor, cancer, separation!

To come out of all of that and to see they are clearly still in love with one another... well they really don’t have any other choice. They should get married immediately with no pomp and circumstance just so they are legally tied together. So when the next tragic, catastrophic thing comes along it will be that much harder to pull them apart.  

Anonymous asked: deniz and burak are the most harmless "3rd party" characters we've ever had in the show that it almost makes me laugh when ppl get so insecure about them.. especially with burak, knowing that he's gonna be melo's love interest, even if i don't want it. like, sure serkan is naturally gonna be jealous, maybe possessive, because of "buba" but it's all being shown right now as light comedic relief.. i've seen some people REALLY take it to heart when it really doesn't seem like it's that deep lol.

I know, it’s all so mild. They also aren’t actually even third party love interests, because there is absolutely zero interest from either side of the main pair. Both are there to a) serve plot purposes and b) show that neither Eda or Serkan is interested in anybody else. It’s nice, we get to see that while they both have had options, neither has been able to move on and both have chosen to remain alone. 

As for driving the plot, Burak’s presence was necessary because they needed someone who Serkan thought was Kiraz’s father, and Deniz was necessary because they needed someone who would do whatever Serkan wanted when Serkan wanted to force proximity with Eda. 

Looking at the fragman, the real “triangle” might be Buba - Kiraz - Baba  but I also think that will mostly be played for laughs.  A way to give us some “Drain the pool” and “Burn the flowers” type jealousy moments from Serkan, since that was a hallmark of Ayse’s early writing. 

However, I can see why some folks were put-off by that vibe. Because, yes, if you’ve been standing in as a male-figure for the 5-year-old daughter of the woman you’re tying to woo (let’s not pretend that’s not why Burak takes such an interest in Kiraz) and the father that the 5-year-old has been wanting and pining for actually re-enters the picture, maybe you don’t need to force your way in and have “Buba day” the day after he returns. I’m not saying you can’t have it ever again, I’m saying you let the family have some alone time and figure things out. Anyone with any emotional intelligence would postpone such an outing. However, it looks like Serkan is not put off so easily and we know he doesn’t lose, so it will probably lead to humorous scenes. 

The good thing about this is that it shows that Serkan won’t sit passively by. Here Burak is giving him an out, Serkan can have his day back, go to work, he can slide into fatherhood slowly, but looks like Serkan is going to have none of that and is going to crash their fishing outing. How’s that for someone who said he wasn’t ready for fatherhood a mere 24-48 hours earlier?

Also it’s worth noting that Kiraz doesn’t see Burak as a father-figure, if she did she probably would have joined Ayfer and tried to get her mom to marry him. Instead she’s been almost obsessed with her father, talking about him, dreaming about him, wanting him and was very quick to correct when someone mistook Baba and Buba. Also she wanted Buba to meet her father.  So Kiraz wanting to spend time with him isn’t a slight, in her mind he’s a friend, an uncle and with all the upheaval keeping their plans might feel safe to her. We’ll see.   

 martha0206 asked: Hi! I love your pinned post. That moment was perfect. Also, I loved the sad and emotional scenes as well as the funny ones. The episode was amazing!!! ❤ Serkan made Kiraz dream come true and I've rewatched that scene and cried because it's too beautiful and touching 🥺 K: Dad? S: Happy Birthday, my daughter 🥺😭❤

Ahh... this post that was pinned.  Thank you for the kind words, I also love that scene. I just love it because it’s such an EXTRA thing to do, putting on the astronaut costume and making an entrance like that, but both Serkan and Eda have always been so extra that it works for their little family. 

I love that he made Kiraz’s dream come true in the most dramatic way possible.  But beyond being dramatic, it was the perfect way to signal that no matter what fears or hang-ups Serkan had, he’s committed to getting over them and he’s ready to go all in on fatherhood. A perfect way to show not only Eda that he’s serious, but to show all their friends and family he’s serious. DO YOU HEAR THAT, AYFER? He’s back and he’s going to be her daddy, and there is nothing you can do about it!

Anonymous asked: do you think the writers goal is to make us hate Ayfer and Aydan? because its just a deeper and deeper hole for these two and I don't understand if they're supposed to be a happy family at the end. I actually realized going back that Ayfer never really developed into liking Serkan/Edser, she just accepted him one day and that was that but with Aydan, her character development was top tier up until episode 29 came along and she never recovered. Now I just want them gone.

LOL, I think this is a pretty popular sentiment among fans.  

Personally, I need to see how badly Aydan is meddling in the next episode. If it’s fairly inept meddling that just causes some mild misunderstandings but also serves as a catalyst for an Edser conversation about the future, I probably won’t get too upset with her.  However, if her meddling is more competent this time and she gets them into real trouble or causes real problems, then I’ll get annoyed with her. Although, I have to say if we need a few episodes of drama, I would rather this sort of controlled, family drama (meddling mamas causing a misunderstanding about custody) then, you know, other melodramatic things that certain other writing teams used to do... like kidnappings and obsessed stalkers. 

As for Aydan, I can’t help it, even though I can never forgive her transgression in 29, I feel sorry that she lost out on so much of her granddaughter’s life.  So if she wants to come in and cause headaches and drama for Ayfer (not Eda, Kiraz and Serkan... but Ayfer) then I have no problem with that. As far as I’m concerned those two can run around for the next few episodes playing cat and mouse while Eda/Serkan/Kiraz quietly form a family.

Honestly, I don’t think they want us to hate Aydan, because they give Aydan funny scenes and relationships outside of Serkan with Kemal and Seyfi and even Engin and Piril, but I have wondered if they want us to hate Ayfer. Because Ayfer doesn’t get any redeeming scenes.  I mean we’re talking about a woman who managed to raise her orphaned niece and her niece never wanted for love and turned out to be a strong, smart, confidence, successful woman... sooooo she must be awesome, right!?!  NOPE. I mean to take a character like that, who had to have been so instrumental in Eda not feeling lonely like Serkan did, but then make her so unlikeable... it has to be on purpose.  

Anonymous asked: I loved this episode of sen cal kapimi. I wasn’t so mad at the pregnancy thing. I know lots of fans are but I really liked how they made Eda and Serkan emotional and we could understand them better. I just hate how all the people who don’t like the show anymore have turned into toxic haters. It’s so frustrating. If she show isnt working for you, then why do they keep watching? 🙁

This happens in every fandom where the show keeps going and takes turns that some fans don’t like. My best advice is to not expect others to change or to stop watching or stop hate tweeting/posting, but to take steps to change your own experience so they don’t ruin it for you. I can’t tell you how many people I currently have muted on twitter. Lots. I don’t want to see the cynical, nasty tweets day in and day out about this show, the writers etc. Twitter has always been hard to take because so many people post their knee-jerk responses there and often choose to word vomit their first emotional response which for some people is mostly negative. That is true for every fandom, and has been true for this fandom since I started looking at responses there. 

So to protect yourself, seek out people who are enjoying the show and post content that you want to see and mute, unfollow or even block those who make your experience worse. 

You’ll never regret curating your experience. 

Also I don’t really consider this fandom toxic. Sure there’s negativity about the storyline and internal drama about a variety of things, but after you’ve been though shipwars that get hella toxic and include fans trying to destroy actor’s careers and who attempt to use social justice issues to bully their fanon ships into existence on a constant day-after-day basis for years, this is nothing. This fandom is a daisy-lined, sunlight walk in the park in comparison.  

Anonymous asked: For the way they treat their child's SO, I prefer Aydan over Ayfer. Ofc Aydan has been selfish & rude to Eda but Aydan saw her as a respectable foe even when she didn't like Eda. Even now her ire has been directed more at Ayfer than Eda. Ayfer eventually accepted Serkan but never seemed to like him. I get why she thought he was bad for Eda but often her anger has been unwarranted. Ironic how mad she was at him for keeping a secret from Eda for 2 weeks. Even now we see how Ayfer's anger sways Eda

I also prefer Aydan over Ayfer, here’s my recent post on it. 

The problem is not that Ayfer never liked Serkan, the problem is that Ayfer never care that Eda did like him. Ayfer can dislike him all she wants as long as she doesn’t interfere, but oh wait, she has interfered, time and time again. She’s used guilt and manipulation in attempts to control Eda at every turn, to the point, at times, of not caring that she was forcing Eda to sacrifice her career as well as her love. 

It will be interesting to see Ayfer’s response when she realizes Eda is going to let Serkan into their lives. Will she double down on badmouthing Serkan and pressuring Eda not to get involved with him, or will she smarten up and back off? I think we know the answer to that. 

Anonymous asked: Hii! I’m curious what they will come up with for the remaining episodes, I mean, drama-wise, cause no way will Ayse give us 7 episodes of Edser x Kiraz happy family time 🥺 but sure, that is also reasonable since Turks need drama to keep watching

You know, as I said above, I’m very curious about this. To be honest I didn’t really expect Eda and Serkan to be at this emotional place by the 4th episode. I mean they’re not totally ready to get back together, but they’ve both made it obvious that they still love one another, and that is kind of a big milestone in a romantic story. 

Seriously, my assumption prior to the season was that we’d have these initial finding out episodes, and then Eda and Serkan would still be sort of outwardly pretending that they didn’t want to get back together, or still angry at one another, but then they’d be forced together by Kiraz. You know there’d be some parent trapping, and a handcuff episodes and then Kiraz would manipulate them into living together and we’d get all sorts of domestic sexual tension scenes.  Now these things may still happen to some degree, but Edser is starting from a very different outward emotional place than I thought they would be. I assumed we’d get another 4-5 episodes of slow burn, forced proximity before they admitted things and got engaged. But now it feels like their feelings are out in the open and they could decide to get married at any moment. 

So we’ll have to see how the writer’s decide to chart their emotional journey over the remaining episodes. One thing I’m sure of, there are some wonderful scenes coming our way.  

Anonymous asked: I'm back and happy to say that Engin delivered!! THAT is how you use a side character. (Not whatever they were doing with Ayfer for what seemed like half the episode) This was a perfect scene for these two and had no business being as emotional as it was

Oh, yes, as I said here in my episode thoughts, the Engin/Serkan scene is the one that really started me crying on first watch. Anil was really fantastic in that scene and it made me realize how sorely I had missed Serkan/Engin as male best friends who actually talk about their emotions. Where was that guy when Serkan was being brainwashed and manipulated by Selin!?! Oh yeah he was in the hands of inept writers. 

Glad the real Engin is back!

Anonymous asked: Serkan's vehemence against wanting kids, and his dislike of kids in general, make so much more sense with what was revealed.. we just had to be patient! I can't imagine wanting something so much, having it be your "dream" and being told it's impossible.. Serkan's method of dealing with it was trying to convince himself he never wanted it in the first place and trying to dislike the topic altogether. no wonder he was never close with Can either as an uncle... how heartbreaking!

Yes, I absolutely think that was part of it. He dealt with the fact that he couldn't have children by outwardly adopting the attitude that he never wanted it, even though he still knew deep down that it’s all he wanted with Eda. 

Heartbreaking indeed. 

Anonymous asked: i hate to think of more drama when it seems like we have such a fluff-filled episode next week.. but this week's conversations b/w edser have me thinking.. do you think a possibility of reoccurrence of his tumor, or just a scare could be coming as one of their "final" hurdles. except this time instead of making his mistakes from the past, he'll do it right this time. obviously everything will be resolved happily, but i was thinking of the possibility of this when serkan was discussing his health

While anything is possible, I don’t see a reoccurrence of his tumor happening because they had a scene where the doctor said he was in perfect health and that since it had been five years he now had the same chance of occurrence as an ordinary person.  However, I suppose it’s not impossible that they give him some sort of scare so that he can prove he’s changed and that they won’t abandon his family if that sort of adversity comes again. 

Honestly, if I was Eda, I would make him go to therapy as a condition of them getting back together. Make sure he develops some coping skills for the long haul. 

Anonymous asked: the ending of the last episode was equivalent to ep 11 but kiraz version for me.. the whole build-up of serkan initially thinking he can't be her father - a good father - and his fears about leaving them both halfway culminating in him saying kiraz is a miracle, that she's perfect.. watching her home videos to showing up WHEN IT MATTERED!! for his daughter.. ugh i'm so glad there was that build-up, but also that it wasn't stretched out over multiple episodes.

Yes, I agree it was all really well done. It did feel like we had all the build up we needed to truly appreciate the moment and to appreciate Serkan’s extraordinary character arc. 

He truly rose to the occasion at the right moment, and I love that his grand gesture not only made Kiraz’s dream come true, but it showed everyone his growth and acceptance of his role as her father. 

Anonymous asked: can they just bring back Tahir - him and Melo had so much potential. let's just say he finally quit working for Babaanne and decided to come back to Istanbul to find Melo 😊

Yes, please!  He really liked her! Though she never really liked him, lmao. She could have gotten there with time. Though, I guess if she really likes Burak I can get behind it. And by that I mean I won’t bitch about it too much. No promises. We shall see. 

Anonymous asked: Anon here! Thank you so much for that explanation!!!! It seems really interesting, might just have to give it a chance now! Thank you kindly 😊😊

It’s a fun show and I do recommend it. Let me know if you start watching!

[tobeornottotc]

So much to say about all Friday shows my brain shut down it’s weird how in a day all the shows that aired from we best love to TT finale made my day and made me happy I cried. We best love is a gem that has come and taken my heart it’s everything I love in BL, it’s like reading a novel and never wanting it to end, the pinining, longing and now the angst still upcoming. My love to all the characters? Everything about the acting, music, and writing. Taiwan came back and said you haven’t forgotten why you adorE BL right? Well here’s more reasons. I’ve missed Taiwan shows for so long I used to take the history series for granted despite my love for it and now look at me. We best love is just so great and cheesy and yet done so well I’ve not have any issues with it 😭 it’s not short, I like how angsty yet sweet it gets. Just everything

Then you have to my star. Is there any moment when Korea does something that does not make me shout from the rooftops another great one!! Like are we surprised at this point. Where your eyes linger still is my favourite Korean BL and although different I get the same vibes from to my star, there’s secret pining, confusing hidden hints to maybe more than just a very happy celebrity that is clingy and flirty. Seojun seems to know he likes boys from the start or is it just me. I won’t be surprised that the reason he’s hiding that video is because the reason there was a fight was because it’ll out his sexuality, either he had something with said guy he paid money to keep quiet about or said guy knows about his sexuality and threatened to blackmail him. But it’s the subtle hints that he may know about himself and his feelings like in episode 4 how many times he leaves clues and hints he likes Jiwoo but hides it behind this clingy want to be friends persona, I think when he was drunk he let out his true feelings he’s been hiding and he outed himself on purpose. I’m probably thinking too much but there’d be a lot at stake in my opinion if someone knew he likes guys it’d be a bigger scandal that’s probably why he acts like he doesn’t know when he’s flirting or hinting he likes someone. Just me? Jiwoo is also an interesting tsundere why does he have his walls so up, he clearly also has feelings but in the trailer he’s going to harshly break Seojun’s heart? Obviously I think it’s a lie it’s noble idiocy he realised it was the way to help him not get caught in another scandal. I really need to know more about his character. And the chef who knows more than he lets on who is he speaking to about Seojun does he know the other guy in the video? Does he know why Seojun is hiding the video he seems to have picked on the chemistry of Seojun and Jiwoo more proof that person was right? Let me know what your ideas are on this show. If this show is dealing with internalised homophobia and the scandal of the media invasion and celebrity lifestyle then man it’ll be fun to rewatch this time and time again. Kisses in Korean BL shows have become a staple for revealing a lot of secrets and pushing our couples to confront the truth about what they try to rationalise when it comes to their feelings. In where your eyes linger them entering a relationship was not good for them because it’d lead to separation and more. In Mr heart the kiss was revealed and forced our marathon runner to question his priorities and feelings. And in wish you the kiss happened when Sang yi could no longer run away from what he was feeling even if it meant they couldn’t be together because of same reasons as this show I’m guessing a scandal being caused because idols and celebs dating is a bit forbidden in kmusic and kdrama industry. Loses the fans. And attracts media attention. Let’s see what To my star reveals with this kiss now Seojun isn’t hiding what he feels anymore.

Then we have 1000 stars premiere and I cried at sheer greatness I’m a clown I came into it trying hard to keep my expectations at bay but my 30 minutes in I was bawling stunned and quiet. The directing is exquisite, in depth and littered with clues and hints to the themes of the show. The focus on the flashbacks of Tiens life coated in dark light and suffocating aura compared to the light and warm atmosphere of Torfuns narration whose life seemed hard but she found peace and joy just helping people and learning about the joy of finding value in every little things she had and saw. The peace that Tien couldn’t feel because he felt stifled and empty from his own choices when he thought his life span would be short. He didn’t know the value of money, life or little things. He wasted and gambled precious things to him, acted privelaged and lost hours in a sea of acohol, cigarettes and more. His lifestyle felt wrong after he realised he was given a second chance to find meaning. There’s an overall dark theme of corruption, greed and power that’s going to me an obstacle for the characters. Torfuns demise is clearly more than just an accident with the way people are trying to push her life to the side rapidly, hide details like even selling Tiens car which I have a feeling is what took her life (not him but he bet it in a race before he fainted) or clues that Phupha isn’t going to be done trying to figure out what happened to her it’s foreshadowing this isn’t over yet. We also have another villain who fled during the forest ranger fights at the beginning, he’s definitely coming back I wonder what these criminals want and how much danger Pha will have to deal with with this boss and his other hooligans. Why are they in the forest and what do the rangers have to protect? Lastly our couple met and you can’t tell me that Pha isn’t smitten he is struck with love at first sight immediately he meets Tien but he hides it through his stern cover and he finds it funny to bicker and tease him. He also thinks Tien is too delicate, rich and shallow to stay to help the kids, so he’ll struggle with liking Tiens determination and drive to feeling angry at how much value of life and money he takes for granted but it’s a learning arc something Tien will grow learning and transforming from. Their bickering is cute, both are intrigued by each other already Tien because Pha is connected to Torfun’s wishes and hopes, but also he saw him in the weird fantasy dream thing. He’s intrigued by his stern cover vs why people seem to think he’s sweet and kind. And he’s irked by the guy who keeps getting under his skin and calling him out. It’s going to be fun to see his own reactions and feelings develop slowly and his doubt that it’s his and it’s Torfun’s heart acting up. That conflict will be so interesting to explore and knowing Backaof we’ll get a deeper conversation about sexuality, spirituality and more. All his shows even his fantasies have these deep reflections and conversations about feelings and life of someone struggling with what their sexuality is to them. Even when fantasy he never fails to include those scenes. But also there’s always a massive plot twist hidden in the story that could tear our characters apart, and it’s connected to our girls demise 🥺 i have so much more to say about this show. But for now just know I’m obsessed in awe and excited for this journey. It’ll be emotional a roller coaster of emotions and lessons, but also a love story I can’t wait to see unfold

Lastly TT finale. It’s precious to say TharnType will always have a place in my heart, marked into it as my favourite couple. Their love is so incredible, everlasting and theirs, their journey to each other has never been easy and yet their love is constant, precious and real. They make me smile and want to cry because I still can’t process we’ve come to the end. Boy was it a good way to say goodbye. I will miss this show, the annoyances, problems and also the good moments. I will miss my LeoFiat dramatic souls, their angst and their own journey to each other. Glad to seeFiat finally got to define the relationship he’s been hoping and waiting for. And Leo finally got to show Fiat how much he’s cared. Question why didn’t I get a kiss scene from them? Forever staying petty about that. Champ and Khun did what they were meant to do, their own relationship was also adorable and I just wish it wasn’t only the last episode we had to deal with their confession and realisation that there’s been something here all along. Champs cute though his nativity and dumbness was real and pure but I like how he understood what he was feeling and why he wanted Khun by his side and more. So well done to them getting together. We had Tharn finally Wade his way into Type’s fathers acceptance I wish he wasn’t just a comedic role but we had more conversations serious ones about him learning to accept Tharn still it was wholesome he grew to finally let them be together he understood Type was never going to leave Tharn and was at his best with him. Love the Kirigun family and how much they push Tharn to be his best. Their support was earnest and I loved we saw Thorn get married like a full circle after he proposed and found his own love story. We Stan a very protective supportive older brother who has always been a source of help during TT relationship. Techno irked me in this series and he became one of my least fave characters his snooping whilst cute just didn’t mesh well with me and I kept wondering where his man was because he acted like someone who wasn’t satisfied in the relationship he was in. Just an annoying presence overall. Sorry not sorry. That being said I didn’t hate this sequel and I know rewatching it as second part to TT journey watching 24 episodes of TT back to back will be an emotional experience and will show you all the clues, meta, subtext and overall plot of these two in a better light. Overall TT is always going to be a fave show of mine, and the sequel whilst not fulfilling all my expectations it made me still feel like it was worth my attention and care. Thank you to the cast, crew and production for this. My Fridays will never be the same we’re really now in 2021 with these new shows 😭 just manner of d@earth to go. 😭

Friday shows bringing me joy, excitement and most of all new lessons and new ideas. I’m so excited and I loved that these are the shows we have in January. Let’s hope they keep being great and our Fridays stay exciting and warm 👌

[number-1-kuaidul-fanboy]

The Yugioh Arcs Ranked

I’m going to rank all the main arcs of the original Yugioh anime with the exception of season zero and Capsule Monsters, because I haven’t seen those. This is just my own personal opinion, it’s not objective in any way. In fact, from looking at other people’s lists, I think I might piss a few people off with how I ranked these. Remember, this is just my opinion. Also, disclaimer, I did watch this show in dub. While from what I’ve seen of the sub is infinitely better, I did get into the show and I do still think it is a good show in dub. Still, some of the story details might be slightly different for that reason. (Going forward with the spin-offs, I am watching sub.)

7 Dungeon Dice Monsters

This arc served one purpose and one purpose alone: to introduce Duke Devlin/Ryuji Otogi and establish him as a friend of the main group before he comes back in Battle City to… do basically nothing? Personally, I barely saw the purpose in Tristan/Honda and Anzu/Tea so introducing yet another cheerleader for Yugi who doesn’t do much on his own confuses me. Ryuji admittedly has more character than Honda and Anzu and the stuff with the Dungeon Dice Monsters game itself is kind of cool but the other arcs had much more to them so this arc is at the bottom just by default.

6 Noah’s Saga (Or Virtual World)

Onto the first filler arc. There are three arcs of this show that don’t accomplish anything for the overall story and this is one of them. If you don’t know, these arcs aren’t even from the manga. In Japan, Yugioh was based on a then ongoing manga so the filler arcs were created to give the manga writer time to finish the manga so the anime could adapt it. So while I understand the reasoning behind this, I think placing Noah’s Saga in the middle of Battle City was a pretty bad idea in my opinion, as it's nothing but a distraction that destroys the flow of the story and goes on for way too long. It’s not bad though. The deck master gimmick is fun and adds an interesting twist to the duels. It was also interesting learning more about the Kaiba family and especially Seto’s backstory. Overall however, this arc drags in parts and while Noah is still a good villain objectively, he's a complete brat and I personally find that annoying. Still, it was nice seeing Mokuba turn Noah to the heroes’ side through sheer goodness alone.

5 Grand Tournament (Or KC Grand Prix)

Another filler arc. I’m putting this one over Noah’s arc because while that one had the better individual moments and did more for the characters, this arc didn’t overstay its welcome like that one did. It also genuinely shocked me by having Kaiba actually defeat the main villain rather than going the stereotypical way and having Yugi beat him. That’s worth a few points in my book. (It was also just a really good duel.) I also liked Joey’s/Jonouchi’s duel with Yugi’s grandfather, his former mentor. It was annoying how he didn’t recognize him but it was still a nice way to show how far Jonouchi has come since the start of the series. Overall, this arc is just fine. I’d probably skip it if I ever rewatched the series but it’s not without its merit.

4 Duelist Kingdom

Okay, this is the point where I’m probably gonna piss people off. Don’t get me wrong, I still like Duelist Kingdom. It’s a really good start to the show, gradually establishing the characters and the game of Duel Monsters in a really natural way. It also includes some of my favourite duels in the series: Kaiba and Yugi’s duel on the tower, and Kaiba and Yugi’s duels with Pegasus. Speaking of Pegasus, he’s a great villain. He is made out to be undefeatable and actually lives up to that reputation due to the powers of the Millenium Eye. Yugi and the Pharaoh have to repeatedly switch minds in order to beat him, which was really interesting to see. However… This is not the best arc of the show. A lot of the duels before the finals aren’t all that interesting and go on for way too long. They’re not bad duels per say, just uninteresting and padded. When I first started watching this show, I was mostly using it as background while I wrote. The filler duels just didn’t grab my attention and I have no interest in revisiting them. The parts that made me look up from my writing were anything with Kaiba (who I latched onto very early for personal, coping reasons), the times Bakura went into evil mode, and pretty much everything from Yugi and Kaiba’s duel on the tower and onward. I knew about Kaiba attempting suicide but what I didn’t know was that the Pharaoh nearly went through with killing him and had to be stopped by Yugi. That was the moment where I realized this show was more than just “a dumb kids’ show” and was willing to go dark places, despite how much the 4Kids dub wanted to hide that. It was the moment where I actually became interested in the show. So yes, this is a good arc, but later arcs in my opinion topped it.

3 Waking the Dragons

Yes, I put a filler arc over the classic season one. Honestly though, this season was so good I didn’t even know it was a filler arc until I did my research. Sure, it moved the focus away from the Millennium Items but the character development for Mai, Yugi, and the Pharaoh felt so genuine and was really interesting. This season basically forced me to see the differences between Yugi and the Pharaoh by separating them for quite a bit of the season, which was another thing that really surprised me. I was used to this show being darker at this point. However, I never expected them to actually kill the main character, even if it was obviously just temporary. That’s a pretty ballsy move. I grew to really like the Pharaoh and Yugi this season. And Mai’s fall to villainy and the exploration of her trauma from Battle City was very interesting and tragic. This show writes villains very well and this season is a great example of that. I really like stories where the villains’ motivation is to destroy the world due to their hatred of humanity/the world. Valon, Allister, and Raphael all have genuinely sad backstories that perfectly explain why they adopted this viewpoint. Dartz not so much. However, he is still a great villain. He has such a presence and the way he manipulated all these people and even twisted their minds with the Orichalcos was delightfully twisted. However, his ‘redemption’ at the end was really out of nowhere and unnecessary and Pegasus’s involvement in this season was… weird to say the least. Overall, however, I really like this arc. I understand the backlash, since this is a filler arc and a really long one at that, but I personally really enjoyed it.

2 Dawn of the Duel

Yeah, the final arc isn’t the best one. Time travel stories really don’t appeal to me personally. However, in situations where the thing in question was already bonkers as hell before introducing time travel I’m more willing to let it slide and get into the silliness of the time travel idea rather than picking it apart. A lot of its logic makes no sense if you think about it even a little but seeing the conclusion to all these long running arcs was really satisfying. Bakura is also a great villain. I was wondering what they were going to do with him all series so for him to finally have the spotlight as the main villain and to learn that he actually had a sympathetic backstory was really cool to see. This is the arc with the least actual dueling so I can see why people who watch this show for the duels would be disappointed. However, I watched the show for the lore and the characters, which were the focus of this arc and personally, I loved seeing the ancient real life version of Duel Monsters. The battles felt more intense due to them being real. Also, I will admit that the final scene where they all say goodbye to Atem got tears out of me, which I didn’t think this show would ever do.

1 Battle City (Both parts, splitting it was stupid)

Okay, this is the season that made me a fan. It’s the point where I started actively blogging about it and even analyzing it a bit. First of all, this arc had, in my opinion, the best villain in the series: Marik. His redemption arc was the only one in the show that was justified or made any goddamn sense for that matter (besides Kaiba but I don’t really count him as a villain). Marik’s backstory did a good job making him sympathetic without excusing his terrible actions. Even before his darker side took over, Marik was a really good villain, using his millennium item to mind control and kind of terrorize his minions all while hiding in the shadows so when the heroes actually see him, they don't even realize it's him. Granted the story didn't do much with that plot point but it was still cool. Also, I didn’t think this show would actually go as far as to have the villain mind control Yugi’s friends and even force Yugi to duel one of them to the death. That genuinely surprised me, as did the Yami Marik twist. This arc also added a lot to the lore, which was the aspect of Duelist Kingdom that I was most interested in and was barely touched on in that arc. In Battle City however, we got the Egpytian God Cards, two more Millenium Items, the history of the Tomb Keepers, all of which were really interesting. This arc also has a lot of the best duels in the series, which I can try and list:

-Kaiba vs Ishizu (I hate the way destiny is written in this series, but Kaiba changing his destiny was the most badass thing ever. Even I can’t deny that.)

-The best Yugi vs Kaiba battle (Tied with their Duelist Kingdom one honestly, those are both great but this one had two god cards clash. I can’t help but love it.)

-Jonouchi vs Marik (The sub gave me chills and even the dub made my heart skip a beat and think they were actually going to break anime rules and let Jonouchi win. Also, the dub gave us the amazing “according to my math, six is higher than two” line, which I unironically love.)

-Yugi vs Marik (I mean come on. It’s the final battle and seeing Marik regain control and overcome his dark side was great.)

Anyways, that was my personal ranking. I think I’m generally in agreement with the fandom consensus except I feel Duelist Kingdom is a little overrated and Waking the Dragons is underrated. I will do this with GX when I finish it though I admit I have been really on and off about watching that show due to real life reasons.

[orhelponefaintingrobin]

The Irredeemable Witch

Back in my first RWBY theory/analysis a few months ago, I mentioned that one of my theories as to how the fight against Salem will end is that she’ll end up being, in some way, redeemed. I want to expand on that here, because I’ve been thinking about it again recently.

(Some minor V8 spoilers here, so I’m putting it under a cut again)

One thing that RWBY, in my opinion, has been playing a lot with, especially since Volume 4, is the idea of who is good and who is not. In the first few volumes, the heroes and villains were pretty cut and dry. The closest to ambiguity we got was, like, Ironwood always seemed like a bit of a macho military man, but even then it’s only in hindsight that you can see the seeds of what he’s ended up becoming. Emerald and Mercury, despite RWBY and JNPR thinking they were friends, were introduced literally murdering a guy, Cinder and Torchwick and Adam were always obviously evil. Everyone else was pretty obviously on the side of good; even though you had your arseholes like Cardin, they were still broadly working on the same side as our heroes, when push came to shove. The White Fang were pretty inarguably terrible, just a bunch of terrorists. But, since V4, those lines have blurred an awful lot.

The White Fang are a great example; the show started becoming increasingly sympathetic to at least some of them; in the first few volumes, we got Adam and the guy with the chainsaw, in V4/5, we got Ilia. Even further than that, it turns out Adam’s group was a bit of a splinter group, going too far even by the rest of the organisation’s standards. Certainly when you see how Ghira spoke about Sierra, while he obviously disagrees with her, he doesn’t seem to think she’s a monster, and she certainly didn’t approve of Adam’s actions. And now, presumably back under Ghira’s leadership, the Fang, or at least its replacement, is likely going to be more of a force for good, likely coming to help in Atlas.

Past that, we’ve had more good guys turning bad; Lionheart working with Salem, and Ironwood’s, well… everything. Winter and the Ace-Ops are blurring that line; they say they think they’re doing good, but very clearly they don’t believe that deep down despite following their orders anyway. And we’re seeing people initially antagonistic proving not to be as much. The Happy Huntresses are shown in opposition to RWBY et al, but they’re now on the same side. Emerald and Hazel are turning on Salem. And even the more obvious villains, some of them are getting some depth; it’s definitely getting harder to see Cinder as pure evil knowing what’s brought her to this point.

This show is blurring these lines all the time, and I think the message is clear; people aren’t good or evil, people are people, and they make choices, and those choices can do a lot of good, or a huge amount of harm, but people are able to evolve and move past those choices. Again, Emerald is introduced as part of an actual murder. You can debate whether or not she physically was the one who killed him, but she was there, and she didn’t exactly seem shaken by it; they’d clearly done that before, and they seemed fine with that. But now she’s realising there are other options, and in making that decision, seems to have been quickly accepted as an ally by JNR and Oscar. She’s more than those past actions.

And thinking about that, I quickly came back to Salem. See, I rewatched Volumes 1-7 before V8 started last year, and getting to Salem’s backstory in V6, I noticed something specific about that episode that got me thinking. Ozma’s question to Jinn was “how do I destroy Salem?”. Not even ‘how do I stop’, but ‘destroy’. I had some thoughts about that at the time, but it wasn’t until this episode that those pieces started to fall into place again, in a more solid way.

When I started thinking about this today, I realised that the real turning point for Salem was Ozma taking the children and leaving, and, more importantly, it’s significance from his point of view; he gave up on her. Ozma was obviously right that Salem was going too far, that what she was doing was wrong, but he decided that she couldn’t change, that she was beyond saving. And he seems to have retained that belief through all his lives since.

And it got me thinking, made me realise that, despite seeing all these character arcs, all these stories showing that people are not inherently good or evil, that people are able to make different decisions and change, is that it’s very easy to exclude Salem from that. It’s very easy to see Salem as uniquely evil, uniquely irredeemable, but… Is she? 

I mean, I don’t think the Brothers thought so; their punishment to her wasn’t just ‘you don’t get to die’, it was ‘you live until you learn the importance of life and death’. That isn’t just a punishment, it’s a test (they seem to like those…). And it’s not like we don’t see any light slip through; she was certainly not great when her and Ozma were pretending to be gods, she was doing bad things, but she certainly seemed to have genuine affection for Ozma and their children. If she’d embraced that, instead of fixating on control, her and Ozma probably could have been genuinely happy. The truth is, I don’t think Salem has ever been pure evil, any more than anyone else in this show is.

But no one’s considered that. Even Ozma, the person who should know her better than anyone on Remnant, could only see an end by destroying her, and if he can’t do that, then just delaying the inevitable as long as possible. But, if we can accept that RWBY is showing us that the line between good and evil is in a person’s decisions, if people like Emerald, Hazel, even, potentially down the line, Cinder, can make decisions and choose to change, why can’t Salem?

This is, right now, my primary theory as to how the fight against Salem will end. Someone, presumably Ruby and probably with some input from Oscar/Ozma too, will manage to get Salem to realise what the Brothers wanted to teach her; the importance of life and death, and, more broadly, to realise that she was wrong. Ozma, all those years ago, before even he started to lose faith, was right, humanity was capable of creating something great, and its continued existence is worthwhile. 

And, like, Salem’s motivation for wanting to destroy everything does really seem to be that she just wants to die, so if the only way she can die is by learning that lesson, then presumably she’s got to learn that lesson at some point.

As for what happens after that? I mean, that COULD just be how the show ends, in however many volumes it takes to get to that point. I’ve also seen it suggested that the show could end with some rebellion against the Brothers, in which case I think Salem joining the good guys for that fight would make a lot of sense; they’d need some firepower in that fight, and Salem’s got a lot of it; maybe fighting alongside Oscar, and the maidens, the reincarnations of their whole family.

I obviously don’t have all the details worked out, but the core of what I’m saying is this; I don’t think Salem is at all irredeemable, and especially in a show about breaking cycles and the newer generation making better decisions than the old, Ruby and her friends showing Salem a path back to the light, rather than seeking to destroy her like those that came before, seems like exactly the sort of ending that would make sense for this story.

[mira--mira]

One obvious for the ask game. The main protagonist; Naruto Uzumaki and Izuku Midoriya.

@shiryusamarkanda it’s so nice to hear from you again! <3 

I totally didn’t forget to post this and had it fully finished in my drafts for days...totally. 

Naruto

What I love about them:

Naruto's a bratty kid who’s not afraid to speak up and challenge something he thinks is "wrong". This, of course, is part 1 Naruto. I actually like when he's a bit insensitive without being explicitly malicious bc its very fitting for his background/how he grew up but also gives him a clear path forward as he learns how to work as a team/starts to grow. It wasn’t exactly a smart move, but I really liked how he continued to challenge Zabuza in the Wave Arc saying “he’s still my enemy” after Kakashi told him to back off. This is all good and strong characterization that, to me, was more often endearing than it wasn’t. Naruto had goals and a purpose and in early Naruto that was still clear.

What I hate about them:

Part 2 (Shippuden) Naruto. There’s a lot that goes into this but the core deviation is getting away from the underdog story. In Shippuden Naruto is the son of the 4th, the Child of Prophecy, a reincarnation of the Sage of Six Path’s kid, makes friends with Kurama, and has the most OP power of the them all: Talk no Jutsu. What makes all of this even worse is Naruto went from a loveable bratty kid to an insufferable messiah figure. To be “perfect” his natural personality is shorn down until he’s only allowed occasional “stupid” mistakes rather than mistakes that emerge from his characterization. This also makes his ideological “wins” with villains...completely meaningless. Shippuden Naruto doesn’t really...have beliefs. He wants to be hokage and bring Sasuke back to the village. “Being hokage” was fine as a kid but I expected the progression into shippuden to be “what kind of hokage do I want to be?” This seemed natural bc we get in the Wave arc Naruto pushing against “what a shinobi is supposed to be: a tool” from Haku and declaring he’d make his own ninja way. Flashforward to the chunin arcs: hates Orochimaru for messing with Sasuke (esp when he eventually leaves to join him) and Neji for treating Hinata the way he did until he learned more about the Hyuga before declaring it wasn’t fair and you had to fight against fate and destiny. Tsunade’s arc was more about reemphasizing the village was something worth protecting and the Sasuke retrieval arc, while focused on Sasuke, at least kept up this theme. But these moments of growth are only alluded to in shippuden and by the time the war arc and ending come around...nothing changes. Naruto didn’t upset the status quo, he only maintained it. And once that ending was established it was a lot easier to go back and pick out exactly when his characterization started to fall through and the weird messiah figure took over instead. Part of this, imo, is the focus of his ultimate goal being “bring Sasuke back to the village” rather than understand what Sasuke is doing/why he’s doing it and then deciding to help him or stop him. 

Favorite Moment/Quote:

“You’re cute when you’re chubby” [in reference to the frog purse] 

I really love the quiet moments Naruto has and watching him live out his daily life. The frog purse is absolutely adorable and I love seeing it crop up time and time again. A close second is when Gai kicks Jiraiya in the face and, a short time later, offers Naruto the green tracksuit which he’s appreciative of. 

What I would like to see more focus on:

In Part 2 Naruto having a long-term goal alongside bringing Sasuke back to the village or trying to seriously think about why Sasuke does what he does and how that would potentially affect the plot. If I could go back to the very start, keeping the actual heart and intent of an underdog ninja story rather than everything turning into superpowered mecha/kaiju battles and aliens from space this is the big point that I’d want to address. In general, I really like fics that focus on training and give him a range of jutsu besides spamming shadow clones and rasengan variants. I’ve said this before, but if Naruto really wants to keep the “number 1 unpredictable ninja” moniker, learning a variety of small, diverse jutsu and using them in interesting/creative ways would be the way to go rather than spamming the aforementioned two. I also really like fics that buckle down and just go ham and create their own variety of jutsu, especially if it’s small practical jutsu rather than the latest and greatest OP Power #839281 kind of jutsu. 

What I would like to see less focus on:

The messiah figure. Talk no Jutsu. The obsession with having a morally pure hero in a world that routinely employed child soldiers and put them in war. I understand Naruto was a shonen manga first and foremost but like...this was the setting/world Kishimoto decided on having. However, I will say some fics take it to far on the other extreme for my taste, creating a edgy nihilistic Naruto that hates everyone and everything. 

Favorite pairing with:

Uhh...I don’t actually have a strong feeling for this one LOL. The most I’ve read has been SasuNaru (Sasuke x Naruto) because I’ve found really interesting set-ups. I like the ship and it does have a decent amount of backing in canon but it’s the little moments (or my ability to see possible little moments) that really make or break a ship for me. SasuNaru is all Big Declarations and I struggle to see how they’d actually settle down post Shippuden time into something sustainable. My favorite iterations of the ship is focused when they’re genin age and have a better relationship...but then I recognize that this is getting closer and closer to Hashimada. The other big things I run into with shipping Naruto with Sasuke is 1. Sasuke needs a shit ton of therapy/willingness to process his family related trauma and 2. Naruto needs a good support network/family outside of a romantic partner because it personally makes me uncomfortable to read ‘you’re my one and only’ (here being: I have no other friends, family, loved ones outside of you). It’s a ship that can work but it’s not my personal OTP.  

Favorite friendship:

Canon/OoT - Naruto & Sakura

I do have a softspot for fics where Naruto realizes his crush on Sakura is actually a desire to have friends/someone to care about him and then they do become close. In canon Sasuke was clearly the favorite of Kakashi (if chunin arc is kept the same/similar and he takes him away for the month to train) I really like Naruto and Sakura sticking together and trying to help each other. They’re both loud and can wind each other up but Naruto can help Sakura relax a bit from her rigid view of herself and she can help keep him on track/encourage him. 

NOTP:

Again, no real strong opinions here. Probably harems? I remember seeing a lot of those a couple years ago and I fundamentally dislike the harem so it will never be ‘done well’ to my personal taste. 

Favorite headcanon:

Naruto is smart, he just needs things to be explained in a way he can understand. 

I’m not a fan of ‘he’s the smartest person in the entire world’ trope but Naruto is creative, he created the oiroke jutsu before he graduated to genin and has a lot of stubborn determination. He’s just really bad at typical ‘book learning’ and traditional testing and he’s not a genius/prodigy like Sasuke or Neji.

.

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Read line for BNHA manga spoilers

Izuku

What I love about them:

He’s such a smart kid and while he’s unsure/insecure about himself he still does his best. Honestly the premise of BNHA is amazing and I was so excited to watch this little quirky (heh) boy do his best and outthink heroes, utilizing his intelligence and knowledge of quirks. I really love early Izuku and how he has to approach situations from a different angle bc he grew up quirkless/can’t properly handle OFA. The sports festival arc remains one of my personal favorites and really showed his ingenuity. I also really love that Izuku is openly emotional, he cries, he gets super happy about things, he’s angry, he’s sad, etc.  

What I hate about them:

Why do stories insist on calling themselves “underdogs” when for a majority of the time, they’re not? Or not as much as they would be from the original premise? Look, TDP came about exactly bc BNHA was billed as ‘quirkless boy becomes number 1 hero’ it changed rapidly into ‘Izuku gets the strongest quirk but can’t control it’ and while I was...disappointed with that, it happened so quickly I wasn’t really upset. Fast forward to apparently OFA has...what seven(?) quirks inside it and I just...it’s frustrating. Even more the longer we go the more Izuku strays away from a character that is forced to use his intelligence and creatively outthink his opponents and instead becomes...I just have to hit him harder! The Muscular fight already inched towards this but the Overhaul fight just felt like Super Shonen Smack-down 728329. Which, isn’t an inherent problem, it just doesn’t match up to the expectations I had about BNHA I had at the start and how I hoped the series would go. For a character trait that I hate: Izuku is stupidly self-sacrificing. It makes sense with his character but he shoots beyond what is safe and reasonable and I wish there would be more internal emphasis on the question “is it better to save one person today if it meant I couldn’t save ten people tomorrow?” I think he’d choose the former or forsake the question altogether (we touched briefly on this during the overhaul arc with Eri) but I think it’s a serious question needs to be touched on (or I just need to go back and rewatch things again LOL) 

Favorite Moment/Quote:

See entire sports festival arc. I don’t really have a favorite moment because I love the entire arc and we get so much out of it. 

What I would like to see more focus on:

Quirkless Izuku. There’s already a lot of fics, but I really do love them. It deviates a bit, but I do like the creativity of giving Izuku his own unique quirk and then exploring what he can do with that/how it changes canon. Really I want Izuku to keep his original characterization and not trade his smarts for more punching power or deus ex machinas for quirks hidden inside of OFA. If OFA!Izuku is kept, I like story ideas where he still has to rely on means outside of his quirk. Preferably this is isn’t because he injuries himself so much, but I like toying with the idea that Izuku never gets OFA to All Might’s level so he really does have to make the quirk his own and still rely heavily on his intelligence and quirk journals to become the number 1. 

What I would like to see less focus on:

Quirks hidden inside OFA. Strength should have been enough, it was already billed as the most powerful quirk of all. I know this is a common theme for shonen stories, and I don’t mean to harp specifically on Izuku, but again the premise of BNHA was an underdog story. 

Favorite pairing with:

Tododeku (Todoroki Shouto x Midoriya Izuku) 

Friends to lover and battle couples lads, I am weak to them. I like the contrast between their personalities as well as origins (Shouto being the number 2′s (now 1) kid and Izuku from a quiet civilian background). At the end of the sports festival arc both of them are extremely well characterized and it’s easy for me to imagine how their relationship progresses from there and how they can support each other and help each other grow. It’s a very sweet and wholesome ship the way I write and read it and it’s v cute.

Favorite friendship:

Canon- Midoriya Izuku & Uraraka Ochaco & Iida Tenya

I really like the core trio and think their interactions are really sweet. They balance each other out well and their friendship was immediately believable to me. I also like later when Tsuyu and Shouto start to get included in the group and out of the “main” core friends I’m endlessly entertained whenever Izuku and Tokoyami interact with one another. (This is also because I love my bird son, but you know.)

TDP - Midoriya Izuku & Ashido Mina or Midoriya Izuku & Hatsume Mei

Really, I love all of TDP’s kiddos interactions. Their chemistry is one of my favorite things about the fic and all the villain school kiddos meshed really well and had hilarious interactions. Mina and Mei are my faves but just barely. Mina came out of left field for the fic but she plays a similar role that Ochaco does in canon as a usual source of positivity (but unlike Ochaco with additional chaos). She’s Izuku’s first real friend even before starting HIVVE and wouldn’t hesitate to call Izuku her cousin as she views him as family. In return, Mina’s someone Izuku can completely count and depend on if necessary. Mei is...Mei. Izuku is her best “useful customer” and it’s actually terrifying how similar their thoughts are, just Mei has an (un)healthy dose of Hazmat’s insanity and her own business acumen added into the mix. They have slightly different fields of interest but are intellectual equals that work well together and that’s something new to both of them.

NOTP:

Bakudeku (Bakugo Katsuki x Midoriya Izuku)

It’s unhealthy. Unless it’s an AU that changes what the start of their relationship is like, Bakugo and Izuku will always have a toxic friendship to me and I can’t ever see them in a healthy relationship. Both of them have a lot to learn and I am of the opinion that Bakugo should get the opportunity to grow and become a good person and leave behind his past as a bully. However, I’m also of the opinion that no matter how good of a person a bully becomes their victim is never required to absolve them of past wrongdoings. Izuku and Bakugo were friends once, their relationship turned toxic, and now it’s in the interest of both of them to grow apart from one another. I even hesitate to really say they’ll be friends again because the early characterization of their relationship was so imbalanced to me, but for the right author and the right work I may see them being on good terms. It’s still a romantic relationship that I dislike. 

Favorite headcanon:

Crack headcanon? Izuku does have a natural quirk, the force of his tears is clearly superpowered 😂 Regular headcanon, (that is canon in TDP and kindaaa in regular canon(?)) when Izuku gets really engrossed in a super stressful fight he focuses on what will work rather than what is moral. It has...mixed results. 

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For the ask game. 

[magicofthepen]

For the character thingy, romana and leela?? ❤

ROMANA - I’m going to answer for Romana I, since I already did Romana II!

favorite thing about them: so I fell in love with Romana I instantly when I watched The Ribos Operation. I was like “wait no one told me that Romana’s basically a recent graduate who always thrived in school but has now suddenly been thrust into the Real World and is a bit of a mess” and oh my god why is she so relatable, also I love that about her. I love that she doesn’t quite know what she’s doing, and her academic brilliance doesn’t necessarily help in the situations she’s finding herself in, but she keeps trying and learning, so by the end of season 16 she’s much more confident and capable on her own than she was when she started. I just absolutely adore the premise of her character and how she develops during the key to time quest. also her banter skills are so excellent. (….this wasn’t one thing whoops. 😄)

least favorite thing about them: I feel like it’s something about how she’s portrayed in the Gallifrey audios, but I can’t quite articulate what? but I feel like somehow, some of the things I really liked about her on TV (her witty fun banter, her determination even when she’s out of her depth) aren’t represented as much when we get glimpses of Actual Romana I (not Pandora or an alternate universe version). idk if this is even fully true, it’s just….she doesn’t quite have the same vibe as the character I remember from the TV show (but this is also tricky because the Lies scene, the Matrix projection in Lies (which *isn’t* really her technically) and the remains of her consciousness in the body that Pandora’s using are the only times we get Actual Romana I - which isn’t that much time to express all the nuances of her character.)

(continuing to skip the favorite line question because it’s too hard)

brOTP: her and the Doctor!! (like I said in the Romana II ask, I used to ship them more, but lately I’ve been more into a platonic interpretation.) I just as instantly fell for their dynamic in the Ribos Operation - two people with very different personalities who don’t get along but are forced to work together and gradually become friends?? this is exactly the kind of relationship arc that I adore. Their banter and snark is So Good (I was so entertained by their interactions in Ribos Operation that my brain refused to pay attention to anything but their scenes, and I ended up having issues following the plot later oops). And I love their growing respect and care for each other - how they go from being mutually dismissive of each other to valuing each other and being a solid Team and just really genuinely liking each other! their friendship is just Very Good (…..and now I really want to rewatch season 16….I’ve only seen it like one and a half times but I loved it very much….)

OTP: I don’t think I have any ships with Romana I that I would consider an ‘otp’? (the closest would be her and the Doctor since I have sometimes shipped them and I adore their relationship in general)

nOTP: Brax/Romana again….and tbh with Romana I it’s more of an actual nOTP (rather than ‘kinda nOTP, kinda ‘it’s complicated’’) because this is the time frame when she’s actually his student and so my discomfort with student/teacher relationships really rears its head (although there’s still one fic out there that I just think is so well-written.....but it does show the relationship as very unhealthy). 

random headcanon: .....so sorry to continue Sartia posting, but oops the first thing that popped into my head is my new maybe-unrealistic headcanon that Sartia was Romana’s first kiss. in a teenage “I’m curious and want to try this thing and you’re the only person I hang out with, but it doesn’t mean anything....or does it??” way. (.....this is so self-indulgent in such a terrible way rip.)

unpopular opinion: Armageddon Factor is my favorite Key to Time story! (I gather this is an unpopular opinion in Doctor Who Fandom At Large, it doesn’t seem to be liked as much as some of the earlier stories in the season.) technically I’ve only seen it once and it was a couple years ago, but I remember loving it as a Romana story, there were a lot of really interesting character bits for her!

song i associate with them: hmm I don’t really have one? my Romana playlist is specifically for Romana II in Big Finish so....yeah.

favorite picture of them: anything with her Ribos Operation outfit (with the full cloak), it’s iconic and beautiful! on a similar note, I love this Romana I art by @volucris-liga, it’s the first Romana fanart I ever reblogged and it’s so pretty!

more under the cut!

LEELA

favorite thing about them: her resilience and her kindness. Leela goes through so much grief and pain, she has her world upended again and again, she never really finds a place where she belongs. and yet she still keeps choosing to love, choosing to keep fighting for what she believes in, choosing to rebuild again and again. and sometimes it’s really hard and she doesn’t want to go on….but she does, and she finds moments of happiness again. and that strength is really powerful. and no matter how cruel the universe (and other people) are to her, she is still relentlessly kind - she listens, she protects, she wants to help, she cares. 

least favorite thing about them: I mean, the “savage” stereotype that her character references is a racist/anti-indigenous trope (especially the whole dynamic of the Doctor trying to “civilize” her ugh). and I hate that characters keep calling her “savage” (even when they’re the Bad Guys, it’s still bringing up this trope again and again, and it’s even worse when it’s the Good Guys). why are they still doing this.

brOTP: see all characters listed under otp, every relationship that I ship is also an incredibly important friendship in Leela’s life and I love all of them <33 as far as relationships that I see as entirely non-romantic….I really love the version of Leela and Ace’s relationship that exists in my head (and in fandom) - they didn’t get to interact enough in the audios, but I absolutely think they were really close, because of their shared experiences and the ways their personalities mesh. (I feel like I should also say the Doctor here, but tbh I don’t remember her TV stories that well, so I don’t really have a solid memory of what their relationship was like.) and of course, Leela’s parental relationship with Rayo is very important to me!

OTP: once again, ot3 my beloved <33 and Leela/Romana first and foremost (I already rambled about them here, so I’m just going to second everything I said earlier). 

and I also ship Leela/Narvin, although I’m not quite as invested in that pairing? (due to a combination of ‘Romana is my favorite character and so I’m just more interested in her relationships with other characters,’ ‘I joined the fandom when things were pretty much all Leela/Narvin all the time (I say with great respect and affection for the artists and writers putting out amazing content for that ship) so I was motivated to write fic primarily for R/L and N/R to balance out the ot3 content,’ ‘apparently I have a contrary streak with Gallifrey and the more the writers push a romantic interpretation of a relationship, the less interested I am in actually shipping it,’ and ‘I’m not really into Leela/Narvin as a pairing on its own - although I do love a lot of fic that portrays them that way bc it’s just very well-written.’) But just. how they form a grudging alliance for Romana’s sake and then develop genuine respect for each other and then build this really solid foundation of teamwork and fondness and care and really relax and feel comfortable around each other….the way they become ride-or-die for each other and just trust and love each other so much….it’s Very Good!! (And I did love writing scenes with the two of them in Call It Home - I might not focus on them, but I do genuinely love their relationship.) 

And of course Leela/Veega <33….I debated if they even interacted enough in the actual audios for me to consider it an otp, but I love the idea of their relationship and the story of them in my head so much?? going to link to this post because it really captures my feelings about them - they’ve both been through so much grief and pain by the time they meet, they’ve both lost people they love before, so the idea of them choosing to love each other and build something together against the odds is just. very powerful. plus I have a whole playlist for the family they’ve built together, which is a strong indication that I really love this ship. 😊

nOTP: Leela/Andred. last time I answered an ask meme about Leela, I had this complicated response about how I hated Leela/Andred when I watched Invasion of Time (bc it’s so abrupt and arbitrary), and then Louise Jameson’s voice acting Convinced Me To Care because oh she really did love him....alas i am a Leela/Andred detractor at heart, and I have been nudged back to my default state by re-listening….I simply hate how he treats Leela in Gallifrey.

random headcanon: I really like the idea of Leela being more politically involved in her own right after they all return from the Axis. She’s just spent a lot of time leading a group of people who don’t have a voice in the government, fighting for their rights against the established injustices of Gallifreyan society. I don’t think she’d easily slip back into only being Romana’s bodyguard after experiencing more political autonomy on the other Gallifrey. What exactly this looks like in practice I’m not sure about - in my one fic ‘verse, I wrote about her being more directly involved with the Academy as a political liaison and guest tutor, and also advocating to Romana for policies that would benefit those who live outside the city on their home Gallifrey. but there’s probably a lot of options to explore here!

unpopular opinion: hmm I don’t think this is necessarily unpopular but idk and I want to talk about it: even though Leela identifies so strongly as a warrior, a “happy ending” for her would, I think, need to involve getting away from fighting. too often she throws herself into a fight to try to avoid thinking about how much she’s hurting, and it doesn’t work, it doesn’t stop the pain. and in the Time War, she’s tied her identity so strongly to war (it’s inevitable, inescapable, and she will Fight and Defend because that’s all she has left). there’s a difference between “I am a warrior” and “all I am is a warrior,” and Leela’s slid too far into the second one, and she needs to untangle her own identity from war to heal. 

song i associate with them: Freedom by Karmina (it’s a song about going on defiantly in the face of heartbreak -  “Tearing my room apart, I’m starting over” / “Take my pride I can still survive I’ve got my freedom” / “Hunt me down you’ll never find me now that I’ve got my freedom”)

favorite picture of them: the first one that came to mind is this gorgeous art by @laurelhach (which I didn’t realize was based on a picture until I stumbled across the original picture and was like oh my god!! it looks exactly like the art!!)

[carriagelamp]

Book Review - Summer Summary 2020

I didn’t get around to doing an individual post for the books I read in June/July/August, so I decided to choose a dozen that I read over the summer... I’d separate the wheat from the chaff for you so to speak. Though like you’re about to find out, that doesn’t necessarily mean they were all good by any means...

Crave

My girlfriend got this for me to “tide me over until Midnight Sun”. Between you and me, I think she was taking the piss. Anyway, Crave is very... standard fare paranormal YA school romance with the added flare of being written by an adult erotica writer, meaning the rhythm and tone of this novel is fucking bonkers. If you want to read the novel without reading the novel, just take Twilight and the entire Vampire Academy series, shove them in a blend, and force down the sludge you get from that. Normal Average Girl Goes To Secret School In Alaska For Vampire, Werewolves and Dragons. That’s this book. It is so big and so so so bad. I finished it out of spite, please don’t do that to yourself. Unless you are really craving (hurr hurr) some top tier trashy paranormal romance, in which case... no judgment.

The Last Firehawk

The Last Firehawk is a Scholastic “Branches” series, written for beginning readers (grade 1-3ish, depending on the child’s reading level). It has short stories, big text, and awesome pictures on every page. Guys. I unironically am adoring this series. It’s simple and is introducing children to a number of classic elements in the fantasy quest genre, but it is so charming. Friends Tag and Skyla discover a firehawk egg, and species that is supposed to have disappeared long ago. When Blaze hatches from it, the three are tasked with going out and finding the magical ember stone which was hidden long ago by the firehawks and which could be used to defeat the evil vulture Thorn and his dark magic... I read the first two books to second graders who ate it up and read the next four books because I personally wanted to continue the series. If you have young readers in your life (or just want a fun kid adventure) then please try these they’re the literary equivalent of nibbling on a chocolate chip cookie.

Lupin III: World’s Most Wanted #3

All the kind people that still follow my tumblr and haven’t tried to murder me because of my Lupin obsession are not going to be surprised by this one. I finally read one of the manga for this series and honestly I’m delighted. Somehow even hornier than the show, but hilariously funny. I felt like I was reading a more adult version of Spy Vs Spy. It’s a bunch of short, individual bits/adventures with lots of visual gags and an artstyle that is really different and delightful.

River of Teeth / Taste of Marrow (American Hippo series)

I’ve talked about River of Teeth before, but I finally finished the American Hippo duology and need to sing its praise. This is an alternate history series composed of two novellas that explore the question What would have happened if the States had decided to import hippos as livestock...? Anyways, my pitch for you: queer hippo cowboys. That’s all it took for me to read it. You have a gay gunslinger who loves his hippo to death, a nonbinary explosives-expert / poisoner who is the main love interest, a fat con artist who spoils her hippo and is the only voice of reason in this entire series, and a latina mother-to-be who is the scariest assassin in the entire series and is obviously scheming. The four of them are brought together on a job to deal with the Mississippi’s feral hippo problem.

IT’S A QUEER HIPPO COWBOY HEIST NOVEL GUYS I DON’T KNOW WHY I’M STILL TALKING AND YOU HAVEN’T JUST GONE TO READ THIS YET.

Petals to the Metal (The Adventure Zone series)

The graphic novel adaptation to the McElroy family’s DND podcast The Adventure Zone. Most of you are probably aware of this? It’s a great adaptation, it hits all the important beats, shows off the characters really well, and still gets lots of good gags in even while condensing entire arcs into single book stories. This one is probably my favourite so far just because Petals to the Metal was one of my favourite arcs in the show... but you can also see how the art has improved and the chaos of the race is fun to see drawn out.

If you like The Adventure Zone but haven’t tried the graphic novels yet -- would recommend! If you’ve always wanted to listen to The Adventure Zone but don’t have time for such a long series or struggle to focus on podcasts then pick up the first book of this series (Here There Be Gerblins) and try reading it! It really is an enjoyable adaptation.

Pony to the Rescue (Pony Pals series)

I continued my April/May theme of reading old-school chapter book series to combat Covid Brain Fry, so I picked up a few Pony Pals books. I read these as a kid and always enjoy them -- there’s just something so appealing to a child about having a horse. It gives your child characters a level of independence and ability to explore that you wouldn’t get otherwise. These books definitely read young, but they were nostalgic to revisit.

Small Spaces

A really cool middle grade horror novel I picked up. Maybe it’s because I live around a lot of corn fields, but farm/scarecrow themed horror absolutely does it for me. One evening, after seeing a woman try to destroy a strange, old book, eleven year old Ollie doesn’t stop to think, instead stealing the book and running. That’s how she becomes wrapped up in the strange, sinister story of a cursed family and creature called the Smiling Man that seems to live out in the foggy fields. While unsettling, Ollie tries to remind herself that it’s just a story... but this becomes more challenging when her school bus breaks down one day out their own set of fields, and a fog is rolling in...

“Avoid large spaces. Stick to small.”

Snot Girl #1 - #2

A Canadian graphic novel series by the creator of the Scott Pilgrim series! I love his work so I decided to give Snotgirl a try, even though it’s not generally my genre. I’m glad I did! First book took a while for me to get into, but by the time I hit the second I was really wrapped up in the mystery and character development. Snotgirl is about Lottie, a self-consumed fashion blogger whose biggest struggles are dealing with her allergies, frustration with her fellow-blogger friends, and how entirely her self-esteem is tied to her “beauty” and how people view her. But everything shifts in strange and horrifying ways when Lottie starts taking a new allergy medication, meets a new friend... and then witnesses that girl’s death. Or does she?

Seriously, or does she? I have no idea, I need to read the third book. This book is full of intrigue, complicated relationships, murder (or not?), and a healthy dose of magical realism to keep you guessing. If you like slice-of-life, crime, and abstract reality then this series is world a try. Plus the art is gorgeous.

Summer Wars #1 - #2

I recently rewatched Summer Wars (still one of my favourite movies) and decided to read the two-book manga adaptation. It was a really neat little adaptation. The creator of the movie gave the writer free range to tweak things to fit better in a manga format, which means some movie elements were allowed to fade into the background, whereas other aspects were fulled into the forefront and fleshed out to a greater degree. It was very cool, it kept the same story but gave you new things to think about which I wasn��t expecting. Reading this as a stand alone works just fine, but honestly if you’ve never watched the movie Summer Wars you should give it a try! It’s a great mix of slice-of-life, sprawling family dynamics that I relate to a little too well, cyber adventures, and fantasy. Super feel good.

This One Summer

Okay, last graphic novel, I swear. This One Summer was... weird and intense. It’s a coming-of-age Canadian graphic novel that follows a pair of pre-teens who meet up like they do every year at their family’s summer cottages. You see them both in the awkward phases between childhood and growing up to become teenagers, as they’re confronted with things like maturity, friendship, self-esteem, family problems, and sexuality. A beautiful read, but probably the heaviest out of all the books on my list.

Wild Thornberrys Novelization

I rewatched The Wild Thornberrys movie with my girlfriend earlier this year, and decided I wanted to hunt down the chapter book novelization because I’m kind of a sucker for novelizations. Honestly, this was about what you would expect from the era. 90s/00s novelizations, especially young novelizations, are generally just a transcript of the movie without much thought or effort put into them to make them anything but. That’s what this was. It was fine, and it really let me revisualize the entire movie, but honestly you’re probably better off just rewatching the movie unless you also really deeply love The Wild Thornberrys.

The Willoughbys

I saw that Netflix had done a funky looking adaptation of The Willoughbys and I decided I needed to read the book first before watching the movie. This was a little bizarre, I’m still not sure how I feel about it. Over all, I think it was a net-positive experience. It’s an obvious satire on classic children’s novels, especially the likes of Mary Poppins (real Mary Poppins, not the Disney version) and while a little heavy-handed, it does a Series of Unfortunate Events vibe that redeems it. The story is about a group of horrible children (The Ruthless Willoughbys) who decide they are sick of their parents and would rather become Worth Orphans... and to do that, they’re going to have to dispose of their inconvenient parents, obviously. Conveniently their parents are also sick of having children and decide to do away with them as well. The Willoughbys sets up three (or four?) different subplots that are gradually woven together through a series of schemes and exploits. It’s definitely more ruthless (hurr hurr) than the Netflix version, which tried to make the children more sympathetic, and in some ways I think that’s a definite point in the novel’s favour. I’m not sure I would go out of my way to recommend it, but it was a fun romp if you want something short and off the wall (and a lot more fleshed out than the Netflix version).

[elenathehun]

Watching the Clone Wars, Part 5

Hey, I’m actually being prompt this time, and not letting this sit on my desk for the rest of the week.  Good for me!  In this viewing session, we watch one “good” arc, and one terrible one.  Guess which is which ;)

“Storm Over Ryloth” (1x19)

Aw, the fourteen year old is going to engage in very dangerous dogfighting?  For those of you old enough to remember X-Wing: Rogue Squadron, remember how leery Starfighter Command was of letting sixteen year old Gavin Darklighter join Rogue Squadron?  More innocent times, for sure.

Anyway, Ahsoka just got eleven men summarily killed, all to set up a tedious episode on the nature of command.  It’s so wild how Rex and the bridge officer clone actually defer to her.  Maybe, just maybe, GAR would win if they gave a bit more power to the highly-trained war machines the Jedi purchased, eh?  Instead of the barely-trained teenagers with no business in a war zone.

I’m not even going to talk about the actual tactics because they’re superfluous.  It’s a shame the jedi don’t understand the purpose of consolidating their force and utilizing a joint attack.  Maybe Anakin could have saved a ship or two if he, Mace, and Obi-Wan had attacked as a group.

No, you’re right.  That’s too smart.

“Innocents of Ryloth” (1x20)

Obi-Wan’s low-impact strategy is a bit stupid.  Like, the CIS is explicitly engaging in terrorist tactics on Ryloth, the Twi’leks most likely have no homes to return to.  But, whatever, that’s not the point of the episode.  The point of this episode is Waxer and Boil.  I love them, but I also love the casual specie-ism/racism on Boil’s part.  Dude grew up on Kamino, which is basically an isolated military boarding school, where would have learned a word like “tailhead”?

Oh, that’s right, the scum of the earth working as trainers.  Never mind!  I like to think that the clones, while generally very nice and polite young men, also have a very strange idea of appropriate language and conduct outside of their very isolated, insular upbringing.  I do love ye olde culture clash plotline!

The CIS continues to devolve with internment camps, animal cruelty, and yes, weaponizing animals to kill clones in a suitably horrific way.  Good job, guys, way to lower the bar!  With that said, Numa is adorable, and it’s amazing that she managed to survive on her own in this ghost-town while her family and community have been rounded up into camps.  

Obi-Wan may be a subpar general, but he is definitely a very capable psychic super-soldier.  The fight scenes were incredibly enjoyable to watch, and although it’s a bit silly, I did really like the Twi’leks pulling the tactical droid who was their warden out of his tank with their bare hands - they definitely deserved that.

“Liberty on Ryloth” (1x21)

This is a Mace Windu episode, and I am here for it.  What an icon, what a legend.  I do think that he is portrayed as having exceptional control of the Force, and it’s always really interesting to see him use it in a fight.  The episode is a fairly basic one: He’s trying to link up with Cham Syndulla to get rid of the rest of the CIS army; the senator for Ryloth, Orn Free Taa, is more concerned about the disposition of political power on Ryloth after the invasion is complete.  I have...so many questions about how political power on Ryloth is distributed: is Orn Free Taa the ruler of the planet and the Senator, or is there a different kind of power-sharing agreement?  Is Cham Syndulla just the sort or ordinary person thrust into extraordinary times, especially by the abandonment of their people by their leadership and the Republic?  It strikes me as a setting rich with potential plots.

Of course, that’s only a small part of the episode, which is mostly Mace being a badass and basically being a one-man army.  Again, the direction is remarkably good in this episode.  As usual, air supremacy is not a factor in this war.   ¯\_(ツ)_/¯.  Even though AT-RTs really make no sense, I want one very badly.  Lastly, based on the clone trying to pet the blurrg and Boil and Waxer’s treatment of Numa last episode, I believe the clones are going through that stage where they just want a pet of their very own.  It is actually a little adorable.  

Shout-out to the tactical droid obtaining full sentience and ditching his boss and lying to Dooku.  Still wish that a subplot of Dooku’s droids turning against him had been a thing.

Season 1 Restrospective:  It only took five weeks, but we are finally finished with this season, save for 1x22, which is actually set sometime in the third season.  There were some high points, but man, this was an absolute slog mostly.  There were way too many Jar Jar episodes, and the clones were not given nearly enough screen time.  “Rookies” and “Lair of Grievous” were the outstanding stand-alone episodes imho, and the “Ryloth” and “Malevolence” arcs were generally ok, with two of their three episodes being rewatchable.  

But in a series about the clone wars, there is very little character development of the actual clones - like, poor Rex is barely a presence in this season.  And the CIS is just so cartoonishly awful that I can’t take it seriously at all.  It actually does strain my belief that Palpatine could keep these plates spinning for more than a week.  Anakin is just...blah.  And although I know I’m supposed to like Ahsoka, I just can’t help but find her annoying, mostly because she’s a kid.

Well, we’re about one-sixth of the way through.  She’s got another six seasons to grow on me - and hopefully she will, because otherwise this will be very tedious.

“Holocron Heist” (2x01)

No sooner do I say that than Ahsoka reverts to being a dumb fucking kid.  However, is a full Council meeting to investigate the fact that she’s a dumb fucking kid actually a good use of the High Council’s time?  Just curious.  This arc is honestly really stupid, so I’m not going to spend a lot of time on this, only to say that Cad Bane’s aesthetic is very choice for an outlaw, and the Jedi have laughable security.

“Cargo of Doom” (2x02)

Another Anakin & Ahsoka episode where they and Yularen share one braincell, and Rex is the one who holds it most of the time.  Also really love how the Jedi with the list of all the potential Jedi recruits apparently took his sole record with him to a warzone.  That makes perfect sense.  I’m not really going to get into this episode, except to point out that we saw a Jedi tortured to death on-screen, which leads me to my most pressing question: how much money, per episode, did Lucasfilm have to use to bribe the MPA?  

As for the choice Cade Bane gave Anakin at the end?  As @spiraling pointed out, people don’t die of decompression and vacuum exposure immediately.  Anakin could easily take Bane out and rescue Asohka in that time.  She’d need a dip in bacta, but she’d live.  

“Children of the Force” (2x03)

This episode is actually the worst of all, because the Jedi (who, by the by, are an actual government entity with access to priority comms and lots and lots of computer space) don’t have backup lists of their recruits, nor do they, say, call ahead with the address and have the local government set a trap before they arrive.  Poorly done, Obi-Wan, poorly done.  

Anyway, the kids are rescued from the unspeakable horrors that later children will be exposed to, children like Mara Jade and Lumiya.  Good for Anakin and Ahsoka!  However, I’d like to present a more awful possibility:  If it weren’t for the need for a holocron, Cad Bane (and by extension, Palpatine) would have gotten away with it.  Like, Palpatine is a Sith Lord, trained by a Sith Lord, and his putative apprentice is a former Jedi who had access to the temple and the various Jedi stores until about a year ago.  Do you really think he doesn’t already have a holocron ready to go?

So instead of stealing a holocron to start off with, Cad Bane just... targets and captures Bolla Ropal under the guise of a CIS attack.  He steals the kyber crystal.  The Jedi are very, very worried, of course, but it takes time for them to realize it’s gone missing.  in the meantime, however, Cad Bane just takes it to Dooku, they pull and copy the list, and the harvesting of Force-sensitive children can continue.

This is, I think, one of the great disappointments of TCW.  For a show that likes to use the model the Justice League cartoon of the early 2000s pioneered, they haven’t quite figured it out yet.  This is the sort of plot that could fuel an entire season of investigation, but instead they have these little three-episode arcs that never connect to the rest.  It’s a real shame.

Next week: We continue Season 2 with “Bounty Hunters”, “The Zillo Beast”, “The Zillo Beast Strikes Back”, “Senate Spy”, “Landing at Point Rain”, “Weapons Factory”, and (time permitting) “Legacy of Terror”.