#the queer community means so so much to me

[stump-not-found]

i <3 creepy hallway

creepy hallway number one <3

alright time for more home life stuff . the bedroom scene came up as a way of trying to reintegrate the gold statue from earlier, since i just really love trying to find old elements and tie them in as plot relevant as time goes on . not usually planned, but it comes through during the editing stage, which is a fun game of deciding what scenes to keep, and which to get rid of . i wasn't so certain about this one, but i loved the idea of baby ford interacting with mabel, who's slightly older... i need to draw art of it, honestly . they're cute

it's really gratifying seeing people pick up on what i've been setting up as part of ford and the statue, the fact i was able to effectively communicate something going on means the world to me . the rest of the story is gonna dig into it more so i won't lay it all out here, but it really is so much fun . makes the whole writing process feel so communicative when people share thoughts and interpretations . especially when the scenes are meant to be read into !

we also get the closet yay . sure that's not gonna be important at all

writing the kids big blow up fight was a trip and a half . the original vision was a pretty shallow "we're stressed out and out grunkles should stop being mean to each other :(", just as a way to try and push forward the dynamics between ford and stan . that still exists, it's just a lot more focus being put onto the kids themselves . they're tertiary characters for sure, but i like thinking about their home life, and how that impacts them

one of the challenges is trying to have the fight feel fairly balanced between the two of them . shoutouts to my brother and wife for the full ass socratic seminar we had about threading that needle . how do you get a conversation where a young trans boy is trying to discuss his fears about his life and his body, and keeps getting shut down ? how do you balance that with a little girl who feels like it's her job to be the sweet, happy, emotionally intellegent adult in the room ? i'm happy with the end result but boy was it stressful

bill also wasn't gonna be here but i wanted more bill so . he got to come back . i really liked tying in nick with the spit to the little chats their having in the paradox dimension . love the lil hand pinch that was just a treat for meeeee, i get to be indulgent in my fics as much as i want . i also like the fact that ford is under some indescribable pain that entire time . they got a dynamic in this story that makes me laugh .

you know whats funny is i didn't even realize ship of theseus was a paradox writing a lot of the stuff about paradoxes . for some reason i just stumbled into that one . very funny . or, no wait -- i totally knew the entire time my brain is the size of three (3) whole apples

oh man and the entire lab scene i just loved writing . i love including bathroom breaks . i love dipper's poor hygiene . i love the fact the kids traded gold for soda, they're such perfect lil con men in training . and again the whole talk about star trek was so indulgent and fun

the brothers grew up queer in the 60's/70's and that's a major part of their arc . i hope to get across the ways they both hurt each other both as kids and adults . they still got so much to work on, and i just don't know if they've got the time

anyways creepy hallway bill time

favorite part:

“Clark.” Ford stiffens, stops. Looks up. “What?” “That, uh, captain guy. The one with the, he had the big, you know–” Stan gestures over his chest, puffing his pecs out a bit more. “Always had em out, shirt cut off or whatever. Got all hot and sweaty. Great hair.” “...Kirk?” Ford turns in his seat, slightly, to get a better look at his brother. Stan clicks his tongue, points his index finger in recollection. “ Kirk .” He repeats, and the image of the guy blooms in Stan��s head. Ford had a magazine with him on the cover, about as disheveled and beat up as a guy could look, shirt torn open. That particular mag went ‘missing’ into Stan’s stash, and he laughs at that old memory getting drudged up. “I, uh. Was a fan , back then.”

i just love how neither one of them can say what they're talking about out loud lol

Stan and Ford have a conversation, Mabel and Dipper get a bit absurd, and something gold is given meaning.

If you don't look, you won't see it fading.

[losttimesnail]

every time someone comes out to me as trans i feel this great ache. like thank you. for trusting me, for being kind to yourself in admitting this, for being brave. im sorry for all the ways the world wont be ready for you yet.

[losermothman]

I don’t think you guys UNDERTSNAD how important Edwin and Charles’ relationship is to me as an aroace person. THAT is what I want from a relationship. Something such an obvious mix of romantic and platonic and I-don’t-even-know that all the lines blur bc the only important thing is that you love them like you’ve loved nothing else and are so devoted that you would do nothing else but love and protect and cherish them for all your worth. isn’t it the love that matters more than what type of love it is? why do their labels need to be so cut and dry? why does it need to be anything more? why can’t they just be? why can’t they love each other how they want to love each other? why do they need to be anything else?

[catrassingletear]

You know queer people made a thing when:

[hauntingofhouses]

i know I've mentioned my interpretation of mizu's gender a million times on here but i don't think i ever fully elaborated on it.

so on that note i just wanna ramble about that for a bit. basically, it's my reading of the show that mizu is nonbinary, so let me dig into that.

putting the rest under the cut because it ended up being pretty long lol. also here have a cute mizu pic of her being happy and most at ease with herself, symbolised by her letting her hair down. <3 ok let's proceed.

thus, when i refer to mizu as nonbinary, i am interpreting mizu as a woman, but not ONLY a woman. not strictly a woman. she is also a man. she is also neither of these things, she is something in between, while at the same time she is none of these at all. i've said as much many times, but i just don't want people to think that when i say nonbinary, it inherently means a "third androgynous gender" that essentially turns the gender binary into a gender trinary. not only is that going against what the term nonbinary was crafted for (to go against rigid boxes and categorisation of gender identities), but also, not all nonbinary people fall under that category or definition, and that's definitely not the way i interpret mizu.

okay before i go deeper i'd just like to address some important things. first of all, this post is an analysis of canon, and thus everything i am arguing for is about my own interpretation of the show, and not some baseless projected headcanon i am projecting onto the character. please remember there is a difference between an interpretation (subjective; interpretations will differ from viewer to viewer, but ultimately it is firmly rooted in evidence taken from the source material) VS a headcanon (unrelated and often even contrary to what is presented in canon; opinions wildly differ and they cannot be argued for because there is no canonical evidence to back it up).

ALSO please note that nonbinary is an umbrella term. this means that it applies to a vast range of gender identities. other identities that fall under the nonbinary umbrella include agender, bigender, genderfluid, and so on. however, it's my personal preference to use the term nonbinary as it is, simply because i'm not a fan of microlabels (more power to you if you do like them and find they suit you more though!).

also, before anyone fights me on this, let me clarify further that gender means something different to everyone. it's not your biological sex or physical characteristics. but at the same time, gender is not mere presentation. you can be a trans woman and still present masculine—either because you're closeted and forced to, or because you just want to—and either way, that doesn't take away from your identity as a woman. same goes for trans men. if you're a trans man but you wear skirts and don't bind or don't get top surgery, that doesn't make you any less of a man. because gender non-conformity exists, and does not only apply to cis people! some lesbians are nonbinary and prefer using he/him pronouns while dressing masculinely, but that doesn't mean they're a man, or that they're any less of a lesbian. neither does this mean that they're a cis woman.

the thing about queer identities in general is that, like i said, they mean something different to everyone, because how you identify—regardless of your biological attributes and fashion or pronouns—is an extremely personal experience. so a nonbinary person and a gnc cis woman's experiences might have plenty of overlap, but what distinguishes between the two is up to the individual. there's no set requirements to distinguish you as one or the other, but it's up to you to decide what you identify as, based on what you feel. either way, by simply identifying yourself as anything under the LGBTQ+ umbrella, you are already communicating to the world that you are not what a conservative, cisheteronormative society wants you to be.

which is why i find all this queer infighting on labels to be so ridiculous. because we're all fighting the same fight; the common enemy is a societal structure that divides us into set roles and expectations purely based on our biological parts. that's why biological essentialism in the queer community is a fucking disease. because by arguing that women are inherently weak and fragile and soft and gentle and must be protected from evil ugly men, while men are inherently strong and angry and violent and exploitative of women, these people are advocating for the same fucked up system that marginalises and abuses women as well as effeminate and/or gay men.

anyway. i'm going on a tangent. this was meant to be a blue eye samurai post. so yeah back to that— the point i'm trying to make is that there's no singular way to identify as anything, as everyone's views on gender, especially their own, is specific and personal to the individual.

so with that being said, yes you can definitely interpret mizu as a gnc cis woman and that's a totally valid reading of the text. however, interpreting her as nonbinary or transmasc also doesn't take away from her experiences with misogyny and female oppression, because nonbinary and transmasc folks also experience these things.

me, personally, i view her as nonbinary but not necessarily or not always transmasc because i still believe femininity and womanhood is a very inherent part of who mizu is. for example, from what we've seen, she does not like binding. it does not give her gender euphoria, but is instead very uncomfortable for her both physically and mentally, and represents her suppressing her true self. which is why when she "invites the whole" of herself, she stands completely bare in front of the fire, breasts unbound and hair untied. when she is on the ship heading to a new land in the ending scene, she is no longer hiding her neck and the lack of an adam's apple. we can thus infer that mizu does not have body dysmorphia. she is, in fact, comfortable in her body, and relies on it extremely, because her body is a weapon. instead, what mizu hates about herself is her face—her blue eyes. she hates herself for her hybridised racial identity, hates herself for being a racial Other. hates that she has no home in her homeland. thus it is important to note that these are not queer or feminist themes, but postcolonial ones.*

* and as a tiny aside on this subject, i really do wish more of the fandom discussion would talk about this more. it's just such an essential part to reading her character. like someone who's read homi k bhabha's location of culture and has watched this show, PLEASE talk to me so we can ramble all about how the show is all about home and alienation from community. please. okay anyway—

nevertheless, queer and feminist themes (which are not mutually exclusive by the way!) are still prevalent in her story, though they are not the main issue that she is struggling with. but she does struggle with it to some extent, and we see this especially during her marriage with mikio, where we see her struggle in women's domestic spaces.

on the other hand, though, she finds no trouble or discomfort in being a man or being around other men—even naked ones—and does not seem stifled by living as one, does not seem all that bothered or uncomfortable navigating through men's spaces. contrast this to something like disney's mulan (1998), where we do see mulan struggle in navigating through men's spaces, as she feels uncomfortable being around so many men, always feeling like she doesn't belong and that she's inherently different from them. mizu has no such experiences like this, as her very personality and approach to life is what can be categorised as typically "masculine". she is straightforward and blunt. her first meeting with mikio, she tells him straight to his face that he's old while frowning and raising a brow at him. she approaches problems with her muscles and fists (or swords), rather than with her words or mind. compare this with mulan, who, while well-trained by the end of the movie, still uses her sharp wits rather than brute strength. this is a typically "feminine" approach. it's also the approach akemi relies on throughout the show—through her intelligence and persuasive tongue, she navigates the brothel with ease. mizu, in contrast to someone like mulan and akemi, struggles with womanhood and femininity, and feels detached from it.

thus, in my opinion, mizu is not simply a man, nor is she simply a woman. she is both. man and woman. masculine and feminine. she has to accept both, rather than suppress one or the other. her name means water. fluid.

as a side note, while i do believe mizu is nonbinary, i also primarily use she/her pronouns for her, but this is a personal preference. i find it's easier to use in fanfic (singular they is confusing to write stories with, but again, that's just my feelings on it, and this is coming from someone who uses they/they pronouns). i also lean towards she/her because it's what the creators and all the official promotional copywriting of the show uses. and even though i am a "death to the author" enjoyer, i feel that when interpreting things that are left open-ended, it does help to look at the creators' take on things. also because, in general, being nonbinary simply doesn't necessitate the use of they/them pronouns. nonbinary is not just a third gender. it's about breaking the binary, in any which way, and that's exactly what mizu does, constantly.

also, i'd also like to mention that one of show's head of story even referred to her with the term "nonbinary", rather than simply "androgynous" (see pic below). and it's possible this could be a slip up on his part, in which he believes the terms are interchangeable (they're not btw), but regardless i find it a very interesting word choice, and one that supports my argument.

so anyway yeah that's my incredibly long rambling post.

TL;DR nonbinary mizu rights 👍🏻👍🏻👍🏻 congrats if you reached the end of this btw. also ily. unless you're a TERF in which case fuck off. ok i'm done.

[moe-broey]

Close ups on the pocket details!!! I'm SUPER happy w how the top pockets look 😳😳😳

I think the variety of pride pins with the moral panic button/Mr Faggot beadwork just. Really sells it. Shadow the Hedgehog voice Pee Your Pants. If you're going to be a shithead about me I'm going to be really annoying and do a bit about it. Plus the little golden angel pin... ALSO really pulls the whole thing together. "God help you" Right in front of my guardian angel? Really? 😒And how could I not make mention of. The Skull. I love you The Skull. It's a button (not sewn on yet, pinned) that I filled the details in w nail polish. Oh yeah! Besides the bottle cap pins (acrylics sealed with mod podge and a prayer), the biggest addition there is the chain lining the pocket flap! I think it looks SO SLICK

The pansy was gonna go on the queer side, but then I got the boutonniere idea! And I think it looks nice! Kinda adds to the asymmetry of the floral print/plaid blocking. And... of course.... I have... my friends...... 🥺 Biggest additions here are the glow-star pentagram pin, soda tabs and the heart locket!

I don't really have many new additions to the bottom pockets. Not yet! The only thing I did was stitch one side of the handcuff chain, and rearrange the pins holding up the other side. The cuffs/scorpion was just an impulse addition before going to a concert. But I do like it! And it looks even better now! Meanwhile, that other pocket, I actually have no idea what I'll do. Sakura is just there cause she matches really well, esp w the angel pin actually!

[ohmyglobwhatthefrickamievendoing]

I will never be over how at its core OFMD is about queer hope and joy in finding the strength to change and grow, specially during a stage in life/age at which the majority will say that you should be settled with who you are and what you're doing

From Stede falling in love with a man and finally realising he's queer, and embracing that with all the overwhelming joy that he can possibly embody, after years stuck in an unhappy marriage trying to force himself into a role that didn't fit him

To Ed finally falling in love with someone and using that as a catalyst for change to find out for himself what he wants to do and who he wants to be, after years of feeling like he was stuck in one place and treading water

To Izzy finally finding a safe community where he can try out new things and find new ways to express himself, after years of being so tightly wound up and repressed

To Anne & Mary stuck in a rut and unhappy but scared they're too old to change, burning down their old life so they can move on forward together and try something new

To Buttons doing the impossible and changing into a fucking bird

Doesn't it give you hope?

Doesn't it make you overwhelmed?

That no matter what age you're at and no matter how scared you are and no matter how impossible it seems, you can still grow, you can still change, you can still find your people and you can still discover new things about yourself.

That you don't need to figure out everything about yourself in your 20s. That you don't need to fall in love and start the perfect life by your 30s. That you don't need to know exactly who you are and how you're expected to spend your life by your 40s.

That you don't need to remain stuck in the box you put yourself into because that's what people dictated or because that's what was safest.

That you can always grow and change and try something new and it's never too late

[that-dam-heartstopper-fan]

everyone! I need y’all’s help, so I love love love an author named T.J.Baer. He is a small, trans author who is trying to kickstart audiobooks for his new two books “Dreamers” and “The Boy Who was kissed”. He is kickstarting “Dreamers” first and if that does well, he will do one for “The Boy Who Was Kissed”

please at least just check out this video and see more about this!!

[outlying-hyppocrate]

i have officially returned. ask me anything.

[awkwardnerdylesbian]

i’m. hmm. ok still can’t get over bi benedict

THANK YOUUUU and that small gay panic from francesca amazing

[cuteniaarts]

@katkastrofa, circa 40-ish hours ago: Hey, what if our newest bunch of OCs adopted a baby from one of the other brothel girls who knew she couldn’t afford to raise one? That would make for some fun shenanigans :D

Me, with a notoriously non existent sleep schedule, instinct of self preservation or concern for my poor wrist: Alright, bet. Watch how fast I can make you fall in love with this hypothetical baby >:)

Daneli as a gentle and loving caretaker-turned-adoptive-mother is something that can be So Personal, actually, and originally I was going to leave it at this quick sketch, but then I got carried away thinking about what this child will grow up to be like raised by this little gang of misfits, so…

Here she is!! A little older and so, so beautiful, I need more of her in my life immediately, she’s way too precious

And, because I wouldn’t be me if I didn’t also add a sapphic element to this absolute cinnamon roll, a small crack ship that I’m only half serious about for when she’s a little older still:

All in all, we may be getting impossibly far from canon, but I for one already cannot get enough of sweet darling Kumisai <3

(I fully drew three pieces from scratch in 9 hours I cannot feel my brain or my hands anymore send help)

[sadquickchristmassnowman]

question for you all

(the husband is NOT abed. important info)

(read the tags for my “abbreviated” thoughts If You So Desire)

[agent-oo-z]

Not to be a simp but gods Gomez and Morticia

“I would die for her! I would kill for her! Either way, what bliss!” ARE YOU FUCKIN KIDDING ME?! I’m just supposed to keep living normally after hearing that?!

A husband and wife so deeply devoted and in love that they cannot wait to be buried side by side? A couple for whom death isn’t the end not even necessarily because of an afterlife but because decaying together sounds so magical?! And people just expected me to be normal after that?

He sees the universe in her eyes and she sees it in his and when it all eventually dies their love will remain etched on their headstones for everyone to see forevermore?! An eternity of silence and yet they’re screaming I LOVE YOU I ADORE YOU I TREASURE YOU and people will be able to feel it just by looking at their grave and they will be confused and afraid because they can’t imagine being so in love that being left to rot in boxes in the ground together sounds just as romantic as a candle lit dinner

[lesbos-crossings]

izzy participating in drag and publicly embracing his own artistic talents as a form of queer self and community acceptance is genuinely so healing im gonna pass away

[moe-broey]

All that said though I think there's a lot of room for the ages to be up for interpretation, for the Askr siblings. But the key thing to me is that it was established Book 4 that Sharena has been an adult for some time (for Alfonse to say it like that), meanwhile it's established through Sanaki that Veronica is a young teen or even pre-teen. That's really what matters to me, when it comes to my own discomfort with romantically shipping Veronica with either of them, extending to Thrasir and Lif as well. I also feel like the bridal duo does a good job portraying that Sharena and Veronica's relationship is more of a mentor/role model thing, a family friend or a friend you consider family.