#the process was more than satisfying!
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So I just won a competition for my research project…
MOM DAD IM A REAL SCIENTIST!!
#pretty crazy but yeah#we were doing a country wide data analysis on breast cancer incidence rates and ambient air pollution#multiple linear regression and what not#I wrote a manuscript and everything it was so cool!#now we present at nationals and have 0 chance of winning#but wtv#the process was more than satisfying!#studyblr#not studyspo#stem academia
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:')
#witch hat tag#orufrey#i will go back to the angst zone at some point so..... things the way they still are in canon this won't feel right for long#having portrayed the 'we've kissed but haven't worked out the trauma and pain so what we have is still too fraught' era in writing#i just want to draw past that for a bit...there's more..we're more than just this... let's go to the gentle kiss zone#it doesn't feel right not drawing EVERY aspect of Betrayal Processing but damn i'm not going to comic about EVERYTHING it's not possible#so just let me do what comes to mind.. <- still at cai court arguing on behalf of cai (me) to me (cai)#i wish i could do more fic illustrating & be satisfied with it. i want to portray the moment where oru is staring darkly into the fireplace#and basically qifrey sorta wants to die so this shame can be over. well anyway
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Beauty and the Beast for the WIP game?
My only real attempt at writing poetry before this year happened during a stretch when I tried to write a Beauty and the Beast retelling in verse. I got about two-thirds of the way through before it fizzled out and languished forever unfinished.
When it comes to my recent novel-in-verse obsession, the simplest option would be to take another look at this work and try to finish it. There's a lot of terrible poetry in there, but there are some that are somewhat better than I remember. I can't claim to be a judge of what's good poetry, but some of these are readable, so I'll share some of them here.
The first set of semi-readable poems covers the first meetings between Beauty and the Beast. (These are all numbered, and I'm leaving the numbers in place to better differentiate between separate poems. I think the speaker in most of these is fairly clear from context, but just in case, I'll put the speaker's name in the title, too.)
VI. beauty and beast
he is every nightmare i’ve ever forgotten he is thunder and darkness and death he is fear with fangs he is beastly
she is every dream i’ve never dared for she is roses and sunlight and life she is hope with jewels she is beauty
*
VIII. beauty
the chair creaks when he sits
my knees quake when he speaks
the master laughs when i ask
when i will die
my ears doubt when i hear
my mind reels when i realize
the master wonders when i began
to think he’d kill me
IX. beast
the rules are these you are mistress of this castle the servants will obey your every whim the rooms and all within are yours including me
you will dine with me at dusk we will not speak if you want silence you will look at me and try not to scream
i will not harm a hair of your head i will not cause a moment’s worry you will do whatever you wish except leave
X. beauty
his mercy shatters my world makes it bigger and at the same time smaller
how can i live in a monster’s cage
my life will be long and lonely with him my friend and at the same time jailer
how can i look at a monster’s face
the castle teems with wonders that all belong to him and at the same time me
what do i do with a monster’s love
*
The next set of poems I feel like sharing starts with Beauty finding a portrait in the castle, and then leads into her sharing a dance with Beast that makes her kind of freak out over the fact that she might be falling in love.
XXII. beast
today you found a painting in a long-forgotten room covered in cobwebs and shrouded in dust
there was a reason it was lost
the portrait showed a man with a face like the dawn and eyes like the sea you thought he looked kind
he was young and a fool
you may keep it if you wish or lock it back in darkness it matters not to me i used to see him daily
i doubt i’ll see his face again
*
XXIV. beauty (and beast)
if rooms have souls the ballroom is wise a radiant beauty long past her prime
she treasures the days when she lived and was loved she keeps them and counts them like pearls on a string
(she is not the only one, my dear)
long past midnight in moonlight and hush this sleepwalking girl can glimpse former days
a flash of a gown and a whisper of waltz what glorious balls must this room have beheld
(they were marvelous indeed, my friend)
it seems a shame she grows old alone with nothing but darkness and dust held within
i would dance for her return the spark of life if only we had music and i had a partner
(i will gladly dance with you, my love)
XXV. beast
my dear beauty don’t you know i learned dancing long ago
one step closer take my hand with a waltz you’ll understand
let the music guide your feet in a dance that’s slow and sweet
hand in hand and heart to heart it’s not love but it’s a start
XXVI. beauty
he is hulking beastly
i am small delicate
i should be stumbling crushed
but
we marvelously miraculously dance
and it feels like flying
XXVII. beauty (to the portrait)
man on the wall i may be mad but i must give voice to the storm in my heart and you are the only one near
the master puzzles me i know his home as well as my own but i know so little about him
(is he beast or man or nightmare or dream or captor or friend)
i saw his face and thought him a beast
(but he grows roses and reads poems and has never killed or even raised his voice)
i heard his voice and thought him a monster
(but he spared my life gave me his home and all he owned offered his heart and never once has been anything but gentle)
i watched him dance and thought him a man
(with grace like an angel or a prince and i think that maybe he was not always so lonely and that his heart aches for things lost)
what am i to think do say be feel about him now
and why do these questions always come at midnight
*
The final poem is one that I had completely forgotten about, so I was shocked to find it lurking in the latter sections of the document and showing signs of using some decent imagery. By polishing up the last couple of lines, I've got something that's not half bad as a standalone poem.
This one occurs during an extended period when Beauty is still trying to process her feelings toward Beast and figure out if this is really love or if her feelings are being warped by isolation and close proximity.
XXX. beauty
if this is love it is a dark and grasping love a child stumbling in the night crying for a candle flame and cherishing the smallest spark of light
if this is love it is a bleak and desolate love a skeleton tree in a barren desert windbeaten and scrubbed to bone and bursting into bloom at the first drop of rain
if this is love it is a smoke and mirrors love a sleight of hand or trick of light that takes my broken heart and fools me into thinking he can make it whole
#answered asks#poetry#fictionadventurer poetry#adventures in writing#fairy tale retellings#beauty and the beast#i was surprised to find that for the most part the free verse was much better than the rhyming verse#in editing this i'd take out most of the rhyming poems#and work to actually characterize beauty and beast a bit more#i'm still debating whether this is worth polishing up#in terms of 'satisfying this mad desire to write a novel in verse'#this is the least labor-intensive one#a decent training ground for the format#(also can you tell that i was reading too much e.e. cummings when i originally wrote this?)#(unforunately all i managed to absorb was the most superficial stylistic things)#(i don't know if there was a thought process behind the specific line placement in beauty's 'talking to the portrait' poem)#(beyond just trying to convey that her thoughts are all over the place)#(so i didn't overthink the formatting here)#(but i do wonder what i could do with it if i had any clue how to go about using line structure like that)
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2 and 19 for fl?
2. a compelling argument for why your fave would never top or bottom
i think mr veils fallen london is actually extremely peggable. no i cannot explain this. no i will not even attempt to explain this. i just. i feel it in my soul. ever since it pulled a doomed yaoi that bat has been YEARNING for someone to come around and put it in its place and i think someone needs to step up to the plate and do it already. yes this answer is completely unserious but also some of it is entirely sincere and i'll leave it up to y'all to decide which is which
-
19. you're mad/ashamed/horrified you actually kind of like...
head in hands. looking back at it now, uh. i. uh.
i think knifegate was actually pretty fun.
#and by knifegate i mean just the process of collecting all of those night whispers and turning them in all at once for Huge Money#idk. it felt really rewarding. ik that's way less because of knifegate itself#but the experience of amassing all of those knives was just... idk! it was more satisfying than i expected.#though maybe that's just deranged hindsight yin talking.#im sure if in-the-moment still playing nemesis yin heard me he'd want my bitchass dead#ask#fallen london
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experimenting with render again so I drew her
Well it wasn't supposed to be this polished so I didn't really pay attention to perspective neither expression and now I have little urge to redo.... Well I'll redraw it one day anyway so it won't bother me this much tomorrow. Gotta work on noses more I think.
Makima from Chainsawman
#my art#art#fanart#digital art#chainsawman fanart#chainsawm man fanart#makima#makima fanart#my art 2024#doodle#experimental art#im more satisfied with the process than artwork itself but well#it just another step forward right
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( ah, well. such is enjoying minor characters. so minor, in fact, that their role in a story is completely malleable! they're an empty canvas! you can tweak 'em and the events around 'em however you want! so don't you mind if I... )
#( ooc )#( the updatening of b.rush and unbrydled will be a gradual process as: )#( one: having a full time job pays the bills but is a creativity parasite and )#( two: I need to screenshot the hell out of my mans' appearances and )#( three: I have zero artistic talent so producing icons/themes I'm satisfied with will be trial and error )#( I hope the end results will be more entertaining and interesting than fuckingnothing.jpg )#( yeah I'm a little frustrated but we're gonna channel that into something good damn it )#( stay tuned. )
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please forgive my most passionate disruptions, written by @pumpkinpaix and read by esbielle, is now finally complete! You can check the whole podfic now on ao3!
#podfic#mdzs#mo dao zu shi#the untamed#wangxian#please forgive my most passionate disruptions#i had started podficcing this almost 4 years ago now and i have finally finished!#so much has happened since that even my username is different (sorry about that for anyone that might get confused due to it)#back when i'd started i had many things i didn't know how to tackle but was very motivated to get to#but i also let some time go by and wasn't even sure if people would still be interested in my podfic of this story#i had many doubts in the process but i still had such a love for the story that i just had to come back to it#time has passed and my podficcing process has evolved so much that i also needed to re-record what i already had#and i feel even more confident with my performance now than when i'd first started#i feel like i had to go through many things before being able to be completely satisfied with my podfic#still i'm so sorry for the wait!
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Hmmm papas gonna need to switch to edibles again soon
#took a break from smokin when i had covid#went right back to it and heavily after i got better#its bad for me though. as satisfying as a bong rip is#like i dont plan on going sober or even necessarily reducing my weed intake#but i think i need to find like a kind of edible i can depend on#i am realizing often i get addicted to the process more than anything else#the process of bong smoking is so satisfying
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day 2 of the move!!!!! my body gave out on me at like 3-4pm yesterday and my 69 year old mother and 78 year old father were fucking supreme for not letting me exert myself and doing all of the cleaning and heavy lifting themselves
#to be fair: my mother was in her element#she has a rigorous weekly cleaning regime and the chance to clean a completely unfurnished room????#my plan was just to like#get the cobwebs out of the window and wipe the skirting boards and hoover#she deadass cleaned the ENTIRE place from top to bottom#and wasn’t satisfied with just having sprays and wipes so she’s bringing her mop + mould and damp spray and actual industrial masks today#it wasn’t even that dirty#me and my dad went back to the house bc we forgot my hoover and by the time we came back she’d also cleaned both the doors#and made friends with one of my neighbours#she’s a legend#thankfully today I should have more energy bc I slept more than 4 hours#and I don’t have to go to head office to do all of the paperwork and get the keys like yesterday#so my goal is: finish packing before they arrive#or at least. start the process of ‘finish packing’ before they arrive skskskksksks#try to get everything over there today#and maybe sleep on my mattress on the floor tonight???????#bed frame is coming on Monday!
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x rambles in the tags about my art struggles, nothing new to see :0
#ive been having some real big art thoughts and feels about my art process - some good... some confusing#im more mentally organized today than i was last week...but its still really confusing and idk where im going from here :0#all i know is that 1) im going through a very very slow process of my art evolving + my process changing - since earlier this year#2) i have not let myself slow down and appreciate the art of creating like i used to - due to many factors: mainly fear of losing relevancy#3) and i feel that im taking my art too seriously for something that is suppose to be enjoyable & satisfying#4) also im influenced very easily but outside sources (which isnt technically good nor bad)#and thats it. thats all i have to report :3 lol#anyways. its a REAL CONFUSING art time for me rn but just sketching privately and not finishing my wips seem to be doing something good atm#sometimes i fear ill end up stuck in this frustrating period & that this is it from now on..but thats silly & this isnt my first rodeo :0
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you know a legitimate worry i had was hitting a wall after a certain point
#like i always need to have the next rung of the ladder on my mind to feel satisfied w my work#something to work towards#if becoming a doctor takes more steps and is a longer process than i thought#like that can be really enjoyable in itself really#that's a good thing that's how i work#txt
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into the deep end - 30k T orufrey fic, focusing on memory trauma, disability, and romance.
the sweet oblivion of the victim, the poisoned freedom of the witch.
for one moment - it had felt like two parts returned - the needed reunion of two disparate halves. no more secrets, no more pain.
the moment you get to give back what you never wanted to take. that moment, under the night-blooming flowers, when they had both let out the same single broken sigh of relief.
but they were never whole to begin with, were they?
qifrey swore he wouldn't say 'sorry' to this man any more if he could help it - sorry is cheap now. he didn't want to be in a position ever again where you only have 'sorry' left. so he just looks down into the threads of his blanket, strains his eye until it hurts, feeling his insides - his throat, heart and head - burn with pain. he expects more, but olly says nothing.
olly says nothing.
#witch hat tag#orufrey#sorry i wanted to make a new post for my fic since the first illustration is new.#*stands in the middle of a desolate field in the pouring rain* Please Read My Tale...Blease..Oh god please..*collapses to the ground*#someone asked if there's spoilers in it. Um...yes. Sorry...it's about everything#maybe i should describe it more? it's about qifrey becoming more and more disabled - as i feel is his canon trajectory#and both of them processing the choices that have been made. it was necessary for me to explore this in order to fully understand orufrey#and for them to have the cathartic conclusion-that's why this is important to me for my witch hat fanwork making life. this connects it all#and having dived into qifrey's mind and lived through oru's feelings i was able to get to a place that is possible for them.#the hit/kudos ratio is so pathetic idek what happened. ppl opening it realising its long and saving it for later or just bailing lmfao#idek any more i hate advertising my writing i hate trying to get more ppl to read my long fics it's so hard 🥲#i'm so much prouder of this than my art...i was able to sink deeply into the orufrey feelings i had always wanted to fully explore#so. it's there lol.........i reread the date/kiss segment today after trying to forget about it thinking maybe the fic is just BAD lol#and like.....nope! i like it very much and this is what i was trying to get across. and it's always there to be read by anyone who wants to#and i will always remember the bliss i felt while writing when i was just lost in their world and living as them. dear GOD i love them.#i'm grateful to myself that i put in the work and love to make this so that i can always come back to it. i wanna illustrate scenes properly#but i'm never satisfied with drawing things i've written because i just can't capture the vivid experience in my mind. maybe one day.
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31st December 2022
Ethan Ramsey & Marissa Sanders
“Each day I love you more, today more than yesterday and less than tomorrow.”
#ik it's late but in my defence shay posted her this photo days ago and for two days I was processing askjsjksjkhj#anyways nothing is more satisfying than finding perfect photos fitting each other ❤️#ethan ramsey#marissa sanders#ethan x marissa#open heart
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theres a response on the male suicide post that goes basically "it's not that men aren't allowed to show feelings, it's that men show emotion differently from women which isn't accepted" and I'm sure there is something to that but it's funny to me because i have four straight older sisters with what i'd call average rates of romantic relationships and every single boyfriend that's made it through our family in the last 30 years have had more classical displays of emotion than my sisters have.
which is deeply anecdotal and probably says more about my family than anything else. still funny.
ofc it doesnt matter because to my understanding it's got very little to do with how feelings are shown vs how feelings are recognized, validated, processed or regulated.
#earlier today i heard a psychotherapist explain self harm as a method of self-validation for emotional distress which#i havent had spelled out to me before but rings a lot more true to me than most other explanations ive had presented#in my own case that is#likewise - and even more anecdotal - the one of my sister's exes who killed himself#was one who WAS very expressive about his emotions and showed them in very typical ways - but whose family and closest network#did not validate what he was experiencing when he came into crisis#and whose family has a generational history of suicide. none of which has been processed.#i just. listen. you can boil it down to whether or not someone is able to cry but that is IMO such an oversimplification#because emotional displays highly individual and i DO think that's pretty accepted#imo the the question is: whether someone is allowed to react emotionally and to process their experiences#in a satisfying way#or are they expected to simply not notice or care#and whether one has acceptable routes to regulate emotions that pass the threshold of what can be handled by stoicism#so when the most expected or publically accepted emotional reaction is outward anger? well.
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After my last post I decided to sit down and rank all the possible companion pairs. here is the tierlist, should you wish to fill it out yourself.
This is a "ship" chart, but it's important to clarify that I am interested in how the dynamic works overall, not just romantically. I am very invested in how the stories of different characters overlap, and how they could mesh together to change both people involved. so the more interesting I find an individual character, the more likely they are to be higher in the chart.
How interesting I find characters also usually translates to my desire (or lack thereof) to draw them. So my likeliness to draw a pairing is the scale I used to describe each tier, rather than a nebulous "S," "B", or "F." This way, I feel it is better understood exactly why each pair is placed where it is.
Once again, sorry to those who enjoy miss SH. I do not hate her, I just do not find her to be an especially compelling character. I like the voice acting for her, but I don't care for her design, and I feel any element of her story is simply better explored in those of other characters.
*Special Exception 1: I have to split this pair off specifically, because I've thoroughly disparaged it in the past, based on erroneous judgments of halsin's character. when I first played the game, I locked myself out of a lot of Act 2 dialogue with him, which meant I missed the parts of his character that I do find interesting. I will say, it does still deeply bother me how much of his character revolves around sating the sexual desire players might have for him. I also hate that, as far as I'm aware, he can only acknowledge the player's relationship with astarion in the context of having sex. But after spending an entire campaign playing the game correctly, trying to learn as much about halsin as I could, and thus romancing him, so that I could properly judge him, I have grown attached to my rewritten version of him. so I'm not so much fond of the star/halsin pair as it is in game, as I am of that dynamic in the context of corydalis' campaign.
*Special Exception 2: after what happened with halsin, I feel it would be unfair to judge how interesting I might find minthara's relationship with most of the other companions, given that I've not yet had the opportunity to recruit her. despite this, I can safely say that I have no interest in whatever would likely play out between her any of the men, bar gale. gale is the exception because I've seen snippets of dialogue between them. I do not necessarily think they'd work together romantically, but again, it's more that the potential dynamic between them is interesting to me, regardless of the type of relationship they have. also, I do not categorise all other minthy x male companion pairs as bad because I am of the belief that she is not bisexual. I have faith that this game would make an effort to show us that she was a different identity, were she, because it already does a great job of affirming every other companion's bisexuality outside their potential relationship to the player. what I do not have faith in, however, is that minthy has as beautifully written a story as lae'zel does, where she learns to abandon the cruel and bigoted beliefs her society indoctrinated her to have. not when origin companions like wyll & karlach still lack material, and not when halsin's writing is as inconsistent as it is. I do not think that either halsin or minthy have, or will ever have, fully fleshed out narratives.
if you've interesting commentary about a particular pairing that you like, that you feel I might benefit from reading, do feel free to share it! even if I dislike a pairing, I am usually willing to read someone's thoughts about why they do find it interesting, granted it's not like...something utterly foul. I just ask you keep any commentary you choose to share to companion/companion pairs or companion/companion pairs in the context of polyamory with a tav/durge. NPC romance is another conversation.
#bg3#thoughts about media#sorry. I know this is wordy... but I think it's fairly concise considering I am typing all of this.#I feel my commentary is still shorter than that of many streamers I've seen do tierlists for whichever subject.#overall I am still less invested in companion/companion pairs than I am in creating an engaging dynamic between a companion/tav of mine.#sure it's considerably more work to produce a compelling companion/tav pairing. but I find it infinitely more satisfying to do.#and I must clarify. because it's imperative to understanding why I enjoy it more. that I do Not do self insert tavs of any kind.#I have nothing against the practice. even though I do not understand the appeal whatsoever because my enjoyment of something doesn't-#-necessitate my complete identification with a character in the narrative. I rather enjoy different characters for different reasons.#when I make a tav. I'm creating an... “informed response�� to whichever companion I am having that tav romance.#I start with a purpose and flesh them out as I go. I rework them over and over and over. sometimes I even change who they will romance!#it's a whole process. might not be what others find fun. but it's what I find fun!
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Hii I hope you feel better soon, and I have a question!, idk if anyone's asked you this before but what's your fav content to make?
Aw, thanks!~
I did answer this before, but I'm happy to answer again, since I have a bit of a different view! I think my favourite content to make is writing fics~ I do love drawing too, but I'm not good enough yet to be fully satisfied with what I've created. And while I enjoy wavs, I'd say probably the same, my skills aren't where I'd want them to be, plus it takes me a bit to record enough snz to make it work.
But I've always loved writing, and while I don't think I'm great at it, I can usually get something that at least somewhat meets my own standards, plus it's just a lot of fun to me!
#waterfallasks#thanks for the question! honestly my answer is so funny considering how like-#scarce my writing motivation has been lately hahaha~ burn out can be a lot#but at the same time i still love it even despite that!~#i do think once i get better at art (if i do lmao) that would likely move up in terms of content i enjoy#i love the art PROCESS maybe more than any of the others~ I'm just not skilled enough yet to be satisfied with the end results
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